Renaissance in Italy, Italian Literature, Part 1 (of 2)
by John Addington Symonds
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Language: English
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About this eBook
- Author
- Symonds, John Addington, 1840-1893
- Title
- Renaissance in Italy, Volume 4 (of 7) Italian Literature, Part 1
- Credits
- Produced by Ted Garvin, Linda Cantoni, and the Online Distributed Proofreading Team at www.pgdp.net
- Language
- English
- LoC Class
- PQ: Language and Literatures: Romance literatures: French, Italian, Spanish, Portuguese
- Subject
- Italian literature -- 16th century -- History and criticism
- Category
- Text
- eBook-No.
- 35792
- Project Gutenberg
- https://www.gutenberg.org/ebooks/35792
- Release Date
- April 8, 2011
- Copyright
- Public domain in the USA.
Contents
- 1.RENAISSANCE IN ITALY
- 2.BY JOHN ADDINGTON SYMONDS — PART I
- 3.PREFACE .
- 4.CONTENTS OF THE FIRST PART . — APPENDICES. — RENAISSANCE IN ITALY.
- 5.CHAPTER I. — THE ORIGINS.
- 6.CHAPTER II. — THE TRIUMVIRATE.
- 7.CHAPTER III. — THE TRANSITION.
- 8.CHAPTER IV. — POPULAR SECULAR POETRY.
- 9.CHAPTER V. — POPULAR RELIGIOUS POETRY.
- 10.CHAPTER VI. — LORENZO DE’ MEDICI AND POLIZIANO.
- 11.CHAPTER VII. — PULCI AND BOIARDO.
- 12.CHAPTER VIII. — ARIOSTO. — APPENDICES .
- 13.APPENDIX I. — Note on Italian Heroic Verse.
- 14.APPENDIX II. — Ten Sonnets translated from Folgore da San Gemignano. — ON THE ARMING OF A KNIGHT. — THE CRY FOR COURTESY. — ON THE GHIBELLINE VICTORIES. — TO THE PISANS. — ON DISCRETION. — ON DISORDERED WILL.
- 15.APPENDIX III. — Translations from Alesso Donati. — THE NUN. — THE LOVERS. — THE GIRL.
- 16.APPENDIX IV. — Jacopone’s Presepio, Corrotto, and Cantico dell’Amore Superardente, Translated into English Verse. — THREE POEMS ATTRIBUTED TO JACOPONE DA TODI. — THE PRESEPIO. — THE CORROTTO.
- 17.APPENDIX V. — Passages translated from the Morgante Maggiore of Pulci. — MORGANTE XXV. 119. — MORGANTE XXV. 135. — MORGANTE XXV. 282. — MORGANTE XXV. 73. — MORGANTE XXV. 115. — MORGANTE XXVII. 6. — MORGANTE XXVIII. 138.
- 18.APPENDIX VI. — Translations of Elegiac Verses by Girolamo Benivieni and Michelangelo Buonarroti. — END OF THE FIRST PART.
- 19.FOOTNOTES
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