AT an age when most children are tenderly wrapped in the cotton-wool
of domestic seclusion, that golden-haired toddler, the warden's
daughter, a motherless little creature, escaped from the careless
durance of a busy maid of all work, had become, comparatively, a
public character, and, no longer a private baby, had been tacitly
appropriated by an entire prison community.
"Taking her walks abroad" in the roomy guard-room; pattering right and
left, on tiny aimless feet, she peered curiously up and down and round
about. With childish wonder (herself "the cynosure of neighbouring
eyes") she peeped through tall iron gratings into mysterious
corridors, with their endless stretches of dusky cells; at dizzy
flights of iron stairs, where—pannikin in hand—listless men trod,
day after day, the same weary road. More intently she looked into the
shifting panorama of human faces, ever unfolding beneath her innocent
gaze. Faces of prison visitors, of prison officers, and instructors;
faces of that motley throng behind the bars; faces hard and evil,
reckless and defiant, cowed and sullen, or sorrowful, shamed, and
forlorn; yet none, among them all, turned disapprovingly upon her, the
prison child, the single sunbeam, the one pure and beautiful presence
in this attainted, unlovely place! Convict fathers,—hungry for baby
faces, foregone through their own graceless folly and crime,—catching
a passing glimpse of the golden head, a distant flutter of the white
baby gown, were, for the moment, glad and blest.
Although, in the main, light of heart,—as are all young creatures
drinking their first sweet wine of life,—little Mabel was not,
altogether, as the outside children, who breathe untainted air, and
have never neighboured with the wretchedness of that "black flower of
civilisation," a criminal prison. Looking into hard, despairing eyes
behind the guard-room grating, her own would sometimes fill with sudden
tears; and marking, in dull procession, the tread of listless,
joyless feet, the lithe young figure, with the springing step, would
often instinctively slow itself to sympathetic rhythm.
But, when grown in grace and in favour with God, and the prisoner,
Queen May, now a sedate maiden of five summers, had coaxed old Peter
Floome, the prison runner, and her self-elected nurse, to her
royal wishes; when lifted proudly in his arms she was permitted
to pass bodily into the prison yard, that hitherto unexplored
region,—to make a royal progress through the entire round of the
workshops,—scattering, right and left, gracious smiles and pungent
checkerberry lozenges saved up for this great occasion; when she was
triumphantly borne to the underground prison kitchen, there to be
handed gingerly around among as many aproned cooks as might have
served "Old King Cole," at his jolliest, and was munched and kissed by
lips,—presumably not morally of the cleanest,—yet what, indeed,
mattered this to the uncritical child? The convict, like "Cathleen's
dun cow," "Tho' wicked he was, was gentle to her;"—then it was
that the glory of the occasion, and Peter Floome's pride in his
beloved nursling, rose far beyond the high-water mark of words!
And here let it be stated that Warden Flint's baby daughter had, in
the prison, another friend far more eligible than that brain-cracked
convict, Peter Floome.
He was a prison officer, to wit, that notable turnkey who keeps the
guard-room doors. His not over-euphonious name was Timothy Tucker,
and, though a bachelor of fifty, and a very dragon at holding a door,
to little birds and little children the turnkey's heart was as wax.
Soon after his instalment in the guard-room he had, with Warden
Flint's grudging permission, hung, high in its tall window, five small
bird cages. In these, three yellow canaries, a Java sparrow, and a
dainty pair of love-birds, all optimistic creatures that—
"Neither look before nor after,
Nor pine for what is not"—
hopped as contentedly, or sang as rapturously, as if the prison were
indeed (as fabled in convict slang) "the palace." As for the prison
child, from the first hour of her appearance in the guard-room, she
had commanded the turnkey's susceptible heart. His "little Blossom,"
he had called her, and when, later, she imparted to him the pretty
abbreviation of her name, it was he who wedded the two charming words,
and so made the "prison name" of the warden's daughter, May-blossom.
Seldom was the genial, child-loving turnkey too busy to pilot the
small, tottering feet across the guard-room floor; to hold her high in
his arms to "'ook at tunnin' birdies," or to lift her, in dizzy
delight, to her favourite perch, his tall desk, by the rear window,
commanding all the fascinating bustle of the prison yard. And when
from prattling infancy she had advanced to garrulous, inquisitive
childhood, it was he who lent an ever-ready ear to her thousand and
one questions.
"Children, now, is curus," said Mr. Tucker to his landlady, over his
evening pipe, "they beat birds all holler! There's May-blossom, now,
only six years old, an' she sticks me sometimes, she does, an' no
mistake!"
The train of thought, leading to these frank observations, had been
started in the good turnkey's mind by the recollection of a recent
theological skirmish with this astute little being, in which (to use
his own forcible words) he "had ben most gol darn'dly beat." This
embryo free-religionist having insisted upon being told "Why, if God,
certain true, loved everybody, an' was bigger an' stronger, an' ever
so much gooder than other folks, He didn't stop people's being bad,
so's they had to be put in prison, without little children to kiss,
an' kittens to play with, an' strawberries an' cake, an' things to
eat?" Ah, little soul! too soon perplexed by the ancient riddle; why
doesn't He—why, indeed! Young and old, wise and simple, we are all
guessing together; and no man solves the immemorial puzzle!
Peter Floome—when, upon a Sunday, the prison chaplain exhorted his
not over-heedful flock to pious dependence upon the divine care—was
wont to make his own disparaging comments upon the well-meant, but
often inapplicable discourse. "'Tain't a grain o' use" (said this
volunteer critic, to his fellow-convicts) "o' the chaplain braggin'
in here 'bout Providence, an' sich. Most prob'ly th' Almighty is,
more or less, round 'tendin' to things; but, nat'rally, the devil
takes charge o' prisons, an' runs 'em putty much his own way."
Peter, having had a good twenty years' stretch of prison life, his
experience undoubtedly counted. His utterances were, however, to be
taken with that corrective grain of salt with which one wisely
qualifies the statement of the "crank;" for though, in the main,
mentally sound, through long confinement, and much hopeless pondering,
Peter Floome's brain had taken a decidedly pessimistic twist, and, in
prison circles, he was unanimously dubbed "a crank." It was after the
death of Warden Flint's wife, that Peter's theology became a shade
more optimistic, for then it was that the warden's year-old daughter,
by the tacit consent of all whom it might concern, fell to his
especial care.
In his capacity of runner, Peter had, comparatively, the freedom of
the prison, and was particularly detailed for duty in the warden's
household. The child—with that unaccountable choice of favourites
inherent in her kind—had taken famously to her convict dry-nurse. It
was the sudden rising of this new star on the runner's narrow horizon,
that inspired the following harangue: "Ef th' Almighty, as I say,
don't jest put up in prisons, Himself, leastways He does, now an'
agin, send little angels, an' sich, to keep up a feller's courage."
Peter and his "little angel" might now often be seen together; for the
child, following hard upon his heels, had one day slipped furtively
through the guard-room door, and had thus become a regular habitué
of that semi-public apartment.
Ten summers of this exceptional child-life had passed over
May-blossom's golden head, when Destiny (that other name for
Providence) suddenly removed her to an environment far more kindly
than that in which her sweet young eyes had opened upon this
many-sided existence. But, to explain, we must escape at once from
prison.
Here, in the soft September sky, not the faintest speck of a cloud may
be seen. The river, broken into endless ripples by a crisp west wind,
glances like molten sunshine; and not many rods from its pebbled
shore, behold that goodly sight, an old colonial homestead!
Four generations of Parkers have lived their lives in this ancient
dwelling beside the Saganock, which has all the well-to-doativeness
(if one may coin a word) inherent in the ancestral homes of such
favoured children of men as have much goods laid up for many years.
And here, upon "the stoop," in after-dinner ease, sits the mistress of
the mansion—Miss Paulina Parker. Miss Paulina is the last of the
Parkers. In her snowy gown and gauzy dress-cap, she is, to-day, dainty
as a white butterfly. Far and wide is she known as the Lady Bountiful
of Saganock; and a dearer, lovelier old maid the sun never shone upon;
and, though her sixtieth birthday falls on the twentieth of this very
month, you would not take her to be a day over forty-five! The lean,
gaunt old body, rocking beside yonder window, in the kitchen ell, is
Harmy Patterson. For the last fifty years Harmy has cooked and saved
for the Parker family, and still considers herself in the prime
of her usefulness. She is reading the Boston Recorder, to her
confrère—Mandy Ann, the second girl; who, all agape, swallows the
delectable murders, marriages, and deaths that spice its columns.
Reuben, the hired man, leisurely running a lawn-mower past the open
window, pauses beneath it, from time to time, to solace himself with
some especial tidbit of horror. While Miss Paulina, in pensive
reverie, looks out on river and sky, and marks how, in the Saganock
burying-ground, a maple or two has prematurely reddened, she is
suddenly confronted by Harmy Patterson, newspaper in hand, spectacles
pushed over her brown foretop, and cap-strings flying in the wind.
Excitedly indicating, with her long forefinger, an especial column of
her favourite journal, she pantingly exclaims: "Fur pity sake, Miss
Paulina, du jes' read this!"
Promptly acceding to the request of the old body, Miss Parker reads
attentively the following:
FEARFUL TRAGEDY AT THE STATE PRISON!
As the warden of the Massachusetts State Prison was this
morning making his round of observation and inspection among
the shops, being in the shoemaking department at about ten and
a half o'clock, and passing the bench where one Hodges (a
disorderly convict, who, after repeated and severe punishment,
had, that morning, been remanded to his shop) was at work,
Hodges suddenly sprang upon him from behind, stabbing him with
a shoe-knife, and killing him instantly. The assassin was
immediately secured, heavily ironed, and committed, for
safe-keeping, to the "Lower Arch." The body of the unfortunate
warden was removed to the hospital, a coroner summoned, and the
inspectors convened. By this sad occurrence a young family is
bereaved of paternal support, and the prison of a long-tried
and faithful officer.
"Dear me, Harmy, what a sad affair!" cries the compassionate reader;
"and Josiah Flint's moth—no; let me see! I have it now. Josiah
Flint's grandmother was a—was a Parker, Harmy."
"Yes'm," replies the woman, who has the Parker genealogy at her
tongue's end; "an' your pa's was second cousins; an' the warden, ef
he'd a lived, would be your third cousin. Law sakes! I mind, as well
as can be, young Josiah an' his pa comin' to Saganock. You was a girl
then, an' old Josiah, he was minister in Salem, an' his father before
him (an' hot and heavy he made it for witches, folks say). Well, he
come to Saganock to preach for our minister, an' brung his boy along;
an' bein' connections, they was asked to put up with us. Sakes alive!
I remember it all well as ef it want but yisterday. That Sunday we had
apple pie an' milk betwixt sermons, an' when afternoon meetin' was
out, I gin 'em a pipin' hot supper. Well, the old man was a powerful
preacher," rambles on the old retainer, while Miss Paulina, heedless
of her chatter, sits pondering the situation. "An' I had remarkable
exercises of mind that Sunday; but there! that boy, goodness gracious!
didn't he make way with my clam fritters an' gooseberry pie? Well,
well, this is a dyin' world; an' now his time's come; an' sich an
awful providence, too!" And here, kindly oblivious of the ancient
onslaught on her supper, old Harmy drops a pitying tear for the dead
warden.
"Harmy," says Miss Paulina, decisively, "Josiah Flint's wife has been
dead these nine years, and somebody must see to those poor orphan
children. Tell Reuben to put Major into the carryall. I shall take the
next train for Boston, and probably stay at the prison till the
funeral is over."
In accordance with this humane resolve, Miss Parker packs her
travelling bag, and, in her second best black silk gown, sets out at
four p. m. for the State Prison. Very cold and gray, in the early
autumn twilight, is the residence of the late Josiah Flint, when Miss
Paulina Parker alights from the depot carriage at its frowning
entrance. A jaded housemaid answers the bell, and ushers her into a
slipshod parlor, and thus meets her inquiries for "the warden's
family:"
"Famblee, is it, mem? sure, an' it's jist broken up, it is. There's
himself (God rest him) as dead as a dooer-nail. The baby wint years
ago, along wid the mother; an' the soon he died with the ammonia
(pneumonia) lasht fall, whilst he was away to the schule; an' as fur
the girl—she's that wantherin', sure, that I couldn't jist this
minnit lay me finger on the crather."
Discouraged by this curt summary, Miss Parker half inclines to a
French leave of the prison; but inspired by the hope of future
usefulness to the small estray upon whom Bridget cannot "jist lay a
finger," she resolves to remain, and somehow elbow her way into this
dubious and fragmentary domestic circle.
"I am Miss Parker (she explains), the warden's cousin, from Saganock.
I have come to stay over the funeral, if you can conveniently keep me.
"Sure, mem, no doot we can, if, be the same token, it proves
convanient to yerself," responds the girl. "The korp, indade, is after
wakin' itself in the bist chamber; but there's the intry bidroom at
your service, intirely."
Miss Paulina graciously accepting the proffered chamber, Bridget
kindly leads the way to the "intry bid-room;" and, bidding her "have
no fear of the korp," hurries off in pursuit of the needful toilet
furnishment, leaving the guest alone in the small dusky apartment.
Interwoven with her life experience, as it has ever been, death has
hitherto been calmly confronted by Miss Paulina; but to-night, alone
in a strange dwelling, with a murdered man in the adjoining apartment,
and neighboured, no doubt, by scores of murderers, it is all
unutterably depressing; and when Bridget, having, as she states,
waited to "rub out a clane towel, an' hate a flat for that same,"
comes clattering through the hall, with the damp napery across her
arm, a lamp in one hand, and a slopping ewer in the other, the nervous
lady is half disposed to hug her for the bare relief afforded by her
presence! Hastily arranging the dusty wash-stand, Bridget announces
the instant "goin' on" of supper, and graciously invites her to "tak a
look at the korp, an' thin walk doon." Left alone, Miss Paulina
removes bonnet and shawl, bathes her face, dons her cap, and, ignoring
"the korp," hastily descends to the dining-room.
The supper, a badly cooked, ill-served meal, is solitary and
uncomfortable, the "childer" having, according to Bridget, kindly
consented to be captured, to be put to bed, and to cry herself to
sleep. Miss Paulina, weary and forlorn, soon retires. Already
half-undressed, she finds that her travelling bag, containing her
night gear and toilet necessaries, together with sundry toothsome
packages, provided as "sops" for supposable hostile small Flints, has
been left below stairs. Bridget being presumably beyond call, the good
lady must herself seek the missing bag. It is safe in the entrance
hall, and, hastily securing it, she essays to return to her own
quarters. In her bewilderment, she somehow misses her bedroom door,
and, instead, opens that of the chamber containing the corpse.
Already well into the apartment, she discovers her mistake, and,
simultaneously, lets fall her lamp, surprised by the unlooked-for
tableau confronting her. Here, in the dimly-lighted room, close to the
murdered warden, whose face she has uncovered,—like some exquisite
statue of Pity, mute, motionless, and scarce less pallid than the
marble before her,—stands the night-robed figure of May-blossom. No
childish recoil from that awful presence disturbs her sweet, earnest
face. A solemn awe is in the wistful gray eyes, a mute interrogation
of that confronting mystery, blent with the tender pathos of
commisserating love. Startled by the clatter of the falling lamp, the
child turns, and timidly awaits the approach of the unknown intruder.
Dear, kind Miss Paulina! Surprise and wonder at once give way to the
one absorbing desire to clasp in her warm, motherly arms this lovely,
lonely child.
"Poor little darling," she murmurs, caressingly, approaching and
kissing the tear-wet cheek. "Why are you here so late, and all alone?"
"I thought," apologizes the child, "I thought it might not be so
very wrong. The nights are so long, and when I tried to sleep my
eyes wouldn't shut; for I kept thinking of him (indicating reverently
the corpse), and of the other, too. Peter says he's crazy, and awful
wicked, and down there in the dungeon with the rats, an' all in irons!
And when I thought of it, I got wider and wider awake, and then I came
to father. When he was alive (apologetically), of course, he didn't
care to have me around, and so I stayed mostly with Uncle Tim and
Peter, and the others; but I thought he might be glad, up in heaven,
if he saw me staying with him now when he is all alone."
"It was not at all wrong, dear child," says Miss Paulina; "but come
away with me now. I am your father's cousin, my child, your Aunt
Paulina. You shall try my bed to-night, and see if you cannot sleep
there."
Permitting the child a last good-night kiss, Miss Paulina re-covers
the dead face of Warden Flint, upon which the sharp agony of that
cruel exit from life yet lingers, and the two pass reverently from the
chamber.
Never, in all May-blossom's unmothered life, has there been a night
like this. The warm cuddling in tender arms, two fairy tales, the
tucking up in bed, and, last of all, the singing of a Scotch ballad,
sweet as April rain, upon whose soothing rhythm the weary little soul
floats awhile in semi-consciousness, and, at last, falls deliciously
into the soft arms of sleep.
We may be sure that all the veteran funeralgoers (those irrepressible
"mutes") were on evidence at the funeral of Warden Flint; that his
most sequestered virtues were brought to the front, and put on parade
for the occasion, and that the usual number in attendance pronounced
the remarks "excellent." After the service the coffin is borne
uncovered through the guard-room, and deposited in the prison yard.
The convicts filing thither, in reverent procession, are permitted a
last look at their warden. Hodges, the murderer, taken from his
rayless dungeon, and blinking dazedly at the light, is (after the
old-time experimental fashion) brought face to face with the corpse.
He neither weeps nor smiles. His face wears the blank expression of
utter imbecility. After much prodding from his attendants, he
recognizes the warden, and babbles, "O dear! have I killed him?" When
bidden to put his hand on the body, he recoils and shudders. He
exhibits no other emotion, and, clanking his irons, is led supinely
back to the "Lower Arch." The convicts retire in slow, orderly
procession, and the coffin is returned to more private quarters. The
lid is screwed down. Mrs. Jones, standing at the front window, counts
the carriages, and, as the body is being adjusted on its hearse, Mrs.
Miller, in a resonant whisper, asks Mrs. Brown, "How soon they expect
to get into the new house, and if she's weaned the baby?" Amid this
easy chit-chat, the mourning carriages fill, the procession starts.
After this, the Joneses, Millers, and Browns go their ways. The
funeral is over.
Warden Flint's successor, an oldish man with grown-up sons, promptly
appointed by the governor, arrived upon the scene directly upon the
heels of his departure (death's widest gaps are soon filled!), and,
as there were none to say her nay, Miss Parker tacitly adopted his
homeless child, and made ready for her departure. Miss Paulina
(admirable as she was) had her limitations. The convict, viewed
through the disparaging lens of her own immaculate spectacles, was not
an eligible associate, and the tender, all-round leave-taking,
permitted between her innocent charge and her attainted friends, was
an heroic stretch of good-will on the part of this excellent lady.
At last, it was all well over. May-blossom had given her farewell hug
to Peter Floome and "Uncle Tim," and her sweet eyes yet wet with
tears, and hanging, as to a last plank, upon the cage of a fluttering
yellow canary (the parting souvenir of the inconsolable turnkey), was
safely bestowed in the two p. m. train on her way to Saganock,—now no
longer a "prison child."
The general depression incident to the withdrawal of this sweet
familiar presence from the gray old prison was slightly relieved by
speculative interest in the new warden. It might reasonably be hoped
that this bran-new broom would sweep away some time-honoured
abuses—such as the iron crown, the ball and chain, the lash, and the
parti-coloured prison attire. It was also inferred that he would
reduce the number of consignments to the "Lower Arch," since a
recently dungeoned culprit had gone stark mad in that unsavoury place,
and refusing, on the expiration of his term of detention, to vacate in
favour of an incoming tenant, had been, like some elusive rat,
actually smoked out of his hole![2] As to that forceful incentive to
propriety, the penal shower-bath, it was whispered that even the
commissioners themselves had become shaky in regard to its usefulness,
since the sad taking off of a prison warden had been the latest
result of that mode of disciplinary torture, a description of which is
here subjoined for the curious.
The refractory wretch, his arms, legs, and neck confined in wooden
stocks, is seated, nude, in a small, dark closet. From three to four
barrels of water are placed above his head, at an elevation of six to
eight feet. Unable to change in the slightest degree his position, he
receives upon the top of his head, drop by drop, in sudden shower or
heavy douche (as may best suit the fancy of his tormentor), this
terrible bath. As a devilish after-thought of the inventor, a
trench-like collar is made to encircle the victim's neck; as the water
descends, this collar fills, and it is so contrived that at the least
movement of the sufferer's head the water shall flow into his mouth
and nostrils, until he is upon the verge of strangulation. By order of
the Board, the shower bath was, in 18—, set up in the State Prison.
Could that criminal institution have furnished an unlimited supply of
waterproof brains, it might have flourished there indefinitely; but
mad convicts are troublesome, nay, sometimes dangerous, and
insanity behind the bars is, therefore, not to be wantonly induced.
Hodges, a provokingly incorrigible sinner, had been, time out of mind,
"under treatment." At the command of Warden Flint, he had (putting it
in Peter Floome's own forcible English) "ben showered out of his wits,
and into his wits, an' then showered right over agin." In the
abnormal mental state induced by this prolonged torture, the wretched
creature had finally turned upon his tormentor. Discouraged by this
unlooked-for practical result of the shower-bath, the Board
subsequently ordered the discontinuance of its use in the prison; and
Hodges was the last subject of that infernal contrivance.
He was brought to trial for the murder of his keeper, and acquitted on
the ground of insanity; and finally made good his escape from this
troublous life, by a leap from an upper window of the State Insane
Hospital.
Hodges was an accomplished rogue, and a second comer to the prison,
and it is to be inferred that by the door of death "he went to his
place," leaving the world none the poorer by his withdrawal from it;
all the same, he is to be congratulated on his ultimate escape from
the penal water cure.
It is May-day; and high tide with the Saganock. It is a brimful
hurrying river, and, at this moment, fully verifies that distracting
old saw, "Time and tide stay for no man." And here, amid budding
lilacs and singing robins, some half head taller, and two good years
older than on the day when she bade a final adieu to the prison, is
May-blossom. On this sunny slope of the Parker lawn she is prospecting
for early violets. Her sweet face has grown thinner. Violet circles
underline her soft gray eyes. Her lips are as threads of scarlet wool,
and, listening, you may hear her cough—deep and hollow. Alas! It is a
sound to make the heart ache.
Soon wearied by her futile search, the child returns to her cosy
corner on "the stoop," and there, curled up beneath the soft warm
folds of an afghan, watches the westering sun, the fleecy clouds, and
the familiar river speeding on to the sea.
Meantime, at the north door, Dr. Abel Foster, the family "medicine
man," briskly alights from his buggy. Before his hand can touch the
knocker it is opened by Miss Paulina herself. "Good afternoon, my dear
lady; and so pussy is still ailing, is she?" cries the good doctor
(this with assumed nonchalance, slightly overdone).
"Yes, Doctor Foster," replies Miss Parker; "and will you kindly sound
her lungs to-day, and let me know the worst? One flinches indeed, but,
if it must come—why, then—" an ominous quaver in the gentle voice;
and the doctor shrewdly interrupts:
"Bless you, madam! I'm in a terrible hurry! Twenty patients waiting
for me this minute! Let me see the little girl at once."
May-blossom is called in, her blue-veined wrist consigned to the
doctor's big feelers; her tongue submitted to a critical inspection;
and, after undergoing a prolonged professional thumping and
hearkening, she is soundly hugged and kissed, and, with a nod and a
smile, dismissed. After this, Doctor Foster and the lady of the
mansion are closeted awhile together. The buggy then passes down the
drive, and disappears on the long dusty road. Soon after, the south
door opens, and a face, pale and sad, but very calm, bends over the
child, who has again returned to her out-door seat. Very tenderly is
the warm afghan folded about the small, fragile form. The robins no
longer sing. The sun, half-obscured, is going down. The burying-ground
stands drearily out against the murky sky. The pines wail mournfully,
and the river—at ebbing tide—murmurs in sad refrain. Old Harmy,
moulding tea-biscuits at her kitchen window, imparts to Mandy Ann—who
is shaving the dried beef for tea—her belief that Miss Paulina "hes
gone clean crazy, settin' out-doors with that child, an' the dew a
fallin' this very minnit, like sixty!" Miss Paulina—recovering her
wits—hurries her darling in. The tea-table is already laid in the
south keeping-room, beside the wide fireplace, with its ancient crane,
and its Scriptural border of watery blue Dutch tiles; and, in the
cheerful apple-wood blaze, the two partake together of that now almost
obsolete meal—a substantial six o'clock tea. May-blossom is then
snugly settled among the cushions of a wide chintz lounge, and the
elder lady, in a low seat beside her, and holding lovingly her small
wasted hand,—as is her wont,—chats pleasantly with her darling, in
the soft, quiet gloaming. At nine, they pass, hand in hand, to Miss
Paulina's own chamber, where the child's cot has long been
established. May-blossom undressed, kissed, and blessed, creeps
drowsily between its warm blankets, and is soon sound asleep. Miss
Paulina, in her dressing-gown, broods over the dying fire, far into
the night. Alas! have not all her best beloved gone from her? Why
might not Heaven have spared to her this last—the one ewe lamb, so
tenderly carried in her arms, and warmed in her lonely bosom? Why not;
ah, why? She recalls the blessed comfort of two love-lightened
years; the daily lessons, when to teach this bright little creature
had been a mere pastime; their woodland fern and flower-gatherings,
their winter fireside cosiness, all the nameless homely delights of
love's dear fellowship—wayside flowers, that, scarce perceived,
blossom along life's trodden ways. And now it is all coming to an end!
Nothing will be left her but one small, grass-grown grave! As if there
were not already graves enough in her world!
May-blossom, though not a sickly child, had never been robust; and
when, at midwinter, she had taken the measles, this epidemic of
childhood had gone hard with her. She had convalesced but slowly; an
ugly cough had set in, and could not be routed; and now there were
hectic afternoons, debilitating night-sweats, succeeded by mornings of
lassitude; and, to-day, Doctor Foster had summed up his diagnosis in
one dreadful word—consumption!
"The child," explained the good doctor—tears blinding his kind old
eyes—"has grown up (as it were) in the cellar; delicate nervous
organization; too much brain; too little out-door life; and the
outcome of it all is simply this—with that cough, and that
constitution (God help us!) an angel from heaven couldn't save her!"
Summer is coming. The buttercups are here. May-blossom is better. She
sleeps well, coughs less, and her appetite is mending. Buoyed by
deceitful hope, Miss Paulina takes heart, and the train for Boston,
from whence,—crowned with the spoil of a half day's shopping,—she
is, at this very moment, returning. The carryall fairly groans under
its accumulated bundles; and the steel-clasped bag upon her arm is
plethoric, to the last degree. Hours have passed since she parted
from her darling. Hastily alighting, she hurries in. There is an
under-quaver of anxiety in her voice as she calls, "May! May, May,
dear!" Where can the child be, that she has not run to
meet her! "May!" again, and louder—still no reply. Yet now a
never-to-be-mistaken voice comes cooingly from the kitchen. "Who can
the darling be fondling? (Harmy Patterson, though staunch and loving,
is not one to unbend to endearments!) Her kitten, most likely."
She softly opens the kitchen door. Amazement stays her feet upon the
threshold! Harmy, mute with horror, indicates with stretched
forefinger her own clean patchwork-cushioned rocker, wherein, bolt
upright, sits an unknown man,—and such a man! His coarse, dusty
garments (evidently fashioned without the slightest reference to their
present wearer) hang scarecrow-wise upon his graceless form. Under his
slouched hat (which he democratically retains) he seems to skulk
abjectly from the gazer's eye; as well he may, for, unshaven and
unshorn, his wide mouth stained with tobacco, his hands and face
begrimed with dust, he looks, every inch, the wretched outcast that he
is! And (no wonder that old Harmy gapes distraught), seated
lovingly upon this creature's knee, her dainty fingers clasping his
dirty hand, her golden curls brushing his grimy neck, is
May-blossom,—yes, May-blossom, her own sweet self, beaming, and fond,
and absolutely unconscious of the incongruity of the situation. And
this forlorn being, craving still of humanity but leave to carry on
its shoulders the shamed head of a man, is a convict,—our old prison
acquaintance, Peter Floome, May-blossom's sometime nurse, and always
friend!
Lightly springing from her unseemly perch, the child hastens to greet
Miss Paulina, and, hanging fondly upon her hand, cries eagerly, "Oh,
auntie, darling, I'm so glad you've come! Here's Peter, dear old
Peter! He's pardoned out, auntie, and, isn't it nice? He can come and
see me every day now if he likes.
"Why, auntie! (somewhat crestfallen) aren't you glad? and won't you
shake hands with him? Peter is nice, auntie, and he used to take
such care of me when I was ever so little. You'll like Peter when
he's washed up, and so will Harmy, though she does mind him just a
little now, because she's not acquainted with him." (Harmy, sotto
voce, and emphatically, "Lord sakes, no; an' don't never want to
be!") Here, reminiscences of prison etiquette visiting Peter's dazed
mind, he shuffles bashfully to his feet, and, pulling distractedly at
his matted forelock, goes through a certain gymnic performance,
supposed, by himself, to constitute a bow. The ice thus broken, Peter
finds his tongue, and blurts out a "Good day, marm, hope I see yer
well, marm."
Miss Paulina bows, a pause, ensues. Peter looks admiringly at
May-blossom, and, thereby gaining inspiration, finds himself equal to
a second attempt at conversation.
"She's growed, marm, like the mischief!" he asserts; "but I knowed
her, I did, the minute I sot eyes on her out there in the mowin'
lot! an' she knowed me, she did! Yes, yes, she knowed Peter; she
knowed him. Poor old Peter! who don't hardly know himself nowerdays."
Here Peter's voice gets husky, and, brushing away a dirty tear, with
his greasy coat sleeve, he seems to await the issue. Peter Floome is
downrightly the social antipodes of the lady of the homestead.
Conventionally they do not stand side by side in the human group, but,
like Swedenborg's unfraternal angels, "feet to feet." Yet in the
artless harangue of this poor creature there is a touch of honest
nature that at once makes them kin.
"And I, too, must know you, Peter," she says, cordially advancing and
taking in her own clean palm his dirty hand.
Unable to express his appreciation of the honour thus conferred, Peter
twirls his thumbs, ventures a side glance at Harmy, and, again utterly
disparaged in his own eyes, looks uneasily at the floor.
Prompt to reconcile the cowed creature to himself, Miss Parker
courteously says: "And now, Peter, you would, I think, like to go up
to Reuben's bedroom and have a good wash. By and by Harmy shall give
you tea, and then we must hear all about the pardon, and how you
happened here, and what you mean to do with yourself, and what we
can do for you. Come, Mabel, dear; Peter, you know, is your company.
Show him up-stairs, my darling."
Again the small, soft hand is laid in the rough, brown paw, and Peter
Floome,—in a state of absolute bewilderment as to his personal
identity,—shuffles awkwardly off with the delighted child. And what
says Harmy Patterson to all this? "Here's a convict, a horrid
convict," cries she, "and invited to tea, an' that child a huggin' an'
kissin' him, in cold blood! Lord! Lord! what is the Parkers comin'
to?" Here, unable further to pursue the fallen social fortunes of the
house, Harmy covers her face with her checked apron and bursts into
tears. Grieved at the discomfiture of her old servant and friend, Miss
Parker essays a word of expostulation. She appeals to her hospitality,
her humanity, reminds her of her professed discipleship of Him who
"sat at meat" with the sinner. In vain! as well might she have
addressed herself to Harmy's stone molasses jug, which, dropped from
her grasp in the sudden shock of Peter's advent, now lies prone upon
the kitchen floor. Foiled in her kindly endeavour, the mistress
quietly withdraws. Harmy, left alone, sobs herself into a
comparatively tranquil frame of mind. Coming to the rescue of her
molasses jug, she carefully ascertains that no minute fracture is
consequent upon the fall, and that no wasteful drop has exuded from
the wooden stopper, and, forthwith, sets vigorously to, on a batch of
soft gingerbread, whose manufacture had been interrupted by the
entrance of Peter Floome. While she stirs her cake, Harmy sighs, and
profoundly resolves in her mind "the fitnesses." In her social lexicon
a convict is a vile wretch. In her catechism he is given over to
damnation from the foundation of the world—God-devoted to the very
devil himself!
Miss Paulina Parker, in her chamber, washes her hands, and also
ponders the "fitnesses." This starved outcast is her brother. She has
taken him by the hand. Christian ethics demonstrate the fitness of
this act. The hand was, no doubt, dirty. Yet, what matters it? Soap
and water set one right again. Soap and water tell, too, upon Peter
Floome, when, after a characteristically superficial ablution, he
emerges from Reuben's bedroom, a trifle improved in complexion, but
still a sorry specimen of humanity, and, escorted by May-blossom, is
whisked out-of-doors, on a hasty tour of inspection. Led by this happy
little creature (now holding his hand, now dropping it to run on and,
turning, take in his effect, and then skip gayly in advance), Peter
visits the chicken-coop, the beehive, the flower garden, the stables,
and the pig-pen, and, last of all, the apple orchard, now rosy-white
with bloom.
There, reclined upon the grass, beneath the flowering boughs of a
patriarch tree, Miss Paulina ere long comes upon the oddly matched
pair. Peter, wreathed with buttercups and dandelions, and wearing his
flowery honours like another "Bottom," sits beside his "Titania," who
in fond infatuation "His amiable cheek doth coy."
"Pity," thinks the intruder, "to spoil so quaint a picture." The sun
is, however, already low, and she calls her darling in from the
dewfall. In the kitchen, Harmy has made reluctant preparations for
Peter's inner man; grimly remarking to Mandy Ann (who has meantime
returned from an errand at the store) that "it does go agin' her, to
put on span clean table-cloths for sich creeturs, an' to waste good
vittels where they can't no how be sensed." A convict being, at Mandy
Ann's estimate, an ineligible, if not dangerous guest, as Peter and
May-blossom enter at one door, she vanishes by another. Harmy dons her
cape-bonnet, and marches stiffly into the kitchen garden, leaving the
disreputable visitor to his child hostess.
Peter Floome had not figured at a tea-drinking for many a long year,
and, naturally, his company manners are somewhat rusty. Possibly, his
table etiquette (or, rather, his entire lack of it) might have shocked
his too partial entertainer (who, with fine innate courtesy, has laid
herself a cup and plate, and is keeping her guest in countenance by
taking her own tea with him), had not his evident satisfaction in the
meal entirely engrossed her mind, for (Harmy to the contrary,
notwithstanding) Peter is inherently inclined to "sense good vittels."
It is quaintly picturesque, this tea-drinking of "Bottom" and
"Titania;" this odd contrast of loutishness and elegance, although (as
I grieve to record) "Bottom" does absolutely ignore the butter-knife;
does thrust his wet spoon into the sugar bowl; and, vigourously
blowing his hot tea, in scorn of popular prejudice, lap the same from
his slopping saucer, and shovel in the apple sauce with his
knife-blade. "Titania's" pretty efforts to put "Bottom" at his ease
are, indeed, a thing to behold; for, conscious of his own want of
keeping with the unwonted occasion, Peter is, to the very last degree,
awkward and abashed. Nevertheless, the encouraging smiles of his
small hostess carry him victoriously to the end of this harrowing
experience. Other social exigencies yet await this much-tried man.
Directly after tea, he is taken by May-blossom to that inner
sanctuary, Miss Parker's parlour, where, amid oppressively elegant
surroundings, he is further weighed to earth by the disparaging sense
of his own abjectness.
Prison life, on the solitary plan, is not conducive to colloquial
glibness, nor is Peter Floome habitually garrulous. Many cups of
Harmy's strong green tea have, however, limbered his tongue, and, once
he is well seated, and has made a final, though terribly
unsatisfactory, disposal of his long arms and obtrusive legs, he finds
himself sufficiently at ease for narrative effort, and, at the request
of his gracious hostess, wades desperately into his subject.
"I s'pose now, marm," he begins, "that you dun' know as my real name
ain't Peter Floome. No more, either, does this pretty little creetur.
The Ballous, you see (Ephryam Ballou's my name), was allers stuck on
theirselves, an' when it come to prison, I says to myself, anyhow, I
won't spile the fambly-tree, so I got put down anonermous-like on
them prison books, an' Ephe Ballou ain't never been heerd on to the
'palace,' you bet. Its twenty-three years, come next fall, marm, sence
I sot Hiram Hall's barn afire. I was mighty peppery in them days, an'
Hiram an' me, we had a fallin' out. He served me darned mean, Hiram
did, an' my dander was up an' so was his'n, an' we had it hot an'
heavy, an' (savin' your presence, marm, an' hern) I told Hiram I'd
give him h—l some day. After that, I cooled off some, and went home.
I was pretty riley yit, though, an' all suppertime I sot thinkin' to
myself how I'd come up with that d—d blasted sneak. That's what I
called him then, marm, fur I'd had a leetle too much old cider, an'
didn't feel like pickin' out my words. 'By jiminy!' says I to myself,
'I've got it now! I'll hide in Hiram's barn, an', when folks is turned
in, I'll jest let the critters out, and set fire to the old shebang!
That'll plague him fust-rate.' Well, arter supper, I sez to mother,
sez I, 'I'm goin' to be out middlin' late to-night, mother, an' you
better not set up for me. Put the key under the door-mat, an' I'll be
all right,' sez I.
"Poor old mother!" continued Peter, reflectively, and lowering his
voice. "Arter that I was out; and a long while, too, an' she sot up
fur me, mother did. Bless her patient old soul! Yes, yes, she sot up
fur her bad boy jest five year an' six months, an' then her old heart
broke, an' she turned in for good an' all, mother did, an' I couldn't
so much as see her kivered up!"
Here Peter is fain to take breath and heart, and Miss Paulina (herself
in tears) comforts May-blossom, who is sobbing aloud. After this
pathetic interruption, Peter, apparently composed by a prolonged fit
of sneezing, regains the thread of his narrative.
"'Scuse me, marm," he apologizes, "I b'leeve thinkin' o' mother I got
a leetle grain ahead o' my story, but, as I sed, I'd made up my mind
how to come up with Hiram, an' that night I got ahead on him sure
afore he locked up, for there I was, stowed away in his haymow, as
slick as grease! Well, jest as the Presberteren meetin'-house time
struck 'leven, I crep' down to the stalls, turned out the cow an' the
horse, an' druv 'em down to the medder lot; then I walked back, put a
match er two under the mow, an' made tracks fer hum. Well," sighed
Peter, "the rest on it's an ugly story, marm, an' p'r'aps you druther
this innocent little creetur shouldn't hear it." May-blossom is now
"all ears," and Miss Parker, signifying her assent, Peter goes on.
"Well, 'bout 'leven the wind riz, an' afore that barn got well agoin'
it blowed a perfect harrycane, an' them sparks was a flyin' like the
mischief! 'Lord help us,' sez I, looking out my bedroom winder,
's'pos'n' it kerries 'em as fur's Hiram's house!' An' sure 'nuff, it
did; an' it bein' a dry spell, the ruff blazed up like tinder! I was
there in a jiffy, helpin' on' em git out the truck. I'd got all over
my huff now. I was sober as a jedge, an' I'd' a' gin my head for a
football to had that night's work undid! Well, there was lots o'
furnitoor in the house, an' Hiram he was a graspin' man, an' bound to
git the hull on it out, an' arter it got too hot fur the rest on us,
he hung on, an'—well—the last time he went in, he stayed. Poor
Hiram! I could e'en a'most have changed places with him; for arter
that, I wa'n't no ways sot on livin'. I knowed I wa'n't nothin' less
than a murderer, an' I wa'n't easy nowhere, 'specially to hum, where
mother was round, settin' as much store by me as ever. Well, by'm by,
when folks got wind o' my havin' a spat with Hiram, an' his owin' on
me, they put this an' that together, an' I was took up for arson; an'
I can't say as I was sorry, neither.
"Well, to make short on't, I was nigh about hung; but the governor, he
stepped in at the last minnit, an' sent me to State Prison for life.
When it come to that pass, 'I won't disgrace the fam'ly,' sez I. 'The
Ballous figgered pooty well in the revelooshing,' sez I, 'an' that
name sha'n't never be writ in the prison 'count book, ef I kin hinder
it.' So, es I've told you, marm, I had myself writ down as Peter
Floome. I hadn't no nigh relations 'cept mother and sister Betsy.
Uncle George's family'd settled in Illinoise, an' we didn't hear
from 'em once in a dog's age. Betsy was a young gal then an' had a
beau. She was allus pooty toppin', an' sez I, 'it don't stan' to
reason she'll be comin' to the State Prison to see her own brother;
but there's mother,' sez I, 'she'll come reg'lar, I reckon; same's
she did to the jail;' so I writ her a letter, an' gin her word how I
was, an' who she must ask arter in case she come. Bless her dear old
soul!
"The very next Friday, there she was on the spot! Arter that, reg'lar
as clock work, once in three months, rain or shine, there was mother!
"Mothers, you see, marm, never misses. Wives, an' sisters, an'
children, now an' then do keep up to the mark, but mothers, on the
hull, is about the only reg'lar prison stan'bys. Well, mother sot a
good deal o' store by me, an' when I see her gittin' thin, I knowed
what fretted her, an' sez I to myself, 'she won't hold out forever,
an' when she's gone, the Lord help me!'
"Well," continued Peter, huskily, "by'm by she went, mother did; but
(dropping his voice to a confidential whisper) mothers is master hands
to hang on, an' no mistake! An' sure's you're 'live, ef she didn't
keep right on with them visits! jest as reg'lar as ef nothin' hed
turned up! Ev'ry time the quarter come round, on a Friday night, jest
as the clock struck one, there stood mother, large as life, at the
gratin' o' my cell. She never once opened her head; but, when I see
her stan' there so smilin' an' pleasant, I sez to myself, 'she's done
frettin', anyhow;' an', though I warn't never no great hand at
prayin', I did thank God for that. I never let on 'bout them
visits, for 'bout that time things got pesky upside down with me, an'
the boys they used to say, 'Peter's cranky.' 'So,' sez I, 'ef I was to
tell 'um, they wouldn't none on 'em b'leeve me.' An' I jest kep' dark,
an' year arter year mother come reg'lar, an' we had it all to
ourselves. By'm by Hiram, he come. Not reg'lar, like mother did, but
off an' on. Well, ghosts is poor company, marm; an' arter a while I
got clean upsot, and wa'n't wurth an old shoe.
"But I'm gittin' kinder ahead o' my story. Arter mother died, Betsy
she thawed out some, an' come to see me twice, an' then she got
married an' went to Californy. She writ one or two letters to me an' I
answered 'em punctooal, but by'm by she left off writin', an' I knew
she'd gin me up. An' then I got sorter cross-grained an' callous;
an' sez I to myself, 'what's the odds anyhow, it can't last to all
etarnity; an' by'm by I'll go out o' this, feet fust, an' I hope 't
'ill be the last o' me.'"
"But Peter, my poor fellow," piously interposes Miss Parker, "you read
the Bible sometimes, I trust, and found some comfort there; you
couldn't have doubted God's providence, all His blessed promises to
the penitent and believing soul?"
"Why, yes'm," responds Peter; "I read my Bible some, purty reg'lar,
too, 'long at fust; an' mother bein' a church-member, I was brung up
to set on providence 'en sich like; but them promises you tell on
works best outside o' prisons; an' 'long 'bout the time I got upsot,
I'd gin up readin' even in the Bible; for 't wa'n't no use; the
letters all stood wrong eend up. I did hang on to providence a
spell, but by 'm by, I see that wa'n't no use, nuther. 'Providence,'
sez I, 'don't take no 'count o' me, an' I may as well try to jog
along on my own hook.'
"Well, finally, I was took down with roomatic fever, an' went into the
hospital a spell; an' arter I got round agin, I wa'n't strong enough
to go back to the shoe shop, an' the doctor said a change would set me
up agin. Twelve year I'd ben a workin' there at the same bench, an'
one day exactly like t'other, till it 'peared to me as ef I was a
sewin' one 'tarnal everlastin' shoe, over an' over, an' back an'
forth, an' no mortal hope o' comin' to the eend on't in this world or
next. An' when they sot me to runnin' arrants in the prison, an'
doin' chores fur the warden's folks, I was mighty glad, I tell you!
An' things kinder got right eend up agin. 'T wa'n't long arter that,
afore this dear little creetur come to town. Children air strange
now, ain't they, marm? Would you b'leeve that, afore that child could
set alone, she took a reg'lar shine to me! I was beat, I tell you!
An' when I felt them two little arms 'round my old neck, things
somehow lifted up like; an' though I didn't go to prayer-meetin', and
didn't ezackly git religin, as some on 'em do, I took a reg'lar hitch
on to the Almighty; 'fur,' sez I, 'it's right down handsome in Him to
send a blessed little angel to sich a place as this.' Fur she was a
reg'lar angel to us, a growin' up there, so innocent, purty an'
lovin'; an' she did our souls a heap more good than all the chaplain's
Sunday sermons; an' when the boss got killed, an' you took her off, it
seemed as ef there wa'n't nothin' left. I s'pose I took on, to myself,
a leetle too hard, fur arter I'd had one or two poor spells, the
doctor he overhauled me, an' I heered him say there was trouble with
the heart; an' sez I to myself, 'you're right there is!' Next day as
I was cleanin' up his office, the warden asked me 'bout my folks; an'
how long I'd ben to the prison, an' how long I'd got to stay, an' so I
told him, nigh as I could, the hull story, 'cept 'at I didn't let on
'bout mother, an' them reg'lar visits. He wouldn't 'a' b'leeved me,
you see, an' besides, I never did like to let on much about her.
"Well, that was long in the neighbourhood o' Fast Day; an' now an'
then on holidays, marm, as p'r'aps you know, the gov'nor makes a p'int
to pardon a prisoner; an' when the warden gits up them days in chapel,
with a paper in his hand, we know what's comin', an' some hearts there
gives awful thumps, I tell you! There's lots of 'em, you see, has
hopes, havin' folks a tryin' fur 'em outside, or bein' took up by the
prayer-meetin' or the inspectors; but I hadn't eny hopes; so that day
when the warden riz, with his pardon, an' begun to make a speech, I
sot there as unconcerned as ever.
"'Twenty-two years ago,' sez he, 'one of your number in a state of
intoxication committed a great crime, an' was sentenced for life to
this prison. Durin' these twenty-two years,' sez he, 'he hain't sot
foot outside these walls; an' durin' the hull o' that time,' sez he,
'he hain't once ben reported for bad conduct. In his sober moments
he's allers ben sorry fur his crime,' sez he, 'an' now he's a worn-out
old man, an' I have spoken in favour of his pardon. His name,' sez he,
'is Peter Floome.'
"By the Moses, marm! when I heerd my name called, ef I wa'n't beat!
Well, I riz up to go forrard. My knees was mighty shaky, an' the
chapel was spinnin' round like sixty. I heerd 'em clappin' on me, an'
then, well, that pardon was a leetle too much for me; an' I jest up
an' fainted dead away. Arter a spell they brung me to; an' arter
riggin' me out in a bran-new coat an' weskitt an' trowsis, they brung
me into the guard-room. Well, there was the warden, the chaplain, an'
the deputy, an' lots o' folks, an' all as smilin' as a basket o'
chips. Lots on 'em shook hands with me, an' wished me joy. A tall man
in a long, black coat, an' green specs, was a stannin' along side o'
the warden. He was powfell glad to see me, an' gin me lots o' good
advice (out o' the Scriptures, I should say), though I didn't ezackly
sense, bein' cumflustered like. Arter that, I got leave to say good-by
to some o' the boys; an' then the warden he sent fur me to come into
his office, an' there was two of the inspectors, an' the chaplain,
an' the State agent, an' the chap in the long coat an' the goggles, as
big as life.
"Well, each on 'em talked a spell to me, an' treated me, on the hull,
I should say, considerable han'some. An' the tall man he gin some more
d'rections 'bout my behaviour. Some on it, I took it, was his own
words, an' some on 't was Bible, an' sounded mighty han'some. The
State agent he gin me the four dollars a comin' to me from the State;
an' sez he, 'when you've made up your mind what you're goin' to do,
come to my office, Peter, en I'll do what I kin fer ye.' An' arter
he'd gin me a card with the street an' number o' his place on 't, I
shook hands all round agin, an' off I goes. Lord bless you! Marm, when
I gits outside that prison ef I ain't e'en a'most as helpless as a
baby! an' where to go to, or how to go at all, is more'n I knowed!
Howsumdever, I kinder scooted off, best way I could; for thinks I,
I'll git over to Boston and put up to a tavern there, where folks
don't know me, an' 't won't leak out 'bout my havin' ben in prison. So
I goes on, an' arter I turned the corner, an' got into another street,
an' walked on a piece, somebody steps up behind me, an' teches me on
the shoulder. 'Lord,' thinks I, 'what is comin' now!' but I jest
turned round square ter face the music; an' who should I see but Mr.
Holt, my old instructor in the shoe shop! An' sez he, 'Peter,' sez he,
'I want you to go 'long o' me. You'll make a poor fist on 't jest now,
goin' round streets alone. You come to my house a spell,' sez he. I
was glad, I tell you, marm. Well, I staid to his house three weeks
in all, an' durin' that time got sorter steady in my head, an' used
ter goin' round loose.
"Well, arter goin' to his office five times, I ketched the State agent
in, one day. He knew me right off, like a book; but he was awful busy,
an' couldn't talk to me but a minute. I told him I had a own uncle an'
some fust cousins out to Illinoise, an' I reckoned I'd go out there
an' stay a spell, ef he'd a mind to put me through. Sez he, 'I can
send you as fur as Buffalo, Peter, an' arter you git there, you'll
mebbe git a job an' make enough to carry you on to your folks. The
West'll be the makin' on you. It's the very place for you convicts,'
sez he. So he gin me a ticket, an' hustled me off.
"Well, I went home to Mr. Holt's, an' we talked it over, that night,
an' next day he went to Boston with me an' clean over to the deepott
to put me into the right keer, an', arter thankin' on him a thousand
times, I set out for Buffalo. But, Lord a massy, marm! how them keers
does scoot! It's 'nuff to take away your breath—to say nothin' o' yer
senses. Arter a while we come to a stop an' I wa'n't a bit sorry.
'I'll git off a spell,' sez I, 'an' kinder stiddy my head, an' stretch
my legs, while the ingine's restin'.' The railroad hedn't come our way
till arter I was shet up, so I was middlin' clumsy round keers, an'
goin' down them pesky high steps, I gin my left ankle a turn, an' out
it goes! I sot down a minnit; folks was goin' an' comin', but nobody
twigged me. Arter a spell, I riz up, an' hobbled inside the deepott
buildin', an' jest as I was takin' off my shoe an' stockin' to look at
the damage, that plaggy keer-man blowed his whistle, an' afore you
could say Jack Robinson, off went them divilish keers, an' me left in
the lurch, with a ticket that sez 'good for this trip only!' 'O
Lord,' sez I, 'what shall I do! Fust thing,' sez I, 'I'll count my
cash;' so I took out my little wallet, an' there was the four dollars
'at the State agent 'lowed me, an' ten dollars 'at Mr. Holt gin me
the day I cum off.
"Well, arter I thought it over, I put on my shoe and stockin', an'
sung out to a feller who 'peared to be hangin' 'round for a job, an',
sez I, 'Mister, this here ankle's awful; an' I'll be obleeged to you,
ef you'll take me to the tarvern; an' mebbe, as we go 'long, you
wouldn't mind stoppin' at the 'poth'cary shop to let me git a bottle
o' Opedildock?'
"Well, to git to the eend o' my long story, that ankle, marm, laid me
up a hull week; an', by the time I got round agin, my cash was 'bout
gone. My ticket wa'n't no arthly valloo, nuther. So I gin up
Illinoise, paid the damages to the tarvern, bought a lot o' crackers
an' cheese, an' sot out on my travels, dead broke. I guess 't wa'n't
more'n ten miles from Boston where I bust my ankle; but I made up my
mind not to ask no questions, fur, sez I, 'Peter, 't won't do to show
your ignorance, ef you do 't may leak out 'bout the prison.'
"Fust, I thought I'd look 'round for a job; but I dursn't, fur folks
would naterly want to know where I come from, an' ef the boys got wind
o' my bein' a convict, they'd prob'ly holler arter me, an' p'rhaps
set the dogs on me. So I jest shet my head tight, an' sot out.
"I'd ben travellin' 'bout two days when my grub gin out, an', long in
the arternoon o' the third day, I come in sight o' this here buildin'.
Thinks I ter myself, 'I can't drag on much furder, anyhow, an' it does
look mighty pooty there in that green lot with the yallar buttercups a
bloomin' all round. I reckon I better tumble over them bars,' sez I,
'an' lay down a spell under that big warnut tree. Mebbe,' sez I, 'I
sha'n't git up in a hurry (fur I was clean beat out), but 't ain't no
matter,' sez I, 'there's folks close by, an' when my troubles is over,
they'll find me layin' a top o' the buttercups, an' they can't do no
less'n put me under 'em.' You see, marm, livin' behind the bars, a
feller gits shaky on Providence, and I didn't once suspicion 'at
Providence was bringin' me to the right shop; 'at I was makin' a
bee-line fur the only creetur in the hull world 'at wouldn't turn the
cold shoulder on me. So, when I clim over them bars, I couldn't
(beggin' the Almighty's pardon) ha' flipped a cent fer my miserable
old life. When I laid down under the warnut tree, I felt kinder
drowsy-like, an' so I shet my eyes; but the birds, they was singin'
like all possessed, an' the grass smelt sweet as new butter, an' I
hadn't seen a mowin' lot risin' o' twenty year. So I riz up on my
elbow, to take a squint 'round, an' there, not more'n ten rods off, I
seed this blessed little angel a pickin' buttercups. She'd grown,
marm, but I knowed her, fur all that, the minnit I sot eyes on her. 'T
ain't nateral I shouldn't, when there ain't another like her in
God's world. Yes, I knowed her, an' she knowed me, she did, though
when I sot straight up, an' kinder coughed, she gin a leetle start.
An' then I sez to myself, 'O Lord! she's goin' to run away! As sure as
the world, she's afeared of her poor old Peter, 'at used to tote her
in his arms!' But she didn't run. She jest turned round an' gin me a
good look, an' then she claps her two hands, she does, an' sez she,
'Peter! Peter! it is Peter!' an' runs straight up to me, with her
cheeks as pink as roses, an' puts her two arms 'round my miser'ble old
neck. An' then, marm, I broke right down, an' cried like a baby. But I
didn't want to make her pooty little heart ache, so I wiped up, an'
told her all 'bout the pardon, an' 'bout the folks over to the
'palace' (that's our name, marm, for the prison), an' it 'peared to
me she'd never git through askin' questions 'bout one or 'nother, for
bein' brung up in the prison, she kinder took to us, though we do seem
poor shucks to you, I reckon. Use is everything, an' no matter how
bad convicts is, they all sot the world by her. Well, arter we'd
talked a spell, an' I'd et a hunk o' gingerbread she gin me, I perked
up, an' told her I'd go along home with her; 'fur,' sez I, 'I can't
leave her now, nohow. I've ben starvin' too long for the sight on
her,' sez I. So here I am, marm, an' you know the rest.
"Mebbe you'd know some place 'round here where I could do chores for
my vittels, or p'r'aps you'd giv' me a job yourself, an then I'd git a
look at this little creetur every day, sartin sure. 'Scuse me, marm,
ef I make too free ('Titania' had crept close to Bottom and was
fondly stroking his hand); but I kerried her in my arms a long spell,
an' habit's second natur."
Peter's long story concluded, Miss Paulina kindly assured him that he
should not yet be sent far away from his pretty nursling. Already, she
had determined where to bestow him for the night. In the rambling old
garden stood a small, nondescript erection, supposed to have served,
in remote times, as a summer-house, and though now appropriated to the
safe-keeping of garden tools, still weather-tight and easily
convertible into a sleeping-place, for an unambitious guest. With this
energetic lady, to will was to do. And, with the help of Reuben's
strong arm, and the half-reluctant aid of Mandy Ann, who had consented
to leave for a time the sheltering four walls of her attic bedroom,
the tool-house was cleared up and made clean. A light cot-bed was
conveyed hither, and duly furnished for Peter's occupancy, and, with
his last lingering look devouring May-blossom, he was escorted by
Reuben to his new quarters. There, a cup of hot coffee, a generous
plate of biscuits, and a clean nightcap awaited him. And, installed in
these comparatively elegant lodgings, we leave him to sound sleep, and
happy dreams.
Harmy's pet bantam had long since crowed in a new day, and Harmy
herself had been two full hours astir, when Peter Floome, rubbing his
old eyes, awoke from untroubled slumber. Essaying to rise, and with
one foot already planted on the floor, he becomes painfully aware of
his inability to do so. A small, round table, the summer-house settee,
and chairs reel tipsily in their places. The diamond-paned window
wavers before his eyes, the very walls of the apartment seem like—
"The ancient House of Usher,
Tottering to their fall,"
and, catching the general impulse, he, too, lets go his centre of
gravity, and falls fainting across the bed. Half an hour later, Peter
awakes to conscious life, and an overwhelming smell of camphor. Harmy
Patterson, not without evidence of strong repulsion, bends desperately
over him. Her expression, in the main, is that of solemn
determination. She is "bringing him to." This accomplished, she
stiffly beckons to Reuben (who stands "watching afar off"), and,
signifying her desire to wash her hands of this disreputable patient,
commits Peter to his care, and grimly retires.
Miss Paulina is hastily interviewed, and informed of the convict's
"faint spell," and his subsequent "bringin' to." And Harmy, forthwith,
expresses her decided conviction that "it's ketchin', an' she
shouldn't a bit wonder if the hull family was took down with it," and,
furtively suggesting the "poorhouse," she withdraws to the more
momentous concerns of her kitchen. There she sends cold shivers down
Mandy Ann's back, by a recountal of the late occurrence. "I hain't,"
she declares, "had a wink of sleep the whole blessed night, a thinkin'
of that horrid convict, an' not knowin' what might happen, with sich
creeturs 'round. At four o'clock I come down and went into the garden
to settle my mind, an' pull a few cherry reddishes for breakfast. I
jest stepped down to the summer-house a minute, to take a good look
'round, and there was the door wide open!"
Feelin' (as she averred) in her bones that the creetur might ha' gone
off in the night with the pillow-case and towels in his trowsers'
pocket, she had (to make assurance doubly sure) stepped over the
threshold, with them cherry reddishes in her apron, an' her heart a
beatin' like a mill-clapper. And, raisin' her two hands, she had let
go her apron, an' them reddishes had gone rollin' every which way,
while she gin such a screech that Reuben heered it, way off in the
cow-yard, and nigh about jumped out of his skin. The hired man
arriving on the scene, she had said, "Reuben, is he gone?" and,
loosing his shirt collar, Reuben had made answer, "Gone? no, he's
alive an' kickin', you bet. Run git the camfire, Harmy, an' don't
disturb the folks. You'll fetch him 'round ef ennybody kin." How her
camfire, strong enough to bear up an egg, had at length brung the
miser'ble creetur round, to give 'em all some dretful sickness he'd
ketched, etc., etc.
Mandy Ann's fascinated attention, and her lively alternations of
horror and surprise during the above recital, this feeble pen may not
describe. Miss Paulina, meantime, visiting the summer-house, detects
no evidence of fever in Peter's system, and is convinced that the poor
body's ailment is not, as Harmy opines, "ketchin'." Kindly looking
after his comfort, she relieves Reuben's watch, and forthwith
despatches him for Doctor Foster, who in due time looks in upon the
strange patient, and pronounces his sudden illness an attack of heart
disease. "Twenty-two years of hopeless toil," declares the good
doctor, "short commons, and vitiated air, have damaged the poor human
machine beyond repair; and, though it may run a while longer, don't
be surprised if it stops any day, and without notice." The doctor
rides away on his morning round; Miss Paulina gives May-blossom her
late breakfast, and, with many careful admonitions, allows her to go
to Peter, who now—tolerably recovered—"is receiving" in an old
Boston rocker, hunted up for his special use; and in which, sitting
bolt upright, he rocks with indescribable relish, assuring May-blossom
that "it's the very spawn o' mother's own rockin'-cheer, an' makes him
feel as ef he was right in the old chimbly corner, to hum."
While Peter rocks and chats with his little visitor, the good lady of
the house, turning over his affairs in her mind, thus soliloquises:
"Poor creature, as Doctor Foster says, he'll not trouble any one long.
He loves my precious child. Why should I part the two?—both, alas!
going the same sad road. The summer-house could easily be made
habitable. He could live there, quite by himself—at least till cold
weather sets in. The cost of his maintenance I can well spare from my
abundance. The neighbours, to be sure, will object; and there's Harmy
to be reconciled; but what is to become of the forlorn, shelterless
creature, if I turn my back on him? What indeed (with a resolute nod,
and thinking aloud)! My mind is made up. He shall stay. Right is
right. One is sure of that; and Providence takes care of the rest."
In accordance with this resolve, Peter Floome, that very day, goes to
housekeeping. A Lilliputian laundry-stove, with an improvised flue, is
set up in the summer-house by the tinman. An old cupboard, vis-à-vis
with the stove, is scoured, and well stocked with provisions and
cooking utensils, and a sufficiency of homely table and other
furniture is placed at his disposal; and Peter literally groans under
"an embarrassment of riches." A box of coal is also appropriated to
his use, and, when he receives permission to chop for himself
unlimited kindlings from Miss Paulina's teeming woodpile, tears of
grateful joy trickle down the worn old cheeks of Peter Floome. From
the luxurious depths of his Boston rocker, he watches dazedly these
munificent preparations for his housekeeping, declaring over and over
to May-blossom (who is in an equal state of delight), that "this does
beat the Dutch, an' he never, an' it's jest like bein' took up by one
o' them fairy godmothers in the story-book!" But when actually
measured by the Saganock tailor, he is subsequently arrayed in a
pair of trousers, cut with especial reference to his own clumsy legs,
and a coat which, though coarse and homely, has not been fashioned
without some slight reference to the dimensions of its wearer; a
bran-new necktie, and a decent straw hat, not to mention a clean print
shirt (of the latter, there is a magnificent reserve of five others,
equally new and clean), his admiration and wonderment, and
May-blossom's pride in him, are absolutely indescribable. Even Harmy
herself, softened by this metamorphosis of the fairy godmother,
becomes distantly amicable, scarcely recognising in this decent old
body the objectionable being of her sometime suspicion and aversion.
After the lapse of an entire week, she grimly remarks to Reuben that
"she hain't missed nothin' yit, tho', to be sure, its awful resky
havin' sich creeturs 'round."
Peter Floome, though he takes a whole bottle of Doctor Foster's drops,
never quite rallies from that first grave attack of his fatal disease.
May-blossom, too, is more ailing. Peter's advent at the homestead,
with its attendant excitement, has been too much for the delicate
little frame. Already those deceitful tokens of convalescence, so
cheering to Miss Paulina's heart, have disappeared. Before the summer
roses go, it is plain to all, that, ere long, death will claim for his
own this bud that "never will become a rose."
Miss Paulina hears the graveyard pines wailing in weary monotone,
while, gliding serenely beneath the sapphire heaven of June, the river
repeats the mournful undersong. Alas, and alas, that ever life, and
death, and true love should dwell side by side in this goodly world!
Faithful old Peter, never wearying in his love-labour, bears hither
and thither, in careful arms, the wasted young form, now too feeble to
bear its own light weight. On pleasant days he conveys it tenderly
from couch to garden. For it is still May-blossom's delight to swing
dreamily in a low hammock, hung from the stout boughs of two gigantic
elms, sometimes thinking to herself, oftener confiding her innocent
dreams to Peter, or Miss Paulina. Often her thought goes back to the
gray old prison. Loving memories of her child-life, and tender
reminiscences of shabby old friends in that dreary abode, are still
with her. To this young, gladsome creature, not yet replete with its
sweet new wine, existence is still infinitely dear; and, though Death
is coming, she does not hasten to meet him, but, turning her face
lifeward, lives (as in God's mercy it befalls many a dying one to
live) in the sweet, brief to-day. And well it is, for the coffin and
the tomb, even to the "life undone," are not things to brood upon.
While Peter Floome, armed and equipped with a splint fly-brush of his
own clumsy manufacture, presides, dragon-like, over the out-door
siestas of his enchanted princess, the summer grows old, and it
behooves us to look after the ex-convict's housekeeping. Harmy
Patterson, has, to be sure, anticipated us, and, as a result of her
observations, has long since averred that "it's awful to see that man
mess 'round, an' spill grease on the summer-house floor!" And, indeed,
even to the unprejudiced eye, it is painfully apparent that Nature, in
fashioning Peter Floome, had not in her "mind's eye" a cook, or a
housewife, or even a scullion. Although no one could be more willingly
helpful, he is so clumsy of touch at all indoor employment, save the
gentle tendance of May-blossom, that one half inclines to the
fantastic supposition that this exceptional aptness may be the result
of some preexistent experience of Peter as child's-nurse.
Peter's gentle inoffensiveness, his ever-respectful deference to
Harmy's wishes, and Harmy's judgment, and, above all, his idolatrous
devotion to "that blessed lamb, May-blossom," bid fair, at last, to
overcome even Harmy's social prejudices. One morning, when the poor
man is ailing, and for a day or two has been "sloppy, poky, and
messy," beyond his wont, the good woman is encountered by Miss Parker
on her way to the summer-house, bearing a breakfast-tray, fit to serve
a king. Colouring, as if detected in some covert derogatory act, Harmy
apologetically observes that, "when folks is sick, you can't stan' by
an' see 'em suffer, an whatever they air, dropped eggs, an' muffins,
an' broma'll do 'em no harm. As for men-folks," asserts she, "they
never be fit to cook an' do for theirselves, an' p'r'aps, arter all,
'twould be a savin' to the family ef she was to see to his vittels
right along."
In these frugal and humane sentiments her mistress hastily concurs;
and, henceforth, Harmy does "see to his vittels;" thereby vastly
bettering the sanitary condition of poor Peter, whose "messes,"
whatever other excellence they may boast, are not anti-dyspeptic.
Peter, like most of his sex, especially open to the seductions of the
cuisine, is deeply impressed with the domestic worth of his caterer,
and, in confidential discourse with Reuben, admiringly observes that
"Miss Patterson's cookin' does beat the Dutch; an' for scourin' a
floor he never see her ekal; an' ef she'd 'a' got hitched in her
younger days, what a wife she'd 'a' made!"
Having thus put Peter's kitchen to rights, Harmy suggests to herself
the practicability of correcting a certain irregularity in his
conduct, "which has (as she expresses it) ben a weighin' on her mind
quite a spell."
As this is a reform not to be undertaken lightly or single-handed, she
determines to make an alliance with Reuben; and to this effect, one
moonlight evening when the two are quite alone, she takes the hired
man into her confidence. "For," says the good woman, "I put it to you,
now, an' bein' old enough to be your mother, sich things is no harm
between us, Reuben. I put it to you, ef it don't seem scand'lus for a
man to ondress, an' git into bed with his door wide open, an' a decent
woman overlookin' on him from her bedroom winder? To be sure, I never
once turn my eyes his way, but I can't help sensin' on it, an' 's
true's you're alive, Reuben, ef he don't sleep there night arter
night, with his door stretched, right afore my face!"
"P'r'aps he wants air," pleads Reuben, in excuse.
"Then why on airth," returns Harmy, "don't he open his winder! Now,
Reuben, to please me, do go this very night an' shet that door. Ef
folks don't know what manners is, it's best to give 'em a hint, I
say, an', ten to one, he won't be the wiser fur it till mornin', fur,
to my knowledge, he's been abed a hull hour by the kitchen clock."
Thus urgently besought, and willing to oblige, Reuben steps gingerly
down the garden path, and, reassured by the heavy snores within,
softly closes the summer-house door. He is about to retrace his steps
when, bounce upon the floor, comes Peter Floome! Open goes the door
with a bang, and a voice, so energetically fierce that Reuben turns
upon his heel to assure himself that the speaker is really Peter,
angrily exclaims, "No, you don't, now! Hain't I ben shet up like a
dog in a kennel night arter night fur twenty-two year, say? An' what
the d—l's the use o' pardonin' a man out, ef you can't give him the
swing o' his own bedroom door?"
Reuben, who relishes a bit of humour, details to his mistress, on the
morrow, this unsuccessful attempt of Harmy to compel Peter's respect
to the proprieties. Miss Paulina, kindly wise, decides in favour of
the open door, and thereafter, Peter, like "him that hath the key of
David, openeth, and no man shutteth." The intense satisfaction of this
cell-worn creature in his open door is, indeed, a thing to
contemplate, and, touched, no doubt, by the homely pathos of the
bowed, motionless figure sitting (often far into the night) in his low
doorway, bathed in the tender beauty of the summer moonlight, or
sharply projected on the darkness in momentary silhouette, by lurid
flashes of summer lightning, Harmy herself is at length modified, and
tacitly condones Peter's bold breach of decorum.
Through long disuse of the power of speech, Peter Floome has become
habitually taciturn. His protracted fits of almost dogged silence are,
however, relieved by equally abnormal attacks of garrulousness. In
these moods he holds long and confidential discourse with Reuben. On a
summer evening, seated in his humble doorway, he will recount for his
entertainment such bits of prison gossip, or such incidents of prison
life, as have retained their hold on his failing memory. Often on
these occasions a dash of the old cynicism gives pungency to his
speech, but, ordinarily, he is amiably at one with destiny, and at
peace with himself and his neighbour. Behold him to-night, already in
his talking-cap. Harmy and Mandy Ann are seated upon the summer-house
steps; Reuben, wearied by a long day's haying, is reclining lazily
upon the grass; Peter, meantime, is graciously intent in serving up
for the three his most relishing prison tidbits. Harmy, being
rheumatic, does not often grace these out-door assemblages with her
august presence; "but to-night," as she herself explains, "havin' a
longin' for a breath of fresh air, she jest strolled into the garden,
an' thought she might as well set down with 'em and rest a spell."
Peter's audience secured, he opens his budget of prison reminiscence
and rehearses a long, heart-breaking drama, at which Harmy pulls out
her handkerchief, and complains of a cold in her head, while Mandy Ann
sobs outright, and Reuben himself is detected in an audible sniff.
"'Tain't a lively yarn, I'll 'low," apologizes the narrator, "an',
p'r'aps, I hadn't oughter told it to you wimmin folks. Well, we've all
got to go when our time comes; an' death ain't the wust thing in the
world, no, not by a jug full! An', whenever the Almighty summons us, I
hope we'll all face the music, an' go off with flyin' colours."
Harmy, who considers Peter's similes objectionably secular, here
suggests, as an appropriate lesson, the parable of the ten virgins,
and advises Reuben and Mandy Ann to "jine the church, an' have their
lamps trimmed an' burnin' when the bridegroom cometh."
Peter, ignoring the parable, irreverently observes that "all the
Ballous had ben handsomely buried;" an', when his turn comes, all he
asks is to hev a marble gravestone, with verses cut on to it, same as
the rest o' his folks. As to what's comin' after death (he
philosophically avers), "'tain't no use to worry 'bout that; fur it
stan's to reason that the Lord ain't goin' to hang on to His creeturs,
through thick an' thin, in this world, an' then go back on 'em in
t'other."
Reuben, who is not reflective, here yawns audibly, and, expressing his
intention to "turn in," bids them a drowsy good-night. The "wimmin
folks" follow his lead, and Peter is left alone in his moonlit
doorway.
"There never was," as Harmy repeatedly asserts to Mandy Ann, who is
about retiring, "such a night; light enough to pick up a pin by the
moon, an' too pleasant fur any mortal to think o' sleepin'!"
Leisurely setting her sponge for the morrow's baking, gathering up her
silver, bolting the doors, and looking after the window-fastenings,
the good woman reluctantly retires to her chamber.
Having no disposition for sleep, Harmy, half undressed, sits looking
out upon the moonlit garden. Her mind is ill at ease. "We live in a
dyin' world," she drearily soliloquises. "Here's our May-blossom, now,
poor blessed lamb! a growin' that weaker every day that it stan's to
reason she can't last but a spell longer; an' Miss Paulina that bound
up in the child, that how she's goin' to stan' the partin' the Lord
only knows! An' there's Peter, goin' round with that pesky onsartin'
heart, liable to stop beatin', without a minnit's notice, eny day.
"To be sure, now," she retrospectively muses, "it was a cross las'
spring to hev a convict brung right into the family; an' to see that
child a hangin' on to him, an' a huggin' an' kissen on him, same's ef
he was her own flesh and blood; but there (judicially and
emphatically), I will say that fur him, though he's no end mussy
an' sloppy about housework, and does hev scand'lous notions about his
bedroom door, there ain't a grain o' real harm in Peter Floome; an'
it's lots o' company to see him a settin' there nights in that
summer-house doorway. Well, he's gone an' turned in, I see; an' it's
'bout time I follered suit, I guess."
The night wind is rising. It soughs rhythmically through the great
pine, beside the west door, and sends a miniature snow-storm of
syringa petals upon the garden walks.
It winnows spice-like odors from ancient clumps of clove-pink. Tall
summer lilies, nodding drowsily upon their stems, breathe,
incense-like, upon the dewy air. Brooding birds twitter sleepily among
the green Linden boughs; and, over it all, lies, like God's
benediction, the wonderful glamour of the still white moonlight.
"Well," declares Harmy, giving voice to her thought, as she ties her
nightcap strings, and takes one more good look at the garden; "I mus'
say that the Lord's put His creeturs into a han'some world; an' no
mistake! I s'pose now," she adds, compunctiously, "that I'm turrible
wicked to say it, but, somehow, I can't jest see my way to believin'
that things is fixed the way they'd orter be. To my mind, it would
'er ben more to the pint to 'a' made all on us Methusalehs. It's
dretful upsettin' to hev to live in a dyin' world, no matter how
pooty it is."
Still heavy with anxious foreboding, Harmy puts out her candle, and,
presently, "dropping off," forgets in sleep the unsatisfactory
arrangement of mundane affairs.
At early dawn she is aroused by the ringing of Miss Paulina's chamber
bell; and, before she has got well into her gown, Mandy Ann comes to
summons her to the bedside of May-blossom. The child is fast sinking.
Doctor Foster is already here; but human help is of no avail. A hard
coughing spell has been followed by a cruel hemorrhage, which has
already drained her thin blue veins. Exhausted and unconscious she
waits upon the border-line, betwixt life and death; and there,
wringing Miss Parker's trembling hand, and pressing a last kiss upon
the brow of the dying child, the good doctor leaves her to Him in
whose hand are the issues of life and death.
All day long, with wide unseeing eyes "looking," as Harmy quaintly
expresses it, "right straight up into heaven," May-blossom lies
senseless upon her couch of white.
No priceless "last word" breaks the silence of her sweet folded lips.
There is nothing more for hope to hang upon, not even the sad
anticipation of a dying smile; and so the slow day wears on to night.
Miss Paulina—heart-broken—hangs over the dear unconscious form; and,
in yonder corner ("how in the world Miss Paulina come to give her
consent to his stayin' here sence mornin', without a mou'ful o'
victuals an' drink, an' not so much as a word of notice for his best
friends," Harmy Patterson cannot opine; "but there! folks will do
curos things sometimes; an' to see a man settin' that way, hour after
hour, all doubled up, an' the tears a tricklin' down his shirt-front,
is turrible tryin'!") sits Peter Floome. At midnight, Harmy
persuades Miss Parker to "lop down a minnit; you'll be all beat out
afore the fun'al," she urges. "Do now hear to me! I'm the oldest,
Miss Pauly, an' hev seen lots o' sickness an' death in my day." Thus
persuaded, the poor worn lady seeks her chamber, and is soon in a
troubled, but heavy sleep. Harmy in a flowered "loose gown," wonderful
in color and design, watches the death-bed of May-blossom. Peter
Floome, silent, motionless, with bowed gray head, still holds his
place—rejecting every advance of his comforter, who says irritably to
herself, "Land sakes, I'd 'bout as soon be stark alone!"
How still the night is! A mother robin, brooding her fledglings in the
tall linden, beside the open window, twitters drowsily, from time to
time. A persistent June bug, bouncing clumsily against wall and
ceiling, wantons jarringly with the solemn silence. On the bureau
stands May-blossom's own pet vase—a Parian hand. It still holds a
faded cluster of lady's delights, placed there, but yesterday, by her
own sweet hand. The long July night wears on. Harmy, at regular
intervals, steps softly to the bedside, and, bending tenderly over her
charge, listens a while to the laboured breathing of the child, and
then, with a stealthy side glance at the silent watcher,—whose
presence, to her mind, but ill accords with the occasion,—returns
to rock softly, and moan, under her breath, "Dear, dear, dear o' me! I
s'pose it's the Lord's will; but, when I look at that precious child,
I can't, nohow, help prayin' straight agin it! P'r'aps I may as well
read a few chapters (taking a heavy Bible from a stand beside the
fireplace); the Scripters is wonderful comfortin' in times of
affliction."
And now, Harmy Patterson,—good old-fashioned Christian, never once
doubting that God Himself literally penned every word between the
covers of her "King James edition,"—gets mightily edified and
reassured by a pious perusal of the Book of Lamentations! Harmy likes
long chapters, and many of them; and, having exhausted Lamentations,
she reads on and on, until (if you should put her to the rack, you
couldn't make her confess it) she falls fast asleep.
Hark! Is it the robin twittering in the linden? Ah, no! a sadder and
more hopeless sound disturbs her repose. It is the death-rattle! A
moment more, and she is hastening to the child. Peter Floome has
already anticipated her; and, kneeling by the bedside, is clasping, in
his rough brown palm, the slender white hand of his precious nursling.
A cruel spasm convulses the tender frame. The little arms are up-flung
in agony! A moment; and it has passed—thank God! the last mortal
pang! And now the sweet Carrara marble face is lighted by a dawn that
is not of earth. A smile of ecstasy sweetens the dying lips; and, as
the conscious gray eyes look fondly upon the familiar bowed head
beside her, she whispers in rapturous surprise: "Why, Peter! Peter! It
is morning!" A faint gasp—a single flutter of the failing breath, and
all is over. Harmy Patterson, bending her stiff old knees, grasps the
hand of Peter Floome, and the two weep silently together. Peter's
adoring gaze is still fastened upon the dear dead face, and, with his
right hand still clasping that of May-blossom, he presses in his left
that of Harmy, and broken-heartedly wails: "Oh, Miss Patterson, Miss
Patterson! the' ain't nothin' left!"
"It's the will of the Lord, Peter," piously exhorts Harmy; "an' we
must all bow down to it, an' bear up under it. But, O land, (rising
abruptly to her feet)! how in the world I'm to break it to Miss
Paulina (an' she not here at the last minnit) is more'n I know; but
I must do it, an' right off, too." And, leaving her fellow-mourner
still upon his knees, she hurries from the room on her distasteful
errand. Harmy, in spite of her best intentions, delays awhile. "It's a
pity"—she says to herself—"to wake her up to her trouble, and she so
sound, an' quiet. I've a mind to let her lay a minnit longer." And she
does, but, ere long, the two women are beside the dear dead form.
Miss Paulina—true to her own sweet self—holds in abeyance the sorrow
of her aching heart, while she kindly seeks to comfort the poor bowed
creature still clinging to his beloved nursling. Tenderly clasping his
disengaged hand, she strives with gentle force to draw him from the
room. The hand is nerveless, and chill. The entire form seems
strangely limp and listless! The truth at last dawns upon her
her—"Peter Floome is dead!" Yes, his fond, faithful spirit, following
hard upon the flight of that—
"Little fair soul that knew not sin,"
had gone softly and painlessly out of mortal life; and who shall say
that, in the "house of many mansions," the convict, "delivered from
the body of his sin," may not dwell, side by side, with the innocent
prison child?
Rough-handed men come, with heavy tread, to bear the dead man from the
room, but it is Miss Paulina, herself, who tenderly disengages the
interclasped hands, and, then stooping reverently to the bowed gray
head, she lays her own in silent benediction upon it, and voicelessly
transposes the gracious words that, centuries ago, fell from the
blessed lips of the divine man: "His sins, though many, are forgiven,
for he loved much."
And now, already the red rose of dawn blooms in the summer sky, and,
like belated ghosts, that may not bide for the coming sun, we steal
noiselessly from the chamber of death.
Year after year the blue-eyed periwinkle blooms upon a low, short
grave in that "City of the Silent," the Saganock burying-ground. Its
headstone is a shaft of Carrara marble. A carven lily, broken on its
stem, in emblem of the unfilled promise of a life, droops over this
simple inscription:
In the old burying-ground beneath the pines is another grave, and,
before the sod had greened upon it, it was Miss Paulina's pious care
to order for it a modest headstone, and, mindful of Peter's heart's
earnest wish, she had "verses cut on to it."
Resolutely turning her face from her own sad world of graves, Miss
Paulina lives unselfishly on, in other lives. Gentle deeds of
beneficence and love blossom thickly along her gracious life-road, as
roses flower upon their stems, and never dream that through them the
world is made more sweet.
Harmy, at seventy, still considers herself quite equal to any domestic
exigency. Reuben, "taking heed to his ways," has minded her sage
admonitions. He has "jined the church." Mandy Ann and he have become
one. This marriage scarce makes a ripple in their tranquil lives,
which are still consecrated to the service of the House of Parker.
Timothy Tucker no longer keeps the iron doors of the prison
guard-room. Soon after the sudden departure of Warden Flint, and the
consequent subtraction of May-blossom from his uncongenial existence,
he migrated to California. He has become, in sunny San Francisco, the
pleased proprietor of a flourishing bird store. As duly set forth on
his sign of blue and gold, "birds, cages, and seed, with bouquets and
cut flowers of every description," may be obtained at this mercantile
establishment. The ex-turnkey's favourite customer is a little maid,
of ten sweet Californian summers. Her eyes are like the sapphire of a
noon-day heaven. Her hair is the braided sunshine of her own golden
clime.
No one (not even the charming little buyer herself) guesses why the
bird and flower dealer invariably gives this fair creature twice her
money's worth of violets, pinks, or roses, or why, last winter, he
trained, to the utmost of their pretty possibilities, two yellow
canaries as a Christmas "gift for his fair." But one day, as this
little maiden, bearing in her hand a lavish bunch of Parma violets,
turned smiling from his door, the listening parrots heard him thus
pensively soliloquize: "Blue eyes, but jes' such hair, an' her step,
to a T! An' a wonderful takin' little creetur you air, to be sure. But
(sorrowfully shaking his grizzled head), you ain't her. No, no, no!
Not by a long shot!"