THE ORIGIN OF GUNPOWDER
Much discussion has been caused in the past by the
vagueness of the word gunpowder. The following
are the meanings which this and a few other words
bear in these pages:—
Explosion.—The sudden and violent generation,
with a loud noise and in a time inappreciable
by the unaided senses, of a very great volume
of gas, by the combustion of a body occupying
a comparatively very small volume.
Progressive Combustion.—Combustion which
takes place in a time appreciable by the unaided
senses, such as that of rocket composition
or a bit of paper.
Gunpowder.—A mixture of saltpetre, charcoal,
and sulphur, which explodes. The signs of
its explosion are a bright flash, a loud noise,
and a large volume of smoke.
Incendiary (for “incendiary composition”).—A
substance or mixture which burns progressively,
although fiercely, and is hard to put out.
Machine always means an apparatus of the ballista
type.
Cannon includes bombards, mortars, guns, &c.
Musket includes all hand firearms charged with
gunpowder.
Of the many difficulties that beset the present
inquiry, two deserve special mention.
The first is the want of simple exactness in most
early writers when recording the facts from which
we have to draw our conclusions. At times their
descriptions are so meagre that it is difficult, if not
impossible, to decide whether certain projectiles
were incendiary or explosive. At other times they
abound in tropes and figures of speech which
amount to an unintentional suggestio falsi. “The
missiles spread themselves abroad like a cloud,” says
a Spanish Arab; “they roar like thunder; they
flame like a furnace; they reduce everything to
ashes.”1 A projectile full of blazing Greek fire
appeared to Joinville to be of portentous bulk. It
flew through the midnight sky with thundering noise
like a fiery dragon, followed by a long trail of
flame; and it illumined the whole camp as with the
light of day.2 Even to approach the truth, we must
prune such figures of rhetoric; and this is a dangerous
operation, for we may prune too much. The
only safeguard against these suggestive metaphors is
to keep steadily in view the distinctive peculiarities
of incendiary and explosive projectiles.
The incendiary shell was simply an envelope
intended to convey into the interior of a fort, ship,
&c., a quantity of combustible matter, which burned
with such violence as to set fire to everything inflammable
that was near it. The primary object of
the explosive shell, on the other hand, was to blow
up whatever it fell upon. It might occasionally, by
the intense heat generated by the explosion,3 set fire
to its surroundings when inflammable; but this was
a mere incidental consequence of its action. Its
aim and end was to explode.
When a musket or cannon was fired there was
a bright flash, a loud, momentary report, and a large
volume of smoke.4 When an incendiary missile was
discharged from a machine there was no flash, but
little smoke, and the only sounds were the whizzing
and sputtering of the burning mixture and the
creaking and groaning of bolts, spars, ropes, &c.:—
“With grisly soune out goth the greté gonne.”
5
An explosive missile made its way through the
air with little noise6 and less light:7 during its flight
the blazing contents of the incendiary shell doubtless
gave out much light and made a considerable
noise, as described by many early writers. When
an explosive shell reached its object there was,
sooner or later (if it acted at all), an explosion,
occasionally followed by a conflagration: an incendiary
shell produced a conflagration only.
The second difficulty arises from the change of
meaning which many technical words have undergone
in the lapse of years.
The Arabic word barúd originally meant hail,
was afterwards applied to saltpetre, and finally came
to signify gunpowder. Our own word powder,
which at first meant a fine, floury dust (pulvis),
is often used in the present day to designate the
stringy nitrocelluloid, cordite—smokeless powder.
The Chinese word yo means gunpowder now,
although its first meaning was a drug or plant.
For centuries gunpowder was called kraut in
Germany, and to this day it is called kruid in
Holland. The Danish krud has not long become
obsolete.
The present Chinese word for firearm, huo p’áu,
originally meant a machine for throwing blazing
incendiary matter. The Arabic word bundúq at
first meant a hazel-nut, secondly a clay-pellet the
size of a hazel-nut, thirdly a bullet, and finally a
firearm.8 The Latin nochus, a hazel-nut, is used,
strange to say, to designate a smoke-ball by an old
German military writer, Konrad Kyeser, whose
“Bellifortis” dates from 1405.9 The word was
also applied in Germany to bullets in general,
and more particularly to projectiles discharged by
machines.
The word Artillery, both in France and England,
originally meant bows and arrows. In his original
account of the battle of Cressy, Froissart calls the
apparatus and bolts of the Genoese crossbowmen leur
artillerie; while a few lines further on he speaks of the
kanons of the English.10 Ascham, writing in 1571,
says: “Artillerie nowadays is taken for two things:
gunnes and bowes.”11 Selden reminds us that gonne,
our present gun, at first meant a machine of the ballista
type.12 It is used in this sense in “Kyng Alisaunder,”
3268, written A.D. 1275-1300, and other metrical
romances. Like the Arabic bundúq, the word is occasionally
applied to the projectile, as in the “Avowing
of Arthur,” st. 65. It is used in the modern sense,
as cannon, in the “Vision of Piers the Plowman,”
Passus xxi, C text, 293, a poem begun in 1362
and finally revised by its author in 1390; and in
all three meanings by Chaucer, in poems written
during the last quarter of the fourteenth century;—as
a machine in the “Romaunt of the Rose,” 4176,
as a projectile in the “Legende of Good Women,”
637, and as a cannon in the “Hous of Fame,”
533.
“When the thing is perceived, the idea conceived,”
says Professor Whitney, “(men) find in the
existing resources of speech the means of its expression—a
name which formerly belonged to something
else in some way akin to it; a combination of
words,” &c.13 For example, a word, W, which has
always been the name of a thing, M, is applied to
some new thing, N, which has been devised for the
same use as M and answers the purpose better.14
W thus represents both M and N for an indefinite
time,15 until M eventually drops into disuse and W
comes to mean N and N only. The confusion
necessarily arising from the equivocal meaning of
W during this indefinite period, is entirely due, of
course, to neglect of Horace’s advice to coin new
names for new things.16 Had a new name been
given to N from the first, no difficulty could possibly
have ensued, and our way would have been straight
and clear. But as matters have fallen out, not only
have we to determine whether W means M or N,
whenever it is used during the transition period,17
but we have to meet the arguments of those, never
far off, who insist that because W meant N finally,
it must have meant N at some bygone time when
history and probability alike show that it meant M
and M only. Examples, enough and to spare, of
such arguments will be met with shortly.
In consequence of the change of meaning which
many military words have suffered, no translation
of passages in foreign books containing ambiguous
words should be relied upon, if access to the originals,
or faithful copies of them, can be obtained. As an
example of the necessity for this precaution, let us
compare a few sentences relating to the siege of
Jerusalem, A.D. 70, from the “Polychronicon” of
Higden (d. cir. 1363), Rolls Series, iv. 429 ff., with
the translations of them by Trevisa, 1385, and by
the author of MS. Harl. No. 2261, of A.D. 1432-50.
A
(1) Inde Vespasianus ictu arietis murum conturbat
(Higden).
(2) Thanne Vaspacianus destourbed the wal with
the stroke of an engyne (Trevisa).
(3) Wherefore Vespasian troublede the walle soore
with gunnes and other engynes (MS. Harl.).
B
(1) Josephus tamen ardenti oleo superjecto omnia
machinamenta exussit (Higden).
(2) But Joseph threwe out brennynge oyle uppon
alle her gynnes and smoot all her gynnes
(Trevisa).
(3) Then Josephus destroyede alle theire instruments
in castenge brennenge oyle on hit
(MS. Harl.).
C
(1) Quo viso tanta vis telorum ex parte Titi proruit,
ut unius de sociis Josephi occipitium lapide
percussum ultra tertium stadium excuteretur
(Higden).
(2) Whan that was i-seie there fil so gret strenthe
of castynge and of schot of Titus his side,
that the noble knyght of oon of Josephus his
felowes was i-smyte of that place with a stoon
and flewe over the thrydde forlong (Trevisa).
(3) Titus perceyvenge that, sende furthe a sawte
and schotte gunnes to the walles in so much
that the hynder parte of the hedde of a man
stondenge by Josephus was smyten by the
space of thre forlonges (MS. Harl.).
D
(1) Admotis tandem arietibus ad templum (Higden).
(2) At the laste the engynes were remeved toward
the temple (Trevisa).
(3) Titus causede his gunners to schote at the
Temple (MS. Harl.).
No suspicion rests upon either of these translators;
yet, were the original lost, a covert allusion
to cannon might be discovered in Trevisa’s translation
of B and C, and the Harleian translation of
A, C, and D would be put forward as proof positive
of their use.
The claims of the Greeks to the invention of
gunpowder are examined in Chap. III. Chap. IV.
is an inquiry into the nature and authorship of the
Liber Ignium of Marcus Græcus. The claims of
the Arabs, Hindus, Chinese, and English are considered
in Chaps. V.-VIII. In Part II. the progress
of Ammunition is very briefly traced from the introduction
of cannon to the introduction of breechloading
arms.
As the book is addressed to the officers of the
Army, who seldom have a library at command, the
authorities for the statements of important facts
are generally given at length. On all controversial
points, when a foreign authority is quoted the
original18 is given as well as the translation. I have
endeavoured to acknowledge my obligation in all
cases where quotations have been borrowed from
others without verification.
The invention of gunpowder was impossible
until the properties of saltpetre had become known.
We proceed, therefore, in the following chapter to
determine the approximate date of the discovery of
this salt.
The attention of the ancients was naturally attracted
by the efflorescences which form on certain
stones, on walls, and in caves and cellars; and the
Hindus and nomad Arabs must have noticed the
deflagration of at least one of them when a fire was
lit on it. These efflorescences consist of various
salts,—sulphate and carbonate of soda, chloride of
sodium, saltpetre, &c.—but they are so similar in
appearance and taste, the only two criteria known
in primitive times,19 that early observers succeeded
in discriminating only one of them, common salt,
from the rest. So close, in fact, is the resemblance
between potash and soda, that their radical difference
was only finally established by Du Hamel in 1736.
Common salt received a distinctive name in remote
times; all other salts were grouped together under
such vague generic names as nitrum, natron, afro-nitron,
&c.
No trace of saltpetre has hitherto been found
anywhere before the thirteenth century. The Greek
alchemists of preceding centuries are silent. There
is no saltpetre in the earliest recipe we possess for
Greek fire, No. 26 of the Liber Ignium,20 ascribed to
one Marcus Græcus, either as given in the Paris
MSS. of 1300, or in the Munich MS. of 1438. It
is true that the phrase sal coctus in this recipe has
been translated by saltpetre in M. Hœfer’s untrustworthy
Histoire de la Chimie, but as MM. Reinaud
and Favé remark: “Rien n’autorise à traduire
ainsi; le sel ordinaire a été souvent employé dans
les artifices.”21 There is no instance in Latin, I
believe, of saltpetre being designated otherwise than
by sal petræ (or petrosus), or by nitrum, singly or in
combination with some other word, as spuma nitri.
The substitution of sal petræ for sal coctus, in later
editions of the recipe, only shows that when the
valuable properties of saltpetre became known it
was employed instead of common salt. The very
fact of the change having been made by most of the
later alchemists, proves that to them sal coctus did
not mean sal petræ, but something else. If sal
coctus had meant sal petræ, what need was there for
the change? This change, however, was not universal.
In the version of recipe 26, given in the
Livre de Canonnerie et Artifice de Feu, published
in Paris in 1561, but written long before by a fire-worker
well acquainted with saltpetre, we find:
“prenez soufre vif, tarte, farcocoly (sarcocolla),
peghel (pitch), sarcosti (sal coctum), &c.”22 The
word coquo (to boil or evaporate) was necessarily
connected with the preparation of common salt by
evaporation,23 and coctus would correctly distinguish
evaporated or artificial salt from natural or rock
salt. In his “Natural History,” xxxi. 39 (7), Pliny
tells us that salt is found round the edges of certain
lakes in Sicily which are partially dried up in
summer by the heat of the sun; while in Phrygia,
where much greater evaporation takes place (ubi
largius coquitur), a lake is dried up (and salt is
deposited) to its very middle. Sal coctus was salt
recovered from salt water by natural or artificial
heat, as distinguished from natural, or rock salt,
which was dug out of the ground.24
The Arab alchemists before the thirteenth century
are as silent as the Greeks: nothing that can
be identified with saltpetre is to be found in their
voluminous works. The evidence of Geber, so often
cited to prove that saltpetre was known to the
Arabs in the ninth century, has been stripped of all
authority by M. Berthelot, who has satisfactorily
proved that there were two Gebers. The real Arab,
Jabir, says nothing of saltpetre, but he mentions a
salve used by naphtha-throwers25 as a safeguard
against burns. The other Geber, or pseudo-Jabir,
was acquainted with saltpetre, as well he might be;
for he was a western who lived some time about the
year 1300,26 and wrote a number of Latin works
falsely purporting to be translations from the Arabic
of the real Jabir. All doubt about the matter has
been removed by M. Berthelot’s publication of the
real Jabir’s Arabic writings.27 It has been also suspected
that the sal Indicus of the Liber Sacerdotum,
cir. tenth century,28 a salt again mentioned in the
Liber Secretorum of Bubacar, cir. 1000,29 means
saltpetre. Both these works are translations from
the Arabic or Persian,30 and sal Indicus is the literal
translation of the Persian—نمك هندي (nimaki
Hindi) = نمك سياه (nimaki siyah) = salt of bitumen;
a substance of the same family as the “salt of
naphtha” also mentioned by Bubacar.
There is no word for saltpetre in classical Sanskrit,
sauverchala being a generic term for natural
salts, which corresponded to, and was as comprehensive
as the nitrum, spuma nitri, &c., of the West.
“Recent Sanskrit formulæ for the preparation
of mineral acids containing nitre, mention this salt
under the name of soraka. This word, however,
is not met with in any Sanskrit dictionary, and is
evidently Sanskritised from the vernacular sora, a
term of foreign origin.”31 Both Professor H. H.
Wilson and Professor M. Williams, in their Sanskrit
dictionaries, “erroneously render yavakshara
as saltpetre, as also does Colebrooke in his ‘Amara-kosha.’”32
The word means impure carbonate of
potash obtained by the incineration of barley straw.33
At length, however, notwithstanding coarse
scales and clumsy apparatus, the want of all means
of registering time and temperature, and the absence
of any general principle to guide them in their researches,
the alchemists succeeded in differentiating
certain natural salts from the rest, and among them
saltpetre. The Chinese were acquainted with it
about the middle of the thirteenth century.34 Abd
Allah ibn al-Baythar, who died at Damascus in
1248, tells us that the flower of the stone of Assos
was called Chinese snow by the Egyptian physicians
and barūd (i.e. saltpetre) by the (Arab) people of
the West.35 Friar Bacon, whose De Secretis was
written before 1249, and Hassan er-Rammah who
wrote 1275-95, were thoroughly acquainted with the
salt. A grand chemical discovery had been made,
and saltpetre became known from China to Spain.
The Egyptians thought fit to call saltpetre
“Chinese snow,” but this does not justify the
conclusion that the discovery was made by the
Chinese. Consider our own phrases “Jerusalem”
artichoke, “Welsh” onion, and “Turkey” cock.
Jerusalem is a gardener’s corruption of girasole, the
Turkey came from America, and the home of the
Welsh onion is Siberia. The Persians called their
native alkaline salt jamadi Chini, and no one will
suggest that this substance came from China.
It is evident from the way in which it is mentioned
by the alchemists of the thirteenth century,
and from their primitive methods of refining it, that
saltpetre was then in its infancy. Roger Bacon
speaks of it as one would speak of a substance
recently discovered and still little known—“that
salt which is called saltpetre” (illius salis qui sal
petræ vocatur).36 Marcus Græcus thought it necessary
to explain what the word means, in his 14th
recipe which probably belongs to the latter years
of the thirteenth century.37 The methods of refining
the salt given by Marcus and Hassan leave no
possible doubt that in their time it had but just
come into use. It is true that Bacon’s method was
much superior, if the solution of his steganogram
given in Chap. viii. be accepted. But it would
have been past all explanation had the method of
the greatest natural philosopher of the age been
found to be no better than that of an Arabic druggist
or a European fireworker.
As the matter is one of the greatest importance,
the methods of all three are given in full, together
with that of Whitehorne, 1560. The Waltham
Abbey method is added, as a standard by which
to judge them. To admit of easy comparison, the
corresponding operations are marked with the same
letter. The five methods are summed up in
Table I.
A. Preparation of grough from natural saltpetre.38
Natural saltpetre is dissolved in boiling water,
the insoluble impurities removed, and the solution
evaporated by the sun or artificial heat. The solid
residue is grough saltpetre, and contains 1 to 10
per cent. of impurities, consisting of the chlorides
of potassium and sodium, sulphates of potash, soda,
and calcium, vegetable matter, sand, and moisture.
B. Boiling the solution of grough saltpetre.
The grough saltpetre is placed in an open
copper with a false bottom; water is added, and
heat applied until the mixture boils at 110° C.
C. Removal of the insoluble impurities.
The scum which rises to the surface during this
operation is removed by ladles; the sand and heavy
impurities fall upon the false bottom, which is removed
just before the mixture boils. The boiling is
continued until the scum ceases to rise.
D. Second boiling of the solution.
Cold water is added; the solution is boiled for
a few minutes, and then allowed to cool somewhat.
E. Filtration.
At 104.5° C. the mother liquid is transferred to
a tank with holes in its bottom, closed by filters.
F. Use of wood-ash, charcoal, &c.
If the impurities prevent the liquid from passing
freely through the filters, it is treated with glue,
wood-ash, or, better, with a little animal charcoal,
which seizes on the impurities and rises to the top
as scum.
G. Crystallisation.
The mother liquid filters into the crystallising
trough at 70.2° to 65.8° C.
H. Stirring the depositing solution.
The solution is kept in constant agitation by
poles whilst cooling, in order that it may deposit
in minute crystals, called saltpetre flour. Large
crystals contain more or less of the impure mother
liquid.
I. Washing and drying.
The agitation is discontinued at 25.8° C. and
the mother liquid drawn off. The flour is drained
on an inclined plane, transferred to a washing vat,
where it is washed three times with cold water, and
then finally dried.
A. Preparation of grough from natural saltpetre.
On the bottom of a vessel pierced with “three
or fower littell holes” is placed a linen cloth, “or
else the end of a broom, or some straw.” A layer
of nitrified earth, “a spanne thicknesse,” is laid on
this, and on the earth “three fingers’ thicknesse” of
a mixture of “two parts of unslacked lime and three
of oke asshes, or other asshes.... And so, putting
one rewe” of saltpetre alternately with one of the
mixture, “you shall fill the tubbe ... within a
spanne of (its mouth), and the rest you will fill
with water.” The water, on percolating through
the mass, drips into a brass cauldron which, when
two-thirds full, is boiled “till it come to one-third
part or thereabouts. And after take it off and put
it to settell in a great vessell,” when it is to be
“clarified and from earthe and grosse matter diligentlie
purged.”
B. Boiling the solution of grough saltpetre.
The solution is then “taken and boyled of new.”
F. Use of wood-ash, animal charcoal, &c.
When the solution boils and throws up scum, it
is treated with a mixture of “3 parts of oke asshes
and 1 of lime, together with 4 lbs. of rock alum to
every 100 lbs. of the mother liquid.” “In a little
time you shall see it alaie, both clear and fair and of
an azure colour.”
C. Removal of insoluble impurities.
The heavy impurities, which sink to the bottom,
are got rid of by pouring the clarified mother liquid
into another vessel.
G. Crystallisation.
“Take it out and put it in vessels of woode or
of earth that are rough within, with certain sticks of
wood, to congeal.”
I. Washing and drying.
“This same saltpeter being taken from the sides
of the vessel where it congealed, and in the water
thereof washed, you must lay it upon a table to drie
throughly.”
F´.39 Use of wood-ash, animal charcoal, &c.
“Minding to have (saltpetre) above the common
use, for some purpose, more purified, &c. (which for
to make exceeding fine powder, or aqua fortis, is
most requisite so to be):—take of the aforesaid
mixture (F) ... and for every barrel of water you
have put in the cauldron ... you must put into
it five potfulls” of the mixture. “In the same
quantity of water so prepared, put so much saltpeter
as it will dissolve.”
D. Second boiling of the solution.
Boil the whole until it “resolve very well.”
E. Filtration.
When the scum rises, transfer the mother liquid
to a tub with holes in the bottom, on which is laid
a linen cloth covered with a layer of sand four finger-breadths
deep.
D´. Third boiling of the solution.
The filtered liquid is boiled again “in order to
make the greater part of the water seeth away.... Make
it boil so much until you see it ready to
thicken, pouring in now and then a little of the
mixture” (F).
G´. Final crystallisation.
The mother liquid is then transferred to wooden
troughs “to congeal,” for which three or four days
are allowed. “After this sort thou shalt make the
saltpeter most white and fair, and much better than
at the first setting.”
A. Preparation of grough from natural saltpetre.
If natural saltpetre is dissolved in boiling
water, cleansed, and passed through a filter, and
boiled for a day and a night; the (grough) saltpetre
will be found deposited in crystals at the bottom of
the vessel.
The original is as follows:—
“Nota, quod sal petrosum est minera terræ et
reperitur in scrophulis contra lapides. Hæc terra
dissolvitur in aqua bulliente, postea depurata et distillata
per filtrum et permittatur per diem et noctem
integram decoqui, et invenies in fundo laminas salis
conielatas cristallinas.”40
A. Preparation of grough from natural saltpetre.
“Take white, clean, bright (natural) saltpetre
ad lib., and two new (earthen) jars. Put the saltpetre
into one of them, and add some water. Put
the jar on a gentle fire until it gets warm” (and the
saltpetre dissolves. Skim off) “the scum that rises”
(and) “throw it away. Stir up the fire until the
liquid becomes quite clear. Then pour it into the
other jar in such a way that no scum remains
attached to it. Place this jar on a low fire until
the contents begin to coagulate. Then take it off
the fire, and beat (the crystals) gently.”
F. Use of wood-ash, animal charcoal, &c.
“Take dry willow wood, burn it, and plunge it
into water according to the recipe for its incineration.
Take three parts by weight of the saltpetre”
(just obtained), “and the third of a part of the
wood-ash, which has been carefully pulverised, and
put the mixture into a jar—if made of brass, so
much the better.”
B. Boiling the solution of grough saltpetre.
“Add water and apply heat, until the ashes and
saltpetre no longer adhere together. Beware of
sparks.”
The original is as follows:—41
باب
صثة حل البارود
يوخذ البارود الابيض النقى النارى مهما اردت وتاخذ
طاجنين جدد ويحط فى الطاجن الواحد ويغمر بالماء ويوقد
عليه نار لينة حتى يفتر وتطلع رغوته فارمها واوقد تحته جيدا
حتى يروق ماؤه الى غاية ويقلب الماء الرايق قى طاجن اخر
بحيث لا يتراك من التفل شى ويوخذ عليه وقدا لطيفا الى
ان يجمد وتشيله وتصحنه ناعما ويوخذ الحطب الصفصاف
اليابس يحرق ويغمر على صفة الحراق ويزن من البارود
الثلثين والثلث من رماد الفحع الذى صحنته بالميزان ويعاد
الى الطاجنين وان كانت الاعادة فى طاجن نحاس فهو اجود
ويعمل عليه قليل ماء وتحمصه بحيث ان لا يلتزق واحذو من
شرر النار
A. Preparation of grough from natural saltpetre.
Carefully wash the natural saltpetre, and (as far
as possible) remove all impurities. Dissolve it in
water over a gentle fire, and boil it until the scum
ceases to rise, and it is purified and clarified. Let
the operation be repeated again and again, until the
solution is clear and bright. Let it then deposit its
crystals of the stone which is not a stone,42 and dry
them in a warm place.
B. Boiling the solution of grough saltpetre.
Pulverise the crystals of grough saltpetre thus
obtained, and immerse them in water. Make a
powder of two purifying substances in the proportion
of 3:2. Dissolve the crystals over a gentle
fire.
F. Use of wood-ash, charcoal, &c.
To the powder add some animal charcoal, and
thoroughly incorporate the ingredients (in a vessel).
Then pour the hot solution upon it, and your object
(of clarifying the mother liquid) will be gained.
C. Removal of the insoluble impurities.
If (by its appearance and taste you judge that)
the solution is good, pour it out (into a crystallising
vessel, leaving the heavy impurities behind).
G. Crystallisation.
(The mother liquid is now allowed to crystallise.)
H. Stirring the depositing solution.
(While depositing), stir the solution with a
pestle. Collect the crystals as best you can, and
gradually draw off the mother liquid.
The original is as follows:—
Calcem diligenter purifica, ut fiat terra pura penitus
liberata ab aliis elementis. Dissolvatur in aqua
cum igne levi, ut decoquatur quatenus separetur
pinguedo sua, donec purgatur et dealbetur. Iteretur
distillatio donec rectificetur: rectificationis novissima
signa sunt candor et crystallina serenitas. Ex
hac aqua materia congelatur. Lapis vero Aristotelis,
qui non est lapis, ponitur in pyramide in loco calido.
Accipe lapidem et calcina ipsum. In fine parum
commisce de aqua dulci; et medicinam laxativam
compone de duabus rebus quarum proportio melior
est in sesquialtera proportione. Resolve ad ignem
et mollius calefac. Mixto ex Phœnice adjunge, et
incorpora per fortem motum; cui si liquor calidus
adhibeatur, habebis propositum ultimum. Evacuato
quod bonum est. Regyra cum pistillo, et congrega
materiam ut potes, et aquam separa paulatim.43
TABLE I.
Methods of Refining Saltpetre.
| Roger Bacon, cir. 1248 | A | B | F | C | G | H | ... | ... | ... | ... | ... |
| Hassan er-Rammah, 1275-95 | A | F | B | ... | ... | ... | ... | ... | ... | ... | ... |
| Liber Ignium, cir. 1300 | A | ... | ... | ... | ... | ... | ... | ... | ... | ... | ... |
| Whitehorne, 1560 | A | B | F | C | G | I | F´ | D | E | D´ | G´ |
| Waltham Abbey, 1860. | A | B | C | D | E | F | G | H | I | ... | ... |
A = Preparation of grough from natural saltpetre.
B = Boiling the solution of grough saltpetre.
C = Removal of insoluble impurities.
D = Second boiling of the solution.
E = Filtration.
F = Use of wood-ash, animal charcoal, &c.
G = Crystallisation.
H = Stirring the depositing solution.
I = Washing and drying.
The simple and highly probable conclusion to
be drawn from the foregoing facts is, that saltpetre
was not discovered until the second quarter of the
thirteenth century; but this conclusion is not universally
accepted. It is said by some that although
saltpetre was unknown to the rest of the world until
then, it had been secretly used by the Greeks for
five hundred years. This theory will be examined
in the following chapter.
Homer knew nothing apparently of incendiary compositions.
When the Trojans set fire to the Greek
ships, he certainly says that they burned with “unquenchable
flame” (ἀσβέστη φλόξ), Iliad, xvi. 123;
but this is a mere figure of speech, for presently
afterwards he tells us that Patroclus extinguished
the fire (κατὰ δ’ ἔσβεσεν αἰθόμενον πῦρ), 293.
The Assyrian bas-reliefs in the British Museum
prove that liquid fire was used in warfare in very
remote times. Whether the Greeks adopted its
use from the Orientals or originated it themselves,
there is little evidence to show; but traces of it are
found at an early date, for instance at the siege of
Syracuse,44 413 B.C., and the siege of Rhodes,45 304 B.C.
Vessels full of burning matter were thrown, at first
by hand, from walls and the tops of forts upon besiegers;
and when shell of suitable construction
had been devised, these missiles were discharged
from machines.
The earliest instance of the use of firearms by
the Greeks is found in Thucydides, ii. 75, where
it is stated that at the siege of Platæa, 429 B.C., the
Platæans found it necessary to protect a wooden
wall by skins and hides against the fire-arrows
(πυρφόροις ὀïστοῖς) of their Peloponnesian besiegers.
By the time of the Roman Empire, fire-arrows were
so well known as to be mentioned by the Latin
poets,46 and the historians speak of fire-lances which
were discharged from machines47 (adactæ tormentis
ardentes hastæ). Vegetius, who lived in the fourth
century A.D., gives the composition of fire-arrows;48
and Ammianus Marcellinus, who lived about the
same time, points out their defects. First, the fire-arrow
had to be discharged with a low velocity—ictu
enim rapidiore extinguitur; it was extinguished
by the cooling effect of the air when discharged
with the full force of the bow. Secondly, in addition
to its low velocity (and consequently limited
range) it was extinguished when covered with clay.49
However, the composition was easy to light and
hard to put out—even with clay or vinegar; its
viscosity enabled it to stick to the body it struck;
and, becoming more and more fluid from the heat
of combustion, it “spread like wild-fire.”
But the use of incendiaries was not confined to
grenades and arrows. At the siege of Platæa, just
referred to, the Spartans piled up faggots of brushwood
against the walls, and, after pouring a mixture
of sulphur and pitch on the heap, set fire to it in
order to burn the town.50 They would have gained
their object but for a rainstorm which put out the
fire. We have here perhaps the earliest historical
account of the composition of an incendiary—429
B.C. At the siege of Delium, 424 B.C., a tree was
cut down and hollowed out, so as to form a tube,
and from one end of it, which was protected by a
covering of iron, was hung a cauldron containing a
burning mixture of charcoal, sulphur, and pitch.
Into this cauldron was introduced an iron bellows-pipe,
leading from the end of the tree from which
it hung. Having transported the machine close to
the wall of the town (the cauldron to the front), the
besiegers inserted the snout of a large bellows into
the other end of the hollowed tree, and blew them.
A great flame was thus produced; the wall, in which
there was much wood, was set on fire; the heat of
the fire and the vapour of the incendiary drove
the defenders from the walls, and the town fell.51
Its simplicity shows that the mixture belongs to the
infancy of incendiaries in Greece.
We meet with fire-ships as early as 413 B.C., when
the Syracusians employed one ineffectually against
the Athenian fleet;52 and a special incendiary for
naval use is recommended by Æneas, the tactician,
about 350 B.C. It consisted of sulphur, pitch, incense,
pine-wood, and tow. The mixture was stowed
in egg-shaped, wooden vessels, admirably adapted
for their purpose, which were thrown lighted upon
the enemy’s decks.53
TABLE II.
Greek Fires.
Æneas.54 cir. 350 B.C. | Vegetius.55 cir. A.D. 350. | Liber Ignium.56 1200-1225. | Kyeser.57 1405 | Wild Fire.58 1560 | Carcass Composition.59 1903. |
| Sulphur | Sulphur | Sulphur | Sulphur | Sulphur | Sulphur |
| Pitch | Bitumen | Pitch | ... | Pitch | Tallow |
| Pine-wood60 | Rosin | Sarcocolla61 | ... | Charcoal | Rosin |
| Incense | Naphtha | Petroleum | Petroleum | Turpentine | Turpentine |
| Tow | ... | Sal Coctus62 | Salfanium? | Bay Salt | Crude Antimony |
| ... | ... | Oil of Gemma | ... | ... | ... |
| ... | ... | Tartarum63 | Saltpetre | Saltpetre | Saltpetre |
In such ways were incendiaries employed by the
Greeks for nearly eleven centuries after the siege of
Platæa. During this long period the composition
was of course improved, and the mixture of the
seventh century A.D. burned more fiercely, and was
harder to put out than that of the fourth century
B.C.; but nevertheless the two mixtures were of the
same species. At length, in the decade 670-80, a
new species was devised. For the sake of clearness,
the old incendiary mixtures will henceforward be
called Greek fire; the new one “sea-fire.”
We are told by Theophanes in his “Chronography,”
written 811-815, that in the year 673 an
architect called Kallinikos64 fled from Heliopolis
in Syria to the Romans (i.e. Constantinople), and
eventually compounded a “sea-fire” which enabled
them to burn large numbers of the Moslem vessels
engaged in the Seven Years’ War,65 671-677. This
incendiary was again employed with success against
the Moslems during their second attack against
Constantinople, 717, and at the decisive naval
victory over the Russians under Igor in 941. The
evidence of Theophanes about Kallinikos is corroborated
almost verbally by the Emperor Constantine
VII., Porphyrogenitus, in Chap. xlviii. of his
“Administration of the Empire”: “Be it known
that under the reign of Constantine Pogonatus (668-685)
one Kallinikos, who fled from Heliopolis to
the Romans, prepared a ‘wet-fire’ to be discharged
from siphons, by means of which the Romans burned
the fleet of the Saracens at Cyzicus and gained the
victory.”66 It is true that when writing to his son
(in Chap. xiii. of the same work) the Emperor
gives (or tells his son to give) a different version of
the invention of sea-fire: “If any persons venture
to inquire of you how this fire is prepared, withstand
them and dismiss them with some such answer as
this—that the secret was revealed by an angel to the
first Emperor Constantine” (A.D. 323-337).67 But
this passage only proves that the Emperor was
mendacious and his people superstitious. There
can be little doubt that this great invention was
made by a Greek for the Greeks in the decade 670-680;
but what was the nature of the mixture? All
we know for certain about it is that it was a State
secret, was intended for sea service, burned with
much noise and vapour, and was projected from
siphons. In other words, the mixture fulfilled the
following conditions:—
(1) Its composition could be kept secret.
(2) It had some close connection with the sea,
or water.
(3) It burned with much noise and smoke.
(4) It had some close connection with siphons,
or tubes.
The fact that the sea-fire was made a State secret
proves that it did not belong to the same family as
the Greek fire of Æneas and Vegetius which, in one
form or another, had been known all over the East
from time immemorial. It was a new mixture—i.e.
either a mixture containing some substance not
hitherto known, or a mixture of known substances
not hitherto combined together for warlike purposes.
Many hold that an unknown substance was employed,
and, further, that it was no other than
saltpetre. We might, of course, fall back on the
conclusion established in Chap. ii., and reply
that saltpetre was not discovered until the thirteenth
century and could not have been used as
an ingredient of an incendiary in the seventh century.
But the conclusion drawn in Chap. ii. was
not a certain one: it was there characterised as
highly probable. Saltpetre might possibly have been
employed, and a belief which is shared in by some
good writers deserves respectful consideration. We
have, therefore, to investigate how far a saltpetre
mixture would satisfy the above four conditions.
There was absolutely nothing to attract public
attention in the purchase from time to time of common,
well-known substances, such as sulphur, quicklime,
naphtha, &c. &c., by the authorities of the
Arsenal; but the suspicions of the spies and traitors,
always to be found in Constantinople,68 would have
been instantly roused by the importation of any
new or rare substance such as saltpetre. And
whence could saltpetre have come? M. Berthelot
recognises the importance of this question, although
he cannot answer it: “Comment se procurait-on le
salpêtre?... Aucun renseignment n’est venu
nous l’apprendre. Ce point pourtant est capital.”69
Saltpetre would naturally have been obtained from
the countries where it was most abundant and
cheapest—from the East; but the Greeks could not
have relied upon this source of supply, for whenever
political complications arose between the Emperor
and the Caliph—and they were interminable—the
ports of Egypt and Syria were closed against Greek
ships. However, saltpetre did not grow in the
streets of Constantinople: the natural salt (if used)
must have been collected somewhere, and sold to
Government by someone, and transported somehow
to the capital; and what despot could have tied the
tongues of collectors, merchants, sailors, and porters?
The mere facts that only one State trafficked in saltpetre,
that this State only bought it in time of war,
and that this State alone employed sea-fire, would
have immediately betrayed the secret of its composition
to these men, and what was known to them
was known to the world. It is most improbable that
the use of saltpetre could have been concealed for one
year, much less the five hundred years during which
the secret of the sea-fire was successfully guarded.
I may be reminded of the Emperor Constantine
VII.’s statement (in Chap. xiii. of his “Administration,
&c.”), that on one occasion a Roman general,
corrupted by a large bribe, did reveal the secret and
shortly afterwards, when entering a church, was
consumed by fire which fell from heaven upon him.
The story is obviously legendary. The venal general
is as unreal as the fire from heaven; he is merely
introduced to us as “an awful example,” and we
cannot endow him with reality by rejecting the fire.
The claim of the Marquess Carabbas to reality is not
established by denying the existence of Puss-in-Boots.
Had the secret been divulged the sea-fire
would have been used against the Greeks, and no
mixture that can be identified with it ever was.
A saltpetre mixture, then, would not, in all probability,
have fulfilled the first condition, nor would
it have fulfilled the second. There is no conceivable
connection between saltpetre and the sea, or water
in general. A saltpetre mixture (of suitable proportions)
would have proved a much better incendiary
than Greek fire, but it would have acted as
effectively from a fort as from a ship. Indeed, if we
consider the ill effect of the moist sea air on the
impure saltpetre of early times, we are justified in
saying that the action of such mixtures on land
would have been better, in general, than at sea.
A saltpetre mixture would have fulfilled the third
condition by burning with much noise and smoke,
which we may suppose to be the essential meaning
of the Emperor Leo’s phrase, “thunder and smoke.”70
We cannot reasonably attach greater significance to
one of the commonest of all metaphors, thunder,
which has been applied times unnumbered to the
human voice, to the bursting of a child’s cracker,71
and to the whirring of a dart. “Never burst such
peals from the thunder-cloud,” says Vergil, as were
produced by the javelin thrown by Æneas.72
As regards the fourth condition, the above statement
of the Emperor Constantine about sea-fire and
siphons73 completely justifies us in concluding that
there was some necessary connection between the
two things. Now, there was no necessary connection
between saltpetre mixtures, even when explosive,
and siphons. Small quantities of such mixtures
could have been, and eventually were, thrown by
hand, in grenades, like Greek fire. Saltpetre mixtures,
therefore, would not have fulfilled the fourth
condition.
The result of the foregoing inquiry is, that a
saltpetre mixture would have only fulfilled one, the
third, of the four conditions to which the sea-fire
was subject; and we have now to cast about for
some mixture of known substances, not hitherto
combined together for warlike purposes, which
would have fulfilled them all.
A clue to the composition of the Kallinikos
mixture may perhaps be found in its Greek name,
“sea-fire” or “wet-fire.” One substance had long
been known with whose combustion water was
closely connected—quicklime, and with its properties
Kallinikos, as an architect, must have been
perfectly familiar. Its temperature rises—to 150° C.
(302° F.) if the quantity be large—when sprinkled
with water, and it can consequently be employed to
ignite substances with low points of ignition. For
example, if a mixture of quicklime and naphtha be
thrown into water, the rapid rise in temperature of
the lime causes a sudden and strong development of
vapour from the naphtha, which on mixing with the
air becomes highly explosive. Such a mixture, it
is almost unnecessary to add, could not be handled
with safety after it has been wet. Plutarch was
aware of the explosive nature of naphtha vapour.
“Naphtha,” he says, “is like bitumen, and is so
easy to set on fire that, without touching it with
any flame, it will catch light from the rays which
are sent forth from a fire, burning the air which is
between both.”74 Pliny speaks of the heat developed
by quicklime when sprinkled with water. “It is
strange,” he says, “that what has already been burnt
should be ignited by water” (mirum aliquid, postquam
arserit, accendi aquis).75 The same property is implicitly
referred to in the “Kestoi,” attributed to
Sextus Julius Africanus of Emaus, who lived under
Alexander Severus, 222-235. The military portions
of this work, however, must have been written long
afterwards, in the end of the sixth or the beginning
of the seventh century at the earliest; for Belisarius,
who was born in 505, is mentioned in the sixty-sixth
chapter.76 In the forty-fifth chapter there is a recipe
for a quicklime-asphalt composition, which is called
“automatic fire.” This mixture was used by jugglers
to exhibit “spontaneous combustion,” a little
water being secretly poured on a plate on which a
ball of the composition was placed.77 It contained
very little quicklime (παντελῶς ὀλίγον). Cameniata
tells us that at the storming of Salonika in 904 the
Moslems threw “pitch and torches and quicklime”
over the walls.78 By “quicklime” he probably meant
the earthenware hand grenades, filled with wet
quicklime, described by the Emperor Leo, who then
sat on the throne (886-911). “The vapour of the
quicklime,” he says, “when the pots are broken,
stifles and chokes the enemy and distracts his
soldiers.”79
The simplest and most probable explanation of
the nature of the sea-fire then is, that it was a
sulphur-quicklime-naphtha mixture of the same
family as those shown in the following Table.
TABLE III.
Sea-Fires.
Liber Ignium.80 cir. 1300. |
Liber Ignium.81 cir. 1350. |
De Mirabilibus82 cir. 1350. |
Kyeser.83 1405. |
Hartlieb.84 cir. 1425. |
| Sulphur. | Sulphur. | Sulphur. | Sulphur. | Sulphur(Oil of). |
| Quicklime. | Quicklime. | Quicklime. | Quicklime. | Quicklime. |
| Oil. | Turpentine. | Naphtha. | Petroleum. | Mastic. |
| Gum Arabic. | ... | Wax. | Wax. | Gum Arabic. |
| ... | ... | Oil of Balm. | ... | ... |
N.B.—None of these mixtures professes to be the official Greek
sea-fire, the exact composition of which is unknown; but the “De
Mirabilibus” mixture is probably a close approximation to it. Although
called sea-fires here, they were not so called by their western
authors, who were ignorant of the use and even of the name of sea-fire.
The first four recipes are described as mixtures which will ignite
“when rain falls upon them.” Hartlieb alone foresaw that such mixtures
would ignite “if thrown upon water.”
Such a mixture would have completely fulfilled
the four conditions already mentioned. First, the
secret of its composition was easy to keep, since it
lay in the choice and proportions of known ingredients;
not in the use of one special and unknown
substance (such as saltpetre), smuggled privily into
the Arsenal85 with a mystery which was certain to
excite the curiosity of a people who “spent their
time in nothing else, but either to tell or to hear some
new thing.” Secondly, it was literally a “sea-fire” or
“wet-fire,”—a fire which was ignited by water and
which burned on its surface. Thirdly, its combustion
gave rise to a considerable volume of vapour and a
series of small explosions in the air. Fourthly, from
the mode of its combustion it was unsafe to handle
after ignition, and it was necessarily discharged from
siphons. This simple explanation of the sea-fire86
sweeps away the insurmountable difficulties raised by
the saltpetre theory. We have no longer to believe in
the patriotic silence of Byzantine officials, workmen
and sailors, maintained for five hundred years; we
have no longer to admit reluctantly that saltpetre was
known in Greece, where it occurs in comparatively
scanty quantity, five hundred years before it was
known in the great natural storehouse of this salt,
Asia; we have no longer to suspect the whole body of
Greek writers on alchemy and pharmacy, from the
seventh to the thirteenth century, of having entered
into a vast conspiracy of silence to hide their knowledge
of saltpetre from the barbarians; we are no
longer left wondering whence the Greeks got their
saltpetre, and why they gave the name of “sea-fire”
to a mixture in no way connected with the sea; and
we are no longer perplexed by the fact that the
earliest recipes for Greek fire contain no saltpetre.87
It remains to inquire how the sea-fire was expelled
from the siphons.
There were two kinds of siphons, large siphons
and hand-siphons.
Of the hand-siphons there were several patterns.
Some seem to have been thrown by hand, like
squibs;88 from others, mentioned by Cameniata, the
charge was projected by air89—presumably by a
bellows or some such contrivance; while in a third
kind, described by the Princess Anna, a pellet was
blown by the breath through a flame placed before
the front end of the tube.90 The two latter siphons
were of the same species, and as Anna’s was charged
with Greek fire91 we may suppose Cameniata’s took
a similar charge.
The large sea-fire siphon was fixed in the bow of
the ship and served by the two foremost rowers, one
of whom laid the siphon and was called the siphonator,
while the other, we may suppose, loaded it.
The siphon was mounted on a swivel, as may be
gathered from the account given by the Princess
Anna of the naval battle fought near the island of
Rhodes in 1103 by the Greeks and the Pisans. The
latter were terrified, she says, by an apparatus which
directed on them fire of an extraordinary nature.
“Ordinary flame rises upwards, but this flame shot
downwards and sideways as well, at the will of the
gunner.”92 Unless the siphon was mounted on a
swivel, the phrase which I have translated by “at
the will of the gunner” (ἐφ’ ἃ βούλεται ὁ πέμπων)
would be meaningless.
In his Recherche sur le Feu Grégeois, p. 23, M.
Chrétien-Lalanne maintains that the incendiary was
expelled from the siphon by means of a spring. This
theory is inadmissible, for helical springs are not
heard of until long after the time in question.
Further, the ancients possessed no means of condensing
air to the degree necessary for the projection
of a heavy body over even the short ranges of the
Dark Ages, and steam power had hardly been
recognised at all.93 Therefore, it has been urged,
the incendiary must have been expelled from the
siphon by means of an explosive saltpetre mixture,
this being the only way of effecting the object that
remained at the disposal of the ancients. As will be
seen presently, there remained a simple and efficacious
method, involving very little expense and no danger
whatever; a fact which in itself would be sufficient
to meet the above argument in favour of saltpetre,
even were it unsupported by the evidence already
brought forward in Chap. ii. to show that saltpetre
had not been yet discovered at the time in question,
and the evidence adduced in the present chapter
to prove that in fact it was not used. Further, the
supposition that an explosive was employed is
excluded by the construction of the siphon, which
was made of wood. Such is the only reasonable explanation
that can be given of the Emperor Leo’s
order that the siphons should be “cased with bronze.”94
Had they been of metal, a casing of bronze would
have been a useless complication; but, being of wood,
an internal casing of metal was absolutely necessary
to protect them from the flame of the burning composition.
Only one round probably could have been
fired from a wooden tube by means of an explosive,
and that round in most cases would have been more
fatal to the siphon detachment than to the enemy.
Again, as the projectile was simply a lump of
oleaginous matter, it would have been blown by an
explosive cartridge into thousands of fragments, each
of them so small as to be worthless for incendiary
purposes; for the efficacy of an incendiary depends
to a great extent on its containing a large quantity
of matter.
Since the use of springs, compressed air, and
steam were impossible, and the use of an explosive
extremely improbable, it only remains to examine
the arguments for and against water as the motive
power.
The Emperor Leo VI. speaks of the “artificial
fire discharged by means of siphons;”95 the Emperor
Constantine VII. speaks similarly of “the wet-fire
projected by means of siphons;”96 and if we translate
siphon by tube both phrases are intelligible,
but neither gives any hint as to the means by which
the mixture was expelled from the tubes. But like
so many other military words, siphon has (at least)
two meanings, and signifies not only a tube, but a
fire-engine, or water-engine, or squirt. Heron of
Alexandria (cir. 130 B.C.) begins his description
of a fire-engine with the words: “The siphons used
for the extinction of fire are made as follows.”97
Pliny the Younger (cir. 100 A.D.), in a letter to the
Emperor Trajan about a fire which had taken place
in the town of Nicomedia, observes that “there was
not a sipho, nor even a bucket, at hand to quench
it.”98 Hesychius in his Greek Lexicon, about the
end of the fourth century, gives under σίφων: “an
apparatus for pumping water in conflagrations.”99
If we translate siphon by water-engine, as we are
perfectly justified in doing, we find that the phrases
used by the two Emperors are not only intelligible,
but indicate both the mode of projection and the
mode of ignition of the sea-fire. The lump of
quicklime-naphtha-sulphur was projected, and at
the same time ignited, by applying the hose of a
water-engine to the breech of the tube, which thus
became an integral part of the apparatus to which
it gave its name.
Two obscure passages in Byzantine works, which
hitherto have never been satisfactorily explained,
are made clear by this interpretation. The first
occurs in the “Tactics” of Constantine VIII., where
he directs “‘flexible’ (apparatus) with (artificial)
fire, siphons, hand-siphons, and manjaniks” to be
employed, if they are at hand, against any tower
that may be advanced against the wall of a besieged
town.100 The “flexible” apparatus cannot refer to
the helical springs of a later age. Neither can it
mean crossbows, for the Princess Anna, who wrote
a century after Constantine, expressly says: “The
crossbow (tzangra) is a foreign weapon (hitherto)
unknown in the Greek service.”101 That it cannot
mean longbows is quite certain from the second of
the obscure passages in question, which occurs in
the “Alexiad”: “In the bow of each ship he
(the Admiral) put the heads of lions and other
land animals, made of brass and iron, gilt, so as
to be (quite) frightful to look at; and he arranged
that from their mouths, which were (wide) open,
should issue the fire to be delivered by the soldiers
by means of (or through) the ‘flexible’ apparatus.”102
The enemy might have exclaimed with the Jewish
king: “They gaped upon me with their mouths,
as a ravening and as a roaring lion.” But whatever
the moral effect of these trumpery scarecrows—if
ever actually used—it is certain that archers with
longbows could not have shot fire-arrows through
them with any success; and the meaning of Emperor
and Princess remains hidden until we interpret
“flexible instrument” as the leathern hose of a
pump or water-engine, than which nothing can be
more flexible. The import of both passages then
becomes perfectly plain. Such a mode of discharging
incendiaries is by no means unknown in later
military history. “Dans une expérience faite au
Havre, 1758, avec une pompe à huile de naphte,
dont le jet était enflammé par une mèche allumée,
on brûla même une chaloupe.”103 At the siege of
Charleston, 1863, not only was solidified Greek fire
in tin tubes employed,104 but coal naphtha placed
in shells or pumped through hose.105 Finally, M. Berthelot
speaks of “les propositions faites, pendant
le siège de Paris (1870), pour repousser les ennemis
au moyen de pompes projetant des jets de pétrole
enflammé. Mais cet agent ... n’a été mis réellement
à l’épreuve que par la Commune, pour brûler
nos palais.”106
When the Crusades began in 1097 Greeks
were thus in possession of two species of incendiaries:
the sea-fire which was distinctively and
exclusively Greek, and the old mixture of the
Æneas family which was known all over the East.
Yet it was to the latter that the name “Greek fire”
was given by the Crusaders, who, I believe, had
neither experience nor knowledge of the sea-fire.
The only passage I can recall among the old writers
in which the two fires are discriminated and correctly
named occurs in the metrical romance
“Richard Coer-de-Lion,” temp. Edward I. (1272-1307):—
“Kyng Richard, oute of hys galye,
Caste wylde-fyr into the skye
And fyr Gregeys into the see.
.....
The see brent all off fyr Gregeys” (2627).
107
Historically this passage is probably worthless;
but, whether deliberately or by accident, the poet
indicates the real distinction between the two fires.
It was the sea-fire, the true Greek fire, which was
thrown or fell into the sea; while the wild-fire, misnamed
“Greek fire” by the Crusaders, was flung
“into the sky” to descend on the heads of the
enemy. In the preceding pages I have adopted the
Crusaders’ nomenclature, because it is now too late
to rectify their blunder.
During the siege of Stirling Castle, 1304,
Edward I. “gave orders for the employment of
Greek fire, with which he had probably become
acquainted in the East.”108 It was also made use of
by the Flemish engineer, Crab, who took an active
part in the defence of Berwick when besieged by
Edward II. in 1319:—
“And pyk (pitch) and ter (tar) als haiff thai tane,
And lynt (fat) and herdes (refuse of flax) and brymstane,
And dry treyis (
trees or wood) that wele wald brin (
burn).”
109
We again made use of Greek fire in the defence of
the Castle of Breteuil, and in the attack on the
Castle of Romorentin, in 1356;110 but no record
remains of its composition or of the way in which
it was projected. It was no doubt similar to Whitehorne’s
wild-fire of 1560, given in Table II. As
late as 1571 Greek fire was poured down on the
heads of the Turks, in the primitive fashion, by the
Venetians in the defence of Famagusta.111
The phrase “Greek fire” never took root in
England, where “wild-fire” was early substituted
for it. Wild-fire is found in Robert of Gloucester’s
“Chronicle,”112 of the same date as “Richard Coer-de-Lion.”
According to the Promptorium Parvulorum,
an English-Latin dictionary compiled in 1440 by
Galfridus, a Dominican of Lynn Episcopi in Norfolk,
the phrases “Greek fire” and “wild-fire” were then
synonymous; for he gives as the Latin equivalents
of the latter—“ignis Pelasgus, vel ignis pelagus, vel
ignis Græcus.” Among the ammunition supplied
to the troops sent to Scotland under Lord Lennox
in 1545, we find “xx tronckes charged with wylde
fyer.”113 Whitehorne gives a plate of these tronckes
or trombes, which were hollow wooden cylinders,
“as bigge as a man’s thigh and the length of an
ell,” filled with the mixture given in Table II. for
the sixteenth century. In Phillips’ English Dictionary,
1706, wild-fire is described as (1) “a sort of
fire invented by the Grecians about A.C. 777,” and
(2) “gunpowder rolled up wet and set on fire.”
It is used in the latter sense in “Robinson Crusoe,”
published in 1719. Before an attack on the
Indians, the sailors “made some wild-fire ... by
wetting a little powder in the palms of their hands”
(Part ii. chap. 21). The word is only heard now in
the phrase “spreads like wildfire.”
But though its names have passed away, the
thing remains. Greek fire was used at the siege of
Charleston in 1863; in 1870 M. Berthelot watched its
effects when thrown into Paris by German guns; we
ourselves possess it to this day in our Carcass composition.114
The sea-fire, on the other hand, was comparatively
short-lived, and I can find no certain evidence of
its employment after the year 1200. Its disappearance
is easily accounted for. From about the middle
of the eleventh century the Byzantines began to show
signs of an ever-increasing disinclination for war-service
either afloat or ashore,115 a want of national
honour and military energy which Mr. Finlay
ascribes to “a general deficiency of common honesty
and personal courage;”116 and this moral degeneracy
threw naval duties more and more into the hands
of the Venetians and other foreign mercenaries, to
whom the Government may have been unwilling
to make known the secret of the sea-fire. This
state of things did not escape the notice of Benjamin
of Tudela, a Jewish traveller of the twelfth
century: “(Les Grecs) entretiennent des soldats à
gages de toutes les Nations qu’ils appellent Barbares,
pour faire la guerre au Roi des Peuples de
Togarma appellez Turcs. Car les Grecs eux-mêmes
n’ont ni cœur ni courage pour la guerre. Aussi
sont-ils reputez comme les femmes qui n’ont aucune
force pour combattre.”117 Matters came to a crisis
in 1200: in this year Michael Struphnos, the
admiral commanding, sold the naval stores at Constantinople
and appropriated the proceeds of the
sale.118 When, therefore, the pious warriors of the
Fourth Crusade turned their arms against their
fellow-Christians and beleaguered the city in April
1204, there was no sea-fire at hand for use against
their ships, and an attempt to burn them by means
of sixteen ordinary fire-ships was foiled by the
activity of the Venetian sailors.119 The accession of
the Latin dynasty to the throne of Constantinople
in this year was a serious hindrance to the reemployment
of sea-fire. The Latins were ignorant
of its composition, and they were not likely to gain
information upon the subject from the few Greeks
who were acquainted with it; for these Christians
did not love one another. Finally, saltpetre was
discovered not many years afterwards, and its substitution
for customary ingredients in the later
editions of existing “Fire-books”120 proves that it
was utilised without delay for Greek fire, which
thus became a more formidable incendiary than
sea-fire.
The Greeks had no hand in the invention of
cannon. One of their historians of the fifteenth
century, when speculating on the subject in his
narrative for the year 1389, says the Germans were
commonly believed to have been the inventors.121
Could the Greeks, then, have been in possession
of saltpetre-mixtures many centuries before? Is it
credible that people with intellect as keen as the
Greeks employed an explosive for long ages without
hitting upon the idea of metal guns? Yet judging
from the manner in which Chalcocondyles speaks of
cannon in his narrative for 1446, they were even
then but little known to the Greeks. “Cannon,”
he tells his countrymen, “are formidable instruments,
which no armour can resist, and which
penetrates through everything.”122 No historian of
the ability of Chalcocondyles would have spoken
in this manner about an arm which was well
known.
The fact that the first recorded use of fire-arrows
on Greek soil was made by Persian archers,123 lends
some probability to the view that Greek fire was
originally borrowed from the East; but the Greeks
assuredly invented the sea-fire which was the palladium
of the Empire for several centuries. To the
discovery of saltpetre they have no legitimate claim.
The claim put forward in their name is based partly
on a metaphor,124 partly on the assumption that the
effects of sea-fire could have been only produced by
a mixture containing saltpetre; and it cannot be
sustained. The hypothesis that Kallinikos compounded
a saltpetre mixture ignores the highly
probable conclusion that saltpetre was not discovered
until the thirteenth century;125 fails to
explain some statements, and is irreconcilable with
other statements made by the ancients; and involves
many incredible consequences.
It may be objected that this conclusion has been
arrived at without taking the evidence of the chief
witness for the Greeks, Marcus Græcus. Let us
examine his Liber Ignium.
(Du Theil’s text126 with Berthelot’s numeration)
Incipit Liber Ignium a Marco Græco descriptus,
cuius virtus et efficacia ad comburendos hostes tam
in mari quam in terra plurimum efficax reperitur;
quorum primus hic est.
1. Recipe sandaracæ puræ libram I., armoniaci
liquidi ana. Haec simul pista et in vase fictili
vitreato et luto sapientiæ diligenter obturato
deinde (?); donec liquescat ignis subponatur. Liquoris
vero istius haec sunt signa, ut ligno intromisso
per foramen ad modum butyri videatur. Postea
vero IV. libras de alkitran græco infundas. Haec
autem sub tecto fieri prohibeantur, quum periculum
immineret. Cum autem in mari ex ipso operari
volueris, de pelle caprina accipies utrem, et in ipsum
de hoc oleo libras II. intromittas. Si hostes prope
fuerint, intromittes minus, si vero remoti fuerint,
plus mittes. Postea vero utrem ad veru ferreum
ligabis, lignum adversus veru grossitudinem faciens.
Ipsum veru inferius sepo perungues, lignum prædictum
in ripa succendes, et sub utre locabis. Tunc
vero oleum sub veru et super lignum distillans accensum
super aquas discurret, et quidquid obviam fuerit
concremabit.
2. Et sequitur alia species ignis quæ comburit
domos inimicorum in montibus sitas, aut in aliis
locis, si libet. Recipe balsami sive petrolii libram I.,
medulæ cannæ ferulæ libras sex, sulphuris libram I.,
pinguedinis arietinæ liquefactæ libram I., et oleum
terebenthinæ sive de lateribus vel anethorum. Omnibus
his collectis sagittam quadrifidam faciens de
confectione prædicta replebis. Igne autem intus
reposito, in aërem cum arcu emittes; ibi enim sepo
liquefacto et confectione succensa, quocumque loco
cecidit, comburit illum; et si aqua superjecta fuerit,
augmentabitur flamma ignis.
3. Alius modus ignis ad comburendos hostes
ubique sitos. Recipe balsamum, oleum Æthiopiæ,
alkitran et oleum sulphuris. Haec quidem omnia
in vase fictili reposita in fimo diebus XIV. subfodias.
Quo inde extracto, corvos eodem perunguens ad
hostilia loca sive tentoria destinabis. Oriente enim
sole, ubicumque illud liquefactum fuerit, accendetur.
Unde semper ante solis ortum aut post occasum
ipsius præcipimus esse mittendos.
4. Oleum vero sulphuris sic fit. Recipe sulphuris
uncias quattuor, quibus in marmoreo lapide contritis
et in pulverum redactis, oleum iuniperi quattuor
uncias admisces et in caldario pone, ut, lento igne
supposito, destillare incipiat.
5. Modus autem ad idem. Recipe sulphuris
splendidi quattuor uncias, vitella ovorum quinquaginti
unum contrita, et in patella ferrea lento igne
coquantur; et quum ardere inceperit, in altera parte
patellae declinans, quod liquidius emanabit, ipsum
est quod quæris, oleum scilicet sulphuricum.
6. Sequitur alia species ignis, cum qua, si opus,
subeas hostiles domus vicinas. Recipe alkitran, boni,
olei ovorum, sulphuris quod leviter frangitur ana
unciam unam. Quæ quidem omnia commisceantur.
Pista et ad prunas appone. Quum autem commixta
fuerint, ad collectionem totius confectionis
quartem partem ceræ novæ adicies, ut in modum
cataplasmatis convertatur. Quum autem operari
volueris, vesicam bovis vento repletam accipias et
in foramen in ea faciens cera supposita ipsam
obturabis. Vesica tali præscripta sæpissime oleo
peruncta cum ligno marubii, quod ad haec invenietur
aptius, accenso ac simul imposito, foramen aperies;
ea enim semel accensa et a filtro quo involuta fuerit
extracta, in ventosa nocti sub lecto vel tecto inimici
tui supponatur. Quocumque enim ventus eam
sufflaverit, quidquid propinquum fuerit, comburetur;
et si aqua projecta fuerit, letales procreabit flammas.
7.Sub pacis namque specie missis nuntiis, ad
loca hostilia bacleos gerentes excavos hac materia
repletos et confectione, qui jam prope hostes fuerint,
quo fungebuntur ignem jam per domos et vias
fundentes. Dum calor solis supervenerit, omnia
incendio comburentur.127
Recipe sandaracae (libram, cerae)128 libram: in
vase vero fictili, ore concluso, liquescat. Quum
autem liquefacta fuerint, medietatem libræ olei lini
et sulphuris superadjicies. Quæ quidem omnia in
eodem vase tribus mensibus in fimo ovino reponantur,
verum tamen fimum ter in mense renovando.
8. Ignis quem invenit Aristoteles quum cum
Alexandro ad obscura loca iter ageret, volens in eo
per mensem fieri id quod sol in anno præparat. Ut
in spera de auricalco, recipe seris rubicundi libram I.,
stanni et plumbi, limaturæ ferri, singulorum medietatem
libræ. Quibus pariter liquefactis, ad modum
astrolabii lamina formetur lata et rotunda. Ipsam
eodem igne perunctam X. diebus siccabis, duodecies
iterando: per annum namque integrum ignis idem
succensus nullatenus deficiet. Quæ enim inunctio
ultra annum durabit. Si vero locum quempiam
inunguere libeat, eo desiccato, scintilla quælibet
diffusa ardebit continue, nec aqua extingui poterit.
Et haec est prædicti ignis compositio. Recipe
alkitran, colophonii, sulphuris crocei, olei ovorum
sulphurici. Sulphur in marmore teratur. Quo
facto universum oleum superponas. Deinde tectoris
limaginem ad omne pondus acceptum insimul pista
et inungue.
9. Et sequitur alia species ignis, quo Aristoteles
domos in montibus sitas destruere incendio ait, ut et
mons ipse subsideret. Recipe balsami libram I.,
alkitran libras V., oleum ovorum et calcis non
extinctae libras X. Calcem teras cum oleo donec
una fiat massa; deinde inunguas lapides ex ipso et
herbas ac renascentias quaslibet in diebus canicularibus,
et sub fimo eiusdam regionis sub fossa dimittes;
postea129 namque autumnalis pluviæ dilapsu succenditur.
Terram et indigenas comburit igne
Aristoteles, namque hunc ignem annis IX. durare
asserit.
10. Compositio inextinguibilis et experta. Accipe130
sulphur vivum, colophonium, asphaltum classam,
tartarum, piculam navalem, fimum ovinum aut
columbinum. Hæc pulverisa subtiliter petroleo;
postea in ampulla reponendo vitrea, orificio bene
clauso, per dies XV. in fimo calido equino subhumetur,
Extracta vero ampulla destillabis oleum in
cucurbita lento igne ac cinere mediante, calidissima
ac subtili. In quo si bombax intincta fuerit ac
accensa, omnia super quæ arcu vel ballista proiecta
fuerit, incendio concremabit.
11. Nota quod omnis ignis inextinguibilis IV.
rebus extingui vel suffocari poterit, videlicet cum
aceto acuto aut cum urina antiqua vel arena, sive
filtro ter in aceto imbibito et toties desiccato ignem
iam dictum suffocas.
12. Nota quod ignis volatilis in aëre duplex est
compositio; quorum primus est:—recipe partem
unam colophonii et tantum sulphuris vivi, II. partes
vero salis petrosi et in oleo linoso vel lamii131 quod
est melius, dissolvantur bene pulverisata et oleo
liquefacta. Postea in canna vel ligno excavo reponatur
et accendatur. Evolat enim subito ad
quemcumque locum volueris, et omnia incendio
concremabit.
13. Secundus modus ignis volatilis hoc modo
conficitur. Accipias libram I. sulphuris vivi, libras
duas carbonum vitis vel salicis, VI. libras salis
petrosi; quae tria subtilissima terantur in lapide
marmoreo. Postea pulvis ad libitum in tunica
reponatur volatili vel tonitrum faciente.
Nota, quod tunica ad volundum debet esse
gracilis et longa et cum prædicto pulvere optime
conculcato repleta. Tunica vero tonitrum faciens
debet esse brevis et grossa et prædicto pulvere semiplena
et ab utraque parte fortissime filo ferreo bene
ligata. Nota, quod in tali tunica parvum foramen
faciendum est, ut tenta imposita accendatur; quæ
tenta in extremitatibus sit gracilis, in medio vero
lata et prædicto pulvere repleta. Nota, quod quæ
ad volandum tunica, plicaturas ad libitum habere
potest; tonitrum vero faciens, quam plurimas plicaturas.
Nota, quod duplex poteris facere tonitrum
atque duplex volatile instrumentum, videlicet tunicam
includendo.
14. Nota, quod sal petrosum est minera terræ et
reperitur in scopulis et lapidibus.132 Haec terra dissolvatur
in aqua bulliente, postea depurata et
destillata per filtrum, permittatur per diem et noctem
integram decoqui; et invenies in fundo laminas
salis congelatas cristallinas.
15. Candela quæ, si semel accensa fuerit, non
amplius extinguitur. Si vero aqua irrigata fuerit,
maius parabit incendium. Formetur sphaera de ære
Italico; deinde accipies calcis vivæ partem unam,
galbani mediam et cum felle testudinis ad pondus
galbani sumpto conficies. Postea cantharides quot
volueris accipies, capitibus et alis abscisis, cum
aequali parte olei zambac, teras et in vase fictili
reposita, XI. diebus sub fimo equino reponantur, de
quinto in quintum diem fimum renovando. Sic olei
foetidi et crocei spiritum assument, de quo sphæram
illinias; qua siccata, sepo inguatur, post igne
accendatur.
16. Alia candela que continuum præstat incendium.
Vermes noctilucas cum oleo zambac puro
teres et in rotunda ponas vitrea, orificio lutato cera
Græca et sale combusto bene recluso et in fimo, ut
iam dictum est, equino reponenda. Quo soluto,
sphæram de ferro Indico vel auricalco undique cum
penna illinias; quæ his iuncta et dessiccata igne
succendatur et nunquam deficiet. Si vero attingit
pluvia, majus præstat incendii incrementum.
17. Alia quæ semel incensa dat lumen diuturnum.
Recipe noctilucas quum incipiunt volare, et cum
æquali parte olei zambac commixta, XIV. diebus
sub fimo fodias equino. Quo inde extracto, ad
quartam partem istius assumas felles testudinis, ad
sex felles mustelæ, ad medietatem fellis furonis. In
fimo repone, ut iam dictum est. Deinde exhibe in
quolibet vase lichnum, cujuscumque generis, pone
de ligno aut latone vel ferro vel ære. Ea tandem
hoc oleo peruncta et accensa diuturnum præstat incendium.
Haec autem opera prodigiosa et admiranda
Hermes et Tholomeus133 asserunt.
18. Hoc autem genus candelæ neque in domo
clausa nec aperta neque in aqua extingui poterit.
Quod est: recipe fel testudinis, fel marini leporis
sive lupi aquatici de cuius felle Tyriaca. Quibus
insimul collectis quadrupliciter noctilucarum capitibus
ac alis præcisis adicies, totumque in vase
plumbeo vel vitreo repositum in fimo subfodias
equino, ut dictum est, quod extractum oleum recipias.
Verum tum cum æquali parte prædictorum
fellium et æquali noctilucarum admiscens, sub fimo
XI. diebus subfodias per singulares hebdomades
fimum renovando; quo iam extracto de radice herbæ
que cyrogaleonis134 et noctilucis pabulum factum, ex
hoc liquore medium superfundas. Quod si volueris,
omnia repone in vase vitreo et eodem ordine fit.
Quolibet enim loco repositum fuerit, continuum
præstat incendium.
19. Candela quæ in domo relucet ut argentum.
Recipe lacertam nigram vel viridem, cuius caudam
amputa et desicca; nam in cauda eius argenti vivi
silicem reperies. Deinde quodcumque lichnum in
illo illinitum ac involutum in lampade locabis vitrea
aut ferrea, qua accensa mox domus argenteum induet
colorem, et quicumque in domo illa erit, ad modum
argenti relucebit.
20. Ut domus quælibet viridem induat colorem
et aviculæ coloris ejusdem volent. Recipe cerebrum
aviculæ in panno involvens tentam et baculum, inde
faciens vel pabulum in lampade viridi novo oleo
olivarum accendatur.
21. Ut ignem manibus gestare possis sine ulla
læsione. Cum aqua fabarum calida calx dissolvatur,
modicum terræ Messinæ, postea parum malvæ visci
adicies. Quibus insimul commixtis palmam illinias
et desiccari permittas.
22. Ut aliquis sine læsione comburi videatur.
Alceam cum albumine ovorum confice, et corpus
perungue et desiccari permitte. Deinde coque cum
vitellis ovorum iterum, commiscens terendo super
pannum lineum. Postea sulphur pulverisatum superaspergens
accende.
23. Candela quæ, quum aliquis in manibus
apertis tenuerit, cito extinguitur; si vero clausis,
ignis subito renitebitur: et haec millies, si vis,
poteris facere. Recipe nucem Indicam vel castaneam,
eam aqua camphoræ conficias, et manus cum
eo inungue, et fiet confestim.
24. Confectio visci est cum si aqua projecta
fuerit, accendetur ex toto. Recipe calcem vivam,
eamque cum modico gummi Arabici et oleo in vase
candido cum sulphure confice; ex quo factum viscum
et aqua aspersa accendetur. Hac vero confectione
domus quælibet adveniente pluvia accendetur.
25. Lapis qui dicitur petra solis in domo
locandus, et appositus lapidi qui dicitur albacarimum
(alba ceraunia?). Lapis quidem niger est
et rotundus, candidas vero habens notas, ex quo
vero lux solaris serenissimus procedit radius. Quem
si in domo dimiseris, non minor quam ex candelis
cereis splendor procedit. Hic in loco sublimi positus
et aqua compositus relucet valde.
26. Ignem Græcum tali modo facies. Recipe
sulphur vivum, tartarum, sarcocollam et picem, sal
coctum, oleum petroleum et oleum gemmæ. Facias
bullire invicem omnia ista bene. Postea impone
stuppam et accende, quod, si volueris, exhibere
(poteris ?) per embotum ut supra diximus.135 Stuppa
illinita non extinguetur, nisi urina vel aceto vel
arena.
27. Aquam ardentem sic facies. Recipe vinum
nigrum spissum et vetus et in una quarta ipsius distemperabuntur
unciæ II. sulphuris vivi subtilissime
pulverisati, lib. II. tartari extracti a bono vino albo,
unciæ II. salis communis; et subdita ponas in
cucurbita bene plumbata et alembico supposito
destillabis aquam ardentem quam servare debes in
vase clauso vitreo.
28. Experimentum mirabile quod fecit homines
ire in igne sini læsione vel etiam portare ignem vel
ferrum calidum in manu. Recipe succum bisvalvæ
et albumen ovi et semen psillii et calcem et pulverisa;
et confice cum albumine succis (?) raphani
et commisce. Et ex hac commixtione illinias corpus
tuum et manum et desiccare permitte et post iterum
illinias; et tunc poteris audacter sustinere sine
nocumento.
29. Si autem velis ut videatur comburi, tunc
accenditur sulphur, nec nocebit ei.
30. Candela accensa quæ tantam reddit flammam
quæ crines vel vestes tenentis eam comburit.
Recipe terebenthinam et destilla per alembicum
aquam ardentem, quam impones in vino cui applicatur
candela et ardebit ipsa.
31. Recipe colophonium et picem subtilissime
tritum et ibi cum tunica proicies in ignem vel in
flammam candelæ.
32. Ignis volantis in aëre triplex est compositio.
Quorum primus fit de sale petroso et sulphure et
oleo lini, quibus tritis, distemperatis et in canna
positis et accensis, poterit in aërem sufflari.
33. Alius ignis volans in aëre fit ex sale petroso
et sulphure vivo et ex carbonibus vitis vel salicis;
quibus mixtis et in tenta de papiro facta positis et
accensis, mox in aërem volat. Et nota, quod respectu
sulphuris debes ponere tres partes de carbonibus, et
respectu carbonum tres partes salpetræ.
34. Carbunculum gemmæ lumen præstantem
sic facies. Recipe noctilucas quam plurimas; ipsas
conteras in ampulla vitrea et in fimo equino calido
sepelias et permorari permittas per XV. dies. Postea
ipsas remotas destillabis per alembicum et ipsam
aquam in cristallo reponas concavo.
35. Candela durabilis maxime ingeniosa fit. Fiat
archa plumbea vel ænea omnino plena intus et in
fundo locetur canale gracile tendens ad candelabrum,
et præstabit lumen continuum oleo durante.
Explicit liber Ignium.
Chemical Index.136
| | Rec. | | Rec. |
| Acetum, | 11, 26 | Laton, | 17 |
| Æs, | 17, 35 | Leporis Marini Fel, | 18 |
| ” Italicus, | 15 | Lini Oleum, | 7, 12, 32 |
| ” Rubicundus, | 8 | Lupi Aquatici Fel, | 18 |
| Æthiopiæ Oleum, | 3 | Lutum Sapientiæ,69 | 1 |
| Alambicum, | 27, 30, 34 | Malvæ Viscus, | 21 |
| Albacarimum (Alba Ceraunia ?), | 25 | Marrubii Lignum, | 6 |
| Alcea ?, | 22 | Medulla Cannæ Ferulæ, | 2 |
| Alkitran, | 1, 3, 6, 8, 9 | Mustelæ Fel, | 17 |
| Ammoniæ Liquor, | 1 | Noctilucæ, | 17, 18, 34 |
| Anethorum Oleum, | 2 | Nux Castanea, | 23 |
| Aqua Ardens, | 27, 30 | ” Indica, | 23 |
| Arena, | 11, 26 | Oleum, | 24, 35 |
| Argentum Vivum, | 19 | ” Foetidum, | 15 |
| Asphaltum, | 10 | Olivarum Oleum, | 20 |
| Astrolabium, | 8 | Ovorum Albumen, | 22, 28 |
| Auricalcum, | 8, 16 | ” Oleum, | 6, 8, 9 |
| Aviculæ Cerebrum, | 20 | ” Vitella, | 5, 22 |
| Balsamum, | 2, 3, 9 | Petroleum, | 2, 10, 26 |
| Bismalvæ Succum, | 28 | Picula, | 10 |
| Bombax, | 10 | Pinguedo Arietina, | 2 |
| Calx, | 21, 28 | Pix, | 26, 31 |
| ” non Extincta, | 9 | Plumbum, | 8, 35 |
| ” Viva, | 15, 24 | Psillii Semen, | 28 |
| Camphoræ Aqua, | 23 | Raphani Succum, | 28 |
| Cantharides, | 15 | Sal Coctus, | 26 |
| Carbo Salicis, | 13, 33 | ” Combustus, | 16 |
| Carbo Vitis, | 13, 33 | ” Communis, | 27 |
| Carbunculum, | 34 | Sal Petrosus, | 12, 13, 14, 32, 33 |
| Cera, | 6, 7, 13 | Sandraca, | 1, 7 |
| Colophonium, | 8, 10, 12, 31 | Sarcocolla, | 26 |
| Cucurbita, | 10, 27 | Stannum, | 8 |
| Cyrogaleo (Cynoglossum ?), | 18 | Stuppa, | 26 |
| Embotum, | 26 | Sulphur, | 2, 4, 6, 22, 24, 29, 32, 33 |
| Fabarum Aqua, | 21 | ” Croceum, | 8 |
| Ferri Limaturæ, | 8 | ” Oleum, | 3, 4, 5, 7, 8 |
| Ferrum, | 17 | ” Splendidum, | 5 |
| ” Indicum, | 16 | ” Vivum, | 10, 12, 13, 26, 27, 33 |
| Filtrum, | 6, 11 | Tartarum, | 10, 26, 27 |
| Fimum Columbinum, | 10 | Terebenthina, | 30 |
| ” Ovinum, | 10 | ” Oleum, | 2 |
| Furonis Fel, | 17 | Terra Messinæ, | 21 |
| Galbanum, | 15 | Testudinis Fel, | 15, 17, 18 |
| Gemmæ Oleum, | 26 | Tyriaca, | 18 |
| Gummi Arabicum, | 24 | Urina, | 11, 26 |
| Juniperi Oleum, | 4 | Vermes Noctilucæ, | 16 |
| Lacertus Niger, | 19 | Vinum, | 30 |
| ” Viridis, | 19 | ” Album, | 27 |
| Lamii Oleum, | 12 | ” Nigram, | 27 |
| Laterum Oleum, | 2 | Zembac Oleum, | 15, 16, 17 |
M. Berthelot (i. 100 ff.) gives the best existing
text of the foregoing tract, founded on Paris MSS.
7156 and 7158 collated with the Munich MS. 267.
He adds extracts from the Munich MS. 197, dated
1438. Herr von Romocki gives the text reproduced
here and the Nürnberg MS. of a somewhat later date
than the Paris MSS., say 1350.137
A glance at the text given here shows that, far
from being a formal and connected treatise, it is a
medley of recipes thrown together with very little
method and without any literary skill. Of the
thirty-five recipes (in Du Theil’s MS.) fourteen are
war mixtures, six relate to the extinction of incendiaries
or the prevention and cure of burns, eleven are
for lamps, lights, &c., and four describe the preparation
of certain chemicals—one of them, No. 14, giving
a mode of refining saltpetre. The war mixtures
consist of nine recipes for various fires, Nos. 1, 2, 3,
6, 7, 8, 9, 24, and 26; one for fire-arrow composition,
No. 10; and four for rockets and Roman
candles (including a “cracker”), Nos. 12, 13, 32,
and 33. Nos. 9, 15, and 24 contain quicklime; 12,
13, 14, 32, and 33 contain saltpetre.
A closer examination leads to the conclusion
that the tract is the work of neither one author nor
one period. As we read of such ingredients as
weasel’s gall (17) and paste of glow-worms (16); of
the mercury to be found in black and green lizards’
tails (19); of the mixture which ignites incontinently
at sunrise, wherewith crows are to be anointed and
despatched against the enemy (3), we seem to hear
the chant of the witches in “Macbeth”:—
“Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder’s fork and blind-worm’s sting,
Lizard’s leg and owlet’s wing.”
These recipes embody the same traditions as the
war recipes of the “Kestoi” of Sextus Julius Africanus,
which belong to the seventh century. But
on turning to Nos. 32 and 33, we find recipes as
precise and formal as those of Hassan er-Rammah,
who wrote in the last quarter of the thirteenth
century. The description of the rocket and its
composition (13) is as definite and intelligible as
many a recipe of the seventeenth century: recipes
8 and 17, with their allusions to Hermes, the mythical
Alexander the Great, Aristotle the wizard and
Ptolemy the magician, belong to a far earlier period.
In short, the extraordinary contrast in style and
matter, phraseology and diction, between certain
recipes and others, leads irresistibly to the conclusion
that the oldest recipes are separated from the
youngest by several centuries, and that the tract
(as we possess it) was not the work of one man,
but of several. There is a kernel of old recipes,
to which others were added from time to time.
This conclusion receives strong support from the
fact that no two of the MSS. are of the same
length. The Munich MS. contains twenty-two,
Berthelot’s text thirty-five, and the Nürnberg MS.
twenty-five recipes.
The best judges date the oldest existing MSS.,
Paris, 7156 and 7158, at about 1300 A.D., and Abd
Allah tells us that saltpetre was known to the
Spanish Arabs in the second quarter of the thirteenth
century.138 The saltpetre recipes, therefore,
12, 13, 14, 32, 33, lie between the years 1225 and
1300. We shall call them, for convenience of reference,
the “Late Recipes.”
No one who carefully studies the remaining
recipes can fail to observe that many of them are
marked by archaism of style, form and matter, and
that they hand down to us ancient alchemical traditions,
or traces of them; while others display no
such peculiarities. Let us then, again for mere
convenience, divide them into two series—the
“Early Recipes,” which possess these peculiarities,
and the “Middle Recipes,” which do not. To
what periods do these two series belong?
No. 26, apparently the most modern of the
Middle Recipes, will presently be shown to belong
to the early part of the thirteenth century, and, as
it does not contain saltpetre, its approximate date
is 1200-1225. There is no evidence, so far as I
am aware, which would enable us to fix the beginning
of the Middle or the end of the Early
Recipes. The matter, happily, is immaterial; it is
sufficient for us to know that the former series is
undoubtedly subsequent to the latter, and (as will
be shown) quite independent of it.
For a reason which will appear presently, the
date of the oldest of the Early Recipes depends
upon the period at which Moslems began to write
upon alchemy. According to Arab authorities,139 the
first Moslem who wrote on the subject was Prince
Khalid ibn Yazeed ibn Moawyah, who died in 708.
After him came the real Jabir, of the eighth or
ninth century; but Masudi, in the tenth century,
tells us that there were many other writers on
alchemy whose names are now lost.140 The very
earliest date, then, that can be assigned to the
oldest of the Early Recipes is the eighth century,
say 750.
The three series are as follows:—
Early Recipes, 750- ? | Middle Recipes, ? -1225. | Late Recipes, 1225-1300. |
| 1, 2, 3, 6, 7, 8, 9, 10, 15, 16, 17, 18, 19, 20, 21, 23, 25, 34 | 4, 5, 11, 22, 24, 26, 27, 28, 29, 30, 31, 35 | 12, 13, 14, 32, 33 |
Looking from the chemical point of view, M.
Berthelot divides the recipes into six groups.141
Those who are interested in the matter will find
on examination that, chronologically, his groups
harmonise perfectly with the three series given
here.
The reader will observe on a cursory examination
of the Latin text that most of the recipes
contain foreign, i.e. non-Latin words; and this fact
suggests the question, Is the Liber Ignium an
original work or a translation?
The number of foreign words and allusions is
so considerable as to leave little doubt that a large
part of the tract was translated from some foreign
language, and no one, I believe, seriously maintains
that the work, as a whole, is original. From what
language, then, has it been translated?
We meet with the Greek proper names Hermes,
Ptolemy, Alexander and Aristotle, and with a
number of Greek words which look like survivals
of a Greek original. Among the most prominent
are alba ceraunia (?), asphaltum,142 bombax, cynoglossum (?),
orichalcum and sarcocolla, all of which are
latinised Greek words. But on looking closely into
this evidence we find that it has very little weight.
The Greek proper names prove nothing. Hermes
and Ptolemy became common property to alchemists
of all nationalities in the infancy of alchemy.
Alexander the Great’s extraordinary career excited
universal wonder, and the many and marvellous
legends which grew round his name in the West
were only surpassed by those of the East. He
and his Wazir, Aristu (Aristotle), were common
property long before the Liber Ignium saw the
light. The Greek words give no support to the
hypothesis of a Greek original unless it can be
shown either that they had not previously been
adopted by the Latins, or that the tract was written
before they were borrowed. A particular instance
will make the matter clearer. We took the word
harquebus from the French at some period, say p.
If harquebus occurs in an English book written
after p, its presence raises no presumption that
the book was in any way connected with France,
or even that its author understood French. If
the book was written before p, its author
must have had recourse, directly or indirectly, to
French sources. Now all the Greek words given
above had been latinised long before the Liber
Ignium was written, and might have been used
by a Latin when translating from any language.
Alba ceraunia, asphaltum, bombax, cynoglossum and
sarcocolla are found in Pliny’s “Natural History,”
first century A.D., and orichalcum occurs in the
“Bragging Soldier” of Plautus about the end of
the third century B.C. But it is unnecessary to
continue the examination of the Greek words contained
in the tract for the following reason. A
hypothesis must cover all the facts of a case, and
some facts in the present case are inexplicable on
the theory of a Greek original.
The Greeks had three words for the asphalt
family, pissa, asphaltos, and naphtha; and the
translator had at least three Latin words (which
he has actually used) wherewith to translate them,
pix (or picula), asphaltum, and petroleum. How,
then, came he to use the barbarism, alkitran Græcum,
in recipe 1? The original of this phrase came from
no Greek source.
We could not expect the author of the tract to
reveal the secret of the sea-fire, which was only
known to a few officials; but the mediæval Greeks
were not an exceptionally modest people, and we
naturally look for some slight allusion to this
triumphant incendiary and the siphons in which
it was employed. They are never referred to,
although ballistæ, bows, and rockets are mentioned
in recipes 10, 12, 13, 32, 33.
The title of the tract, Liber Ignium, a Marco
Græco descriptus, assuming it to have been correctly
and literally translated, was not written by a Byzantine
Greek. No Byzantine Greek ever described
himself (or a compatriot) as a Greek: “in the lowest
period of degeneracy and decay the name of Roman
adhered to the last fragments of the Empire of
Constantinople.”143 The writer of the title, therefore,
was either a Moslem or a western.
The author of recipe 26, Ignem Græcum, &c.,
was neither a Greek nor a Moslem. No Greek144 or
Moslem145 writer ever uses the phrase “Greek fire,”
which sprang up in the West during the Crusades.146
The recipe, therefore, cannot have been written
before the siege of Nice, 1097, the first act of the
first crusade, and it was probably not written until
long afterwards. The phrase “Greek fire” must have
taken some time to reach the West, and it spread
there very slowly. Abbé Guibert de Nogent, who
died in 1124, speaks of “discharging from machines
the fire they call Greek” (Græcos, quos ita vocitant,
Ignes injicere machinis).147 At the close of the century
William the Little, Canon of St. Mary’s, Newburgh,
Yorkshire, mentions “a certain kind of fire
which they call Greek “ (quodam ignis genere quem
Græcum dicunt)148 Such modes of expression show
that Greek fire was very little known in the West
during the twelfth century. In the Liber Ignium,
on the other hand, it is spoken of without qualification
or explanation, like sulphur or pitch, as a
substance too well known to require note or comment.
The 26th recipe, therefore, belongs very
probably to the first quarter of the thirteenth century,
and its author was certainly a western.
The hypothesis of a Greek original, then, must
be abandoned, even though old Greek alchemical
traditions are crystallised in the Early Recipes.
The Greeks founded alchemy in remote times;
their methods were transmitted through the Syrians
and Egyptian Greeks to the Moslems; and a large
number of their recipes had become common property
long before the Liber Ignium was written.
But Greek science did not spread equally in all
directions, at least to any appreciable extent. It
spread to the south and east only, and the west
owed its knowledge of alchemy to the Arabs who
invaded Spain in 710 A.D. This fact may throw
some light upon the Arabic words and allusions to
be found in the tract.
In a very old recipe, No. 9, we meet with the
phrase, “the first fall of the autumnal rain “ (primo
autumnalis pluviae dilapsu), which indicates the
regular, periodic rains of the East, and is apparently
the translation of خريف (kharif) = the autumnal
rains. The beginning of these rains was an event of
great importance to the Arabs. “Suivant Masudi,”
says Baron de Sacy, “les Arabes nomment l’automne
وسمي (wasmy), à cause des pluies qui tombent en
cette saison, parceque la terre, étant alors très-sèche,
et n’ayant pas été humectée depuis longtemps, la
première pluie qui vient à tomber imprime sa marque
sur la terre.... Il ajoute que les Arabes commencent
l’année à l’équinoxe d’automne, parceque
c’est l’époque où commence à tomber la pluie à
laquelle ils doivent leur subsistance.”149
Alambicum is apparently the latinised form of
the Spanish alambique, which is simply the Arabic
الانبيق (al-ambiq)—whatever the derivation of the
Arabic word may be.
استرلاب (Asturlab), although found in Masudi150
and the “Arabian Nights,”151 is not a genuine Arab
word. It was borrowed from some other language
by the Arabs, who possessed few or no scientific
words of their own. The “Nihayet al-Adab” tells
us (in Lane’s “Arabic Dictionary,” under asturlab)
that the names of all instruments by which time is
known, whether by means of calculation or water
or sand, are foreign to the Arabic language. In
most Arabic dictionaries asturlab is derived from
the Greek ἀστρολάβος, a word which appears to go
back no further than the second century B.C., when
it was employed by the Egyptian astronomer,
Ptolemy. But it was long suspected that the instrument
was of eastern origin,152 and all doubt about
the matter was at length set at rest by Mr. George
Smith’s discovery, in the palace of Sennacherib at
Nineveh, of the fragment of an astrolabe,153 which
cannot be dated later than the eighth century B.C.
Now the earliest recorded astronomical observation
made by the Greeks was the determination of the
summer solstice by Meton, 430 B.C.154 For the name
of this fragment, therefore, we must look to the
language of the country of its birth; and there
we find the Persian asturlab, which is apparently
formed from the primitive verbal root labh = taking,155
and the Persian astar or sitára = Pehlevi, çtârak =
Zend, çtare = Sanskrit, star = our own star. The
Arabs most probably took their asturlab, with so
many other words, from the Persian. The Greeks
who followed Alexander the Great into Persia
found there much that was new to them. They
saw for the first time “the cotton tree and the
fine tissues and paper for which it furnished the
materials.”156 They handled the wool of the great
Bombax tree. They found naphtha, of whose properties
Alexander was entirely ignorant.157 They
obtained drugs and gums of which they knew
nothing. The philosopher Kallisthenes discovered
in Babylon Chaldæan astronomical observations extending
back to 721 B.C.;158 was shown, we cannot
doubt, the instrument with which they were made;
and probably heard for the first time the word
asturlab or usturlab.
For copper (or some alloy of it159) the cyprium of
Pliny (which became cuprum about the end of the
third century A.D.) is ignored in the tract, and the
metal is called æs rubicundus. This phrase may
possibly represent the χαλκὸς ἐρυθρός of Homer (Il.
ix. 365); but it is far more probably the literal
translation of the Arabic phrase used to this day
for copper نحاس احمر (nuhas ahmar) = red brass.
Four (so-called) sulphurs are mentioned by both
Pliny and the writers of the Liber Ignium, but their
names are identical in only one case, sulphur vivum.
Two sulphurs are named in the tract from their
colour, after the oriental fashion, sulphur splendidum
and sulphur croceum. Masudi speaks in the tenth
century of “white, yellow, and other kinds of sulphur,”160
and “white and red sulphur” are mentioned
in the Ayin Acberi, a Persian MS. quoted by the
Baron de Sacy.161 Several sulphurs, all named from
their colour, are given in the Liber Secretorum,
translated from the Arabic or Persian, cir. 1000 A.D.,162
and similar sulphurs are found in the Syriac treatise
reproduced by M. Berthelot, ii. 159-60. Finally,
the Hindus had four sulphurs, white, red, yellow,
and black.163
The Arabs had no special word for bitumen:
bitumen is not to be found in the tract.
Alkitran, the Spanish alquitran, which is used
five times, is pure Arabic, القطران (al-qitran).
In three successive recipes we meet an Arabic
word in its native form, without any attempt
to translate it—زنبق (zembaq). Its meaning is
doubtful, for a reason given by Baron de Sacy:
“Le nom zambak est commun à plusieurs plantes.
Forskål le donne à l’iris et au lis blanc.”164
We have already met with two Arabic words
which were adopted unchanged, and are still used,
by the Spaniards, alembic and alkitran. There are
other traces of Spain.
Roger Bacon observes in his “Greek Grammar”
(p. 92) that the alloy auricalcum is in no way connected
with aurum, gold, but is a corruption of
orichalcum. The Spaniards, however, retained in
their language the corrupt form auricalco, and auricalcum
occurs twice in the tract.
We may gather from Lebrixa’s explanation of
“bitumen Judaicum”—“est quod græce dicitur
asphaltos”165—that the Spaniards had no special word
for asphalt; asphaltum is used only once in the tract,
recipe 10. But they used petroleo for petroleum;166
petroleum is found in recipes 2, 10, and 26. This word,
in the form petra oleum, is used in the Anglo-Saxon
“Leechdoms,” published in the Rolls Series, which
Rev. O. Cockayne, the editor, dates at 900; ii. 289.
The Spaniards did not use the word naphtha, which is
described by Lebrixa as “el fuego como de alquitran.”
Naphtha does not occur in the tract, although
it is found in Latin and Greek authors of the first
and second centuries A.D.; in Pliny’s “Natural
History,” ii. 109 (105); in Dioskorides, i. 101;
and in Plutarch’s “Alexander,” 35. It appears as
naphathe in the “Speculum” of Vincentius Bellovacensis,
1228; l. i. c. 92. The commonest Spanish
word for one or other of the asphalt family, alquitran,
occurs (as before mentioned) five times in the
tract.
On referring to the Chemical Index, p. 68, it will
be found that all the foregoing Arabic and Spanish
words occur in the Early Recipes. The Middle
Recipes contain only one Arabic word, alambic,
recipes 27 and 30, which is also found in the Early
Recipes, No. 34; and one Spanish word, petroleo,
recipe 26, which occurs twice in the earlier series,
Nos. 2 and 10. Now, Spain was the only European
country in which Arabic was understood during the
Middle Ages. “In all Europe, outside Spain, but
three isolated Arabists of that time are known—William
of Tyre, Philip of Tripoli, and Adelard of
Bath.”167 Pagnino printed an edition of the Qur’an
at Venice in 1530, and it was immediately suppressed
by the Church; “a precaution hardly required,”
says Hallam, “while there was no one able to read
it.”168 Furthermore, we know that a series of Latin
translations of Hebrew and Arabic MSS. were
made in Spain between the years 1182 and 1350.169
We may therefore conclude with some little probability:—
1°. That the Early Recipes were translated from
a lost Arabic original.
2°. That the translator was a Spaniard.
3°. That the translation was made between the
years 1182 and 1225.
4°. That to this translation were added by other
hands, before 1225, the Middle Recipes, which
practically contain neither Hispanicism nor Arabism,
and which make no mention of saltpetre.
5°. That the Late Recipes were inserted towards
the close of the thirteenth century.170
On accepting these conclusions, the difficulties
raised by the hypothesis of a Greek original vanish.
The Spanish translator had no need to translate the
alkitran of the Arabic writer, for the word was
Spanish as well as Arabic. Like all westerns, he
called the Byzantines Greeks, and a certain incendiary
Greek fire. Neither Moslem nor Spaniard was
likely to speak of the sea-fire. Moslems would be
loth to recall the disasters at Cyzicus and elsewhere,
when this incendiary made havoc of their ships;
Spaniards knew nothing about it. Owing to the
secrecy maintained by the Imperial Government,
westerns knew very little about Byzantine pyrotechnics.
“At the end of the eleventh century the
Pisans ... suffered the effects, without understanding
the cause, of the Greek fire.”171 The Princess
Anna Comnena ascribes the defeat of the Pisans in
a naval battle fought in 1103, to an unknown
incendiary employed by the Greeks.172 In both cases
the incendiary could only have been the sea-fire, for
the Latins had been acquainted with ordinary incendiaries
for a thousand years. As late as 1204, the
Emperor Baldwin I., in a manifesto to all Christians,
declares that the Greeks used “machines and defences
to protect their capital (in this year) which
no one (from the West) had ever seen before.”173
It is time to inquire who was Marcus Græcus.
He has been fancifully identified with many of the
Marci of history and fable, and M. Dutens discovered
him in the second century A.D. The views of M.
Dutens must be noticed here, because they have
been unwarily adopted by some good writers.
There exists a Latin translation of a lost Arabic
treatise on medicine, De Simplicibus, supposed by
some to have been written by Masawyah of Damascus
in the eleventh century,174 while others, with M.
Dutens, assign it to Yahya ibn Masawyah, who
attended the Caliph Mamoun on his deathbed,175
833 A.D. The question before us is, does the De
Simplicibus (whatever its date) contain any reference
to Marcus? When mentioning the use of syrup of
cyclamen, Masawyah quotes the opinions of other
physicians: “The son of Serapion said (so and so) ... and
a Greek (physician) says (so and so)”
(dixit filius Serapionis ... et dicit Græcus).176 On
the last two words, dicit Græcus, M. Dutens builds
his theory that the Greek physician was no other
than Marcus: “Ce qui paroît fort probable, est
que (Marcus Græcus) devoit vivre avant le médicin
arabe, Mesué, qui a paru au commencement du
neuvième siècle, puisque celui-ci le cite.177 By
this mode of reasoning, which is generally called
“begging the question,” Marcus Græcus may be
identified at will with any Greek who ever lived.
M. Dutens continues: “Fabricius croit que (Marcus
Græcus) est le même dont Galen parle dans un
endroit de ses ouvrages, au quel cas il serait du
temps requis pour appuyer mon sentiment.” It
would be strange indeed to find mention of a Latin
writer or book in a Bibliotheca Græca, and I have
failed to verify M. Dutens’ reference. In the editions
of Fabricius’ work which I have consulted he
expresses no such belief, nor does he allude to
Marcus Græcus. In the list Fabricius gives of
ancient physicians there are several who bear the
name of Marcus, but no Marcus Græcus. The last
of these Marci happens to be simply called “Marcus,”
and of him Fabricius says: “This Marcus,
who is mentioned by Galen in his book on compounding
medicines, may possibly have been one of
the foregoing” (Marcus, simpliciter, Galeno in compositionibus
medicamentorum κατὰ τόπους, l. iv. c. 7,
quem credibile fuisse unum ex illis prioribus).178
The Liber Ignium was written from first to last
in the period of literary forgeries and pseudographs,
which produced the “Book of Hermes,” “The
Domestic Chemistry of Moses,” the alchemical works
of Plato and of Aristotle and of the Emperor Justinian,
and so on; and we may reasonably conclude
that Marcus Græcus is as unreal as the imaginary
Greek original of the tract which bears his name.
Had the last editor of the Liber Ignium, who
added the saltpetre receipts, any knowledge of an
explosive?
We need not linger over the Roman candle of
No. 12, or the rocket of No. 13: had their charges
been explosive there would have been an end of the
candle and rocket, and of the men who fired them.
The cracker of No. 13 was a toy intended to “go off
with a bang,” without hurt to the bystanders. The
case was to be as strong as possible and securely
fastened at both ends with iron wires. It was to be
half filled with rocket composition, a mixture which
burned in a cracker-case precisely as it burned in
a rocket-case—with progressive combustion. Now
Roger Bacon had a similar toy, constructed with the
very same object, i.e. “to go off with a bang,” the
case of which was “merely a bit of paper.” Why
was there this marked difference, then, between the
two cases? Because the noise was produced in the
one by the explosion of the charge and in the other
by the rupture of the case. Bacon’s charge (as will
be shown in Chap. viii.) was gunpowder, and the
required “bang” was directly produced by its explosion.
Marcus’ toy was charged with an incendiary,
the combustion of which did not produce a “bang”
directly, but which produced one indirectly by ultimately
bursting open the thick, stout case. The
gases generated by its combustion “gradually developed
until the case burst,”179 just as a bladder
bursts “with a bang” when over-inflated. Had
Bacon’s toy been charged with an incendiary, the
case, which was only a sheet of paper, would have
been set on fire by the heated gases long before their
pressure had reached the bursting point, and there
would have been no “bang.” Had Marcus’ toy
been charged with an explosive, it would have
exploded destructively, and what was intended for a
public diversion would have proved a common
danger, owing to the thickness of the case and the
iron wire coiled round it. There is nothing in the
tract to show that its authors had any notion of
explosives, and their silence, without any assignable
motive, is strong evidence that they knew nothing
about them. It is incredible that pyrotechnists who
seldom omit to call attention to the effects of their
incendiaries,180 should have failed to make some allusion
to explosives if they possessed them. Their
silence was not owing to fear of the Church, for the
decree of the Second Council of the Lateran was
directed against the very mixtures which form the
staple of the Liber Ignium, incendiaries.181 The 12th
and 13th recipes contain the ingredients of the
future gunpowder; they form the last link in the
long chain of evolution which connects the incendiaries
of primitive times with gunpowder; but they
were not gunpowder, because they did not explode.
The chrysalis, we know, will become a butterfly if it
lives; nevertheless it would be an abuse of language
and a misrepresentation of fact to call it a butterfly.
The reader can now appreciate the value of
the argument that the Greeks possessed an explosive
between the seventh and thirteenth centuries,
because Marcus Græcus describes one; and he can
understand why Marcus was not summoned in
Chap. iii. to give evidence for the Greeks.
A suspicion may be raised by the Arabic origin
of the Liber Ignium, that the people who approached
so nearly to the manufacture of gunpowder
may have ultimately reached it. We pass, therefore,
to a consideration of Arabic incendiaries in the
following chapter.
Although the Arabs had had relations with the
Greeks, Romans, and Persians for centuries, and
were acquainted with the details of the siege of
Jerusalem, 70 A.D., the earliest allusion to their use
of machines is the tradition that Jodhaimah, King
of Heerah, constructed manjánik in the third century
A.D.182 The scarcity of timber in Arabia may
partially explain the lateness of their introduction,
and the position of Heerah, in the north-east province
of Arabian Irak, raises a suspicion that the
Arabs learned the use of machines from the
Persians, who got them from the Greeks.
When the Prophet besieged Tayif in 8 A.H.
(630 A.D.), the defenders had recourse to heated
projectiles.183 We may safely assume that they were
the balls of hot clay spoken of in the 11nth Sura
of the Qur’an, in describing the destruction of the
Cities of the Plain: “we rained upon them stones
of baked clay.”184 Half a century afterwards, 683,
during the siege of Mecca, the Ka’aba was burned
down by incendiary compositions, discharged, not by
Arabs, but by Syrians, who doubtless understood
the manipulation of naphtha and the other combustibles
used.185 In 712 the howdah in which sat
Dahir, King of Alor in Scinde, was set on fire by a
fire-arrow shot by a Moslem naphtha-thrower186—the
same nature of projectile that had been used by the
Persian archers at the taking of Athens, 480 B.C.
In speaking of the capture of Alor, both Mir
Ma’sum Bhakkari, in his “History of Scinde,” and
Haidar Razi, in his “General History,” mention the
employment of atish bazi, or fire-throwing machines,
“which the Moslems had seen in use with the
Greeks and Persians.”187 Stones were discharged
from machines to so little purpose at the siege of
Heraclea, 805, that Harun er-Reshid urged his
generals to fasten incendiaries to them. This was
done with such effect that the resistance of the
besieged at once collapsed, the inhabitants being
terror-stricken at the sight of the flaming naphtha.188
There is no trace of an explosive here, yet a French
Arabist would have us believe that muskets were in
use during this Caliph’s reign.
Al-bunduqani, the man who carries a bunduq,
which in this connection is a contraction for
qaus al-bunduq, or simply qaus bunduq,189 was an
epithet bestowed on Harun by the public, or
assumed by himself; and in translating one of
the “Arabian Nights” with this title, M. Gauttier
remarks: “Bondouk signifie en Arabe harquebuse,
albondoukani signifie l’arquebusier.”190 This
argument may be illustrated by a more familiar
one: “Jonathan gave his artillery unto his lad”
(1 Sam. xx. 40); but artillery signifies cannon;
therefore, &c. &c. It may be remarked that arquebuse
is ambiguous. “Avant d’être une arme à feu
l’arquebuse était une arme à jet,” says Dr. Dozy,191
who is supported by M. Scheler: “l’arquebuse était
à son origine une sorte d’arbalète.”192 Assuming,
however, as Gauttier evidently did, that arquebuse
meant a firearm, his argument only establishes the
use of firearms in the ninth century, if we take
signifie as equivalent to means now, in the year
1822, and meant also in the time of Harun. The
question, therefore, turns upon the meaning of the
words bunduq, or qaus bunduq, in the time of the
great Caliph, and an anecdote told by Masudi leaves
no doubt about what that meaning was.193 He tells
us that in the time of Muhtadi Billah, 868-9, a
negligent porter was sentenced by his master to be
tied up (apparently in a room or courtyard) and shot
at fifty times by a man armed with a qaus bunduq,
which carried leaden bunduq. There is not the
slightest allusion to charge, cartridge, gunpowder,
wad, or match, nor to the operation of loading.
The ammunition consisted solely of leaden balls.
Although the marksman sent his fifty bunduq home,
the porter was so little the worse for his punishment
that, when all was over, he made a coarse but
cutting remark to his tormentor. There can be no
question of firearms here: one, or at most two
bullets fired by so good a shot from any firearm
ever constructed would have silenced the porter
for ever. The marksman was al-bunduqani, the
bunduq were leaden balls, and the qaus bunduq was a
pellet-bow = stone-bow194 = كلوله كمان (golulé keman) =
golail, used to this day by the Karens of Burma, and
known to everybody who has been in India. Such
is the explanation of qaus bunduq given by the
commentator Tabrizi in a note on one of Motanebbi’s
poems—a bow which discharges a ball as
big as a hazel nut.195 The bow itself is a long-bow
with two strings joined at their centre by a bit of
cloth or soft leather, which supports a ball generally
of baked clay or stone. If Hansard’s plate be
correct, the western stone-bow was a cross-bow with
two strings.196 The golail, as we learn from one of
the oldest of the “Arabian Nights,” was chiefly
used for shooting birds, squirrels, &c.: “he shooteth
birds with a pellet of clay,”197 ببندقة من طين. Again,
when the first Kalandar missed his bird and hit the
Wazir in the eye, he was using a qaus al-bunduq,198
قوس النبدق. The insult conveyed by the words
of the Sultan Kai-kubad, when speaking of the
dead leader of the Mughals, lay in the fact that the
golail was not a soldier’s weapon, but merely a
sporting implement: “No one would condescend to
shoot an arrow at a dead body; it is only a pellet-ball
that is fit for such (carrion) as this.”199 We
need not pursue the matter further: in the primitive
and simple golail is found the musket carried
by the Caliph Harun er-Reshid.
From a passage in the “Chachnama,” given in
Barnes’ “Travels into Bokhara,” it is clear that the
Moslems in their invasion of India relied upon
incendiaries to meet the attacks made upon them
with elephants, which are very much afraid of fire.
At the battle of Alor, 712, already mentioned, the
Moslems “filled their pipes” (hukkaha-e atish bazi
= grenades or siphons) “and returned with them to
dart fire at the elephants” (i. 67). This fact goes far
to explain a difficulty raised by the words toofung
(musket) and tope (cannon) found in some MSS.,
in place of the khudung (arrow) and nuft (naphtha)
given in other copies of Ferishta’s account of the
battle fought near Peshawur in 1008. He says:
“On a sudden the elephant upon which the prince
who commanded the Hindus rode, becoming unruly
from the effects of the naphtha balls and the flights
of arrows, turned and fled. This circumstance produced
a panic among the Hindus, who, seeing themselves
deserted by their general, gave way and fled
also.”200 The best critics reject the readings musket
and cannon in this passage. These words were
unknown to other Indian historians, and the circumstances
of the case make the use of an incendiary
exceedingly probable.
“I am slow in believing this premature use of
artillery,” says Gibbon; “I must desire to scrutinise
first the text and then the authority of Ferishta.”
“These readings must be due to interpolators,” adds
Professor Bury.201 “It appears likely,” says General
Briggs, the translator of Ferishta, “that Babar was
the first invader who introduced great guns into
Upper India, in 1526, so that the words tope and
toofung have been probably introduced by ignorant
transcribers of the modern copies of this work, which
are in general very faulty throughout.”202
Sir H. M. Elliot says: “The Tarikh-i Yamini,
the Jami’u-t Tawarikh of Rashidu-d Din, the
Tarikh-i Guzida, Abu’l Fida, the Tabakat-i Nasiri,
the Rauzatu’-s Safa, the Tarikh-i Alfi and the
Tabakat-i Akbari, though almost all of them notice
this important engagement ... and mention the
capture of thirty elephants, yet none of them speak
of either naft or tope.”203
Finally, we must remember that there is an
abundant supply of naphtha in the neighbourhood
of Peshawur,204 and that the practice of throwing
incendiary missiles was universal in Asia long before
the battle in question. The Ka’aba, as we have
seen, was burnt down by incendiaries in 683, and
this tremendous event of course became instantly
known all over Islam. At the battle of Alor, 712,
the Moslems specially prepared incendiaries to
repulse the attacks of the elephants. Igneous projectiles
were employed by Harun er-Reshid in 805
at the siege of Heraclea. The last day of the siege
of Baghdad, 813, is described by the poet Ali as “a
day of fire”: “the machines played from the hostile
camps ... and fire and ruin filled Baghdad.”205 So
well known were incendiary shell in Persia at the
close of the tenth century that Firdusi mentions
them in the episode of Nushirvan and Porphyry:
“The Romans began the fight from the gates and
discharged arrows and pots (of fire).”206 In 1067
Shems al-Mulk Nasr, when besieging Bokhara,
ordered incendiaries to be discharged against some
archers posted in the minaret of the Grand Mosque.
The wooden roof of the minaret took fire, the sparks
fell upon the main building, and in the end the
whole mosque was burned down.207
We may rest assured, then, that the words
Ferishta wrote in his account of the battle near
Peshawur, 1008, were naphtha and arrow, not
musket and cannon.
Far from possessing muskets in the ninth century,
there is no evidence to show that the Arabs had firearms,
that is, arms charged with an explosive, during
the whole of the Crusade period, 1097-1291. So
strange and deadly an agent of destruction as gunpowder
could not possibly have been employed in
the field without the full knowledge of both parties;
yet no historian, Christian or Moslem, alludes to an
explosive of any kind, while all of them carefully
record the use of incendiaries. The Arab accounts
of these campaigns will be found collected together
in M. Reinaud’s Extraits des Historiens Arabes
relatifs aux guerres des Croisades, Paris, 1829; the
Christian accounts are scattered in various volumes;
but they teach us no more than we have learnt
already in the two preceding chapters about incendiaries
and Greek fire: “les projectiles incendiaires
ont pu rester à peu près les mêmes pendant toutes
ces Croisades.”208
At the siege of Nice, first Crusade, we read of the
Saracens throwing balls of pitch, oil and fat against
the machines of the Christians.209 Fire-arrows bearing
pitch, wax, sulphur, and tow were discharged from
the walls of Jerusalem during the siege in the same
Crusade.210
During the second Crusade we find the Arabs
making use of similar incendiaries,211 mixtures practically
identical with that of Æneas Tacticus, cir. 350
B.C., given in Table II. Shell full of burning
naphtha were used at the siege of Acre, 1189-91,
in the third Crusade;212 and Richard of England, on
his voyage thither, sank a ship which an eye-witness
had seen laded at Beyrut with ballista, bows, arrows,
and lances, and a large supply of Greek fire secured
in bottles (ignem Græcum abundanter in phialis),213
a phrase which reminds us of the 18th recipe of
the Liber Ignium of Marcus Græcus: “put the
mixture in a glass bottle” (hoc in vase vitreo
ponatur). For the sixth Crusade, we have the invaluable
Histoire du Roy Saint Loys of Joinville,
who describes the terror excited by the incendiaries
of the Moslems, believed by all to be the work of
the Powers of Darkness. “Quant le bon chevalier
Messire Gaultier mon compagnon vit ce feu, il
s’escrie et nous dist: Seigneurs, nous sommes perduz
á jamais sans nul remède. Car s’ilz bruslent nos
chaz chateilz, nous sommes ars et bruslez; et si
nous laissons nos gardes, nous sommes ahontez....
Et toutes les fois que nostre bon Roy saint Loys
oyoit qu’ils nous gettoient ainsi ce feu, il se jettoit
à terre, et tendoit ses mains la face levée au ciel, et
crioit à haulte voix à nostre Seigneur, et disoit en
pleurant à grans larmes: Beausire Dieu Jesuchrist,
garde moy et tout magent,” &c.214 Yet the incendiaries
which created all this panic appear to have
wounded but few and to have killed nobody!
Although no evidence is forthcoming to show
that explosives were used in Palestine during the
Crusade period, there is good evidence, it has been
said, to prove that gunpowder was used by the
Arabs in Spain during the thirteenth century.
The first, I believe, to start the theory that the
Spanish Arabs possessed gunpowder at this early
period was Michael Casiri, a Maronite, who was
librarian of the Escorial and published his Bibliotheca
Arabico Hispana Escurialensis in 1760-70;
and his method of supporting his theory when
translating the MS. of Shehab ben Fadhl, which
he dates at 1249, was the simple one of translating
barud by pulvis nitratus, the recognised Latin
phrase for gunpowder.215 Had he translated barud
by saltpetre no difficulty could have arisen, since
an Arab alchemist, Abd Allah, states that saltpetre
was so called in the West during the second quarter
of the thirteenth century.216 There would be nothing
surprising, therefore, in finding saltpetre mixtures
employed in Spain at this period; but saltpetre
mixtures, such as the last three given in Table II.,
are not necessarily explosive. Not only is Casiri’s
translation of barud unwarrantable, but he probably
dates his MS. a century too early. M. Reinaud, a
safe guide, believes that the MS. is Al-Omari’s,
and dates 1349,217 eighteen years after the siege of
Cividale where the Germans used cannon,218 and
three years after Cressy where we certainly had
guns.219
Casiri’s methods are well illustrated by his translation
of an Arabic passage relating to the siege of
Baza, 1325, by Ismael ben Nasr, King of Granada.
The literal translation of the passage is as follows:
“He (the King) marched through the enemy’s
country to the town of Baza, which he invested
and attacked. By means of a great machine provided
with naphtha (made up in) hot (burning)
balls, he struck the arch of an inaccessible tower.”220
According to Casiri the passage reads: “Shifting
his camp, he besieged with a large army the town
of Baza, where, by applying fire, he discharged
(explosit) with much noise a great machine, provided
with naphtha and a ball, into a fortified tower.”221
He introduces, it will be observed, an explosion
(explosit) into a passage which neither mentions nor
suggests one. The application of fire has no place
in the original, and suggests the ignition of an explosive
charge. He changes the meaning of the
original by gratuitously inserting an and between
naphtha and ball, which were one and the same
thing. He leaves us to infer that the charge was
naphtha, though it was not explosive and could
not project a ball. He speaks of the explosion
being accompanied by a loud noise, of which there
is nothing in the original. The incendiary balls
are mentioned in another Arabic account of this
siege, translated by Conde in his Historia de la
Dominacion de los Arabes en Espagna, p. 593:
“The Arabs attacked the city night and day with
machines and engines which threw balls of fire
with a loud noise” (combatio la ciudad de dia y
noche con maquinas é ingenios que lanzaban globos
de fuego con grandes truenos).
In this passage the discharge of the incendiary
balls is said to have been accompanied by “thunderings,”
and at the siege of Niébla, 1257, we are
again told that the Moors “launched stones and
darts from machines, and missiles of thunder with
fire” (lanzaban piedras y dardos con maguinas, y
tiros de trueno con fuego).222 From this innocent
metaphor, trueno con fuego, the Emperor Leo’s
“thunder with smoke,” has been wrenched the
meaning that the Arabs possessed a train of artillery.
“Il n’y a rien à cela que de vraisemblable,”
says the Emperor Napoleon III.223 Nothing, I venture
to think, can be more unlikely. The Arab
writer is dealing with machines which, he says in
his own way, discharged stones and darts, and also
igneous missiles which burned with much noise.
Another Arab, already quoted (p. 4), gives a freer
rein to his fancy: the projectiles “roar like thunder;
they flame like a furnace; they reduce everything
to ashes.” In plain words, they are incendiaries.
The writer makes no allusion to the effect of their
momentum or shock; he impresses on us the effect
of their essential quality—their incendiary power,
exaggerating the noise made by their combustion.
Joinville writes in a similar style of Greek fire:
“La manière du feu grégeois estoit telle ... Il
faisoit tel bruit à venir qu’il sembloit que ce fust
fouldre qui cheust du ciel ... et gettoit si grant
clarté qu’il faisoit aussi cler dedans nostre ost
comme le jour, tant y avoit grant flamme de feu.”224
Unless we make due allowance for the luxuriant
Oriental imagination, we may despair of ever being
able to reach the meaning of the Eastern writers.
One of them wants to explain that the ditch of a
fort was deep and wide, and he tells us it was
“broad as the ocean and fathomless.”225 Wishing to
state that on the arrival of the army on its banks,
the Nerbudda, which happened to be in flood, subsided
quickly, another writer says: “You might say
that it (the river) was a remnant of the universal
deluge. As the miraculous power of the saintly
Sultan accompanied the Army, all the whirlpools and
depths became of themselves immediately dry on the
arrival of the Army, and the Musulmans passed over
with ease.”226 A similar indulgence in metaphor,
although not so unbridled, is found in European
writers. For instance, Vegetius likens the projectile
hurled by an onager to a thunderbolt;227 and
the Princess Anna Comnena compares the fiery
particles blown by the breath through a popgun,
or spitfire, to lightning.228
It is hardly necessary to examine the accounts
given by Conde of the siege of Tarifa, 1340, and by
Casiri of the siege of Algesiras, 1342, since both
sieges took place some years after that of Cividale,
1331. The reader will find the two accounts ably
analysed in Reinaud and Favé, pp. 70-74.
If the Arabs had possessed an explosive in the
thirteenth century, the fact must have been known
to their alchemists, and they show no such knowledge.
There is not an allusion to saltpetre in the
Leyden Arabic MS. of 1225.229 Hassan er-Rammah,
who died in 1295, knew nothing of explosives. In
speaking of saltpetre in the year 1311, Yusuf ibn
Ismaël al-Juni says: “The people of Irak use it to
make a fire which tends to rise and move. Saltpetre
increases the ease and rapidity of ignition.”230 This
sentence contains the sum total of Yusuf’s knowledge
of saltpetre mixtures. He was aware of the
effects of their progressive combustion, but he knew
nothing about their explosive combustion.
By whomsoever gunpowder was invented, it was
not by the Arabs.
In the third quarter of the eighteenth century, by
order of Warren Hastings, a committee of Brahmins
collected a body of Gentoo (or Hindu) laws from
a number of ancient Sanskrit books. These laws
were translated into Persian under the superintendence
of one of the Brahmins, and the Persian
version was translated into English in 1776 by
Mr. N. B. Halhed, Bengal Civil Service. In his
preface he states that gunpowder had been known
in India “far beyond all periods of investigation,” a
conclusion arrived at by a method now familiar to
the reader: “the word ‘firearms’ is literally in
Sanskrit agni astra ... Cannon in the Sanskrit
idiom is shataghni.”
Agni is found in the Latin ignis = fire; astra,
Romocki explains, is connected with the Slav ostr =
point (of an arrow, &c.); and the compound
agniastra is simply a fire-arrow or rocket. In the
shataghni, or “hundred killer,” we have some
weapon described in the exaggerated style usual in
early times and by no means confined to India.
When Sigurd struck an anvil with his sword Gram,
“he cleft it down to the stock thereof;”231 and “if
one smote a mountain” with al-Mahik (the annihilator)
the sword of Gharib, “‘twould overthrow it.”232
There is nothing to connect the shataghni> with fire:
indeed it seems to have been a mace, for in the
“Raghuvansa” the demon is said to have laid his
iron-headed shataghni upon Rama, just as Kuvera
laid his club on Jamraj.233 No mention of any projectile
discharged by an explosive is to be found in
Manu’s “Code of Laws,” and to Manu belongs a
passage in the “Code of Gentoo Laws” (p. 53)
which either Halhed has mistranslated from the
Persian, or the Persian translators have mistranslated
from the Sanskrit. Professor Rāy has unearthed
the original text of Manu (vii. 90), and
gives the correct translation: “The king shall not
slay his enemies in battle with deceitful or barbed
or poisoned weapons, nor with any having a blade
made red hot by fire,234 or tipped with burning
materials.”235 Halhed’s translation is: “The magistrate
shall not make war with any deceitful machine,
or with poisoned weapons, or with cannon and
guns, or with any other kind of firearms.” Mephistopheles
was right:—
“Mit Worten lässt sich trefflich streiten,
Mit Worten ein System bereiten.”
Halhed’s mistakes might have been forgotten had
they not been revived and elaborated by Professor
G. Oppert in an essay “On the Weapons,
&c., of the Ancient Hindus,” London, 1880. His
argument is briefly this: firearms are clearly mentioned
in the “Laws of Manu” and two very ancient
Sanskrit poems; therefore at some very remote
period the Hindus possessed an explosive which,
for whatever reason, fell into disuse eventually.
“Does the passage in Manu refer to firearms or
not?” asks Dr. Oppert. “In our opinion it certainly
alludes to them” (p. 70). We need not recur to
the mistranslation of Manu already noticed.
The two poems on which Dr. Oppert relies for
further evidence are the Nitiprakásika of Vaisampayana,
and the Sukraniti of Sukra. According
to the former, the Hindu deities, Sita, Indra,
Krishna, &c., were authors of “books on polity.”
Brahma’s contribution to literature consisted of
10,000,000 double verses (p. 36). The constitution
of an army was as follows (p. 5):—
| Foot | 2,187,000,000 |
| Horse | 21,870,000 |
| Elephants | 218,700 |
| Chariots | 21,870 |
The “arms in use” of one species were forty-four in
number; of another species, fifty-five. Rabelais has
only succeeded in cataloguing forty-six arms in the
introduction to the third book of “Pantagruel.”
Lest the ninety-nine arms in use might fail to ensure
success, a spell (of thirty-two syllables) is given
(p. 10) which would bring certain victory to him
who repeated it 32,000 times. Both of these
veracious works, however, undoubtedly mention
cannon and muskets, and a recipe for gunpowder
is given in the Sukraniti.236
Dr. Oppert makes no critical examination of the
texts of these poems to ascertain whether they contain
the interpolations to be found in most Oriental
works. Of their age he only says that “no Chinese
work ... can, with respect to antiquity, be compared
with the Sukraniti” (p. 45). As the reader
will find in the following chapter, this implies a
considerable age.
It is hard to believe that gunpowder was known
to a people whose language contained no word for
saltpetre;237 that cannon were used by men whose
books make no allusion to gunpowder, with the
exception just mentioned. “It is peculiar,” says
Dr. Oppert, “that powder should not have been
mentioned in Sanskrit works” (p. 63). The same
peculiarity is observable in Anglo-Saxon works, and
is probably due to the same cause. But the fatal
objection to the existence of this very early explosive
is the admitted fact that after a time it was
discarded and forgotten. Writers who lightly tell
us so are apparently unconscious of the greatness
of the demand they make upon our credulity. They
ask us, in effect, to accept the astonishing proposition,
that a nation voluntarily surrendered, without
any assignable cause, an incalculable “advantage” in
the “struggle for existence”—the eager, continuous,
and unending preparation for self-defence which is,
in Mr. Bagehot’s words, “the most showy fact” in
human history. It is infinitely more probable that
the passages in the two poems which mention gunpowder
and cannon were interpolated by the scribes
of after-ages than that the Hindus wantonly broke
the first and strongest law of human nature, the law
of self-defence. There can be no reasonable doubt
that the recipe for gunpowder in the Sukraniti is
an interpolation. The proportions are given in the
first place as 5:1:1, and then it is added, “if the
powder is to be used for a gun,” let them be
4:1:1, or 6:1:1.238 And why not 5:1:1 also?
This recipe was not written by a gunner: it is the
handiwork of some charlatan of the sixteenth or
seventeenth century, who imagined that, by making
a certain mystery about the proportions 5:1:1, he
should give a semblance of great antiquity to the
recipe. But he blundered badly about the proportions.
The proportions 4:1:1 were only reached by the
Swedes about the middle of the sixteenth239 century,
and approached by the English about the middle of
the seventeenth,240 and powder of such strength would
have blown weak, early bombards to pieces. Other
sound reasons are given by competent critics for
rejecting from first to last the allusions to firearms
contained in the two poems. A critic in Nature
points out that a work which mentions the Hunas
(Huns or Europeans) cannot be of the age apparently
assigned by Dr. Oppert to the Nitiprakásika.241
“Oppert,” says Sir R. Burton, “shows
no reason why the allusions to, and descriptions of,
gunpowder and firearms should not be held modern
interpolations into these absurd compositions.”242
Mr. W. F. Sinclair concludes from the strong resemblance
between the firearms described and those
which we know were imported into India during
the sixteenth and seventeenth centuries, either that
the MSS. date no further back than the sixteenth
century, or that the allusions to firearms were interpolated
at that period.243 “One is naturally led to
suspect,” says Professor Ray, “that the lines (of
the Sukraniti) relating to gunpowder ... are
interpolations.” The suspicion is further enhanced
when it is borne in mind that in the “Polity of
Kamandaki,” an ancient work of undoubted authenticity,
“there occurs no reference whatever to firearms,
nor is there any in the Agnipurana, in
which the subject of training in the use of arms
and armour takes up four chapters.... The more
rational conclusion would be that the Sukraniti
is a patchwork, in which portions of chap. iv. were
added some time after the introduction of gunpowder
in Indian warfare during the Moslem
period.”244 “The last chapter is apparently spurious,”
says Rajendralala Mitra, “as it describes guns as
they existed a hundred years ago.”245 Finally,
Herr von Romocki utterly rejects Dr. Oppert’s
theory.246
The military history of India confirms the conclusions
of the writers who have been quoted: not
a fact is to be found there which lends any support
to the theory of early gunpowder in India.
The employment of gunpowder in Europe
revolutionised the art of war and affected, more or
less, almost every human institution. “The military
art,” says Gibbon, “has been changed by the invention
of gunpowder.... Mathematics, chymistry,
mechanics, architecture, have been applied to the
science of war.”247 Gunpowder, says A. Comte, “en
emprimant à l’art de la guerre un caractère de plus
en plus scientifique, a directement tendu à intéresser
tous les pouvoirs à l’actif dévellopement continu de
la philosophie naturelle.”248 We may reasonably
assume that the discovery of so tremendous an agent
as gunpowder would have produced in India some
few effects, at least, similar in their general features
to the effects it produced in Europe. To mention
one or two details: Sanskrit would have coined a
word for saltpetre, which it did not possess; the
use of the bow would have been curtailed; a lasting
mark would have been put on fortifications; and
some few specimens of the early firearms might
have survived. Not a trace of these or similar
changes is to be found; not a vestige of early firearms
has remained. General Cunningham thought
that the state of the ruins of certain ancient
Kashmir temples proves the use of an explosive
in their destruction,249 but more prolonged observation
shows that their condition is chiefly the effect
of natural agencies. “The fingers of Time, and
moderate movements of the earth, have been making
openings in some of the other old Hindu buildings
in Kashmir,” such as the little temple of Payach
and the splendid temple of Martand; “and from
their appearance it may be believed that these same
agencies, together with undermining work applied
for wilful destruction, could do what has been
done.”250 The plentiful supply of saltpetre to be
found in the valley of the Ganges has been brought
forward as a proof that the ancient Hindus must
have had gunpowder, but the fact proves nothing.
How many centuries did coal lie within reach of
man’s hand, in England and elsewhere, before it
was discovered and made use of? The attractive
property of the magnet was known to Plato in the
fifth century B.C., and Lucretius in the first century
B.C. devotes a long passage of his poem to it
(vi. 909-1089); yet its property of pointing north
and south when free to move horizontally is first
distinctly mentioned (in Europe) in the twelfth
century A.D.251
Early Indian gunpowder is a fiction.
The first gunpowder and firearms used in India
were neither invented nor manufactured by the
Hindus: they were imported during the Middle
Ages from the West. The guns of Upper India
entered through Afghanistan; those of Western
India were brought by ships. Let us consider the
latter first.
“If any reliance is to be placed on Moulla
Daud Bidury, the author of Tohfutu-s Salutin,”
says General Briggs, “guns were used (in 1368)
by the Hindus (of Bijanagar), and in a subsequent
passage (Ferishta remarks) that the Muhammadans
used them for the first time during the next campaign.
But I am disposed to doubt the validity
of both these statements.... Ferishta ... also
observes that Turks and Europeans skilled in
gunnery worked the artillery. That guns were in
common use before the arrival of the Portuguese
in India in 1498, seems certain from the mention
of Faria y Sousa.”252
The first observation suggested by this passage
is, that Ferishta does not say the Hindus had guns
on this occasion; he says they had عرابه (’arábah),253
a word which originally meant a cart. In the early
days of field artillery the guns were carried in carts,254
from which they were taken and laid on trestles
when required for use. Wheeled gun-carriages
only came into general use in Europe during the
reign of Louis XI. of France (1461-83).255 Things
followed the same course in India, and the word
’arába thus came in time to have two meanings;
most arába being simply carts, some being (so to
speak) gun-carriages. Then later writers arose who
insisted that all ’arába were gun-carriages at the
early date of 1368, because some ’arába were gun-carriages
in and after 1526. Ferishta (who died
about 1611) fell into the trap, and after him fell
several modern historians.
Secondly, General Briggs’ conclusion about guns
in India before 1498 seems somewhat unguarded.
It is beyond dispute that firearms were used on the
west coast of India during the last quarter of the
fifteenth century, but the evidence we possess points
to the conclusion that they belonged almost exclusively
to Arab and Portuguese ships. The fact
that Captain Cook cruised on the coast of Otaheite
in 1769 in a ship equipped with firearms, does not
warrant the conclusion that the natives possessed
firearms. Ferishta was writing about events which
took place two hundred years before he was born, and
there is a particular reason for doubting the existence
of firearms in Bijanagar at this early period.
In 1441 ’Abd ur-Razzak, who had been sent to
India by Shah Rukh on an embassy to Calicut,
visited Bijanagar, whose ruins may still be seen on
the banks of the Tumbhadra. He has given us a
full and amusing account of what he saw, bursting
forth into poetry on the ugliness of the natives:—
“I have loved a moon-faced beauty,
But I cannot fall in love with every black woman.”
256
He was present at the great review held during
the festival of Mahanawi, when “the number of
people and the huge elephants resembled the green
sea and the myriads which will appear on the Plains
of the Resurrection.” Not an allusion is made to
firearms, although he notices the naphtha-throwers
mounted on elephants.257
Ferishta tells us that in the year 887 A.H.
(A.D. 1482), Mahmoud Shah Begurra of Gujarat,
hearing that Cambay was likely to be raided by
the pirates of Bulsar, collected a fleet containing
“a force of gunners, musketeers, and archers,” and
defeated them. On this passage General Briggs
remarks: “This is the first mention of artillery
and musketry in the Gujarat history. They were
probably introduced by the Arabs and Turks from
the Red Sea and Persian Gulf.”258 The firearms
that came from the Persian Gulf must have been
few and far between. Writing in 1549, a Jesuit
says: “The Persians use no bombards or arms of
this kind.”259
There is no mention of the Bulsar expedition in
the “History of Gujarat,” by Ali Muhammad Khan,
translated by Mr. J. Bird.
The Mirat-i Sikandari, a history of Gujarat
translated by Sir E. C. Bayley, speaks of an attack
made by Mahmoud on certain pirates as early as
878 A.H. (A.D. 1473), but neither Bulsar nor firearms
are mentioned. We are told, however, that during
a previous expedition in the same year against the
island of Sankhodhar, the infidels (Hindus) “resisted
bravely and kept up a sustained discharge of
arrows and muskets” (pp. 198-9).
Ferishta relates that during the siege of Champanir,
1484, a shell (hookah) fell on the Rajah’s
palace; but he does not state how it was discharged,
nor whether it was explosive or incendiary.260
On landing at Calicut in 1498, Vasco da Gama
and his followers were led through the streets with
tomtoms beating, and from time to time an espingarda,
or musket, was fired off.261 The town seems
to have possessed only one of these weapons. At
least, the soldiers of the guard who mounted over
Gama after he had been arrested were not armed
with espingardas, but with swords, daggers, and
bows,262 and no mention is made of there being any
cannon in the town.
In 1502 a sea-fight took place in these waters
between a Portuguese man-of-war and a Moorish
(Arab) ship, during which the Arab bore down on
the Portuguese, “pouring in her shot, and then
made away.”263 The original says: “Una nube de
flechas sobre nuestra gente y algunas balas;” i.e. a
cloud of arrows and some balls.264 These balls were
undoubtedly cannon balls.
It is stated in MSS. 826-8, Bib. Nat., Paris,
that in 917 A.H. (A.D. 1511-12) Modhaffer Shah
of Gujarat sent to Kansuh, King of Egypt, asking
him for arms and cannon to enable the Gujaratis
to defend themselves against the Europeans; “the
people of India not having hitherto possessed Artillery
of any kind.”265 In answer to this request,
Hossain was sent to sea in command of a considerable
fleet. If Mahmoud possessed ships with
guns in 1482, how came it that in 1511 the
Gujaratis were sending round the world begging
for firearms? Had Mahmoud merely hired for the
occasion from the Arabs the ships and guns with
which he crushed the Bulsar pirates? It is impossible
to say categorically; but two facts may
be extracted from the foregoing conflicting statements—first,
that firearms were used by Arab and
Portuguese ships on the west coast of India before
the Hindus possessed them, and secondly, that
there was an espingarda in the town of Calicut
in 1498.
Whatever doubt there may be about the exact
date at which the natives of Western India first
procured firearms from the foreign ships which
visited their shores, there can be none about the
first employment of artillery in Upper India.
As has been already stated, the machines of the
Greeks were adopted at an early period by the
Persians, from whom they were eventually borrowed
by the Arabs, Mughals, &c. The Hindus in turn
adopted the machines they saw employed by their
invaders and named them, according to their custom,
after the part of the world they came from—maghribíha
= western (machines or manjaník). At
the abortive attack on Rantambhor, 1290, Sultan
Jalalu-d Din ordered Westerns to be erected.266 The
Hindus had collected materials for making incendiaries
before being besieged in the same fortress
by Sultan Alau-d Din in 1300. “Every day the
fire of those infernals fell on the light of the
Moslems, and, as there were no means of extinguishing
it, they filled bags with clay and prepared
entrenchments.... The Royal Westerns
shot large earthen balls against that infidel fort....
The stones from the ballistas and catapults
within and without the fort encountered each other
half-way and emitted lightening.”267 During the
attack on Arangal, 1309, the Westerns “were
played on both sides and many were wounded.”268
The mud walls were so strong and elastic that the
balls of the Westerns rebounded off them “like
nuts which children play with.”269 Eventually the
“western stone-balls” formed a breach and the fort
fell. Such is the account given by Amir Khusru
who died in 1315, of whom Sir H. M. Elliot says
(vi. 465):—“He is full of illustrations and leaves
no manner of doubt that nothing like gunpowder
was known to him.” Near the close of the century,
1398-9, the Hindus besieged by Timur in Bhatnir
“cast down in showers arrows and stones and fireworks
upon the heads of the assailants.”270 At the
attack on Chanderi, 1527-8, “the Pagans exerted
themselves to the utmost, hurling down stones and
throwing flaming substances on the heads” of
Babar’s troops.271 In 1528-9, the Hindus succeeded
in igniting with “fireworks, turpentine, and other
combustibles” some hay which the Mughals had
collected in the fort of Lucknow. The heat became
so intolerable that the Mughals retired and the fort
was taken.272
It is needless to enlarge the list of quotations:
incendiaries pursued much the same course in Upper
India as in Greece and Arabia. No reliable evidence
of an explosive is to be found until the 21st April
1526, the date of the decisive battle of Panipat, in
which Ibrahim, Sultan of Delhi, was killed and his
army routed by Babar, the Mughal, who possessed
firearms great and small.273
On the introduction of Artillery the word
maghribiha was gradually replaced by the more
definite word feringiha = European. At Panipat
the Artillery of the left centre was commanded by
Mustapha Rumi, whose name is sufficient proof of
his western origin. But traces of European artisans
are to be found long before this. When the King
of Gor crossed the Attok in the twelfth century, he
had with him “skilful Franks, learned in all the
arts.”274 The success of the attack on Chitor in
1591, by Buhadur, Sultan of Gujarat, was chiefly
due to his engineer, Labri Khan of Frengan =
Frangistan, the country of the Franks.275 Speaking
of the Mughal Artillery in 1695, Dr. Careri tells us
that it was “all, especially the heavy Artillery, under
the direction of Franks, or Christian gunners, who
had extraordinary pay.”276
Haidar Mirza gives us one or two details about
Babar’s guns which deserve a passing notice.277 There
was a zarb-zan, or swivel gun, carrying a ball of 500
miskals, and a heavier gun throwing a “brass” ball
which weighed 5000 miskals, and cost 200 miskals
of silver. The former was drawn by four, the latter
by eight pairs of bullocks. Let us adopt the weight
of the miskal given in Steingass’ “Persian Dictionary,”—1-3/7
drachms = 39.045 grs. troy, which makes
the weight of Babar’s large ball 34 lbs. nearly.278 Its
price, 200 miskals, would then be 7809 grs. troy
of pure (silver), or (since our standard shilling is
87.27 grs. troy and its fineness 37/40) 96.7 shillings of
our present money. The price of a 10.18 lbs. ball
of the same material would consequently be 29s.,
including the cost of manufacture. The price of
the English 4” bronze ball of 10.18 lbs. given here
in Table X., is 26.468d., or about 22s. of our present
money, exclusive of the cost of manufacture. Adding
7s. to cover the cost of manufacture,279 its price would
be about 29s. The value of the alloy in our shilling
has been neglected here, and Queen Elizabeth’s
money may not have been worth exactly seven times
our money; but making full allowance for both
these errors, the prices of the two balls approximate
as closely as can be reasonably expected.
Gunpowder was not invented by the Hindus:
its discovery by them would have fallen little short
of a miracle. The extinction of Buddhism about
the ninth century A.D., and the consequent establishment
of a dominant priestly class, were a deathblow
to the cultivation of physical science. By the
seemingly innocent institution of caste, the Brahmins
succeeded in trampling science in the dust. One
caste was not permitted to touch this, another caste
could not touch that substance; and the higher the
caste, the greater the number of forbidden objects.
The study of experimental science was consequently
thrown back upon the lowest and poorest classes,
who had neither the means, the leisure, nor the
inclination to pursue it. Thus “the spirit of inquiry
gradually died out,” says a Hindu Professor of
Chemistry, “and the name of India was all but
expunged from the map of the scientific world.”280
China, like India, affords an example of “arrested
civilisation:” the Chinese intellect and language
became petrified while still in a primitive stage of
development. But, unlike the Hindus, the Chinese
betook themselves at an early period to historical
pursuits. “Debarred both by the nature of the
material at their command and by a lack of original
genius from indulging in the higher branches of
imaginative writing, Chinese authors devoted themselves
with untiring energy and with very considerable
ability to the compilation of information concerning
their own and neighbouring countries.”281
Among the results of their labours are the “Twenty-One
Histories,” from the third century B.C. to the
middle of the seventeenth century, sixty-six folio
volumes, and a number of vast Encyclopædias, of
which the Koo-kin-too-shoo, &c., occupies 6109
volumes. From such immense compilations and
other sources Chinese scholars have supplied us
with much information about the present subject.
Although the invention of gunpowder is disclaimed
for his countrymen “by every (Chinese)
writer who treats seriously” on the subject,282 the
people cherish the legend that the invention was
made by a Chinaman in some forgotten past. The
existence of this legend among a people possessed
of a deep veneration for antiquity is in no way surprising.
Every Chinese custom, art, and institution
is supposed to be very ancient, and what is not
really old is readily invested with fictitious antiquity.
The world as we know it, they tell us, came into
being 2,670,000 years before Confucius, who was a
contemporary of the prophet Daniel. “The more
sober historians, however, are content to begin with
a sufficiently mythical Emperor, who reigned only
2800 years before the Christian era.”283 This insatiable
craving for antiquity is shown in all their works.
“As with all other arts (the Chinese) have claimed
for the manufacture of porcelain an antiquity far
beyond the actual facts of the case. This exaggerated
estimate of the antiquity of Chinese porcelain
was for a long time supported by the supposed discovery
in Egypt of certain small bottles made of real
porcelain and inscribed with Chinese characters,
which were said to have been found in tombs at
Thebes, dating as early as 1800 B.C. The fact, however,
that they are inscribed with quotations from
Chinese poets of the eighth century A.D., and have
characters of a comparatively modern form, shows
that the whole story of their discovery is a fraud....
During all periods Chinese potters were constantly
in the habit of copying earlier styles and of
forging their marks, so that very little reliance can
be placed on internal evidence. Indeed, the forgeries
often deceive the Chinese collectors of old porcelain.”284
According to the Jesuits, Chinese history is free
from this defect. Father Moyria de Maillac (commonly
called Mailla), in the long introductions to
his Histoire générale de la Chine, begs us to put
our full trust in the Chinese historians, and pleads
that, however mendacious the lower orders of the
nation, the better classes love the truth, and the
historians are honest and accurate. But such pleas
in bar of investigation and verification are of little
weight unless it can be shown that Chinese historians
never drew (in good faith) erroneous conclusions,
never mistook the meaning of a document,
were never misinformed, and never made a slip in
writing. As Gibbon clearly saw,285 the Jesuits were
blinded by admiration of the Celestials; their sharp,
critical sagacity was blunted by the air of sincerity
displayed in Chinese books.286 But this “accent de
sincérité” is ruthlessly treated by MM. Langlois
and Seignobos: “C’est une impression presque
irrésistible, mais elle n’en est pas moins une illusion.
Il n’y a aucun critérium extérieur ni de la sincérité
ni de l’exactitude. ‘L’accent de sincérité,’ c’est
l’apparence de la conviction; un orateur, un acteur,
un menteur d’habitude l’auront plus facilement en
mentant qu’un homme indécis en disant ce qu’il
croit. La vigeur de l’affirmation ne prouve pas
toujours la vigeur de la conviction, mais seulement
l’habileté ou l’effronterie. De même l’abondance et
la précision des détails, bien quelles fassent une
vive impression sur les lecteurs inexpérimentés, ne
garantissent pas l’exactitude des faits;287 elles ne
renseignent que sur l’imagination de l’auteur quand
il est sincère ou sur son impudence quand il ne l’est
pas. On est porté de dire d’un récit circonstancié:
‘Des choses de ce genre ne s’inventent pas.’ Elles
ne s’inventent pas, mais elles se transportent très
facilement d’un personage, d’un pays ou d’un temps
à un autre.—Aucun caractère extérieur d’un document
ne dispense donc d’en faire la critique.”288 In
spite of their zeal for the truth, Chinese historians
are no more infallible than others, and it is certain
that they were unconsciously led into error at times
by the change in meaning which military words
underwent in China as well as elsewhere. Thus
Mao-yiian-i erroneously believed that huo-p’áu meant
cannon in old times, as it did in his own. But from
a sketch he has fortunately given of one (reproduced
by Romocki, i. 41) it is clear that it originally
meant a machine for scattering blazing incendiary
matter.
The first two questions that present themselves
are: (1) Did the Chinese make use of gunpowder
in a very distant past? and (2) did they possess an
explosive shell in 1232?
The Chinese annals give no support to the hypothesis
that gunpowder was known in China in very
early times. Currency was given to the popular
legends about it by such writers as Father Gaubil,
who declares that gunpowder had been in use for
1600 years when he wrote, and Father Amiot, who
fully accepts a much earlier date. With reference
to Koung-ming, who is said to have employed earth-thunder
(ty-lei) about 200 A.D., Amiot says: (a) “Les
auteurs qui parlent de Koung-ming ne le font pas
l’inventeur de cette manière de nuire à l’ennemi.
Ils disent, au contraire, qu’il l’avait puisée dans les
ouvrages des anciens guerriers; ce qui est une preuve
sans réplique que les Chinois connaissaient la poudre
à tirer ... bien longtemps avant que cette connaissance
fût parvenue en Europe.... (b) Les anciens
Chinois employaient la poudre (chen-ho-yen), soit
dans les combats, soit pour mettre le feu au camp
des ennemis.... (c) Cette poudre (ny-foung-yo) a
une vertue qui, ce me semble, pourrait être d’une
très grande utileté dans nos armées; c’est que la
fumée va également contre le vent.”289 In (a) and (c)
of these extracts the true note of legend is audibly
sounded, and the tacit assumption that ty-lei was an
explosive is to be noted. As to (b), Amiot was unwittingly
describing some early incendiary similar
to that of Marcus Græcus, No. 2: “Ignis quæ comburit
domos inimicorum.” Such is Father Amiot’s
“preuve sans réplique” that the Chinese possessed
gunpowder in the times of the pre-adamite Sultans.
It must be put aside; and with it must be laid the
evidence of Fathers Maillac and Gaubil. First, their
critical faculty became paralysed when dealing with
Chinese history. Secondly, they evidently did not
understand the difference between an explosive and
an incendiary. Thirdly, without questioning their
good faith, they are open to the charges brought
against them by MM. Reinaud and Favé, when
speaking of M. Quatremère’s dating Artillery in
China at the thirteenth century: “(Il) ne s’est pas
aperçu que PP. Mailla et Gaubil avaient traduits
différement certains passages des Annales chinoises,
et qu’ils y avaient même ajouté tantôt des expressions
de leur cru, et tantôt des interpolations de la
version tartare-mandchou, version qui date seulement
d’un peu plus d’un siècle, et qui, par consequent,
n’a aucune autorité.”290
Had the Chinese an explosive shell in 1232?
The following is a translation by M. Stanislas
Julien of a passage in the Encyclopædia entitled
Tung-Chien-Kang-Mu, relating to the siege of
Pien-king (now Kai-fung-fu) in 1232, given by
Reinaud and Favé in the Journal Asiatique, Oct.
1849: “A cette époque on faisait usage de ho-pao
ou pao à feu, appelée Tchin-tien-louï, ou ‘tonnerre
qui ébranle le ciel,’ On se servait pour cela d’un
pot en fer que l’on remplissait de yo. A peine y
avait-on mis le feu que le pao s’élevait, et que le feu
éclatait de toute part. Son bruit ressemblait à celui
du tonnerre, et s’étendait à plus de cent lis (i.e.
thirty-three English miles); il pouvait répandre
l’incendie sur une surface de plus d’un demi-arpent
(i.e. about one-third of an acre).... Les Mongols
construisirent avec les peaux de bœuf un couloir qui
leur permit d’arriver jusqu’an pied des remparts. Ils
se mirent à saper les murs, et y pratiquèrent des
cavités, où l’on pouvait se loger sans avoir rien à
craindre des hommes placés en haut. Un des
assiégés proposa de suspendre à des chaînes de fer
des pao à feu, et de les descendre le long du mur.
Arrivés aux endroits qui étaient minés, les pao
éclataient et mettaient en pièces les ennemis et les
peaux de bœuf, au point même de ne pas en laisser
de vestige.” There is another account of the shell
in the Wu-pei-chi, published in 1621, but (as one
gathers from Mr. Mayers291) it is so similar in the
details that the two accounts cannot be taken as
independent. They merely quote some common
document or repeat some common tradition.
Like the Liber Ignium of Marcus Græcus, the
Tung-Chien-Kang-Mu is not the work of one man
or of one period. The original portions (the “Old
Recipes” of Marcus) were written by Ssu-ma-kuang,
1019-86, and were named T’ung-Chien, or the
“Mirror of History,” by the reigning Emperor. The
book was brought up to date by Chu-hsi, 1130-1200,
and was afterwards continued, with commentaries,
by various writers, up to the seventeenth century.
The above-quoted passage belongs to the commentators,292
and was written by some one whose date,
name, and authority for his statement are alike
unknown to us; but it was presumably written long
after the event it records.
We have seen in Julien’s translation what the
encyclopædist actually says, but what meaning did
he intend to convey by his words? Did he mean to
say the shell exploded? The passage may be divided
into two clauses: in the first he explains generally
the action of the ho-pao, and in the second he gives
a particular example of its use. In the first clause
he says that “no sooner was a light applied to it than
the fire burst forth on all sides” (le feu éclatait de
toute part): in the second clause he says, “the pao
burst forth” (les pao éclataient). But the effect produced
by the shell shows that this latter phrase is
simply an elliptical way of saying, “the fire of the
mixture contained in the pao burst forth.” On this
point Reinaud and Favé are clear: “Les pao à feu
éclataient s’applique aux éclats de la flamme qui
sortait par les ouvertures,”293—holes in the shell which
were probably numerous. Mayers agrees: the pao
were lowered into the excavations, “when the fire
burst out from them, utterly destroying every fragment
of the hides,” &c.294 The Chinese writer was describing
an incendiary, not an explosive. Gunpowder
would have left in the hiding-place of the Mongols
a tangled mass of charred human remains and
scorched cowhide: only an incendiary could have
destroyed its contents so that “not a vestige remained.”
Father Gaubil and M. Berthelot acquiesce
in this conclusion:295 Herr von Eomocki dissents
from it.296
There is nothing in the military history of China
in the thirteenth and fourteenth centuries to lead us
to suppose that the Chinese possessed an explosive
during that period. In 1255 Prince Hulágu had
1000 Chinese arbalisters in his pay to work his
incendiaries,297 and it may be presumed that he would
have learnt the secret of gunpowder from them if
they had known it; but he possessed no explosive.
Father Carpini, cir. 1250, states that when hard-pressed
the Tartars had recourse to incendiaries,
and Rashid ed-Din, in his history of Hulagu’s
campaign of 1260, makes no allusion to explosives.298
The Chinese had only reached the same stage
as Marcus Græcus in 1257: in this year they had
Roman candles.299 During the siege of Siang-yang-fu,
1268-73, “Khubelai sent to his nephew
Abaka, in Persia, for engineers skilled in making
catapults, called mangonals300 by Marco Polo. Two
such engineers were sent.”301 We have three
different notices of this siege, Chinese, Persian, and
Venetian, and “they all concur as to the employment
of foreign engineers from the West,”302 but none
of them mentions the use of explosives by either
side. “The Chinese at that period,” says Sir John
Davis, “were as little acquainted with firearms as
Europeans.”303 When Chang-chi-ki’s fleet on the
Kiang River was destroyed a few years afterwards by
Atchu, it was by means of fire-arrows.304 In a word,
during the thirteenth century, the Chinese made a
free use of various incendiaries already noticed in
the chapters on the Greeks and Arabs; and they
seem to have made no progress in the manufacture
of their missiles during the course of the fourteenth.305
Not until we reach the fifteenth century do we meet
with gunpowder and cannon.
The Prince of Yen (afterwards the Emperor
Yung Loh) is said to have been “defeated by firearms”
at the battle of Tung Chang, 1401;306 but
whether these arms were furnished with incendiaries
or explosives is doubtful. The first trustworthy
account of the use of artillery in China is given in
the Kai-yii-tsung-kao, published in 1790, by Chao I,
a man of considerable ability, and an accomplished
antiquarian. He states that in the beginning of
Yung Loh’s reign, 1407, cannon were acquired by
the Emperor and employed during his campaigns
in Cochin China.307 Whence came these cannon and
their ammunition?
It is antecedently improbable that the Chinese
either invented or manufactured them; for although
the Chinese exhibited considerable intellectual
power in some fields of investigation, they possessed
little genius for mechanical or chemical inventions,
and what mechanical ability they had was absorbed
in other pursuits. When actually possessed of
powder, they seem to have been incapable of making
any improvement in its manufacture. “Si la poudre
de Chine vaut mieux que la nôtre,” says Father
Incarville, the ablest of the Jesuits I have consulted,
“cela vien plutôt de la bonté des matières que du
soin que les Chinois prennent de la faire bonne;
ils la grainent très mal et ne savent pas la lisser.”308
“Whatever their claims as inventors,” says another
writer, “it is certain that the Chinese have made no
progress in the art” (of making gunpowder).309 Even
their fireworks were no better than European fireworks.
They did not employ stars, and their largest
rockets had a length of only five inches, with an
internal diameter of eight lines.310
There is no trustworthy evidence, so far as I am
aware, to prove that the Chinese invented gunpowder.
The statements of the Jesuits on this particular
matter are worthless for reasons already given,311 and
the popular Chinese tradition is deprived of any
little weight it might otherwise have had by the
disavowal of the invention by sober Chinese historians.
On the other hand, we possess a number
of facts which point to the conclusion that the
Chinese obtained their first gunpowder and firearms
from the West.
(a) It has been already pointed out that the
mangonals used at the siege of Siang-yang-fu,
1268-73, were of western origin,
and were worked by western engineers.
(b) The residence of the Polos in China, 1275-92,
was by no means an isolated fact. They
were but the pioneers of a considerable
body of mechanics, missionaries, and merchants
who continued their relations with
136the country for at least half a century.312 It
may be doubted whether the merchants
ever lost touch with China.
(c) Yung Loh, the first Chinese Emperor who
possessed ts’iang, or cannon, had agents in
Malay, Delhi, Herat, and Mecca,313 and his
agent in the latter city could hardly have
failed to hear of, and report on the use of
firearms in the West. If such were the case,
there was nothing to prevent the Emperor
from obtaining small guns by land, or guns
of any size by sea. There had been communication
by land between China and
Europe from the time of the early Roman
emperors of the West.314 It was seriously
interrupted, no doubt, by the disorders
which broke out in China at the close of
the ninth century, but it was re-established
when they came to an end in the middle
of the thirteenth.315 Mr. F. Hirth proves in
his “China and the Roman Orient” that
there was communication by sea between
China and Europe at a very early date.
Masudi speaks of the communication in
his own time, the tenth century. The
Arab and Chinese ships met, he says, at a
port called Killat, half-way between Arabia
and China, where they transhipped their
137cargoes.316 There was constant communication
between China and the west coast of
India in the first half of the fifteenth
century. Abd ur-Razzak says the men of
Calicut were bold navigators, and adds
that they were called (in compliment)
“the sons of China.” When John Deza
destroyed the Zamorin’s fleet there, it was
commanded by a Chinaman, Cutiale.317
(d) The Chinese made their charcoal from young
shoots of the willow in the eighteenth
century,318 and “as they seldom change
anything,”319 they probably did so from the
beginning. Twigs of willow are recommended
for this purpose by Roger Bacon
and Hassan er-Rammah (pp. 149, 24.)
(e) The Chinese strained the mother-liquor of
their saltpetre through straw;320 so also did
Whitehorne (A., p. 20).
(f) They employed animal glue, or charcoal, to
remove the insoluble impurities of the
mother-liquor,321 just as Bacon did, if the
explanation of the word “Phœnix” given
in Chap. VIII. be accepted (p. 154).
(g) They incorporated the ingredients of gun138powder
on a marble slab,322 as directed by
Marcus Græcus, recipes 4 and 13, for incendiaries,
and by Arderne for gunpowder
(p. 177).
(h) They passed their rocket composition through
a sieve of fine silk,323 the counterpart of
Arderne’s “sotille couerchief” (Ib.).
(i) They occasionally added camphor and mercury
to their powder,324 like Kyeser and
many other westerns (Romocki, i. 157).
(j) They called their powder yo, “the drug,” as
did the Germans, Danes, and Dutch (p. 6).
(k) They used varnishes,325 of the same family as the
lutum sapientiæ, Marcus Græcus, recipe 1.
(l) An Encyclopædia, quoted in the Pai-pien,
1581, states that “on the walls of Si-ngan
there was long preserved an iron chen-tien-lui
= heaven-shaking thunderer, which in
shape was like two cups”326—the shell of
Valturio (p. 221).
(m) Bits of metal, mitraille, were added to the
charge of Chinese shells,327 after the manner
prescribed in a German Firebook (Romocki,
i. 189).
(n) The shell were loaded with the maximum
charge that could be rammed into them,328
as directed in the same Firebook (ib.).
(o) For repairing and closing the interstices of
their built-up bombards, the Chinese appear
to have used the same materials the Scotch
used for Mons Meg; and it is noticeable
that the Chinese preferred “western iron”
for this purpose: “Ils emploient pour les
confectionner du cuivre rouge. Dans les
interstices apparents, ceux qui emploient
du fer se servent de fer doux et malléable
pour consolider (ces machines). Le fer de
l’Occident est le meilleur qui puisse être
employé à cet usage.”329 In the “Chronicles
and Memorials of Scotland,” vol. vi., for
July 1459, we find: “For the repair of
the great bombard at Edinburgh, brass,
copper and iron, so much” [pro expensis
factis circa eandem emendacionem (magni
bumbardi ante castellum de Edinburgh) in
ere, cupro et ferro].
(p) In 1520 the heavy guns of the Portuguese
ships at Canton “attracted considerable
attention, and soon acquired the name of
‘Franks.’... The Chinese seem to have
subsequently availed themselves of the assistance
of the Portuguese, and of their
wonderful guns, to punish their own
pirates”;330 a circumstance which recalls
the expedition of Mahmoud of Gujarat
against the Bulsar pirates in 1482 (p. 116).
These “Franks,” we learn from the Wu-pei-che,
“were of iron, 5 or 6 ch’ih (6 or
7 ft.) long.... Five small barrels (chambers)
were used, which were placed (successively)
inside the body of the piece
from which they were fired off.”331
(q) The Chinese guns manufactured in 1618
were cast under the superintendence of
the Jesuits at Peking.332
The general conclusion to be drawn from the
foregoing inquiry is virtually Gibbon’s, which may
be expressed in somewhat firmer language than he
has used, since we possess many facts which were
unknown to him. It is highly probable that the
invention of gunpowder was carried from the West
to China, by land or water, at the end of the fourteenth
or the beginning of the fifteenth century, and
“was falsely adopted as an old national discovery
before the arrival of the Portuguese and the Jesuits
in the sixteenth.”333
Roger Bacon was born at Ilchester, in Somersetshire,
in 1214, and died about 1294. If the dedication
be authentic, his Epistola de Secretis Operibus
Artis et Naturæ et de Nullitate Magiæ, the work
with which we are chiefly concerned here, was
written before 1249.334
Bacon attacks Magic in this book on the ground
that science and art can exhibit far greater wonders
than the alleged wonders of the Black Art, and to
prove his point he enumerates, in the first eight
chapters, a number of wonders which (he believed)
art could produce and magic could not. Everything
is sufficiently clear until we reach the ninth, tenth,
and eleventh chapters, and they are unintelligible as
they stand. Now, it is past belief that a man of
commanding genius should have deliberately stooped
to write page after page of nonsense. The three
chapters, therefore, must have some meaning, hidden
from us though it be.335
It is unquestionable that Bacon believed he
possessed secrets of vast importance. At the close
of Chapter VIII. he tells us by way of warning that
he may resort (in the following chapters) to certain
cryptic methods, “on account of the magnitude of
his secrets” (propter secretorum magnitudinem);
and, fearing that ordinary cryptic methods might
be too transparent, he wraps up his secrets in an
anagram in Chapter XI.
If Bacon were in possession of such secrets,
why, it may be asked, did he not publish them
openly? The reason was, as he explains repeatedly
and at length, that he firmly believed scientific
knowledge to be hurtful to the people. He protests
in his works again and again against the diffusion
of scientific information. “The crowd,” he says,
“is unable to digest scientific facts, which it scorns
and misuses to its own detriment and that of the
wise. Let not pearls, then, be thrown to swine.”336
Elsewhere he says: “The mob scoff at philosophers
and despise scientific truth. If by chance they lay
hold upon some great principle, they are sure to
misinterpret and misapply it, so that what would
have been gain to every one causes loss to all.”337
“It is madness,” he goes on to say, “to commit a
secret to writing, unless it be so done as to be unintelligible
to the ignorant, and only just intelligible
to the best educated”;338 and so much in earnest
was he upon this point that he enumerates seven
methods of baffling public curiosity. A secret may
be concealed by making use of:—
(1) Symbols and incantations (characteres et carmina);
(2) Enigmatic and figurative words;
(3) Consonants only, without vowels;
(4) Letters from different alphabets;
(5) Specially devised letters;
(6) Prearranged geometric figures;
(7) Shorthand (ars notatoria).
These are among the means of veiling secrets,
he tells us, and “ill will it betide him who reveals
them.”339
Bacon was not singular in holding the doctrine
of secrecy in matters of science, nor was it peculiar
to the age he lived in: it arose ages before his birth,
and was held for ages after his death. To any objections
that might have been raised against the
doctrine, philosophers would probably have replied
with Subtle and Mammon:—
“... was not all the knowledge
Of the Egyptians writ in mystic symbols?
Speak not the Scriptures oft in parables?
144
Are not the choicest fables of the poets,
That were the fountains and first springs of wisdom,
Wrapp’d in perpetual allegories?
.....
... Sisyphus was damned
To roll the ceaseless stone, only because
He would have made Ours common.”
340
A man who boldly, even fiercely, avowed such
opinions as Bacon’s, was bound in consistency to
employ some cryptic method in recording his own
secrets; and when we closely examine the course
Bacon actually followed, we find that his practice
was rigidly in accordance with his theory—in fact,
too rigidly. Those steeped in the Cabbala of
Alchemy in his own age may have grasped his
meaning, but to those who came afterwards it was
obscure, if not hidden. Even to the early copyists
of his MSS. it was unintelligible. In one of the
MSS. consulted by Professor Brewer, the scribe has
written on the margin of Chap. IX. of the De
Secretis:—Hæc sunt œnigmata; “these things are
enigmas,” and enigmas they have remained for seven
centuries.
The presence of two anagrams in Chap. XI. is
sufficient of itself to arouse a suspicion that some
cryptic method (of a different kind) has been employed
in Chaps. IX. and X., and this suspicion is
strengthened by their whole manner and diction.
Their style is involved, and their meaning (as they
stand) unintelligible. Bacon passes from one subject
to another in bewildering haste; from the
unfinished description of one process to instructions
about a second, which he leaves half told in order
to plunge into a third. Among directions of seemingly
primitive simplicity he interpolates such
phrases as “catch my meaning if you can” (intellige
si potes); “you will see whether I am speaking
riddles or the plain truth” (videas utrum loquor
œnigmata aut secundum veritatem); and he warns
us that the purport of Chap. IX. may wholly escape
us, unless we distinguish the (real from the apparent)
meaning of his statements (in hoc capitulo decipieris,
nisi dictionum significata, distinguas). These special
peculiarities of Chaps. IX. and X. can be only explained
by the use of some cryptic method, to which
Bacon points plainly in Chap. VIII. He there
names two cryptographers, Ethicus and Artephius,
in connection with the seven cryptic methods already
given, and he broadly hints that he may make use
of some of these methods (forsan, propter secretorum
magnitudinem, aliquibus his utar modis). It is
needless to pursue the matter further: Chaps. IX.
and X. are not, as they appear to be, nonsense, but
the cryptic exposition of some secret which Bacon
believed to be of great value.
Few of the difficulties we experience in investigating
the meaning of these three chapters were
felt by the correspondent to whom the Friar
addressed them as letters. He and Bacon had long
been in communication with each other, and as both
knew the substance which formed the real subject
of these letters, Bacon was at liberty to call it chalk
or cheese or what he willed. They appear to have
had some system of numerical signs, the meaning of
which is lost to us. The tenth chapter begins with
a reference to a letter received by Bacon from his
correspondent in the year 602 A.H., and as the date
is given in words, not figures, it can hardly have
been mistaken by the scribes. Now the year
602 A.H. began on 18th Aug., 1205 A.D., nine years
before Bacon was born. The number 602, therefore,
is either a blind, or a conventional sign or key.
The same may be said of the number 630 in the first
line of Chap. XI., and of the totally unnecessary
30 which occurs just before the anagram in the
same chapter—“(sit) pondus totum 30,” i.e. let
the total weight be 30. No one can have ever
wanted to know the total weight of the mixture in
question: every one wanted to know the proportions
of the ingredients. Our ignorance of these signs
creates difficulties for us which did not exist for the
initiated in Bacon’s time.
As will be shown hereafter, Bacon has occasionally
availed himself in Chaps. IX., X., and XI.
of Nos. 2 and 4 of the cryptic methods he has given
us; but these methods apply only to words and
phrases, and the wily Franciscan did not think it
necessary to allude to the more general method by
which he set forth so much of his statement as is
contained in Chaps. IX. and X. We cannot discuss
cryptograms here: suffice it to say that some of the
early methods were too tedious and some too complicated
to be employed throughout the whole length
of Chaps. IX. and X. The method he appears to
have adopted (as the result will show) was that
known long afterwards as the “Argyle cipher,” of
which the following letter from Thackeray’s “Esmond”
is an example. The real contents of this
letter are the phrases within brackets:—
“[The King will take] medicine on Thursday.
His Majesty is better than he hath been of late,
though incommoded by indigestion from his too
great appetite. Madame Maintenon continues well.
They have performed a play of Mons. Racine at St.
Cyr.... [The Viscount Castlewood’s passports] were
refused to him, ’twas said; his lordship being sued
by a goldsmith for Vaisselle plate and a pearl necklace
supplied to Mademoiselle Meruel of the French
Comedy. ’Tis a pity such news should get abroad
[and travel to England] about our young nobility
here. Mademoiselle Meruel has been sent to Fort
l’Evesque; they say she ordered not only plate, but
furniture, and a carriage and horses [under that
lords name], of which extravagance his unfortunate
Viscountess knows nothing.
“[His Majesty will be] eighty-two years of age
on his next birthday.... All here admired my
Lord Viscount’s portrait, and said it was a masterpiece
of Rigaud. Have you seen it? It is [at the
Lady Castlewood’s house in Kensington Square]. I
think no English painter could produce such a
piece.
“Our poor friend the Abbé hath been to the
Conciergerie [where his friends may visit him.
They are to ask for] a remission of his sentence
soon.
“[The Lord Castlewood] has had the affair of
the plate made up and departs for England.
“Is not this a dull letter?...”—Bk. III.
Chap. 8.
This letter shows very clearly that the Argyle
steganogram is one which it is almost impossible to
solve without the key, unless the matter to which
it relates is known beforehand341—a difficulty to
which Bacon’s correspondent was not exposed, for he
knew well what the subject of Bacon’s communication
would be. Here, then, we should have found
ourselves left in utter darkness were it not for a ray
of light afforded by Chap. XI. There we are told
that something, in connection with saltpetre and
sulphur, produces an explosion,342 and we know that
this something is charcoal. Since Chap. XI. is concerned
with the composition and effects of this
mixture, what more probable than that Chaps. IX.
and X. should deal with its ingredients separately—or
at least with saltpetre and charcoal, for sulphur
was so simple and common a drug that Bacon was
not likely to dwell upon it? Now, towards the end
of Chap. X. Bacon speaks without disguise of charcoal
under the name of the wood from which it is
made,343 and mentions the two trees, hazel and willow,
which give the best. He significantly adds that
when charcoal is added to proper proportions of
certain other substances, something noteworthy
happens (si vero partes virgulti coryli aut salicis
multarum justâ rerum serie apte ordinaveris,
unionem naturalem servabunt: et hoc non tradas
oblivioni, quia valet ad multa). Since, then, charcoal
is one of the subjects of these two chapters, it
becomes all the more probable that saltpetre forms
another. Bacon was writing but a few years after
its discovery, and nothing could be more natural
than that the great alchemist should bestow his
attention upon the preparation of the new salt.
This hypothesis explains simply and completely the
most remarkable feature of Chaps. IX. and X.—the
series of common and well-known alchemical terms
and phrases, referring undoubtedly to the preparation
of either saltpetre or gold, which are scattered
and hidden among incoherent maunderings about
chalk and cheese, philosophic eggs and Tagus sand,
Adam’s bones and aperient medicine. But how
could the preparation of gold lead up to the recipe
for an explosive with which Chap. XI. ends? There
is no connection whatever between gold and gunpowder,
while the connection between saltpetre and
gunpowder is of the closest possible kind. Before
giving a recipe for gunpowder it was absolutely
necessary for Bacon to describe the method of refining
the lately discovered saltpetre, without which his
recipe would have been worthless; and he took
advantage of the close similarity between the alchemical
preparation of gold and the refining of
saltpetre to conceal the real import of his tract. By
the title of the last three chapters—“On the Method
of Making the Philosopher’s Stone”—and by constantly
harping on gold, he endeavoured to distract
and deceive his ordinary readers, leading them to
believe that he was writing about gold when he was
really treating on saltpetre.
The unnamed substance saltpetre, then, is the
principal subject of Chaps. IX. and X., and our
course is clear. We must treat these chapters as we
should treat Col. Esmond’s letter were the brackets
omitted344-we must make shift to insert them. We
must bracket together the phrases and sentences
relating to the real subject of these chapters, the
familiar alchemical expressions relating to saltpetre.
On doing so we shall find a connected and rational
method of refining the salt.
In the following reproduction of Chaps. IX. and
X. I have used the Esmond brackets, but I have not
thought it necessary to reprint all the padding which
connects them. All omissions, however, are shown
by dots. No word of the bracketed phrases has
been changed, altered, added, or suppressed, nor has
the order of the words been altered. Nothing has
been done but to indicate by brackets the misleading
interpolations.
De modo faciendi ovum philosophorum.
Dico igitur tibi quod volo ordinari quæ superius
narravi exponere, et ideo volo ovum philosophorum
et partes philosophici ovi investigare, nam hoc est
initium ad alia. [Calcem345 igitur diligenter] aquis
alkali et aliis aquis acutis [purifica], et variis contritionibus
cum salibus confrica346 et pluribus assationibus
concrema, [ut fiat terra pura penitus liberata
ab aliis elementis347], quam tibi pro meæ longitudinis
statura dignam duco. Intellige si potes, quia proculdubio
erit compostum ex elementis, et ideo est
pars lapidis qui non est lapis,348 et est in quolibet
homine et in quolibet loco hominis.... Deinde oleum
ad modum crocei casei et viscosi accipias,349 primo ictu
insecabile, cujus tota virtus ignea dividatur et separetur
per distillationem; [dissolvatur350 autem in aqua]
acuta temporatæ acuitatis [cum igne levi,351 ut decoquatur
quatenus separetur pinguedo sua352], sicut pinguedo
in carnibus.... Melius est tamen ut decoquatur
in aquis temporatis in acuitate [donec purgatur et
dealbetur]. Aqua vero salutaris exaltatio fit ex igne
secco vel humido; et [iteretur distillatio] ut effectum
bonitatis recipiat sufficienter [donec rectificetur:
rectificationis novissima signa sunt candor et crystallina
serenitas353]; et cum cætera354 nigrescunt ab
igne hoc albescit, mundatur, serenitate nitescit et
splendore mirabili. [Ex hac aqua] et terra sua
argentum vivum generatur, quod est sicut argentum
vivum in mineralibus, et quando incandidit hoc
modo [materia congelatur. Lapis vero Aristotelis,
qui non est lapis, ponitur in pyramide in loco
calido355].
De eodem, sed alio modo.356
Transactis annis Arabum sexcentis et duobus,
rogasti me de quibusdam secretis. [Accipe igitur
lapidem357 et calcina ipsum] assatione leni et contritione
forti sive cum rebus acutis. [Sed in fine
parum commisce de aqua dulci; et medicinam laxativam358
compone de] septem rebus ... vel de quot
vis; sed quiescit animus meus in [duabus rebus
quarum proportio melior est in sesquialtera proportione359]
vel circiter, sicut te potest docere experientia.
[Resolve360] tamen aurum361 [ad ignem et
mollius calefac]. Sed si mihi credas, accipias unam
rem, hoc est secretum secretorum, et naturæ potens
miraculum. [Mixto362 igitur ex] duobus, aut ex
pluribus, aut [Phœnice363], quod est animal singulare,
[adjunge, et incorpora per fortem motum; cui si
liquor calidus adhibeatur,364 habebis propositum
ultimum365]. Sed postea cœlestis natura debilitatur si
aquam infundis ter vel quater. Divide igitur, debile
a forti in vasis diversis,366 si mihi credas. [Evacuato367
igitur quod bonum est.] Iterum adhibe pulverem,
et aquam quæ remansit diligentur exprime, nam pro
certo partes pulveris deducet non incorporatas. Et
ideo illam aquam per se collige, quia pulvis exsiccatus
ab ea habet incorporari medicinæ laxitivæ....
[Regyra cum pistillo,368 et congrega materiam ut
potes, et aquam sepera paulatim] et redibit at
statum. Quam aquam exsiccabis, nam continet
pulverem369 et aquam medicinæ, quæ sunt incorporanda
sicut pulvis principalis.
The phrases within brackets, which constitute
the recipe, will be found collected together and
translated in their proper place in Chap. II.
It would be presumptuous to suggest that the
foregoing solution of Bacon’s Argyle steganogram is
free from error; but I may express a hope that the
errors are few and inconsiderable—a hope founded
upon the completeness of the method disclosed.
Whatever errors may be found, there can at least be
little doubt that the occult meaning of the two
chapters is the refining of saltpetre. One sentence,
two sentences, or even more, might be selected from
the description of almost any long chemical process
which would apply with equal propriety to some
other process; but it is incredible that a long,
varied, and connected process, such as the refining
of saltpetre, could be extracted by any method from
documents professedly devoted to the philosopher’s
stone, unless this process had been designedly inserted
there, piecemeal or whole, by the author
himself. For the figurative interpretation given of
two or three words and phrases, we have Bacon’s
own warrant. He threatened to employ verba
œnigmatica and verba figurativa, and he has been
taken at his word; with the result that a rational
chemical process has been extracted from what was
previously unintelligible.
Having said all he had to say about the ingredients,
Bacon proceeds to deal with their mixture in
Chap. XI., in which he employs a cryptic method
without disguise:—
De eodem, tamen alio modo.
Annis Arabum 630 transactis, petitioni tuæ
respondeo in hunc modum.... Item pondus totum
30. Sed tamen salis petræ370 LURU VOPO VIR CAN
UTRIET sulphuris; et sic facies tonitruum et coriscationem,
si scias artificium. Videas tamen utrum
loquor œnigmatate aut secundum veritatem.
Omitting the anagram, the translation is:—“In
this 630th year of the Higira I comply with your
request as follows.... Let the total weight (of the
ingredients) be 30. However, of saltpetre ... of
sulphur; and with such a mixture you will produce
a bright flash and a thundering noise, if you know
‘the trick.’ You may find (by actual experiment)
whether I am writing riddles to you or the plain
truth.”
The mention of the flash and the noise indicates
at once that we have here to do with an explosive.
But saltpetre and sulphur when mixed together do
not form an explosive. We may feel sure, therefore,
that the name of the one substance necessary to convert
the incendiary mixture of saltpetre and sulphur
into an explosive, namely charcoal, is included under
some form in the anagram—either as carbo, or the
name of the wood from which it is made. The et
sic facies of the second clause shows that there must
necessarily be in the first clause, and consequently
in the anagram, some verb in the imperative mood,
such as mix or take. We may expect a word for a
weight (libræ, unciæ, &c.), or the word partes. As
regards the proportions, the earliest we are acquainted
with approximate more or less closely to 2:1:1,
Arderne’s recipe being merely a laboratory recipe.
The proportions of the ingredients, therefore, if
included in the anagram, will probably not differ
much from 2:1:1.
Rearranging the letters of the anagram, we get—
RVIIPARTVNOUCORULVET,
or since U and V are interchangeable,
R. VII PART. V NOV. CORUL. V ET; i.e.
r(ecipe) vii part(es), v nov(ellæ)371 corul (i), v et.
The whole passage in the original therefore
reads:—
“sed tamen salis petræ recipe vii partes, v novellæ
coruli, v et sulphuris,” &c.; that is—
“but take 7 parts of saltpetre, 5 of young hazel-wood,
and 5 of sulphur,” &c.;
i.e. 1-2/5 sp., 1 char. and 1 sulph.
R. was the common contraction for recipe, and
may be seen in Marcus Græcus’ first recipe (Berthelot’s
text). Nov. Corul. could have presented
no difficulty to Bacon’s correspondent, seeing that in
the previous letter, Cap. X., Bacon had spoken of
virgulti coryli. There he writes coryli: in his
Opus Majus he wrote coruli (ii. 219, Bridges ed.).
The second anagram (in Greek, Roman, and
Anglo-Saxon letters) seems to be a note to the first
and need not detain us, since we have already got
the names and proportions of the ingredients.
In deference to those readers who may reject
the preceding attempts to read Bacon’s riddles, we
now proceed to show, on grounds independent of
the steganogram and anagram, that Bacon was in
possession of an explosive.
The igneous bodies of which Bacon speaks fall
into two classes. The first class are incendiaries.
“Incendiaries,” he tells us, “may be made from
saltpetre, or petroleum, or maltha,372 or naphtha, mixed
with other substances.... To these are allied
Greek fire and many other incendiaries373.... (Burning)
maltha, if thrown upon an armed soldier, will
cause his death.... It is difficult to extinguish,
water being useless for this purpose.”374
But side by side with these passages we find
descriptions of igneous compositions of a totally
different kind. “There are other natural wonders.
We can produce in the air sounds loud as thunder
and flashes bright as lightning—nay, even surpassing
the powers of nature. A small quantity of (a certain)
composition, no bigger than one’s thumb, will give
forth (on ignition) a deafening noise and a vivid
flash.”375 We have, too, the passage, already quoted,
in the eleventh chapter, where he says that saltpetre
and sulphur and something else give forth (on
ignition) “a thundering noise and a vivid flash.”376
Again: “Some compositions (when ignited) make an
unbearable noise.... No other sound can be compared
with it. Others produce flashes more fearful
to behold than real lightning.... We may exemplify
these effects with a child’s toy which contains
within it a quantity of saltpetre (mixture) the
size of one’s thumb. In the bursting of this bauble,
made only of parchment, there are given forth a
noise louder than the mutterings of thunder and
a flash brighter than the brightest lightning.”377 It
will be evident on a moment’s consideration that the
charge of this toy must have been an explosive.
Had it been an incendiary, the paper would have
taken fire long before the pressure of the gases
generated by the combustion had increased sufficiently
to burst the case, and there would have
been no loud report.
The consequences of igniting these two classes
of composition are described so clearly as to preclude
all possible misunderstanding:—the incendiary
burns fiercely, while the other mixture gives
forth a bright flash and a loud noise. In the latter
case, Bacon was describing an explosion, and, as he
has elsewhere spoken of saltpetre, charcoal, and
sulphur, the reasonable conclusion is that the explosive
was gunpowder.
It has been said that the first of the foregoing
passages—“there are other natural wonders,” &c.—describes
a rocket. As everybody knows, a rocket
in its flight makes a whizzing noise and is followed
by a trail of heated gas and sparks. The whizzing
noise can only be compared to thunder by a total
disregard of fact, for no sound resembles thunder
less. Does thunder whizz? The fiery trail can
only be called a flash by an equal disregard of fact:
it gives a continuous light. But if the rocket
carries a bursting charge which explodes in mid-air,
the explosion may, with venial exaggeration, be said
to produce a flash like lightning and a noise like
thunder. Bacon was alluding to a bursting charge
consisting of an explosive, and that explosive was
gunpowder.
Was Bacon aware of the projective force of
gunpowder? There is nothing in his works (so
far as I am acquainted with them) which suggests
that he was. He knew that gunpowder exploded,
and he believed that an army might be either
actually blown up by it, or put to flight by the
terror inspired by its explosion;378 but he seems to
have gone no further. He experimented, probably,
with very small quantities of it; and the behaviour
of gunpowder when fired in large quantities under
pressure is so unlike its behaviour when fired in
small quantities in the open air, that its projective
force could neither have been predicted by abstract
reasoning nor realised by even his powerful
imagination.
If a surmise be permissible, Bacon did not
invent, he discovered gunpowder. Experimenting
with some incendiary composition, prepared with
pure instead of impure saltpetre, the mixture exploded
unexpectedly and shattered all the chemical
apparatus near it, thereby laying the foundation of
the mediæval legend about the destruction of the
Brazen Head. This suggestion, if correct, only
adds one more item to the long list of accidental
discoveries. The laws of the structure of crystals
were discovered by Haüy’s accidentally letting fall
a piece of calc-spar, which broke into fragments.
Malus, chancing to look through a double refracting
prism at the light of the setting sun, reflected from
the windows of the Luxembourg Palace, discovered
the polarisation of light. Galvani discovered galvanism
by mere accident. The decomposition of
water by voltaic electricity was accidentally discovered
by Nicholson in 1801.
However, whether as discoverer or inventor,
Roger Bacon made and fired the first gunpowder.
It fell to the lot of a persecuted English monk to
fulfil the prophecy of Prometheus, that in the latter
day there should appear “a wondrous being, who
should call forth flashes brighter than lightning and
sounds louder than thunder.”379