In the preliminary hasty search over the house, it
had fallen to Higgs to reach the first floor earlier
than his master. Gimblet had left it to him to
examine, while he himself hurried to the upper stories;
so that he now entered the drawing-room for the first
time.
He stood for a moment turning his head to right
and left, taking in the principal features of the apartment
with quick, comprehensive glances. Then, of a
sudden, the whole figure of the man stiffened; and it
was hard to recognise Mr. Gimblet, the dilettante, the
frequenter of curiosity shops, the lounger in picture
galleries, in the tense, motionless form of Gimblet, the
detective, at this moment. He stood, as a pointer
stands when it catches the wind of game, erect and
stiff, in an attitude of interrupted movement, one knee
still bent for the step he had been in the very act of
making; his whole form absolutely still, save for a
series of short, successive intakings of the breath, as,
with head thrown back and his eyes shining with the
keen, well-balanced excitement of the hunter, he sniffed
the air.
What was it he smelt? Something so faint, so
indefinite, that after the first arresting instant he had
lost it altogether; and with it the knowledge of what
it was—which in that one second had seemed almost
his—slipped away and was gone, nor could his most
strenuous effort recall it. Oh, for one more whiff of
that evasive, troubling odour! But sniff as he might
he could no longer detect anything, and slowly his
attitude relaxed, and he brought other senses to bear
upon the scene.
The room was divided, by its shape, into a front and
back drawing-room, as is commonly the case in London
houses; but the two had been thrown into one and the
door led into the narrower back part, so that the light
from the window overlooking the garden, which was
obscured by trees, while it still illumined all that
lay on Gimblet’s right, hardly penetrated into the
front and larger portion of the place. There the
closed shutters of the three windows leading to the
balcony prevented the light from finding an entrance,
and it was very dark. The detective lit the gas and
looked around him.
It was a cheerful, pleasant room; not overcrowded
with furniture, and showing taste and judgment in its
arrangement and decoration, though there was nothing
very original about it. On the walls, which were
covered with some light coloured paper, were hung
three or four good modern pictures; the mantelpiece
was an eighteenth century one, and on either side of
it was placed a Chippendale cabinet, with shelves for
china, of which some good pieces could be seen through
the small panes of the glass doors. At the opposite
end of the room was a long, low bookcase and, except
for a large writing bureau, the rest of the furniture
consisted of sofas and chairs, with one or two small
tables. It was a room at once dainty and desolate,
gay and forlorn. The empty flower vases which stood
on the tables, the absence of stray books, work, papers,
or other signs of human occupancy, gave it a look of
discomfort and dreariness; but it was plain, from the
bright chintzes and curtains and the soft luxury of the
carpet, that it only needed the presence of its owners
to assume a cheerful and lively aspect.
Gimblet began his examination in his usual
methodical manner, working his way over the floor on
hands and knees, gazing at the carpet through his lens
at any place where there appeared a doubtful mark or
change in the appearance of its surface from that of the
surrounding parts. As he came to chairs or tables he
moved them to one side, and continued his quest on
the spot where they had stood. There were two small
Chesterfield sofas, one of which jutted out at right
angles to the fire-place before the right hand window
of the front part of the room, the other facing the door
with its back against the wall.
When the detective came to the sofa by the fireplace,
he pushed it to one side as he had pushed each
piece of furniture in its turn, and as his eyes fell on the
floor beneath it a low whistle escaped him: there was
a patch of reddish stain on the green Wilton carpet,
about three inches in diameter, and a smaller spot or
two near by of the same rusty colour.
With his head on one side, and his lips still pursed as
if to emit a whistling sound, but with no audible noise
issuing from them, Gimblet gazed at the stain on the
carpet; and the longer he looked the sterner his face
became; the whistling expression vanished, and he
opened and shut his mouth with a grinding sound as
the teeth met. He rubbed his finger over the marks,
and the patch seemed to crumble away at his touch, till
a hole appeared in the carpet and the white boards of
the flooring were exposed to view. He applied his lens
to the edges of the hole and plucked at the frayed wool
with his fingers. A small piece that he pulled off he
bestowed in one of the little specimen boxes with which
he had provided himself.
Then he replaced the sofa in its original position, and
continued his examination of the floor. Under the
fender he discovered another of the little objects he had
picked up on the stairs, but nothing else did he find of
any interest till he began to turn his attention to the
furniture. Almost the first thing he looked at was the
sofa that concealed the hole in the carpet; he was
drawn back to it with an irresistible attraction. A
careful scrutiny, however, did not reveal much more
than the fact that the chintz cover was rather tumbled.
Gimblet dug his hand down at the back of the seat, and
pulled out the part of it which was tucked down. As
he did so he felt a little lump under his fingers, and
holding it up saw that it was yet another tiny shining
thing for his pill-box collection, and as he looked at the
piece of chintz he had pulled out he perceived several
more of the same kind.
They glittered in the gaslight like little diamonds,
but had evidently come off the spangled tulle of a lady’s
dress. Gimblet remembered that Mrs. Vanderstein’s
dress had been described by her maid as “diamantée”;
but then it was possible, indeed probable, that Mrs.
Mill, or her friends, possessed gowns of similar material.
Gimblet stooped again, and tugged up the rest of the
sofa covering from the depths behind the cushions.
This time he pulled it all up; the whole covering lay
spread before him in an untidy, unwieldy mass, and
from the end, as he plucked it out, there shot two small
objects, which fell to the floor at his feet. In a moment
he had lifted them from the ground and stood staring
at them: they were a piece of crushed and folded
paper and a minute powder puff.
The detective unfolded the paper, and held it to the
light; it was a sheet of thick white notepaper, and on
it was embossed a crown and device in heavy gold
lettering. Below these was written in a fine, slanting
foreign hand
“Most adored, I count the hours, the minutes, till I
shall hear for the first time the sound of your voice.
Heaven be praised that I have not long to wait, and
you, whom heaven has sent to me, accept the thanks
of my grateful heart. I send this by Madame Q.”
The signature that followed made Gimblet open his
eyes. “Felipe,” in conjunction with the crown at the
head of the paper and the foreign character of the
penmanship, could refer to one person only. Gimblet
was well aware that the Prince of Targona was honouring
London with his presence. He glanced carefully
round the room to make sure no one was near, folded
the paper carefully, and placed it in his notebook.
Then he turned his attention to the powder puff.
It was an ordinary little powder puff of pink silk
and white down—very small, very dainty, if very
commonplace. Gimblet turned it over and over, but
could see nothing about it which stamped it as different
from other powder puffs. Not that it was a curio
in the peculiarities of which he was very well versed;
he could not help realising that in the matter of powder
puffs his education had been neglected. A French
detective, he told himself sadly, would have read a
whole history in this soft toy. He brushed it across
the back of his hand, but it left no mark; he shook it
into the palm, but no powder fell from it. It was
plain to him that, whatever uses it might have served
in the white hands that had formerly clasped it, it was
not of any use at all in his, and in his irritation he was
inclined to hurl it from him. But his methodical
habits prevailed and he felt in his coat for a box to
contain it. And suddenly, with what seemed like an
involuntary movement, he lifted the hand that held
the powder puff, and held it to his nose.
“Ah,” he sighed, and it was a sigh of deep content.
Then he stored away the precious fluffy thing, and put
it in his pocket. He finished the tour of the furniture
without further discovery; at the end of it he requested
Tremmels to read out the contents of the room from the
inventory, as he had done at the conclusion of his visits
to each room or landing, checking off each object as
the clerk read out its description.
“I am in hopes,” he said to Sir Gregory, “of finding
something not mentioned in the inventory, which we
might take to be the property of Mr. West. But so far
there is nothing that can possibly be his, not so much
as a toothbrush. He certainly seems to be a leader of
the simple life.” Then he turned to Tremmels again.
“Is there no mention of the chair covers?” he asked.
But the young man only stared at him open-mouthed,
and he seized the book from his hand.
“Let me see,” he murmured, running a finger down
the page. “Here we are. ‘Two Chesterfield sofas and
five arm-chairs with loose chintz covers.’ Might mean
anything. Look here!” he turned to the clerk again,
“you went over the inventory. What do you
remember about that sofa?” He pointed to the one
opposite the door, which, unlike the other sofas and
chairs, had no chintz covering. Tremmels was flurried
by the detective’s sharp tone.
“I—I don’t remember anything at all,” he stammered.
“What, don’t you remember that it had a cover?”
Gimblet’s second question was still more sharply
spoken. The clerk shot a glance at him in which
suspicion, timidity, and bewilderment were oddly
mixed, and he answered stubbornly, repeating his
former words as if he imagined a trap were being laid
for him.
“I don’t remember anything about it.” His pale
face wore an expression more wooden than ever.
The detective turned from him with an impatient
movement, and stood looking down at the sofa with a
frown on his face. It was exactly the same as the one
in the front part of the room, but, instead of a cover of
pink and white chintz, it displayed only the upholstery
with which it had been originally covered by the
makers: a kind of white tapestry with grey flowers and
flecks of red, in general colouring not unlike the chintz
on the other sofas and chairs, but tightly fitting and
leaving exposed the bare legs of brown varnished wood,
which were of a particularly ugly shape.
“Come,” said Gimblet at last, “I must go downstairs.”
“What did you find?” Sir Gregory asked him
anxiously as they went down, followed at a distance by
the clerk, “what did you find by the other sofa?”
The detective hesitated an instant.
“Sir Gregory,” he said, “there is something here,
some story to be read, if I can read it. The walls are
trying to speak to me, I believe, if I could only listen
rightly. There are things very plain that I can see,
but not enough of them, and there is something that I
don’t understand. But what I have seen points to
sinister things, and I must warn you that I don’t like
the look of them.”
“Mr. Gimblet!” cried Sir Gregory. “What do you
mean?”
“Yes, Sir Gregory,” said the detective. “I am
very much more—uneasy about your friend than I
have yet been. I fear that, when I am in a position
to give you news of her, it may be very bad. You may
have to stand a shock. Don’t you think it would be
best if you went home and waited till I came to you?”
But, though on Sir Gregory’s face there crept a look
of terrified grief, he would not go.
The dining-room told nothing, Gimblet’s researches
there were vain, and he soon adjourned to the room
behind it, which seemed to be a library or smoking-room.
The shutters, as they had seen from the
garden, were fastened, but by this time the last of the
long summer twilight was fading and the night
promised to fall dark and windy. Gimblet’s first act
was to light the gas.
It was a small room, this back room, where, no
doubt, Mr. Mill, when he was at home, was accustomed
to smoke his pipe and attend to his correspondence.
Two of the walls were lined with bookshelves; one side
was taken up by the window; and on the fourth,
opposite the door and above the fire-place, were hung
a quantity of mezzotints framed in sombre black.
They surrounded a small oil painting that filled the
place of honour immediately over the chimney piece,
and which caught Gimblet’s interested eye directly.
It appeared to be an example of the early Dutch school,
and he was seized with the desire to examine it more
closely. The fire-place below it was lined with old
blue and white tiles, and at these too he cast an envious
glance, but the feelings of the collector were subservient
just now to those of the detective, and he turned to
the more everyday furniture of the room.
There was not very much in it: a couple of arm-chairs
stood one on each side of the fire-place, and before the
window was a large writing table with inkstand and
blotting book disposed upon it, together with a few
odds and ends. Even with these the table looked
empty; one missed the papers that by rights should
have been scattered there. As Gimblet stood beside
it, he was conscious of the cold draught that whistled
by his ear, and it was then that he first looked toward
the window.
“It must be open,” he said to himself, and then, as he
looked closer: “By Jingo!”
It was a sash window of the old-fashioned kind, with
a dozen or so wood-framed panes to each half of it, and
the usual metal catch holding the top and bottom in
position together when the window was shut. It
was shut now, and the cold air that pervaded the
place entered through cracks in the shutters, and
after that encountered no further obstacle, for the
top middle pane of the lower sash was destitute of
glass.
Gimblet pushed away the table and examined the
empty framework carefully, touching the edges with
an incautious finger, which, however, he withdrew rather
hurriedly and transferred to his mouth. He looked at
the floor; and then, following his usual custom, knelt
down on it, lens in hand. The gaslight was obscured
by the shadow of the writing table, and he had recourse
to the aid of a pocket electric torch. He was satisfied
with what he saw, apparently, for he soon rose and
turned to the window again. He unfastened the
catch, and placing one hand on the framework sought
to raise the sash, but it stuck stiffly, and both hands and
a good deal of strength had to be exerted before he was
able to lift it.
Then he flashed the light of the little torch on the
window sill, and took from it a splinter of broken
glass. After this he pursued his inspection of the room
and its contents. There was, as has been said, little
enough in it except books, but everything there was
came in for the usual close scrutiny; the waste paper
basket was not forgotten, nor were the empty grate and
coal scuttle. In the end, after comparing the things
mentioned in the inventory with those in the room,
Gimblet shut the door into the hall, and ran his lens
hastily over its woodwork. Apparently he saw on it
more than he expected, for he returned more slowly to
the task and spent several minutes examining some
small spots of dirt, which were visible to the naked eye
on the white paint.
At last he had done, and there only remained the
basement to be investigated. This took some time,
and the results disappointed him, with the exception of
a cupboard under the stairs where he discovered a
housemaid’s dustpan full of pieces of broken glass. He
seized on it with eager excitement, and examined the
surface of the tin very carefully with his lens; only to
put it down again with an irritated clicking of the
tongue.
Sir Gregory watched these proceedings in a stricken
silence; his hopes had turned to lead at the words
Gimblet had addressed to him on leaving the drawing room;
as each successive door was thrown open he
felt a tightening of the heart and a sick fear of being
confronted with some terrible sight. Now he would
almost have preferred that the detective should find no
clue, so much he dreaded the solution to which he
instinctively felt that these small discoveries were
irresistibly leading.
The face of the clerk, who equally shared the rôle of
silent onlooker, wore an expression of excited interest,
except when he was addressed, when it relaxed into its
usual wooden apathy. At other times he peered over
Sir Gregory’s shoulder with feverish, straining eyes,
evidently possessed by all the passion for sensation in
any form which is common to his class; though, that
he was as much in the dark as Sir Gregory, with regard
to the conclusions suggested to the detective by the
various objects he examined, was clear from the look of
something like elation with which he watched the
minute attention bestowed upon the unprofitable
dustpan.
Gimblet returned this article to its place, and
drew out, one by one, the other things in the cupboard:
a water-can, a bucket, a scrubbing brush, and other
odds and ends. The last thing he brought to light was
a crumpled ball of newspaper, stuffed away at the back
of some brooms and pails. This did not look interesting;
and, while Sir Gregory saw with relief the
handling of anything which gave him breathing space,
Tremmel’s face fell.
Gimblet, however, was too methodical to ignore
anything, even so unpromising an object as an old
newspaper. He opened it out on the floor of the
passage, unrolling the crumpled pages and spreading
them flat on the boards. In the middle of the ball was
a small quantity of dust, or rather what looked more
like earth. Gimblet scooped it up in one hand and let
it fall through his fingers into the palm of the other;
it was black and fine, but gritty to the touch. With a
puzzled expression he stowed some of it away in one
of his little boxes, and put the rest in his pocket,
wrapped in a piece of the newspaper. Then he disappeared
into the coal cellar, which was the only place
left that he had not visited. He found nothing
there.
By this time it was nearly ten o’clock.
They went back into the hall and Gimblet opened
the door of the little library.
“Sit down in here, Sir Gregory,” he said, “you have
been on your feet for hours”—and indeed the baronet
was dropping with fatigue—. “I am just going out
into the garden, and you may as well rest a little.
As for you,” he added to Tremmels, “you can go home
if you like. I’ve done with the inventory.”
“There’s the key,” the clerk reminded him, “and,
if you don’t mind my sitting down here in the hall for
a few minutes before I go ... I’m feeling a bit tired
myself, sir.”
He certainly looked it, but then he had looked so ill
from the beginning that the effect of these hours of
standing about and the lack of food, which told heavily
upon Sir Gregory, hardly added to the miserable aspect
of Tremmels, whatever he might be feeling.
Gimblet told him to sit down, and leaving them went
out into the garden. He walked round to the back, and
along the path which led to the toolshed. Going into
it he hunted, by the light of his torch, among the
implements that leant against the wall; but what he
sought was not there, and he retreated, unsatisfied.
As he returned slowly to the house, he moved his
lamp from side to side, so that the light shone on the
flower beds between which he walked and not on the
path beneath his feet; it was as if he hoped to find what
he wanted among the flowers.
Turning the corner of the wall, he saw a dark
figure in the act of shutting the further gate; it
came towards him and he recognised the artist,
Brampton.
“You work late, Mr. Gimblet,” he said, as he met
the detective. “Any discoveries?”
Gimblet did not reply; he was looking at his watch.
“It is late,” he said after a pause; and then half
to himself, “late! too late, and too dark,” he
murmured; and again, “perhaps it is just as well. It
will do Sir Gregory no harm to wait till to-morrow for
bad news.”
“What,” said Brampton, “you have bad news for
him?”
“I fear there will be bad news—to-morrow,” said
Gimblet.
The night was very dark, for clouds had gathered
afresh, and the wind was getting up again. The leaves
of the trees in the street rustled loudly as if in protest;
from a distance the tinkle of a barrel organ sounded
fitfully in the intervals between gusts of wind.
“It’s as cold as winter,” grumbled Brampton.
Gimblet was staring up at the front of the house, and
when he spoke Brampton was struck by the change in
his voice.
“Of course!” he cried, “the crumpled newspaper!
What have I been about? Now, ah, now I
know! Mr. Brampton,” he said, moving, so that he
faced the other in the darkness, “there is something
very terrible here; something to be done that is quite
unfit for Sir Gregory to take part in. I am only too well
convinced that a crime has been committed in this
house, a gruesome and dastardly crime, which but for
the merest accident might not have been discovered for
weeks. No ordinary criminals have been at work here;
we have to deal with some scoundrel so cold-blooded
and resourceful, so prudent, and so full of forethought
and vile cunning, as I do not think I have ever
encountered before. What is your nerve like, Mr.
Brampton? I see you are muscularly a strong man,
and I shall have need of help. What do you say?
Can you give me the assistance I want, or shall I go
and find the policeman on this beat?”
The solemn words of the detective, and still more
acutely the grave and urgent note in his voice, thrilled
the imagination of the artist, and awoke in him a
horrified perception of the seriousness of the situation,
which hitherto he had looked on with an eye, half
amused, half derisive, as we may contemplate a game
of Red Indians played by some earnest and dramatic
children. The spirit of adventure cried aloud in him,
and overcame the shrinking of a refined nature from
contact with the horrible.
“You can rely on me,” was all he said, and thereupon
Gimblet ran up to the door, calling to Higgs to
open it.
The other men were sitting as he had left them, Sir
Gregory in an arm-chair by the library fire-place, and
the clerk in the hall; both drooped in attitudes of
extreme weariness.
“Will you please stay where you are a little longer?”
Gimblet said to Sir Gregory. “I am going upstairs
with Mr. Brampton, to see if he can tell me one or two
things I want to know about the ordinary disposal of
the furniture; and after that we will go home, unless
you will be guided by me and do so at once. No?
Well, we shall not be long. We shall not want you,”
he added to Tremmels, who was struggling stiffly to
rise from his seat.
At Gimblet’s words he sank back again, and leant
his head weakly against the wall.
With a sign to Higgs and Brampton to follow him,
Gimblet went upstairs.
The gas was still burning in the drawing-room, and
the door stood open as he had left it. Gimblet paused
on the threshold and drew Brampton’s attention to the
sofa opposite.
“Do you remember,” he asked, “whether that sofa
had a cover like the other before Mr. Mill went away?”
Brampton looked at it doubtfully.
“I can’t say I do really,” he said. “I ought to
know, of course, but I don’t feel quite sure. You see,
the colouring is so much like that of the chintzes. One
might never notice it. Still, the legs are very ugly;
I think I should have observed them. And it is not
like Mrs. Mill to leave an ugly thing so plainly displayed.
But on the whole I’m not certain about it.”
“Don’t you feel,” said Gimblet, “that there is
something terrible, something fearful, in those shining
brown pieces of wood? Their ugliness should be
decently covered. Unfortunately, I am afraid I know
where to look for their covering.”
He led the way to one of the French windows of the
front room and threw it open. Unfastening the
shutters, which still barred the way, he flung them
back and went out on to the balcony, followed by the
two men.
It was, as he had seen from the ground, an unusually
broad one, and extended across the whole width of the
house. A low wall about nine inches high ran round
its edge, supporting a balustrade of stone. A large
green painted wooden box, or trough, about ten feet
long by a yard wide, and as tall as the balustrade, was
planted with flowers, which did not appear to be in a
very flourishing condition.
By the light of the street lamp they could see that
the geraniums’ petals were turning black, and that the
marguerites hung their heads on stalks from which all
vigour seemed to have departed. Within the balustrade
the black shadows lay like a pool of ink, and the floor
of the balcony was quite invisible, except where the
open window through which they had stepped let out
a narrow stream of light.
“Open the shutters of the other windows,” Gimblet
said to Higgs.
When this was done they could see better. To
Brampton’s amazement Gimblet’s next act was to
grasp one of the geraniums and pull it up by the roots;
a daisy followed, and in a few minutes he had torn up
every plant. Brampton, as he stood watching, noticed
how easily they came up.
Then Gimblet called to him.
“Now, Mr. Brampton, if you and Higgs will take that
end of the box, I can manage this one. I want to tilt
it up a little.”
It needed all the efforts of the three men to move the
box, full to the brim of soil as it was. Panting and
heaving, they shifted it first away from the balustrade,
and tilted it towards the wall of the house. The earth
poured out as the angle increased, and in a minute the
floor was deep in it.
“Gently, gently,” said Gimblet. “Look, what is
that?” and he pointed to something white, which was
poking out through the earth in the box.
His electric torch flashed upon it, and the others,
balancing the tilted flower box on its edge, peered
in, and saw that it was a bit of pink and white
chintz.
It seemed a long while before Gimblet spoke. He
stood as if turned to stone, and Brampton felt an
indefinable horror stealing over him, a dread of he knew
not what, but which he seemed to be conscious was in
some way a reflection or telepathic transference of the
other’s unspoken thoughts.
At last with an obvious effort Gimblet straightened
himself.
“We must tilt out a little more earth,” he said in a
low tone, “very carefully now.”
Very cautiously they raised the side of the stand
again, and a rush of soil poured over the edge; the
little patch of white they had seen in a corner became a
large piece, and almostly instantly it was plain to them
all that the greater part of the box was full of it.
Leaving the others to manage the box, which was now
easily steadied, Gimblet ran round and knelt at its
side, scooping out handfuls of garden mould and
disclosing what looked like a very long, bulky bundle of
flowered chintz.
Suddenly, in a voice hardly above a whisper,
Brampton broke the silence.
“My God!” he said, pointing, and staring with
horrified eyes.
From the corner of the wrapper a hand protruded,
half covered with earth; it was a white and shapely
hand, the hand of a woman.
“Do you see it?” whispered Brampton again, and
leant shaking against the wall.
“It’s a hand,” said Higgs, troubled but stolid.
Gimblet was very pale, and he took a quick breath
as he braced himself to lift the enveloping chintz. The
lighted windows cast three streaks of light out into
the darkness and threw grotesque distorted shadows of
the men upon the coping of the balcony. A sudden
gust of wind made the trees in the street moan and
shiver as though they had been swept by the passing
broom of some night-riding hag; all around them the
darkness gathered close like a wicked thing that would
if it dared swallow up the tiny protecting lights men
burn in self-defence.
Gimblet felt himself struggling against some such
malevolent influences; half conscious fears, some
sensation of evil presences in the air, gibing, mocking,
clustering round to gloat over the results of earthly
villainy, seemed to paralyse him; and he had to call up
his reserves of will power before, after a moment’s
hesitation, he bent forward and unrolled the chintz
covering.
Inside it was the body of a young woman. Long
black hair lay in masses on her shoulders and streamed
over the single white garment she wore. The face was
so terribly disfigured as to be quite unrecognisable.
With a shudder Gimblet drew the wrapping over her
again.
“Vitriol,” he muttered, and became aware, as he
spoke, of some one behind him in the opening of the
window.
Before he could turn, a heartstricken cry sounded in
his ear, and he was not in time to catch Sir Gregory,
who staggered back in the embrasure, and from there
slid fainting to the ground. As Gimblet sprang to his
help, he had a fleeting vision of a ghastly face and a
crouching figure in the back of the drawing-room: it
was the face of Tremmels, the clerk, but so wild and
white with terror, so distorted by the shock of what he
had seen as to be almost like that of another man.
Suspecting from the noise made by the opening
shutters, followed by the sudden and prolonged silence,
that something was happening on the floor above them,
and unable any longer to bear the suspense and curiosity
accentuated by waiting and inactivity, Sir Gregory,
followed by the clerk, had crept upstairs into the
drawing-room without attracting the attention of
Gimblet or his assistants, and the horror of what they
had seen was too much for both of them.
As with the help of Higgs Gimblet lifted the inanimate
form of the baronet from where it had dropped, a
sudden loud noise from the street below made them
nearly let fall their burden; and it was a second before
any of them realised that the sound was only the first
jangling bar of a popular music hall tune. The barrel
organ they had heard a quarter of an hour earlier had
wandered into Scholefield Avenue, and, attracted
without doubt by the lighted windows, had thought fit
to draw up before No. 13 and there begin its headlong
plunge into melody. Half the rollicking air it was
playing had been thumped forth, with all the usual
din of banging bass and clanking scales, before any one
of those who stood above it in the grim presence of
death sufficiently recovered his presence of mind to
be able to stop it.
Telling the clerk curtly not to be an ass, but to pull
himself together and follow them, Gimblet, with the
help of Higgs and Brampton, carried Sir Gregory out
of the fatal house and into No. 15, the home of the
artist. Here they gave him over to the care of Mrs.
Brampton, a capable, bustling woman with common-sense
written all over her, to whom her husband
explained in guarded terms as much of the situation as
was inevitable.
“There has been a terrible tragedy next door, my
dear,” he told her. “This poor gentleman has fainted
on learning of the death of his friend,” and the kind-hearted,
sensible creature took charge of Sir Gregory
without wasting precious time in questions.
At his request, Brampton conducted the detective to
the telephone, while Higgs was sent out to look for a
policeman.
“Is that Scotland Yard?” Gimblet was asking, as
the artist shut the door on him and returned to his
wife.
By the time the detective had finished telephoning,
Higgs was back with two policemen, the one he had
found in the next street having whistled for a comrade.
Gimblet went with them to No. 13, and together they
entered the silent drawing-room, where the gas was
still flaring and the windows stood open to the night
like three black doors to a villainous and tragic world.
With the help of the new-comers the body of the dead
woman was lifted out of the flower box and carried into
the house, where, still enveloped in the chintz cover, it
was gently deposited on one of the sofas. For a
moment they turned back the wrapping, while Gimblet
searched hastily for some clue that should have
inadvertently been enclosed in it, but there was
nothing besides the body and the one garment in which
it was clad.
“See,” he murmured in a low voice, pointing to an
oblong incision at the edge of the chemise, “they have
cut away the linen there. No doubt the name, or
initial, was embroidered in that place. What fine
linen it is; and this lace trimming is as delicate as a
cobweb! If we had nothing else to go by, this would
show that the murdered woman was rich and luxury-loving.
Most women, if they had such lace, would
keep it to adorn their dresses with.”
He drew the covering over her again; and, going
back to the balcony, stood looking at the half-empty
box and the mound of earth that was heaped upon the
floor.
“They must have had a job to clear away the
surplus soil,” he remarked to Higgs, who had followed
him. “I suspect it was carried down to the garden,
bucketful by bucketful, and the last handful or two
were swept up into a newspaper. I found some trace
of it in a cupboard downstairs.”
Leaving the police to guard the house, they went in
search of Sir Gregory, and found him so far recovered as
to be sent home in a taxi in the care of Higgs. The
clerk also was seen safely started on the way to his
lodgings, where, Gimblet thought to himself, he would
probably take the brandy bottle to bed with him.
“You will have to attend the inquest, you know,” he
said to him as he was departing. “It may be to-morrow
or the next day. Good evening, and don’t
stay awake all night.”
After renewed thanks and apologies to the Bramptons,
Gimblet found another taxi, and, getting in, gave
the driver the address of Joe Sidney’s rooms.
“I think,” he said to himself, “it’s just about time
I paid that young gentleman a visit.”