I
What is a Kentucky book, is the one great question
this work has elicited. Surely a Kentucky book is
one written by a Kentuckian about Kentucky or Kentuckians
and printed in Kentucky; surely it is a book written
by a Kentuckian upon any subject under the sun, and
published in any clime; surely it is one written in Kentucky
by a citizen of any other state or country, regardless
of the subject or place of publication, for, "in general,
I have regarded the birthplace of a piece of literature
more important than that of the author." But is a book,
though treating of Kentucky or Kentuckians, regardless
of its place of publication, whose author was not born in,
nor for any appreciable period resided in, this state, entitled
to be properly classified as a Kentucky work? The
writer has responded in the negative to this question in
the present work.
There have been several noted American authors who
have written volumes about Kentucky or Kentuckians,
and they themselves were not natives of this state, nor resided
within its confines. Those early Western travelers
rarely omitted Kentucky from their journeys. The first
of them, F. A. Michaux, published his famous Travels
to the West of the Alleghany Mountains, in the States of
Ohio, Kentucky, and Tennessee, at London, in 1805; two
years later F. Cuming's Tour to the Western Country,
through Ohio and Kentucky, was printed at Pittsburg;
and in 1817 John Bradbury got out the first edition of his
now noted Travels in the Interior of America, at London.
Bradbury died in 1823 and to-day lies buried in
the cemetery at Middletown, Kentucky, near Louisville.
George W. Ogden's Letters from the West (New Bedford,
1823); W. Bullock's Sketch of a Journey through
the Western States (London, 1827); and Tilly Buttrick's
Voyages, Travels, and Discoveries (Boston, 1831), round
out fairly well that group of Scotchmen, Englishmen,
New Englanders, and what not, who found many interesting
things in Kentucky a hundred years and more
ago. Ogden spent two summers in Kentucky; Bullock
owned a river-side tract near Ludlow, Kentucky, and
old Bradbury sleeps in a quiet Kentucky hamlet, but
neither of them may be properly classified as a real
Kentuckian.
The Beauchamp-Sharp tragedy of 1825 was the one
Kentucky event that kindled the imaginations of more
alien writers than any other happening in our history.
Edgar Allan Poe, William Gilmore Simms, Charles Fenno
Hoffman, G. P. R. James, James Hall, and several
others, wrote plays, novels, and poems based upon this
tragedy. In 1832 James Kirke Paulding, the friend of
Washington Irving, published one of the earliest Kentucky
romances, entitled Westward Ho! which name he
got from the old Elizabethan drama of John Webster and
Thomas Dekker. Two years after the appearance of
Paulding's tale, William A. Caruthers, the Virginia
novelist, printed The Kentuckian in New York; and in
the same year Thomas Chandler Haliburton ("Sam
Slick"), put forth one of his earliest works, Kentucky, a
Tale (London, 1834). In 1845 Charles Winterfield's My
First Days With the Rangers, appeared, to be followed
the next year by William T. Porter's A Quarter Race in
Kentucky.
These writers hardly did more than point the way to
Kentucky for Mrs. Harriet Beecher Stowe, whose world-famous
novel, Uncle Tom's Cabin (Boston, 1852), was set
against a background of slave-holding Kentucky. This is
the most famous example our literature affords of a
writer of another state or country coming to Kentucky
for the materials out of which to build a book.
In 1860 David Ross Locke, the Ohio journalist and
satirist, discovered the Rev. Petroleum V. Nasby, postmaster
at "Confedrit X Roads, Kentucky," and his political
satires on Kentucky, the Nasby Letters, tickled
the readers of his paper, The Toledo Blade, through
many years. These alleged communications from poor
Petroleum may be read to-day in Locke's Swingin' Round
the Cirkel, and Ekkoes from Kentucky. J. G. Marshall's
The Outlaw Brothers (New York, 1864); Miss
Martha Remick's Millicent Halford: a Tale of the Dark
Days of Kentucky in the year 1861 (Boston, 1865); two
novels by Edward Willett, entitled Kentucky Border
Foes, and Old Honesty: a Tale of the Early Days of Kentucky,
both of which were issued in the late sixties; Constance
F. Woolson's Two Women (New York, 1877), and
Mrs. Anna Bowman Dodd's story, Glorinda (Boston,
1888), concludes the group of writers of the comparatively
modern school who did not linger long in the "meadowland,"
but who found it good literary soil, and helped
themselves accordingly.
In recent years Mr. Winston Churchill's The Crossing,
Dr. James Ball Naylor's The Kentuckian, Mr. Augustus
Thomas's The Witching Hour, and the Kentucky lyrics
of Mrs. Alice Williams Brotherton, the Ohio poet, have
drawn fresh attention to Kentucky as a background for
literary productions, although they are written by those
who cannot qualify as Kentuckians. But to claim any
of these writers for the Commonwealth, would be to make
one's self absurd. Dr. Naylor's lines upon this point
are apropos:
I must admit—although it hurts!—
That I was born unlucky;
I've never, literally, had
A home in Old Kentucky.
And yet I feel should wayward Chance
Direct my steps to roam there,
I'd meet you all and greet you all—
And find myself at home there!
As has already been indicated, the good physician-poet
is not by any manner of means the only alien bard who
has remembered Kentucky in his work. No less a poet
than the great Sir Walter Scott celebrated Kentucky in
Marmion—the State's first appearance in English poetry.
The passage may be found near the close of the ninth
stanza in the third canto. Lord Marmion and his followers
have ridden "the livelong day," and are now quartered
at a well-known Scottish hostelry. They have all
eaten and drunk until they are on the borderland of
dreams when their leader, seeing their condition,
... called upon a squire:—
"Fitz-Eustace, know'st thou not some lay,
To speed the lingering night away?
We slumber by the fire."—
VIII
"So please you," thus the youth rejoined
"Our choicest minstrel's left behind."
And while Fitz realizes that he cannot, in any degree,
equal the famous singer to whom he has referred, he now
further praises him, calls down curses on the cause that
kept him from following Marmion, and ventures
"To sing his favourite roundelay."
IX
A mellow voice Fitz-Eustace had,
The air he chose was wild and sad;
Such have I heard, in Scottish land,
Rise from the busy harvest band,
When falls before the mountaineer,
On lowland plains, the ripened ear.
Now one shrill voice the notes prolong,
Now a wild chorus swells the song:
Oft have I listened, and stood still,
As it came soften'd up the hill,
And deem'd it the lament of men
Who languish'd for their native glen;
And thought how sad would be such sound,
On Susquehannah's swampy ground,
Kentucky's wood-encumber'd brake,
Or wild Ontario's boundless lake,
Where heart-sick exiles, in the strain,
Recall'd fair Scotland's hills again!
After Sir Walter, the next English poet to tell the
world of Kentucky and one of her sons, was George Gordon
(Lord) Byron. His references are found in the eighth
canto and the sixty-first to the sixty-seventh stanzas inclusive,
of Don Juan. This poem was begun in 1819 and
published, several cantos at a time, until the final sixteenth
appeared in 1824. The sixty-first stanza will serve
our purpose.
LXI
Of all men, saving Sylla, the man-slayer,
Who passes for in life and death most lucky,
Of the greatest names which in our faces stare,
The General Boone, back-woodsman of Kentucky,
Was happiest amongst mortals anywhere;
For killing nothing but a bear or buck, he
Enjoy'd the lonely, vigorous, harmless days
Of his old age in wilds of deepest maze.
In 1827 Alfred Tennyson, with his brother Charles,
published a slender sheaf of juvenile verses, entitled
Poems By Two Brothers. On Sublimity contains eleven
stanzas of ten lines each. The poet disdains "vales in tenderest
green," and asks for "the wild cascade, the rugged
scene," the sea, the mountains, dark cathedrals, storms,
"Niagara's flood of matchless might," and Mammoth
Cave.
The hurricane fair earth to darkness changing,
Kentucky's chambers of eternal gloom,[1]
The swift-pac'd columns of the desert ranging
Th' uneven waste, the violent Simoom
The snow-clad peaks, stupendous Gungo-tree!
Whence springs the hallow'd Jumna's echoing tide,
Hear Cotopaxi's cloud-capt majesty,
Enormous Chimborazo's naked pride,
The dizzy Cape of winds that cleaves the sky,
Whence we look down into eternity,
The pillar'd cave of Morven's giant king
The Yanar, and the Geyser's boiling fountain,
The deep volcano's inward murmuring,
The shadowy Colossus of the mountain;
Antiparos, where sun-beams never enter;
Loud Stromboli, amid the quaking isles;
The terrible Maelstroom, around his centre
Wheeling his circuit of unnumber'd miles:
These, these are sights and sounds that freeze the blood,
Yet charm the awe-struck soul which doats on solitude.
Tennyson was the third and last English poet of the
nineteenth century to make mention of Kentucky in his
works.
Much writing has been done by Kentuckians from the
beginning until the present time, but most of what is
usually termed literature is the work of the school of today.
That much, however, of the early productions, especially
the anonymous and fugitive poems, have been
forever lost, may be gathered from a letter written to Edwin
Bryant, editor of The Lexington Intelligencer, by
an Ohio correspondent, which appeared in that paper in
January, 1834, a part of which is as follows:
There were a vast number of rural and sentimental songs, sung
by the hunters and pioneers, that, in this our day, to the present
generation would be truly interesting. Would it not be wise for
you, Messrs. Editors, to publish a note in your valuable paper,
offering the "Poets' Corner," and save what you can of the fragments
of "Olden Times?"... I know that there were many
sentimental pieces—some written by a Mr. Bullock—many war
songs; one on St. Clair's defeat; and there was a wonderful flow
of poetical effusions on the first discovery of a settlement of Kentucky.
There was a wooing song of the hunter—one stanza I
can only repeat:
"I will plough and live, and you may knit and sowe,
And through the wild woods, I'll hunt the buffaloe!"
To many these things may appear as ... light as empty
air, but look to the future, and you will at once discover the inquisitive
mind will earnestly desire to look into such matters and
things.
The pity is, this admonition passed unheeded by Bryant
and his contemporaries, and much that "the inquisitive
mind" would revel in to-day, was thus lost. The most
famous, however, of the pioneer songs that the above
quoted writer probably had in mind, The Hunters of Kentucky,
the celebrated ballad of the Battle of New Orleans,
has come down to us, but it was written by the alien hand
of Samuel Woodworth, who achieved a double triumph
over oblivion by also writing The Old Oaken Bucket. And
were other "wooing songs of the hunter" extant, we
would certainly discover that many of them were done
by non-Kentuckians. Even Kentucky Belle, ballad of
Morgan and his men, was the work of Constance Fenimore
Woolson, the famous author of Anne.
In recent years the ballads of the Kentucky mountains
have been investigated by a group of scholars, and Dr.
Hubert Gibson Shearin will shortly publish a collection
of them. It is impossible to discuss them at this time;
and as nearly all of them are offshoots of the old English
ballads and Scottish songs, done over by their Kentucky
descendants, the ever-recurring question: "Are they
Kentucky productions?" will not down.
II
THE KENTUCKY MAGAZINES
Kentucky has failed to produce and maintain a respectable
literary magazine for any considerable length of
time. Many magazines have been born in Kentucky with
high hopes, and a few of them have braved the storms
for a number of years, but all of them have gone the way
of all the earth after a pathetic struggle for existence.
The reasons for this lie not far afield: the leading
magazines and periodicals of the east through the immensity
of their circulation secure that large patronage
necessary to maintain a publication conducted on a
generous basis, ensuring variety and excellence. Experience
has long since demonstrated even to the bravest
of the inland publishers that the point of distribution is
the controlling factor in success. The means of transportation
which have so miraculously improved, have annihilated
distance and along with it to no small extent
the Western and Southern periodical of literary flavor.
The opulent publications are enabled through their very
prosperity to command contributors not to be approached
by a periodical circumscribed in means and constituency.
Again, the Kentucky magazines have all along made the
fatal mistake of truckling to dead prejudices and sectionalism.
The material and the moulders have long been
with us, but the wide popular support, which after all is
the first essential, has failed to materialise, and it may
be regretfully apprehended that it now lies as far away
as ever.
The first magazine issued in Kentucky or the West was
The Medley, or Monthly Miscellany, for the year 1803,
which was edited and published by Daniel Bradford, son
of old John Bradford, the editor of The Kentucky
Gazette. The Medley lived through the year of 1803,
but in January, 1804, Editor Bradford announced that
he was compelled, from lack of appreciation, to abandon
its publication. The twelve parts were bound for those
of the subscribers who cared to have them made into a
single volume, and probably not more than two copies are
extant to-day. The Medley's literary merit was not impressive,
and its death can only be deplored because it
happened to be the first Western magazine.
The Almoner, a religious periodical, the first issue of
which was dated from Lexington, April, 1814, and which
died a twelvemonth later, was published by Thomas T.
Skillman, the pioneer printer. Its account of the
preacher, John Poage Campbell, and his many theological
works, is about all one finds of interest in it.
William Gibbes Hunt, a Harvard man, who later took
a degree from Transylvania University, established The
Western Review at Lexington, in August, 1819, and this
was the first literary magazine in the West worthy the
name. Hunt was a man of fine tastes, and he had a
proper conception of what a magazine should be. He
worked hard for two years, but in July, 1821,—the number
for which month is notable as having contained the
first draft of General William O. Butler's famous poem,
The Boatman's Horn, which is there entitled The Boat
Horn,—Hunt rehearsed the pathetic tale of the lack of
support and appreciation for a Western magazine, and,
without any expressed regret, entitled it his valedictory.
He had survived twice as long as any of his predecessors,
and he probably felt that he had done fairly well, as he
undoubtedly had. The four bound volumes of The
Western Review may be read to-day with more than an
historical interest. Hunt returned to his home in New
England; and the only other thing of his that is preserved
is An Address on the Principles of Masonry
(Lexington, 1821), and a very excellent oration it is, too.
There were brave men after Hunt, however. The
Literary Pamphleteer was born and died at Paris, Kentucky,
in 1823; and in the following year Thomas T. Skillman
established The Western Luminary at Lexington.
This was a semi-religious journal, but its publication was
shortly suspended. The Microscope seems to have been
the first magazine published at Louisville, it being
founded in 1824, but its life was ephemeral. Under a
half a dozen different names, with many lapses between
the miles, The Transylvanian, which Professor Thomas
Johnson Matthews, of Transylvania University, established
at Lexington in 1829, has survived until the present
time. It is now the literary magazine of Transylvania
University. Mr. James Lane Allen, Mr. Frank
Waller Allen, and one or two other well-known Kentucky
writers saw their earliest essays and stories first published
in The Transylvanian. John Clark's Lexington
Literary Journal, a twice-a-week affair, was founded in
1833; and the Louisville Literary News-Letter, edited by
Edmund Flagg and issued by George D. Prentice, lived in
the Kentucky metropolis from December, 1838, to November,
1840.
Far and away the most famous literary periodical ever
published in Kentucky, was The Western Messenger,
founded at Cincinnati in 1835, and removed to Louisville
in April, 1836. James Freeman Clarke (1810-1888), the
noted Boston Unitarian preacher and author, was editor,
publisher, and agent of The Messenger while it was at
Louisville; and he solicited subscriptions throughout
Kentucky. Ralph Waldo Emerson first appeared as a
poet in his friend Clarke's magazine. His Goodby
Proud World, The Rhodora, The Humble Bee, and several
of his other now noted poems, were printed for the
first time in The Messenger. Clarke also published
papers from the hands of Hawthorne, Oliver Wendell
Holmes, William Ellery Channing, Margaret Fuller, and
nearly all of the writers now grouped as the New England
school. He printed a poem of John Keats, which
had never been previously published, the manuscript of
which was furnished by George Keats, brother of the
poet, who lived at Louisville for many years. Clarke
later wrote an interesting sketch of George Keats for his
magazine. During parts of the four years he published
The Messenger at Louisville he had as assistant editors
Christopher P. Cranch and Samuel Osgood, now
well-known names in American letters. Clarke returned
to Boston in 1840, and The Messenger returned to Cincinnati,
where it was suspended in April, 1841. "The
periodical was an exotic," wrote William Henry Venable,
"a Boston flower blooming in the Ohio Valley;" and this
is the one-line history of it. Its like was never seen before,
never since, and will never be seen again in the West.
Thirteen years after The Western Messenger left
Louisville, The Western Literary Magazine, a monthly
publication, was begun; and three years later, or in 1856,
The Louisville Review, another monthly, was established.
But the war clouds of civil strife were gradually gathering,
and the endless pen scratching of the Kentucky
magazinist was lost in the cannon's roar. Newspapers
were the only things Kentuckians had time to peruse.
Since the war Kentucky periodicals have been, almost
without exception, rather tame affairs. They have all
been most mushroomish. A few of them may be singled
out, such as The Southern Bivouac, which was conducted
at Louisville for several years by General Basil W. Duke
and Richard W. Knott; The Illustrated Kentuckian,
founded at Lexington, in 1892; The Southern Magazine,
of Louisville, published papers by Mr. Allen, stories by
Mr. John Fox, Jr., and several other now well-known
writers; and Charles J. O'Malley's Midland Review ran
for some time. These are the comparatively recent Kentucky
periodicals which have bloomed in a day and wilted
with the earliest winter. The Register, official organ of
the State Historical Society, is still being issued three
times a year. It is unique among Kentucky magazines in
that it is the only one that has had adequate financial support,
which, however, comes to it in the form of a State
appropriation. For the last twenty-five years The Courier-Journal,
of Louisville, has devoted space in its Saturday
edition to reviews of new books; and in recent years
The Evening Post, also of Louisville, has maintained a
similar department.
J. W. T.
Lexington, Kentucky
June 13, 1913