Humanistic Studies of the University of Kansas, by Selden Lincoln Whitcomb, Editor

About this eBook

Author

Mitchell, Arthur, 1872-1953

Title

Humanistic Studies of the University of Kansas, Vol. 1

Credits

Produced by Jonathan Ingram, Shirley McAleer and the Online Distributed Proofreading Team at www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Language

English

LoC Class

LD: Education: Individual institutions: United States

Subject

Humanities

Category

Text

Project Gutenberg

eBook-No. 51685

Release Date

April 7, 2016

Copyright

Public domain in the USA.

Contents

1. 1.HUMANISTIC STUDIES OF THE UNIVERSITY OF KANSAS
2. 2.Untitled
3. 3.CONTENTS — STUDIES IN THE WORK OF COLLEY CIBBER
4. 4.CONTENTS
5. 5.I
6. 6.II
7. 7.BIBLIOGRAPHY
8. 8.FOOTNOTES:
9. 9.STUDIES IN BERGSON’S PHILOSOPHY
10. 10.CONTENTS
11. 11.Untitled
12. 12.PART ONE — Chapter I
13. 13.Chapter II
14. 14.Chapter III
15. 15.PART TWO — Chapter I
16. 16.Chapter II
17. 17.Chapter III
18. 18.Chapter IV
19. 19.Chapter V
20. 20.PART THREE — Bergson’s Genius
21. 21.FOOTNOTES:
22. 22.BROWNING AND ITALIAN ART AND ARTISTS
23. 23.Untitled
24. 24.Untitled
25. 25.CONTENTS
26. 26.CHAPTER I — I. Subject matter of browning’s poems. — II. Interest in music. — III. Relation to painting. — IV. Relation to sculpture. — V. Significance of the preceding sections. — VI. Time spent in italy. — VII. English knowledge of italian art in browning’s time. — VIII. Non-english themes and settings in general. — IX. A quantitative statement.
27. 27.CHAPTER II — I. General statement. — II. Historical scope. — III. Poetic functions of the references to sculpture. — IV. Source of browning’s knowledge.
28. 28.CHAPTER III — I. General statement. — II. Catholic hymns. — III. Poetic functions of the references to music. — IV. Lack of modern italian references. — V. Conformity to facts. — VI. Source of browning’s knowledge.
29. 29.CHAPTER IV — I. General statement. — II. Predominance in early poems. — III. Sordello. — IV. The imaginary poets. — V. The italian as the type of failure. — VI. Italian men of letters: dante. — VII. Other real writers. — VIII. Browning’s knowledge of italian literature. — IX. Browning’s interest in italian literature.
30. 30.CHAPTER V — I. General statement. — II. Source of browning’s knowledge. — III. Importance of architecture in the poems. — IV. Comparison with other writers. — V. Architecture and personality.
31. 31.CHAPTER VI — I. General statement. — II. Extent of browning’s knowledge. — III. Irregular distribution of references. — IV. Sources of the poems. — V. Poetic functions of the references to painting. — VI. Conformity to history.
32. 32.CHAPTER VII — I. Poetic function and method. — II. Amount of material used from each of the fine arts. — III. Personality and the arts. — IV. Browning as the poet of humanity.
33. 33.APPENDIX — I. Poems Containing Reference to Italian Art. — II. Tabulation of References To Individual Arts.
34. 34.INDEX
35. 35.FOOTNOTES:
36. 36.THE SEMANTICS OF -MENTUM, -BULUM, AND -CULUM
37. 37.Untitled
38. 38.CONTENTS
39. 39.CHAPTER I
40. 40.CHAPTER II — I -MENTUM — II -BULUM — III -CULUM
41. 41.CHAPTER III
42. 42.CHAPTER IV
43. 43.CHAPTER V
44. 44.INDEX OF WORDS
45. 45.FOOTNOTES:
46. 46.Untitled

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