CHAPTER I.
A blue sea, some palms with their heads
bound up, some hedges of cactus and aloes;
some thickets of high rose-laurel, a long marble
terrace shining in the sun, huge groups of
geraniums not yet frost-bitten, a low white
house with green shutters and wooden balconies,
a châlet roof and a classical colonnade,
these all—together with some entangled shrubberies,
an orange orchard, and an olive wood—made
up a place which was known on the
French Riviera as La Jacquemerille.
What the name had meant originally nobody
knew or everybody had forgotten. What
La Jacquemerille had been in the beginning of
time—whether a woman, a plant, a saint, a
ship, a game, a shrine, or only a caprice—was
not known even to tradition; but La Jacquemerille
the villa was called, as, before it, had
been the old windmill which had occupied the
site, ere steam and fashion, revolutionising the
seashores of Savoy, had caused the present
pretty nonsensical, half-rustic, half-classical
house to be erected on the tongue of land
which ran sharply out into the midst of the
blue waves, and commanded a sea view, west
and east, as far as the Cape of Antibes on the
one side and the Tête du Chien on the other.
It was one of the most coveted spots on
the whole seaboard of our modern Capua, and
brought a little fortune annually to its happy
possessor, a respectable vendor of hams, cheese,
and butter in the Cannebière at Marseilles,
who for the coming season had pocketed now,
from Prince Napraxine, the round little sum
of two thousand napoleons.
And the Princess Nadège Napraxine, who
had set her heart, or rather her fancy, upon
it, was sitting in a bamboo rocking-chair and
looking over the house front, and thinking that
decidedly she did not like it. It had been an
idiotcy to take it, just the sort of folly which
her delegate in the affair always committed.
They would have been a thousand times better
off at the hotels in Nice; you had no kind of
trouble at an hotel, and you could always
have your own cooks if you insisted.
For three months it had been the reigning
desire of her life to have La Jacquemerille for
the winter; it had been let to an American
millionnaire, and the apparent impossibility of
getting it had naturally increased her anxiety.
The American millionnaire had suddenly decided
to go home; Jay Gould or Mr. Vanderbilt
had done something that had disturbed
his digestion, and La Jacquemerille, which she
had never seen, but had fallen in love with
from photographs, was granted to her wishes
for the modest sum of forty thousand francs.
She had travelled straight from the Krimea to
it without stopping, had arrived by night, and
now was looking at it for the first time in
broad daylight with a sentiment very near
akin to disgust. She did not find it the least
like the photographs.
‘It is so horridly low!’ she exclaimed,
after a long and thoughtful examination of the
frontage, where an Ionic colonnade sheltered
itself under a châlet roof from the Bernese
Oberland. ‘I am sure it will be most dreadfully
cold. And just look at the architecture—every
style under heaven! Was there ever
such an extraordinary jumble?’
‘If it be a jumble, my dear, it is very suitable
to our generation; and you are very lucky
if, when you buy a pig in a poke, you get
nothing worse than a jumble,’ said another
lady who was sitting opposite to her, with a
book held upside down and a litter of newspapers,
and who was known in society as Lady
Brancepeth.
‘Pig in a poke! what is he?’ said the
Princess Napraxine in her pretty English, which
she spoke with scarcely any foreign accent.
‘The house is shocking! It is the Parthenon
mixed up with a Gasthof. It is a nightmare;—and
so small! I don’t believe there is room
for one quarter of the servants. And just look
at these palms with their heads tied up as if
they had neuralgia; and I am sure they may
well have it, standing still in that bise, day and
night. I think the whole place utterly odious.
I will tell the women to unpack nothing; I am
sure I shall not stay a night; an Italian villino
with a shingle roof and Grindenwald balconies!
Can anything be so absurd?’
‘I suppose you will wait till the Prince
comes downstairs?’ said Lady Brancepeth with
a little yawn.
‘Oh, I don’t know; why? He can stay if
he likes. Oh, dear! there is a Cairene lattice
at that end and these other windows have been
copied from the Ca d’Oro, and the roof is as
Swiss as if it were a cuckoo clock or a
St. Bernard dog. What is one to do?’
‘Stay,’ suggested Lady Brancepeth. ‘People
do not die of a Swiss roof unless it tumbles in.
The house is all wrong, no doubt, but it is picturesque;
a horrible word, you will say, but it
describes the place. It is picturesque.’
‘Wrong things usually are,’ said the Princess
Napraxine with a sigh, as she surveyed
the Greek peristyle, the Swiss shingles, and the
slender Ionic colonnade. ‘Are all these oranges
good for one’s complexion, I wonder? It is
like sitting in a bright yellow room. I don’t
like bright yellow rooms. Who said that
granted wishes are self-sown curses? Whoever
did must have wished to hire La Jacquemerille,
and done it. Why do they tie up those palms?’
‘To blanch the leaves for Holy Week.
Every blade of grass is turned into money on
this poetic shore. If the gardens have been included
in your agreement you can untie them;
if not, you cannot.’
‘They will certainly be untied; as for
agreement—your brother took the place for us,
I daresay he blundered.’
‘What were your instructions to him, may
I ask?’
‘Oh, instructions? I do not remember. I
sent him the photographs, and wrote under
them: “Take me the house at any price.”’
‘Curt as Cæsar!’
With a little yawn the Princess Napraxine
looked down the long shining sea-wall of
white marble, studded at intervals with vases
of white marble filled with aloes; beyond the
marble wall was the sea—blue, bright, quivering,
and full of shifting lights as diamonds are.
Then her gaze came inward, and returned to
the outline of the house which was so daring
and contradictory a jumble. The creepers
which covered it glowed red in the December
noon; its blue and white awnings were gay
and fresh; its vanes were gilded, and pointed
merrily to the south; a late rose was garlanding
the Cairene lattice; some woodlarks were
singing their pretty little roundelay on the
boughs of a carob tree; it was all bright, lively,
full of colour and of gaiety. Nevertheless, she
hardened her heart to it and condemned it
utterly, out of mere waywardness.
‘I shall go away after breakfast,’ she said,
as she looked. ‘Platon can do as he likes.
I shall dine at Nice, and you will come with
me.’
‘I was sure that was what you would do,’
said her friend; ‘so was Ralph.’
‘Then I shall not do it,’ said Princess
Napraxine.
She rocked herself soothingly in her chair.
‘What a dear little bird that is singing; it
cannot be a nightingale in December. The sea
looks very much like our Krimean one; and
what a lovely air it is. Like an English June
without the rain-clouds.’
‘Wait till Madame la Bise comes round.’
‘Oh, Madame la Bise comes round the
corner everywhere. She is like ennui—ubiquitous.
You have her in England, only
you pretend she is good for your health, and
your Kingsley wrote an ode to her; the rest of
the world is not such a hypocrite.’
‘Kingsley? He was Tom Brown, was he
not?’
‘You are Tom Brown! Really, Wilkes, you
know nothing of your own literature.’
‘Well, I was never educated as you clever
Russians are,’ said Lady Brancepeth, good-humouredly;
she was sometimes called Socrates,
and generally Wilkes by her intimates. She
was the ugly member of a singularly handsome
family, and the nickname had been given to
her in the schoolroom. But her ugliness was a
belle laideur; her face was charming in its
own way; her eyes were brilliant, and her
figure was matchless. She was an earl’s
daughter and an earl’s wife, and when she put
on the Brancepeth diamonds and showed herself
at a State ball, if ugly she was magnificent,
even as, if intellectually ignorant, she was a
marvel of tact, humour, and discernment.
Her friend and hostess was as entirely unlike
her as an orchid is unlike an aloe. She was
exquisitely lovely, alike in face and form, and
as cultured as a hothouse flower. She was just
three-and-twenty years old, and was a woman
of the world to her finger tips. She was very
cosmopolitan, for though a Russian by birth and
marriage her mother had been French, one of
her grandmothers English, the other German,
and she had been educated by a crowd of
governesses of many different nationalities.
All her people, whether Russian, English,
French, or German, had been very great
people, with innumerable and unimpeachable
quarterings, for many generations, and to that
fact she owed her slender feet, her tiny ears,
and her general look of perfect distinction.
She had a transparent, colourless skin, like
the petals of a narcissus in its perfect mat
whiteness; she had oriental eyes of a blue-black,
which looked immensely large in her
delicate face, and which could have great
inquisitiveness, penetration, and sarcasm in
them, but were usually only lustrous and
languid; her mouth was most admirably
shaped, and her teeth deserved the trite
compliment of the old madrigals, for they were
like pearls; she had a very ethereal and
delicate appearance, but that delicacy of mould
sheathed nerves of steel as a silken scabbard
sheathes a damascene blade. She had an infinite
grace and an intricate alternation of vivacity and
languor which were irresistible. Men were
madly in love with her, which sometimes diverted
and sometimes bored her; many people
were rather afraid of her, and this pleased her
much more than anything. She had a capacity
for malice.
She now held a sunshade above her head
and surveyed the house, and tried to persuade
herself it was charming, as her friend had
been so sure she would find it detestable. She
had wished for the place with an intensity
that had almost disturbed her sleep for some
weeks, and now she had got it and she hated
it. But as they had expected her to do so she
was determined to conquer her hatred and to
find it much better than its photographs. The
task was not difficult, for La Jacquemerille, if
full of absurdities and incongruities, was decidedly
pretty.
As she swung herself on her rocking-chair
and began to see with the eyes of her mind a
hundred improvements which she would instantly
have effected whether the terms of the
contract allowed of it or not, she saw coming
within the range of her unassisted eyesight a
large and stately schooner, with canvas white
as snow bellying in the breeze. She drew on
her long loose tan-coloured glove cheerfully,
and said aloud:
‘After all, it is better than an hotel. There
is no noise, and nobody to stare at one. I
daresay we shall get through three months
without cutting each other’s throats.’
Lady Brancepeth turned and looked out to
sea, and saw the schooner, and smiled discreetly;
she said as discreetly:
‘I am so glad, dear, you won’t fret yourself
too much about the place; after all, you
are not going to live in it for a lifetime; and
though, no doubt, it is utterly wrong, and
would give Oscar Wilde a sick headache, yet
one must confess it is pretty and suits the sunshine.’
The trees had been cut, so that openings
in their boughs allowed the sea to be seen
from any point of the terrace. Princess Nadine
from under her sunshade watched the stately
yacht draw nearer and nearer over the shining
path of the waters, and drop anchor some half
mile off the shore; then she saw a gig lowered,
with red-capped white-shirted sailors to man it,
and a figure which she recognised descended
over the schooner’s side into the stern of the
boat, which thereupon left the vessel, and
was pulled straight towards La Jacquemerille.
Neither she nor Lady Brancepeth appeared to
notice it; they talked chiffons, and read their
newspapers; but the long boat came nearer
and nearer, until the beat of the oars sounded
directly under the walls of La Jacquemerille,
and the rowers were too close at hand to be seen.
But the Princess Nadine heard the rattle of the
oars in the rowlocks, the shock of its keel
against the sea stairs below, which she could
not see for the tangle of pyracanthus and
mahonia and many another evergreen shrub,
covering the space between the terrace and the
shore; she heard a step that she knew very
well, the sound of which moved her to a
slight sense of anticipated amusement, and a
stronger sense of approaching weariness, and
she turned her head a little, with a gracious if
indifferent welcome in her eyes, as a man ran
up the stairs at the end of the terrace, and
came along the marble floor in the sunshine—a
young man, tall, fair, athletic, with
a high-bred look and handsome aquiline
features.
‘You have had a very quick run, surely?’
said the Princess Napraxine, stretching out her
tan glove.
‘Well, we did all we knew, and crammed
on every stitch we had,’ the new comer
answered, as he kissed the tips of the glove,
and murmured in a lower tone, ‘Were you not
here?’
Then he crossed over to where Lady
Brancepeth sat, and kissed her cheek with
a brother’s indifference.
‘Dear Wilkes, are you all right?’ he said
as he took up a majolica stool and seated
himself between them.
‘Take that bamboo chair, Geraldine,’ asked
the Princess. ‘That china stool does not suit
your long legs at all. How many hours really
have you been coming from Genoa? I am
fearfully angry with you, by the way; how
could you take this place?’
‘Because you told me,’ answered Lord
Geraldine, staring hard. ‘What was the command?
Take it, coûte que coûte. Not an “if”;
not a “perhaps”; not a “but.” Wilkes, do
you not call that too cruel?’
‘My dear Ralph,’ said Lady Brancepeth,
‘any woman’s instructions should always be
construed so liberally that a margin is left for
her at the eleventh hour to change her mind.
But do not distress yourself. I do not think
Mme. Napraxine really dislikes the place.
It is only her way. When she has bought a
thing she always finds a flaw in it. It is
her habit to condemn everything. She is a
pessimist from sheer want of ever having had
real disappointment.’
‘Look at the house. It speaks for itself,’
said the Princess, contemptuously. ‘Why
did you not telegraph and say that it was a
patchwork of every known order of architecture?
I would have told you to break off
negotiations.’
‘But you had seen the photographs.’
‘Photographs! Would you know your
own mother from a photograph if you had not
been told beforehand whose it was?’
‘I am so sorry,’ murmured Geraldine, as
he turned round and gazed at the offending
building. ‘It is a pretty place, surely? not
classical or severe, certainly; but cheery and
picturesque. I looked all over it conscientiously,
I give you my word, and it is really
in very good taste inside; much better than
one could have hoped for in a maison meublée.’
‘Oh, it is Wilkes, not I, who finds it so irretrievably
bad,’ said the Princess Napraxine,
with tranquil mendacity; ‘but if it be too bad
one can always go to an hotel, only in an hotel
one can never sleep at night for the omnibuses,
and the banging of other people’s luggage, and
if I do not sleep I can do nothing. Here I
should fancy it is perfectly quiet?’
‘Quiet as the grave, unless the sea is howling.
But Monte Carlo is just behind that cliff
there; with fast horses you can drive over in
twenty-six minutes—I timed it by my watch.
You can have a score of people to dinner every
evening if you like.’
The Princess raised her eyebrows with a
gesture signifying that this prospect was not one
of unmitigated happiness; and Lady Brancepeth,
alleging that the sun was rather too warm
for her north-country bones, went away into
the house, being of opinion that three was no
company; her brother drew his bamboo-chair
nearer his hostess, and took the tan glove with
the wrist it inclosed in a tender grasp.
‘So you do not like the poor place? I am
truly grieved!’
She drew her hand away so dexterously that
she left the loose empty glove in his fingers,
and he looked foolish.
‘No; I thought of going away to-morrow,’
she continued, without any regard to his dejection;
‘I do not like palms that have the toothache,
and marble pillars that have married
wooden balconies. But your sister, who always
opposes me, is so certain I shall go that it is
very probable I shall stop.’
‘Admirable feminine logic! No doubt
the poor house is utterly wrong, though it has
been the desire of everybody on the Riviera
ever since it was built. I felt sure you would
have been more comfortable in a good hotel
at Nice, and if I had ventured to volunteer an
opinion, I should have said so. Wilkes is quite
right; you will be bored to death here.’
‘She is quite wrong; she does not like the
place herself,’ said Princess Napraxine, with decision,
while she took back her glove peremptorily.
‘I do—at least in a way. The oranges
look jaundiced, and the palms rheumatic, but
those are trifles. They do say it hailed yesterday,
and the water in the washing-basin in
the coupé lit was frozen last night as we came
into Ventimiglia; but I saw a scorpion on the
wall this morning, and heard a mosquito, so I
am convinced it is the south of the poets, and
am prepared for any quantity of proper impressions,
only they are slow in coming to me;
it is so excessively like the Krimea, terrace and
all. Should not you go in and see if Platon
be awake?’
‘I am convinced he is asleep. It is not
quite one o’clock, and you arrived in the
night, didn’t you?’
‘Yes; but he will get up, because he will
want to be off to Monte Carlo. He will spend
his life there and send over expresses every
hour for fresh rouleaux. When he is near a
gaming-table he is so happy.’
‘Enviable faculty!’
‘It is my faculty too. But I try against it;
he doesn’t. Men never try to resist anything.’
Geraldine murmured words to the effect
that his life was one long compulsory resistance,
and his eyes completed the uncomplete
sentences.
‘Don’t talk nonsense,’ said his hostess.
‘You know I do not like madrigaux; and an
Englishman always looks so clumsy when he is
making them. Make me a cigarette instead.’
‘Always cruel!’ murmured her companion,
obediently rolling up Turkish tobacco.
‘Always kind,’ said the Princess. ‘People
who are kind to men and children never
spoil them. Where will your schooner stay?
There is no dock, or quay, or whatever you
call it, here. These places always ought to
have one of their own.’
‘How can they when the rocks go sheer
down into deep water? No, I must keep her
off Villefranche or Monaco. She can be round
in half an hour—at your disposition, of course,
like her owner.’
‘If she be not more manageable than her
owner——’
‘Oh, Nadine! When I only live to obey
your orders, and never even receive a smile in
return!’
‘Ah, if you want reward there is no longer
any merit! And do not call me by my name
in that manner; you will do it some day before
Platon.’
‘He doesn’t mind.’
‘No, of course he does not mind; but I do,
which is more to the purpose.’
‘You are very unkind to-day, princess.
This unhappy Jacquemerille! it is grievous that
you don’t like it; the gardens are really pretty,
and the view is superb.’
‘You talk like an auctioneer; go and find
the gardener and tell him to untie those
palms.’
‘Pray don’t send me away yet.’
‘Is that what you call your docility?’
His hand stole towards hers again.
‘Do tell me, princess,’ he murmured timidly.
‘You will stay now that you are here, will you
not?’
‘How can I answer for the duration of my
fancies? Perhaps I may, if you amuse me well
enough.’
‘I would rather interest you.’
‘Ah, my friend, that is quite impossible.
Even to be amused is hard enough, when one
is not in the humour. When one is in the
humour, it is even fun to go out fishing; when
one is not, one is dull even at a masked ball at
Petersburg. We are like the cuttle-fish, we
make our sphere muddy with our own dulness.
How would you suggest that I should find any
interest here? There will be no society except
some gouty statesmen and some sickly women,
a few yachtsmen, a pigeon-shooter or two, and
quantities of people one cannot know.’
‘There will be heaps of people who know
you,’ said Geraldine, almost with a groan; ‘at
least, if you deign to allow them the entrée of
La Jacquemerille. If I might presume to advise,
the place is all to itself, they cannot come
if you do not invite them. It is as nearly simple
nature here as a mondaine and an élégante
like you can ever bring herself to go. You
have the sea at your feet and the mountains at
your back; you can have absolute repose and
leisure unless you wilfully bring a horde of men
and women from Nice and Monaco. You are
so clever; you might make endless sketches.
If I were you, I should make it the occasion to
get away from the world a little; if the world
you must have, I should take it in the Avenue
Josephine instead of at La Jacquemerille.’
The Princess laughed languidly, and looked
at her cigarette.
‘You want a solitude à deux, I daresay!
But you see there are Platon and Wilkes against
that, not to mention my own inclinations.’
‘Pray, be serious.’
‘Why? When one is in the mood to be
serious, one does not take a nondescript toy
within five miles of Nice. I daresay you are
right; a quiet life for a little while would be
very wholesome, it would certainly be a novelty,
but it would be beyond me. I am not a stupid
woman, I am not a silly woman certainly; no,
I am quite convinced I have a brain, though
as for a soul, I don’t know, and I am afraid I
don’t very much care. A brain, however, I
have; Wilkes is even unkind enough to call
me learned. But still, my dear Ralph, I am,
as you observed, that much-abused animal, a
mondaine. When once we belong to the world
can we ever get rid of the world? Jamais!
au grand jamais! If we try to drink spring
water, we put it somehow or other in a liqueur
glass. If we smell at a hedge-rose, somehow
or other Piver has got in it before us, and given
it the scent of a sachet.’
‘You are very witty, but——’
‘I don’t care in the least for “buts,” and I
have no pretensions to wit; I leave wit and
whist to the dowagers. No; when we are
once of the world worldly, we never get rid of
the world again. It is our old man of the sea
pickaback with us for ever? Who can lead a
meditative life that dines twice a day, as we
all practically do, and eats of twenty services?
When we prattle about nature, and quote
Matthew Arnold, we are as artificial as the
ribboned shepherdesses of Trianon; and what
we call our high art is only just another sort of
jargon. Suppose I followed your recipe and
tried living quietly here, which means asking
nobody to dinner, what would happen? Wilkes
would go away, Platon would sulk or do worse,
and you and I should yawn in each other’s
faces. It is not that I have no brain, I have
even a soul—if anybody has—but I began the
other way, you know. It is like taking chloral;
if once you do it you cannot leave off. Society
is entirely like chloral; it gives you pleasant
titillations at first and just the same morne
depression afterwards, and yet you cannot do
without it.’
‘I hope you do without chloral; wait
another twenty years at any rate before you
poison yourself.’
‘Twenty years! I wonder what we shall
be like by then? I daresay I shall be an incurable
hypochondriac, and you will have
several tall boys at Eton. Perhaps your son
will be falling in love with my daughter, and
you and I shall be quarrelling about the settlements.’
‘Nadine!’
He drew his chair very near indeed, and
looked straight into her eyes. The Princess
looked up at the blue sky, serenely indifferent.
‘That is all nonsense, you know,’ she said,
with a little affected asperity, but she smiled
even if she felt more inclined to yawn. At
that moment there issued from one of the many
glass doors of the nondescript house her
husband, Platon Nicholaivitch Napraxine.
‘My dear Ralph, I am very glad to see
you,’ he said cordially, in the tongue of the
boulevards, which every gently born Russian
has taken as his own. ‘You came round in
your “tub,” as you call her? You have found
the Princess dissatisfied with the house? She
is always dissatisfied with everything, alas!
The house is well enough; the bathrooms are
small, and there is no billiard-room; but otherwise
I see no defect. Breakfast is waiting and
Lady Brancepeth also. Will you come?’
His wife rose languidly, and taking the arm
of Lord Geraldine, drew her skirts of India
muslin, Flemish lace, and primrose satin, over
the marble pavement of the terrace to the
house. Prince Napraxine stood a moment with
his cigar in his mouth, looking south and east
over the sparkling sea, then, with his hands in
his pockets, sauntered also towards the house.
He was a tall, loosely-built man, with an
ugly and frankly Kalmuck face, redeemed by
an expression of extreme good humour; he
was about thirty years of age, and had the air
of a person who had always done what he
chose, and had always been obeyed when he
spoke; but this air changed curiously whenever
he looked at his wife; he had then the timid
and almost supplicating expression of a big
dog, anxious to please, but afraid to offend.
‘Let us go and eat Milo’s red mullets,’ she
said now.
‘Milo? Is that the cook? Can he do
a bouillabaisse, I wonder?’ he replied.
Their chef had been taken ill, as the
train had touched Bordighera, and their agent
had hastily supplied his place so far as it is ever
possible to supply that of a great and almost
perfect creature experienced in all the peculiarities
and caprices in taste of those to whom his
art is consecrated.
The Princess took no notice of her lord’s
blunder; indeed, she seldom answered his
remarks at any time; she drew her primrose
satin and soft muslin over the sill of the
French window, and seated herself at an oval
table, gay with fine china, with flowers and
fruit, and with a Venice point lace border to
its table cloth, which was strewn with Parma
violets and the petals of orange-blossoms. She
had Geraldine on her right hand and her back
to the light. She had an ermine bag holding
a silver globe of warm water for her feet, and
a chair that was the perfection of ease. The
dining-room was small, but very pretty, with
game and autumn flowers painted on its panels,
and shutters, with hangings of olive velvet and
cornices of dead gold, and on the ceiling a
hunting scene of Fontainebleau à la Henri IV.
She began to think seriously that after all
La Jacquemerille would do very well for the
winter. It was utterly absurd, to be sure, outside,
but it was comfortable within; and, indeed,
had considerable taste displayed in it, the
American having wisely mistrusted his own
tendencies and left the whole arrangement to
French artists, who had robbed him ruthlessly,
but who had made each of his apartments as
perfect in its way as a Karl Theodor plate.
‘I think I shall buy it,’ said the Princess to
her companions; indifferent to her own inconsistencies.
‘Wait a little,’ said Lady Brancepeth.
‘Don’t rush from hatred to adoration. There
may be all sorts of things the matter with the
drains. The calorifères may be wrong. The
cellars may be damp. The windows may
rattle. The kitchens may be too far or too
near. At the end of the winter you will know
all its defects and all its virtues. Houses are
like friendships, there is hardly one in a thousand
worth a long lease.’
‘Wilkes is always cynical,’ said her brother.
‘And nobody is a stauncher friend,’ said
the Princess. ‘Why will she make herself out
a cynic?’
‘A cynic? Because I am prudent?’ said
Lady Brancepeth. ‘If you sigh all the winter
because the house is not yours you will enjoy
it. If you buy it you will discover that it is
uninhabitable at once.’
‘Nadine is never long pleased,’ said her
husband.
‘What does Matthew Arnold say?’ answered
the Princess, ‘that the poet is never happy,
because in nature he wants the world, and in
the world he longs for nature. Now, I am not
a poet, but still I am a little like that. What
you are pleased to call my discontent is a certain
restless sensation that our life—which we think
the only life—is a very ridiculous one; and
yet I am quite incapable of leading any other—for
more than a week. I remember, Geraldine,
that you remarked once that it was this
fool of a world which makes fools of us all.
There was a profound truth in the not very
elegant speech.’
‘I don’t remember saying it; but it is certainly
true. We grow up in the world as a
Chinese child grows up in the jar which is to
make a dwarf of him. The jar checks our
development malgré nous. We cannot be
giants, if we would.’
‘I am sure it would not suit you to be a
giant, Ralph,’ said his sister. ‘You would never
like to release distressed damsels and slay disagreeable
dragons. The uttermost you would
ever do to the very biggest dragon would be
to turn an epigram on his odd appearance.
Giants are always very busy people, and you
are so lazy——’
‘That is the fault of the jar,’ said Geraldine.
‘Some people break the jar and get out of
it,’ said his sister.
‘No, nobody does,’ said the Princess
Napraxine. ‘You mistake there, Wilkes. The
world is with us always, and we cannot get rid
of it.’
The frank eyes of Geraldine conveyed to
her eloquently his conviction that the discontent
she spoke of was solely due to her determined
banishment of one sentiment out of her life.
She gave him an enigmatical little smile of
comprehension and disbelief combined, and
continued to unroll her philosophies—or what
did duty as such.
‘Do you not know the kind of feeling I
mean? When we are among the orchids in
the conservatories we want to go and gather
damp primroses. Do you not remember that
queen who, when she heard the gipsies singing
under her windows, all in a moment longed to
go with them? There is something of the
gipsy in everybody—in everybody who has a
soul. The time comes when one is tired of
the trumpery and folly of it all—the wicked
expenditure, the dense selfishness and indifference,
the people that call themselves leaders
of good taste, and yet like foie gras and the
Concours hippique and Kümmel and Londrès,
and the atmosphere of Paris theatres.’
‘Interesting, but discursive,’ murmured
Lady Brancepeth. ‘Primroses—gipsies—a soul—I
do not see the connection.’
‘You know what I mean,’ said her hostess,
who always expected to be understood. ‘Our
life is silly, it is tiresome, it is entirely selfish, it
is even, in a way, monstrous; and yet we cannot
live any other. We are dominated by
the Frankenstein of pleasure which we have
been pleased to create. When we wish to get
away we cannot; we are like the queen at the
palace windows—we would fain go to the
greenwood, and the brook, and the fresh
winds, but we cannot, because we are fastened
in our gilded chair; there is always our household
to shut the window and send the gipsies
away. Do we ever get rid of the household,
of the galerie, of the routine, of the infinite
ennui? I am only twenty-three years old, as
you all know, and I feel as if I had lived
fifty years. Why? Because it is all over-full,
tiresome, high-pressure; and the worst
of it is that I could lead no other life if I
tried!’
‘I am not sure of that,’ said Lady Brancepeth.
‘Marie Antoinette would never have
believed that she could mend clothes and darn
stockings had not the days of darkness come.
In those days it was just the dainty perfumed
mignonnes like you, my dear, who were
the bravest and handiest in bearing their
troubles and earning their bread.’
‘One never knows till one is tried,’ said
Princess Nadine. ‘If they would begin to
guillotine us I daresay we should know how to
behave; dynamite doesn’t do much for us.
When one goes into the air without warning
in little bits, in company with the plaster of the
ceiling, or the skin of the carriage horses, or
the stuffing of the railway carriage, there is not
much room for heroism.’
‘I am not sure there is no heroism,’ said
Geraldine. ‘The certainty of the guillotine
must have been much easier to bear than the
uncertainty in which you all dwell in Russia—the
perpetual spectre always behind your chairs,
beside your pillows, under the roses in your
gardens——’
‘Oh, my dear Geraldine, is not death with
us always everywhere? May we not kill ourselves
every moment we walk downstairs, or
eat a mullet like this, or start on a journey, or
read a book by a night-lamp? You all wonder
how Russians can exist with assassination
always keeping step with them, but in reality
is it so much worse than the way in which
all humanity loves and laughs, and toils and
moils, and makes leases for ninety-nine years,
and contracts foreign loans for payment in a
century, with death hanging over the whole
thing ready to swoop down at any minute?
If the world realised it of course it would go
mad en masse, but it doesn’t realise it though
hundreds of people die every second.’
‘Did Nadine ever tell you what she did
last year?’ said Prince Napraxine. ‘She
saw by chance a queer-looking can which had
been placed by some of those miscreants in a
niche of the garden wall of our house in Petersburg;
the thing looked suspicious to her, and
it had a coil of tubing attached to it. She
took the whole affair up and dropped it into
the fountain. She forgot to mention it till the
next morning. Then when we fished it out,
and the chemists reported on it, it appeared
that the can was really full of nitro-glycerine as
she had fancied. I think that was quite as
courageous as going to the guillotine.’
‘Oh, no, my dear Platon!’ said his wife,
with some annoyance. ‘Nothing you have no
time to think about is really courageous. The
can was suspicious and the children were playing
near it, so I thought the fountain was the
safest place; it might have been only milk, you
know. Pray do not let us attempt to compete
with those people of ‘89. We shall fail dismally.’
Geraldine looked up with a startled apprehension
in his eyes.
‘Good heavens, do you mean it? Has she
actually been—been—in such awful danger as
that, and never told me?’
‘We were all in the same danger,’ said
Prince Napraxine, a little drily; ‘but the Princess
alone had the beau rôle out of it.’
‘Who put the can there?’
‘Oh, how should I know. The police never
traced it. I do not suppose it was any special
design against us as individuals; only as items
of a detested whole. And two of the Grand
Dukes were coming to breakfast with us that
day.’
‘What a fuss about an ugly little tin can!’
said his wife. ‘The really courageous person
must have been the person who brought it
there; misguided, perhaps, but certainly courageous.
To drive through a city in a droschky
embracing certain annihilation, in the form of
a little tin pot held on your knee, is a combination
of absolute awfulness and grotesque bathos,
which must try all one’s nerves without any
compensating sense of grandeur in it. A jolt
of the wheel over a stone and away you fly
into the air, a blurred nothing in a stream of
blood and dust! No; I respect the Nihilists
when I think of all they risk for a purely
abstract idea without any sort of personal hope
or triumph.’
‘They have hatred,’ said Lady Brancepeth;
‘I think you forget what an invigorating, self-sustaining,
all-compensating sentiment that is.
Its ecstasy is its own reward. You underrate,
too, the immense fascination of the power to
destroy; on se grise with that sense of holding
the annihilation of a whole community in their
hands. What made the Roman Emperors mad,—the
unlimited power of destruction,—now intoxicates
the mechanic or the clerk who has
the task of planting a can of nitro-glycerine.
When statesmen, and even philosophers, theorise
about human nature and all its disorders, they
never give weight enough to the tremendous
attraction which pure destruction alone exercises
over so many minds.’
‘But they have love, too; love of the poor
and of a lofty ideal,’ said the Princess. ‘Myself,
I forgive their little tin cans, though they are
extremely unpleasant, when I think of their
impersonal devotion. All I wish is, that their
warfare was not conducted by tin cans; the
thing has a ludicrous, comical, vulgar side;
death dropped in a little box labelled "glass,
with care"! There is no dignity in it, no
grace. Pallida Mors should not crouch under
a cab-cushion!’
‘How can you make a jest——’ began
Prince Napraxine. She interrupted him:
‘I am not in the least jesting, I am entirely
in earnest. I do not like being made war on
by chemists; I do not like annihilation left in
a paper parcel; it makes one feel absurd, fate
seems trifling with one. A Jacquerie hewing
at one with their scythes one would know what
to do with, but who can extract any Sophoclean
tragedy from a Thanatus that looks exactly like
a box of sardines or a pot of foie gras? It
is not the war that I object to, it is the form
it takes; and our great, grim, ghostly Russia
should evolve out of her soul of ice something
much more in consonance with her. Beside the
burning of Moscow, the little tin cans and the
burrowing like moles underground are commonplace
and a little vulgar. Russia is so
awful in herself. One thinks of the frozen
world of the Inferno, and Dante and Virgil
walking in the spectral silence; and then, after
all, in hard fact there is nothing but the police,
and the drunken moujik, and the man who
carries his nitro-glycerine as a baker’s boy
carries his rolls of bread! It is bathos.’
‘One never knows what you mean, Nadine,’
murmured her husband. ‘If you talk so at
Petersburg they will think you are a Nihilist at
heart.’
‘I imagine half the noblesse are,’ said the
Princess. ‘The noblesse have always dug their
own graves before all revolutions everywhere.
They call it “going with the times.” They did
it in France, they are now doing it in England,
they are doing it (more secretly) in Russia. No
one should forsake their order; it is a kind of
desertion, like that of a soldier who runs away
before the enemy. That is why I like the party
obedience of your country, Wilkes; it is entirely
unintelligent and profoundly immoral; to
a generally intellectual nation it would be impossible,
but it is loyal. I think when one has
to choose between a crime and a disloyalty one
must take the crime as the lesser evil of the two.’
‘Voting for party is a crime very often,’
said Geraldine. ‘It is one of the many things
as to which I have never made up my mind.
Ought one to sacrifice the country to what one
believes a bad measure for the sheer sake of
keeping one’s party in office? Surely not.’
‘You solve your doubts by having no
party, and never going into the Lords.’
‘At least, I can do no mischief.’
‘Are you certain of that?’ said his sister.
‘I think you place voting for party on too low
a plane. If we believe, generally, that one
party—say it is Conservative, say it is Liberal—is
necessary to the preservation or the progress
of the nation, then I think we are bound
to do our best to keep it at the helm of the
vessel of the nation, even if in certain minor
matters we are not always in accord with the
course it takes.’
‘Admirably reasoned; but are not politicians
always as great sophists as priests?’
‘Sophists! always that cruel charge,’ said a
mellow and manly voice, as there entered the
dining-room a person of handsome and stately
presence, in a picturesque costume, with knee
breeches and buckled shoes, whom the servant
announced as Monsignore Melville. He was
welcomed by all with cordiality and delight,
and the Princess bade him draw his chair beside
her, though he alleged that he had breakfasted.
‘I came to see if you had arrived,’ he said,
as he seated himself. ‘Princess, I hope La
Jacquemerille is fortunate enough to please
you?’
‘I have been abusing it; it is a very
ridiculous house, but it grows upon one; and
if you will come often enough, Monsignore—— No,
I never make compliments. You know
you are a delightful companion, and of how
many people can one say that?’
Monsignore Melville bowed low.
‘You are too enchantingly kind. But all
are not so kind. Lord Geraldine was accusing
priests of sophism. What was he saying?’
‘He was saying that politicians are the
sophists, and Wilkes the head of them.’
‘Because I defended "voting straight,"’
said Lady Brancepeth. ‘Is it not the very root
and essence of English constitutional life?
Monsignore Melville, who is an Englishman,
will, I am sure, say so.’
‘To serve the Church is only a superior
kind of voting with party,’ said Geraldine.
‘Do not be profane, Ralph,’ said his sister.
‘It does not suit you. You were created
with a reverential nature, and you have
endeavoured to ruin it, as most men always do
try to destroy what is best in them. Monsignore,
answer me, is it not the highest
morality to vote straight?’
‘That is a very unlimited laudation, Lady
Brancepeth,’ returned Melville, with a charming
smile. ‘I should be scarcely prepared to go so
far, though I am aware that there is no salvation
outside such morality in the political creed
of our country.’
‘Ecclesiastics have no country, my dear
Monsignore,’ said the Princess Napraxine, ‘except
a heavenly one. What a comfort that
must be! Platon is always being worried to
return to the mater patria, and his conscience
is so peculiarly constituted that it will never
allow him to admit how intensely he hates it.
As if life were not tiresome enough in itself,
without everyone being burdened with the
obligation to like, or pretend that they like,
their country, their relatives, their children,
and their church!——.’
Napraxine looked distressed:
‘You have liked Russia, too, sometimes,’
he said wistfully; ‘and poor little Sachs and
Mitz!’
His wife cast upon him a glance of sovereign
disdain: ‘There are only two things I
like in Russia, they are the steppes and the
wolves: that limitless expanse, stretching away
to the dim grey sky on every side, and the
sight of a pack of the gaunt grey beasts on the
snow as one’s sledge flies by; those two things
give one a sensation which one does not get
elsewhere. But it is monotonous, it soon ceases
to move one; the wolves never attack, and the
great, awful, white plain never leads to anything
better than the posting-house, the samavàr,
and the vodki, and the group of drunken
coachmen.’
‘The human interest, in a word,’ suggested
Melville.
Madame Napraxine smiled:
‘Ah! my dear Monsignore, the human interest
is quite as dull as the steppe and quite
as ravenous as the wolf! How delightful it
must be to be a priest to see all that raw
material through rose-glasses!’
‘May not the interest be in subduing the
wolf?’ murmured Melville. ‘And even the
steppe, under the fostering touch of May dews
and June sunlight, will put forth blossoms. Is
there no allegory there that Madame Napraxine
will deign to accept?’
‘You always say pretty things, in the pulpit
or out of it,’ she replied; ‘but you cannot lend
me your rose-glasses to see them through, so I
fear they do not convince me. The astronomers
who are now busy seeing canals in the
planet Mars, would see nothing if they had not
their glasses; no more would you. You see a
soul in a drunken dvornik; that is quite as
astonishing, and probably quite as imaginary,
as the network of canals in Mars. Will you
really eat nothing, Monsignore? Let us go out
and sit under that awning there; a bath of
sunshine always does one good, and you need
not grudge yourself a half hour of leisure. I
have no doubt you have been passing the forenoon
somewhere with cholera or typhus or
some other plague of this sanitary century.
You know, Geraldine, that is Monsignore’s way.
He is S. Francis Xavier all the morning, and
then turns himself inside out and becomes an
Abbé galant for society.’
‘I have not been to anything typhoid or
choleraic this morning, or I should not be here
to endanger your loveliness, Princess,’ answered
Melville. ‘I have been where Poverty is—alas!
where is she not?—and in our day those
who wed with her regard it as a forced marriage,
wholly joyless; and we cannot persuade
them that there may be graciousness where she
dwells if only cleanliness and content will sit
down with her.’
‘Oh, Monsignore, it is not only poverty that
scares content, I can assure you,’ said Madame
Napraxine.
‘If you be not content, who should be?’
murmured Melville. ‘With every possible gift
of nature, culture, fate, and fortune showered
upon you, why will you always persuade yourself,
Princess, that your doubled rose-leaf mars
everything? I do not believe the rose-leaf
even exists!’
‘I am not sure that it does, either,’ replied
Madame Napraxine; ‘but I never remember
to have felt contented in my life. Is content
an intellectual quality? I doubt it. Perhaps
it is a virtue; I dislike virtues.’
Melville was a sincerely pious Churchman,
but even he did not dare to take up the cudgels
in honour of poor virtue before this merciless
speaker. He was satisfied with replying that
content was not a quality which the tendencies
of the waning nineteenth century were likely
to foster.
‘No!’ said the Princess Napraxine. ‘The
note of our time is restlessness, and its chief
attainment the increase of insanity.’
‘If it did not sound too much like moralising,
I should say that there was never any
time in which there was so much self-indulgence
and so little real rest,’ said Melville,
who had the sensitive fear of a man of the
world of appearing to obtrude his own convictions,
and to preach out of season and out of
church.
‘People require to have their brains and
their consciences very clear and very calm to
enjoy rest. It is the reward which nature reserves
for her good children,’ said Lady Brancepeth.
‘I must be very good, then,’ said Madame
Napraxine with her little mysterious smile, ‘for
I rest absolutely. To know how to do nothing
is a great secret of health and of comfort; but
you must not wait till you are fatigued to do
nothing, or you cannot enjoy it.’
‘And I suppose you must occasionally be
deaf to duty knocking at the door?’
‘Duty! She should have her proper moments
of audience, like the steward, the piqueur, the
secretary, and other necessary and disagreeable
people; that is to say, if she really exist.
Monsignore Melville evidently is in the habit of
listening to her.’
‘I may say with Josef II., "C’est mon
métier à moi,"’ said Melville, with good
humour. ‘But believe me, Princess, it is not
duty which prevents repose; it is far more
often worry, the hateful familiar of all modern
life. Worry takes a million forms; very often
it is dressed up as pleasure, and perhaps in that
shape is more distressing than in any other.’
‘Yes, the age has invented nothing that
does not result in worry. Only look at the
torture to diplomatists from the telegrams,’ replied
Madame Napraxine, while she tendered
him a cigar. ‘In other years an ambassador
had some pleasure in disentangling a delicate
and intricate embroglio, some chance of making
a great name by his skill in negotiation. An
able man was let alone to mingle his suaviter
and his fortiter, his honey and his aloes, as he
thought fit; his knowledge of the country to
which he was accredited was trusted to and
appreciated; nowadays, telegrams rain in on
him with every hour; he is allowed no initiative,
no independent action; he is dictated to
and interfered with by his home government,
and cypher messages torture him at every step.
What is the consequence? That there is
scarcely a diplomatist left in Europe—they
are only delegates. Where there is one, he is
incessantly controlled, hindered, and annoyed,
and all his counsels are disregarded. Meanwhile
the world’s only kind of peace is a permanent
armed truce. But let us go into the
garden.’