Lessons in Music Form

About this eBook

Author

Goetschius, Percy, 1853-1943

Title

Lessons in Music Form A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition

Credits

Produced by Al Haines

Language

English

LoC Class

MT: Music: Musical instruction and study, Composition

Subject

Musical form

Category

Text

eBook-No.

19354

Project Gutenberg

https://www.gutenberg.org/ebooks/19354

Release Date

September 22, 2006

Copyright

Public domain in the USA.

Contents

1. 1.LESSONS IN MUSIC FORM
2. 2.A MANUAL OF ANALYSIS — OF ALL THE STRUCTURAL FACTORS AND DESIGNS EMPLOYED IN MUSICAL COMPOSITION — BY — PERCY GOETSCHIUS, MUS. DOC. — (Royal Württemberg Professor) — AUTHOR OF THE MATERIAL USED IN MUSICAL COMPOSITION, THE THEORY AND PRACTICE OF TONE-RELATIONS, THE HOMOPHONIC FORMS OF MUSICAL COMPOSITION, MODELS OF THE PRINCIPAL MUSIC FORMS, EXERCISES IN MELODY WRITING, APPLIED COUNTERPOINT, ETC. — $1.50 — BOSTON OLIVER DITSON COMPANY New York ———— Chicago CHAS. H. DITSON & CO. ———— LYON & HEALY COPYRIGHT. MCMIV, BY OLIVER DITSON COMPANY MADE IN U. S. A. — FOREWORD.
3. 3.TABLE OF CONTENTS. — CHAPTER I.—INTRODUCTION. — CHAPTER II.—FUNDAMENTAL DETAILS. — CHAPTER III.—FIGURE AND MOTIVE. — CHAPTER IV.—THE PHRASE. — CHAPTER V.—CADENCES. — CHAPTER VI.—IRREGULAR PHRASES. — CHAPTER VII.—THE PERIOD-FORM. — CHAPTER VIII.—ENLARGEMENT OF THE PERIOD-FORM. — CHAPTER IX.—THE TWO-PART SONG-FORM. — CHAPTER X.—THE THREE-PART SONG-FORM. — CHAPTER XI.—ENLARGEMENT OF THE THREE-PART SONG-FORM. — CHAPTER XII.—THE SONG-FORM WITH TRIO. — CHAPTER XIII.—THE FIRST RONDO-FORM. — CHAPTER XIV.—THE SECOND RONDO-FORM. — CHAPTER XV.—THE THIRD RONDO-FORM. — CHAPTER XVI.—THE SONATINE-FORM. — CHAPTER XVII.—THE SONATA-ALLEGRO FORM. — CHAPTER XVIII.—IRREGULAR FORMS. — CHAPTER XIX.—APPLICATION OF THE FORMS.
4. 4.LESSONS IN MUSIC FORM. — CHAPTER I. INTRODUCTION. — [Illustration: first fragment of 8th Song] — [Illustration: second fragment of 8th Song] — [Illustration: Duple and Triple Rhythm] — [Illustration: Example 1. Fragment of Folk-song.] — [Illustration: Example 2. Fragment of Beethoven.] — CHAPTER II. FUNDAMENTAL DETAILS. — [Illustration: Beat accentuation] — [Illustration: Example 3. Rhythm.] — [Illustration: Example 4. Fragment of Beethoven.] — [Illustration: Example 5. Fragment of Beethoven.] — CHAPTER III. FIGURE AND MOTIVE. — [Illustration: Example 6. Fragment of Beethoven.] — [Illustration: Example 6 continued.] — [Illustration: Example 7. Fragments of Czerny, Mendelssohn, and Schumann.] — [Illustration: Example 8. Fragments of Beethoven.] — [Illustration: Example 9. Fragments of Beethoven, Mendelssohn, and Mozart.] — [Illustration: Example 10. Fragment of Beethoven.] — [Illustration: Example 11. Fragment of Beethoven.] — [Illustration: Example 12. Fragment of Mozart.] — [Illustration: Example 13. Fragments of Mendelssohn.] — [Illustration: Example 13 continued. Fragments of Mendelssohn and Mozart.] — [Illustration: Example 14. Fragments of Mozart, Beethoven, and Mendelssohn.] — CHAPTER IV. THE PHRASE. — [Illustration: Example 15. Fragment of Schubert.] — [Illustration: Example 16. Fragment of Schumann, Op. 68, No. 11.] — [Illustration: Example 17. Fragments of Beethoven.] — CHAPTER V. CADENCES. — [Illustration: Example 18. Fragment of Schumann.] — [Illustration: Example 19. Fragment of Mozart.] — [Illustration: Example 20. Fragment of Mendelssohn.] — [Illustration: Example 20 continued.] — [Illustration: Example 21. Fragment of Mozart.] — [Illustration: Example 22. Fragment of Beethoven.] — [Illustration: Example 22 continued. Fragments of Mendelssohn, Schumann, and Mozart.] — [Illustration: Example 23. Fragments of Beethoven and Mendelssohn.] — [Illustration: Example 23 continued. Fragment of Mendelssohn.] — [Illustration: Example 24. Fragments of Mozart.] — [Illustration: Example 24 continued. Fragment of Beethoven.] — [Illustration: Example 25. Fragment of Mozart.] — [Illustration: Example 26. Fragment of Mozart.] — [Illustration: Example 26 continued.] — [Illustration: Example 27. Fragment of Mozart.] — [Illustration: Example 28. Fragment of Beethoven.] — [Illustration: Example 29. Fragment of Schubert.] — [Illustration: Example 30. Fragment of Schumann.] — [Illustration: Example 31. Fragment of Schumann.] — [Illustration: Example 32. Fragments of Mendelssohn and Schubert.] — [Illustration: Example 33. Fragment of Schubert.] — [Illustration: Example 34. Fragment of Brahms.] — [Illustration: Example 35. Fragment of Schumann.] — [Illustration: Example 36. Fragment of Schubert.] — CHAPTER VI. IRREGULAR PHRASES. — [Illustration: Example 37. Fragment of Mendelssohn.] — [Illustration: Example 38. Fragment of Beethoven.] — [Illustration: Example 39. Fragment of Mendelssohn.] — [Illustration: Example 40. Fragment of Mendelssohn.] — [Illustration: Example 41. Fragment of Mendelssohn.] — [Illustration: Example 42. Fragment of Beethoven.] — [Illustration: Example 43. Fragment of Beethoven.] — [Illustration: Example 43 continued.] — CHAPTER VII. THE PERIOD-FORM. — [Illustration: Example 44. Fragment of Mendelssohn.] — [Illustration: Example 45. Fragment of Mendelssohn.] — [Illustration: Example 46. Fragment of Mozart.] — [Illustration: Example 47. Fragment of Beethoven.] — [Illustration: Example 47 continued.] — CHAPTER VIII.--ENLARGEMENT OF THE PERIOD-FORM. — [Illustration: Example 48. Fragment of Mozart.] — [Illustration: Example 49. Fragment of Chopin.] — [Illustration: Example 49 continued.] — [Illustration: Phrase group diagram.] — [Illustration: Example 50. Fragment of Grieg.] — [Illustration: Example 51. Fragment of Beethoven.] — CHAPTER IX. THE TWO-PART SONG-FORM. — [Illustration: Example 52. Fragment of German _lied_.] — CHAPTER X.--THE THREE-PART SONG-FORM. — [Illustration: Example 53. Fragment of Schumann.] — [Illustration: Example 53 continued.] — CHAPTER XI. ENLARGEMENT OF THE THREE-PART SONG-FORM. — [Illustration: Diagram of Parts.] — CHAPTER XII. THE SONG-FORM WITH TRIO. — CHAPTER XIII. THE FIRST RONDO-FORM. — [Illustration: Example 54. Fragment of Beethoven.] — [Illustration: Example 54 continued.] — [Illustration: Example 54 continued.] — CHAPTER XIV. THE SECOND RONDO-FORM. — CHAPTER XV. THE THIRD RONDO-FORM. — CHAPTER XVI. THE SONATINE FORM. — CHAPTER XVII. THE SONATA-ALLEGRO FORM. — [Illustration: Example 55. Fragment of Beethoven.] — [Illustration: Example 55 continued.] — [Illustration: Example 55 continued.] — [Illustration: Example 55 continued.] — CHAPTER XVIII. IRREGULAR FORMS. — CHAPTER XIX. APPLICATION OF THE FORMS. — AFTERWORD. — THE END.

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