"OH, THE EYES OF MY MOTHER!"
"Oh, High-Born Graciousness, what is
that beautiful street we are driving into?"
asked Marushka, as they drove out in the
afternoon, and the coachman turned the
horses into a magnificent avenue.
"This is Andrássy-ut, the famous boulevard,
which leads to the park," replied the
Baroness. "We are driving toward Os
Budavará, the Park of Buda-Pest, and it
is one of the most beautiful sights in the
world."
As she spoke they entered the park, and
the children gazed in wonder at its beauty.
Swans floated on the miniature lakes; in
the feathery green woods bloomed exquisite
Persian lilacs, children played on the green
grass beneath the willows or ran to and
fro over the rustic bridges. On the Corso
the fashionables drove up and down in
the smartest of costumes, their turnouts as
well appointed as any in Paris or London.
The men were many of them in uniform,
the women, some of them with slanting
dark eyes almost like Japanese, were graceful
and elegant.
"The skating fêtes held in the park in
winter are the most beautiful things you
can imagine," said the Baroness. "The
whole country is white with snow. Frost
is in the air, the blood tingles with the
cold. Ice kiosks are erected everywhere,
and coloured lights are hung up until
the whole place seems like fairyland, and
the skaters, dressed from top to toe in
furs, look like fairy people skimming over
the ice."
"It must be beautiful," said Marushka.
"But what is that man playing?"
"The taragato, the old-fashioned Magyar
clarinet," was the answer, and the old
instrument seemed to tell tales of warlike
days, its deep tones rolling out like the
wind of the forest. A boy near by played
an impudent little tilinka (flageolet), and
Banda Bela said:
"That never sounded like real music to
me; only the violin sings. It is like the
wind in the trees, the rustle of the grass on
the moor, the dash of the waves on the
shore, the voice of the mother to her
child."
"Banda Bela, you are poet as well as
musician," said the Baroness. "You shall
never go back to Harom Szölöhoz to live.
You shall stay with me. I will sing to
your music, and you shall study music
till you are the greatest violin player in
all Hungary."
"When a Gypsy child comes into the
world they say his mother lays him on
the ground and at one side places a
purse and at the other a violin," said
Banda Bela. "To one side or other the
baby will turn his head. If he turns to
the purse he will be a thief, if he turns
to the violin he will earn his living by
music. My mother said she would give
me no chance to choose ill, but an old
woman near by laid forth both the purse
and the violin and I turned my head to
the violin and reached for it with my
baby hand. When they placed the bow
in my hand I grasped it so tight they
could scarce take it from me."
"Banda Bela," said Marushka, and her
tone was pettish. "You like your violin
better than you do me!" The boy laughed.
"My violin has earned you many a
supper, Little One; do not dislike it!"
"Oh, Your Graciousness, what are those
strange things?" cried Marushka. "They
are not automobiles, are they?"
"No, my child, they are the new steam
thrashing machines which the government
has just bought, and is teaching the peasants
to use instead of the old-fashioned ways
of thrashing. Now we are getting into
the country. See how beautifully the road
winds along the Danube! Is it not a wonderful
river? There is a famous waltz
called the 'Beautiful Blue Danube' and
the river is certainly as blue as the sky.
See that queer little cemetery among the
hills. I have often wondered why some of
the gravestones in the village cemeteries
had three feathers and coloured ribbons
on them."
"If you please, Your Graciousness," said
Banda Bela, "I can tell you. That is
for the grave of a girl who has died after
she was of an age to be married, yet for
whom no one had offered the buying money.
Aszszony Semeyer told me that."
"Aszszony Semeyer told me that every
peasant kept a wooden shovel hung upon
the wall of his house with which to throw
in the last shovelful of earth upon his
loved ones," said Marushka with a shudder.
"Ugh! I didn't like that."
"Very few people like to think about
death," said the Baroness. "See that thicket
of prickly pears beside the road? Once
when I was a little girl and very, very
naughty, I ran away from my nurse and to
hide from her I jumped over the wall and
landed in just such a thicket as that. I
think the pears must be naughty, too, for
they liked that little girl and would not
let her go. The thorns pricked her legs
and tore her frock and scratched her hands
when she tried to get her skirts loose, until
she cried with pain and called 'Kerem jojoro
ide'[14] to her nurse."
"I did not think the Gracious Baroness
was ever naughty," said Marushka.
"The Gracious Baroness was quite like
other little girls, my dear," she said, smiling.
"Ah, I have a little twinge of toothache!"
she exclaimed.
"That is too bad." Marushka was all
sympathy. "Aszszony Semeyer says that
if you will always cut your finger nails on
Friday you will never have toothache."
"Is that so? Then I shall certainly try
it," said the Baroness soberly. "Do you
see the gleam of white houses between the
trees? Those are the beautiful villas and
castles of the Svabhegy, the hill overlooking
the Danube, and here live many of
my very good friends.
"I am going to visit one of them for a
little while and you must be good, quiet
children and sit in the carriage while I go
in to make my call. Then, perhaps, I
will take you in for a few moments to
see the house, for it is a very beautiful
one. See! here we are at the gate," as
the carriage turned into a beautifully
ornamented gateway, above which was
carved the legend: If you love God and
your Country, enter; with malice in your
heart, go your way.
The driveway wound through beautiful
grounds, and through the trees were seen
glimpses of the Danube. The house itself
was white and stood at the crest of the hill
overlooking the river.
"This place belongs to the Count Ándrassy,"
said the Baroness. "He has also
another place in the Aföld and is very
wealthy. When my grandfather went to
visit his grandfather in the old days, they
once took the wheels from his carriage and
tied them to the tops of the tallest poplar
trees on the estate to prevent his leaving.
Another time they greased the shafts with
wolf fat, so that the horses would not allow
themselves to be harnessed up, for they are
so afraid of the wolf smell. Still another
time they hid his trunks in the attic so
that it was three months before my grandfather
finally got away.
"That was old-fashioned hospitality.
Here we are at the door. Sit quietly here
and I will return," and the Baroness sprang
down. There was a swish of her silken
skirts and the front door closed behind
her.
The children chattered gaily to each other
of all they had seen and heard since they
had left Harom Szölöhoz, and Marushka
said:
"It seems so long since we have left the
village, Banda Bela; somehow it seems as
if we would never go back."
"I think you never will." Banda Bela
spoke a little sadly. "Were you happy
there, Little One?"
"Oh, yes," she said brightly. "I was
happy with you and Aszszony Semeyer.
Only, when I saw other children with their
mothers, there was the ache right here—"
she laid her hand on her heart.
"I know," said Banda Bela. "I have
that always. Only when I play my violin
do I forget."
"But I cannot play the violin, nor can
I do anything, only embroider that horrible
Himmelbelt," and Marushka pouted, while
Banda Bela laughed at her.
"Think how proud you will be some day
to show that Himmelbelt to your husband,"
he said, but just then the Baroness and the
Count came out of the house together.
"What do you think?" the Baroness
asked the Count.
"I think you are right, but Maria
shall decide," he answered. "We will
say nothing to her and her heart will
speak."
"Come in, children," said the Baroness,
who looked strangely excited. Her eyes
shone and her cheeks were flushed, while
the Count's face was pale as death and he
looked strangely at Marushka.
"Banda Bela," said the Baroness, "the
Countess is not very well. She loves music
as you and I do, and I want you to come
in and play for her. She is very sad. Once
she lost her dear little daughter, and you
may play some gentle little songs for her.
It may give her pleasure. It is a beautiful
thing, Banda Bela, to give pleasure to those
who are sad."
The Baroness chattered on as they entered
the house. Marushka looked up at
the Count's face. Sad as it was she felt
drawn toward him. She saw him watching
her closely and smiled up at him with
the pretty, frank smile which always lighted
up her face so charmingly.
"High-Born Count," she said shyly, "I
have to thank you for the first present I
ever received in all my life."
"What was that, Little One?" he asked.
"The top boots which Banda Bela
bought for me at the fair at Harom
Szölöhoz. They were bought with the
florin you gave to Banda Bela for his
playing. They were so nice!" She dimpled
prettily.
"I am glad they gave you pleasure.
Come, we will go in and hear Banda Bela
play," said the Count, holding out his
hand. Marushka slipped her hand into
his and he led her into the house, entering
by the large hall, on the walls of which hung
deer horns and wolf heads, while a huge
stuffed wolf stood at one end, holding a
lamp in his paws. The Count was a great
sportsman and had shot many of these
animals himself in the forests of the Transylvania.
Banda Bela tuned his violin and then
began to play. It seemed to Marushka
as if she had never before heard him play
so beautifully. Many things he played,
all soft and dreamy, with a gentle, haunting
sadness through them, until at last he
struck into a peculiar melody, a sort of
double harmony of joy and sorrow, which
he had never played before.
"What is that, Banda Bela?" demanded
the Baroness. "Who wrote it, what are
the words?"
"If you please, Your Graciousness"—the
boy flushed, "it is but a Gypsy song
of sorrow. The words are but in my own
heart."
"Strange boy," she thought, but at that
moment the door opened and a lady hastily
entered the room. She was tall and very
beautiful, with great masses of corn-coloured
hair and deep blue eyes, but her face had a
look of terrible sadness.
"Arpád!" she exclaimed. "What is this
music? It makes me weep for my lost one
and I am nearly blind with weeping now."
Her eyes, seeking her husband's, fell upon
Marushka, who during the music had been
leaning against the Count, his arm around
her. The Countess' eyes travelled up and
down the little figure, then sought her husband's
face with a sort of eager, frightened
questioning.
"Arpád!" she cried. "Arpád! Who is
this child?"
"Maria, my dearest! I have brought her
here that you may tell me who she is," he
said, trying to speak calmly.
She drew the little girl toward her and
Marushka went willingly and stood looking
into the sweet face of the Countess.
"Such a likeness," whispered the Baroness.
"They are as like as two sisters."
Then, all in a moment, the Countess
gathered Marushka into her arms and covered
the child's face with kisses. "You are
mine," she cried, tears streaming down her
face. "Mine! Arpád! I know it is our
little daughter come back to us after all
these years. My heart tells me it is she!"
Marushka looked frightened for a moment,
then she clung around her mother's
neck, and the Baroness quietly drew Banda
Bela from the room. From the hall the
sound of the Gypsy boy's violin came as he
played, with all his soul in his touch, the
song of his father:
"The hills are so blue,
The sun so warm,
The wind of the moor so soft and so kind!
Oh, the eyes of my mother,
The warmth of her breast,
The breath of her kiss on my cheek, alas!"
THE END
L. C. Page and Company's
BOOKS FOR YOUNG PEOPLE
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New illustrated edition, uniform with the Little Colonel Books, 1 vol., large 12mo, cloth decorative $1.50
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Transcriber's Notes:
Obvious punctuation errors repaired.
All spelling of Hungarian words retained as printed in the original
text with the exception of "sokáig" in the song on page 36. That had
a capital K in the middle which was changed to lower case. The rest
are as printed. Toward that end, text uses both "Ándrassy" and "Andrássy";
"Budavara" and "Budavará."
Page 30, "sherpherds" changed to "shepherds" (shepherds' huts)
Page 92, "litte" changed to "little" (beautiful little creature)
Page 108, "you" changed to "your" (your old aunt)
Music Notes:
In the first system, third bar, the last note has been corrected to a dotted eighth.
In the third system, first bar, the last note has been corrected to an eighth; second bar, the sixteenths have been corrected to dotted sixteenths.