A correspondent questions the accuracy of MR.
CURZON'S statement, in his
Monasteries of the Levant, that—
"The crucifix was not known before the fifth or sixth
century, though the cross was always the emblem of the
Christian faith,"—
and asks for information as to its use, and the dates of the earliest
examples. Some twenty years ago I devoted some care to this inquiry, and
the result will be found in a chapter on the decline of the arts in
Greece, in a History of Modern Greece, which I published in 1830. To
that essay, but more especially to the authorities which it cites, I
would refer your correspondent; and I think, after an examination of the
latter, he will be disposed to concur with me, that Mr. Curzon's
statement is correct. It is in accordance with that of Gibbon, and
sustained by the same authorities as Basnage, to the effect that the
first Christians, from their association with the Jews, and their
aversion to the mythology of the Greeks, were hostile to the use of
images of any description in their primitive temples, in which they
reluctantly admitted the figure of the ignominious cross, as a memorial
of the Redeemer's death. At a later period, however, the veneration for
the relics of departed saints led to the admission of their painted
portraits, and eventually to the erection of their images and effigies
in wood and marble. (Gibbon, chap. xxiii. xlix.) Reiskius states that
it was not till the fourth century after Christ that the latter
innovation began:
"Ecclesia vero Christiana tribus seculis prioribus ne quidem
imagines recepit aut inter sacra numeravit instrumenta. Sed
demum sub finem quarti seculi ea lege admisit ut in templis
memoriæ ac ornatus causa haberentur."—Reiskius, De
Imaginibus Jesu Christi Exercitationes Histor., ex. i. c. i.
sec. ii. p. 12.
Lillio Giraldi concurs with Reiskius:
"Illud certe non prætermittam nos dico Christianos ut
aliquando Romanos fuisse sine imaginibus in primitiva quæ
vocatur ecclesia."—Lillius Gregorius Giraldus, Historiæ
Deorum Syntage, v. i. p. 15.
The earliest images of Christ were those mentioned as being placed, by
Alexander Severus, along with those of Abraham, Jupiter, Pythagoras,
Plato, and Aristotle. (Reiskius, ex. vii. c. i. sec. i. p. 151.)
Constantine placed two equestrian statues of the Saviour in the Lateran
Church. But Molanus, who mentions the latter fact, insists that there
were existing about this period numerous statues of the Saviour, which
he would refer to the time of Pontius Pilate. (De Historia SS.
Imaginibus, &c., lib. i. c. vi. p. 65.)
The most ancient examples now remaining of the decorations employed by
the early Christians, are doubtless those found in the catacombs at
Rome. I have not access to any recent copies of these interesting
antiquities; but so far as my recollection serves, they contain no
example of a crucifix, or any literal delineation of the death of the
Saviour. In fact, even in these gloomy retreats, the vigilance of
persecution compelled the Christians to caution, and forced them to
conceal, under allegories and mystery, the memorials of their faith; the
figure of the Redeemer being always veiled under an assumed character,
most generally that of a shepherd bearing in his arms a recovered lamb.
This, which is the most common form of allegory of this period, occurs
in the catacomb of the Via Latina, in that of Priscilla in the Via
Salaria, discovered in 1776, both of which, according to Aringhi, are
amongst the oldest Christian monuments now remaining. (Roma
Subterranea, vol. ii. p. 25. 292.) In a sepulchral chamber in the
cemetery of St. Calixtus, Jesus is represented as Orpheus with a lyre,
as emblematic of the subduing influences of his life. But his death is
still more cautiously shadowed forth by the types of Jonas, Isaac on the
altar of Abraham, and Daniel in the den of lions,—examples of all of
which are numerous; and the cover of an urn figured by Agincourt
presents them all three. (Histoire de l'Art par les Monumens, vol.
iv.; Dec. Sculp., pl. v. no. 10.)
Art, after its decline in Rome, was later cherished by the Greeks at
Byzantum, and allegory in their hands, during the third and
fourth centuries, exhibited a much higher refinement than amongst the
degenerate Romans,—the divinity and life of Jesus being represented
in their paintings by a youth of godlike mien and heavenly grace, with
his foot upon the mane of a lion, whilst his death is still typified
by a lamb expiring at the foot of a cross, which it sprinkles with its
blood, and his resurrection by a phœnix, which rests upon the
summit of a palm-tree, the emblem of his victory.
I have stated that even the cross, as an emblem, was admitted
"reluctantly" into the churches of the early Christians. The fact, and
the causes of this reluctance, are stated fairly by Gibbon (ch. xx.),
principally on the authorities consulted by Basnage in his Histoire des
Eglises Reformées, to have had their origin in the idea of infamy and
ignominy which they attached to the mode of execution by
crucifixion,—feelings analogous to those inspired by a gallows or a
gibbet; and it required a long lapse of time, even after Constantine had
abolished throughout the Roman dominions the punishment which had
prevailed for slaves and malefactors, but which the Saviour of mankind
had submitted to suffer, before the people could be led to regard as a
symbol for veneration that which had so long been an object of horror
and disgust. A most interesting account of the subsidence of this
feeling, and of its effects upon Sacred Art whilst it prevailed, will be
found in Emeric David's Discours sur la Peinture Moderne, p. 115. It
rendered allegory so indispensable, that in the exhaustion of fancy it
declined into conceits and puerility, which finally brought the subject
into contempt, and compelled the hierarchy to exert the influence of the
Church for its correction. This led to a measure the record of which is
strongly corroborative of the statement of Mr. Curzon; namely, that A.D.
692, at the Quine Sextine, or Council in Trullo, it was ordered that
thenceforth fiction and allegory should cease, and the real figure of
the Saviour be depicted on the tree. (Can. 82. Act. Concil. Paris,
1714, v. iii. col. 1691, 1692.)
The Greeks complied, but with reluctance, to delineate the actual
crucifixion; and as, in the controversy which arose in the second
century, and never entirely subsided, regarding the beauty or deformity
of the Saviour's features, the Greek Church had espoused the side of St.
Basil, Tertullian, and Origen, who maintained that "he was without form
or comeliness," their artists exhibited such a spectacle of deformity on
the cross, that to the present hour a proverb compares a lean and ugly
person to "un crucifix des Grecs." The Latins and Italians, on the other
hand, whilst they were equally hostile to the literal exhibition of the
Redeemer's death, and forbore for nearly a century to comply with the
orders of the Council in Trullo, adopted, as to his beauty, the party
of Celsus and Chrysostom,—quoted the expression of David, "thou art
fairer than the children of men,"—and painted the Saviour, albeit
suspended on the fatal tree, as a youth of heavenly mien; and instead of
the crown of thorns, the lance, and the sponge, they represented him
with a diadem, and insensible to suffering or pain.
These remarks, though they will no doubt be insufficient as an answer to
your correspondent, may perhaps direct him to authorities, the
consultation of which will satisfy his inquiry.
J. EMERSON TENNENT.
London.
In commenting on the criticisms of J. B., may I be allowed to follow the
order of his own reasoning as much as possible?
1st. I am glad to find that Scapula is right, but I must object to the
use of the participle acquiescing, as applied to me. My word is
"deduction," and is applied to a rule grounded upon Scapula's
correctness, and may, I think, settle the sense of those disputed verses
in Matt. xiii. 55, 56, to say nothing of two indisputable proofs which
might be adduced.
2nd. I am wrong—for what? for appearing, in the eyes of J. B., to
have done that which I have not done,—for bringing in links of "the
Indo-Germanic languages," which I have neither done, nor can do.
3rd. "The word is solely and peculiarly Greek." Let me give only one
etymon by way of preparation for my answer. Let us take the word
mouse. Well, it comes from the Latin mus, which comes, you will say,
from the Greek μυς, and there are many clever etymologists,
excepting a few, with J. B. and myself, would say, "it is solely and
peculiarly Greek;" but we go up to the Sanscrit (the mother of
European languages), and bring forward mush, a mouse, and here is the
terminus—and why? because mush signifies to steal, and therefore
sufficiently describes the nature of the little animal. Now, because we
cannot find an existing link between the Greek and Sanscrit, is that a
reason for asserting αδελφος to be of pure Greek origin? No;
and if J. B. will only recollect that all words in Sanscrit, excepting
bare primary roots, are compounded after the same manner as αδελφος
or rather δελ-φ, he will, I hope, find that I have
not been wrong in my etymon. Moreover, let J. B. prove, if he can,
what is the meaning of δελφ in the Greek, unaided by any
other language.
4th. Why is the Sanscrit bhratre brought into the contest? perhaps to
prove what has not been proved, viz. that it also signifies frater
uterinus.
5th. "How happened it that the word φρατηρ
was lost in Greek?"
Why, because the Greeks thought it too barbarous a word to own, as
coming through the Latins from the barbarous Goths,
Scandinavians, &c.! Let us pass over irrelevant matter till we come to
6th. J. B.'s authoritative rule, "that no apparent similarity between
words in the Semitic and Asian (read Sanscrit) families can be used to
establish a real identity, the two classes of language being radically
and fundamentally distinct." Vide mouse, and a hundred more roots,
that might quash this rule.
To conclude, I did not introduce the Sanscrit dal into my former note,
because, I suppose, an idea passed through my mind that I might offend
some "interesting points in Greek manners."
I have only one more remark to make, which is, that the Sanscrit
bhra-tre is a compound word like δελ-φυς. I will give the
full etymology of this word bhra-tre, to prove that J. B. has done
wrong in bringing in a word to militate against his own rule. Persian,
bra-dar; Sanscrit, bhra-tre; Gothic, bro-thar; Islandic,
bro-dir; German, bru-der; Swedish and Danish, bro-der;
Anglo-Saxon, bro-ther. Now, will J. B. prove that the Hebrew, Chaldee,
and Syriac בר, bar, a son, is not connected with the Persian
and Sanscrit bra and bhra? If he does, I shall doubtless be edified.
T. R. BROWN.
Vicarage, Southwick, near Oundle.
I am happy in being able to give, I trust, a satisfactory answer to the
Query of your American correspondent U. U., respecting the original
edition of 1607.
There can be no doubt that the copy in the Bodleian Library is of the
genuine edition. It was in the Library certainly before the year 1620,
as it appears in the catalogue printed in that year, and still bears the
same reference on the shelf as is there given to it, namely, 8vo. I. 32.
Theol.; and it was doubtless the copy used by Dr. James, who
superintended the forming of that catalogue, and who died only a few
months before. The title runs thus:
INDICIS
(red ink) LIBRORVM
(red) EXPVRGANDORVM
in studiosorum gratiam confecti.
Tomus Primus
IN QVO QVINQVAGINTA AVCTORVM
Libri præ ceteris desiderati emendantur.
(red ink)
PER FR. IO. MARIAM BRASICHELLEN.
(red ink)
SACRI PALATII APOSTOLICI MAGISTRVM
in vnum corpus redactus, & publicæ
commoditati æditus
(this first word red) (this date red)
————————————
ROMÆ, ex Typographia R. Cam. Apost. M.DC.VII.
————————————
(the line above red)
SVPERIORVM PERMISSV.
There is a full stop at confecti, also at emendantur, and at
Brasichellen; but no stop whatever at auctorum. It extends (besides
eight leaves of title and preliminary matter) to pp. 742. On the recto
of the next and last leaf, "Series chartarum," &c., and at the bottom:
ROMÆ, M.DC.VII.
————————————
Ex Typographia Reu. Cameræ Apostolicæ.
————————————
SVPERIORVM PERMISSV.
There is also in the Bodleian Library a copy of the Bergomi edition, the
title of which is as follows:
(red ink) INDICIS
LIBRORVM
(red) EXPVRGANDORVM
In studiosorum gratiam confecti
(red) TOMVS PRIMVS
In quo quinquaginta Auctorum Libri præ
cæteris desiderati emendantur
(red) PER F. IO. MARIAM BRASICHELL.
Sacri Palatij Apost. Magistrum
In vnum corpus redactus & pub. commoditati æditus.
At the bottom:
(red) ROMÆ Primò, Deinde
BERGOMI, typis Comini Venturæ, 1608.
This edition extends to 608 pages, in double columns, besides the
preliminary matter, consisting of four articles, of which the first in
this edition is the last in the genuine copy of 1607,—a circumstance
mentioned by Clement as peculiar to the Altdorff edition; but here the
signatures run to pages in eights, whereas the Altdorff edition "qu'ne
remplit qu'un alphabet, et seize feuilles."
I have never seen a copy of the Ratisbon edition.
B. B.
—The meaning of the
frontispiece to the first edition of this work, is, I imagine,
sufficiently obvious. The large figure representing a commonwealth holds
in his right hand a sword, in his left a pastoral crook. He is the
emblem of a commonwealth "ecclesiastical and civil" (as the title of the
book shows us). Ranged down one side of the page, under the
sword-bearing arm, are the weapons and resources which the State
possesses. Down the other side of the page, under the protection of the
pastoral staff, is the corresponding armament of the Church. Thus, a
castle and a church, a crown and a mitre, a cannon and spiritual
thunderbolts, a trophy of guns and spears, &c., and one of dilemmas
(represented by a pair of bull's horns), syllogisms (made like a
three-pronged fork), and the like; these, ending with a battle on one
side, a convention of bishops on the other, show the power which (as
Hobbes would have it) each arm of the commonwealth should be able to
have at its command. The whole picture is at best an absurd conceit, and
very unworthy of the author of the Leviathan.
H. A. B.
The best edition of Hobbes's works was printed 1750. The print of
Leviathan in it is neither like Charles nor Cromwell, of whom I have
old and good prints, and many. The print has at the bottom of it
"Written by Thos. Hobbs, 1651."
C. J. W.
—I am rather surprised that your
correspondent L., in his enumeration of remarkable trees, and
collections of trees, in Great Britain, makes no mention, whilst on the
subject of yew, of the splendid collection of old yew trees in Kingley
Bottom, near Chichester, in Sussex. Should L. never have visited this
charming spot, and its green antiquities, I can promise him a rich treat
whenever he does so. Common report of the neighbourhood, from time
immemorial, gives these venerable trees a date as far back as the
landing of the sea-kings on the coast of Sussex; and sundry poems by
local bards have been written on this theme.
On one of the most prominent of the South Down Hills, rising immediately
above the yew-tree valley, and called Bow Hill, are two large, and some
smaller tumuli, which are always called by the natives the graves of the
sea-kings, who with their followers are supposed to have fallen in a
battle fought under these very yew trees.
Can anybody tell me if the age of any of these trees has ever been
ascertained? Kingley Bottom, or, as people now-a-days prefer calling it,
Kingley Vale, is so much frequented as a spot for pic-nics and festive
days, that I have no doubt many of your readers have seen the trees to
which I refer, and can bear me out in asserting that they are worthy of
ranking, in age and beauty, with any of their species in the kingdom.
SCANDINAVIAN.
The "Hethel Thorn," so well known to many Norfolk people, is on a farm
now the property of that munificent patron of historical literature, Mr.
Hudson Gurney, by whom it was purchased from Sir Thomas Beevor. The
first Sir Thomas always said it was mentioned in a deed of 1200 and odd,
as a boundary, under the appellation of "the Old Thorn." It is stated,
also, that it is mentioned in some chronicle as the thorn round which
a meeting of insurgent peasantry was held during the reign of King John
(can any readers of
"NOTES AND QUERIES" give a reference to the precise
passage?). An etching of this interesting relic has been made by Mr.
Ninham. The involution of its branches, which are all hollow tubes, as
heavy as iron, is most curious; and although the tree is certainly
diminished of late years, it still puts out leaves and berries
vigorously.
W. J. T.
—Your correspondent
EUPATOR has, in his examination of the
MS. of this treatise, overlooked
a title prefixed by Garnet, which furnishes the heading by which the
book is correctly entered in the Catalogue of the Laudian MSS. as A
Treatise against (not of or for) Lying and Fraudulent
Dissimulation. "Of" was first written, but at once crossed out, and
"against" written after it, not interlined. Of the two errors which
EUPATOR points out, the one was made at the press,
by failure in reading
the contraction for "verbo," which is printed correctly at length at p. 43., and
the other was a mistake on the part of the transcriber.
W. D. M.
—As to the double language in
Homer of the gods and men, Heyne and others have thought (ad Il. Α. 403.)
that the one was the old language, the other the modern. See
Clarke ib., who thinks one was the learned name, the other the vulgar:
but gives a scholion of the former opinion. The passages are as follow:
Il. Α 403.
Gods. Briareus
Men. Ægæon.
Il. Β 813.
Gods. Tomb of Myrine
Men. Batiea.
Il. Ξ 291.
Gods. Chalcis
Men. Cymindis.
Il. Υ 74.
Gods. Xanthus
Men. Scamander.
All these words, except one, are plain Greek,—and that one is a word of
men. It is impossible, therefore, that the gods' language could have
been the antiquated Greek language.
In the Odyssey (Κ 305.) Mercury says that a certain plant is called
Moly by the gods, and that it is very difficult for men to find. The
answer to the question, What do men call it? therefore would probably
have been, that they have no name for it at all. It is an odd word, not
easy to derive, and ending in _u_; which Aristotle says
is the ending of
only five words in Greek, and one of those, ἄστυ, was
obsolete as an appellative in Aristotle's time.
Ichor, though applied in Homer to the gods, he does not say was a word
of the gods; and as it is used in Hippocrates, it is more probably a
dialectic than an antiquated word. Its termination, however is rare; and
in another instance, τεκμωρ, was obsolete in Aristotle's time
(Rhet. init.).
As to the Lycian language, the alphabet is said, in the appendix to
Fellows, to resemble partly the Greek, partly the Zend, and one or two
letters the Etruscan. The language is said (ib. 430.) to resemble the
Zend more than any other known language; but to differ too much
to be considered as a dialect of Zend, and must rank as a separate
language.
I would observe, that one of the peculiarities mentioned, as compared
with all the Indo-Germanic languages—namely, the having no consonant at
the end of the masculine or feminine accusative—existed in the old
Latin, as in the Scipionic tombs, "optimo viro, omne Loucana."
Sir Edmund Head, in the Classical Museum, No. II., considers the
people to be the Solymi of Homer.
C. B.
—In Twysden's Historical
Vindication of the Church of England, p. 22. (Cambridge edition, 1847),
I find—
"After the erection of Canterbury into an archbishopric, the
bishops of that see were held quasi alterius orbis papæ, as
Urban II. styled them."
In a note, William of Malmesbury (De Gestis Pontif., lib. i. in
Anselm., p. 223. l. 33.) is referred to as authority for the above
statement. Urban II. was pope from 1087 to 1099.
C. W. G.
—Your querist W. B. H. will perhaps
accept the following partial solution of his question, which has been
communicated to me by one of your own distinguished correspondents in
France. It is contained in a little volume published by Duellersan under
the following title, Chansons Nationales et Populaires de France,
Paris, 1846, 32mo:
"Cette horrible chanson, la Carmagnole, est un monument
curieux de la folie démagogique, et nous la donnons pour
faire voir avec quelle poésie brutale on excitait le peuple.
Elle eut une vogue en Août 1792, époque à laquelle Louis XVI.
fut mis au Temple. Elle devint le signal et l'accompagnement
des joies féroces et des exécutions sanglantes. On dansait la
Carmagnole dans les bals; on la dansait au théâtre et
autour de la guillotine. Barrère appelait les discours qu'il
prononçait à la Convention, des Carmagnoles. L'air, qui est
véritablement entrainant, était joué en pas redoublé dans la
musique militaire; mais Bonaparte la défendit, ainsi que le
Ça-ira, lors qu'il fut Consul.
"Cette chanson parut au moment où les troupes Françaises
venaient d'entrer triomphantes dans la Savoie et le Piemont.
On ignore si la musique et la danse de la Carmagnole sont
originaires de ce pays."
In the month of January, 1849, the General-in-Chief of the army of
Paris, Changarnier, having taken vigorous measures to prevent new
tumults, the first verse of the original, which commences—
"Madame Veto avait promis
De faire égorger tout Paris,"
was thus parodied:
"Changarnier avait promis
De faire brûler tout Paris," &c.
PERIERGUS BIBLIOPHILUS.
—The late Admiral Frank
Sotheron, of Kirklington Hall, near Southwell, Notts, was, I have heard,
related to Wolfe, and possessed a portrait and several letters of his.
Admiral Sotheron died some ten years ago, but his daughter (and only
child) married the present member for Wilts, who afterwards took the
name of Sotheron.
J. M. W.
I have a portrait of Wolfe in my possession, and, I believe, the
original from which the print, stated to be a scarce and contemporary
one, was taken, which furnishes the frontispiece to the second volume of
the History of the Canadas, by the author of Hochelaga. It fell,
singularly enough, into my hands a short time previous to the appearance
of the work in question, and I have been enabled since to trace its
possession by parties, and amongst them members of my own family, for a
very lengthened period. The artist I have not been able to discover; but
perhaps some possessor of the print, should the name appear, will afford
this information.
C. A. P.
(Great Yarmouth.)
As your pages have lately contained several communications on the
subject of General Wolfe, I send you the following story, which I heard
from a lady now deceased. Some time after Wolfe's death his family
wished to give some memorial of him to the lady who had been engaged to
him, and they consulted her as to the form which it should take. Her
answer was, "A diamond necklace;" and her reason, because she was going
to be married to another person, and such an ornament would be useful.
My informant, whose birth, according to the Peerage, was in 1766, had,
in her earlier days, often met this lady, and described her as showing
remains of beauty, but as no wiser than this anecdote would lead us to
suppose her.
J. C. R.
—This noted historian and
divine was born at Trittenheim, in the electorate of Treves, in 1462. He
became abbot of Spanheim about 1482, where he made a rich collection of
manuscript and printed books. In 1506 he was appointed abbot of St.
James at Wurtzbourg. His writings are numerous, and there is an ample
collection of them in the British Museum. In his Nepiachus he gives an
account of his life and studies. He died at Wurtzbourg in 1516. The
learned and judicious Daunou thus characterises the volume De
scriptoribus ecclesiasticis: "Malgré beaucoup d'omissions et d'erreurs,
ce livre a été fort utile à ceux qui ont depuis mieux traité la même
matière; on le consulte encore aujourd'hui."
Leland, Bale, Pits, and Wharton, have recorded their obligations to
Trithemius. The venerable Leland quotes him frequently, under the name
of Trittemius, and styles him "homo diligentiæ plane maximæ nec
minoris lectionis."
BOLTON CORNEY.
"John Trytheme was a German Benedictine, and Abbot of
Hirsauge, A.D. 1484. He was the author of A Catalogue of
Ecclesiastical Writers, several Letters, Treatises of
Piety, of Doctrine, and Morality, other historical
works, and The Chronicle of Hirsauge."—(See Dufresnoy's
Chronological Tables.)
It would appear that the work Trithemii Collectanea de Scriptoribus
Ecclesiasticis has gone through several editions; and Walch tells us
that "inter omnes ea eminet, quam Jo. Alberto Fabricio debemus." The
following remarks also respecting Trithemius appear in Walch's
Bibliotheca (tom. iii. p. 389.):
"Incipit Trithemius a Clemente Romano; recenset scriptores
970; ac testatur, se in opere hoc conficiendo per septem fere
annorum spatium elaborasse. Possevinus, Labbeus, atque alii,
varios ejus errores chronologicos ac historicos notarunt.
Quodsi autem rationem temporis reputamus, quo Trithemius
vixit scripsitque, causa omnino est, cur eum ob errata non
reprehendamus, sed excusemus atque industriam illius
laudemus."
Cave, also, in his Historia Literaria (part ii. p. 569.), gives us a
brief account of Trithemius, and of his literary productions.
E. C. HARRINGTON.
The Close, Exeter.
The work of John Trittenheim, De Scriptoribus Ecclesiasticis, is held
in high and deserved repute. (See Fabricius, Biblioth. Latin. Med.
Ætat., iv. 451.) He died abbot of Würtzburg, in 1518. The copy of A. W.
H. is the first edition, which was published at Mainz (Moguntia) in
1494.
C. H.
—Your correspondent gives
the quotation about the star observed in Virgo, which he supposes
identical with Neptune, quite correctly, except in one very material
point—the observer's name. The passage in question will be found in
Captain W. H. Smyth's Cycle of Celestial Objects, vol. ii. p. 264.,
and is extracted from a letter addressed to him by M. Cacciatore of
Palermo, in 1835, many years after the death of Sir William. H. C. K. is
not the first person who has suggested the identity of the objects; but,
as pointed out by Captain Smyth in a paper on Neptune, in the United
Service Journal for 1847, Part II., Neptune must, in 1835, have been
fully 120° from the position assigned by Cacciatore to the star observed
by him.
J. S. WARDEN.
Balica, Oct. 1851.
—Your decision to exclude any
further contributions upon the question of the "Marriage of
Ecclesiastics" is most judicious. But ought the portion of MR. HENRY
WALTER reply respecting Dr. Wall to pass unnoticed? Had the writer
referred to any of the biographical dictionaries in ordinary use, he
would have discovered that the "well-known Mr. Wall who wrote on
baptism" had conferred on him by the University of Oxford the degree of
D.D., to testify their high opinion of his writings.
In addition to the Doctor's works on the baptismal controversy, two
books, which are not often met with now, were published after his death,
bearing the following titles:—
"Brief Critical Notes, especially on the various readings of
the New Testament Books. With a Preface concerning the Texts
cited therein from the Old Testament, as also concerning the
Use of the Septuagint Translation. By W. Wall, S.T.P., author
of the History of Infant Baptism, London, 1730." 8vo., pp.
lxiv. 415.
"Critical Notes on the Old Testament, wherein the present
Hebrew Text is explained, and in many places amended, from
the ancient Versions, more particularly from that of the
LXXII. Drawn up in the order the several Books were written,
or may most conveniently be read. To which is prefixed a
large Introduction, adjusting the Authority of the Masoretic
Bible, and vindicating it from the objections of Mr. Whiston,
and the Author of the Grounds and Reasons of the Christian
Religion. By the late learned William Wall, D.D., Author of
the History of Infant Baptism. Now first published from his
Original Manuscript. London, 1734." 2 vols. 8vo., pp. lxi.
307. 354. v.
These are valuable works, explaining many difficult expressions.
JOHN I. DREDGE.
—J. B. is referred for the acts
of parliament relating to "Parish Registers," to Burn's History of
Parish Registers, 1829. This work has been out of print fifteen or
sixteen years, but may be seen in many public libraries.
J. S. B.
—W. H. L.
will probably find what he wants in a small volume, easily met with,
entitled A Catalogue of the Lords, Knights, and Gentlemen that have
compounded for their Estates, London, 1655, 12mo.; or another edition,
enlarged, Chester, 1733, 8vo. (See Lowndes, vol. i. p. 363.)
H. F.
—Major General John Moyle, who died
in 1738, and was buried at Rushbrooke, near Bury St. Edmund's, was the
son of the Rev. John Moyle, of Wimborne Minster, co. Dorset, by Mary his
wife, daughter and coheir of Sir Giles Eyre, Kt., one of the Judges of
the Common Pleas. General Moyle, by his wife, who was Isabella daughter
of Sir Robert Davers, of Rushbrooke, Bart., had a family of five sons
and one daughter; the latter married Samuel Horsey, Bath king-at-arms.
G. A. C.
—A. B. may be right
as to there being "some little confusion in Burke's excellent
work." There certainly is no "little confusion" in A. B.'s
communication.
Margaret Beaufort, successively Countess of Richmond and Derby, the
mother of King Henry VII., was the only child of John Beaufort, the
first Duke of Somerset.
What can A. B. mean by "Henry, Edmund, and John, successively dukes of
Somerset," to whom he conjectures Margaret Beaufort might have been
sister? There were not three brothers Beaufort successively dukes of
Somerset; nor were there ever three successive dukes of Somerset named
Henry, Edmund and John; though there certainly was a succession of John,
Edmund, and Henry, they being respectively father, uncle, and cousin of
Margaret.
John Beaufort, Earl of Somerset, who had been created Marquis of
Somerset and Dorset, was, on his death (1410), succeeded in the earldom
of Somerset by his eldest son, Henry Beaufort, who dying without issue
(1418), the second son, John Beaufort, succeeded to this earldom. He was
created Duke of Somerset (1443), and on his death without male issue
(1444), the dukedom became extinct; but the earldom of Somerset
descended to his brother, Edmund Beaufort, Marquis of Dorset (the third
son of John Beaufort, Earl of Somerset), who was afterwards (1448)
created Duke of Somerset. He was slain at the battle of St. Alban's
(1455), and was succeeded by his eldest son, Henry Beaufort, who was
beheaded in 1463. He is said to have been succeeded by his next brother,
Edmund Beaufort; but it is doubtful if the fact were so, and the better
opinion seems to be that the dukedom became extinct by the attainder of
Duke Henry in 1463.
"The second and last Duke John," alluded to by A. B., is altogether a
myth: the last Beaufort Duke of Somerset was either Henry or Edmund; and
there was but one Duke John, and he was not the "second and last," but
the first duke.
C. H. COOPER.
Cambridge.
—I think some account
of the inscriptions, or of their having been transcribed, will be found
in the Gentleman's Magazine, as well as of those removed by the
destruction of the church of St. Michael's, Crooked Lane, in order to
make the approaches for new London Bridge; there, also, I think I have
seen some account of the inscriptions in the church pulled down for the
erection of the Bank of England. The preservation of the monumental
records of the dead has been so frequently suggested in
"NOTES AND QUERIES" that I will not occupy space by urging further arguments in
favour of the scheme proposed for the transcription and preservation of
inscriptions on monuments and grave-stones. The numerous churches which,
in these days, are undergoing alterations and repairs, call for your
continued exertion to effect the object you have already submitted for
the purpose in former numbers. The ancient church of St. Mary, Lambeth,
has just been rebuilt, and many of the monumental tablets will of
necessity be removed from their former sites, and grave-stones may
disappear. The venerable Ashmole lies at the entrance of the old
vestry, under a flat stone; and outside, a short distance from the
window, lies Tradescant, under a large altar-tomb in a state of decay!
G.
When the church of St. Bene't Fink was pulled down, to make room for the
new Royal Exchange in 1844, the monumental tablets, &c. were removed to
the church of St. Peter's-le-Poor in Old Broad Street, to which Parish
the former is now annexed.
J. R. W.
Bristol.
—An article on the
coins of the Zenobia family appeared in the Revue Numismatique, 1846,
vol. xi. p. 268. The writer of that article says—
"Il est impossible de rendre compte du mot
ϹΡΩΙΑϹ
ou ϹΡΙΑϹ, qui précède, sur quelques pièces, le nom
de Vabalathus. La même observation s'applique aux médailles
Latines du même prince, dont le nom est suivi d'un certain
nombre de lettres, VCRIMDR ou VCRIIVID auxquelles on s'est
efforcé inutilement de trouver un sens."
W. W.
—This is the portrait of Daniel
De Foe, and was engraved by W. Sherwin. The verses underneath are—
"Here you may see an honest face,
Arm'd against Envy and Disgrace,
Who lives respected still in spite
Of those that punish them that write."
It is mentioned in The Catalogue of English Heads, by Jos. Ames, p.
57.
JOHN I. DREDGE.
—The author of
the Epistle to the Hebrews says (ch. x. v. 22.):
"Let us draw near with a true heart, in full assurance of
faith, having our hearts sprinkled from an evil conscience,
and our bodies washed with pure water."
It has long been my opinion that the proverb in question arose from the
above text, in which a pure conscience, a necessary condition of
godliness, is immediately followed by an injunction to cleanliness.
H. T.
—I would refer your
correspondent, for the few particulars known of him, to Edwards's
Anecdotes of Painting, 1808 (in continuation of Horace Walpole's
Anecdotes), p. 120.
Cozens's chief patrons were Wm. Beckford, Esq., of Fonthill; G. Baker,
of St. Paul's Churchyard; John Hawkins, Esq., of Bognor; and the Earl of
Harewood (of his time). If your correspondent wishes to see some few
fine specimens of his works, Mr. George Smith, of Hamilton Terrace, and
Charles Sackwille Bale, Esq., of Cambridge Terrace, possess some very
fine ones. Mr. J. Heywood Hawkins has at Bognor his father's collection.
Cozens's fine drawings are very uncommon, and he is now little known,
though one of the fathers of the Water-Colour School, and of the highest
ability. I am not aware of any published portrait of him: your
correspondent's portrait of him by Pine is therefore interesting. Pine
was Cozens's mother's brother.
FRANCIS GRAVES.
In addition to the opinion ascribed to Mr. Turner, it may be mentioned
that the late John Constable, R.A., spoke of Cozens as "the greatest
of landscape-painters." I cannot at present give a reference to Leslie's
Life of Constable, but am sure that this saying occurs there more than
once.
J. C. R.
—In addition to what has
appeared in
"NOTES AND QUERIES" respecting
the etymology of these terms, I send you a note of what Lingard says on the matter:
"The celebrated party name Tory is derived from
toringhim, to pursue for the sake of plunder. The name was
given to certain parties in Ireland, who, refusing to submit
to Cromwell, retired into bogs and fastnesses, formed bodies
of armed men, supporting themselves and their followers by
the depredations which they committed on the occupiers of
their estates. They were called Raperees and Tories."
"It was during the reign of Charles II. that the appellations
of Whig and Tory became permanently affixed to the two
great political parties.... The first had long been given to
the Covenanters on the west of Scotland, and was supposed to
convey a charge of seditious and anti-monarchical
principles...."
PHILIP S. KING.
—In your reply to the
Query respecting these drops, you state that it is not certain in what
country they were invented; I may therefore mention that the French call
them larmes Bataviques, from the circumstance of their being made in
Holland; from whence some were sent to Paris in 1656, to the Swedish
minister there, M. Chanut.
PHILIP S. KING.
—I am well
acquainted with the country immediately south of the Bansted Downs, and
can give W. S. G. some information about the wells there.
I know no country where there is so great a scarcity of water. The
nearest stream is a small branch of the Mole, which has its rise some
three miles off, just beyond Merstham (pronounced "Meestrum"). The ponds
are very few and shallow, so that the inhabitants have to rely on wells
for their water. Wells, however, are an expensive luxury, and appertain
only to the better-most dwellings. I know several labourers' cottages
distant upwards of a mile from the nearest well or pond; they use what
water they catch, and when that is gone, shift as they best can,—most
commonly do without. This scarcity of water may be the reason why a
district within fifteen miles of London is so thinly populated.
The country is very hilly, and even the valleys are some height above
the level of London. Woodmansterne is said to be the highest point in
Surrey next to Leith Hill.
Most of the farm-houses and superior cottages have wells, and many of
these are of considerable depth. There is one just at the foot of
Bansted Downs (and consequently in the valley), which is 120 feet deep.
After a dry summer this well is very low, and after a second quite
empty. This is about the general depth of the valley wells. There is one
in the railway valley, below Chipsted Church, some 100 feet deep; I have
never known it dry. Within a stone's throw of this last, the London and
Brighton railway runs in a very deep cutting,—I have been told the
deepest railway cutting in England,—and great fears were entertained
that this deep cutting would drain this and several neighbouring wells.
The only way, however, in which the railway affected the wells, was to
cut right through one, parts of which may still be seen in the
embankment.
It is not always the case that a deep well will drain its shallow
neighbours. At the Feathers Inn, at Merstham, is a well cut in the solid
chalk, 160 feet deep; this was quite out the other day, while two or
three wells not fifty yards off, each thirty feet deep, had plenty of
water.
Of course the wells on the hills are much deeper than those in the
valleys. At a farm called Wood Place, some three miles from Bansted, is
a well 365 feet deep; it is never actually out of water; four pair of
hands are needed to raise the bucket.
At a farm called Portnals, about a mile from Bansted, is the deepest
well I know in these parts; a horse is required to draw the water. It is
some 460 feet, and, I have been told, generally somewhat low. All these
wells are, I believe, in the chalk.
In this part of Surrey are some wells said to be 500, 600, or even 700
feet deep.
W. S. G. may find some resemblance between the above and the one he
wants, else there is no truth in a well.
I fear I am taking more of your space than my subject merits. I
will therefore briefly conclude with a Query.
Where are the deepest wells in England?
P. M. M.
—Is Mrs. Mary Anne Clarke
really dead?
She was alive two years since, and was then living with her son, Colonel
Clarke, somewhere on the Continent. Colonel Clarke is an officer of the
line, and is universally respected.
I obtained the above information from a friend and brother officer of
the Colonel.
FM.
—My friend Miss Mitford gives a most
interesting account of Upton Court in the Ladies' Companion for August
1850, which, as I know the place well, I believe to be perfectly
correct. A short extract may not be unwelcome:
"Fifty years ago a Catholic priest was the sole inhabitant of
this interesting mansion. His friend, the late Mrs. Lenoir,
Christopher Smart's daughter, whose books, when taken up, one
does not care to put down again, wrote some verses to the
great oak. Her nieces, whom I am proud to call my friends,
possess many reliques of that lovely Arabella Fermor of whom
Pope, in the charming dedication to the most charming of his
poems, said that 'the character of Belinda, as it was now
managed, resembled her in nothing but beauty.'
"Amongst these reliques are her rosary, and a portrait, taken
when she was twelve or thirteen years of age. The face is
most interesting: a high, broad forehead; dark eyes, richly
fringed and deeply set; a straight nose, pouting lips, and a
short chin finely rounded. The dress is dark and graceful,
with a little white turned back about the neck and the loose
sleeves. Altogether I never saw a more charming girlish
portrait, with so much of present beauty and so true a
promise of more,—of that order, too, high and intellectual,
which great poets love. Her last surviving son died childless
in 1769, and the estate passed into another family.
"Yet another interest belongs to Upton; not indeed to the
Court, but to the Rectory. Poor Blanco White wrote under that
roof his first work, the well-known Doblado's Letters; and
the late excellent rector, Mr. Bishop, in common with the no
less excellent Lord Holland and Archbishop Whately, remained,
through all that tried and alienated other hearts, his fast
friend to his last hour."
The portrait of Arabella Fermor is in Reading, purchased at a sale at
Upton Court many years ago, when the property changed hands.
JULIA R. BOCKETT.
Southcote Lodge.