THE TEMPEST
The Project Gutenberg eBook, Shakespeare's Comedy of The Tempest, by William Shakespeare, Illustrated by Edmund Dulac
| Note: | Images of the original pages are available through Internet Archive. See https://archive.org/details/shakespearescome00shak |
ILLUSTRATIONS
| Prospero. | ||
| Here in this island we arrived (page 20), | Frontispiece | |
| Prospero. | Page | |
| I have done nothing but in care of thee (page 11), | 8 | |
| Prospero. | ||
|
What seest thou else
In the dark backward and abysm of time? (page 13),
|
16 | |
| Prospero. | ||
|
And by my prescience
I find my zenith doth depend upon
A most auspicious star (page 21), |
26 | |
| Caliban. | ||
|
Wouldst give me
Water with berries in't (page 31),
|
36 | |
| Antonio. | ||
Here lies your brother,
No better than the earth he lies upon (page 61), |
52 | |
| Stephano. | ||
| Come, swear to that: kiss the book (page 72), | 64 | |
| Ariel. | ||
You are three men of sin (page 99), |
80 | |
| Iris. | ||
|
I met her deity
Cutting the clouds towards Paphos (page 110), |
94 | |
| Iris. | ||
You Nymphs, call'd Naiads, of the windring brooks,
Leave your crisp channels (page 112), |
108 | |
| Prospero. | ||
We are such stuff
As dreams are made on (page 114), |
112 | |
| Ariel. | ||
|
All prisoners, sir,
In the line-grove which weather-fends your cell (page 123), |
120 | |
| Prospero. | ||
You demi-puppets that
By moonshine do the green sour ringlets make (page 125), |
124 | |
| Prospero. | ||
Graves at my command
Have waked their sleepers (page 126), |
130 | |
| Boatswain. | ||
And were brought moping hither (page 137), |
136 | |
| Prospero. | ||
|
Calm seas, auspicious gales,
And sail so expeditious (page 142), |
140 |
DRAMATIS PERSONÆ
| Alonso, King of Naples. | ||
| Sebastian, his brother. | ||
| Prospero, the right Duke of Milan. | ||
| Antonio, his brother, the usurping Duke of Milan. | ||
| Ferdinand, son to the King of Naples. | ||
| Gonzalo, an honest old Counsellor. | ||
| Adrian, | } | Lords. |
| Francisco, | ||
| Caliban, a savage and deformed Slave. | ||
| Trinculo, a Jester. | ||
| Stephano, a drunken Butler. | ||
| Master of a Ship. | ||
| Boatswain. | ||
| Mariners. | ||
| Miranda, daughter to Prospero. | ||
| Ariel, an airy Spirit. | ||
| Iris, | } | presented by Spirits. |
| Ceres, | ||
| Juno, | ||
| Nymphs, | ||
| Reapers, | ||
| Other Spirits attending on Prospero. | ||
Scene—A ship at Sea: an island.
ACT I — SCENE I — SCENE II
On a ship at sea: a tempestuous noise of thunder and lightning heard.
Enter a Ship-Master and a Boatswain.
Mast. Boatswain!
Boats. Here, master: what cheer?
Mast. Good, speak to the mariners: fall to't, yarely, or we run ourselves aground: bestir, bestir.
[Exit.
Enter Mariners.
Boats. Heigh, my hearts! cheerly, cheerly, my hearts! yare, yare! Take in the topsail. Tend to the master's whistle. Blow, till thou burst thy wind, if room enough!
Enter Alonso, Sebastian, Antonio, Ferdinand, Gonzalo, and others.
Alon. Good boatswain, have care. Where's the master? Play the men.
Boats. I pray now, keep below.
Ant. Where is the master, boatswain?
Boats. Do you not hear him? You mar our labour: keep your cabins: you do assist the storm.
Gon. Nay, good, be patient.
Boats. When the sea is. Hence! What cares these roarers for the name of king? To cabin: silence! trouble us not.
Gon. Good, yet remember whom thou hast aboard.
Boats. None that I more love than myself. You are a counsellor; if you can command these elements to silence, and work the peace of the present, we will not hand a rope more; use your authority: if you cannot, give thanks you have lived so long, and make yourself ready in your cabin for the mischance of the hour, if it so hap. Cheerly, good hearts! Out of our way, I say.
[Exit.
Gon. I have great comfort from this fellow: methinks he hath no drowning mark upon him; his complexion is perfect gallows. Stand fast, good Fate, to his hanging: make the rope of his destiny our cable, for our own doth little advantage. If he be not born to be hanged, our case is miserable.
[Exeunt.
Re-enter Boatswain.
Boats. Down with the topmast! yare! lower, lower! Bring her to try with main-course. [A cry within.] A plague upon this howling! they are louder than the weather or our office.
Re-enter Sebastian, Antonio, and Gonzalo.
Yet again! what do you here? Shall we give o'er and drown? Have you a mind to sink?
Seb. A plague o' your throat, you bawling, blasphemous, uncharitable dog!
Boats. Work you then.
Ant. Hang, cur! hang, you insolent noisemaker! We are less afraid to be drowned than thou art.
Gon. I'll warrant him for drowning; though the ship were no stronger than a nutshell.
Boats. Lay her a-hold, a-hold! set her two courses; off to sea again; lay her off.
Enter Mariners wet.
Mar. All lost! to prayers, to prayers! all lost!
Boats. What, must our mouths be cold?
[A confused noise within:—'Mercy on us!'— 'We split, we split!'—'Farewell my wife and children!'— 'Farewell, brother!'—'We split, we split, we split!']
Ant. Let's all sink with the king.
Seb. Let's take leave of him.
[Exeunt Antonio and Sebastian.
Gon. Now would I give a thousand furlongs of sea for an acre of barren ground, ling, heath, broom, furze, any thing. The wills above be done! but I would fain die a dry death.
[Exeunt.
The island. Before Prospero's cell.
Enter Prospero and Miranda.
[Lays down his mantle.
[Resumes his mantle.
[Miranda sleeps.
Enter Ariel.
I find my zenith doth depend upon
A most auspicious star' (page 21).
[Exit Ariel.
Re-enter Ariel like a water-nymph.
[Exit.
Enter Caliban.
[Exit Caliban.
Re-enter Ariel, invisible, playing and singing; Ferdinand following.
Ariel's song.
Ariel sings.
Water with berries in't' (page 31).
[Draws, and is charmed from moving.
[Exeunt.
ACT II — SCENE I — SCENE II
Another part of the island.
Enter Alonso, Sebastian, Antonio, Gonzalo, Adrian, Francisco, and others.
Seb. He receives comfort like cold porridge.
Ant. The visitor will not give him o'er so.
Seb. Look, he's winding up the watch of his wit: by and by it will strike.
Gon. Sir,—
Seb. One: tell.
Seb. A dollar.
Gon. Dolour comes to him, indeed: you have spoken truer than you purposed.
Seb. You have taken it wiselier that I meant you should.
Gon. Therefore, my lord,—
Ant. Fie, what a spendthrift is he of his tongue!
Alon. I prithee, spare.
Gon. Well, I have done: but yet,—
Seb. He will be talking.
Ant. Which, of he or Adrian, for a good wager, first begins to crow?
Seb. The old cock.
Ant. The cockerel.
Seb. Done. The wager?
Ant. A laughter.
Seb. A match!
Adr. Though this island seem to be desert,—
Seb. Ha, ha, ha!
Ant. So, you're paid.
Adr. Uninhabitable and almost inaccessible,—
Seb. Yet,—
Adr. Yet,—
Ant. He could not miss't.
Adr. It must needs be of subtle, tender and delicate temperance.
Ant. Temperance was a delicate wench.
Seb. Ay, and a subtle: as he most learnedly delivered.
Adr. The air breathes upon us here most sweetly.
Seb. As if it had lungs and rotten ones.
Ant. Or as 'twere perfumed by a fen.
Gon. Here is every thing advantageous to life.
Ant. True: save means to live.
Seb. Of that there's none, or little.
Gon. How lush and lusty the grass looks! how green!
Ant. The ground indeed is tawny.
Seb. With an eye of green in't.
Ant. He misses not much.
Seb. No; he doth but mistake the truth totally.
Gon. But the rarity of it is,—which is indeed almost beyond credit,—
Seb. As many vouched rarities are.
Gon. That our garments, being, as they were, drenched in the sea, hold notwithstanding their freshness and glosses, being rather new-dyed than stained with salt water.
Ant. If but one of his pockets could speak, would it not say he lies?
Seb. Ay, or very falsely pocket up his report.
Gon. Methinks our garments are now as fresh as when we put them on first in Afric, at the marriage of the king's fair daughter Claribel to the King of Tunis.
Seb. 'Twas a sweet marriage, and we prosper well in our return.
Adr. Tunis was never graced before with such a paragon to their queen.
Gon. Not since widow Dido's time.
Ant. Widow! a plague o' that! How came that widow in? widow Dido!
Seb. What if he had said 'widower Æneas' too? Good Lord, how you take it!
Adr. 'Widow Dido' said you? you make me study of that: she was of Carthage, not of Tunis.
Gon. This Tunis, sir, was Carthage.
Adr. Carthage?
Gon. I assure you, Carthage.
Ant. His word is more than the miraculous harp.
Seb. He hath raised the wall and houses too.
Ant. What impossible matter will he make easy next?
Seb. I think he will carry this island home in his pocket and give it his son for an apple.
Ant. And, sowing the kernels of it in the sea, bring forth more islands.
Gon. Ay.
Ant. Why, in good time.
Gon. Sir, we were talking that our garments seem now as fresh as when we were at Tunis at the marriage of your daughter, who is now queen.
Ant. And the rarest that e'er came there.
Seb. Bate, I beseech you, widow Dido.
Ant. O, widow Dido! ay, widow Dido.
Gon. Is not, sir, my doublet as fresh as the first day I wore it? I mean, in a sort.
Ant. That sort was well fished for.
Gon. When I wore it at your daughter's marriage?
Seb. Foul weather?
Ant. Very foul.
Gon. Had I plantation of this isle, my lord,—
Ant. He'ld sow't with nettle-seed.
No better than the earth he lies upon' (page 61).
Gon. And were the king on't, what would I do?
Seb. 'Scape being drunk for want of wine.
Alon. Prithee, no more: thou dost talk nothing to me.
Gon. I do well believe your highness; and did it to minister occasion to these gentlemen, who are of such sensible and nimble lungs that they always use to laugh at nothing.
Ant. 'Twas you we laughed at.
Gon. Who in this kind of merry fooling am nothing to you: so you may continue and laugh at nothing still.
Ant. What a blow was there given!
Seb. An it had not fallen flat-long.
Gon. You are gentlemen of brave mettle; you would lift the moon out of her sphere, if she would continue in it five weeks without changing.
Enter Ariel, invisible, playing solemn music.
Seb. We would so, and then go a bat-fowling.
Ant. Nay, good my lord, be not angry.
Gon. No, I warrant you; I will not adventure my discretion so weakly. Will you laugh me asleep, for I am very heavy?
Ant. Go sleep, and hear us.
[All sleep except Alonso, Sebastian, and Antonio.
[Alonso sleeps. Exit Ariel.
Seb. What a strange drowsiness possesses them!
Ant. It is the quality o' the climate.
[They talk apart.
Re-enter Ariel, invisible.
[Sings in Gonzalo's ear.
[They wake.
[Exeunt.
Another part of the island.
Enter Caliban with a burden of wood. A noise of thunder heard.
Enter Trinculo.
Trin. Here's neither bush nor shrub, to bear off any weather at all, and another storm brewing; I hear it sing i' the wind; yond same black cloud, yond huge one, looks like a foul bombard that would shed his liquor. If it should thunder as it did before, I know not where to hide my head: yond same cloud cannot choose but fall by pailfuls. What have we here? a man or a fish? dead or alive? A fish: he smells like a fish; a very ancient and fish-like smell; a kind of, not of the newest, poor-John. A strange fish! Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver: there would this monster make a man; any strange beast there makes a man: when they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian. Legged like a man! and his fins like arms! Warm o' my trot! I do now let loose my opinion; hold it no longer: this is no fish, but an islander, that hath lately suffered by a thunderbolt. [Thunder.] Alas, the storm is come again! my best way is to creep under his gaberdine; there is no other shelter hereabout: misery acquaints a man with strange bed-fellows. I will here shroud till the dregs of the storm be past.
Enter Stephano, singing: a bottle in his hand.
[Drinks.
[Sings.]
This is a scurvy tune too: but here's my comfort.
[Drinks.
Cal. Do not torment me: Oh!
Steph. What's the matter? Have we devils here? Do you put tricks upon's with savages and men of Ind, ha? I have not 'scaped drowning to be afeard now of your four legs; for it hath been said, As proper a man as ever went on four legs cannot make him give ground; and it shall be said so again while Stephano breathes at nostrils.
Cal. The spirit torments me: Oh!
Steph. This is some monster of the isle with four legs, who hath got, as I take it, an ague. Where the devil should he learn our language? I will give him some relief, if it be but for that. If I can recover him and keep him tame and get to Naples with him, he's a present for any emperor that ever trod on neat's-leather.
Cal. Do not torment me, prithee; I'll bring my wood home faster.
Steph. He's in his fit now and does not talk after the wisest. He shall taste of my bottle: if he have never drunk wine afore, it will go near to remove his fit. If I can recover him and keep him tame, I will not take too much for him; he shall pay for him that hath him, and that soundly.
Cal. Thou dost me yet but little hurt; thou wilt anon, I know it by thy trembling: now Prosper works upon thee.
Steph. Come on your ways; open your mouth; here is that which will give language to you, cat: open your mouth; this will shake your shaking, I can tell you, and that soundly: you cannot tell who's your friend: open your chaps again.
Trin. I should know that voice: it should be—but he is drowned; and these are devils: O defend me!
Steph. Four legs and two voices: a most delicate monster! His forward voice now is to speak well of his friend; his backward voice is to utter foul speeches and to detract. If all the wine in my bottle will recover him, I will help his ague. Come. Amen! I will pour some in thy other mouth.
Trin. Stephano!
Steph. Doth thy other mouth call me? Mercy, mercy! This is a devil, and no monster; I will leave him; I have no long spoon.
Trin. Stephano! If thou beest Stephano, touch me and speak to me; for I am Trinculo—be not afeard—thy good friend Trinculo.
Steph. If thou beest Trinculo, come forth: I'll pull thee by the lesser legs: if any be Trinculo's legs, these are they. Thou art very Trinculo indeed! How camest thou here?
Trin. I took him to be killed with a thunder-stroke. But art thou not drowned, Stephano? I hope now thou art not drowned. Is the storm overblown? I hid me under the dead moon-calf's gaberdine for fear of the storm. And art thou living, Stephano? O Stephano, two Neapolitans 'scaped.
Steph. Prithee, do not turn me about; my stomach is not constant.
Steph. How didst thou 'scape? How camest thou hither? swear by this bottle how thou camest hither. I escaped upon a butt of sack which the sailors heaved o'erboard, by this bottle which I made of the bark of a tree with mine own hands since I was cast ashore.
Cal. I'll swear upon that bottle to be thy true subject; for the liquor is not earthly.
Steph. Here; swear then how thou escapedst.
Trin. Swum ashore, man, like a duck: I can swim like a duck, I'll be sworn.
Steph. Here, kiss the book. Though thou canst swim like a duck, thou art made like a goose.
Trin. O Stephano, hast any more of this?
Steph. The whole butt, man: my cellar is in a rock by the sea-side where my wine is hid. How now, moon-calf! how does thine ague?
Cal. Hast thou not dropp'd from heaven?
Steph. Out o' the moon, I do assure thee: I was the man i' the moon when time was.
Cal. I have seen thee in her and I do adore thee: My mistress show'd me thee and thy dog and thy bush.
Steph. Come, swear to that: kiss the book: I will furnish it anon with new contents: swear.
Trin. By this good light, this is a very shallow monster! I afeard of him! A very weak monster! The man i' the moon! A most poor credulous monster! Well drawn, monster, in good sooth!
Trin. By this light, a most perfidious and drunken monster! when's god's asleep, he'll rob his bottle.
Cal. I'll kiss thy foot; I'll swear myself thy subject.
Steph. Come on then; down, and swear.
Trin. I shall laugh myself to death at this puppy-headed monster. A most scurvy monster! I could find in my heart to beat him,—
Steph. Come, kiss.
Trin. But that the poor monster's in drink: an abominable monster!
Trin. A most ridiculous monster, to make a wonder of a poor drunkard!
Steph. I prithee now, lead the way without any more talking. Trinculo, the king and all our company else being drowned, we will inherit here: here; bear my bottle: fellow Trinculo, we'll fill him by and by again.
Trin. A howling monster; a drunken monster!
Steph. O brave monster! Lead the way.
[Exeunt.
ACT III — SCENE I — SCENE II — SCENE III
Before Prospero's cell.
Enter Ferdinand, bearing a log.
Enter Miranda; and Prospero at a distance unseen.
[Exeunt Ferdinand and Miranda severally.
[Exit.
Another part of the island.
Enter Caliban, Stephano, and Trinculo.
Steph. Tell not me; when the butt is out, we will drink water; not a drop before: therefore bear up, and board 'em. Servant-monster, drink to me.
Trin. Servant-monster! the folly of this island! They say there's but five upon this isle: we are three of them; if th' other two be brained like us, the state totters.
Steph. Drink, servant-monster, when I bid thee: thy eyes are almost set in thy head.
Trin. Where should they be set else? he were a brave monster indeed, if they were set in his tail.
Steph. My man-monster hath drown'd his tongue in sack: for my part, the sea cannot drown me; I swam, ere I could recover the shore, five and thirty leagues off and on. By this light, thou shalt be my lieutenant, monster, or my standard.
Trin. Your lieutenant, if you list; he's no standard.
Steph. We'll not run, Monsieur Monster.
Trin. Nor go neither; but you'll lie like dogs and yet say nothing neither.
Steph. Moon-calf, speak once in thy life, if thou beest a good moon-calf.
Trin. Thou liest, most ignorant monster: I am in case to justle a constable. Why, thou deboshed fish, thou, was there ever man a coward that hath drunk so much sack as I to-day? Wilt thou tell a monstrous lie, being but half a fish and half a monster?
Cal. Lo, how he mocks me! wilt thou let him, my lord?
Trin. 'Lord' quoth he! That a monster should be such a natural!
Cal. Lo, lo, again! bite him to death, I prithee.
Steph. Trinculo, keep a good tongue in your head: if you prove a mutineer,—the next tree! The poor monster's my subject and he shall not suffer indignity.
Cal. I thank my noble lord. Wilt thou be pleased to hearken once again to the suit I made to thee?
Steph. Marry, will I: kneel and repeat it; I will stand, and so shall Trinculo.
Enter Ariel, invisible.
Cal. As I told thee before, I am subject to a tyrant, a sorcerer, that by his cunning hath cheated me of the island.
Ari. Thou liest.
Steph. Trinculo, if you trouble him anymore in's tale, by this hand, I will supplant some of your teeth.
Trin. Why, I said nothing.
Steph. Mum, then, and no more. Proceed.
Steph. That's most certain.
Cal. Thou shalt be lord of it and I'll serve thee.
Steph. How now shall this be compassed? Canst thou bring me to the party?
Ari. Thou liest; thou canst not.
Steph. Trinculo, run into no further danger: interrupt the monster one word further, and, by this hand, I'll turn my mercy out o' doors, and make a stock-fish of thee.
Trin. Why, what did I? I did nothing. I'll go farther off.
Steph. Didst thou not say he lied?
Ari. Thou liest.
Steph. Do I so? take thou that. [Beats Trinculo.] As you like this, give me the lie another time.
Trin. I did not give the lie. Out o' your wits and hearing too? A plague o' your bottle! this can sack and drinking do. A murrain on your monster, and the devil take your fingers.
Cal. Ha, ha, ha!
Steph. Now, forward with your tale. Prithee, stand farther off.
Steph. Monster, I will kill this man: his daughter and I will be king and queen,—save our graces!—and Trinculo and thyself shall be viceroys. Dost thou like the plot, Trinculo?
Trin. Excellent.
Steph. Give me thy hand: I am sorry I beat thee; but, while thou livest, keep a good tongue in thy head.
Steph. At thy request, monster, I will do reason, any reason. Come on, Trinculo, let us sing.
[Ariel plays the tune on a tabor and pipe.
Steph. What is this same?
Trin. This is the tune of our catch, played by the picture of Nobody.
Steph. If thou beest a man, show thyself in thy likeness: if thou beest a devil, take't as thou list.
Trin. O, forgive me my sins!
Steph. He that dies pays all debts: I defy thee. Mercy upon us!
Cal. Art thou afeard?
Steph. No, monster, not I.
Steph. This will prove a brave kingdom to me, where I shall have my music for nothing.
Cal. When Prospero is destroyed.
Steph. That shall be by and by: I remember the story.
Trin. The sound is going away; let's follow it, and after do our work.
Steph. Lead, monster; we'll follow. I would I could see this taborer; he lays it on.
Trin. Wilt come? I'll follow, Stephano.
[Exeunt.
Cutting the clouds towards Paphos' (page 110).
Another part of the island.
Enter Alonso, Sebastian, Antonio, Gonzalo, Adrian, Francisco, and others.
[Solemn and strange music.
Enter Prospero above, invisible. Enter several strange Shapes, bringing in a banquet; they dance about it with gentle actions of salutation; and, inviting the King, etc. to eat, they depart.
Thunder and lightning. Enter Ariel, like a harpy; claps his wings upon the table; and, with a quaint device, the banquet vanishes.
[Alonso, Sebastian, etc. draw their swords.
He vanishes in thunder; then, to soft music, enter the Shapes again, and dance, with mocks and mows, and carrying out the table.
[Exit above.
[Exit.
[Exeunt Sebastian and Antonio.
[Exeunt.
ACT IV — SCENE I
Before Prospero's cell.
Enter Prospero, Ferdinand, and Miranda.
Enter Ariel.
[Exit.
[Soft music.
Enter Iris.
Leave your crisp channels' (page 112).
Enter Ceres.
Enter Juno.
[They sing.
[Juno and Ceres whisper, and send Iris on employment.
Enter certain Nymphs.
Enter certain Reapers, properly habited: they join with the Nymphs in a graceful dance; towards the end whereof Prospero starts suddenly, and speaks; after which, to a strange, hollow, and confused noise, they heavily vanish.
[Exeunt.
Pros. Come with a thought. I thank thee, Ariel: come.
Enter Ariel.
[Exit.
Re-enter Ariel, loaden with glistering apparel, etc.
Prospero and Ariel remain, invisible. Enter Caliban, Stephano, and Trinculo, all wet.
Steph. Monster, your fairy, which you say is a harmless fairy, has done little better than played the Jack with us. Do you hear, monster? If I should take a displeasure against you, look you,—
Trin. Thou wert but a lost monster.
Trin. Ay, but to lose our bottles in the pool,—
Steph. There is not only disgrace and dishonour in that, monster, but an infinite loss.
Trin. That's more to me than my wetting: yet this is your harmless fairy, monster.
Steph. I will fetch off my bottle, though I be o'er ears for my labour.
Steph. Give me thy hand. I do begin to have bloody thoughts.
Trin. O king Stephano! O peer! O worthy Stephano! look what a wardrobe here is for thee!
Cal. Let it alone, thou fool; it is but trash.
Trin. O, ho, monster! we know what belongs to a frippery! O king Stephano!
Steph. Put off that gown, Trinculo; by this hand I'll have that gown.
Trin. Thy grace shall have it.
Steph. Be you quiet, monster. Mistress line, is not this my jerkin? Now is the jerkin under the line: now, jerkin, you are like to lose your hair and prove a bald jerkin.
Trin. Do, do: we steal by line and level, an't like your grace.
Steph. I thank thee for that jest; here's a garment for't: wit shall not go unrewarded while I am king of this country. 'Steal by line and level' is an excellent pass of pate; there's another garment for't.
Trin. Monster, come, put some lime upon your fingers, and away with the rest.
Steph. Monster, lay to your fingers: help to bear this away where my hogshead of wine is, or I'll turn you out of my kingdom: go to, carry this.
Trin. And this.
Steph. Ay, and this.
A noise of hunters heard. Enter divers Spirits, in shape of dogs and hounds, hunting them about; Prospero and Ariel setting them on.
Pros. Hey, Mountain, hey!
Ari. Silver! there it goes, Silver!
[Caliban, Stephano, and Trinculo are driven out.
[Exeunt.
ACT V — SCENE I
Before Prospero's cell.
Enter Prospero in his magic robes, and Ariel.
[Exit.
[Solemn music.
Re-enter Ariel before: then Alonso, with a frantic gesture, attended by Gonzalo; Sebastian and Antonio in like manner, attended by Adrian and Francisco: they all enter the circle which Prospero had made, and there stand charmed; which Prospero observing, speaks:
Ariel sings and helps to attire him.
[Exit.
[Aside to Sebastian and Antonio.]
Have waked their sleepers' (page 126).
Here Prospero discovers Ferdinand and Miranda playing at chess.
[Kneels.
Re-enter Ariel, with the Master and Boatswain amazedly following.
Re-enter Ariel, driving in Caliban, Stephano, and Trinculo, in their stolen apparel.
Alon. Is not this Stephano, my drunken butler?
Seb. He is drunk now: where had he wine?
Trin. I have been in such a pickle since I saw you last that, I fear me, will never out of my bones: I shall not fear fly-blowing.
Seb. Why, how now, Stephano!
Steph. O, touch me not; I am not Stephano, but a cramp.
Pros. You'ld be king o' the isle, sirrah?
Steph. I should have been a sore one then.
Alon. This is a strange thing as e'er I look'd on.
And sail so expeditious' (page 142).
[Pointing to Caliban.
Alon. Hence, and bestow your luggage where you found it.
Seb. Or stole it, rather.
[Exeunt Cal., Steph., and Trin.
[Exeunt.
EPILOGUE — Transcriber's Note.
SPOKEN BY PROSPERO
Printed by T. and A. Constable, Printers to His Majesty at the Edinburgh University Press
Some illustrations of this work have been moved from their original sequence to enable the contents to continue without interruption.