The curé of Saintes-Maries was a man of about sixty,
well preserved, very tall and stout, with bright eyes
whose light he quenched with spectacles, and energetic
gestures which he purposely restrained.
The parsonage was near the church, the doorway
shaded by a number of elms. The house, in accordance
with the prevailing custom of the province, was
whitewashed once a year, outside and in, like the houses
of the Arabs.
The houses in Saintes-Maries are low. The streets
are narrow, and wind about to escape the sun. The
shadows under the awnings of the little shops have a
bluish cast. In front of the doors, which open on the
street, hang transparent curtains of common linen, in
some cases of very fine net-work, to stop the flies and
admit the light after it has passed through the sieve, so
to speak. And, behind them, the maidens of Saintes-Maries
are confined like birdlings in a cage, or like very
178]
dangerous little wild beasts. Are not all maidens to be
looked upon with more or less suspicion?
The maidens of Saintes-Maries wear the Arles head-dress
and the neckerchief, with fold upon fold held in
place by hundreds of pins, by as many pins as a rose-bush
has thorns; and where the thick folds of the handkerchief
open, in the depths of the chapelle, you can
see the little golden cross gleaming upon the firm young
flesh rising and falling with the maidenly sigh. The
apron worn over the ample skirt seems like a skirt itself,
it is so broad and full, and slender feet peep out from beneath
it, as agile as the Camargue partridge’s red claws,
that love to scamper swiftly over the fields to escape
the hunter, knowing that Camargue is broad and space
is plentiful.
Many are the pale faces at Saintes, for, whatever they
may say, the marshes still breed fever, and this country,
to which people come to be miraculously cured, is,
generally speaking, a country of disease; but pallor
goes well with the wavy black hair, worn in broad puffs
on the temples and falling upon the neck in two heavy
masses which are turned up to meet the chignon. To
help them to forget what is depressing in their lives, they
resort, here as elsewhere, to coquetry—and the rest!—And
then they are accustomed to the fever, which gives
birth to dreams and visions; they tame it, as it were; it
is not cruel to the people it knows, and does not lead
them to the cemetery until they are old and gray.
179]
The cemetery is a few steps from the village, a few
steps from the sea. It lies at the foot of the sand-dunes,
surrounded by a low wall. The dead and gone
villagers of Saintes-Maries lie sleeping there between
the sea and the desert of Camargue: many fishermen
who lived in their flat-bottomed boats; many herdsmen
who lived on horseback in the plain.
All of them alike find there, in death, the things
amid which their lives have been passed: the salt sand,
filled with tiny shells, the enganes that grow in spite of
everything, reddened by the salt-laden winds, and heavy
with soda,—and the thin shadow of the pink-plumed
tamarisk. There they hear the neighing of the wild
mares, the shouts of the herdsmen contending on the
race-course on fête-days, or stirring up the black bulls
in the arena under the walls of the church. They hear
the sails flapping, and the han of the bare-legged fishermen
pushing their flat-bottomed boats or barges into
the water; and night and day, the pounding of the sea
in its efforts to push back the island of Camargue, while
the Rhône, on the other hand, is constantly pushing it
into the sea, and adding to its bulk with mud and stones
brought down from its head-waters. The sea smites the
island as if it would have none of it, but all in vain,—it,
too, can but augment its size with the sand it casts up.
And the sand from the sea makes a broad hem of
dunes along the shores of Camargue.
No one can fail to see that the dunes, those shifting,
180]
tomb-like hills of sand, must have served as models for
the massive pyramids, the tombs of kings, in the Egyptian
desert.
At the feet of the little pyramids of sand sleep the
dead of Camargue.
But whither has the thought of death led us? Why
do we tarry here, while Livette is timidly lifting the
knocker at monsieur le curé’s door?
The blow echoed within the house, in the empty hall.
Livette was much perturbed. What was she to say?
Where should she begin? The beginning is always the
most difficult part. She would like to run away now,
but it is too late. She hears steps inside. Marion, the
old servant, opens the door.
Marion has a practised eye. When any one knocks
at Monsieur le curé’s door, she knows, simply by examining
his face, what he wants, and frames her answers
accordingly, on her own responsibility; for Monsieur
le curé is subject to rheumatism: he suffers from fever,
too, and Marion nurses Monsieur le curé! If he listened
to Marion, he would nurse himself so carefully that all
the sick people would have to die unshriven, without
extreme unction, for Marion would always have a good
reason to give to prevent him from going out by day or
night, when the mistral was blowing or the wind was
from the east, summer or winter, rain or shine.
But Monsieur le curé would smile and do just what he
chose. He was a good priest. He never failed in his
181]
duty. He loved his parishioners. He assisted them on
all occasions with his purse and his advice. He was
beloved by them all.
He loved his parishioners, his commune, and his curious
church, which was once a fortress; he was familiar
with the shape of its every stone. He loved it both as
priest and as archaeologist, for Monsieur le curé is a
scholar, and his church is, in very truth, one of the
most interesting monuments in France, with its abnormally
thick, high, and threatening walls, crowned with
jutting galleries and surmounted by crenelated battlements,
with an unobstructed view of sea and land in all
directions, and overlooked by four turrets, and a tower
in the centre,—the highest of all,—from whose belfry
the alarum bell, in the old days, often aroused the
country-side, repeating in its shrillest tones: “Here
come the heathens, good people of Saintes-Maries!
Attention! Come and shut yourselves up here! Make
ready your arrows and the boiling oil and pitch!”—Or
else: “Hasten to the shore, good people of Saintes-Maries!
A French vessel is sinking!”
And to this day it seems still to say, to all, far and
near: “I see you! I see you!”
One could go on forever describing the church of
Saintes-Maries, and relating anecdotes concerning it.
Behind the battlements at the top, and enclosing the
roof of flat stones, runs a narrow pathway, where the
archers and patrols in the old days used to make their
182]
rounds, surrounded by countless sea-swallows. Along
the ridge-pole of the roof, of overlapping broad flat
stones, between which thick tufts of nasques are growing,
rises a high carved comb, in ogive-like curves, surmounted
by fleurs-de-lis.
All this is beautiful and grand, but there is a little
thing of which the villagers are as proud as of the bell-tower
and the turrets, and that is a marble tablet, about
five courses in length by three in height, on which two
lions are represented. One is protecting its whelp; the
other seems to be protecting a little child, as if it were
its own offspring. It seems that this tablet was carved
by a Greek workman long, long ago.
The marble is set into the southern wall of the church,
beside the small door.
You enter. The ogive arch of the nave compels you
to raise your eyes to a great height. And as you enter
by the main door, your attention is attracted by a
romanesque arch, directly in front of you, at the far
end of the church, at least five metres below the ogive
arch of the nave; in the centre of this arch are the
blessed reliquaries, resting upon the sill of an opening
like a window, flanked by two columns. From that
position they are lowered once in every year at the ends
of two ropes.
The choir is some few feet higher than the flagging
of the church. It is reached by two symmetrical staircases,
between which is the grated door leading down
183]
into Sara’s crypt. That door you can see, directly in
front of you, at the end of the passage through the
centre of the church, between the rows of chairs. One
would say that it was the air-hole of a dungeon.
Down below, in the damp crypt, with its low arched
roof and naked walls,—a veritable dungeon,—upon a
mutilated marble altar, is the little glass shrine containing
the relics of Saint Sara, the patron saint of the
gipsies. There, amid the smoke of their candles, in an
atmosphere made foul by human exhalations, you can
see them once a year, huddled together in a dense
crowd, mumbling their questionable prayers.
In the days of the Saracen invasions this crypt served
as a storehouse for supplies, when all the inhabitants of
the little village were forced to take refuge in the fortress-church.
Aigues-Mortes has her walls and her Constance Tower,
massive as Babel; Nîmes has her Arena and her Fountain—and
the Pont du Gard, superb in its beauty, is also
hers; Avignon her bridges, her ramparts, and her clocks
with figures of armed men to strike the hours; Tarascon
her Château, mirrored in the Rhône; Baux the fantastic
ruins of her houses, hollowed, like the cells of a bee-hive,
out of the solid rock of the hill-side; Montmajour has
her tombs of little children, also dug, side by side, in
the solid rock, and to-day filled with earth and flowers,
like the troughs at which doves drink; Orange has her
theatre and her triumphal arch; Arles has her theatre
184]
with the two pillars still upright in the centre; she has
Saint-Trophime, too, with its sculptured façade and its
Allée des Alyscamps, bordered with Christian sarcophagi
and lofty poplars. But Saintes-Maries-de-la-Mer has her
church, which Monsieur le curé would not give for all
the treasures of the other towns!
Marion saw plainly that Livette was depressed;
Marion was touched when Livette said: “I must see
Monsieur le curé,” and as her master would not be
seriously discommoded, there being no occasion for him
to leave the house, Marion ushered Livette into the
parlor.
It was a whitewashed room, but the curé had transformed
it into a veritable museum, and the walls were
completely hidden behind wooden cabinets, made by
himself, and all filled with his collections.
There were pieces of antique pottery and of rainbow-hued
antique glass. There were old medals.
One of the latter attracted Livette’s attention. It
represented a bull in the act of falling; one of his fore-legs
had given way. A man, his conqueror, had seized
him by the horns. That Grecian medal was struck
centuries upon centuries ago. A label explained it to
Livette, who thought at first that it was Renaud. Life
is all repetition.
There were collections of plants and boxes filled with
shells, and also many stuffed birds, all the varieties found
in Camargue. For more than thirty years, fishermen
185]
and hunters had presented Monsieur le curé with curious
objects and animals. Here was an otter from the Rhône,
there a beaver, with his trowel-shaped tail and hooked
teeth. It is a question of serious importance whether
the beavers do not injure the dikes of the Rhône. The
important point, you see, is that the water from the
swamps should empty into the river or the sea through
the canals, which run in all directions. Therefore, the
dikes must hold firm and not let the Rhône overflow
the swamps. And the beavers, they say, destroy the
dikes. They gnaw into them when the great freshets
come, to avoid the drift, and take refuge inside; and
when the water comes in after them, they make a vertical
hole through which to escape, and there is your
dike, undermined, eaten into by the water! That is a
bad state of affairs.
Livette raised her eyes. A reptile, with his mouth
open, was hanging from the ceiling; he was very fat,
and well he might be! he was a little crocodile, the last
one killed in Camargue, a very long while ago!
In every nook left free by the natural curiosities some
pious image was to be seen. Here the two Maries in
their boat. There the Holy Women wrapping the Christ
in his shroud. In another place, Magdalen at La Baume,
kneeling in front of the death’s-head. But Livette saw
no image of Saint Sara.
Livette sat down and waited. Monsieur le curé did
not come. The fact was, that Monsieur le curé, who
186]
had already written two monographs, one entitled La
Cure de Boismaux, and the other La Villa de la Mar,
was at that moment at work upon a third: Concordance
of the Legends of the Blessed Maries, with this
sub-title: Concerning the strange and regrettable confusion
that seems to exist between Saint Sara and Marie the
Egyptian.
La Cure de Boismaux also had a sub-title: Monograph
concerning the domains of the Château d’Avignon in
Camargue. Monsieur le curé recalled the fact that the
domains of the Château d’Avignon formerly constituted
a separate commune. That commune naturally had a
curé, and in those days the proprietor of the Château
d’Avignon was General Miollis, brother of the Bishop
of Digne mentioned by Monsieur Victor Hugo in Les
Misérables under the name of Myriel.
In a special chapter, Monsieur le curé sought, to no
purpose, to find a reason, telluric or otherwise, for the
fact that the estates of the Château d’Avignon are particularly
subject to invasion by locusts, which sometimes
have to be fought in Camargue, as in Africa, by regiments.
As to the Concordance, that was a very important and
very necessary work. It was based, in great measure,
upon the authority of the Black Book. That Latin
work, preserved in the archives of Saintes-Maries, was
written, in 1521, by Vincent Philippon, who signed himself:
2000 Philippon![3] (Jesus himself did not disdain
187]
the pun.) There is a French translation of the Black
Book. It was published in 1682, and begins thus:
“Au nom de Dieu mon œuvre comancée
Par Jésus-Christ soit toujours advancée.
Le Saint-Esprit conduise sagement
Ma main, ma plume, et mon entendement.”[4]
Here follows the true version of the story of the patron
saints of Notre-Dame-de-la-Mer.
Marie Jacobé, mother of Saint James the Less, Marie
Salomé, mother of Saint James the Greater and of Saint
John the Evangelist, came not alone to the shores of
Camargue. The boat without sail or oars contained also
their servants Marcella and Sara, Lazarus and all his
family, and several of the Christ’s disciples.
Monsieur le curé would prove, with documents to
sustain him, that Mary Magdalen was not in the boat.
She came to Provence by some other means, no one
can say by what miracle.
With the exception of the two Maries and Sara, all
the passengers upon the miraculous craft dispersed in
different directions, preaching and making converts.
The holy women did not leave Camargue, the island
in the Rhône, divided at that time into a great number
of small islands by the ponds—a veritable archipelago,
called Sticados and inhabited by heathens. In those
days, all these small islands, formed by the swamps,
were covered with forests and filled with wild beasts.
And this delta of the Rhône was infested with crocodiles.
188]
Now, a long, long time after the death of the holy
women, a hunter, followed by his dogs, was passing over
the spot where they lay buried in unknown graves; he
fell in with a hermit there, beside a spring.
“My lord,” said the hermit, “I had a revelation
in a dream last night. In the sand beside this spring
repose the bodies of three sainted women!”
The hunter was a Comte de Provence. His palace
was at Arles, and the curé had every reason to believe
that he was Guillaume I., son of Boson I., famous for his
liberality to the church.
It was in 981. This Guillaume had overcome the
Saracens, and Conrad I., King of Bourgogne, his suzerain,
loved and respected him.
The prince, having listened to the hermit’s tale, rode
away musing deeply; not long after, he returned and
caused a church in the form of a citadel to be built at
that point of the coast, in the very centre of a spacious
enclosure surrounded by moats.
Then he made known throughout Provence that
special privileges would be accorded to all those who
should build houses between the church and the moat.
Thus was founded the Villa-de-la-Mar—which is in
fact a town (ville), although it is too often spoken of as
a village, under its other name of Saintes-Maries.
The Comtes de Provence have always granted special
privileges to the town.
Under Queen Jeanne, a guard was stationed all the
189]
time at the top of the church-tower to watch the ships
and make signals. Sentinels were obliged to call to
one another and answer every hour during the night.
The people of Saintes-Maries were also exempted by the
queen from payment of tolls and the tax upon salt.
Monsieur le curé explains all these things in his book,
which is very interesting. He also describes therein,
“as in duty bound,” the discovery of the sacred bones.
In 1448, King René, being then at Aix, his capital,
heard a preacher declare that Saintes Marie-Jacobé and
Salomé were certainly buried beneath the church of
Villa-de-la-Mar.
René at once consulted his confessor, Père Adhémar,
and sent a messenger to the Pope, asking that he be
authorized to make search underground in the church.
The authorization was given in the month of June in the
same year. The Archbishop of Aix, Robert Damiani,
presided at the search.
They found the spring; near the spring was an earthen
altar; at the foot of the altar a marble tablet with this
inscription, upon which the good curé descants at great
length:
D. M.
IOV. M. L. CORN. BALBUS
P. ANATILIORUM
AD RHODANI
OSTIA SACR. ARAM
V. S. L. M.
190]
Lastly, they found the bones of the saints, perfectly
recognizable, and, in addition, a head sealed up in a
leaden box, which, according to the curé, was the head
of Saint James the Less, brought from Jerusalem by
Marie-Jacobé, his mother.
The bones, having been devoutly taken from their
resting-place, were with great ceremony bestowed in
shrines of cypress wood. The king was present with
his court. The papal legate was also there, and an
archbishop, ten or twelve bishops, a great number of
ecclesiastical dignitaries, professors, and learned doctors.
The chancellor of the University of Avignon, too,
and—so the reports of the proceedings set forth—three
prothonotaries of the Holy See and three notaries
public.
And so nothing is more firmly established than the
authenticity of the relics of the saints.
But various apocryphal legends had appeared to throw
doubt upon the truth, and Monsieur le curé was at work
upon the following passage while Livette, with increasing
uneasiness, was awaiting him in the parlor.
“Among the popular fallacies,” wrote the curé,
“which destroy pure tradition, we must stigmatize as
one of the most deplorable, I may say one of the most
pernicious, that one which insists that among the passengers
of the miraculous craft was a third Saint Marie,
surnamed the Egyptian. It is downright heresy! How
could it have taken root, and how far does it extend?”
191]
Monsieur le curé proposed to retouch that last phrase
forthwith, and for a very good reason.
“Without doubt,” he continued, “the Egyptians,
or Bohemians, or gipsies, by manifesting, from remote
times, particular veneration for Saint Sara, who was,
according to their ideas, an Egyptian and the wife of
Pontius Pilate, have contributed to the formation of an
absurd legend, but this one has its source, or its root,
in something different; there is an episode of a boat
in the life of the Egyptian, which assists the error by
causing confusion.”
Monsieur le curé proposed to return to that paragraph
also.
“Born in the outskirts of Alexandria, Marie the Egyptian
left her family to lead the life of shame she had
chosen, in the great city. Coming to a river, she desired
to cross it in a boat, and having not the wherewithal for
her passage, she paid the boatman in an impure manner.
“Later, she undertook a journey to Jerusalem with
a great number of pilgrims, and on that occasion again
she paid the expenses of her journey in diabolical fashion,
especially if we remember that those whom she
enticed into evil ways were devout pilgrims! And so,
when she presented herself at the door of the temple,
an invisible and invincible force held her back. She
could not gain admission there.”
Monsieur le curé was better satisfied with that, and
took a pinch of snuff.
192]
“She thereupon withdrew to the desert, where she
lived forty-seven years. Her image appeared one day
to the monk Sosimus at Jerusalem. She appeared before
him naked and begged him to come and confess her.
He obeyed, and went into the desert. He found her,
naked, indeed, but very old. And Sosimus was convinced
of her saintliness because she had the power of
walking on the water. He listened to her confession.
She died in the odor of sanctity, as decrepit and horrible
to look upon as she had been fair and pleasant to
the sight. A lion dug a grave for her with his claws
in the sand of the desert.
“The Egyptian’s long penance had redeemed her
life, therefore, and under Louis IX. the Parisians dedicated
a church to her, which bore the name of Sainte-Marie-l’Égyptienne,—corrupted
at a later period to
La Gypecienne and then to La Jussienne. This church
was on Rue Montmartre, at the corner of Rue de la
Jussienne.
“The church contained a stained window representing
the saint and the boatman, with this inscription:
How the saint offered her body to the boatman to pay
her passage.[5]
“We must not, then, in any case, confound Saint
Sara, a contemporary of the Christ, with Marie the
Egyptian, who lived in the fifth century,—a fact that
cuts short all controversy.
“It is very fortunate,” continued Monsieur le curé,
193]
well pleased with his somewhat tardy conclusion, “that
such a sinner was not among those on board the boat of
our Maries-de-la-Mer, for in that boat, as we have said
above, there were several of the Christ’s disciples.
Spiritus quidem promptus est; caro autem infirma.”[6]
Monsieur le curé took snuff, he removed and replaced
his spectacles. Monsieur le curé forgot himself. He
went over all the early pages of his treatise, he struck
out and interlined; he struggled with rebellious words.
From time to time, he adjusted his spectacles more
firmly, and opened and consulted an ancient book of
great size. He was very busy, very deeply absorbed in
his favorite employment. He forgot that somebody
was waiting for him, and poor Livette, all alone in the
parlor, with the dead birds and the shells, was sadly
disturbed in mind. The melancholy that possessed her
was not dissipated—far from it!—by the place in which
she found herself.
All the dead birds, most of which she recognized as
birds of passage, reminded her of the weariness of
winter, the season when the wave-washed island is immersed
in fog.
There were screech-owls, the pale-yellow owls that
live in church-steeples and at night drink the oil in the
church-lamps; vultures that come down from the Alps
and Pyrenees in times of excessive cold; the ash-colored
vulture that lives at Sainte-Baume. There are little
tomtits, called serruriers (locksmiths), which are found
194]
only on the banks of the Rhône, and pendulines, so
called because they hang their nests like little pendulums
from the flexible branches swaying to and fro above the
water; and stocking-makers, whose nests resemble the
tissue of a knitted stocking; and the alcyon, that is to
say, the bleuret or kingfisher; and the siren, of the brilliant
diversified plumage, called also honey-eater, which
flies north in the month of May, and spends its winters
by preference in Camargue. There was a stork, that
probably considered Camargue, between the dikes of
the Rhône, a little like Holland. There, too, was the
heron with its frill of delicate feathers, falling like a
long fringe over its throat. Livette knew it only by
the name of galejon, bestowed upon it in that neighborhood
because the herons’ favorite place of assemblage
was the pond of Galejon. There was one that bore on
its pedestal the date: 1807, and the words: Purchased
at Arles market; it was of a bluish slate color, and had
on its head three slender black feathers, a foot in length.
Then there were flamingoes galore, for they sometimes
build their nests by myriads in the marshes of Crau,
sitting astride their nests which are as tall as their legs.
And the divers! and grebes! and penguins, which are
seldom seen! And the rascally pelican, called by the
people thereabouts grand gousier!
Livette fancied that she could hear in the distance
the mournful, heart-rending cry of the birds of passage,
rising above the roar of the wind and the sound of the
195]
river shedding its tears into the ocean; dominating
the mysterious sounds that fill the darkness. How
many times had she heard the cries of cranes and petrels
and Egyptian curlews over the Château d’Avignon in
the season when the nights are long, when the sight
of the fire rejoices the heart like a living thing full of
promise, when the blackness of death envelops the
world. The birds remind her also of the Christmas
evenings, the evenings when the logs blazing in the huge
fire-place and the many lamps seem to say: “Courage!
the night will pass.” And it is then that the wheat
shows its green stalk, saying likewise: “Yes, courage!
bad weather, like all other, comes to an end at last.”
Livette mused thus, and mechanically raised her eyes
to the ceiling, from which the crocodile was hanging.[7]
Livette did not say to herself that there was, somewhere
on the other side of the great sea, in the same
Egypt to which Saint Joseph and the Virgin Mary fled
to protect the Child Jesus from the persecution of King
Herod, a great river, the mighty brother of the Rhône,
and that in the hottest hours of the day, on the islands
in the Nile, the crocodiles crawl in great numbers out
upon the overheated sands to expose their backs to the
rays of a sun as hot as any oven.
She did not say to herself that Saint Sara, the swarthy
patron saint of the gipsies, is called by them the Egyptian,
and that they water their gaunt horses in the Nile
as well as in the Rhône. She could not say to herself—because
196]
she knew it not—that the Egyptians inherit from
the Hindoos a debased sort of magic, and that it was
the same sort, even more debased without doubt, that
gave Zinzara her power.
Nor did Livette know that Zinzara carried in one of
the boxes in her ambulatory house—between a crocodile
from the Nile and a sacred ibis, both found in an Egyptian
crypt—the mummy of a young girl, six thousand
years old, whose face, from which the bandages had
been taken, wore a mask of gold. She could conceive
no connection between the ibis of the Nile and yonder
creature of the same name killed within the year on the
shore of the Vaccarès, but she underwent the influence
of all these mysterious connecting currents to which
space and time are naught.
The lifeless creatures, scattered all about her, lived
again by virtue of the power of retaining their form
forever. And fear seized upon her, for suddenly the
mad idea, at once vague and precise, entered her mind
of a resemblance between the profile of the great reptile
hanging from the ceiling and the lower part of the gipsy
queen’s face.
Livette thought that she must be ill, and rose to go,
determined to wait no longer, but as she put out her
hand to the door she uttered a cry. A centipede was
crawling along the key, as lively as you please. She
recoiled, and saw upon the white wall, at about the level
of her head, a tarente, that seemed to be watching her
197]
with its pale-gray eyes. The tarente is inoffensive, but
Livette knew nothing of that. It is the Mauritanian
gecko, which abounds in Provence, a reptile repugnant
to the sight, with gray protuberances on the head and
back like those upon cantaloupe melons. And then
the little fellow, the tiny creature, resembles the crocodile!—Surely,
Livette has the fever.
“What’s the matter, my child?”
Monsieur le curé has entered the room. He has a
kindly air that comforts the poor child at once.
He points to a chair. She sits down and dares not
say a word. Where shall she begin?
He urges her.
“Well, my child?”
He closes his eyes, that he may not embarrass her by
his glance, which he knows to be searching. He has
left his spectacles up-stairs on his great book. He closes
his eyes; and with compressed lips, presses his jaws
against each other to a sort of rhythm, so that you can
see his temples bulge out and subside like a fish’s gills.
It is a nervous affection. His hands are folded on his
waist; he clasps his fingers and plays at making them
revolve about one another, mechanically; but he is
keenly attentive. Monsieur le curé loves the souls of
his fellow-men. He knows that they suffer, that life is
infinite, and that they veer about and call to one another
in the boundless expanse of space and time, like birds
in a storm. He is reflecting. He is a kind-hearted
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priest. He is imbued with the spirit of the Gospel.
He is indulgent. Does he not know that some great
saints have been great sinners? He desires to be kind.
He knows how to be.
What can be the matter?
At last, Livette speaks. She tells him everything; the
gipsy’s first appearance, her refusal to give her the oil
she asked for insolently, with jeering remarks about extreme
unction; then of the ominous spell she cast upon
her, realized even now perhaps; the change in her
Renaud’s character, his coldness, his flight; and then,
that very morning, the scene of the snakes; how she
had been attracted—partly by curiosity, no doubt, but
also by her conviction that she should hear something
of Renaud. And how she gave her hand to the gipsy
to have her fortune told! That, she had done against
her inclination! She knew that it was wrong. Who
would have dared say a moment before that she would
commit such a sin? But she was afraid of seeming
cowardly, not because of what the world would say, but
because of her, the gitana, in whose presence she deemed
it her duty to display pride and courage. She felt that
she was very hostile to her. She was afraid of her, and
yet, in her despite, she would defy her. She was the
stronger of the two.—At last, she arrives at her most
shocking avowal—she is jealous. A terrible thought has
come into her mind; is it possible that Renaud could——?
But no. Did he not, to save her from Rampal, risk his
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life by leaping down from a first-floor window the whole
height of the house? To be sure, Rampal had stolen a
horse from Renaud, and Renaud had been looking for
him for a long time——
Livette is undone. She has glanced at Monsieur le
curé, who, before replying, is listening to his own
thoughts, in order not to be diverted from the matter
in hand. He is still playing with his clasped fingers,
making them revolve about one another.
Around them the swans, the pelican, the red flamingo,
the petrel, the ibis, look on with their eyes of glass imbedded
in those heads that have lived! There they
stand, those phantom birds, with wings outspread and
one claw put forward, exactly similar in shape, color,
and plumage to the birds that are soaring above the
Nile and the Ganges, beyond seas, at this moment, and
no less like other birds that lived six thousand years
ago.
The reptile on the ceiling, laughing down at them
with his numerous long, sharp teeth, does, in very truth,
resemble some one a little—but whom?
Livette, as she puts the question to herself, suddenly
comes to the conclusion that she is insane, utterly
insane, to have had such an idea! She smiles at it
herself. And she seems to feel her smile. She does
feel it. She fancies she can see it!
And at the moment she is conscious of a sensation—and
a painful sensation it is—of being there, in that
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same room, surrounded by those creatures and in the
presence of a priest—for the second time in her life!
Yes, all her present surroundings she has seen before—this
that is happening to her has happened before. But
the first time was a long while ago, oh! such a long
while! The great reptile on the ceiling remembers,
perhaps. That is why it laughs.—But she has forgotten
all about it. Why is she here? She no longer knows
even that. She was a fool to come here!
This Camargue country, you see, is the home of
malignant fever. It rises from the swamps in the sunshine,
with fetid odors, exhalations that disturb the
brain and the action of the blood. From the dead
vegetation, from the dead water, bad dreams and fever
rise like vapor. There is an evil atmosphere there; and
the evil eye too, thinks Livette.
But who can say of what the mummy lying in Zinzara’s
wagon is thinking all this time—the mummy of
which Livette knows nothing, and which is of the same
age as Livette, plus six thousand years? Like Livette,
it has wavy hair, very long, but somewhat faded by
time. It was once as black as jet like that of the women
of Arles. The mummy is of the same age as Livette,
plus six thousand years! The gipsies believe that so
long as the dead body retains its shape, something of its
spirit continues to dwell within it. Zinzara affirms that
this mummy, which she procured in Egypt, speaks to
her sometimes and tells her things.
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Ah! if we should undertake to go to the bottom of
the simplest facts, how they would puzzle us! Our
Saracen mares of Camargue, sisters of Al-Borak, Mahomet’s
white mare, and the bulls of the Vaccarès, brothers
of Apis, sometimes absent-mindedly take into their
mouths, in the heart of the swamps, the long, gently-waving
stalk of the mysterious lotus that lives three
lives at once, in the mud with its root, in the water
with its stalk, in the blue air with its flower.
Not without reason do the zingari, descendants of
Çoudra, flock to the crypt of the three-storied church,
there to adore the shrine of Sara, Pilate’s wife—the
Egyptian woman.
Monsieur le curé, who is a profound student, is revolving
all these things confusedly in his mind—with no very clear
understanding of them himself—and pondering them.
Ah! if he could, how quickly he would sweep the
island clear of the gipsy vermin! But he cannot. Tradition
forbids. Sara in the crypt is their saint. There is a
mixture of pagan and Christian in the affair, painful to
contemplate certainly, but with which he has no right
to interfere. The essential thing is that the Christian
shall triumph over the pagan, that God shall prevail
against Satan—for certain it is, whatever the gipsies may
say, that they are not descended from the wise king who
was a negro and who brought the myrrh to Jesus.
How to protect Livette?
“Do not remain alone with your thoughts, my child.
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Carry your rosary always with you, and tell your beads
often, not mechanically but with your whole heart.
Confide your sorrows to your good grandmother, whose
Christian sentiments I well know. That simple-minded
old woman has a great heart.
“Avoid the town. Tell your father—who has always
done as you wished, nor has he had reason to repent of
so doing—to have an eye to his house, and never to
leave you alone. Avoid Renaud for some little time;
at all events, do not seek him. He must have an opportunity
to read his own heart clearly; we must not—by
trying to bring him back to you—help him to mistake
his affection for you, which is not, perhaps, so deep as
it should be. I will speak to him myself when I have
an opportunity. The day after to-morrow is the day of
the fête at Saintes-Maries. Do not fail to be present;
bring us that day a heart filled with faith and with the
desire to do what is right. You will meet many unfortunates
there. Turn your eyes toward those who are
more wretched than yourself, and by comparing their
lot with yours, you will see how fortunate you are, who
have youth and good health.
“The health of the soul depends upon ourselves.
You will save yours.
“You will be the one, on the day of the fête, to sing
the solo of invocation just as the reliquaries descend—I
ask you to do it, and, if need be, I will lay the duty
upon you as a penance.
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“She who thinks on God and the holy women forgets
all earthly ills. Knock, and it shall be opened unto
you. They who fear shall be reassured. Blessed are
they who weep, for they shall be comforted——”
Monsieur le curé broke off abruptly. He realized,
the kind-hearted man, that his discourse was, by force
of habit, degenerating into a commonplace sermon,
and, rising from his chair, he walked quickly toward
the door, bestowing an affectionate tap on the trembling
maiden’s cheek with two fingers of the hand
that held his snuff-box, saying to her in a fatherly
tone:
“Go, little one; you have a good heart. The wicked
can do naught against us. I will pray for you at Mass.
Everybody in the country loves you. Have no fear,
my daughter.”
Livette took her leave. The curé, left to himself,
sighed. He saw that Livette was confronted by an
ill-defined, strange, diabolical peril, of the kind that
cannot be turned aside, that God alone can avert.
“It is fate,” he muttered, employing unthinkingly a
word of twofold signification.[8] “It is fate,” he repeated.
“Life is a sea of troubles, and God is mysterious.”
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