Orchesography
by Raoul-Auger Feuillet
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Language: English
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About this eBook
- Author
- Feuillet, Raoul-Auger, 1660?-1710
- Title
- Orchesography, or, the Art of Dancing The Art of Dancing by Characters and Demonstrative Figures
- Credits
- Produced by Tobin Richard, Debra Storr, Greg Lindahl and PG Distributed Proofreaders
- Language
- English
- LoC Class
- GV: Geography, Anthropology, Recreation: Recreation, Leisure
- Subject
- Dance -- Early works to 1800
- Category
- Text
- eBook-No.
- 9454
- Project Gutenberg
- https://www.gutenberg.org/ebooks/9454
- Release Date
- December 1, 2005
- Copyright
- Public domain in the USA.
Contents
- 1.Untitled
- 2.ORCHESOGRAPHY. — ART OF DANCING, — Characters and Demonstrative Figures . — The whole Art is explain’d; with compleat Tables of all Steps us’d in Dancing , and Rules for the Motions of the Arms — Any person (who understands Dancing ) may of himself learn all manner of Dances . — An Exact and Just Translation from the French of Monsieur Feuillet .
- 3.By JOHN WEAVER, Dancing-Master .
- 4.To Mr. Isaac. — SIR,
- 5.PREFACE.
- 6.A List of the Dancing-Masters , — Subscribers to this Undertaking. — ERRATA.
- 7.Orchesography. — The ART of DANCING — Characters and Demonstrative Figures.
- 8.Of the Stage, Room, or School.
- 9.The Presence of the Body.
- 10.Of the Tract.
- 11.Of the Positions.
- 12.Of true Positions.
- 13.Of false Positions.
- 14.Of Steps.
- 15.A Demonstration of all the Steps which have been before explain’d.
- 16.Steps may have Several Marks.
- 17.How to place the Marks in their proper Order.
- 18.Observations upon Springings.
- 19.Of Springing Steps.
- 20.Of marking the Positions.
- 21.Of Positions and half Positions having several Marks at once.
- 22.Of waving Positions, and half Positions.
- 23.Of Positions and half Positions, which are wav’d and unwav’d.
- 24.Of the Change of Positions.
- 25.a TABLE of the shifting of the True Positions
- 26.a TABLE of the shifting of the False Positions
- 27.a TABLE of the Changing true positions into false positions
- 28.a TABLE of Shifting from false positions to true positions
- 29.Of Positions that shift or change from one place to another.
- 30.Of the Changing of waving Positions. — The Changing of Waving Positions .
- 31.How to hold the Book or Paper, to decipher written Dances
- 32.Rules to be observ’d in Dancing by written Characters.
- 33.How to know what Steps and half Positions are with the right Foot, and what with the left.
- 34.The manner of Steps crossing one another .
- 35.To return upon a Tract you have just before mov’d on.
- 36.To know to and from what Positions, Steps move .
- 37.How Steps terminate in Positions .
- 38.Of simple and compound Steps.
- 39.The Tables.
- 40.Dancing — Courant Movements And Galliard step.
- 41.a TABLE of half Coupees
- 42.TABLE of half Coupees
- 43.TABLE of half Coupees
- 44.TABLE of half Coupees
- 45.TABLE of half Coupees .
- 46.TABLE of Coupeés .
- 47.TABLE of Coupees
- 48.TABLE of Coupees
- 49.TABLE of Coupees
- 50.TABLE of Coupees
- 51.TABLE of Coupees .
- 52.TABLE of Coupees
- 53.TABLE of Coupees .
- 54.TABLE of Coupees .
- 55.Bouree steps or Fleurets
- 56.TABLE of Bouree’s.
- 57.TABLE of Bouree’s.
- 58.TABLE of Bouree’s.
- 59.TABLE of Bouree’s
- 60.TABLE of Bouree’s
- 61.TABLE of Bouree’s
- 62.TABLE of Bouree’s
- 63.Bounds and Tac’s
- 64.TABLE of Bounds
- 65.TABLE of Bounds
- 66.A TABLE of Compos’d Hops or Contretemps.
- 67.TABLE of Contretemps
- 68.TABLE of Contretemps
- 69.TABLE of Contretemps
- 70.TABLE of Contretemps
- 71.TABLE of Contretemps.
- 72.Chassés or Drises.
- 73.Chassees and Falling steps.
- 74.Sissonnes or Cross leaps
- 75.Piroüettes.
- 76.TABLE of Piroüettes.
- 77.Capers and half Capers.
- 78.TABLE of Capers.
- 79.Entrechats or Cross Capers
- 80.TABLE of Waving Steps
- 81.Finis.
- 82.Suplement of Steps.
- 83.Of Time, Measure, or Cadence.
- 84.Of the Figure.
- 85.Some Rules to be observed in the Figures of Dances.
- 86.For giving the Hands in Dancing .
- 87.Of the Movement of the Arms.
- 88.Where to place the Motion of the Arms on the Tract.
- 89.Examples of the Movements of the Arms.
- 90.Some Rules to be observed in writing of Dances. — FINIS.
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