The day will be so happy; for I’ve seen you at the
dawn.
The room was quickly cleared, the King’s courtiers jostling one another
in their efforts to carry out the royal bidding.
Charles turned with a merry laugh and seized Nell in his arms almost
fiercely.
“A subterfuge!” he cried eagerly. “Nell, quick; one
kiss!”
“Nay; you question my constancy to-night,” said Nell, sadly, as
she looked into his eyes, with the look of perfect love. “You do not trust
me.”
“I do, sweet Nell,” protested the King, earnestly.
“You bring me Portsmouth’s lips,” said Nell, with sad
reproof.
“I left her dance for you,” replied the King, drawing her closer
to him.
“At near sunrise, Sire,” sighed Nell, reprovingly, as she drew
back the curtain 291
and revealed the first gray streaks of the breaking light of day.
“Nay, do not tantalize me, Nell,” besought the King, throwing
himself upon the couch. “I am sad to-night.”
The woman’s forgiving heart was touched with sympathy. Her eyes sought
his sadly beautiful face. She ran to him, fell upon her knees and kissed his
hand tenderly.
“Tantalize my King!” she cried. “The day will be so happy;
for I’ve seen you at the dawn.” There was all the emotional fervour
and pathetic tenderness which the great composer has compressed into the
love-music of “Tristan and Isolde” in her voice.
“My crown is heavy, Nell,” he continued. “Heaven gives us
crowns, but not the eye to see the ending of our deeds.”
“God sees them,” said Nell. “Ah, Sire, I thank the Maker of
the world for giving a crown to one whom I respect and love.”
“And I curse it,” cried the King, with 292 earnest eyes; “for ’tis the
only barrier to our united love. It is the sparkling spider in the centre of a
great web of intrigue and infamy.”
“You make me bold to speak. Cut the web, Sire, which binds thy crown to
France. There is the only danger.”
“Thou art wrong, Nelly, wrong!” He spoke in deep, firm accents.
“I have decided otherwise.”
He rose abruptly, his brow clouded with thought. She took his hand
tenderly.
“Then, change your mind, Sire,” she pleaded; “for I can
prove–”
“What, girl?” he asked eagerly, his curiosity awakened by her
manner.
Nell did not respond. To continue would reveal Adair, and she could not think
of that.
“What, I say?” again asked Charles, impatiently.
“To-morrow, Sire,” laughed Nell, evasively.
“Aye, to-morrow and to-morrow!” petulantly repeated the King.
He was about to demand a direct reply 293 but was stayed by the sound of a struggle
without.
It befell in the nick of time for Nell, as all things, indeed, in life seemed
to befall in the nick of time for her. The impious huswives shook their heads
and attributed it to the evil influence; the pious huswives asserted it was
providential; Nell herself laughingly declared it was her lucky star.
“Ho, without there!” Charles cried, impatiently–almost
angrily–at the interruption. “Whence comes this noisy
riot?”
James, Rochester and the others unceremoniously re-entered.
“Pardon, Sire,” explained the Duke of York; “the guard
caught but now an armed ruffian prowling by the house. They report they stayed
him on suspicion of his looks and insolence.”
“Adair! Adair! My life upon’t!” laughed the King, ever
ready for sport. “Set him before us.”
An officer of the guard departed quickly to bring in the offender. The
courtiers 294 took up
the King’s cry most readily; and there was a general cackle of
“Adair!” “Adair!” “A trial!”
“Sire!” “Bring in the coward!”
Nell stood in the midst of the scene, the picture of demure innocence.
“They’ve caught Adair!” she whispered to Moll,
mischievously.
“Aye, gallants,” cried the Merry Monarch, approvingly,
“we’ll form a Court of Inquiry. This table shall be our bench, on
which we’ll hem and haw and puff and look judicial. Odsfish, we will teach
Radamanthus and Judge Jeffreys ways of terrorizing.”
He sprang upon the table, which creaked somewhat beneath the royal burden,
and assumed the austere, frowning brow of worldly justice.
“Oyer, oyer, all ye who have grievances–” cried the
garrulous Rochester in the husky tones of the crier, who most generally assumes
that he is the whole court and oftentimes should be.
“Mistress Nell,” commanded the royal judge, summoning Nell to the
bar, “thou 295
shalt be counsel for the prisoner; Adair’s life hangs upon thy skill to
outwit the law.”
“Or bribe the judge, Sire?” suggested Nell, demurely.
“Not with thy traitor lips,” retorted Charles, with the injured
dignity of a petty justice about to commit a flash of true wit for contempt of
court.
“Traitor lips?” cried Nell, sadly. “By my troth, I never
kissed Adair. I confess, I tried, your Majesty; but I could not.”
“Have a care,” replied the King, in a tone which indicated that
the fires of suspicion still smouldered in his breast; “I am growing
jealous.”
Nell fell upon one knee and stretched forth her arms suppliantly.
“Adair is in such a tight place, Sire, he can scarcely breathe,”
she pleaded, with the zeal of a barrister hard-working for his first fee in her
voice, “much less speak for himself. Mercy!”
“We will have justice; not mercy,” replied the court, with a sly
wink at Rochester. 296 “Guilty or not guilty, wench?”
“Not guilty, Sire! Did you ever see the man who was?”
The King laughed despite himself, followed by his ever-aping courtiers.
“I’ll plead for the Crown,” asserted the grim James, with
great vehemence, “to rid the realm of this dancing-Jack.”
“Thou hast cause, brother,” laughed the King. “Rochester,
thou shalt sit by us here.”
Rochester sprang, with a contented chuckle, into a chair on the opposite side
of the table to that upon which his Majesty was holding his mock-court and
seated himself upon its high back, so poised as not to fall. From this lofty
bench, with a queer gurgle, to say nothing of a swelling of the chest, and with
an approving glance from his Majesty, he added his mite to the all-inspiring
dignity of the revellers’ court.
“Judge Rochester!” continued the King, slapping him with his
glove, across the table. “Judge–of good ale. We’ll confer with
the cups, imbibe the statutes 297 and drink in the law. Set the rascal before
us.”
In obedience to the command, a man well muffled with a cloak was forced into
the room, a guard at either arm.
Behind them, taking advantage of the open door to appease their curiosity,
crowded many hangers-on of courtdom, among whom was Strings, who had met the
revellers some distance from the house and had returned with them.
“Hold off your hands, knaves,” commanded the prisoner, who was
none other than Hart, the player, indignant at the detention.
“Silence, rogue!” commanded the King. “Thy name?”
“Sire!” cried Hart, throwing off his mantle and glancing for the
first time at the judge’s face. He sank immediately upon one knee, bowing
respectfully.
“Jack Hart!” cried one and all, craning their necks in surprise
and expectation.
“’Slife, a spy upon our merry-making!” exclaimed the displeased
monarch. “What means this prowling, sir?”
298“Pardon,
pardon, my reply, your Majesty,” humbly importuned the player.
“Blinded by passion, I might say that I should regret.”
“Your strange behaviour and stranger looks have meaning, sir,”
cried the King, impatiently. “Out with it! These are too dangerous times
to withhold your thoughts from your King.”
“No need for commands, Sire,” entreated Hart. “The words
are trembling on my lips and will out themselves in spite of me. At
Portsmouth’s ball, an hour past, I o’erheard that fop Adair boast
to-night a midnight rendezvous here with Nell.”
Nell placed her hands upon her heart.
“This–my old friend,” she reflected sadly.
“Our jest turned earnest,” cried Charles. “Well?
Well?” he questioned, in peremptory tones.
“I could not believe my ears, Sire,” the prisoner continued,
faltering. “I watched to refute the lie–”
“Yes–yes–” exhorted the King, in expectation.
299“I cannot
go on.”
“Knave, I command!”
“I saw Adair enter this abode at midnight.” Hart’s head
fell, full of shame, upon his breast.
“’Sblood,” muttered the King, scarce mindful that his words might
be audible to those about him, “my heart stands still as if’t were
knifed. My pretty golden-head, my bonnie Nell!” He turned sharply toward
the player. “Your words are false, false, sir! Kind Heaven, they must
be.”
“Pardon, Sire,” pleaded Hart; “I know not what I do or say.
Only love for Nell led me to this spot.”
“Love!” cried Nell, with the irony of sadness. “Oh,
inhuman, to spy out my ways, resort to mean device, involve my honour, and call
the motive love!”
“You are cruel, cruel, Nell,” sobbed Hart; and he turned away his
eyes. He could not look at her.
“Love!” continued Nell, bitterly. “True love would come
alone, filled with gentle admonition. I pity you, friend Hart, that God has made
you thus!”
300“No more,
no more!” Hart quite broke beneath the strain.
“Dost hear, dost hear?” cried Charles, in ecstasy, deeply
affected by Nell’s exposition of true love. “Sir, you are the second
to-night to belie the dearest name in England. You shall answer well to
me.”
“Ask the lady, Sire,” pleaded Hart, in desperation.
“I’ll stake my life upon her reply.”
“Nell?–Nell?” questioned the King; for he could scarce
refuse to accept her word when a player had placed unquestioned faith in it.
Nell hid her face in her silken kerchief and burst into seeming spasmodic
sobs of grief. “Sire!” was all the response the King could hear. He
trembled violently and his face grew white. He did not know that Nell’s
tears were merry laughs.
“Her tears convict her,” exclaimed Hart, triumphantly.
“I’ll not believe it,” cried the King.
Nell became more hysterical. She sobbed and sobbed, as though her heart would
break, her face buried in her hands 301 and her flying curls falling over and hiding
all.
“Adair’s sides are aching,” she chuckled, in apparent
convulsions of sorrow. “He’s laughing through Nell’s
tears.”
Meanwhile, Moll had been standing by the window; and, though she was watching
eagerly the exciting scene within the room, she could not fail to note the sound
of galloping horses and the rattling of a heavy coach on the roadway
without.
“A coach and six at break-neck speed,” she cried, “have
landed at the door. A cavalier alights.”
“Time some one arrived,” thought Nell, as she glanced at herself
in the mirror, to see that Adair was well hidden, and to arrange her curls, to
bewitch the new arrivals, whosoever they might be.
As the cavalier dashed up the path, in the moonlight, Moll recognized the
Duke of Buckingham, and at once announced his name.
“Ods-pitikins!” exclaimed Charles, angrily. “No leisure for
Buckingham now. We have other business.”
302He had scarce
spoken, however, when Buckingham, unceremoniously and almost breathless, entered
the room.
“How now?” cried the King, fiercely, as the Duke fell on his knee
before him; for his temper had been wrought to a high pitch.
“Pardon, your Majesty,” besought his lordship, in nervous
accents. “My mission will excuse my haste and interruption. Your ear I
crave one moment. Sire, I am told Nell has to-night secreted in this house a
lover!”
“Another one!” whispered Nell to Moll.
“’Tis hearsay,” cried the King, now at fever-heat, “the
give-and-take of gossips! I’ll none of it.”
“My witness, Sire!” answered Buckingham.
He turned toward the door; and there, to the astonishment of all, stood the
Duchess of Portsmouth, who had followed him from the coach, a lace mantilla,
caught up in her excitement, protecting her shapely shoulders and head.
303As the assembled
courtiers looked upon the beautiful rivals, standing, as they did, face to face
before the King, and realized the situation, their faces grew grave, indeed.
The suspense became intense.
“The day of reckoning’s come,” thought Nell, as she met
with burning glances the Duchess’s eyes.
“Speak, your grace,” exhorted Buckingham. “The King attends
you.”
“Nay, before all, my lord?” protested Portsmouth, with pretended
delicacy. “I could not do Madame Gwyn so much injustice.”
“If your speech concerns me,” observed Nell, mildly, “out
with it boldly. My friends will consider the source.”
“Speak, and quickly!” commanded Charles.
“I would rather lose my tongue,” still protested the Duchess,
“than speak such words of any one; but my duty to your
Majesty–”
“No preludes,” interrupted the King; and he meant it, too. He was
done with 304
trifling, and the Duchess saw it.
“My servants,” she said, with a virtuous look, “passing
this abode by chance, this very night, saw at a questionable hour a strange
cavalier entering the boudoir of Madame Gwyn!”
“She would make my honour the price of her revenge,” thought
Nell, her eyes flashing. “She shall rue those words, or Adair’s head
and mine are one for naught.”
“What say you to this, Nell?” asked the King, the words choking
in his throat.
“Sire,–I–I–” answered Nell, evasively.
“There’s some mistake or knavery!”
“She hesitates,” interpolated the Duchess, eagerly.
“You change colour, wench,” cried Charles, his heart, indeed,
again upon the rack. “Ho, without there! Search the house.”
An officer entered quickly to obey the mandate.
“Stay, Sire,” exclaimed Nell, raising herself to her full height,
her hot, trembling lips compressed, her cheeks aflame. 305 “My oath, I have not seen
Adair’s face this night.”
Her words fell upon the assemblage like thunder from a June-day sky. The
King’s face brightened. The Duchess’s countenance grew pale as
death.
“Mon Dieu! Adair!” she gasped in startled accents to Lord
Buckingham, attendant at her side. “Could it be he my servants saw? The
packet! Fool! Why did I give it him?”
Buckingham trembled violently. He was even more startled than Portsmouth; for
he had more to lose. England was his home and France was hers.
“The scales are turning against us,” he whispered. “Throw
in this ring for safety. Nell’s gift to Adair; you understand.”
He slipped, unobserved, upon the Duchess’s finger the jewelled ring the
King had given to Almahyde among the roses at the performance of
“Granada.”
“Yes! Yes! ’Tis my only chance,” she answered, catching at his
meaning; for her wits were of the sharpest in intrigue and cunning, and she
possessed the boldness 306 too to execute her plans.
She approached the King, with the confident air possessed by great women who
have been bred at court.
“Your Majesty recognizes this ring?” she asked in mildest
accents.
“The one I gave to Nell!” answered the astonished King.
“The one Adair this night gave to me,” said Portsmouth,
calmly.
“’Tis false!” cried Nell, who could restrain her tongue no
longer. “I gave that ring to dear old Strings.”
“A rare jewel to bestow upon a fiddler,” said the Duchess,
sarcastically.
“It is true,” said Strings, who had wormed his way through the
group at mention of his name and now stood the meek central figure at the
strange hearing. “My little ones were starving, Sire; and Nell gave me the
ring–all she had. They could not eat the gold; so I sold it to the Duke of
Buckingham!”
“We are lost,” whispered Buckingham to Portsmouth, scarce
audibly.
“Coward!” sneered the Duchess, contemptuously. 307 “I am not ready to
sail for France so soon.”
The King stood irresolute. Events had transpired so quickly that he scarce
knew what it was best to do. His troubled spirit longed for a further hearing,
while his heart demanded the ending of the scene with a peremptory word.
Before he could decide upon his course, the Duchess had swept across the
room, with queenly grace.
“Our hostess will pardon my eyes for wandering,” she said,
undaunted; “but her abode is filled with pleasant surprises. Sire, here is
a piece of handiwork.”
She knelt by the couch, and drew from under it a coat of gray, one sleeve of
which had caught her eye.
Nell looked at Moll with reproving glances.
“Marry, ’tis Strings’s, of course,” continued
Portsmouth, dangling the coat before the wondering eyes of all. “The lace,
the ruffle, becomes his complexion. He fits everything here so
beautifully.”
As she turned the garment slowly about, 308 she caught sight of a package of papers protruding
from its inner pocket, sealed with her own seal. For the first time, the
significance of the colour of the coat came home to her.
“Mon Dieu,” she cried, “Adair’s
coat.–The packet!”
Her fingers sought the papers eagerly; but Nell’s eye and hand were too
quick for her.
“Not so fast, dear Duchess,” said Nell, sweetly, passing the
little packet to his Majesty. “Our King must read these papers–and
between the lines as well.”
“Enough of this!” commanded Charles. “What is
it?”
“Some papers, Sire,” said Nell, pointedly, “given for a
kiss and taken with a kiss. I have not had time to read them.”
“Some family papers, Sire,” asserted the Duchess, with assumed
indifference, “stolen from my house.”
She would have taken them from his Majesty, so great, indeed, was her
boldness; but Nell again stayed her.
“Aye, stolen,” said Nell, sharply; “but 309 by the hostess
herself–from her unsuspecting, royal guest. There, Sire, stands the only
thief!” She pointed accusingly at Portsmouth.
“My signature!” cried Charles, as he ran his eye down a
parchment. “The treaties! No more Parliaments for England. I agreed to
that.”
“I agree to that myself,” said Nell, roguishly.
“England’s King is too great to need Parliaments. The King should
have a confidential adviser, however–not French,” and she cast a
defiant glance at Portsmouth, “but English. Read on; read on.”
She placed her pretty cheek as near as possible to the King’s as she
followed the letters over his shoulder.
“A note to Bouillon!” he said, perusing the parchments further.
“Charles consents to the fall of Luxembourg. I did not sign all this. I
see it all: Louis’s ambition to rule the world, England’s King
debased by promises won and royal contracts made with a clever
woman–forgery mixed with truth. Sweet Heaven, what have I done!”
310“The
papers have not gone, Sire,” blandly remarked Nell.
“Thanks to you, my Nell,” said Charles. He addressed Portsmouth
sharply: “Madame, your coach awaits you.”
“But, Sire,” replied the Duchess, who was brave to the last,
“Madame Gwyn has yet Adair to answer for!”
“Adair will answer for himself!” cried Nell, triumphantly.
She threw aside the pink gown and stood as Adair before the astonished eyes
of all.
“At your service,” she said, bowing sweetly to the Duchess.
“A player’s trick!” cried Portsmouth, haughtily, as a
parting shot of contempt.
“Yes, Portsmouth,” replied Nell, still in sweetest accents,
“to show where lies the true and where the false.”
“You are a witch,” hissed Portsmouth.
“You are the King’s true love,” exclaimed the Merry
Monarch. “To my arms, Nell, to my arms; for you first taught me the
meaning of true love! Buckingham, you forget your courtesy. Her grace wishes to
be escorted to her coach.”
“ONCE MORE YOU HAVE SAVED ME.”
311“Bon
voyage, madame,” said Nell, demurely, as the Duchess took
Buckingham’s arm and departed.
The King’s eyes fell upon the player, Hart, who was still in
custody.
“Away with this wretch!” he cried, incensed at his conduct.
“I am not done with him.”
“Forgive him, Sire,” interceded Nell. “He took his cue from
Heaven, and good has come of it.”
“True, Nell,” said the King, mercifully. Then he turned to Hart:
“You are free; but henceforth act the knave only on the stage.” Hart
bowed with shame and withdrew.
“Sire, Sire,” exclaimed Strings, forgetting his decorum in his
eagerness.
“Well, Strings?” inquired the King, good-humouredly; for there
was now no cloud in his sky.
“Let me play the exit for the villains?” he pleaded unctuously.
“The old fiddle is just bursting with tunes.”
312“You
shall, Strings,” replied his Majesty, “and on a Cremona. From
to-day, you lead the royal orchestra.”
“Odsbud,” cried Strings, gleefully, “I can offer Jack Hart
an engagement.”
“Just retribution, Strings,” laughed Nell, happily. “Can
you do as much for Nell, and forgive her, Sire?”
“It is I who should ask your pardon, Nell,” exclaimed the King,
ecstatically, throwing both arms passionately about her. “You are
Charles’s queen; you should be England’s.”
So the story ends, as all good stories should, in a perfect, unbroken
dream of love.
EPILOGUE
Spoken by Miss Crosman for the first time in New York at the Bijou Theatre on
the evening of October 9, 1900:
Good friends, before we end the play,
I beg you all a moment
stay:
I warn my sex, by Nell’s affair,
Against a rascal
called Adair!
If lovers’ hearts you’d
truly scan,
Odsfish, perk up, and be a man!
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The book relates the adventures of a party on its overland pilgrimage, and
the birth and growth of the absorbing love of two strong men for a charming
heroine.
THE BOSS OF WIND RIVER, By A. M. Chisholm.
Illustrated by Frank Tenney Johnson.
This is a strong, virile novel with the lumber industry for its central theme
and a love story full of interest as a sort of subplot.
A PRAIRIE COURTSHIP, By Harold Bindloss.
A story of Canadian prairies in which the hero is stirred, through the
influence of his love for a woman, to settle down to the heroic business of
pioneer farming.
JOYCE OF THE NORTH WOODS, By Harriet T. Comstock.
Illustrated by John Cassel.
A story of the deep woods that shows the power of love at work among its
primitive dwellers. It is a tensely moving study of the human heart and its
aspirations that unfolds itself through thrilling situations and dramatic
developments.
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THE NOVELS OF
STEWART EDWARD WHITE
THE RULES OF THE GAME. Illustrated by Lajaren A. Killer
The romance of the son of “The Riverman.” The young college hero
goes into the lumber camp, is antagonized by “graft” and comes into
the romance of his life.
ARIZONA NIGHTS. Illus. and cover inlay by N. C. Wyeth.
A series of spirited tales emphasizing some phases of the life of the ranch,
plains and desert. A masterpiece.
THE BLAZED TRAIL. With illustrations by Thomas Fogarty.
A wholesome story with gleams of humor, telling of a young man who blazed his
way to fortune through the heart of the Michigan pines.
THE CLAIM JUMPERS. A Romance.
The tenderfoot manager of a mine in a lonesome gulch of the Black Hills has a
hard time of it, but “wins out” in more ways than one.
CONJUROR’S HOUSE. Illustrated Theatrical Edition.
Dramatized under the title of “The Call of the North.”
Conjuror’s House is a Hudson Bay trading post where the head
factor is the absolute lord. A young fellow risked his life and won a bride on
this forbidden land.
THE MAGIC FOREST. A Modern Fairy Tale. Illustrated.
The sympathetic way in which the children of the wild and their life is
treated could only belong to one who is in love with the forest and open air.
Based on fact.
THE RIVERMAN. Illus. by N. C. Wyeth and C. Underwood.
The story of a man’s fight against a river and of a struggle between
honesty and grit on the one side, and dishonesty and shrewdness on the
other.
THE SILENT PLACES. Illustrations by Philip R. Goodwin.
The wonders of the northern forests, the heights of feminine devotion, and
masculine power, the intelligence of the Caucasian and the instinct of the
Indian, are all finely drawn in this story.
THE WESTERNERS.
A story of the Black Hills that is justly placed among the best American
novels. It portrays the life of the new West as no other book has done in recent
years.
THE MYSTERY. In collaboration with Samuel Hopkins Adams
Grosset & Dunlap, 526 West 26th St., New York
JOHN FOX, JR’S.
STORIES OF THE KENTUCKY MOUNTAINS
May be had wherever books are sold. Ask for Grosset and
Dunlap’s list.
THE TRAIL OF THE LONESOME PINE.
Illustrated by F. C. Yohn.
The “lonesome pine” from which the story takes its name was a
tall tree that stood in solitary splendor on a mountain top. The fame of the
pine lured a young engineer through Kentucky to catch the trail, and when he
finally climbed to its shelter he found not only the pine but the foot-prints
of a girl. And the girl proved to be lovely, piquant, and the trail of these
girlish foot-prints led the young engineer a madder chase than “the trail
of the lonesome pine.”
THE LITTLE SHEPHERD OF KINGDOM COME
Illustrated by F. C. Yohn.
This is a story of Kentucky, in a settlement known as “Kingdom
Come.” It is a life rude, semi-barbarous; but natural and honest, from
which often springs the flower of civilization.
“Chad,” the “little shepherd” did not know who he was
nor whence he came–he had just wandered from door to door since early
childhood, seeking shelter with kindly mountaineers who gladly fathered and
mothered this waif about whom there was such a mystery–a charming waif, by
the way, who could play the banjo better that anyone else in the mountains.
A KNIGHT OF THE CUMBERLAND.
Illustrated by F. C. Yohn.
The scenes are laid along the waters of the Cumberland the lair of moonshiner
and feudsman. The knight is a moonshiner’s son, and the heroine a
beautiful girl perversely christened “The Blight.” Two impetuous
young Southerners’ fall under the spell of “The
Blight’s” charms and she learns what a large part jealousy and
pistols have in the love making of the mountaineers.
Included in this volume is “Hell fer-Sartain” and other stories,
some of Mr. Fox’s most entertaining Cumberland valley narratives.
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STORIES OF RARE CHARM
GENE STRATTON-PORTER
May be had wherever books are sold. Ask for Grosset and
Dunlap’s list.
THE HARVESTER
Illustrated by W. L. Jacobs
“The Harvester,” David Langston, is a man of the woods and
fields, who draws his living from the prodigal hand of Mother Nature herself. If
the book had nothing in it but the splendid figure of this man, with his sure
grip on life, his superb optimism, and his almost miraculous knowledge of nature
secrets, it would be notable. But when the Girl comes to his “Medicine
Woods,” and the Harvester’s whole sound, healthy, large outdoor
being realizes that this is the highest point of life which has come to
him–there begins a romance, troubled and interrupted, yet of the rarest
idyllic quality.
FRECKLES. Decorations by E. Stetson Crawford
Freckles is a nameless waif when the tale opens, but the way in which he
takes hold of life; the nature friendships he forms in the great Limberlost
Swamp; the manner in which everyone who meets him succumbs to the charm of his
engaging personality; and his love-story with “The Angel” are full
of real sentiment,
A GIRL OF THE LIMBERLOST
Illustrated by Wladyslaw T. Brenda.
The story of a girl of the Michigan woods; a buoyant, lovable type of the
self-reliant American. Her philosophy is one of love and kindness towards all
things; her hope is never dimmed. And by the sheer beauty of her soul, and the
purity of her vision, she wins from barren and unpromising surroundings those
rewards of high courage.
It is an inspiring story of a life worth while and the rich beauties of the
out-of-doors are strewn through all its pages.
AT THE FOOT OF THE RAINBOW.
Illustrations in colors by Oliver Kemp. Design and decorations by Ralph
Fletcher Seymour.
The scene of this charming, idyllic love story is laid in Central Indiana.
The story is one of devoted friendship, and tender self-sacrificing love; the
friendship that gives freely without return, and the love that seeks first the
happiness of the object. The novel is brimful of the most beautiful word
painting of nature, and its pathos and tender sentiment will endear it to
all.
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CHARMING BOOKS FOR GIRLS
May be had wherever books are sold. Ask for Grosset &
Dunlap’s list
WHEN PATTY WENT TO COLLEGE, By Jean Webster. Illustrated by C. D.
Williams.
One of the best stories of life in a girl’s college that has ever been
written. It is bright, whimsical and entertaining, lifelike, laughable and
thoroughly human.
JUST PATTY, By Jean Webster. Illustrated by C. M. Relyea.
Patty is full of the joy of living, fun-loving, given to ingenious mischief
for its own sake, with a disregard for pretty convention which is an unfailing
source of joy to her fellows.
THE POOR LITTLE RICH GIRL, By Eleanor Gates. With four full page
illustrations.
This story relates the experience of one of those unfortunate children whose
early days are passed in the companionship of a governess, seldom seeing either
parent, and famishing for natural love and tenderness. A charming play as
dramatized by the author.
REBECCA OF SUNNYBROOK FARM, By Kate Douglas Wiggin.
One of the most beautiful studies of childhood–Rebecca’s
artistic, unusual and quaintly charming qualities stand out midst a circle of
austere New Englanders. The stage version is making a phenomenal dramatic
record.
NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin. Illustrated by F. C.
Yohn.
Additional episodes in the girlhood of this delightful heroine that carry
Rebecca through various stages to her eighteenth birthday.
REBECCA MARY, By Annie Hamilton Donnell. Illustrated by Elizabeth Shippen
Green.
This author possesses the rare gift of portraying all the grotesque little
joys and sorrows and scruples of this very small girl with a pathos that is
peculiarly genuine and appealing.
EMMY LOU: Her Book and Heart, By George Madden Martin, Illustrated by Charles
Louis Hinton.
Emmy Lou is irresistibly lovable, because she is so absolutely real. She is;
just a bewitchingly innocent, hugable little maid. The book is wonderfully
human.
Ask for a complete free list of G. & D. Popular Copyrighted
Fiction
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THE NOVELS OF
CLARA LOUISE BURNHAM
May be had wherever books are sold. Ask for Grosset and
Dunlap’s list.
JEWEL: A Chapter in Her Life. Illustrated by Maude
and Genevieve Cowles.
A sweet, dainty story, breathing the doctrine of love and patience; and sweet
nature and cheerfulness.
JEWEL’S STORY BOOK. Illustrated by Albert
Schmitt.
A sequel to “Jewel” and equally enjoyable.
CLEVER BETSY. Illustrated by Rose O’Neill.
The “Clever Betsy” was a boat–named for the unyielding
spinster whom the captain hoped to marry. Through the two Betsys a clever group
of people are introduced to the reader.
SWEET CLOVER: A Romance of the White City.
A story of Chicago at the time of the World’s Fair. A sweet human story
that touches the heart.
THE OPENED SHUTTERS. Frontispiece by Harrison
Fisher.
A summer haunt on an island in Casco Bay is the background for this romance.
A beautiful woman, at discord with life, is brought to realize, by her new
friends, that she may open the shutters of her soul to the blessed sunlight of
joy by casting aside vanity and self love. A delicately humorous work with a
lofty motive underlying it all.
THE RIGHT PRINCESS.
An amusing story, opening at a fashionable Long Island resort, where a
stately Englishwoman employs a forcible New England housekeeper to serve in her
interesting home. How types so widely apart react on each other’s lives,
all to ultimate good, makes a story both humorous and rich in sentiment.
THE LEAVEN OF LOVE. Frontispiece by Harrison
Fisher.
At a Southern California resort a world-weary woman, young and beautiful but
disillusioned, meets a girl who has learned the art of living–of tasting
life in all its richness, opulence and joy. The story hinges upon the change
wrought in the soul of the blasè woman by this glimpse into a cheery life.
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LOUIS TRACY’S
CAPTIVATING AND EXHILARATING ROMANCES
May be had wherever books are sold. Ask for Grosset &
Dunlap’s list
CYNTHIA’S CHAUFFEUR. Illustrated by Howard
Chandler Christy.
A pretty American girl in London is touring in a car with a chauffeur whose
identity puzzles her. An amusing mystery.
THE STOWAWAY GIRL. Illustrated by Nesbitt Benson.
A shipwreck, a lovely girl stowaway, a rascally captain, a fascinating
officer, and thrilling adventures in South Seas.
THE CAPTAIN OF THE KANSAS.
Love and the salt sea, a helpless ship whirled into the hands of cannibals,
desperate fighting and a tender romance.
THE MESSAGE. Illustrated by Joseph Cummings
Chase.
A bit of parchment found in the figurehead of an old vessel tells of a buried
treasure. A thrilling mystery develops.
THE PILLAR OF LIGHT.
The pillar thus designated was a lighthouse, and the author tells with
exciting detail the terrible dilemma of its cut-off inhabitants.
THE WHEEL O’FORTUNE. With illustrations by James
Montgomery Flagg.
The story deals with the finding of a papyrus containing the particulars of
some of the treasures of the Queen of Sheba.
A SON OF THE IMMORTALS. Illustrated by Howard
Chandler Christy.
A young American is proclaimed king of a little Balkan Kingdom, and a pretty
Parisian art student is the power behind the throne.
THE WINGS OF THE MORNING.
A sort of Robinson Crusoe redivivus with modern setting and a very
pretty love story added. The hero and heroine are the only survivors of a wreck,
and have many thrilling adventures en their desert island.
Ask for a complete free list of G. & D. Popular Copyrighted
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B. M. Bower’s Novels
Thrilling Western Romances
Large 12 mos. Handsomely bound in cloth. Illustrated
CHIP, OF THE FLYING U
A breezy wholesome tale, wherein the love affairs of Chip and Della Whitman
are charmingly and humorously told. Chip’s jealousy of Dr. Cecil Grantham,
who turns out to be a big, blue eyed young woman is very amusing. A clever,
realistic story of the American Cow-puncher.
THE HAPPY FAMILY
A lively and amusing story, dealing with the adventures of eighteen jovial,
big hearted Montana cowboys. Foremost amongst them, we find Ananias Green, known
as Andy, whose imaginative powers cause many lively and exciting adventures.
HER PRAIRIE KNIGHT
A realistic story of the plains, describing a gay party of Easterners who
exchange a cottage at Newport for the rough homeliness of a Montana ranch-house.
The merry-hearted cowboys, the fascinating Beatrice, and the effusive Sir
Redmond, become living, breathing personalities.
THE RANGE DWELLERS
Here are everyday, genuine cowboys, just as they really exist. Spirited
action, a range feud between two families, and a Romeo and Juliet courtship make
this a bright, jolly, entertaining story, without a dull page.
THE LURE OF DIM TRAILS
A vivid portrayal of the experience of an Eastern author, among the cowboys
of the West, in search of “local color” for a new novel.
“Bud” Thurston learns many a lesson while following “the lure
of the dim trails” but the hardest, and probably the most welcome, is that
of love.
THE LONESOME TRAIL
“Weary” Davidson leaves the ranch for Portland, where
conventional city life palls on him. A little branch of sage brush, pungent with
the atmosphere of the prairie, and the recollection of a pair of large brown
eyes soon compel his return. A wholesome love story.
THE LONG SHADOW
A vigorous Western story, sparkling with the free, outdoor, life a mountain
ranch. Its scenes shift rapidly and its actors play the game of life fearlessly
and like men. It is a fine love story from start to finish.
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NOVELS OF SOUTHERN LIFE
By THOMAS DIXON, JR.
May be had wherever books are sold. Ask for Grosset &
Dunlap’s list
THE LEOPARD’S SPOTS: A Story of the White
Man’s Burden, 1865-1900. With illustrations by C. D. Williams.
A tale of the South about the dramatic events of Destruction, Reconstruction
and Upbuilding. The work is able and eloquent and the verifiable events of
history are followed closely in the development of a story full of struggle.
THE CLANSMAN. With illustrations by Arthur I.
Keller.
While not connected with it in any way, this is a companion volume to the
author’s “epoch-making” story The Leopard’s
Spots. It is a novel with a great deal to it, and which very properly is
going to interest many thousands of readers. * * * It is, first of all, a
forceful, dramatic, absorbing love story, with a sequence of events so
surprising that one is prepared for the fact that much of it is founded on
actual happenings; but Mr. Dixon has, as before, a deeper purpose–he has
aimed to show that the original formers of the Ku Klux Klan were modern knights
errant taking the only means at hand to right intolerable wrongs.
THE TRAITOR. A Story of the Fall of the Invisible
Empire. Illustrations by C. D. Williams.
The third and last book in this remarkable trilogy of novels relating to
Southern Reconstruction. It is a thrilling story of love, adventure, treason,
and the United States Secret Service dealing with the decline and fall of the Ku
Klux Klan.
COMRADES. Illustrations by C. D. Williams.
A novel dealing with the establishment of a Socialistic Colony upon a
deserted island off the coast of California. The way of disillusionment is the
course over which Mr. Dixon conducts the reader.
THE ONE WOMAN. A Story of Modern Utopia.
A love story and character study of three strong men and two fascinating
women. In swift, unified, and dramatic action, we see Socialism a deadly force,
in the hour of the eclipse of Faith, destroying the home life and weakening the
fiber of Anglo Saxon manhood.
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