Fräulein von Isenschnibbe had been well informed. On the
very evening of the day on which she had brought the Princess
zu Reid the great news, the Courier published the announcement
of Samuel Spoelmann's, the world-renowned Spoelmann's,
impending arrival, and ten days later, at the beginning of
October (it was the October of the year in which Grand Duke
Albrecht had entered his thirty-second and Prince Klaus Heinrich
his twenty-sixth year), thus barely giving time for public
curiosity to reach a really high point, his arrival became a
fact, a plain actuality on an autumn-tinged, entirely ordinary
week-day, which was destined to impress itself on the future as
a date to be remembered for ever.
The Spoelmanns arrived by special train—that was the only
distinction about their debut to start with, for everybody knew
that the “Prince's suite” in the “Spa Court” Hotel was by no
means dazzlingly magnificent. A few idlers, guarded by a
small detachment of policemen, had gathered behind the platform
barriers; some representatives of the press were present.
But whoever expected anything out of the ordinary was disappointed.
Spoelmann would almost have passed unrecognized,
he was so unimposing. For a long time people took
his family physician for him (Doctor Watercloose, people said
he was called), a tall American, who wore his hat on the back
of his head and kept his mouth distended in a perpetual smile
between his close-trimmed white whiskers, the while he half-closed
his eyes. It was not till the last moment that people
learned that it was the little clean-shaven man in the faded
overcoat, he who wore his hat pulled down over his eyes, who
was the actual Spoelmann, and the spectators were agreed that
there was nothing striking about him. All sorts of stories
had been in circulation about him; some witty fellow had
spread the report that Spoelmann had front teeth of solid
gold and a diamond set in the middle of each. But although
the truth or untruth of this report could not be tested at once—for
Spoelmann did not show his teeth, he did not laugh, but
rather seemed angry and irritated by his infirmity—yet when
they saw him nobody was any longer inclined to believe it.
As for Miss Spoelmann, his daughter, she had turned up
the collar of her fur coat, and stuffed her hands in the pockets,
so that there was hardly anything to be seen of her except a
pair of disproportionately big brown-black eyes, which swept
the crowd with a serious look whose meaning it was hard to
interpret. By her side stood the person whom the onlookers
identified as her companion, the Countess Löwenjoul, a woman
of thirty-five, plainly dressed and taller than either of the
Spoelmanns, who carried her little head with its thin smooth
hair pensively on one side, and kept her eyes fixed in front of
her with a kind of rigid meekness. What without question
attracted most attention was a Scottish sheep-dog which was
led on a cord by a stolid-looking servant—an exceptionally
handsome, but, as it appeared, terribly excitable beast, that
leaped and danced and filled the station with its frenzied barking.
People said that a few of Spoelmann's servants, male and
female, had already arrived at the “Spa Court” some hours
before. At any rate it was left to the servant with the dog
to look after the luggage by himself; and while he was doing
so his masters drove in two ordinary flies—Mr. Spoelmann
with Doctor Watercloose, Miss Spoelmann with the Countess—to
the Spa-Garden. There they got out, and there for six
weeks they led a life the cost of which it did not need all their
money to meet.
They were lucky; the weather was fine, it was a blue autumn,
a long succession of sunny days from October into November,
and Miss Spoelmann rode daily—that was her only luxury—with
her companion, on horses which she hired by the week
from the livery stables. Mr. Spoelmann did not ride, although
the Courier, with obvious reference to him, published a
note by its medical colleague according to which riding had
a soothing effect in cases of stone, owing to its jolting, and
helped to disperse the stone. But the hotel staff knew that the
famous man practised artificial riding within the four walls
of his room, with the help of a machine, a stationary velocipede
to whose saddle a jolting motion was imparted by the
working of the pedals.
He was a zealous drinker of the healing waters, the Ditlinde
Spring, by which he seemed to set great store. He
appeared first thing every morning in the Füllhaus, accompanied
by his daughter, who for her part was quite healthy,
and only drank with him for company's sake, and then, in
his faded coat and with his hat pulled over his eyes, took his
exercise in the Spa-Garden and Wandelhalle, drinking the
water the while through a glass tube out of a blue tumbler—watched
at a distance by the two American newspaper correspondents,
whose duty it was to telegraph to their papers a
thousand words daily about Spoelmann's holiday resort, and
who were therefore bound to try to get something to telegraph
about.
Otherwise he was rarely visible. His illness—kidney colic,
so people said, extremely painful attacks—seemed to confine
him often to his room, if not to his bed, and while Miss
Spoelmann with Countess Löwenjoul appeared two or three
times at the Court Theatre (when, in a black velvet dress with
an Indian silk scarf of a wonderful gold-yellow colour round
her fresh young shoulders, she looked quite bewitching with
her pearl-white complexion and great black pleading eyes),
her father was never seen in the box with her. He took, it
is true, in her company one or two drives through the capital,
to do some shopping, get some idea of the town, and see a
few select sights; he went for a walk with her too, through
the park and twice inspected there the Schloss Delphinenort—the
second time alone, when he was so much interested as to
take measurements of the walls with an ordinary yellow rule,
which he took out of his faded coat…. But he was never
seen in the dining-room of the “Spa Court,” for whether because
he was on an almost meatless diet, or for some other
reason, he took his meals exclusively with his own party in
his own rooms, and the curiosity of the public had on the
whole remarkably little to feed on.
The result was that Spoelmann's arrival at the Spa at first
did not prove so beneficial as Fräulein von Isenschnibbe and
many others beside her had expected. The export of bottles
increased, that was certain; it quickly rose to half as many
again as its previous figure, and remained at that. But the
influx of foreigners did not increase noticeably; the guests
who came to feast their eyes on so abnormal an existence soon
went away again, satisfied or disappointed, besides it was for
the most part not the most desirable elements of society that
were attracted by the millionaire's presence. Strange creatures
appeared in the streets, unkempt and wild-eyed creatures—inventors,
projectors, would-be benefactors of mankind, who
hoped to enlist Spoelmann's sympathies for their hobbies.
But the millionaire made himself absolutely inaccessible to
these people; indeed, purple with rage, he howled at one of
them who made advances towards him in the park, in such a
way that the busybody quickly skedaddled, and it was often
said that the torrent of begging letters which daily flowed in
to him—letters which often bore stamps which the officials of
the Grand Ducal post-office had never seen before—was at once
discharged into a paper-basket of quite unusual capacity.
Spoelmann seemed to have forbidden all business letters
to be sent him, seemed determined to enjoy his holiday to
the utmost, and during his travels in Europe to live exclusively
for his health—or ill-health. The Courier, whose reporter had
lost no time in making friends with his American colleagues,
was in a position to announce that a reliable man, a so-called
chief manager, was Mr. Spoelmann's representative in America.
He went on to say that his yacht, a gorgeously decorated vessel,
was awaiting the great man at Venice, and that as soon as he
had finished his cure he intended to travel south with his
party.
It told also, in answer to importunate requests from its
readers—of the romantic origin of the Spoelmann millions,
from their beginning in Victoria, whither his father had drifted
from some German office stool or other, young, poor, and
armed only with a pick, a shovel, and a tin plate. There he
had begun by working as help to a gold-digger, as a day
labourer, in the sweat of his brow. And then luck had come
to him. A man, a claim-owner on a small scale, had fared
so badly that he could no longer buy himself his tomatoes
and dry bread for dinner, and in his extremity had been
obliged to dispose of his claim. Spoelmann senior had bought
it, had staked his one card, and, with his whole savings,
amounting to £5 sterling, had bought this piece of alluvial
land called “Paradise Field,” not more than forty feet square.
And the next day he had turned up, a foot under the surface, a
nugget of pure gold, the tenth biggest nugget in the world,
the “Paradise nugget,” weighing 980 ounces and worth £5,000.
That, related the Courier, had been the beginning. Spoelmann's
father had emigrated to South America with the proceeds
of his find, to Bolivia, and as gold-washer, amalgam-mill-owner,
and mine-owner had continued to extract the yellow
metal direct from the rivers and the womb of the mountains.
Then and there Spoelmann senior had married—and
the Courier went so far as to hint in this connexion that he had
done so defiantly and without regard to the prejudices generally
felt in those parts. However, he had doubled his capital and
succeeded in investing his money most profitably.
He had moved on northwards to Philadelphia, Pa. That
was in the fifties, the time of a great boom in railway construction,
and Spoelmann had begun with one investment in
the Baltimore and Ohio Railway. He had also leased a coal-mine
in the west of the State, the profits from which had
been enormous. Finally he had joined that group of fortunate
young men which bought the famous Blockhead Farm
for a few thousand pounds—the property which, with its
petroleum wells, in a short time increased in value to a hundred
times its purchase price…. This enterprise had made
a rich man of Spoelmann senior, but he had by no means rested
on his oars, but unceasingly practised the art of making money
into more money, and finally into superabundant money.
He had started steel works, had floated companies for
the turning of iron into steel on a large scale, and for
building railway bridges. He had bought up the major
part of the shares of four or five big railway companies, and
had been elected in the later years of his life president, vice-president,
manager, or director of the companies. When the
Steel Trust was formed, so the Courier said, he had joined it,
with a holding of shares which guaranteed him an income of
$12,000,000. But at the same time he had been chief shareholder
and expert adviser of the Petroleum Combine, and in
virtue of his holding had dominated three or four of the other
Trust Companies. And at his death his fortune, reckoned in
German currency, had amounted to a round thousand million
marks.
Samuel, his only son, the offspring of that early marriage,
contracted in defiance of public opinion, had been his sole
heir—and the Courier, with its usual delicacy, interpolated a
remark to the effect that there was something almost sad in
the idea of any one, without himself contributing, and through
no fault of his own, being born to such a situation. Samuel
had inherited the palace on Fifth Avenue at New York, the
country mansions, and all the shares, Trust bonds, and
profits of his father; he inherited also the strange position to
which his father had risen, his world-fame and the hatred
directed by his out-distanced competitors against the power of
his gold—all the hatred to allay which he yearly distributed his
huge donations to colleges, conservatories, libraries, benevolent
institutions, and that University which his father had
founded and which bore his name.
Samuel Spoelmann did not deserve the hatred of the out-distanced
competitors; that the Courier was sure of. He had
gone early into the business, and had controlled the bewildering
possessions of his house all by himself during his father's
last years. But everybody knew that his heart had never been
really in the business. His real inclinations had been, strange
to say, all along much more towards music and especially
organ music—and the truth of this information on the part
of the Courier was certain, for Mr. Spoelmann actually kept
a small organ in the “Spa Court,” whose bellows he got a hotel
servant to blow, and he could be heard from the Spa-Garden
playing it for an hour every day.
He had married for love and not at all from social considerations,
according to the Courier—a poor and pretty girl,
half German, half Anglo-Saxon by descent. She had died,
but she had left him a daughter, that wonderful blood-mixture
of a girl, whom we now had as guest within our walls and who
was at the time nineteen years old. Her name was Imma—a
real German name, as the Courier added, nothing more than
an old form of “Emma,” and it might be remarked that the
daily conversation in the Spoelmann household, though interlarded
with scraps of English, had remained German. And
how devoted father and daughter seemed to be to each other!
Every morning, by going to the Spa-Garden at the right time,
one could watch Fräulein Spoelmann, who usually entered the
Füllhause a little later than her father, take his head between
her hands and give him his morning kiss on mouth and cheeks,
while he patted her tenderly on the back. Then they went
arm-in-arm through the Wandelhalle and sucked their glass
tubes as they went….
That is how the well-informed journal gossiped and fed the
public curiosity. It also reported carefully the visits which
Miss Imma kindly paid with her companion to several of the
charitable institutions of the town. Yesterday she had made a
detailed inspection of the public kitchens. To-day she had
made a prolonged tour of the Trinity Almhouses for old
women, and she had recently twice attended Privy Councillor
Klinghammer's lectures on the theory of numbers at the university—had
sat on the bench, a student among students, and
scribbled away with her fountain-pen, for everybody knew
that she was a learned girl and devoted to the study of algebra.
Yes, all that was absorbing reading, and furnished ample food
for conversation. But the topics which made themselves talked
about without any help from the Courier were, firstly, the
dog, that noble black-and-white collie which the Spoelmanns
had brought with them, and secondly, in a different way, the
companion, Countess Löwenjoul.
As for the dog, whose name was Percival, generally
shortened to Percy, he was an animal of so excitable and
emotional a disposition as beggared description. Inside the
hotel he afforded no grounds for complaint, but lay in a
dignified attitude on a small carpet outside the Spoelmanns'
suite. But every time he went out he had an attack of light-headedness,
which caused general interest and surprise, indeed
more than once actual obstruction of traffic.
Followed at a distance by a swarm of native dogs, common
curs which, incited by his demeanour, assailed him with censorious
yaps, and which caused him no concern whatever, he
flew through the streets, his nose spattered with foam and barking
wildly, pirouetted madly in front of the tramcars, made
the cab-horses stumble, and twice knocked Widow Klaaszen's
cake stall at the Town Hall down so violently that the sugar
cakes rolled half over the Market-place. But as Mr. Spoelmann
or his daughter at once met such catastrophes with more
than adequate compensation, as too it was discovered that
Percival's attacks were really quite free from danger, that he
was anything but inclined to bite and steal, but on the contrary
kept to himself and would let nobody come near him,
public opinion quickly turned in his favour, and to the children
in particular his excursions were a constant source of pleasure.
Countess Löwenjoul on her side supplied food for conversation
in a quieter but no less strange way. At first,
when her personality and position were not yet known in the
city, she had attracted the gibes of the street urchins, because,
while out walking alone, she talked to herself softly and
deliberately, and accompanied her words with lively and at
the same time graceful and elegant gestures. But she had
shown such mildness and goodness to the children who shouted
after her and tugged at her dress, she had spoken to them with
such affection and dignity, that her persecutors had slunk
away abashed and confused, and later, when she became known,
respect for her relations with the famous guests secured her
from molestation. However, some unintelligible anecdotes
were secretly circulated about her. One man told how the
Countess had given him a gold piece with instructions that he
should box the ears of a certain old woman who was understood
to have made some unseemly proposal or other to her.
The man had pocketed the gold piece, without, however, discharging
his commission.
Further, it was declared as a fact that the Countess had
accosted the sentry in front of the Fusiliers' Barracks and had
told him at once to arrest the wife of the sergeant of one of
the companies because of her moral shortcomings. She had
written too a letter to the Colonel of the regiment to the
effect that all sorts of secret and unspeakable abominations
went on inside the barracks. Whether she was right in her
facts, heaven only knew. But many people at once concluded
that she was wrong in her head. At any rate, there was no
time to investigate the matter, for six weeks were soon past,
and Samuel N. Spoelmann, the millionaire, went away.
He went away after having had his portrait painted by
Professor von Lindemann—an expensive portrait too, which he
gave to the proprietor of the “Spa Court” as a memento; he
went away with his daughter, the Countess, and Doctor Watercloose,
with Percival, the chamber-velocipede, and his servants;
went by special train to the South, with the view of spending
the winter on the Riviera, whither the two New York journalists
had hastened ahead of him, and of then crossing back home
again. It was all over. The Courier wished Mr. Spoelmann
a hearty farewell and expressed the hope that the cure would be
found to have done him good.
And with that the notable interlude seemed to be closed and
done with. Everyday life claimed its due, and Mr. Spoelmann
began to fade into oblivion. The winter passed. It was the
winter in which her Grand Ducal Highness the Princess zu
Ried-Hohenried was confined of a daughter. Spring came,
and his Royal Highness Grand Duke Albrecht repaired as
usual to Hollerbrunn. But then a rumour cropped up amongst
the people and in the press, which was received at first with
a shrug by the sober-minded, but became more concrete,
crystallized, took to itself quite precise details, and finally won
itself a dominant place in the solid and pithy news of the
day.
What was toward? A Grand Ducal Schloss was about
to be sold? Nonsense! Which Schloss?—Delphinenort.
Schloss Delphinenort in the North Park? Twaddle! Sold?
To whom?—To Spoelmann. Ridiculous! What could he do
with it?—Restore it, and live in it. That's all very well.
But perhaps our Parliament might have something to say to
that.—They don't care twopence. Had the State any responsibility
for keeping up Schloss Delphinenort?—If they had, it's
a pity they hadn't recognized it, dear old place. No, Parliament
had no say in the matter. Have the negotiations advanced
at all far?—Rather, they're completed. Goodness gracious,
then of course the exact price is known?—Naturally. Sold
for two millions, not a farthing less. Impossible! A Royal
Palace! Royal palace be blowed! We're not talking of the
Grimmburg or of the Old Schloss. We're talking of a
country house, an unused country house which is falling in
pieces for lack of funds to keep it up.
So Spoelmann intended to come back every year and spend
several weeks in Delphinenort?—No. For he intended rather
to come and settle among us altogether. He was sick of America,
wanted to turn his back on it, and his first stay amongst us
was merely to spy out the land. He was ill, he wanted to
retire from business. He had always remained a German at
heart. The father had emigrated, and the son wanted to come
back home. He wished to take his part in the modest life and
intellectual resources of our country, and to spend the rest
of his days in the immediate neighbourhood of the Ditlinde
Spa.
All was confusion and bustle, and discussions without end.
But public opinion, with the exception of the voices of a few
grumblers, trended after a short hesitation in favour of the
idea of sale; indeed without this general approval the matter
could never have gone very far. It was House Minister von
Knobelsdorff who first ventured on a cautious announcement
of Spoelmann's offer in the daily press. He had waited and
allowed the popular feeling to come to a decision. And after
the first confusion, solid reasons in favour of the project had
made themselves felt.
The business world was enchanted at the idea of having so
doughty a consumer at its doors. The æsthetes showed
themselves delighted at the prospect of seeing Schloss Delphinenort
restored and kept up—at seeing the noble old building
restored to honour and youth in so unforeseen, indeed so
romantic a way. But the economically-minded brought forward
figures which were calculated to cause grave misgivings
as to the financial position of the country. If Samuel N.
Spoelmann settled among us, he would become a tax-payer—he
would have to pay us his income-tax.
Perhaps it was worth while showing what that meant. Mr.
Spoelmann would be left to declare his own income, but, from
what one knew—and knew fairly accurately—his residence
would mean a yearly revenue of two and a half millions, in
taxes alone, not to mention what he paid in rates. Worth
thinking about, wasn't it? The question was put straight to
the Finance Minister, Dr. Krippenreuther. He would be
wanting in his duty if he did not do all he could to recommend
the sale in the highest quarters. For patriotism demanded
that Spoelmann's offer should be accepted, and
patriotism was paramount above all other considerations.
So Excellency von Knobelsdorff had had an interview with
the Grand Duke. He had informed his master of the public
opinion, had added that the price offered, two millions, considerably
exceeded the real value of the Schloss in its present
condition, had remarked that such a sum meant a real windfall
for the Treasury, and had ended by slipping in a hint
about the central heating of the Old Schloss, which, if the sale
was carried through, would no longer be an impossibility.
In short, the single-minded old gentleman had brought his
whole influence to bear in favour of the sale, and had recommended
the Grand Duke to bring the matter before a family
moot. Albrecht had sucked his lower lip softly against the
upper, and summoned the family moot. It had met in the
Hall of the Knights over tea and biscuits. Only two feminine
members, the Princess Catherine and Ditlinde, had opposed
the sale, on the ground of loss of dignity.
“You will be misunderstood, Albrecht!” said Ditlinde.
“They will charge you with want of respect to your high
station, and that is not right, for you have on the contrary
too much; you are so proud, Albrecht, that everything is all
the same to you. But I say No. I do not wish to see a Crœsus
living in one of your Schlosses, it is not right, and it was bad
enough that he should have a family physician and take the
Prince's suite in the Spa Court. The Courier harps on the
fact that he is a tax-paying subject, but in my eyes he is
simply a subject and nothing else. What do you think, Klaus
Heinrich?”
But Klaus Heinrich voted for the sale. In the first place,
Albrecht got his central heating; secondly, Spoelmann was
not one of the common herd, he was not soap-boiler Unschlitt—he
was an exception, and there was no disgrace in letting him
have Delphinenort. Finally Albrecht had, with downcast
eyes, pronounced the whole family moot to be a farce. The
people had long ago made up their minds, his Ministers urged
the sale, and there was nothing left for him to do but to
“wave to the engine-driver and start the train.”
The family moot had taken place in spring. From that
time onwards the negotiations for sale, which were carried
on between Spoelmann on the one hand and the Lord Marshal
von Bühl zu Bühl on the other, had proceeded apace, and the
summer was not far advanced before Schloss Delphinenort with
its park and out-buildings had become the lawful property of
Mr. Spoelmann.
Then began a scene of bustle and confusion round and in
the Schloss, which daily attracted crowds to the northern side
of the park. Delphinenort was improved and partly reconstructed
inside by a swarm of workmen. For quick, quick,
was the order of the day, that was Spoelmann's wish, and he
had only allowed five months' respite for everything to be ready
for him to enter into possession. So a wooden scaffold with
ladders and platforms shot up at lightning speed round the
dilapidated old building, foreign workmen swarmed all over
it, and an architect came with carte blanche over the seas to
superintend the work. But the greater part of the work fell
to our native manual workers to perform, and the stone-masons
and tilers, the joiners, gilders, upholsterers, glaziers,
and parquet-layers of the city, the landscape gardeners and
heating and lighting experts, had plenty of remunerative work
all through the summer and autumn.
When his Royal Highness Klaus Heinrich left his window
in the “Hermitage” open, the noise of the work at Delphinenort
penetrated right through to the Empire room, and he
often drove past the Schloss amid the respectful greetings of
the public, in order to satisfy himself of the progress of the
restoration. The gardener's cottage was painted up, the sheds
and stables, which were destined to accommodate Spoelmann's
fleet of motors and carriages, were enlarged; and by October,
furniture and carpets, chests and cases full of stuffs and
household utensils had been delivered at Schloss Delphinenort,
while it was whispered among the bystanders that inside
the walls skilled hands were at work fitting Spoelmann's
costly organ, which had been sent from over the sea, with
electric action.
There was much excitement to know whether the park belonging
to the Schloss, which had been so splendidly cleaned
up and trimmed, was to be fenced off from the public by a
wall or hedge. But nothing of the sort was done. It was
Spoelmann's wish that the property should continue to be
accessible, that no restraint should be placed on the citizens'
enjoyment of the park. The Sunday promenaders should have
access right up to the Schloss, up to the clipped hedge which
surrounded the big square pond—and this did not fail to make
an excellent impression on the population; indeed, the Courier
published a special article on the subject, in which it praised
Mr. Spoelmann for his philanthropy.
And behold! when the leaves again began to fall, exactly
one year after his first appearance, Samuel Spoelmann landed
a second time at our railway station. This time the general
interest in the event was much greater than in the preceding
year, and it is on record that, when Mr. Spoelmann, in his
well-known faded coat and with his hat over his eyes, left his
saloon, loud cheers were raised by the crowd of spectators—an
expression of feelings which Mr. Spoelmann seemed rather
inclined to resent, and which not he but Doctor Watercloose
acknowledged with blinking eyes and a broad smile. When
Miss Spoelmann too alighted, a cheer was raised, and one or
two urchins even shouted when Percy, the collie, appeared
springing, leaping, and altogether beside himself, on the platform.
In addition to the doctor and Countess Löwenjoul there
were two unknown persons in attendance, two clean-shaven
and decided-looking men in strangely roomy coats. They
were Mr. Spoelmann's secretaries, Messrs. Phlebs and Slippers,
as the Courier announced in its report.
At that time Delphinenort was far from ready, and the
Spoelmanns at once took possession of the first floor of the
chief hotel, where a big, haughty, paunch-bellied man in black,
the steward or butler of the Spoelmann establishment, who
had preceded them, had made preparations for them, and put
the chamber-velocipede together with his own hands. Every
day, while Miss Imma with her Countess and Percy went for
a ride or a visit to some charitable institution, Mr. Spoelmann
hung about his house, superintending the work and giving
orders, and when the end of the year approached, just after
the first snow had fallen, prospect became fact, and the
Spoelmanns took up their abode in Schloss Delphinenort.
Two motor cars (their arrival had been watched with interest—splendid
cars they were) bore the six members of the party—Messrs.
Phlebs and Slippers sat in the hinder one—driven
by the leather-clad chauffeurs, with servants in snow-white fur
coats and crossed arms beside them, in a few minutes from
the hotel through the City Gardens; and as the cars dashed
along the noble chestnut avenue which led to the drive, the
urchins climbed up the high lamp-posts which stood at all
four corners of the big spa-basin, and waved their caps and
cheered….
So Spoelmann and his belongings settled down among us,
and we basked in the light of his presence. His white-and-gold
livery was seen and known in the city, just as the brown-and-gold
Grand Ducal livery was seen and known; the negro
in scarlet plush who was doorkeeper at Delphinenort soon
became a popular figure, and when passers-by heard the subdued
rumble of Mr. Spoelmann's organ from the interior of
the Schloss they lifted a finger and said: “Hark, he's playing.
That means that he's not got colic for the moment.”
Miss Imma was to be seen daily by the side of Countess
Löwenjoul, followed by a groom and with Percy capering
round, riding, or driving a smart four-in-hand through the
City Gardens—while the servant who sat on the back seat
stood up from time to time, drew a long silver horn from a
leather sheath and wound a shrill warning of their approach;
and by getting up early one could see father and daughter
every morning go in a dark-red brougham, or, in fine weather,
on foot through the park of Schloss “Hermitage” to the Spa-Garden,
in order to drink the waters. Imma for her part, as
already mentioned, again began a course of visits to the
benevolent institutions of the city, though she appeared not to
give up her studies for all that; for from the beginning of the
half-term she regularly attended the lectures of the Councillor
Klinghammer at the University—sat daily in a black dress
with white collar and cuffs among the young students in the
lecture-theatre, and drove her fountain-pen—with her fore-finger
raised in the air, a trick of hers when writing—over the
pages of her notebook.
The Spoelmanns lived in retirement, they did not mix in the
life of the town, as was natural in view both of Mr. Spoelmann's
ill-health and of his social loneliness. What social
group could he have attached himself to? Nobody even
suggested to him that he should consort with soap-boiler Unschlitt
or bank-director Wolfsmilch on confidential terms.
Yet he was soon approached with appeals to his generosity,
and the appeals were not in vain. For Mr. Spoelmann, who,
it was well known, before his departure from America had
given a large sum in dollars to the Board of Education in the
United States, and had also stated in so many words that he
had no intention of withdrawing his yearly contributions to
the Spoelmann University and his other educational foundations—he,
shortly after his arrival at “Delphinenort,” put his
name down for a subscription of ten thousand marks to the
Dorothea Children's Hospital, for which a collection was
just being made; an action the nobleness of which was immediately
recognized in fitting terms by the Courier and the
rest of the press.
In fact, although the Spoelmanns lived in seclusion in a
social sense, a certain amount of publicity attached to their
life among us from the earliest moments, and in the local
section of the daily newspapers at least their movements were
followed with as much particularity as those of the members
of the Grand Ducal House. The public were informed when
Miss Imma had played a game of lawn tennis with the Countess
and Messrs. Phlebs and Slippers in the “Delphinenort” park;
it was noted when she had been at the Court Theatre, and
whether her father had gone with her for an act or two of
the Opera; and if Mr. Spoelmann shrank from curiosity, never
leaving his box during the intervals and scarcely ever showing
himself on foot in the streets, yet he was obviously not
insensible to the duties of a spectacular kind which were
inherent in an extraordinary existence like his own, and he
gave the love of gazing its due.
It has been said that the “Delphinenort” park was not
divided from the Town Gardens. No walls separated the
Schloss from the outer world. From the back one could
walk over the turf right up to the foot of the broad covered
terrace which had been built on that side, and, if bold enough,
look through the big glass door straight into the high white-and-gold
garden-room in which Mr. Spoelmann and his family
had five-o'clock tea. Indeed, when summer came, tea was laid
on the terrace outside, and Mr. and Miss Spoelmann, the
Countess and Doctor Watercloose sat in basket chairs of a
new-fangled shape, and took their tea as if on a public platform.
For on Sunday, at any rate, there was never wanting a
public to enjoy the spectacle at a respectful distance. They
called each other's attention to the silver tea-kettle, which was
heated by electricity—a quite novel idea—and to the wonderful
liveries of the two footmen who handed the tea and cakes,
white, high-buttoned, gold-laced coats with swan's-down on
the collars, cuffs, and seams. They listened to the English-German
conversation and followed with open mouths every
movement of the notable family on the terrace. They then
went round past the front door, in order to shout a few
witticisms in the local dialect to the red-plush negro, which
he answered with a dental grin.
Klaus Heinrich saw Imma Spoelmann for the first time
on a bright winter's day at noon. That does not mean that
he had not already caught sight of her often at the theatre,
in the street, and in the town park. But that's quite a different
thing. He saw her for the first time at this midday
hour in exciting circumstances.
He had been giving “free audiences” in the Old Schloss
till half-past eleven, and after they were finished had not
returned at once to Schloss “Hermitage,” but had ordered his
coachman to keep the carriage waiting in one of the courts,
as he wished to smoke a cigarette with the Guards officers
on duty. As he wore the uniform of that regiment, to which
his personal aide-de-camp also belonged, he made an effort
to maintain the semblance of some sort of camaraderie with
the officers; he dined from time to time in their mess and
occasionally gave them half an hour of his company on guard,
although he had a dim suspicion that he was rather a nuisance
as he kept them from their cards and smoking-room stories.
So there he stood, the convex silver star of the Noble Order
of the Grimmburg Griffin on his breast, his left hand planted
well back on his hip, with Herr von Braunbart-Schellendorf,
who had given due notice of the visit in the officers' mess,
which was situated on the ground floor of the Schloss near the
Albrechts Gate—engaged in a trivial conversation with two
or three officers in the middle of the room, while a further
group of officers chatted at the deep-set window. Owing to
the warmth of sun outside the window stood open, and from
the barracks along the Albrechtstrasse came the strains of the
drum and fife band of the approaching relief guard.
Twelve o'clock struck from the Court Chapel tower. The
loud “Fall in!” of the non-commissioned officer was heard
outside, and the rattle of grenadiers standing to arms. The
public collected on the square. The lieutenant on duty hastily
buckled on his sword belt, clapped his heels together in a
salute to Klaus Heinrich and went out. Then suddenly
Lieutenant von Sturmhahn, who had been looking out of the
window, cried with that rather poor imitation of familiarity
which was proper to the relations between Klaus Heinrich and
the officers: “Great heavens, here's something for you to look
at, Royal Highness! There goes Miss Spoelmann, with her
algebra under her arm….”
Klaus Heinrich walked to the window. Miss Imma was
walking by herself along the pavement. With both hands
thrust into her big flat muff, which was trimmed with pendent
tails, she carried her notebook pressed to her side with
her elbow. She was wearing a long coat of shiny black fox,
and a toque of the same fur on her dark foreign-looking hair.
She was obviously coming from “Delphinenort” and hurrying
towards the University. She reached the main guard-house
at the moment at which the relief guard marched up
the gutter, over against the guard on duty, which standing at
attention in two ranks occupied the pavement. She was
absolutely compelled to go round, outside the band and the
crowd of spectators—indeed, if she wished to avoid the open
square with its tram-lines, to make a fairly wide detour on the
footpath running round it—or to wait for the end of the military
ceremony.
She showed no intention of doing either. She made as if
to walk along the pavement in front of the Schloss right
down between the two ranks of soldiers. The sergeant with
the harsh voice stepped forward quickly. “Not this way!” he
cried and held the butt of his rifle in front of her. “Not
this way! Right about! Wait!”
But Miss Spoelmann fired up. “What d'you mean?” she
cried. “I'm in a hurry!”
But her words were not so impressive as the expression of
honest, passionate, irresistible anger with which they were
uttered. How slight and lonely she was! The fair-haired
soldiers round her towered head and shoulders above her. Her
face was as pale as wax at this moment, her black eyebrows
were knitted in a hard and expressive wrinkle, her nostrils
distended, and her eyes, black with excitement and wide-opened,
spoke so expressive and bewitching a language that no protest
seemed possible.
“What d'you mean?” she cried. “I'm in a hurry!” And
as she said it she pushed the rifle-butt, and the stupefied
sergeant with it, aside, and walked down between the lines,
went straight on her way, turned to the left into Universitätsstrasse
and vanished.
“I'm dammed!” cried Lieutenant von Sturmhahn. “That's
one for us!” The officers at the window laughed. The spectators
outside, too, were much amused, and not unsympathetic.
Klaus Heinrich joined in the general hilarity. The changing
of the guard proceeded with loud words of command and
snatches of march tunes. Klaus Heinrich returned to the
“Hermitage.”
He lunched all alone, went for a ride in the afternoon on
his brown horse Florian, and spent the evening at a big party
at Dr. Krippenreuther, the Finance Minister's house. He
related to several people with great animation the episode of
the guard, although the story had already gone the round and
become common property. Next day he had to go away, for
he had been told by his brother to represent him at the
inauguration of the new Town Hall in a neighbouring town.
For some reason or other, he went reluctantly, he disliked
leaving the capital. He had a feeling that he was missing an
important, pleasant, though rather disquieting opportunity,
which imperatively demanded his presence. And yet his
exalted calling must be more important. But while he sat
serene and gorgeously dressed on his seat of honour in the
Town Hall, and read his speech to the Mayor, Klaus Heinrich's
thoughts were not concentrated on the figure he
presented to the eyes of the crowd, but rather were busied with
this new and important topic. He also gave a passing thought
to a person whose casual acquaintance he had made long
years before, to Fräulein Unschlitt, the soap-boiler's daughter—a
memory which had a certain connexion with the importunate
topic….
Imma Spoelmann pushed the harsh-voiced sergeant aside in
her anger—walked all alone, her algebra under her arm, down
the ranks of the big fair-haired grenadiers. How pearly-white
her face was against her black hair under her fur toque,
and how her eyes spoke! There was nobody like her. Her
father was rich, surfeited with riches, and had bought one of
the Grand Ducal Schlosses. What was it that the Courier had
said about his undeserved reputation and the “romantic isolation
of his life”? He was the object of the hatred of aggrieved
rivals—that was the effect of the article. And her nostrils had
distended with anger. There was nobody like her, nobody
near or far. She was an exception. And suppose she had
been at the Citizens' Ball on that occasion? He would then
have had a companion, would not have made a fool of himself,
and would not have ended the evening in despair. “Down,
down, down with him!” Phew! Just think of how she looked
as she walked, dark and pale and wonderful, down the ranks
of fair-haired soldiers.
These were the thoughts which occupied Klaus Heinrich
during the next few days—just these three or four mental
pictures. And the strange thing is that they were amply sufficient
for him, and that he did not want any more. But all
things considered, it seemed to him more than desirable that he
should get another glimpse of the pearly-white face soon,
to-day if possible.
In the evening he went to the Court Theatre, where The
Magic Flute was being played. And when from his box he
descried Miss Spoelmann next to Countess Löwenjoul in the
front of the circle, a tremor went right through him. During
the opera he could watch her out of the darkness through his
opera-glasses, for the light from the stage fell on her. She
laid her head on her small, ringless hand, while she rested
her bare arm on the velvet braid, and she did not look angry
now. She wore a dress of glistening sea-green silk with a
light scarf on which bright flowers were embroidered, and
round her neck a long chain of sparkling diamonds. She
really was not so small as she looked, Klaus Heinrich decided,
when she stood up at the end of the act. No, the childish
shape of her head and the narrowness of her shoulders accounted
for her looking such a little thing. Her arms were
well developed, and one could see that she played games and
rode. But at the wrist her arm looked like a child's.
When the passage came: “He is a prince. He is more than
that,” Klaus Heinrich conceived the wish to have a talk with
Doctor Ueberbein. Doctor Ueberbein called by chance next
day at the “Hermitage” in a black frock-coat and white tie,
as usual when he paid Klaus Heinrich a visit. Klaus Heinrich
asked him whether he had already heard the story of the
changing of the guard. Yes, answered Doctor Ueberbein,
several times. But would Klaus Heinrich like to relate it to
him again?… “No, not if you know it,” said Klaus Heinrich,
disappointed. Then Doctor Ueberbein jumped to quite
another topic. He began to talk about opera-glasses, and remarked
that opera-glasses were a wonderful invention. They
brought close what was unfortunately a long way off, did they
not? They formed a bridge to a longed-for goal. What did
Klaus Heinrich think? Klaus Heinrich was inclined to agree
to a certain extent. And it seemed that yesterday evening, so
people said, he had made a free use of this grand invention,
said the doctor. Klaus Heinrich could not see the point of
this remark.
Then Doctor Ueberbein said: “No, look here, Klaus Heinrich,
that won't do. You are stared at, and little Imma is
stared at, and that's enough. If you add to it by staring at
little Imma, that's too much. You must see that, surely?”
“Oh dear, Doctor Ueberbein, I never thought of that.”
“But in other cases you generally do think of that sort
of thing.”
“I've felt so funny for the last few days,” said Klaus Heinrich.
Doctor Ueberbein leaned back, pulled at his red beard near
his throat, and nodded slowly with his head and neck.
“Really? Have you?” he asked. And then went on nodding.
Klaus Heinrich said: “You can't think how reluctant I
was to go the other day to the inauguration of the Town
Hall. And to-morrow I have to superintend the swearing-in
of the Grenadier recruits. And then comes the Chapter of
the Family Order. I don't feel a bit in the mood for that. I
find no pleasure in doing my duty as the representative of
my people. I've no inclination for my so-called lofty calling.”
“I'm sorry to hear it!” said Doctor Ueberbein sharply.
“Yes, I might have known that you would be angry, Doctor
Ueberbein. Of course you'll call it sloppiness, and will read
me a sermon about ‘destiny and discipline,’ if I know you.
But at the opera yesterday I thought of you at one point, and
asked myself whether you really were so right in several
particulars….”
“Look here, Klaus Heinrich, once already, if I'm not mistaken,
I've dragged your Royal Highness out of the mud, so
to speak….”
“That was quite different, Doctor Ueberbein! How I wish
you could see that was absolutely different! That was at
the Citizens' Ball, but it was years ago, and I don't feel a
twinge in that direction. For she is … Look you, you have
often explained to me what you understand by ‘Highness,’ and
that it is something affecting, and something to be approached
with tender sympathy. Don't you think that she of whom we
are speaking, that she is affecting and that one must feel
sympathy with her?”
“Perhaps,” said Doctor Ueberbein. “Perhaps.”
“You often said that one must not disavow exceptions, that
to do so was sloppiness and slovenly and good-nature. Don't
you think that she too of whom we are speaking is an exception?”
Doctor Ueberbein was silent. Then he said suddenly and
decidedly, “And now I, if possible, am to help to make two
exceptions into a rule?”
Thereupon he went out. He said that he must get back
to his work, emphasizing the word “work,” and begged leave
to withdraw. He took his departure in a strangely ceremonious
and unfatherly way.
Klaus Heinrich did not see him for ten or twelve days.
He asked him to lunch once, but Doctor Ueberbein begged
to be excused, his work at the moment was too pressing.
At last he came spontaneously. He was in high spirits and
looked greener than ever. He blustered about this and that,
and at last came to the subject of the Spoelmanns, looking at
the ceiling and pulling at his throat when he did so. To be
quite fair, he said, there was a striking amount of sympathy
felt with Samuel Spoelmann, one could see all over the town
how much beloved he was. Chiefly of course as an object
of taxation, but in other respects too. There was simply a
penchant for him, in every class, for his organ-playing and his
faded coat and his kidney-colic. Every errand boy was proud
of him, and if he were not so unapproachable and morose he
would already have been made to feel it.
The ten-thousand marks donation for the Dorothea Hospital
had naturally made an excellent impression. His friend
Sammet had told him (Ueberbein) that with the help of this
donation far-reaching improvements had been undertaken in
the Hospital. And for the rest, it had just occurred to him!
Little Imma was going to inspect the improvements to-morrow
morning, Sammet had told him. She had sent one of her
swan's-down flunkeys and asked whether she would be welcome
to-morrow. She and sick children were a devilish funny mixture,
opined Ueberbein, but perhaps she might learn something.
To-morrow morning at eleven, if his memory did not
mislead him.
Then he talked about other things. On leaving he added:
“The Grand Duke ought to take some interest in the Dorothea
Hospital, Klaus Heinrich, it's expected of him. It's a blessed
institution. In short, somebody ought to show the way, give
signs of an interest in high quarters. No wish to intrude….
And so good-bye.”
But he came back once more, and in his green face a flush
had appeared under the eyes which looked entirely out of
place there. “If,” he said deliberately, “I ever caught you
again with a soup tureen on your head, Klaus Heinrich, I
should leave it there.” Then he pressed his lips together and
went out.
Next morning shortly before eleven Klaus Heinrich walked
with Herr von Braunbart-Schellendorf, his aide-de-camp, from
Schloss “Hermitage” through the snow-covered birch avenue
over rough suburban streets between humble cottages, and
stopped before the neat white house over whose entrance
“Dorothea Children's Hospital” was painted in broad black
letters. His visit had been announced. The senior surgeon
of the institution, in a frock-coat with the Albrechts Cross of
the Third Class, was awaiting him with two younger surgeons
and the nursing staff in the hall. The Prince and his companion
were wearing helmets and fur coats. Klaus Heinrich
said: “This is the renewal of an old acquaintance, my dear
doctor. You were present when I came into the world. You
are also a friend of my tutor Ueberbein's. I am delighted to
meet you.”
Doctor Sammet, who had grown grey in his life of active
philanthropy, bowed to one side, with one hand on his watch-chain
and his elbows close to his ribs. He presented the two
junior surgeons and the sister to the Prince, and then said:
“I must explain to your Royal Highness that your Royal
Highness's gracious visit coincides with another visit. Yes.
We are expecting Miss Spoelmann. Her father has done such
a lot for our institution…. We could not very well upset
the arrangements. The sister will take Miss Spoelmann
round.”
Klaus Heinrich received the news of this rencontre without
displeasure. He first expressed his opinion of the nurses' uniform,
which he called becoming, and then his curiosity to inspect
the philanthropic institution. The tour began. The
sister and three nurses waited behind in the hall.
All the walls in the building were whitewashed and washable.
Yes. The water taps were huge, they were meant to
be worked with the elbows for reasons of cleanliness. And
rinsing apparatus had been installed for washing the milk-bottles.
One passed first through the reception room, which
was empty save for a couple of disused beds and the surgeons'
bicycles. In the adjoining preparation room there were, besides
the writing-table and the stand with the students' white
coats, a kind of folding table with oil-cloth cushions, an
operating-table, a cupboard of provisions, and a trough-shaped
perambulator. Klaus Heinrich paused at the provisions and
asked for the recipes for the preparations to be explained to
him. Doctor Sammet thought to himself that if the whole
tour was going to be made with such attention to details,
a terrible lot of time would be wasted.
Suddenly a noise was heard in the street. An automobile
drove up tooting and stopped in front of the building.
Cheers were heard distinctly in the preparation room, for all
that it was only children that were shouting. Klaus Heinrich
did not pay any particular attention to the incident. He was
looking at a box of sugar of milk, which, by the way, had
nothing striking about it. “A visitor apparently,” he said.
“Oh, of course, you said somebody was coming. Let's go on.”
The party proceeded to the kitchen, the milk-kitchen, the
big boiler-fitted room for the preparing of milk, the place
where full milk, boiled milk, and buttermilk were kept. The
daily rations were set on clean white tables in little bottles
side by side. The place smelt sourish and sickly.
Klaus Heinrich gave his undivided attention to this room
also. He went so far as to taste the buttermilk, and pronounced
it excellent. How the children must thrive, he considered,
on buttermilk like that. During this inspection the
door opened and Miss Spoelmann entered between the sister
and Countess Löwenjoul, followed by the three nurses.
The coat, toque, and muff which she was wearing to-day
were made of the costliest sable, and her muff was suspended
on a golden chain set with coloured stones. Her black hair
showed a tendency to fall in smooth locks over her forehead.
She took in the room at a glance; her eyes were really almost
unbecomingly big for her little face, they dominated it like
a cat's, save that they were black as anthracite and spoke a
pleading language of their own…. Countess Löwenjoul,
with a feather hat and dressed neatly and not without distinction,
as usual, smiled in a detached sort of way.
“The milk-kitchen,” said the sister; “this is where the milk
is cooked for the children.”
“So one would have supposed,” answered Miss Spoelmann.
She said it quickly and lightly, with a pout of her lips and a
little haughty wag of her head. Her voice was a double one;
it consisted of a lower and a higher register, with a break in
the middle.
The sister was quite disconcerted. “Yes,” she said, “it's
obvious.” And a little pained look of bewilderment was
visible in her face.
The position was a complicated one. Doctor Sammet looked
in Klaus Heinrich's face for orders, but as Klaus Heinrich
was accustomed to do what was put before him according to
prescribed forms, but not to grapple with novel and complex
situations, no solution of the difficulty was forthcoming.
Herr von Braunbart was on the point of intervening, and Miss
Spoelmann on the other side was making ready to leave the
milk-kitchen, when the Prince made a gesture with his right
hand which established a connexion between himself and the
young girl. This was the signal for Doctor Sammet to advance
towards Imma Spoelmann.
“Doctor Sammet. Yes.” He desired the honour of presenting
Miss Spoelmann to his Royal Highness…. “Miss
Spoelmann, Royal Highness, the daughter of Mr. Spoelmann
to whom this hospital is so much indebted.”
Klaus Heinrich clapped his heels together and held out his
hand in its white gauntlet, and, laying her small brown-gloved
hand in it, she gave him a horizontal hand-shake, English
fashion, at the same time making a sort of shy curtsey, without
taking her big eyes off Klaus Heinrich's face. He could
think of nothing more original to say than: “So you too
are paying a visit to the hospital, Miss Spoelmann?”
And she answered as quickly as before, with a pout and
the little haughty wag of her head. “Nobody can deny that
everything points in that direction.”
Herr Braunbart involuntarily raised his hand, Doctor Sammet
looked down at his watch-chain in silence, and a short
snigger escaped through the nose of one of the young surgeons,
which was hardly opportune. The little pained look
of bewilderment now showed on Klaus Heinrich's face. He
said: “Of course…. As you are here…. So I shall be
able to visit the institution in your company, Miss Spoelmann….
Captain von Braunbart, my aide-de-camp …” he added
quickly, recognizing that his remark laid him open to a
similar answer to the last. She responded by: “Countess
Löwenjoul.”
The Countess made a dignified bow—with an enigmatic
smile, a side glance into the unknown, which had something
seductive about it. When, however, she let her strangely
evasive gaze again dwell on Klaus Heinrich, who stood before
her in a composed and military attitude, the laugh vanished
from her face, an expression of sadness settled on her features,
and for a second a look of something like hatred for Klaus
Heinrich shone in her slightly swollen grey eyes. It was only
a passing look. Klaus Heinrich had no time to notice it,
and forgot it immediately. The two young surgeons were
presented to Imma Spoelmann, and then Klaus Heinrich suggested
that they should continue the tour all together.
They went upstairs to the first story; Klaus Heinrich and
Imma Spoelmann in front, conducted by Doctor Sammet, then
Countess Löwenjoul with Herr von Braunbart, and the young
surgeons in the rear. Yes, the older children were here, up
to fourteen years of age. An ante-room with wash-basins
divided the girls' and the boys' rooms. In white bedsteads,
with a name-plate at the head and a frame at the foot enclosing
the temperature- and weight-charts—tended by nurses in
white caps, and surrounded by cleanliness and tidiness—lay
the sick children, and coughs filled the room while Klaus
Heinrich and Imma Spoelmann walked down between the rows.
He walked at her left hand, out of courtesy, with the same
smile as when he visited exhibitions or inspected veterans,
gymnastic associations, or guards of honour. But every time
he turned his head to the right he found that Imma Spoelmann
was watching him—he met her great black eyes, which
were directed at him in a searching, questioning way. It was
so peculiar, he never remembered experiencing anything so
peculiar before, her way of looking at him with her great eyes,
without any respect for him or anyone else, absolutely unembarrassed
and free, quite unconcerned whether anybody noticed
it or not.
When Doctor Sammet stopped at a bed to describe the
case—the little girl's, for instance, whose broken white-bandaged
leg stuck straight out along the bed—Miss Spoelmann
listened attentively to him, that was quite clear; but
while she listened she did not look at the speaker, but her
eyes rested in turn on Klaus Heinrich and the pinched, quiet
child who, her hands folded on her breast, gazed up at them
from her back-rest—rested in turn on the Prince and the little
victim, the history of whose case she shared with the Prince, as
if she were watching Klaus Heinrich's sympathy, or were
trying to read in his face the effect of Dr. Sammet's words;
or maybe for some other reason.
Yes, this was especially noticeable in the case of the boy
with the bullet through his arm and the boy who had been
picked out of the water—two sad cases, as Dr. Sammet remarked.
“A severed artery, sister,” he said, and showed them
the double wound in the boy's upper arm, the entry and exit
of the revolver bullet. “The wound,” said Doctor Sammet
in an undertone to his guests, turning his back to the bed,
“the wound was caused by his own father. This one was the
lucky one. The man shot his wife, three of his children, and
himself with a revolver. He made a bad shot at this boy.”
Klaus Heinrich looked at the double wound. “What did
the man do it for?” he asked hesitatingly, and Doctor Sammet
answered: “In desperation, Royal Highness. It was shame
and want which brought him to it. Yes.” He said no more,
just this commonplace—just as in the case of the boy, a
ten-year-old, who had been picked out of the water. “He's
wheezing,” said Doctor Sammet, “he's still got some water in
his lung. He was picked out of the river early this morning—yes.
I may say that it is improbable that he fell into the
water. There are many indications to the contrary. He had
run away from home. Yes.” He stopped.
And Klaus Heinrich again felt Miss Spoelmann looking
at him with her big, black, serious eyes—with her glance
which sought his own and seemed to challenge him insistently
to ponder with her the “sad cases,” to grasp the essential
meaning of Doctor Sammet's remarks, to penetrate to the
hideous truths which were incorporated and crystallized in
these two little invalid frames…. A little girl wept bitterly
when the steaming and hissing inhaler, together with a scrapbook
full of brightly coloured pictures, was planted at her
bedside.
Miss Spoelmann bent over the little one. “It doesn't hurt,”
she said, “not a tiny bit. Don't cry.” And as she straightened
herself again she added quickly, pursing up her lips, “I guess
it's not so much the apparatus as the pictures she's crying
at.” Everybody laughed. One of the young assistants picked
up the scrapbook and laughed still louder when he looked at
the pictures. The party passed on into the laboratory. Klaus
Heinrich thought, as he went, how dry Miss Spoelmann's
humour was. “I guess,” she had said, and “not so much.”
She had seemed to find amusement not only in the pictures,
but also in the neat and incisive mode of expression she had
used. And that was indeed the very refinement of humour….
The laboratory was the biggest room in the building.
Glasses, retorts, funnels, and chemicals stood on the tables,
as well as specimens in spirits which Doctor Sammet explained
to his guests in few quiet words. A child had choked in a
mysterious way: here was his larynx with mushroom-like
growths instead of the vocal chords. Yes. This, here in the
glass, was a case of pernicious enlargement of the kidney in a
child, and there were dislocated joints. Klaus Heinrich and
Miss Spoelmann looked at everything, they looked together
into the bottles which Doctor Sammet held up to the window,
and their eyes looked thoughtful while the same look of repulsion
hovered round their mouths.
They took turns too at the microscope, examined, with one
eye placed to the lens, a malignant secretion, a piece of blue-stained
tissue stuck on a slide, with tiny spots showing near
the big patch. The spots were bacilli. Klaus Heinrich
wanted Miss Spoelmann to take the first turn at the microscope,
but she declined, knitting her brows and pouting, as
much as to say: “On no account whatever.” So he took the
precedence, for it seemed to him that it really did not matter
who got the first look at such serious and fearful things as
bacilli. And after this they were conducted up to the second
story, to the infants.
They both laughed at the chorus of squalls which reached
their ears while they were still on the stairs. And then they
went with their party through the ward between the beds, bent,
side by side over the bald-headed little creatures, sleeping with
closed fists or screaming with all their might and showing their
naked gums—they stopped their ears and laughed again. In
a kind of oven, warmed to a moderate heat lay a new-born baby.
And Doctor Sammet showed his distinguished guests a
pauper baby with the grey look of a corpse and hideous big
hands, the sign of a miscarriage…. He lifted a squealing
baby out of its cot, and it at once stopped screaming. With
the touch of an expert he rested the limp head in the hollow
of his hand and showed the little red creature blinking and
twitching spasmodically to the two—Klaus Heinrich and Miss
Spoelmann, who stood side by side and looked down at the
infant. Klaus Heinrich stood watching with his heels together
as Doctor Sammet laid the baby back in its cot, and when he
turned round he met Miss Spoelmann's searching gaze, as
he had expected.
Finally they walked to one of the three windows of the
ward and looked out over the squalid suburb, down into the
street where, surrounded by children, the brown Court carriage
and Imma's smart dark-red motor car stood one behind
the other. The Spoelmanns' chauffeur, shapeless in his fur
coat, was leaning back in his seat with one hand on the
steering-wheel of the powerful car, and watched his companion,
the footman in white, trying to start a conversation, by the
carriage in front, with Klaus Heinrich's coachman.
“Our neighbours,” said Doctor Sammet, holding back the
white net curtain with one hand, “are the parents of our
patients. Late in the evening the tipsy fathers roll shouting
by. Yes.”
They stood and listened, but Doctor Sammet said nothing
further about the fathers and so they broke off, as they had
now seen everything.
The procession, with Klaus Heinrich and Imma at the head,
proceeded down the staircase and found the nurses again
assembled in the front hall. Leave was taken with compliments
and clapping together of heels, curtseys, and bows.
Klaus Heinrich, standing stiffly in front of Doctor Sammet,
who listened to him with his head on one side and his hand
on his watch-chain, expressed himself, in his wonted form of
words, highly satisfied with what he had seen, while he felt
that Imma Spoelmann's great eyes were resting upon him.
He, with Herr von Braunbart, accompanied Miss Spoelmann to
her car when the leave-taking from the surgeons and nurses
was over. Klaus Heinrich and Miss Spoelmann, while they
crossed the pavement between children and women with
children in their arms, and for a short time by the broad step
of the motor car, exchanged the following remarks:
“It has been a great pleasure to meet you,” he said.
She answered nothing to this, but pouted and wagged her
head a little from side to side.
“It was an absorbing inspection,” he went on. “A regular
eye-opener.”
She looked at him with her big black eyes, then said quickly
and lightly in her broken voice: “Yes, to a certain
extent….”
He ventured on the question: “I hope you are pleased
with Schloss Delphinenort?”
To which she answered with a pout: “Oh, why not? It's
quite a convenient house….”
“Do you like being there better than at New York?” he
asked. And she answered:
“Just as much. It's much the same. Much the same everywhere.”
That was all. Klaus Heinrich, and one pace behind him
Herr von Braunbart, stood with their hands to their helmets
as the chauffeur slipped his gear in and the motor car shivered
and started.
It may be imagined that this meeting did not long remain
the private property of the Dorothea Hospital; on the contrary,
it was the general topic of conversation before the
day was out. The Courier published, under a sentimental
poetical heading, a detailed description of the rencontre, which,
without too violent a departure from the exact truth, yet
succeeded in making such a powerful impression on the public
mind, and evoked symptoms of such lively interest, that the
vigilant newspaper was induced to keep a watchful eye for
the future on any further rapprochements between the Spoelmann
and Grimmburg houses. It could not report much.
It remarked a couple of times that his Royal Highness
Prince Klaus Heinrich, when walking through the promenade
after a performance at the Court Theatre, had stopped for a
moment at the Spoelmanns' box to greet the ladies. And in
its report of the fancy-dress charity bazaar, which took place
in the middle of January in the Town Hall—a smart function,
in which Miss Spoelmann, at the urgent request of the Committee,
acted as seller—no small space was devoted to describing
how Prince Klaus Heinrich, when the Court was making
a round of the bazaar, had stopped before Miss Spoelmann's
stall, how he had bought a piece or two of fancy
glass (for Miss Spoelmann was selling porcelain and glass),
and had lingered a good eight or ten minutes at her stall.
It said nothing about the topic of the conversation. And yet
it had not been without importance.
The Court (with the exception of Albrecht) had appeared
in the Town Hall about noon. When Klaus Heinrich, with
his newly bought pieces of glass in tissue paper on his knee,
drove back to the “Hermitage,” he had announced his intention
of visiting Delphinenort and inspecting the Schloss in
its renovated state, on the same occasion viewing Mr. Spoelmann's
collection of glass. For three or four old pieces of
glass had been included in Miss Spoelmann's stock which her
father himself had given to the bazaar out of his collection,
and one of them Klaus Heinrich had bought.
He saw himself again in a semicircle of people, stared at,
alone, in front of Miss Spoelmann, and separated from her
by the stall-counter, with its vases, jugs, its white and coloured
groups of porcelain. He saw her in her red fancy dress,
which, made in one piece, clung close to her neat though
childish figure, while it exposed dark shoulders and arms,
which were round and firm and yet like those of a child
just by the wrist. He saw the gold ornament, half garland
and half diadem, in the jet of her billowy hair, that showed
a tendency to fall in smooth wisps on her forehead, her big,
black, inquiring eyes in the pearly-white face, her full and
tender mouth, pouting with habitual scorn when she spoke—and
round about her in the great vaulted hall had been the
scent of firs and a babel of noise, music, the clash of gongs,
laughter, and the cries of sellers.
He had admired the piece of glass, the fine old beaker
with its ornament of silver foliage, which she proffered to
him, and she had said that it came from her father's collection.
“Has your father, then, got many fine pieces like this?”—Of
course. And presumably her father had not given the
best items to the bazaar. She could guarantee that he had
much finer pieces of glass. Klaus Heinrich would very
much like to see them! Well, that might easily be managed,
Miss Spoelmann had answered in her broken voice, while she
pouted and wagged her head slightly from side to side. Her
father, she meant, would certainly have no objection to showing
the fruits of his zeal as a collector to one more of a long
succession of intelligent visitors. The Spoelmanns were
always at home at tea-time.
She had gone straight to the point, taking the hint for
a definite offer, and speaking in an entirely off-hand way.
In conclusion, to Klaus Heinrich's question, what day would
suit best, she had answered: “Whichever you like, Prince, we
shall be inexpressibly delighted.”
“We shall be inexpressibly delighted”—those were her
words, so mocking and pointed in the exaggeration that they
almost hurt, and were difficult to listen to without wincing.
How she had rattled and hurt the poor sister in the Hospital
the other day! But all through there was something childish
in her manner of speech; indeed, some sounds she made were
just like those children make—not only on the occasion when
she was comforting the little girl about the inhaler. And
how large her eyes had seemed when they told her about the
children's fathers and the rest of the sad story!
Next day Klaus Heinrich went to tea at Schloss Delphinenort,
the very next. Miss Spoelmann had said he might come
when it suited him. But it suited him the very next day, and
as the matter seemed to him urgent, he saw no point in putting
it off.
Shortly before five o'clock—it was already dark—he drove
over the smooth roads of the Town Garden—bare and empty,
for this part of it belonged to Mr. Spoelmann. Arc-lamps lit
up the park, the big square spa-basin shimmered between the
trees; behind it rose the white Schloss with its pillared porch,
its spacious double staircase which led by gentle degrees
between the wings up to the first floor, its high leaded windows,
its Roman busts in the niches—and Klaus Heinrich, as
he drove along the approach avenue of mighty chestnuts, saw
the red-plush negro with his staff standing on guard at the
foot of the staircase.
Klaus Heinrich crossed a brightly lighted stone hall, with
a floor of gilt mosaic and with white statues of gods round it,
passed straight over to the broad red-carpeted marble staircase,
down which the Spoelmanns' major-domo, clean shaven,
with shoulders squared and arms stiff, pot-bellied and haughty,
advanced to receive the guest. He escorted him up into the
tapestried and marble-chimneyed ante-room, where a couple
of white-and-gold swan's-down footmen took the Prince's cap
and cloak, while the steward went in person to announce him
to his master…. The footman held aside one of the tapestries
for Klaus Heinrich, who descended two or three steps.
The scent of flowers met him, and he heard the soft splash
of falling water; but just as the tapestry closed behind him,
so wild and harsh a barking was heard that Klaus Heinrich,
half deafened for a moment, stopped at the foot of the steps.
Percival, the collie, had dashed at him in a fury. He pranced,
he capered in uncontrollable passion, he pirouetted, beat his
sides with his tail, planted his forefeet on the floor, and
turned wildly round and round, and seemed like to burst with
noise. A voice—not Imma's—called him off, and Klaus Heinrich
found himself in a winter garden, a glass conservatory
with white marble columns and a floor of big square marble
flags. Palms of all kinds filled it, whose trunks and tops
often reached close up to the glass ceiling. A flower-bed,
consisting of countless pots arranged like the stones of a
mosaic, lay in the strong moonlight of the arc-lamp and
filled the air with its scent. Out of a beautifully carved
fountain, silver streams flowed into a marble pool, and ducks
with strange and fantastic plumage swam about on the illuminated
water. The background was filled by a stone walk
with columns and niches.
It was Countess Löwenjoul who advanced towards the guest,
and curtseyed with a smile.
“Your Royal Highness will not mind,” she said, “our Percy
is so uproarious. Besides, he's so unaccustomed to visitors.
But he never touches anybody. Your Royal Highness must
excuse Miss Spoelmann…. She'll be back soon. She was
here just now. She was called away, her father sent for her.
Mr. Spoelmann will be delighted….”
And she conducted Klaus Heinrich to an arrangement of
basket chairs with embroidered linen cushions which stood
in front of a group of palms. She spoke in a brisk and
emphatic tone, with her little head with its thin iron-grey
hair bent on one side and her white teeth showing as she
laughed. Her figure was distinctly graceful in the close-fitting
brown dress she was wearing, and she moved as
freshly and elegantly as an officer's wife. Only in her eyes,
whose lids she kept blinking, there was something of mistrust
or spite, something unintelligible. They sat down facing
each other at the round garden-table, on which lay a
few books. Percival, exhausted by his outburst, curled himself
up on the narrow pearl-grey carpet on which the furniture
stood. His black coat was like silk, with white paws,
chest, and muzzle. He had a white collar, yellow eyes, and a
parting along his back. Klaus Heinrich began a conversation
for conversation's sake, a formal dialogue about nothing in
particular, which was all he could do.
“I hope, Countess, that I have not come at an inconvenient
time. Luckily I need not feel myself an unauthorized intruder.
I do not know whether Miss Spoelmann has told
you…. She was so kind as to suggest my calling. It was
about those lovely pieces of glass which Mr. Spoelmann so
generously gave to yesterday's bazaar. Miss Spoelmann
thought that her father would have no objection to letting
me see the rest of his collection. That's why I'm here …”
The Countess ignored the question whether Imma had told
her of the arrangement. She said: “This is tea-time, Royal
Highness. Of course your visit is not inconvenient. Even
if, as I hope will not be the case, Mr. Spoelmann were too
unwell to appear….”
“Oh, is he ill?” In reality Klaus Heinrich wished just a
little that Mr. Spoelmann might be too unwell. He anticipated
his meeting with him with vague anxiety.
“He was feeling ill to-day, Royal Highness. He had a
touch of fever, shivering, and a little faintness. Dr. Watercloose
was with him for a long time this morning. He was
given an injection of morphia. There's some question of an
operation being necessary.”
“I am very sorry,” said Klaus Heinrich quite honestly. “An
operation? How dreadful!”
To which the Countess answered, letting her eyes wander:
“Oh yes. But there are worse things in life—many much
worse things than that.”
“Undoubtedly,” said Klaus Heinrich. “I can quite believe
it.” He felt his imagination stirred in a vague and general way
by the Countess's allusion.
She looked at him with her head inclined to one side, and
an expression of contempt on her face. Then her slightly
distended grey eyes shifted, while she smiled the mysterious
smile which Klaus Heinrich already knew and which had
something seductive about it.
He felt it was necessary to resume the conversation.
“Have you lived long with the Spoelmanns, Countess?” he
asked.
“A fairly long time,” she answered, and appeared to calculate.
“Fairly long. I have lived through so much, have
had so many experiences, that I naturally cannot reckon to
a day. But it was shortly after the blessing—soon after the
blessing was vouchsafed to me.”
“The blessing?” asked Klaus Heinrich.
“Of course,” she said decidedly with some agitation. “For
the blessing happened to me when the number of my experiences
had become too great, and the bow had reached
breaking point, to use a metaphor. You are so young,” she
continued, forgetting to address him by his title, “so ignorant
of all that makes the world so miserable and so depraved,
that you can form no conception of what I have had to suffer.
I brought an action in America which involved the appearance
of several generals. Things came to light which were more
than my temper could stand. I had to clear out several barracks
without succeeding in bringing to light every loose
woman. They hid themselves in the cupboards, some even
under the floors, and that's why they continue torturing me
beyond measure at nights. I should at once go back to my
Schloss in Burgundy if the rain did not come through the
roofs. The Spoelmanns knew that, and that is why it was so
obliging of them to let me live with them indefinitely, my
only duty being to put the innocent Imma on her guard against
the world. Only of course my health suffers from my having
the women sitting at nights on my chest and forcing me to
look at their disgusting faces. And that is why I ask you
to call me simply Frau Meier,” she said in a whisper, leaning
forward and touching Klaus Heinrich's arm with her hand.
“The walls have ears, and it is absolutely necessary for me
to keep up the incognito I was forced to assume in order to
protect myself against the persecution of the odious creatures.
You will do what I ask, will you not? Look on it as a joke
… a fad which hurts nobody…. Why not?”
She stopped.
Klaus Heinrich sat upright and braced up in his wicker
chair opposite her and looked at her. Before leaving his
rectilineal room, he had dressed himself with his valet Neumann's
help with all possible care, as his life in the public
eye required. His parting ran from over his left eye, straight
up to the crown of his head, without a hair sticking up, and
his hair was brushed up into a crest off the right side of his
forehead. There he sat in his undress uniform, whose high
collar and close fit helped him to maintain a composed attitude,
the silver epaulettes of a major on his narrow shoulders, leaning
slightly but not comfortably forward, collected, calm, with
one foot slightly advanced, and with his right hand above his
left on his sword-hilt. His young face looked slightly weary
from the unreality, the loneliness, strictness, and difficulty of
his life; he sat looking at the Countess with a friendly, clear,
but composed expression in his eyes.
She stopped. Disenchantment and disgust showed themselves
in her features, and, while something like hate towards
Klaus Heinrich flamed up in her tired grey eyes, she blushed
in the strangest of ways, for one half of her face turned red,
the other white. Dropping her eyelids she answered: “I
have been living with the Spoelmanns for three years, Royal
Highness.”
Percival darted forward. Dancing, springing, and wagging
his tail he trotted towards his mistress—for Imma Spoelmann
had come in—raised himself in a dignified way on his hind
legs and laid his fore paws in greeting on her breast. His
jaws were wide open, and his red tongue hung out between his
ivory-white teeth. He looked like a heraldic supporter as he
stood there before her.
She wore a wonderful dress of brick-red silk with loose
hanging sleeves, and the breast covered with heavy gold embroidery.
A big egg-shaped jewel on a pearl necklace lay
on her bare neck, the skin of which was the colour of smoked
meerschaum. Her blue-black hair was parted on one side
and coiled, though a few smooth wisps tended to fall on her
forehead. Holding Percival's head in her two narrow, ringless
little hands, she looked into his face, saying, “Well, well,
my friend. What a welcome! We are glad to see each other—we
hated being parted, didn't we? Now go back and lie
down.” And she put his paws off the gold embroidery on
her breast, and set him on his four paws again.
“Oh, Prince,” she said. “Welcome to Delphinenort. You
hate breaking your promise, I can see. I'm coming to sit
next you. They'll tell us when tea is ready…. It's against
all the rules, I know, for me to have kept you waiting.
But my father sent for me—and besides you had somebody
to entertain you.” Her bright eyes passed from Klaus Heinrich
to the Countess and back in a rather hesitating way.
“That's quite true,” he said. And then he asked how Mr.
Spoelmann was, and received a fairly reassuring answer. Mr.
Spoelmann would have the pleasure of making Klaus Heinrich's
acquaintance at tea-time, he begged to be excused till
then…. What a lovely pair of horses Klaus Heinrich had
in his brougham! And then they talked about their horses,
about Klaus Heinrich's good-tempered brown Florian from
the Hollerbrunn stud, about Miss Spoelmann's Arabian cream,
the mare Fatma which had been given to Mr. Spoelmann by
an oriental prince, about her fast Hungarian chestnuts, which
she drove four-in-hand.
“Do you know the country round?” asked Klaus Heinrich.
“Have you hunted with the Royal pack? Have you been to
the ‘Pheasantry’? There are lots of lovely excursions.”
No, Miss Spoelmann was not at all clever in finding out
new roads, and the Countess—well, her whole nature was
unenterprising, so they always chose the same road, in the
Town Gardens, for their ride. It was boring, perhaps, but
Miss Spoelmann was not on the whole so blasé as to need
constant change and adventures. Then he said that they must
go together some time to a meet of the hounds or to the
“Pheasantry,” whereupon she pursed her lips and said that
that was an idea which might be discussed some time in the
future. Then the major-domo came in and gravely announced
that tea was ready.
They went through the tapestry hall with the marble fireplace,
conducted by the strutting butler, accompanied by the
dancing Percy, and followed by Countess Löwenjoul.
“Has the Countess been letting her tongue run away with
her?” asked Imma en route, without any particular lowering
of her voice.
Klaus Heinrich started and looked at the floor. “But she
can hear us!” he said softly.
“No, she doesn't hear us,” answered Imma. “I can read
her face. When she holds her head crooked like that and
blinks her eyes it means that she is wandering and deep in
her thoughts. Did she let her tongue run away with her?”
“For a minute or two,” said Klaus Heinrich. “I got the
impression that the Countess ‘let herself go’ every now and
then.”
“She has had a lot of trouble.” And Imma looked at
him with the same big searching dark eyes with which she
had scanned him in the Dorothea Hospital. “I'll tell you
all about it another time. It's a long story.”
“Yes,” he said. “Some other time. Next time. On our
ride perhaps.”
“On our ride?”
“Yes, on our ride to the meet, or to the ‘Pheasantry.’”
“Oh, I forgot your preciseness, Prince, in the matter of
appointments. Very well, on our ride. We go down here.”
They found themselves at the back of the Schloss. Carpeted
steps led from a gallery hung with big pictures, down
into the white-and-gold garden room, behind the glass door
of which lay the terrace. Everything—the big crystal lustres,
which hung from the centre of the high, white-festooned
ceiling, the regularly arranged arm-chairs with gilt frames
and fancy upholstering, the heavy white silk curtains, the
elaborate clock and the vases and gilt lamps on the white
marble chimneypiece in front of the tall looking-glass, the
massive, lion-footed gilt candelabra which towered on either
side of the entrance—everything reminded Klaus Heinrich of
the Old Schloss, of the Representation Chamber, in which he
had played his part from his youth up; only that the candles
here were shams, with yellow electric bulbs instead of wicks,
and that everything of the Spoelmanns' was new and smart
in Schloss Delphinenort. A swan's-down footman was putting
the last touch to the tea-table in a corner of the room; Klaus
Heinrich noticed the electric kettle about which he had read in
the Courier.
“Has Mr. Spoelmann been told?” asked the daughter of
the house…. The butler bowed. “Then there's nothing,”
she said quickly and half mockingly, “to prevent us from
taking our places and beginning without him. Come, Countess!
I advise you, Prince, to unbuckle your sword, unless
there are reasons unknown to me for your not doing so….”
“Thanks,” said Klaus Heinrich, “no, there is no reason why
I shouldn't.” And he was angry with himself for not being
smart enough to think of a more adroit answer.
The footman took his sword, and carried it off. They took
their seats at the tea-table with the help of the butler, who
held the backs and pushed the chairs under them. Then he
retired to the top of the steps, where he remained in an elegant
attitude.
“I must tell you, Prince,” said Miss Spoelmann, pouring the
water into the pot, “that my father won't drink any tea which
I have not made with my own hands. He distrusts all tea
which is handed round ready-made in cups. That is barred
with us. You'll have to put up with it.”
“Oh, I like it much better like this,” said Klaus Heinrich,
“it's much more comfortable and free-and-easy at a family
tea like this….” He broke off, and wondered why as he
spoke these words a side-glance of hatred lighted on him from
the eyes of Countess Löwenjoul. “And your course of study?”
he asked. “May I ask about it? It's mathematics, I know.
Don't you find it too much? Isn't it terribly brain-racking?”
“Absolutely not,” she said. “It's just splendid; it's like
playing in the breezes, so to speak, or rather out of the
breezes, in a dust-free atmosphere. It's as cool there as in
the Adirondacks.”
“The what?”
“The Adirondacks. That's geography, Prince. Mountains
over in the States, with lovely snowfields. We have a country
cottage there, where we go in May. In summer we used to go
to the sea-side.”
“At any rate,” he said, “I can testify to your zeal in your
studies. You do not like being prevented from arriving punctually
at your lectures. I haven't yet asked you whether
you reached that one the other day up to time.”
“The other day?”
“Yes, a week or two ago. After the contretemps with the
change of guard.”
“Dear, dear, Prince, now you are beginning that too.
That story seems to have reached from hut to palace. Had
I known what a bother was going to come of it, I would
rather have gone three times round the whole Schlossplatz.
It even got into the newspapers, I'm told. And now of course
the whole town thinks I am a regular fiend for temper and
rudeness. But I am the most peaceful creature in the world,
and only don't like being ordered about. Am I a fiend,
Countess? I demand a truthful answer.”
“No, you're an angel,” said Countess Löwenjoul.
“H'm—angel, that's too much, that's too far the other way,
Countess….”
“No,” said Klaus Heinrich, “no, not too far. I entirely
believe the Countess….”
“I'm much honoured. But how did your Highness hear
about the adventure? Through the newspapers?”
“I was an eye-witness of it,” said Klaus Heinrich.
“An eye-witness?”
“Yes. I happened to be standing at the window of the
officers' mess, and saw the whole thing from beginning to
end.”
Miss Spoelmann blushed. There was no doubt about it,
the pale skin of her face deepened in colour.
“Well, Prince,” she said, “I assume that you had nothing
better to do at the moment.”
“Better?” he cried. “But it was a splendid sight. I give
you my word that never in my life …”
Percival, who was lying with his forepaws crossed, by
Miss Spoelmann, raised his head with a look of tense expectancy
and beat the carpet with his tail. At the same moment
the butler began to run, as fast as his ponderous frame would
let him, down the steps to the lofty side-door over against the
tea-table, and swiftly pulled aside the whole silk portière,
sticking his double chin the while into the air with a majestic
expression. Samuel Spoelmann, the millionaire, walked in.
He was a man of neat build with a strange face. He was
clean shaven, with red cheeks and a prominent nose, his little
eyes were of a metallic blue-black, like those of little children
and animals, and had an absent and peevish look. The upper
part of his head was bald, but behind and on his temples
Mr. Spoelmann had a quantity of grey hair, dressed in a fashion
not often seen among us. He wore it neither short nor
long, but brushed up, sticking out, though cropped on the
nape and round his ears. His mouth was small and finely
chiselled. Dressed in a black frock-coat with a velvet waistcoat
on which lay a long, thin, old-fashioned watch-chain, and
soft slippers on his feet, he advanced quickly to the tea-table
with a cross and pre-occupied expression on his face; but his
face cleared up, it regained composure and tenderness when he
caught sight of his daughter. Imma had gone to meet him.
“Greeting, most excellent father,” she said, and throwing
her brown little arms, in their loose brick-coloured hanging
sleeves, round his neck, she kissed him on the bald spot which
he offered her as he inclined his head.
“Of course you knew,” she continued, “that Prince Klaus
Heinrich was coming to tea with us to-day?”
“No; I'm delighted, delighted,” said Mr. Spoelmann no
less readily and in a grating voice. “Please don't move!”
he said at once. And while he shook hands (Mr. Spoelmann's
hand was thin and half-covered by his unstarched white cuff)
with the Prince, who was standing modestly by the table, he
nodded repeatedly to one side or the other. That was his
way of greeting Klaus Heinrich. He was an alien, an invalid,
and a man apart as regards wealth. He was forgiven and
nothing further was expected of him—Klaus Heinrich recognized
the fact, and took pains to recover his self-control.
“You are at home here in a sense,” added Mr. Spoelmann,
cutting the conversation short, and a passing gleam of malice
played round his clean-shaven mouth. Then he gave the
others an example by sitting down. It was the chair between
Imma and Klaus Heinrich, opposite the Countess and the
veranda door, which the butler pushed under him.
As Mr. Spoelmann showed no intention of apologizing
for his unpunctuality, Klaus Heinrich said: “I am sorry
to hear that you are unwell this morning, Mr. Spoelmann. I
hope you are better.”
“Thanks, better, not but all right,” answered Mr. Spoelmann
crossly. “How many spoonfuls did you put in?” he asked
his daughter. He was alluding to the tea.
She had filled his cup, and she handed it to him.
“Four,” said she. “One for each person. Nobody shall
say that I stint my grey-haired father.”
“What's that?” answered Mr. Spoelmann. “I'm not grey-haired.
You ought to have your tongue clipped.” And he
took from a silver box a kind of rusk which seemed to be his
own special dainty, broke it and dipped it peevishly in the
golden tea, which he, like his daughter, drank without milk
or sugar.
Klaus Heinrich began over again: “I am much excited
at the prospect of seeing your collection, Mr. Spoelmann.”
“All right,” answered Mr. Spoelmann. “So you want to
see my glass? Are you an amateur? A collector perhaps?”
“No,” said Klaus Heinrich, “my love for glass has not extended
to my becoming a collector.”
“No time?” asked Mr. Spoelmann. “Do your military
duties take so much time?”
Klaus Heinrich answered: “I'm no longer on the active
list, Mr. Spoelmann. I am à la suite of my regiment. I wear
the uniform, that's all.”
“I see, make believe,” said Mr. Spoelmann harshly. “What
do you do all day, then?”
Klaus Heinrich had stopped drinking tea, had pushed his
things away in the course of the conversation which demanded
his undivided attention. He sat upright and defended himself,
feeling the while that Imma Spoelmann's big, black, searching
eyes were resting on him.
“I have duties at Court, with the ceremonies and big occasions.
I have also to represent the State in a military capacity,
at the swearing-in of recruits and the presentation of
colours. Then I have to hold levées as deputy for my brother,
the Grand Duke. And then there are little journeys on duty
to the provincial centres for unveilings and dedications and
other public solemnities.”
“I see,” said Mr. Spoelmann. “Ceremonies, solemnities,
food for spectators. No, that sort of thing's beyond me. I
tell you once for all, that I wouldn't give a farthing for your
calling. That's my standpoint, sir.”
“I entirely understand,” said Klaus Heinrich. He sat up
stiffly in his uniform and smiled uneasily.
“Of course it needs practice like everything else,” Mr. Spoelmann
went on in a little less bitter tone of voice—“practice
and training, I can see. For myself I shall never as long as
I live cease feeling angry when I am obliged to play the prodigy.”
“I only hope,” said Klaus Heinrich, “that our people are
not wanting in respect….”
“Thanks, not so bad,” answered Mr. Spoelmann. “The people
are at least friendly here; one doesn't see murder written
in their eyes.”
“I hope, Mr. Spoelmann,” and Klaus Heinrich felt more
at his ease, now that the conversation had turned, and the
questioning lay with him, “that, notwithstanding the unusual
circumstances, you continue to enjoy your stay amongst us.”
“Thanks,” said Mr. Spoelmann, “I'm quite comfortable,
and the water is the only thing which really does do me
some good.”
“You did not find it a wrench to leave America?”
Klaus Heinrich felt a look, a quick, suspicious, shy look,
which he could not interpret.
“No,” said Mr. Spoelmann, sharply and crossly. That was
all his answer to the question whether he felt it a wrench
to leave America.
A pause ensued. Countess Löwenjoul held her smooth
little head inclined to one side, and smiled a distant Madonna-like
smile. Miss Spoelmann watched Klaus Heinrich fixedly
with her big black eyes, as if testing the effect of her
father's extraordinary boorishness on the guest,—indeed,
Klaus Heinrich felt that she was waiting with resignation and
sympathy for him to get up and take his departure for good
and all. He met her eyes, and remained. Mr. Spoelmann,
for his part, drew out a gold case and took out a fat
cigarette, which, when lighted, diffused a delicious fragrance.
“Smoke?” he asked…. And as Klaus Heinrich found
that there was no objection, he helped himself, after Mr.
Spoelmann, out of the proffered case.
They then discussed various topics before proceeding to
an inspection of the glass—chiefly Klaus Heinrich and Miss
Spoelmann, for the Countess's thoughts were wandering, and
Mr. Spoelmann only interpolated a cross remark now and
then: the local theatre, the huge ship in which the Spoelmanns
had crossed to Europe. No, they had not used their
yacht for the purpose. Its primary object was to take Mr.
Spoelmann to sea in the evening in the heat of summer,
when he was tied to his business and Imma and the Countess
were in Newport; he used to pass the night on deck. She was
now lying at Venice. But they had crossed in a huge steamer,
a floating hotel with concert rooms and gymnasia. “She had
five storeys,” said Miss Spoelmann.
“Counting from below?” asked Klaus Heinrich. And she
answered at once:
“Of course. Six, counting from above.”
He got muddled and lost his bearings and it was a long
time before he realized that she was making fun of him.
Then he tried to explain himself and to make his simple
question clear, explaining that he meant to ask whether she
included the under-water holds, the cellars so to speak, in
the five—in short, to prove that he was not lacking in common
sense, and at last he joined heartily in the merriment
which was the result of his efforts. As for the Court Theatre,
Miss Spoelmann gave it as her opinion, with a pout and a wag
of the head, that the actress who played the ingénue should
be strongly recommended to go through the cure at Marienbad,
coupled with a course of lessons in dancing and deportment,
while the hero should be warned that a voice as resonant as
his should be used most sparingly, even in private life….
All the same, Miss Spoelmann expressed her warm admiration
for the theatre in question.
Klaus Heinrich laughed and wondered, a little oppressed
by so much smartness. How well she spoke, how pointed
and incisive were her words! They discussed the operas also
and the plays which had been produced during the winter,
and Imma Spoelmann contradicted Klaus Heinrich's judgments,
contradicted him in every case, just as if she thought
that not to contradict would show a mean spirit; the superior
wit of her tongue left him dazed, and the great black eyes
in her pearl-white face glittered from sheer joy in her dialectic
skill, while Mr. Spoelmann leaned back in his chair,
holding the fat cigarette between his lips and blinking through
its smoke, and gazed at his daughter with fond satisfaction.
More than once Klaus Heinrich showed in his face the look
of pained bewilderment which he had noticed on a previous
occasion on the face of the good sister, and yet he felt convinced
that it was not Imma Spoelmann's intention to wound
his feelings, that she did not consider him humbled because
he was not successful in standing up to her, that she rather
let his poor answers pass, as if she considered that he had
no need of a sharp wit to defend him—it was only she who
had. But how was that, and why? He thought involuntarily
of Ueberbein at many of her sallies, of the nimble-tongued
blusterer Ueberbein, who was a natural misfortune, and had
grown up in conditions which he described as favourable. A
youth of misery, loneliness, and misfortune, shut out from
the blessings of fortune—such a man knew no luxury, no
comfort, he saw himself clearly and cruelly thrown on his
own resources, which assuredly gave him an advantage over
those who “knew not necessity.”
But Imma Spoelmann sat there in her red-gold dress at
the table, reclining indolently, with the mocking look of
a spoiled child; there she sat in confident ease, while her
tongue ran on sharply and freely, as befitted an atmosphere
of refinement and lively wit. But why did she give it play?
Klaus Heinrich pondered the question, the while they discussed
Atlantic steamers and plays. He sat bolt upright at the table,
in a dignified and uncomfortable attitude, while he concealed
his left hand, and more than once he felt a sidelong glance of
hatred from the eyes of Countess Löwenjoul.
A servant came in and handed Mr. Spoelmann a telegram
on a silver salver. Mr. Spoelmann tore it open crossly,
glanced through it, blinking and with the remains of his
cigarette in the corner of his mouth, and threw it back on
the salver, with the curt order: “Mr. Phlebs.” Thereupon
he lighted a new cigarette.
Miss Spoelmann said: “In spite of distinct medical orders,
that's the fifth cigarette you've had to-day. Let me tell you
that the unbridled passion with which you abandon yourself
to the vice little beseems your grey hairs.”
Mr. Spoelmann obviously tried to laugh, and as obviously
failed; the acid tone of his daughter's words was not to his
liking, and he flushed up.
“Silence!” he snarled. “You think you can say anything
in fun, but please spare me your saucy jokes, chatterbox!”
Klaus Heinrich, appalled, looked at Imma, who turned her
big eyes on her father's angry face, and then sadly dropped
her head. Of course she had not meant any offence, she had
simply amused herself with the strange, swelling words which
she used to poke her fun; she had expected to raise a laugh,
and had failed dismally.
“Father, darling father!” she said beseechingly, and crossed
over to stroke Mr. Spoelmann's flushed cheeks.
“Surely,” he grumbled on, “you've grown out of that sort
of thing by now.” But then he yielded to her blandishments,
let her kiss the top of his head, and swallowed his
anger. Klaus Heinrich, when peace was restored, alluded to
the collection of glass, whereupon the party left the tea-table
and went into the adjoining museum, with the exception of
Countess Löwenjoul, who withdrew with a deep curtsey. Mr.
Spoelmann himself switched on the electric light in the
chandeliers.
Handsome cabinets in the style of the whole Schloss, with
swelling curves and rounded glass doors, alternated with rich
silk chairs all round the room. In these cabinets Mr. Spoelmann's
collection of glass was displayed. Yes, there could
be no doubt that it was the most complete collection in either
hemisphere, and the glass which Klaus Heinrich had acquired
was merely a most modest sample of it. It began in
one corner of the room with the earliest artistic productions
of the industry, with finds of heathenish designs from the
culture of the earliest times; then came the products of the
East and West of every epoch; next, wreathed, flourished, and
imposing vases and beakers from Venetian blow-pipes and
costly pieces from Bohemian huts, German tankards, picturesque
Guild and Electorate bowls, mixed with grotesque
animals and comic figures, huge crystal cups, which reminded
one of the Luck of Edenhall in the song, and in whose facets
the light broke and sparkled; ruby-coloured glasses like the
Holy Grail; and finally the best samples of the latest development
of the art, fragile blossoms on impossibly brittle stems,
and fancy glasses in the latest fashionable shape, made iridescent
with the vapours of precious metals. The three, followed
by Percival, who also examined the collection, walked slowly
round the hall; and Mr. Spoelmann related in his harsh voice
the origin of particular pieces, taking them carefully off their
velvet stands with his thin, soft-cuffed hand, and holding
them up to the electric light.
Klaus Heinrich had had plenty of practice in visits of inspection,
in putting questions and making adroit remarks,
so that he was well able at the same time to ponder over
Imma Spoelmann's mode of expressing herself, that peculiar
mode which worried him not a little. What amazing freedom
she allowed herself! What extraordinary remarks she
allowed herself to make! “Passion,” “vice,” where did she
get the words from? where did she learn to use them so
glibly? Had not Countess Löwenjoul, who herself dealt with
the same topics in a confused sort of way, and had obviously
seen the seamy side of life, described her as quite innocent!
And the description was undoubtedly correct, for was she
not an exception by birth like himself, brought up like a
girl “born to be queen,” kept apart from the busy strife of
men and from all the turmoil to which those sinister words
corresponded in the life of reality? But she had uttered the
words glibly, and had treated them as a joke. Yes, that was
it, this dainty creature in her red-gold gown was merely a
wielder of words; she knew no more of life than those words,
she played with the most serious and most awful of them as
with coloured stones, and was puzzled when she made people
angry by their use. Klaus Heinrich's heart, as he thought
of this, filled with sympathy.
It was nearly seven o'clock when he asked for his carriage
to be called—slightly uneasy about his long stay, in
view of the Court and the public. His departure evoked a
fresh and terrifying demonstration on the part of Percival,
the collie. Every alteration or interruption in a situation
seemed to throw the noble animal off his moral balance.
Quivering, yelping, and deaf to all blandishments, he stormed
through the rooms and the hall and up and down the steps,
drowning the words of leave-taking in his hubbub. The butler
did the Prince the honours as far as the floor with the
statues of gods. Mr. Spoelmann did not accompany him
any distance. Miss Spoelmann made the position clear: “I
am convinced that your sojourn in the bosom of our family
has charmed you, Prince.” And he was left wondering
whether the joke lay in the expression “the bosom of our
family” or in the actual fact. Anyhow, Klaus Heinrich was
at a loss for a reply.
Leaning back in the corner of his brougham, rather sore
and battered, and yet stimulated by the unusual treatment he
had experienced, he drove home, through the dark Town
Gardens to the Hermitage, returned to his sober Empire room,
where he dined with von Schulenburg-Tressen and Braunbart-Schellendorf.
Next day he read the comments of the Courier.
They amounted only to a statement that yesterday his Royal
Highness Prince Klaus Heinrich went to Schloss Delphinenort
for tea, and inspected Mr. Spoelmann's renowned collection
of fancy glass.
And Klaus Heinrich continued to live his unreal life, and
to carry out his exalted calling. He uttered his gracious
speeches, made his gestures, represented his people at the
Court and at the President of the Council's great ball, gave
free audiences, lunched in the officers' mess of the Grenadier
Guards, showed himself at the Court Theatre, and bestowed
on this and that district of the country the privilege of his
presence. With a smile, and with heels together, he carried
out all due formalities and did his irksome duty with complete
self-possession, albeit he had at this time so much to
think of—about the peppery Mr. Spoelmann, the muddle-headed
Countess Löwenjoul, the harum-scarum Percy, and
especially about Imma, the daughter of the house. Many a
question to which his first visit to Delphinenort had given rise
he was not yet in a position to answer, but only succeeded in
solving as the result of further intercourse with the Spoelmanns,
which he maintained to the eager and at last feverish
interest of the public, and which advanced a step further
when the Prince in the early morning one day, to the astonishment
of his suite, his servants, and himself—indeed, partly
involuntarily, and as if carried along by destiny—appeared
alone and on horseback at Delphinenort, for the purpose of
taking Miss Spoelmann, whom he disturbed in her mathematical
studies at the top of the Schloss, for a ride.
The grip of winter had relaxed early in this ever-to-be-remembered
year. After a mild January, the middle of
February had seen the coming of a preliminary spring with
birds and sunshine and balmy breezes, and as Klaus Heinrich
lay on the first of these mornings at the Hermitage in his
roomy old mahogany bed, from one of whose posts the
spherical crown was missing, he felt himself, as it were, impelled
by a strange hand and irresistibly inspired to deeds of
boldness.
He rang the bell-pull for Neumann (they only had draw-bells
at the Hermitage), and ordered Florian to be ready
saddled in an hour's time. Should a horse be got ready for
the groom too? No, it was not necessary. Klaus Heinrich
said that he wanted to ride alone. Then he gave himself
into Neumann's skilful hands for his morning toilette, breakfasted
impatiently below in the garden room, and mounted
his horse at the foot of the terrace. With his spurred top-boots
in the stirrups, the yellow reins in his brown-gloved
right hand, and the left planted on his hip under his open
cloak, he rode at a walking pace through the soft morning,
scanning the still bare branches for the birds whose twittering
he heard. He rode through the public part of his park,
through the Town Gardens and the grounds of Delphinenort.
He reached it at half-past nine. Great was the general surprise.
At the main gate he gave Florian over to an English groom.
The butler, who was crossing the mosaic hall busy on his
household duties, stood still, taken aback at the sight of Klaus
Heinrich. To the inquiry which the Prince addressed to him,
in a clear and almost haughty voice, about the ladies, he
did not even reply, but turned helplessly towards the marble
staircase, gazing dumbly at the top step, for there stood Mr.
Spoelmann.
It seemed that he had just finished breakfast, and was in
the best of tempers. His hands were plunged deep in his
pockets, his lounge coat drawn back from his velvet waistcoat,
and the blue smoke of his cigarette was making him
blink.
“Well, young Prince?” he said, and stared down at
him….
Klaus Heinrich saluted and hurried up the red stair-carpet.
He felt that the situation could only be saved by swiftness
and, so to speak, by an attack by storm.
“You will be astounded, Mr. Spoelmann,” he said, “at
this early hour …” He was out of breath, and the fact
disturbed him greatly, he was so little used to it.
Mr. Spoelmann answered him by a look and a shrug of
the shoulders, as much as to say that he could control himself,
but desired an explanation.
“The fact is, we have an appointment …” said Klaus
Heinrich. He was standing two steps below the millionaire
and was speaking up at him. “An appointment for a ride
between Miss Imma and myself…. I have promised to
show the ladies the ‘Pheasantry’ and the Court Kennels….
Miss Imma told me that she knew nothing about the surrounding
country. It was agreed that on the first fine
day … It's such a lovely day to-day…. It is of course
subject to your approval….”
Mr. Spoelmann shrugged his shoulders, and made a face
as if to say: “Approval—why so?”
“My daughter is grown up,” he said. “I don't interfere.
If she rides, she rides. But I don't think she has time. You
must find that out for yourself. She's in there.” And Mr.
Spoelmann pointed his chin towards the tapestry door,
through which Klaus Heinrich had already once passed.
“Thanks,” said Klaus Heinrich. “I'll go and see for myself.”
And he ran up the remaining steps, pushed the tapestry
hanging aside with a determined gesture, and went down the
steps into the sunlit, flower-scented winter garden.
In front of the splashing fountain and the basin with
fancy-feathered ducks sat Imma Spoelmann leaning over a
table, her back turned to the incomer. Her hair was down.
It hung black and glossy on each side of her head, covered
her shoulders, and allowed nothing to be seen but a shadow
of the childlike quarter profile of her face, which showed
white as ivory against the darkness of her hair. There she
sat absorbed in her studies, working at the figures in the notebook
before her, her lips pressed on the back of her left
hand, and her right grasping the pen.
The Countess too was there, also busy writing. She sat
some way off under the palms, where Klaus Heinrich had
first conversed with her, and wrote sitting upright with her
head on one side, a pile of closely scribbled note-paper lying
at her side. The clank of Klaus Heinrich's spurs made her
look up. She looked at him with half-closed eyes for two
seconds, the long pen poised in her hand, then rose and
curtseyed. “Imma,” she said, “his Royal Highness Prince
Klaus Heinrich is here.”
Miss Spoelmann turned quickly round in her basket chair,
shook her hair back and gazed without speaking at the intruder
with big, startled eyes, until Klaus Heinrich had bid the
ladies good-morning with a military salute. Then she said in
her broken voice: “Good-morning to you too, Prince. But
you are too late for breakfast. We've finished long ago.”
Klaus Heinrich laughed.
“Well, it's lucky,” he said, “that both parties have had breakfast,
for now we can start at once for a ride.”
“A ride?”
“Yes, as we agreed.”
“We agreed?”
“No, don't say that you've forgotten!” he said pleadingly.
“Didn't I promise to show you the country round? Weren't
we going for a ride together when it was fine? Well, to-day
it's glorious. Just look out …”
“It's not a bad day,” she said, “but you go too fast,
Prince. I remember that there was some suggestion of a
ride at some future time—but surely not so soon as this?
Might I not at least have expected some sort of notification,
if your Highness will allow the word? You must allow that
I can't ride like this about here.”
And she stood up to show her morning dress, which consisted
of a loose gown of many-coloured silk and an open
green-velvet jacket.
“No,” he said, “unfortunately you cannot. But I'll wait
here while you both change. It's quite early….”
“Uncommonly early. But in the second place I am rather
busy with my innocent studies, as you saw. I've got a lecture
at eleven o'clock.”
“No,” he cried, “to-day you must not grind at algebra,
Miss Imma; you must not play in the vacuum, as you put it!
Look at the sun!… May I?…” And he went to the
table and took up the notebook.
What he saw made his head swim. A fantastic hocus-pocus,
a witches' sabbath of abbreviated symbols, written in
a childish round hand which was the obvious result of Miss
Spoelmann's peculiar way of holding her pen, covered the
pages. There were Greek and Latin letters of various heights,
crossed and cancelled, arranged above and below cross lines,
covered by other lines, enclosed in round brackets, formulated
in square brackets. Single letters, pushed forward like
sentries, kept guard above the main bodies. Cabalistic signs,
quite unintelligible to the lay mind, cast their arms round
letters and ciphers, while fractions stood in front of them and
ciphers and letters hovered round their tops and bottoms.
Strange syllables, abbreviations of mysterious words, were
scattered everywhere, and between the columns were written
sentences and remarks in ordinary language, whose sense was
equally beyond the normal intelligence, and conveyed no
more to the reader than an incantation.
Klaus Heinrich looked at the slight form, which stood
by him in the shimmering frock, becurtained by her dark
hair, and in whose little head all this lived and meant something.
He said, “Can you really waste a lovely morning
over all this God-forsaken stuff?”
A glance of anger met him from her big eyes. Then she
answered with a pout:
“Your Highness seems to wish to excuse yourself for the
want of intelligence you recently displayed with regard to
your own exalted calling.”
“No,” he said, “not so! I give you my word that I respect
your studies most highly. I grant that they bother me, I could
never understand anything of that sort. I also grant that to-day
I feel some resentment against them, as they seem likely
to prevent us from going for a ride.”
“Oh, I'm not the only one to interfere with your wish
for exercise, Prince. There's the Countess too. She was
writing—chronicling the experiences of her life, not for the
world, but for private circulation, and I guarantee that the
result will be a work which will teach you as well as me a
good deal.”
“I am quite sure of it. But I am equally sure that the
Countess is incapable of refusing a request from you.”
“And my father? There's the next stumbling-block. You
know his temper. Will he consent?”
“He has consented. If you ride, you ride. Those were
his words….”
“You have made sure of him beforehand, then? I'm really
beginning to admire your circumspection. You have assumed
the rôle of a Field Marshal, although you are not really
a soldier, only a make-believe one, as you told us long ago.
But there's yet one more obstacle, and that is decisive. It's
going to rain.”
“No, that's a very weak one. The sun is shining….”
“It's going to rain. The air is much too soft. I made
sure of it when we were in the Spa-Gardens before breakfast.
Come and look at the barometer if you don't believe me.
It's hanging in the hall….”
They went out into the tapestry hall, where a big weather-glass
hung near the marble fireplace. The Countess went with
them. Klaus Heinrich said: “It's gone up.”
“Your Highness is pleased to deceive yourself,” answered
Miss Spoelmann. “The refraction misleads you.”
“That's beyond me.”
“The refraction misleads you.”
“I don't know what that is, Miss Spoelmann. It's the same
as with the Adirondacks. I've not had much schooling, that's
a necessary result of my kind of existence. You must make
allowances for me.”
“Oh, I humbly beg pardon. I ought to have remembered
that one must use ordinary words when talking to your Highness.
You are standing crooked to the hand and that makes
it look to you as if it had risen. If you would bring yourself
to stand straight in front of the glass, you would see
that the black has not risen above the gold hand, but has
actually dropped a little below it.”
“I really believe you are right,” said Klaus Heinrich sadly.
“The atmospheric pressure there is higher than I thought!”
“It is lower than you thought.”
“But how about the falling quicksilver?”
“The quicksilver falls at low pressure, not at high, Royal
Highness.”
“Now I'm absolutely lost.”
“I think, Prince, that you're exaggerating your ignorance
by way of a joke, so as to hide what its extent really is. But
as the atmospheric pressure is so high that the quicksilver
drops, thus showing an absolute disregard for the laws of
nature, let's go for a ride, Countess—shall we? I cannot
assume the responsibility of sending the Prince back home
again now that he has once come. He can wait in there till
we're ready….”
When Imma Spoelmann and the Countess came back to the
winter garden they were dressed for riding, Imma in a close-fitting
black habit with breast-pockets and a three-cornered
felt hat, the Countess in black cloth with a man's starched
shirt and high hat. They went together down the steps,
through the mosaic hall, and out into the open air, where
between the colonnade and the big basin two grooms were
waiting with the horses. But they had not yet mounted when
with a loud barking, which was the expression of his wild
excitement, Percival, the collie, prancing and leaping about,
tore out of the Schloss and began a frenzied dance round the
horses, who tossed their heads uneasily….
“I thought so,” said Imma, patting her favourite Fatma's
head, “there was no hiding it from him. He found it all
out at the last moment. Now he intends to come with us and
make a fine to-do about it too. Shall we drop the whole
thing, Prince?”
But although Klaus Heinrich understood that he might just
as well have allowed the groom to ride in front with the
silver trumpet, so far as calling public attention to their
expedition was concerned, yet he said cheerfully that Percival
must come too; he was a member of the family and must
learn the neighbourhood like the rest.
“Well, where shall we go?” asked Imma as they rode at a
walk down the chestnut avenue. She rode between Klaus
Heinrich and the Countess. Percival barked in the van.
The English groom, in cockaded hat and yellow boot-tops,
rode at a respectful distance behind.
“The Court Kennels are fine,” answered Klaus Heinrich,
“but it is a bit farther to the ‘Pheasantry,’ and we have time
before lunch. I should like to show you the Schloss. I
spent three years there as a boy. It was a seminary, you
know, with tutors and other boys of my age. That's where
I got to know my friend Ueberbein, Doctor Ueberbein, my
favourite tutor.”
“You have a friend?” asked Miss Spoelmann, with some
surprise, and gazed at him. “You must tell me about him
some time. And you were educated at the ‘Pheasantry,’ were
you? Then we must see it, because you're obviously set on
it. Trot!” she said as they turned into a loose riding-path.
“There lies your hermitage, Prince. There's plenty for the
ducks to eat in your pond. Let's give a wide berth to the
Spa-Gardens, if that does not take us far out of our way.”
Klaus Heinrich agreed, so they left the park and trotted
across country to reach the high-road which led to their goal
to the north-west. In the town gardens they were greeted
with surprise by a few promenaders, whose greetings Klaus
Heinrich acknowledged by raising his hand to his cap, Imma
Spoelmann with a grave and rather embarrassed inclination
of her dark head in the three-cornered hat. By now they had
reached the open country, and were no longer likely to meet
people. Now and then a peasant's cart rolled along the road,
or a crouching bicyclist ploughed his way along it. But they
turned aside from the road when they reached the meadow-land,
which provided better going for their horses. Percival danced
backwards in front of them, feverish and restless as ever,
turning, springing, and wagging his tail—his breath came
fast, his tongue hung far out of his foaming jaws, and he
vented his nervous exaltation in a succession of short, sobbing
yelps. Farther on he dashed off, following some scent with
pricked ears and short springs, while his wild barking echoed
through the air.
They discussed Fatma, which Klaus Heinrich had not yet
seen close, and which he admired immensely. Fatma had
a long, muscular neck and small, nodding head with fiery
eyes; she had the slender legs of the Arab type, and a bushy
tail. She was white as the moonlight, and saddled, girt, and
bridled with white leather. Florian, a rather sleepy brown,
with a short back, hogged mane, and yellow stockings, looked
as homely as a donkey by the side of the distinguished foreigner,
although he was carefully groomed. Countess Löwenjoul
rode a big cream called Isabeau. She had an excellent seat,
with her tall, straight figure, but she held her small head in its
huge hat on one side, and her lids were half closed and
twitched. Klaus Heinrich addressed some remarks to her
behind Miss Spoelmann's back, but she did not answer, and
went riding on with half-shut eyes, gazing in front of her
with a Madonna-like expression, and Imma said:
“Don't let's bother the Countess, Prince, her thoughts are
wandering.”
“I hope,” he said, “that the Countess was not annoyed at
having to come with us.”
And he was distinctly taken aback when Imma Spoelmann
answered casually: “To tell the truth, she very likely was.”
“Because of your sums?” he asked.
“Oh, the sums? They're not so urgent, only a way of passing
the time—although I hope to get a good lot of useful information
out of them. But I don't mind telling you, Prince,
that the Countess is not enthusiastic on the subject of yourself.
She has expressed herself to that effect to me. She said you
were hard and stern and affected her like a cold douche.”
Klaus Heinrich reddened.
“I know well,” he said quietly, looking down at his reins,
“that I don't act as a cordial, Miss Spoelmann, or, at any
rate, only at a distance…. That, too, is inseparable from
my kind of existence, as I said. But I am not conscious
of having shown myself hard and stern to the Countess.”
“Probably not in words,” she replied, “but you did not
allow her to let herself go, you did not do her the kindness
of letting her tongue run a little, that's why she's vexed with
you—and I know quite well what you did, how you embarrassed
the poor thing and gave her a cold douche—quite
well,” she repeated, and turned her head away.
Klaus Heinrich did not answer. He kept his left hand
planted on his hip, and his eyes were tired. Then he said:
“You know quite well? So I act like a cold douche on
you too, Miss Spoelmann, do I?”
“I warn you,” she answered at once in her broken voice,
and wagging her head from side to side, “on no account to
overrate the effect you have upon me, Prince.” And she
suddenly set Fatma off at a gallop and flew at such a pace
over the fields towards the dark mass of the distant pine-woods
that neither the Countess nor Klaus Heinrich could keep
up with her. Not till she reached the edge of the wood
through which the high-road ran did she halt and turn her
horse to look mockingly at her followers.
Countess Löwenjoul on her cream was the first to come
up with the runaway. Then came Florian, foaming and much
exhausted by his unusual exertion. They all laughed and
their breath came fast as they entered the echoing wood. The
Countess had awakened and chatted merrily, making lively,
graceful gestures and showing her white teeth. She poked fun
at Percival, whose temper had again been excited by the
gallop, and who was careering wildly among the trunks in
front of the horses.
“Royal Highness,” she said, “you ought to see him jump
and turn somersaults. He can take a ditch six yards broad,
and does it so lightly and gracefully, you'd be delighted.
But only of his own accord, mind you, of his free will, for
I believe he'd rather let himself be whipped to death than
submit to any training or teaching of tricks. He is, one might
say, his own trainer by nature, and though sometimes unruly
he is never rough. He is a gentleman, an aristocrat, and
full of character. He's as proud as you like, and though he
seems mad he's quite able to control himself. Nobody has
ever heard him cry for pain when punished and hurt. He
only eats, too, when he is hungry, and at other times won't
look at the most tempting dainties. In the morning he has
cream … he must be fed. He wears himself out, he's quite
thin under his glossy coat, you can feel all his ribs. For
I'm afraid he'll never grow to be old, but will fall an early
victim to consumption. The street curs persecute him, they
go for him in every street, but he jumps clear of them, and
if they succeed in joining issue with him, he distributes a few
bites with his splendid teeth which the rabble don't forget in
a hurry. One must love such a compound of chivalry and
virtue.”
Imma agreed, in words which were the most serious and
grave which Klaus Heinrich had ever heard from her mouth.
“Yes,” she said, “you're a good friend to me, Percy, I
shall always love you. A veterinary surgeon said you were
half mad and advised us to have you put away, as you were
impossible and a constant danger to us. But they shan't take
my Percy from me. He is impossible, I know, and often
an incumbrance, but he's always appealing and noble, and
I love him dearly.”
The Countess continued to talk about the collie's nature,
but her remarks soon became disconnected and confused, and
lapsed into a monologue accompanied by lively and elegant
gestures. At last, after an acid look at Klaus Heinrich, her
thoughts again began to wander.
Klaus Heinrich felt happy and cheered, whether as the result
of the canter—for which he had had to brace himself up, for,
though a decent figure on a horse, his left hand prevented him
from being a strong rider—or for some other reason. After
leaving the pine-wood they rode along the quiet high-road
between meadows and furrowed fields, with a peasant's hut
or a country inn here and there. As they drew near the next
wood, he asked in a low voice:
“Won't you fulfil your promise and tell me about the
Countess? What is your companion's history?”
“She is my friend,” she answered, “and in a sense my
governess too, although she did not come to us till I was
grown up. That was three years ago, in New York, and
the Countess was then in a terrible state. She was on the
brink of starvation,” said Miss Spoelmann, and as she said
it she fastened her big black eyes with a searching, startled
look on Klaus Heinrich.
“Really starvation?” he asked, and returned her look….
“Do please go on.”
“Yes, I said that too when she came to us, and although I,
of course, saw quite well that her mind was slightly affected,
she made such an impression upon me that I persuaded my father
to let her be my companion.”
“What took her to America? Is she a countess by birth?”
asked Klaus Heinrich.
“Not a countess, but of noble birth, brought up in refined
and luxurious surroundings, sheltered and protected, as she expressed
it to me, from every wind, because from childhood she
had been impressionable and sensitive. But then she married
a Count Löwenjoul, a cavalry captain—a strange specimen of
the aristocracy, according to her account—not quite up to the
mark, to put it mildly.”
“What was wrong with him?” asked Klaus Heinrich.
“I can't exactly tell you, Prince. You must take into consideration
the rather obscure way in which the Countess puts
what she has to say. But, to judge from what she has told me,
he must have been just about as arrant a scamp as one could
well imagine—a regular blackguard.”
“I see,” said Klaus Heinrich, “what's called a hard case, or
a tough proposition.”
“Exactly; we'll say man of the world—but in the most comprehensive
and unlimited sense, for, to judge by the Countess's
remarks, there were no limits in his case.”
“No, that's what I too gathered,” said Klaus Heinrich. “I've
met several people of that sort—regular devils, so to speak. I
heard of one such, who used to make love in his motor car, even
when it was going at full speed.”
“Did your friend Ueberbein tell you of him?”
“No, somebody else. Ueberbein would not think it proper
to mention anything of that sort to me.”
“Then he must be a useless sort of friend, Prince.”
“You'll think better of him when I tell you more about him,
Miss Spoelmann. But please go on!”
“Well, I don't know whether Löwenjoul behaved like your
roué. Anyhow he behaved disgracefully.”
“I expect he gambled and drank.”
“I guess so. And besides that of course he made love, neglected
the Countess and carried on with the loose women that
are always to be found everywhere—at first behind her back,
and later no longer behind her back but impudently and openly
without any regard for her feelings.”
“But tell me, why did she ever marry him?”
“She married him against her parents' will, because, as she
has told me, she was in love with him. For in the first place,
he was a handsome man when she first met him—he fell off in
his looks later. In the second place, his reputation as a man
of the world had gone before him, and that, according to her,
constituted a sort of irresistible attraction for her, for, though
she had been so well sheltered and protected, nothing would
shake her in her resolve to share her life with him. If one
thinks it over, one can quite understand it.”
“Yes,” he said, “I can quite understand it. She wanted to
have her fling, as it were, to get her eyes opened. And she saw
the world with a vengeance.”
“You may put it like that if you like: though the expression
seems to me rather too flippant to describe her experiences.
Her husband ill-treated her.”
“Do you mean that he beat her?”
“Yes, he ill-treated her physically. But now comes something,
Prince, which you too will not have heard about before.
She gave me to understand that he ill-treated her not only in
a temper, not only in anger and rage, but also without being
exasperated, simply for his own satisfaction. I mean, that his
caresses were so revolting as to amount to ill-treatment.”
Klaus Heinrich was silent. Both looked very grave. At
last he asked: “Did the Countess have any children?”
“Yes, two. They died quite young, both only a few weeks
old, and that's the greatest sorrow the Countess has had to bear.
It would seem from her hints that it was the fault of the loose
women for whom her husband betrayed her that the children
died directly after birth.”
Both remained silent, and their eyes clouded over.
“Add to that,” continued Imma Spoelmann, “that he dissipated
his wife's dowry, at cards and with women—a respectable
dowry it was too—and after her parents' death her whole
fortune also. Relations of hers too helped him once, when he
was near having to leave the service on account of his debts.
But then came a scandal, an altogether revolting one, in
which he was involved and which did for him once and for
all.”
“What was it?” asked Klaus Heinrich.
“I can't exactly tell you, Prince. But, according to what
the Countess has let slip about it, it was a scandal of the very
grossest description—we agreed just now that there are generally
no limits in that direction.”
“And then he went to America?”
“You're right there, Prince. I can't help admiring your
'cuteness.”
“Please go on, Miss Spoelmann. I've never heard anything
like the Countess's story.”
“No more had I; so you can imagine what an impression it
made on me when she came to us. Well, then, Count Löwenjoul
bolted to America with the police at his heels, leaving
pretty considerable debts behind of course. And the Countess
went with him.”
“She went with him? Why?”
“Because she still loved him, in spite of everything—she
loves him still—and because she was determined to share his
life whatever happened. He took her with him, though, because
he had a better chance of getting help from her relations
as long as she was with him. The relations sent him one further
instalment of money from home, and then stopped—they
finally buttoned up their pockets; and when Count Löwenjoul
saw that his wife was no more use to him, he just left her—left
her in absolute destitution and cleared out.”
“I knew it,” said Klaus Heinrich, “I expected as much.
Just what does happen.”
But Imma Spoelmann went on: “So there she was, destitute
and helpless, and, since she had never learned to earn her own
living, she was left alone to face want and hunger. And you
must remember that life in the States is much harder and
meaner than here in your country; also that the Countess has
always been a gentle, sensitive creature, and has been cruelly
treated for years. In a word, she was no fit subject for the
impressions of life to which she was unceasingly exposed.
And then the blessing fell to her.”
“What blessing? She told me about that too. What was
the blessing, Miss Spoelmann?”
“The blessing consisted in a mental disturbance. At the
crisis of her troubles something in her cracked—that's the
expression she used to me—so that she no longer needed to
face life and to bring a clear, sober mind to bear upon it, but
was permitted, so to speak, to let herself go, to relax the tension
of her nerves and to drivel when she liked. In a word,
the blessing was that she went wrong in her head.”
“Certainly I was under the impression,” said Klaus Heinrich,
“that the Countess was letting herself go when she drivelled.”
“That's how it is, Prince. She is quite conscious of drivelling,
and often laughs as she does so, or lets her hearers
understand that she doesn't mean any harm by it. Her
strangeness is a beneficent disorder, which she can control to
a certain extent, and which she allows herself to indulge in.
It is, if you prefer it, a want of——”
“Of self-restraint,” said Klaus Heinrich, and looked down
at his reins.
“Right, of self-restraint,” she repeated, and looked at him.
“You don't seem to approve of that want, Prince.”
“I consider as a general rule,” he answered quietly, “that
it is not right to let oneself go and to make oneself at home,
but that self-restraint should always be exercised, whatever
the circumstances.”
“Your Highness's doctrine,” she answered, “is a praiseworthy
austerity.” Then she pouted, and, wagging her dark
head in its three-cornered hat, she added in her broken voice:
“I'll tell you something, Highness, and please note it well.
If your Eminence is not inclined to show a little sympathy
and indulgence and mildness, I shall have to decline the pleasure
of your distinguished company once and for all.”
He dropped his head, and they rode a while in silence.
“Won't you go on to tell me how the Countess came to you?”
he asked at last.
“No, I won't,” she said, and looked straight in front of her.
But he pressed her so pleadingly that she finished her story
and said: “And although fifty other companions applied,
my choice—for the choice rested with me—fell at once on
her, I was so much taken with her at my first interview. She
was odd, I could see that: but she was odd only from too
rich an experience of misery and wickedness, that was clear
in every word she said; and as for me, I had always been a
little lonely and cut off, and absolutely without experience,
except what I got at my University lectures.”
“Of course, you had always been a little lonely and cut off!”
repeated Klaus Heinrich, with a ring of joy in his voice.
“That's what I said. It was a dull, simple life in some
ways that I led, and still lead, because it has not altered much,
and is all much the same. There were parties with ‘lions’ and
balls, and often a dash in a closed motor to the Opera House,
where I sat in one of the little boxes above the stalls, so as to
be well observed by everybody, for show, as we say. That
was a necessary part of my position.”
“For show?”
“Yes, for show; I mean the duty of showing oneself off,
of not raising walls against the public, but letting them come
into the garden and walk on the lawn and gaze at the terrace,
watching us at tea. My father, Mr. Spoelmann, disliked it intensely.
But it was a necessary consequence of our position.”
“What did you usually do besides, Miss Spoelmann?”
“In the spring we went to our house in the Adirondacks and
in the summer to our house at Newport-on-Sea. There were
garden-parties of course, and battles of flowers and lawn-tennis
tournaments, and we went for rides and drove four-in-hand
or motored, and the people stood and gaped, because I was
Samuel Spoelmann's daughter. And many shouted rude remarks
after me.”
“Rude remarks?”
“Yes, and they probably had reason to. At any rate it
was something of a life in the limelight that we led, and one
that invited discussion.”
“And between whiles,” he said, “you played in the breezes,
didn't you, or rather in a vacuum, where no dust came——”
“That's right. Your Highness is pleased to mock my excess
of candour. But in view of all this you can guess how
extraordinarily welcome the Countess was to me, when she
came to see me in Fifth Avenue. She does not express herself
very clearly, but rather in a mysterious sort of way, and
the boundary line at which she begins to drivel is not always
quite clearly apparent. But that only strikes me as right and
instructive, as it gives a good idea of the boundlessness of
misery and wickedness in the world. You envy me the
Countess, don't you?”
“Envy? H'm. You seem to assume, Miss Spoelmann, that
I have never had my eyes opened.”
“Have you?”
“Once or twice, maybe. For instance, things have come
to my ears about our lackeys, which you would scarcely
dream of.”
“Are your lackeys so bad?”
“Bad? Good-for-nothing, that's what they are. For one
thing they play into each other's hands, and scheme, and take
bribes from the tradesmen——”
“But, Prince, that's comparatively harmless.”
“Yes, true, it's nothing to compare with the way the Countess
has had her eyes opened.”
They broke into a trot, and, leaving at the sign-post the
gently rising and falling high-road, which they had followed
through the pine-woods, turned into the sandy short cut, between
high blackberry-covered banks, which led into the tufted
meadow-land round the “Pheasantry.” Klaus Heinrich was
at home in these parts: he stretched out his arm (the right
one) to point out everything to his companions, though there
was not much worth seeing. Yonder lay the Schloss, closed
and silent, with its shingle-roof and its lightning-conductors
on the edge of the wood. On one side was the pheasants' enclosure,
which gave the place its name, and on the other
Stavenüter's tea-garden, where he had sometimes sat with
Raoul Ueberbein. The spring sun shone mildly over the damp
meadow-land and shed a soft haze over the distant woods.
They reined in their horses in front of the tea-garden, and
Imma Spoelmann took stock of the prosaic country-house which
rejoiced in the name of the “Pheasantry.”
“Your childhood,” she said with a pout, “does not seem
to have been surrounded by much giddy splendour.”
“No,” he laughed, “there's nothing to see in the Schloss.
It's the same inside as out. No comparison with Delphinenort,
even before you restored it——”
“Let's put our horses up,” she said. “One must put one's
horses up on an expedition, mustn't one, Countess? Dismount,
Prince. I'm thirsty, and want to see what your friend
Stavenüter has got to drink.”
There stood Herr Stavenüter in green apron and stockings,
bowing and pressing his knitted cap to his chest with both
hands, while he laughed till his gums showed.
“Royal Highness!” he said, with joy in his voice, “does
your Royal Highness mean to honour me once again? And
the young lady!” he added, with a tinge of deference in his
voice; for he knew Samuel Spoelmann's daughter quite well,
and there had been in the whole Grand Duchy no more eager
reader of the newspaper articles which coupled Prince Klaus
Heinrich's and Imma's names together. He helped the Countess
to dismount, while Klaus Heinrich, who was the first to
the ground, devoted himself to Miss Spoelmann, and he called
to a lad, who, with the Spoelmanns' groom, took charge of
the horses. Then followed the reception and welcome to
which Klaus Heinrich was accustomed. He addressed a few
formal questions in a reserved tone of voice to Herr Stavenüter,
graciously asked how he was and how his business prospered,
and received the answers with nods and a show of real interest.
Imma Spoelmann watched his artificial, cold demeanour
with serious, searching eyes, while she swung her riding-whip
backwards and forwards.
“May I be so bold as to remind you that I am thirsty?”
she said at last sharply and decisively, whereupon they walked
into the garden and discussed whether they need go in to the
coffee-room. Klaus Heinrich urged that it was still so damp
under the trees; but Imma insisted on sitting outside, and
herself chose one of the long narrow tables with benches on
each side, which Herr Stavenüter hastened to cover with a
white cloth.
“Lemonade!” he said. “That's best for a thirst, and it's
sound stuff! no trash, Royal Highness, and you, ladies, but
natural juice sweetened—there's no better!”
Followed the driving-in of the glass balls in the necks of
the bottles; and, while his distinguished guests tasted the
drink, Herr Stavenüter dawdled a little longer at the table,
meaning to serve them up a little gossip. He had long been
a widower, and his three children, who in days gone by had
sung here under the trees the song about common humanity,
the while blowing their noses with their fingers, had now left
him. The son was a soldier in the capital, one of the daughters
had married a neighbouring farmer, the other, with a soul
for higher things, had gone into service in the capital.
So Herr Stavenüter was in solitary control in this remote
spot, in the three-fold capacity of farmer of the Schloss lands,
caretaker of the Schloss, and head keeper of the “Pheasantry,”
and was well content with his lot. Soon, if the weather permitted,
the season for bicyclists and walkers would come
round, when the garden was filled on Sundays. Then business
hummed. Would not his Highness and the ladies like to take
a peep at the “Pheasantry”?
Yes, they would, later; so Herr Stavenüter withdrew for
the present, after placing a saucer of milk for Percival by the
table.
The collie had been in some muddy water on the way, and
looked horrible. His legs were thin with wet, and the white
parts of his ragged coat covered with dirt. His gaping mouth
was black to the throat from nuzzling for field-mice, and his
dark red tongue hung dripping out of his mouth. He quickly
lapped up his milk, and then lay with panting sides by his
mistress's feet, flat on his side, his head thrown back in an
attitude of repose.
Klaus Heinrich declared it to be inexcusable for Imma to
expose herself after her ride to the invidious springtime air
without any wrap. “Take my cloak,” he said. “I really
do not want it, I'm quite warm, and my coat is padded on the
chest!” She would not hear of it; but he went on asking her
so insistently that she consented, and let him lay his grey
military coat with a major's shoulder-straps round her shoulders.
Then, resting her dark head in its three-cornered hat in
the hollow of her hand, she watched him as, with arm outstretched
towards the Schloss, he described to her the life
he had once led there.
There, where the tall window opened on to the ground, had
been the mess-room, then the school-room, and up above
Klaus Heinrich's room with the plaster torso on the stove.
He told her too about Professor Kürtchen and his tactful way
of instructing his pupils, about Captain Amelung's widow,
and the aristocratic “Pheasants,” who called everything “hog-wash,”
and especially about Raoul Ueberbein, his friend, of
whom Imma Spoelmann more than once asked him to tell her
some more.
He told her about the doctor's obscure origin, and about
the money his parents paid to be quit of him; about the child
in the marsh or bog, and the medal for saving life; about
Ueberbein's plucky and ambitious career, pursued in circumstances
calling for resolution and action, which he used to
call favourable circumstances, and about his friendship with
Doctor Sammet, whom Imma knew. He described his by no
means attractive appearance and readily owned to the attraction
which he had exercised on him from the very beginning.
He described his behaviour towards himself, Klaus Heinrich—that
fatherly and jolly, blustering camaraderie which had
distinguished him so sharply from everybody else—and gave
Imma to the best of his ability an insight into his tutor's views
of life. Finally he expressed his concern that the doctor
seemed not to enjoy any sort of popularity among his fellow-citizens.
“I can quite believe that,” said Imma.
He was surprised, and asked why.
“Because I'm convinced,” she said, wagging her head, “that
your Ueberbein, for all his sparkling conversation, is an unhappy
sort of creature. He may swagger about the place;
but he lacks reserve, Prince, and that means that he will come
to a bad end.”
Her words startled Klaus Heinrich, and made him thoughtful.
Then turning to the Countess, who awoke with a smile
out of a brown study, he said something complimentary about
her riding, for which she thanked him gracefully. He said
that anybody could see that she had learnt to ride as a child,
and she confessed that riding lessons had formed a considerable
part of her education. She spoke clearly and cheerfully;
but gradually, almost imperceptibly, she began to wander into
a strange story about a gallant ride which she had made as a
lieutenant in the last manœuvres, and suddenly started talking
about the dreadful wife of a sergeant in the Grenadiers,
who had come into her room the previous night and scratched
her breasts all over, meanwhile using language which she
could not bring herself to repeat. Klaus Heinrich asked
quietly whether she had not shut her door and windows.
“Of course, but anyone could break the glass!” she answered
hastily, and turned pale in one cheek and red in the
other. Klaus Heinrich nodded acquiescence, and, dropping
his eyes, asked her quietly to let him call her “Frau Meier”
now and then, a proposal which she gladly accepted, with a
confidential smile and a far-away look which had something
strangely attractive about it.
They got up to visit the “Pheasantry,” after Klaus Heinrich
had taken back his cloak; and as they left the garden, Imma
Spoelmann said: “Well done, Prince. You're getting on,”
a commendation which made him blush, indeed gave him far
more pleasure than the most fulsome newspaper report of the
valuable effect of his appearance at a ceremony which Councillor
Schustermann could ever show him.
Herr Stavenüter escorted his guests into the palisaded enclosure
in which six or seven families of pheasants led a comfortable,
petted life. They watched the greedy, red-eyed, and
stiff-tailed birds, inspected the hatching house, and looked on
while Herr Stavenüter fed the pheasants under a big solitary
fig-tree for their benefit. Klaus Heinrich thanked him warmly
for all that he had shown them, Imma Spoelmann regarding
him the while with her big, searching eyes. Then they
mounted at the gate of the tea-garden and rode off homewards
with Percival barking and pirouetting under the horses'
noses.
But their ride home was destined to give Klaus Heinrich,
in the course of his conversation with Imma Spoelmann, yet
another significant indication of her real nature and character,
a direct revelation of certain sides of her personality which
gave him food for much thought.
For soon after they had left the bramble-hedged by-way
and joined the high-road, Klaus Heinrich reverted to a subject
which had been just touched on at his first visit to Delphinenort
during the conversation at tea, and had not ceased to exercise
him ever since.
“May I,” he said, “ask you one question, Miss Spoelmann?
You need not answer it if you don't want to.”
“I'll see about that,” she answered.
“Four weeks ago,” he began, “when I first had the pleasure
of a talk with your father, Mr. Spoelmann, I asked him a
question which he answered so curtly and abruptly that I
could not help feeling that my question had been indiscreet
or a false step.”
“What was it?”
“I asked him whether he had not found it hard to leave
America.”
“There you are, Prince, there's another question which is
worthy of you, a typical Prince-question. If you had had a
little more training in the use of your reasoning powers you
would have known without asking that if my father had not
been ready and glad to leave America, he most assuredly would
not have left it.”
“Very probably you are right; forgive me, I don't think
enough. But if my question was nothing worse than a want
of thought, I shall be quite content. Can you assure me that
that is the case?”
“No, Prince, I'm afraid I cannot,” she said, and looked at
him suddenly with her big black eyes.
“Then what has want of thought to do with it? Do please
explain. I ask you in the name of our friendship.”
“Are we friends?”
“I hoped so,” he said pleadingly.
“Well, well, patience! I didn't know it, but I'm quite ready
to learn it. But to return to my father, he really did lose
his temper at your question—he has a quick temper, and has
plenty of occasion to practise losing it. The fact is that public
opinion and sentiment were not over-friendly to us in
America. There's such a lot of scheming over there—I may
mention that I am not posted in the details, but there was a
strong political movement towards setting the crowd, the common
people, you know, against us. The result was legislation
and restrictions which made my father's life over there a
burden to him. You know of course, Prince, that it was not
he who made us what we are, but my redoubtable grandfather
with his Paradise nugget and Blockhead Farm. My father
could not help it, he was born to his destiny, and it was no
gratification to him, because he is naturally shy and sensitive,
and would much have preferred to have lived for playing the
organ and collecting glass. I really believe that the hatred
which was the result of the scheming against us, so that sometimes
the people hurled abuse after me when I motored past
them—that the hatred quite probably brought on his stone in
the kidneys; it's more than possible.”
“I am cordially attached to your father,” said Klaus Heinrich
with emphasis.
“I should have made that, Prince, a condition of our becoming
friends. But there was another point which made things
worse, and made our position over there still more difficult,
and that was our origin.”
“Your origin?”
“Yes, Prince; we are no aristocratic pheasants, unfortunately
we are not descended from Washington or from the Pilgrim
Fathers.”
“No, for you are German.”
“Oh yes, but there's something besides to get over. Please
look at me closely. Does it strike you that there is anything
to be proud of in having blue-black wispy hair like mine, that's
always falling where it's not wanted?”
“Goodness knows, Miss Spoelmann, you've got glorious
hair!” said Klaus Heinrich. “I know that you are partly of
Southern extraction, for I've read somewhere that your grandfather
married in Bolivia or thereabouts.”
“He did. But that's where the trouble lies, Prince. I'm a
quintroon.”
“A what?”
“A quintroon.”
“That goes with the Adirondacks and the refraction, Miss
Spoelmann. I don't know what it is. I've already told you
that I don't know much.”
“Well, it's a fact. My grandfather, thoughtless as he always
was, married a woman of Indian blood down South.”
“Indian blood!”
“Yes. She was of Indian stock at the third remove, daughter
of a white and a half-Indian, and so a terceroon as it is called.
She must have been wonderfully beautiful. And she was my
grandmother. The grandchildren of a terceroon are called
quintroons. That's how things are.”
“Most interesting. But didn't you say that it had affected
people's attitude towards you?”
“You don't understand, Prince. I must tell you that Indian
blood over there means a heavy blot—such a blot, that friendships
and affections are transformed into hatred and abuse if
proof of half-blood descent comes to light. Of course things
are not so serious with us, for with quadroons—why, of
course, the taint is nothing like so great, and a quintroon is to
all intents and purposes untainted. But in our case, exposed
to gossip as we were, it was naturally different, and several
times when the people shouted abuse after us I heard them say
that I was a coloured girl. In short, my descent was made an
excuse for insults and annoyances, and raised a barrier between
us and the few who were in the same position of life
as ourselves—there was always something which we had to
hide or to brazen out. My grandfather had brazened it out,
he was that sort of man, and knew what he was doing;
besides, his blood was pure, it was only his beautiful wife
who had the taint. But my father was her son, and, sensitive
and quick-tempered as he is, he has always, ever since he was
a boy, resented being stared at, and hated and despised at
the same time; half a world's wonder and half a monument of
iniquity, as he used to say. He was fed up with America.
That's the whole history, Prince,” said Imma Spoelmann,
“and now you know why my father lost his temper over your
pointed question.”
Klaus Heinrich thanked her for the explanation; indeed,
as he saluted and took leave (it was lunch time) of the
ladies in front of the Delphinenort Gate, he repeated his
thanks for what he had been told, and then rode at foot's
pace home, pondering over the events of the morning.
He saw Imma Spoelmann sitting in a languid pose in her
red-gold dress at the table, with a look as of a spoilt child
on her face; sitting in comfortable assurance, and uttering
remarks with a sting in them, such as were good coin in the
United States, where clearness, hardness, and a ready wit
were essentials of life. And why? Klaus Heinrich could
understand now, and never a day passed that he did not try
to realize it better. Stared at, hated and despised at the
same time, half a world's wonder and half a monument of
iniquity, that's what her life had been, and that had instilled
the poison into her remarks, that acidity and mocking directness,
which looked like offence but really were defence, and
which evoked a look of bewilderment on the faces of those
who had never had any occasion for the weapons of wit.
She had demanded of him sympathy and tenderness towards
the poor Countess, when she let herself go; but she herself
had a claim to sympathy and tenderness, for she was lonely
and her life, like his, was a hard one. At the same time a
memory haunted him, a long-ago, painful memory, whose
scene was the refreshment room of the “Citizen Garden,”
and which ended in a tureen lid——“Little sister!” he said
to himself, as he quickly dismissed the scene from his thoughts.
“Little sister!” But most of all his thoughts were busy with
planning how soonest to enjoy Miss Spoelmann's society
again.
He enjoyed it soon and often, in all sorts of circumstances.
February gave place to threatening March, fickle April and
soft May. And all these months Klaus Heinrich visited
Schloss Delphinenort at least once a week, in the morning or
in the afternoon, and always in the irresponsible mood in
which he had presented himself at the Spoelmanns' that
February morning, as if led by fate without any action of
his own will. The proximity of the Schlosses made the visits
easy, the short distance through the park from the “Hermitage”
to Delphinenort was easily crossed on horseback or in a dogcart,
without exciting much attention; and when the advancing
season brought more people to the neighbourhood and made
it harder and harder for them to go for rides without attracting
public attention, the Prince had by this time reached a
state of mind which can only be described as complete indifference
and blind recklessness towards the world, the Court,
the capital, and the countryside. It was not till later that
the public interest began to play a really important—and
encouraging—part in his thoughts and actions.
He had not taken leave of the ladies after the first ride
without suggesting another expedition, a suggestion to which
Imma Spoelmann, pouting and wagging her head from side
to side, had failed to bring any serious objection. So he
came again; and they rode to the Royal Kennels, on the
north side of the Town Gardens; on the third occasion they
chose a third place to ride to, which also they could reach
without going near the town. Then, when spring enticed the
townspeople into the open air and the tea-gardens filled up,
they preferred an out-of-the-way path, which really was no
path, but a richly wooded dyke, which stretched far away to
the north along a swift-running stream.
The quietest way of reaching it was by riding out at the
back of the “Hermitage” park, and past the river meadows
on the edge of the northern Town Garden up to the Royal
Kennels; then not crossing the river by the wooden bridge
at the weir, but keeping along this side. The Kennels Farm
was left behind on the right, and the ride went on through
the fir-plantations. On the left lay spreading meadows, white
and gaily coloured with hemlock and anemones, buttercups
and bluebells, clover, daisies, and forget-me-nots; a village
church tower rose in front of them beyond the plough-lands,
and the busy high-road lay far away at a safe distance from
the riders. Farther on, the meadows with their nut-hedges
came close up to the plantations on the left, shutting out the
view, and enabling them to ride in complete seclusion,
generally side by side with the Countess behind, as the path
was narrow. They talked or rode in silence, while Percival
jumped over the stream and back again, or plunged into
it for a bath or a hurried drink. They came back the same
way as they went.
When, however, the quicksilver fell owing to the lowness of
the atmospheric pressure, when rain followed, and Klaus Heinrich
nevertheless felt another peep at Imma Spoelmann to
be a necessity, he presented himself in his dogcart at Delphinenort
at tea time, and they stayed indoors. Mr. Spoelmann
joined them at tea not more than two or three times.
His malady got worse about this time, and on several days
he was obliged to stay in bed with hot poultices. When he
did come, he used to say: “Hullo, young Prince,” with his
thin, white-cuffed hand dip a rusk in his tea, throw in a
cross word here and there into the conversation, and end by
offering his guest his gold cigarette-case, whereupon he left
the garden room with Dr. Watercloose, who had sat silent and
smiling at the table. In fine weather too they sometimes
preferred not to go outside the park, but to play lawn tennis
on the trim lawn below the terrace. On one occasion they
went for a rapid drive in Mr. Spoelmann's motor far out
beyond the “Pheasantry.”
One day Klaus Heinrich asked: “Is what I have read
true, Miss Spoelmann, that your father gets such a tremendous
lot of letters and appeals every day?”
Then she described to him subscription lists which kept
pouring in to Delphinenort, and which were dealt with as
thoroughly as was practicable; of the piles of begging letters
by every post from Europe and America which Messrs. Phlebs
and Slippers ran through and weeded out for submission to
Mr. Spoelmann. Sometimes, she said, she amused herself
by glancing through the heaps, and reading the addresses;
for these were often quite fantastic. For the needy or
speculative senders tried to outdo each other in the deference
and servility of their address on the envelopes, and every
conceivable title and distinction could be found mixed up
in the strangest way on the letters. But one begging-letter
writer had quite recently carried off the prize by addressing
his envelope to: “His Royal Highness Mr. Samuel Spoelmann.”
But it did not get him any more than the others.
On other occasions the Prince fell to talking mysteriously
about the “Owl Chamber” in the Old Schloss, and confided
to her that recently noises had again been heard in it, pointing
to events of moment in his, Klaus Heinrich's, family.
Then Imma Spoelmann laughed, and, pouting and wagging
her head from side to side, gave him a scientific explanation
of the noises, just as she had done in connexion with the
secrets of the barometer. Nonsense, she said; it must be
that that part of the lumber-room was ellipsoidal, and a
second ellipsoidal surface with the same curvature and with
a sound-source at the focus existed somewhere outside, the
result being that inside the haunted room noises were audible
which could not be distinguished in the immediate neighbourhood.
Klaus Heinrich was rather crestfallen over this explanation,
and loath to give up the common belief in the
connexion between the lumber-room and the fortunes of his
house.
Thus they conversed, and the Countess too took part, now
sensible, now confused; Klaus Heinrich took considerable
pains not to rebuff or chill her by his manner, and addressed
her as “Frau Meier” whenever she appeared to think it
necessary for her protection against the plots of the wicked
women. He recounted to the ladies his unreal life, the gala
suppers at the students' clubs, the military banquets, and his
educational tour; he told them about his relations, about his
once-beautiful mother, whom he visited now and then in the
“Segenhaus,” where she kept dismal court, and about Albrecht
and Ditlinde. Imma Spoelmann in her turn related some
incidents in her luxurious and singular youth, and the Countess
often slipped in a few dark sayings about the horrors and
secrets of life, to which the others listened with serious and
thoughtful faces.
They took special delight in one kind of game—guessing
existences, making estimates to the best of their knowledge
of the people they happened to see in the citizen world—a
strange and curious study of the passers-by from a distant
standpoint, from the terrace or from horseback. What kind
of young people might these be? What did they do? Where
did they come from? They were certainly not apprentices,
perhaps technical students or budding foresters, to judge by
certain signs; maybe they belonged to the agricultural college;
at any rate stout fellows enough, though rather rough, with
sound careers before them. But that little untidy thing who
strolled past looked like a factory hand or dressmaker's
assistant. Girls like her always had a young man in their
own class, who took them out to tea in the parks on Sundays.
And they exchanged what they knew about people in general,
discussed them like connoisseurs, and felt that this pastime
brought them closer together than any amount of riding or
lawn tennis.
As for the motor drive, Imma Spoelmann in the course of
it explained that she had only invited Klaus Heinrich to it
so as to let him see the chauffeur, a young American in
brown leather, who, she declared, resembled the Prince.
Klaus Heinrich objected with a smile that the back of the
driver's neck did not enable him to express an opinion on
the matter, and asked the Countess to say what she thought.
She, after long denying the likeness in polite embarrassment,
at last, on Imma's insistence, with a side glance at Klaus
Heinrich, agreed to it.
Then Miss Spoelmann said that the grave, sober, and skilful
youth had originally been in her father's personal service,
driving him daily from Fifth Avenue to Broadway and back.
Mr. Spoelmann, however, had insisted on extraordinary speed,
like that of an express train, and the intense strain put upon
a driver by such speed in the crowded streets of New York
had proved at last too much for the youth. As a matter of
fact no accident had happened; the young man had stuck to it
and done his deadly duty with amazing care. But in the end
it had often happened that he had to be lifted down in a faint
from his seat at the end of a run—a proof of the inordinate
strain to which he had been daily subjected. To avoid having
to dismiss him, Mr. Spoelmann had made him his daughter's
special chauffeur, and he had continued to act in that capacity
in their new abode.
Imma had noticed the likeness between Klaus Heinrich
and him the first time she saw the Prince. It was of course
a similarity not of features, but of expression. The Countess
had agreed with her. Klaus Heinrich said that he did not
in the least object to the likeness, as the heroic young man
had all his sympathy. They then discussed further the difficult
and anxious life of a chauffeur, without Countess Löwenjoul
taking any further part in the conversation. She did not
prattle during this drive, though later she made a few sensible
and pointed remarks.
For the rest, Mr. Spoelmann's craze for speed seemed to
have descended in some measure to his daughter, for she never
lost an opportunity of repeating the wild gallop she had
started on their first ride; and as Klaus Heinrich, stimulated
by her gibes, urged the amazed and disapproving Florian to
the top of his speed, so as not to be left behind, the gallop
always degenerated into a race, which Imma Spoelmann
always started at unexpected and arbitrary moments. Several
of these struggles took place on the lonely river-edged causeway,
and one in particular was long and bitter. It happened
after a short talk about Klaus Heinrich's popularity, which
was begun brusquely, and broken off as brusquely, by Imma
Spoelmann. She asked suddenly: “Is it true what I hear,
Prince, that you are so tremendously popular with the people?
That you have won all their hearts?”
He answered: “So they say. It must be some characteristics,
not necessarily good ones. What's more, I'm not
sure whether I believe it, or even ought to be glad of it. I
doubt whether it speaks for me. My brother, the Grand
Duke, declares in so many words that popularity is hog-wash.”
“H'm, the Grand Duke must be a fine man: I've got a great
respect for him. So we see you in an atmosphere of adulation,
and everybody loves you … go on!” she cried suddenly,
and gave Fatma a cut with her white switch. The mare started,
and the race began.
It lasted a long time. Never before had they followed
the stream so far. The view on the left had long become
shut in. Lumps of earth and grass flew from under the
horses' hoofs. The Countess had soon dropped behind. When
at last they reined in their horses, Florian was trembling with
exhaustion, and the riders themselves were pale and panting.
They rode back in silence.
Klaus Heinrich received a visit at the “Hermitage” from
Raoul Ueberbein the afternoon before his birthday this year.
The Doctor came to wish him many happy returns, as he
expected to be prevented by his work from doing so on the
morrow. They strolled round the gravel path at the back
of the park, the tutor in his frock-coat and white tie, Klaus
Heinrich in his summer coat. The grass stood ready for
cutting under the perpendicular rays of the midday sun, and
the limes were in flower. In one corner, close by the hedge
which divided the park from the unlovely suburbs, stood a
little rustic temple.
Klaus Heinrich was telling of his visits to “Delphinenort,”
as this topic lay nearest his heart. He spoke quite clearly
about them, but did not tell the doctor any actual news,
for the latter showed that he knew all about them. How
was that? Oh, from various sources. Ueberbein had never
started the subject. So people in the town concern themselves
about it?
“Heaven forbid, Klaus Heinrich, that anybody should give
a thought to it, either to the rides, or to the teas, or to the
motor drive. You don't suppose that that sort of thing
is expected to set tongues wagging!”
“But we're so careful!”
“‘We’ is rich, Klaus Heinrich, and so is the carefulness.
All the same, his Excellency von Knobelsdorff keeps himself
accurately posted in all your goings-on.”
“Knobelsdorff?”
“Knobelsdorff.”
Klaus Heinrich was silent; then asked: “And what is
Baron Knobelsdorff's attitude towards what he learns?”
“Well, the old gentleman hasn't yet had a chance of interfering
in the developments.”
“But the public opinion?—the people?”
“The people of course hold their breath.”
“And you, you yourself, my dear Doctor Ueberbein?”
“I'm waiting for the tureen-lid,” answered the doctor.
“No!” cried Klaus Heinrich joyfully. “No, there'll be no
tureen-lid this time, Doctor Ueberbein, for I am happy, oh
so happy, whatever happens—can you understand? You
taught me that happiness was no concern of mine, and you
pulled me up short when I tried to come by it; and right
thankful I was to you for doing so, for it was horrible, and
I shall never forget it. But this is no case of high jinks at
a citizens' dance, which leave one humiliated and heavy at
heart; this is no breaking out and running off the rails and
humiliation! For can't you see that she of whom we are
speaking belongs neither to the citizens' dance, nor to the
aristocratic ‘Pheasants,’ nor to anything in the world but to
me—that she is a Princess, Doctor Ueberbein, and as good
as me, and there can be no question here of a tureen-lid?
You have taught me that it is silly to maintain that we're
all only ordinary men, and hopeless for me to act as if we
were, and that the happiness I would gain by doing so is
forbidden to me and must bring me to shame in the end.
But this is not that silly and forbidden happiness. It is my
first taste of the happiness which is allowed me, and which I
may hope for, Doctor Ueberbein, and yield myself to without
misgiving, whatever comes of it….”
“Good-bye, Prince Klaus Heinrich,” said Doctor Ueberbein,
though he did not at once leave him, but continued walking at
his side with his hands clasped behind him and his red
beard sunk on his breast.
“No,” said Klaus Heinrich. “No, not good-bye, Doctor
Ueberbein. That's just it. I mean to remain your friend,
you who have had such a hard time, and have shown such
pride in your duty and destiny, and have made me proud too
in treating me as a companion. I have no intention of resting
on my oars, now that I have found happiness, but will
remain true to you and to myself and to my exalted calling….”
“It cannot be,” said Doctor Ueberbein in Latin, and shook
his ugly head with its protruding, pointed ears.
“It can be, Doctor. I'm sure it can, they're not incompatible.
And you, you ought not to show yourself so cold
and distant at my side, when I am so happy, and, what's
more, it's the eve of my birthday. Tell me—you've had so
many experiences and seen so much of the world in all its
aspects—have you never had any experiences in this direction?
You know what I mean—have you never had an attack like
this of mine?”
“H'm,” said Doctor Ueberbein, and pressed his lips together,
till his red beard rose, and the muscles knotted in
his cheeks. “No doubt I may have had one once, sub rosa.”
“I thought so! Tell me about it, Doctor Ueberbein. You
must tell me about it!”
The hour was one of quiet sunshine, and the air full of
the scent of limes. So Doctor Ueberbein related an incident
in his career on which he had never touched in previous
accounts, though it had perhaps a decisive influence on his
whole life. It had occurred in those early days when the
Doctor was teacher of the young idea and at the same time
working on his own account, when he used to draw in his
waist-belt and give private lessons to sleek tradesmen's
children, so as to get money to buy books with. With his
hands still behind him and his beard sunk on his breast, the
doctor related the incident in a sharp and incisive tone of
voice, pressing his lips close together between each sentence.
At that date fate had forged the closest ties between him
and a woman, a lovely, fair lady who was the wife of an
honourable and respected man and the mother of three
children. He had entered the family as tutor to the children,
but had subsequently been a constant guest and visitor, and
with the husband too had reached a footing of mutual confidences.
The feelings of the young tutor and the fair wife
for each other had been long unsuspected, and longer still
unexpressed in words; but they grew stronger in the silence,
and more overpowering, till one evening hour when the husband
had stayed late at his office, a warm, sweet, dangerous
hour, they burst into flames and were near to overwhelm them.
In that hour their longing had cried aloud for the happiness,
the tremendous happiness, of their union; but, said
Doctor Ueberbein, the world could sometimes show a noble
action. They felt ashamed, he said, to tread the mean and
ridiculous path of treachery, and to “clap horns,” as the
phrase goes, on the honest husband; while to spoil his life
by demanding release from him as the right of passion was
equally not to their taste. In short, for the children's sake
and for that of the good, honest husband, whom they both
respected, they denied themselves. Yes, that's what happened,
but of course it needed a good deal of stern resolution.
Ueberbein continued to visit the fair lady's house occasionally.
He would sup there, when he had time, play a game of cards
with his two friends, kiss his hostess's hand, and say good
night.
But when he had told the Prince this much, he concluded
in a still shorter and sharper tone than he had begun, and
the balls of muscle at the corners of his mouth showed more
prominently than before. For the hour which saw their act
of renunciation, in that hour Ueberbein had said a final
farewell to all happiness—“dalliance with happiness,” as he
had since called it. As he failed, or refused, to win the fair
lady, he swore to himself that he would honour her, and the
bonds which bound him to her, by achieving something and
making himself felt in the field of hard work. To this he
had dedicated his life, to this alone, and it had brought him
to what he was. That was the secret, or at least a contribution
of the riddle of Ueberbein's unsociability, unapproachableness,
and earnest endeavour. Klaus Heinrich was quite
frightened to see how unusually green his face was when he
took his leave with a deep bow, saying: “My greetings to
little Imma, Klaus Heinrich.”
Next day the Prince received the congratulations of the
staff at the Schloss, and later those of Herr von Braunbart-Schellendorf
and von Schulenburg-Tressen in the Yellow
Room. In the course of the morning the members of the
Grand Ducal House came to the “Hermitage” to pay their
respects, and at one o'clock Klaus Heinrich drove to luncheon
with Prince and Princess zu Ried-Hohenried, meeting with an
unusually warm reception from the public on the way. The
Grimmburgers were mustered in full force in the pretty
palace in the Albrechtstrasse. The Grand Duke too came, in
a frock-coat, nodded his small head to each member of the
party, sucking his lower lip against his upper the while, and
drank milk-and-soda during lunch. Almost immediately after
lunch was finished he withdrew. Prince Lambert had come
without his wife. The old habitué of the ballet was painted,
hollow-cheeked, and slovenly, and his voice sounded sepulchral.
He was to some extent ignored by his relations.
During luncheon the conversation turned for a while on
Court matters, then on little Princess Philippine's progress,
and later almost exclusively on Prince Philipp's commercial
schemes. The quiet little man talked about his breweries,
factories, and mills, and in particular about his peat-cuttings.
He described various improvements in the machinery, quoted
figures of capital invested and returns, and his cheeks glowed,
while his wife's relations listened to him with looks of
curiosity, approval, or mockery.
When coffee had been served in the big flower-room, the
Princess, holding her gilded cup, went up to her brother
and said: “You have quite deserted us lately, Klaus Heinrich.”
Ditlinde's face with the Grimmburg cheek-bones was not
so transparent as it had once been. It had gained more
colour since the birth of her daughter, and her head seemed
to be less oppressed by the weight of her fair hair.
“Have I deserted you?” he said. “Forgive me, Ditlinde,
perhaps I have. But there were so many calls on my time,
and I knew that there were on yours too; for you are no
longer confined to flowers.”
“True, the flowers have had to take a less prominent place,
they don't get much thought from me now. A fairer life
and flowering now occupies all my time. I believe that's
where I have got my red cheeks from, like dear Philipp from
his peat (he ought not to have talked about it the whole of
luncheon, as he did; but it's his hobby), and it is because
I was so busy and rushed that I was not cross with you for
never showing yourself and for going your own way, even
though that way seemed to me rather a surprising one.”
“Do you know what it is, Ditlinde?”
“Yes, though unfortunately not from you. But Jettchen
Isenschnibbe has kept me well posted—you know she is
always a fund of news—and at first I was horribly shocked,
I don't deny it. But after all they live in Delphinenort,
he has a private physician, and Philipp thinks they are in
their way of equal birth with ourselves. I believe I once
spoke disparagingly about them, Klaus Heinrich; I said something
about a Crœsus, if I remember rightly, and made a pun
on the word ‘taxpayer.’ But if you consider them worthy of
your friendship, I've been wrong and of course withdraw my
remarks, and will try to think differently about them in
future. I promise you. You always loved rummaging,” she
went on, after he had laughed and kissed her hand, “and
I had to do it with you, and my dress (do you remember it—the
red velvet?) suffered for it. Now you have to rummage
alone, and God grant, Klaus Heinrich, that it won't bring
you any horrible experience.”
“I really believe, Ditlinde, that every experience is fine,
whether it be good or bad. But my present experience is
splendid.”
At half-past five the Prince left the “Hermitage” again,
in his dogcart, which he drove himself, with a groom at his
back. It was warm, and Klaus Heinrich was wearing white
trousers with a double-breasted coat. Bowing, he again drove
to the town, or more precisely to the Old Schloss. He did
not enter the Albrechtstor, however, but drove in through a
side door, and across two courtyards till he reached that in
which the rose-bush grew.
Here all was still and stony; the stair-turrets with their
oblique windows, forged-iron balustrades, and fine carvings
towered in the corners; the many-styled building stood there
in light and shadow, partly grey and weather-worn, partly
more modern-looking, with gables and box-like projections,
with open porticoes and peeps through broad bow-windows
into vaulted halls and narrow galleries. But in the middle,
in its unfenced bed, stood the rose-bush, blooming gloriously
after a favourable season.
Klaus Heinrich threw the reins to a servant, and went up
and looked at the dark-red roses. They were exceptionally
fine—full and velvety, grandly formed, and a real masterwork
of nature. Several were already full-blown.
“Call Ezekiel, please,” said Klaus Heinrich to a moustachioed
door-keeper, who came forward with his hand to his
hat.
Ezekiel, the custodian of the rose-bush, came. He was a
greybeard of seventy years of age, in a gardener's apron,
with watery eyes and a bent back.
“Have you any shears by you, Ezekiel?” said Klaus Heinrich,
“I should like a rose.” And Ezekiel drew some shears
out of the pocket of his apron.
“That one there,” said Klaus Heinrich, “that's the finest.”
And the old man cut the thorny branch with trembling hands.
“I'll water it, Royal Highness,” he said, and shuffled off
to the water-tap in a corner of the court. When he came
back, glittering drops were clinging to the petals of the rose,
as if to the feathers of waterfowl.
“Thanks, Ezekiel,” said Klaus Heinrich, and took the rose.
“Still going strong? Here!” He gave the old man a gold
piece, and climbing into the dogcart drove with the rose on
the seat beside him through the courtyards. Everybody who
saw him thought that he was driving back to the “Hermitage”
from the Old Schloss, where presumably he had an interview
with the Grand Duke.
But he drove through the Town Gardens to Delphinenort.
The sky had clouded over, big drops were already falling on
the leaves, and thunder rolled in the distance.
The ladies were at tea when Klaus Heinrich, conducted
by the corpulent butler, appeared in the gallery and walked
down the steps into the garden room. Mr. Spoelmann, as
usual recently, was not present. He was in bed with poultices
on. Percival, who lay curled up like a snail close by Imma's
chair, beat the carpet with his tail by way of greeting. The
gilding of the furniture looked dull, as the park beyond the
glass door lay in a damp mist.
Klaus Heinrich exchanged a handshake with the daughter
of the house, and kissed the Countess's hand, while he gently
raised her from the courtly curtsey she had begun, as usual,
to make.
“You see, summer has come,” he said to Imma Spoelmann,
offering her the rose. It was the first time he had brought
her flowers.
“How courtly of you!” she said. “Thanks, Prince. And
what a beauty!” she went on in honest admiration (a thing
she hardly ever showed), and held out her small, ringless
hands for the glorious flower, whose dewy petals curled exquisitely
at the edges. “Are there such fine roses here?
Where did you get it?” And she bent her dark head eagerly
over it.
Her eyes were full of horror when she looked up again.
“It doesn't smell!” she said, and a look of disgust showed
round her mouth. “Wait, though—it smells of decay!” she
said. “What's this you have brought me, Prince?” And
her big black eyes in her pale face seemed to glow with
questioning horror.
“Yes,” he said, “I'm sorry; that's a way our roses have.
It's from the bush in one of the courts of the Old Schloss.
Have you never heard of it? There's something hangs by
that. People say that one day it will begin to smell exquisite.”
She seemed not to be listening to him. “It seems as if
it had no soul,” she said, and looked at the rose. “But it's
perfectly beautiful, that one must allow. Well, that's a
doubtful joke on nature's part, Prince. All the same, Prince,
thanks for your attention. And as it comes from your
ancestral Schloss, one must regard it with due reverence.”
She put the rose in a glass by her plate. A swan's-down
flunkey brought the Prince a cup and plate. They discussed
at tea the bewitched rose-bush, and then commonplace subjects,
such as the Court Theatre, their horses, and all sorts of
trivial topics. Imma Spoelmann time after time contradicted
him, interposing polished quotations—to her own enjoyment,
and his despair at the range of her reading—quotations which
she uttered in her broken voice, with whimsical motions of
her head. After a time a heavy, white-paper parcel was
brought in, sent by the book-binders to Miss Spoelmann, containing
a number of works which she had had bound in smart
and durable bindings. She opened the parcel, and they all
three examined the books to see if the binder had done his
work well.
They were nearly all learned works whose contents were
either as mysterious-looking as Imma Spoelmann's notebook,
or dealt with scientific psychology, acute analyses of internal
impulses. They were got up in the most sumptuous way, with
parchment and crushed leather, gold letters, fine paper, and
silk markers. Imma Spoelmann did not display much enthusiasm
over the consignment, but Klaus Heinrich, who had
never seen such handsome volumes, was full of admiration.
“Shall you put them all into the bookcase?” he asked.
“With the others upstairs? I suppose you have quantities of
books? Are they all as fine as these? Do let me see how
you arrange them. I can't go yet, the weather's still bad and
would ruin my white trousers. Besides, I've no idea how you
live in Delphinenort, I've never seen your study. Will you
show me your books?”
“That depends on the Countess,” she said, busying herself
with piling the volumes one on the other. “Countess, the
Prince wants to see my books. Would you be so kind as to
say what you think?”
Countess Löwenjoul was in a brown study. With her small
head bent, she was watching Klaus Heinrich with a sharp,
almost hostile look, and then let her eyes wander to Imma
Spoelmann, when her expression altered and became gentle,
sympathetic, and anxious. She came to herself with a smile,
and drew a little watch out of her brown, close-fitting dress.
“At seven o'clock,” she said brightly, “Mr. Spoelmann
expects you to read to him, Imma. You have half an hour
in which to do what his Royal Highness wants.”
“Good; come along, Prince, and inspect my study,” said
Imma. “And so far as your Highness permits it, please lend
a hand in carrying up these books; I'll take half.”
But Klaus Heinrich took them all. He clasped them in
both arms, though the left was not much use to him, and
the pile reached to his chin. Then, bending backwards and
going carefully, so as to drop nothing, he followed Imma
over into the wing towards the drive, on the main floor of
which lay Countess Löwenjoul's and Miss Spoelmann's quarters.
In the big, comfortable room which they entered through
a heavy door he laid his burden down on the top of a
hexagonal ebony table, which stood in front of a big gold-chintzed
sofa. Imma Spoelmann's study was not furnished
in the style proper to the Schloss, but in more modern taste,
without any show, but with massive, masculine, serviceable
luxury. It was panelled with rare woods right up to the
top, and adorned with old porcelain, which glittered on the
brackets all round under the ceiling. The carpets were
Persian, the mantelpiece black marble, on which stood shapely
vases and a gilt clock. The chairs were broad and velvet-covered,
and the curtains of the same golden stuff as the
sofa-cover. A capacious desk stood in front of the bow-window,
which allowed a view of the big basin in front of
the Schloss. One wall was covered with books, but the main
library was in the adjacent room, which was smaller, and
carpeted like the big one. A glass door opened into it, and
its walls were completely covered with bookshelves right up
to the ceiling.
“Well, Prince, there's my hermitage,” said Imma Spoelmann.
“I hope you like it.”
“Why, it's glorious,” he said. But he did not look round
him, but gazed unintermittently at her, as she reclined against
the sofa cushions by the hexagonal table. She was wearing
one of her beautiful indoor dresses, a summer one this time,
made of white accordion-pleated stuff, with open sleeves and
gold embroidery on the yoke. The skin of her arms and neck
seemed brown as meerschaum against the white of the dress;
her big, bright, earnest eyes in the strangely childlike face
seemed to speak a language of their own unceasingly, and a
smooth wisp of black hair hung across her forehead. She had
Klaus Heinrich's rose in her hand.
“How lovely!” he said, standing before her, and not conscious
of what he meant. His blue eyes, above the national
cheek-bones, were heavy as with grief. “You have as many
books,” he added, “as my sister Ditlinde has flowers.”
“Has the Princess so many flowers?”
“Yes, but of late she has not set so much store by them.”
“Let's clear these away,” she said and took up some books.
“No, wait,” he said anxiously. “I've such a lot to say to
you, and our time is so short. You must know that to-day
is my birthday—that's why I came and brought you the rose.”
“Oh,” she said, “that is an event. Your birthday to-day?
Well, I'm sure that you received all your congratulations
with the dignity you always show. You may have mine as
well! It was sweet of you to bring me the rose, although
it has its doubtful side.” And she tried the mouldy smell
once more with an expression of fear on her face. “How old
are you to-day, Prince?”
“Twenty-seven,” he answered. “I was born twenty-seven
years ago in the Grimmburg. Ever since then I've had a
strenuous and lonely time of it.”
She did not answer. And suddenly he saw her eyes, under
her slightly frowning eye-brows, move to his side. Yes,
although he was standing sideways to her with his right
shoulder towards her, as he had trained himself to do, he
could not prevent her eyes fastening on his left arm, on the
hand which he had planted right back on his hip.
“Were you born with that?” she asked softly.
He grew pale. But with a cry, which rang like a cry
of redemption, he sank down before her, and clasped her
wondrous form in both his arms. There he lay, in his
white trousers and his blue and red coat with the major's
shoulder-straps.
“Little sister,” he said, “little sister——”
She answered with a pout: “Think of appearances, Prince.
I consider that one should not let oneself go, but should keep
up appearances on all occasions.”
But he was too far gone, and raising his face to her, his eyes
in a mist, he only said, “Imma—little Imma——”
Then she took his hand, the left, atrophied one, the deformity,
the hindrance in his lofty calling, which he had
been wont from boyhood to hide artfully and carefully—she
took it and kissed it.