In the early autumn of 1913 a French flyer
looped the loop to the amazement of an incredulous
world. More troops were ordered to the
Mexican border. In Chicago the Bon Ton girls
were the last word in burlesque. Smart horses
wore bobbed tails and well-cropped manes. Forty-four
thousand eight hundred tons of dynamite
tore away the barrier at the Pacific end of the
Panama Canal while Shriners cheered. Prime
favorites on the piano rolls were "Good-bye
Boys," "The Trail of the Lonesome Pine" and
"You're a Great Big Blue-Eyed Baby." Wheat
sold at around ninety cents in Chicago with hogs
close to nine dollars. Aunt Martha of the Needle
Notes column found that one could cut whalebone
to any desired length by warming it first
before the fire. German and American yachts
raced off Marblehead, and Lieutenant Governor
Thomas Morris of Wisconsin told an attentive
audience that never again would his fair state
become a coaling station for Wall Street, nor a
water tank for the Rockefeller and Morgan interests.
But to Peter Brailsford, impatient with his
youth; torn with fear of God, of hell, and of sex;
romantic, inexperienced, wistful; anxious to get
ahead in the world, yet essentially unworldly; intolerant,
rebellious, headstrong; filled with hatreds,
jealousies, and a morbid interest in death;
saddled with concepts of duty, patriotism, and
courage which were fatal to millions of his generation;
big, clumsy, lovable; obsessed with the
idea that he was only a country boy; almost as
supersensitive as Sarah and nearly as lusty as
Stud; fine, intelligent, mechanically minded, and
above all a considerate and good hearted young
fellow....
To this healthy but unhappy product of English
ancestry, Methodist theology, and the American
public school system the tumult of the outer
world meant little compared to the tumult within
his brain.
Now, striding along Main Street in greasy
coveralls, glowering at the Saturday afternoon
sun through eyes dark with anger, kicking defiantly
through drifts of yellow elm leaves, flaunting
rebellion and stubborn pride at every step,
he was just a kid coming home from work at the
"Trailer" to those he met; but to himself, Peter
was quite naturally the center of the Universe.
He would show the world and particularly
Mike O'Casey and the front office gang what sort
of a boy they had greasing their trailers. He
would invent some new and world-revolutionizing
trailer which would make them pop-eyed with
amazement. And when he had been made vice-president
of the company he would call Bud
Spillman into his office and dismiss him with
great dignity.
Peter told himself that he was talking nonsense
and acting like an unbroken yearling. He knew
that he should be the happiest boy in the world
and should thank God for his good fortune.
Nevertheless as he elbowed his way through
clots of gossiping farmers whose rigs and Fords
lined Main Street he knew that he was far from
being happy.
Maybe life in town wasn't so perfect after all.
Perhaps after he had taken a crack at this trailer
job.... But no. He would never go back to
the farm. Not even if he could be thrashing
boss every year with twenty men under him. He
would stick it out greasing trailers until the day
he died. Bud Spillman or anyone else couldn't
whip Peter Brailsford.
He stopped before the Bentley Brothers'
Hardware store, irrepressibly drawn by the beautiful
stag and pearl-handled jack-knives in the
window, and remembered the jack-knife he had
stolen from a boy at country school and how he
had known that God had seen him steal the knife,
and how for days he went in constant dread that
God would strike him dead for his sin. He still
had an overwhelming desire for pearl-handled
jack-knives. He remembered how he had thought
that eternal damnation was not too great a
price to pay for that shining knife, which was
as cool and smooth as slippery elm between his
fingers.
Looking in at the hardware store window cluttered
with milk pails, muskrat traps, fish poles,
pitchforks and spades he suddenly caught sight
of his own offensive image in the glass: ears that
stuck out on either side of his head like sails, a
thatch of dark, unruly curls which would never
stay combed, big brown calf's eyes which might
have graced a Jersey heifer, and pouting lips.
He wondered how anyone could look so ugly.
"What you need," he said irrelevantly, "is a
good swift kick in the pants." Undoubtedly,
with a face like that, he was getting more than
he deserved from a most generous world.
He began to count his blessings, unconvinced
but hopeful. He was away from the farm at last,
had freedom, a job, and a room in town. His
third weekly paycheck of twenty-two dollars and
fifty cents was in his pocket. He had a girl who
some day might give him a kiss, and a dapper
little employer, Mike O'Casey, whom he admired
beyond all power of expression.
Still he was miserable.
The very eminence of O'Casey was deflating
to Peter. How could a country lout with big feet
and clumsy red hands ever hope to reach such
pinnacles of success? The president of O'Casey
Trailers was not only a man of the world, a fine
mechanic, an inventor of proven genius, a baritone
soloist, and a buck and wing dancer. He
was also the most popular and best dressed man
in town. Peter bet that nobody in New York's
Four Hundred was better looking or a classier
dresser.
The boy leaned against the hitching rail and
sighed as his hero went roaring past in his big
red car with cutout open. Peter wished that Mr.
O'Casey would turn and nod, but no such miracle
occurred.
Peter asked himself what he was mooning
about. But he knew all too well. Bud Spillman,
out of all the hundreds of thousands of possible
men, had been made his straw-boss at the
"Trailer." Peter remembered once when he was
going to kill Bud Spillman. He had waited for
hours behind the Methodist church with a piece
of pipe. He had stood all that he could possibly
stand from the bully, had been kicked in the
stomach when he was down, had been insulted in
the showers before all the other boys, had had
his clothes tied in knots in the locker room, and
his tennis shoes filled with tacks.
He had stood in the cold behind the Methodist
church waiting for Spillman who usually took
that short cut home. He had envisioned just how
the bully would look when he lay there pale and
dead, and he had planned all his own actions:
what he would do if he were chased, and where
he would jump the freight which was to take
him from Brailsford Junction forever. A wishful
little song from childhood echoed and re-echoed
in his brain:
"Moonlight, starlight,
I guess the bears ain't out tonight."
But Bud had gone home another way.
And now, out of all the possible fellows in
Brailsford Junction, Bud Spillman had been
made his straw-boss. Bud, his rival for Maxine,
and his instinctive enemy since childhood.
Ruthaford S. Spillman, Bud's father, and
owner of the biggest livery stable in Brailsford
Junction had been one of the twenty backers
who had put up money with which O'Casey had
built his factory. It had been a snap for Bud to
get the job.
Peter's adventure had started so auspiciously
that he could scarcely believe this new turn of
events. He had come steaming into town sixty
miles an hour on his motorcycle, dressed in his
best serge suit and wearing his brightest tie.
After an hour of agony and anticipation he had
been ushered into the awe-inspiring offices of
president Mike O'Casey.
"Know anything about trailers?" asked
O'Casey.
"No, but I could learn."
"Is that your motorcycle out in front?"
"Yes sir."
"Can you take'er apart and put'er together?"
"You're darned right I can ... I mean, yes
sir. And I know all about Fords and thrashing
machines."
Mr. O'Casey smiled at the serious, eager young
man before him.
"I'm seventeen going on eighteen," Peter said.
"I guess you'll do, Kid."
Peter walked out, floating on air.
He started work the next morning and was
temporarily assigned to the paint shop where a
shipment of the crude semi-trailers of that day,
based on the early Martin patents, were being
painted a snowy white for a Chicago milk company.
He was clever with a brush and soon acquired
the knack of enameling and varnishing
without leaving a sag or a brush mark. All went
well until the second week when Bud Spillman
came to work at the "Trailer." From that moment
on Peter was miserable.
"So you wanted a job as a mechanic?" asked
Bud. "I'll see what I can do."
Several days later Peter was transferred to the
assembly plant where from morning until night
he greased trailers and plant machinery. Bud
promised to have him cleaning out toilets and
spittoons by the end of the month.
To hell with all of them! Some day Brailsford
Junction would wake up to the fact that Peter
was a genius. They would go around telling
anecdotes of his youth, and laugh about the time
he quit school, told "Indian Face" Bolton where
he could go, and tossed his school books into the
creek. He would invent an "equalizer" to take
the "whip" out of the action between car and
trailer. He would make a half a million dollars
and would live in a large house on Shannon's
Hill with Maxine Larabee and their many children.
The day began to brighten all about him as he
dreamed. The farmers and their wives looked
more kindly, the girls more handsome and the
men more noble. By the time Peter had reached
the Brailsford Junction National Bank he was
noticing how blue the sky seemed overhead, how
bright the leaves, how keen the wood-smoke in the
air. Not even the appearance of the prissy Mr.
Clarence Bolton, principal of the Brailsford Junction
high school of recent and unpleasant memory
could take the sunshine out of this newly discovered
Saturday afternoon.
Peter stopped to admire a brace of mallards
which Hank Vetter the butcher was just taking
from his Ford roadster. Hank said that in his
opinion Mike O'Casey was a card and highly
worthy of the admiration of every young man in
town. In front of the pool hall, men sat on the
hitching rail watching the farm girls go by. Cats
dreamed happily on piles of fresh vegetables in
the grocery store windows. The loafers sitting on
the steps of the cigar store spat idly at the wooden
Indian.
In Peter's new frame of mind even Old Man
Mulroy who was teaching his bow-legged grandson
to say "God damn" before a highly appreciative
male audience in front of the livery stable,
was mildly amusing on this day.
"Dod damn," said the toddler.
The men slapped their thighs and guffawed.
Old Man Mulroy, drooling tobacco juice at the
corners of his toothless mouth, grinned slyly.
A job in town. A paycheck in his pocket. The
boy whistled gayly as he marched along.
He looked in over the swinging half-doors of
the Red Moon Bar and felt that the time would
never come when he would be twenty-one and
could stand with one foot on the brass rail and
drink with the rest of the men. A new and brilliant
bock-beer billy goat was charging out of a
sign on the back wall. A large red bull, and a
superior cowboy rolling a cigarette with one hand
advertised a well-known brand of cigarette tobacco.
Peter wished that he dared to smoke on the
street. He wished quite violently that he could
roll a cigarette with one hand like the superior
cowboy in the picture.
He paused before the Palace theater where he
examined the bright billboards displaying a serial
queen poised in midair between precipice and
precipice, another view of the same harassed
young woman to whom the villain was touching
a torch, while the hero of the affair looked on
calmly from his rearing mount.
Life was very full and romantic, thought Peter
Brailsford. He realized that he could see every
movie that came to Brailsford Junction without
making the least impression upon his nearly inexhaustible
weekly stipend. He could even buy
himself a new suit and some dazzling new ties.
A room of his own, no school work. He could
skip church and Sunday School if he wished.
But no, he could not. A momentary cloud
passed over his sunny landscape as Peter came
abreast of the Dingle Brothers' General Store
into which Temperance Crandall was just disappearing.
He really liked the fussy creature even
if she did make him go to church, knit him wristlets
which he dared not wear and equally dared
not refuse, brought him soapstones on chilly autumn
nights, and saw that his flannel nightgown
was warmed before the base burner before he
went to bed. But he did wish that she would be
a little less curious as to where he went evenings
and what time he got in.
Rooms were scarce in Brailsford Junction with
the "Trailer" booming. Peter had taken what he
could get. He could abide the games of Authors
and Flinch played with Temperance and her
mother in the latter's upstairs bedroom, with the
oil heater making weird patterns of light and
shadow on the ceiling, and the kerosene lamp
spluttering. But he did not like to be crossquestioned
about Maxine Larabee.
"Maxine Larabee!" He rolled the syllables
over his tongue and felt the excitement that even
her name produced. How delicate and fine and
unattainable she was. He felt like a great clumsy
oaf beside her. He felt as awkward and shy as
the boys in the milling stag corner at the Firemen's
Ball.
He only asked to be allowed to watch her from
a distance, to wait outside the library hoping
that she would speak to him, or to wander disconsolately
back and forth before her house,
wondering which room was hers, wishing that
some marauder might attempt to break in so that
he could prove his love by cracking the fellow
over the head.
Love-sick and divinely miserable he walked
the streets at night listening to the wind in the
trees, holding imaginary conversations with his
beloved, devising tests and trials for his devotion.
Sometimes the sweet pain of his affliction seemed
more than he could bear. But when he had a
chance to speak to her there was nothing of this
he could express. He was apt to be rough and
boisterous, or merely shy and dumb.
His emotions could scarcely have been phrased
by Shakespeare nor captured in music by Beethoven,
yet the most that found utterance was:
"Gee, you look swell tonight."
Coming upon her as he rounded the corner at
Main Street and Albion he managed a loud and
joyous greeting. But Maxine had no answering
shout. She took one look at his greasy coveralls,
his blackened hands and face, then turned away.
She did not speak as she passed.
At the iron sink in the Crandall kitchen Peter
Brailsford labored to remove the dirt and grease
so offensive to the eyes of Maxine Larabee. He
scoured with violence, grimly pleased by the
stinging of his outraged skin and the smart of the
soap in his eyes. He scowled at himself in the
broken mirror, scrubbed his ears until they burned,
wiped the last trace of his recent shame on Temperance
Crandall's roller towel and was running
a comb through his wet curls when Early Ann
burst radiantly through the kitchen door followed
by the less impulsive Gus.
"Early Ann! Gus!" cried the young fellow.
"Peter! Peter!" cried the girl. "I've inherited
a farm. We'll all go to the movies."
"Not really?" said the astonished Peter as
Early Ann danced him in mad circles about the
kitchen.
"Really," said Early Ann. "And it's been sold,
and I've got the three hundred dollars above the
mortgage."
"Look out," cried the hired man. But his
warning came too late. They had jarred the
lamp from its shelf, and it fell with a crash
scattering glass all over the kitchen floor.
At this inopportune moment Temperance
Crandall returned from shopping. She had been
cheated two cents on eggs, sniggered at by the
pool hall gang, and despite two trips the length
of Main Street had not caught so much as a
glimpse of Timothy Halleck. Now she discovered
her kitchen strewn with glass. Early Ann
had her hat over one eye, Peter's shirt tail was
out, and Gus was studying the floor.
"I didn't mean to," said Gus. "I was just
hunting for some matches for my pipe."
"Didn't mean to," mimicked Temperance.
"Didn't mean to. Well you'd just better get busy
and clean up that mess."
"Yes, mam," said Gus, looking around for
broom and dustpan.
Early Ann giggled. Peter tucked in his shirt
tail. Temperance Crandall whisked off shawl and
bonnet, donned an apron, clattered the griddles
and stoked the fire preparatory to getting supper.
"You're Sarah's hired girl, ain't you?" she
asked over her shoulder.
"I'm Early Ann Sherman."
"When your maw used to work for us...."
Temperance began. Then catching a murderous
look in the kitchen mirror she changed her tune.
"Well now, you and Gus had better stay for
supper," she said. "There's plenty for all."
"No," said Early Ann. "We're eating at the
Ritz Royal this evening. I've inherited a farm."
She pulled her coat about her in an Anna Held
gesture, adjusted her hat, tilted her lovely chin
and started for the door. "Come along, Gus."
"Oh, stay," said Peter.
"A farm!" said Temperance.
"Yes, a farm," said Gus, bent double with the
dustpan and feeling surly.
"Nevertheless," said Temperance, "you'd just
better stay for supper. What would Sarah ever
think if I didn't feed you? Take off your coat,
Miss Sherman. And Gus, you can dump that
busted glass out on the ash pile."
Smiling again, Early Ann tossed her hat and
coat over a chair, tied an apron about her waist,
and with the uncanny instinct of one woman in
another woman's kitchen began to set the table
and to help get supper.
Watching the girl, Temperance sighed. She
felt old and tired today. She had never inherited
a farm, and never in her life had she had such
a peaches-and-cream complexion as Early Ann's.
She wished she might have a girl like this one to
help her about the house. She supposed that Miss
Sherman wouldn't be working any more now that
she had come into property, and she put the
question to the newly made heiress.
"You bet I'll go on working," said Early Ann.
"I'm going to save my money. Except enough for
some dresses and maybe a two-week trip to Chicago."
"Are you going to Chicago all by yourself?"
asked the horrified Temperance. But Early Ann
had made up her mind that she had told the town
gossip more than enough.
Gus returned from the ash pile and settled
himself in the kitchen rocker with a copy of the
"Modern Priscilla" replete with corset advertisements,
while Peter loudly announced that if he
were taking Early Ann to the movies he would
have to shave.
"Shave," scoffed Early Ann. "Let's see...."
She ran her fingers over the soft down which covered
his cheeks.
"Pin feathers," she said.
Peter ignored her. He dipped hot water from
the reservoir at the end of the stove, examined
his beard critically in the mirror, and began to
lather in a business-like manner. He wished that
Maxine might see him now.
Upstairs, Old Mrs. Crandall lay in her bed
wondering what it was that had shaken the house
a few minutes before. After a time she smelled
coffee and knew that there must be company.
Temperance and Peter always drank tea for
supper.
Deaf and bed-ridden, the old woman still kept
in touch with the world with her other senses.
Through a rift in the trees she could see the front
of the Methodist Episcopal church and in through
one of the basement windows. She knew what
went on in the elderberry bushes to the south of
the church, and she had seen a flash of Kate Barton's
red dress through the blinds of the belfry
last Thursday and had seen the pigeons and sparrows
come out in dreadful fright. You couldn't
tell Mrs. Crandall that Kate was practicing and
Joe Whalen pumping the organ that afternoon.
Mrs. Pat O'Toole looked to be about five
months along with her ninth. Peter Brailsford,
from the way he was mooning around, was certainly
in love, probably with Maxine Larabee.
Unlike Temperance, Old Mrs. Crandall had no
desire to reform mankind. She liked to hum popular
music and feel the vibration. She enjoyed
love-making, fights, and all the other delightful
and rowdy actions of mortals. She lay in a world
of almost complete silence, looking out wistfully
at the young people going by, and the blowing
autumn leaves; feeling the wind pushing against
the house. She did not want to die. She wanted
passionately to be alive next spring when the
lilacs bloomed in her front yard.
The odor of frying meat came up to her from
the kitchen, and finally the vibration of her
daughter's feet on the stairs. She hastily brushed
aside two big tears.
"Temperance," she scolded, "you're late with
my victuals."
Supper that evening was of sufficient social
importance so that Temperance covered the
kitchen oil cloth with her red and white gingham
table cloth, but not of a caliber which demanded
the use of the gloomy dining room adorned with
chromos of dead ducks, fruit, and fish; it was a
function worthy of the Crandall cut-glass teaspoon
tumbler, but scarcely a feast which necessitated
the crocheted and paraffined napkin rings.
Temperance brought out her tureen which she herself
had painted with blue birds and daisies, but
she used the bone-handled knives and forks rather
than the silver plate.
"I hear there's been a man snooping around
out your way," Temperance began after a hasty
blessing, followed by a pan to plate service of
fried potatoes, liver and bacon.
"No one you'd be interested in," said Early
Ann, as saucily as she dared.
"Don't try to be funny," said Temperance.
Temperance had little luck in eliciting any information
about the prowler or about Early Ann's
farm. The conversation turned to the latest antics
of Ulysses, and of his son Ulysses Jr., who
was proving to be a chip off the old block, to
Sarah's convalescence, the fall plowing, the
hickory nut crop and the plans for a new silo.
Not until the dishes had been cleared away and
Gus had gone his chaste and solitary way did
Early Ann begin to feel confidential.
On the way to the movies she was surprised
to find herself telling Peter all about how she had
inherited the farm at Horicon, about her mother,
and a comic version of the latest Joe Valentine
business. She claimed that she had beaten off Joe
with a stick of stove wood and she had run him
off the place.
"You don't need to worry about me," said
Early Ann. "I can certainly take care of myself.
I'll bet I can even lick you in a wrastle."
"I'll bet you can't," said Peter indignantly.
"Any old day!"
Stud Brailsford and Timothy Halleck had been
instrumental in getting Early Ann her small inheritance.
Now Stud wondered whether he had
been wise. Not that Early Ann had been spoiled
by her riches. She was still the same rosy-cheeked,
hardworking, saucy spitfire she had always been.
She was still devoted to Sarah, Peter, Gus and
Stud, and she announced quite passionately that
she intended to live with the Brailsfords and do
their work until the day she died. But now,
added to all the other barriers which kept Stud
from the girl, there was the fact that she was
independently wealthy.
Three hundred dollars was not to be sneezed
at in 1913. True, automobiles and mushroom-brimmed
velvet hats smothered in ostrich plumes
were rather expensive, but the lisle stockings
worn by all the virtuous women of the period
were priced at six pairs for a dollar; high buttoned
shoes usually described as classy, nobby, or
natty sold for two dollars a pair; and no woman
dreamed of squandering more than fifty-nine
cents on a pair of drawers, a corset cover, or a
princess slip.
Free, white, eighteen, full of mustard and
vinegar, and with three hundred dollars in the
bank, the Brailsfords' hired girl was distinctly a
person to be reckoned with. Her new clothes
from Sears Roebuck were the talk of the party
line.
And now, to increase Stud's worries, Early
Ann was insisting on a two weeks' trip to Chicago.
It was unheard of that a girl should make such
an excursion unchaperoned.
It took less than six hours on the C., M. & St.
P. to reach the sinful, brightly lighted metropolis
on Lake Michigan; nevertheless Chicago was
fifty years and a half a world from the muddy village
of Brailsford Junction.
Chicago might rag; make fortunes in wheat,
hogs, and steel; discuss atheism, Freud, and the
early H. L. Mencken. But Brailsford Junction
still attended barn dances and revival meetings.
It lived by the laws of Solomon and Moses
only slightly conditioned by the paganism of
Omar and the invasion of the Ford.
These Junctionites lived by the crude practical
joke, the rough and ready generosity of their
pioneer grandparents, by gossip and by Jesus.
They lived in a world of lamp light and lantern
light, of full corn cribs and Sunday School picnics.
Chicago was almost as remote as Mars.
Even Stud would have made the journey to
Chicago with misgivings; and for an unmarried
young woman to make such a trip was unthinkable.
They all pleaded with her to be sensible.
"I'd never forgive myself," said Sarah. "It's
up to me to keep you safe from harm. I'd worry
myself sick every day you were gone."
"Never heard of a girl going off to Chicago
alone," said Stud. "It ain't right."
"It's a big, wicked city," said Gus, knowingly.
"I went to Chicago once for the Columbian Exposition.
And by golly, the way little Egypt shook
her ..."
"Sh-h-h," said Sarah.
"Well, I'm going," said Early Ann, "and that's
that. But, Mrs. Brailsford, you mustn't worry
for a minute. I grew up as wild as a chipmunk
and I guess I can take care of myself."
"But why do you want to go?" Stud asked
the bright-eyed girl, whose ripe young breasts under
her middy rose and fell with her breathing,
and whose well-turned ankles under her sailor
skirt were a treat to the eye.
"I've been wanting all my life to see Chicago,"
Early Ann said. "I never seen a tall building, or
rich ladies riding in limousines, or the silver dollars
in the Palmer House floor. I never seen
Irene Castle dance, or heard Grand Opera, or had
people wait on me like they do in a hotel."
"Yes, Early Ann, I know, I know," said Sarah,
earnestly. "You got a right to have one good time
like that in your life. Everybody has got a right
to be happy just once."
"But I won't budge out of this house if you
ain't well enough yet," said Early Ann. "You've
only been up and around for six days, Mrs.
Brailsford."
"No, no, Early Ann. You mustn't stay on my
account. I'm fit as a fiddle. It's only for your
own good I want you to stay."
"Then I'm going tomorrow on the ten o'clock
train," said Early Ann. She began to pack in the
parlor while the family showered advice and ran
errands.
Sarah kissed her goodby tearfully. Gus was
suspiciously misty-eyed as he carried her telescope
suitcase out to the Ford, and Stud drove
her recklessly to the station where he insisted on
paying for her round-trip ticket and for a chair
on the parlor car—a luxury he had never allowed
himself.
"You hang on to your money, young lady," he
said. "And don't make up to any city fellows."
He stood watching the train until it had passed
out of sight around the curve, then leaping into
his Ford roared back to the farm where he began
two weeks of mad labor. He worked on the
fences, set posts, strung shining lines of new
barbed wire, pruned several trees and filled a
small ravine with boulders. He trapped a weasel
that had been getting his chickens, put barrels
around his young fruit trees to save them from
the rabbits. He sent for a new stump-puller, seductively
described in the mail order catalogue,
hoping to clean out the brush lot in the slack
months which were ahead.
One morning he noticed that the barns needed
painting. He called in Mack Curren, who had
finally given up hope of being a great portrait
painter. Mack and his crew gave the buildings a
new red coat visible for miles.
"Might as well be fancy and add white trimmings,"
Stud told the willing Mr. Curren.
Stud himself was hard at work on the new silo.
He drove himself happily these days, and he
drove Gus who was not so happy concerning
his employer's sudden desire to move the world,
to paint the farm from end to end, and to add
a wing to the milk house.
Stud remembered to bring in frosty asters and
goldenrod to Sarah. He told her that what she
needed was a wild duck dinner, and he fixed himself
a blind beside the lake and waited, watching
his decoys.
The shotgun shells were heavy and cool in his
hand. The long, clean barrels of his gun shone
like blue fire when he looked through them at the
sun. Not a speck of dust! Every part oiled and
working like a seventeen-jewel watch. The carved
walnut stock was as smooth as satin to his fingers,
and the gun balanced perfectly as he threw
it to his shoulder.
He had carved the decoys himself from white
pine and had painted the intricate markings from
memory. He knew the glossy green head and
bold coloration of the drake mallard, as well as
the more modest hues of his mate. He was familiar
to the last tail feather with the tones and
patterns which distinguish canvasback, redhead,
bluebill, widgeon, goldeneye, and black mallard.
He could imitate the quack of a duck or the honk
of a Canadian goose almost too well for his own
safety.
Bright water bugs skimmed the quietly heaving
surface of the lake. A muskrat with reeds
in his mouth, his nose barely above the water, his
tail trailing for a rudder, swam past the blind.
Stud's live decoys anchored in the shallow water,
preened, tipped for food, gossiped of the days
when they themselves were free to skim southward
ahead of the storms, bound for southern
bayous.
Stud lay back looking up at the immensity of
sky, never more deeply blue, he thought, than
above Wisconsin in the autumn. He watched a
flight of coots but let them pass; followed a
wood duck with his gun but did not shoot. A hell-diver
was playing among his decoys, and a couple
of green-winged teal went by just out of gunshot,
their wings whirring like toy windmills in a
cyclone.
"Nothing but a ruddy can outfly them," Stud
observed, "and the ruddies fly so darned fast it's
a wonder they don't catch fire."
Toward sunset the flight began in earnest,
and for about ten minutes Stud banged away
like the Federal gunboats before Vicksburg. He
shot his bag limit without crippling a bird, waded
out in hip boots to bring them ashore, and went
singing home, loaded down with rice-fattened
mallards.
One morning he crossed the field of wheat
stubble stretching yellow and frosty on either
hand and went into the brown woods to choose
his trees for winter cutting. It would be good to
swing an axe again, to take big white chips out
of a tree, to hear it crash to the ground and settle
with a sigh. It would be good to get on one end
of a cross-cut saw again, to make Gus cry out for
mercy as they sliced through three feet of oak.
His big muscles yearned for the sixteen pound
mall he used for driving wedges, a sledge which
made the average man pant like a one-cylinder
gas engine, but which was a plaything for Stud.
At night he came in tired, soaked with sweat,
but almost happy. Sarah noticed and was glad.
Fall, with the red of sumac and of hard maple,
the leathery brown of hickory leaves, and the pale
yellow of elm was upon the land. The leaves
drifted in the brisk winds, and the wind sighed
through the pines of the front yard. The marshes
turned to brown and almost overnight the muskrat
houses sprang up in rough brown piles along
the deeper channels through the grass. The orchard
was a wilderness of ripening, fragrant
fruit, yellow, scarlet and deep red. The house
was banked about with shocks of corn. Five cords
of wood were already sawed and split, and more
would come out of the woods as the days grew
colder.
Gus came running in from the mail box one
morning with a postcard from Early Ann. It had
a picture of a huge hotel where Early Ann was
staying and in a large, girlish hand:
"Having a good time. Wish you were here!"