The centenary of the death of Edward Gibbon (died January,
1794, aged fifty-six) was recorded by a public commemoration
held in London in November, 1894, at the instance of the Royal
Historical Society. The distinguished committee of English
and foreign students, who were associated on that occasion,
invited me to become their President, as representing the family
with which Gibbon had been so intimately connected, and which
still retained the portraits, manuscripts, letters, and relics of the
historian. The exhibition of these in the British Museum, and
the commemoration held on November 15, reawakened interest
in the work and remains of one of the greatest names in English
literature; and a general desire was expressed that the manuscripts
should be again collated, and that what was yet unpublished
might be given to the world.
As is well known, it was my grandfather, the first Earl, who
made the historian almost his adopted brother, gave him a home
both in town and in country, was his devisee and literary
executor, and edited and published the famous Autobiography,
the letters, and remains. All of these passed under Edward
Gibbon's will to Lord Sheffield; and, together with books, relics,
portraits, and various mementos, they have been for a century
preserved by my father and myself with religions care and veneration
in Sheffield Park. The original autograph manuscripts of
the Memoirs, the Diaries, Letters, Note-books, etc., have now
become the property of the British Museum, subject to the copyright
of all the unpublished parts which was previously assigned
to Mr. Murray. And it is with no little pleasure and pride that
I have acceded to the request of the publishers that I would
introduce these unpublished remains to the world, and thus
complete the task of editing the historian, to which my grandfather
devoted so great a portion of his time, not only as a
testamentary duty, but as a labour of love.
The connection of the historian with my grandfather, his
early friend, John Holroyd, and the members of the Holroyd
family, forms one of the pleasantest and also most interesting
passages in literary history. It was in no way interrupted by
Lord Sheffield's public and official duties; it was continued
without a cloud to obscure their intimacy, until it was sundered
by death; and the Earl, who survived his friend so long, continued
to edit and to publish the manuscripts left in his hands
for some twenty years after the death of the historian.
By a clause in the will of Edward Gibbon, dated July 14,
1788, his papers were entrusted to Lord Sheffield and Mr. John
Batt, his executors, in the following terms:—
"I will that all my Manuscript papers found at the time of
my decease be delivered to my executors, and that if any shall
appear sufficiently finished for the public eye, they do treat for
the purchase of the same with a Bookseller, giving the preference
to Mr. Andrew Strahan and Mr. Thomas Cadell, whose liberal
spirit I have experienced in similar transactions. And whatsoever
monies may accrue from such sale and publication I give
to my much-valued friend William Hayley, Esq., of Eastham,
in the County of Sussex. But in case he shall dye before me,
I give the aforesaid monies to the Royal Society of London and
the Royal Academy of Inscriptions of Paris, share and share alike,
in trust to be by them employed in such a manner as they shall
deem most beneficial to the cause of Learning."
In pursuance of the directions contained in the will and of
many verbal communications, Lord Sheffield, in 1799, published
the Miscellaneous Works of Edward Gibbon, with Memoirs of his
Life and Writings, in 2 vols., 4to. A third volume was added
in 1815, and a new edition of the whole, with additions, appeared
during the same year in 5 vols., 8vo. In 1837 another edition,
in one large 8vo volume, was published.
By a clause in his own will, Lord Sheffield directed that no
further publication of the historian's manuscripts should be
made.
"And I request of my said trustees and my heirs that none
of the said manuscripts, papers, or books of the said Edward
Gibbon be published unless my approbation of the publication
be directed by some memorandum indorsed and written or signed
by me. And I also request the person entitled for the time
being to the possession thereof not to suffer the same to be
out of his possession or to be improperly exposed."
This direction has been strictly followed by my father, the
second Earl, and by myself; and it is believed that no person
has ever had access to any of the manuscripts for any literary
purpose, excepting the late Dean Milman, who, when editing
his well-known edition of the Decline and Fall, in 1842, was
permitted to inspect the original manuscripts of the Autobiography,
on condition of not publishing any new matter.
The commemoration of 1894, however, again raised the
question whether such an embargo on giving to the world
writings of national importance was ever meant to be, or even
ought to be, regarded as perpetual. Whilst persons named in
these papers or their children were living, whilst the bitter
controversies of the last century were still unforgotten, whilst
the fame of Edward Gibbon had hardly yet become one of our
national glories, it was a matter of good feeling and sound
judgment in Lord Sheffield to exercise an editor's discretion in
publishing his friend's confession and private thoughts. Now
that more than a hundred years have passed since his death,
no such considerations have weight or meaning. And the
opinion of those whom I have consulted, both professionally
and as private friends, amply corroborates my own conclusion,
that it is a duty which I owe to my own ancestor and to the
public to give to the world all the remains of the historian
which for more than a century have been preserved in the
strong room of Sheffield Park.
The unlocking of the cases in which these manuscripts were
secured was quite a revelation of literary workmanship, and has
led to a most interesting problem in literary history. The manuscripts
of the historian are all holographs—the text of the famous
Memoirs being written with extraordinary beauty of calligraphy,
and studied with the utmost care. But, singularly enough, none
of the texts are prepared for immediate, or even direct, publication.
The historian wrote, at various intervals between 1788 and 1793,
no less than six different sketches. They are not quite continuous;
they partly recount the same incidents in different form; they
are written in different tones: and yet no one of them is
complete; none of them seem plainly designed to supersede
the rest. There is even a small seventh sketch, from which one
of the noblest and most famous passages that Gibbon ever wrote
has been excised, and inserted in the published Autobiography.
Lord Sheffield executed his editorial task with extreme
judgment, singular ingenuity, but remarkable freedom. He was
assisted in preparing the manuscripts for publication by his wife
and by Lady Maria Holroyd, his eldest daughter, who became by
marriage the first Lady Stanley of Alderley. This very able and
remarkable woman, of whose abilities the historian expressed in
letters his great admiration, evidently marked the manuscripts
in pencil handwriting (now recognized as hers) for the printer's
copyist. These pencil deletions, transpositions, and even additions,
correspond with the Autobiography as published by Lord Sheffield.
Quite a third of the whole manuscript is omitted, and many of
the most piquant passages that Gibbon ever wrote were suppressed
by the caution or the delicacy of his editor and his family.
The result is a problem of singular literary interest. A piece,
most elaborately composed by one of the greatest writers who
ever used our language, an autobiography often pronounced to be
the best we possess, is now proved to be in no sense the simple
work of that illustrious pen, but to have been dexterously pieced
together out of seven fragmentary sketches and adapted into
a single and coherent narrative. The manner and the extent of
this extraordinary piece of editing has been so fully explained
in the address of November 15, published by the Centenary
Committee, that it is not necessary for me to enlarge upon it
further.
No sooner had the discovery of the process by which Gibbon's
Autobiography had been concocted been made public, than a
general desire was expressed to have the originals published in
the form in which the historian left them. It was no case of
incomplete or illegible manuscripts, nor of rough drafts designed
only as notes for subsequent composition. The whole of the
seven manuscripts are written with perfect precision; the style
is in Gibbon's most elaborate manner; and each piece is perfectly
ready for the printer—so far as it goes. It was impossible to do
again the task of consolidation so admirably performed by Lord
Sheffield. Nothing remained but to print the whole of the pieces
verbatim, as the historian wrote them, not necessarily in the order
of time of their apparent composition, but so as to form a
consecutive narrative of the author's life.
The reader may now rest assured that, for the first time, he has
before him the Autobiographic Sketches of Edward Gibbon in
the exact form in which he left them at his death. The portions
enclosed in dark brackets are the passages which were omitted by
Lord Sheffield, and in the notes are inserted the passages or
sentences, few and simple in themselves, which Lord Sheffield
added to the original manuscript. For various reasons it was
found impracticable to print the six sketches in parallel columns;
but the admirers of the historian and all students of English
literature will find abundant opportunity for collating the original
texts with each other, and with the text as published by the
editor, and now for a century current as one of the masterpieces
of English literature.
The Letters of the historian, the bulk of which were addressed
to Lord Sheffield and his family, were published in part by my
grandfather in one or other of the editions of The Miscellaneous
Works of Edward Gibbon. But in this collection many letters
were omitted, and most of them were printed with some omissions
and variations. These omissions have now been restored; and
the Letters, like the other papers of our author, are now for the
first time given to the world in the form in which they were
composed.
I cannot pretend to any rivalry with my grandfather in the
matter of the skill with which he performed the task of editing
and selecting for publication the remains of his friend. But
I can assure the reader that every piece contained in this volume as
the work of Edward Gibbon is now printed exactly as he wrote it
without suppression or emendation. And in transferring these
literary treasures to the nation, and in giving them to the world,
I feel that I am fulfilling the trust which the historian reposed
in my grandfather, and am acting in the spirit of the lifelong
friendship that bound him to my family.
I cannot conclude these prefatory remarks without acknowledging
to the fullest extent the obligation I am under to Mr. Frederic
Harrison for the assistance he has given me in the preparation
and composition of this Preface.