RENASCENCE
·A·BOOK·of·
·VERSE·
BY
·London: ELKIN·
·MATHEWS·AT·THE·
·SIGN·OF·THE·BODLEY
·HEAD·IN·VIGO·ST·1891·
OF the poems in this book, the whole of those included in Part I. are now printed for the first time.
Of the rest, “The Sirens Three,” “Thoughts in a Hammock,” “A Herald of Spring,” and the Rondeau—“Across the Fields,” all appeared with designs of mine, as decorative pages, in “The English Illustrated Magazine,” “The Sirens Three” being afterwards issued, with the illustrations, in book-form, by Messrs. Macmillan and Co., whom I have to thank for permission to reprint it with the others here.
“Flora’s Feast,” with coloured designs of the flowers to each couplet, has been published as a Christmas book by Messrs. Cassell and Co., at whose consent it re-appears.
I regret there should have been any delay in the appearance of the book, which has been owing to the illness of the engraver who had charge of some of the blocks.

CONTENTS
| Part I. | |
| EARLIER POEMS. | |
| PAGE | |
| Invocation | 3 |
| The City of Love | 8 |
| The House of Dreams | 16 |
| Love’s Labyrinth | 31 |
| The Dividing Gulf | 43 |
| The Valley of Deliverance | 45 |
| The Unknown Shore | 51 |
| The West Wind | 53 |
| The New Light | 55 |
| Hymn of Free Peoples | 57 |
| Twelve Sonnets of Love | 63 |
| Part II. | |
| LATER POEMS | |
| A Herald of Spring | 77 |
| Thoughts in a Hammock | 80 |
| The Sirens Three | 89 |
| Flora’s Feast | 129 |
| From Hellas Homeward | 133 |
| Rondeaus: | |
| Beyond the Verge | 139 |
| The Old and New | 140 |
| Across the Fields | 141 |
| In Love’s Disport | 142 |
| What makes the World | 143 |
| Seed Time | 144 |
| A Seat for Three | 145 |
| Rondels: | |
| When Time upon Wing | 146 |
| This Book of Hours | 147 |
| Triolet | 148 |
| Sonnets: | |
| At Shelley’s Grave | 151 |
| The Voice of Spring | 152 |
| A Day in Early Spring | 153 |
| A Night in May | 154 |
| Illusions | 155 |
| On the Suppression of Free Speech at Chicago | 156 |
| Freedom in America | 157 |
| To the Prisoners of Liberty | 158 |
| Reminiscent | 159 |
| Of Hellas Dead | 160 |
| To the Hammersmith Choir | 161 |
| Renascence | 162 |
| No. | PAGE | ||||
| 1. | Frontispiece | Engraved on wood by Arthur Leverett | |||
| 2. | Dedication | Heading | —Photo-engraved by Emery Walker and W. Boutall |
||
| 3. | ” | Tail-piece | iii | ||
| 4. | Contents | Head. | —Engraved on wood by Arthur Leverett |
||
| 5. | ” | Tail. | vii | ||
| 6. | List of Designs | Head. | —Photo-engraved by Emery Walker and W. Boutall |
xi | |
| 7. | ”” | Tail. | xiii | ||
| 8. | Part I. | Title device | Engraved on wood by Arthur Leverett |
1 | |
| 9. | Invocation | Head. | —Engraved on wood by Arthur Leverett |
3 | |
| 10. | ” | Tail. | 7 | ||
| 11. | The City of Love | Head. | —Photo-engraved by Emery Walker and W. Boutall |
8 | |
| 12. | ”” | Tail. | 15 | ||
| 13. | The House of Dreams | Head. | —Engraved on wood by Arthur Leverett |
16 | |
| 14. | ”” | Tail. | 30 | ||
| 15. | Love’s Labyrinth | Head. | —Photo-engraved by Emery Walker and W. Boutall |
31 | |
| 16. | The Dividing Gulf | Head. | 43 | ||
| 17. | The Valley of Deliverance | Head. | —Photo-engraved by Emery Walker and W. Boutall |
45 | |
| 18. | ”” | Tail. | 50 | ||
| 19. | The Unknown Shore | Head. | —Photo-engraved by Emery Walker and W. Boutall |
51 | |
| 20. | ”” | Tail. | 52 | ||
| 21. | The West Wind | Head. | —Photo-engraved by Emery Walker and W. Boutall |
53 | |
| 22. | ”” | Tail. | 54 | ||
| 23. | The New Light | Head. | —Photo-engraved by Emery Walker and W. Boutall |
55 | |
| (Tail-piece No. 7 repeated.) | 56 | ||||
| 24. | Hymn of Free Peoples | Head. | —Photo-engraved by Emery Walker and W. Boutall |
57 | |
| 25. | Twelve Sonnets | Title device | —Engraved on wood by Arthur Leverett |
61 | |
| 26. | Part II. | Title device | 75 | ||
| 27. | A Herald of Spring | Head. | —Photo-engraved by Emery Walker and W. Boutall |
77 | |
| 28. | Thoughts in a Hammock | Head. | —Photo-engraved by Emery Walker and W. Boutall |
80 | |
| 29. | ””” | Tail. | 85 | ||
| 30. | The Siren’s Three | Title device | —Photo-engraved by Emery Walker and W. Boutall |
87 | |
| 31. | ”” | Dedicatory | 89 | ||
| 32. | ”” | Head. | 90 | ||
| 33. | ”” | Tail. | 128 | ||
| 34. | Flora’s Feast | Head. | Photo-engraved by Emery Walker and W. Boutall |
129 | |
| 35. | From Hellas Homeward | Head. | —Photo-engraved by Emery Walker and W. Boutall |
133 | |
| 36. | ”” | Tail. | 136 | ||
| 37. | Rondeaus, &c. | Title device | Engraved on wood by Arthur Leverett |
137 | |
| 38. | Sonnets | Title device | Photo-engraved by Emery Walker and W. Boutall |
149 | |
| 39. | Pegasus | Colophon | Engraved on wood by Arthur Leverett |
163 | |
PART I. EARLIER POEMS
INVOCATION
·THE·CITY·OF·LOVE·
THE·HOVSE·OF·DREAMS — (THE SONG OF MEMORY AND TIME.) — (SONG OF THE HOURS.) — TIME
LOVE’S·LABYRINTH — ERRATUM.
·THE·DIVIDING·GULF·
·THE·VALLEY·of·DELIVERANCE — I — II — III — IV — V — VI — VII — VIII — IX — X — XI — XII — XIII — XIV — XV — XVI — XVII — XVIII — XIX — XX
THE·UNKNOWN·SHORE· — I — II — III — IV — V — VI
THE·WEST·WIND
·THE·NEW·LIGHT·
HYMN OF FREE PEOPLES — I — II — III — IV — V — VI — VII — VIII — IX — X — XI
·TWELVE·SONNETS·OF·LOVE — I LOVE’S SANCTUARY — II LOVE’S HERALDRY — III THE SOLACE OF LOVE — IV PASSION MUSIC — V LOVE’S ANCHORITE — VI LOVE’S GARDEN — VII LOVE’S SOLITUDE — VIII LOVE’S HOPE — IX LOVE’S DOUBT — X LOVE’S GARLAND — XI LOVE’S ARROWS — XII LOVE’S HARVEST
·PART·II·LATER·POEMS·
·A·HERALD·OF·SPRING
·THOUGHTS·IN·A·HAMMOCK
·THE·SIRENS·THREE

THE SIRENS THREE DEDICATORY SONNET TO WILLIAM MORRIS — I — II — III — IV — V — VI — VII — VIII — IX — X — XI — XII — XIII — XIV — XV — XVI — XVII — XVIII — XIX — XX — XXI — XXII — XXIII — XXIV — XXV — XXVI — XXVII — XXVIII — XXIX — XXX — XXXI — XXXII — XXXIII — XXXIV — XXXV — XXXVI — XXXVII — XXXVIII — XXXIX — XL — XLI — XLII — XLIII — XLIV — XLV — XLVI — XLVII — XLVIII — XLIX — L — LI — LII — LIII — LIV — LV — LVI — LVII — LVIII — LIX — LX — LXI — LXII — LXIII — LXIV — LXV — LXVI — LXVII — LXVIII — LXIX — LXX — LXXI — LXXII — LXXIII — LXXIV — LXXV — LXXVI — LXXVII — LXXVIII — LXXIX — LXXX — LXXXI — LXXXII — LXXXIII — LXXXIV — LXXXV — LXXXVI — LXXXVII — LXXXVIII — LXXXIX — XC — XCI — XCII — XCIII — XCIV — XCV — XCVI — XCVII — XCVIII — XCIX — C — CI — CII — CIII — CIV — CV — CVI — CVII — CVIII — CIX — CX — CXI — CXII — CXIII — CXIV — CXV — CXVI — CXVII — CXVIII — CXIX — CXX — CXXI — CXXII — CXXIII — CXXIV — CXXV — CXXVI — CXXVII — CXXVIII — CXXIX — CXXX — CXXXI — CXXXII — CXXXIII — CXXXIV — CXXXV — CXXXVI — CXXXVII — CXXXVIII — CXXXIX — CXL — CXLI — CXLII — CXLIII — CXLIV
Fell soft at last upon my restless brain;
For Sleep in all the pageant made the last,
And with her poppies swept mine eyes again:
All dreamlessly till, like a dream, the morn
Broke on my sense and sight, and swift and loud,
Day, like a hunter, blew his golden horn.
·FLORA’S·FEAST· ·A·MASQVE·OF·FLOWERS
·FROM·HELLAS·HOMEWARD·
RONDEAUS·RONDELS·& TRIOLET· — RONDEAU—BEYOND THE VERGE — RONDEAU—THE OLD AND NEW — RONDEAU—ACROSS THE FIELDS — RONDEAU—IN LOVE’S DISPORT — RONDEAU—WHAT MAKES THE WORLD — RONDEAU—SEED-TIME — RONDEAU—A SEAT FOR THREE WRITTEN ON THE PANELS OF A SETTLE — RONDEL—WHEN TIME UPON THE WING — RONDEL—THIS BOOK OF HOURS — TRIOLET
SONNETS — AT SHELLEY’S GRAVE WRITTEN IN THE PROTESTANT CEMETERY, ROME, APRIL 11, 1872 — THE VOICE OF SPRING — A DAY IN EARLY SPRING — A NIGHT IN MAY — ILLUSIONS — ON THE SUPPRESSION OF FREE SPEECH AT CHICAGO — FREEDOM IN AMERICA — TO THE PRISONERS OF LIBERTY — REMINISCENT — OF HELLAS DEAD — TO THE HAMMERSMITH CHOIR — RENASCENCE

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