May 13.—This day was fixed on for a journey to Vaucluse, the road to
which is better adapted for the accommodation of two wheels than of
four. M. Durand, our voiturier, attended accordingly with one of his
portly mares harnessed to a sort of cabriolet, very much resembling an
Irish noddy. Its high boarded front reaching to our chins, and the
little fat person of Durand rather incommoded than accommodated on a
cushion tied to the shaft, and much too near the mare on every account,
formed a grotesque combination but little in character with what ought
to have been a voyage of sentiment. The deficiency in pathos, however,
was made up by the poor mare, who bewailed her absent companion with
such incessant roarings, as to draw many cuts of the whip, and "sacra
carognas," from the unrelenting Durand. We were struck, by-the-by, more
than once during this day's route, by the Spanish and Italian
terminations of the Provençal patois. A village which we passed, on an
insulated height commanding the road, and crowned by ruined
fortifications, is laid down as Château Neuf in the map, and called by
the peasants Castel Novo. A man of whom we inquired the distance to
Avignon, answered "Tres horas," using not only the words, but the method
of computation which a Spaniard would employ.
Whether we really reached our place of destination, or were stopped
short by intense heat and execrable roads, were interested, or
overturned, this deponent saith not, nor indeed is it necessary. One may
be pardoned for omitting the mention of a subject already so fully
described as Vaucluse, its rocks and fountain, its associations, and
even its eatables; for some travellers have dwelt on the subject of its
excellent bisque, or crayfish soup, and its eels, a solace, no doubt,
to[34] that gentle degree of melancholy, which Fielding affirms to be a
whet to the appetite.
"And, says the anatomic art,
The stomach's very near the heart;"
as Peter Pindar also maintains. Some also, with an accuracy worthy
Moubrays treatise on domestic fowls, have informed us that the hens near
the fountain of Vaucluse are peculiarly prolific in fine eggs, and so
on. For my own part, I may as well honestly confess that I am more
partial to the memory of Petrarch as a philosopher, a patriot, and
reviver of ancient learning, than as the Werter of Troubadours, though
in the latter capacity he has stood unrivalled for five hundred years. I
must own, also, that the hermitage whither he retired to stifle his
rebellious passion for the wife of another, however melancholy and
impressive the ideas may be which it would of itself excite, is
poisoned, in my mind, by the pestilent frivolities with which the
mawkish of all ages have defaced its sombre features, in violation of
truth and sound feeling. What syllables of dolour the forgotten
Della-Cruscan school may have yelled out on the subject, is not worth
ascertaining, and probably recollected by few or none. The French, who
with all their ingenuity, are not very apt at comprehending the madness
of contemplative minds, have caricatured the shade of poor Petrarch most
woefully, and[35] the Abbé Delille (peace to his ashes!) has teazed the
innocent trees of Vaucluse with embarrassing questions, fitter for the
mouths of Susanna's elders. Under such blighting influence, the stern
rocks of Vaucluse are transformed into a sentimental tea-garden, the
high-minded and melancholy Petrarch into a more ingenious Piercie
Shafton, and the virtuous Laura, who probably never saw the place, into
a starched Gloriana of the old school, paraded and gallanted round it
with all due form. It is, perhaps, a judgment on Petrarch's adulterous
Platonism, that it has laid him open to impertinences like these, which
would torture his sensitive ghost almost as keenly as oblivion itself,
and which very strongly remind one of Punch's intrusion at a tragedy.
Such ideas cannot be engrafted on the [36]Nonwenwerder, or the[36]Pena
de los Enamorados, spots on which a simple and obscure legend has thrown
an interest which Vaucluse cannot really possess, though embellished by
every thing which poetry can do for it.
It were to be wished, that the shade of Petrarch could return to his
former haunts, to frighten away frivolous visitors, and read a lesson to
the thinking. Instead of rejoicing at the posthumous fame which his
poetical talents have earned, he would probably dwell on the
insufficiency of the highest mental endowments without conduct and
self-command. He would also probably describe his passion as fostered by
the pedantic and high-flown gallantry of the age, and the applauses
bestowed on his verses; as increasing and strengthening, after the
marriage of Laura had rendered it criminal, without any purpose which
his better conscience dared avow, till his eyes at length opened
themselves too late to its culpable nature. His mind, of that
high-wrought and desponding tone which often characterizes extraordinary
genius, and too sincere to trifle with impunity, struggled then
fruitlessly against a fatality formerly imagined, but become real; and
the flower of his life was passed amid illusions and conflicts, in
alternate self-deception and self-reproach, in wild and beautiful
visions from which he awoke to sickness of heart and weariness of
himself and all things, like the victim of a powerful opiate.
Compromising weakly between his passion and his conscience, he would
say, he secluded himself at Vaucluse from a society which had become
dangerous to him, and by the verses which he composed as a vent to his
feelings, fixed the illusion too deep to be eradicated by lapse of time,
or the indifference of Laura. Such voluntary mental martyrdom resembles
the punishment inflicted by some tyrant of history on his prisoners,
whom he commanded to embrace his Apega, a beautiful automaton so
constructed as to plunge a concealed dagger into their hearts.
The better feelings of Petrarch's readers will dwell with the least
alloy on the period after the death of Laura, when he contemplated her
as beyond the reach of human ties, affections, or jealousies, and
sought only to rescue from oblivion the virtues and purity which had
strengthened and refined his passion, while they rendered it hopeless.
There is a beautiful passage in Campbell which appears exactly written
to express his state of mind at this time, and the retrospective glance
which he must have often cast on his past life.
"And yet, methinks, when wisdom shall assuage
The griefs and passions of our greener age,
Though dull the close of life, and far away,
Each flower that hailed the dawning of our day,
Yet o'er her lovely hopes that once were dear,
The time-taught spirit, pensive, not severe,
With milder griefs her aged eye shall fill,
And weep their falsehood, though she love them still!"
The private memorandum,[37] written in the manuscript Virgil, of this
extraordinary man, which is shown in the Ambrosian Library at Milan, may
be considered as expressing his most undisguised feelings, as excited by
an event which dissolves trifling attachments, while it gives permanence
to those of a genuine nature. It was probably intended for no eye but
his own. I annex as literal a translation as possible, and from the
beauty and ease of their latinity, have been tempted to precede it with
the original words.
"Laura, propriis virtutibus illustris, et meis longum celebrata
carminibus, primum oculis meis apparuit sub primum adolescentiæ meæ
tempus, anno Domini 1327, die 6 mensis Aprilis, in ecclesiâ sanctæ Claræ
Avinioni, horâ matutinâ. Et in eâdem civitate, eodem mense Aprilis,
eodem die 6, eâdem horâ primâ, anno autem Domini 1348, ab hac luce lux
illa subtracta est, cum ego forte Veronæ essem, heu fati mei nescius!
Rumor autem infelix, per literas Ludovici mei, me Parmæ reperit, anno
eodem, mense Maii, die mane.
"Corpus illud castissimum ac pulcherrimum in loco Fratrum Minorum
repositum est ipsâ die mortis ad vesperam. Animam quidem ejus, ut de
Africano ait Seneca, in coelum, unde erat, rediisse, mihi persuadeo.
"Hæc autem, ad acerbam rei memoriam, amarâ quâdam dulcedine scribere
visum est; hoc potissimum loco, qui sæpe sub oculis meis redit, ut
cogitem nihil esse debere quod amplius mihi placeat in hac vitâ, et
effracto majori laqueo, tempus esse de Babylone fugiendi, crebrâ horum
inspectione, ac fugacissimæ ætatis æstimatione, commonear. Quod, præviâ
Dei gratiâ, facile erit, præteriti temporis curas supervacuas, spes
inanes, et inexpectatos exitus acriter ac viriliter cogitanti."
"Laura, illustrious for her own virtues, and long celebrated by my
verses, first appeared to my eyes, in the time of my early youth, on the
morning of the sixth day of April, in the year of our Lord 1327, in the
church of St. Clare at Avignon; and in the same month of April, on the
same first hour of the morning, in the year of our Lord 1348, that light
was removed from this light of day, while I by chance was at Verona,
unconscious, alas! of my fate. The unhappy news, however, reached me at
Parma, in a letter from my friend Ludovico, on the morning of the 19th
of May.
"Her most chaste and fair body was buried in the evening of the day of
her death, in the convent of the Fratres Minores; but her soul, as
Seneca saith of the soul of Africanus, hath returned, I am persuaded, to
the heaven from whence it came.
"I have felt a kind of bitter pleasure in writing the memorial of this
mournful event, the rather in this place, which so often meets my eyes,
to the end that I may consider there is nothing left which ought to
delight me in this world; and that I may be reminded by the frequent
sight of these words, and the due appreciation of this fleeting life,
that my principal tie to the world being broken, it is time for me to
fly from this Babylon; which, through the preventing grace of God, will
be an easy task, when I reflect deeply and manfully on the superfluous
cares, the vain hopes, and the unlooked for events of the time past."
This simple and affecting tribute, written, as it evidently seems, under
such solemn impressions, clears the memory of Laura from the imputation
of any thing trifling or criminal, while it sufficiently establishes the
identity of "a nymph," according to Gibbon, "so shadowy, that her
existence has been questioned."
May 14.—We left Avignon this morning, with a more favourable impression
of its cleanliness and comfort than any other town had as yet left on
our minds. The road to Nismes, winding up a hill on the opposite side of
the river, above Fort Villeneuve, is remarkably adapted also to display
its numerous spires, and the grand Gothic mass of the legate's palace,
to the utmost advantage: and we watched with something like regret the
disappearance of these objects over the brow of the hill which we had
ascended, more especially as on this spot the eye takes leave, for some
time, of every thing agreeable. The view here consists of a high dull
flat, with hardly a tree, and the road of rolling stones and dust; and a
high wind prevailed, which seemed a combination of the Bise and Mistral,
aided by all the bottled stores of a Lapland witch, and very nearly blew
poor Durand off his box. After passing Fouzay and Demazan, two Little
villages, adorned each à la Provençale, with a ruined castle, we turned
out of the road to Nismes at Remoulin, where the features of the country
somewhat improve. Another mile and a half brought us to an indifferent
inn within a ten minutes' walk of the Pont du Gard. It is adapted for
nothing more than a baiting-place for a few hours, and not at all of
that description which so well-known a ruin would be in most cases
capable of maintaining. The landlord, however, "a sallow, sublime sort
of Werter-faced man," was civil, and inclined to do his best, and
gathered us some double yellow roses, of a sort we had never seen
before, to season his bad fare.
The Pont du Gard, which we were not long in visiting, is seen to the
greatest advantage on the side on which we approached it from the inn.
The deep mountain glen, inhabited only by goats, whose entrance it
crosses from cliff to cliff, forms a striking back-ground, and serves as
a measure to the height of the colossal arches which appear to grow
naturally, as it were, out of the gray rocks on which they rest.[38]
There is certainly something more poetical in the stern and simple style
of architecture of which this noble aqueduct is a specimen, than in the
more florid and graceful school of art. The latter speaks more to the
eye, but the former to the mind, possessing a superiority analogous to
that which the great style of painting (as it is termed) boasts over the
florid and ornamental Venetian school. Our own Stonehenge is too much,
perhaps, in the rude extreme of this branch of architecture to be quoted
as a favourable instance of it; but few persons can come suddenly in
sight of Stonehenge on a misty day without being struck by its peculiar
effect; and the Pont du Gard, placed in as lonely a situation, exhibits
materials almost as gigantic in detail, and knit into a towering mass
which seems to require no less force than an earthquake, or a battery of
cannon, to change the position of a single stone. A large and solid
bridge which has been built against it by the states of Languedoc,
appears by comparison to shrink into insignificance, and shelter itself
behind the old Roman arches, the lower tier of which, eleven in number,
overtop it in height by about three-fifths. The span of the largest arch
is about 78 feet; of the other ten, 66 each: and they are surmounted by
a row of thirty-five smaller arches. With the exception of two or three
of these last, the whole fabric is complete, and, if unmolested, appears
likely to witness more changes of language and dynasty than it has
already done. I do not know that the mind is ever more impressed with
the idea of Roman power and greatness, than by contemplating such
structures as these, erected for subordinate purposes at a distance from
the main seat of empire. It is like discovering a broken hand or foot of
the Colossus of Rhodes, and estimating in imagination the height and
bulk of the whole statue from the size of its enormous extremities.
From the Pont du Gard the road to Nismes has little to recommend it
excepting the high state of cultivation of the country, and this is not
of a nature to gratify an eye accustomed to English verdure.
Olive-groves, it is true, have been naturalized in poetry as conveying
an image of beauty and freshness; but in reality nothing can be more
opposed to the oaks and elms of an English hedge-row, than the pale
shining gray of this stunted tree, which has more of a metallic than a
vegetable appearance. Nor does a perpetual succession of corn-fields,
however rich in reality, present the same appearance of luxuriant
vegetation as an English pasture. There is, besides, nothing in the
nearer approach to Nismes, which reminds one of the environs of an
opulent commercial town, and its precincts would cut a poor figure when
compared with those of Leeds or Bristol. The transition is immediate,
from a dull range of corn-fields, without a gentleman's house, to a long
dirty suburb. On emerging, however, from the latter into the better and
more central part of the town, one is surprised to find wide and elegant
streets well watered and planted, and public buildings, whose beauty and
good taste show that the citizens of Nismes have made a good use of the
fine architectural models afforded by the ancient Nemausis. The Palais
de Justice deserves to be particularly remarked for its classical
elegance, and contrasts well with the black solid arches of the Arenes,
near which it is placed.
"Monsieour! les antiquités!—Heou! Monsieour! les
Arenes!—Commissionaire pour voir la Maison Carrée!—Heou—ou!
Monsieour! decrotteur, s'il vous plait!—Le Temple de Diane,
Monsieour!" are the cries with which every third or fourth ragamuffin
at Nismes salutes you, enforcing his application by a peculiar yell, of
which no combination of letters can give an idea uncouth enough. As it
is hardly possible to walk in the central part of Nismes without seeing
its antiquities before you, it is best to avoid a troublesome live
appendage of this sort, by appearing totally deaf. The Arenes are nearly
in front of the Hôtel du Louvre, and the Maison Carrée is within two or
three minutes' walk of it: the Temple of Diana and the Baths are
situated in the most conspicuous spot in the public gardens, whither a
perpetual concourse of people may be seen thronging; and the Pharos
overlooks them from the summit of a small precipitous hill, which may be
ascended in five minutes by a good walker. Every thing therefore lies
within the compass of an evening's stroll.
The Maison Carrée is a beautiful bijou, better known than any other of
the curiosities of Nismes. I believe the opinion of Mons. Seguier
(formed from a laborious examination of the nail-holes belonging to its
last bronze inscription) is generally adopted; viz. that it was a temple
dedicated to Caius and Lucius Cæsar, grandsons of Augustus. A perfect
copy of it, built from actual measurement, may be found in the Temple of
Victory and Concord, in the Duke of Buckingham's gardens at Stowe. So
admirable is the preservation of the original in every part, owing to
the dry and pure air of Languedoc, as almost to operate as a
disadvantage. Its freshness and compactness suggest rather too much the
idea of a modern pavilion of twenty or thirty years standing, instead of
that of a temple; and if I may venture to say so, the same want of the
ærugo of age, which renders it more valuable as an architectural relic,
produces an incongruous and unpoetical effect on the imagination. Age,
in fact, has its own characteristic branch of beauty. An old man with
curly hair and a fresh smooth complexion, like Godwin's Struldbrugg, St.
Leon, would be an unpleasant and unnatural object. There is a masculine
and imposing medium between youthful vigour and decay, in which the
leading features of the former man may be distinctly traced; as in
Wordsworth's beautiful description of the old knight of Rylstone, and
Sir Walter Scott's fine portraiture of Archibald Bell-the-Cat: and I
think the analogy holds good in classical remains. Somewhat should be
decayed for effect's sake; and those parts only left which are
strikingly beautiful, or of a leading and important nature. The Arena,
which we next visited, is perhaps more consonant to this standard than
the Maison Carrée. Its structure is similar to that of the Colosseum at
Rome, of which, however, it falls infinitely short in size and grandeur,
while at the same time it so far exceeds it in perfectness, as to give a
complete idea to an inexperienced eye of its original figure and
arrangement, and of the admirable system of accommodation which such
places possessed. It has just enough of the graceful decay of age to
render it picturesque, and enough of freshness to answer the questions
of the antiquarian: and neither too much nor too little is left to the
imagination. Mr. Albanis Beaumont, in his work on the Maritime Alps,
calculates the number of persons which this building must have held at
16,599, and the spectators in the Colosseum at 34,000. He also states
the widest interior circumference of the Arena, as 1110½ feet. The
plate engraved in his work, dated 1795, represents two square towers
over the principal entrance, erected perhaps by Charles Martel, when he
converted the building into a citadel; they have however been since
destroyed, and the work of clearing away the houses which defaced both
its inside and outside, commenced originally by Louis XVI., has been
completed. It now stands in a broad open space, adapted to set off its
full height and proportions.
The public garden also presents a well-arranged group of interesting
objects; but to behold them to any advantage, it is necessary to turn
your back upon a pert little café, roofed with party-coloured tiles like
the scales of a fancy fish, which glares from under the shade of the
trees. From hence you look over a handsome balustrade into a large
excavated space adorned with stone steps, which collects the waters of a
fine fountain, and in which the foundations of the ancient Baths are
still visible. On the summit of the opposite cliff, from whence these
waters issue, the ruined Pharos, which forms the principal landmark of
Nismes, rises with great majesty, and at its foot, immediately to the
left of the fountain, the ruined temple of Diana, though not
individually striking, combines admirably with the general group. From
the fountain arises a beautifully clear stream, which is distributed in
wide and deep stone channels through some of the principal streets at
Nismes, and greatly contributes to the ornament and cleanliness of the
town. The Pharos, or Tour Magne, to which I scrambled from the Baths,
fully answers to its distant appearance. There is a peculiar dignity and
solidity in a figure approaching to the pyramidical, when placed on the
top of a rock; and independent of its height, which is between eighty
and ninety feet, the Pharos has this recommendation also. Its interior
appears a curious work of masonry. A high wide conical vault, without
pillar or buttress, constitutes almost the whole internal space,
admitting just light sufficient to render "the darkness visible," and
give additional solemnity to a mere shell of brickwork.
We found the Hôtel du Louvre (to which we had been recommended in
preference to the Hermite's inn, the Hôtel du Luxembourg) excellent in
every respect. The two hotels adjoin one another so closely, be it
observed, and are so similar in appearance, that one may walk into the
wrong salle-à-manger, and only discover the mistake through the
difference of the waiter's faces.
May 15.—Seventeen miles to New Lunel, where we breakfasted
indifferently enough, not liking French customs sufficiently to qualify
the bad coffee with a glass of the brandy of this place, which is as
celebrated as its wine. New Lunel, which has grown on the back of the
old town, in consequence of a branch of the Languedoc canal which runs
close to it, is a neat and thriving place, but possesses no feature
worthy of remark. The country is of the same character as the town, a
dull rich flat, over which one may sleep with the soothing consciousness
that every thing is going on well with its trade and agriculture. To
Montpelier eighteen miles. Within the last league or two, the country
begins rather to improve, and rise into somewhat of an undulating form;
but no romantic or interesting feature marks the approach to this
celebrated town.
"How I envy you the sight of that delightful Montpelier, of which one
reads and hears so much!" exclaims many an untravelled lady, no doubt,
to her travelled brother or cousin. No place certainly sounds more
familiarly in the ear as a novel-scene; and its very name is associated
with ideas of beauty, verdure, retirement, orange groves, hanging woods,
and all the et ceteras of a spot.
"Where simply to feel that we breathe, that we live,
Is worth the best joy that life elsewhere can give."
The truth is, that the Montpelier of the imagination may be found at
Vico, Sorrento, Massa di Carrara; or, with a little alteration, in some
spots of our own Devonshire coast. The real Montpelier is a large,
opulent, well-frequented provincial capital, full of noise and dress,
and possessing an air of neatness and fashion, but totally devoid of any
thing allied to the poetry of nature. It stands on a round sweeping
hill, commanding a considerable extent of land and sea; but the
sea-coast is chiefly an expanse of low ground and etangs, or salt-water
lakes; and the neighbouring hill country, resembling in form a
succession of cultivated downs, has neither height nor variety to
recommend it. The most interesting spot in Montpelier is the Place
Peyrou, a public garden raised on high terraces, in a situation
commanding the rest of the town. At the extremity of the principal walk
stands an elegant open building of the Grecian order, overarching a
basin into which the waters of the celebrated aqueduct of Montpelier are
received, and from thence distributed through the town. The aqueduct
itself, which springs from the foot of this pavilion, and conveys the
water from the crest of an opposite hill, is a truly noble work, and,
though modern, worthy in every respect of a Roman ædile. It was erected
by the states of Languedoc in honour of Louis XIV. whose statue is
placed in the garden. Like the Pont du Gard, it consists of two tiers of
arches, fifty of which we counted in the lower range, and one hundred
and fifty in the upper, until the lessening perspective baffled all
farther attempts at reckoning. The architecture is inferior in dignity
and massiveness to that of the Roman work, but exceeds it in extent, and
probably in the quantity of masonry employed. Nothing can be more
elegant than its general form, and the manner in which it is united to
the terrace of the Place Peyrou.
Whatever natural objects are interesting in the environs, may be seen
also from this elevated spot, though I am inclined to think that the
views of distant Pyrenees which we were taught to expect, are a fiction
existing in the minds of some travellers. At all events, the glimpses
must be partial, and only to be obtained on a fine day. The Cevennes
mountains rise, however, to a tolerable height in the distance to the
west; and to the south-east, the remains of the old town and cathedral
of Maguelone, form a striking distant group, projecting like a low reef
of rocks into the sea at the distance of three or four miles. To judge
from the site of this ancient town, which tradition describes as the
original nucleus of Montpelier, the sea must have made great inroads on
the neighbouring coast. The air, it is said, is growing less wholesome
than formerly, owing probably to the accumulation of the etangs. From
the edge of the coast to Maguelone, the distance cannot be much less
than a mile and a half at low water.
The Montpelliards are considered a scientific people; and, at all
events, they seem to have found out the secret of perpetual motion, if
we may judge from the experience of the first night we spent in the
town. At half past nine, the principal street, which our hotel
overlooked, began to swarm with heads. The whole population were on the
alert, promenading during the greater part of the night; and such a busy
hum arose from beneath the windows, which the heat obliged us to keep
open, that it was impossible even to think of sleeping till daybreak.
Our accommodations indeed were not of the most tempting sort; for
finding the Hôtel du Midi full of travellers, and consequently saucy
and unaccommodating, we had tried the Cheval Blanc, described to us as
the next best hotel; and detestable enough we found it. On stepping
however next morning into a café and restaurant in the Place de Comedie,
whose superior appearance had attracted us, we found that M. Pical, the
master of it, was in the habit of letting rooms, and we immediately
removed to his house. Nothing indeed could be more clean and elegant
than its accommodations, or more refreshing after the dusty journey of
the former day, and the nightly bustle of the streets, than its quiet
and coolness, situated as it is in a large area in the suburbs or
boulevards. The salle-à-manger partakes of the same character with the
rest of the house, and the carte contains a list of many more good
things than we were inclined to do justice to. In short, no traveller
can do better than order himself to be driven directly to this house,
which comprises all the advantages of a private residence at a
reasonable charge, with the recommendations of great attention and
civility.
This day, May 16, we attended service at the French Protestant Church,
and were gratified both with spending a morning on the shores of the
Mediterranean in a manner which reminded us of an English Sunday, and
witnessing also the full and respectable attendance of fellow
Protestants. The service was performed in the following order:—1, a
psalm; 2, a general confession of sins; 3, another psalm; 4, a sermon;
5, the commandments and the creed; 6, a long prayer for the sick and
distressed, the king and the royal family; 7, another psalm, and the
blessing. The singing was impressive, not so much from any intrinsic
merit in the performance, as the earnestness in which the whole
congregation joined in it, "singing praises lustily with a good
courage," instead of deputing this branch of religious duty to half a
dozen yawning and jangling charity children, assisted by the clerk and
parish tailor. I believe it is an observation of Dr. Burney, in his
History of Handel's Commemoration, that no sound proceeding from a great
multitude can be discordant. In the present instance, certainly, the
separate voices qualified and softened down each other, so as to produce
a good compound. Of the sermon I cannot speak so favourably, for in
truth it savoured somewhat of the conventicle style. Its theme was
chiefly the raptures which persons experience under the influence of the
Holy Spirit, and it was calculated to discourage all whose imaginations
were not strong enough to assist in working them into this state. The
manner of the preacher was however good, and his delivery fluent; and so
great was the attention of the congregation, that during three quarters
of an hour not a sound interrupted his voice, until, on his pausing to
use his handkerchief, a general chorus of twanging noses took place,
giving a ludicrous effect to what was, in fact, a mark of restraint and
attention.
In the evening we departed for Cette. The road, according to the set
phrase of the French Itineraire, is through a "campagne de plus
agréables;" but our observation showed us only a bleak high common to
the right, and to the left a succession of etangs and sandy flats,
affording a prospect at once desolate and uninteresting. The space
between the etangs and the road is generally marshy; and instead of a
fine blue expanse of sea in motion, the horizon is commonly bounded by a
long white sandy line, over which the sails of the little vessels appear
very oddly. One or two houses erected on these ridges, which border the
etangs, give to the view, if possible, a still more desolate appearance,
being totally unaccompanied by even a tree or a patch of verdure, and
only serve to remind you of the nakedness of the land. Near Frontignan
the prospect improves, as far merely as concerns its fertility; for it
is in the vicinity of this town that the famous Frontignac wine, or to
denominate it more correctly, the Muscat de Frontignan, is made. The
only thing during this evening's route which could be considered as a
feature, was the lofty cape at whose foot Cette stands; a perfect idea
of which, from the side on which we approached it, is given by Vernet's
picture of that port, in the Louvre. A bridge of fifty-one arches,
traversing a series of swampy ground and etangs, connects this
promontory with terra-firma, and crosses the great Languedoc canal,
which communicates at this spot with the sea. A beautiful sunset, which
made the whole expanse of back-water appear of a rose-colour, and which,
I confess, I have seldom seen equalled in England, gave as much richness
to the view as it was capable of receiving. There is naturally but
little in it; and the effect of Vernet's view is derived from accidental
circumstances purposely introduced; so that, on the whole, we wished
that our evening's excursion had been confined to the Place Peyrou. I
should, however, conceive the air of Cette to be much better adapted to
tender lungs than that of Montpelier, as well from the difference of
temperature, perceptible even to a person in sound health, as from the
superior shelter which its situation affords; while the high and exposed
site of Montpelier leaves a doubt whether, in most cases it would not be
more hurtful than salutary. The productions of the neighbourhood of
Cette are also in a more forward condition than those of Montpelier. We
saw hedges of arbor vitæ in full flower; and peaches two-thirds grown,
in almost a wild state.
May 17.—We rose at five in the morning, desirous to secure a cool walk
to the Tour des Pilotes, a signal post on the high cape above Cette. The
sun was however prepared for us, and continued to grill us alive from
the first moment; and, after all, the prospect from this station, to
which you climb as if ascending the steep roof of a house, is not of a
nature to repay the exertion. We went to satisfy our consciences that
there was nothing to see, and we saw nothing. The Pyrenees, so far from
being visible near Montpelier, cannot be distinguished even from this
nearer point, excepting, perhaps, on a peculiarly clear day; and no
other feature worth mentioning occurs. The coast presents a bare and
uninhabited appearance, arising partly from the almost total want of
trees. Our perquisitions in the town of Cette itself were more
fortunate, though, by-the-by, it exceeds Lyons itself in dirt and ill
smells. It is a place of considerable trade in proportion to its size,
and is employed chiefly as an entrepôt for goods, which may be landed
and reshipped without paying duty: and a walk on the quay affords, in
consequence, considerable varieties of the human face divine, neat as
imported. I recognised a group of Catalan sailors by their brown jackets
embroidered with shreds of gaudy cloth, their red night-caps, and the
redicillas in which their hair was bagged. No race of men with whom I am
at all acquainted bear so marked a character of animation and decision
in every movement of ordinary life as these sturdy provincials, or would
be more remarked by a stranger among a mixed concourse of different
nations. The same exuberance of animal motion which degenerates into
restlessness and buffoonery in the Neapolitan, or the native of
Languedoc, assumes a more dignified character in the Catalan, who is
certainly a gentleman of Nature's own making. One of the crew, a tall
athletic fellow, was holding forth to the rest on some trivial matter
with a varied and graceful action, which might have served as a model to
a painter. The rest were at breakfast; but even their mode of pouring
the wine on their tongues at arm's length, from the long spout of a sort
of glass kettle, had somewhat classical in it, and reminded me of the
recumbent figure in the Herculanean painting, who is drinking in the
same manner. Simple as it may appear, this knack is not to be acquired
without a long apprenticeship, and I was ludicrously reminded of my
abortive efforts to master it by the sight of the party on the quay. It
certainly is adapted for making the most of any liquid, and might have
been adopted during such a scarcity of water as the Hanoverian consul
informed us existed in Cette during the former year. Not a drop of rain
fell for ten months, and water at last became dearer than wine.
On crossing the bridge, we observed a man on one of the piers, spearing
aiguilles de mer, a beautiful silvery fish, of which he had taken
several. They were about two feet long, and of the shape of an eel,
excepting in the form of their long picked heads and jaws, which
correspond exactly with their name. The tunny is also caught in
abundance near this part of the coast; and Vernet has introduced the
fishery, from a lack of picturesque circumstances, into one of his
sea-ports, painted by royal order. No other fish can better deserve this
particular compliment, uniting, as it does, size, flavour, and the
merits of both fish and flesh in a great degree. The "thon mariné" is
its plainest and best preparation, and is preferable, with a dish of
salad, to all the high-seasoned dishes which form a Provençal bill of
fare; in short, if our national sirloin obtained knighthood, such a good
lenten substitute as the tunny deserves canonization.[39] I cannot say
so much for the dish, common enough among Frenchmen, which a
well-dressed man, the harlequin to a troop of comedians, was eating in
the salle-à-manger when we entered; viz. a raw artichoke with oil and
vinegar. Sterne, it appears, little knew the extent of the ass's good
taste, when he deprived him of this article in the Tabella Cibaria, "to
see how he would eat a macaroon."
We set off at two o'clock in the day on our return to Montpelier, not a
little envying the horses and mules their cool quarters in the immense
remise. Within a mile of Cette lies the breakwater of rough stones,
which forms a prominent object in the foreground of Vernet's picture,
and serves to ascertain the spot from whence he took his design. At
Villeneuve, where we stopped to bait the horses, we were diverted by a
scene characteristic of the country. A bag had just been found on the
road by the conductor of the Cette diligence, which drove up to the inn
while we were there; and on Durand disowning it, a shabby-looking foot
passenger claimed it, but could not establish his plea by identifying a
single article. In a few seconds every soul in the inn, excepting
ourselves, was assembled to take part in the discussion, and argued the
pro and con with a vehemence of voice and action, which would have made
a stranger believe it was a matter of life and death to each. A female
inside-passenger, with an infant in her arms, which she nearly let drop
in her energies, was the coryphée of this chorus of tongues, which could
be compared to nothing but bees in the act of swarming, or the cackle
which the entrance of a fox causes in a hen-roost. We were no longer
surprised at hearing the peasants whom we met conversing in a tone which
we had mistaken for quarrelling. The French generally, indeed, are fond
of noise and action and emphasis about what does not concern their own
interests a jot, while a London mob indulges an equal degree of
curiosity by silent gaping; but these good folks certainly outdid
anything I ever witnessed in France before. An action for defamation
brought in Languedoc[40] might, with propriety, be worded, "that the
defendant did, with four-and-twenty mouths, four-and-twenty tongues, and
four-and-twenty pair of lungs, vilify and damnify his neighbour's
reputation;" for it is probable that a scolding match could not take
place in the open air of that country, without enlisting volunteer
seconds to that amount on both sides, all equally bawling and violent.
At Nismes, a fellow bellows across the street to offer himself as
cicerone, in a tone which seems intended to warn you of a mad dog at
your heels; and, in general, the lungs of Languedoc appear constructed
on a larger and more discordant scale than is usual, and their
volubility is rather a contradiction to the yea and nay appellation of
the country. A respectable Frenchman informed us, that the peasants of
Languedoc were considered to possess much wit and ingenuity by those who
could understand their patois, which he frankly owned was unintelligible
to himself. Their liveliness and animal exuberance are as strong a
contrast to the immoveable form into which they are swathed when
infants, as the flutter of a butterfly is to its torpidity as a
chrysalis; indeed a fanciful person might be apt to suppose, that on
emerging from their bandages, they indemnify themselves for the previous
constraint by a life of perpetual fidget, and that the same re-action
takes place as in the case of Munchausen's horn, which played for half
an hour of its own accord when unfrozen. To speak seriously, nothing can
be more piteously ridiculous than the state of a poor Languedoc child,
swathed and bandaged into all the rigidity of a mummy, and totally
motionless. Our friend H. declares, that his attention was once drawn
behind a door by a faint cry, and that he there discovered and took down
one of these little teraphims from the hook by which it hung suspended
by a loop, like a young American savage. "C'est la mode du pays," is the
only account of the practice which you get either here or at Nice; and
it is fortunate that they have not still improved on it by a hint from
the black nurses of Barbadoes, who embalm weakly young Creoles in
wrappers lined with assa-foetida, and think it prejudicial to "burst
their cerements" more than once in a fortnight.
After our horses had eaten a pound of honey with their corn, which
honest Durand considered a powerful cordial, we resumed our route, and
reached Montpelier to a late dinner, enjoying in no small degree the
coolness and quiet of Pical's house. It was indeed the love of quiet,
and the dislike to a constant ferment, which drove our landlord from
Nismes to settle in this place. The bigotry and party zeal of the former
town, in truth, appear to have been hardly exaggerated in the accounts
which have reached England, and to exist in such a degree as to render
Nismes an unsafe place for a moderate man, who is owned by neither
party. The spirit of discord and enmity is instilled by the more violent
of both parties into their children as a duty, so that it will probably
descend from generation to generation. Both parties, indeed, might adopt
as a crest and motto a boot-maker's sign in Montpelier, which is
somewhat diverting from its bombast, when merely applied as honest
Crispin meant it. A lion is represented tearing a boot, with the
inscription, "Tu peux me dechirer, mais jamais me decoudre." Construe
it, "You may cut my throat, but not alter me," and it will show the
pleasant state of party spirit at Nismes, if what we heard so near the
scene of action be true. We returned to Nismes on the 18th with
associations not so pleasant as had been created by its beautiful walks
and buildings, and the civility with which our questions were answered
by the inhabitants. We might have seen the country between Montpelier
and Nismes to greater advantage, the dust being somewhat less stifling
than before; but unluckily there was nothing worth seeing. The district
is certainly a garden, but then it is a flat uninteresting kitchen
garden, for the supply of the Lunel brandy merchants, and the rich
Nismes manufacturers, who appear too polite in their tastes to venture
into it. Hardly a single thing that can be called a gentleman's house
occurs, and that not for want of culture or opulence. The case seems to
be this; the people of Nismes, like the Bordelais, are proud of their
elegant and airy city, embellished with classical relics, and uniting
most of the advantages of town and country, and are well satisfied
without the campagne which a rich Lyonnais, carrying on his business in
a close town, considers as his paradise. Although this system of "rus in
urbe" gives but a mean and poor appearance to the environs of a town, it
produces much pleasure and convenience to such resident strangers as can
enjoy the society of Nismes, which, by all accounts, must somewhat
resemble sleeping in Exeter 'Change, the keepers, in the shape of a
strong preventive force of military, on the alert, it is true, and the
bars are well secured, but the beasts only watch their opportunity to
tear each other to pieces. How an Englishman would fare in a public
disturbance is difficult to say. It is probable that the Catholics would
abominate him as a heretic, and the Protestants denounce him as an
anti-Buonapartist, and that he would consequently be thrust from the one
to the other, like a new comer between two roguish school-boys. This,
however, was no concern of ours, as we left Nismes the next morning on
the road to Beaucaire. The old Pharos was the last landmark we took
leave of, as it was the first of which we caught sight. It contrasts
with the Maison Carrée as a wild legend of the dark ages would with a
letter of Pliny; and though rough in its fabric, and uncertain in its
history, dwells as strongly on the recollection as that highly-finished
gem.
"The tower by war or tempest bent,
While yet may frown one battlement,
Demands and daunts the stranger's eye,
Each ivied arch and pillar lone
Pleads haughtily for glories gone!"