LEGENDARY AND POETICAL.
Well beseems
That we should help them wash away the stains
They carried hence; that so, made pure and light,
They may spring upward to the starry spheres.
Ah! so may mercy tempered justice rid
Your burdens speedily; that ye have power
To stretch your wing, which e'en to your desire
Shall lift you.
—DANTE.
LEGENDARY AND POETICAL.
DIES IRÆ.
The day of wrath, that dreadful day
Shall the whole world in ashes lay,
As David and Sybils say.
What horror will invade the mind,
When the strict Judge, who would be kind,
Shall have few venial faults to find!
The last loud trumpet's wondrous sound
Must thro' the rending tombs rebound,
And wake the nations underground.
Nature and death shall with surprise
Behold the pale offender rise,
And view the Judge with conscious eyes.
Then shall with universal dread,
The sacred mystic book be read,
To try the living and the dead.
The Judge ascends His awful throne,
He makes each secret sin be known,
And all with shame confess their own.
O then! what int'rest shall I make,
To save my last important stake,
When the most just have cause to quake!
Thou mighty formidable King!
Thou mercy's unexhausted spring!
Some comfortable pity bring.
Forget not what my ransom cost,
Nor let my dear-bought soul be lost,
In storms of guilty terror tost.
Thou, who for me didst feel such pain,
Whose precious blood the cross did stain,
Let not those agonies be vain.
Thou whom avenging powers obey,
Cancel my debt (too great to pay)
Before the said accounting day.
Surrounded with amazing fears,
Whose load my soul with anguish hears,
I sigh, I weep, accept my tears.
Thou, who wast mov'd with Mary's grief,
And by absolving of the thief,
Hast given me hope, now give relief.
Reject not my unworthy prayer,
Preserve me from the dangerous snare,
Which death and gaping hell prepare.
Give my exalted soul a place
Among the chosen right hand race,
The sons of God, and heirs of grace.
From that insatiate abyss,
Where flames devour and serpents hiss,
Promote me to Thy seat of bliss.
Prostrate, my contrite heart I rend,
My God, my Father, and my Friend:
Do not forsake me in my end.
Well may they curse their second birth,
Who rise to a surviving death.
Thou great Creator of mankind,
Let guilty man compassion find.—Amen.
O'BRIEN. [1]
[Footnote 1: Rev. John O'Brien, A.M., Prof. of Sacred Liturgy in Mount
St. Mary's College, Emmettsburg, Md.]
The authorship of the "Dies Iræ" seems the most difficult to settle.
This much, however, is certain: that he who has the strongest claims to
it is Latino Orsini, generally styled Frangipani, whom his
maternal uncle, Pope Nicholas III. (Gætano Orsini), raised to the
cardinalate in 1278. He was more generally known by the name of
Cardinal Malabranca, and was, at first, a member of the Order of St.
Dominic. (See Dublin Review, Vol. XX., 1846; Gavantus, Thesaur.
Sacr. Rit., p. 490.)
As this sacred hymn is conceded to be one of the grandest that has ever
been written, it is but natural to expect that the number of authors
claiming it would be very large. Some even have attributed it to Pope
Gregory the Great, who lived as far back as the year 604. St. Bernard,
too, is mentioned in connection with it, and so are several others; but
as it is hardly necessary to mention all, we shall only say that, after
Cardinal Orsini, the claims to it on the part of Thomas de Celano, of
the Order of Franciscans Minor, are the greatest. There is very little
reason for attributing it to Father Humbert, the fifth general of the
Dominicans in 1273; and hardly any at all for accrediting it to
Augustinus de Biella, of the Order of Augustinian Eremites. A very
widely circulated opinion is that the "Dies Iræ," as it now stands, is
but an improved form of a Sequence which was long in use before the age
of any of those authors whom we have cited. Gavantus gives us, at page
490 of his "Thesaurus of Sacred Rites," a few stanzas of this ancient
sequence. [1]
[Footnote 1: We subjoin this Latin stanza: Cum recordor moriturus,
Quid post mortem sum futurus
Terror terret me venturus,
Queru expecto non securus.]
* * * * *
To repeat what learned critics of every denomination under heaven have
said in praise of this marvellous hymn, would indeed be a difficult
task. One of its greatest encomiums is, that there is hardly a language
in Europe into which it has not been translated; it has even found its
way into Greek and Hebrew—into the former, through an English
missionary of Syria, named Hildner; and into the latter, by Splieth, a
celebrated Orientalist. Mozart avowed his extreme admiration of it, and
so did Dr. Johnson, Sir Walter Scott, and Jeremy Taylor, besides hosts
of others. The encomium passed upon it by Schaff is thus given in his
own words: "This marvellous hymn is the acknowledged master-piece of
Latin poetry and the most sublime of all uninspired hymns. The secret
of its irresistible power lies in the awful grandeur of the theme, the
intense earnestness and pathos of the poet, the simple majesty and
solemn music of its language, the stately metre, the triple rhyme, and
the vocal assonances, chosen in striking adaptation—all combining to
produce an overwhelming effect, as if we heard the final crash of the
universe, the commotion of the opening graves, the trumpet of the
archangel summoning the quick and the dead, and saw the King 'of
tremendous majesty' seated on the throne of justice and mercy, and
ready to dispense everlasting life, or everlasting woe." (See "Latin
Hymns," Vol. I. p. 392, by Prof. March, of Lafayette College, Pa.)
The music of this hymn formed a chief part in the fame of Mozart; and
it is said, and not without reason, that it contributed in no small
degree to hasten his death, for so excited did he become over its awe-
enkindling sentiments while writing his celebrated "Mass of Requiem,"
that a sort of minor paralysis seized his whole frame, so
Terret dies me terroris,
Dies irae, ac furoris,
Dies luctus, ac moeroris,
Dies ultrix peccatoris,
Dies irae, dies illa, etc, etc.
that he was heard to say: "I am certain that I am writing this Requiem
for myself. It will be my funeral service." He never lived to finish
it; the credit of having done so belongs to Sussmayer, a man of great
musical attainments, and a most intimate friend of the Mozart family.—
Dublin Review, Vol. I., May, 1836.
The allusion to the sibyl in the third line of the first stanza, "Teste
David cum Sybilla," [1] has given rise to a good deal of anxious
inquiry; and so very strange did it sound to French ears at its
introduction into the sacred hymnology of the Church, that the Parisian
rituals substituted in its place the line, Crucis expandens
vexilla. The difficulty is, however, easily overcome if we bear in
mind that many of the early Fathers held that Almighty God made use of
these sibyls to promulgate His truths in just the same way as He did of
Balaam of old, and many others like him. The great St. Augustine has
written much on this subject in his "City of God;" and the reader may
form some idea of the estimation in which these sibyls were held, when
he is told that the world-renowned Michael Angelo made them the subject
of one of his greatest paintings…. In the opinions of the ablest
critics it was the Erythrean sibyl who uttered the celebrated
prediction about the advent of our Divine Lord and His final coming at
the last day to judge the living and the dead…. The part of the
sibyl's response which referred particularly to the Day of Judgment was
written (as an acrostic) on the letters of Soter, or Saviour. It is
given as follows in the translation of the "City of God" of St.
Augustine:
[Footnote 1: As David and Sibyls say.]
"Sounding, the archangel's trumpet shall peal down from heaven,
Over the wicked who groan in their guilt and their manifold sorrows,
Trembling, the earth shall be opened, revealing chaos and hell.
Every king before God shall stand on that day to be judged;
Rivers of fire and of brimstone shall fall from the heavens."
The bright sun was risen
More than two hours aloft; and to the sea
My looks were turned. "Fear not," my master cried.
"Assured we are at happy point. Thy strength
Shrink not, but rise dilated. Thou art come
To Purgatory now. Lo! there the cliff
That circling bounds it. Lo! the entrance there,
Where it doth seem disparted."…
Reader! thou markest how my theme doth rise;
Nor wonder, therefore, if more artfully
I prop the structure. Nearer now we drew,
Arrived whence, in that part where first a breach
As of a wall appeared. I could descry
A portal, and three steps beneath, that led
For inlet there, of different color each;
And one who watched, but spake not yet a word,
As more and more mine eye did stretch its view,
I marked him seated on the highest step,
In visage such as past my power to bear.
Grasped in his hand, a naked sword glanced back
The rays so towards me, that I oft in vain
My sight directed. "Speak from whence ye stand,"
He cried; "What would ye? Where is your escort?
Take heed your coming upward harm ye not."
"A heavenly dame, not skilless of these things,"
Replied the instructor, "told us, even now,
'Pass that way, here the gate is.'" "And may she,
Befriending, prosper your ascent," resumed
The courteous keeper of the gate. "Come, then,
Before our steps." We straightway thither came.
The lowest stair was marble white, so smooth
And polished, that therein my mirrored form
Distinct I saw. The next of hue more dark
Than sablest grain, a rough and singed block
Cracked lengthwise and across. The third, that lay
Massy above, seemed porphyry, that flamed
Red as the life-blood spouting from a vein.
On this God's Angel either foot sustained,
Upon the threshold seated, which appeared
A rock of diamond. Up the trinal steps
My leader cheerily drew me. "Ask," said he,
"With humble heart, that he unbar the bolt."
Piously at his holy feet devolved
I cast me, praying him, for pity's sake,
That he would open to me; but first fell
Thrice on my bosom prostrate. Seven times
The letter that denotes the inward stain,
He, on my forehead, with the blunted point
Of his drawn sword, inscribed. And "Look," he cried,
"When entered, that thou wash these scars away."
Ashes, or earth ta'en dry out of the ground,
Were of one color with the robe he wore.
From underneath that vestment forth he drew
Two keys, of metal twain; the one was gold,
Its fellow, silver. With the pallid first,
And next the burnished, he so plyed the gate,
As to content me well. "Whenever one
Faileth of these that in the key-hole straight
It turn not, to this alley then expect
Access in vain." Such were the words he spake.
"One is more precious, but the other needs
Skill and sagacity, large share of each,
Ere its good task to disengage the knot
Be worthily performed. From Peter these
I hold, of him instructed that I err
Rather in opening, than in keeping fast;
So but the suppliant at my feet implore."
Then of that hallowed gate he thrust the door.
Exclaiming, "Enter, but this warning hear:
He forth again departs who looks behind."
As in the hinges of that sacred ward
The swivels turned, sonorous metal strong.
Harsh was the grating; nor so surlily
Rocked the Tarpeian when by force bereft
Of good Metellus, thenceforth from his loss
To leanness doomed. Attentively I turned,
Listening the thunder that first issued forth;
And "We praise Thee, O God," methought I heard,
In accents blended with sweet melody.
The strains came o'er mine ear, e'en as the sound
Of choral voices, that in solemn chant
With organ mingle, and, now high and clear
Come swelling, now float indistinct away.—Canto IX.
* * * * *
Hell's dunnest gloom, or night unlustrous, dark,
Of every planet reft, and palled in clouds,
Did never spread before the sight a veil
In thickness like that fog, nor to the sense
So palpable and gross. Entering its shade,
Mine eye endured not with unclosed lids;
Which marking, near me drew the faithful guide,
Offering me his shoulder for a stay.
As the blind man behind his leader walks,
Lest he should err, or stumble unawares
On what might harm him, or perhaps destroy;
I journeyed through that bitter air and foul,
Still listening to my escort's warning voice,
"Look that from me thou part not." Straight I heard
Voices, and each one seemed to pray for peace,
And for compassion to the Lamb of God
That taketh sins away. The prelude still
Was "Agnus Dei;" and, through all the choir,
One voice, one measure ran, that perfect seemed
The concord of their song. "Are these I hear
Spirits, O Master?" I exclaimed; and he,
"Thou aim'st aright: these loose the bonds of wrath."—Canto
XVI.
* * * * *
Forthwith from every side a shout arose
So vehement, that suddenly my guide
Drew near, and cried: "Doubt not, while I conduct thee."
"Glory!" all shouted (such the sounds mine ear
Gathered from those who near me swelled the sounds),
"Glory in the highest be to God!" We stood
Immovably suspended, like to those,
The shepherds, who first heard in Bethlehem's field
That song: till ceased the trembling, and the song
Was ended: then our hallowed path resumed,
Eyeing the prostrate shadows, who renewed
Their customed mourning. Never in my breast
Did ignorance so struggle with desire
Of knowledge, if my memory do not err,
As in that moment; nor, through haste, dared I
To question, nor myself could aught discern.
So on I fared, in thoughtfulness and dread.—Canto XX.
* * * * *
Now the last flexure of our way we reached;
And, to the right hand turning, other care
Awaits us. Here the rocky precipice
Hurls forth redundant flames; and from the rim
A blast up-blown, with forcible rebuff
Driveth them back, sequestered from its bound.
Behooved us, one by one, along the side,
That bordered on the void, to pass; and I
Feared on one hand the fire, on the other feared
Headlong to fall: when thus the instructor warned:
"Strict rein must in this place direct the eyes.
A little swerving and the way is lost."
Then from the bosom of the burning mass,
"O God of mercy!" heard I sung, and felt
No less desire to turn. And when I saw
Spirits along the flame proceeding, I
Between their footsteps and mine own was fain
To share by turns my view. At the hymn's close
They shouted loud, "I do not know a man;" [1]
Then in low voice again took up the strain.-Canto XXV.
[Footnote 1: I do not know a man. St. Luke, i. 34.]
* * * * *
Now was the sun [1] so stationed, as when first
His early radiance quivers on the heights
Where streamed his Maker's blood; while Libra hangs
Above Hesperian Ebro; and new fires,
Meridian, flash on Ganges' yellow tide.
So day was sinking, when the Angel of God
Appeared before us. Joy was in his mien.
Forth of the flame he stood—upon the brink;
And with a voice, whose lively clearness far
Surpassed our human, "Blessed are the pure
In heart," he sang; then, near him as we came,
"Go ye not further, holy spirits," he cried,
"Ere the fire pierce you; enter in, and list
Attentive to the song ye hear from thence."
I, when I heard his saying, was as one
Laid in the grave. My hands together clasped,
And upward stretching, on the fire I looked,
And busy fancy conjured up the forms,
Erewhile beheld alive, consumed in flames.—Canto XXVII.
[Footnote 1: At Jerusalem it was dawn, in Spain midnight, and in India
noonday, while it was sunset in Purgatory]
SHAKESPEARE.
HAMLET. Where wilt thou lead me? Speak, I'll go no further.
GHOST. Mark me.
HAM. I will.
GHOST. My hour is almost come,
When I to sulphurous and tormenting flames
Must render up myself.
HAM. Alas! poor ghost!
GHOST. Pity me not, but lend thy serious hearing
To what I shall unfold.
HAM. Speak, I am bound to hear.
GHOST. So art thou to revenge, when thou shalt hear.
HAM. What?
GHOST. I am thy father's spirit;
Doomed for a certain time to walk the night;
And, for the day, confined to fast in fires,
Till the foul crimes, done in my days of nature,
Are burnt and purged away. But that I am forbid
To tell the secrets of my prison-house,
I could a tale unfold, whose lightest word
Would harrow up thy soul; freeze thy young blood;
Make thy two eyes, like stars, start from their spheres;
Thy knotted and combined locks to part,
And each particular hair to stand on end,
Like quills upon the fretful porcupine;
But this eternal blason must not be
To ears of flesh and blood.
In a work of this nature, it is essential to its purpose that the
compiler should take cognizance of the many legends, wild and
extravagant as some of them are, which have been current at various
times and amongst various peoples, on the subject of Purgatory. For
they have, indeed, a deep significance, proving how strong a hold this
belief in a middle state of souls has taken on the popular mind. They
are, in a certain sense, a part of Catholic tradition, and have to do
with what is called Catholic instinct. They prove that this dogma of
the Church has found a home in the hearts of the people, and become
familiar to them, as the tales of childhood whispered around the winter
hearth. If it appear now and then, in some such uncouth disguise, as
that which we, are about to present to our readers, we see,
nevertheless, through it all the truth, or rather the fragments of
truth, such as is often found floating about through Europe on the
breath of tradition. The curious legend has been turned by Calderon
from dross into precious gold. He presents it to us in his "Purgatory
of St. Patrick" with a beauty that divests it of much of its native
wildness. He presumably drew his materials for the drama from a work,
"The Life and Purgatory of St. Patrick," published in Spain in 1627 by
Montalvan, a Spanish dramatist. It was translated into French by a
Franciscan priest and doctor of theology, François Bouillon; as also
into Portuguese by Father Manuel Caldeira. When this work was issued
Calderon was wish the army in Flanders. He must have seen it, his
brilliant imagination at once taking hold of it as the groundwork for a
splendid effort of his genius.
We cite here an extract from an introduction by Denis Florence
MacCarthy to his translation of Calderon's "Purgatory of St. Patrick."
It will be of interest as following the thread of this weird legend:
The curious history of Ludovico Enio, on which the principal interest
of this play depends, has been alluded to, and given more or less fully
by many ancient authors. The name, though slightly altered by the
different persons who have mentioned him, can easily be recognized as
the same in all, whether as Owen, Oien, Owain, Eogan, Euenius, or
Ennius. Perhaps the earliest allusion to him in any printed English
work is that contained in 'Ranulph Hidgen's Polychronicon,' published
at Westminster by Wynkin de Worde, in 1495: 'In this Steven's tyme, a
knyght that hyght Owen wente into the Purgatory of the second Patrick,
abbot, and not byshoppe. He came agayne and dwelled in the abbaye of
Ludene of Whyte Monks in Irlonde, and tolde of joycs and of paynes that
he had seen.'
The history of Enio had, however, existed in manuscript for nearly
three centuries and a half before the Polychronicon was printed; it had
been written by Henry, the Monk of Salterey, in Huntingdonshire, from
the account which he had received from Gilbert, a Cistercian monk of
the Abbey of the Blessed Virgin Mary of Luden, or Louth, above
mentioned. [1] Colgan, after collating this manuscript with two others
on the same subject, which he had seen, printed it nearly in full in
his "Trias." … Matthew Paris had, however, before this, in his
"History of England," under date 1153, given a full account of the
adventures of OEnus in the Purgatory. … Sir Walter Scott mentions, in
his "Border Minstrelsy," that there is a curious Metrical Romance in
the Advocates' Library of Edinburgh, called "The Legend of Sir Owain,"
relating his adventures in St. Patrick's Purgatory; he gives some
stanzas from it, descriptive of the knight's passage of "The Brig o'
Dread;" which, in the legend, is placed between Purgatory and Paradise.
This poem is supposed to have been written early in the fourteenth
century.
[Footnote 1: Colgan's "Trias Thanmaturgæ," p. 281, Ware's "Annals of
Ireland," A.D. 1497.]
A second extract on the subject, taken from the Essay by Mr. Wright on
the "Purgatory of St. Patrick," published in London in 1844, gives
still further information with regard to it.
"The mode," he says, "in which this legend was made public is thus told
in the Latin narrative. Gervase (the founder and first Abbot of Louth,
in Lincolnshire) sent his monk, Gilbert, to the king, then in Ireland,
to obtain a grant to build a monastery there. Gilbert, on his arrival,
complained to the king, Henry II., that he did not understand the
language of the country. The king said to him,' I will give you an
excellent interpreter,' and sent him the knight Owain, who remained
with him during the time he was occupied in building the monastery, and
repeated to him frequently the story of his adventures in Purgatory.
Gilbert and his companions subsequently returned to England, and there
he repeated the story, and some one said he thought it was all a dream,
to which Gilbert answered: 'That there were some who believed that
those who entered the Purgatory fell into a trance, and saw the vision
in the spirit, but that the knight had denied this, and declared that
the whole was seen and felt really in the body.' Both Gilbert, from
whom Henry of Salterey received the story, and the bishop of the
diocese, assured him that many perished in this Purgatory, and were
never heard of afterwards." It is clear from the allusion to it in
Cæsarius of Heisterbach, that already, at the beginning of the
thirteenth century, St. Patrick's Purgatory had become famous
throughout Europe. 'If any one doubt of Purgatory,' says this writer,
'let him go to Scotland (i. e., Ireland, to which this name was
anciently given), and enter the Purgatory of St. Patrick, and his
doubts will be expelled.' This recommendation was frequently acted upon
in that, and particularly in the following century, when pilgrims from
all parts of Europe, some of them men of rank and wealth, repaired
thither. On the patent rolls in the Tower of London, under the year
1358, we have an instance of testimonials given by the king, Edward
III., on the same day, to two distinguished foreigners, one a noble
Hungarian, the other a Lombard, Nicholas de Becariis, of their having
faithfully performed this pilgrimage. And still later, in 1397, we find
King Richard II. granting a safe conduct to visit the same place to
Raymond, Viscount of Perilhos, Knight of Rhodes, and Chamberlain of the
King of France, with twenty men and thirty horses. Raymond de Perilhos,
on his return to his native country, wrote a narrative of what he had
seen, in the dialect of the Limousin (Lemosinalingna), of which
a Latin version was printed by O'Sullivan in his '_Historia Catholica
Ibernica.' … This is a mere compilation from the story of 'Henry of
Salterey,' and begins, like that, with an account of the origin of the
Purgatory. He represents himself as having been first a minister to
Charles V. of France, and subsequently the intimate friend of John I.
of Aragon, after whose death (in 1395) he was seized with the desire of
knowing how he was treated in the other world, and determined, like a
new Æneas, to go into St. Patrick's Purgatory in search of him. He saw
precisely the same sights as the knight, Owain, but (as in Calderon)
only twelve men came to him in the hall instead of fifteen, and in the
fourth hall of punishments he saw King John of Aragon, and many others
of his friends and relations.
We will now select from the drama of "Calderon" a few characteristic
passages, to show how this subject was treated by the glowing pen and
fervid fancy of the greatest of all the poets of Catholic Spain, whose
poetry, indeed, is deserving of more widespread appreciation than it
has yet received at the hands of the Catholic reading public. We will
begin with those lines in which Ludovico Enio, the hero of the tale,
makes known his identity to King Egerio.
LUDOVICO. Listen, most beautiful divinity,
For thus begins the story of my life.
Great Egerio, King of Ireland, I
Am Ludovico Enio—a Christian also—
In this do Patrick and myself agree,
And differ, being Christians both,
And yet as opposite as good from evil.
But for the faith which I sincerely hold
(So greatly do I estimate its worth),
I would lay down a hundred thousand lives—
Bear witness, thou all-seeing Lord and God.
. . . . . . All crimes,
Theft, murder, treason, sacrilege, betrayal
Of dearest friends, all these I must relate.
For these are all my glory and my pride.
In one of Ireland's many islands I
Was born, and much do I suspect that all
The planets seven, in wild confusion strange,
Assisted at my most unhappy birth.
He proceeds with a catalogue of his crimes, most dark, indeed, and
relates how St. Patrick, who was present, had saved him from shipwreck.
The King, however, who is a pagan, takes the Knight into his service,
while he bids the Saint begone. Before they part Patrick asks of him a
favor:
PATRICK. This one boon I ask—
LUDOVICO. What is it?
PATRICK. That, alive or dead, we meet
In this world once again.
LUDOVICO. Dost thou demand
So strange and dread a promise from me?
PATRICK. Yes.
LUDOVICO. I give it to thee then.
PATRICK. And I accept it.
What follows is from a conversation between Patrick and the King,
wherein are explained many of the truths of faith, including the
existence of heaven and of hell. Thus the Saint:
PATRICK. There are more places
In the other world than those of
Everlasting pain and glory:
Learn, O King, that there's another,
Which is Purgatory; whither
Flies the soul that has departed
In a state of grace; but bearing
Still some stains of sin upon it:
For with these no soul can enter
God's pure kingdom—there it dwelleth
Till it purifies and burneth
All the dross from out its nature;
Then it flieth, pure and limpid,
Into God's divinest presence.
KING. So you say, but I have nothing,
Save your own words, to convince me;
Give me of the soul's existence
Some strong proof—some indication—
Something tangible and certain—
Which my hands may feel and grasp at.
And since you appear so powerful
With your God, you can implore him,
That to finish my conversion,
He may show some real being,
Not a mere ideal essence,
Which all men can touch; remember,
But one single hour remaineth
For this task: this day you give us
Certain proofs of pain or glory,
Or you die: where we are standing
Let your God display his wonders—
And since we, perhaps, may merit
Neither punishment nor glory,
Let the other place be shown us,
Which you say is Purgatory.
PATRICK then prays, concluding with the words:
"I ask, O Lord, may from Thy hand be given,
That Purgatory, Hell, and Heaven
May be revealed unto those mortals' sight."
An Angel then descends and speaks as follows:
ANGEL. Patrick, God has heard thy prayer,
He has listened to thy vows;
And as thou hast ask'd, allows
Earth's great secrets to lie bare.
Seek along this island ground
For a vast and darksome cave,
Which restrains the lake's dark wave,
And supports the mountains round;
He who dares to go therein,
Having first contritely told
All his faults, shall there behold
Where the soul is purged from sin.
He shall see with mortal eyes
Hell itself—where those who die
In their sins forever lie,
In the fire that never dies.
He shall see, in blest fruition,
Where the happy spirits dwell.
But of this be sure as well—
He who without true contrition
Enters there to idly try
What the cave may be, doth go
To his death—he'll suffer woe
While the Lord doth reign on high.
Who this day shall set you free
From this poor world's weariness;
He shall grant to you, in pity,
Bliss undreamed by mortal men—
Making thee a denizen
Of his own celestial city.
He shall to the world proclaim
His omnipotence and glory,
By the wondrous Purgatory,
Which shall bear thy sainted name.
Polonia, the King's daughter, whom Ludovico had married and deserted,
having first tried to kill her, appears upon the scene just as the
King, Patrick, and some others, who have set out upon their quest for
the Purgatory, have reached a gloomy mountain and a deep cave. Polonia
relates the wonders and the terrors of the cavern through which she has
passed. Patrick then speaks as follows:
PATRICK. This cave, Egerio, which you see, concealeth
Many mysteries of life and death,
Not for him whose hardened bosom feeleth
Nought of true repentance or true faith.
But he who freely enters, who revealeth
All his sins with penitential breath,
Shall endure his Purgatory then,
And return forgiven back again.
Later in the drama we find Ludovico desiring
"To enter
Into Patrick's Purgatory;
Humbly and devoutly keeping
Thus the promise that I gave him."
Again, he says:
"I have faith and firm reliance
That you yet shall see me happy,
If in God's name blessed Patrick,
"Aid me in the Purgatory."
Having confessed his sins and made due preparation, he enters the cave.
On his return hence, the Priest, or Canon as he is called, bids him
relate the wonders he has seen. He finds himself first "in thick and
pitchy darkness," he hears horrid clangor, and falls down at length
into a hall of jasper, where he meets with twelve grave men, who
encourage him, and bid him keep up his courage amid the fearful sights
he is to behold later on. At length he reaches the Purgatory:
"I approached another quarter;
There it seemed that many spirits
I had known elsewhere, were gathered
Into one vast congregation,
Where, although 'twas plain they suffered,
Still they looked with joyous faces,
Wore a peaceable appearance,
Uttered no impatient accents,
But, with moistened eyes uplifted
Towards the heavens, appeared imploring
Pity, and their sins lamenting.
This, in truth, was Purgatory,
Where the sins that are more venial
Are purged out."
He then alludes to that Bridge or "Brig o' Dread," to which allusion
will be made in another portion of our volume. As this passage is
celebrated, it is well to give it in full:
LUDOVICO. To a river did they lead me,
Flowers of fire were on its margin,
Liquid sulphur was its current,
Many-headed hydras—serpents—
Monsters of the deep were in it;
It was very broad, and o'er it
Lay a bridge, so slight and narrow
That it seem'd a thin line only.
It appear'd so weak and fragile,
That the slightest weight would sink it.
"Here thy pathway lies," they told me,
"O'er this bridge so weak and narrow;
And, for thy still greater horror,
Look at those who've pass'd before thee."
Then I look'd, and saw the wretches
Who the passage were attempting
Fall amid the sulphurous current,
Where the snakes with teeth and talons
Tore them to a thousand pieces.
Notwithstanding all these horrors,
I, the name of God invoking,
Undertook the dreadful passage,
And, undaunted by the billows,
Or the winds that blew around me,
Reached the other side in safety.
Here within a wood I found me,
So delightful and so fertile,
That the past was all forgotten.
On my path rose stately cedars,
Laurels—all the trees of Eden.
After having described some of the glories of this abode of bliss, he
relates his meeting with "the resplendent, the most glorious, the great
Patrick, the Apostle"—and was thus enabled to keep his early promise.
The poem ends with the following somewhat confused list of authorities:
"For with this is now concluded
The historic legend told us
By Dionysius, the great Carthusian,
With Henricus Salteriensis,
Cæsarius Heisterbachensis,
Matthew Paris, and Ranulphus,
Monbrisius, Marolicus Siculus,
David Rothe, and the judicious
Primate over all Hibernia,
Bellarmino, Beda, Serpi,
Friar Dymas, Jacob Sotin,
Messingham, and in conclusion
The belief and pious feeling
Which have everywhere maintained it."
From Alban Butler's notes to "Lives of the Saints," Vol. I. p. 103, we
subjoin the following:
"St. Patrick's Purgatory is a cave on an island in the Lake Dearg
(Lough Derg), in the County of Donegal, near the borders of Fermanagh.
Bollandus shows the falsehood of many things related concerning it.
Upon complaint of certain superstitious and false notions of the
vulgar, in 1497, it was stopped up by an order of the Pope. See
Bollandus, 'Tillemont,' p. 287, Alemand in his 'Monastic Hist. of
Ireland,' and Thiers, 'Hist. des. Superst.' I. 4 ed. Nov. It was soon
after opened again by the inhabitants; but only according to the
original institution, as Bollandus takes notice, as a penitential
retirement for those who voluntarily chose it, probably in imitation of
St. Patrick, or other saints, who had there dedicated themselves to a
penitential state. They usually spent several days here, living on
bread and water, lying on rushes, praying and making stations
barefoot."
SIR WALTER SCOTT.
In connection with the extracts which we have given from the celebrated
Drama of Calderon, the "Purgatory of St. Patrick," and in particular of
that one which relates to the passage of Ludovico over the bridge which
leads from Purgatory to Paradise, it will be interesting to quote the
following from Sir Walter Scott's "Minstrelsy of the Scottish Border:"
"There is a sort of charm, sung by the lower ranks of Roman Catholics,
in some parts of the north of England, while watching a dead body
previous to interment. The tone is doleful and monotonous, and, joined
to the mysterious import of the words, has a solemn effect. The word
sleet, in the chorus, seems to be corrupted from selt or salt; a
quantity of which, in compliance with a popular superstition, is
frequently placed on the breast of a corpse. The mythologic ideas of
the dirge are common to various creeds. The Mahometan believes that, in
advancing to the final judgment seat, he must traverse a bar of red-hot
iron, stretched across a bottomless gulf. The good works of each true
believer, assuming a substantial form, will then interpose between his
feet and this 'Bridge of Dread;' but the wicked, having no such
protection, fall headlong into the abyss." Passages similar to this
dirge are also to be found in "Lady Culross' Dream," as quoted in the
second Dissertation, prefixed by Mr. Pinkerton to his select Scottish
Ballads, 2 vols. The dreamer journeys towards heaven, accompanied and
assisted by a celestial guide:
"Through dreadful dens, which made my heart aghast,
He bore me up when I began to tire.
Sometimes we clamb o'er craggy mountains high,
And sometimes stay'd on ugly braes of sand.
"They were so stay that wonder was to see;
But when I fear'd, he held me by the hand.
Through great deserts we wandered on our way—
Forward we passed a narrow bridge of trie,
O'er waters great, which hideously did roar."
Again, she supposes herself suspended over an infernal gulf:
"Ere I was ware, one gripped me at the last,
And held me high above a flaming fire.
The fire was great, the heat did pierce me sore;
My faith grew-weak; my grip was very small.
I trembled fast; my faith grew more and more."
A horrible picture of the same kind, dictated probably by the author's
unhappy state of mind, is to be found in Brooke's "Fool of Quality."
The Russian funeral service, without any allegorical imagery, expresses
the sentiment of the dirge in language alike simple and noble: "Hast
thou pitied the afflicted, O man? In death shalt thou be pitied. Hast
thou consoled the orphan? The orphan will deliver thee. Hast thou
clothed the naked? The naked will procure thee protection."—
Richardson's "Anecdotes of Russia."
But the most minute description of the Brig o' Dread occurs in the
legend of Sir Owain, No. XL. in the MS. collection of romances, W. 4.
I, Advocates' Library, Edinburgh. Sir Owain, a Northumbrian knight,
after many frightful adventures in St. Patrick's Purgatory, at last
arrives at the bridge, which, in the legend, is placed betwixt
Purgatory and Paradise:
"The fendes han the Knight ynome,
To a stink and water thai ben ycome,
He no seigh never er non swiche;
It stank fouler than ani hounde,
And mani mile it was to the grounde,
And was as swart as piche.
"And Owain seigh ther ouer ligge
A swithe, strong, naru brigge:
The fendes seyd tho;
Lo, Sir Knight, sestow this,
This is the brigge of Paradis,
Here ouer thou must go.
"And we the schul with stones prowe
And the winde the schul ouer blow,
And wirche the ful wo;
Thou no schalt for all this unduerd,
Bot gif thou falle a midwerd, To our fewes [1] mo.
[Footnote 1: Sir Walter Scott says probably a contraction of
"fellows."]
"And when thou art adoun yfalle,
Than schal com our felawes alle,
And with her hokes the hede;
We schul the teche a newe playe:
Thou hast served ous mani a day,
And into helle the lede.
"Owain biheld the brigge smert,
The water ther under blek and swert,
And sore him gan to drede;
For of othing he tok yeme,
Never mot, in sonne beme,
Thicker than the fendes yede.
"The brigge was as heigh as a tower,
And as scharpe as a rasour,
And naru it was also;
"And the water that ther run under,
Brend o' lighting and of thonder,
That thocht him michel wo.
"Ther nis no clerk may write with ynke,
No no man no may bithink, No no maister deuine;
That is ymade forsoth ywis,
Under the brigge of paradis Halven del the pine.
"So the dominical ous telle,
Ther is the pure entrae of helle,
Seine Poule [1] verth witnesse;
Whoso falleth of the brigge adown,
Of him nis no redempcion, Neither more nor lesse.
[Footnote 1: St. Paul.]
"The fendes seyd to the Knight tho,
'Ouer this brigge might thou nowght go,
For noneskines nede;
Fie peril sorwe and wo,
And to that stede ther thou com fro,
Wel fair we schul the lede.'
"Owain anon began bithenche,
Fram hou mani of the fendes wrenche,
God him saved hadde;
He sett his fot opon the brigge,
No feld he no scharpe egge,
No nothing him no drad.
"When the fendes yseigh tho,
That he was more than half ygo,
Loude thai gun to crie:
Allas! Allas! that he was born!
This ich night we habe forlorn
Out of our baylie."—Minstrelsy of Scottish Border.
It will be of interest to quote the following passage from one of
Shelley's best known works, "The Cenci," of which he himself says: "An
idea in this speech was suggested by a most sublime passage in 'El
Purgatorio de San Patricio,' of Calderon."
"But I remember, Two miles on this side of the fort, the road Crosses a
deep ravine; 'tis rough and narrow, And winds with short turns down the
precipice; And in its depths there is a mighty rock Which has, from
unimaginable years, Sustained itself with terror and with toil Over the
gulf, and with the agony With which it clings seems slowly coming down;
Even as a wretched soul, hour after hour, Clings to the mass of life;
yet clinging, leans; And leaning, makes more dark the dread abyss In
which it fears to fall; beneath this crag Huge as despair, as if in
weariness, The melancholy mountain yawns."
[Footnote: The above lines apply with peculiar impressiveness to the
funeral of General Grant, so lately occupying public attention.]
AUBREY DE VERE.
No more than this? The chief of nations bears Her chief of sons to his
last resting-place; Through the still city, sad and slow of pace, The
sable pageant streams; and as it nears That dome, to-day a vault
funereal, tears Run down the gray-hair'd veteran's wintry face; Deep
organs sob and flags their front abase; And the snapt wand the rite
complete declares. Soul, that before thy Judge dost stand this day,
Disrobed of strength and puissance, pomp and power; O soul! defrauded
at thine extreme hour Of man's sole help from man, and latest stay,
Swells there for thee no prayer from all that host, And is this burial
but a nation's boast?
TENNYSON.
Then loudly cried the bold Sir Bedivere,
"Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole Round Table is dissolved
Which was an image of the mighty world;
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."
And slowly answered Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils Himself in many ways.
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within Himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul.
More things are wrought by prayer
Than this world dreams of.
Wherefore, let thy voice
Rise like fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell!
I am going a long way
With these thou seest—if indeed I go
(For all my mind is clouded with a doubt)
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow;
Nor ever wind blows loudly; but it lies
Deep-meadowed, happy, fair with orchard lawns
And bowery hollows crowned with summer sea,
Where I will heal me of my grievous wound."
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan.
That, fluting a wild carol, ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs.
Long stood Sir Bedivere
Revolving many memories, till the hull
Looked one black dot against the verge of dawn,
And on the meer the wailing died away.
COLLlN DE PLANCY.
The brother who forgets his brother is no longer a man, he is a
monster.—Sr. John Chrysostom.
Peter the Venerable relates the story of a lord of his time, named Guy
or Guido, who had lost his life in battle; this was very common in the
Middle Ages, when the nobles were beyond all else great warriors. As
this Guido had not been able to make his last confession, he appeared
fully armed, to a priest, some time after his death.
"Stephanus," said he (that was the name of the priest), "I pray thee go
to my brother Anselm; thou shalt tell him that I conjure him to restore
an ox which I took from a peasant," naming him; "and also to repair the
damage I did to a village which did not—belong to me, by wrongfully
imposing taxes thereupon. I was unable to confess, or to expiate these
two sins, for which I am grievously tormented. As an assurance of what
I tell thee," continued the apparition, "I warn thee that, when thou
returnest to thy dwelling, thou shalt find that the money thou hast
saved to make the pilgrimage of St. James has been stolen."
The priest, on his return, actually found that his strongbox had been
broken open and his money carried off; but he could not discharge his
commission, because Anselm was absent.
A few days after, the same Guido appeared a second time, to reproach
Stephanus for his neglect. The good priest excused himself on the
impossibility of finding Anselm; but learning that he had returned to
his manor, he repaired thither, and faithfully fulfilled his
commission.
He was received very coolly. Anselm told him that he was not obliged to
do penance for the sins of his brother; and with these words he
dismissed him.
The dead man, who experienced no relief, appeared a third time, and
bemoaning his brother's harshness, he besought the worthy servant of
God to have compassion himself on his distress, and assist him in his
extremity. Stephanus, much affected, promised that he would, He
restored the price of the stolen ox, gave alms to the wronged village,
said prayers, recommended the deceased to all the good people he knew,
and then Guido appeared no more.
COLLIN DE PLANCY.
Miseremini mei, miseremini mei, saltem vos, amici moi.—JOB xix.
A short time after the death of Charles the Bald, there is found in
Hincmar a narrative which it may be well to introduce here; it is the
journey of Berthold, or Bernold, to Purgatory in the spirit.
Berthold was a citizen of Rheims, of good life, fulfilling his
Christian duties and enjoying public esteem. He was subject to
ecstasies, or syncope, which sometimes lasted a good while. Then,
whether he had visions, or that his soul transported itself or was
transported out of his body—an effect which, is evidently produced in
our days by magnetism—he made, in his ecstasies, several journeys into
Purgatory.
Having fallen seriously ill when already well advanced in age, he
received all the sacraments which console the conscience; after which
he remained four entire days in a sort of ecstasy, during which he took
no nourishment of any kind. At the end of the fourth day he had become
so weak that there was hardly any breath in him. About midnight,
however, he begged his wife to send quickly for his confessor. He
afterwards remained motionless. But, at the end of a quarter of an
hour, he said to his wife:
"Place a seat here, for the priest is coming."
He entered the moment after, and recited the beautiful prayers for the
departing soul, to which Berthold responded clearly and exactly. After
this he had again a moment of ecstasy; and, coming out of it, he
related his several visits to Purgatory, and the commissions wherewith
he had been charged by many suffering souls.
He was conducted by a spirit, an Angel doubtless. Amongst those who
were being purified, in ice or in fire, he found Ebbon, Archbishop of
Rheims; Pardule, Bishop of Laon; Enée, Bishop of Paris, and some other
prelates, clothed in filthy garments, torn and rusty. Their faces were
wrinkled, haggard, and sallow. Ebbon besought him to ask the clergy and
people of Rheims to pray for him and his companions, who made him the
same request. He charged himself with all these commissions.
He found, farther on, or in another visit, the soul of Charles the
Bald, extended in the mud and much exhausted. The ex-king asked
Berthold to recommend him to Archbishop Hincmar and the princes of his
family, acknowledging that he was principally punished for having given
ecclesiastical benefices to courtiers and worldly laics, as had been
done by his ancestor, Charles Martel. Berthold promised to do what he
could.
Farther on, and perhaps also on another occasion, he saw Jesse, Bishop
of Orleans, in the hands of four dark spirits, who were plunging him
alternately into a well of boiling pitch and one of ice-cold water. Not
far from him, Count Othaire was in other torments. The two sufferers
recommended themselves, like the others, to the pious offices of
Berthold, who faithfully executed the commissions of the souls in pain.
He applied, on behalf of the bishops, to their clergy and people; for
King Charles the Bald, to Archbishop Hincmar. He wrote besides—for he
was a lettered man—to the relatives of the deceased monarch, making
known to them the state wherein he had seen him. He went to urge the
wife of Othaire, his vassals and friends, to offer up prayers and give
alms for him; and in a last visit which he was permitted to make, he
learned that Count Othaire and Bishop Jessé were delivered; King
Charles the Bald had reached the term of his punishment; and he saw the
Bishops Ebbon, Enée, and Pardule, who thanked him as they went forth
from Purgatory, fresh and robed in white.
After this account, whereto Berthold subjoined that his guide had
promised him some more years of life, he asked for Holy Communion,
received it, felt himself cured, left his bed on the following day, and
his life was prolonged for fourteen years.
Let us quote here, says Collin de Plancy, a good English religious
whose journey has been related by Peter the Venerable, Abbot of Cluny,
and by Denis the Carthusian. This traveller speaks in the first person:
"I had St. Nicholas for a guide," he says; "he led me by a level road
to a vast horrible space, peopled with the dead, who were tormented in
a thousand frightful ways. I was told that these people were not
damned, that their torment would in time come to an end, and that it
was Purgatory I saw. I did not expect to find it so severe. All these
unfortunates wept hot tears and groaned aloud. Since I have seen all
these things I know well that if I had any relative in Purgatory, I
would suffer a thousand deaths to take him out of it.
"A little farther on, I perceived a valley, through which flowed a
fearful river of fire, which rose in waves to an enormous height. On
the banks of that river it was so icy cold that no one can have any
idea of it. St. Nicholas conducted me thither, and made me observe the
sufferers who were there, telling me that this again was Purgatory."
"DREAM OF GERONTIUS."
CARDINAL NEWMAN.
ANGEL. Thy judgment now is near, for we are come Into the veiled
presence of our God.
SOUL. I hear the voices that I left on earth.
ANGEL. It is the voice of friends around thy bed,
Who say the "Subvenite" with the priest.
Hither the echoes come; before the
Throne Stands the great Angel of the Agony,
The same who strengthened Him, what time He knelt
Lone in that garden shade, bedewed with blood.
That Angel best can plead with Him for all
Tormented souls, the dying and the dead.
ANGEL OF THE AGONY. Jesu! by that shuddering dread which fell on Thee;
Jesu! by that cold dismay which sicken'd Thee;
Jesu! by that pang of heart which thrill'd in Thee;
Jesu! by that mount of sins which crippled Thee;
Jesu! by that sense of guilt which stifled Thee;
Jesu! by that innocence which girdled Thee;
Jesu! by that sanctity which reign'd in Thee;
Jesu! by that Godhead which was one with Thee;
Jesu! spare these souls which are so dear to Thee;
Who in prison, calm and patient, wait for Thee;
Hasten, Lord, their hour, and bid them come to Thee,
To that glorious Home, where they shall ever gaze on Thee.
SOUL. I go before my Judge. Ah! …
ANGEL. … Praise to His Name! The eager spirit has darted from my
hold,
And, with the intemperate energy of love,
Flies to the dear feet of Emmanuel;
But, ere it reach them, the keen sanctity,
Which, with its effluence, like a glory, clothes
And circles round the Crucified, has seized,
And scorch'd, and shrivell'd it; and now it lies
Passive and still before the awful Throne.
O happy, suffering soul! for it is safe,
Consumed, yet quicken'd, by the glance of God.
SOUL. Take me away, and in the lowest deep
There let me be, And there in hope the lone night-watches keep,
Told out for me.
There, motionless and happy in my pain,
Lone, not forlorn,—There will I sing my sad, perpetual strain,
Until the morn.
There will I sing, and soothe my stricken breast,
Which ne'er can cease
To throb, and pine, and languish, till possess'd
Of its Sole Peace.
There will I sing my absent Lord and Love:—Take me away,
That sooner I may rise, and go above,
And see Him in the truth—of everlasting day.
ANGEL. Now let the golden prison ope its gates,
Making sweet music, as each fold revolves
Upon its ready hinge.
And ye, great powers,
Angels of Purgatory, receive from me
My charge, a precious soul, until the day,
When from all bond and forfeiture released,
I shall reclaim it for the courts of light.
1. Lord, Thou hast been our refuge: in every generation;
2. Before the hills were born, and the world was: from age to age, Thou
art God.
3. Bring us not, Lord, very low: for Thou hast said, Come back again,
ye sons of Adam!
4. A thousand years before Thine eyes are but as yesterday: and as a
watch of the night which is come and gone.
5. The grass springs up in the morning: at evening-tide it shrivels up
and dies.
6. So we fall in Thine anger: and in Thy wrath are we troubled.
7. Thou hast set our sins in Thy sight: and our round of days in the
light of Thy countenance.
8. Come back, O Lord! how long: and be entreated for Thy servants.
9. In Thy morning we shall be filled with Thy mercy: we shall rejoice
and be in pleasure all our days.
10. We shall be glad according to the days of our humiliation: and the
years in which we have seen evil.
11. Look, O Lord, upon Thy servants and upon Thy work: and direct their
children.
12. And let the beauty of the 'Lord our God be upon us: and the work of
our hands, establish Thou it.
Glory be to the Father, and to the Son: and to the Holy Ghost.
As it was in the beginning, is now, and ever shall be: world without
end. Amen.
ANGEL. Softly and gently, dearly-ransom'd soul, In my most loving arms
I now enfold thee, And, o'er the penal waters, as they roll, I poise
thee, and I lower thee, and hold thee.
And carefully I dip thee in the lake, And thou, without a sob, or a
resistance, Dost through the flood thy rapid passage take, Sinking
deep, deeper, into the dim distance.
Angels, to whom the willing task is given, Shall tend, and nurse, and
lull thee, as thou liest; And Masses on the earth, and prayers in
heaven, Shall aid thee at the throne of the Most High.
Farewell, but not for ever! brother dear, Be brave and patient on thy
bed of sorrow; Swiftly shall pass thy night of trial here, And I will
come and wake thee on the morrow.
MRS. JAMESON.
In a little picture in the Bologna Academy he is seen praying before a
tomb, on which is inscribed "TRAJANO IMPERADOR;" beneath are two
angels, raising the soul of Trafan out of flames. Such is the usual
treatment of this curious and poetical legend, which is thus related in
the "Legenda Aurea": "It happened on a time, as Trajan was hastening to
battle at the head of his legions, that a poor widow flung herself in
his path, and cried aloud for justice, and the emperor stayed to listen
to her; and she demanded vengeance for the innocent blood of her son,
killed by the son of the emperor. Trajan promised to do her justice
when he returned from his expedition. 'But, sire', answered the widow,
'should you be killed in battle, who will then do me justice?' 'My
successor,' replied Trajan. And she said, 'What will it signify to you,
great emperor, that any other than yourself should do me justice? Is it
not better that you should do this good action yourself than leave
another to do it?' And Trajan alighted, and having examined into the
affair, he gave up his own son to her in place of him she had lost, and
bestowed on her likewise a rich dowry. Now, it came to pass that as
Gregory was one day meditating in his daily walk, this action of the
Emperor Trajan came into his mind, and he wept bitterly to think that a
man so just should be condemned to eternal punishment. And entering a
church, he prayed most fervently that the soul of the good emperor
might be released from torment. And a voice said to him, 'I have
granted thy prayer, and I have spared the soul of Trajan for thy sake;
but because thou hast supplicated for one whom the justice of God had
already condemned, thou shalt choose one of two things: either thou
shalt endure for two days the fires of Purgatory, or thou shalt be sick
and infirm for the remainder of thy life.' Gregory chose the latter,
which sufficiently accounts for the grievous pains and infirmities to
which this great and good man was subjected, even to the day of his
death."
This story of Trajan was extremely popular in the Middle Ages; it is
illustrative of the character of Gregory…. Dante twice alludes to it.
He describes it as being one of the subjects sculptured on the walls of
Purgatory, and takes occasion to relate the whole story.
"There was storied on the rock Th'exalted glory of the Roman Prince,
Whose mighty worth moved Gregory to earn This mighty conquest—Trajan
the Emperor. A widow at his bridle stood attired In tears and mourning.
Round about them troop'd Full throng of knights: and overhead in gold
The eagles floated, struggling with the wind The wretch appear'd amid
all these to say: 'Grant vengeance, sire! for woe, beshrew this heart,
My son is murder'd!' He, replying, seem'd: 'Wait now till I return.'
And she, as one Made hasty by her grief: 'O, sire, if thou Dost not
return?'—'Where I am, who then is, May right thee.'—'What to thee is
others' good, If thou neglect thine own?'—'Now comfort thee,' At
length he answers: 'It beseemeth well My duty be perform'd, ere I move
hence. So justice wills and pity bids me stay.'"—Purg. Canto X.
It was through the efficacy of St. Gregory's intercession that Dante
afterwards finds Trajan in Paradise, seated between King David and King
Hezekiah.—Purg. Canto XX.
There was a monk who, in defiance of his vow of poverty, secreted in
his cell three pieces of gold. Gregory, on learning this,
excommunicated him, and shortly afterwards the monk died. When Gregory
heard that the monk had perished in his sin, without receiving
absolution, he was filled with grief and horror, and he wrote upon a
parchment a prayer and a form of absolution, and gave it to one of his
deacons, desiring him to go to the grave of the deceased and read it
there: on the following night the monk appeared in a vision, and
revealed to him his release from torment.
This story is represented in the beautiful bas-relief in white marble
in front of the altar of his chapel; it is the last compartment on the
right.
In chapels dedicated to the Service of the Dead, St. Gregory is often
represented in the attitude of supplication, while on one side, or in
the background, angels are raising the tormented souls out of the
flames.—Sacred and Legendary Art, Vol. I.
It is related by Peter the Venerable, Abbot of Cluny, that, in the
first half of the twelfth century, the Lord Humbert, son of Guichard,
Count de Beaujeu, in the Maçonnais, having made war on some other
neighboring lords, Geoffroid d'Iden, one of his vassals, received in
the fight a wound which instantly killed him. Two months after his
death, Geoffroid appeared to Milon d'Ansa, who knew him well; he begged
him to tell Humbert de Beaujeu, in whose service he had lost his life,
that he was in Purgatory, for having aided him in an unjust war and not
having expiated his sins by penance, before his unlooked-for death;
that he besought him, therefore, most urgently, to have compassion on
him, and also on his own father, Guichard, who, although he had led a
religious life at Cluny in his latter days, had not entirely satisfied
the justice of God for his past sins, and especially for a portion of
his wealth, which, as his children knew, was ill gained; that, in
consequence thereof, he prayed him to have the Holy Sacrifice of the
Mass offered for him and for his father, to distribute alms to the
poor, and to recommend both sufferers to the prayers of good people, in
order to shorten their time of penance. "Tell him," added the
apparition, "that if he hear thee not, I must go myself to announce to
him that which I have now told to thee."
The lof Ansa (now Anse) faithfully discharged the task imposed upon
him. Humbert was frightened; but he neither had prayers nor Masses
offered up, made no reparation, and distributed no alms.
Nevertheless, fearing lest Guichard his father or Geoffroid d'Iden
might come to disturb him, he no longer dared to remain alone,
especially by night; and he always had some of his people around him,
making them sleep in his chamber.
One morning, as he was still in bed, but awake, he saw appear before
him Geoffroid d'Iden, armed as on the day of the battle. Showing him
the mortal wound which he had received, and which appeared still fresh,
he warmly reproached him for the little pity he had for himself and for
his father, who was groaning in torment; and he added: "Take care lest
God may treat thee in His rigor, and refuse thee the mercy thou dost
not grant to us; and for thee, give up thy purpose of going to the war
with Amadeus. If thou goest thither, thou shalt lose thy life and thy
possessions."
At that moment, Richard de Marsay, the Count's squire, entered, coming
from Mass; the, spirit disappeared, and thenceforward Humbert de
Beaujeu went seriously to work to relieve his father and his vassal,
after which he made the journey to Jerusalem to expiate his own sins.
BY FREDERICK WILLIAM FABER, D. D.
Oh! turn to Jesus, Mother! turn,
And call Him by His tenderest names;
Pray for the Holy Souls that burn
This hour amid the cleansing flames.
Ah! they have fought a gallant fight;
In death's cold arms they persevered;
And, after life's uncheery night,
The harbor of their rest is neared.
In pains beyond all earthly pains
Fav'rites of Jesus, there they lie,
Letting the fire wear out their stains,
And worshipping God's purity.
Spouses of Christ they are, for He
Was wedded to them by His blood;
And angels o'er their destiny
In wondering adoration brood.
They are the children of thy tears;
Then hasten, Mother! to their aid;
In pity think each hour appears
An age while glory is delayed!
See, how they bound amid their fires,
While pain and love their spirits fill;
Then, with self-crucified desires,
Utter sweet murmurs, and lie still.
Ah me! the love of Jesus yearns
O'er that abyss of sacred pain;
And, as He looks, His bosom burns
With Calvary's dear thirst again.
O Mary! let thy Son no more
His lingering spouses thus expect;
God's children to their God restore,
And to the Spirit His elect.
Pray then, as thou hast ever prayed;
Angels and Souls all look to thee;
God waits thy prayers, for He hath made
Those prayers His law of charity.
REV. A. J. RYAN.
Who will watch o'er the dead young priest,
People and priests and all?
No, no, no, 'tis his spirit's feast,
When the evening shadows fall.
Let him rest alone—unwatched, alone,
Just beneath the altar's light,
The holy Hosts on their humble throne
Will watch him through the night.
The doors were closed—he was still and fair,
What sound moved up the aisles?
The dead priests come with soundless prayer,
Their faces wearing smiles.
And this was the soundless hymn they sung:
"We watch o'er you to-night;
Your life was beautiful, fair and young,
Not a cloud upon its light.
To-morrow—to-morrow you will rest
With the virgin priests whom Christ has blest."
Kyrie Eleison! the stricken crowd
Bowed down their heads in tears
O'er the sweet young priest in his vestment shroud.
Ah! the happy, happy years!
They are dead and gone, and the Requiem Mass
Went slowly, mournfully on,
The Pontiff's singing was all a wail,
The altars cried and the people wept,
The fairest flower in the Church's vale
Ah me! how soon we pass!
In the vase of his coffin slept. —From In Memoriam.
R. R. MADDEN. [1]
[Footnote 1: Author of "Lives and Times of United Irishmen."]
'Tis not alone in "hallowed ground,"
At every step we tread
Midst tombs and sepulchres, are found
Memorials of the dead.
'Tis not in sacred shrines alone,
Or trophies proudly spread
On old cathedral walls are shown
Memorials of the dead.
Emblems of Fame surmounting death,
Of war and carnage dread,
They were not, in the "Times of Faith,"
Memorials of the dead.
From marble bust and pictured traits
The living looks recede,
They fade away: so frail are these
Memorials of the dead.
On mural slabs, names loved of yore
Can now be scarcely read;
A few brief years have left no more
Memorials of the dead.
Save those which pass from sire to son,
Traditions that are bred
In the heart's core, and make their own
Memorials of the dead.
ELIZA ALLEN STARR.
With the gray dawn's faintest break,
Mother, faithfully I wake,
Whispering softly for thy sake
Requiescat in pace!
When the sun's broad disk at height
Floods the busy world with light,
Breathes my soul with sighs contrite,
Requiescat in pace!
When the twilight shadows lone
Wrap the home once, once thine own,
Sobs my heart with broken moan,
Requiescat in pace!
Night, so solemn, grand, and still,
Trances forest, meadow, rill;
Hush, fond heart, adore His will,
Requiescat in pace!
I died; but my soul did not wing its flight straight to the heaven-
nest, and there repose in the bosom of Him who made it, as the minister
who was with me said it would. Good old man! He had toiled among us,
preaching baptizing, marrying, and burrying, until his hair had turned
from nut-brown to frost-white; and he told me, as I lay dying, that the
victory of the Cross was the only passport I needed to the joys of
eternity; that a life like mine would meet its immediate reward. And it
did; but, O my God! not as he had thought, and I had believed.
As he prayed, earth's sights and sounds faded from me, and the strange,
new life began. The wrench of agony with which soul and body parted
left me breathless; and my spirit, like a lost child, turned frightened
eyes towards home.
I stood in a dim, wind-swept space. No gates of pearl or walls of
jacinth met my gaze; no streaming glory smote my eyes; no voice bade me
enter and put on the wedding garment. Hosts of pale shapes circled by,
but no one saw me. All had their faces uplifted, and their hands—such
patient, pathetic hands—were clasped on their hearts; and the air was
heavy with the whisper, "Christ! Christ!" that came unceasingly from
their lips.
Above us, the clouds drifted and turned; about us, the horizon was
blotted out; mist and grayness were everywhere. A voiceless wind swept
by; and as I gazed, sore dismayed and saddened, a rent opened in the
driving mass, and I saw a man standing with arms upraised. He was
strangely vestured; silver and gold gleamed in his raiment, and a large
cross was outlined upon his back. He held in his hands a chalice of
gold, in which sparkled something too liquid for fire, too softly
brilliant for water or wine.
As this sight broke on our vision, two figures near me uttered a cry,
whose rapturous sweetness filled space with melody; and, like the up-
springing lark, borne aloft by the beauty of their song, they vanished;
and those about me bowed their heads, and ceased their moan for a
moment.
"What is it?" I cried. "Who is the man? What was it he held in his
hand?"
But there was none to answer me, and I drove along before the wind with
the rest, helpless, bewildered.
How long this lasted I do not know; for there was neither night nor day
in the sad place; and a fire of longing burnt in my breast, so keen, so
strong, that all other sensation was swallowed up.
And then, too, my grief! There were many deeds of my life to which I
had given but casual regret. When the minister would counsel us to
confess our sins to God, I had knelt in the church and gone through the
form; but here, where the height and depth and breadth of God's
perfection dawned upon me, and grew hourly clearer, they seemed to rend
my heart, and to far outweigh any little good I might have done. Oh!
why did no one ever preach the justice of God to me, and the necessity
of personal atonement! Why had they only taught me, "Believe, and you
shall be saved?"
Time by time, the shapes about me rose and vanished with the same cry
as the two I saw liberated in my first hour; and sometimes—like an
echo—the sound of human voices would go through space—some choked
with tears, some low with sadness, some glad with hope.
"Eternal rest grant to them, O Lord!"
"And let perpetual light shine upon them!"
"May they rest in peace!"
And the "Amen" tolled like a silver bell, and I would feel a respite.
But no one called me by name, no one prayed for my freedom. My mother's
voice, my sister's dream, my father's belief—all were that I was happy
before the face of God. And friends forgot me, except in their
pleasures.
At seasons, through the mist would loom an altar, at which a man, in
black robes embroidered with silver, bowed and bent. The chalice, with
its always wonderful contents, would be raised, and a disc, in whose
circle of whiteness I saw Christ crucified. From the thorn-wounds, the
Hands, the Feet, the Side, shot rays of dazzling brightness; and my
frozen soul, my tear-chilled eyes, were warmed and gladdened; for the
man who held this wondrous image would himself sigh: "For all
the dead, sweet Lord!" And to me, even me, would come hope and peace.
But, oh! the agony, oh! the desolateness, to be cut off from the sweet
guerdon of immediate release! Oh! the pain of expiating every fault,
measure for measure! Oh, the grief of knowing that my own deeds were
the chains of my captivity, and my unfulfilled duties the barriers that
withheld me from beholding the Beatific Vision!
Sometimes a gracious face would gleam through the mist—a face so
tender, so human, so full of love, that I yearned to hear it speak to
me, to have those radiant eyes turned on me. My companions called
her "Mary!" and I knew it was the Virgin of Nazareth. Often she would
call them by name, and say: "My child, my Son bids thee come home."
Why had I never known this gentle Mother! Why could I not catch her
mantle, and clinging to it, pass from waiting to fulfilment!
Once when I had grown grief-bowed with waiting, worn with longing, I
saw again the vision of the Church. At a long railing knelt many young
girls, and they received at the hands of the priest what I had learned
to discern as the Body of the Lord. One—God bless her tender heart!—
whispered as she knelt: "O dearest Lord, I offer to Thee this Holy
Communion for the soul that has no one to pray for her."
And through the grayness rang at last my name, and straight to
heaven I went, ransomed by that mighty price, freed by prayer from
prison.
O you who live, who have voices and hearts, for the sake of Christ and
His Holy Mother; by the love you bear your living, and the grief you
give your dead, pray for those whose friends do not know how to help
them; for the suddenly killed; for the executed criminal; and for those
who, having suffered long in Purgatory, need one more prayer to set
them free.—Ave Maria, November 10, 1883.
Founded on an old French Legend.
ADELAIDE ANNE PROCTER.
The fettered spirits linger In purgatorial pain,
With penal fires effacing
Their last faint earthly stain,
Which Life's imperfect sorrow
Had tried to cleanse in vain.
Yet, on each feast of Mary
Their sorrow finds release,
For the great Archangel Michael
Comes down and bids it cease;
And the name of these brief respites
Is called "Our Lady's Peace."
Yet once—so runs the legend—
When the Archangel came,
And all these holy spirits
Rejoiced at Mary's name,
One voice alone was wailing,
Still wailing on the same.
And though a great Te Deum
The happy echoes woke, I
This one discordant wailing
Through the sweet voices broke:
So when St. Michael questioned,
Thus the poor spirit spoke:—
I am not cold or thankless,
Although I still complain;
I prize Our Lady's blessing,
Although it comes in vain
To still my bitter anguish,
Or quench my ceaseless pain.
"On earth a heart that loved me
Still lives and mourns me there,
And the shadow of his anguish
Is more than I can bear;
All the torment that I suffer
Is the thought of his despair.
"The evening of my bridal
Death took my Life away;
Not all Love's passionate pleading
Could gain an hour's delay.
And he I left has suffered
A whole year since that day.
"If I could only see him—
If I could only go
And speak one word of comfort
And solace—then, I know
He would endure with patience,
And strive against his woe."
Thus the Archangel answered:
"Your time of pain is brief,
And soon the peace of Heaven
Will give you full relief;
Yet if his earthly comfort
So much outweighs your grief,
"Then, through a special mercy,
I offer you this grace—
You may seek him who mourns you
And look upon his face,
And speak to him of Comfort,
For one short minute's space.
"But when that time is ended,
Return here and remain
A thousand years in torment,
A thousand years in pain;
Thus dearly must you purchase
The comfort he will gain."
The lime-trees shade at evening
Is spreading broad and wide;
Beneath their fragrant arches
Pace slowly, side by side,
In low and tender converse,
A Bridegroom and his Bride.
The night is calm and stilly,
No other sound is there
Except their happy voices:—
What is that cold bleak air
That passes through the lime-trees,
And stirs the Bridegroom's hair?
While one low cry of anguish,
Like the last dying wail
Of some dumb, hunted creature,
Is borne upon the gale—
Why dogs the Bridegroom shudder
And turn so deathly pale?
Near Purgatory's entrance
The radiant Angels wait;
It was the great St. Michael
Who closed that gloomy gate,
When the poor wandering spirit
Came back to meet her fate.
"Pass on," thus spoke the Angel:
"Heaven's joy is deep and vast;
Pass on, pass on, poor spirit,
For Heaven is yours at last;
In that one minute's anguish,
Your thousand years have passed."
J. COLLIN DE PLANCY.
ST. AUGUSTINE reckoned among his friends the physician Genérade, highly
honored in Carthage, where his learning and skill were much esteemed.
But by one of those misfortunes of which there are, unhappily, but too
many examples, while studying the admirable mechanism of the human
body, he had come to believe matter capable of the works of
intelligence which raise man so far above other created beings. He was,
therefore, a materialist; and St. Augustine praying for him, earnestly
besought God to enlighten that deluded mind.
One night while he slept, this doctor, who believed, as some do still,
that "when one is dead, all is dead"—we quote their own language—saw
in his dreams a young man, who said to him: "Follow me." He did so, and
was conducted to a city, wherein he heard, on the right, unknown
melodies, which filled him with admiration. What he heard on the left
he never remembered. But on awaking he concluded, from this vision,
that there was, somewhere, something else besides this world.
Another night he likewise beheld in sleep the same young man, who said
to him:
"Knowest thou me?"
"Very well," answered Genérade.
"And wherefore knowest thou me?"
"Because of the journey we made together when you showed me the city of
harmony."
"Was it in a dream, or awake, that you saw and heard what struck you
then?"
"It was in a dream."
"Where is your body now?"
"In my bed."
"Knowest thou well that thou now seest nothing with the eyes of the
body?"
"I know it."
"With what eyes, then, dost thou see me?"
As the physician hesitated, and could not answer, the young man said to
him:
"Even as thou seest and hearest me, now that thine eyes are closed and
thy senses benumbed, so, after thy death, thou shalt live, thou shalt
see, thou shalt hear—but with the organs of the soul. Doubt, then, no
more!"
WE are about to treat of facts concerning which our fathers never had
any hesitation, because they had faith. Nowadays, the truths which are
above the material sight have been so roughly handled that they are
much diminished for us. And if the goodness of God had not allowed some
rays of the mysteries which He reserves for Himself to escape, if some
gleams of magnetism and the world of spirits occupying the air around
us had not a little embarrassed those of our literati who make a merit
of not believing, we would hardly dare, in spite of the grave
authorities on which they rest, to represent here some apparitions of
souls departed from this world. We shall venture to do so,
nevertheless.
One day, when St. Thomas Aquinas was praying in the Church of the
Friars, Preachers, at Naples, the pious friar Romanus, whom he had left
in Paris, where he replaced him in the chair of Theology, suddenly
appeared beside him. Thomas, seeing him, said:
"I am glad of thine arrival. But how long hast thou been here?"
Romanus answered: "I am now out of this world. Nevertheless, I am
permitted to come to thee, because of thy merit."
The Saint, alarmed at this reply, after a moment's recollection, said
to the apparition: "I adjure thee, by Our Lord Jesus Christ, tell me
simply if my works are pleasing to God!"
Romanus replied: "Persevere in the way in which thou art, and believe
that what thou doest is agreeable unto God."
Thomas then asked him in what state he found himself.
"I enjoy eternal life," answered Romanus. "Nevertheless, for having
carelessly executed one clause of a will which the Bishop of Paris gave
me in charge, I underwent for fifteen days the pains of Purgatory."
St. Thomas again said: "You remind me that we often discussed the
question whether the knowledge acquired in this life remain in the soul
after death. I pray you give me the solution thereof."
Romanus made answer: "Ask me not that. As for me, I am content with
seeing my God."
"Seest thou him face to face?" went on Thomas.
"Just as we have been taught," replied Romanus, "and as I see thee."
With these words he left St. Thomas greatly consoled.
ELEANOR C. DONNELLY.
"In Purgatory, dear," I said to-day, Unto my pet, "the fire burns and
burns, Until each ugly stain is burned away—And then an Angel turns A
great, bright key, and forth the glad soul springs Into the presence of
the King of kings."
"But in that other prison?" "Sweetest love! The same fierce fire burns
and burns, but thence None e'er escapes." The blue eyes, raised above,
Were fair with innocence. "Poor burning souls!" she whispered low, "ah
me! No Angel ever comes to turn their key!"
THOMAS DAVIS.
"ULULU! ululu! wail for the dead,
Green grow the grass of
Fingal on his head;
And spring-flowers blossom, ere elsewhere appearing,
And shamrocks grow thick on the martyr for Erin.
Ululu! ululu! soft fall the dew
On the feet and the head of the martyred and true."
For a while they tread
In silence dread—
Then muttering and moaning go the crowd,
Surging and swaying like mountain cloud,
And again the wail comes wild and loud.
"Ululu! ululu! kind was his heart!
Walk slower, walk slower, too soon we shall part.
The faithful and pious, the
Priest of the Lord,
His pilgrimage over, he has his reward.
"By the bed of the sick, lowly kneeling,
To God with the raised cross appealing—
He seems still to kneel, and he seems still to pray,
And the sins of the dying seem passing away.
"In the prisoner's cell, and the cabin so dreary,
Our constant consoler, he never grew weary;
But he's gone to his rest,
And he's now with the blest,
Where tyrant and traitor no longer molest—
Ululu! ululu! wail for the dead!
Ululu! ululu! here is his bed."
Short was the ritual, simple the prayer,
Deep was the silence, and every head bare;
The Priest alone standing, they knelt all around,
Myriads on myriads, like rocks on the ground.
Kneeling and motionless.—
"Dust unto dust."
"He died as becometh the faithful and just—
Placing in God his reliance and trust;"
Kneeling and motionless—
"Ashes to ashes"—
Hollow the clay on the coffin-lid dashes;
Kneeling and motionless, wildly they pray,
But they pray in their souls, for no gesture have they—
Stern and standing—oh! look on them now!
Like trees to one tempest the multitude bow.
NEWMAN.
Help, Lord, the souls which Thou hast made,
The souls to Thee so dear,
In prison, for the debt unpaid
Of sins committed here.
Those holy souls, they suffer on,
Resign'd in heart and will,
Until Thy high behest is done,
And justice has its fill.
For daily falls, for pardon'd crime,
They joy to undergo
The shadow of Thy cross sublime,
The remnant of Thy woe.
Help, Lord, the souls which Thou hast made,
The souls to Thee so dear,
In prison, for the debt unpaid Of sins committed here.
Oh! by their patience of delay,
Their hope amid their pain,
Their sacred zeal to burn away
Disfigurement and stain;
Oh! by their fire of love, not less
In keenness than the flame,
Oh! by their very helplessness,
Oh! by Thy own great Name,
Good Jesu, help! sweet Jesu, aid
The souls to Thee most dear,
In prison, for the debt unpaid
Of sins committed here.
The Abbé de Saint Pierre, says Collin de Plancy, has given a long
account, in his works, of a singular occurrence which took place in
1697, and which we are inclined to relate here:
In 1695, a student named Bezuel, then about fifteen years old,
contracted a friendship with two other youths, students like himself,
and sons of an attorney of Caen, named D'Abaquène. The elder was, like
Bezuel, fifteen; his brother, eighteen months younger. The latter was
named Desfontaines. The paternal name was then given only to the
eldest; the names of those who came after were formed by means of some
vague properties….
As the young Desfontaines' character was more in unison with Bezuel's
than that of his elder brother, these two students became strongly
attached to each other.
One day during the following year, 1696, they were reading together a
certain history of two friends like themselves, who had promised each
other, with some solemnity, that he of the two who died first would
come back to give the survivor some account of his state. The historian
added that the dead one really did come back, and that he told his
friend many wonderful things. Young Desfontaines, struck by this
narrative, which he did not doubt, proposed to Bezuel that they should
make such a promise one to the other. Bezuel was at first afraid of
such an engagement. But several months after, in the first days of
June, 1697, as his friend was going to set out for Caen, he agreed to
his proposal.
Desfontaines then drew from his pocket two papers in which he had
written the double agreement. Each of these papers expressed the formal
promise on the part of him who should die first to come and make his
fate known to the surviving friend. He had signed with his blood the
one that Bezuel was to keep. Bezuel, hesitating no longer, pricked his
hand, and likewise signed with his blood the other document, which he
gave to Desfontaines.
The latter, delighted to have the promise, set out with his brother.
Bezuel received some days after a letter, in which his friend informed
him that he had reached his home in safety, and was very well. The
correspondence between them was to continue. But it stopped very soon,
and Bezuel was uneasy.
It happened that on the 31st of July, 1697, being about 2 o'clock in
the afternoon, in a meadow where his companions were amusing themselves
with various games, he felt himself suddenly stunned and taken with a
sort of faintness, which lasted for some minutes. Next day, at the same
hour, he felt the same symptoms, and again on the day after. But then—
it was Friday, the 2d of August—he saw advancing towards him his
friend Desfontaines, who made a sign for him to come to him. Being in a
sitting posture and under the influence of his swoon, he made another
sign to the apparition, moving on his seat to make place for him.
The comrades of Bezuel moving around saw this motion, and were
surprised.
As Desfontaines did not advance, Bezuel arose to go to him. The
apparition then took him by the left arm, drew him aside some thirty
paces, and said:
"I promised you that, if I died before you, I would come to tell you. I
was drowned yesterday in the river at Caen, about this hour. I was out
walking; it was so warm that we took a notion to bathe. A weakness came
over me in the river, and I sank to the bottom. The Abbé de Menil-Jean,
my companion, plunged in to draw me out; I seized his foot; but whether
he thought it was a salmon that had caught hold of him, or that he felt
it actually necessary to go up to the surface of the water to breathe,
he shook me off so roughly that his foot gave me a great blow in the
chest, and threw me to the bottom of the river, which is there very
deep."
Desfontaines then told his friend many other things, which he would not
divulge, whether the dead boy had prayed him not to do so, or for other
reasons.
Bezuel wanted to embrace the apparition, but he found only a shadow.
Nevertheless, the shadow had squeezed his arm so tightly, that it
pained him after.
He saw the spirit several times, yet always a little taller than when
they parted, and always in the half-clothing of a bather. He wore in
his fair hair a scroll on which Bezuel could only read the word
In. His voice had the same sound as when he was living, he
appeared neither gay nor sad, but perfectly tranquil. He charged his
friend with several commissions for his parents, and begged him to say
for him the Seven Penitential Psalms, which had been given him as a
penance by his confessor, three days before his death, and which he had
not yet recited.
The apparition always ended by a farewell expressed in words which
signified: "Till we meet again! (Au revoir!)" At last, it ceased
at the end of some weeks; and the surviving friend, who had constantly
prayed for the dead, concluded from this that his Purgatory was over.
This Monsieur Bezuel finished his studies, embraced the ecclesiastical
state, became curé of Valogne, and lived long, esteemed by his
parishioners and the whole city, for his good sense, his virtuous life,
and his love of truth.
A Legend of Lough Derg. [1]
[Footnote 1: Lough Derg, in Donegal, was a place famous for pilgrimage
from a very early period, and was much resorted to out of France,
Italy, and the Peninsula, during the Middle Ages, and even in the
sixteenth and seventeenth centuries. In Mathew Paris, and Froissart, as
well as in our native annals, and in O'Sullivan Beare, there are many
facts of its extraordinary history.]
T. D. MCGEE.
There was a knight of Spain—Diego Riaz,
Noble by four descents, vain, rich and young,
Much woe he wrought, or the tradition lie is,
Which lived of old the Castilians among;
His horses bore the palm the kingdom over,
His plume was tall, costliest his sword,
The proudest maidens wished him as a lover,
The caballeros all revered his word
But ere his day's meridian came, his spirit
Fell sick, grew palsied in his breast, and pined—
He fear'd Christ's kingdom he could ne'er inherit,
The causes wherefore too well he divined.
Where'er he turns, his sins are always near him,
Conscience still holds her mirror to his eyes,
Till those who long had envied came to fear him,
To mock his clouded brow and wintry sighs.
Alas! the sins of youth are as a chain
Of iron, swiftly let down to the deep,
How far we feel not—till when, we'd raise't again
We pause amid the weary work and weep.
Ah, it is sad a-down Life's stream to see.
So many agèd toilers so distress'd,
And near the source—a thousand forms of glee
Fitting the shackle to Youth's glowing breast.
He sought peace in the city where she dwells not,
He wooed her amid woodlands all in vain,
He searches through the valleys, but he tells not
The secret of his quest to priest or swain,
Until, despairing evermore of pleasure,
He leaves his land, and sails to far Peru;
There, stands uncharm'd in caverns of treasure,
And weeps on mountains heavenly high and blue.
Incessant in his ears rang this plain warning—
"Diego, as thy soul, thy sorrow lives";
He hears the untired voice, night, noon, and morning,
Yet understanding not, unresting grieves.
One eve, a purer vision seized him, then he
Vow'd to Lough Derg, an humble pilgrimage—
The virtues of that shrine were known to many,
And saving held even in that skeptic age.
With one sole follower, an Esquire trustful,
He pass'd the southern cape which sailors fear,
And eastward held: meanwhile his vain and lustful
Past works more loathsome to his soul appear.
Through the night-watches, at all hours o' day,
He still was wakeful as the pilot, and
For grace, his vow to keep, doth always pray,
And for his death to lie in the saints' land.
But ere his eyes beheld the Irish shore, Diego died.
Much gold he did ordain
To God and Santiago—furthermore,
His Esquire plighted, ere he went to Spain,
To journey to the Refuge of the Lake;
Before St. Patrick's solitary shrine,
A nine days' vigil for his rest to make,
Living on bitter bread and penitential wine. [1]
[Footnote 1: The brackish water of the lake, boiled, is called wine by
the pilgrims.]
The vassal vow'd; but, ah! how seldom pledges
Given to the dying, to the dead, are held!
The Esquire reach'd the shore, where sand and sedge is
O'er melancholy hills, by paths of eld;
Treeless and houseless was the prospect round,
Rock-strewn and boisterous the lake before;
A Charon-shape in a skiff a-ground—
The pilgrim turned, and left the sacred shore.
That night he lay a-bed hard by the Erne—
The island-spangled lake—but could not sleep—
When lo! beside him, pale, and sad, and stern,
Stood his dead master, risen from the deep.
"Arise," he said, "and come." From the hostelrie
And over the bleak hills he led the sleeper,
And when they reach'd Derg's shore, "Get in with me,"
He cried; "nor sink my soul in torments deeper."
The dead man row'd the boat, the living steer'd,
Each in his pallor sinister, until
The Isle of Pilgrimage they duly near'd—
"Now hie thee forth, and work thy master's will!"
So spoke the dead, and vanish'd o'er the lake,
The Squire pursued his course, and gain'd the shrine,
There, nine days' vigil duly he did make,
Living on bitter bread and penitential wine.
The tenth eve shone in solemn, starry beauty,
As he, rejoicing, o'er the old paths came,
Light was his heart from its accomplished duty,
All was forgotten, even the latest shame—
When these brief words some disembodied voice
Spoke near him: "Oh, keep sacred, evermore,
Word, pledge, and vow, so may you still rejoice,
And live among the Just when Time is o'er!"
ELIZA ALLEN STARR.
FROM the far past there comes a thought of sweetness,
From the far past a thought of love and pain;
A voice, how dear! a look of melting kindness,
A voice, a look, we ne'er shall know again.
A fresh, young face, perchance of boyish gladness,
An aged face, perchance of patient love;
My heart-strings fail, I sob in utter anguish,
As past my eyes these lovely spectres move.
The chill morn breaks, the matin star still flaming;
The hushed cathedral's massive door stands wide;
Through the dim aisles I pass, in silent weeping,
From mortal eyes my sorrowing tears to hide.
Already morn has touched the painted windows;
The yellow dawn creeps down the storied panes;
Already, in the early solemn twilight,
The sanctuary's taper softly wanes.
My faltering step before the altar pauses;
My treasur'd dead I see remembered here;
All climes, all nations, lost on land or ocean,
They on whose grave none ever drop a tear.
The Church, their single mourner, drapes in sorrow
The festal shrines she loves with flowers to dress;
And "Kyrie! Kyrie!" sighs, while lowly bending
To Thee, O God! to shorten their distress.
"Dies iræ, dies illa," sobs the choir;
"In pace, pace," from the altar rises higher;
"Lux æterna;" daylight floods the altar,
Priest and choir take up the holy psalter.
"Requiescant in pace!"
Amen, amen, in pace!
BY ELEANOR C. DONNELLY.
I.
Wrapped in lonely shadows late,
(Bleak November's midnight gloom),
As I kneel beside the grate
In the silent sitting-room:
Down the chimney moans the wind,
Like the voice of souls resigned,
Pleading from their prison thus,
"Pray for us! pray for us!
Gentle Christian, watcher kind,
Pray for us, oh! pray for us!"
II.
Melt mine eyes with sudden tears—
Old familiar tones are there;
Dear ones lost in other years,
Breathing Purgatory's prayer.
Through my fingers pass the beads,
Tender heart, responsive bleeds,
As the wind, all tremulous,
"Pray for us! pray for us!"
Seems to murmur "Love our needs—
Pray for us! oh, pray for us!"
We read in the Gesta Caroli Magni that Charlemagne had a man-at-
arms who served him faithfully till his death. Before breathing his
last he called a nephew of his, to make known to him his last will:
"Sixty years," said he, "have I been in the service of my prince; I
have never amassed the goods of this world, and my arms and my horse
are all I have. My arms I leave to thee, and I will that my horse be
sold immediately after my death; I charge thee with the care of this
matter, if thou wilt promise me to distribute the full price amongst
the poor."
The nephew promised to execute the will of his uncle, who died in
peace, for he was a good and loyal Christian. But when he was laid in
the earth the young man, considering that the horse was a very fine
one, and well-trained, was tempted to keep him for himself. He did not
sell him, and gave no money to the poor. Six months after, the soul of
the dead man appeared to him and said: "Thou hast not accomplished that
which I had ordered thee to do for the welfare of my soul, and for six
months I have suffered great pains in Purgatory. But behold God, the
strict Judge of all things, has decreed, and His angels will execute
the decree, that my soul be placed in eternal rest, and that thine
shall undergo all the pains and torments which I had still to undergo
for the expiation of my sins."
Thereupon the nephew, being instantly seized with a violent disease,
had barely time to confess to a priest, who had just been announced. He
died shortly after, and went to pay the debt he had undertaken to
discharge.
It has been, and still is believed, that the mercy of God sometimes
permits souls that have sins to expiate, to come and expiate them on
earth. Of this the following is an example:
Polet, the principal suburb of Dieppe, is still inhabited almost
exclusively by fishermen, who, in past times, more especially, have
ever been solid and faithful Christians. The Catholic worship was
formerly celebrated with much solemnity in their church, consecrated
under the invocation of "Our Lady of the Beach" (Notre Dame des
Grèves); and the mothers of the worthy fishermen who give to Polet an
aspect so picturesque, have forgotten only the precise date of the
adventure we are about to relate.
The sacristan of Notre Dame des Grèves dwelt in a little cottage quite
close to the church. He was an exact and pious man; he had the keys of
the sacred edifice and the care of the bells. Several worthy priests
were attached to the lovely church; the earliest Masses were never rung
except by the honest sacristan. Now, one morning, during the Christmas
holydays, he heard, before day, the tinkle of one of his bells
announcing a Mass. He rose immediately and ran to the window. The snow-
covered roofs enabled him to see objects so distinctly that he thought
the day was beginning to dawn. He hastened to put on his clothes and go
to the church. The total solitude and silence reigning all around him
made him understand that he was mistaken and that day was not yet
breaking. He tried to go into the church, however, but the door was
closed.
How, then, could he have heard the bell? If robbers had got in, they
would certainly have taken good care not to touch the bell. He listens;
not the slightest noise in the holy place. Should he return home? Not
so, for having heard the bell, he must go in.
He opens a little door leading into the sacristy; he passes through
that, and advances towards the choir.
By the light of the small lamp burning before the tabernacle and that
of a taper already lighted, he perceives, at the foot of the altar, a
priest robed in a chasuble, and in the attitude of a celebrant about to
commence Mass. All is prepared for the Holy Sacrifice. He stops in
dismay. The priest, a stranger to him, is extremely pale; his hands are
as white as his alb; his eyes shine like the glow-worm, the light going
forth, as it were, from the very centre of the orbits.
"Serve my Mass," he said gently to the sacristan.
The latter obeyed, spell-bound with terror. But if the pallor of the
priest and the singular fire of his eyes frightened him, his voice, on
the contrary, was mild and melancholy.
The Mass goes on. At the elevation of the Sacred Host the limbs of the
priest tremble and give forth a sound like that of dry reeds shaken by
the wind. At the Domine, non sum dignus, his breast, which he
strikes three times, sounds like the coffin when the first shovel-full
of earth is cast upon it by the grave-digger. The Precious Blood
produces in his whole body the effect of water which, in the silence of
the night, falls drop by drop from the roof.
When he turns to say Ita Missa est, the priest is only a
skeleton, and that skeleton speaks these words to the server:
"Brother, I thank thee! In my life-time, I was a priest; I owed this
Mass at my death. Thou hast helped me to discharge my debt; my soul is
freed from a heavy burden."
The spectre then disappeared. The sacristan saw the vestments fall
gently at the foot of the altar, and the burning taper suddenly went
out. At that moment, a cock crowed somewhere in the neighborhood. The
sacristan took up the vestments, and passed the rest of the night in
prayer.
SIR WALTER SCOTT.
"O fear not the priest who sleepeth to the east!
For to Dryburgh the way he has ta'en;
And there to say Mass, till three days do pass,
For the soul of a Knight that is slayne."
He turned him round, and grimly he frowned;
Then he laughed right scornfully—
"He who says the Mass-rite for the soul of that Knight,
May as well say Mass for me."
Then changed, I trow, was that bold baron's brow,
From dark to the blood-red high;
"Now tell me the mien of the Knight thou hast seen,
For by Mary he shall die."
"O hear but my word, my noble lord,
For I heard her name his name,
And that lady bright, she called the Knight
Sir Richard of Coldinghame."
The bold baron's brow then chang'd, I trow,
From high blood-red to pale—
"The grave is deep and dark—and the corpse is stiff and stark—
So I may not trust thy tale.
"The varying light deceived thy sight,
And the wild winds drown'd the name,
For the Dryburgh bells ring, and the white monks do sing,
For Sir Richard of Coldinghame."
It was near the ringing of matin-bell,
The night was well-nigh done,
When the lady looked through the chamber fair,
On the eve of good St. John.
The lady looked through the chamber fair,
By the light of a dying flame;
And she was aware of a knight stood there—
Sir Richard of Coldinghame.
"By Eildon-tree for long nights three,
In bloody grave have I lain,
The Mass and the death-prayer are said for me,
But, lady, they are said in vain.
"By the baron's hand, near Tweed's fair stand,
Most foully slain I fell;
And my restless sprite on the beacon's height,
For a space is doom'd to dwell."
He laid his left palm on an oaken beam,
His right upon her hand;
The lady shrunk, and fainting sunk,
For it scorched like a fiery brand.
[From "A Collection of Spiritual Hymns and Songs on Various Religious
Subjects," published by Chalmers & Co., of Aberdeen, Scotland, in 1802.
Its quaint and touching simplicity, redolent of old-time faith, will
commend it to the reader]
From lake where water does not go,
A prisoner of hope below,
To mortal ones I push my groans,
In hopes they'll pity me.
O mortals that still live above,
Your faith, hope, prayers, and alms, and love,
Still merit place With God's sweet grace;
O faithful, pity me.
My fervent groans don't merit here,
Strict justice only doth appear,
My smallest faults,
And needless talks Heap chains and flames on me.
Though mortal guilt doth not remain,
I still am due the temp'ral pain, I did delay
To satisfy,
Past coldness scorcheth me.
Tepidity and good works done
With imperfections mixt, here come;
All these neglects
And least defects,—
Great anguish bring on me.
Though my defects here be not spared,
Yet endless glory for me's prepared,
I love in flames,
And hope in chains;
O friends, then, pity me!
My God, my Father, is most dear,
For me your sighs and prayers He'll hear;
Though just laws scourge,
His mercies urge,
That you would pity me.
Through pains and flames
I'll come to Him,
They purge me both from stain and sin;
When I'm set free,
Their friends I'll be
Who now do pity me.
The smallest thing that could defile
Keeps me from bliss in this exile.
God loves to see
That you me free;
For His love pity me!
For me who alms give, fast, or pray,
Great store of grace will come their way;
Try this good thought—
Great help is brought,
And souls from sin set free.
If you for me now do not pray,
The utmost farthing I must pay;
The time is hid
That I'll be rid,
Unless you pity me.
In mortal sin who yields his breath,
Pray not for him behind his death.
All mortal crime
I quit in time;
O faithful, pity me!
For me good works may be practised,
Thus some were for the dead baptized.
Suet pains endure
For me, and sure
You'll help and pity me!
For his good friend, as Scriptures say,
Onesiphorus, Paul did pray, [1]
His words, you see,
Urge, then, for me;
And thus you'll pity me.
[Footnote 1: II. Tim., i. 16, 18.]
This third place clear in writ you spy,
Where all your works the fire will try,
From death game rose,
Sure then all those
From third place were set free.
In hell there's no redemption found;
God ne'er degrades whom
He once crowned—These judgments both
Confirmed by oath
And absolute decree.
For all the Saints prayer should be made,
Who stand in need, alive or dead.
I stand in need
That you with speed
Should help and pity me.
In presence of our sweetest Lord,
For dead they, prayed, as all accord.
Christ did not blame
What I now claim;
Oh! haste and pity me!
To a third place Christ's soul did go.
And preached to spirits there below;
This in the Creed
And Writ you read,
That you may pity me.
When Christ on earth would stay no more,
These captives freed He brought to glore;
There I will be,
And soon set free,
If you would pity me.
Mind, then, Communion of the Saints;
All should supply each other's wants:
In pains and chains,
And scorching flames,
I languish; pity me!
Eternal rest, eternal glore,
Eternal light, eternal store,
To them accord,
O sweetest Lord!
There's mercy still with Thee!
Let mercy stay Thy just revenge,
Their scorching flames to glory change;
The precious flood
Of Thine own blood
For them we offer Thee!
BY MARION MUIR.
FOR all the cold and silent clay
That once, alive with youth and hope,
Rushed proudly to the western slope-
O brothers, pray!
For all who saw the orient day
Rise on the plain, the camp, the flood,
The sudden discord drowned in blood-
O brothers, pray!
For all the lives that ebbed away
In darkness down the gulf of tears;
For all the gray departed years-
O brothers, pray!
For all the souls that went astray
In deserts hung with double gloom;
For all the dead without a tomb-
O brothers, pray!
For we have household peace; but they
Who led the way, and held the land,
Are homeless as the heaving sand-
Oh! let us pray!
(From the French of Octave Cremacie.)
ANNA T. SADLIER.
O dead, ye sleep within your tranquil graves;
No more ye bear the burden that enslaves
Us in this world of ours.
For you outshine no stars, no storms rave loud,
No buds has spring, the horizon no cloud,
The sun marks not the hours.
The while, with anxious thought oppress'd, we go,
Each weary day but bringing deeper woe,
Silently and alone
Ye list the sanctuary chant arise,
That downwards first to you, remounts the skies,
Sweet pity's monotone.
The vain delights whereto our souls incline,
Are naught beside the prayer to love divine,
Alms-giving of the heart,
Which reaching to you warms your chilly dust
And brings your name enshrined a sacred trust,
Swift to the throne of God!
Alas! love's warmest memory will fade
Within the heart, ere yet the mourning shade
Has ceased to mark the garb.
Forgetfulness, our meed to you, outweighs
The leaded coffin as it dully lays
Upon your lifeless bones.
Our selfish hearts but to the present look,
And see in you the pages of a book
Now laid aside long read.
For loving in our fev'rish joy or pain
But those who serve our hate, pride, love of gain,
No more can serve the dead.
To cold ambition or to joy's sweet store,
Ye dusty corpses minister no more,
We give to you neglect.
Nor reck we of that suff'ring world's pale bourne
Where you beyond the bridgeless barrier mourn
O'erpast the wall of death.
'Tis said that when our coldness grieves you sore,
Ye quit betimes that solitude's cold shore
Where ye forsaken dwell,
And flit about in darkness' sad constraint,
The while from spectral lips your mournful plaint
Upon the winds outswell.
When nightingales their woodland nests have left,
The autumn sky of gray, white-capped, cloud-reft,
Prepares the shroud which Winter soon shall spread
On frozen fields; there comes a day thrice blest,
When earth forgetting, all our musings rest
On those who are no more the dreamless dead.
The dead their graves forsake upon this day,
As we have seen doves mount with joyous grace,
Escape an instant from their prison drear,
Their coming brings us no repellent fear.
Their mien is dreamy, passing sweet their face,
Their fixed and hollow eyes cannot betray.
When spectral coming thus unseen they gaze
On crowds who, kneeling in the temple, pray
Forgiveness for them, one faint, joyful ray,
As light upon the opal, glittering plays,
On faces pale and calm an instant rests,
And brings a moment's warmth to clay-cold breasts.
They, the elect of God, with souls of saints,
Who bear each destined load without complaints,
Who walk all day beneath God's watching eye,
And sleep the night 'neath angels' ministry,
Nor made the sport of visions that arise
To show th' abyss of fire to dreaming eyes.
All they who while on earth, the pure of heart,
The heav'nly echoes hear, and who in part
Make smooth for man rude ways he has to tread,
And knowing earthly vanity, outspread
Their virtue like a carpet rich and rare,
And walk o'er evil, touching it nowhere.
When come sad guests from off that suff'ring shore,
Which Dante saw in dream sublime of yore,
Appearing midst us here that day most blessed,
'Tis but to those; for they alone have guessed
The secrets of the grave; alone they understand
The pallid mendicants, who ask for heav'n.
Of Israel's King the psalms, inspired cries,
With Job's sublime distress, commingled rise;
The sanctuary sobs them through the naves
While wak'ning subtle fear, the bell's deep toll
With fun'ral sounds, demanding pity's dole
For wand'ring ghosts, as countless as the waves.
Give on this day, when over all the earth
The Church to God makes moan for parted worth;
Your own remorse, regret at least to calm
Awak'ning memory's dying flame, give balm,
Flow'rs for their graves, and prayer for each loved soul,
Those gifts divine can yet the dead console.
Pray for your friends, and for your mother pray,
Who made less drear for you life's desert way,
For all the portions of your heart that lie
Shut in the tomb, alas, each youthful tie
Is lost within the coffin's close constraint,
Where, prey of worms, the dead send up their plaint
For exiles far from home and native land,
Who dying hear no voice, nor touch no hand
In life alone, more lonely still in death.
With none for their repose, to breathe one prayer,
Cast alms of tears upon an alien grave,
Or heed the stranger lonely even there;
For those whose wounded souls when here below,
But anxious thought and bitter fancies know,
With days all joyless, nights of dull unrest;
For those who in night's calm find all so blest
And meet, in place of hope with morning beams,
A horrid wak'ning to their golden dreams;
For all the pariahs of human kind
Who, heavy burdens bearing, find
How high the steeps of human woe they scale.
Oh, let your heart some off'ring make to these,
One pious thought, one holy word of peace,
Which shall twixt them and God swift rend the veil.
The tribute bring of prayers and holy tears,
That when your hour draws nigh of nameless fears,
When reached their term shall be your numbered days,
Your name made known above with grateful praise,
By those whose suff'rings it was yours to end,
Arriving there find welcome as a friend!
Your loving tribute, white-winged angels take,
Ere bearing it unto eternal spheres,
An instant lay it on the grass-grown graves,
While dying flow'rs in church-yards raise each head
To life, refreshed by breath of prayer, awake
And shed their fragrance on the sleeping dead.
SIR WALTER SCOTT.
No sound was made, no word was spoke,
Till noble Angus silence broke;
And he a solemn sacred plight
Did to St. Bryde of Douglas make,
That he a pilgrimage would take
To Melrose Abbey, for the sake
Of Michael's restless sprite.
Then each, to ease his troubled breast,
To some blessed saint his prayers addressed-
Some to St. Modan made their vows,
Some to St. Mary of the Lowes,
Some to the Holy Rood of Lisle,
Some to our Lady of the Isle;
Each did his patron witness make,
That he such pilgrimage would take,
And monks should sing, and bells should toll,
All for the weal of Michael's soul,
While vows were ta'en, and prayers were prayed.
Most meet it were to mark the day
Of penitence and prayer divine,
When pilgrim-chiefs, in sad array,
Sought Melrose, holy shrine.
With naked foot, and sackcloth vest,
And arms enfolded on his breast,
Did every pilgrim go;
The standers-by might hear aneath,
Footstep, or voice, or high-drawn breath.
Through all the lengthened row;
No lordly look, no martial stride,
Gone was their glory, sunk their pride,
Forgotten their renown;
Silent and slow, like ghosts, they glide,
To the high altar's hallowed side,
And there they kneeled them down;
Above the suppliant chieftains wave
The banners of departed brave;
Beneath the lettered stones were laid
The ashes of their fathers dead;
From many a garnished niche around,
Stern saint and tortured martyr frowned,
And slow up the dim aisle afar,
With sable cowl and scapular,
And snow-white stoles, in order due,
The holy Fathers, two and two,
In long procession came;
Taper, and host, and book they bare,
And holy banner, flourished fair
With the Redeemer's name;
Above the prostrate pilgrim band
The mitred Abbot stretched his hand,
And blessed them as they kneeled;
With holy cross he signed them all,
And prayed they might be sage in hall,
And fortunate in field.
The Mass was sung, and prayers were said,
And solemn requiem for the dead;
And bells tolled out their mighty peal,
For the departed spirit's weal;
And ever in the office close
The hymn of intercession rose;
And far the echoing aisles prolong
The awful burthen of the song—
Dies Irae, Dies Illa,
Salvet SÆlum in Favilla;
While the pealing organ rung,
Thus the holy father sung:
The day of wrath, that dreadful day,
When heaven and earth shall pass away,
What power shall be the sinner's stay?
How shall he meet that dreadful day?
When, shrivelling like a parched scroll,
The flaming heavens together roll;
While louder yet, and yet more dread,
Swells the high trump that wakes the dead;
O! on that day, that wrathful day,
When man to judgment wakes from clay,
Be Thou the trembling sinner's stay,
Though heaven and earth shall pass away.
COLLIN DE PLANCY.
In Normandy, the most sinister associations still remain connected with
the name of Robert the Devil. By the people, who change historical
details, but yet preserve the moral thereof, it is believed that Robert
is undergoing his penance here below, on the theatre of his crimes, and
that, after a thousand years, it is not yet ended. Messrs. Taylor and
Charles Nodier have mentioned this tradition in their "Voyage
Pittoresque de l'Ancienne France" ("Picturesque Journey through Old
France").
"On the left shore of the Seine," say they, "not far from Moulineaux,
are seen the colossal ruins, which are said to be the remains of the
castle, or fortress, of Robert the Devil. Vague recollections, a
ballad, some shepherd's tales—these are all the chronicles of those
imposing ruins. Nevertheless, the fame of Robert the Devil's doings
still survives in the country which he inhabited. His very name still
excites that sentiment of fear which ordinarily results only from
recent impressions.
"In the vicinity of the castle of Robert the Devil every one knows his
misdeeds, his violent conquests, and the rigor of his penance. The
cries of his victims still reecho through the vaults, and come to
terrify himself in his nocturnal wanderings, for Robert is condemned to
visit the ruins and the dungeons of his castle.
"Sometimes, if the old traditions of the country are to be believed,
Robert has been seen, still clad in the loose tunic of a hermit, as on
the day of his burial, wandering in the neighborhood of his castle, and
visiting, barefoot and bareheaded, the little corner of the plain where
the cemetery must have been. Sometimes, a shepherd straying through the
adjoining copse in search of his flock, scattered by an evening storm,
has been frightened by the fearful aspect of the phantom, seen by the
glare of the lightning, flitting about amongst the graves. He has heard
him, in the pauses of the tempest, imploring the pity of their mute
inhabitants; and on the morrow he shunned the place in horror, because
the earth, freshly turned up, had opened on every side to terrify the
murderer."
But there is another tradition which we cannot omit.
A band of those Northmen who, during the troubled reign of Charles III.
of France—without any sufficient reason called Charles the Simple—had
invaded that part of Neustria where Robert the Devil was born; a group
of these fierce warriors were one evening warming themselves around a
fire of brambles, and, joyous in a country more genial than their own,
they sang, to a wild melody, the great deeds of their princes, when
they saw, leaning against the trunk of a tree, an old man poorly clad,
and of a sad, yet resigned aspect. They called to him as he passed
along before the fortress of Robert the Devil, then only half ruined.
"Good man," said they, "sing us some song of this country."
The old man, advancing slowly, chanted in an humble yet manly voice,
the beautiful prose of St. Stephen. It told how the first of the
martyrs paid homage till the end to Jesus Christ, Our Lord; and how,
expiring under their blows, he besought Heaven to forgive his
murderers.
But this hymn displeased the rude band, who began brutally to insult
the old man. The latter fell on one knee and uttered no complaint.
At this moment appeared a young man, before whom all the soldiers rose
to their feet. His lofty mien and his tone of authority indicated the
son of a mighty lord.
"You who insult a defenceless old man," said he, "your conduct is base
and cowardly. Away with you! those who insult women or old men are
unworthy to march with the brave. For you, good old man, come and share
my meal. It is for the chief to repair the wrong-doings of those he
commands."
"Young man," said the stranger, "what you have just done is pleasing to
God, who loveth justice; but it concerneth not me, who can bear no ill-
will to any one."
He then told his name; related the hideous story of his crimes, then
his conversion through the prayers of his mother, and his penance,
which was to last yet a long time. He showed how the grace of faith and
of repentance had entered into his heart.
"Exhausted with emotion," said he, "I sat down on a stone amid some
ruins; I slept. Oh! blessed be my good angel for having sent me that
sleep! Scarcely had I closed mine eyes when I had a vision. It seemed
to me that the mountain on which rises the Castle of Moulinets darted
up to heaven and formed a staircase. Up the steps went slowly a crowd
of phantoms, in which I, alas! recognized my crimes. There were women
and young maidens, whose death was my doing, hardworking vassals
dishonored, old men driven from their dwellings, and forced to ask the
bread of charity. I saw thus ascending not only men, but things, houses
burned, crops destroyed, flocks, the hope and the care of a whole life
of toil, sacrificed at a moment in some wild revel.
"And I saw an angel rising rapidly. Then did my limbs quiver like the
leaves of the aspen. I said to that ascending angel:
"'Whither goest thou?' He answered: 'I bring thy crimes before the
Lord, that they may bear testimony against thee.'
"Then all my members became as it were burning grass. 'O good angel!' I
cried, 'could I not at least efface some of these images?' He replied:
'All, if thou wilt.' 'And how?' 'Confess them; the breath of thy avowal
will disperse them. Weep them in penance, and thy tears will efface
even the traces thereof.'"
The old man then told how he had made his confession, and what penance
he did, wandering about in rags, without other food than that which he
shared with the dogs.
"I had known," he added, "all the pleasures of the earth, and had known
some of its joys. But I found them still more in the miseries, the
life-long fatigue, the hard humiliations of penance, because they were
expiating my faults. Thus, then, O strangers, whatever fate Heaven may
decree for you, if you desire happiness, find Our Lord Jesus Christ,
and practice His justice."
The old man was silent; the barbarians remained motionless. He,
however, taking the young chief by the hand, led him to the esplanade
of the castle, and showing him all that vast country which is watered
by the Seine: "Young man," said he, "for as much as thou hast protected
a poor old man, God will reward the noble heart within thee. Thou seest
these lands so rich—they were once mine; and even now, after God, they
have no other lawful owner. I give them to thee; make faith and equity
reign there. I will rejoice in thy reign."
Now this chief, to whom the penitent Robert thus bequeathed his faith
and his inheritance, was Rollo, first Duke of the Normans.
Where the tombstones gray and browned,
And the broken roods around,
And the vespers' solemn sound,
Told an old church near;
I sat me in the eve,
And I let my fancy weave
Such a vision as I leave
With a frail pen here.
Methought I heard a trail
Like to slowly-falling hail
And the sadly-plaintive wail
Of a misty file of souls,
As they glided o'er the grass,
Sighing low: "Alas! alas!
How the laggard moments pass
In purgatorial doles!"
Through their garments' glancing sheen,
As if nothing were between,
Pierced the moon's benignant beam
To a grove of stunted pines;
In whose distant lightsome shade,
With their gilded coats arrayed,
Danced a fairy cavalcade,
To a fairy poet's rhymes.
Then a cloud obscured the moon,
And the fairy dance and rune
Faded down behind the gloom
Which along the upland fell,
And my ears could only hear,
In the church-yard lone and drear,
The tinkle soft and clear
Of the morning Mass's bell.
It eddied through the air,
And it seemed to call to prayer
All the waiting spirits there
Which the moon's beams showed,
But each tinkle sank to die
In a heart-distressing sigh,
And no worshippers drew nigh
With the penitential word.
Mute as statue, on each knoll
Stood a thin, transparent soul,
While the fresh breeze stole
From its long night's rest,
Till it bore upon its tongue,
Like a snatch of sacred song,
All the peopled graves among,
Ite Missa est!
Then a cry, as Angels raise
In an ecstasy of praise,
When the Godhead's glowing rays
To their eager sight is given,
Shook the consecrated ground,
And the souls it lost were found
From their venial sins unbound,
In the happy fields of heaven!
Where the tombstones gray and browned,
And the broken roods around,
And the vespers' solemn sound,
Told an old church near;
I sat me in the eve,
And I let my fancy weave
Such a vision as I leave
With a frail pen here.
COMMEMORATION OF ALL SOULS.
HARRIET M. SKIDMORE.
O faithful church! O tender mother-heart,
That, 'neath the shelter of thy deathless love,
Shieldest the blood-bought charge thy Master gave;
Laving the calm, unfurrowed infant brow
With the pure wealth of Heaven's cleansing stream;
Breathing above the sinner's grief-bowed head
The mystic words that loose the demon-spell,
And bid the leprous soul be clean again;
Decking the upper chamber of the heart
For the blest banquet of the Lord of love;
Binding upon the youthful warrior's breast
The buckler bright, the sacred shield of strength,
The fair, celestial gift of Pentecost,
Borne on the pinions of the holy Dove!
And when, at last, life's sunset hour is near,
And the worn pilgrim-feet stand trembling on
The shadowy borders of the death-dark vale,
At thy command the priestly hand bestows
The potent unction in the saving Name,
And gives unto the parched and pallid lip
The blest Viaticum, the Bread of Life,
As staff and stay for that drear pilgrimage!
Thy prayers ascend, with magic incense-breath,
From the lone couch, where, fainting by the way,
The frail companion of the deathless soul
Parteth in pain from its immortal guest.
And when, at last, the golden chain is loosed,
And through the shadows of that mystic vale
The ransomed captive floateth swiftly forth,
In solemn tones thy De Profundis rings
O'er all the realms of vast eternity;
Thy tender litanies call gently down
The angel-guides, the white-robed band of Saints,
To lead the wanderer to "the great White Throne,"
To plead, with Heaven's own pitying tenderness,
For life and mercy at the judgment-seat.
The account is given, the saving sentence breathed,
Yet He who said that nought by sin defiled
Can take at once its blessed place amid
The spotless legion of His shining Saints,
Will find, upon the white baptismal robe,
Full many a blemish; stains too lightly held,
Half-cleansed by an imperfect sorrow's flood.
"The Christian shall be saved, yet as by fire;"
So, to the pain-fraught, purifying flame
The robe is given, till every blighting spot
Hath faded from its primal purity;
Still, faithful Church, thy blest Communion binds
Each suffering child unto thy mother's heart.
Full well thou know'st the wondrous power of prayer—
That 'tis a holy and a wholesome thought
To plead for those who in the drear abode
Of penance linger, "that they may be loosed
From all their sins;" that on each spotless brow
Love's shining hand may place the starry crown.
And so the holy Sacrifice ascends,
A sweet oblation for that wailing band
Thy regal form in mourning hues is draped,
Thy pleading Miserere ceaseth not
Till, at its blest entreaty, Love descends,
As erst, from His rent tomb, to Limbo's realm,
And leads again the freed, exultant throng,
Within the gleaming gates of gold and pearl,
To bask in fadeless splendor, where the flow
Of the "still waters" by the "pastures green"
Faints not, nor slackens, through the endless years.
O Christians, brethren by that holy tie
That links the living with the ransomed dead!
Children of one fond mother are ye all,
White-robed in heaven, militant on earth,
And sufferers 'mid the purifying flame.
O ye who tread the highway of our world,
Join now your voices with that mother's sigh!
And while the mournful autumn wind laments,
And sad November's ceaseless tear-drops fall
Upon "the Silent City's" marble roofs,
O'er lonely graves amid the pathless wild,
Or where the wayworn pilgrim sank to rest
In some lone cavern by the crested sea—
List to the pleading wail that e'er ascends
From the dark land of suffering and woe:
"Our footsteps trod your fair, sun-lighted paths,
Our voices mingled in your joyous songs,
Our tears were blended in one common grief;
Perchance our erring hearts' excessive love
For you, the worshipped idols of our lives,
Hath been the blemish on our bridal robes.
Plead for us, then, and let your potent prayer
Unlock the golden gates, that we who beat
Our eager wings against these prison bars,
May wing our flight to endless liberty!"
FATHER FABER
[This poem scarcely comes within the scope of the present work, yet it
is, by its nature, so closely connected therewith, and is, moreover, so
exquisitely tender and pathetic, so beautiful in its mournful
simplicity, that I decided on giving it a place amongst these funereal
fragments.]
Oh! it is sweet to think
Of those that are departed,
While murmured Aves sink
To silence tender-hearted—
While tears that have no pain
Are tranquilly distilling,
And the dead live again
In hearts that love is filling.
Yet not as in the days
Of earthly ties we love them;
For they are touched with rays
From light that is above them;
Another sweetness shines
Around their well-known features;
God with His glory signs
His dearly-ransomed creatures.
Yes, they are more our own,
Since now they are God's only;
And each one that has gone
Has left one heart less lonely.
He mourns not seasons fled,
Who now in Him possesses
Treasures of many dead
In their dear Lord's caresses.
Dear dead! they have become
Like guardian angels to us;
And distant Heaven like home,
Through them begins to woo us;
Love that was earthly, wings
Its flight to holier places;
The dead are sacred things
That multiply our graces.
They whom we loved on earth
Attract us now to Heaven;
Who shared our grief and mirth
Back to us now are given.
They move with noiseless foot
Gravely and sweetly round us,
And their soft touch hath cut
Full many a chain that bound us.
O dearest dead! to Heaven
With grudging sighs we gave you;
To Him—be doubts forgiven!
Who took you there to save you:—
Now get us grace to love
Your memories yet more kindly,
Pine for our homes above
And trust to God more blindly.
WRITTEN FOR MUSIC BY THE AUTHOR OF "CHRISTIAN SCHOOLS AND SCHOLARS."
O Mary, help of sorrowing hearts,
Look down with pitying eye
Where souls the spouses of thy Son,
In fiery torments lie;
Far from the presence of their Lord
The purging debt they pay,
In prisons through whose gloomy shades
There shines no cheering ray.
The fire of love is in their hearts,
Its flame burns fierce and keen;
They languish for His Blessed Face,
For one brief moment seen;
Prisoners of hope, their joy is there
To wait His Holy Will,
And, patient in the cleansing flames,
Their penance to fulfil.
But dark the gloom where smile of thine,
Sweet Mother, may not fall,
Oh, hear us, when for these dear souls
Thy loving aid we call!
Thou art the star whose gentle beam
Sheds joy upon the night,
Oh, let its shining pierce their gloom
And give them peace and light.
The sprinkling of the Precious Blood
From thy dear hand must come,
Quench with its drops their cruel flames,
And call them to their home;
Freed from their pains, and safe with thee,
In Jesu's presence blest,
Oh, may the dead in Christ receive
Eternal light and rest!
ELIZA ALLEN STARR.
No coral beads on costly chain of gold
The Palmer's pious lips at Vespers told;
No guards of art could Pilgrim's favor win,
Who only craved release from earth and sin.
He from the Holy Land his rosary brought;
From sacred olive wood each bead was wrought,
Whose grain was nurtured, ages long ago,
By blood the Saviour sweated in His woe;
Then on the Holy Sepulchre was laid
This crown of roses from His passion made;
The Sepulchre from which the Lord of all
Arose from death's dark bed and icy thrall.
Yet not complete that wreath of joy and pain,
Which for the dead must sweet indulgence gain;
The pendant cross, on which with guileless art,
Some hand had graved what touches every heart,
The image of the Lamb for sinners slain,
From Bethlehem's crib, now shrine, his prayers obtain;
And tears and kisses tell the holy tale
Of pilgrim love and penitential wail.
The love, the tears, which fed his pious flame,
May well be thine, my heart, in very same;
Since bead and cross, by Palmer prized so well,
At vesper-hour, these fingers softly tell,
And press, through them, each dear and sacred spot
Where God once walked, "yet men received Him not."
And still, with pious Palmer gray, of yore,
Thy lips can kiss the ground He wet with gore,
Still at the Sepulchre with her delay,
Who found Him risen ere the break of day;
And hover round the crib with meek delight
Where shepherds hasted from their flocks by night,
To there adore Him whom a Virgin blessed,
Bore in her arms and nourished at her breast.
My Rosary dear! my Bethlehem Cross so fair!
No rose, no lily can with thee compare;
No gems, no gold, no art, or quaint device
Could be my precious Rosary's priceless price;
For Heaven's eternal joys at holier speed,
I trust to win through every sacred bead;
And still for suffering souls obtain release
From cleansing fires to everlasting peace.
[From Sir Walter Scott's "Minstrelsy of the Border," we take this
fragment. The dirge to which the eminent author alludes in a before-
quoted extract from his work, and which he erroneously styles "a
charm," is here given in full. The reader will observe that it partakes
not the least of the nature of a charm. It would seem to have some
analogy with the "Keen," or Wail of the Irish peasantry.]
This ae nighte, this ae nighte,
Every nighte and alle;
Fire and sleet, and candle lighte,
And Christe receive thye saule.
When thou from hence away are paste,
Every nighte and alle;
To Whinny-muir thou comest at laste;
And Christe receive thye saule.
If ever thou gavest hosen and shoon;
Every nighte and alle;
Sit thee down and put them on;
And Christe receive thye saule.
If hosen and shoon thou ne'er gavest nane,
Every nighte and alle,
The whinnes shall pricke thee to the bare bane;
And Christe receive thye saule.
From Whinny-muir, when thou mayest passe,
Every nighte and alle;
To Brig o' Dread thou comest at laste;
And Christe receive thye saule.
From Brig o' Dread when thou mayest passe,
Every nighte and alle;
To Purgatory fire thou comest at laste;
And Christe receive thye saule.
If ever thou gavest meat or drink,
Every nighte and alle,
The fire shall never make thee shrinke;
And Christe receive thye saule.
If meat or drink thou never gavest nane,
Every nighte and alle;
The fire will burn thee to the bare bane;
And Christe receive thye saule.
This ae nighte, this ae nighte,
Every nighte and alle;
Fire and sleet, and candle lighte,
And Christe receive thye saule.
SECOND VESPERS OF ALL SAINTS.
From "Lyra Liturgica."
What means this veil of gloom
Drawn o'er the festive scene;
The solemn records of the tomb
Where holy mirth hath been:
As if some messenger of death should fling
His tale of woe athwart some nuptial gathering?
Our homage hath been given
With gladsome voice to them
Who fought, and won, and wear in heaven
Christ's robe and diadem;
Now to the suffering Church we must descend,
Our "prisoners of hope" with succor to befriend.
They will not strive nor cry,
Nor make their pleading known;
Meekly and patiently they lie,
Speaking with God alone;
And this the burden of their voiceless song,
Wafted from age to age, "How long, O Lord, how long?"
O blessed cleansing pain!
Who would not bear thy load,
Where every throb expels a stain,
And draws us nearer GOD?
Faith's firm assurance makes all anguish light,
With earth behind, and heaven fast opening on the sight.
Yet souls that nearest come
To their predestin'd gain,
Pant more and more to reach their home:
Delay is keenest pain
To those that all but touch the wish'd for shore,
Where sin, and grief that comes of sin, shall fret no more.
And O—O charity,
For sweet remembrance sake,
These souls, to God so very nigh,
Into your keeping take!
Speed them by sacrifice and suffrage, where
They burn to pour for you a more prevailing prayer.
They were our friends erewhile,
Co-heirs of saving grace;
Co-partners of our daily toil,
Companions in our race;
We took sweet counsel in the house of God,
And sought a common rest along a common road.
And had their brethren car'd
To keep them just and pure,
Perchance their pitying God had spar'd,
The pains they now endure.
What if to fault of ours those pains be due,
To ill example shown, or lack of counsel true?
Alas, there are who weep
In fierce, unending flame,
Through sin of those on earth that sleep,
Regardless of their shame;
Or who, though they repent, too sadly know
No help of theirs can cure or soothe their victim's woe.
Thanks to our God who gives,
In fruitful Mass or prayer,
To many a friend that dies, yet lives,
A salutary share;
Nor stints our love, though cords of sense be riven,
Nor bans from hope the soul that is not ripe for heaven.
Feast of the Holy Dead!
Great Jubilee of grace!
When angel guards exulting lead
To their predestin'd place
Souls, that the Church shall loose from bonds to-day
In every clime that basks beneath her genial sway.
BY E. M. V. BULGER.
It is a holy and wholesome thought to pray for the dead.—II Mac. xii.
46.
In some quiet hour at the close of day,
When your work is finished and laid away,
Think of the suffering souls, and pray.
Think of that prison of anguish and pain,
Where even the souls of the Saints remain,
Till cleansed by fire from the slightest stain.
Think of the souls who were dear to you
When this life held them; still be true,
And pray for them now; it is all you can do.
Think of the souls who are lonely there,
With no one, perchance, to offer a prayer
That God may have pity on them and spare.
Think of the souls that have longest lain
In that place of exile and of pain,
Suffering still for some uncleansed stain.
Think of the souls who, perchance, may be
On the very threshold of liberty—
One "Ave Maria" may set them free!
Oh, then, at the close of each passing day,
When your work is finished and folded away,
Think of the suffering souls, and pray!
Think of their prison, so dark and dim,
Think of their longing to be with Him
Whose praises are sung by the cherubim!
As you tell the beads of your Rosary,
Ask God's sweet Mother their mother to be;
Her immaculate hands hold Heaven's key.
Oh, how many souls are suffering when
You whisper "Hail Mary" again and again,
May see God's face as you say "Amen!"
—Ave Maria, November 24, 1883.
'Twas the hour after sunset,
And the golden light had paled;
The heavy foliage of the woods
Were all in shadow veiled.
Yet a witchery breathed through the soft twilight,
A thought of the sun that was set,
And a soft and mystic radiance
Through the heavens hung lingering yet.
The purple hills stood clear and dark
Against the western sky,
And the wind came sweeping o'er the grass
With a wild and mournful cry:
It swept among the grass that grows
Above the quiet grave,
And stirred the boughs of the linden-trees
That o'er the church-yard wave.
And the low murmur of the leaves
All softly seemed to say,
"It is a good and wholesome thought
For the dead in Christ to pray."
Earth's voices all are low and dim;
But a human heart is there,
With psalms and words of holy Church,
To join in Nature's prayer.
A Monk is pacing up and down;
His prayers like incense rise;
Ever a sweet, sad charm for him
Within that church-yard lies.
Each morning when from Mary's tower
The sweet-toned Ave rings,
This herdsman of the holy dead
A Mass of Requiem sings.
And when upon the earth there falls
The hush of eventide,
A dirge he murmurs o'er the graves
Where they slumber side by side.
"Eternal light shine o'er them, Lord!
And may they rest in peace!"
His matins all are finished now,
And his whispered accents cease.
But, hark! what sound is that which breaks
The stillness of the hour?
Is it the ivy as it creeps
Against the gray church tower?
Is it the sound of the wandering breeze,
Or the rustling of the grass,
Or the stooping wing of the evening birds
As home to their nests they pass?
No; 'tis a voice like one in dreams,
Half solemn and half sad,
Freed from the weariness of earth,
Not yet with glory clad;
Full of the yearning tenderness
Which nought but suffering gives;
Too sad for angel-tones—too full
Of rest for aught that lives.
They are the Voices of the Dead
From the graves that lie around,
And the Monk's heart swells within his breast,
As he listens to the sound.
"Amen! Amen!" the answer comes
Unto his muttered prayer;
"Amen!" as though the brethren all
In choir were standing there.
The living and departed ones
On earth are joined again,
And the bar that shuts them from his ken
For a moment parts in twain.
Over the gulf that yawns beneath,
Their echoed thanks he hears
For the Masses he has offered up,
For his orisons and tears.
And as the strange responsory
Mounts from the church-yard sod,
Their mingled prayers and answers rise
Unto the throne of God. [1]
[Footnote 1: There is a story recorded of St. Birstan, Bishop of
Winchester, who died about the year of Christ 944, how he was wont
every day to say Mass and Matins for the dead; and one evening, as he
walked in the church-yard, reciting his said Matins, when he came to
the Requiescat in Pace, the voices in the graves round about him
made answer aloud, and said, "Amen, Amen!"—From the "English
Martyrology" for October 22]
—M. R., in "The Lamp," Oct. 31, 1863.
REV. ABRAM J. RYAN.
[This is an extract from Father Ryan's poem, "Their Story Runneth
Thus."]
And years and years, and weary years passed on
Into the past; one autumn afternoon,
When flowers were in their agony of death,
And winds sang "De Profundis" o'er them,
And skies were sad with shadows, he did walk
Where, in a resting-place as calm as sweet,
The dead were lying down; the autumn sun
Was half-way down the west—the hour was three,
The holiest hour of all the twenty-four,
For Jesus leaned His head on it, and died.
He walked alone amid the Virgins' graves,
Where calm they slept—a convent stood near by,
And from the solitary cells of nuns
Unto the cells of death the way was short.
Low, simple stones and white watched o'er each grave,
While in the hollows 'twixt them sweet flowers grew,
Entwining grave with grave. He read the names
Engraven on the stones, and "Rest in peace"
Was written 'neath them all, and o'er each name
A cross was graven on the lowly stone.
He passed each grave with reverential awe,
As if he passed an altar, where the Host
Had left a memory of its sacrifice.
And o'er the buried virgin's virgin dust
He walked as prayerfully as though he trod
The holy floor of fair Loretto's shrine.
He passed from grave to grave, and read the names
Of those whose own pure lips had changed the names
By which this world had known them into names
Of sacrifice known only to their God;
Veiling their faces they had veiled their names.
The very ones who played with them as girls,
Had they passed there, would know no more than he,
Or any stranger, where their playmates slept.
And then he wondered all about their lives, their hearts,
Their thoughts, their feelings, and their dreams,
Their joys and sorrows, and their smiles and tears.
He wondered at the stories that were hid
Forever down within those simple graves.
ELIZA ALLEN STARR.
Oh! I could envy thee thy solemn sleep,
Thy sealed lid, thy rosary-folding palm,
Thy brow, scarce cold, whose wasted outlines keep
The "Bona Mors" sublime, unfathomed calm.
I sigh to wear myself that burial robe
Anointed hands have blessed with pious care:
What nuptial garb on all this mortal globe
Could with thy habit's peaceful brown compare?
Beneath its hallowed folds thy feeble dust
Shall rest serenely through the night of time;
Unharmed by worm, or damp, or century's rust,
But, fresh as youth, shall greet th' eternal prime
Of that clear morn, before whose faintest ray
Earth's bliss will pale, a taper's flickering gleam;
I see it break! the pure, celestial day,
And stars of mortal hope already dim.
"In pace" Lord, oh! let her sweetly rest
In Paradise, this very day with Thee:
Her faithful lips her dying Lord confessed,
Then let her soul Thy risen glory see!
T. D. MCGEE.
Let us pray for the dead!
For sister and mother,
Father and brother,
For clansman and fosterer,
And all who have loved us here;
For pastors, for neighbors,
At rest from their labors;
Let us pray for our own beloved dead!
That their souls may be swiftly sped
Through the valley of purgatorial fire,
To a heavenly home by the gate called Desire!
I see them cleave the awful air,
Their dun wings fringed with flame;
They hear, they hear our helping prayer,
They call on Jesu's name.
Let us pray for the dead!
For our foes who have died,
May they be justified!
For the stranger whose eyes
Closed on cold alien skies;
For the sailors who perished
By the frail arts they cherished;
Let us pray for the unknown dead.
Father in heaven, to Thee we turn,
Transfer their debt to us;
Oh! bid their souls no longer burn
In mediate anguish thus.
Let us pray for the soldiers,
On whatever side slain;
Whose white bones on the plain
Lay unclaimed and unfathered,
By the vortex-wind gathered,
Let us pray for the valiant dead.
Oh! pity the soldier,
Kind Father in heaven,
Whose body doth moulder
Where his soul fled self-shriven.
We have prayed for the dead;
All the faithful departed,
Who to Christ were true-hearted;
And our prayers shall be heard,
For so promised the Lord;
And their spirits shall go
Forth from limbo-like woe—
And joyfully swift the justified dead
Shall feel their unbound pinions sped,
Through the valley of purgatorial fire,
To their heavenly home by the gate called Desire,
By the gate called Desire,
In clouds they've ascended—
O Saints, pray for us,
Now your sorrows are ended!
[Footnote 1: Among the many beautiful and pious customs of Catholic
countries, none appeals with more tender earnestness to the pitying
heart than that of the De Profundis bell. While the shades of
night are gathering over the earth, a solemn, dirge like tolling
resounds from the lofty church towers. Instantly every knee is bent,
and countless voices, in city and hamlet, from castle and cottage,
repeat, with heartfelt earnestness, the beautiful psalm, "De
Profundis," or, "Out of the depths," etc., for the souls of the
faithful departed. Thus is illustrated, in a most touching manner, the
blessed doctrine of the Communion of Saints. Thus does the Church
Militant clasp, each day anew, the holy tie which binds her to the
suffering Church of Purgation.
The compassionate heart of the Christian is stirred to its inmost
depths by the plaintive call of that warning bell; and as, in the holy
hush of nightfall, he obeys its tender appeal, how fully does he
realize that "it is a holy and wholesome thought to pray for the
dead."]
The day was dead; from purple summits faded
Its last resplendent ray,
And softly slept the wearied earth, o'ershaded
By twilight's dreamy gray;
Then flowed deep sound-waves o'er silence holy
Of nature's calm repose,
As from its lofty dome, outpealing slowly
Through the still gloaming, rose
The deep and dirge-like swell
Of De Profundis bell.
To heedful hearts each solemn cadence falling
Through twilight's misty veil,
An echo seemed of spirit-voices calling
With sad, beseeching wail;
And thus outspake the mournful intonation:
"Plead for us, brethren, plead!"
From the drear depths of woe and desolation
Our cry of bitter need
Floats upward in the swell
Of De Profundis bell.
Then bowed each knee, the plaintive summons heeding,
And rose the blended sigh.
As incense-breath of fond, united pleading
E'en to the throne on high:
"Hear, Lord, the cry of fervent supplication
Earth's children lift to Thee;
And from the depths of long and dread purgation
Thy faithful captives free,
Ere dies on earth the swell
Of De Profundis bell.
"If, in Thy sight, scarce e'en the perfect whiteness
Of seraph-robe is pure,
Shall mortals brave Thine eye's eternal brightness?
Shall man its search endure?
Ah! trusting hope may meet the dazzling splendor
Of those celestial rays,
For with Thee, Lord, is pardon sweet and tender,
When contrite sorrow prays.
Ay, Thou wilt lead, from desert-waste of sadness,
Thine Israel's chosen band;
And Miriam's song of pure, triumphant gladness
Shall, in Thy promised land,
Succeed the dirge-like swell
Of De Profundis bell."
ANNA. T. SADLIER.
Robed in mourning, nave and chancel,
In the livery of the dead,
Hymns funereal are chanted.
Services sublime are read.
Sounds the solemn Dies Iræ,
Fraught with echoes from the day
When the majesty of Heaven
Shall appear in dread array.
Next the Gospel's weird recital,
Full of mystery and dread;
Holding message for the living,
Bringing tidings of the dead.
With its resurrection promised—
Resurrection unto life,
With its full and true fruition,
And immunity from strife.
Blest immunity from sorrow,
Primal man's unhappy dower;
While the evil shall find judgment
In the resurrection hour.
To the Lord, the King of Glory,
Goes the voiceless, tuneless prayer,
From the deep pit to deliver,
From eternal pains to spare.
All who wait the holy coming,
Wait the dawning of a day
That shall ope the gates of darkness,
Shall illume the watcher's way.
May the holy Michael lead them
To the fullness of the light
That of old, in prophet visions,
Burst on Adam's dazzled sight.
May they pass from death to living—
Message that the Master's voice
Gave to Abraham the faithful,
Bade his exiled soul rejoice.
May perpetual light descending
Touch their foreheads, dark with fear—
Dark with deadly torments suffered;
Sign them with the glory near!
May they rest, O Lord, forever
In a peace that, unexpressed,
Shall bestow upon the pilgrims
Dual crowns of light and rest!
Death's weird canticle is ringing
In its supplication strong—
In its far cry to the heavens,
Couched in wild, unearthly song.
Ay, this Libera o'ercomes us,
Requiem, at once, and dirge—
Makes this life with life immortal
In our consciousness to merge.
ANONYMOUS.
Ye souls of the faithful who sleep in the Lord,
But as yet are shut out from your final reward,
Oh! would I could lend you assistance to fly
From your prison below to your palace on high!
O Father of Mercies! Thine anger withhold,
These works of Thy hand in Thy mercy behold;
Too oft from Thy path they have wandered aside,
But Thee, their Creator, they never denied.
O tender Redeemer, their misery see,
Deliver the souls that were ransomed by Thee;
Behold how they love Thee, despite all their pain;
Restore them, restore them to favor again!
O Spirit of Grace! O Consoler divine!
See how for Thy presence they longingly pine;
Ah! then, to enliven their sadness descend,
And fill them with peace and with joy in the end!
O Mother of Mercy! dear soother in grief!
Send thou to their torments a balmy relief;
Oh! temper the rigor of justice severe,
And soften their flames with a pitying tear.
Ye Patrons, who watched o'er their safety below,
Oh! think how they need your fidelity now;
And stir all the Angels and Saints in the sky
To plead for the souls that upon you rely!
Ye friends, who once sharing their pleasure and pain,
Now hap'ly already in Paradise reign,
Oh! comfort their hearts with a whisper of love,
And call them to share in your pleasures above!
O Fountain of Goodness! accept of our sighs:
Let Thy mercy bestow what Thy justice denies;
So may Thy poor captives, released from their woes,
Thy praises proclaim, while eternity flows!
All ye who would honor the Saints and their Head,
Remember, remember to pray for the dead—
And they, in return, from their misery freed,
To you will be friends in the hour of your need!
—Garland of Flowers.
'Twas All Souls' Eve; the lights in Notre Dame
Blazed round the altar; gloomy, in the midst,
The pall, with all its sable hangings, stood;
With torch and taper, priests were ranged around,
Chanting the solemn requiem of the dead;
And then along the aisles the distant lights
Moved slowly, two by two; the chapels shone
Lit as they pass'd in momentary glare;
Behind the fretted choir the yellow ray,
On either hand the altar, blazing fell.
She thought upon the multitude of souls
Dwelling so near and yet so separate.
With dawn she sought Saint Jacques; the altars there
Had each its priest; the black and solemn Mass,
The nodding feathers of the catafalque,
The flaring torches, and the funeral chant,
And intercessions for the countless souls
In Purgatory still. With pity new
The Pilgrim pray'd for the departed. Long
She knelt before the Blessed Sacrament,
Beside Our Lady's altar. Pictured there,
She saw, imprisoned in the forked flames,
The suffering souls who ask the alms of prayer;
Her taper small an aged peasant lit,
To burn before Our Lady, that her voice,
Mother of mercy as she is, might plead
For one who left her still on earth to pray.
. . . . . Sable veils
Soon hid the altars; all things spoke of death,
And realms where those who leave the upper air
Wait till the stains of sin are cleansed, and pant
Amid the thirsty flames for Paradise. [1]
[Footnote 1: These verses are taken from an anonymous metrical work
called "The Pilgrim," published in England in 1867.]
ELIZA ALLEN STARR.
Set it down gently at the altar rail,
The faithful, aged dust, with honors meet;
Long have we seen that pious face, so pale,
Bowed meekly at her Saviour's blessed feet.
These many years her heart was hidden where
Nor moth, nor rust, nor craft of man could harm;
The blue eyes, seldom lifted, save in prayer,
Beamed with her wished-for heaven's celestial calm.
As innocent as childhood's was the face,
Though sorrow oft had touched that tender heart;
Each trouble came as winged by special grace,
And resignation saved the wound from smart.
On bead and crucifix her finger kept,
Until the last, their fond, accustomed hold;
"My Jesus," breathed the lips; the raised eyes slept,
The placid brow, the gentle hand grew cold.
The choicely ripening cluster, ling'ring late
Into October on its shrivelled vine,
Wins mellow juices, which in patience wait
Upon those long, long days of deep sunshine.
Then set it gently at the altar rail,
The faithful, aged dust, with honors meet;
How can we hope, if such as she can fail
Before th' Eternal God's high judgment-seat?
OLD BELLS.
Ring out merrily,
Loudly, cheerily,
Blithe old bells from the steeple tower.
Hopefully, fearfully,
Joyfully, tearfully,
Moveth the bride from her maiden bower.
Cloud there is none in the bright summer sky,
Sunshine flings benison down from on high;
Children sing loud as the train moves along,
"Happy the bride that the sun shineth on."
Knell out drearily,
Measured out wearily,
Sad old bells from the steeple gray.
Priests chanting slowly,
Solemnly, slowly,
Passeth the corpse from the portal to-day.
Drops from the leaden clouds heavily fall,
Drippingly over the plume and the pall;
Murmur old folk, as the train moves along,
"Happy the dead that the rain raineth on."
Toll at the hour of prime,
Matin and vesper chime,
Loved old bells from the steeple high;
Rolling, like holy waves,
Over the lowly graves,
Floating up, prayer-fraught, into the sky.
Solemn the lesson your lightest notes teach,
Stern is the preaching your iron tongues preach;
Ringing in life from the bud to the bloom;
Ringing the dead to their rest in the tomb.
Peal out evermore—
Peal as ye pealed of yore, Brave old bells, on each holy day.
In sunshine and gladness,
Through clouds and through sadness,
Bridal and burial have both passed away.
Tell us life's pleasures with death are still rife;
Tell us that death ever leadeth to life;
Life is our labor and death is our rest,
If happy the living, the dead are the blest.
—Popular Poetry.
HARRIET M. SKIDMORE.
O holy Church! thy mother-heart
Still clasps the child of grace;
And nought its links of love can part,
Or rend its fond embrace.
Thy potent prayer and sacred rite
Embalm the precious clay,
That waits the resurrection-light—
The fadeless Easter day.
And loving hearts, by faith entwined,
True to that faith shall be,
And keep the sister-soul enshrined
In tender memory;
Shall bid the ceaseless prayer ascend,
To win her guerdon blest;
The radiant day that hath no end,
The calm, eternal rest.
SIR WALTER SCOTT.
Again he faced the battle-field—
Wildly they fly, are slain, or yield.
"Now then," he said, and couch'd his spear,
"My course is run, the goal is near;
One effort more, one brave career,
Must close this race of mine."
Then, in his stirrups rising high,
He shouted loud his battle-cry,
"St. James for Argentine!"
* * * * *
Now toil'd the Bruce, the battle done,
To use his conquest boldly won:
And gave command for horse and spear
To press the Southern's scatter'd rear,
Nor let his broken force combine,
When the war-cry of Argentine
Fell faintly on his ear!
"Save, save his life," he cried. "O save
The kind, the noble, and the brave!"
The squadrons round free passage gave,
The wounded knight drew near.
He raised his red-cross shield no more,
Helm, cuish, and breast-plate stream'd with gore.
Yet, as he saw the King advance,
He strove even then to couch his lance—
The effort was in vain!
The spur-stroke fail'd to rouse the horse;
Wounded and weary, in 'mid course
He tumbled on the plain.
Then foremost was the generous Bruce
To raise his head, his helm to loose:—
"Lord Earl, the day is thine!
My sovereign's charge, and adverse fate,
Have made our meeting all too late;
Yet this may Argentine,
As boon from ancient comrade, crave—
A Christian's Mass, a soldier's grave."
Bruce pressed his dying hand—its grasp
Kindly replied; but, in his clasp
It stiffen'd and grew cold—
And, "O farewell!" the victor cried,
Of chivalry the flower and pride,
The arm in battle bold,
The courteous mien, the noble race,
The stainless faith, the manly face!
Bid Ninian's convent light their shrine,
For late-wake of De Argentine.
O'er better knight on death-bier laid,
Torch never gleamd, nor Mass was said! [1]
[Footnote 1: It is said that the body of Sir Giles de Argentine was
brought to Edinburgh, and interred with the greatest pomp in St. Giles'
Church. Thus did the royal Bruce respond to the dying knight's
request.]
—From "The Lord of the Isles"
Pray for the Dead! When, conscienceless, the nations
Rebellious rose to smite the thorn-crowned Head
Of Christendom, their proudest aspirations
Ambitioned but a place amongst the dead.
Pray for the Dead! The seeming fabled story
of early chivalry, in them renewed,
Shines out to-day with an ascendent glory
Above that field of parricidal feud.
The children of a persecuted mother,
When nations heard the drum of battle beat,
Through coward Europe, brother leagued with brother,
Rallied and perished at her sacred feet.
O Ireland, ever waiting the To-morrow,
Lift up thy widowed, venerable head,
Exultingly, through thy maternal sorrow,
Not comfortless, like Rachel, for thy dead.
For, where the crimson shock of battle thundered,
From hosts precipitated on a few,
Above thy sons, outnumbered, crushed and sundered,
Thy green flag through the smoke and glitter flew.
Lift up thy head! The hurricane that dashes
Its giant billows on the Rock of Time,
Divests thee, mother, of thy weeds and ashes,
Rendering, at least, thy grief sublime.
For nations, banded into conclaves solemn,
Thy name and spirit in the grave had cast,
And carved thy name upon the crumbling column
Which stands amid the unremembered Past.
Pray for the Dead! Cold, cold amid the splendor
Of the Italian South our brothers sleep;
The blue air broods above them warm and tender,
The mists glide o'er them from the barren deep.
Pray for the Dead! High-souled and lion-hearted,
Heroic martyrs to a glorious trust,
By them our scorned name is re-asserted,
By them our banner rescued from the dust.
—Kilkenny Journal.
ELIZA ALLEN STARR.
How lonely on the hillside look the graves!
The summer green no longer o'er them waves;
No more, among the frosted boughs, are heard
The mournful whip-poor-will or singing bird.
The rose-bush, planted with such tearful care,
Stands in the winter sunshine stiff and bare;
Save here and there its lingering berries red
Make the cold sunbeams warm above the dead.
Through all the pines, and through the tall, dry grass,
The fitful breezes with a shiver pass,
While o'er the autumn's lately flowering weeds
The snow-birds flit and peck the shelling seeds.
Because those graves look lonely, bleak and bare,
Because they are not, as in summer, fair,
O turn from comforts, cheery friends, and home,
And 'mid their solemn desolation roam!
On each brown turf some fresh memorial lay;
O'er each dear hillock's dust a moment stay,
To breathe a "Rest in Peace" for those who lie
On lonely hillsides 'neath a wintry sky.
MARY E MANNIX
Welcome, ye sad dirges of November,
When Indian summer drops her brilliant crown
All withered, as in clinging mantle brown
She floats, away to die beneath the leaves;
Pressed are the grapes, gathered the latest sheaves;
O wailing winds! how can we but remember
The loved and lost? O ceaseless monotones!
Hearing your plaints, counting your weary moans
Like voices of the dead, like broken sighs
From stricken souls who long for Paradise,
We will not slight the message that ye bear,
Nor check a pitying thought, nor guide a prayer.
They have departed, we must still remember;
Welcome, ye sad, sad dirges of November!
From the French of Theodore Nisard
A. T. SADLIER
The bell is tolling for the dead,
Christians, hasten we to prayer,
Our brothers suffer there,
Consumed in struggles vain.
Have pity, have pity on them,
In torturing flames immersed,
The stains their souls aspersed
Retain them far from heav'n.
Since God has giv'n us power,
Oh, let us their woes relieve;
Their hope do not deceive,
Our protectors they will be.
For these suff'ring ones we pray,
Lord Jesus, Victim blest,
Take them from pain to rest,
Thy children, too, are they.
* * * * *
[As the translation is a very rude one, we add the French original,
which, particularly when set to music, is full of a deep solemnity and
pathos.]
CHANT FUNÈBRE.
NISARD
La cloche tinte pour les morts
Chrétiens, mettons nous en prières!
Ceux qi gemissent sont des frères,
Se consumant en vains efforts.
Pitié pour eux! Pitié pour eux!
Ils tourbillonnent dans la flamme;
Les taches qui souillent leur âmes,
Les tiennent captifs loin des cieux.
Mettons un terme à leur douleurs,
Dieu nous en donne la puissance;
Ne trompons point leur espérance,
Puis ils seront nos protecteurs.
Disons pour nos fières souffrants:
Sauveur Jésus, Sainte Victime,
Tirez nos frères de l'abime,
Car, eux aussi, sont vos enfants.
HARRIET M. SKIDMORE
O Father, give them rest—
Thy faithful ones, whose day of toil is o'er,
Whose weary feet shall wander never more
O'er earth's unquiet breast!
The battle-strife was long;
Yet, girt with grace, and guided by Thy light,
They faltered not till triumph closed the fight,
Till pealed the victor's song.
Though drear the desert path,
With cruel thorns and flinty fragments strewn,
Where fiercely swept, amid the glare of noon.
The plague-wind's biting wrath.
Still onward pressed their feet;
For patience soothed with sweet celestial balm,
And, from the rocks, hope called her founts to calm
The Simoom's venom-heat.
Their march hath reached its close,
Its toils are o'er, its Red Sea safely passed;
And pilgrim feet have cast aside at last
Earth's sandal-shoon of woes.
Thou blissful promised land!
One rapturous glimpse of matchless glory caught,
One priceless vision, with thy beauty fraught,
Hath blessed that way-worn band.
And to thy smiling shore
Their ceaseless messengers of longing went,
And blooms of bliss and fruitage of content,
Returning, gladly bore.
Yet sadly still they wait;
For, past idolatries to gods of clay,
And past rebellions 'gainst the Master's sway,
Have barred the golden gate.
The magic voice of prayer,
The saving rite, the sacrifice of love,
The human tear, the sigh of Saints above,
Blent in one off'ring fair—
These, these alone, can win
The boon they crave: glad entrance into rest,
The fadeless crown, the garment of the blest,
Washed pure from stain of sin.
Hear, then, our eager cry.
O God of mercy! bid their anguish cease;
To prisoned souls, ah! bring the glad release,
And hush the mourner's sigh.
Mother of pitying love!
On sorrow's flood thy tender glances bend,
And o'er its dark and dreadful torrent send
The olive-bearing dove.
Thy potent prayer shall be
An arch of peace, a radiant promise-bow,
To span the gulf, and shed its cheering glow
O'er the dread penance-sea.
And on its pathway blest
The ransomed throng, in garments washed and white,
May safely pass to love's fair realm of light,
To heaven's perfect rest.
From the French of Fontanes. [1]
[Footnote 1: Louis, Marquis de Fontanes, Peer of France, and Member of
the French Academy.]
ANNA T. SADLIER
E'en now doth Sagittarius from on high,
Outstretch his bow, and ravage all the earth,
The hills, and meadows where of flowers the dearth
Already felt, like some vast ruins lie.
The bleak November counts its primal day,
While I, a witness of the year's decline,
Glad of my rest, within the fields recline.
No poet heart this beauty can gainsay,
No feeling mind these autumn pictures scorn,
But knows how their monotonous charms adorn.
Oh, with what joy does dreamy sorrow stray
At eve, slow pacing, the dun-colored vale;
He seeks the yellow woods, and hears the tale
Of winds that strip them of their lonely leaves;
For this low murmur all my sense deceives.
In rustling forests do I seem to hear
Those voices long since still, to me most dear.
In leaves grown sere they speak unto my heart.
This season round the coffin-lid we press,
Religion wears herself a mourning dress,
More grand she seems, while her diviner part
At sight of this, a world in ruins, grows.
To-day a pious usage she has taught,
Her voice opens vaults wherein our fathers dwell.
Alas, my memory doth keep that thought.
The dawn appeareth, and the swaying bell
Mingles its mournful sound with whistling winds,
The Feast of Death proclaiming to the air.
Men, women, children, to the Church repair,
Where one, with speech and with example binds
These happy tribes, maintaining all in peace.
He follows them, the first apostles, near,
Like them the pastor's holy name makes dear.
"With hymns of joy," said he, "but yesterday
We celebrated the triumphant dead
Who conquer'd heav'n by burning zeal, faith-fed.
For plaintive shades, whom sorrow makes his prey
We weep to-day, our mourning is their bliss,
All potent prayer is privileged in this,
Souls purified from sin by transient pain
It frees; we'll visit their most calm domain.
Man seeks it, and descends there every hour.
But dry our tears, for now celestial rays
The grave's dim region swift shall penetrate;
Yea, all its dwellers in their primal state
Shall wake, behold the light in mute amaze.
Ah, might I to that world my flight then wing
In triumph to my God, my flock recovered bring."
So saying, offered he the holy rite,
With arms extended praying God to spare,
The while adoring knelt he humbly there.
That people prostrate! oh, most solemn sight
That church, its porticoes with moss o'ergrown,
The ancient walls, dim light and Gothic panes,
In its antiquity the brazen lamp
A symbol of eternity doth stamp.
A lasting sun. God's majesty down sent,
Vows, tears and incense from the altars rise,
Young beauties praying 'neath their mothers' eyes,
Do soften by their voices innocent,
The touching pomp religion there reveals;
The organ hush'd, the sacred silence round,
All, all uplifts, ennobles and inspires;
Man feels himself transported where the choirs
Of seraphim with harps of gold entone
Low at Jehovah's feet their endless song.
Then God doth make His awful presence known,
Hides from the wise, to loving hearts is shown:
He seeks less to be proved than to be felt. [1]
From out the Church the multitudes depart,
In separate groups unto th' abode they go
Of tranquil death, their tears still silent flow.
The standard of the Cross is borne apart,
Sublime our songs for death their sacred theme,
Now mixed with noise that heralds storms they seem;
Now lower above our heads the dark'ning clouds,
Our faces mournful, our funereal hymn
Both air and landscape in our grief enshrouds.
Towards death's tranquil haven, on we fare,
The cypress, ivy, and the yew trees haunt
The spot where thorns seem growing everywhere.
Sparse lindens rise up grimly here and there,
The winds rush whistling through their branches gaunt.
Hard by a stream, my mind found there exprest
In waves and tombs a twofold lesson drest,
Eternal movement and eternal rest.
Ah, with what holy joy these peasants fain
Would honor parent dust; they seek with pride
The stone or turf, concealing those allied
To them by love, they find them here again.
Alas, with us we may not seek the boon
Of gazing on the ashes of our dead.
Our dead are banish'd, on their rights we tread,
Their bones unhonored at hap-hazard strewn.
E'en now 'gainst us cry out their Manes pale,
Those nations and those times dire woes entail,
'Mongst whom in hearts grown weak by slow degree,
The cultus of the dead has ceased.
Here, here, at least have they from wrong been free,
Their heritage of peace preserving best.
No sumptuous marbles burden names here writ,
A shepherd, farmer, peasant, as is fit,
Beneath these stones in tranquil slumber see;
Perchance a Turenne, a Corneille they hide,
Who lived obscure, e'en to himself unknown.
But if from men he'd risen separate,
Sublime in camps, the theatre, the state,
His name by idol-loving worlds outcried,
Would that have made his slumber here more sweet?
[Footnote 1: La Harpe said that these last twenty lines were the most
beautiful verses in the French tongue. They necessarily lose
considerably in the translation.]
T. D. MCGEE.
[This beautiful requiem, written March 6th, 1868 (St. Victor's Day), on
the death of an intimate friend, acquires a new pathos and a new
solemnity, from the fact that its gifted author met his death at the
hands of an assassin but one month later, on the 7th of April of the
same year. Like Mozart, he wrote his own requiem]
Saint Victor's Day, a day of woe,
The bier that bore our dead went slow
And silent gliding o'er the snow—
Miserere Domine!
With Villa Maria's faithful dead,
Among the just we make his bed,
The cross, he loved, to shield his head—
Miserere Domine!
The skies may lower, wild storms may rave
Above our comrade's mountain grave,
That cross is mighty still to save—
Miserere Domine!
Deaf to the calls of love and care,
He bears no more his mortal share,
Nought can avail him now but prayer—
Miserere Domine!
To such a heart who could refuse
Just payment of all burial dues,
Of Holy Church the rite and use?
Miserere Domine!
Right solemnly the Mass was said,
While burn'd the tapers round the dead,
And manly tears like rain were shed—
Miserere Domine!
No more St. Patrick's aisles prolong
The burden of his funeral song,
His noiseless night must now be long—
Miserere Domine!
Up from the depths we heard arise
A prayer of pity to the skies,
To Him who dooms or justifies—
Miserere Domine!
Down from the skies we heard descend
The promises the Psalmist penned,
The benedictions without end—
Miserere Domine!
Mighty our Holy Church's will
To shield her parting souls from ill,
Jealous of Death, she guards them still—
Miserere Domine!
The dearest friend will turn away,
And leave the clay to keep the clay,
Ever and ever she will stay—
Miserere Domine!
When for us sinners at our need,
That mother's voice is raised to plead,
The frontier hosts of heaven 'take heed—
Miserere Domine!
Mother of Love! Mother of fear,
And holy Hope, and Wisdom dear,
Behold we bring thy suppliant here—
Miserere Domine!
His glowing heart is still for aye,
That held fast by thy clemency,
Oh! look on him with loving eye—
Miserere Domine!
His Faith was as the tested gold,
His Hope assured, not over-bold,
His Charities past count, untold—
Miserere Domine!
Well may they grieve who laid him there,
Where shall they find his equal—where?
Nought can avail him now but prayer—
Miserere Domine!
Friend of my soul, farewell to thee!
Thy truth, thy trust, thy chivalry;
As thine? so may my last end be!
Miserere Domine!