Poems of Arthur Hugh Clough

About this eBook

Author

Clough, Arthur Hugh, 1819-1861

Original Publication

United Kingdom: MacMillan and Co., Limited,1898.

Credits

Emmanuel Ackerman and the Online Distributed Proofreading Team at www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Language

English

LoC Class

PR: Language and Literatures: English literature

Subject

English poetry -- 19th century

Category

Text

Project Gutenberg

eBook-No. 66689

Release Date

November 7, 2021

Copyright

Public domain in the USA.

Contents

1. 1.POEMS OF ARTHUR HUGH CLOUGH
2. 2.CONTENTS.
3. 3.EARLY POEMS. — AN EVENING WALK IN SPRING. — AN INCIDENT. — THE THREAD OF TRUTH. — REVIVAL. — THE SHADY LANE. — THE HIGHER COURAGE. [1] — WRITTEN ON A BRIDGE. — A RIVER POOL. — IN A LECTURE-ROOM. — ‘ Blank Misgivings of a Creature moving about in Worlds not realised. ’ — I — II — III — IV — V — VI — VII — VIII — IX — A SONG OF AUTUMN. — τὸ καλόν. — Χρυσέα κλῄς ἐπὶ γλώσσᾳ. — THE SILVER WEDDING. [2] — THE MUSIC OF THE WORLD AND OF THE SOUL. — I — II — III — LOVE, NOT DUTY. — LOVE AND REASON. — Ὁ Θεὸς μετὰ σοῦ! [3] — WIRKUNG IN DER FERNE. — ἐπὶ Λάτμῳ. — A PROTEST. — SIC ITUR. — PARTING. — QUA CURSUM VENTUS. — ‘ WEN GOTT BETRÜGT, IST WOHL BETROGEN. ’
4. 4.POEMS ON RELIGIOUS AND BIBLICAL SUBJECTS. — FRAGMENTS OF THE MYSTERY OF THE FALL. [4] — Scene I. Adam and Eve. — Scene II. Adam, alone. — Scene III. (‘ Now the birth of Cain was in this wise. ’) Adam and Eve. — Scene IV. Adam and Eve. — Scene V. Adam with Cain and Abel. — Scene VI. Abel alone. — Scene VII. Cain alone. — Scene VIII. Adam and Eve. — Scene IX. Cain alone with the body of Abel. — Scene X. Adam alone. — Scene XI. Cain and Eve. — Scene XII. Adam and Cain. — Scene XIII. Adam and Cain. — Scene XIV. Adam’s Vision. — THE SONG OF LAMECH. — GENESIS XXIV. — JACOB. — JACOB’S WIVES. — THE NEW SINAI. — QUI LABORAT, ORAT. — ὕμνος ἄυμνος. — THE HIDDEN LOVE. — SHADOW AND LIGHT. — ‘WITH WHOM IS NO VARIABLENESS, NEITHER SHADOW OF TURNING.’ — IN STRATIS VIARUM. — ‘ PERCHÈ PENSA? PENSANDO S’INVECCHIA. ’ — ‘ O THOU OF LITTLE FAITH. ’ — ‘ THROUGH A GLASS DARKLY. ’ — AH! YET CONSIDER IT AGAIN! — NOLI ÆMULARI. — ‘ WHAT WENT YE OUT FOR TO SEE? ’ — EPI-STRAUSS-IUM. — THE SHADOW. [5] — EASTER DAY. NAPLES, 1849. — EASTER DAY. II
5. 5.DIPSYCHUS. — PROLOGUE TO DIPSYCHUS. — DIPSYCHUS. [6] — Part I. — Scene I. — The Piazza at Venice, 9 p.m. Dipsychus and the Spirit. — Scene II. — The Public Garden. — Scene III. — At the Hotel. — Scene IV. — On the Piazza. — Scene V. — The Lido. — Part II. — Scene I. — The interior Arcade of the Doge’s Palace. — Scene II. — In a Gondola. — Scene III. — The Academy at Venice. — Scene IV. — In St. Mark’s. Dipsychus alone. — Scene V. — The Piazza at Night. — Scene VI. — On a Bridge. — Scene VII. — At Torcello. Dipsychus alone. — Scene VIII. — In the Piazza. — Scene IX. — In the Public Garden. — EPILOGUE TO DIPSYCHUS.
6. 6.DIPSYCHUS CONTINUED. A FRAGMENT. — Scene I. — In London. Dipsychus in his Study. — Scene II. — In Westminster Hall. — Scene III. — Dipsychus in his own house, alone.
7. 7.POEMS ON LIFE AND DUTY. — DUTY. — LIFE IS STRUGGLE. — IN THE GREAT METROPOLIS. — THE LATEST DECALOGUE. — THE QUESTIONING SPIRIT. — BETHESDA. A SEQUEL. — HOPE EVERMORE AND BELIEVE! — BLESSED ARE THEY THAT HAVE NOT SEEN! — COLD COMFORT. — SEHNSUCHT. — HIGH AND LOW. — ALL IS WELL. — πάντα ῥεῖ· οὐδὲν μένει. — THE STREAM OF LIFE. — IN A LONDON SQUARE.
8. 8.THE BOTHIE OF TOBER-NA-VUOLICH: A LONG-VACATION PASTORAL. — THE BOTHIE OF TOBER-NA-VUOLICH. — I — II — III — IV — V — VI — VII — VIII. — IX
9. 9.IDYLLIC SKETCHES. — ITE DOMUM SATURÆ, VENIT HESPERUS. — A LONDON IDYLL. — NATURA NATURANS. [12]
10. 10.AMOURS DE VOYAGE. — AMOURS DE VOYAGE. — CANTO I. — CANTO II. — CANTO III. — CANTO IV. — CANTO V.
11. 11.SEVEN SONNETS ON THE THOUGHT OF DEATH. — SEVEN SONNETS ON THE THOUGHT OF DEATH. [15] — I — II — III — IV — V — VI — VII
12. 12.MARI MAGNO OR TALES ON BOARD. — MARI MAGNO or TALES ON BOARD. [16] — THE LAWYER’S FIRST TALE. Primitiæ, or Third Cousins. — I — II — III — IV — V — THE CLERGYMAN’S FIRST TALE. Love is fellow-service. — MY TALE. A la Banquette, or a Modern Pilgrimage. — THE MATE’S STORY. — THE CLERGYMAN’S SECOND TALE. — THE LAWYER’S SECOND TALE. Christian.
13. 13.SONGS IN ABSENCE. — SONGS IN ABSENCE. [17]
14. 14.ESSAYS IN CLASSICAL METRES. — TRANSLATIONS OF ILIAD. — (I. 1-32.) — (I. 121-218.) — ELEGIACS. — I — II — ALCAICS. — ACTÆON. [18]
15. 15.MISCELLANEOUS POEMS. — COME, POET, COME! [19] — THE DREAM LAND. — I — II — III — IV — IN THE DEPTHS. — DARKNESS. — TWO MOODS. — YOUTH AND AGE. — SOLVITUR ACRIS HIEMS. — THESIS AND ANTITHESIS. — ἀνεμώλια. — COLUMBUS. — EVEN THE WINDS AND THE SEA OBEY. — REPOSE IN EGYPT. — TO A SLEEPING CHILD. — TRANSLATIONS FROM GOETHE. — I — II — III — IV — V — VI — URANUS. [20] — SELENE. — AT ROME. — LAST WORDS. NAPOLEON AND WELLINGTON. — NAPOLEON. — WELLINGTON. — PESCHIERA. — ALTERAM PARTEM. — SAY NOT THE STRUGGLE NOUGHT AVAILETH.
16. 16.FOOTNOTES
17. 17.INDEX OF THE FIRST LINES.

Community reviews

Sign in to write a review.

No reviews yet.