AND then at last the day came when
Philip was to start on his travels,
and everybody was trying so hard to
bear up and be cheerful that there
was quite an air of false gayety about
the household. Only one member of
the family seemed to be indifferent
about Philip’s departure, and this was
his cousin Marion, who had returned
the week before from her visit to Scotland,
where she had been flattered and
made so much of for her beauty and
accomplishments that her silly head
was quite turned. She was deeply
chagrined on her return to find that
Philip, instead of herself, was the central[191]
figure in the family circle. She
had the greatest admiration for Lord
Ashden, and felt a respect for his rank
and title which amounted almost to
veneration. She was secretly quite
enraged that he should have selected
this boy, whose parentage on one side
was, to say the least, decidedly obscure,
and should have paid him so much
attention.
“I wonder what Lord Ashden can
be thinking of,” she said, with flashing
eyes, to her younger sisters, who were
disposed, on her first return home, to
regard her with a kind of admiring awe.
“I suppose Philip asked Lord Ashden to
take him abroad with him, and of course
he is far too good-natured to refuse.”
“Oh, no, indeed,” the truthful Rose
was obliged to reply. “He did not,
indeed, Marion; for when Aunt Delia
told him of Lord Ashden’s invitation,
he was as much surprised as we were.”
“Fiddlesticks!” said Marion, tossing
her head; “you all seem to think that
Philip is as innocent as a lamb. He
may be as stupid as one, that I will
grant you,” and Marion laughed unpleasantly
at her own witticism. Rose
echoed the laugh, although rather faintly,
and she was glad that Lillie had been
called from the room, and so had not
heard Marion’s ill-natured remark.
As for Philip, his thoughts were too
full of other things to notice his cousin
Marion’s behavior very much. He had
always been a sincere admirer of her
beauty and cleverness, but the first
evening of her return he decided that,
after all, Lillie was far the sweeter and
more lovable of the two girls; and even
Rose, he thought, who was rather plain
and freckled, had a much more amiable
expression than her handsome elder
sister.
When the time came to say good-by,
and Philip was going about with
rather a sad smile, shaking hands and
embracing the dear friends who had
made his stay at the rectory such a
happy one, he noticed that Marion
seemed to hold back, and he tried not
to care, although he flushed painfully
as he went toward her, holding out his
hand.
“Good-by, Marion,” he said; “I am so
sorry that I am leaving just as you have
come back to Lowdown.”
She made no reply, and held out a
limp, reluctant hand. “Good-by,” she
said coldly at last, as he waited hesitatingly
for a word.
Philip gave her a swift glance, and
then, overcoming his shyness, he said
impulsively:
“Oh, Marion, is that all you can say—not—not
just one word to wish me
success with my music?”
His voice trembled a little, and his
cousin could not resist the pleading in
his eyes. She dropped her own, saying
rather more graciously:
“Yes, oh, yes, of course I wish you
good luck. I am very glad that you
are to have such a fine chance to see
something of the world, and I hope—that
is—I am sure that you will try to
be a credit to the family.”
Just then the carriage from Ashden
arrived, bringing Lord Ashden, who
had been detained at the last moment,
so that there was just time for Philip
to jump in beside him, and the horses
started off on a run to the railroad
station.
Philip stood up on the seat of the
carriage, waving his cap; he kept his
eyes fastened upon Aunt Delia, who
was keeping her promise not to cry, by
laughing hysterically at the frantic efforts
of poor Dash to escape from her
arms and follow his young master. And
then a turn in the road hid the carriage
and the little swaying figure from the
sight of the group on the rectory steps,
and Mr. Seldon put his arm gently
around his wife, saying:
“How I wish that our Philip could
see his boy to-day! Do you notice how
like his father the dear boy grows?”
As for Philip, he was very grave and
silent during the journey to London,
but the first glimpse of the great city
aroused all his enthusiasm, and he
chattered and laughed and asked questions
as they were being driven to the
hotel, while Lord Ashden leaned back
in the cab, pleased and diverted by
the boy’s exclamations of interest and
pleasure. As for Philip himself, it was
pleasure enough to be travelling alone
with a man like Lord Ashden, for
whom, from the first moment of meeting
him on that memorable day in the
woods, he had cherished a sort of rapturous
admiration, which was something
very different from his cousin Marion’s
silly veneration for rank. Indeed, he
was still far too innocent of the world’s
ways to be conscious of the value placed
on high position; and Lord Ashden,
sick of the insincerity and shallowness
of the people whom he met in society,
found a large measure of the happiness
which he had thought to have lost forever,
in the society of this true-hearted
boy.
They spent only one night in London,
starting the next day for the Continent.
It had been their intention to go on at
once to Italy, but Lord Ashden was
detained in Paris by important business
for more than a month, and this was a
period of constant wonder and delight
to Philip.
Marwin, Lord Ashden’s confidential
servant, was an experienced traveller,
and in his care Philip visited the places
that he and Miss Acton had tried to see
in imagination in the long, quiet evenings
at Lowdown, when Aunt Delia
had talked to them of her own extensive
travels throughout Europe. Philip
recognized several of the places which
he now visited, from Mrs. Seldon’s
graphic description of them. Marvin
was an intelligent guide, and his running
commentary upon what they saw
was listened to by his young charge
with flattering attention. Lord Ashden
was not able to go about very much,
and the sights of Paris were not novelties
to him; but every evening he drew
from Philip a description of his day’s
adventure.
“Is this the very best day of all?”
he would say, as the boy’s bright, expressive
face appeared at his door.
“Oh, yes, sir, the very, very best of
all,” would be the answer he was always
sure of receiving. The certainty
of finding ready sympathy made the boy
willing to speak freely of his thoughts
and emotions, and Lord Ashden, who
had the gift of drawing people out,
sometimes led him on, after hearing an
account of the places he had seen, to
talk of thoughts, hopes, and desires that
he had never spoken of to any one.
It was on a morning after one of these
conversations that Lord Ashden announced
his intention of taking Philip
himself to see some pictures. They
were not in a public gallery, but were
the choice private collection of a distinguished
patron of art, who occasionally
threw open his gallery to an appreciative
public. There was no one
present but themselves when they first
entered the room and walked about,
examining the pictures at leisure.
There was a curious mingling of ancient
and modern art, but to Philip’s
undistinguishing eye, all of them were
beautiful, and he listened entranced
while his friend explained the subject of
one and another of his own favorites.
“Oh, my dear boy!” he exclaimed
suddenly, after giving a most entertaining
account of the “Barmecides’ Feast,”
which hung before them, “how vividly
all this talk about pictures reminds me
of your father!”
He knew quite well that this was a
subject of which his companion never
grew weary, and it was the subject, too,
which always drew this strangely assorted
pair more closely together. They
sat down on a bench in a quiet corner,
and many a visitor to the gallery that
morning lingered to admire the tall,
distinguished-looking Englishman who
was talking with such earnestness to
the beautiful, fair-haired boy, who with
eager, upturned face looked almost like
one of the young angels in a celebrated
picture which hung just above his head.
This was but one of many happy
days of intimate companionship and
sight-seeing, and Philip, even with Italy
in prospect, turned his back upon the
gay French capital with a long sigh of
regret. When they reached Rome
they found that the famous teacher
whose advice Lord Ashden had come
so far to seek for Philip had left, a few
months before, to take charge of a large
conservatory at Milan. They decided
not to follow him at once, however, for
Lord Ashden was anxious that Philip
should see something of the Eternal
City before settling down to work and
study. He himself was guide this
time, and he took the boy to palaces
and picture galleries, to cathedrals and
studios and concerts, until Philip was
scarcely able to sleep at night, for
thinking of the wonder and the beauty
of it all; and then his wise and kind
guide planned that they should spend
a day or two at Naples, which they
passed drifting about on the beautiful
bay, and so when Philip was quite
rested again, they travelled on by easy
stages to Milan.
Signor Marini was such an exceedingly
busy man that it was several
days before he could make time to
have Philip brought to the conservatory.
The great teacher was very fond
of Lord Ashden, and would have gone
out of his way to have done him a
favor, but he was rather sceptical
about Philip’s playing; he had had several
rather unfortunate experiences with
child musicians, and was sceptical about
infant prodigies in general. Moreover,
he assured his friend that if the Angel
Gabriel should have come down from
heaven to take lessons from him just at
this time, he could not have complied
with his request.
“You understand,” he said in his
quick, Italian way, “I can no longer
teach any one—not the greatest violinist
living. I am too busy and too old—and
my conservatory, the management
of it, the routine, it is enough; but you
may bring your boy, ah, yes, I will find
for him the best teacher in Milan.”
“Ah, signor,” said Lord Ashden,
disappointed, “I had hoped that you
would take the boy yourself.”
“Quite impossible!” said the teacher,
shaking his head, “but, as I said, bring
the boy, and we will see.”
Fortunately, Philip did not realize
the importance of the ordeal through
which he was to pass, when one morning
at breakfast Lord Ashden said
quietly:
“I want you to bring your violin,
and come with me this morning to
play for an old friend of mine, who
may be able to give you some valuable
advice about your music.”
After breakfast, accordingly, they
drove for several miles through the
older portion of the city, and at last
the carriage drew up before a dingy
door in what had been an ancient palace.
They were ushered without delay to
the private office of the maestro, a
little, wiry, keen-eyed old man, in a
greasy smoking-jacket, and smelling
strongly of tobacco. He looked at
Philip sharply from under his shaggy
eyebrows, remarking with a kind of
grunt, in Italian:
“Handsome, like his father,” for
Signor Marini remembered the young
English artist who had been travelling
with Lord Ashden during his last
visit to Italy, and who had dabbled a
little in music, as he said himself,
“while he waited for the first coat of
paint to dry on his canvases.”
In fact, the old man was so full of
reminiscences that Lord Ashden was
obliged at last to remind him of the
real object of the visit.
“Ah, yes,” grunted the music teacher
rather ungraciously. “The boy may
play.”
Philip, who had been examining
some rare and beautiful musical instruments
which were in the room,
opened his violin case at once and
stood, bow in hand, looking inquiringly
from Lord Ashden to Signor Marini,
with a simple desire to know their
pleasure and an utter absence of embarrassment
or nervousness which
rather surprised the Italian.
“What shall I play, sir?” asked the
boy, and the teacher named a rather
difficult étude which, fortunately for
Philip, he had been practising within
the week.
The maestro pretended at first not to
be listening very attentively; indeed, he
yawned once or twice and walked to
the window, where he stood drumming
noiselessly upon the pane with his dirty
fingers; but, after a little, he began to
listen more attentively, and when the
first few wailing notes of the violin had
melted into the very passionate intensity
of the second measure of the composition,
he wheeled suddenly around, sat
down with his arms folded on the back
of a chair, and listened with unbroken
attention to the end.
When Philip had finished playing he
laid his violin down carefully on the
table and turned toward Lord Ashden
with an inquiring smile as though he
would have said:
“Was it all right, my friend?”
Lord Ashden did not reply, but he
looked at Signor Marini with an amused
smile. The whole expression of the
latter’s face had changed, and presently
he said to Philip:
“Come here, my boy.”
Philip went over to him at once, with
a pretty, respectful inclination of the
head, which seemed to please the old
man. He asked him a few short, rapid
questions about his practising, his instrument,
and his plans for the future.
“You have formed some rather bad
habits in your playing,” he said. “They
can only be corrected by very hard
work.” He paused a moment with his
glittering eyes fixed upon the boy’s upturned
face. “Tell me, are you willing
to work hard, very hard? to practise
all day, and, if necessary, all night,
too? Are you willing to give up everything—pay
attention now to what I
am saying—to give up everything for
your art?” And, as Philip nodded
gravely, fixing his earnest eyes full
upon the old man’s face, the latter got
up from his chair, which he pushed
away from him with so much violence
that it fell over on the floor.
“Very well,” he said, “I believe you;
when can you begin—at once?”
Then, turning to Lord Ashden, he
held out his hand. The latter was
smiling in spite of himself, as he said,
trying to speak seriously:
“And what about the teacher for the
boy, of whom you spoke?”
The old music teacher smiled a little
grimly.
“My friend,” he said, “I will take
the boy myself, provided you will consent
to his living in my house, so that
he may give me all his time for the
practice he so much needs. No, no
thanks. Think it over, and when you
have decided send the boy to me.”
And so it was arranged that Philip
was to be left behind in Milan for a
year while Lord Ashden went to Egypt
with some friends, but not before he
had assured himself that the boy would
be quite happy in the household of
Signor Marini, who, in spite of his
peculiarities, had a very kind and generous
nature, while his fat and rather
stupid wife was overflowing with good-nature.
They promised to do all in
their power to make Philip as happy
and comfortable as he could be under
such altered conditions, and they kept
their word; it must be confessed, however,
that the boy suffered a great deal
for the first month or two from that
most unbearable of all complaints,
homesickness; but after that he did not
have much time to think of his friends
in England, or indeed of anything else,
for he soon became completely absorbed
in conquering the difficulties of
exercises and studies.
Signor Marini was a stern taskmaster,
and it was a peculiarity of his that
he seldom praised or encouraged his
pupils; sometimes, however, when
Philip had conquered a difficult passage,
his teacher would give expression
to his satisfaction in a kind of grunt
which Philip soon grew to look for and
to value as the highest kind of praise.
Nor did his teacher make much reply
to Lord Ashden’s frequent letters of
inquiry concerning his pupil’s progress.
“You know I told you that I did not
believe much in precocious children,”
he wrote once, “but Philip I believe is
something more than that. If I did
not believe that he had a future before
him, I should certainly not be spending
so much time upon his training.”
And with this assurance Lord Ashden
was obliged to be content, and
although the year of separation from
Philip was harder for him than for
the boy, he waited patiently, believing
the life in Milan to be just what his
young charge needed.