'Do you believe in ghosts?' asked Mr Mulliner abruptly.
I weighed the question thoughtfully. I was a little surprised, for
nothing in our previous conversation had suggested the topic.
'Well,' I replied, 'I don't like them, if that's what you mean. I was
once butted by one as a child.'
'Ghosts. Not goats.'
'Oh, ghosts? Do I believe in ghosts?'
'Exactly.'
'Well, yes—and no.'
'Let me put it another way,' said Mr Mulliner, patiently. 'Do you
believe in haunted houses? Do you believe that it is possible for a
malign influence to envelop a place and work a spell on all who come
within its radius?'
I hesitated.
'Well, no—and yes.'
Mr Mulliner sighed a little. He seemed to be wondering if I was always
as bright as this.
'Of course,' I went on, 'one has read stories. Henry James's Turn of
The Screw....'
'I am not talking about fiction.'
'Well, in real life—Well, look here, I once, as a matter of fact, did
meet a man who knew a fellow....'
'My distant cousin James Rodman spent some weeks in a haunted house,'
said Mr Mulliner, who, if he has a fault, is not a very good listener.
'It cost him five thousand pounds. That is to say, he sacrificed five
thousand pounds by not remaining there. Did you ever,' he asked,
wandering, it seemed to me, from the subject, 'hear of Leila J.
Pinckney?'
Naturally I had heard of Leila J. Pinckney. Her death some years ago
has diminished her vogue, but at one time it was impossible to pass
a bookshop or a railway bookstall without seeing a long row of her
novels. I have never myself actually read any of them, but I knew that
in her particular line of literature, the Squashily Sentimental, she
had always been regarded by those entitled to judge as pre-eminent. The
critics usually headed their reviews of her stories with the words:
ANOTHER PINCKNEY
or sometimes, more offensively:
ANOTHER PINCKNEY!!!
And once, dealing with, I think, The Love Which Prevails, the
literary expert of the Scrutinizer had compressed his entire
critique into the single phrase 'Oh, God!'
'Of course,' I said. 'But what about her?'
'She was James Rodman's aunt.'
'Yes?'
'And when she died James found that she had left him five thousand
pounds and the house in the country where she had lived for the last
twenty years of her life.'
'A very nice little legacy.'
'Twenty years,' repeated Mr Mulliner. 'Grasp that, for it has a vital
bearing on what follows. Twenty years, mind you, and Miss Pinckney
turned out two novels and twelve short stories regularly every
year besides a monthly page of Advice to Young Girls in one of the
magazines. That is to say, forty of her novels and no fewer than two
hundred and forty of her short stories were written under the roof of
Honeysuckle Cottage.'
'A pretty name.'
'A nasty, sloppy name,' said Mr Mulliner severely, 'which should have
warned my distant cousin James from the start. Have you a pencil and
a piece of paper?' He scribbled for a while, poring frowningly over
columns of figures. 'Yes,' he said, looking up, 'if my calculations
are correct, Leila J. Pinckney wrote in all a matter of nine million
one hundred and forty thousand words of glutinous sentimentality at
Honeysuckle Cottage, and it was a condition of her will that James
should reside there for six months in every year. Failing to do this,
he was to forfeit the five thousand pounds.'
'It must be great fun making a freak will,' I mused. 'I often wish I
was rich enough to do it.'
'This was not a freak will. The conditions are perfectly
understandable. James Rodman was a writer of sensational mystery
stories, and his aunt Leila had always disapproved of his work. She
was a great believer in the influence of environment, and the reason
why she inserted that clause in her will was that she wished to compel
James to move from London to the country. She considered that living
in London hardened him and made his outlook on life sordid. She often
asked him if he thought it quite nice to harp so much on sudden death
and blackmailers with squints. Surely, she said, there were enough
squinting blackmailers in the world without writing about them.
'The fact that Literature meant such different things to these two
had, I believe, caused something of a coolness between them, and James
had never dreamed that he would be remembered in his aunt's will. For
he had never concealed his opinion that Leila J. Pinckney's style of
writing revolted him, however dear it might be to her enormous public.
He held rigid views on the art of the novel, and always maintained that
an artist with a true reverence for his craft should not descend to
goo-ey love stories, but should stick austerely to revolvers, cries in
the night, missing papers, mysterious Chinamen, and dead bodies—with
or without gash in throat. And not even the thought that his aunt
had dandled him on her knee as a baby could induce him to stifle his
literary conscience to the extent of pretending to enjoy her work.
First, last, and all the time, James Rodman had held the opinion—and
voiced it fearlessly—that Leila J. Pinckney wrote bilge.
'It was a surprise to him, therefore, to find that he had been left
this legacy. A pleasant surprise, of course. James was making quite a
decent income out of the three novels and eighteen short stories which
he produced annually, but an author can always find a use for five
thousand pounds. And, as for the cottage, he had actually been looking
about for a little place in the country at the very moment when he
received the lawyer's letter. In less than a week he was installed at
his new residence.'
James's first impressions of Honeysuckle Cottage were, he tells me,
wholly favourable. He was delighted with the place. It was a low,
rambling, picturesque old house with funny little chimneys and a red
roof, placed in the middle of the most charming country. With its oak
beams, its trim garden, its trilling birds and its rose-hung porch,
it was the ideal spot for a writer. It was just the sort of place, he
reflected whimsically, which his aunt had loved to write about in her
books. Even the apple-cheeked old housekeeper who attended to his needs
might have stepped straight out of one of them.
It seemed to James that his lot had been cast in pleasant places. He
had brought down his books, his pipes, and his golf-clubs, and was
hard at work finishing the best thing he had ever done. The Secret
Nine was the title of it; and on the beautiful summer afternoon
on which this story opens he was in the study, hammering away at his
typewriter, at peace with the world. The machine was running sweetly,
the new tobacco he had bought the day before was proving admirable, and
he was moving on all six cylinders to the end of a chapter.
He shoved in a fresh sheet of paper, chewed his pipe thoughtfully for a
moment, then wrote rapidly:
For an instant Lester Gage thought that he must have been mistaken.
Then the noise came again, faint but unmistakable—a soft scratching
on the outer panel.
His mouth set in a grim line. Silently, like a panther, he made one
quick step to the desk, noiselessly opened a drawer, drew out his
automatic. After that affair of the poisoned needle, he was taking no
chances. Still in dead silence, he tiptoed to the door; then, flinging
it suddenly open, he stood there, his weapon poised.
On the mat stood the most beautiful girl he had ever beheld. A
veritable child of Faërie. She eyed him for a moment with a saucy
smile; then with a pretty, roguish look of reproof shook a dainty
forefinger at him.
'I believe you've forgotten me, Mr Gage!' she fluted with a mock
severity which her eyes belied.
James stared at the paper dumbly. He was utterly perplexed. He had not
had the slightest intention of writing anything like this. To begin
with, it was a rule with him, and one which he never broke, to allow no
girls to appear in his stories. Sinister landladies, yes, and naturally
any amount of adventuresses with foreign accents, but never under any
pretext what may be broadly described as girls. A detective story, he
maintained, should have no heroine. Heroines only held up the action
and tried to flirt with the hero when he should have been busy looking
for clues, and then went and let the villain kidnap them by some
childishly simple trick. In his writing, James was positively monastic.
And yet here was this creature with her saucy smile and her dainty
forefinger horning in at the most important point in the story. It was
uncanny.
He looked once more at his scenario. No, the scenario was all right.
In perfectly plain words it stated that what happened when the
door opened was that a dying man fell in and after gasping, 'The
beetle! Tell Scotland Yard that the blue beetle is—' expired on the
hearth-rug, leaving Lester Gage not unnaturally somewhat mystified.
Nothing whatever about any beautiful girls.
In a curious mood of irritation, James scratched out the offending
passage, wrote in the necessary corrections and put the cover on the
machine. It was at this point that he heard William whining.
The only blot on this paradise which James had so far been able
to discover was the infernal dog, William. Belonging nominally to
the gardener, on the very first morning he had adopted James by
acclamation, and he maddened and infuriated James. He had a habit
of coming and whining under the window when James was at work. The
latter would ignore this as long as he could; then, when the thing
became insupportable, would bound out of his chair, to see the animal
standing on the gravel, gazing expectantly up at him with a stone in
his mouth. William had a weak-minded passion for chasing stones; and
on the first day James, in a rash spirit of camaraderie, had flung one
for him. Since then James had thrown no more stones; but he had thrown
any number of other solids, and the garden was littered with objects
ranging from match boxes to a plaster statuette of the young Joseph
prophesying before Pharaoh. And still William came and whined, an
optimist to the last.
The whining, coming now at a moment when he felt irritable and
unsettled, acted on James much as the scratching on the door had acted
on Lester Gage. Silently, like a panther, he made one quick step to the
mantelpiece, removed from it a china mug bearing the legend A Present
From Clacton-on-Sea, and crept to the window.
And as he did so a voice outside said, 'Go away, sir, go away!' and
there followed a short, high-pitched bark which was certainly not
William's. William was a mixture of airedale, setter, bull terrier,
and mastiff; and when in vocal mood, favoured the mastiff side of his
family.
James peered out. There on the porch stood a girl in blue. She held in
her arms a small fluffy white dog, and she was endeavouring to foil
the upward movement toward this of the blackguard William. William's
mentality had been arrested some years before at the point where he
imagined that everything in the world had been created for him to eat.
A bone, a boot, a steak, the back wheel of a bicycle—it was all one to
William. If it was there he tried to eat it. He had even made a plucky
attempt to devour the remains of the young Joseph prophesying before
Pharaoh. And it was perfectly plain now that he regarded the curious
wriggling object in the girl's arms purely in the light of a snack to
keep body and soul together till dinner-time.
'William!' bellowed James.
William looked courteously over his shoulder with eyes that beamed with
the pure light of a life's devotion, wagged the whiplike tail which he
had inherited from his bull-terrier ancestor, and resumed his intent
scrutiny of the fluffy dog.
'Oh, please!' cried the girl. 'This great rough dog is frightening poor
Toto.'
The man of letters and the man of action do not always go hand in
hand, but practice had made James perfect in handling with a swift
efficiency any situation that involved William. A moment later that
canine moron, having received the present from Clacton in the short
ribs, was scuttling round the corner of the house, and James had jumped
through the window and was facing the girl.
She was an extraordinarily pretty girl. Very sweet and fragile she
looked as she stood there under the honeysuckle with the breeze
ruffling a tendril of golden hair that strayed from beneath her
coquettish little hat. Her eyes were very big and very blue, her
rose-tinted face becomingly flushed. All wasted on James, though. He
disliked all girls, and particularly the sweet, droopy type.
'Did you want to see somebody?' he asked stiffly.
'Just the house,' said the girl, 'if it wouldn't be giving any trouble.
I do so want to see the room where Miss Pinckney wrote her books. This
is where Leila J. Pinckney used to live, isn't it?'
'Yes; I am her nephew. My name is James Rodman.'
'Mine is Rose Maynard.'
James led the way into the house, and she stopped with a cry of delight
on the threshold of the morning-room.
'Oh, how too perfect!' she cried. 'So this was her study?'
'Yes.'
'What a wonderful place it would be for you to think in if you were a
writer too.'
James held no high opinion of women's literary taste, but nevertheless
he was conscious of an unpleasant shock.
'I am a writer,' he said coldly. 'I write detective stories.'
'I—I'm afraid,'—she blushed—'I'm afraid I don't often read detective
stories.'
'You no doubt prefer,' said James, still more coldly, 'the sort of
thing my aunt used to write.'
'Oh, I love her stories!' cried the girl, clasping her hands
ecstatically. 'Don't you?'
'I cannot say that I do.'
'What?'
'They are pure apple sauce,' said James sternly; 'just nasty blobs of
sentimentality, thoroughly untrue to life.'
The girl stared.
'Why, that's just what's so wonderful about them, their trueness to
life! You feel they might all have happened. I don't understand what
you mean.'
They were walking down the garden now. James held the gate open for her
and she passed through into the road.
'Well, for one thing,' he said, 'I decline to believe that a marriage
between two young people is invariably preceded by some violent and
sensational experience in which they both share.'
'Are you thinking of Scent o' the Blossom, where Edgar saves
Maud from drowning?'
'I am thinking of every single one of my aunt's books.' He looked at
her curiously. He had just got the solution of a mystery which had been
puzzling him for some time. Almost from the moment he had set eyes on
her she had seemed somehow strangely familiar. It now suddenly came to
him why it was that he disliked her so much. 'Do you know,' he said,
'you might be one of my aunt's heroines yourself? You're just the sort
of girl she used to love to write about.'
Her face lit up.
'Oh, do you really think so?' She hesitated. 'Do you know what I have
been feeling ever since I came here? I've been feeling that you are
exactly like one of Miss Pinckney's heroes.'
'No, I say, really!' said James, revolted.
'Oh, but you are! When you jumped through that window it gave me quite
a start. You were so exactly like Claude Masterton in Heather o' the
Hills.'
'I have not read Heather o' the Hills,' said James, with a
shudder.
'He was very strong and quiet, with deep, dark, sad eyes.'
James did not explain that his eyes were sad because her society gave
him a pain in the neck. He merely laughed scornfully.
'So now, I suppose,' he said, 'a car will come and knock you down and I
shall carry you gently into the house and lay you—Look out!' he cried.
It was too late. She was lying in a little huddled heap at his feet.
Round the corner a large automobile had come bowling, keeping with
an almost affected precision to the wrong side of the road. It was
now receding into the distance, the occupant of the tonneau, a stout
red-faced gentleman in a fur coat, leaning out over the back. He had
bared his head—not, one fears, as a pretty gesture of respect and
regret, but because he was using his hat to hide the number plate.
The dog Toto was unfortunately uninjured.
James carried the girl gently into the house and laid her on the sofa
in the morning-room. He rang the bell and the apple-cheeked housekeeper
appeared.
'Send for the doctor,' said James. 'There has been an accident.'
The housekeeper bent over the girl.
'Eh, dearie, dearie!' she said. 'Bless her sweet pretty face!'
The gardener, he who technically owned William, was routed out from
among the young lettuces and told to fetch Dr Brady. He separated his
bicycle from William, who was making a light meal off the left pedal,
and departed on his mission. Dr Brady arrived and in due course he made
his report.
'No bones broken, but a number of nasty bruises. And, of course, the
shock. She will have to stay here for some time, Rodman. Can't be
moved.'
'Stay here! But she can't! It isn't proper.'
'Your housekeeper will act as a chaperon.'
The doctor sighed. He was a stolid-looking man of middle age with side
whiskers.
'A beautiful girl, that, Rodman,' he said.
'I suppose so,' said James.
'A sweet, beautiful girl. An elfin child.'
'A what?' cried James, starting.
This imagery was very foreign to Dr Brady as he knew him. On the only
previous occasion on which they had had any extended conversation, the
doctor had talked exclusively about the effect of too much protein on
the gastric juices.
'An elfin child; a tender, fairy creature. When I was looking at her
just now, Rodman, I nearly broke down. Her little hand lay on the
coverlet like some white lily floating on the surface of a still pool,
and her dear, trusting eyes gazed up at me.'
He pottered off down the garden, still babbling, and James stood
staring after him blankly. And slowly, like some cloud athwart a summer
sky, there crept over James's heart the chill shadow of a nameless fear.
It was about a week later that Mr Andrew McKinnon, the senior partner
in the well-known firm of literary agents, McKinnon & Gooch, sat in his
office in Chancery Lane, frowning thoughtfully over a telegram. He rang
the bell.
'Ask Mr Gooch to step in here.' He resumed his study of the telegram.
'Oh, Gooch,' he said when his partner appeared, 'I've just had a
curious wire from young Rodman. He seems to want to see me very
urgently.'
Mr Gooch read the telegram.
'Written under the influence of some strong mental excitement,' he
agreed. 'I wonder why he doesn't come to the office if he wants to see
you so badly.'
'He's working very hard, finishing that novel for Prodder & Wiggs.
Can't leave it, I suppose. Well, it's a nice day. If you will look
after things here I think I'll motor down and let him give me lunch.'
As Mr McKinnon's car reached the crossroads a mile from Honeysuckle
Cottage, he was aware of a gesticulating figure by the hedge. He
stopped the car.
'Morning, Rodman.'
'Thank God, you've come!' said James. It seemed to Mr McKinnon that the
young man looked paler and thinner. 'Would you mind walking the rest of
the way? There's something I want to speak to you about.'
Mr McKinnon alighted; and James, as he glanced at him, felt cheered
and encouraged by the very sight of the man. The literary agent was a
grim, hard-bitten person, to whom, when he called at their offices to
arrange terms, editors kept their faces turned so that they might at
least retain their back collar studs. There was no sentiment in Andrew
McKinnon. Editresses of society papers practised their blandishments on
him in vain, and many a publisher had waked screaming in the night,
dreaming that he was signing a McKinnon contract.
'Well, Rodman,' he said, 'Prodder & Wiggs have agreed to our terms.
I was writing to tell you so when your wire arrived. I had a lot
of trouble with them, but it's fixed at twenty per cent, rising to
twenty-five, and two hundred pounds advance royalties on day of
publication.'
'Good!' said James absently. 'Good! McKinnon, do you remember my aunt,
Leila J. Pinckney?'
'Remember her? Why, I was her agent all her life.'
'Of course. Then you know the sort of tripe she wrote.'
'No author,' said Mr McKinnon reprovingly, 'who pulls down a steady
twenty thousand pounds a year writes tripe.'
'Well anyway, you know her stuff.'
'Who better?'
'When she died she left me five thousand pounds and her house,
Honeysuckle Cottage. I'm living there now. McKinnon, do you believe in
haunted houses?'
'No.'
'Yet I tell you solemnly that Honeysuckle Cottage is haunted!'
'By your aunt?' said Mr McKinnon, surprised.
'By her influence. There's a malignant spell over the place; a sort of
miasma of sentimentalism. Everybody who enters it succumbs.'
'Tut-tut! You mustn't have these fancies.'
'They aren't fancies.'
'You aren't seriously meaning to tell me—'
'Well, how do you account for this? That book you were speaking about,
which Prodder & Wiggs are to publish—The Secret Nine. Every
time I sit down to write it a girl keeps trying to sneak in.'
'Into the room?'
'Into the story.'
'You don't want a love interest in your sort of book,' said Mr
McKinnon, shaking his head. 'It delays the action.'
'I know it does. And every day I have to keep shooing this infernal
female out. An awful girl, McKinnon. A soppy, soupy, treacly, drooping
girl with a roguish smile. This morning she tried to butt in on the
scene where Lester Gage is trapped in the den of the mysterious leper.'
'No!'
'She did, I assure you. I had to rewrite three pages before I could
get her out of it. And that's not the worst. Do you know, McKinnon,
that at this moment I am actually living the plot of a typical Leila
J. Pinckney novel in just the setting she always used! And I can see
the happy ending coming nearer every day! A week ago a girl was knocked
down by a car at my door and I've had to put her up, and every day I
realize more clearly that sooner or later I shall ask her to marry me.'
'Don't do it,' said Mr McKinnon, a stout bachelor. 'You're too young to
marry.'
'So was Methuselah,' said James, a stouter. 'But all the same I know
I'm going to do it. It's the influence of this awful house weighing
upon me. I feel like an eggshell in a maelstrom. I am being sucked on
by a force too strong for me to resist. This morning I found myself
kissing her dog!'
'No!'
'I did! And I loathe the little beast. Yesterday I got up at dawn and
plucked a nosegay of flowers for her, wet with the dew.'
'Rodman!'
'It's a fact. I laid them at her door and went downstairs kicking
myself all the way. And there in the hall was the apple-cheeked
housekeeper regarding me archly. If she didn't murmur "Bless their
sweet young hearts!" my ears deceived me.'
'Why don't you pack up and leave?'
'If I do I lose the five thousand pounds.'
'Ah!' said Mr McKinnon.
'I can understand what has happened. It's the same with all haunted
houses. My aunt's subliminal ether vibrations have woven themselves
into the texture of the place, creating an atmosphere which forces the
ego of all who come in contact with it to attune themselves to it. It's
either that or something to do with the fourth dimension.'
Mr McKinnon laughed scornfully.
'Tut-tut!' he said again. 'This is pure imagination. What has happened
is that you've been working too hard. You'll see this precious
atmosphere of yours will have no effect on me.'
'That's exactly why I asked you to come down. I hoped you might break
the spell.'
'I will that,' said Mr McKinnon jovially.
The fact that the literary agent spoke little at lunch caused James
no apprehension. Mr McKinnon was ever a silent trencherman. From time
to time James caught him stealing a glance at the girl, who was well
enough to come down to meals now, limping pathetically; but he could
read nothing in his face. And yet the mere look of his face was a
consolation. It was so solid, so matter of fact, so exactly like an
unemotional coconut.
'You've done me good,' said James with a sigh of relief, as he escorted
the agent down the garden to his car after lunch. 'I felt all along
that I could rely on your rugged common sense. The whole atmosphere of
the place seems different now.'
Mr McKinnon did not speak for a moment. He seemed to be plunged in
thought.
'Rodman,' he said, as he got into his car, 'I've been thinking over
that suggestion of yours of putting a love interest into The Secret
Nine. I think you're wise. The story needs it. After all, what
is there greater in the world than love? Love—love—aye, it's the
sweetest word in the language. Put in a heroine and let her marry
Lester Gage.'
'If,' said James grimly, 'she does succeed in worming her way in
she'll jolly well marry the mysterious leper. But look here, I don't
understand—'
'It was seeing that girl that changed me,' proceeded Mr McKinnon. And
as James stared at him aghast, tears suddenly filled his hard-boiled
eyes. He openly snuffled. 'Aye, seeing her sitting there under the
roses, with all that smell of honeysuckle and all. And the birdies
singing so sweet in the garden and the sun lighting up her bonny face.
The puir wee lass!' he muttered, dabbing at his eyes. 'The puir bonny
wee lass! Rodman,' he said, his voice quivering, 'I've decided that
we're being hard on Prodder & Wiggs. Wiggs has had sickness in his home
lately. We mustn't be hard on a man who's had sickness in his home,
hey, laddie? No, no! I'm going to take back that contract and alter it
to a flat twelve per cent and no advance royalties.'
'What!'
'But you shan't lose by it, Rodman. No, no, you shan't lose by it, my
manny. I am going to waive my commission. The puir bonny wee lass!'
The car rolled off down the road. Mr McKinnon, seated in the back, was
blowing his nose violently.
'This is the end!' said James.
It is necessary at this point to pause and examine James Rodman's
position with an unbiased eye. The average man, unless he puts himself
in James's place, will be unable to appreciate it. James, he will feel,
was making a lot of fuss about nothing. Here he was, drawing daily
closer and closer to a charming girl with big blue eyes, and surely
rather to be envied than pitied.
But we must remember that James was one of Nature's bachelors. And
no ordinary man, looking forward dreamily to a little home of his
own with a loving wife putting out his slippers and changing the
gramophone records, can realize the intensity of the instinct for
self-preservation which animates Nature's bachelors in times of peril.
James Rodman had a congenital horror of matrimony. Though a young man,
he had allowed himself to develop a great many habits which were as the
breath of life to him; and these habits, he knew instinctively, a wife
would shoot to pieces within a week of the end of the honeymoon.
James liked to breakfast in bed; and, having breakfasted, to smoke in
bed and knock the ashes out on the carpet. What wife would tolerate
this practice?
James liked to pass his days in a tennis shirt, grey flannel trousers,
and slippers. What wife ever rests until she has inclosed her husband
in a stiff collar, tight boots, and a morning suit and taken him with
her to thés musicaux?
These and a thousand other thoughts of the same kind flashed through
the unfortunate young man's mind as the days went by, and every day
that passed seemed to draw him nearer to the brink of the chasm.
Fate appeared to be taking a malicious pleasure in making things as
difficult for him as possible. Now that the girl was well enough
to leave her bed, she spent her time sitting in a chair on the
sun-sprinkled porch, and James had to read to her—and poetry, at
that; and not the jolly, wholesome sort of poetry the boys are turning
out nowadays, either—good, honest stuff about sin and gas-works and
decaying corpses—but the old-fashioned kind with rhymes in it, dealing
almost exclusively with love. The weather, moreover, continued superb.
The honeysuckle cast its sweet scent on the gentle breeze; the roses
over the porch stirred and nodded; the flowers in the garden were
lovelier than ever; the birds sang their little throats sore. And every
evening there was a magnificent sunset. It was almost as if Nature were
doing it on purpose.
At last James intercepted Dr Brady as he was leaving after one of his
visits and put the thing to him squarely:
'When is that girl going?'
The doctor patted him on the arm.
'Not yet, Rodman,' he said in a low, understanding voice. 'No need
to worry yourself about that. Mustn't be moved for days and days and
days—I might almost say weeks and weeks and weeks.'
'Weeks and weeks!' cried James.
'And weeks,' said Dr Brady. He prodded James roguishly in the abdomen.
'Good luck to you, my boy, good luck to you,' he said.
It was some small consolation to James that the mushy physician
immediately afterward tripped over William on his way down the path and
broke his stethoscope. When a man is up against it like James every
little helps.
He was walking dismally back to the house after this conversation when
he was met by the apple-cheeked housekeeper.
'The little lady would like to speak to you, sir,' said the
apple-cheeked exhibit, rubbing her hands.
'Would she?' said James hollowly.
'So sweet and pretty she looks, sir—oh, sir, you wouldn't believe!
Like a blessed angel sitting there with her dear eyes all a-shining.'
'Don't do it!' cried James with extraordinary vehemence. 'Don't do it!'
He found the girl propped up on the cushions and thought once again
how singularly he disliked her. And yet, even as he thought this, some
force against which he had to fight madly was whispering to him, 'Go
to her and take that little hand! Breathe into that little ear the
burning words that will make that little face turn away crimsoned with
blushes!' He wiped a bead of perspiration from his forehead and sat
down.
'Mrs Stick-in-the-Mud—what's her name?—says you want to see me.'
The girl nodded.
'I've had a letter from Uncle Henry. I wrote to him as soon as I was
better and told him what had happened, and he is coming here tomorrow
morning.'
'Uncle Henry?'
'That's what I call him, but he's really no relation. He is my
guardian. He and daddy were officers in the same regiment, and when
daddy was killed, fighting on the Afghan frontier, he died in Uncle
Henry's arms and with his last breath begged him to take care of me.'
James started. A sudden wild hope had waked in his heart. Years ago,
he remembered, he had read a book of his aunt's entitled Rupert's
Legacy, and in that book—
'I'm engaged to marry him,' said the girl quietly.
'Wow!' shouted James.
'What?' asked the girl, startled.
'Touch of cramp,' said James. He was thrilling all over. That wild hope
had been realized.
'It was daddy's dying wish that we should marry,' said the girl.
'And dashed sensible of him, too; dashed sensible,' said James warmly.
'And yet,' she went on, a little wistfully, 'I sometimes wonder—'
'Don't!' said James. 'Don't! You must respect daddy's dying wish.
There's nothing like daddy's dying wish; you can't beat it. So he's
coming here tomorrow, is he? Capital, capital. To lunch, I suppose?
Excellent! I'll run down and tell Mrs Who-Is-It to lay in another chop.'
It was with a gay and uplifted heart that James strolled the garden
and smoked his pipe next morning. A great cloud seemed to have rolled
itself away from him. Everything was for the best in the best of all
possible worlds. He had finished The Secret Nine and shipped it
off to Mr McKinnon, and now as he strolled there was shaping itself in
his mind a corking plot about a man with only half a face who lived in
a secret den and terrorized London with a series of shocking murders.
And what made them so shocking was the fact that each of the victims,
when discovered, was found to have only half a face too. The rest had
been chipped off, presumably by some blunt instrument.
The thing was coming out magnificently, when suddenly his attention was
diverted by a piercing scream. Out of the bushes fringing the river
that ran beside the garden burst the apple-cheeked housekeeper.
'Oh, sir! Oh, sir! Oh, sir!'
'What is it?' demanded James irritably.
'Oh, sir! Oh, sir! Oh, sir!'
'Yes, and then what?'
'The little dog, sir! He's in the river!'
'Well, whistle him to come out.'
'Oh, sir, do come quick! He'll be drowned!'
James followed her through the bushes, taking off his coat as he went.
He was saying to himself, 'I will not rescue this dog. I do not like
the dog. It is high time he had a bath, and in any case it would be
much simpler to stand on the bank and fish for him with a rake. Only an
ass out of a Leila J. Pinckney book would dive into a beastly river to
save—'
At this point he dived. Toto, alarmed by the splash, swam rapidly for
the bank, but James was too quick for him. Grasping him firmly by
the neck, he scrambled ashore and ran for the house, followed by the
housekeeper.
The girl was seated on the porch. Over her there bent the tall
soldierly figure of a man with keen eyes and greying hair. The
housekeeper raced up.
'Oh, miss! Toto! In the river! He saved him! He plunged in and saved
him!'
The girl drew a quick breath.
'Gallant, damme! By Jove! By gad! Yes, gallant, by George!' exclaimed
the soldierly man.
The girl seemed to wake from a reverie.
'Uncle Henry, this is Mr Rodman. Mr Rodman, my guardian, Colonel
Carteret.'
'Proud to meet you, sir,' said the colonel, his honest blue eyes
glowing as he fingered his short crisp moustache. 'As fine a thing as I
ever heard of, damme!'
'Yes, you are brave—brave,' the girl whispered.
'I am wet—wet,' said James, and went upstairs to change his clothes.
When he came down for lunch, he found to his relief that the girl
had decided not to join them, and Colonel Carteret was silent and
preoccupied. James, exerting himself in his capacity of host, tried
him with the weather, golf, India, the Government, the high cost of
living, first-class cricket, the modern dancing craze, and murderers
he had met, but the other still preserved that strange, absent-minded
silence. It was only when the meal was concluded and James had produced
cigarettes that he came abruptly out of his trance.
'Rodman,' he said, 'I should like to speak to you.'
'Yes?' said James, thinking it was about time.
'Rodman,' said Colonel Carteret, 'or rather, George—I may call you
George?' he added, with a sort of wistful diffidence that had a
singular charm.
'Certainly,' replied James, 'if you wish it. Though my name is James.'
'James, eh? Well, well, it amounts to the same thing, eh, what,
damme, by gad?' said the colonel with a momentary return of his bluff
soldierly manner. 'Well, then, James, I have something that I wish to
say to you. Did Miss Maynard—did Rose happen to tell you anything
about myself in—er—in connexion with herself?'
'She mentioned that you and she were engaged to be married.'
The colonel's tightly drawn lips quivered.
'No longer,' he said.
'What?'
'No, John, my boy.'
'James.'
'No, James, my boy, no longer. While you were upstairs changing your
clothes she told me—breaking down, poor child, as she spoke—that she
wished our engagement to be at an end.'
James half rose from the table, his cheeks blanched.
'You don't mean that!' he gasped.
Colonel Carteret nodded. He was staring out of the window, his fine
eyes set in a look of pain.
'But this is nonsense!' cried James. 'This is absurd! She—she mustn't
be allowed to chop and change like this. I mean to say, it—it isn't
fair—'
'Don't think of me, my boy.'
'I'm not—I mean, did she give any reason?'
'Her eyes did.'
'Her eyes did?'
'Her eyes, when she looked at you on the porch, as you stood
there—young, heroic—having just saved the life of the dog she loves.
It is you who have won that tender heart, my boy.'
'Now, listen,' protested James, 'you aren't going to sit there and tell
me that a girl falls in love with a man just because he saves her dog
from drowning?'
'Why, surely,' said Colonel Carteret, surprised. 'What better reason
could she have?' He sighed. 'It is the old, old story, my boy.
Youth to youth. I am an old man. I should have known—I should have
foreseen—yes, youth to youth.'
'You aren't a bit old.'
'Yes, yes.'
'No, no.'
'Yes, yes.'
'Don't keep on saying yes, yes!' cried James, clutching at his hair.
'Besides, she wants a steady old buffer—a steady, sensible man of
medium age—to look after her.'
Colonel Carteret shook his head with a gentle smile.
'This is mere quixotry, my boy. It is splendid of you to take this
attitude; but no, no.'
'Yes, yes.'
'No, no.' He gripped James's hand for an instant, then rose and walked
to the door. 'That is all I wished to say, Tom.'
'James.'
'James. I just thought that you ought to know how matters stood. Go
to her, my boy, go to her, and don't let any thought of an old man's
broken dream keep you from pouring out what is in your heart. I am an
old soldier, lad, an old soldier. I have learned to take the rough
with the smooth. But I think—I think I will leave you now. I—I
should—should like to be alone for a while. If you need me you will
find me in the raspberry bushes.'
He had scarcely gone when James also left the room. He took his hat
and stick and walked blindly out of the garden, he knew not whither.
His brain was numbed. Then, as his powers of reasoning returned, he
told himself that he should have foreseen this ghastly thing. If there
was one type of character over which Leila J. Pinckney had been wont
to spread herself, it was the pathetic guardian who loves his ward but
relinquishes her to the younger man. No wonder the girl had broken off
the engagement. Any elderly guardian who allowed himself to come within
a mile of Honeysuckle Cottage was simply asking for it. And then, as
he turned to walk back, a dull defiance gripped James. Why, he asked,
should he be put upon in this manner? If the girl liked to throw over
this man, why should he be the goat?
He saw his way clearly now. He just wouldn't do it, that was all. And
if they didn't like it they could lump it.
Full of a new fortitude, he strode in at the gate. A tall, soldierly
figure emerged from the raspberry bushes and came to meet him.
'Well?' said Colonel Carteret.
'Well?' said James defiantly.
'Am I to congratulate you?'
James caught his keen blue eye and hesitated. It was not going to be so
simple as he had supposed.
'Well—er—' he said.
Into the keen blue eyes there came a look that James had not seen there
before. It was the stern, hard look which—probably—had caused men to
bestow upon this old soldier the name of Cold-Steel Carteret.
'You have not asked Rose to marry you?'
'Er—no; not yet.'
The keen blue eyes grew keener and bluer.
'Rodman,' said Colonel Carteret in a strange, quiet voice, 'I have
known that little girl since she was a tiny child. For years she has
been all in all to me. Her father died in my arms and with his last
breath bade me see that no harm came to his darling. I have nursed her
through mumps, measles—aye, and chicken pox—and I live but for her
happiness.' He paused, with a significance that made James's toes curl.
'Rodman,' he said, 'do you know what I would do to any man who trifled
with that little girl's affections?' He reached in his hip pocket and
an ugly-looking revolver glittered in the sunlight. 'I would shoot him
like a dog.'
'Like a dog?' faltered James.
'Like a dog,' said Colonel Carteret. He took James's arm and turned
him towards the house. 'She is on the porch. Go to her. And if—' He
broke off. 'But tut!' he said in a kindlier tone. 'I am doing you an
injustice, my boy. I know it.'
'Oh, you are,' said James fervently.
'Your heart is in the right place.'
'Oh, absolutely,' said James.
'Then go to her, my boy. Later on you may have something to tell me.
You will find me in the strawberry beds.'
It was very cool and fragrant on the porch. Overhead, little breezes
played and laughed among the roses. Somewhere in the distance sheep
bells tinkled, and in the shrubbery a thrush was singing its evensong.
Seated in her chair behind a wicker table laden with tea things, Rose
Maynard watched James as he shambled up the path.
'Tea's ready,' she called gaily. 'Where is Uncle Henry?' A look of pity
and distress flitted for a moment over her flower-like face. 'Oh, I—I
forgot,' she whispered.
'He is in the strawberry beds,' said James in a low voice.
She nodded unhappily.
'Of course, of course. Oh, why is life like this?' James heard her
whisper.
He sat down. He looked at the girl. She was leaning back with closed
eyes, and he thought he had never seen such a little squirt in his
life. The idea of passing his remaining days in her society revolted
him. He was stoutly opposed to the idea of marrying anyone; but if,
as happens to the best of us, he ever were compelled to perform the
wedding glide, he had always hoped it would be with some lady golf
champion who would help him with his putting, and thus, by bringing his
handicap down a notch or two, enable him to save something from the
wreck, so to speak. But to link his lot with a girl who read his aunt's
books and liked them; a girl who could tolerate the presence of the dog
Toto; a girl who clasped her hands in pretty, childish joy when she saw
a nasturtium in bloom—it was too much. Nevertheless, he took her hand
and began to speak.
'Miss Maynard—Rose—'
She opened her eyes and cast them down. A flush had come into
her cheeks. The dog Toto at her side sat up and begged for cake,
disregarded.
'Let me tell you a story. Once upon a time there was a lonely man who
lived in a cottage all by himself—'
He stopped. Was it James Rodman who was talking this bilge?
'Yes?' whispered the girl.
'—but one day there came to him out of nowhere a little fairy
princess. She—'
He stopped again, but this time not because of the sheer shame of
listening to his own voice. What caused him to interrupt his tale was
the fact that at this moment the tea-table suddenly began to rise
slowly in the air, tilting as it did so a considerable quantity of hot
tea on to the knees of his trousers.
'Ouch!' cried James, leaping.
The table continued to rise, and then fell sideways, revealing the
homely countenance of William, who, concealed by the cloth, had been
taking a nap beneath it. He moved slowly forward, his eyes on Toto. For
many a long day William had been desirous of putting to the test, once
and for all, the problem of whether Toto was edible or not. Sometimes
he thought yes, at other times no. Now seemed an admirable opportunity
for a definite decision. He advanced on the object of his experiment,
making a low whistling noise through his nostrils, not unlike a boiling
kettle. And Toto, after one long look of incredulous horror, tucked
his shapely tail between his legs and, turning, raced for safety. He
had laid a course in a bee-line for the open garden gate, and William,
shaking a dish of marmalade off his head a little petulantly, galloped
ponderously after him. Rose Maynard staggered to her feet.
'Oh, save him!' she cried.
Without a word James added himself to the procession. His interest in
Toto was but tepid. What he wanted was to get near enough to William to
discuss with him that matter of the tea on his trousers. He reached the
road and found that the order of the runners had not changed. For so
small a dog, Toto was moving magnificently. A cloud of dust rose as he
skidded round the corner. William followed. James followed William.
And so they passed Farmer Birkett's barn, Farmer Giles's cow shed,
the place where Farmer Willetts's pigsty used to be before the big
fire, and the Bunch of Grapes public-house, Jno. Biggs propr., licensed
to sell tobacco, wines, and spirits. And it was as they were turning
down the lane that leads past Farmer Robinson's chicken run that Toto,
thinking swiftly, bolted abruptly into a small drain pipe.
'William!' roared James, coming up at a canter. He stopped to pluck a
branch from the hedge and swooped darkly on.
William had been crouching before the pipe, making a noise like a
bassoon into its interior; but now he rose and came beamingly to James.
His eyes were aglow with chumminess and affection; and placing his
forefeet on James's chest, he licked him three times on the face in
rapid succession. And as he did so, something seemed to snap in James.
The scales seemed to fall from James's eyes. For the first time he saw
William as he really was, the authentic type of dog that saves his
master from a frightful peril. A wave of emotion swept over him.
'William!' he muttered. 'William!'
William was making an early supper off a half brick he had found in the
road. James stooped and patted him fondly.
'William,' he whispered, 'you knew when the time had come to change
the conversation, didn't you, old boy!' He straightened himself.
'Come, William,' he said. 'Another four miles and we reach Meadowsweet
Junction. Make it snappy and we shall just catch the up express, first
stop London.'
William looked up into his face and it seemed to James that he gave
a brief nod of comprehension and approval. James turned. Through the
trees to the east he could see the red roof of Honeysuckle Cottage,
lurking like some evil dragon in ambush.
Then, together, man and dog passed silently into the sunset.
That (concluded Mr Mulliner) is the story of my distant cousin James
Rodman. As to whether it is true, that, of course, is an open question.
I, personally, am of opinion that it is. There is no doubt that James
did go to live at Honeysuckle Cottage and, while there, underwent some
experience which has left an ineradicable mark upon him. His eyes today
have that unmistakable look which is to be seen only in the eyes of
confirmed bachelors whose feet have been dragged to the very brink
of the pit and who have gazed at close range into the naked face of
matrimony.
And, if further proof be needed, there is William. He is now James's
inseparable companion. Would any man be habitually seen in public with
a dog like William unless he had some solid cause to be grateful to
him—unless they were linked together by some deep and imperishable
memory? I think not. Myself, when I observe William coming along
the street, I cross the road and look into a shop window till he has
passed. I am not a snob, but I dare not risk my position in Society by
being seen talking to that curious compound.
Nor is the precaution an unnecessary one. There is about William a
shameless absence of appreciation of class distinctions which recalls
the worst excesses of the French Revolution. I have seen him with these
eyes chivvy a pomeranian belonging to a Baroness in her own right from
near the Achilles Statue to within a few yards of the Marble Arch.
And yet James walks daily with him in Piccadilly. It is surely
significant.