In chariots or carrying-chairs members of the
Court were hurrying to the Palace, to assist
at the feast planned to honor, at one and
the same time, Belur, the newly arrived Hittite
Ambassador, and the victorious Egyptian general,
Ramses, but now returned from Nubia.
According to precedent Ramses would present
himself before Pharaoh and the Court
in order to receive the customary favors bestowed
upon a victorious Egyptian leader, those
“favors which the King bestows” and “the
gold order of valor.”
Throughout the long day the excitable Theban
populace had yelled itself hoarse, as one after
another the war-barges swung around the great
bend of the river, south of Thebes.
Each boat was marked by its standard-of-cognizance,
and no sooner was its mooring-stake
driven into the bank than a yelling, gesticulating
and joyfully-weeping hoard of relatives
and friends of the crew burst upon its
decks.
From that moment, all signs of discipline
utterly vanished. Men, women and children entered
upon one of those inevitable carouses
which, in Egypt, ever followed such a home-coming.
Everyone was coming up to Thebes in order
to witness the great celebration in honor of victory.
It being festival time even the indigent
passengers at the western bank were to-day
allowed to work their way across the river by
bailing the leaky ferryboats.
Thi, the Queen-Mother, in company with the
weak but pretty young queen, left the Women’s
Apartments early, on her way to the Banquet-hall.
As she passed the various courts and
columned porticos the watchful eunuchs, guards
and servants, hurled themselves prostrate at
sight of her. On knees and elbows they groveled,
prayers for “health” and “long life”
upon their trembling lips.
To the dreaded Thi, as to Pharaoh himself,
honors were rendered as to the gods.
And she whom Egypt feared, and Enana the
Magician dared; she who had been called by her
friends Thi the Beautiful, by her enemies Thi
the Foreigner, Thi the Commoner, how shall we
best describe her?
The Queen-Mother’s head was small, her low
forehead slightly retreated. Her nose was of
the delicate Syrian type, the tip somewhat
rounded, the nostrils well opened. From beneath
artificially prolonged eyebrows, eyebrows
shaved close and lightly penciled with black
antimony paste, glowed two large and lustrous
eyes. Thi’s lips were full, but well-cut. Cruelty
showed in the drooping corners.
At this moment Thi was clad in one of the
richest costumes of the extravagant New Empire,
a pale-green robe minutely plaited and
studded at intervals with lotus-flowers in beaten
gold. Gold plumes, which rose above a gem-encrusted
headdress of vulture form, seemed
to give height and dignity to one who was in
reality a short and slender woman.
About the great Queen’s throat, wrist and
ankles were broad bands of alternate gold bars
and minute cylinders of beryl and amethyst.
The names of Aton, the Syrian sun-god,
stamped in rich blue fayence, hung from a long
chain well down upon her high bosom.
Though now no longer in the dazzling beauty
of her youth, Thi still possessed many a charm
of face and form. Yet, had she been devoid of
such, her voice had served to win for her the
great and powerful empire that was hers. At
the sound of it, one knew at once why in Akhmin,
where first her parents had settled, men
had called her Nightingale; why, at a later date,
poets and singers of the Theban court had vied
with one another to do her honor.
No mere doll-faced beauty had caused the
former monarch to set aside Queen Hanit, an
exalted lady of the line of Egypt’s royal house
and a lineal descendant of Ra the sun-god, yes,
and to cause the death of the unhappy Prince
Wazmes whom she had borne him.
Thi’s face and form had been enough to set
kings and princes warring. Yet, to those prized
gifts of Hathor, Beauty’s Goddess, had Ptah of
Memphis added the voice of a ten-stringed lute,
and Khnum, Fashioner of Mankind, an intellect
that had quickly won to her by far the greater
number of the nobles of the court.
Thus had Thi, a foreigner, a woman sprung,
by descent at least, from common Syrian stock,
usurped the rightful place of the great Queen
Hanit, descendant of kings and a king’s wife.
At the foot of a short flight of steps leading to
the festival hall, Thi and Menna met. They exchanged
the customary string of effusive greetings
and honorifics.
As the Queen-Mother swept on she found her
way blocked by the crooked form of Enana.
The wizened old Magician stood leaning upon
his jackal-headed staff immediately in the center
of the narrow passage.
Enana’s sole garment consisted of a long kilt
or tunic fastened at the waist by a jeweled belt,
and faced in front with squares of fine gold.
This was an affectation of a fashion long since
forgotten.
At Thi’s cold greeting the puckered and
heavily-lined face of this animated mummy
trembled with what might equally well have
answered for a smile or a grimace. Yet, beneath
his shaven eyebrows, his half-veiled eyes
glittered ominously, as they lifted for a second
to those of the frowning queen. Enana ignored
her greeting.
Involuntarily Thi shuddered, yet inwardly
cursed herself for a fool. It was only Enana, a
fellow who lived, nay, had lived for centuries,
’twas said, upon the credulity and superstition
of the Thebans!
Thi swept past him and out upon the balcony
overlooking the long hall. There she found
Noferith, her son’s wife, the Princess Sesen,
and others of the maids of honor, awaiting her.
As Thi seated herself, Menna passed below
her balcony. He bowed to the two queens, yet
his eyes sought those of the Princess Sesen.
Menna, the King’s Overseer, had again
yielded himself to the spell of a pair of lustrous
eyes and dimpled cheeks. He loved the little
Princess, as he had never loved before.
For the past few weeks, Menna had wooed
the Princess assiduously. Thi, the Queen-Mother,
for reasons of her own, had sought to
aid him in his suit.
All in vain.
The little Princess would have none of him.
Thi knew well, as in fact did Menna, that Sesen’s
heart was filled with thoughts of Ramses, with
hopes of his speedy return. Menna’s servant,
Bar, called by many “Menna’s shadow,” as lean
and hungry looking as a neglected ka, sought to
convince his master that her indifference was
due to a present lover, some favorite among the
courtiers. Menna knew better, yet affected to
believe him. Meanwhile, unused to failure in
such enterprises, he continued to besiege the
Princess with well-turned couplets, rich and
ever-varied presents, and courtly flatteries.
At this moment, his restless black eyes sought
to attract those of the all-unconscious object of
his affections. His glance dwelt with delight
upon her spotless white gala robes. He noted
the graceful wig confined by a rose-colored fillet
from which drooped fragrant white lotus-flowers;
the huge circular gold earrings, and
the flashing pectoral ornament—a glitter of
jeweled inlays—which rose and fell at every
breath.
Sesen’s cheeks and lips were artificially reddened,
her eyebrows shaved and lightly penciled
with kohl, like those of the Queen and Queen-Mother.
Yet, unlike them, her tongue was
silent, her smiles had vanished. Sesen’s somber
eyes evinced little interest in the bustle and joyful
preparations about her. Twice did Noferith
the Queen touch her with the dainty little scent-tube
she carried, in an effort to recall her to her
laughter-loving self.
Finally, after the sweet-scented lotus which
each lady carried had been changed but once,
the Princess Sesen rose, pleading faintness.
The sympathetic Queen whom she served, allowed
her to retire without exacting the formal
prostration.
At her withdrawal Menna’s disappointment
was intense. He sank back deep into his painted
cedar chair. For Menna the feast was at an
end.
But not for the noisy revelers about him.
Even the haughty members of the Hittite ambassador’s
suite forgot for a moment their lofty
attitude of detachment.
For the corpulent Mentu, son of the Vizier
Kena, had whetted the appetites of these
Asiatics. Through the somewhat hesitating
medium of a sibilant Canaanitic dialect, the garrulous
Mentu had somehow managed to make
them understand that the entire kitchen forces
of the governor of Thinis and of Hotepra,
Prince of On, had been brought upstream to assist
the royal cooks.
“Indeed,” said Mentu, “though whirling
sandstorms bury us; though drought and pestilence
stalk the blistered banks of Hapi, yet
shall we enjoy the choicest viands, the rarest
wines,” he clicked his purple tongue; “wines
whose seals have stood intact since good King
Ahmes’ time! But, wait until thou seest
Nōfert-āri! Breath of Ra! Then shalt thou say,
‘Baal forgive me! Our country is afar off!
Between us lies the raging sea! Egypt is a land
of pleasure and delight! Here let us tarry!’”
And so it proved. For marvel followed marvel
with almost bewildering rapidity.
A dish that won the plaudits of all was an
enormous platter of Syrian craftsmanship.
Upon this gold dish, in the midst of gold reeds
and papyrus, swam ducks, plover, and other
aquatic birds. In a miniature skiff, a diminutive
Egyptian boatman propelled his silver
craft over perfumed water. An Egyptian noble,
standing upright in the bow, aimed a jeweled
throw-stick at a flock of egrets which, with
wings outspread, quivered upon gold wires high
above a thicket of feathery papyrus.
The realistic little figures were of pastry, the
birds cooked with all their feathers on!
Dishes of this sort were countless in number,
the design of the last more astonishing than that
of the first, since each jealous cook had sought
to outshine his rival, both in originality of design
and richness of material.
But now, at a signal from Pennūt the Usher,
Pharaoh rose from the throne and advanced to
the edge of the dais. To his feet the Usher led
the youthful Ramses.
And there, to the accompaniment of a deepening
roar of applause from the onlookers, Pharaoh
slipped about his victorious general’s neck
that coveted distinction of the Egyptian military,
the necklace of gold lions and flies.
In a brief lull the words of Pharaoh echoed
through the resplendent hall:
“Welcome, thrice welcome, Ramses! Let the
praises of thy lord expand thy heart! Mei has
recounted the story of thy skill and energy in
the conducting of this most bitterly fought campaign.
Where now are the chieftains of Nubia?
They have been ground down as the seed of the
date beneath the crusher, as eye-paint upon the
palette. Yea, they have become as grain which
the mill has crushed! Now are the chieftains of
Wawat forced to sulk in the caves of the hyena.
As a fly hast thou worried them, as a lion hast
thou destroyed them! We place these precious
orders about thy throat. From this day thy renown
is fragrant as the perfume of the Incense
Country. Arise! Take thy place beside us
as ‘Fan-bearer-on-the-right-of-Pharaoh, thy
Lord!’”
At his elevation to this coveted position, renewed
applause seemed to shake the painted
roof.
Friends pressed forward to kiss the jeweled
chains and ornaments that had but now left the
hand of the god-king. Some hurled themselves
prostrate before these rewards which only Pharaohs
might bestow.
The King shot a covert glance in the direction
of the Balcony reserved for the royal harem.
The Queen-Mother shook her jeweled menat in
company with the other ladies. Yet, in Thi’s
case, the action represented far more than mere
applause or acclamation.
The tactful Belur, Prince of the Hittites, in
turn, rose and added a few well chosen words of
praise for a difficult task so promptly and bloodlessly
accomplished.
Pharaoh, watching him from beneath his
richly painted canopy, doubted the sincerity of
the smile that played about the handsome lips of
the Hittite. Again he resolved in his mind the
probable cause of the Hittite’s inopportune
visit.
A space was cleared in the center of the hall.
The tables, still groaning under the burden of
their barely glanced at dainties, disappeared as
if by magic. The well-woven mats and glossy
panther-skins were lifted from the stucco floor,
and out upon the space so made sprang a troupe
of lotus-wreathed girls, naked save for the
beaded cincture of maidenhood which encircled
their slender hips.
Scattering Syrian crocuses and the pure white
petals of the lotus, these coffee-colored little
maids, the very embodiment of childish grace,
pelted one another with the perfumed shower
until their little ankles were well-nigh hidden.
As if this had been a signal, the bright blue
warbonnet of Pharaoh was lifted from his head;
an Asiatic slave-boy bathed the royal fingers
and Pharaoh, with a nervous twitch to his long,
thin features, leaned back wearily against the
embroidered cushions placed at his back by the
attentive Dedu.
The last scene of what had proved a veritable
feast of marvels was about to commence.
The sudden entrance of the merry little children
had been the prelude to “the King’s
dance.”
This dance was a far different performance
from that series of posturing and tumbling commonly
provided by the acrobats of old.
And it was thought that “the King’s dance”
could only be performed by Nōfert-āri, claimed
as daughter by the blind Tutīya, though known
to the irreverent youth of Thebes as the child
of Hathor, of the Goddess of Beauty, sprung
from the head of Ra.
At one end of the flowery carpet left by the
little children knelt three heavily-cloaked
women. Behind them squatted eight shaven-headed
harpers, clutching to their naked breasts
the gilded frames of their ten-stringed instruments.
Back of these again were flute-players,
players on the hand drum, players on the ivory
castanets, and a group of men and women whose
duty it was to mark the syncopated time by
clapping their hands, agitating menats of jeweled
beads, or shaking sistra of silver or gold.
Suddenly, like the blood-curdling cry of a
savage desert-dweller, the high-pitched call of
Tutīya thrilled the heated frames of the expectant
onlookers.
Instantly the harpers, in a soft and minor
key, commenced an air at once slow in measure,
plaintive and sad, an air that sounded distant
amid the confused murmur of a thousand voices,
the clatter of dishes and the distant tap-tap of
the butlers’ hurrying sandals.
The shrill cry of Tutīya had brought two of
the three women to their feet. Dropping the
cloaks that had enveloped them, they took their
places at some distance in front of the third
figure.
Turning toward the royal dais the two
dancers sank down in a slowly executed courtesy,
until the nodding lotus-flowers that
wreathed their curling wigs swept the flower-strewn
floor below him.
Then, in answer to Pharaoh’s scarcely perceptible
acknowledgment, slowly they rose upon
their slender feet and, with a “life and health,
lords” placed themselves once more beside the
still motionless central figure.
All eyes were centered upon this well-cloaked
figure. It, too, now rose.
Was it motionless? It called to mind the
birth of some glorious butterfly or moth.
The undulating movement that one sees in the
soon to be discarded shell best described the
bursting of Nōfert-āri upon the delighted vision
of her audience as, shivering with the peculiar
motion seen but in those creatures of a day, she
suddenly dropped the dull-brown cloak that enveloped
her, and appeared fresh and smiling to
their view.
In the dancer Nōfert-āri we see a slim, though
willowy form, a form and countenance that represented
the very arch-type of all that an Egyptian
held beautiful in women. A pair of sparkling
eyes, elongated, obliquely set, gleamed in
frames of blue-black antimony, which served to
accentuate the striking whiteness in which swam
their fathomless pupils.
On Nōfert-āri’s head was set a dark brown wig
which, covered thickly as it was with a myriad
little knots and curls, dropped in well-regulated
layers until it grazed the tips of her thin and
high-set shoulders. This dainty perruque,
fringing with its line of dancing curls a forehead
that rivaled polished jasper, and touching
as it did at every move and gesture the outer
pencilings of her shaven and thickly kohl-stained
eyebrows, seemed to soften the rather
prominent cheekbones and perhaps too pointed
chin. The quiver of her wide though delicate
nostrils, bespoke a passionate nature, which the
faintest of dimples and the ivory flash of small
though regular teeth, did their best to contradict.
The dancer’s full round throat, her arms,
wrists, and well-formed bust, were ablaze with
jewels, amid which pale green beryl, dew-like
crystal, rose carnelian, gold, electrum and silver,
gleamed in opulent splendor, as her bosom
rose and fell.
As she stood, a pale blue lotus drooping above
each hidden ear, a jeweled menat in one hand,
her coffee-colored and well oiled skin agleam
with the reflected light of innumerable prismatic
colors, she seemed less an animated human form
than a figure carved, by Ptah the god of sculptors
himself, from a block of glowing opal.
With her first perceptible motions the music
rose to the major key. The time-beaters accentuated
the broken rhythm more and more,
while Tutīya, her heavy though sightless eyes
glowing in their painted depths—she too had
once been hailed a Theban favorite—burst ever
and anon into the “Nubian cry,” that blood-stirring
cry which acted as an incentive to her
now posturing daughter.
In the center of the flowery carpet stood
Nōfert-āri, languidly shaking her jeweled menat.
Slowly she turned upon herself, the muscles of
her lithe little body seeming to quiver in measure
with the vibrant thrumming of the many
stringed harps.
When again she faced the Egyptian monarch’s
dais, unlike the impassive gaze of Pharaoh,
her features seemed to have become transformed.
The “King’s dance,” into which she
now threw all her fascination, all her mesmeric
charm and unrivaled ability, portrayed by
movement of the body and gesture alone the
meeting and stolen tryst of a pair of lovers.
At first she affected the love-smitten beauty,
a coy beauty, mindful of her many charms.
Suddenly with a start, a pigeon-like coo of
delight, she appeared to throw herself into her
lover’s arms.
Again, with all the abandon of an artless
coquetry, she stretched out her long arms and
supple fingered hands as if to push him from
her.
Finally, with one or two graceful little steps,
accompanied by an arch glance over her
shoulder, Nōfert-āri advanced to the very edge
of the royal dais and commenced that portion of
the dance for which she was so famed.
Into this every muscle of her supple body was
forced to move in unison or singly as she willed.
Her lustrous eyes gleamed beneath their darkened
eyebrows, her expanded nostrils quivered,
her full vermilioned lips were parted, the very
veins in her forehead throbbed in measure with
the refrain. As her supple arms, wrists, and
hands played about her body with a wavelike—an
indescribable motion—her jeweled bust and
firm, yet flexible hips, swayed to the spasmodic
movements natural to the dance.
The music ever increased in volume and, as
if to add contrast to the grace and beauty of
the peerless dancer, a hideous naked pigmy,
beating a tiny onoga-skin drum, leaped out upon
the floor beside her, and grotesquely imitated
her every move and gesture.
Thus, to a chorus of wild staccato yells from
Tutīya and the excited time-beaters, Nōfert-āri,
her form seeming to undulate in fierce spasmodic
waves from breast to hip, with arms
thrown high above her head, fingers clenched
and eyes fast closed, sank slowly to the stucco
floor.
Presently, as she rose, still trembling, and
while the echoes of that clamorous applause still
reverberated amid the flaring lotus-capitals, a
royal usher hurried to her side, and in the name
of Pharaoh, presented her with a blue fayence
goblet of lotiform design. Inlaid in green,
white and red about the foot was an inscription
revealing her euphonious and happily—chosen
name, Nōfert-āri, “She who is made of beauty.”
Following the dance, Pharaoh had retired
within himself. He had assumed an air of
studied abstraction and aloofness.
Yet, Dedu remarked signs of nervousness in
the twitching of the jaw. Dedu had been born
in the palace, in the self-same year as his exalted
master. Dedu might well have been
called, as indeed at times he was, his master’s
“double,” his other self.
In Pharaoh’s slightly twitching hands and in
the covert glances which from time to time he
directed toward the haughty leader of the
Hittites, Dedu spelled expectancy and, withal,
a nameless fear.
Then it was the Hittite, not Enana the Magician,
his royal master feared! Dedu knew
there had been much speculation as to the true
meaning of Belur’s sudden and quite unexpected
visit to the Egyptian capital.
So far, oriental courtesy—coupled with the
Egyptian’s inherent regard for the rights of
hospitality—had forbidden any outward evidences
of impatience on the part of Pharaoh
or his august Mother.
And Pharaoh did well to distrust the wily
Hittite. With the pause that had followed the
withdrawal of Nōfert-āri and her assistants, the
Asiatic prince rose to his feet, slowly lifting his
jeweled hand to command attention. His keen
glance swept the heads of the swaying crowd
which craned its neck the better to see him and
to hear his words.
The Prince of Charchemish bowed to Pharaoh.
Slowly he arranged the sash which
served to hold in place his fringed robes and
the little ivory-handled dagger which rested in
its folds.
Silence fell upon the noisy revelers, an
ominous silence. It seemed as if Pharaoh’s nervousness
had somehow mysteriously communicated
itself to the various groups of Egyptian
nobles gathered about him.
Belur the Hittite began to speak. He dwelt
at length upon the many occasions during which
Egyptian ships had brought grain and other
food to famine-stricken Asia. He thanked Great
Pharaoh for his present hospitality and the
courteous consideration which had been shown
him since first he landed upon the fertile soil of
Egypt. He dwelt upon the power for good
exerted by Egypt, not only in Asia, but among
the savage tribes of Nubia, as witness the victorious
campaign just brought to a close, and
which they were at that moment celebrating.
Knowing the might of Pharaoh, lord of
Egypt, Rimur, King of Charchemish, his
brother, had sent him down into Egypt, that he
might effect an alliance with the throne of
Egypt, an alliance which he was sure would
eventually prove of mutual benefit to Thebes
and Charchemish alike.
In token of his fraternal esteem Rimur had
sent to Egypt a full shipload of the treasure of
his country and of the countries adjacent
thereto. Its hold was filled with the gold and
silver vessels of Zahi, with swords and daggers
cunningly damascened with gold, the work of
Megiddan craftsmen. Inlaid corselets were
there, jeweled quivers, gauntlets worked with
gold and silver threads, and shawls for the
ladies of the courts, so finely woven that they
might be passed with ease through Pharaoh’s
golden signet-ring. To the Queen, the Hittite
King had sent a covered carrying-chair, of
stamped leather richly gilded; to the august
Queen-Mother, a golden goblet from the hands
of Ilg of Kadesh; and lastly, to Pharaoh, his
kingly brother, three fully equipped chariots,
together with nine Syrian horses, swifter than
the north-wind, to draw them! In the name of
King Rimur, his brother, he asked for the hand
of the eldest daughter of Pharaoh his brother,
the Princess Aten-merit, in marriage!
During this speech Pharaoh’s nervous fears
had gradually given place to astonishment and
finally to anger. This new-found arrogance and
assurance among the “little people” was an
entirely new departure.
As he rose to his feet to reply there was a
look upon his face which neither Belur nor his
own courtiers had expected to see. Before that
look even Belur’s assumed effrontery slowly
dissolved.
“Son of Rabatta, it is now less than a year
since a Hittite embassy stood within this very
hall! Like thee, it came freighted With the
rarest and richest products of the Asiatics! If
we remember rightly its offerings included one
hundred logs of Lebanus cedar, five hundred
pounds of Cilician silver, three hundred pounds
of the true lapis-lazuli of Babylon, two hundred
gold and electrum goblets, with choice
silver vases of the workmanship of Zahi! In
comparison with this, thy meager offerings
seem to prove that Charchemish hath lost its
hold upon the Lebanus, upon the Cilician mines,
upon the princes of Zahi, of Kadesh and
Megiddo? Or perhaps thy brother hath forgotten
the circumstances which prompted his
father’s princely gift! Not with gifts for
favors to be received came Rabatta thy father!
Nay, with tribute, with the tribute of a vassal
did he come! With tribute exacted through fear
of Egypt’s might.
“Take back this message to Rimur thy
brother! Thus saith Pharaoh of Egypt: ‘’Tis
but a breath of time since Rabatta knelt at
Pharaoh’s knee, swearing fealty! Wherefore
hath Rimur, his son, failed to do the like?’
“As to thy insolent proposal, when hath a
Daughter of the Sun left the land of Egypt at
the beck and call of rebel princelings? ’Tis in
our mind to hold thee hostage for thy brother’s
quick return to reason. Yet, go! And with
thee take thy gifts, fit only to dazzle some savage
Amu!”
At Pharaoh’s words Belur the Hittite took a
step nearer to the royal dais. A covert sneer
played about his well-cut lips, though his eyes
were hard, his cheek pale. Raising his hand
with a gesture almost threatening once again
he addressed the trembling monarch:
“Hear me, Pharaoh! One other word my
august brother sends to Pharaoh, king of
Egypt. The Hittite army is to-day one hundred
thousand strong. The princes of Zahi and
Naharin, the kings of Kadesh, Gezer and Megiddo,
have joined their forces unto his! Of thy
Syrian vassals half have left thee! The Khabiri
are up! Ribaddi alone stands true to thee
and, even he by now doubtless has fed a vulture’s
maw.
“Hearken to the words of Rimur, my brother!
Thy present state is well known to us! Thy
plague-stricken land stands on the brink of a
great religious war! In Nubia to the south, as
in thy Asiatic possessions to the north, thy
vassal-states have risen in revolt against thee!
Nay, Pharaoh, heed the words of Rimur my
brother, or thy Asiatic possessions are lost to
thee! Great Kheta, the combined armies of all
the Asiatic principalities, stand at thy very
gates ready to devour thee! Thus saith Rimur,
Lord of lords, King of kings, Lion that Devoureth
Lions!”
Pharaoh’s face was terrible to see. His jaws
worked, the veins upon his forehead stood out
like knotted ropes, his large eyes flashed with
fires of wrath. He quickly raised his golden
scepter as if he would have felled the audacious
Hittite at his feet. The wand of sard and gold
snapped between his clenched fingers.
Controlling himself by a mighty effort Pharaoh
pointed to the door and somehow managed
to articulate the one word: “Begone!”