It was not till the following spring
that I plucked up courage to tell
Mrs. Bridgeworth what had
happened to me that night at
Morgat.
In the first place, Mrs. Bridgeworth was
in America; and after the night in question
I lingered on abroad for several months—not
for pleasure, God knows, but because of
a nervous collapse supposed to be the result
of having taken up my work again too soon
after my touch of fever in Egypt. But, in
any case, if I had been door to door with
Grace Bridgeworth I could not have spoken
of the affair before, to her or to any one else;
not till I had been rest-cured and built up
again at one of those wonderful Swiss sanatoria
2where they clean the cobwebs out of
you. I could not even have written to her—not
to save my life. The happenings of that
night had to be overlaid with layer upon
layer of time and forgetfulness before I
could tolerate any return to them.
The beginning was idiotically simple; just
the sudden reflex of a New England conscience
acting on an enfeebled constitution.
I had been painting in Brittany, in lovely but
uncertain autumn weather, one day all blue
and silver, the next shrieking gales or driving
fog. There is a rough little white-washed
inn out on the Pointe du Raz, swarmed over
by tourists in summer but a sea-washed solitude
in autumn; and there I was staying and
trying to do waves, when some one said:
“You ought to go over to Cape something
else, beyond Morgat.”
I went, and had a silver-and-blue day
there; and on the way back the name of
Morgat set up an unexpected association
of ideas: Morgat—Grace Bridgeworth—Grace’s
sister, Mary Pask—“You know my
darling Mary has a little place now near
Morgat; if you ever go to Brittany do go to
3see her. She lives such a lonely life—it
makes me so unhappy.”
That was the way it came about. I had
known Mrs. Bridgeworth well for years,
but had only a hazy intermittent acquaintance
with Mary Pask, her older and unmarried
sister. Grace and she were greatly
attached to each other, I knew; it had been
Grace’s chief sorrow, when she married my
old friend Horace Bridgeworth, and went
to live in New York, that Mary, from whom
she had never before been separated, obstinately
lingered on in Europe, where the two
sisters had been travelling since their
mother’s death. I never quite understood
why Mary Pask refused to join Grace in
America. Grace said it was because she was
“too artistic”—but, knowing the elder Miss
Pask, and the extremely elementary nature
of her interest in art, I wondered whether it
were not rather because she disliked Horace
Bridgeworth. There was a third alternative—more
conceivable if one knew Horace—and
that was that she may have liked him
too much. But that again became untenable
(at least I supposed it did) when one knew
4Miss Pask: Miss Pask with her round
flushed face, her innocent bulging eyes, her
old-maidish flat decorated with art-tidies,
and her vague and timid philanthropy.
Aspire to Horace—!
Well, it was all rather puzzling, or would
have been if it had been interesting enough
to be worth puzzling over. But it was not.
Mary Pask was like hundreds of other
dowdy old maids, cheerful derelicts content
with their innumerable little substitutes for
living. Even Grace would not have interested
me particularly if she hadn’t happened
to marry one of my oldest friends, and to
be kind to his friends. She was a handsome
capable and rather dull woman, absorbed in
her husband and children, and without an
ounce of imagination; and between her
attachment to her sister and Mary Pask’s
worship of her there lay the inevitable gulf
between the feelings of the sentimentally
unemployed and those whose affections are
satisfied. But a close intimacy had linked
the two sisters before Grace’s marriage, and
Grace was one of the sweet conscientious
women who go on using the language of
5devotion about people whom they live
happily without seeing; so that when she
said: “You know it’s years since Mary and
I have been together—not since little Molly
was born. If only she’d come to America!
Just think ... Molly is six, and has never
seen her darling auntie ...” when she said
this, and added: “If you go to Brittany
promise me you’ll look up my Mary,” I was
moved in that dim depth of one where unnecessary
obligations are contracted.
And so it came about that, on that silver-and-blue
afternoon, the idea “Morgat—Mary
Pask—to please Grace” suddenly
unlocked the sense of duty in me. Very
well: I would chuck a few things into my bag,
do my day’s painting, go to see Miss Pask
when the light faded, and spend the night at
the inn at Morgat. To this end I ordered
a rickety one-horse vehicle to await me at
the inn when I got back from my painting,
and in it I started out toward sunset to hunt
for Mary Pask....
As suddenly as a pair of hands clapped
over one’s eyes, the sea-fog shut down on
us. A minute before we had been driving
6over a wide bare upland, our backs turned to
a sunset that crimsoned the road ahead; now
the densest night enveloped us. No one had
been able to tell me exactly where Miss Pask
lived; but I thought it likely that I should
find out at the fishers’ hamlet toward which
we were trying to make our way. And I
was right ... an old man in a doorway
said: Yes—over the next rise, and then
down a lane to the left that led to the sea;
the American lady who always used to dress
in white. Oh, he knew ... near the Baie
des Trépassés.
“Yes; but how can we see to find it? I
don’t know the place,” grumbled the reluctant
boy who was driving me.
“You will when we get there,” I remarked.
“Yes—and the horse foundered meantime!
I can’t risk it, sir; I’ll get into trouble
with the patron.”
Finally an opportune argument induced
him to get out and lead the stumbling horse,
and we continued on our way. We seemed
to crawl on for a long time through a wet
blackness impenetrable to the glimmer of our
only lamp. But now and then the pall lifted
7or its folds divided; and then our feeble
light would drag out of the night some
perfectly commonplace object—a white gate,
a cow’s staring face, a heap of roadside
stones—made portentous and incredible by
being thus detached from its setting, capriciously
thrust at us, and as suddenly withdrawn.
After each of these projections the
darkness grew three times as thick; and the
sense I had had for some time of descending
a gradual slope now became that of scrambling
down a precipice. I jumped out hurriedly
and joined my young driver at the
horse’s head.
“I can’t go on—I won’t, sir!” he whimpered.
“Why, see, there’s a light over there—just
ahead!”
The veil swayed aside, and we beheld two
faintly illuminated squares in a low mass
that was surely the front of a house.
“Get me as far as that—then you can go
back if you like.”
The veil dropped again; but the boy had
seen the lights and took heart. Certainly
there was a house ahead of us; and certainly
8it must be Miss Pask’s, since there could
hardly be two in such a desert. Besides, the
old man in the hamlet had said: “Near the
sea”; and those endless modulations of the
ocean’s voice, so familiar in every corner of
the Breton land that one gets to measure
distances by them rather than by visual
means, had told me for some time past that
we must be making for the shore. The boy
continued to lead the horse on without
making any answer. The fog had shut in
more closely than ever, and our lamp merely
showed us the big round drops of wet on the
horse’s shaggy quarters.
The boy stopped with a jerk. “There’s
no house—we’re going straight down to the
sea.”
“But you saw those lights, didn’t you?”
“I thought I did. But where are they
now? The fog’s thinner again. Look—I
can make out trees ahead. But there are no
lights any more.”
“Perhaps the people have gone to bed,”
I suggested jocosely.
“Then hadn’t we better turn back, sir?”
“What—two yards from the gate?”
9The boy was silent: certainly there was a
gate ahead, and presumably, behind the dripping
trees, some sort of dwelling. Unless
there was just a field and the sea ... the
sea whose hungry voice I heard asking and
asking, close below us. No wonder the place
was called the Bay of the Dead! But what
could have induced the rosy benevolent Mary
Pask to come and bury herself there? Of
course the boy wouldn’t wait for me.... I
knew that ... the Baie des Trépassés indeed!
The sea whined down there as if
it were feeding-time, and the Furies, its
keepers, had forgotten it....
There was the gate! My hand had struck
against it. I felt along to the latch, undid
it, and brushed between wet bushes to the
house-front. Not a candle-glint anywhere.
If the house were indeed Miss Pask’s, she
certainly kept early hours....
Night and fog were now one, and the
darkness as thick as a blanket. I felt vainly
about for a bell. At last my hand came in
10contact with a knocker and I lifted it. The
clatter with which it fell sent a prolonged
echo through the silence; but for a minute or
two nothing else happened.
“There’s no one there, I tell you!” the
boy called impatiently from the gate.
But there was. I had heard no steps inside,
but presently a bolt shot back, and an
old woman in a peasant’s cap pushed her
head out. She had set her candle down on a
table behind her, so that her face, aureoled
with lacy wings, was in obscurity; but I knew
she was old by the stoop of her shoulders and
her fumbling movements. The candle-light,
which made her invisible, fell full on my face,
and she looked at me.
“This is Miss Mary Pask’s house?”
“Yes, sir.” Her voice—a very old voice—was
pleasant enough, unsurprised and even
friendly.
“I’ll tell her,” she added, shuffling off.
“Do you think she’ll see me?” I threw
after her.
“Oh, why not? The idea!” she almost
chuckled. As she retreated I saw that she
was wrapped in a shawl and had a cotton
11umbrella under her arm. Obviously she was
going out—perhaps going home for the
night. I wondered if Mary Pask lived all
alone in her hermitage.
The old woman disappeared with the candle
and I was left in total darkness. After
an interval I heard a door shut at the back
of the house and then a slow clumping of
aged sabots along the flags outside. The
old woman had evidently picked up her
sabots in the kitchen and left the house. I
wondered if she had told Miss Pask of my
presence before going, or whether she had
just left me there, the butt of some grim
practical joke of her own. Certainly there
was no sound within doors. The footsteps
died out, I heard a gate click—then complete
silence closed in again like the fog.
“I wonder—” I began within myself; and
at that moment a smothered memory struggled
abruptly to the surface of my languid
mind.
“But she’s dead—Mary Pask is dead!”
I almost screamed it aloud in my amazement.
It was incredible, the tricks my memory
had played on me since my fever! I had
12known for nearly a year that Mary Pask
was dead—had died suddenly the previous
autumn—and though I had been thinking of
her almost continuously for the last two or
three days it was only now that the forgotten
fact of her death suddenly burst up again
to consciousness.
Dead! But hadn’t I found Grace Bridgeworth
in tears and crape the very day I
had gone to bid her good-bye before sailing
for Egypt? Hadn’t she laid the cable before
my eyes, her own streaming with tears
while I read: “Sister died suddenly this
morning requested burial in garden of house
particulars by letter”—with the signature of
the American Consul at Brest, a friend of
Bridgeworth’s I seemed to recall? I could
see the very words of the message printed
on the darkness before me.
As I stood there I was a good deal more
disturbed by the discovery of the gap in my
memory than by the fact of being alone in
a pitch-dark house, either empty or else inhabited
by strangers. Once before of late
I had noted this queer temporary blotting-out
of some well-known fact; and here was
13a second instance of it. Decidedly, I wasn’t
as well over my illness as the doctors had
told me.... Well, I would get back to
Morgat and lie up there for a day or two,
doing nothing, just eating and sleeping....
In my self-absorption I had lost my bearings,
and no longer remembered where the
door was. I felt in every pocket in turn for
a match—but since the doctors had made
me give up smoking, why should I have
found one?
The failure to find a match increased my
sense of irritated helplessness, and I was
groping clumsily about the hall among the
angles of unseen furniture when a light
slanted along the rough-cast wall of the
stairs. I followed its direction, and on the
landing above me I saw a figure in white
shading a candle with one hand and looking
down. A chill ran along my spine, for the
figure bore a strange resemblance to that of
Mary Pask as I used to know her.
“Oh, it’s you!” she exclaimed in the
cracked twittering voice which was at one
moment like an old woman’s quaver, at another
14like a boy’s falsetto. She came shuffling
down in her baggy white garments, with
her usual clumsy swaying movements; but I
noticed that her steps on the wooden stairs
were soundless. Well—they would be,
naturally!
I stood without a word, gazing up at the
strange vision above me, and saying to myself:
“There’s nothing there, nothing whatever.
It’s your digestion, or your eyes, or
some damned thing wrong with you
somewhere—”
But there was the candle, at any rate; and
as it drew nearer, and lit up the place about
me, I turned and caught hold of the doorlatch.
For, remember, I had seen the cable,
and Grace in crape....
“Why, what’s the matter? I assure you,
you don’t disturb me!” the white figure
twittered; adding, with a faint laugh: “I
don’t have so many visitors nowadays—”
She had reached the hall, and stood before
me, lifting her candle shakily and peering up
into my face. “You haven’t changed—not
as much as I should have thought. But I
have, haven’t I?” she appealed to me with
15another laugh; and abruptly she laid her
hand on my arm. I looked down at the
hand, and thought to myself: “That can’t
deceive me.”
I have always been a noticer of hands.
The key to character that other people seek
in the eyes, the mouth, the modelling of the
skull, I find in the curve of the nails, the cut
of the finger-tips, the way the palm, rosy or
sallow, smooth or seamed, swells up from
its base. I remembered Mary Pask’s hand
vividly because it was so like a caricature
of herself; round, puffy, pink, yet prematurely
old and useless. And there, unmistakably,
it lay on my sleeve: but changed
and shrivelled—somehow like one of those
pale freckled toadstools that the least touch
resolves to dust.... Well—to dust? Of
course....
I looked at the soft wrinkled fingers, with
their foolish little oval finger-tips that used
to be so innocently and naturally pink, and
now were blue under the yellowing nails—and
my flesh rose in ridges of fear.
“Come in, come in,” she fluted, cocking
her white untidy head on one side and rolling
16her bulging blue eyes at me. The horrible
thing was that she still practised the same
arts, all the childish wiles of a clumsy capering
coquetry. I felt her pull on my sleeve
and it drew me in her wake like a steel cable.
The room she led me into was—well, “unchanged”
is the term generally used in such
cases. For as a rule, after people die,
things are tidied up, furniture is sold, remembrances
are despatched to the family.
But some morbid piety (or Grace’s instructions,
perhaps) had kept this room looking
exactly as I supposed it had in Miss Pask’s
lifetime. I wasn’t in the mood for noting
details; but in the faint dabble of moving
candle-light I was half aware of bedraggled
cushions, odds and ends of copper pots, and
a jar holding a faded branch of some late-flowering
shrub. A real Mary Pask “interior”!
The white figure flitted spectrally to the
chimney-piece, lit two more candles, and set
down the third on a table. I hadn’t supposed
I was superstitious—but those three candles!
Hardly knowing what I did, I hurriedly bent
17and blew one out. Her laugh sounded behind
me.
“Three candles—you still mind that sort
of thing? I’ve got beyond all that, you
know,” she chuckled. “Such a comfort ...
such a sense of freedom....” A fresh
shiver joined the others already coursing
over me.
“Come and sit down by me,” she entreated,
sinking to a sofa. “It’s such an age since
I’ve seen a living being!”
Her choice of terms was certainly strange,
and as she leaned back on the white slippery
sofa and beckoned me with one of those unburied
hands my impulse was to turn and run.
But her old face, hovering there in the
candle-light, with the unnaturally red cheeks
like varnished apples and the blue eyes
swimming in vague kindliness, seemed to appeal
to me against my cowardice, to remind
me that, dead or alive, Mary Pask would
never harm a fly.
“Do sit down!” she repeated, and I took
the other corner of the sofa.
“It’s so wonderfully good of you—I suppose
18Grace asked you to come?” She laughed
again—her conversation had always been
punctuated by rambling laughter. “It’s an
event—quite an event! I’ve had so few
visitors since my death, you see.”
Another bucketful of cold water ran over
me; but I looked at her resolutely, and again
the innocence of her face disarmed me.
I cleared my throat and spoke—with a
huge panting effort, as if I had been heaving
up a grave-stone. “You live here alone?”
I brought out.
“Ah, I’m glad to hear your voice—I still
remember voices, though I hear so few,” she
murmured dreamily. “Yes—I live here
alone. The old woman you saw goes away
at night. She won’t stay after dark ...
she says she can’t. Isn’t it funny? But it
doesn’t matter; I like the darkness.” She
leaned to me with one of her irrelevant
smiles. “The dead,” she said, “naturally
get used to it.”
Once more I cleared my throat; but
nothing followed.
She continued to gaze at me with confidential
blinks. “And Grace? Tell me all
19about my darling. I wish I could have seen
her again ... just once.” Her laugh came
out grotesquely. “When she got the news
of my death—were you with her? Was she
terribly upset?”
I stumbled to my feet with a meaningless
stammer. I couldn’t answer—I couldn’t go
on looking at her.
“Ah, I see ... it’s too painful,” she
acquiesced, her eyes brimming, and she
turned her shaking head away.
“But after all ... I’m glad she was so
sorry.... It’s what I’ve been longing to be
told, and hardly hoped for. Grace forgets....”
She stood up too and flitted
across the room, wavering nearer and nearer
to the door.
“Thank God,” I thought, “she’s going.”
“Do you know this place by daylight?”
she asked abruptly.
I shook my head.
“It’s very beautiful. But you wouldn’t
have seen me then. You’d have had to take
your choice between me and the landscape.
I hate the light—it makes my head ache.
20And so I sleep all day. I was just waking
up when you came.” She smiled at me with
an increasing air of confidence. “Do you
know where I usually sleep? Down below
there—in the garden!” Her laugh shrilled
out again. “There’s a shady corner down
at the bottom where the sun never bothers
one. Sometimes I sleep there till the stars
come out.”
The phrase about the garden, in the
consul’s cable, came back to me and I
thought: “After all, it’s not such an unhappy
state. I wonder if she isn’t better off than
when she was alive?”
Perhaps she was—but I was sure I wasn’t,
in her company. And her way of sidling
nearer to the door made me distinctly want
to reach it before she did. In a rush of
cowardice I strode ahead of her—but a
second later she had the latch in her hand
and was leaning against the panels, her long
white raiment hanging about her like grave-clothes.
She drooped her head a little
sideways and peered at me under her lashless
lids.
“You’re not going?” she reproached me.
21I dived down in vain for my missing voice,
and silently signed that I was.
“Going—going away? Altogether?”
Her eyes were still fixed on me, and I saw
two tears gather in their corners and run
down over the red glistening circles on her
cheeks. “Oh, but you mustn’t,” she said
gently. “I’m too lonely....”
I stammered something inarticulate, my
eyes on the blue-nailed hand that grasped the
latch. Suddenly the window behind us
crashed open, and a gust of wind, surging in
out of the blackness, extinguished the candle
on the nearest chimney-corner. I glanced
back nervously to see if the other candle were
going out too.
“You don’t like the noise of the wind? I
do. It’s all I have to talk to.... People
don’t like me much since I’ve been dead.
Queer, isn’t it? The peasants are so superstitious.
At times I’m really lonely....”
Her voice cracked in a last effort at laughter,
and she swayed toward me, one hand still on
the latch.
“Lonely, lonely! If you knew how lonely!
It was a lie when I told you I wasn’t! And
22now you come, and your face looks friendly ... and you say you’re going to leave me!
No—no—no—you shan’t! Or else, why
did you come? It’s cruel.... I used to
think I knew what loneliness was ... after
Grace married, you know. Grace thought
she was always thinking of me, but she
wasn’t. She called me ‘darling,’ but she was
thinking of her husband and children. I said
to myself then: ‘You couldn’t be lonelier if
you were dead.’ But I know better now....
There’s been no loneliness like this last
year’s ... none! And sometimes I sit here
and think: ‘If a man came along some day
and took a fancy to you?’” She gave another
wavering cackle. “Well, such things
have happened, you know, even after youth’s
gone ... a man who’d had his troubles
too. But no one came till tonight ... and
now you say you’re going!” Suddenly she
flung herself toward me. “Oh, stay with
me, stay with me ... just tonight....
It’s so sweet and quiet here.... No one
need know ... no one will ever come and
trouble us.”
I ought to have shut the window when the
23first gust came. I might have known there
would soon be another, fiercer one. It came
now, slamming back the loose-hinged lattice,
filling the room with the noise of the sea and
with wet swirls of fog, and dashing the other
candle to the floor. The light went out, and
I stood there—we stood there—lost to each
other in the roaring coiling darkness. My
heart seemed to stop beating; I had to fetch
up my breath with great heaves that covered
me with sweat. The door—the door—well,
I knew I had been facing it when the candle
went. Something white and wraithlike
seemed to melt and crumple up before me in
the night, and avoiding the spot where it had
sunk away I stumbled around it in a wide
circle, got the latch in my hand, caught my
foot in a scarf or sleeve, trailing loose and
invisible, and freed myself with a jerk from
this last obstacle. I had the door open now.
As I got into the hall I heard a whimper
from the blackness behind me; but I scrambled
on to the hall door, dragged it open
and bolted out into the night. I slammed the
door on that pitiful low whimper, and the fog
and wind enveloped me in healing arms.
24
When I was well enough to trust myself
to think about it all again I found that a
very little thinking got my temperature up,
and my heart hammering in my throat. No
use.... I simply couldn’t stand it ... for
I’d seen Grace Bridgeworth in crape, weeping
over the cable, and yet I’d sat and talked
with her sister, on the same sofa—her sister
who’d been dead a year!
The circle was a vicious one; I couldn’t
break through it. The fact that I was down
with fever the next morning might have
explained it; yet I couldn’t get away from
the clinging reality of the vision. Supposing
it was a ghost I had been talking to, and not
a mere projection of my fever? Supposing
something survived of Mary Pask—enough
to cry out to me the unuttered loneliness of a
lifetime, to express at last what the living
woman had always had to keep dumb and
hidden? The thought moved me curiously—in
my weakness I lay and wept over it.
No end of women were like that, I supposed,
and perhaps, after death, if they got
25their chance they tried to use it.... Old
tales and legends floated through my mind;
the bride of Corinth, the mediaeval vampire—but
what names to attach to the plaintive
image of Mary Pask!
My weak mind wandered in and out
among these visions and conjectures, and the
longer I lived with them the more convinced
I became that something which had been
Mary Pask had talked with me that night....
I made up my mind, when I was up
again, to drive back to the place (in broad
daylight, this time), to hunt out the grave
in the garden—that “shady corner where
the sun never bothers one”—and appease the
poor ghost with a few flowers. But the
doctors decided otherwise; and perhaps my
weak will unknowingly abetted them. At
any rate, I yielded to their insistence that I
should be driven straight from my hotel to
the train for Paris, and thence transshipped,
like a piece of luggage, to the Swiss sanatorium
they had in view for me. Of course
I meant to come back when I was patched
up again ... and meanwhile, more and
more tenderly, but more intermittently, my
26thoughts went back from my snow-mountain
to that wailing autumn night above the Baie
des Trépassés, and the revelation of the dead
Mary Pask who was so much more real to
me than ever the living one had been.
After all, why should I tell Grace Bridgeworth—ever?
I had had a glimpse of things
that were really no business of hers. If the
revelation had been vouchsafed to me, ought
I not to bury it in those deepest depths where
the inexplicable and the unforgettable sleep
together? And besides, what interest could
there be to a woman like Grace in a tale she
could neither understand nor believe in?
She would just set me down as “queer”—and
enough people had done that already.
My first object, when I finally did get back
to New York, was to convince everybody of
my complete return to mental and physical
soundness; and into this scheme of evidence
my experience with Mary Pask did not seem
to fit. All things considered, I would hold
my tongue.
27But after a while the thought of the grave
began to trouble me. I wondered if Grace
had ever had a proper grave-stone put on it.
The queer neglected look of the house gave
me the idea that perhaps she had done
nothing—had brushed the whole matter
aside, to be attended to when she next went
abroad. “Grace forgets,” I heard the poor
ghost quaver.... No, decidedly, there
could be no harm in putting (tactfully) just
that one question about the care of the grave;
the more so as I was beginning to reproach
myself for not having gone back to see with
my own eyes how it was kept....
Grace and Horace welcomed me with all
their old friendliness, and I soon slipped into
the habit of dropping in on them for a meal
when I thought they were likely to be alone.
Nevertheless my opportunity didn’t come at
once—I had to wait for some weeks. And
then one evening, when Horace was dining
out and I sat alone with Grace, my glance
lit on a photograph of her sister—an old
faded photograph which seemed to meet my
eyes reproachfully.
“By the way, Grace,” I began with a jerk,
28“I don’t believe I ever told you: I went down
to that little place of ... of your sister’s
the day before I had that bad relapse.”
At once her face lit up emotionally. “No,
you never told me. How sweet of you to
go!” The ready tears overbrimmed her
eyes. “I’m so glad you did.” She lowered
her voice and added softly: “And did you
see her?”
The question sent one of my old shudders
over me. I looked with amazement at Mrs.
Bridgeworth’s plump face, smiling at me
through a veil of painless tears. “I do reproach
myself more and more about darling
Mary,” she added tremulously. “But tell
me—tell me everything.”
There was a knot in my throat; I felt
almost as uncomfortable as I had in Mary
Pask’s own presence. Yet I had never before
noticed anything uncanny about Grace
Bridgeworth. I forced my voice up to my
lips.
“Everything? Oh, I can’t—.” I tried to
smile.
“But you did see her?”
29I managed to nod, still smiling.
Her face grew suddenly haggard—yes,
haggard! “And the change was so dreadful
that you can’t speak of it? Tell me—was
that it?”
I shook my head. After all, what had
shocked me was that the change was so slight—that
between being dead and alive there
seemed after all to be so little difference,
except that of a mysterious increase in reality.
But Grace’s eyes were still searching me
insistently. “You must tell me,” she reiterated.
“I know I ought to have gone there
long ago—”
“Yes; perhaps you ought.” I hesitated.
“To see about the grave, at least....”
She sat silent, her eyes still on my face.
Her tears had stopped, but her look of solicitude
slowly grew into a stare of something
like terror. Hesitatingly, almost reluctantly,
she stretched out her hand and laid
it on mine for an instant. “Dear old
friend—” she began.
“Unfortunately,” I interrupted, “I
couldn’t get back myself to see the grave ...
30because I was taken ill the next
day....”
“Yes, yes; of course. I know.” She
paused. “Are you sure you went there at
all?” she asked abruptly.
“Sure? Good Lord—” It was my turn
to stare. “Do you suspect me of not being
quite right yet?” I suggested with an
uneasy laugh.
“No—no ... of course not ... but I
don’t understand.”
“Understand what? I went into the
house.... I saw everything, in fact, but
her grave....”
“Her grave?” Grace jumped up, clasping
her hands on her breast and darting away
from me. At the other end of the room she
stood and gazed, and then moved slowly
back.
“Then, after all—I wonder?” She held
her eyes on me, half fearful and half reassured.
“Could it be simply that you never
heard?”
“Never heard?”
“But it was in all the papers! Don’t you
ever read them? I meant to write.... I
31thought I had written ... but I said: ‘At
any rate he’ll see it in the papers’.... You
know I’m always lazy about letters....”
“See what in the papers?”
“Why, that she didn’t die.... She isn’t
dead! There isn’t any grave, my dear
man! It was only a cataleptic trance....
An extraordinary case, the doctors say....
But didn’t she tell you all about it—if you
say you saw her?” She burst into half-hysterical
laughter: “Surely she must have
told you that she wasn’t dead?”
“No,” I said slowly, “she didn’t tell me
that.”
We talked about it together for a long
time after that—talked on till Horace came
back from his men’s dinner, after midnight.
Grace insisted on going in and out of the
whole subject, over and over again. As she
kept repeating, it was certainly the only time
that poor Mary had ever been in the papers.
But though I sat and listened patiently I
couldn’t get up any real interest in what she
said. I felt I should never again be interested
in Mary Pask, or in anything concerning
her.
THE YOUNG GENTLEMEN — I — II — III — IV — V — VI
32
The uniform newness of a new
country gives peculiar relief to its
few relics of antiquity—a term
which, in America, may fairly
enough be applied to any building already
above ground when the colony became a
republic.
Groups of such buildings, little settlements
almost unmarred by later accretions, are still
to be found here and there in the Eastern
states; and they are always productive of
inordinate pride in those who discover and
live in them. A place of the sort, twenty
years ago, was Harpledon, on the New England
coast, somewhere between Salem and
Newburyport. How intolerantly proud we
all were of inhabiting it! How we resisted
modern improvements, ridiculed fashionable
33“summer resorts,” fought trolley-lines, overhead
wires and telephones, wrote to the
papers denouncing municipal vandalism, and
bought up (those of us who could afford it)
one little heavy-roofed house after another,
as the land-speculator threatened them! All
this, of course, was on a very small scale:
Harpledon was, and is still, the smallest of
towns, hardly more than a village, happily
unmenaced by industry, and almost too remote
for the week-end “flivver.” And now
that civic pride has taught Americans to preserve
and adorn their modest monuments,
setting them in smooth stretches of turf and
nursing the elms of the village green, the
place has become far more attractive, and
far worthier of its romantic reputation, than
when we artists and writers first knew it.
Nevertheless, I hope I shall never see it
again; certainly I shall not if I can help it....
The elders of the tribe of summer visitors
nearly all professed to have “discovered”
Harpledon. The only one of the number
34who never, to my knowledge, put forth this
claim was Waldo Cranch; and he had lived
there longer than any of us.
The one person in the village who could
remember his coming to Harpledon, and
opening and repairing the old Cranch house
(for his family had been India merchants
when Harpledon was a thriving sea-port)—the
only person who went back far enough
to antedate Waldo Cranch was an aunt of
mine, old Miss Lucilla Selwick, who lived
in the Selwick house, itself a stout relic of
India merchant days, and who had been sitting
at the same window, watching the main
street of Harpledon, for seventy years and
more to my knowledge. But unfortunately
the long range of Aunt Lucilla’s memory
often made it hit rather wide of the mark.
She remembered heaps and heaps of far-off
things; but she almost always remembered
them wrongly. For instance, she used to
say: “Poor Polly Everitt! How well I remember
her, coming up from the beach one
day screaming, and saying she’d seen her
husband drowning before her eyes”—whereas
every one knew that Mrs. Everitt
35was on a picnic when her husband was
drowned at the other end of the world, and
that no ghostly premonition of her loss had
reached her. And whenever Aunt Lucilla
mentioned Mr. Cranch’s coming to live at
Harpledon she used to say: “Dear me, I
can see him now, driving by on that rainy
afternoon in Denny Brine’s old carry-all,
with a great pile of bags and bundles, and on
top of them a black and white hobby-horse
with a real mane—the very handsomest
hobby-horse I ever saw.” No persuasion
could induce her to dissociate the image of
this prodigious toy from her first sight of
Waldo Cranch, most incurable of bachelors,
and least concerned with the amusing of
other people’s children, even those of his best
friends. In this case, to be sure, her power
of evocation had a certain success. Some
one told Cranch—Mrs. Durant I think it
must have been—and I can still hear his
hearty laugh.
“What could it have been that she saw?”
Mrs. Durant questioned; and he responded
gaily: “Why not simply the symbol of my
numerous tastes?” Which—as Cranch
36painted and gardened and made music (even
composed it)—seemed so happy an explanation
that for long afterward the Cranch
house was known to us as Hobby-Horse
Hall.
It will be seen that Aunt Lucilla’s reminiscences,
though they sometimes provoked
a passing amusement, were neither accurate
nor illuminating. Naturally, nobody paid
much attention to them, and we had to content
ourselves with regarding Waldo Cranch,
hale and hearty and social as he still was, as
an Institution already venerable when the
rest of us had first apprehended Harpledon.
We knew, of course, the chief points in the
family history: that the Cranches had been
prosperous merchants for three centuries,
and had intermarried with other prosperous
families; that one of them, serving his business
apprenticeship at Malaga in colonial
days, had brought back a Spanish bride, to
the bewilderment of Harpledon; and that
Waldo Cranch himself had spent a studious
and wandering youth in Europe. His Spanish
great-grandmother’s portrait still hung
in the old house; and it was a long-standing
37joke at Harpledon that the young Cranch
who went to Malaga, where he presumably
had his pick of Spanish beauties, should have
chosen so dour a specimen. The lady was a
forbidding character on the canvas: very
short and thickset, with a huge wig of black
ringlets, a long harsh nose, and one shoulder
perceptibly above the other. It was characteristic
of Aunt Lucilla Selwick that in
mentioning this swart virago she always
took the tone of elegy. “Ah, poor thing,
they say she never forgot the sunshine and
orange blossoms, and pined off early, when
her queer son Calvert was hardly out of
petticoats. A strange man Calvert Cranch
was; but he married Euphemia Waldo of
Wood’s Hole, the beauty, and had two sons,
one exactly like Euphemia, the other made
in his own image. And they do say that one
was so afraid of his own face that he went
back to Spain and died a monk—if you’ll
believe it,” she always concluded with a
Puritan shudder.
This was all we knew of Waldo Cranch’s
past; and he had been so long a part of Harpledon
that our curiosity seldom ranged beyond
38his coming there. He was our local
ancestor; but it was a mark of his studied
cordiality and his native tact that he never
made us feel his priority. It was never he
who embittered us with allusions to the
picturesqueness of the old light-house before
it was rebuilt, or the paintability of the
vanished water-mill; he carried his distinction
so far as to take Harpledon itself for
granted, carelessly, almost condescendingly—as
if there had been rows and rows of
them strung along the Atlantic coast.
Yet the Cranch house was really something
to brag about. Architects and photographers
had come in pursuit of it long before
the diffused quaintness of Harpledon made
it the prey of the magazine illustrator. The
Cranch house was not quaint; it owed little
to the happy irregularities of later additions,
and needed no such help. Foursquare and
stern, built of a dark mountain granite
(though all the other old houses in the place
were of brick or wood), it stood at the far
end of the green, where the elms were
densest and the village street faded away
between blueberry pastures and oakwoods.
39A door with a white classical portico was the
only eighteenth century addition. The house
kept untouched its heavy slate roof, its low
windows, its sober cornice and plain interior
panelling—even the old box garden at the
back, and the pagoda-roofed summer house,
could not have been much later than the
house. I have said that the latter owed
little to later additions; yet some people
thought the wing on the garden side was of
more recent construction. If it was, its
architect had respected the dimensions and
detail of the original house, simply giving
the wing one less story, and covering it with
a lower-pitched roof. The learned thought
that the kitchen and offices, and perhaps the
slaves’ quarters, had originally been in this
wing; they based their argument on the fact
of there being no windows, but only blind
arches, on the side toward the garden
Waldo Cranch said he didn’t know; he had
found the wing just as it was now, with a
big empty room on the ground floor, that
he used for storing things, and a few low-studded
bedchambers above. The house was
so big that he didn’t need any of these rooms,
40and had never bothered about them. Once,
I remember, I thought him a little short with
a fashionable Boston architect who had insisted
on Mrs. Durant’s bringing him to see
the house, and who wanted to examine the
windows on the farther, the invisible, side
of the wing.
“Certainly,” Cranch had agreed. “But
you see those windows look on the kitchen-court
and the drying-ground. My old housekeeper
and the faithful retainers generally
sit there in the afternoons in hot weather,
when their work is done, and they’ve been
with me so long that I respect their habits.
At some other hour, if you’ll come again—.
You’re going back to Boston tomorrow?
So sorry! Yes, of course, you can photograph
the front as much as you like. It’s
used to it.” And he showed out Mrs. Durant
and her protégé.
When he came back a frown still lingered
on his handsome brows. “I’m getting sick
of having this poor old house lionized. No
one bothered about it or me when I first
came back to live here,” he said. But a
moment later he added, in his usual kindly
41tone: “After all, I suppose I ought to be
pleased.”
If anyone could have soothed his annoyance,
and even made it appear unreasonable,
it was Mrs. Durant. The fact that it was to
her he had betrayed his impatience struck us
all, and caused me to remark, for the first
time, that she was the only person at Harpledon
who was not afraid of him. Yes; we
all were, though he came and went among us
with such a show of good-fellowship that it
took this trifling incident to remind me of
his real aloofness. Not one of us but would
have felt a slight chill at his tone to the
Boston architect; but then I doubt if any of
us but Mrs. Durant would have dared to
bring a stranger to the house.
Mrs. Durant was a widow who combined
gray hair with a still-youthful face at a time
when this happy union was less generally
fashionable than now. She had come to
Harpledon among the earliest summer
colonists, and had soon struck up a friendship
with Waldo Cranch. At first Harpledon
was sure they would marry; then it
became sure they wouldn’t; for a number of
42years now it had wondered why they hadn’t.
These conjectures, of which the two themselves
could hardly have been unaware, did
not seem to trouble the even tenor of their
friendship. They continued to meet as often
as before, and Mrs. Durant continued to be
the channel for transmitting any request or
inquiry that the rest of us hesitated to put
to Cranch. “We know he won’t refuse you,”
I once said to her; and I recall the half-lift
of her dark brows above a pinched little
smile. “Perhaps,” I thought, “he has refused
her—once.” If so, she had taken her
failure gallantly, and Cranch appeared to
find an undiminished pleasure in her company.
Indeed, as the years went on their
friendship grew closer; one would have said
he was dependent on her if one could have
pictured Cranch as dependent on anybody.
But whenever I tried to do this I was driven
back to the fundamental fact of his isolation.
“He could get on well enough without any
of us,” I thought to myself, wondering if
this remoteness were inherited from the
homesick Spanish ancestress. Yet I have
seldom known a more superficially sociable
43man than Cranch. He had many talents,
none of which perhaps went as far as he had
once confidently hoped; but at least he used
them as links with his kind instead of letting
them seclude him in their jealous hold. He
was always eager to show his sketches, to
read aloud his occasional articles in the lesser
literary reviews, and above all to play his
new compositions to the musically-minded
among us; or rather, since “eager” is hardly
the term to apply to his calm balanced manner,
I should say that he was affably ready to
show off his accomplishments. But then he
may have regarded doing so as one of the
social obligations: I had felt from the first
that, whatever Cranch did, he was always
living up to some self-imposed and complicated
standard. Even his way of taking off
his hat struck me as the result of more
thought than most people give to the act;
his very absence of flourish lent it an odd
importance.
It was the year of Harpledon’s first
“jumble sale” that all these odds and ends
44of observation first began to connect themselves
in my mind.
Harpledon had decided that it ought to
have a village hospital and dispensary, and
Cranch was among the first to promise a
subscription and to join the committee. A
meeting was called at Mrs. Durant’s and
after much deliberation it was decided to
hold a village fair and jumble sale in somebody’s
grounds; but whose? We all hoped
Cranch would lend his garden; but no one
dared to ask him. We sounded each other
cautiously, before he arrived, and each tried
to shift the enterprise to his neighbour; till
at last Homer Davids, our chief celebrity as
a painter, and one of the shrewdest heads
in the community, said drily: “Oh, Cranch
wouldn’t care about it.”
“How do you know he wouldn’t?” some
one queried.
“Just as you all do; if not, why is it that
you all want some one else to ask him?”
Mrs. Durant hesitated. “I’m sure—”
she began.
“Oh, well, all right, then! You ask him,”
rejoined Davids cheerfully.
45“I can’t always be the one—”
I saw her embarrassment, and volunteered:
“If you think there’s enough shade
in my garden....”
By the way their faces lit up I saw the
relief it was to them all not to have to
tackle Cranch. Yet why, having a garden
he was proud of, need he have been displeased
at the request?
“Men don’t like the bother,” said one of
our married ladies; which occasioned the
proper outburst of praise for my unselfishness,
and the observation that Cranch’s
maids, who had all been for years in his
service, were probably set in their ways,
and wouldn’t care for the confusion and extra
work. “Yes, old Catherine especially; she
guards the place like a dragon,” one of the
ladies remarked; and at that moment Cranch
appeared. Having been told what had been
settled he joined with the others in complimenting
me; and we began to plan for the
jumble sale.
The men needed enlightenment on this
point, I as much as the rest, but the prime
mover immediately explained: “Oh, you
46just send any old rubbish you’ve got in the
house.”
We all welcomed this novel way of clearing
out our cupboards, except Cranch who,
after a moment, and with a whimsical
wrinkling of his brows, said: “But I haven’t
got any old rubbish.”
“Oh, well, children’s cast-off toys for
instance,” a newcomer threw out at
random.
There was a general smile, to which
Cranch responded with one of his rare expressive
gestures, as who should say: “Toys—in
my house? But whose?”
I laughed, and one of the ladies, remembering
our old joke, cried out: “Why, but
the hobby-horse!”
Cranch’s face became a well-bred blank.
Long-suffering courtesy was the note of the
voice in which he echoed: “Hobby-horse—?”
“Don’t you remember?” It was Mrs.
Durant who prompted him. “Our old joke?
The wonderful black and white hobby-horse
that Miss Lucilla Selwick said she saw you
driving home with when you first arrived
47here? It had a real mane.” Her colour
rose a little as she spoke.
There was a moment’s pause, while
Cranch’s brow remained puzzled; then a
smile slowly cleared his face. “Of course!”
he said. “I’d forgotten. Well, I feel now
that I was young enough for toys thirty
years ago; but I didn’t feel so then. And
we should have to apply to Miss Selwick to
know what became of that hobby-horse.
Meanwhile,” he added, putting his hand in
his pocket, “here’s a small offering to supply
some new ones for the fair.”
The offering was not small: Cranch always
gave liberally, yet always produced
the impression of giving indifferently. Well,
one couldn’t have it both ways; some of our
most gushing givers were the least lavish.
The committee was delighted....
“It was queer,” I said afterward to
Mrs. Durant. “Why did the hobby-horse
joke annoy Cranch? He used to like
it.”
She smiled. “He may think it’s lasted
long enough. Harpledon jokes do last, you
know.”
48Yes; perhaps they did, though I had never
thought of it before.
“There’s one thing that puzzles me,” I
went on; “I never know beforehand what is
going to annoy him.”
She pondered. “I’ll tell you, then,” she
said suddenly. “It has annoyed him that no
one thought of asking him to give one of his
water-colours to the sale.”
“Didn’t we?”
“No. Homer Davids was asked, and that
made it ... rather more marked....”
“Oh, of course! I suppose we all forgot—”
She looked away. “Well,” she said, “I
don’t suppose he likes to be forgotten.”
“You mean: to have his accomplishments
forgotten?”
“Isn’t that a little condescending? I
should say, his gifts,” she corrected a trifle
sharply. Sharpness was so unusual in her
that she may have seen my surprise, for she
added, in her usual tone: “After all, I suppose
he’s our most brilliant man, isn’t he?”
She smiled a little, as if to take the sting
from my doing so.
49“Of course he is,” I rejoined. “But all
the more reason—how could a man of his
kind resent such a trifling oversight? I’ll
write at once—”
“Oh, don’t!” she cut me short, almost
pleadingly.
Mrs. Durant’s word was law: Cranch was
not asked for a water-colour. Homer
Davids’s, I may add, sold for two thousand
dollars, and paid for a heating-system for
our hospital. A Boston millionaire came
down on purpose to buy the picture. It was
a great day for Harpledon.
About a week after the fair I went one
afternoon to call on Mrs. Durant, and found
Cranch just leaving. His greeting, as he
hurried by, was curt and almost hostile, and
his handsome countenance so disturbed and
pale that I hardly recognized him. I was
sure there could be nothing personal in his
manner; we had always been on good terms,
and, next to Mrs. Durant, I suppose I was
his nearest friend at Harpledon—if ever one
50could be said to get near Waldo Cranch!
After he had passed me I stood hesitating
at Mrs. Durant’s open door—front doors at
Harpledon were always open in those
friendly days, except, by the way, Cranch’s
own, which the stern Catherine kept chained
and bolted. Since meeting me could not
have been the cause of his anger, it might
have been excited by something which had
passed between Mrs. Durant and himself;
and if that were so, my call was probably
inopportune. I decided not to go in, and was
turning away when I heard hurried steps,
and Mrs. Durant’s voice. “Waldo!” she
said.
I suppose I had always assumed that she
called him so; yet the familiar appellation
startled me, and made me feel more than
ever in the way. None of us had ever given
Cranch his Christian name.
Mrs. Durant checked her steps, perceiving
that the back in the doorway was not
Cranch’s but mine. “Oh, do come in,” she
murmured, with an attempt at ease.
In the little drawing-room I turned and
looked at her. She, too, was visibly disturbed;
51not angry, as he had been, but showing,
on her white face and reddened lids,
the pained reflection of his anger. Was it
against her, then, that he had manifested it?
Probably she guessed my thought, or felt
her appearance needed to be explained, for
she added quickly: “Mr. Cranch has just
gone. Did he speak to you?”
“No. He seemed in a great hurry.”
“Yes.... I wanted to beg him to
come back ... to try to quiet him....”
She saw my bewilderment, and picked up
a copy of an illustrated magazine which had
been tossed on the sofa. “It’s that—” she
said.
The pages fell apart at an article entitled:
“Colonial Harpledon,” the greater part of
which was taken up by a series of clever
sketches signed by the Boston architect whom
she had brought to Cranch’s a few months
earlier.
Of the six or seven drawings, four were
devoted to the Cranch house. One represented
the façade and its pillared gates, a
second the garden front with the windowless
side of the wing, the third a corner of the
52box garden surrounding the Chinese summer house;
while the fourth, a full-page
drawing, was entitled: “The back of the
slaves’ quarters and service-court: quaint
window-grouping.”
On that picture the magazine had opened;
it was evidently the one which had been the
subject of discussion between my hostess and
her visitor.
“You see ... you see....” she
cried.
“This picture? Well, what of it? I suppose
it’s the far side of the wing—the side
we’ve never any of us seen.”
“Yes; that’s just it. He’s horribly upset....”
“Upset about what? I heard him tell the
architect he could come back some other
day and see the wing ... some day
when the maids were not sitting in the court;
wasn’t that it?”
She shook her head tragically. “He didn’t
mean it. Couldn’t you tell by the sound of
his voice that he didn’t?”
Her tragedy airs were beginning to irritate
me. “I don’t know that I pay as much
53attention as all that to the sound of his
voice.”
She coloured, and choked back her tears.
“I know him so well; I’m always sorry to
see him lose his self-control. And then he
considers me responsible.”
“You?”
“It was I who took the wretched man
there. And of course it was an indiscretion
to do that drawing; he was never really
authorized to come back. In fact, Mr.
Cranch gave orders to Catherine and all
the other servants not to let him in if he
did.”
“Well—?”
“One of the maids seems to have disobeyed
the order; Mr. Cranch imagines she
was bribed. He has been staying in Boston,
and this morning, on the way back, he saw
this magazine at the book-stall at the station.
He was so horrified that he brought it to me.
He came straight from the train without going
home, so he doesn’t yet know how the
thing happened.”
“It doesn’t take much to horrify him,” I
said, again unable to restrain a faint sneer.
54“What’s the harm in the man’s having made
that sketch?”
“Harm?” She looked surprised at my
lack of insight. “No actual harm, I suppose;
but it was very impertinent; and Mr. Cranch
resents such liberties intensely. He’s so
punctilious.”
“Well, we Americans are not punctilious,
and being one himself, he ought to know it
by this time.”
She pondered again. “It’s his Spanish
blood, I suppose ... he’s frightfully
proud.” As if this were a misfortune, she
added: “I’m very sorry for him.”
“So am I, if such trifles upset him.”
Her brows lightened. “Ah, that’s what
I tell him—such things are trifles, aren’t
they? As I said just now: ‘Your life’s
been too fortunate, too prosperous. That’s
why you’re so easily put out.’”
“And what did he answer?”
“Oh, it only made him angrier. He said:
‘I never expected that from you’—that was
when he rushed out of the house.” Her
tears flowed over, and seeing her so genuinely
perturbed I restrained my impatience,
55and took leave after a few words of
sympathy.
Never had Harpledon seemed to me more
like a tea-cup than with that silly tempest
convulsing it. That there should be grown-up
men who could lose their self-command
over such rubbish, and women to tremble and
weep with them! For a moment I felt the
instinctive irritation of normal man at such
foolishness; yet before I reached my own
door I was as mysteriously perturbed as
Mrs. Durant.
The truth was, I had never thought of
Cranch as likely to lose his balance over
trifles. He had never struck me as unmanly;
his quiet manner, his even temper, showed a
sound sense of the relative importance of
things. How then could so petty an annoyance
have thrown him into such disorder?
I stopped short on my threshold, remembering
his face as he brushed past me.
“Something is wrong; really wrong,” I
thought. But what? Could it be jealousy
of Mrs. Durant and the Boston architect?
The idea would not bear a moment’s consideration,
for I remembered her face too.
56“Oh, well, if it’s his silly punctilio,” I grumbled,
trying to reassure myself, and remaining,
after all, as much perplexed as before.
All the next day it poured, and I sat at
home among my books. It must have been
after ten in the evening when I was startled
by a ring. The maids had gone to bed, and
I went to the door, and opened it to Mrs.
Durant. Surprised at the lateness of her
visit, I drew her in out of the storm. She
had flung a cloak over her light dress, and
the lace scarf on her head dripped with
rain. Our houses were only a few hundred
yards apart, and she had brought no umbrella,
nor even exchanged her evening
slippers for heavier shoes.
I took her wet cloak and scarf and led
her into the library. She stood trembling
and staring at me, her face like a marble
mask in which the lips were too rigid for
speech; then she laid a sheet of note-paper
on the table between us. On it was written,
in Waldo Cranch’s beautiful hand: “My
dear friend, I am going away on a journey.
You will hear from me,” with his initials
57beneath. Nothing more. The letter bore no
date.
I looked at her, waiting for an explanation.
None came. The first word she said
was: “Will you come with me—now, at
once?”
“Come with you—where?”
“To his house—before he leaves. I’ve
only just got the letter, and I daren’t go
alone....”
“Go to Cranch’s house? But I ... at
this hour.... What is it you are afraid of?”
I broke out, suddenly looking into her eyes.
She gave me back my look, and her rigid
face melted. “I don’t know—any more than
you do! That’s why I’m afraid.”
“But I know nothing. What on earth has
happened since I saw you yesterday?”
“Nothing till I got this letter.”
“You haven’t seen him?”
“Not since you saw him leave my house
yesterday.”
“Or had any message—any news of him?”
“Absolutely nothing. I’ve just sat and
remembered his face.”
My perplexity grew. “But surely you
58can’t imagine.... If you’re as frightened
as that you must have some other reason for
it,” I insisted.
She shook her head wearily. “It’s the having
none that frightens me. Oh, do come!”
“You think his leaving in this way means
that he’s in some kind of trouble?”
“In dreadful trouble.”
“And you don’t know why?”
“No more than you do!” she repeated.
I pondered, trying to avoid her entreating
eyes. “But at this hour—come, do consider!
I don’t know Cranch so awfully well. How
will he take it? You say he made a scene
yesterday about that silly business of the
architect’s going to his house without
leave....”
“That’s just it. I feel as if his going away
might be connected with that.”
“But then he’s mad!” I exclaimed.
“No; not mad. Only—desperate.”
I stood irresolute. It was evident that I
had to do with a woman whose nerves were
in fiddle-strings. What had reduced them to
that state I could not conjecture, unless, indeed,
she were keeping back the vital part
59of her confession. But that, queerly enough,
was not what I suspected. For some reason
I felt her to be as much in the dark over the
whole business as I was; and that added to
the strangeness of my dilemma.
“Do you know in the least what you’re
going for?” I asked at length.
“No, no, no—but come!”
“If he’s there, he’ll kick us out, most likely;
kick me out, at any rate.”
She did not answer; I saw that in her
anguish she was past speaking. “Wait till
I get my coat,” I said.
She took my arm, and side by side we
hurried in the rain through the shuttered
village. As we passed the Selwick house I
saw a light burning in old Miss Selwick’s
bedroom window. It was on the tip of my
tongue to say: “Hadn’t we better stop and
ask Aunt Lucilla what’s wrong? She knows
more about Cranch than any of us!”
Then I remembered Cranch’s expression
the last time Aunt Lucilla’s legend of the
hobby-horse had been mentioned before him—the
day we were planning the jumble sale—and
a sudden shiver checked my pleasantry.
60“He looked then as he did when he
passed me in the doorway yesterday,” I
thought; and I had a vision of my ancient
relative, sitting there propped up in her bed
and looking quietly into the unknown while
all the village slept. Was she aware, I
wondered, that we were passing under her
window at that moment, and did she know
what would await us when we reached our
destination?
Mrs. Durant, in her thin slippers,
splashed on beside me through the mud.
“Oh,” she exclaimed, stopping short with
a gasp, “look at the lights!”
We had crossed the green, and were groping
our way under the dense elm-shadows,
and there before us stood the Cranch house,
all its windows illuminated. It was the only
house in the village except Miss Selwick’s
that was not darkened and shuttered.
“Well, he can’t be gone; he’s giving a
party, you see,” I said derisively.
My companion made no answer. She only
pulled me forward, and yielding once more
61I pushed open the tall entrance gates. In
the brick path I paused. “Do you still want
to go in?” I asked.
“More than ever!” She kept her tight
clutch on my arm, and I walked up the path
at her side and rang the bell.
The sound went on jangling for a long
time through the stillness; but no one came
to the door. At length Mrs. Durant laid
an impatient hand on the door-panel. “But
it’s open!” she exclaimed.
It was probably the first time since Waldo
Cranch had come back to live in the house
that unbidden visitors had been free to enter
it. We looked at each other in surprise and
I followed Mrs. Durant into the lamplit hall.
It was empty.
With a common accord we stood for a
moment listening; but not a sound came to
us, though the doors of library and drawing-room
stood open, and there were lighted
lamps in both rooms.
“It’s queer,” I said, “all these lights, and
no one about.”
My companion had walked impulsively
into the drawing-room and stood looking
62about at its familiar furniture. From the
panelled wall, distorted by the wavering
lamp-light, the old Spanish ancestress glared
down duskily at us out of the shadows. Mrs.
Durant had stopped short—a sound of
voices, agitated, discordant, a strange man’s
voice among them, came to us from across
the hall. Silently we retraced our steps,
opened the dining-room door, and went in.
But here also we found emptiness; the talking
came from beyond, came, as we now perceived,
from the wing which none of us had
ever entered. Again we hesitated and looked
at each other. Then “Come!” said Mrs.
Durant in a resolute tone; and again I
followed her.
She led the way into a large pantry, airy,
orderly, well-stocked with china and glass.
That too was empty; and two doors opened
from it. Mrs. Durant passed through the
one on the right, and we found ourselves,
not, as I had expected, in the kitchen, but in
a kind of vague unfurnished anteroom.
The quarrelling voices had meanwhile died
out; we seemed once more to have the
mysterious place to ourselves. Suddenly,
63beyond another closed door, we heard a shrill
crowing laugh. Mrs. Durant dashed at this
last door and it let us into a large high-studded
room. We paused and looked about
us. Evidently we were in what Cranch had
always described as the lumber-room on the
ground floor of the wing. But there was no
lumber in it now. It was scrupulously neat,
and fitted up like a big and rather bare
nursery; and in the middle of the floor, on a
square of drugget, stood a great rearing
black and white animal: my Aunt Lucilla’s
hobby-horse....
I gasped at the sight; but in spite of its
strangeness it did not detain me long, for at
the farther end of the room, before a fire
protected by a tall nursery fender, I had
seen something stranger still. Two little
boys in old-fashioned round jackets and
knickerbockers knelt by the hearth, absorbed
in the building of a house of blocks. Mrs.
Durant saw them at the same moment. She
caught my arm as if she were about to fall,
and uttered a faint cry.
The sound, low as it was, produced a
terrifying effect on the two children. Both
64of them dropped their blocks, turned around
as if to dart at us, and then stopped short,
holding each other by the hand, and staring
and trembling as if we had been ghosts.
At the opposite end of the room, we stood
staring and trembling also; for it was they
who were the ghosts to our terrified eyes.
It must have been Mrs. Durant who spoke
first.
“Oh ... the poor things....” she said
in a low choking voice.
The little boys stood there, motionless
and far off, among the ruins of their house of
blocks. But, as my eyes grew used to the
faint light—there was only one lamp in the
big room—and as my shaken nerves adjusted
themselves to the strangeness of the scene, I
perceived the meaning of Mrs. Durant’s cry.
The children before us were not children;
they were two tiny withered men, with frowning
foreheads under their baby curls, and
heavy-shouldered middle-aged bodies. The
sight was horrible, and rendered more so by
the sameness of their size and by their old-fashioned
childish dress. I recoiled; but
Mrs. Durant had let my arm go, and was
65moving softly forward. Her own arms outstretched,
she advanced toward the two
strange beings. “You poor poor things,
you,” she repeated, the tears running down
her face.
I thought her tender tone must have drawn
the little creatures; but as she advanced they
continued to stand motionless, and then
suddenly—each with the same small falsetto
scream—turned and dashed toward the door.
As they reached it, old Catherine appeared
and held out her arms to them.
“Oh, my God—how dare you, madam?
My young gentlemen!” she cried.
They hid their dreadful little faces in the
folds of her skirt, and kneeling down she
put her arms about them and received them
on her bosom. Then, slowly, she lifted up
her head and looked at us.
I had always, like the rest of Harpledon,
thought of Catherine as a morose old Englishwoman,
civil enough in her cold way, but
yet forbidding. Now it seemed to me that
her worn brown face, in its harsh folds of
gray hair, was the saddest I had ever looked
upon.
66“How could you, madam; oh, how could
you? Haven’t we got enough else to bear?”
she asked, speaking low above the cowering
heads on her breast. Her eyes were on Mrs.
Durant.
The latter, white and trembling, gave back
the look. “Enough else? Is there more,
then?”
“There’s everything—.” The old servant
got to her feet, keeping her two charges by
the hand. She put her finger to her lips, and
stooped again to the dwarfs. “Master
Waldo, Master Donald, you’ll come away
now with your old Catherine. No one’s going
to harm us, my dears; you’ll just go upstairs
and let Janey Sampson put you to bed,
for it’s very late; and presently Catherine’ll
come up and hear your prayers like every
night.” She moved to the door; but one of
the dwarfs hung back, his forehead puckering,
his eyes still fixed on Mrs. Durant in
indescribable horror.
“Good Dobbin,” cried he abruptly, in a
piercing pipe.
“No, dear, no; the lady won’t touch good
Dobbin,” said Catherine. “It’s the young
67gentlemen’s great pet,” she added, glancing
at the Roman steed in the middle of the
floor. She led the changelings away, and a
moment later returned. Her face was ashen-white
under its swarthiness, and she stood
looking at us like a figure of doom.
“And now, perhaps,” she said, “you’ll be
good enough to go away too.”
“Go away?” Mrs. Durant, instead, came
closer to her. “How can I—when I’ve just
had this from your master?” She held out
the letter she had brought to my house.
Catherine glanced coldly at the page and
returned it to her.
“He says he’s going on a journey. Well,
he’s been, madam; been and come back,”
she said.
“Come back? Already? He’s in the
house, then? Oh, do let me—” Mrs.
Durant dropped back before the old woman’s
frozen gaze.
“He’s lying overhead, dead on his bed,
madam—just as they carried him up from
the beach. Do you suppose, else, you’d have
ever got in here and seen the young gentlemen?
He rushed out and died sooner than
68have them seen, the poor lambs; him that
was their father, madam. And here you and
this gentleman come thrusting yourselves
in....”
I thought Mrs. Durant would reel under
the shock; but she stood quiet, very quiet—it
was almost as if the blow had mysteriously
strengthened her.
“He’s dead? He’s killed himself?” She
looked slowly about the trivial tragic room.
“Oh, now I understand,” she said.
Old Catherine faced her with grim lips.
“It’s a pity you didn’t understand sooner,
then; you and the others, whoever they was,
forever poking and prying; till at last that
miserable girl brought in the police on
us—”
“The police?”
“They was here, madam, in this house,
not an hour ago, frightening my young gentlemen
out of their senses. When word
came that my master had been found on the
beach they went down there to bring him
back. Now they’ve gone to Hingham to
report his death to the coroner. But there’s
one of them in the kitchen, mounting guard.
69Over what, I wonder? As if my young gentlemen
could run away! Where in God’s
pity would they go? Wherever it is, I’ll go
with them; I’ll never leave them.... And
here we were at peace for thirty years, till
you brought that man to draw the pictures
of the house....”
For the first time Mrs. Durant’s strength
seemed to fail her; her body drooped, and
she leaned her weight against the door. She
and the housekeeper stood confronted, two
stricken old women staring at each other;
then Mrs. Durant’s agony broke from her.
“Don’t say I did it—don’t say that!”
But the other was relentless. As she faced
us, her arms outstretched, she seemed still
to be defending her two charges. “What
else would you have me say, madam? You
brought that man here, didn’t you? And he
was determined to see the other side of the
wing, and my poor master was determined
he shouldn’t.” She turned to me for the
first time. “It was plain enough to you, sir,
wasn’t it? To me it was, just coming and
going with the tea-things. And the minute
your backs was turned, Mr. Cranch rang,
70and gave me the order: ‘That man’s never
to set foot here again, you understand.’ And
I went out and told the other three; the cook,
and Janey, and Hannah Oast, the parlour-maid.
I was as sure of the cook and Janey
as I was of myself; but Hannah was new,
she hadn’t been with us not above a year,
and though I knew all about her, and had
made sure before she came that she was a
decent close-mouthed girl, and one that
would respect our ... our misfortune ...
yet I couldn’t feel as safe about her as the
others, and of her temper I wasn’t sure from
the first. I told Mr. Cranch so, often
enough; I said: ‘Remember, now, sir, not
to put her pride up, won’t you?’ For she
was jealous, and angry, I think, at never
being allowed to see the young gentlemen,
yet knowing they were there, as she had to
know. But their father would never have
any but me and Janey Sampson about them.
“Well—and then, in he came yesterday
with those accursèd pictures. And however
had the man got in? And where was Hannah?
And it must have been her doing ...
and swearing and cursing at her ... and
71me crying to him and saying: ‘For God’s
sake, sir, let be, let be ... don’t stir the
matter up ... just let me talk to her....’
And I went in to my little boys, to see about
their supper; and before I was back, I heard
a trunk bumping down the stairs, and the
gardener’s lad outside with a wheel-barrow,
and Hannah Oast walking away out of the
gate like a ramrod. ‘Oh, sir, what have you
done? Let me go after her!’ I begged and
besought him; but my master, very pale, but
as calm as possible, held me back by the arm,
and said: ‘Don’t you worry, Catherine. It
passed off very quietly. We’ll have no
trouble from her.’ ‘No trouble, sir, from
Hannah Oast? Oh, for pity’s sake, call her
back and let me smooth it over, sir!’ But
the girl was gone, and he wouldn’t leave go
of my arm nor yet listen to me, but stood
there like a marble stone and saw her drive
away, and wouldn’t stop her. ‘I’d die first,
Catherine,’ he said, his kind face all changed
to me, and looking like that old Spanish she-devil
on the parlour wall, that brought the
curse on us.... And this morning the police
came. The gardener got wind of it, and let
72us know they was on the way; and my master
sat and wrote a long time in his room, and
then walked out, looking very quiet, and saying
to me he was going to the post office, and
would be back before they got here. And the
next we knew of him was when they carried
him up to his bed just now.... And perhaps
we’d best give thanks that he’s at rest in it.
But, oh, my young gentlemen ... my young
gentlemen!”
I never saw the “young gentlemen” again.
I suppose most men are cowards about
calamities of that sort, the irremediable kind
that have to be faced anew every morning.
It takes a woman to shoulder such a lasting
tragedy, and hug it to her ... as I had
seen Catherine doing; as I saw Mrs. Durant
yearning to do....
It was about that very matter that I interviewed
the old housekeeper the day after
the funeral. Among the papers which the
police found on poor Cranch’s desk was a
letter addressed to me. Like his message
to Mrs. Durant it was of the briefest. “I
73have appointed no one to care for my sons;
I expected to outlive them. Their mother
would have wished Catherine to stay with
them. Will you try to settle all this mercifully?
There is plenty of money, but my
brain won’t work. Good-bye.”
It was a matter, first of all, for the law;
but before we entered on that phase I wanted
to have a talk with old Catherine. She
came to me, very decent in her new black;
I hadn’t the heart to go to that dreadful
house again, and I think perhaps it was easier
for her to speak out under another roof. At
any rate, I soon saw that, after all the years
of silence, speech was a relief; as it might
have been to him too, poor fellow, if only he
had dared! But he couldn’t; there was that
pride of his, his “Spanish pride” as she called
it....
“Not but what he would have hated me
to say so, sir; for the Spanish blood in him,
and all that went with it, was what he most
abominated.... But there it was, closer to
him than his marrow.... Oh, what that
old woman done to us! He told me why,
once, long ago—it was about the time when
74he began to understand that our little boys
were never going to grow up like other young
gentlemen. ‘It’s her doing, the devil,’ he
said to me; and then he told me how she’d
been a great Spanish heiress, a rich
merchant’s daughter, and had been promised,
in that foreign way they have, to a young
nobleman who’d never set eyes on her; and
when the bridegroom came to the city where
she lived, and saw her sitting in her father’s
box across the theatre, he turned about and
mounted his horse and rode off the same
night; and never a word came from him—the
shame of it! It nigh killed her, I believe,
and she swore then and there she’d marry a
foreigner and leave Spain; and that was how
she took up with young Mr. Cranch that was
in her father’s bank; and the old gentleman
put a big sum into the Cranch shipping business,
and packed off the young couple to Harpledon....
But the poor misbuilt thing, it
seems, couldn’t ever rightly get over the
hurt to her pride, nor get used to the cold
climate, and the snow and the strange faces;
she would go about pining for the orange-flowers
and the sunshine; and though she
75brought her husband a son, I do believe she
hated him, and was glad to die and get out
of Harpledon.... That was my Mr.
Cranch’s story....
“Well, sir, he despised his great-grandfather
more than he hated the Spanish
woman. ‘Marry that twisted stick for her
money, and put her poisoned blood in us!’
He used to put it that way, sir, in his bad
moments. And when he was twenty-one, and
travelling abroad, he met the young English
lady I was maid to, the loveliest soundest
young creature you ever set eyes on. They
loved and married, and the next year—oh,
the pity—the next year she brought him our
young gentlemen ... twins, they were....
When she died, a few weeks after, he was
desperate ... more desperate than I’ve
ever seen him till the other day. But as the
years passed, and he began to understand
about our little boys—well, then he was
thankful she was gone. And that thankfulness
was the bitterest part of his grief.
“It was when they was about nine or ten
that he first saw it; though I’d been certain
long before that. We were living in Italy
76then. And one day—oh, what a day, sir!—he
got a letter, Mr. Cranch did, from a
circus-man who’d heard somehow of our
poor little children.... Oh, sir!... Then
it was that he decided to leave Europe, and
come back to Harpledon to live. It was a
lonely lost place at that time; and there was
all the big wing for our little gentlemen. We
were happy in the old house, in our way; but
it was a solitary life for so young a man as
Mr. Cranch was then, and when the summer
folk began to settle here I was glad of it,
and I said to him: ‘You go out, sir, now, and
make friends, and invite your friends here.
I’ll see to it that our secret is kept.’ And so
I did, sir, so I did ... and he always
trusted me. He needed life and company
himself; but he would never separate himself
from the little boys. He was so proud—and
yet so soft-hearted! And where could
he have put the little things? They never
grew past their toys—there’s the worst of it.
Heaps and heaps of them he brought home
to them, year after year. Pets he tried too ... but animals were afraid of them—just
as I expect you were, sir, when you saw
77them,” she added suddenly, “but with no
reason; there were never gentler beings.
Little Waldo especially—it’s as if they were
trying to make up for being a burden....
Oh, for pity’s sake, let them stay on in their
father’s house, and me with them, won’t you,
sir?”
As she wished it, so it was. The legal
side of the matter did not take long to settle,
for the Cranches were almost extinct; there
were only some distant cousins, long since
gone from Harpledon. Old Catherine was
suffered to remain on with her charges in the
Cranch house, and one of the guardians appointed
by the courts was Mrs. Durant.
Would you have believed it? She wanted
it—the horror, the responsibility and all.
After that she lived all the year round at
Harpledon; I believe she saw Cranch’s sons
every day. I never went back there; but she
used sometimes to come up and see me in
Boston. The first time she appeared—it
must have been about a year after the events
I have related—I scarcely knew her when she
walked into my library. She was an old
bent woman; her white hair now seemed an
78attribute of age, not a form of coquetry.
After that, each time I saw her she seemed
older and more bowed. But she told me once
she was not unhappy—“not as unhappy as I
used to be,” she added, qualifying the phrase.
On the same occasion—it was only a few
months ago—she also told me that one of
the twins was ill. She did not think he would
last long, she said; and old Catherine did
not think so either. “It’s little Waldo; he
was the one who felt his father’s death the
most; the dark one; I really think he understands.
And when he goes, Donald won’t
last long either.” Her eyes filled with tears.
“Presently I shall be alone again,” she
added.
I asked her then how old they were; and
she thought for a moment, murmuring the
years over slowly under her breath. “Only
forty-one,” she said at length—as if she had
said “Only four.”
Women are strange. I am their other
guardian; and I have never yet had the
courage to go down to Harpledon and see
them.
BEWITCHED — I — II — III — IV
79
The snow was still falling thickly
when Orrin Bosworth, who
farmed the land south of Lonetop,
drove up in his cutter to Saul
Rutledge’s gate. He was surprised to see
two other cutters ahead of him. From them
descended two muffled figures. Bosworth,
with increasing surprise, recognized Deacon
Hibben, from North Ashmore, and Sylvester
Brand, the widower, from the old Bearcliff
farm on the way to Lonetop.
It was not often that anybody in Hemlock
County entered Saul Rutledge’s gate; least
of all in the dead of winter, and summoned
(as Bosworth, at any rate, had been) by
Mrs. Rutledge, who passed, even in that
unsocial region, for a woman of cold manners
80and solitary character. The situation was
enough to excite the curiosity of a less
imaginative man than Orrin Bosworth.
As he drove in between the broken-down
white gate-posts topped by fluted urns the
two men ahead of him were leading their
horses to the adjoining shed. Bosworth followed,
and hitched his horse to a post. Then
the three tossed off the snow from their
shoulders, clapped their numb hands together,
and greeted each other.
“Hallo, Deacon.”
“Well, well, Orrin—.” They shook
hands.
“’Day, Bosworth,” said Sylvester Brand,
with a brief nod. He seldom put any
cordiality into his manner, and on this
occasion he was still busy about his horse’s
bridle and blanket.
Orrin Bosworth, the youngest and most
communicative of the three, turned back to
Deacon Hibben, whose long face, queerly
blotched and mouldy-looking, with blinking
peering eyes, was yet less forbidding than
Brand’s heavily-hewn countenance.
81“Queer, our all meeting here this way.
Mrs. Rutledge sent me a message to come,”
Bosworth volunteered.
The Deacon nodded. “I got a word from
her too—Andy Pond come with it yesterday
noon. I hope there’s no trouble here—”
He glanced through the thickening fall of
snow at the desolate front of the Rutledge
house, the more melancholy in its present
neglected state because, like the gate-posts,
it kept traces of former elegance. Bosworth
had often wondered how such a house had
come to be built in that lonely stretch between
North Ashmore and Cold Corners. People
said there had once been other houses like
it, forming a little township called Ashmore,
a sort of mountain colony created by the
caprice of an English Royalist officer, one
Colonel Ashmore, who had been murdered
by the Indians, with all his family, long before
the Revolution. This tale was confirmed
by the fact that the ruined cellars of
several smaller houses were still to be discovered
under the wild growth of the adjoining
slopes, and that the Communion plate of
82the moribund Episcopal church of Cold
Corners was engraved with the name of
Colonel Ashmore, who had given it to the
church of Ashmore in the year 1723. Of
the church itself no traces remained. Doubtless
it had been a modest wooden edifice, built
on piles, and the conflagration which had
burnt the other houses to the ground’s edge
had reduced it utterly to ashes. The whole
place, even in summer, wore a mournful solitary
air, and people wondered why Saul
Rutledge’s father had gone there to settle.
“I never knew a place,” Deacon Hibben
said, “as seemed as far away from humanity.
And yet it ain’t so in miles.”
“Miles ain’t the only distance,” Orrin
Bosworth answered; and the two men, followed
by Sylvester Brand, walked across the
drive to the front door. People in Hemlock
County did not usually come and go by their
front doors, but all three men seemed to feel
that, on an occasion which appeared to be so
exceptional, the usual and more familiar
approach by the kitchen would not be
suitable.
They had judged rightly; the Deacon had
83hardly lifted the knocker when the door
opened and Mrs. Rutledge stood before
them.
“Walk right in,” she said in her usual
dead-level tone; and Bosworth, as he followed
the others, thought to himself: “Whatever’s
happened, she’s not going to let it
show in her face.”
It was doubtful, indeed, if anything unwonted
could be made to show in Prudence
Rutledge’s face, so limited was its scope,
so fixed were its features. She was dressed
for the occasion in a black calico with white
spots, a collar of crochet-lace fastened by a
gold brooch, and a gray woollen shawl,
crossed under her arms and tied at the back.
In her small narrow head the only marked
prominence was that of the brow projecting
roundly over pale spectacled eyes. Her dark
hair, parted above this prominence, passed
tight and flat over the tips of her ears into a
small braided coil at the nape; and her contracted
head looked still narrower from being
perched on a long hollow neck with cord-like
throat-muscles. Her eyes were of a pale cold
gray, her complexion was an even white.
84Her age might have been anywhere from
thirty-five to sixty.
The room into which she led the three men
had probably been the dining-room of the
Ashmore house. It was now used as a front
parlour, and a black stove planted on a sheet
of zinc stuck out from the delicately fluted
panels of an old wooden mantel. A newly-lit
fire smouldered reluctantly, and the room
was at once close and bitterly cold.
“Andy Pond,” Mrs. Rutledge cried to
some one at the back of the house, “step out
and call Mr. Rutledge. You’ll likely find
him in the wood-shed, or round the barn
somewheres.” She rejoined her visitors.
“Please suit yourselves to seats,” she said.
The three men, with an increasing air of
constraint, took the chairs she pointed out,
and Mrs. Rutledge sat stiffly down upon a
fourth, behind a rickety bead-work table.
She glanced from one to the other of her
visitors.
“I presume you folks are wondering what
it is I asked you to come here for,” she said
in her dead-level voice. Orrin Bosworth and
Deacon Hibben murmured an assent; Sylvester
85Brand sat silent, his eyes, under their
great thicket of eyebrows, fixed on the huge
boot-tip swinging before him.
“Well, I allow you didn’t expect it was
for a party,” continued Mrs. Rutledge.
No one ventured to respond to this chill
pleasantry, and she continued: “We’re in
trouble here, and that’s the fact. And we
need advice—Mr. Rutledge and myself do.”
She cleared her throat, and added in a lower
tone, her pitilessly clear eyes looking straight
before her: “There’s a spell been cast over
Mr. Rutledge.”
The Deacon looked up sharply, an incredulous
smile pinching his thin lips. “A
spell?”
“That’s what I said: he’s bewitched.”
Again the three visitors were silent; then
Bosworth, more at ease or less tongue-tied
than the others, asked with an attempt at
humour: “Do you use the word in the strict
Scripture sense, Mrs. Rutledge?”
She glanced at him before replying:
“That’s how he uses it.”
The Deacon coughed and cleared his long
86rattling throat. “Do you care to give us
more particulars before your husband joins
us?”
Mrs. Rutledge looked down at her clasped
hands, as if considering the question. Bosworth
noticed that the inner fold of her lids
was of the same uniform white as the rest
of her skin, so that when she dropped them
her rather prominent eyes looked like the
sightless orbs of a marble statue. The impression
was unpleasing, and he glanced away
at the text over the mantelpiece, which read:
The Soul That Sinneth It Shall Die.
“No,” she said at length, “I’ll wait.”
At this moment Sylvester Brand suddenly
stood up and pushed back his chair. “I don’t
know,” he said, in his rough bass voice, “as
I’ve got any particular lights on Bible mysteries;
and this happens to be the day I was
to go down to Starkfield to close a deal with
a man.”
Mrs. Rutledge lifted one of her long thin
hands. Withered and wrinkled by hard
work and cold, it was nevertheless of the
same leaden white as her face. “You won’t
87be kept long,” she said. “Won’t you be
seated?”
Farmer Brand stood irresolute, his purplish
underlip twitching. “The Deacon here—such
things is more in his line....”
“I want you should stay,” said Mrs. Rutledge
quietly; and Brand sat down again.
A silence fell, during which the four persons
present seemed all to be listening for
the sound of a step; but none was heard, and
after a minute or two Mrs. Rutledge began
to speak again.
“It’s down by that old shack on Lamer’s
pond; that’s where they meet,” she said
suddenly.
Bosworth, whose eyes were on Sylvester
Brand’s face, fancied he saw a sort of inner
flush darken the farmer’s heavy leathern
skin. Deacon Hibben leaned forward, a
glitter of curiosity in his eyes.
“They—who, Mrs. Rutledge?”
“My husband, Saul Rutledge ... and
her....”
Sylvester Brand again stirred in his seat.
“Who do you mean by her?” he asked
88abruptly, as if roused out of some far-off
musing.
Mrs. Rutledge’s body did not move; she
simply revolved her head on her long neck
and looked at him.
“Your daughter, Sylvester Brand.”
The man staggered to his feet with an explosion
of inarticulate sounds. “My—my
daughter? What the hell are you talking
about? My daughter? It’s a damned lie ... it’s ... it’s....”
“Your daughter Ora, Mr. Brand,” said
Mrs. Rutledge slowly.
Bosworth felt an icy chill down his spine.
Instinctively he turned his eyes away from
Brand, and they rested on the mildewed
countenance of Deacon Hibben. Between
the blotches it had become as white as Mrs.
Rutledge’s, and the Deacon’s eyes burned
in the whiteness like live embers among
ashes.
Brand gave a laugh: the rusty creaking
laugh of one whose springs of mirth are
never moved by gaiety. “My daughter
Ora?” he repeated.
“Yes.”
89“My dead daughter?”
“That’s what he says.”
“Your husband?”
“That’s what Mr. Rutledge says.”
Orrin Bosworth listened with a sense of
suffocation; he felt as if he were wrestling
with long-armed horrors in a dream. He
could no longer resist letting his eyes return
to Sylvester Brand’s face. To his surprise
it had resumed a natural imperturbable expression.
Brand rose to his feet. “Is that
all?” he queried contemptuously.
“All? Ain’t it enough? How long is it
since you folks seen Saul Rutledge, any of
you?” Mrs. Rutledge flew out at them.
Bosworth, it appeared, had not seen him
for nearly a year; the Deacon had only run
across him once, for a minute, at the North
Ashmore post office, the previous autumn,
and acknowledged that he wasn’t looking any
too good then. Brand said nothing, but
stood irresolute.
“Well, if you wait a minute you’ll see with
your own eyes; and he’ll tell you with his
own words. That’s what I’ve got you here
for—to see for yourselves what’s come over
90him. Then you’ll talk different,” she added,
twisting her head abruptly toward Sylvester
Brand.
The Deacon raised a lean hand of interrogation.
“Does your husband know we’ve been
sent for on this business, Mrs. Rutledge?”
Mrs. Rutledge signed assent.
“It was with his consent, then—?”
She looked coldly at her questioner. “I
guess it had to be,” she said. Again Bosworth
felt the chill down his spine. He
tried to dissipate the sensation by speaking
with an affectation of energy.
“Can you tell us, Mrs. Rutledge, how this
trouble you speak of shows itself ... what
makes you think...?”
She looked at him for a moment; then she
leaned forward across the rickety bead-work
table. A thin smile of disdain narrowed her
colourless lips. “I don’t think—I know.”
“Well—but how?”
She leaned closer, both elbows on the
table, her voice dropping. “I seen ’em.”
In the ashen light from the veiling of snow
beyond the windows the Deacon’s little
91screwed-up eyes seemed to give out red
sparks. “Him and the dead?”
“Him and the dead.”
“Saul Rutledge and—and Ora Brand?”
“That’s so.”
Sylvester Brand’s chair fell backward with
a crash. He was on his feet again, crimson
and cursing. “It’s a God-damned fiend-begotten
lie....”
“Friend Brand ... friend Brand ...”
the Deacon protested.
“Here, let me get out of this. I want to
see Saul Rutledge himself, and tell him—”
“Well, here he is,” said Mrs. Rutledge.
The outer door had opened; they heard
the familiar stamping and shaking of a man
who rids his garments of their last snowflakes
before penetrating to the sacred precincts
of the best parlour. Then Saul Rutledge
entered.
As he came in he faced the light from the
north window, and Bosworth’s first thought
was that he looked like a drowned man fished
out from under the ice—“self-drowned,” he
92added. But the snow-light plays cruel tricks
with a man’s colour, and even with the shape
of his features; it must have been partly that,
Bosworth reflected, which transformed Saul
Rutledge from the straight muscular fellow
he had been a year before into the haggard
wretch now before them.
The Deacon sought for a word to ease the
horror. “Well, now, Saul—you look’s if
you’d ought to set right up to the stove.
Had a touch of ague, maybe?”
The feeble attempt was unavailing. Rutledge
neither moved nor answered. He
stood among them silent, incommunicable,
like one risen from the dead.
Brand grasped him roughly by the
shoulder. “See here, Saul Rutledge, what’s
this dirty lie your wife tells us you’ve been
putting about?”
Still Rutledge did not move. “It’s no lie,”
he said.
Brand’s hand dropped from his shoulder.
In spite of the man’s rough bullying power
he seemed to be undefinably awed by Rutledge’s
look and tone.
93“No lie? You’ve gone plumb crazy, then,
have you?”
Mrs. Rutledge spoke. “My husband’s not
lying, nor he ain’t gone crazy. Don’t I tell
you I seen ’em?”
Brand laughed again. “Him and the
dead?”
“Yes.”
“Down by the Lamer pond, you say?”
“Yes.”
“And when was that, if I might ask?”
“Day before yesterday.”
A silence fell on the strangely assembled
group. The Deacon at length broke it to
say to Mr. Brand: “Brand, in my opinion
we’ve got to see this thing through.”
Brand stood for a moment in speechless
contemplation: there was something animal
and primitive about him, Bosworth thought,
as he hung thus, lowering and dumb, a little
foam beading the corners of that heavy
purplish underlip. He let himself slowly
down into his chair. “I’ll see it through.”
The two other men and Mrs. Rutledge
had remained seated. Saul Rutledge stood
before them, like a prisoner at the bar, or
94rather like a sick man before the physicians
who were to heal him. As Bosworth scrutinized
that hollow face, so wan under the
dark sunburn, so sucked inward and consumed
by some hidden fever, there stole
over the sound healthy man the thought that
perhaps, after all, husband and wife spoke
the truth, and that they were all at that
moment really standing on the edge of some
forbidden mystery. Things that the rational
mind would reject without a thought seemed
no longer so easy to dispose of as one looked
at the actual Saul Rutledge and remembered
the man he had been a year before. Yes; as
the Deacon said, they would have to see it
through....
“Sit down then, Saul; draw up to us, won’t
you?” the Deacon suggested, trying again
for a natural tone.
Mrs. Rutledge pushed a chair forward,
and her husband sat down on it. He
stretched out his arms and grasped his knees
in his brown bony fingers; in that attitude he
remained, turning neither his head nor his
eyes.
“Well, Saul,” the Deacon continued, “your
95wife says you thought mebbe we could do
something to help you through this trouble,
whatever it is.”
Rutledge’s gray eyes widened a little.
“No; I didn’t think that. It was her idea
to try what could be done.”
“I presume, though, since you’ve agreed
to our coming, that you don’t object to our
putting a few questions?”
Rutledge was silent for a moment; then
he said with a visible effort: “No; I don’t
object.”
“Well—you’ve heard what your wife
says?”
Rutledge made a slight motion of assent.
“And—what have you got to answer?
How do you explain...?”
Mrs. Rutledge intervened. “How can he
explain? I seen ’em.”
There was a silence; then Bosworth, trying
to speak in an easy reassuring tone, queried:
“That so, Saul?”
“That’s so.”
Brand lifted up his brooding head. “You
mean to say you ... you sit here before
us all and say....”
96The Deacon’s hand again checked him.
“Hold on, friend Brand. We’re all of us
trying for the facts, ain’t we?” He turned to
Rutledge. “We’ve heard what Mrs. Rutledge
says. What’s your answer?”
“I don’t know as there’s any answer. She
found us.”
“And you mean to tell me the person with
you was ... was what you took to be ...”
the Deacon’s thin voice grew thinner:
“Ora Brand?”
Saul Rutledge nodded.
“You knew ... or thought you knew ... you were meeting with the dead?”
Rutledge bent his head again. The snow
continued to fall in a steady unwavering
sheet against the window, and Bosworth felt
as if a winding-sheet were descending from
the sky to envelop them all in a common
grave.
“Think what you’re saying! It’s against
our religion! Ora ... poor child! ...
died over a year ago. I saw you at her
funeral, Saul. How can you make such a
statement?”
97“What else can he do?” thrust in Mrs.
Rutledge.
There was another pause. Bosworth’s
resources had failed him, and Brand once
more sat plunged in dark meditation. The
Deacon laid his quivering finger-tips together,
and moistened his lips.
“Was the day before yesterday the first
time?” he asked.
The movement of Rutledge’s head was
negative.
“Not the first? Then when....”
“Nigh on a year ago, I reckon.”
“God! And you mean to tell us that ever
since—?”
“Well ... look at him,” said his wife.
The three men lowered their eyes.
After a moment Bosworth, trying to collect
himself, glanced at the Deacon. “Why
not ask Saul to make his own statement, if
that’s what we’re here for?”
“That’s so,” the Deacon assented. He
turned to Rutledge. “Will you try and give
us your idea ... of ... of how it began?”
There was another silence. Then Rutledge
98tightened his grasp on his gaunt knees,
and still looking straight ahead, with his
curiously clear unseeing gaze: “Well,” he
said, “I guess it begun away back, afore even
I was married to Mrs. Rutledge....” He
spoke in a low automatic tone, as if some invisible
agent were dictating his words, or
even uttering them for him. “You know,”
he added, “Ora and me was to have been
married.”
Sylvester Brand lifted his head.
“Straighten that statement out first, please,”
he interjected.
“What I mean is, we kept company. But
Ora she was very young. Mr. Brand here he
sent her away. She was gone nigh to three
years, I guess. When she come back I was
married.”
“That’s right,” Brand said, relapsing once
more into his sunken attitude.
“And after she came back did you meet
her again?” the Deacon continued.
“Alive?” Rutledge questioned.
A perceptible shudder ran through the
room.
99“Well—of course,” said the Deacon
nervously.
Rutledge seemed to consider. “Once I did—only
once. There was a lot of other
people round. At Cold Corners fair it was.”
“Did you talk with her then?”
“Only a minute.”
“What did she say?”
His voice dropped. “She said she was
sick and knew she was going to die, and when
she was dead she’d come back to me.”
“And what did you answer?”
“Nothing.”
“Did you think anything of it at the time?”
“Well, no. Not till I heard she was dead
I didn’t. After that I thought of it—and
I guess she drew me.” He moistened his
lips.
“Drew you down to that abandoned house
by the pond?”
Rutledge made a faint motion of assent,
and the Deacon added: “How did you know
it was there she wanted you to come?”
“She ... just drew me....”
There was a long pause. Bosworth felt,
100on himself and the other two men, the oppressive
weight of the next question to be
asked. Mrs. Rutledge opened and closed
her narrow lips once or twice, like some
beached shell-fish gasping for the tide.
Rutledge waited.
“Well, now, Saul, won’t you go on with
what you was telling us?” the Deacon at
length suggested.
“That’s all. There’s nothing else.”
The Deacon lowered his voice. “She just
draws you?”
“Yes.”
“Often?”
“That’s as it happens....”
“But if it’s always there she draws you,
man, haven’t you the strength to keep away
from the place?”
For the first time, Rutledge wearily turned
his head toward his questioner. A spectral
smile narrowed his colourless lips. “Ain’t
any use. She follers after me....”
There was another silence. What more
could they ask, then and there? Mrs. Rutledge’s
presence checked the next question.
The Deacon seemed hopelessly to revolve
101the matter. At length he spoke in a more
authoritative tone. “These are forbidden
things. You know that, Saul. Have you
tried prayer?”
Rutledge shook his head.
“Will you pray with us now?”
Rutledge cast a glance of freezing indifference
on his spiritual adviser. “If you
folks want to pray, I’m agreeable,” he said.
But Mrs. Rutledge intervened.
“Prayer ain’t any good. In this kind of
thing it ain’t no manner of use; you know it
ain’t. I called you here, Deacon, because you
remember the last case in this parish. Thirty
years ago it was, I guess; but you remember.
Lefferts Nash—did praying help him? I
was a little girl then, but I used to hear my
folks talk of it winter nights. Lefferts Nash
and Hannah Cory. They drove a stake
through her breast. That’s what cured
him.”
“Oh—” Orrin Bosworth exclaimed.
Sylvester Brand raised his head. “You’re
speaking of that old story as if this was the
same sort of thing?”
“Ain’t it? Ain’t my husband pining away
102the same as Lefferts Nash did? The Deacon
here knows—”
The Deacon stirred anxiously in his chair.
“These are forbidden things,” he repeated.
“Supposing your husband is quite sincere in
thinking himself haunted, as you might say.
Well, even then, what proof have we that
the ... the dead woman ... is the
spectre of that poor girl?”
“Proof? Don’t he say so? Didn’t she
tell him? Ain’t I seen ’em?” Mrs. Rutledge
almost screamed.
The three men sat silent, and suddenly
the wife burst out: “A stake through the
breast! That’s the old way; and it’s the
only way. The Deacon knows it!”
“It’s against our religion to disturb the
dead.”
“Ain’t it against your religion to let the
living perish as my husband is perishing?”
She sprang up with one of her abrupt movements
and took the family Bible from the
what-not in a corner of the parlour. Putting
the book on the table, and moistening a livid
finger-tip, she turned the pages rapidly, till
she came to one on which she laid her hand
103like a stony paper-weight. “See here,” she
said, and read out in her level chanting
voice:
“‘Thou shalt not suffer a witch to live.’
“That’s in Exodus, that’s where it is,” she
added, leaving the book open as if to confirm
the statement.
Bosworth continued to glance anxiously
from one to the other of the four people
about the table. He was younger than any
of them, and had had more contact with the
modern world; down in Starkfield, in the bar
of the Fielding House, he could hear himself
laughing with the rest of the men at such old
wives’ tales. But it was not for nothing that
he had been born under the icy shadow of
Lonetop, and had shivered and hungered
as a lad through the bitter Hemlock County
winters. After his parents died, and he had
taken hold of the farm himself, he had got
more out of it by using improved methods,
and by supplying the increasing throng of
summer-boarders over Stotesbury way with
milk and vegetables. He had been made a
selectman of North Ashmore; for so young
a man he had a standing in the county. But
104the roots of the old life were still in him.
He could remember, as a little boy, going
twice a year with his mother to that bleak
hill-farm out beyond Sylvester Brand’s,
where Mrs. Bosworth’s aunt, Cressidora
Cheney, had been shut up for years in a cold
clean room with iron bars in the windows.
When little Orrin first saw Aunt Cressidora
she was a small white old woman, whom her
sisters used to “make decent” for visitors
the day that Orrin and his mother were expected.
The child wondered why there were
bars to the window. “Like a canary-bird,”
he said to his mother. The phrase made
Mrs. Bosworth reflect. “I do believe they
keep Aunt Cressidora too lonesome,” she
said; and the next time she went up the
mountain with the little boy he carried to his
great-aunt a canary in a little wooden cage.
It was a great excitement; he knew it would
make her happy.
The old woman’s motionless face lit up
when she saw the bird, and her eyes began to
glitter. “It belongs to me,” she said instantly,
stretching her soft bony hand over
the cage.
105“Of course it does, Aunt Cressy,” said
Mrs. Bosworth, her eyes filling.
But the bird, startled by the shadow of the
old woman’s hand, began to flutter and beat
its wings distractedly. At the sight, Aunt
Cressidora’s calm face suddenly became a
coil of twitching features. “You she-devil,
you!” she cried in a high squealing voice;
and thrusting her hand into the cage she
dragged out the terrified bird and wrung its
neck. She was plucking the hot body, and
squealing “she-devil, she-devil!” as they
drew little Orrin from the room. On the
way down the mountain his mother wept a
great deal, and said: “You must never tell
anybody that poor Auntie’s crazy, or the men
would come and take her down to the asylum
at Starkfield, and the shame of it would kill
us all. Now promise.” The child promised.
He remembered the scene now, with its
deep fringe of mystery, secrecy and rumour.
It seemed related to a great many other
things below the surface of his thoughts,
things which stole up anew, making him feel
that all the old people he had known, and
106who “believed in these things,” might after
all be right. Hadn’t a witch been burned at
North Ashmore? Didn’t the summer folk
still drive over in jolly buckboard loads to
see the meeting-house where the trial had
been held, the pond where they had ducked
her and she had floated?... Deacon Hibben
believed; Bosworth was sure of it. If
he didn’t, why did people from all over the
place come to him when their animals had
queer sicknesses, or when there was a child
in the family that had to be kept shut up
because it fell down flat and foamed? Yes,
in spite of his religion, Deacon Hibben
knew....
And Brand? Well, it came to Bosworth
in a flash: that North Ashmore woman who
was burned had the name of Brand. The
same stock, no doubt; there had been Brands
in Hemlock County ever since the white men
had come there. And Orrin, when he was
a child, remembered hearing his parents say
that Sylvester Brand hadn’t ever oughter
married his own cousin, because of the blood.
Yet the couple had had two healthy girls,
and when Mrs. Brand pined away and died
107nobody suggested that anything had been
wrong with her mind. And Vanessa and
Ora were the handsomest girls anywhere
round. Brand knew it, and scrimped and
saved all he could to send Ora, the eldest,
down to Starkfield to learn book-keeping.
“When she’s married I’ll send you,” he used
to say to little Venny, who was his favourite.
But Ora never married. She was away
three years, during which Venny ran wild on
the slopes of Lonetop; and when Ora came
back she sickened and died—poor girl!
Since then Brand had grown more savage
and morose. He was a hard-working
farmer, but there wasn’t much to be got out
of those barren Bearcliff acres. He was said
to have taken to drink since his wife’s death;
now and then men ran across him in the
“dives” of Stotesbury. But not often. And
between times he laboured hard on his stony
acres and did his best for his daughters.
In the neglected grave-yard of Cold Corners
there was a slanting head-stone marked with
his wife’s name; near it, a year since, he had
laid his eldest daughter. And sometimes, at
dusk, in the autumn, the village people saw
108him walk slowly by, turn in between the
graves, and stand looking down on the two
stones. But he never brought a flower there,
or planted a bush; nor Venny either. She
was too wild and ignorant....
Mrs. Rutledge repeated: “That’s in
Exodus.”
The three visitors remained silent, turning
about their hats in reluctant hands. Rutledge
faced them, still with that empty pellucid
gaze which frightened Bosworth.
What was he seeing?
“Ain’t any of you folks got the grit—?”
his wife burst out again, half hysterically.
Deacon Hibben held up his hand. “That’s
no way, Mrs. Rutledge. This ain’t a question
of having grit. What we want first of
all is ... proof....”
“That’s so,” said Bosworth, with an explosion
of relief, as if the words had lifted
something black and crouching from his
breast. Involuntarily the eyes of both men
had turned to Brand. He stood there
smiling grimly, but did not speak.
“Ain’t it so, Brand?” the Deacon
prompted him.
109“Proof that spooks walk?” the other
sneered.
“Well—I presume you want this business
settled too?”
The old farmer squared his shoulders.
“Yes—I do. But I ain’t a sperritualist.
How the hell are you going to settle it?”
Deacon Hibben hesitated; then he said, in
a low incisive tone: “I don’t see but one way—Mrs.
Rutledge’s.”
There was a silence.
“What?” Brand sneered again. “Spying?”
The Deacon’s voice sank lower. “If the
poor girl does walk ... her that’s your
child ... wouldn’t you be the first to want
her laid quiet? We all know there’ve been
such cases ... mysterious visitations....
Can any one of us here deny it?”
“I seen ’em,” Mrs. Rutledge interjected.
There was another heavy pause. Suddenly
Brand fixed his gaze on Rutledge.
“See here, Saul Rutledge, you’ve got to clear
up this damned calumny, or I’ll know why.
You say my dead girl comes to you.” He
laboured with his breath, and then jerked
110out: “When? You tell me that, and I’ll be
there.”
Rutledge’s head drooped a little, and his
eyes wandered to the window. “Round
about sunset, mostly.”
“You know beforehand?”
Rutledge made a sign of assent.
“Well, then—tomorrow, will it be?”
Rutledge made the same sign.
Brand turned to the door. “I’ll be there.”
That was all he said. He strode out between
them without another glance or word. Deacon
Hibben looked at Mrs. Rutledge.
“We’ll be there too,” he said, as if she had
asked him; but she had not spoken, and Bosworth
saw that her thin body was trembling
all over. He was glad when he and Hibben
were out again in the snow.
They thought that Brand wanted to be
left to himself, and to give him time to unhitch
his horse they made a pretense of hanging
about in the doorway while Bosworth
111searched his pockets for a pipe he had no
mind to light.
But Brand turned back to them as they
lingered. “You’ll meet me down by Lamer’s
pond tomorrow?” he suggested. “I want
witnesses. Round about sunset.”
They nodded their acquiescence, and he
got into his sleigh, gave the horse a cut
across the flanks, and drove off under the
snow-smothered hemlocks. The other two
men went to the shed.
“What do you make of this business,
Deacon?” Bosworth asked, to break the
silence.
The Deacon shook his head. “The man’s
a sick man—that’s sure. Something’s sucking
the life clean out of him.”
But already, in the biting outer air, Bosworth
was getting himself under better control.
“Looks to me like a bad case of the
ague, as you said.”
“Well—ague of the mind, then. It’s his
brain that’s sick.”
Bosworth shrugged. “He ain’t the first
in Hemlock County.”
112“That’s so,” the Deacon agreed. “It’s a
worm in the brain, solitude is.”
“Well, we’ll know this time tomorrow,
maybe,” said Bosworth. He scrambled into
his sleigh, and was driving off in his turn
when he heard his companion calling after
him. The Deacon explained that his horse
had cast a shoe; would Bosworth drive him
down to the forge near North Ashmore, if
it wasn’t too much out of his way? He
didn’t want the mare slipping about on the
freezing snow, and he could probably get the
blacksmith to drive him back and shoe her in
Rutledge’s shed. Bosworth made room for
him under the bearskin, and the two men
drove off, pursued by a puzzled whinny from
the Deacon’s old mare.
The road they took was not the one that
Bosworth would have followed to reach his
own home. But he did not mind that. The
shortest way to the forge passed close by
Lamer’s pond, and Bosworth, since he was in
for the business, was not sorry to look the
ground over. They drove on in silence.
The snow had ceased, and a green sunset
was spreading upward into the crystal sky.
113A stinging wind barbed with ice-flakes caught
them in the face on the open ridges, but when
they dropped down into the hollow by
Lamer’s pond the air was as soundless and
empty as an unswung bell. They jogged
along slowly, each thinking his own thoughts.
“That’s the house ... that tumble-down
shack over there, I suppose?” the Deacon
said, as the road drew near the edge of the
frozen pond.
“Yes: that’s the house. A queer hermit-fellow
built it years ago, my father used to
tell me. Since then I don’t believe it’s ever
been used but by the gipsies.”
Bosworth had reined in his horse, and sat
looking through pine-trunks purpled by the
sunset at the crumbling structure. Twilight
already lay under the trees, though day lingered
in the open. Between two sharply-patterned
pine-boughs he saw the evening
star, like a white boat in a sea of green.
His gaze dropped from that fathomless
sky and followed the blue-white undulations
of the snow. It gave him a curious agitated
feeling to think that here, in this icy solitude,
in the tumble-down house he had so often
114passed without heeding it, a dark mystery,
too deep for thought, was being enacted.
Down that very slope, coming from the
grave-yard at Cold Corners, the being they
called “Ora” must pass toward the pond.
His heart began to beat stiflingly. Suddenly
he gave an exclamation: “Look!”
He had jumped out of the cutter and was
stumbling up the bank toward the slope of
snow. On it, turned in the direction of the
house by the pond, he had detected a
woman’s foot-prints; two; then three; then
more. The Deacon scrambled out after him,
and they stood and stared.
“God—barefoot!” Hibben gasped. “Then
it is ... the dead....”
Bosworth said nothing. But he knew that
no live woman would travel with naked feet
across that freezing wilderness. Here, then,
was the proof the Deacon had asked for—they
held it. What should they do with it?
“Supposing we was to drive up nearer—round
the turn of the pond, till we get close
to the house,” the Deacon proposed in a
colourless voice. “Mebbe then....”
Postponement was a relief. They got
115into the sleigh and drove on. Two or three
hundred yards farther the road, a mere lane
under steep bushy banks, turned sharply to
the right, following the bend of the pond.
As they rounded the turn they saw Brand’s
cutter ahead of them. It was empty, the
horse tied to a tree-trunk. The two men
looked at each other again. This was not
Brand’s nearest way home.
Evidently he had been actuated by the
same impulse which had made them rein in
their horse by the pond-side, and then hasten
on to the deserted hovel. Had he too discovered
those spectral foot-prints? Perhaps
it was for that very reason that he had left
his cutter and vanished in the direction of the
house. Bosworth found himself shivering
all over under his bearskin. “I wish to
God the dark wasn’t coming on,” he muttered.
He tethered his own horse near
Brand’s, and without a word he and the
Deacon ploughed through the snow, in the
track of Brand’s huge feet. They had only
a few yards to walk to overtake him. He
did not hear them following him, and when
Bosworth spoke his name, and he stopped
116short and turned, his heavy face was dim
and confused, like a darker blot on the dusk.
He looked at them dully, but without surprise.
“I wanted to see the place,” he merely
said.
The Deacon cleared his throat. “Just
take a look ... yes.... We thought so....
But I guess there won’t be anything to
see....” He attempted a chuckle.
The other did not seem to hear him, but
laboured on ahead through the pines. The
three men came out together in the cleared
space before the house. As they emerged
from beneath the trees they seemed to have
left night behind. The evening star shed
a lustre on the speckless snow, and Brand, in
that lucid circle, stopped with a jerk, and
pointed to the same light foot-prints turned
toward the house—the track of a woman
in the snow. He stood still, his face working.
“Bare feet ...” he said.
The Deacon piped up in a quavering voice:
“The feet of the dead.”
Brand remained motionless. “The feet
of the dead,” he echoed.
117Deacon Hibben laid a frightened hand on
his arm. “Come away now, Brand; for the
love of God come away.”
The father hung there, gazing down at
those light tracks on the snow—light as fox
or squirrel trails they seemed, on the white
immensity. Bosworth thought to himself:
“The living couldn’t walk so light—not even
Ora Brand couldn’t have, when she
lived....” The cold seemed to have entered
into his very marrow. His teeth were chattering.
Brand swung about on them abruptly.
“Now!” he said, moving on as if to an assault,
his head bowed forward on his bull
neck.
“Now—now? Not in there?” gasped the
Deacon. “What’s the use? It was tomorrow
he said—.” He shook like a leaf.
“It’s now,” said Brand. He went up to
the door of the crazy house, pushed it inward,
and meeting with an unexpected resistance,
thrust his heavy shoulder against the
panel. The door collapsed like a playing-card,
and Brand stumbled after it into the
118darkness of the hut. The others, after a
moment’s hesitation, followed.
Bosworth was never quite sure in what
order the events that succeeded took place.
Coming in out of the snow-dazzle, he seemed
to be plunging into total blackness. He
groped his way across the threshold, caught
a sharp splinter of the fallen door in his
palm, seemed to see something white and
wraithlike surge up out of the darkest corner
of the hut, and then heard a revolver shot
at his elbow, and a cry—
Brand had turned back, and was staggering
past him out into the lingering daylight.
The sunset, suddenly flushing through the
trees, crimsoned his face like blood. He
held a revolver in his hand and looked about
him in his stupid way.
“They do walk, then,” he said and began
to laugh. He bent his head to examine his
weapon. “Better here than in the churchyard.
They shan’t dig her up now,” he
shouted out. The two men caught him by
the arms, and Bosworth got the revolver
away from him.
119
The next day Bosworth’s sister Loretta,
who kept house for him, asked him, when he
came in for his midday dinner, if he had
heard the news.
Bosworth had been sawing wood all the
morning, and in spite of the cold and the
driving snow, which had begun again in the
night, he was covered with an icy sweat, like
a man getting over a fever.
“What news?”
“Venny Brand’s down sick with pneumonia.
The Deacon’s been there. I guess
she’s dying.”
Bosworth looked at her with listless eyes.
She seemed far off from him, miles away.
“Venny Brand?” he echoed.
“You never liked her, Orrin.”
“She’s a child. I never knew much about
her.”
“Well,” repeated his sister, with the guileless
relish of the unimaginative for bad news,
“I guess she’s dying.” After a pause she
added: “It’ll kill Sylvester Brand, all alone
up there.”
120Bosworth got up and said: “I’ve got to see
to poulticing the gray’s fetlock.” He walked
out into the steadily falling snow.
Venny Brand was buried three days later.
The Deacon read the service; Bosworth was
one of the pall-bearers. The whole countryside
turned out, for the snow had stopped
falling, and at any season a funeral offered
an opportunity for an outing that was not
to be missed. Besides, Venny Brand was
young and handsome—at least some people
thought her handsome, though she was so
swarthy—and her dying like that, so suddenly,
had the fascination of tragedy.
“They say her lungs filled right up....
Seems she’d had bronchial troubles before....
I always said both them girls was
frail.... Look at Ora, how she took and
wasted away! And it’s colder’n all outdoors
up there to Brand’s.... Their
mother, too, she pined away just the same.
They don’t ever make old bones on the
mother’s side of the family.... There’s that
young Bedlow over there; they say Venny
was engaged to him.... Oh, Mrs. Rutledge,
121excuse me.... Step right into the
pew; there’s a seat for you alongside of
grandma....”
Mrs. Rutledge was advancing with deliberate
step down the narrow aisle of the
bleak wooden church. She had on her best
bonnet, a monumental structure which no
one had seen out of her trunk since old Mrs.
Silsee’s funeral, three years before. All the
women remembered it. Under its perpendicular
pile her narrow face, swaying on the
long thin neck, seemed whiter than ever; but
her air of fretfulness had been composed into
a suitable expression of mournful immobility.
“Looks as if the stone-mason had carved
her to put atop of Venny’s grave,” Bosworth
thought as she glided past him; and then
shivered at his own sepulchral fancy. When
she bent over her hymn book her lowered lids
reminded him again of marble eye-balls; the
bony hands clasping the book were bloodless.
Bosworth had never seen such hands since he
had seen old Aunt Cressidora Cheney strangle
the canary-bird because it fluttered.
The service was over, the coffin of Venny
122Brand had been lowered into her sister’s
grave, and the neighbours were slowly dispersing.
Bosworth, as pall-bearer, felt
obliged to linger and say a word to the
stricken father. He waited till Brand had
turned from the grave with the Deacon at
his side. The three men stood together for
a moment; but not one of them spoke.
Brand’s face was the closed door of a vault,
barred with wrinkles like bands of iron.
Finally the Deacon took his hand and
said: “The Lord gave—”
Brand nodded and turned away toward the
shed where the horses were hitched. Bosworth
followed him. “Let me drive along
home with you,” he suggested.
Brand did not so much as turn his head.
“Home? What home?” he said; and the
other fell back.
Loretta Bosworth was talking with the
other women while the men unblanketed their
horses and backed the cutters out into the
heavy snow. As Bosworth waited for her,
a few feet off, he saw Mrs. Rutledge’s tall
bonnet lording it above the group. Andy
123Pond, the Rutledge farm-hand, was backing
out the sleigh.
“Saul ain’t here today, Mrs. Rutledge, is
he?” one of the village elders piped, turning
a benevolent old tortoise-head about on a
loose neck, and blinking up into Mrs. Rutledge’s
marble face.
Bosworth heard her measure out her answer
in slow incisive words. “No. Mr.
Rutledge he ain’t here. He would ‘a’ come
for certain, but his aunt Minorca Cummins
is being buried down to Stotesbury this very
day and he had to go down there. Don’t
it sometimes seem zif we was all walking
right in the Shadow of Death?”
As she walked toward the cutter, in which
Andy Pond was already seated, the Deacon
went up to her with visible hesitation. Involuntarily
Bosworth also moved nearer.
He heard the Deacon say: “I’m glad to hear
that Saul is able to be up and around.”
She turned her small head on her rigid
neck, and lifted the lids of marble.
“Yes, I guess he’ll sleep quieter now.—And
her too, maybe, now she don’t lay there
alone any longer,” she added in a low voice,
124with a sudden twist of her chin toward the
fresh black stain in the grave-yard snow.
She got into the cutter, and said in a clear
tone to Andy Pond: “’S long as we’re down
here I don’t know but what I’ll just call round
and get a box of soap at Hiram Pringle’s.”
THE SEED OF THE FAITH — I — II — III — IV — V — VI
125
The blinding June sky of Africa
hung over the town. In the doorway
of an Arab coffee-house a
young man stood listening to the
remarks exchanged by the patrons of the
establishment, who lay in torpid heaps on the
low shelf bordering the room.
The young man’s caftan was faded to a
dingy brown, but the muslin garment covering
it was clean, and so was the turban wound
about his shabby fez.
Cleanliness was not the most marked characteristic
of the conversation to which he
lent a listless ear. It was no prurient curiosity
that fixed his attention on this placid
exchange of obscenities: he had lived too
long in Morocco for obscenities not to have
lost their savour. But he had never quite
126overcome the fascinated disgust with which
he listened, nor the hope that one among the
talkers would suddenly reveal some sense
of a higher ideal, of what, at home, the
earnest women he knew used solemnly to call
a Purpose. He was sure that, some day,
such a sign would come, and then—
Meanwhile, at that hour, there was
nothing on earth to do in Eloued but to stand
and listen—
The bazaar was beginning to fill up.
Looking down the vaulted tunnel which led
to the coffee-house the young man watched
the thickening throng of shoppers and idlers.
The fat merchant whose shop faced the end
of the tunnel had just ridden up and rolled
off his mule, while his black boy unbarred the
door of the niche hung with embroidered
slippers where the master throned. The
young man in the faded caftan, watching the
merchant scramble up and sink into his
cushions, wondered for the thousandth time
what he thought about all day in his dim
stifling kennel, and what he did when he was
away from it ... for no length of residence
in that dark land seemed to bring one
127nearer to finding out what the heathen
thought and did when the eye of the
Christian was off him.
Suddenly a wave of excitement ran
through the crowd. Every head turned in
the same direction, and even the camels bent
their frowning faces and stretched their
necks all one way, as animals do before a
storm. A wild hoot had penetrated the bazaar,
howling through the long white tunnels
and under the reed-woven roofs like a
Djinn among dishonoured graves. The
heart of the young man began to beat.
“It sounds,” he thought, “like a motor....”
But a motor at Eloued! There was one,
every one knew, in the Sultan’s Palace. It
had been brought there years ago by a foreign
Ambassador, as a gift from his sovereign,
and was variously reported to be made
entirely of aluminium, platinum or silver.
But the parts had never been put together,
the body had long been used for breeding
silk-worms—in a not wholly successful experiment—and
the acetylene lamps adorned
the Pasha’s gardens on state occasions. As
for the horn, it had been sent as a gift, with a
128choice panoply of arms, to the Caïd of the
Red Mountain; but as the india-rubber bulb
had accidentally been left behind, it was certainly
not the Caïd’s visit which the present
discordant cries announced....
“Hullo, you old dromedary! How’s the
folks up state?” cried a ringing voice. The
awestruck populace gave way, and a young
man in linen duster and motor cap, slipping
under the interwoven necks of the astonished
camels, strode down the tunnel with an air
of authority and clapped a hand on the
dreamer in the doorway.
“Harry Spink!” the latter gasped in a
startled whisper, and with an intonation as
un-African as his friend’s. At the same instant
he glanced over his shoulder, and his
mild lips formed a cautious: “’sh.”
“Who’d you take me for—Gabby Deslys?”
asked the newcomer gaily; then, seeing
that this topical allusion hung fire: “And
what the dickens are you ‘hushing’ for, anyhow?
You don’t suppose, do you, that anybody
in the bazaar thinks you’re a native?
D’y’ ever look at your chin? Or that
Adam’s apple running up and down you like
129a bead on a billiard marker’s wire? See
here, Willard Bent....”
The young man in the caftan blushed distressfully,
not so much at the graphic reference
to his looks as at the doubt cast on his
disguise.
“I do assure you, Harry, I pick up a great
deal of ... of useful information ... in
this way....”
“Oh, get out,” said Harry Spink cheerfully.
“You believe all that still, do you?
What’s the good of it all, anyway?”
Willard Bent passed a hand under the
other’s arm and led him through the coffee-house
into an empty room at the back. They
sat down on a shelf covered with matting and
looked at each other earnestly.
“Don’t you believe any longer, Harry
Spink?” asked Willard Bent.
“Don’t have to. I’m travelling for rubber
now.”
“Oh, merciful heaven! Was that your
automobile?”
“Sure.”
There was a long silence, during which
Bent sat with bowed head gazing on the
130earthen floor, while the bead in his throat
performed its most active gymnastics. At
last he lifted his eyes and fixed them on the
tight red face of his companion.
“When did your faith fail you?” he
asked.
The other considered him humorously.
“Why—when I got onto this job, I guess.”
Willard Bent rose and held out his hand.
“Good-bye.... I must go.... If I can
be of any use ... you know where to find
me....”
“Any use? Say, old man, what’s wrong?
Are you trying to shake me?” Bent was
silent, and Harry Spink continued insidiously:
“Ain’t you a mite hard on me? I
thought the heathen was just what you was
laying for.”
Bent smiled mournfully. “There’s no use
trying to convert a renegade.”
“That what I am? Well—all right.
But how about the others? Say—let’s order
a lap of tea and have it out right here.”
Bent seemed to hesitate; but at length he
rose, put back the matting that screened the
inner room, and said a word to the proprietor.
131Presently a scrofulous boy with
gazelle eyes brought a brass tray bearing
glasses and pipes of kif, gazed earnestly at
the stranger in the linen duster, and slid back
behind the matting.
“Of course,” Bent began, “a good many
people know I am a Baptist missionary”—(“No?”
from Spink, incredulously)—“but
in the crowd of the bazaar they don’t notice
me, and I hear things....”
“Golly! I should suppose you did.”
“I mean, things that may be useful. You
know Mr. Blandhorn’s idea....”
A tinge of respectful commiseration veiled
the easy impudence of the drummer’s look.
“The old man still here, is he?”
“Oh, yes; of course. He will never leave
Eloued.”
“And the missus—?”
Bent again lowered his naturally low voice.
“She died—a year ago—of the climate. The
doctor had warned her; but Mr. Blandhorn
felt a call to remain here.”
“And she wouldn’t leave without him?”
“Oh, she felt a call too ... among the
women....”
132Spink pondered. “How many years you
been here, Willard?”
“Ten next July,” the other responded, as
if he had added up the weeks and months so
often that the reply was always on his
lips.
“And the old man?”
“Twenty-five last April. We had planned
a celebration ... before Mrs. Blandhorn
died. There was to have been a testimonial
offered ... but, owing to her death, Mr.
Blandhorn preferred to devote the sum to
our dispensary.”
“I see. How much?” said Spink
sharply.
“It wouldn’t seem much to you. I believe
about fifty pesetas....”
“Two pesetas a year? Lucky the Society
looks after you, ain’t it?”
Willard Bent met his ironic glance steadily.
“We’re not here to trade,” he said with
dignity.
“No—that’s right too—” Spink reddened
slightly. “Well, all I meant was—look at
here, Willard, we’re old friends, even if I
did go wrong, as I suppose you’d call it. I
133was in this thing near on a year myself, and
what always tormented me was this: What
does it all amount to?”
“Amount to?”
“Yes. I mean, what’s the results? Supposing
you was a fisherman. Well, if you
fished a bit of river year after year, and
never had a nibble, you’d do one of two
things, wouldn’t you? Move away—or lie
about it. See?”
Bent nodded without speaking. Spink set
down his glass and busied himself with the
lighting of his long slender pipe. “Say, this
mint-julep feels like old times,” he remarked.
Bent continued to gaze frowningly into his
untouched glass. At length he swallowed
the sweet decoction at a gulp, and turned to
his companion.
“I’d never lie....” he murmured.
“Well—”
“I’m—I’m still—waiting....”
“Waiting—?”
“Yes. The wind bloweth where it listeth.
If St. Paul had stopped to count ... in
Corinth, say. As I take it—” he looked long
134and passionately at the drummer—“as I
take it, the thing is to be St. Paul.”
Harry Spink remained unimpressed.
“That’s all talk—I heard all that when I
was here before. What I want to know is:
What’s your bag? How many?”
“It’s difficult—”
“I see: like the pigs. They run around
so!”
Both the young men were silent, Spink
pulling at his pipe, the other sitting with bent
head, his eyes obstinately fixed on the beaten
floor. At length Spink rose and tapped the
missionary on the shoulder.
“Say—s’posin’ we take a look around
Corinth? I got to get onto my job tomorrow,
but I’d like to take a turn round the old
place first.”
Willard Bent rose also. He felt singularly
old and tired, and his mind was full of doubt
as to what he ought to do. If he refused to
accompany Harry Spink, a former friend
and fellow-worker, it might look like running
away from his questions....
They went out together.
135
The bazaar was seething. It seemed
impossible that two more people should
penetrate the throng of beggars, pilgrims,
traders, slave-women, water-sellers, hawkers
of dates and sweetmeats, leather-gaitered
country people carrying bunches of hens
head-downward, jugglers’ touts from the
market-place, Jews in black caftans and
greasy turbans, and scrofulous children reaching
up to the high counters to fill their jars
and baskets. But every now and then the
Arab “Look out!” made the crowd divide
and flatten itself against the stalls, and a long
line of donkeys loaded with water-barrels or
bundles of reeds, a string of musk-scented
camels swaying their necks like horizontal
question marks, or a great man perched on a
pink-saddled mule and followed by slaves
and clients, swept through the narrow passage
without other peril to the pedestrians
than that of a fresh exchange of vermin.
As the two young men drew back to make
way for one of these processions, Willard
Bent lifted his head and looked at his friend
136with a smile. “That’s what Mr. Blandhorn
says we ought to remember—it’s one of his
favourite images.”
“What is?” asked Harry Spink, following
with attentive gaze the movements of a
young Jewess whose uncovered face and
bright head-dress stood out against a group
of muffled Arab women.
Instinctively Willard’s voice took on a
hortatory roll.
“Why, the way this dense mass of people,
so heedless, so preoccupied, is imperceptibly
penetrated—”
“By a handful of asses? That’s so. But
the asses have got some kick in ’em, remember!”
The missionary flushed to the edge of his
fez, and his mild eyes grew dim. It was the
old story: Harry Spink invariably got the
better of him in bandying words—and the
interpretation of allegories had never been
his strong point. Mr. Blandhorn always
managed to make them sound unanswerable,
whereas on his disciple’s lips they fell to
pieces at a touch. What was it that Willard
always left out?
137A mournful sense of his unworthiness overcame
him, and with it the discouraged vision
of all the long months and years spent in the
struggle with heat and dust and flies and
filth and wickedness, the long lonely years of
his youth that would never come back to him.
It was the vision he most dreaded, and turning
from it he tried to forget himself in
watching his friend.
“Golly! The vacuum-cleaner ain’t been
round since my last visit,” Mr. Spink observed,
as they slipped in a mass of offal
beneath a butcher’s stall. “Let’s get into
another soukh—the flies here beat me.”
They turned into another long lane
chequered with a criss-cross of black reed-shadows.
It was the saddlers’ quarter, and
here an even thicker crowd wriggled and
swayed between the cramped stalls hung
with bright leather and spangled ornaments.
“Say! It might be a good idea to import
some of this stuff for Fourth of July processions—Knights
of Pythias and Secret
Societies’ kinder thing,” Spink mused, pausing
before the brilliant spectacle. At the
138same moment a lad in an almond-green caftan
sidled up and touched his arm.
Willard’s face brightened. “Ah, that’s
little Ahmed—you don’t remember him?
Surely—the water-carrier’s boy. Mrs.
Blandhorn saved his mother’s life when he
was born, and he still comes to prayers.
Yes, Ahmed, this is your old friend Mr.
Spink.”
Ahmed raised prodigious lashes from seraphic
eyes and reverently surveyed the face
of his old friend. “Me ’member.”
“Hullo, old chap ... why, of course ... so do I,” the drummer beamed. The
missionary laid a brotherly hand on the boy’s
shoulder. It was really providential that
Ahmed—whom they hadn’t seen at the Mission
for more weeks than Willard cared to
count—should have “happened by” at that
moment: Willard took it as a rebuke to his
own doubts.
“You’ll be in this evening for prayers,
won’t you, Ahmed?” he said, as if Ahmed
never failed them. “Mr. Spink will be with
us.”
“Yessir,” said Ahmed with unction. He
139slipped from under Willard’s hand, and outflanking
the drummer approached him from
the farther side.
“Show you Souss boys dance? Down to
old Jewess’s, Bab-el-Soukh,” he breathed
angelically.
Willard saw his companion turn from red
to a wrathful purple.
“Get out, you young swine, you—do you
hear me?”
Ahmed grinned, wavered and vanished,
engulfed in the careless crowd. The young
men walked on without speaking.
In the market-place they parted. Willard
Bent, after some hesitation, had asked Harry
Spink to come to the Mission that evening.
“You’d better come to supper—then we can
talk quietly afterward. Mr. Blandhorn will
want to see you,” he suggested; and Mr.
Spink had affably acquiesced.
The prayer-meeting was before supper,
and Willard would have liked to propose
that his friend should come to that also;
140but he did not dare. He said to himself
that Harry Spink, who had been merely a
lay assistant, might have lost the habit of
reverence, and that it would be too painful
to risk his scandalizing Mr. Blandhorn. But
that was only a sham reason; and Willard,
with his incorrigible habit of self-exploration,
fished up the real one from a lower depth.
What he had most feared was that there
would be no one at the meeting.
During Mrs. Blandhorn’s lifetime there
had been no reason for such apprehension:
they could always count on a few people.
Mrs. Blandhorn, who had studied medicine
at Ann Arbor, Michigan, had early gained
renown in Eloued by her miraculous healing
powers. The dispensary, in those days, had
been beset by anxious-eyed women who unwound
skinny fig-coloured children from their
dirty draperies; and there had even been a
time when Mr. Blandhorn had appealed to
the Society for a young lady missionary to
assist his wife. But, for reasons not quite
clear to Willard Bent, Mrs. Blandhorn, a
thin-lipped determined little woman, had energetically
opposed the coming of this youthful
141“Sister,” and had declared that their
Jewish maid-servant, old Myriem, could give
her all the aid she needed.
Mr. Blandhorn yielded, as he usually did—as
he had yielded, for instance, when one
day, in a white inarticulate fury, his wife
had banished her godson, little Ahmed
(whose life she had saved), and issued
orders that he should never show himself
again except at prayer-meeting, and accompanied
by his father. Mrs. Blandhorn, small,
silent and passionate, had always—as Bent
made out in his long retrospective musings—ended
by having her way in the conflicts that
occasionally shook the monotony of life at
the Mission. After her death the young
man had even suspected, beneath his superior’s
sincere and vehement sorrow, a lurking
sense of relief. Mr. Blandhorn had snuffed
the air of freedom, and had been, for the
moment, slightly intoxicated by it. But not
for long. Very soon his wife’s loss made
itself felt as a lasting void.
She had been (as Spink would have put
it) “the whole show”; had led, inspired, organized
her husband’s work, held it together,
142and given it the brave front it presented to
the unheeding heathen. Now the heathen
had almost entirely fallen away, and the too
evident inference was that they had come
rather for Mrs. Blandhorn’s pills than for
her husband’s preaching. Neither of the
missionaries had avowed this discovery to
the other, but to Willard at least it was implied
in all the circumlocutions and evasions
of their endless talks.
The young man’s situation had been
greatly changed by Mrs. Blandhorn’s death.
His superior had grown touchingly dependent
on him. Their conversation, formerly
confined to parochial matters, now ranged
from abstruse doctrinal problems to the
question of how to induce Myriem, who had
deplorably “relapsed,” to keep the kitchen
cleaner and spend less time on the roofs.
Bent felt that Mr. Blandhorn needed him at
every moment, and that, during any prolonged
absence, something vaguely “unfortunate”
might happen at the Mission.
“I’m glad Spink has come; it will do
him good to see somebody from outside,”
Willard thought, nervously hoping
143that Spink (a good fellow at bottom) would
not trouble Mr. Blandhorn by any of his
“unsettling” questions.
At the end of a labyrinth of lanes, on the
farther side of the Jewish quarter, a wall of
heat-cracked clay bore the inscription:
“American Evangelical Mission.” Underneath
it a door opened into a court where an
old woman in a bright head-dress sat under
a fig-tree pounding something in a mortar.
She looked up, and, rising, touched Bent’s
draperies with her lips. Her small face,
withered as a dry medlar, was full of an
ancient wisdom: Mrs. Blandhorn had certainly
been right in trusting Myriem.
A narrow house-front looked upon the
court. Bent climbed the stairs to Mr.
Blandhorn’s study. It was a small room
with a few dog-eared books on a set of rough
shelves, the table at which Mr. Blandhorn
wrote his reports for the Society, and a mattress
covered with a bit of faded carpet, on
which he slept. Near the window stood Mrs.
Blandhorn’s sewing-machine; it had never
been moved since her death.
The missionary was sitting in the middle
144of the room, in the rocking chair which had
also been his wife’s. His large veined hands
were clasped about its arms and his head
rested against a patch-work cushion tied to
the back by a shoe-lace. His mouth was
slightly open, and a deep breath, occasionally
rising to a whistle, proceeded with rhythmic
regularity from his delicately-cut nostrils.
Even surprised in sleep he was a fine man
to look upon; and when, at the sound of
Bent’s approach, he opened his eyes and
pulled himself out of his chair, he became
magnificent. He had taken off his turban,
and thrown a handkerchief over his head,
which was shaved like an Arab’s for coolness.
His long beard was white, with the smoker’s
yellow tinge about the lips; but his eyebrows
were jet-black, arched and restless. The
gray eyes beneath them shed a mild benedictory
beam, confirmed by the smile of a
mouth which might have seemed weak if the
beard had not so nearly concealed it. But
the forehead menaced, fulminated or awed
with the ever-varying play of the eyebrows.
Willard Bent never beheld that forehead
without thinking of Sinai.
145Mr. Blandhorn brushed some shreds of
tobacco from his white djellabah and looked
impressively at his assistant.
“The heat is really overwhelming,” he
said, as if excusing himself. He readjusted
his turban, and then asked: “Is everything
ready downstairs?”
Bent assented, and they went down to the
long bare room where the prayer-meetings
were held. In Mrs. Blandhorn’s day it had
also served as the dispensary, and a cupboard
containing drugs and bandages stood
against the wall under the text: “Come unto
me, all ye that labour and are heavy laden.”
Myriem, abandoning her mortar, was
vaguely tidying the Arab tracts and leaflets
that lay on the divan against the wall.
At one end of the room stood a table covered
with a white cloth, with a Bible lying on it;
and to the left a sort of pulpit-lectern, from
which Mr. Blandhorn addressed his flock.
In the doorway squatted Ayoub, a silent
gray-headed negro; Bent, on his own arrival
at Eloued, ten years earlier, had found him
there in the same place and the same attitude.
Ayoub was supposed to be a rescued
146slave from the Soudan, and was shown to
visitors as “our first convert.” He manifested
no interest at the approach of the
missionaries, but continued to gaze out into
the sun-baked court cut in half by the shadow
of the fig-tree.
Mr. Blandhorn, after looking about the
empty room as if he were surveying the upturned
faces of an attentive congregation,
placed himself at the lectern, put on his
spectacles, and turned over the pages of his
prayer-book. Then he knelt and bowed his
head in prayer. His devotions ended, he rose
and seated himself in the cane arm-chair that
faced the lectern. Willard Bent sat opposite
in another arm-chair. Mr. Blandhorn leaned
back, breathing heavily, and passing his
handkerchief over his face and brow. Now
and then he drew out his watch, now and
then he said: “The heat is really overwhelming.”
Myriem had drifted back to her fig-tree,
and the sound of the pestle mingled with the
drone of flies on the window-pane. Occasionally
the curses of a muleteer or the rhythmic
chant of a water-carrier broke the silence;
147once there came from a neighbouring roof
the noise of a short cat-like squabble ending
in female howls; then the afternoon heat
laid its leaden hush on all things.
Mr. Blandhorn opened his mouth and
slept.
Willard Bent, watching him, thought with
wonder and admiration of his past. What
had he not seen, what secrets were not hidden
in his bosom? By dint of sheer “sticking
it out” he had acquired to the younger man
a sort of visible sanctity. Twenty-five years
of Eloued! He had known the old mad
torturing Sultan, he had seen, after the defeat
of the rebels, the long line of prisoners
staggering in under a torrid sky, chained
wrist to wrist, and dragging between them
the putrefying bodies of those who had died
on the march. He had seen the Great Massacre,
when the rivers were red with French
blood, and the Blandhorns had hidden an
officer’s wife and children in the rat-haunted
drain under the court; he had known robbery
and murder and intrigue, and all the
dark maleficence of Africa; and he remained
as serene, as confident and guileless, as on
148the day when he had first set foot on that
evil soil, saying to himself (as he had told
Willard): “I will tread upon the lion and
the adder, the young lion and the dragon
will I tread under foot.”
Willard Bent hated Africa; but it awed
and fascinated him. And as he contemplated
the splendid old man sleeping opposite him,
so mysterious, so childlike and so weak (Mrs.
Blandhorn had left him no doubts on that
point), the disciple marvelled at the power
of the faith which had armed his master with
a sort of infantile strength against such dark
and manifold perils.
Suddenly a shadow fell in the doorway,
and Bent, roused from his dream, saw Harry
Spink tiptoeing past the unmoved Ayoub.
The drummer paused and looked with astonishment
from one of the missionaries to the
other. “Say,” he asked, “is prayer-meeting
over? I thought I’d be round in time.”
He spoke seriously, even respectfully; it
was plain that he felt flippancy to be out of
place. But Bent suspected a lurking malice
under his astonishment: he was sure Harry
Spink had come to “count heads.”
149Mr. Blandhorn, wakened by the voice,
stood up heavily.
“Harry Spink! Is it possible you are
amongst us?”
“Why, yes, sir—I’m amongst. Didn’t
Willard tell you? I guess Willard Bent’s
ashamed of me.”
Spink, with a laugh, shook Mr. Blandhorn’s
hand, and glanced about the empty
room.
“I’m only here for a day or so—on business.
Willard’ll explain. But I wanted to
come round to meeting—like old times.
Sorry it’s over.”
The missionary looked at him with a grave
candour. “It’s not over—it has not begun.
The overwhelming heat has probably kept
away our little flock.”
“I see,” interpolated Spink.
“But now,” continued Mr. Blandhorn with
majesty, “that two or three are gathered together
in His name, there is no reason why
we should wait.—Myriem! Ayoub!”
He took his place behind the lectern and
began: “Almighty and merciful Father—”
150
The night was exceedingly close. Willard
Bent, after Spink’s departure, had undressed
and stretched himself on his camp bed; but
the mosquitoes roared like lions, and lying
down made him more wakeful.
“In any Christian country,” he mused,
“this would mean a thunderstorm and a cool-off.
Here it just means months and months
more of the same thing.” And he thought
enviously of Spink, who, in two or three
days, his “deal” concluded, would be at sea
again, heading for the north.
Bent was honestly distressed at his own
state of mind: he had feared that Harry
Spink would “unsettle” Mr. Blandhorn, and,
instead, it was he himself who had been
unsettled. Old slumbering distrusts and
doubts, bursting through his surface-apathy,
had shot up under the drummer’s ironic eye.
It was not so much Spink, individually, who
had loosened the crust of Bent’s indifference;
it was the fact of feeling his whole problem
suddenly viewed and judged from the outside.
At Eloued, he was aware, nobody, for
151a long time, had thought much about the missionaries.
The French authorities were
friendly, the Pacha was tolerant, the American
Consul at Mogador had always stood by
them in any small difficulties. But beyond
that they were virtually non-existent. Nobody’s
view of life was really affected by their
presence in the great swarming mysterious
city: if they should pack up and leave that
night, the story-tellers of the market would
not interrupt their tales, or one less bargain
be struck in the bazaar. Ayoub would still
doze in the door, and old Myriem continue
her secret life on the roofs....
The roofs were of course forbidden to the
missionaries, as they are to men in all Moslem
cities. But the Mission-house stood
close to the walls, and Mr. Blandhorn’s
room, across the passage, gave on a small
terrace overhanging the court of a caravansary
upon which it was no sin to look.
Willard wondered if it were any cooler on
the terrace.
Some one tapped on his open door, and
Mr. Blandhorn, in turban and caftan, entered
the room, shading a small lamp.
152“My dear Willard—can you sleep?”
“No, sir.” The young man stumbled to
his feet.
“Nor I. The heat is really.... Shall
we seek relief on the terrace?”
Bent followed him, and having extinguished
the lamp Mr. Blandhorn led
the way out. He dragged a strip of
matting to the edge of the parapet,
and the two men sat down on it side
by side.
There was no moon, but a sky so full of
stars that the city was outlined beneath it in
great blue-gray masses. The air was motionless,
but every now and then a wandering
tremor stirred it and died out. Close under
the parapet lay the bales and saddle-packs
of the caravansary, between vaguer heaps,
presumably of sleeping camels. In one
corner, the star-glitter picked out the shape
of a trough brimming with water, and
stabbed it with long silver beams. Beyond
the court rose the crenellations of the city
walls, and above them one palm stood up like
a tree of bronze.
“Africa—” sighed Mr. Blandhorn.
153Willard Bent started at the secret echo of
his own thoughts.
“Yes. Never anything else, sir—”
“Ah—” said the old man.
A tang-tang of stringed instruments, accompanied
by the lowing of an earthenware
drum, rose exasperatingly through the night.
It was the kind of noise that, one knew, had
been going on for hours before one began to
notice it, and would go on, unchecked and
unchanging, for endless hours more: like the
heat, like the drought—like Africa.
Willard slapped at a mosquito.
“It’s a party at the wool-merchant’s,
Myriem tells me,” Mr. Blandhorn remarked.
It really seemed as if, that night, the
thoughts of the two men met without the
need of words. Willard Bent was aware
that, for both, the casual phrase had called
up all the details of the scene: fat merchants
in white bunches on their cushions, negresses
coming and going with trays of sweets,
champagne clandestinely poured, ugly singing-girls
yowling, slim boys in petticoats
dancing—perhaps little Ahmed among them.
“I went down to the court just now.
154Ayoub has disappeared,” Mr. Blandhorn
continued.
“Of course. When I heard in the bazaar
that a black caravan was in from the south
I knew he’d be off....”
Mr. Blandhorn lowered his voice. “Willard—have
you reason to think ... that
Ayoub joins in their rites?”
“Myriem has always said he was a Hamatcha,
sir. Look at those queer cuts and
scars on him.... It’s a much bloodier sect
than the Aissaouas.”
Through the nagging throb of the instruments
came a sound of human wailing, cadenced,
terrible, relentless, carried from a
long way off on a lift of the air. Then the
air died, and the wailing with it.
“From somewhere near the Potter’s
Field ... there’s where the caravan is
camping,” Willard murmured.
The old man made no answer. He sat
with his head bowed, his veined hands grasping
his knees; he seemed to his disciple to be
whispering fragments of Scripture.
“Willard, my son, this is our fault,” he
said at length.
155“What—? Ayoub?”
“Ayoub is a poor ignorant creature, hardly
more than an animal. Even when he witnessed
for Jesus I was not very sure the
Word reached him. I refer to—to what
Harry Spink said this evening.... It has
kept me from sleeping, Willard Bent.”
“Yes—I know, sir.”
“Harry Spink is a worldly-minded man.
But he is not a bad man. He did a manly
thing when he left us, since he did not feel
the call. But we have felt the call, Willard,
you and I—and when a man like Spink puts
us a question such as he put this evening we
ought to be able to answer it. And we ought
not to want to avoid answering it.”
“You mean when he said: ‘What is there
in it for Jesus?’”
“The phrase was irreverent, but the meaning
reached me. He meant, I take it: ‘What
have your long years here profited to Christ?’
You understood it so—?”
“Yes. He said to me in the bazaar:
‘What’s your bag?’”
Mr. Blandhorn sighed heavily. For a
few minutes Willard fancied he had fallen
156asleep; but he lifted his head and, stretching
his hand out, laid it on his disciple’s arm.
“The Lord chooses His messengers as it
pleaseth Him: I have been awaiting this for
a long time.” The young man felt his arm
strongly grasped. “Willard, you have been
much to me all these years; but that is
nothing. All that matters is what you are to
Christ ... and the test of that, at this
moment, is your willingness to tell me the
exact truth, as you see it.”
Willard Bent felt as if he were a very
tall building, and his heart a lift suddenly
dropping down from the roof to the cellar.
He stirred nervously, releasing his arm, and
cleared his throat; but he made no answer.
Mr. Blandhorn went on.
“Willard, this is the day of our accounting—of
my accounting. What have I done
with my twenty-five years in Africa? I
might deceive myself as long as my wife lived—I
cannot now.” He added, after a pause:
“Thank heaven she never doubted....”
The younger man, with an inward shiver,
remembered some of Mrs. Blandhorn’s confidences.
“I suppose that’s what marriage
157is,” he mused—“just a fog, like everything
else.”
Aloud he asked: “Then why should you
doubt, sir?”
“Because my eyes have been opened—”
“By Harry Spink?” the disciple sneered.
The old man raised his hand. “‘Out of
the mouths of babes—’ But it is not Harry
Spink who first set me thinking. He has
merely loosened my tongue. He has been
the humble instrument compelling me to
exact the truth of you.”
Again Bent felt his heart dropping down
a long dark shaft. He found no words at the
bottom of it, and Mr. Blandhorn continued:
“The truth and the whole truth, Willard
Bent. We have failed—I have failed. We
have not reached the souls of these people.
Those who still come to us do so from interested
motives—or, even if I do some few
of them an injustice, if there is in some a
blind yearning for the light, is there one
among them whose eyes we have really
opened?”
Willard Bent sat silent, looking up and
down the long years, as if to summon from
158the depths of memory some single incident
that should permit him to say there was.
“You don’t answer, my poor young friend.
Perhaps you have been clearer-sighted; perhaps
you saw long ago that we were not
worthy of our hire.”
“I never thought that of you, sir!”
“Nor of yourself? For we have been
one—or so I have believed—in all our hopes
and efforts. Have you been satisfied with
your results?”
Willard saw the dialectical trap, but some
roused force in him refused to evade it.
“No, sir—God knows.”
“Then I am answered. We have failed:
Africa has beaten us. It has always been
my way, as you know, Willard, to face the
truth squarely,” added the old man who
had lived so long in dreams; “and now that
this truth has been borne in on me, painful
as it is, I must act on it ... act in accordance
with its discovery.”
He drew a long breath, as if oppressed by
the weight of his resolution, and sat silent
for a moment, fanning his face with a corner
of his white draperies.
159“And here too—here too I must have
your help, Willard,” he began presently, his
hand again weighing on the young man’s
arm. “I will tell you the conclusions I have
reached; and you must answer me—as you
would answer your Maker.”
“Yes, sir.”
The old man lowered his voice. “It is our
lukewarmness, Willard—it is nothing else.
We have not witnessed for Christ as His
saints and martyrs witnessed for Him.
What have we done to fix the attention of
these people, to convince them of our zeal,
to overwhelm them with the irresistibleness
of the Truth? Answer me on your word—what
have we done?”
Willard pondered. “But the saints and
martyrs ... were persecuted, sir.”
“Persecuted! You have spoken the word
I wanted.”
“But the people here,” Willard argued,
“don’t want to persecute anybody. They’re
not fanatical unless you insult their religion.”
Mr. Blandhorn’s grasp grew tighter.
“Insult their religion! That’s it ... tonight
you find just the words....”
160Willard felt his arm shake with the tremor
that passed through the other’s body. “The
saints and martyrs insulted the religion of the
heathen—they spat on it, Willard—they
rushed into the temples and knocked down
the idols. They said to the heathen: ‘Turn
away your faces from all your abominations’;
and after the manner of men they
fought with beasts at Ephesus. What is
the Church on earth called? The Church
Militant! You and I are soldiers of the
Cross.”
The missionary had risen and stood leaning
against the parapet, his right arm lifted
as if he spoke from a pulpit. The music at
the wool-merchant’s had ceased, but now
and then, through the midnight silence, there
came an echo of ritual howls from the
Potters’ Field.
Willard was still seated, his head thrown
back against the parapet, his eyes raised to
Mr. Blandhorn. Following the gesture of
the missionary’s lifted hand, from which the
muslin fell back like the sleeve of a surplice,
the young man’s gaze was led upward to another
white figure, hovering small and remote
161above their heads. It was a muezzin
leaning from his airy balcony to drop on
the blue-gray masses of the starlit city the
cry: “Only Allah is great.”
Mr. Blandhorn saw the white figure too,
and stood facing it with motionless raised
arm.
“Only Christ is great, only Christ crucified!”
he suddenly shouted in Arabic with
all the strength of his broad lungs.
The figure paused, and seemed to Willard
to bend over, as if peering down in their direction;
but a moment later it had moved
to the other corner of the balcony, and the
cry fell again on the sleeping roofs:
“Allah—Allah—only Allah!”
“Christ—Christ—only Christ crucified!”
roared Mr. Blandhorn, exalted with wrath
and shaking his fist at the aerial puppet.
The puppet once more paused and peered;
then it moved on and vanished behind the
flank of the minaret.
The missionary, still towering with lifted
arm, dusky-faced in the starlight, seemed to
Willard to have grown in majesty and stature.
But presently his arm fell and his
162head sank into his hands. The young man
knelt down, hiding his face also, and they
prayed in silence, side by side, while from
the farther corners of the minaret, less
audibly, fell the infidel call.
Willard, his prayer ended, looked up, and
saw that the old man’s garments were stirred
as if by a ripple of air. But the air was quite
still, and the disciple perceived that the
tremor of the muslin was communicated to it
by Mr. Blandhorn’s body.
“He’s trembling—trembling all over.
He’s afraid of something. What’s he afraid
of?” And in the same breath Willard had
answered his own question: “He’s afraid of
what he’s made up his mind to do.”
Two days later Willard Bent sat in the
shade of a ruined tomb outside the Gate of
the Graves, and watched the people streaming
in to Eloued. It was the eve of the feast
of the local saint, Sidi Oman, who slept in a
corner of the Great Mosque, under a segment
of green-tiled cupola, and was held in
163deep reverence by the country people, many
of whom belonged to the powerful fraternity
founded in his name.
The ruin stood on a hillock beyond the
outer wall. From where the missionary sat
he overlooked the fortified gate and the irregular
expanse of the Potters’ Field, with
its primitive furnaces built into hollows of
the ground, between ridges shaded by
stunted olive-trees. On the farther side of
the trail which the pilgrims followed on entering
the gate lay a sun-blistered expanse
dotted with crooked grave-stones, where
hucksters traded, and the humblest caravans
camped in a waste of refuse, offal and
stripped date-branches. A cloud of dust,
perpetually subsiding and gathering again,
hid these sordid details from Bent’s eyes, but
not from his imagination.
“Nowhere in Eloued,” he thought with a
shudder, “are the flies as fat and blue as they
are inside that gate.”
But this was a fugitive reflection: his mind
was wholly absorbed in what had happened
in the last forty-eight hours, and what was
likely to happen in the next.
164“To think,” he mused, “that after ten
years I don’t really know him!... A
labourer in the Lord’s vineyard—shows how
much good I am!”
His thoughts were moody and oppressed
with fear. Never, since his first meeting
with Mr. Blandhorn, had he pondered so
deeply the problem of his superior’s character.
He tried to deduce from the past some
inference as to what Mr. Blandhorn was
likely to do next; but, as far as he knew,
there was nothing in the old man’s previous
history resembling the midnight scene on the
Mission terrace.
That scene had already had its repercussion.
On the following morning, Willard, drifting
as usual about the bazaar, had met a
friendly French official, who, taking him
aside, had told him there were strange reports
abroad—which he hoped Mr. Bent
would be able to deny.... In short, as it
had never been Mr. Blandhorn’s policy to
offend the native population, or insult their
religion, the Administration was confident
that....
165Surprised by Willard’s silence, and visibly
annoyed at being obliged to pursue the subject,
the friendly official, growing graver,
had then asked what had really occurred;
and, on Willard’s replying, had charged him
with an earnest recommendation to his superior—a
warning, if necessary—that the
government would not, under any circumstances,
tolerate a repetition.... “But I
daresay it was the heat?” he concluded; and
Willard weakly acquiesced.
He was ashamed now of having done so;
yet, after all, how did he know it was not
the heat? A heavy sanguine man like Mr.
Blandhorn would probably never quite accustom
himself to the long strain of the
African summer. “Or his wife’s death—”
he had murmured to the sympathetic official,
who smiled with relief at the suggestion.
And now he sat overlooking the enigmatic
city, and asking himself again what he really
knew of his superior. Mr. Blandhorn had
come to Eloued as a young man, extremely
poor, and dependent on the pittance which
the Missionary Society at that time gave to
its representatives. To ingratiate himself
166among the people (the expression was his
own), and also to earn a few pesetas, he had
worked as a carpenter in the bazaar, first
in the soukh of the ploughshares and then
in that of the cabinet-makers. His skill
in carpentry had not been great, for his large
eloquent hands were meant to wave from a
pulpit, and not to use the adze or the chisel;
but he had picked up a little Arabic (Willard
always marvelled that it remained so little),
and had made many acquaintances—and, as
he thought, some converts. At any rate, no
one, either then or later, appeared to wish
him ill, and during the massacre his house
had been respected, and the insurgents had
even winked at the aid he had courageously
given to the French.
Yes—he had certainly been courageous.
There was in him, in spite of his weaknesses
and his vacillations, a streak of moral heroism
that perhaps only waited its hour....
But hitherto his principle had always been
that the missionary must win converts by
kindness, by tolerance, and by the example of
a blameless life.
Could it really be Harry Spink’s question
167that had shaken him in this belief? Or was
it the long-accumulated sense of inefficiency
that so often weighed on his disciple? Or
was it simply the call—did it just mean that
their hour had come?
Shivering a little in spite of the heat, Willard
pulled himself together and descended
into the city. He had been seized with a
sudden desire to know what Mr. Blandhorn
was about, and avoiding the crowd he hurried
back by circuitous lanes to the Mission.
On the way he paused at a certain corner
and looked into a court full of the murmur
of water. Beyond it was an arcade detached
against depths of shadow, in which a few
lights glimmered. White figures, all facing
one way, crouched and touched their foreheads
to the tiles, the soles of their bare feet,
wet with recent ablutions, turning up as
their bodies swayed forward. Willard
caught the scowl of a beggar on the
threshold, and hurried past the forbidden
scene.
He found Mr. Blandhorn in the meeting-room,
tying up Ayoub’s head.
“I do it awkwardly,” the missionary
168mumbled, a safety-pin between his teeth.
“Alas, my hands are not hers.”
“What’s he done to himself?” Willard
growled; and above the bandaged head Mr.
Blandhorn’s expressive eyebrows answered.
There was a dark stain on the back of
Ayoub’s faded shirt, and another on the
blue scarf he wore about his head.
“Ugh—it’s like cats slinking back after a
gutter-fight,” the young man muttered.
Ayoub wound his scarf over the bandages,
shambled back to the doorway, and squatted
down to watch the fig-tree.
The missionaries looked at each other
across the empty room.
“What’s the use, sir?” was on Willard’s
lips; but instead of speaking he threw himself
down on the divan. There was to be no
prayer-meeting that afternoon, and the two
men sat silent, gazing at the back of Ayoub’s
head. A smell of disinfectants hung in the
heavy air....
“Where’s Myriem?” Willard asked, to
say something.
“I believe she had a ceremony of some
sort ... a family affair....”
169“A circumcision, I suppose?”
Mr. Blandhorn did not answer, and Willard
was sorry he had made the suggestion.
It would simply serve as another reminder
of their failure....
He stole a furtive glance at Mr. Blandhorn,
nervously wondering if the time had
come to speak of the French official’s warning.
He had put off doing so, half-hoping
it would not be necessary. The old man
seemed so calm, so like his usual self, that
it might be wiser to let the matter drop.
Perhaps he had already forgotten the scene
on the terrace; or perhaps he thought he
had sufficiently witnessed for the Lord in
shouting his insult to the muezzin. But
Willard did not really believe this: he remembered
the tremor which had shaken Mr.
Blandhorn after the challenge, and he felt
sure it was not a retrospective fear.
“Our friend Spink has been with me,”
said Mr. Blandhorn suddenly. “He came in
soon after you left.”
“Ah? I’m sorry I missed him. I thought
he’d gone, from his not coming in yesterday.”
170“No; he leaves tomorrow morning for
Mogador.” Mr. Blandhorn paused, still
absently staring at the back of Ayoub’s neck;
then he added: “I have asked him to take
you with him.”
“To take me—Harry Spink? In his
automobile?” Willard gasped. His heart
began to beat excitedly.
“Yes. You’ll enjoy the ride. It’s a long
time since you’ve been away, and you’re
looking a little pulled down.”
“You’re very kind, sir: so is Harry.” He
paused. “But I’d rather not.”
Mr. Blandhorn, turning slightly, examined
him between half-dropped lids.
“I have business for you—with the Consul,”
he said with a certain sternness. “I
don’t suppose you will object—”
“Oh, of course not.” There was another
pause. “Could you tell me—give me an
idea—of what the business is, sir?”
It was Mr. Blandhorn’s turn to appear
perturbed. He coughed, passed his hand
once or twice over his beard, and again fixed
his gaze on Ayoub’s inscrutable nape.
“I wish to send a letter to the Consul.”
171“A letter? If it’s only a letter, couldn’t
Spink take it?”
“Undoubtedly. I might also send it by
post—if I cared to transmit it in that manner.
I presumed,” added Mr. Blandhorn
with threatening brows, “that you would
understand I had my reasons—”
“Oh, in that case, of course, sir—”
Willard hesitated, and then spoke with a
rush. “I saw Lieutenant Lourdenay in the
bazaar yesterday—” he began.
When he had finished his tale Mr. Blandhorn
meditated for a long time in silence.
At length he spoke in a calm voice. “And
what did you answer, Willard?”
“I—I said I’d tell you—”
“Nothing more?”
“No. Nothing.”
“Very well. We’ll talk of all this more
fully ... when you get back from Mogador.
Remember that Mr. Spink will be here
before sunrise. I advised him to get away
as early as possible on account of the Feast
of Sidi Oman. It’s always a poor day for
foreigners to be seen about the streets.”
172
At a quarter before four on the morning
of the Feast of Sidi Oman, Willard Bent
stood waiting at the door of the Mission.
He had taken leave of Mr. Blandhorn the
previous night, and stumbled down the dark
stairs on bare feet, his bundle under his arm,
just as the sky began to whiten around the
morning star.
The air was full of a mocking coolness
which the first ray of the sun would burn
up; and a hush as deceptive lay on the city
that was so soon to blaze with religious
frenzy. Ayoub lay curled up on his doorstep
like a dog, and old Myriem, presumably,
was still stretched on her mattress on the
roof.
What a day for a flight across the desert
in Harry’s tough little car! And after the
hours of heat and dust and glare, how good,
at twilight, to see the cool welter of the
Atlantic, a spent sun dropping into it, and
the rush of the stars.... Dizzy with the
vision, Willard leaned against the door-post
with closed eyes.
173A subdued hoot aroused him, and he hurried
out to the car, which was quivering and
growling at the nearest corner. The drummer
nodded a welcome, and they began to
wind cautiously between sleeping animals and
huddled heaps of humanity till they reached
the nearest gate.
On the waste land beyond the walls the
people of the caravans were already stirring,
and pilgrims from the hills streaming across
the palmetto scrub under emblazoned banners.
As the sun rose the air took on a
bright transparency in which distant objects
became unnaturally near and vivid, like
pebbles seen through clear water: a little
turban-shaped tomb far off in the waste
looked as lustrous as ivory, and a tiled
minaret in an angle of the walls seemed to be
carved out of turquoise. How Eloued lied
to eyes looking back on it at sunrise!
“Something wrong,” said Harry Spink,
putting on the brake and stopping in the thin
shade of a cork-tree. They got out and
Willard leaned against the tree and gazed
at the red walls of Eloued. They were
already about two miles from the town, and
174all around them was the wilderness. Spink
shoved his head into the bonnet, screwed
and greased and hammered, and finally
wiped his hands on a black rag and called
out: “I thought so—. Jump in!”
Willard did not move.
“Hurry up, old man. She’s all right, I
tell you. It was just the carburettor.”
The missionary fumbled under his draperies
and pulled out Mr. Blandhorn’s letter.
“Will you see that the Consul gets this tomorrow?”
“Will I—what the hell’s the matter,
Willard?” Spink dropped his rag and stared.
“I’m not coming. I never meant to.”
The young men exchanged a long look.
“It’s no time to leave Mr. Blandhorn—a
day like this,” Willard continued, moistening
his dry lips.
Spink shrugged, and sounded a faint
whistle. “Queer—!”
“What’s queer?”
“He said just the same thing to me about
you—wanted to get you out of Eloued on
account of the goings on today. He said
you’d been rather worked up lately about
175religious matters, and might do something
rash that would get you both into trouble.”
“Ah—” Willard murmured.
“And I believe you might, you know—you
look sorter funny.” Willard laughed.
“Oh, come along,” his friend urged,
disappointed.
“I’m sorry—I can’t. I had to come this
far so that he wouldn’t know. But now
I’ve got to go back. Of course what he told
you was just a joke—but I must be there
today to see that nobody bothers him.”
Spink scanned his companion’s face with
friendly flippant eyes. “Well, I give up—.
What’s the use, when he don’t want you?—Say,”
he broke off, “what’s the truth of that
story about the old man’s having insulted a
marabout in a mosque night before last?
It was all over the bazaar—”
Willard felt himself turn pale. “Not a
marabout. It was—where did you hear it?”
he stammered.
“All over—the way you hear stories in
these places.”
“Well—it’s not true.” Willard lifted his
bundle from the motor and tucked it under
176his arm. “I’m sorry, Harry—I’ve got to
go back,” he repeated.
“What? The Call, eh?” The sneer died
on Spink’s lips, and he held out his hand.
“Well, I’m sorry too. So long.” He turned
the crank, scrambled into his seat, and cried
back over his shoulder: “What’s the use,
when he don’t want you?”
Willard was already labouring home
across the plain.
After struggling along for half an hour in
the sand he crawled under the shade of an
abandoned well and sat down to ponder.
Two courses were open to him, and he had
not yet been able to decide between them.
His first impulse was to go straight to the
Mission, and present himself to Mr. Blandhorn.
He felt sure, from what Spink had
told him, that the old missionary had sent
him away purposely, and the fact seemed
to confirm his apprehensions. If Mr. Blandhorn
wanted him away, it was not through
any fear of his imprudence, but to be free
from his restraining influence. But what
act did the old man contemplate, in which he
177feared to involve his disciple? And if he
were really resolved on some rash measure,
might not Willard’s unauthorized return
merely serve to exasperate this resolve, and
hasten whatever action he had planned?
The other step the young man had in mind
was to go secretly to the French Administration,
and there drop a hint of what he
feared. It was the course his sober judgment
commended. The echo of Spink’s “What’s
the use?” was in his ears: it was the expression
of his own secret doubt. What was
the use? If dying could bring any of these
darkened souls to the light ... well, that
would have been different. But what least
sign was there that it would do anything but
rouse their sleeping blood-lust?
Willard was oppressed by the thought that
had always lurked beneath his other doubts.
They talked, he and Mr. Blandhorn, of the
poor ignorant heathen—but were not they
themselves equally ignorant in everything
that concerned the heathen? What did they
know of these people, of their antecedents,
the origin of their beliefs and superstitions,
the meaning of their habits and passions and
178precautions? Mr. Blandhorn seemed never
to have been troubled by this question, but
it had weighed on Willard ever since he had
come across a quiet French ethnologist who
was studying the tribes of the Middle Atlas.
Two or three talks with this traveller—or
listenings to him—had shown Willard the
extent of his own ignorance. He would have
liked to borrow books, to read, to study;
but he knew little French and no German,
and he felt confusedly that there was in him
no soil sufficiently prepared for facts so overwhelmingly
new to root in it.... And the
heat lay on him, and the little semblance
of his missionary duties deluded him ... and
he drifted....
As for Mr. Blandhorn, he never read anything
but the Scriptures, a volume of his own
sermons (printed by subscription, to commemorate
his departure for Morocco),
and—occasionally—a back number of the
missionary journal that arrived at Eloued
at long intervals, in thick mouldy batches.
Consequently no doubts disturbed him, and
Willard felt the hopelessness of grappling
with an ignorance so much deeper and
179denser than his own. Whichever way his
mind turned, it seemed to bring up against
the blank wall of Harry Spink’s: “What’s
the use?”
He slipped through the crowds in the
congested gateway, and made straight for
the Mission. He had decided to go to the
French Administration, but he wanted first
to find out from the servants what Mr.
Blandhorn was doing, and what his state of
mind appeared to be.
The Mission door was locked, but Willard
was not surprised; he knew the precaution
was sometimes taken on feast days, though
seldom so early. He rang, and waited impatiently
for Myriem’s old face in the
crack; but no one came, and below his breath
he cursed her with expurgated curses.
“Ayoub—Ayoub!” he cried, rattling at
the door; but still no answer. Ayoub, apparently,
was off too. Willard rang the bell
again, giving the three long pulls of the
“emergency call”; it was the summons which
always roused Mr. Blandhorn. But no one
came.
180Willard shook and pounded, and hung on
the bell till it tinkled its life out in a squeak ... but all in vain. The house was empty:
Mr. Blandhorn was evidently out with the
others.
Disconcerted, the young man turned, and
plunged into the red clay purlieus behind the
Mission. He entered a mud-hut where an
emaciated dog, dozing on the threshold,
lifted a recognizing lid, and let him by. It
was the house of Ahmed’s father, the water-carrier,
and Willard knew it would be empty
at that hour.
A few minutes later there emerged into
the crowded streets a young American
dressed in a black coat of vaguely clerical
cut, with a soft felt hat shading his flushed
cheek-bones, and a bead running up and
down his nervous throat.
The bazaar was already full of a deep
holiday rumour, like the rattle of wind in the
palm-tops. The young man in the clerical
coat, sharply examined as he passed by hundreds
of long Arab eyes, slipped into the
lanes behind the soukhs, and by circuitous
passages gained the neighbourhood of the
181Great Mosque. His heart was hammering
against his black coat, and under the buzz
in his brain there boomed out insistently the
old question: “What’s the use?”
Suddenly, near the fountain that faced
one of the doors of the Great Mosque, he
saw the figure of a man dressed like himself.
The eyes of the two men met across the
crowd, and Willard pushed his way to Mr.
Blandhorn’s side.
“Sir, why did you—why are you—? I’m
back—I couldn’t help it,” he gasped out
disconnectedly.
He had expected a vehement rebuke; but
the old missionary only smiled on him
sadly. “It was noble of you, Willard.... I
understand....” He looked at the young
man’s coat. “We had the same thought—again—at
the same hour.” He paused, and
drew Willard into the empty passage of a
ruined building behind the fountain. “But
what’s the use,—what’s the use?” he exclaimed.
The blood rushed to the young man’s
forehead. “Ah—then you feel it too?”
Mr. Blandhorn continued, grasping his
182arm: “I’ve been out—in this dress—ever
since you left; I’ve hung about the doors
of the Medersas, I’ve walked up to the very
threshold of the Mosque, I’ve leaned against
the wall of Sidi Oman’s shrine; once the
police warned me, and I pretended to go
away ... but I came back ... I pushed
up closer ... I stood in the doorway of the
Mosque, and they saw me ... the people
inside saw me ... and no one touched me ... I’m too harmless ... they don’t believe
in me!”
He broke off, and under his struggling
eyebrows Willard saw the tears on his old
lids.
The young man gathered courage. “But
don’t you see, sir, that that’s the reason it’s
no use? We don’t understand them any
more than they do us; they know it, and all
our witnessing for Christ will make no
difference.”
Mr. Blandhorn looked at him sternly.
“Young man, no Christian has the right to
say that.”
Willard ignored the rebuke. “Come
home, sir, come home ... it’s no use....”
183“It was because I foresaw you would take
this view that I sent you to Mogador. Since
I was right,” exclaimed Mr. Blandhorn, facing
round on him fiercely, “how is it you
have disobeyed me and come back?”
Willard was looking at him with new eyes.
All his majesty seemed to have fallen from
him with his Arab draperies. How short
and heavy and weak he looked in his scant
European clothes! The coat, tightly strained
across the stomach, hung above it in loose
wrinkles, and the ill-fitting trousers revealed
their wearer’s impressive legs as slightly
bowed at the knees. This diminution in his
physical prestige was strangely moving to
his disciple. What was there left, with that
gone—?
“Oh, do come home, sir,” the young man
groaned. “Of course they don’t care what
we do—of course—”
“Ah—” cried Mr. Blandhorn, suddenly
dashing past him into the open.
The rumour of the crowd had become a
sort of roaring chant. Over the thousands
of bobbing heads that packed every cranny
of the streets leading to the space before the
184Mosque there ran the mysterious sense of
something new, invisible, but already imminent.
Then, with the strange Oriental elasticity,
the immense throng divided, and a
new throng poured through it, headed by
riders ritually draped, and overhung with
banners which seemed to be lifted and floated
aloft on the shouts of innumerable throats.
It was the Pasha of Eloued coming to pray
at the tomb of Sidi Oman.
Into this mass Mr. Blandhorn plunged and
disappeared, while Willard Bent, for an endless
minute, hung back in the shelter of the
passage, the old “What’s the use?” in his
ears.
A hand touched his sleeve, and a cracked
voice echoed the words.
“What’s the use, master?” It was old
Myriem, clutching him with scared face and
pulling out a limp djellabah from under her
holiday shawl.
“I saw you ... Ahmed’s father told
me....” (How everything was known in
the bazaars!) “Here, put this on quick,
and slip away. They won’t trouble
you....”
185“Oh, but they will—they shall!” roared
Willard, in a voice unknown to his own ears,
as he flung off the old woman’s hand and,
trampling on the djellabah in his flight,
dashed into the crowd at the spot where it
had swallowed up his master.
They would—they should! No more
doubting and weighing and conjecturing!
The sight of the weak unwieldy old man, so
ignorant, so defenceless and so convinced,
disappearing alone into that red furnace of
fanaticism, swept from the disciple’s mind
every thought but the single passion of
devotion.
That he lay down his life for his friend—If
he couldn’t bring himself to believe in
any other reason for what he was doing,
that one seemed suddenly to be enough....
The crowd let him through, still apparently
indifferent to his advance. Closer,
closer he pushed to the doors of the Mosque,
struggling and elbowing through a mass of
people so densely jammed that the heat of
their breathing was in his face, the rank
taste of their bodies on his parched lips—closer,
186closer, till a last effort of his own thin
body, which seemed a mere cage of ribs with
a wild heart dashing against it, brought him
to the doorway of the Mosque, where Mr.
Blandhorn, his head thrown back, his arms
crossed on his chest, stood steadily facing the
heathen multitude.
As Willard reached his side their glances
met, and the old man, glaring out under
prophetic brows, whispered without moving
his lips: “Now—now!”
Willard took it as a signal to follow, he
knew not where or why: at that moment he
had no wish to know.
Mr. Blandhorn, without waiting for an
answer, had turned, and, doubling on himself,
sprung into the great court of the
Mosque. Willard breathlessly followed, the
glitter of tiles and the blinding sparkle of
fountains in his dazzled eyes....
The court was almost empty, the few who
had been praying having shortened their devotions
and joined the Pasha’s train, which
was skirting the outer walls of the Mosque to
reach the shrine of Sidi Oman. Willard
was conscious of a moment of detached reconnoitring:
187once or twice, from the roof
of a deserted college to which the government
architect had taken him, he had looked down
furtively on the forbidden scene, and his sense
of direction told him that the black figure
speeding across the blazing mirror of wet
tiles was making for the hall where the Koran
was expounded to students.
Even now, as he followed, through the impending
sense of something dangerous and
tremendous he had the feeling that after all
perhaps no one would bother them, that all
the effort of will pumped up by his storming
heart to his lucid brain might conceivably
end in some pitiful anti-climax in the French
Administration offices.
“They’ll treat us like whipped puppies—”
But Mr. Blandhorn had reached the
school, had disappeared under its shadowy
arcade, and emerged again into the blaze
of sunlight, clutching a great parchment
Koran.
“Ah,” thought Willard, “now—!”
He found himself standing at the missionary’s
side, so close that they must have
188made one black blot against the white-hot
quiver of tiles. Mr. Blandhorn lifted up the
Book and spoke.
“The God whom ye ignorantly worship,
Him declare I unto you,” he cried in halting
Arabic.
A deep murmur came from the turbaned
figures gathered under the arcade of
the Mosque. Swarthy faces lowered, eyes
gleamed like agate, teeth blazed under snarling
lips; but the group stood motionless,
holding back, visibly restrained by the
menace of the long arm of the Administration.
“Him declare I unto you—Christ crucified!”
cried Mr. Blandhorn.
An old man, detaching himself from the
group, advanced across the tiles and laid
his hand on the missionary’s arm. Willard
recognized the Cadi of the Mosque.
“You must restore the Book,” the Cadi
said gravely to Mr. Blandhorn, “and leave
this court immediately; if not—”
He held out his hand to take the Koran.
Mr. Blandhorn, in a flash, dodged the restraining
arm, and, with a strange new elasticity
189of his cumbrous body, rolling and
bouncing across the court between the dazed
spectators, gained the gateway opening on
the market-place behind the Mosque. The
centre of the great dusty space was at the
moment almost deserted. Mr. Blandhorn
sprang forward, the Koran clutched to him,
Willard panting at his heels, and the turbaned
crowd after them, menacing but still
visibly restrained.
In the middle of the square Mr. Blandhorn
halted, faced about and lifted the Koran
high above his head. Willard, rigid at his
side, was obliquely conscious of the gesture,
and at the same time aware that the free
space about them was rapidly diminishing
under the mounting tide of people swarming
in from every quarter. The faces closest
were no longer the gravely wrathful countenances
of the Mosque, but lean fanatical
masks of pilgrims, beggars, wandering
“saints” and miracle-makers, and dark tribesmen
of the hills careless of their creed
but hot to join in the halloo against the
hated stranger. Far off in the throng,
bobbing like a float on the fierce sea of
190turbans, Willard saw the round brown face
of a native officer frantically fighting his
way through. Now and then the face
bobbed nearer, and now and then a tug of
the tide rolled it back.
Willard felt Mr. Blandhorn’s touch on his
arm.
“You’re with me—?”
“Yes—”
The old man’s voice sank and broke. “Say
a word to ... strengthen me.... I can’t
find any ... Willard,” he whispered.
Willard’s brain was a blank. But against
the blank a phrase suddenly flashed out in
letters of fire, and he turned and spoke it to
his master. “Say among the heathen that
the Lord reigneth.”
“Ah—.” Mr. Blandhorn, with a gasp,
drew himself to his full height and hurled the
Koran down at his feet in the dung-strown
dust.
“Him, Him declare I unto you—Christ
crucified!” he thundered: and to Willard, in
a fierce aside: “Now spit!”
Dazed a moment, the young man stood
uncertain; then he saw the old missionary
191draw back a step, bend forward, and deliberately
spit upon the sacred pages.
“This ... is abominable....” the disciple
thought; and, sucking up the last drop
of saliva from his dry throat, he also bent
and spat.
“Now trample—trample!” commanded
Mr. Blandhorn, his arms stretched out,
towering black and immense, as if crucified
against the flaming sky; and his foot came
down on the polluted Book.
Willard, seized with the communicative
frenzy, fell on his knees, tearing at the pages,
and scattering them about him, smirched and
defiled in the dust.
“Spit—spit! Trample—trample!...
Christ! I see the heavens opened!” shrieked
the old missionary, covering his eyes with his
hands. But what he said next was lost to
his disciple in the rising roar of the mob
which had closed in on them. Far off, Willard
caught a glimpse of the native officer’s
bobbing head, and then of Lieutenant Lourdenay’s
scared face. But a moment later he
had veiled his own face from the sight of
the struggle at his side. Mr. Blandhorn had
192fallen on his knees, and Willard heard him
cry out once: “Sadie—Sadie!” It was Mrs.
Blandhorn’s name.
Then the young man was himself borne
down, and darkness descended on him.
Through it he felt the sting of separate
pangs indescribable, melting at last into a
general mist of pain. He remembered
Stephen, and thought: “Now they’re stoning
me—” and tried to struggle up and reach out
to Mr. Blandhorn....
But the market-place seemed suddenly
empty, as though the throng of their assailants
had been demons of the desert, the thin
spirits of evil that dance on the noonday
heat. Now the dusk seemed to have dispersed
them, and Willard looked up and
saw a quiet star above a wall, and heard the
cry of the muezzin dropping down from
a near-by minaret: “Allah—Allah—only
Allah is great!”
Willard closed his eyes, and in his great
weakness felt the tears run down between his
lids. A hand wiped them away, and he
looked again, and saw the face of Harry
Spink stooping over him.
193He supposed it was a dream-Spink, and
smiled a little, and the dream smiled back.
“Where am I?” Willard wondered to himself;
and the dream-Spink answered: “In the
hospital, you infernal fool. I got back
too late—”
“You came back—?”
“Of course. Lucky I did—! I saw this
morning you were off your base.”
Willard, for a long time, lay still. Impressions
reached him slowly, and he had to
deal with them one by one, like a puzzled
child.
At length he said: “Mr. Blandhorn—?”
Spink bent his head, and his voice was
grave in the twilight.
“They did for him in no time; I guess his
heart was weak. I don’t think he suffered.
Anyhow, if he did he wasn’t sorry; I know,
because I saw his face before they buried
him.... Now you lie still, and I’ll get you
out of this tomorrow,” he commanded,
waving a fly-cloth above Willard’s sunken
head.
THE TEMPERATE ZONE — I — II — III — IV — V
194
“Travelling, sir,” a curt parlour-maid
announced from Mrs.
Donald Paul’s threshold in
Kensington; adding, as young
Willis French’s glance slipped over her
shoulder down a narrow and somewhat conventional
perspective of white panelling and
black prints: “If there’s any message you’d
like to write”—
He did not know if there were or not; but
he instantly saw that his hesitation would
hold the house-door open a minute longer,
and thus give him more time to stamp on his
memory the details of the cramped London
hall, beyond which there seemed no present
hope of penetrating.
“Could you tell me where?” he asked, in
a tone implying that the question of his having
195something to write might be determined
by the nature of the answer.
The parlour-maid scrutinized him more
carefully. “Not exactly, sir: Mr. and Mrs.
Paul are away motoring, and I believe they’re
to cross over to the continent in a day or
two.” She seemed to have gathered confidence
from another look at him, and he
was glad he had waited to unpack his town
clothes, instead of rushing, as he had first
thought of doing, straight from the steamer
train to the house. “If it’s for something
important, I could give you the address,”
she finally condescended, apparently reassured
by her inspection.
“It is important,” said the young man
almost solemnly; and she handed him a sheet
of gold-monogrammed note-paper across
which was tumbled, in large loose characters:
“Hôtel Nouveau Luxe, Paris.”
The unexpectedness of the address left
Willis French staring. There was nothing
to excite surprise in the fact of the Donald
Pauls having gone to Paris; or even in their
having gone there in their motor; but that
they should be lodged at the Nouveau Luxe
196seemed to sap the very base of probability.
“Are you sure they’re staying there?”
To the parlour-maid, at this point, it evidently
began to look as if, in spite of his
reassuring clothes, the caller might have
designs on the umbrellas.
“I couldn’t say, sir. It’s the address, sir,”
she returned, adroitly taking her precautions
about the door.
These were not lost on the visitor, who,
both to tranquillize her and to gain time,
turned back toward the quiet Kensington
street and stood gazing doubtfully up and
down its uneventful length.
All things considered, he had no cause
to regret the turn the affair had taken; the
only regret he allowed himself was that of
not being able instantly to cross the threshold
hallowed by his young enthusiasm. But even
that privilege might soon be his; and meanwhile
he was to have the unforeseen good
luck of following Mrs. Donald Paul to Paris.
His business in coming to Europe had been
simply and solely to see the Donald Pauls;
and had they been in London he would have
been obliged, their conference over, to return
197at once to New York, whence he had
been sent, at his publisher’s expense, to
obtain from Mrs. Paul certain details necessary
for the completion of his book: The Art
of Horace Fingall. And now, by a turn of
what he fondly called his luck—as if no one
else’s had ever been quite as rare—he found
his vacation prolonged, and his prospect of
enjoyment increased, by the failure to meet
the lady in London.
Willis French had more than once had
occasion to remark that he owed some of
his luckiest moments to his failures. He
had tried his hand at several of the arts,
only to find, in each case, the same impassable
gulf between vision and execution; but his
ill-success, which he always promptly recognized,
had left him leisure to note and enjoy
all the incidental compensations of the attempt.
And how great some of these compensations
were, he had never more keenly
felt than on the day when two of the greatest
came back to him merged in one glorious
opportunity.
It was probable, for example, that if he
had drawn a directer profit from his months
198of study in a certain famous Parisian atelier,
his labours would have left him less time in
which to observe and study Horace Fingall,
on the days when the great painter made his
round among the students; just as, if he had
written better poetry, Mrs. Morland, with
whom his old friend Lady Brankhurst had
once contrived to have him spend a Sunday
in the country, might have given him, during
their long confidential talk, less of her sweet
compassion and her bracing wisdom. Both
Horace Fingall and Emily Morland had,
professionally speaking, discouraged their
young disciple; the one had said “don’t
write” as decidedly as the other had said
“don’t paint”; but both had let him feel that
interesting failures may be worth more in
the end than dull successes, and that there
is range enough for the artistic sensibilities
outside the region of production. The fact
of the young man’s taking their criticism
without flinching (as he himself had been
thankfully aware of doing) no doubt increased
their liking, and thus let him farther
into their intimacy. The insight into two
such natures seemed, even at the moment, to
199outweigh any personal success within his
reach; and as time removed him from the
experience he had less and less occasion to
question the completeness of the compensation.
Since then, as it happened, his two great
initiators had died within a few months of
each other, Emily Morland prematurely,
and at the moment when her exquisite art
was gaining new warmth from the personal
happiness at last opening to her, and Horace
Fingall in his late golden prime, when his
genius also seemed to be winged for new
flights. Except for the nearness of the two
death dates, there was nothing to bring together
in the public mind the figures of the
painter and the poet, and Willis French’s
two experiences remained associated in his
thoughts only because they had been the
greatest revelations of temperament he had
ever known. No one but Emily Morland
had ever renewed in him that sense of being
in the presence of greatness that he had
first felt on meeting Horace Fingall. He
had often wondered if the only two beings
to whom he owed this emotion had ever
200known each other, and he had concluded that,
even in this day of universal meetings, it was
unlikely. Fingall, after leaving the United
States for Paris toward his fortieth year,
had never absented himself from France
except on short occasional visits to his native
country; and Mrs. Morland, when she at
last broke away from her depressing isolation
in a Staffordshire parsonage, and set up
her own house in London, had been drawn
from there only by one or two holiday
journeys in Italy. Nothing, moreover, could
have been more unlike than the mental quality
and the general attitude of the two artists.
The only point of resemblance between them
lay in the effect they produced of the divine
emanation of genius. Willis French’s speculations
as to the result of a meeting between
them had always resulted in the belief that
they would not have got on. The two emanations
would have neutralized each other,
and he suspected that both natures lacked the
complementary qualities which might have
bridged the gulf between them. And now
chance had after all linked their names before
posterity, through the fact that the
201widow of the one had married the man who
had been betrothed to the other!...
French’s brief glimpses of Fingall and
Mrs. Morland had left in him an intense
curiosity to know something more of their
personal history, and when his publisher had
suggested his writing a book on the painter
his first thought had been that here was an
occasion to obtain the desired light, and to
obtain it, at one stroke, through the woman
who had been the preponderating influence
in Fingall’s art, and the man for whom Emily
Morland had written her greatest poems.
That Donald Paul should have met and
married the widow of Horace Fingall was
one of the facts on which young French’s
imagination had always most appreciatively
dwelt. It was strange indeed that these two
custodians of great memories, for both of
whom any other marriage would have been
a derogation, should have found the one way
of remaining on the heights; and it was
almost equally strange that their inspiration
should turn out to be Willis French’s opportunity!
At the very outset, the wonder of it was
202brought home to him by his having to ask
for Mrs. Paul at what had once been Mrs.
Morland’s house. Mrs. Morland had of
course bequeathed the house to Donald Paul;
and equally of course it was there that, on
his marriage to Mrs. Fingall, Donald Paul
had taken his wife. If that wife had been
any other, the thought would have been
one to shrink from; but to French’s mind no
threshold was too sacred for the feet of
Horace Fingall’s widow.
Musing on these things as he glanced up
and down the quiet street, the young man,
with his sharp professional instinct for missing
no chance that delay might cancel,
wondered how, before turning from the door,
he might get a glimpse of the house which
was still—which, in spite of everything,
would always be—Emily Morland’s.
“You were not thinking of looking at the
house, sir?”
French turned back with a start of joy.
“Why, yes—I was!” he said instantly.
The parlour-maid opened the door a little
wider. “Of course, properly speaking, you
should have a card from the agent; but Mrs.
203Paul did say, if anyone was very anxious—May
I ask, sir, if you know Mrs. Paul?”
The young man lowered his voice reverentially
to answer: “No; but I knew Mrs.
Morland.”
The parlour-maid looked as if he had
misunderstood her question. After a moment’s
thought she replied: “I don’t think
I recall the name.”
They gazed at each other across incalculable
distances, and Willis French found no
reply. “What on earth can she suppose I
want to see the house for?” he could only
wonder.
Her next question told him. “If it’s very
urgent, sir—” another glance at the cut of
his coat seemed to strengthen her, and she
moved back far enough to let him get a foot
across the threshold. “Would it be to hire
or to buy?”
Again they stared at each other till French
saw his own wonder reflected in the servant’s
doubtful face; then the truth came to him
in a rush. The house was not being
shown to him because it had once been
Emily Morland’s and he had been recognized
204as a pilgrim to the shrine of genius, but because
it was Mrs. Donald Paul’s and he had
been taken for a possible purchaser!
All his disenchantment rose to his lips;
but it was checked there by the leap of
prudence. He saw that if he showed his
wonder he might lose his chance.
“Oh, it would be to buy!” he said; for,
though the mere thought of hiring was a
desecration, few things would have seemed
more possible to him, had his fortune been
on the scale of his enthusiasm, than to become
the permanent custodian of the house.
The feeling threw such conviction into
his words that the parlour-maid yielded another
step.
“The drawing-room is this way,” she said
as he bared his head.
It was odd how, as he paced up and down
the Embankment late that evening, musing
over the vision vouchsafed him, one detail
continued to detach itself with discordant
sharpness from the harmonious blur.
205The parlour-maid who had never heard
of Mrs. Morland, and who consequently
could not know that the house had ever been
hers, had naturally enough explained it to
him in terms of its new owners’ habits.
French’s imagination had so promptly anticipated
this that he had, almost without a
shock, heard Mrs. Morland’s library described
as “the gentleman’s study,” and
marked how an upstairs sitting-room with
faded Venetian furniture and rows of old
books in golden-brown calf had been turned,
by the intrusion of a large pink toilet-table,
into “the lady’s dressing-room, sir.” It did
not offend him that the dwelling should be
used as suited the convenience of the persons
who lived in it; he was never for expecting
life to stop, and the Historic House which
has been turned into a show had always
seemed to him as dead as a blown egg. He
had small patience with the kind of reverence
which treats fine things as if their
fineness made them useless. Nothing, he
thought, was too fine for natural uses,
nothing in life too good for life; he liked
the absent and unknown Donald Pauls the
206better for living naturally in this house which
had come to them naturally, and not shrinking
into the mere keepers of a shrine. But
he had winced at just one thing: at seeing
there, on the writing-table which had once
been Emily Morland’s, and must still, he
quickly noted, be much as she had left it—at
seeing there, among pens and pencils and
ink-stained paper-cutters, halfway between
a lacquer cup full of elastic bands and a
blotting-book with her initials on it, one
solitary object of irrelevant newness: an immense
expensively framed photograph of
Fingall’s picture of his wife.
The portrait—the famous first one, now
in the Luxembourg—was so beautiful, and so
expressive of what lovers of Fingall’s art
most loved in it, that Willis French was
grieved to see it so indelicately and almost
insolently out of place. If ever a thing of
beauty can give offence, Mrs. Fingall’s portrait
on Emily Morland’s writing-table gave
offence. Its presence there shook down all
manner of French’s faiths. There was something
shockingly crude in the way it made
207the woman in possession triumph over the
woman who was gone.
It would have been different, he felt at
once, if Mrs. Morland had lived long enough
to marry the man she loved; then the dead
and the living woman would have faced each
other on an equality. But Mrs. Morland, to
secure her two brief years of happiness, had
had to defy conventions and endure affronts.
When, breaking away from the unhappy conditions
of her married life, she had at last
won London and freedom, it was only to
learn that the Reverend Ambrose Morland,
informed of her desire to remarry, and of
his indisputable right to divorce her, found
himself, on religious grounds, unable to set
her free. From this situation she sought no
sensational escape. Perhaps because the
man she loved was younger than herself, she
chose to make no open claim on him, to place
no lien on his future; she simply let it be
known to their few nearest friends that he
and she belonged to each other as completely
as a man and woman of active minds and complex
interests can ever belong to each other
when such life as they live together must be
208lived in secret. To a woman like Mrs. Morland
the situation could not be other than
difficult and unsatisfying. If her personal
distinction saved her from social slights it
could not save her from social subserviences.
Never once, in the short course of her love-history,
had she been able to declare her
happiness openly, or to let it reveal itself in
her conduct; and it seemed, as one considered
her case, small solace to remember that
some of her most moving verse was the expression
of that very privation.
At last her husband’s death had freed her,
and her coming marriage to Donald Paul
been announced; but her own health had
already failed, and a few weeks later she
too was dead, and Donald Paul lost in the
crowd about her grave, behind the Morland
relations who, rather generously as people
thought, came up from Staffordshire for the
funeral of the woman who had brought
scandal and glory to their name.
So, tragically and inarticulately, Emily
Morland’s life had gone out; and now, in the
house where she and her lover had spent
their short secret hours, on the very table at
209which she had sat and imperishably written
down her love, he had put the portrait of the
other woman, her successor; the woman to
whom had been given the one great thing she
had lacked....
Well, that was life too, French supposed:
the ceaseless ruthless turning of the wheel!
If only—yes, here was where the real pang
lay—if only the supplanting face had not
been so different from the face supplanted!
Standing there before Mrs. Fingall’s image,
how could he not recall his first sight of
Emily Morland, how not feel again the sudden
drop of all his expectations when the one
woman he had not noticed on entering Lady
Brankhurst’s drawing-room, the sallow
woman with dull hair and a dowdy dress,
had turned out to be his immortal? Afterward,
of course, when she began to talk, and
he was let into the deep world of her eyes,
her face became as satisfying as some grave
early sculpture which, the imagination once
touched by it, makes more finished graces
trivial. But there remained the fact that she
was what is called plain, and that her successor
was beautiful; and it hurt him to see that
210perfect face, so all-expressive and all-satisfying,
in the very spot where Emily Morland,
to make her beauty visible, had had to clothe
it in poetry. What would she not have given,
French wondered, just once to let her face
speak for her instead?
The sense of injustice was so strong in him
that when he returned to his hotel he went
at once to his portmanteau and, pulling out
Mrs. Morland’s last volume, sat down to reread
the famous love-sonnets. It was as if
he wanted to make up to her for the slight
of which he had been the unwilling witness....
The next day, when he set out for France,
his mood had changed. After all, Mrs.
Morland had had her compensations. She
had been inspired, which, on the whole, is
more worth while than to inspire. And
then his own adventure was almost in his
grasp; and he was at the age when each
moment seems to stretch out to the horizon.
The day was fine, and as he sat on the
deck of the steamer watching the white cliffs
fade, the thought of Mrs. Morland was displaced
by the vision of her successor. He
211recalled the day when Mrs. Fingall had first
looked out at him from her husband’s famous
portrait of her, so frail, so pale under the
gloom and glory of her hair, and he had been
told how the sight of her had suddenly drawn
the painter’s genius from its long eclipse.
Fingall had found her among the art students
of one of the Parisian studios which he fitfully
inspected, had rescued her from financial
difficulties and married her within a few
weeks of their meeting: French had had the
tale from Lady Brankhurst, who was an
encyclopædia of illustrious biographies.
“Poor little Bessy Reck—a little American
waif sent out from some prairie burrow
to ‘learn art’—that was literally how she expressed
it! She hadn’t a relation of her own,
I believe: the people of the place she came
from had taken pity on her and scraped together
enough money for her passage and
for two years of the Latin Quarter. After
that she was to live on the sale of her pictures!
And suddenly she met Fingall, and
found out what she was really made for.”
So far Lady Brankhurst had been satisfying,
as she always was when she trod on
212solid fact. But she never knew anything
about her friends except what had happened
to them, and when questioned as to what
Mrs. Fingall was really like she became
vague and slightly irritable.
“Oh, well, he transformed her, of course:
for one thing he made her do her hair differently.
Imagine; she used to puff it out
over her forehead! And when we went to
the studio she was always dressed in the most
marvellous Eastern things. Fingall drank
cups and cups of Turkish coffee, and she
learned to make it herself—it is better, of
course, but so messy to make! The studio
was full of Siamese cats. It was somewhere
over near the Luxembourg—very picturesque,
but one did smell the drains. I used
always to take my salts with me; and the
stairs were pitch-black.” That was all.
But from her very omissions French had
constructed the vision of something too fine
and imponderable not to escape Lady Brankhurst,
and had rejoiced in the thought that,
of what must have been the most complete
of blisses, hardly anything was exposed to
crude comment but the stairs which led to it.
213Of Donald Paul he had been able to learn
even less, though Lady Brankhurst had so
many more facts to give. Donald Paul’s life
lay open for everybody in London to read.
He had been first a “dear boy,” with a large
and eminently respectable family connection,
and then a not especially rising young barrister,
who occupied his briefless leisure by
occasionally writing things for the reviews.
He had written an article about Mrs. Morland,
and when, soon afterward, he happened
to meet her, he had suddenly realized that he
hadn’t understood her poetry in the least,
and had told her so and written another
article—under her guidance, the malicious
whispered, and boundlessly enthusiastic, of
course; people said it was that which had
made her fall in love with him. But Lady
Brankhurst thought it was more likely to
have been his looks—with which French, on
general principles, was inclined to agree.
“What sort of looks?” he asked. “Oh, like
an old picture, you know”; and at that shadowy
stage of development the image of
Donald Paul had hung. French, in spite of
an extensive search, had not even been able
214to find out where the fateful articles on Mrs.
Morland’s verse had been published; and
light on that point was one of the many lesser
results he now hoped for.
Meanwhile, settled in his chair on deck,
he was so busy elaborating his own picture
of the couple he was hastening to that he
hardly noticed the slim figure of a traveller
with a sallow keen face and small dark beard
who hovered near, as if for recognition.
“André Jolyesse—you don’t remember
me?” the gentleman at length reminded him
in beautifully correct English; and French
woke to the fact that it was of course Jolyesse,
the eminent international portrait
painter, whose expensively gloved hand he
was shaking.
“We crossed together on the Gothic the
last time I went to the States,” Monsieur
Jolyesse reminded him, “and you were so
amiable as to introduce me to several charming
persons who added greatly to the enjoyment
of my visit.”
“Of course, of course,” French assented;
and seeing that the painter was in need of a
215listener, the young man reluctantly lifted his
rugs from the next chair.
It was because Jolyesse, on the steamer,
had been so shamelessly in quest of an article
that French, to escape his importunities, had
passed him on to the charming persons referred
to; and if he again hung about in this
way, and recalled himself, it was doubtless
for a similarly shameless purpose. But
French was more than ever steeled against
the celebrating of such art as that of Jolyesse;
and, to cut off a possible renewal of the
request, he managed—in answer to a question
as to what he was doing with himself—to
mention casually that he had abandoned art
criticism for the writing of books.
The portrait painter was far too polite to
let his attention visibly drop at this announcement;
too polite, even, not to ask with a
show of interest if he might know the subject
of the work Mr. French was at the moment
engaged on.
“Horace Fingall—bigre!” he murmured,
as if the aridity of the task impressed him
while it provoked his pity. “Fingall—Fingall—”
he repeated, his incredulous face
216smilingly turned to French, while he drew
a cigarette from a gold case as flat as an
envelope.
French gave back the smile. It delighted
him, it gave him a new sense of the importance
of his task, to know that Jolyesse, in
spite of Fingall’s posthumous leap to fame,
still took that view of him. And then, with
a start of wonder, the young man remembered
that the two men must have known
each other, that they must have had at least
casual encounters in the crowded promiscuous
life of the painters’ Paris. The possibility
was so rich in humour that he was
moved to question his companion.
“You must have come across Fingall now
and then, I suppose?”
Monsieur Jolyesse shrugged his shoulders.
“Not for years. He was a savage—he had
no sense of solidarity. And envious—!”
The artist waved the ringed hand that held
his cigarette. “Could one help it if one
sold more pictures than he did? But it was
gall and worm-wood to him, poor devil. Of
course he sells now—tremendously high, I
believe. But that’s what happens: when an
217unsuccessful man dies, the dealers seize on
him and make him a factitious reputation.
Only it doesn’t last. You’d better make haste
to finish your book; that sort of celebrity
collapses like a soap-bubble. Forgive me,”
he added, with a touch of studied compunction,
“for speaking in this way of your compatriot.
Fingall had aptitudes—immense,
no doubt—but no technique, and no sense of
beauty; none whatever.”
French, rejoicing, let the commentary flow
on; he even felt the need to stimulate its
flow.
“But how about his portrait of his wife—you
must know it?”
Jolyesse flung away his cigarette to lift
his hands in protest. “That consumptive
witch in the Luxembourg? Ah, mais non!
She looks like a vegetarian vampire. Voyez
vous, si l’on a beaucoup aimé les femmes—”
the painter’s smile was evidently intended to
justify his championship of female loveliness.
He puffed away the subject with his cigarette
smoke, and turned to glance down the deck.
“There—by Jove, that’s what I call a handsome
woman! Over there, with the sable
218cloak and the brand new travelling-bags. A
honeymoon outfit, hein? If your poor Fingall
had had the luck to do that kind—! I’d
like the chance myself.”
French, following his glance, saw that it
rested on a tall and extremely elegant young
woman who was just settling herself in a
deck-chair with the assistance of an attentive
maid and a hovering steward. A young
man, of equal height and almost superior
elegance, strolled up to tuck a rug over her
shining boot-tips before seating himself at
her side; and French had to own that, at
least as a moment’s ornament, the lady was
worth all the trouble spent on her. She
seemed, in truth, framed by nature to bloom
from one of Monsieur Jolyesse’s canvases,
so completely did she embody the kind of
beauty it was his mission to immortalize. It
was annoying that eyes like forest-pools and
a mouth like a tropical flower should so fit
into that particular type; but then the object
of Monsieur Jolyesse’s admiration had the
air of wearing her features, like her clothes,
simply because they were the latest fashion,
and not because they were a part of her
219being. Her inner state was probably a
much less complicated affair than her lovely
exterior: it was a state, French guessed, of
easy apathetic good-humour, galvanized by
the occasional need of a cigarette, and by a
gentle enjoyment of her companion’s conversation.
French had wondered, since his
childhood, what the Olympian lovers in fashion-plates
found to say to each other. Now
he knew. They said (he strolled nearer to
the couple to catch it): “Did you wire about
reserving a compartment?”; and “I haven’t
seen my golf-clubs since we came on board”:
and “I do hope Marshall’s brought enough
of that new stuff for my face,”—and lastly,
after a dreamy pause: “I know Gwen gave
me a book to read when we started, but I
can’t think where on earth I’ve put it.”
It was odd too that, handsome and young
as they still were (both well on the warm side
of forty), this striking couple were curiously
undefinably old-fashioned—in just the same
way as Jolyesse’s art. They belonged, for
all their up-to-date attire, to a period before
the triumph of the slack and the slouching: it
was as if their elegance had pined too long
220in the bud, and its belated flowering had a
tinge of staleness.
French mused on these things while he
listened to Jolyesse’s guesses as to the class
and nationality of the couple, and finally, in
answer to the insistent question: “But where
do you think they come from?” replied a
little impatiently: “Oh, from the rue de la
Paix, of course!” He was tired of the subject,
and of his companion, and wanted to get
back to his thoughts of Horace Fingall.
“Ah, I hope so—then I may run across
them yet!” Jolyesse, as he gathered up his
bags, shot a last glance at the beauty. “I’ll
haunt the dressmakers till I find her—she
looks as if she spent most of her time with
them. And the young man evidently refuses
her nothing. You’ll see, I’ll have her in the
next Salon!” He turned back to add: “She
might be a compatriot of yours. Women
who look as if they came out of the
depths of history usually turn out to be from
your newest Territory. If you run across
her, do say a good word for me. My full
lengths are fifty thousand francs now—to
Americans.”
221
All that first evening in Paris the vision
of his book grew and grew in French’s mind.
Much as he loved the great city, nothing it
could give him was comparable, at that
particular hour, to the rapture of his complete
withdrawal from it into the sanctuary
of his own thoughts. The very next day he
was to see Horace Fingall’s widow, and perhaps
to put his finger on the clue to the labyrinth:
that mysterious tormenting question
of the relation between the creative artist’s
personal experience and its ideal expression.
He was to try to guess how much of Mrs.
Fingall, beside her features, had passed into
her husband’s painting; and merely to ponder
on that opportunity was to plunge himself
into the heart of his subject. Fingall’s art
had at last received recognition, genuine
from the few, but mainly, no doubt, inspired
by the motives to which Jolyesse had sneeringly
alluded; and, intolerable as it was to
French to think that snobbishness and cupidity
were the chief elements in the general
acclamation of his idol, he could not forget
222that he owed to these baser ingredients the
chance to utter his own panegyric. It was
because the vulgar herd at last wanted to
know what to say when it heard Fingall
mentioned that Willis French was to be allowed
to tell them; such was the base rubble
the Temple of Fame was built of! Yes,
but future generations would enrich its face
with lasting marbles; and it was to be
French’s privilege to put the first slab in
place.
The young man, thus brooding, lost himself
in the alluring and perplexing alternatives
of his plan. The particular way of
dealing with a man’s art depended, of course,
so much on its relation to his private life,
and on the chance of a real insight into that.
Fingall’s life had been obdurately closed and
aloof; would it be his widow’s wish that it
should remain so? Or would she understand
that any serious attempt to analyse so complex
and individual an art must be preceded
by a reverent scrutiny of the artist’s personality?
Would she, above all, understand
how reverent French’s scrutiny would be,
and consent, for the sake of her husband’s
223glory, to guide and enlighten it? Her attitude,
of course, as he was nervously aware,
would greatly depend on his: on his finding
the right words and the convincing tone.
He could almost have prayed for guidance,
for some supernatural light on what to say
to her! It was late that night when, turning
from his open window above the throbbing
city, he murmured to himself: “I wonder
what on earth we shall begin by saying
to each other?”
Her sitting-room at the Nouveau Luxe
was empty when he was shown into it the
next day, though a friendly note had assured
him that she would be in by five. But he
was not sorry she was late, for the room had
its secrets to reveal. The most conspicuous
of these was a large photograph of a handsome
young man, in a frame which French
instantly recognized as the mate of the one
he had noticed on Mrs. Morland’s writing-table.
Well—it was natural, and rather
charming, that the happy couple should
choose the same frame for each other’s portraits,
and there was nothing offensive to
224Fingall’s memory in the fact of Donald
Paul’s picture being the most prominent object
in his wife’s drawing-room.
Only—if this were indeed Donald Paul,
where had French seen him already? He
was still questioning the lines of the pleasant
oft-repeated face when his answer entered
the room in the shape of a splendidly draped
and feathered lady.
“I’m so sorry! The dressmakers are
such beasts—they’ve been sticking pins in me
ever since two o’clock.” She held out her
hand with a click of bracelets slipping down
to the slim wrist. “Donald! Do come—it’s
Mr. French,” she called back over her
shoulder; and the gentleman of the photograph
came in after her.
The three stood looking at each other for
an interval deeply momentous to French,
obviously less stirring to his hosts; then
Donald Paul said, in a fresh voice a good
deal younger than his ingenuous middle-aged
face: “We’ve met somewhere before, surely.
Wasn’t it the other day at Brighton—at the
Metropole?”
His wife looked at him and smiled, wrinkling
225her perfect brows a little in the effort
to help his memory. “We go to so many
hotels! I think it was at the Regina at
Harrogate.” She appealed to their visitor
for corroboration.
“Wasn’t it simply yesterday, on the Channel?”
French suggested, the words buzzing
a little in his own ears; and Mrs. Paul
instantly remembered.
“Of course! How stupid of me!” Her
random sweetness grew more concentrated.
“You were talking to a dark man with a
beard—André Jolyesse, wasn’t it? I told
my husband it was Jolyesse. How awfully
interesting that you should know him! Do
sit down and let me give you some tea while
you tell us all about him.”
French, as he took the cup from her hand,
remembered that, a few hours earlier, he had
been wondering what he and she would first
say to each other.
It was dark when he walked away from
the blazing front of the Nouveau Luxe.
Mrs. Donald Paul had given him two generous
hours, and had filled them with talk
226of her first husband; yet as French turned
from the hotel he had the feeling that
what he brought away with him had hardly
added a grain to his previous knowledge of
Horace Fingall. It was perhaps because he
was still too blankly bewildered—or because
he had not yet found the link between what
had been and what was—that he had been
able to sift only so infinitesimal a residue out
of Mrs. Paul’s abundance. And his first
duty, plainly, if he were ever to thread a way
through the tangle, was to readjust himself
and try to see things from a different point
of view.
His one definite impression was that Mrs.
Paul was very much pleased that he should
have come to Paris to see her, and acutely,
though artlessly, aware of the importance of
his mission. Artlessness, in fact, seemed
her salient quality: there looked out of her
great Sphinx-eyes a consciousness as cloudless
as a child’s. But one thing he speedily discovered:
she was keenly alive to her first
husband’s greatness. On that point French
saw that she needed no enlightenment. He
was even surprised, sitting opposite to her
227in all the blatancy of hotel mirrors and gilding,
to catch on her lips the echoes of so different
a setting. But he gradually perceived
that the words she used had no meaning for
her save, as it were, a symbolic one: they
were like the mysterious price-marks with
which dealers label their treasures. She
knew that her husband had been proud and
isolated, that he had “painted only for himself”
and had “simply despised popularity”;
but she rejoiced that he was now at last
receiving “the kind of recognition even he
would have cared for”; and when French, at
this point, interposed, with an impulse of
self-vindication: “I didn’t know that, as yet,
much had been written about him that he
would have liked,” she opened her fathomless
eyes a little wider, and answered: “Oh,
but the dealers are simply fighting for his
things.”
The shock was severe; but presently
French rallied enough to understand that she
was not moved by a spirit of cupidity, but
was simply applying the only measure of
greatness she knew. In Fingall’s lifetime
she had learned her lesson, and no doubt repeated
228it correctly—her conscientious desire
for correctness was disarming—but now that
he was gone his teaching had got mixed with
other formulas, and she was serenely persuaded
that, in any art, the proof and corollary
of greatness was to become a best seller.
“Of course he was his own worst enemy,”
she sighed. “Even when people came to buy
he managed to send them away discouraged.
Whereas now—!”
In the first chill of his disillusionment
French thought for a moment of flight.
Mrs. Paul had promised him all the documentation
he required: she had met him
more than halfway in her lavish fixing of
hours and offering of material. But everything
in him shrank from repeating the experience
he had just been subjected to. What
was the use of seeing her again, even though
her plans included a visit to Fingall’s former
studio? She had told him nothing whatever
about Fingall, and she had told him only too
much about herself. To do that, she had not
even had to open her beautiful lips. On his
way to her hotel he had stopped in at the
Luxembourg, and filled his eyes again with
229her famous image. Everything she was said
to have done for Fingall’s genius seemed to
burn in the depths of that quiet face. It
was like an inexhaustible reservoir of beauty,
a still pool into which the imagination could
perpetually dip and draw up new treasure.
And now, side by side with the painter’s
vision of her, hung French’s own: the vision
of the too-smiling beauty set in glasses and
glitter, preoccupied with dressmakers and
theatre-stalls, and affirming her husband’s
genius in terms of the auction room and the
stock exchange!
“Oh, hang it—what can she give me? I’ll
go straight back to New York,” the young
man suddenly resolved. The resolve even
carried him precipitately back to his hotel;
but on its threshold another thought arrested
him. Horace Fingall had not been
the only object of his pilgrimage: he had
come to Paris to learn what he could of
Emily Morland too. That purpose he had
naturally not avowed at the Nouveau Luxe:
it was hardly the moment to confess his
double quest. But the manifest friendliness
of Donald Paul convinced him that there
230would be no difficulty in obtaining whatever
enlightenment it was in the young man’s
power to give. Donald Paul, at first sight,
seemed hardly more expressive than his wife;
but though his last avatar was one so remote
from literature, at least he had once touched
its borders and even worn its livery. His
great romance had originated in the accident
of his having written an article about its
heroine; and transient and unproductive as
that phase of his experience had probably
been, it must have given him a sense of values
more applicable than Mrs. Paul’s to French’s
purpose.
Luck continued to favour him; for the next
morning, as he went down the stairs of his
hotel, he met Donald Paul coming up.
His visitor, fresh and handsome as his
photograph, and dressed in exactly the right
clothes for the hour and the occasion, held
out an eager hand.
“I’m so glad—I hoped I’d catch you,” he
smiled up at the descending French; and then,
as if to tone down what might seem an excess
231of warmth, or at least make it appear
the mere overflow of his natural spirits, he
added: “My wife rushed me off to say how
sorry she is that she can’t take you to the
studio this morning. She’d quite forgotten
an appointment with her dressmaker—one
of her dressmakers!” Donald Paul stressed
it with a frank laugh; his desire, evidently,
was to forestall French’s surprise. “You
see,” he explained, perhaps guessing that a
sense of values was expected of him, “it’s
rather more of a business for her than for—well,
the average woman. These people—the
big ones—are really artists themselves
nowadays, aren’t they? And they all regard
her as a sort of Inspiration; she really tries
out the coming fashions for them—lots of
things succeed or fail as they happen to look
on her.” Here he seemed to think another
laugh necessary. “She’s always been an
Inspiration; it’s come to be a sort of obligation
to her. You see, I’m sure?”
French protested that he saw—and that
any other day was as convenient—
“Ah, but that’s the deuce of it! The fact
is, we’re off for Biarritz the day after tomorrow;
232and St. Moritz later. We shan’t
be back here, I suppose, till the early spring.
And of course you have your plans; ah, going
back to America next week? Jove, that is
bad.” He frowned over it with an artless
boyish anxiety. “And tomorrow—well, you
know what a woman’s last day in Paris
is likely to be, when she’s had only three of
them! Should you mind most awfully—think
it hopelessly inadequate, I mean—if I
offered to take you to the studio instead?”
He reddened a little, evidently not so much
at the intrusion of his own person into the
setting of his predecessor’s life, as at his
conscious inability to talk about Horace
Fingall in any way that could possibly interest
Willis French.
“Of course,” he went on, “I shall be a
wretched substitute ... I know so little ... so little in any sense.... I never met
him,” he avowed, as if excusing an unaccountable
negligence. “You know how
savagely he kept to himself.... Poor
Bessy—she could tell you something about
that!” But he pulled up sharp at this involuntary
lapse into the personal, and let his
233smile of interrogation and readiness say the
rest for him.
“Go with you? But of course—I shall
be delighted,” French responded; and a
light of relief shone in Mr. Paul’s transparent
eyes.
“That’s very kind of you; and of course
she can tell you all about it later—add the
details. She told me to say that if you didn’t
mind turning up again this afternoon late,
she’ll be ready to answer any questions.
Naturally, she’s used to that too!”
This sent a slight shiver through French,
with its hint of glib replies insensibly shaped
by repeated questionings. He knew, of
course, that after Fingall’s death there had
been an outpouring of articles on him in the
journals and the art-reviews of every country:
to correct their mistakes and fill up
their omissions was the particular purpose
of his book. But it took the bloom—another
layer of bloom—from his enthusiasm to feel
that Mrs. Paul’s information, meagre as it
was, had already been robbed of its spontaneity,
that she had only been reciting to
him what previous interrogators had been
234capable of suggesting, and had themselves
expected to hear.
Perhaps Mr. Paul read the disappointment
in his looks, and misinterpreted it, for
he added: “You can’t think how I feel the
absurdity of trying to talk to you about
Fingall!”
His modesty was disarming. French answered
with sincerity: “I assure you I
shall like nothing better than going there
with you,” and Donald Paul, who was evidently
used to assuming that the sentiments
of others were as genuine as his own, at once
brightened into recovered boyishness.
“That’s jolly.—Taxi!” he cried, and
they were off.
Almost as soon as they entered the flat,
French had again to hail the reappearance
of his “luck.” Better, a thousand times better,
to stand in this place with Donald Paul
than with Horace Fingall’s widow!
Donald Paul, slipping the key into the
rusty lock, had opened the door and drawn
235back to let the visitor pass. The studio was
cold and empty—how empty and how cold!
No one had lived in the flat since Fingall’s
death: during the first months following it
the widow had used the studio to store his
pictures, and only now that the last were
sold, or distributed for sale among the dealers,
had the place been put in the hands of
the agents—like Mrs. Morland’s house in
Kensington.
In the wintry overhead light the dust
showed thick on the rough paint-stained
floor, on the few canvases leaning against the
walls, and the painter’s inconceivably meagre
“properties.” French had known that Fingall’s
studio would not be the upholstered
setting for afternoon teas of Lady Brankhurst’s
vision, but he had not dared to expect
such a scornful bareness. He looked
about him reverently.
Donald Paul remained silent; then he gave
one of his shy laughs. “Not much in the
way of cosy corners, eh? Looks rather
as if it had been cleared for a prize
fight.”
French turned to him. “Well, it was.
236When he wrestled with the Angel until
dawn.”
Mr. Paul’s open gaze was shadowed by a
faint perplexity, and for half a second
French wondered if his metaphor had been
taken as referring to the former Mrs. Fingall.
But in another moment his companion’s
eyes cleared. “Of course—I see! Like
What’s-his-name: in the Bible, wasn’t he?”
He stopped, and began again impulsively:
“I like that idea, you know; he did wrestle
with his work! Bessy says he used to paint
a thing over twenty times—or thirty, if necessary.
It drove his sitters nearly mad.
That’s why he had to wait so long for success,
I suppose.” His glance seemed to
appeal to French to corroborate this rather
adventurous view.
“One of the reasons,” French assented.
His eyes were travelling slowly and greedily
about the vast cold room. He had instantly
noted that, in Lady Brankhurst’s description
of the place, nothing was exact but
the blackness of the stairs that led there.
The rest she must have got up from muddled
memories of other studios—that of Jolyesse,
237no doubt, among the number. French could
see Jolyesse, in a setting of bibelots, dispensing
Turkish coffee to fashionable sitters.
But the nakedness of Fingall’s studio had
assuredly never been draped: as they beheld
it now, so it must have been when the
great man painted there—save, indeed, for
the pictures once so closely covering the
walls (as French saw from the number
of empty nails) that to enter it must
have been like walking into the heart of a
sunset.
None were left. Paul had moved away
and stood looking out of the window, and
timidly, tentatively, French turned around,
one after another, the canvases against the
wall. All were as bare as the room, though
already prepared for future splendours by
the hand from which the brush had dropped
so abruptly. On one only a few charcoal
strokes hinted at a head—unless indeed it
were a landscape? The more French looked
the less intelligible it became—the mere first
stammer of an unuttered message. The
young man put it back with a sigh. He
would have liked, beyond almost everything,
238here under Fingall’s roof to discover just
one of his pictures.
“If you’d care to see the other rooms?
You know he and Bessy lived here,” he heard
his companion suggest.
“Oh, immensely!”
Donald Paul opened a door, struck a
match in a dark passage, and preceded him.
“Nothing’s changed.”
The rooms, which were few and small,
were still furnished; and this gave French
the measure of their humbleness—for they
were almost as devoid of comfort as the
studio. Fingall must have lived so intensely
and constantly in his own inner vision that
nothing external mattered. He must have
been almost as detached from the visible
world as a great musician or a great ascetic;
at least till one sat him down before a face
or a landscape—and then what he looked at
became the whole of the visible world to
him.
“Rather doleful diggings for a young
woman,” Donald Paul commented with a
half-apologetic smile, as if to say: “Can you
wonder that she likes the Nouveau Luxe?”
239French acquiesced. “I suppose, like all
the very greatest of them, he was indifferent
to lots of things we think important.”
“Yes—and then....” Paul hesitated.
“Then they were so frightfully poor. He
didn’t know how to manage—how to get on
with people, either sitters or dealers. For
years he sold nothing, literally nothing. It
was hard on her. She saw so well what he
ought to have done; but he wouldn’t listen to
her!”
“Oh—” French stammered; and saw the
other faintly redden.
“I don’t mean, of course, that an artist, a
great creative artist, isn’t always different ... on the contrary....” Paul hesitated
again. “I understand all that.... I’ve experienced
it....” His handsome face softened,
and French, mollified, murmured to
himself: “He was awfully kind to Emily
Morland—I’m sure he was.”
“Only,” Mrs. Paul’s husband continued
with a deepening earnestness, as if he were
trying to explain to French something not
quite clear to himself, “only, if you’re not a
great creative artist yourself, it is hard sometimes,
240sitting by and looking on and feeling
that if you were just allowed to say a
word—. Of course,” he added abruptly,
“he was very good to her in other ways; very
grateful. She was his Inspiration.”
“It’s something to have been that,”
French said; and at the words his companion’s
colour deepened to a flush which took
in his neck and ears, and spread up to his
white forehead.
“It’s everything,” he agreed, almost solemnly.
French had wandered up to a book-shelf
in what had apparently been Fingall’s dressing-room.
He had seen no other books about,
and was curious to learn what these had to
tell him. They were chiefly old Tauchnitz
novels—mild mid-Victorian fiction rubbing
elbows with a few odd volumes of Dumas,
Maupassant and Zola. But under a loose
pile the critic, with beating heart, had detected
a shabby sketch-book. His hand
shook as he opened it; but its pages were
blank, and he reflected ironically that had
they not been the dealers would never have
left it there.
241“They’ve been over the place with a fine-toothcomb,”
he muttered to himself.
“What have you got hold of?” Donald
Paul asked, coming up.
French continued mechanically to flutter
the blank pages; then his hand paused at one
which was scribbled over with dots and diagrams,
and marginal notes in Fingall’s small
cramped writing.
“Tea-party,” it was cryptically entitled,
with a date beneath; and on the next page,
under the heading: “For tea-party,” a single
figure stood out—the figure of a dowdily-dressed
woman seated in a low chair, a cup in
her hand, and looking up as if to speak to
some one who was not yet sketched in. The
drawing, in three chalks on a gray ground,
was rapidly but carefully executed: one of
those light and perfect things which used to
fall from Fingall like stray petals from a
great tree in bloom. The woman’s attitude
was full of an ardent interest; from the forward
thrust of her clumsily-shod foot to the
tilt of her head and the high light on her
eye-glasses, everything about her seemed
electrified by some eager shock of ideas.
242“Who was talking to her—and what could
he have been saying?” was the first thought
the little drawing suggested. But it merely
flashed through French’s mind, for he had
almost instantly recognized the portrait—just
touched with caricature, yet living, human,
even tender—of the woman he least
expected to see there.
“Then she did know him!” he triumphed
out aloud, forgetting who was at his elbow.
He flushed up at his blunder and put the
book in his companion’s hand.
Donald Paul stared at the page.
“She—who?”
French stood confounded. There she sat—Emily
Morland—aquiver in every line
with life and sound and colour: French could
hear her very voice running up and down
its happy scales! And beside him stood her
lover, and did not recognize her....
“Oh—” Paul stammered at length. “It’s—you
mean?” He looked again. “You
think he meant it for Mrs. Morland?”
Without waiting for an answer he fixed
French with his large boyish gaze, and exclaimed
abruptly: “Then you knew her?”
243“Oh, I saw her only once—just once.”
French couldn’t resist laying a little stress on
the once.
But Donald Paul took the answer unresentfully.
“And yet you recognized her.
I suppose you’re more used than I am to
Fingall’s way of drawing. Do you think he
was ever very good at likenesses? I do see
now, of course ... but, come, I call it a
caricature, don’t you?”
“Oh, what does that matter?”
“You mean, you think it’s so clever?”
“I think it’s magnificent!” said French
with emotion.
The other still looked at him ingenuously,
but with a dawning light of eagerness. It
recalled to French the suppressed, the exaggerated
warmth of his greeting on the hotel
stairs. “What is it he wants of me? For
he wants something.”
“I never knew, either,” Paul continued,
“that she and Fingall had met. Some one
must have brought her here, I suppose. It’s
curious.” He pondered, still holding the
book. “And I didn’t know you knew her,”
he concluded.
244“Oh, how should you? She was probably
unconscious of the fact herself. I spent a
day with her once in the country, years ago.
Naturally, I’ve never forgotten it.”
Donald Paul’s eyes continued obscurely to
entreat him. “That’s wonderful!”
“What—that one should never forget having
once met Emily Morland?” French rejoined,
with a smile he could not repress.
“No,” said Emily Morland’s lover with
simplicity. “But the coincidence. You see,
I’d made up my mind to ask you—.” He
broke off, and looked down at the sketch, as
if seeking guidance where doubtless he had
so often found it. “The fact is,” he began
again, “I’m going to write her Life. She
left me all her papers—I daresay you know
about all that. It’s a trust—a sacred trust;
but it’s also a most tremendous undertaking!
And yesterday, after hearing something of
what you’re planning about Fingall, I realized
how little I’d really thought the book
out, how unprepared I was—what a lot more
there was in that sort of thing than I’d at
first imagined. I used to write—a little;
just short reviews, and that kind of thing.
245But my hand’s out nowadays; and besides,
this is so different. And then, my time’s not
quite my own any longer.... So I made up
my mind that I’d consult you, ask you if you’d
help me ... oh, as much as ever you’re
willing....” His smile was irresistible. “I
asked Bessy. And she thought you’d understand.”
“Understand?” gasped French. “Understand?”
“You see,” Paul hurried on, “there are
heaps and heaps of letters—her beautiful
letters! I don’t mean—” his voice trembled
slightly—“only the ones to me; though some
of those ... well, I’ll leave it to you to
judge.... But lots of others too, that all
sorts of people have sent me. Apparently
everybody kept her letters. And I’m simply
swamped in them,” he ended helplessly, “unless
you will.”
French’s voice was as unsteady as his.
“Unless I will? There’s nothing on earth
I’d have asked ... if I could have imagined
it....”
“Oh, really?” Paul’s voice dropped back
with relief to its everyday tone. He was
246clearly unprepared for exaltation. “It’s
amazingly kind of you—so kind that I don’t
in the least know how to thank you.”
He paused, his hand still between the
pages of the sketch-book. Suddenly he
opened it and glanced down again at the
drawing, and then at French.
“Meanwhile—if you really like this thing;
you do?” He smiled a little incredulously
and bent his handsome head to give the leaf
a closer look. “Yes, there are his initials;
well, that makes it all the more....” He
tore out the page and handed it to French.
“Do take it,” he said. “I wish I had something
better of her to give you—but there’s
literally nothing else; nothing except the
beautiful enlarged photograph she had done
for me the year we met; and that, of
course—”
Mrs. Paul, as French had foreseen she
would be, was late at their second appointment;
later even than at the first. But what
did French care? He could have waited contentedly
for a week in that blatant drawing-room,
247with such hopes in his bosom and such
a treasure already locked up in his portmanteau.
And when at last she came she was
just as cordial, as voluble and as unhelpful
as ever.
The great difficulty, of course, was that
she and her husband were leaving Paris so
soon, and that French, for his part, was under
orders to return at once to America. “The
things I could tell you if we only had the
time!” she sighed regretfully. But this left
French unmoved, for he knew by now how
little she really had to tell. Still, he had a
good many more questions to ask, a good
many more dates and facts to get at, than
could be crowded into their confused hour
over a laden tea-table, with belated parcels
perpetually arriving, the telephone ringing,
and the maid putting in her head to ask if
the orange and silver brocade was to go to
Biarritz, or to be sent straight on with the
furs and the sports clothes to St. Moritz.
Finally, in the hurried parenthesis between
these weightier matters, he extracted from
her the promise to meet him in Paris in
March—March at the latest—and give him
248a week, a whole week. “It will be so much
easier, then, of course,” she agreed. “It’s
the deadest season of the year in Paris.
There’ll be nobody to bother us, and we can
really settle down to work—” her lovely eyes
kindled at the thought—“and I can give you
all the papers you need, and tell you everything
you want to know.”
With that he had to be content, and he
could afford to be—now. He rose to take
leave; but suddenly she rose also, a new
eagerness in her eyes. She moved toward
the door with him, and there her look detained
him.
“And Donald’s book too; you can get to
work with Donald at the same time, can’t
you?” She smiled on him confidentially.
“He’s told me that you’ve promised to help
him out—it’s so angelically good of you! I
do assure you he appreciates it immensely.
Perhaps he’s a little too modest about his
own ability; but it is a terrible burden to
have had imposed on him, isn’t it, just as he
and I were having our first real holiday! It’s
been a nightmare to him all these months.
Reading all those letters and manuscripts,
249and deciding—. Why don’t authors do those
things for themselves?” She appealed to
French, half indignantly. “But after all,”
she concluded, her smile deepening, “I understand
that you should be willing to take the
trouble, in return for the precious thing he’s
given you.”
French’s heart gave a frightened thump:
her smile had suddenly become too significant.
“The precious thing?”
She laughed. “Do you mean to say you’ve
forgotten it already? Well, if you have, I
don’t think you deserve it. The portrait of
Mrs. Morland—the only one, apparently!
A signed drawing of Horace’s; it’s something
of a prize, you’ll admit. Donald tells
me that you and he made the discovery of
the sketch-book together. I can’t for the life
of me imagine how it ever escaped those harpies
of dealers. You can fancy how they
went through everything ... like detectives
after finger-prints, I used to say! Poor me—they
used to have me out of bed every day at
daylight! How furious they’d be if they
knew what they’ve missed!” She paused and
250laughed again, leaning in the doorway in one
of her long Artemis-attitudes.
French felt his head spinning. He dared
not meet her eyes, for fear of discovering in
them the unmasked cupidity he fancied he
had once before detected there. He felt too
sick for any thought but flight; but every
nerve in him cried out: “Whatever she says
or does, she shall never never have that
drawing back!”
She said and did nothing; which made it
even more difficult for him. It gave him the
feeling that if he moved she would move too—with
a spring, as if she herself were a detective,
and suspected him of having the
treasure in his pocket (“Thank God I
haven’t!” he thought). And she had him so
entirely at her mercy, with all the Fingall
dates and documents still in her hold; there
was nothing he could do but go—pick up the
portmanteau with the drawing in it, and fly
by the next train, if need be!
The idea traversed him in a flash, and then
gave way again to the desolating sense of
who she was, and what it was that they were
manœuvring and watching each other about.
251That was the worst of all—worse even than
giving up the drawing, or renouncing the
book on Fingall. He felt that he must get
away at any cost, rather than prolong their
silent duel; and, sick at heart, he reached out
for the door-knob.
“Oh, no!” she exclaimed, her hand coming
down on his wrist.
He forced an answering smile. “No?”
She shook her head, her eyes still on his.
“You’re not going like that.” Though she
held him playfully her long fine fingers
seemed as strong as steel. “After all, business
is business, isn’t it? We ordinary mortals,
who don’t live in the clouds among the
gods, can’t afford to give nothing for nothing....
You don’t—so why should I?”
He had never seen her so close before,
and as her face hovered over him, so warm,
persuasive, confident, he noted in it, with a
kind of savage satisfaction, the first faint
lines of age.
“So why should I?” she repeated gaily.
He stood silent, imprisoned; and she went
on, throwing her head back a little, and letting
her gaze filter down on him through
252her rich lowered lashes: “But I know you’ll
agree with me that it’s only fair. After all,
Donald has set you the example. He’s given
you something awfully valuable in return for
the favour you’re going to do him—the immense
favour. Poor darling—there never
was anybody as generous as Donald! Don’t
be alarmed; I’m not going to ask you to give
me a present on that scale.” She drew herself
up and threw back her lids, as if challenging
him. “You’d have difficulty in finding
one—anybody would!”
French was still speechless, bewildered,
not daring to think ahead, and all the while
confusedly aware that his misery was feeding
some obscure springs of amusement in
her.
“In return for the equally immense favour
I’m going to do you—coming back to Paris
in March, and giving you a whole week—what
are you going to give me? Have you
ever thought about that?” she flung out at
him; and then, before he could answer: “Oh,
don’t look so miserable—don’t rack your
brains over it! I told you I wasn’t grasping—I’m
not going to ask for anything unattainable.
253Only, you see—” she paused, her face
grown suddenly tender and young again—“you
see, Donald wants so dreadfully to have
a portrait of me, one for his very own, by a
painter he really admires; a likeness, simply,
you see, not one of those wild things poor
Horace used to do of me—and what I want
is to beg and implore you to ask Jolyesse if
he’ll do me. I can’t ask him myself: Horace
despised his things, and was always ridiculing
him, and Jolyesse knew it. It’s all very well—but,
as I used to tell Horace, success does
mean something after all, doesn’t it? And
no one has been more of a success than Jolyesse—I
hear his prices have doubled again.
Well, that’s a proof, in a way ... what’s
the use of denying it? Only it makes it more
difficult for poor me, who can’t afford him,
even if I dared to ask!” She wrinkled her
perfect brows in mock distress. “But if you
would—an old friend like you—if you’d ask
it as a personal favour, and make him see
that for the widow of a colleague he ought to
make a reduction in his price—really a big
reduction!—I’m sure he’d do it. After all,
it’s not my fault if my husband didn’t like his
254pictures. And I should be so grateful to you,
and so would Donald.”
She dropped French’s arm and held out
both her shining hands to him. “You will—you
really will? Oh, you dear good man,
you!” He had slipped his hands out of hers,
but she caught him again, this time not
menacingly but exuberantly.
“If you could arrange it for when I’m here
in March, that would be simply perfect,
wouldn’t it? You can, you think? Oh, bless
you! And mind, he’s got to make it a full-length!”
she called after him joyfully across
the threshold.
VELVET EAR-PADS — I — II — III — IV — V
255
Professor Loring G. Hibbart,
of Purewater University,
Clio, N. Y., settled himself in the
corner of his compartment in the
Marseilles-Ventimiglia express, drew his
velvet ear-pads from his pocket, slipped them
over his ears, and began to think.
It was nearly three weeks since he had
been able to indulge undisturbed in this enchanting
operation. On the steamer which
had brought him from Boston to Marseilles
considerable opportunity had in truth been
afforded him, for though he had instantly
discovered his fellow-passengers to be insinuating
and pervasive, an extremely rough
passage had soon reduced them to inoffensiveness.
Unluckily the same cause had in
like manner affected the Professor; and when
256the ship approached calmer waters, and he
began to revive, the others revived also, and
proceeded to pervade, to insinuate and even
to multiply—since a lady gave birth to twins
as they entered the Mediterranean.
As for the tumultuous twenty-four hours
since his landing, the Professor preferred not
to include them in his retrospect. It was
enough that they were over. “All I want is
quiet,” he had said to the doctors who, after
his alarming attack of influenza, followed by
bronchial pneumonia, had ordered an immediate
departure for warmer climes; and
they had thrust him onto an excursion-steamer
jammed with noisy sight-seers, and
shipped him to a port whither all the rest of
the world appeared to be bound at the same
moment! His own fault, perhaps? Well—he
never could plan or decide in a hurry, and
when, still shaken by illness, he had suddenly
been told that he must spend six months in
a mild climate, and been faced with the alternatives
of southern California or southern
France, he had chosen the latter because
it meant a more complete escape from professional
associations and the terror of meeting
257people one knew. As far as climate
went, he understood the chances to be equal;
and all he wanted was to recover from his
pulmonary trouble and employ his enforced
leisure in writing a refutation of Einstein’s
newly published book on Relativity.
Once the Professor had decided on the
south of France, there remained the difficulty
of finding, in that populous region, a spot
quiet enough to suit him; but after much
anxious consultation with colleagues who
shared his dread of noise and of promiscuous
human intercourse, he had decided on a
secluded pension high up in the hills, between
Monte Carlo and Mentone. In this favoured
spot, he was told, no dogs barked,
cocks crew or cats courted. There were no
waterfalls, or other sonorous natural phenomena,
and it was utterly impossible for a
motor (even with its muffler knocked off) to
ascend the precipitous lane which led to the
pension. If, in short, it were possible to
refute Einstein’s theory, it was in just such
a place, and there only, that the feat might
be accomplished.
Once settled in the train, the Professor
258breathed more freely. Most of his fellow-passengers
had stayed on the ship, which
was carrying them on to swarm over a succession
of other places as he had just left
them swarming over Marseilles. The train
he got into was not very crowded, and should
other travellers enter the compartment, his
ear-pads would secure him from interruption.
At last he could revert to the absorbing
thought of the book he was planning; could
plunge into it like a diver into the ocean. He
drew a deep breath and plunged....
Certainly the compartment had been empty
when the train left Marseilles—he was sure
of that; but he seemed to remember now that
a man had got in at a later station, though
he couldn’t have said where or when; for
once he began to think, time vanished from
him as utterly as space.
He became conscious of the intruding
presence only from the smell of tobacco
gradually insinuating itself into his nostrils.
Very gradually; for when the Professor had
withdrawn into his inner stronghold of Pure
Reason, and pulled up the ladder, it was not
easy for any appeal to reach him through
259the channel of the senses. Not that these
were defective in him. Far from it: he could
smell and see, taste and hear, with any man
alive; but for many years past he had refrained
from exercising these faculties except
in so far as they conduced to the
maintenance of life and security. He would
have preferred that the world should contain
nothing to see, nothing to smell, nothing
to hear; and by negativing persistently every
superfluous hint of his visual, auditive or
olfactory organs he had sheathed himself in
a general impenetrability of which the ear-pads
were merely a restricted symbol.
His noticing the whiff of tobacco was an
accident, a symptom of his still disorganized
state; he put the smell resolutely from him,
registered “A Man Opposite,” and plunged
again into the Abstract.
Once—about an hour later, he fancied—the
train stopped with a jerk which flung
him abruptly out of his corner. His mental
balance was disturbed, and for one irritating
instant his gaze unwillingly rested on silver
groves, purple promontories and a blue sea.
“Ugh—scenery!” he muttered; and with a
260renewed effort of the will he dropped his
mental curtain between that inconsequent
jumble of phenomena and the absolutely
featureless area in which the pure intellect
thrones. The incident had brought back the
smell of his neighbour’s cigarette; but the
Professor sternly excluded that also, and
the train moved on....
Professor Hibbart was in truth a man of
passionately excitable nature: no one was
ever, by temperament, less adapted to the
lofty intellectual labours in which his mind
delighted. He asked only to live in the
empyrean; but he was perpetually being
dragged back to earth by the pity, wrath or
contempt excited in him by the slipshod
course of human affairs. There were only
two objects on which he flattered himself he
could always look with a perfectly unseeing
eye; and these were a romantic landscape and
a pretty woman. And he was not absolutely
sure about the landscape.
Suddenly a touch, soft yet peremptory,
was laid on his arm. Looking down, he
beheld a gloved hand; looking up he saw that
the man opposite him was a woman.
261To this awkward discovery he was still
prepared to oppose the blank wall of the
most complete imperception. But a sharp
pinch proved that the lady who had taken
hold of his arm had done so with the fixed
determination to attract his attention, at the
cost of whatever pain or inconvenience to
himself. As she appeared also to be saying
something—probably asking if the next
station were the one at which she ought to
get out—he formed with soundless lips the
word “Deaf,” and pointed to his ears. The
lady’s reply was to release his wrist, and
with her free hand flick off an ear-pad.
“Deaf? Oh, no,” she said briskly, in
fluent but exotic English. “You wouldn’t
need ear-pads if you were. You don’t want
to be bothered—that’s all. I know the trick;
you got it out of Herbert Spencer!”
The assault had nearly disabled the Professor
for farther resistance; but he rallied
his wits and answered stonily: “I have no
time-table. You’d better consult the guard.”
The lady threw her spent cigarette out of
the window. As the smoke drifted away
from her features he became uneasily aware
262that they were youthful, and that the muscles
about her lips and eyes were contracted into
what is currently known as a smile. In
another moment, he realized with dismay,
he was going to know what she looked like.
He averted his eyes.
“I don’t want to consult the guard—I want
to consult you,” said the lady.
His ears took reluctant note of an intonation
at once gay and appealing, which
caressed the “You” as if it were a new pronoun
rich in vowels, and the only one of its
kind in the world.
“Eeee-you,” she repeated.
He shook his averted head. “I don’t know
the name of a single station on this line.”
“Dear me, don’t you?” The idea seemed
to shock her, to make a peculiar appeal to
her sympathy. “But I do—every one of
them! With my eyes shut. Listen: I’ll
begin at the beginning. Paris—”
“But I don’t want to know them!” he
almost screamed.
“Well, neither do I. What I want is to
ask you a favour—just one tiny little enormous
favour.”
263The Professor still looked away. “I have
been in very bad health until recently,” he
volunteered.
“Oh, I’m so glad—glad, I mean,” she corrected
herself hastily, “that you’re all right
again now! And glad too that you’ve been
ill, since that just confirms it—”
Here the Professor fell. “Confirms
what?” he snapped, and saw too late the
trap into which he had plunged.
“My belief that you are predestined to
help me,” replied his neighbour with joyful
conviction.
“Oh, but that’s quite a mistake—a complete
mistake. I never in my life helped anybody,
in any way. I’ve always made it a
rule not to.”
“Not even a Russian refugee?”
“Never!”
“Oh, yes, you have. You’ve helped me!”
The Professor turned an ireful glance
upon her, and she nodded. “I am a Russian
refugee.”
“You?” he exclaimed. His eyes, by this
time, had definitely escaped from his control,
264and were recording with an irrepressible
activity and an exasperating precision the
details of her appearance and her dress.
Both were harmonious and opulent. He
laughed incredulously.
“Why do you laugh? Can’t you see that
I’m a refugee; by my clothes, I mean? Who
has such pearls but Russian refugees? Or
such sables? We have to have them—to
sell, of course! You don’t care to buy my
sables, do you? For you they would be only
six thousand pounds cash. No, I thought
not. It’s my duty to ask—but I didn’t suppose
they would interest you. The Paris
and London jewellers farm out the pearls
to us; the big dressmakers supply the furs.
For of course we’ve all sold the originals
long ago. And really I’ve been rather successful.
I placed two sets of silver fox and a
rope of pearls last week at Monte Carlo.
Ah, that fatal place! I gambled away the
whole of my commission the same night....
But I’m forgetting to tell you how you’ve
already helped me....”
She paused to draw breath, and in the
pause the Professor, who had kept his hand
265on his loosened ear-pad, slipped it back over
his ear.
“I wear these,” he said coldly, “to avoid
argument.”
With a flick she had it off again. “I wasn’t
going to argue—I was only going to thank
you.”
“I can’t conceive for what. In any case,
I don’t want to be thanked.”
Her brows gathered resentfully. “Why
did you ask to be, then?” she snapped; and
opening a bejewelled wrist-bag she drew
forth from a smother of cigarette papers
and pawn-tickets a slip of paper on which
her astonished companion read a phrase
written in a pointed feminine hand, but signed
with his own name.
“There!”
The Professor took the paper and scanned
it indignantly. “This copy of ‘The Elimination
of Phenomena’ was presented by Professor
Loring G. Hibbart of Purewater University,
Clio, N. Y., to the library of the
American Y. M. C. A. Refugee Centre at
Odessa.
“A word of appreciation, sent by any
266reader to the above address, would greatly
gratify Loring G. Hibbart.”
“There!” she repeated. “Why did you
ask to be thanked if you didn’t want to be?
What else does ‘greatly gratify’ mean? I
couldn’t write to you from Odessa because I
hadn’t the money to buy a stamp; but I’ve
longed ever since to tell you what your book
did for me. It simply changed my whole
life—books do sometimes, you know. I saw
everything differently—even our Refugee
Centre! I decided at once to give up my
lover and divorce my husband. Those were
my two first Eliminations.” She smiled retrospectively.
“But you mustn’t think I’m a
frivolous person. I have my degree as a
Doctor of Philosophy—I took it at sixteen,
at the University of Moscow. I gave up
philosophy the year after for sculpture; the
next year I gave up sculpture for mathematics
and love. For a year I loved. After that I
married Prince Balalatinsky. He was my
cousin, and enormously wealthy. I need not
have divorced him, as it turned out, for he
was soon afterward buried alive by the
Bolsheviks. But how could I have foreseen
267it? And your book had made me feel—”
“Good gracious!” the author of the book
interrupted desperately. “You don’t suppose
I wrote that rubbish about wanting to be
thanked, do you?”
“Didn’t you? How could I tell? Almost
all the things sent from America to the refugee
camp came with little labels like that.
You all seemed to think we were sitting
before perfectly appointed desks, with fountain
pens and stamp-cases from Bond Street
in our pockets. I remember once getting a
lip-stick and a Bernard Shaw calendar labelled:
‘If the refugee who receives these
would write a line of thanks to little Sadie
Burt of Meropee Junction, Ga., who bought
them out of her own savings by giving up
chewing-gum for a whole month, it would
make a little American girl very happy.’ Of
course I was sorry not to be able to write to
little Sadie.” She broke off, and then added:
“Do you know, I was sure you were my Professor
as soon as I saw your name on your
suit-case?”
“Good Lord!” groaned the Professor.
268He had forgotten to remove the obligatory
steamer-labels! Instinctively he reached out
a hand to tear off the offending member; but
again a gesture of the Princess’s arrested him.
“It’s too late now. And you can’t surely
grudge me the pleasure of thanking you for
your book?”
“But I didn’t ask—”
“No; but I wanted to. You see, at that
time I had quite discarded philosophy. I was
living in the Actual—with a young officer of
Preobrajensky—when the war broke out.
And of course in our camp at Odessa the
Actual was the very thing one wanted to get
away from. And your book took me straight
back into that other world where I had
known my only pure happiness. Purity—what
a wonderful thing it is! What a pity
it is so hard to keep; like money, and everything
else really valuable! But I’m thankful
for any little morsel of it that I’ve had.
When I was only ten years old—”
But suddenly she drew back and nestled
down into her lustrous furs. “You thought
I was going to tell you the story of my life?
No. Put your ear-pads on again. I know
269now why you wear them—because you’re
planning a new book. Is it not so? You
see I can read your thoughts. Go on—do!
I would rather assist at the birth of a masterpiece
than chatter about my own insignificant
affairs.”
The Professor smiled. If she thought
masterpieces were born in that way—between
railway stations, and in a whirl of prattle!
Yet he was not wholly angry. Either because
it had been unexpectedly agreeable to
hear his book praised, or because of that
harmonious impression which, now that he
actually saw her, a protracted scrutiny confirmed,
he began to feel more tolerantly
toward his neighbour. Deliberately, his
eyes still on hers, he pushed the other ear-pad
away.
“Oh—” she said with a little gasp. “Does
that mean I may go on talking?” But before
he could answer, her face clouded. “I know—it
only means that I might as well, now that
I’ve broken in on your meditations. I’m
dreadfully penitent; but luckily you won’t
have me for long, for I’m getting out at
Cannes, and Cannes is the next station. And
270that reminds me of the enormous little
favour I have to ask.”
The Professor’s face clouded also: he had
a nervous apprehension of being asked favours.
“My fountain pen,” he said, regaining
firmness of tone, “is broken.”
“Ah—you thought I meant to ask for
your autograph? Or perhaps for a cheque?”
(Lord, how quick she was!) She shook her
head. “No, I don’t care for compulsory
autographs. And I’m not going to ask for
money—I’m going to give you some.”
He faced her with renewed dismay. Could
it be—? After all, he was not more than
fifty-seven; and the blameless life he had led
had perhaps helped to preserve a certain ... at least that was one theory.... In
these corrupt European societies what might
a man not find himself exposed to? With
some difficulty he executed a pinched smile.
“Money?”
She nodded again. “Oh, don’t laugh!
Don’t think I’m joking. It’s your ear-pads,”
she disconcertingly added.
“My—?”
“Yes. If you hadn’t put them on I should
271never have spoken to you; for it wasn’t till
afterward that I saw your name on the suit-case.
And after that I should have been too
shy to break in on the meditations of a Great
Philosopher. But you see I have been watching—oh,
for years!—for your ear-pads.”
He stared at her helplessly. “You want
to buy them from me?” he asked in terror,
wondering how on earth he would be able
to get others in a country of which he did
not speak the language.
She burst into a laugh that ran up and
down the whole scale of friendly derision
and tender mockery.
“Buy them? Gracious, no! I could make
myself a better pair in five minutes.” She
smiled at his visible relief. “But you see I’m
ruined—stony broke; isn’t that what they call
it? I have a young American friend who is
always saying that about himself. And once
in the Caucasus, years ago, a gipsy told me
that if ever I had gambled away my last
penny (and I nearly have) it would all be
won back by a pale intellectual looking man in
velvet ear-pads, if only I could induce him
to put a stake on the tables for me.” She
272leaned forward and scrutinized him. “You
are very pale, you know,” she said, “and very
intellectual looking. I was sure it was you
when you told me you’d been ill.”
Professor Loring D. Hibbart looked about
him desperately. He knew now that he was
shut up with a madwoman. A harmless one,
probably; but what if, in the depths of that
jewelled bag, a toy revolver lurked under the
pawn-tickets and the cigarette papers? The
Professor’s life had been so guarded from
what are known as “exciting situations” that
he was not sure of his ability to meet one
with becoming tact and energy.
“I suppose I’m a physical coward,” he
reflected bitterly, an uncomfortable dampness
breaking out all over him. “And I know,”
he added in self-extenuation, “that I’m in no
condition yet for any sort of a struggle....”
But what did one do with lunatics? If
only he could remember! And suddenly he
did: one humoured them!
Fortified by the thought, he made shift
to glance more kindly toward the Princess
Balalatinsky. “So you want me to gamble
for you?” he said, in the playful tone he
273might have adopted in addressing little Sadie
Burt of Meropee.
“Oh, how glorious of you! You will? I
knew you would! But first,” she broke off,
“you must let me explain—”
“Oh, do explain, of course,” he agreed,
rapidly calculating that her volubility might
make the explanation last until they reached
the next station, where, as she had declared,
she was to leave the train.
Already her eye was less wild; and he drew
an inward breath of relief.
“You angel, you! I do,” she confessed,
“simply love to talk about myself. And I’m
sure you’ll be interested when I tell you that,
if you’ll only do as I ask, I shall be able to
marry one of your own compatriots—such a
beautiful heroic youth! It is for him, for
him only, that I long to be wealthy again.
If you loved, could you bear to see your
beloved threatened with starvation?”
“But I thought,” he gently reminded her,
“that it was you who were threatened with
starvation?”
“We both are. Isn’t it terrible? You see,
when we met and loved, we each had the
274same thought—to make the other wealthy!
It was not possible, at the moment, for either
of us to attain our end by the natural expedient
of a rich marriage with reasonable
prospect of a quick divorce—so we staked
our all at those accursèd tables, and we both
lost! My poor betrothed has only a few
hundred francs left, and as for me, I have
had to take a miserably paid job as a dressmaker’s
mannequin at Cannes. But I see
you are going on to Monte Carlo (yes, that’s
on your luggage too); and as I don’t suppose
you will spend a night there without visiting
the rooms, I—” She was pulling forth the
hundred francs from her inexhaustible bag
when the Professor checked her with dismay.
Mad though she might be, he could not even
make believe to take her money.
“I’m not spending a night at Monte
Carlo,” he protested. “I’m only getting out
there to take a motorbus for a quiet place
up in the hills; I’ve the name written down
somewhere; my room is engaged, so I
couldn’t possibly wait over,” he argued
gently.
She looked at him with what seemed to his
275inflamed imagination the craftiness of a
maniac. “Don’t you know that our train is
nearly two hours late? I don’t suppose you
noticed that we ran over a crowded excursion
charabanc near Toulon? Didn’t you even
hear the ambulances rushing up? Your
motorbus will certainly have left Monte
Carlo when you arrive, so you’ll have to
spend the night there! And even if you
don’t,” she added persuasively, “the station’s
only two steps from the Casino, and you
surely can’t refuse just to nip in for half an
hour.” She clasped her hands in entreaty.
“You wouldn’t refuse if you knew my betrothed—your
young compatriot! If only
we had a few thousands all would go
smoothly. We should be married at once
and go to live on his ancestral estate of
Kansas. It appears the climate is that of
Africa in summer and of the Government of
Omsk in winter; so our plan is to grow
oranges and breed sables. You see, we can
hardly fail to succeed with two such crops.
All we ask is enough money to make a start.
And that you will get for me tonight. You
have only to stake this hundred franc note;
276you’ll win on the first turn, and you’ll go on
winning. You’ll see!”
With one of her sudden plunges she pried
open his contracted fist and pressed into it a
banknote wrapped in a torn envelope. “Now
listen; this is my address at Cannes. Princess
Balala—oh, here’s the station. Good-bye,
guardian angel. No, au revoir; I shall
see you soon. They call me Betsy at the
dressmaker’s....”
Before he could open his convulsed fingers,
or dash out after her, she had vanished, bag
and baggage, in the crowd and confusion of
the platform; other people, pushing and
chattering and tearing themselves from the
embrace of friends, had piled into her place,
and were waving from the window, and
blocking the way out; and now the train was
moving on, and there he sat in his corner,
aghast, clutching the banknote....
At Monte Carlo the Professor captured a
porter and rescued his luggage. Exhausted
by this effort, and by the attempt to communicate
277with the porter, first in Latin and then
in French as practised at Purewater, he withdrew
to a corner of the waiting-room and
fished in his pockets for the address of the
quiet pension in the hills. He found it at
last, and handed it wearily to the porter.
The latter threw up his hands. “Parti!
Parti! Autobus gone.” That devil of a
woman had been right!
When would there be another, the Professor
asked.
Not till tomorrow morning at 8:30. To
confirm his statement the porter pointed to
a large time-table on the wall of the waiting-room.
The Professor scanned it and sat
down again with a groan. He was about to
consult his companion as to the possibility
of finding a night’s lodging in a respectable
pension (fantastic as the idea seemed in such
a place); but hardly had he begun: “Can
you tell me where—” when, with a nod of
comprehension and a wink of complicity, the
porter returned in fluent English: “Pretty
ladies? Turkish bath? Fottographs?”
The Professor repudiated these suggestions
with a shudder, and leaving his bags in
278the cloak-room set forth on his quest. He
had hardly taken two steps when another
stranger of obviously doubtful morality
offered him a pamphlet which he was indignantly
rejecting when he noticed its title:
“The Theory of Chance in Roulette.” The
theory of chance was deeply interesting to the
Professor, and the idea of its application
to roulette not without an abstract attraction.
He bought the pamphlet and sat down on
the nearest bench.
His study was so absorbing that he was
roused only by the fall of twilight, and the
scattered twinkle of many lamps all radiating
up to the central focus of the Casino. The
Professor started to his feet, remembering
that he had still to find a lodging. “And I
must be up early to catch the bus,” he reminded
himself. He took his way down a
wide empty street apparently leading to a
quieter and less illuminated quarter. This
street he followed for some distance, vainly
scrutinizing the houses, which seemed all to
be private dwellings, till at length he ran
against a slim well-set-up young fellow in
tennis flannels, with a bright conversational
279eye, who was strolling along from the opposite
direction.
“Excuse me, sir,” said the Professor.
“What for?” rejoined the other, in a
pleasant tone made doubly pleasant by the
familiar burr of the last word, which he pronounced
like fur.
“Why, you’re an American!” exclaimed
the Professor.
“Sherlock!” exulted the young man, extending
his hand. “I diagnose the same
complaint in yourself.”
The Professor sighed pleasurably. “Oh,
yes. What I want,” he added, “is to find a
plain quiet boarding-house or family hotel.”
“Same as mother used to make ’em?”
The young man reflected. “Well, it’s a queer
place in which to prosecute your search; but
there is one at Monte, and I’m about the
only person that knows it. My name’s Taber
Tring. Come along.”
For a second the Professor’s eye rested
doubtfully on Mr. Tring. He knew, of
course—even at Purewater it was known—that
in the corrupt capitals of Europe one
could not always rely implicitly on the information
280given by strangers casually encountered;
no, not even when it was offered with
affability, and in the reassuring twang of the
Western States. But after all Monte Carlo
was not a capital; it was just an absurd little
joke of a town crammed on a ledge between
sea and mountain; and a second glance at the
young man convinced the Professor that he
was as harmless as the town.
Mr. Tring, who seemed quick at thought-reading,
returned his look with an amused
glance.
“Not much like our big and breezy land,
is it? These Riviera resorts always remind
me of the subway at rush hours; everybody
strap-hanging. But my landlady is an old
friend, and I know one of her boarders left
this morning, because I heard her trying to
seize his luggage. He got away; so I don’t
see why you shouldn’t have his room. See?”
The Professor saw. But he became immediately
apprehensive of having his own
luggage seized, an experience unprecedented
in his history.
“Are such things liable to occur in this
place?” he enquired.
281“What? A scrap with your landlady?
Not if you pay up regularly; or if she likes
you. I guess she didn’t like that other fellow;
and I know he was always on the wrong
side of the tables.”
“The tables—do you refer to the gambling
tables?” The Professor stopped short to
put the question.
“That’s it,” said the other.
“And do you yourself sometimes visit the
gambling-rooms?” the Professor next enquired.
“Oh, hell,” said Taber Tring expressively.
The Professor scrutinized him with growing
interest. “And have you a theory of
chance?”
The young man met his gaze squarely. “I
have; but it can’t be put into language that
would pass the censor.”
“Ah—you refer, no doubt, to your personal
experience. But, as regards the
theory—”
“Well, the theory has let me down to bedrock;
and I came down on it devilish hard.”
His expression turned from apathy to animation.
“I’m stony broke; but if you’d like
282to lend me a hundred francs to have another
try—”
“Oh, no,” said the Professor hastily; “I
don’t possess it.” And his doubts began to
stir again.
Taber Tring laughed. “Of course you
don’t; not for lending purposes. I was only
joking; everybody makes that joke here.
Well, here’s the house; I’ll go ahead and
rout out our hostess.”
They stopped before a pleasant-looking
little house at the end of the street. A palmtree,
a couple of rose-bushes and a gateway
surmounted by the word Arcadie divided
it from the pavement; the Professor drew a
breath of relief as a stout lady in an orange
wig bustled out to receive him.
In spite of the orange wig her face was so
full of a shrewd benevolence that the Professor
felt sure he had reached a haven of
rest. She welcomed him affably, informed
him that she had a room, and offered to lead
him up to it. “Only for tonight, though?
For it is promised to a Siamese nobleman for
tomorrow.”
This, the Professor assured her, made no
283difference, as he would be leaving at daylight.
But on the lowest step of the stair he turned
and addressed himself to Mr. Tring.
“Perhaps the lady would be good enough
to have my bags brought up from the station?
If you would kindly explain that I’m going
out now to take a little stroll. As I’m leaving
so early tomorrow it’s my only chance to
have a look around.”
“That’s so; I’ll tell her,” the young man
rejoined sympathetically; and as the Professor’s
hand was on the gate, he heard Mr.
Tring call out, mimicking the stentorian
tones of a megaphone man on a sight-seeing
motorbus: “Third street to the left, then
first right to the tables”; after which he
added, in his natural tone: “Say, Arcadia
locks up at midnight.”
The Professor smiled at the superfluous
hint.
Having satisfied a polyglot door-keeper as
to his nationality, and the fact that he was
not a minor, the Professor found himself in
284the gambling-rooms. They were not particularly
crowded, for people were beginning to
go out for dinner, and he was able to draw
fairly near to the first roulette table he
encountered.
As he stood looking over the shoulders
of the players he understood that no study of
abstract theories could be worth the experience
acquired by thus observing the humours
of the goddess in her very temple. Her
caprices, so ably seconded by the inconceivable
stupidity, timidity or rashness of her
votaries, first amused and finally exasperated
the Professor; he began to feel toward her
something of the annoyance excited in him
by the sight of a pretty woman, or any other
vain superfluity, combined with the secret
sense that if he chose he could make her
dance to his tune, and that it might be mildly
amusing to do so. He had felt the same
once or twice—but only for a fugitive instant—about
pretty women.
None, however, had ever attracted him as
strongly as this veiled divinity. The longing
to twitch the veil from her cryptic features
285became violent, irresistible. “Not one of
these fools has any idea of the theory of
chance,” he muttered to himself, elbowing his
way to a seat near one of the croupiers. As
he did so, he put his hand into his pocket, and
found to his disgust that it contained only a
single five franc piece and a few sous. All
the rest of his money—a matter of four or
five hundred francs—lay locked up in his
suit-case at Arcadie. He anathematized his
luck in expurgated language, and was about
to rise from the table when the croupier
called out: “Faites vos jeux, Messieurs.”
The Professor, with a murmured expletive
which was to a real oath what Postum is to
coffee, dropped back into his place and flung
his five franc piece on the last three numbers.
He lost.
Of course—in his excitement he had gone
exactly contrary to his own theory! It was
on the first three that he had meant to stake
his paltry bet. Well; now it was too late.
But stay—
Diving into another pocket, he came with
surprise on a hundred franc note. Could it
286really be his? But no; he had an exact memorandum
of his funds, and he knew this banknote
was not to be thus accounted for. He
made a violent effort to shake off his abstraction,
and finally recalled that the note in
question had been pressed into his hand that
very afternoon as he left the train. But by
whom—?
“Messieurs, faites vos jeux! Faites vos
jeux! Le jeu est fait. Rien ne va plus.”
The hundred francs, escaping from his
hand, had fluttered of themselves to a number
in the middle of the table. That number
came up. Across the green board thirty-six
other hundred franc notes flew swiftly back
in the direction of the Professor. Should he
put them all back on the same number?
“Yes,” he nodded calmly to the croupier’s
question; and the three-thousand seven hundred
francs were guided to their place by the
croupier’s rake.
The number came up again, and another
argosy of notes sailed into the haven of the
happy gambler’s pocket. This time he knew
he ought to settle down quietly to his theory;
and he did so. He staked a thousand and
287tripled it, then let the three thousand lie, and
won again. He doubled that stake, and began
to feel his neighbours watching him with
mingled interest and envy as the winnings
once more flowed his way. But to whom did
this mounting pile really belong?
No time to think of that now; he was fast
in the clutches of his theory. It seemed to
guide him like some superior being seated at
the helm of his intelligence: his private
dæmon pitted against the veiled goddess!
It was exciting, undoubtedly; considerably
more so, for example, than taking tea with
the President’s wife at Purewater. He was
beginning to feel like Napoleon, disposing
his battalions to right and left, advancing,
retreating, reinforcing or redistributing his
troops. Ah, the veiled goddess was getting
what she deserved for once!
At a late hour of the evening, when the
Professor had become the centre of an ever-thickening
crowd of fascinated observers, it
suddenly came back to him that a woman
had given him that original hundred franc
note. A woman in the train that afternoon....
288But what did he care for that? He was
playing the limit at every stake; and his
mind had never worked more clearly and
with a more exquisite sense of complete detachment.
He was in his own particular
seventh heaven of lucidity. He even recalled,
at the precise moment when cognizance
of the fact became useful, that the
doors of Arcadie closed at midnight, and
that he had only just time to get back if he
wished to sleep with a roof over his head.
As he did wish to, he pocketed his gains
quietly and composedly, rose from the table
and walked out of the rooms. He felt
hungry, cheerful and alert. Perhaps, after
all, excitement had been what he needed—pleasurable
excitement, that is, not the kind
occasioned by the small daily irritations of
life, such as the presence of that woman in
the train whose name he was still unable to
remember. What he would have liked best
of all would have been to sit down in one of
the brightly lit cafés he was passing, before
a bottle of beer and a ham sandwich; or perhaps
what he had heard spoken of as a Welsh
289rabbit. But he did not want to sleep on a
bench, for the night air was sharp; so he
continued self-denyingly on his way to
Arcadie.
A sleepy boy in a dirty apron let him in,
locked up after him, and led him to a small
bare room on the second floor. The stairs
creaked and rattled as they mounted, and
the rumblings of sleep sounded through the
doors of the rooms they passed. Arcadie
was a cramped and ramshackle construction,
and the Professor hoped to heaven that his
pension in the hills would be more solidly
built and less densely inhabited. However,
for one night it didn’t matter—or so he
imagined.
His guide left him, and he turned on the
electric light, threw down on the table the
notes with which all his pockets were bulging,
and began to unstrap his portmanteaux.
Though he had so little luggage he always
found the process of unpacking a long and
laborious one; for he never could remember
where he had put anything, and invariably
passed through all the successive phases of
apprehension and despair before he finally
290discovered his bedroom slippers in his spongebag,
and the sponge itself (still dripping)
rolled up inside his pyjamas.
But tonight he sought for neither sponge
not pyjamas, for as he opened his first suit-case
his hand lit on a ream of spotless foolscap—the
kind he always used for his literary
work. The table on which he had tossed his
winnings held a crusty hotel inkstand, and
was directly overhung by a vacillating electric
bulb. Before it was a chair; through the
open window flowed the silence of the night,
interwoven with the murmurs of a sleeping
sea and hardly disturbed by the occasional
far-off hoot of a motor horn. In his own
brain was the same nocturnal quiet and
serenity. A curious thing had happened to
him. His bout with the veiled goddess had
sharpened his wits and dragged him suddenly
and completely out of the intellectual
apathy into which he had been gradually
immersed by his illness and the harassing
discomforts of the last few weeks. He was
no longer thinking now about the gambling
tables or the theory of chance; but with all
the strength of his freshly stimulated faculties
291was grappling the mighty monster with
whom he meant to try a fall.
“Einstein!” he cried, as a Crusader might
have shouted his battle-cry. He sat down
at the table, shoved aside the banknotes,
plunged his pen into the blue mud of the
inkstand, and began.
The silence was delicious, mysterious.
Link by link the chain of his argument unrolled
itself, travelling across his pages with
the unending flow of a trail of migratory
caterpillars. Not a break; not a hesitation.
It was years since his mental machinery had
worked with that smooth consecutiveness.
He began to wonder whether, after all, it
might not be better to give up the idea of a
remote and doubtful pension in the hills, and
settle himself for the winter in a place apparently
so propitious to his intellectual
activities.
It was then that the noises in the next
room suddenly began. First there was the
brutal slam of the door, followed by a silly
bad-tempered struggle with a reluctant lock.
Then a pair of shoes were flung down on the
tiled floor. Water was next poured into an
292unsteady basin, and a water-jug set down
with a hideous clatter on a rickety washstand
which seemed to be placed against the communicating
door between the two rooms.
Turbulent ablutions ensued. These over,
there succeeded a moment of deceptive calm,
almost immediately succeeded by a series of
whistled scales, emitted just above the whistler’s
breath, and merging into the exact
though subdued reproduction of various
barn-yard gutturals, ending up with the
raucous yelp of a parrot proclaiming again
and again: “I’m stony broke, I am!”
All the while Professor Hibbart’s brain
continued to marshal its arguments, and try
to press them into the hard mould of words.
But the struggle became more and more
unequal as the repressed cacophony next door
increased. At last he jumped up, rummaged
in every pocket for his ear-pads and snapped
them furiously over his ears. But this
measure, instead of silencing the tenuous insistent
noises from the next room, only made
him strain for them more attentively through
the protecting pads, giving them the supernatural
shrillness of sounds heard at midnight
293in a sleeping house, the secret crackings
and creakings against which heaped-up pillows
and drawn-up bedclothes are a vain
defence.
Finally the Professor noticed that there
was a wide crack under the communicating
door. Not till that crack was filled would
work be possible. He jumped up again and
dived at the washstand for towels. But he
found that in the hasty preparation of the
room the towels had been forgotten. A
newspaper, then—but no; he cast about him
in vain for a newspaper....
The noises had now sunk to a whisper,
broken by irritating intervals of silence; but
in the exasperated state of the Professor’s
nerves these irregular lulls, and the tension
of watching for the sounds that broke them,
were more trying than what had gone before.
He sent a despairing glance about him,
and his eye lit on the pile of banknotes
on the table. He sprang up again, seized
the notes, and crammed them into the crack.
After that the silence became suddenly
and almost miraculously complete, and he
went on with his writing.
294
After his first twenty-four hours in the
hills the Professor was ready to swear that
this final refuge was all he had hoped for.
The situation (though he had hardly looked
out on it) seemed high yet sheltered; he had
a vague impression of sunshine in his room;
and when he went down on the first morning,
after a deep and curative sleep, he at once
found himself in a congenial atmosphere.
No effusive compatriots; no bowing and
scraping French; only four or five English
people, as much in dread of being spoken to
as he was of their speaking to him. He
consumed the necessary number of square
inches of proteins and carbohydrates and
withdrew to his room, as stubbornly ignored
as if the other guests had all thought he was
trying to catch their eyes. An hour later he
was lost in his work.
If only life could ever remain on an even
keel! But something had made him suspect
it from the first: there was a baby in the
house. Of course everybody denied it: the
cook said the bowl of pap left by accident on
295the stairs was for the cat; the landlady said
she had been a widow twenty years, and did
he suppose—? And the bonne denied that
there was a smell of paregoric on the landing,
and said that was the way the scent of
mimosa sometimes affected people.
That night, after a constitutional in the
garden (ear-pads on), the Professor went
up to his room to resume his writing. For
two hours he wrote uninterruptedly; then he
was disturbed by a faint wail. He clapped
on the pads, and continued; but the wail,
low as it was, pierced them like a corkscrew.
Finally he laid down his pen and listened,
furiously. Every five minutes the sound
came again. “I suppose they’ll say it’s a
kitten!” he growled. No such pretence could
deceive him for a moment; he remembered
now that at the moment of entering the
house he had noticed a smell of nursery. If
only he had turned straight around and
gone elsewhere! But where?
The idea of a fresh plunge into the unknown
made him feel as weak as in the first
stages of convalescence. And then his book
had already sunk such talons into him; he
296could feel it sucking at his brain like some
hungry animal. And all those people downstairs
had been as cold and stony at dinner
as they had at lunch. After two such encounters
he was sure they would never bother
him. A Paradise indeed, but for that
serpent!
The wail continued, and he turned in his
chair and looked slowly and desperately
about him. The room was small and bare,
and had only one door, the one leading into
the passage. He vaguely recalled that, two
nights before, at Monte Carlo, he had been
disturbed in much the same way, and had
found means to end the disturbance.
What had he done? If only he could
remember!
His eye went back to the door. There
was a light under it now; no doubt someone
was up with the child. Slowly his mind
dropped from the empyrean to the level of
the crack under the door.
“A couple of towels.... Ah, but, there
are no towels!” Almost as the words
formed themselves, his glance lit on a well-garnished
rack. What had made him think
297there were no towels? Why, he had been
reliving the night at Monte Carlo, where in
fact, he now remembered, he could find none,
and to protect himself from the noise next
door had had to....
“Oh, my God!” shouted the Professor.
His pen clattered to the floor. He jumped
up, and his chair crashed after it. The baby,
terror-struck, ceased to cry. There was an
awful silence.
“Oh, my God!” shouted the Professor.
Slowly the vision of that other room came
back: he saw himself jumping up just as
wildly, dashing for towels and finding none,
and then seizing a pile of papers and cramming
them into the crack under the door.
Papers, indeed! “Oh, my God....”
It was money that he had seized that
other night: hundreds of hundred franc bills;
or hundreds of thousands, were they? How
furiously he had crushed and crumpled them
in his haste to cram enough stuffing into the
crack! Money—an unbelievable amount
of it. But how in the world had it got there,
to whom on earth did it belong?
The Professor sat down on the edge of the
298bed and took his bursting head between his
hands.
Daylight found him still labouring to reconstitute
the succession of incredible episodes
leading up to his mad act. Of all the
piles of notes he had stuffed under the door
not one franc had belonged to him. Of that
he was now sure. He recalled also, but less
clearly, that some one had given him a banknote—a
hundred francs, he thought; was it
on the steamer at Marseilles, or in the train?—given
it with some mysterious injunction
about gambling ... that was as far as he
could go at present.... His mind had come
down from the empyrean with a crash, and
was still dazed from its abrupt contact with
reality. At any rate, not a penny of the
money was his, and he had left it all under
the door in his hotel bedroom at Monte
Carlo. And that was two days ago....
The baby was again crying, but the rest of
the house still slept when, unkempt, unshorn,
and with as many loose ends to his raiment
as Hamlet, Professor Hibbart dashed out
past an affrighted bonne, who cried after him
299that he might still catch the autobus if he
took the short cut to the village.
To the Professor any abrupt emergence
from his work was like coming to after a
severe operation. He floated in a world as
empty of ideas as of facts, and hemmed with
slippery perpendicular walls. All the way to
Monte Carlo those walls were made of the
faces in the motorbus, blank inscrutable
faces, smooth secret surfaces up which his
mind struggled to clamber back to the actual.
Only one definite emotion survived: hatred of
the being—a woman, was it?—who had
given him that fatal hundred franc note.
He clung to that feeling as to a life-belt,
waiting doggedly till it should lift him back
to reality. If only he could have recalled his
enemy’s name!
Arrived at Monte Carlo he hailed a taxi
and pronounced the one name he did recall:
Arcadie! But what chance was there that
the first chauffeur he met would know the
title, or remember the site, of that undistinguished
family hotel?
“Arcadie? But, of course! It’s the place
they’re all asking for!” cried the chauffeur,
300turning without a moment’s hesitation in
what seemed to his fare to be the right direction.
Yet how could that obscure pension
be the place “they” were all asking for, and
who in the name of madness were “they”?
“Are you sure—?” the Professor faltered.
“Of finding the way? Allons donc; we
have only to follow the crowd!”
This was a slight exaggeration, for at that
early hour the residential quarter of Monte
Carlo was hardly more populous than when
the Professor had last seen it; but if he had
doubted being on the right road his doubt
was presently dispelled by the sight of a
well-set-up young man in tennis flannels, with
a bright conversational eye, who came
swinging along from the opposite direction.
“Taber Tring!” cried a voice from the
depths of the Professor’s sub-consciousness;
and the Professor nearly flung himself over
the side of the taxi in the effort to attract
his friend’s notice.
Apparently he had been mistaken; for the
young man, arrested by his signals, gave back
a blank stare from eyes grown suddenly
speechless, and then, turning on his heels,
301disappeared double-quick down a side-street.
The Professor, thrown back into his habitual
uncertainty, wavered over the question of
pursuit; but the taxi was still moving forward,
and before he could decide what to
do it had worked its way through a throng
of gaping people and drawn up before a
gate surmounted by the well-remembered
Arcadie.
“There you are!” the chauffeur gestured,
with the air of a parent humouring a spoilt
child.
There he was! The Professor started to
jump out, and pushing through the crowd
was confronted with a smoking ruin. The
garden gate, under its lying inscription, led
straight into chaos; and behind where Arcadie
had stood, other houses, blank unknown
houses, were also shouldering up to gape at
the disaster.
“But this is not the place!” remonstrated
the Professor. “This is a house that has
burnt down!”
“Parbleu,” replied the chauffeur, still
humouring him.
The Professor’s temples were bursting.
302“But was it—was it—was this the Hotel
Arcadie?”
The chauffeur shrugged again and pointed
to the name.
“When—did it burn?”
“Early yesterday.”
“And the landlady—the person who kept
it?”
“Ah, ça....”
“But how, in the name of pity, can I find
out?”
The chauffeur seemed moved by his distress.
“Let Monsieur reassure himself.
There was no loss of life. If Monsieur had
friends or relations....”
The Professor waved away the suggestion.
“We could, of course, address ourselves
to the police,” the chauffeur continued.
The police! The mere sound of the word
filled his hearer with dismay. Explain to
the police about that money? How could
he—and in his French? He turned cold at
the idea, and in his dread of seeing himself
transported to the commissariat by the too-sympathetic
driver, he hurriedly paid the
latter off, and remained alone gazing through
303the gate at the drenched and smoking monument
of his folly.
The money—try to get back the money?
It had seemed almost hopeless before; now
the attempt could only expose him to all the
mysterious perils of an alien law. He saw
himself interrogated, investigated, his passport
seized, his manuscript confiscated, and
every hope of rational repose and work annihilated
for months to come. He felt himself
curiously eyed by the policeman who was
guarding the ruins, and turned from the scene
of the disaster almost as hurriedly as the
young man whom he had taken—no doubt
erroneously—for Taber Tring.
Having reached another quarter of the
town, he sat down on a bench to take stock
of his situation.
It was exactly what he had done two days
before when, on arriving at Monte Carlo,
he had found that he had missed the motorbus;
and the associations of ideas once more
came to his rescue.
Gradually there arose in his mind a faint
wavering vision of a young woman, pearled
and furred and scented, precipitately descending
304from his compartment, and, as she
did so, cramming a banknote into his hand.
“The Princess ... the Princess ...
they call me Betsy at the dressmaker’s....”
That was as far as the clue went; but presently
the Professor remembered that his
companion had got out of the train at
Cannes, and it became certain to him that
his only hope of clearing his overburdened
conscience would be to take the train to that
place, and there prosecute his almost hopeless
search.
Not until he found himself seated in the
train, and on the point of starting for
Cannes, did the full horror of his situation
break on the Professor. Then, for an hour,
he contemplated it in all its intricate enormity,
saw himself as a man dishonoured,
ruined (for he now remembered the full
amount of the sum he had to account for),
and, worse still, severed from his best-loved
work for a period incalculably long. For
after he had struggled through the preliminary
difficulties he would have to settle down
305to the slow task of reimbursement, and he
knew that, to earn enough money to repay
what he had lost, he must abandon serious
scientific work such as he was now engaged
in, and probably stoop—abominable thought!—to
writing popular “science” articles in
one of the illustrated magazines. Such a job
had once been offered him on very handsome
terms, and contemptuously rejected; and the
best he could now hope was that there was
still an opening for him somewhere between
the Etiquette Column and the notes on
Rachel powder and bathing tights.
Arrived at Cannes, he found his way to
what appeared to be the fashionable shopping-street,
and exteriorising his attention
by an extreme effort of the will he began to
go the rounds of the dressmaking establishments.
At every one he was received with distinguished
politeness, and every one, by some
curious coincidence, had a Betsy to offer him.
As the Betsies were all young, fluffy and
rosy, considerable offence was caused by his
rapid rejection of them, and it was in vain
that he tried to close his ears to the crude
306and disobliging comments which on each
occasion attended his retreat. But he had
by this time regained a sufficiently clear vision
of the Princess to be sure that she was not
concealed behind any of the youthful substitutes
proposed to him. In despair he
issued from the last shop, and again sat himself
down to consider.
As he did so, his mind gave a queer click,
and the doors of his inner consciousness again
swung open. But this time it was only to
draw him back into the creative world from
which he had been so violently ejected. He
had suddenly seen a point to be made in the
Einstein controversy, and he began to fumble
for a paper on which to jot it down. He
found only one, the closely-scribbled flap of
a torn envelope on which, during the journey
to Cannes, he had calculated and re-calculated
the extent of the sum he would have to
raise to reimburse the Princess; but possibly
there might be a clear space on the other side.
He turned it over, and there read, in a tall
slanting hand:
Princesse Balalatinsky,
Villa Mon Caprice, Route de Californie.
307He started to his feet, and glanced about
him frantically for a taxi. He had no idea
where the Route de Californie was, but in
his desperate circumstances, it seemed as easy
to hire a taxi for a five minutes’ transit as for
a long expedition. Besides, it was the only
way he knew of being sure of reaching his
destination; and to do so as soon as possible
was now a fixed idea.
The taxi carried him a long way; back
through the whole length of the town, out
on a flat white dusty road, and then up and
up between walls overhung with luxuriant
verdure till, at a turn, it stood still with a
violent jerk.
The Professor looked out, and saw himself
confronted by the expressive countenance
of Mr. Taber Tring.
“Oh, my God—you again!” shrieked the
young man, turning suddenly white with fury—or
was it rather with fear?
“Why do you say again?” questioned the
Professor; but his interlocutor, taking to his
heels with unaccountable velocity, had already
disappeared down a verdant by-way.
The Professor leaned back in the taxi in
308speechless amazement. He was sure now
that the “again” referred to their previous
encounter that morning at Monte Carlo, and
he could only conclude that it had become a
fixed habit of Taber Tring’s to run away
whenever they met, and that he ran a great
deal too fast for the Professor ever to hope
to overtake him.
“Well,” said the driver, “there’s a gentleman
who isn’t pleased. He thought I had no
fare, and expected to get a lift up to the top
of this mountain.”
“I should have been happy to give him a
lift,” said the Professor rather wistfully; to
which the driver replied: “He must be a mile
off by this time. He didn’t seem to fancy
your looks.”
There was no controverting this statement,
mortifying as it was, and they continued their
ascent till a gateway impressively crowned
by heraldic lions admitted them to terraced
gardens above which a villa of ample proportions
looked forth upon the landscape.
The Professor was by this time so steeled
to the unexpected that he hardly paused to
consider the strange incongruity between the
309Princess’s account of her fortunes and the
setting in which she lived. He had read
Mon Caprice on the gate, and that was
the name on the envelope he had found in
his pocket. With a resolute hand he rang
the bell and asked a resplendent footman if
the Princess Balalatinsky were at home.
He was shown through a long succession
of drawing-rooms, in the last of which the
Princess rose from the depths of a broad
divan. She was dressed in black draperies,
half-transparent—no, half-translucent; and
she stood before the Professor in all the
formidable completeness of her beauty.
Instantly his mind clicked again, and a
voice shrilled up at him from the depths:
“You always knew you could still recognize
a beautiful woman when you saw one”; but
he closed his ears to the suggestion and advanced
toward the lady.
Before he could take more than three
steps she was at his side, almost at his feet;
her burning clasp was on his wrists, and her
eyes were consuming him like coals of fire.
“Master! Maestro! Disguise is useless!
You choose to come to me unannounced; but
310I was sure you would answer my appeal, and
I should have recognized you anywhere, and
among any number of people.” She lifted
his astonished hand to her lips. “It is the
penalty of genius,” she breathed.
“But—” gasped the Professor.
A scented finger was laid across his lips.
“Hush: not yet. Let me tell you first why I
ventured to write to you.” She drew him
gently down to an arm-chair beside the divan,
and herself sank orientally into its pillows.
“I thought I had exhausted all the emotions
of life. At my age—is it not a tragedy?
But I was mistaken. It is true that I had
tried philosophy, marriage, mathematics,
divorce, sculpture and love; but I had never
attempted the stage. How long it sometimes
takes to discover one’s real vocation! No
doubt you may have gone through the same
uncertainties yourself. At any rate, my gift
for the drama did not reveal itself till three
months ago, and I have only just completed
my play, ‘The Scarlet Cataract,’ a picture of
my life, as the title suggests—and which, my
friends tell me, is not without dramatic merit.
In fact, if I were to listen to them....”
311The Professor struggled from his seat.
His old fear of her madness had returned.
He began very mildly: “It is quite natural
that you should mistake me for some one
else—”
With an inimitable gesture she waved the
interruption aside. “But what I want to explain
is that, of course, the leading rôle can
have but one interpreter—Myself. The
things happened to Me: who else could possibly
know how to act them? Therefore, if
I appeal to you—on my knees, Illustrious
Impresario!—it is in my double character as
dramatist and tragédienne; for in spite of
appearances my life has been a tragedy, as
you will acknowledge if you will let me outline
its principal events in a few words....”
But here she had to pause a second for
breath, and the Professor, on his feet, actually
shouted his protest. “Madam, I cannot
let you go on another moment, first
because I’ve heard the story of your life
already, and secondly because I’m not the
man you suppose.”
The Princess turned deadly pale. “Impostor!”
312she hissed, and reached for an embroidered
bell-rope.
Her agitation had the curious effect of
calming the Professor. “You had better not
send me away,” he said, “till you learn why
I am here. I am the unhappy man to whom,
the day before yesterday, you entrusted a
hundred franc note which you asked him to
stake for you at Monte Carlo. Unfortunately
I could not recall your name or
address, and I have been hunting for you
through all the dressmakers’ establishments
in Cannes.”
The instant lighting-up of her face was a
sight so lovely that he almost forgot his
apprehensions and his shame.
“The dressmakers’ shops? Ah—in search
of ‘Betsy’! It is true, I was obliged to act as
a mannequin for one day; but since then
my fortunes have miraculously changed—changed
thanks to you; for now,” the Princess
continued with enthusiasm, “I do at last
recognise my good angel, my benefactor of
the other day, and ask myself how I could
have failed to know you again, how I could
have taken you for a vulgar theatrical manager,
313you, a man of genius and a Philosopher.
Can you ever forgive me? For I
owe you everything—everything—everything!”
she sobbed out, again almost at his
knees.
His self-possession continued to increase
in proportion to her agitation. He actually
risked laying a hand on her arm and pressing
her mildly back among her cushions.
“Only a change of pronouns,” he said
sighing, “is necessary to the complete accuracy
of your last statement.”
But she was off again on a new tack.
“That blessed hundred franc note! From
the moment when you took it from me, as I
got out of the train, my luck miraculously
and completely changed. I knew you were
going to win some money for me; but how
could I have imagined the extent of the fortune
you were to heap at my feet?”
A cold sweat broke out over the Professor.
She knew, then—once again her infernal
intuition had pierced his secret! In
the train had she not discovered his name,
identified him as the author of “The Elimination
314of Phenomena,” and guessed that he
was actually engaged in the composition of
another work? At the moment he had
fancied that there was a plausible explanation
for each of these discoveries; but he now
felt that her powers of divination were in
need of no outward aid. She had risen from
her seat and was once more in possession of
his hands.
“You have come to be thanked—and I do
thank you!” Her heavy lashes glittered with
tears which threatened to merge with the
drops of moisture rolling down the Professor’s
agonized brow.
“Don’t—don’t, I beg!” He freed himself
and shrank back. “If you’ll only let
me speak ... let me explain....”
She raised a reproachful finger. “Let you
belittle yourself? Let you reject my gratitude?
No—no! Nothing that you can say
can make any difference. The gipsy in the
Caucasus told me long ago what you were
going to do for me. And now that you have
done it you want to stifle the thanks on my
lips!”
“But you have nothing to thank me for.
315I have made no money for you—on the contrary,
I—”
“Hush, hush! Such words are blasphemy.
Look about you at all this luxury, this beauty.
I expected to have to leave it tomorrow.
And thanks to you, wealth has poured in on
me at the moment when I thought I was face
to face with ruin.”
“Madam, you must let me undeceive you.
I don’t know who can have brought you
such an erroneous report.” The Professor
glanced about him in acute distress, seeking
to escape from her devouring scrutiny. “It is
true that I did make a considerable sum for
you, but I—I afterward lost it. To my
shame be it said.”
The Princess hardly appeared to hear him.
Tears of gratitude still rained down her face.
“Lost it? A little more, a little less—what
does it matter? In my present pecuniary
situation nothing of that sort counts. I am
rich—rich for life! I should, in fact,”
she continued with a gush of candour, “be
an absolutely happy woman if I could only
find an impresario who would stage my play.”
She lifted her enchanting eyes to his. “I
316wonder, by the way, dear friend,” she proposed,
“if you would let me read it to you
now?”
“Oh, no, no,” the Professor protested;
and then, becoming aware of the offence his
words were likely to give, he added precipitately:
“Before we turn to any other
subject you must really let me tell you just
how much money I owe you, and what were
the unfortunate circumstances in which....”
But he was conscious that the Princess was
no longer listening to him. A new light had
dawned in her face, and the glow of it was
already drying her tears. Slim, palpitating
and girlish, she turned toward one of the tall
French windows opening upon the terrace.
“My fiancé—your young compatriot!
Here he is! Oh, how happy I am to bring
you together!” she exclaimed.
The Professor followed her glance with a
stare of fresh amazement. Through the
half-open window a young man in tennis
flannels had strolled into the room.
“My Taber,” the Princess breathed, “this
is my benefactor—our benefactor—this
is....”
317Taber Tring gently removed the perfect
arms which were already tightening about
his neck. “I know who he is,” he said in a
hard high tone. “That’s why I’ve been running
away from him ever since early this
morning.”
His good-humoured boyish face was absolutely
decomposed by distress. Without
vouchsafing the least attention to the Princess
he stood pallidly but resolutely facing
her visitor.
“I’ve been running for all I was worth;
at least till a quarter of an hour ago. Then
I suddenly pulled up short and said to myself:
‘Taber Tring, this won’t do. You were
born in the Middle West, but your parents
came from New England, and now’s the
time to prove it if you’re ever going to.
Stern and rockbound coast, and Mayflower
and all the rest of it. If there’s anything in
it, it ought to come out now.’ And, by
George it did; and here I am, ready to make
a clean breast of it.”
He drew a silk handkerchief from his
pocket, and wiped his brow, which was as
damp with agony as the Professor’s.
318But the Professor’s patience had reached
its final limit, and he was determined, whatever
happened, to hold all interrupters at
bay till he had made a clean breast of his
own.
“I don’t know, sir,” he said, “why you
avoided my presence this morning nor why
you now seek it; but since you are connected
with this lady by so close a tie, there is no
reason why I should not continue in your
presence what I had begun to tell her. I
repeat then, Madam, that with your hundred
franc note in my hand, I approached a table
and staked the sum with results so unexpectedly
and incredibly favourable that I left
the gaming-rooms just before midnight in
possession of—”
“Ninety-nine thousand seven hundred
francs and no centimes,” Taber Tring interposed.
The Professor received this with a gasp
of astonishment; but everything which was
happening was so foreign to all the laws of
probability as experienced at Purewater that
it did not long arrest his attention.
“You have stated the sum accurately,” he
319said; “but you do not know that I am no
longer in possession of a penny of it.”
“Oh, don’t I?” groaned Taber Tring,
wiping a fresh outbreak of moisture from his
forehead.
The Professor stopped short. “You do
know? Ah, but to be sure. You were yourself
a fellow-boarder at Arcadie. You were
perhaps under its roof when that disastrous
fire broke out and destroyed the whole of the
large sum of money I had so negligently
left—”
“Under the door!” shrieked Taber Tring.
“Under the door of your room, which happened
to be the one next to mine.”
A light began to dawn on the Professor.
“Is it possible that you were the neighbour
whose unseasonable agitation during the
small hours of the night caused me, in the
total absence of towels or other available
material, to stuff the money in question under
the crack of the door in order to continue my
intellectual labours undisturbed?”
“That’s me,” said Taber Tring sullenly.
But the Princess, who had been listening to
the Professor’s disquisition with a look of
320lovely bewilderment gradually verging on
boredom, here intervened with a sudden flash
of attention.
“What sort of noises proceeded from my
Taber’s room at that advanced hour of the
night?” she inquisitorially demanded of the
Professor.
“Oh, shucks,” said her betrothed in a
weary tone. “Aren’t they all alike, every
one of ’em?” He turned to the Professor.
“I daresay I was making a noise. I was about
desperate. Stony broke, and didn’t know
which way to turn next. I guess you’d have
made a noise in my place.”
The Professor felt a stirring of sympathy
for the stricken youth. “I’m sorry for you—very
sorry,” he said. “If I had known your
situation I should have tried to master my
impatience, and should probably not have
crammed the money under the door; in which
case it would not have been destroyed in the
fire....”
(“How like the reflexions of a Chinese
sage!” the Princess admiringly murmured.)
“Destroyed in the fire? It wasn’t,” said
Taber Tring.
321The Professor reeled back and was obliged
to support himself upon the nearest chair.
“It wasn’t?”
“Trust me,” said the young man. “I was
there, and I stole it.”
“You stole it—his money?” The Princess
instantly flung herself on his bosom. “To
save your beloved from ruin? Oh, how
Christlike—how Dostoyevskian!” She addressed
herself with streaming eyes to the
Professor. “Oh, spare him, sir, for heaven’s
sake spare him! What shall I do to avert
your vengeance? Shall I prostitute myself
in the streets of Cannes? I will do anything
to atone to you for his heroic gesture in
stealing your money—”
Taber Tring again put her gently aside.
“Do drop it, Betsy. This is not a woman’s
job. I stole that money in order to gamble
with it, and I’ve got to pay it back, and all
that I won with it too.” He paused and
faced about on the Professor. “Isn’t that
so, sir?” he questioned. “I’ve been puzzling
over it day and night for the last two days,
and I can’t figure it out any other way. Hard
on you, Betsy, just as we thought our fortune
322was made; but my firm conviction, Professor
Hibbart, as a man of New England stock, is
that at this moment I owe you the sum of one
million seven hundred and fifty thousand
francs.”
“My God,” screamed the Professor,
“what system did you play?”
Mr. Tring’s open countenance snapped
shut like a steel trap. “That’s my secret,”
he said politely; and the Professor had to
acknowledge that it was.
“I must ask you,” the young man pursued,
“to be good enough either to disprove or to
confirm my estimate of my indebtedness to
you. How much should you consider that
you owed if you had stolen anybody’s money
and made a lot more with it? Only the sum
stolen or the whole amount? There’s my
point.”
“But I did! I have!” cried the Professor.
“Did what?”
“Exactly what you have done. Stole—that
is, gambled with a sum of money entrusted
to me for the purpose, and won the
large amount you have correctly stated. It
is true,” the Professor continued, “that I had
323no intention of appropriating a penny of it;
but, believing that my culpable negligence had
caused the whole sum to be destroyed by
fire, I considered myself—”
“Well?” panted Taber Tring.
“As indebted for the entire amount to this
lady here—”
Taber Tring’s face became illuminated
with sudden comprehension.
“Holy Moses! You don’t mean to say
all that money under the door belonged to
Betsy?”
“Every cent of it, in my opinion,” said the
Professor firmly; and the two men stood and
stared at each other.
“But, good gracious,” the Princess intervened,
“then nobody has stolen anything!”
The load which had crushed the Professor
to earth rolled from his shoulders, and
he lifted the head of a free man. “So it
would seem.”
But Taber Tring could only ejaculate once
again: “Holy Moses!”
“Then we are rich once more—is it not
so, my Taber?” The Princess leaned a
thoughtful head upon her hand. “Do you
324know, I could almost regret it? Yes, I regret,
dear friends, that you are both blameless,
and that no sacrifice will be demanded
of me. It would have been so beautiful if
you had both sinned, and I had also had to
sin to save you. But, on the other hand,”
she reflected, with lifted eyes and a smile like
heaven, “I shall now be able to have my play
brought out at my own expense. And for
that,” she cried, again possessing herself of
Professor Hibbart’s hands, “for that too I
have to thank you! And this is the only way
I know of doing it.”
She flung her arms around his neck and
lifted her lips to his; and the exonerated and
emancipated Professor took what she offered
like a man.
“And now,” she cried, “for my other
hero!” and caught her betrothed to her heart.
These effusions were interrupted by the
entrance of the resplendent footman, who
surveyed them without surprise or disapproval.
“There is at the door,” he announced, “a
young lady of the name of Betsy who is
asking for Monsieur.” He indicated the
325Professor. “She would give no other name;
she said that was enough. She knows Monsieur
has been seeking her everywhere in
Cannes, and she is in despair at having missed
him; but at the time she was engaged with
another client.”
The Professor turned pale, and Taber
Tring’s left lid sketched a tentative wink.
But the Princess intervened in her most
princely manner. “Of course! My name is
Betsy, and you were seeking for me at all
the dressmakers’!” She turned to the footman
with her smile of benediction. “Tell
the young lady,” she said, “that Monsieur in
his turn is engaged with another client, who
begs her to accept this slight compensation
for her trouble.” She slipped from her
wrist a hoop of jade and brilliants, and the
footman withdrew with the token.
“And now,” said the Princess, “as it is
past three o’clock, we ought really to be
thinking of zakouska.”
The End
By EDITH WHARTON
HERE AND BEYOND
THE MOTHER’S RECOMPENSE
OLD NEW YORK
False Dawn
The Old Maid
The Spark
New Year’s Day
THE GLIMPSES OF THE MOON
THE AGE OF INNOCENCE
SUMMER
THE REEF
THE MARNE
FRENCH WAYS AND THEIR MEANING
TRANSCRIBER’S NOTES
Typos fixed; non-standard spelling and dialect retained.