Naturalistic Photography. 2nd. Ed

About this eBook

Author

Emerson, P. H. (Peter Henry), 1856-1936

Title

Naturalistic Photography for Students of the Art.

Credits

Produced by KD Weeks, Chris Curnow and the Online Distributed Proofreading Team at www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Language

English

LoC Class

TR: Technology: Photography

Subject

Art

Category

Text

Project Gutenberg

eBook-No. 56833

Release Date

March 24, 2018

Copyright

Public domain in the USA.

Contents

1. 1.NATURALISTIC PHOTOGRAPHY
2. 2.PREFACE TO SECOND EDITION.
3. 3.CONTENTS.
4. 4.INTRODUCTION. — The Art of Photography. — A.—Art Division. — B.—Science Division. — C.—Industrial Division.
5. 5.BOOK I. TERMINOLOGY AND ARGUMENT. — CHAPTER I. TERMINOLOGY. — CHAPTER II. NATURALISM IN PICTORIAL AND GLYPTIC ART. — Egyptian Art. — Monarchies of Western Asia. — Ancient Greek and Italian Art. — Early Christian Art. — Mediæval Art. — Eastern Art. — Chinese and Japanese Art. — The Renascence. — From the Renascence to Modern Times. — Germany. — Flemish Art. — Dutch Art. — France. — Sculpture. — CHAPTER III. PHENOMENA OF SIGHT, AND ART PRINCIPLES DEDUCED THEREFROM. — A. Light. — B. Direction of Light. — C. Intensity. — D. Colour. — E. Binocular Vision—Psychological Data. — F. Perspective. — Art Principles Deducted from the Data Cited.
6. 6.BOOK II. TECHNIQUE AND PRACTICE. — CHAPTER I. THE CAMERA AND TRIPOD. — CHAPTER II. LENSES. — CHAPTER III. DARK ROOM AND APPARATUS. — CHAPTER IV. THE STUDIO. — FURNITURE. — CHAPTER V. FOCUSSING. — CHAPTER VI. EXPOSURE. — QUICK EXPOSURES, — TIME EXPOSURES. — CHAPTER VII. DEVELOPMENT. — CHAPTER VIII. RETOUCHING NEGATIVES. — CHAPTER IX. PRINTING. — CHAPTER X. ENLARGEMENTS. — CHAPTER XI. TRANSPARENCIES, LANTERN AND STEREOSCOPIC SLIDES. — CHAPTER XII. PHOTO-MECHANICAL PROCESSES. — CHAPTER XIII. MOUNTING AND FRAMING. — CHAPTER XIV. COPYRIGHT. — CHAPTER XV. EXHIBITIONS. — CHAPTER XVI. CONCLUSION.
7. 7.BOOK III. PICTORIAL ART. — CHAPTER I. EDUCATED SIGHT. — CHAPTER II. COMPOSITION. — CHAPTER III. OUT-DOOR AND IN-DOOR WORK. — OUT-DOOR PORTRAITURE. — LANDSCAPE. — THE “LINES.” — AËRIAL PERSPECTIVE. — TONE. — COMPOSITION. — IMPRESSION. — SUBJECT OF THE PICTURE. — FIGURE AND LANDSCAPE. — STUDIO PORTRAITURE. — CHAPTER IV. HINTS ON ART. — CHAPTER V. DECORATIVE ART.
8. 8.L'ENVOI. PHOTOGRAPHY—A PICTORIAL ART. — L'ENVOI. PHOTOGRAPHY—A PICTORIAL ART.
9. 9.APPENDIX. — APPENDIX I. — APPENDIX II. — SCIENCE AND ART. — II. — III. — Conclusion.
10. 10.INDEX.

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