Les misérables, volume 5

About this eBook

Author

Hugo, Victor, 1802-1885

Title

Les Misérables, v. 5/5: Jean Valjean

Credits

Produced by Laura Natal & Marc D'Hooghe (Images generously made available by the Hathi Trust.)

Language

English

LoC Class

PQ: Language and Literatures: Romance literatures: French, Italian, Spanish, Portuguese

Subject

Ex-convicts -- Fiction

Category

Text

eBook-No.

48735

Project Gutenberg

https://www.gutenberg.org/ebooks/48735

Release Date

April 18, 2015

Copyright

Public domain in the USA.

Contents

1. 1.LES MISÉRABLES. — BY
2. 2.VICTOR HUGO. — PART FIFTH. — JEAN VALJEAN. — AUTHORIZED TRANSLATION BY SIR LASCELLES WRAXALL. — TABLE OF CONTENTS. — JEAN VALJEAN. — JEAN VALJEAN. — BOOK I. — THE WAR WITHIN FOUR WALLS. — THE CHARYBDIS OF THE FAUBOURG ST. ANTOINE AND THE SCYLLA OF THE FAUBOURG DU TEMPLE. — NOTHING TO DO IN THE ABYSS BUT TALK. — CLEARING AND CLOUDING. — FIVE LESS AND ONE MORE. — THE HORIZON ONE SEES FROM BARRICADE'S SUMMIT. — MARIUS HAGGARD, JAVERT LACONIC. — THE SITUATION BECOMES AGGRAVATED. — THE ARTILLERY SETS TO WORK IN EARNEST. — EMPLOYMENT OF THE POACHER'S OLD SKILL AND HIS UNERRING SHOT, WHICH HAD AN INFLUENCE ON THE CONDEMNATION IN 1796. — DAWN. — THE SHOT WHICH DOES NOT MISS AND WHICH KILLS NOBODY. — DISORDER THE PARTISAN OF ORDER. — GLEAMS WHICH FADE. — IN WHICH WE READ THE NAME OF THE MISTRESS OF ENJOLRAS. — GAVROCHE OUTSIDE. — HOW A BROTHER BECOMES A FATHER. — MORTUUS PATER FILIUM MORITURUM EXPECTAT. — THE VULTURE BECOMES PREY. — JEAN VALJEAN REVENGES HIMSELF. — THE DEAD ARE RIGHT AND THE LIVING ARE NOT WRONG. — THE HEROES. — STEP BY STEP. — ORESTES SOBER AND PYLADES DRUNK. — PRISONER! — THE INTESTINE OF LEVIATHAN. — THE EARTH IMPOVERISHED BY THE SEA. — THE OLD HISTORY OF THE SEWER. — BRUNESEAU. — CONCEALED DETAILS. — PRESENT PROGRESS. — FUTURE PROGRESS. — MUD, BUT SOUL. — THE CLOACA AND THE SURPRISES. — EXPLANATION. — THE TRACKED MAN. — HE TOO BEARS HIS CROSS. — SAND, LIKE WOMAN, AS A FINENESS THAT IS PERFIDIOUS. — THE FONTIS. — SOMETIMES ONE IS STRANDED WHERE HE THINKS TO LAND. — THE TORN COAT-SKIRT. — MARIUS APPEARS DEAD TO A CONNAISSEUR. — RETURN OF THE SON PRODIGAL OF HIS LIFE. — A SHAKING IN THE ABSOLUTE. — THE GRANDFATHER. — JAVERT DERAILED. — GRANDSON AND GRANDFATHER. — WHERE WE AGAIN MEET THE TREE WITH THE ZINC PATCH. — MARIUS LEAVING CIVIL WAR PREPARES FOR A DOMESTIC WAR. — MARIUS ATTACKS. — MLLE. GILLENORMAND HAS NO OBJECTIONS TO THE MATCH. — DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY. — THE TWO OLD MEN, EACH IN HIS FASHION, DO EVERYTHING FOR COSETTE'S HAPPINESS. — THE EFFECTS OF DREAMING BLENDED WITH HAPPINESS. — TWO MEN IMPOSSIBLE TO FIND. — THE SLEEPLESS NIGHT. — FEBRUARY 16, 1833. — JEAN VALJEAN STILL HAS HIS ARM IN A SLING. — THE INSEPARABLE. — IMMORTALE JECUR. — THE LAST DROP IN THE BITTER CUP. — THE SEVENTH CIRCLE AND THE EIGHT HEAVEN. — THE OBSCURITY WHICH A REVELATION MAY CONTAIN. — TWILIGHT DECLINES. — THE GROUND-FLOOR ROOM. — OTHER BACKWARD STEPS. — THEY REMEMBER THE GARDEN IN THE RUE PLUMET. — ATTRACTION AND EXTINCTION. — SUPREME DARKNESS, SUPREME DAWN. — PITY THE UNHAPPY, BUT BE INDULGENT TO THE HAPPY. — THE LAST FLUTTERINGS OF THE LAMP WITHOUT OIL. — A PEN IS TOO HEAVY FOR THE MAN WHO LIFTED FAUCHELEVENT'S CART. — A BOTTLE OF INK WHICH ONLY WHITENS. — A NIGHT BEHIND WHICH IS DAY. — THE GRASS HIDES, AND THE RAIN EFFACES. — THE END.

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