THE BIRDS OF ANGUS OGUE
Hither and thither,
And to and fro,
They thrid the Maze
Of Weal and Woe:
O winds that blow
For golden weather
Blow me the birds,
All white as snow
On the hillside heather—
Blow me the birds
That Angus know:
Blow me the birds,
Be it Weal or Woe!
EUCHARIS
Then, in the violet forest, all a-bourgeon, Eucharis
said to me: "It is Spring."—Arthur Rimbaud.
After the dim purple bloom of a suspended
spring, a green rhythm ran from larch to
thorn, from lime to sycamore; spread from
meadow to meadow, from copse to copse,
from hedgerow to hedgerow. The blackthorn
had already snowed upon the nettle-garths.
In the obvious nests among the
bare boughs of ash and beech the eggs of the
blackbird were blue-green as the sky that
March had bequeathed to April. For days
past, when the breath of the equinox had
surged out of the west, the missel-thrushes
had bugled from the wind-swayed topmost
branches of the tallest elms. Everywhere the
green rhythm ran.
In every leaf that had uncurled there was a
delicate bloom, that which is upon all things in
the first hours of life. The spires of the grass
were washed in a green, dewy light. Out of
the brown earth a myriad living things thrust
tiny green shafts, arrow-heads, bulbs, spheres,
clusters. Along the pregnant soil keener ears
than ours would have heard the stir of new
life, the innumerous whisper of the bursting
seed; and, in the wind itself, shepherding the
shadow-chased sunbeams, the voice of that
vernal gladness which has been man's clarion
since Time began.
Day by day the wind-wings lifted a more
multitudinous whisper from the woodlands.
The deep hyperborean note, from the invisible
ocean of air, was still audible: within the
concourse of bare boughs which lifted against
it, that surging voice could not but have an
echo of its wintry roar. In the sun-havens,
however, along the southerly copses, in
daisied garths of orchard-trees, amid the
flowering currant and guelder and lilac bushes
in quiet places where the hives were all
a-murmur, the wind already sang its lilt of
spring. From dawn till noon, from an hour
before sundown till the breaking foam along
the wild cherry flushed fugitively because of
the crimson glow out of the west, there was
a ceaseless chittering of birds. The starlings
and the sparrows enjoyed the commune
of the homestead; the larks and fieldfares
and green and yellow linnets congregated in
the meadows, where, too, the wild bee already
roved. Among the brown ridgy fallows
there was a constant flutter of black,
white-gleaming, and silver-gray wings, where
the stalking rooks, the jerking pewets, and the
wary, uncertain gulls from the neighboring
sea, feasted tirelessly from the teeming earth.
Often, too, the wind-hover, that harbinger
of the season of the young broods, quivered
his curved wings in his arrested flight, while
his lance-like gaze penetrated the whins,
beneath which a new-born rabbit crawled, or
discerned in the tangle of a grassy tuft the
brown, watchful eyes of a nesting quail.
In the remoter woodlands the three foresters
of April could be heard: the woodpecker
tapping on the gnarled boles of the oaks;
the wild-dove calling in low, crooning monotones
to his silent mate; the cuckoo tolling
his infrequent peals from skyey belfries built
of sun and mist.
In the fields, where the thorns were green
as rivulets of melted snow and the grass had
the bloom of emerald, and the leaves of
docken, clover, cinquefoil, sorrel, and a thousand
plants and flowers, were wave-green, the
ewes lay, idly watching with their luminous
amber eyes the frisking and leaping of the
close-curled, tuft-tailed, woolly-legged lambs.
In corners of the hedgerows, and in hollows
in the rolling meadows, the primrose, the celandine,
the buttercup, the dandelion, and the
daffodil spilled little eddies of the sun-flood
which overbrimmed them with light. All day
long the rapture of the larks filled the blue
air with vanishing spirals of music, swift and
passionate in the ascent, repetitive and less
piercing in the narrowing downward gyres.
From every whin the poignant, monotonous
note of the yellow-hammer reëchoed. Each
pastoral hedge was alive with robins, chaffinches,
and the dusky shadows of the wild-mice
darting here and there among the greening
boughs.
Whenever this green fire is come upon
the earth, the swift contagion spreads to the
human heart. What the seedlings feel in the
brown mould, what the sap feels in the trees,
what the blood feels in every creature from
the newt in the pool to the nesting bird—so
feels the strange, remembering ichor that
runs its red tides through human hearts and
brains. Spring has its subtler magic for us,
because of the dim mysteries of unremembering
remembrance and of the vague radiances
of hope. Something in us sings an ascendant
song, and we expect, we know not what;
something in us sings a decrescent song, and
we realize vaguely the stirring of immemorial
memories.
There is none who will admit that spring
is fairer elsewhere than in his own land.
But there are regions where the season
is so hauntingly beautiful that it would
seem as though Angus Ogue knew them
for his chosen resting-places in his green
journey.
Angus Og, Angus MacGreine, Angus the
Ever Youthful, the Son of the Sun, a fair
god he indeed, golden-haired and wonderful
as Apollo Chrusokomes. Some say that
he is Love; some, that he is Spring; some,
even, that in him, Thanatos, the Hellenic
Celt that was his far-off kin, is reincarnate.
But why seek riddles in flowing water?
It may well be that Angus Ogue is Love,
and Spring, and Death. The elemental gods
are ever triune; and in the human heart,
in whose lost Eden an ancient tree of
knowledge grows wherefrom the mind has
not yet gathered more than a few windfalls,
it is surely sooth that Death and Love are
oftentimes one and the same, and that
they love to come to us in the apparel of
Spring.
Sure, indeed, Angus Ogue is a name above
all sweet to lovers, for is he not the god—the
fair youth of the Tuatha-de-Danann, the
Ancient People, with us still, though for ages
seen of us no more—from the meeting of
whose lips are born white birds, which fly
abroad and nest in lovers' hearts till the
moment come when, on the yearning lips of
love, their invisible wings shall become kisses
again?
Then, too, there is the old legend that
Angus goes to and fro upon the world, a
weaver of rainbows. He follows the spring,
or is its herald. Often his rainbows are
seen in the heavens; often in the rapt gaze
of love. We have all perceived them in
the eyes of children, and some of us have
discerned them in the hearts of sorrowful
women and in the dim brains of the old.
Ah! for sure, if Angus Og be the lovely
Weaver of Hope he is deathless comrade of
the spring, and we may well pray to him to
let his green fire move in our veins, whether
he be but the Eternal Youth of the World,
or be also Love, whose soul is youth, or
even though he be likewise Death himself,
Death to whom Love was wedded long,
long ago.
But nowhere was spring more lovely, nowhere
was the green fire of life so quick with
impulsive ardors, as, one year of the years, in
a seaward region to the north of the ancient
forest of Broceliande, in what of old was
Armorica and now is Brittany.
Here spring often comes late, but ever
lingers long. Here, too, in the dim green
avenues of the oak-woods of Kerival, the
nightingales reach their uttermost western
flight. Never has the shepherd, tending
his scant flock on the upland pastures of
Finistère, nor the fisherman lying a-dream
amid the sandy thickets of Ushant, heard
that quaint music—that primeval and
ever young song of the passionate heart
which Augustine might well have had in
mind when he exclaimed "Sero te amavi,
Pulchritudo, tam antiqua et tam nova,
sero te amavi." But, each April, in the
woods of Kerival, the nightingales congregate
from afar, and through May their songs
make the forest like a sanctuary filled with
choristers swinging incense of a delicate
music.
It is a wonderful region, that which lies
betwixt Ploumaliou on the east and Kerloek
on the west; the oldest, remotest part of an
ancient, remote land. Here the few hamlets
and fewer scattered villages are, even in externals,
the same as they were a hundred or
three hundred years ago. In essentials, there
is no difference since St. Hervé or St. Ronan
preached the new faith, or indeed since Ahès
the Pale rode through the forest aisles in the
moonlight and heard the Nains chanting, or
since King Gradlon raced his horse against
the foam when his daughter let the sea in
upon the fair city of Ys. The good curés
preach the religion of Christ and of Mary to
the peasants; but in the minds of most of
these there lingers much of the bygone faith
that reared the menhirs. Few indeed there
are in whose ears is never an echo of the old
haunted world, when every wood and stream,
every barren moor and granite wilderness,
every sea-pasture and creek and bay had its
particular presence, its spirit of good or ill,
its menace, its perilous enchantment. The
eyes of the peasants by these shores, these
moors, these windy hill-slopes of the south,
are not fixed only on the meal-chest and the
fallow-field, or, on fête-days, upon the crucifix
in the little church; but often dwell upon
a past time, more sacred now than ever in this
bitter relinquishing age. On the lips of many
may be heard lines from that sad folk-song,
"Ann Amzer Dremenet" (In the Long Ago):
Eur c'havel kaer karn olifant,
War-n-han tachou aour hag arc' hant.
Daelou a ver, daelou c'houero:
Neb a zo enn han zo maro!
Zo maro, zo maro pell-zo,
Hag hi luskel, o kana 'to,
Hag hi luskel, luskel ato,
Kollet ar skiand-vad gant-ho.
Ar skiand-vad ho deuz kollet;
Kollet ho deuz joaiou ar bed.
[But when they had made the cradle
Of ivory and of gold,
Their hearts were heavy still
With the sorrow of old.
And ever as they rocked, the tears
Ran down, sad tears:
Who is it lieth dead therein,
Dead all these weary years?
And still they rock that cradle there
Of ivory and gold;
For in their brains the shadow is
The Shadow of Old.
They weep, and know not what they weep;
They wait a vain rebirth:
Vanity of vanities, alas!
For there is but one birth
On the wide, green earth.]
Old sayings they have, too; who knows how
old? The charcoal-burner in the woods above
Kerloek will still shudder at the thought of
death on the bleak, open moor, because of the
carrion-crow that awaits his sightless eyes, the
fox that will tear his heart out, and the toad
that will swallow his soul. Long, long ago
Gwenc'hlan the Bard sang thus of his foe and
the foes of his people, when every battle field
was a pasture for the birds and beasts of prey,
and when the Spirit of Evil lurked near every
corpse in the guise of a toad. And still the
shrimper, in the sands beyond Ploumaliou, will
cry out against the predatory sea fowl A gas
ar Gall—a gas ar Gall! (Chase the Franks!)
and not know that, ages ago, this cry went
up from the greatest of Breton kings, when
Nomenoë drove the Frankish invaders beyond
the Oust and the Vilaine, and lighted their
flight by the flames of Nantes and Rennes.
Near the northern frontier of the remotest
part of this ancient region, the Manor of
Kerival was the light-house of its forest vicinage.
It was and is surrounded by woods, for
the most part of oak and chestnut and beech.
Therein are trees of an age so great that they
may have sheltered the flight of Jud Mael,
when Ahès chased him on her white stallion
from glade to glade, and one so venerably old
that its roots may have been soaked in the
blood of their child Judik, whom she forced
her betrayer to slay with the sword before she
thrust a dagger into his heart. Northward of
the manor, however, the forest is wholly of
melancholy spruce, of larch and pine. The
pines extend in a desolate disarray to the
interminable dunes, beyond which the Breton
sea lifts its gray wave against a gray horizon.
On that shore there are few rocks,
though here and there fang-like reefs rise,
ready to tear and devour any boat hurled
upon them at full tide in days of storm. At
Kerival Haven, too, there is a wilderness of
granite rock; a mass of pinnacles, buttresses,
and inchoate confusion, ending in long, smooth
ledges of black basalt, these forever washed
by the green flow of the tides.
None of the peasants knew the age of the
House of Kerival, or how long the Kerival
family had been there. Old Yann Hénan, the
blind brother of the white-haired curé, Père
Alain, who was the oldest man in all the
countryside, was wont to say that Kerival
woods had been green before ever there was a
house on the banks of the Seine, and that a
Kerival had been lord of the land before ever
there was a king of France. All believed this,
except Père Alain, and even he dissented only
when Yann spoke of the seigneur's ancestor
as the Marquis of Kerival; for, as he explained,
there were no marquises in those far-off
days. But this went for nothing; for,
unfortunately, Père Alain had once in his
youth preached against the popular belief in
Korrigans and Nains, and had said that these
supernatural beings did not exist, or at any
rate were never seen of man. How, then,
could much credence be placed on the testimony
of a man who could be so prejudiced?
Yann had but to sing a familiar snatch from
the old ballad of "Aotru Nann Hag ar Gorrigan"—the
fragment beginning
Ken a gavas eur waz vihan
E-kichen ti eur Gorrigan,
and ending
Met gwell eo d'in mervel breman
'Get dimizi d' eur Gorrigan!—
[The Lord Nann came to the Kelpie's Pool
And stooped to drink the water cool;
But he saw the kelpie sitting by,
Combing her long locks listlessly.
"O knight," she sang, "thou dost not fear
To draw these perilous waters near!
Wed thou me now, or on a stone
For seven years perish all alone,
Or three days hence moan your death-moan!"
"I will not wed you, nor alone
Perish with torment on a stone,
Nor three days hence draw my death-moan—
For I shall die, O Kelpie fair,
When God lets down the golden stair,
And so my soul thou shalt not share—
But, if my fate is to lie dead,
Here, with thy cold breast for my bed,
Death can be mine, I will not wed!"]
When Yann sang this, or told for the hundredth
time the familiar story of how Paskou-Hir
the tailor was treated by the Nains when
he sought to rifle the hidden treasure in the
grotto, every one knew that he spoke what
was authentic, what was true. As for Père
Alain—well, priests are told to say many things
by the good, wise Holy Father, who rules the
world so well but has never been in Brittany,
and so cannot know all that happens there,
and has happened from time immemorial.
Then, again, was there not the evidence of
the alien, the strange, quiet man called Yann
the Dumb, because of his silence at most times—him
that was the servitor-in-chief to the
Lady Lois, the beautiful paralyzed wife of the
Marquis of Kerival, and that came from the far
north, where the kindred of the Armorican
race dwell among the misty isles and rainy
hills of Scotland? Indeed Yann had been
heard to say that he would sooner disbelieve
in the Pope himself than in the kelpie, for in
his own land he had himself heard her devilish
music luring him across a lonely moor, and
he had known a man who had gone fey because
he had seen the face of a kelpie in a hill-tarn.
In the time of the greening, even the Korrigans
are unseen of walkers in the dusk.
They are busy then, some say, winding the
white into the green bulbs of the water-lilies,
or tinting the wings within the chrysalis of the
water-fly, or weaving the bright skins for the
newts; but however this may be, the season
of the green flood over the brown earth is not
that wherein man may fear them.
No fear of Korrigan or Nain, or any other
woodland creature or haunter of pool or
stream, disturbed two who walked in the
green-gloom of a deep avenue in the midst
of the forest beyond the Manor of Kerival.
They were young, and there was green fire in
their hearts; for they moved slow, hand claspt
in hand, and with their eyes dwelling often on
the face of each other. And whenever Ynys
de Kerival looked at her cousin Alan she
thought him the fairest and comeliest of the
sons of men; and whenever Alan turned the
longing of his eyes upon Ynys he wondered if
anywhere upon the green earth moved aught
so sweet and winsome, if anywhere in the
green world was another woman so beautiful
in body, mind, and spirit, as Ynys—Ynys the
Dark, as the peasants called her, though Ynys
of the dusky hair and the hazel-green eyes
would have been truer of her whom Alan de
Kerival loved. Of a truth, she was fair to
see. Tall she was, and lithe; in her slim,
svelt body there was something of the swift
movement of the hill-deer, something of the
agile abandon of the leopard. She was of that
small clan, the true daughters of the sun.
Her tanned face and hands showed that she
loved the open air, though indeed her every
movement proved this. The sun-life was
even in that shadowy hair of hers, which had
a sheen of living light wrought into its
fragrant dusk; it was in her large, deep, translucent
eyes, of a soft, dewy twilight-gray
often filled with green light, as of the forest-aisles
or as the heart of a sea-wave as it
billows over sunlit sand; it was in the heart
and in the brain of this daughter of an ancient
race—and the nostalgia of the green world
was hers. For in her veins ran the blood
not only of her Armorican ancestors but of
another Celtic strain, that of the Gael of the
Isles, Through her mother, Lois Macdonald,
of the remote south isles of the Outer
Hebrides, the daughter of a line as ancient
as that of Tristran de Kerival, she inherited
even more than her share of the gloom, the
mystery, the sea-passion, the vivid oneness
with nature which have disclosed to so many
of her fellow-Celts secret sources of peace.
Everywhere in that region the peasant
poets sang of Ynys the Dark or of her sister
Annaik. They were the two beautiful women
of the world, there. But, walking in the
fragrant green-gloom of the beeches, Alan
smiled when he thought of Annaik, for all her
milk-white skin and her wonderful tawny hair,
for all her strange, shadowy amber-brown
eyes—eyes often like dark hill-crystals aflame
with stormy light. She was beautiful, and
tall too, and with an even wilder grace than
Ynys; yet—there was but one woman in the
world, but one Dream, and her name was
Ynys.
It was then that he remembered the line of
the unfortunate boy-poet of the Paris that has
not forgotten him; and looking at Ynys, who
seemed to him the very spirit of the green life
all around him, muttered: "Then in the
violet forest, all a-bourgeon, Eucharis said to
me: 'It is Spring.'"
THE HOUSE OF KERIVAL
It was with a sudden beating of the heart
that, midway in Easter, Alan de Kerival received
in Paris two letters: one from the Marquis
de Kerival, and the other from his cousin
Ynys, whom he loved.
At all times he was ill at ease in the great
city; or at all times save when he was alone
in his little study in the Tour de l'Ile, or in
the great circular room where the master
astronomer, Daniel Darc, wrought unceasingly.
On rare occasions, golden afternoons
these, he escaped to the green places near
Paris—to Rambouillet or St. Germain, or even
to Fontainebleau. There, under the leafless
trees of winter or at the first purpling of
spring, he was wont to walk for hours, dreaming
his dream. For Alan was a poet, and to
dream was his birthright.
And for dream, what had he? There was
Ynys above all, Ynys whom he loved with ever
deepening joy and wonder. More and more
she had become to him his real life; he lived
in her, for her, because of her. More and
more, too, he realized that she was his
strength, his inspiration. But besides this
abiding delight, which made his heart leap
whenever he saw a Breton name above a shop
or on a volume on the bookstalls, he was ever
occupied by that wonderful past of his race
which was to him a living reality. It was
perhaps because he so keenly perceived the
romance of the present—the romance of the
general hour, of the individual moment—that
he turned so insatiably to the past with its
deathless charm, its haunting appeal. The
great astronomer whom he loved and served
knew the young man well, and was wont to say
that his favorite assistant was born a thousand
years too late.
One day a Breton neighbor of the Marquis
de Kerival questioned Daniel Darc as to
who the young man's friends were. "Nomenoë,
Gradlon-Maur, Gwenc'hlan, Taliésin,
Merlin, and Oisin," was the reply. And it
was true. Alan's mind was as irresistibly
drawn to the Celtic world of the past as the
swallow to the sun-way. In a word, he was
not only a poet, but a Celtic poet; and not
only a Celtic poet, but a dreamer of the Celtic
dream.
Perhaps this was because of the double
strain in his veins. Doubtless, too, it was
continuously enhanced by his intimate knowledge
of two of the Celtic languages, that of
the Breton and that of the Gael. It is language
that is the surest stimulus to the remembering
nerves. We have a memory within
memory, as layers of skin underlie the epidermis.
With most of us this anterior remembrance
remains dormant throughout life; but
to some are given swift ancestral recollections.
Alan de Kerival was of these few.
His aunt, the Marquise, true Gael of the
Hebrid Isles as she was, loved the language of
her people, and spoke it as she spoke English,
even better than French. Of Breton, save a
few words and phrases, she knew almost
nothing—though Armorican was exclusively
used throughout the whole Kerival region,
was the common tongue in the Manor itself,
and was habitually affected even by the Marquis
de Kerival—on the few occasions when
Tristran the Silent, as the old nobleman was
named, cared to speak. But with two members
of the household she invariably spoke in
Gaelic; with her nephew Alan, the child of
her sister Silis Macdonald, and her old servitor,
Ian Macdonald, known among his fellows
as Yann the Dumb, mainly because he seldom
spoke to them, having no language but his
own. Latterly, her daughter Ynys had become
as familiar with the one Celtic tongue
as the other.
With this double key, Alan unlocked many
doors. All the wonderful romance of old
Armorica and of ancient Wales was familiar
to him, and he was deeply versed in the still
more wonderful and magical lore of the Gaelic
race. In his brain ran ever that Ossianic tide
which has borne so many marvellous argosies
through the troubled waters of the modern
mind. Old ballads of his native isles, with
their haunting Gaelic rhythms and idioms and
their frequent reminiscences of the Norse viking
and the Danish summer-sailor, were often
in his ears. He had lived with his hero Cuchullin
from the days when the boy showed his
royal blood at Emain-Macha till that sad hour
when his madness came upon him and he died.
He had fared forth with many a Lifting of the
Sunbeam, and had followed Oisin step by step
on that last melancholy journey when Malvina
led the blind old man along the lonely shores
of Arran. He had watched the crann-tara
flare from glen to glen, and at the bidding of
that fiery cross he had seen the whirling of
swords, the dusky flight of arrow-rain, and,
from the isles, the leaping forth of the war
birlinns to meet the viking galleys. How
often, too, he had followed Nial of the Nine
Hostages, and had seen the Irish Charlemagne
ride victor through Saxon London, or
across the Norman plains, or with onward
sword direct his army against the white walls
of the Alps! How often he had been with the
great king Nomonoë, when he with his Armoricans
chased the Frankish wolves away from
Breton soil, or had raced with Gradlon-Maur
from the drowning seas which overwhelmed Ys,
where the king's daughter had at the same
moment put her hands on the Gates of Love
and Death! How often he had heard Merlin
and Taliésin speak of the secret things of the
ancient wisdom, or Gwenc'hlan chant upon
his wild harp, or the fugitive song of Vivien in
the green woods of Broceliande, where the enchanted
seer sleeps his long sleep and dreams
his dream of eternal youth.
It was all this marvellous life of old which
wrought upon Alan de Kerival's life as by a
spell. Often he recalled the words of a
Gaelic sian he had heard Yann croon in his
soft, monotonous voice—words which made a
light shoreward eddy of the present and were
solemn with the deep-sea sound of the past,
that is with us even as we speak.
He was himself, too, a poet, and loved to
tell anew, in Breton, to the peasants of Kerival,
some of the wild north tales, or to relate
in Gaelic to his aunt and to Ynys the beautiful
folk-ballads of Brittany, which Annaik
knew by heart and chanted with the strange,
wailing music of the forest-wind.
In that old Manor, moreover, another
shadow put a gloom into his mind—this was
another shadow than that which made the
house so silent and chill, the inviolate isolation
of the paralyzed but still beautiful
Marquise Lois from her invalid husband, limb-useless
from his thighs because of a hurt done
in the war into which he had gone brown-haired
and strong, and whence he had come
broken in hope, shattered in health, and gray
with premature age. And this other shadow
was the mystery of his birth.
It was in vain he had tried to learn the
name of his father. Only three people knew
it: the Marquis Tristran, the Marquise Lois,
and Yann the Dumb. From none of these
could he elicit more than what he had long
known. All was to be made clear on his
twenty-fifth birthday; till then he had to be
content with the knowledge that he was Alan
de Kerival by courtesy only; that he was the
son of Silis Macdonald, of an ancient family
whose ancestral home was in one of the isles
of the Southern Hebrides, of Silis, the dead
sister of Lois de Kerival; and that he was the
adopted child of the Marquis and Marquise
who bore that old Armoric name.
That there was tragedy inwrought with his
story he knew well. From fugitive words,
too, he had gained the idea that his father, in
common with the Marquis Tristran, had been
a soldier in the French army; though as to
whether this unknown parent was Scottish or
Breton or French, or as to whether he was
alive or dead, there was no homing clew.
To all his enquiries of the Marquise he
received no answer, or was told simply that he
must wait. The Marquis he rarely saw, and
never spoke with. If ever he encountered
the stern, white-haired man as he was wheeled
through the garden ways or down one of the
green alleys, or along the corridors of the
vast, rambling château, they passed in silence.
Sometimes the invalid would look at him with
the fierce, unwavering eyes of a hawk; but
for the most part the icy, steel-blue eyes
ignored the young man altogether.
Yann, too, could not, or would not confide
any thing more than Alan had already learned
from the Marquise. The gaunt old Hebridean—whose
sole recreation, when not sitting
pipe in mouth before the flaming logs, was to
wander along the melancholy dunes by the
melancholy gray sea, and mutter continuously
to himself in his soft island-Gaelic—would
talk slowly by the hour on old legends, and
ballad-lore, and on seanachas of every kind.
When, however, Alan asked him about the
sisters Lois and Silis Macdonald, or how Lois
came to marry a Breton, and as to the man
Silis loved, and what the name was of the isle
whereon they lived,—or even as to whether
Ian himself had kith or kin living,—Yann
would justify his name. He took no trouble
in evasion: he simply became dumb.
Sometimes Alan asked the old man if he
cared to see the Isles again. At that, a look
ever came into Ian Macdonald's eyes which
made his young clansman love him.
"It will never, never be forgetting my own
place I will be," he replied once, "no, never.
I would rather be hearing the sea on the
shores there than all the hymns of heaven, and
I would rather be having the canna and the
heather over my head than be under the altar
of the great church at Kerloek. No, no, it
is the pain I have for my own place, and the
isle where my blood has been for hundreds of
years, and where for sure my heart is, Alan
Mac——"
With eager ears Alan had hoped for the
name whereat the old man had stopped short.
It would have told him much. "Alan, son
of——!" Even that baptismal name would
probably have told him if his father were a
Gael or a Breton, an Englishman or a Frenchman.
But Yann said no more, then or later.
Alan had hoped, too, that when he came
back, after his first long absence from Kerival,
his aunt would be more explicit with him. A
vain hope, for when once more he was at the
château he found the Marquise even less
communicative than was her wont. Her
husband was more than ever taciturn, and a
gloom seemed to have descended upon the
house. For the first time he noticed a change
in the attitude of Annaik. Her great, scornful,
wild-bird eyes looked at him often
strangely. She sought him, and then was
silent. If he did not speak, she became
morose; if he spoke, she relapsed into her
old scornful quiescence. Sometimes, when
they were alone, she unbent, and was his
beautiful cousin and comrade again; but in
the presence of Ynys she bewildered him
by her sudden ennui or bitterness or even
shadowy hostility. As for Ynys, she was unhappy,
save in Alan's love—a love that
neither her father nor mother knew, and of
which she never spoke to Annaik.
If Alan were a dreamer, Ynys was even
more so. Then, too, she had what Annaik
had not, though she lacked what her sister
had. For she was mystical as that young
saint of the Bretons who saw Christ walking
by night upon the hills, and believed that he
met there a new Endymion, his Bride of the
Church come to him in the moonshine. Ynys
believed in St. Guennik, as she believed in
Jeanne d'Arc, and no legend fascinated her
more than that strange one she had heard
from Yann, of how Arthur the Celtic hero
would come again out of Flath-innis, and
redeem his lost, receding peoples. But, unlike
Annaik, she had little of the barbaric passion,
little of that insatiate nostalgia for the life of
the open moor and the windy sea, though
these she loved not less whole-heartedly than
did her sister. The two both loved Nature as
few women love her; but to Annaik the forest
and the moorland were home, while to Ynys
they were rather sanctuaries or realms of
natural romance. This change to an unwelcome
taciturnity had been noted by Alan
on his home visit at Christmas. Still, he
had thought little of it after his return to
Paris, for the Noël-tide had been sweetened
by the word given to him by Ynys.
Then Easter had come, and with it the two
letters of such import. That from the Marquise
was short and in the tongue he and she
loved best: but even thus it was written guardedly.
The purport was that, now his twenty-fifth
birthday was at hand, he would soon
learn what he had so long wished to know.
That from Ynys puzzled him. Why should
dispeace have arisen between Ynys and
Annaik? Why should an already gloomy
house have been made still more sombre?
One day, Ynys wrote, she had come upon
Annaik riding Sultan, the black stallion, and
thrashing the horse till the foam flew from the
champed bit. When she had cried to Annaik
to be merciful, and asked her why she
punished Sultan so, her sister had cried
mockingly, "It is my love! Addio, Amore!
Addio! Addio! Addio!"—and at each addio had
brought her whip so fiercely upon the stallion's
quivering flanks that he had reared, and
all but thrown her, till she swung him round
as on a pivot and went at a wild gallop down
a long beech-alley that led into the heart of
the forest.
Well, these things would be better understood
soon. In another week he would be
out of Paris, possibly never to return. And
then ... Brittany—Kerival—Ynys!
Nevertheless his heart was not wholly away
from his work. The great astronomer had
known and loved Hersart de Kerival, the
younger brother of Tristran, and it was for
his sake that he had taken the young man
into his observatory. Soon he had discovered
that the youth loved the beautiful
science, and was apt, eager, and yet patient
to learn. In the five years which Alan
spent—with brief Brittany intervals—in the
observatory of the Tour de l'Ile, he had come
to delight in the profession which he had
chosen, and of which the Marquise had
approved.
He was none the less close and eager a student
because that he brought to this enthralling
science that spirit of the poetry of the
past, which was the habitual atmosphere
wherein his mind dwelt. Even the most
eloquent dissertations of Daniel Darc failed
to move him so much as some ancient strain
wherein the stars of heaven were hailed as
kindred of men; and never had any exposition
of the lunar mystery so exquisitely troubled
him as that wonderful cry of Ossian which
opens the poem of "Darthula":
"Daughter of heaven, fair art thou! the
silence of thy face is pleasant. Thou comest
forth in loveliness; the stars attend thy blue
steps in the east. The clouds rejoice in thy
presence, O moon, and brighten their dark-brown
sides. Who is like thee in heaven,
daughter of the night? The stars are ashamed
in thy presence, and turn aside their green
sparkling eyes. Whither dost thou retire
from thy course, when the darkness of thy
countenance grows? Hast thou thy hall like
Ossian? Dwellest thou in the shadow of grief?
Have thy sisters fallen from heaven? Are
they who rejoiced with thee, at night, no
more?—Yes!—They have fallen, fair light!
and thou dost often retire to mourn. But
thou thyself shalt fail, one night; and leave
thy blue path in heaven. The stars will then
lift their green heads; they, who were ashamed
in thy presence, will rejoice."
STORM
Yes, he was glad to leave Paris, although
that home of lost causes—thus designate in
a far truer sense than is the fair city by the
Isis—had a spell for him. But not Paris,
not even what, night after night, he beheld
from the Tour de l'Ile, held him under a spell
comparable with that which drew him back
to the ancient land where his heart was.
In truth, it was with relief at last that he
saw the city recede from his gaze, and merge
into the green alleys north-westward. With
a sigh of content, he admitted that it was
indeed well to escape from that fevered life—a
life that, to him, even in his lightest mood,
seemed far more phantasmal than that which
formed the background to all his thoughts
and visions. Long before the cherry
orchards above Rouen came into view he
realized how glad he was even to be away from
the bare, gaunt room where so many of his
happiest hours had been spent; that windy
crow's-nest of a room at the top of the Tour
de l'Ile, whence nightly he had watched the
procession of the stars, and nightly had
opened the dreamland of his imagination to
an even more alluring procession out of the
past.
His one regret was in having to part from
Daniel Darc, that strange and impressive
personality who had so fascinated him, and the
spell of whose sombre intellect, with its dauntless
range and scope, had startled the thought
of Europe, and even given dreams to many to
whom all dreams had become the very Fata
Morgana of human life.
Absorbed as he was, Daniel Darc realized
that Alan was an astronomer primarily because
he was a poet rather than an astronomer by
inevitable bias. He saw clearly into the
young man's mind, and certainly did not
resent that his favorite pupil loved to dwell
with Merlin rather than with Kepler, and
that even Newton or his own master Arago
had no such influence over him as the far-off,
nigh inaudible music of the harp of
Aneurin.
And, in truth, below all Alan's passion for
science—of that science which is at once the
oldest, the noblest, and the most momentous;
the science of the innumerous concourse of
dead, dying, and flaming adolescent worlds,
dust about the threshold of an unfathomable
and immeasurable universe, wherein this
Earth of ours is no more than a mere whirling
grain of sand—below all this living
devotion lay a deeper passion still.
Truly, his soul must have lived a thousand
years ago. In him, at least, the old Celtic
brain was reborn with a vivid intensity which
none guessed, and none except Ynys knew—if
even she, for Alan himself only vaguely surmised
the extent and depth of this obsession.
In heart and brain that old world lived anew.
Himself a poet, all that was fair and tragically
beautiful was forever undergoing in his mind
a marvellous transformation—a magical resurrection
rather, wherein what was remote and
bygone, and crowned with oblivious dust,
became alive again with intense and beautiful
life.
It did not harmonize ill with Alan's mood
that, on the afternoon of the day he left
Rouen, great, bulbous storm-clouds soared out
of the west and cast a gloom upon the
landscape.
That is a strange sophistry which registers
passion according to its nearness to the blithe
weal symbolized in fair weather. Deep passion
instinctively moves toward the shadow
rather than toward the golden noons of
light. Passion hears what love at the most
dreams of; passion sees what love mayhap
dimly discerns in a glass darkly. A million
of our fellows are "in love" at any or every
moment; and for these the shadowy way
is intolerable. But for the few, in whom
love is, the eyes are circumspect against
the dark hour which comes when heart and
brain and blood are aflame with the paramount
ecstasy of life.
Deep passion is always in love with death.
The temperate solicitudes of affection know
not this perverse emotion, which is simply
the darker shadow inevitable to a deeper
joy—as the profundity of an Alpine lake is
to be measured by the height of the remote
summits which rise sheer from its marge.
When Alan saw this gloom slowly absorb
the sunlight, and heard below the soft spring
cadences of the wind the moan of coming
tempest, his melancholy lightened. Soon he
would see the storm crushing through the
woods of Kerival; soon feel the fierce rain
come sweeping inland from Ploumaliou; soon
hear, confusedly obscure, the noise of the
Breton Sea along the reef-set sands. Already
he felt the lips of Ynys pressed against his
own.
The sound of the sea called through the
dusk, now with the muffled under roar of
famished lions, now with a loud, continuous
baying like that of eager hounds.
Seaward, the deepening shadows passed
intricately from wave to wave. The bays and
sheltered waters were full of a tumult as of
baffled flight, of fugitives jostling each other
in a wild and fruitless evasion. Along the interminable
reach of the Dunes of Kerival the
sea's lips writhed and curled; while out of the
heart of the turbulent waste beyond issued a
shrill, intermittent crying, followed by stifled
laughter. Ever and again tons of whirling
water, meeting, disparted with a hoarse thunder.
This ever-growing and tempestuous
violence was reiterated in a myriad raucous,
clamant voices along the sands and among the
reefs and rocks and weed-covered wave-hollowed
crags.
Above the shore a ridge of tamarisk-fringed
dune suspended, hanging there dark
and dishevelled, like a gigantic eyebrow on
the forehead of a sombre and mysterious
being. Beyond this, again, lay a stretch of
barren moor, caught and claspt a mile away
by a dark belt of pines, amid which the incessant
volume of the wind passed with a shrill
whistling. Further in among the trees were
oases of a solemn silence, filled only at intervals
with a single flute-like wind-eddy, falling
there as the song of a child lost and baffled in
a waste place.
Over and above the noise of the sea was a
hoarse cry thridding it as a flying shuttle in
a gigantic loom. This was the wind, which
continuously swept from wave to wave—shrewd,
salt, bitter with the sterile breath of
the wilderness whereon it roamed, crying and
moaning, baying, howling, insatiate.
The sea-fowl, congregating from afar, had
swarmed inland. Their wailing cries filled the
spray-wet obscurities. The blackness that
comes before the deepest dark lay in the hollow
of the great wings of the tempest. Peace nowhere
prevailed, for in those abysmal depths
where the wind was not even a whisper, there
was listless gloom only, because no strife is there,
and no dream lives amid those silent apathies.
Neither upon the waters nor on the land
was there sign of human life. In that remote
region, solitude was not a dream but a reality.
An ancient land, this loneliest corner of sea-washed
Brittany; an ancient land, with ever
upon it the light of olden dreams, the gloom
of indefinable tragedy, the mystery of a destiny
long ago begun and never fulfilled.
Lost like a rock in a forest, a weather-worn,
ivy-grown château stood within sound, though
not within sight, of this tempestuous sea. All
about it was the deep, sonorous echo of wind
and wave, transmuted into a myriad cries
among the wailing pines and oaks and vast
beeches of the woods of Kerival. Wind and
wave, too, made themselves audible amid the
gables and in the huge chimneys of the old
manor-house; even in the draughty corridors
an echo of the sea could be heard.
The pathways of the forest were dank with
sodden leaves, the débris of autumn which
the snows of winter had saved from the whirling
gales of January. Underneath the brushwood
and the lower boughs these lay in brown,
clotted masses, emitting a fugitive, indefinite
odor, as though the ghost of a dead year
passed in that damp and lifeless effluence.
But along the frontiers of the woods there
was an eddying dust of leaves and small twigs,
and part at least of the indeterminate rumor
which filled the air was caused by this frail
lapping as of innumerable minute wings.
In one of those leaf-quiet alleys, shrouded
in a black-green darkness save where in one
spot the gloom was illumined into a vivid
brown, because of a wandering beam of light
from a turret in the château, a man stood.
The head was forwardly inclined, the whole
figure intent as a listening animal. He and
his shadow were as those flowers of darkness
whose nocturnal bloom may be seen of none
save in the shadowy land of dream.
When for a moment the wind-wavered beam
of light fell athwart his face—so dark and
wild that he might well have been taken for a
nameless creature of the woods—he moved.
With a sudden gesture he flung his arms
above his head. His shadow sprang to one
side with fantastic speed, leaping like a diver
into the gulf of darkness.
"Annaik," he cried, "Annaik, Annaik!"
The moan of the wind out of the sea, the
confused noise of the wind's wings baffling
through the woods; no other answer than
these, no other sound.
"Annaik, Annaik!"
There was pain as of a wounded beast in
the harsh cry of this haunter of the dark; but
the next moment it was as though the lost
shadow had leapt back, for a darkness came
about the man, and he lapsed into the obscurity
as a wave sinks into a wave.
But, later, out of the silence came a voice.
"Ah, Annaik!" it cried, "ah, Annaik, forsooth!
It is Annaik of Kerival you are, and
I the dust upon the land of your fathers—but,
by the blood of Ronan, it is only a woman
you are; and, if I had you here it is a fall of
my fist you would be having—aye, the stroke
and the blow, for all that I love you as I do,
white woman, aye, and curse you and yours
for that loving!"
Then, once again, there was silence. Only
the screeching of the wind among the leaves
and tortured branches; only the deep roar of
the tempest at the heart of the forest; only
the thunder of the sea throbbing pulse-like
through the night. Nor when, a brief while
later, a white owl, swifter but not less silent
than a drift of vapor, swooped that way, was
there living creature in that solitary place.
The red-yellow beam still turned into
brown the black-green of that windy alley;
but the man, and the shadow of him, and the
pain of the beast that was in him, and the cry
of the baffled soul, the cry that none might
know or even guess—of all this sorrow of the
night, nothing remained save the red light
lifting and falling through the shadowy hair
of what the poets of old called The Dark
Woman ... Night.
Only, who may know if, in that warmth and
glow within the House of Kerival, some
sudden menace from the outside world of life
did not knock at the heart of Annaik, where
she, tall and beautiful in her cream-white
youth and with her mass of tawny hair, stood
by Ynys, whose dusky loveliness was not less
than her own—both radiant in the fire-light,
with laughter upon the lips and light within
their eyes.
Oh, flame that burns where fires of home
are lit! and oh, flame that burns in the heart
to whom life has not said, Awake! and oh,
flame that smoulders from death to life, and
from life to death, in the dumb lives of those
to whom the primrose way is closed! Everywhere
the burning of the burning, the flame
of the flame; pain and the shadow of pain, joy
and the rapt breath of joy, flame of the flame
that, burning, destroyeth not till the flame is
no more!
It was the night of the home-coming of
Alan. So long had Ynys and Annaik looked
forward to this hour, that now hardly could
they believe the witness of their eyes when
with eager glances they scrutinized the new-comer—their
Alanik of old.
He stood before the great fire of logs.
Upon his face the sharp, damp breath of the
storm still lingered, but in his eyes was a
light brighter than any dancing flame would
cause, and in his blood a pulse that leapt
because of another reason than that swift ride
through the stormy woods of Kerival.
At the red and stormy break of that day
Ynys had awaked with a song of joy in her
heart that from hour to hour had found expression
in bird-like carollings, little words
and fugitive phrases which rippled from her
lips, the sunshine-spray from the fount of life
whereon her heart swam as a nenuphar on an
upwelling pool. Annaik also had waked at
that dawn of storm. She had risen in silence,
and in silence had remained all day; giving
no sign that the flame within her frayed the
nerves of her heart.
Throughout the long hours of tempest, and
into that dusk wherein the voice of the sea
moved, moaning, across the land, laughter and
dream had alternated with Ynys. Annaik
looked at her strangely at times, but said
nothing. Once, standing in the twilight of
the dark-raftered room, Ynys clasped her
hands across her bosom and murmured,
"Oh, heart be still! My heaven is come."
And in that hour, and in that place, she who
was twin to her—strange irony of motherhood,
that should give birth in one hour to
Day and Night, for even as day and night
were these twain, so unlike in all things—in
that hour and in that place Annaik also
clasped her hands across her bosom, and the
words that died across the shadow of her lips
were, "Oh, heart be still! My hell is near."
And now he for whom both had waited
stood, flooded in the red fire glow which leaped
from panel to panel, and from rafter to rafter,
while, without, the howling of the wind rose
and fell in prolonged, monotonous cadences,—anathemas,
rather,—whirled through a darkness
full of bewilderment and terror.
As for Alan, it was indeed for joy to him to
stand there, home once more, with not only
the savagery of the tempest behind him, but
also left behind, that unspeakably far-off,
bewilderingly remote city of Paris whence he
had so swiftly come.
It is said of an ancient poet of the Druid
days that he had the power to see the lives of
the living, and these as though they were
phantoms, separate from the body. Was
there not a young king of Albainn who, in a
perilous hour, discovered this secret of old
time, and knew how a life may be hidden
away from the body so that none may know
of it, save the wind that whispers all things,
and the tides of day and night that bear all
things upon their dark flood?
King of Albainn, poet of the old time, not
alone three youthful dreamers would you
have seen, there, in that storm-beset room.
For there you would have seen six figures
standing side by side. Three of these would
have been Alan de Kerival, and Ynys the
Dark, and Annaik the Fair; and of the other
three, one would be of a dusky-haired woman
with starry, luminous eyes; and one a pale
woman with a wealth of tawny hair, with eyes
aflame, meteors in a desert place; and one
a man, young and strong and fair to see as
Alan de Kerival, but round about him a
gloom, and through that gloom his eyes as
stars seen among the melancholy hills.
Happy laughter of the world that is always
young—happy, in that we are not all seers of
old or kings of Albainn! For who, looking
into the mirrors of Life and seeing all that is
to be seen, would look again, save those few
to whom Life and Death have come sisterly
and whispered the secret that some have discerned,
how these twain are one and the same.
Nevertheless, in that happy hour for him,
Alan saw nothing of what Ynys feared.
Annaik had abruptly yielded to a strange
gayety, and her swift laugh and gypsy smile
made his heart glad.
Never had he seen, even in Paris, women
more beautiful. Deep-set as his heart was in
the beauty of Ynys, he found himself admiring
that of Annaik with new eyes. Truly, she
was just such a woman as he had often imagined
when Ian had recited to him the ballad
of the Sons of Usna or that of how Dermid
and Graine fled from the wrath of Fionn.
And they, too, looking at their tall cousin,
with his wavy brown hair, broad, low brows,
gray-blue eyes, and erect carriage, thought
him the comeliest man to be seen in France;
and each in her own way was proud and glad,
though one, also, with killing pain.
THE DREAM AND THE DREAMERS
Soon after supper Annaik withdrew.
Ynys and Alan were glad to be alone, and
yet Annaik's absence perturbed them. In
going she bade good-night to her cousin, but
took no notice of her sister.
At first the lovers were silent though they had
much to say, and in particular Alan was anxious
to know what it was that Ynys had alluded
to in her letter when she warned him that
unforeseen difficulties were about their way.
It was pleasant to sit in that low-roofed,
dark old room, and feel the world fallen away
from them. Hand in hand they looked at
each other lovingly, or dreamed into the
burning logs, seeing there all manner of
beautiful visions. Outside, the wind still
moaned and howled, though with less of
savage violence, and the rain had ceased.
For a time Ynys would have no talk of Kerival;
Alan was to tell all he could concerning
his life in Paris, what he had done, what he
had dreamed of, and what he hoped for now.
But at last he laughingly refused to speak more
of himself, and pressed her to reveal what had
been a source of anxiety.
"You know, dear," she said, as she rose
and leaned against the mantel-piece, her tall
figure and dusky hair catching a warm glow
from the fire—"you know how pitiable is this
feud between my father and mother—how for
years they have seen next to nothing of each
other; how they live in the same house and yet
are strangers? You know, too, how more than
ever unfortunate this is, for themselves, and
for Annaik and me, on account of our mother
being an invalid, and of our father being
hardly less frail. Well, I have discovered
that the chief, if not indeed the only abiding
source of misunderstanding is you, dear Alan!"
"But why, Ynys?"
"Ah, why? That is, of course, what I
cannot tell you. Have you no suspicion,
no idea?"
"None. All I know is that M. de Kerival
allows me to bear his name, but that he dislikes,
if, indeed, he does not actually hate
me."
"There is some reason. I came upon him
talking to my mother a short time ago. She
had told him of your imminent return.
"'I never wish to see his face,' my father
cried, with fierce vehemence; then, seeing me,
he refrained."
"Well, I shall know all the day after to-morrow.
Meanwhile, Ynys, we have the night
to ourselves. Dear, I want to learn one
thing. What does Annaik know? Does she
know that we love each other? Does she
know that we have told each other of this
love, and that we are secretly betrothed?"
"She must know that I love you; and sometimes
I think she knows that you love me.
But ... oh, Allan! I am so unhappy about
it.... I fear that Annaik loves you also,
and that this will come between us all. It
has already frozen her to me and me to her."
Alan looked at Ynys with startled eyes.
He knew Annaik better than any one did;
and he dreaded the insurgent bitterness of
that wild and wayward nature. Moreover, in
a sense he loved her, and it was for sorrow to
him that she should suffer in a way wherein
he could be of no help.
At that moment the door opened, and
Matieu, a white-haired old servant, bowing
ceremoniously, remarked that M. le Marquis
desired to see Mamzelle Ynys immediately.
Ynys glanced round, told Matieu that she
would follow, and then turned to Alan.
How beautiful she was! he thought; more and
more beautiful every time he saw her. Ah!
fair mystery of love, which puts a glory about
the one loved; a glory that is no phantasmal
light, but the realized beauty evoked by seeing
eyes and calling heart. On her face was
a wonderful color, a delicate flush that came
and went. Again and again she made a characteristic
gesture, putting her right hand to
her forehead and then through the shadowy,
wavy hair which Alan loved so well and ever
thought of as the fragrant dusk. How glad
he was that she was tall and lithe, graceful as
a young birch; that she was strong and kissed
brown and sweet of sun and wind; that her
beauty was old as the world, and fresh as
every dawn, and new as each recurrent spring!
No wonder he was a poet, since Ynys was the
living poem who inspired all that was best in
his life, all that was fervent in his brain.
Thought, kindred to this, kept him a long
while by the fire in deep revery, after Ynys
had thrilled him by her parting kisses and
had gone to her father. He realized, then,
how it was she gave him the sense of womanhood
as no other woman had done. In her,
he recognized the symbol as well as the individual.
All women shared in his homage
because of her. His deep love for her, his
ever growing passion, could evoke from him a
courtesy, a chivalry, toward all women which
only the callous or the coarse failed to note.
She was his magic. The light of their love
was upon every thing: everywhere he found
synonyms and analogues of "Ynys." Deeply
as he loved beauty, he had learned to love it
far more keenly and understandingly, because
of her. He saw now through the accidental,
and everywhere discerned the eternal beauty,
the echoes of whose wandering are in every
heart and brain, though few discern the white
vision or hear the haunting voice.
And with his love had come knowledge of
many things hidden from him before. Sequences
were revealed, where he had perceived
only blind inconsequence. Nature
became for him a scroll, a palimpsest with
daily mutations. With each change he found
a word, a clew, leading to the fuller elucidation
of that primeval knowledge which, fragmentarily,
from age to age has been painfully
lost, regained, and lost again, though never
yet wholly irrecoverable.
Through this new knowledge, too, he had
come to understand the supreme wonder and
promise, the supreme hope of our human life
in the mystery of motherhood. All this and
much more he owed to Ynys, and to his love
for her. She was all that a woman can be to a
man. In her he found the divine abstractions
which are the beacons of the human soul
in its obscure wayfaring—Romance, Love,
Beauty. It was not enough that she gave
him romance, that she gave him love, that she
was the most beautiful of women in his eyes.
When he thought of the one, it was to see the
starry eyes and to hear the charmed voice of
Romance herself, in the voice and in the eyes
of Ynys: when he thought of Love it was to
hear Ynys's heart beating, to listen to the
secret rhythms in Ynys's brain, to feel the
life-giving sun-flood that was in her pure but
intense and glowing passion.
Thus it was that she had for him that immutable
attraction which a few women have
for a few men; an appeal, a charm, that atmosphere
of romance, that air of ideal beauty,
wherein lies the secret of all passionate art.
The world without wonder, the world without
mystery! That, indeed, is the rainbow without
colors, the sunrise without living gold,
the noon void of light.
To him, moreover, there was but one
woman. In Ynys he had found her. This
exquisite prototype was at once a child of
nature, a beautiful pagan, a daughter of the
sun; was at once this and a soul alive with the
spiritual life, intent upon the deep meanings
lurking everywhere, wrought to wonder even
by the common habitudes of life, to mystery
even by the familiar and the explicable. Indeed,
the mysticism which was part of the
spiritual inheritance come with her northern
strain was one of the deep bonds which united
them.
What if both at times were wrought too
deeply by this beautiful dream? What if the
inner life triumphed now and then, and each
forgot the deepest instinct of life, that here
the body is overlord and the soul but a divine
consort? There are three races of man.
There is the myriad race which loses all,
through (not bestiality, for the brute world is
clean and sane) perverted animalism; and
there is the myriad race which denounces
humanity, and pins all its faith and joy to a
life the very conditions of whose existence
are incompatible with the law to which we are
subject—the sole law, the law of Nature.
Then there is that small untoward clan, which
knows the divine call of the spirit through the
brain, and the secret whisper of the soul in
the heart, and forever perceives the veils of
mystery and the rainbows of hope upon our
human horizons; which hears and sees, and
yet turns wisely, meanwhile, to the life of the
green earth, of which we are part; to the
common kindred of living things, with which
we are at one—is content, in a word, to live,
because of the dream that makes living so
mysteriously sweet and poignant; and to
dream, because of the commanding immediacy
of life.
As yet, of course, Alan and Ynys had
known little of the vicissitudes of aroused
life. What they did know, foresee, was due
rather to the second-sight of the imagination
than to the keen knowledge of experience.
In Alan Ynys found all that her heart
craved. She discovered this nearly too late.
A year before this last home-coming of her
cousin, she had been formally betrothed to
Andrik de Morvan, the friend of her childhood
and for whom she had a true affection,
and in that betrothal had been quietly glad.
When, one midwinter day, she and Alan
walked through an upland wood and looked
across the snowy pastures and the white
slopes beyond, all aglow with sunlight, and
then suddenly turned toward each other, and
saw in the eyes of each a wonderful light, and
the next moment were heart to heart, it was
all a revelation.
For long she did not realize what it meant.
On that unforgettable day, when they had
left the forest ridge and were near Kerival
again, she had sat for a time on one of the
rude cattle-gates which are frequent in these
woodlands, while Alan had leant beside her,
looking up with eyes too eloquent, and speaking
of what he dreamed, with sweet stammering
speech of new found love.
How she had struggled, mentally, with her
duty, as she conceived it, toward Andrik.
She was betrothed to him; he loved her; she
loved him too, although even already she
realized that there is a love which is not only
invincible and indestructible but that comes
unsought, has no need for human conventions,
is neither moral nor immoral but
simply all-potent and thenceforth sovereign.
To yield to that may be wrong; but, if so,
it is wrong to yield to the call of hunger, the
cry of thirst, the whisper of sleep, the breath
of ill, the summons of death. It comes, and
that is all. The green earth may be another
Endymion, and may dream that the cold
moonshine is all in all; but when the sun
rises, and a new heat and glory and passion
of life are come, then Endymion simply
awakes.
It had been a sadness to her to have to tell
Andrik she no longer loved him as he was
fain to be loved. He would have no finality,
then; he held her to the bond—and in Brittany
there is a pledge akin to the "hand-fast"
of the north, which makes a betrothal
almost as binding as marriage.
Andrik de Morvan had gone to the Marquis
de Kerival, and told him what Ynys had
said.
"She is but a girl," the seigneur remarked
coldly. "And you are wrong in thinking she
can be in love with any one else. There is no
one for whom she can care so much as for
you; no one whom she has met with whom
she could mate; no one with whom I would
allow her to mate."
"But that matters little, if she will not
marry me!" the young man had urged.
"My daughter is my daughter, De Morvan.
I cannot compel her to marry you. I know
her well enough to be sure that she would
ignore any command of this kind. But
women are fools; and one can get them to
do what one wants, in one way if not in
another. Let her be a while."
"But the betrothal!"
"Let it stand. But do not press it. Indeed,
go away for a year. You are heir to
your mother's estates in Touraine. Go there,
work, learn all you can. Meanwhile, write
occasionally to Ynys. Do not address her
as your betrothed, but at the same time let
her see that it is the lover who writes. Then,
after a few months, confide that your absence
is due solely to her, that you cannot live
without her; and that, after a vain exile, you
write to ask if you may come and see her.
They are all the same. It is the same thing
with my mares, for which Kerival is so famous.
Some are wild, some are docile, some skittish,
some vicious, some good, a few flawless—but....
Well, they are all mares. One
knows. A mare is not a sphinx. These
complexities of which we hear so much, what
are they? Spindrift. The sea is simply the
sea, all the same. The tide ebbs, though the
poets reverse nature. Ebb and flow, the lifting
wind, the lifted wave; we know the way of
it all. It has its mystery, its beauty; but we
don't really expect to see a nereid in the
hollow of the wave, or to catch the echo of a
triton in the call of the wind. As for Venus
Anadyomene, the foam of which she was made
is the froth in poets' brains. Believe me,
Annaik, my friend, women are simply women;
creatures not yet wholly tamed, but tractable
in the main, delightful, valuable often, but
certainly not worth the tribute of passion
and pain they obtain from foolish men like
yourself."
With this worldly wisdom Andrik de Morvan
had gone home, unconvinced. He loved
Ynys; and sophistries were an ineffectual
balm.
But as for Ynys, she had long made up her
mind. Betrothal or no betrothal, she belonged
now only to one man, and that man,
Alan de Kerival. She was his and his alone,
by every natural right. How could she help
the accident by which she had cared for
Andrik before she loved Alan? Now, indeed,
it would be sacrilege to be other than wholly
Alan's. Was her heart not his, and her life
with her heart, and with both her deathless
devotion?
Alan, she knew, trusted her absolutely.
Before he went back to Paris, after their love
was no longer a secret, he had never once
asked her to forfeit any thing of her intimacy
with Andrik, nor had he even urged the open
cancelling of the betrothal. But she was well
aware his own absolute loyalty involved for
him a like loyalty from her; and she knew
that forgiveness does not belong to those
natures which stake all upon a single die.
And so the matter stood thus still. Ynys
and Andrik de Morvan were nominally betrothed;
and not only the Marquis and the
Marquise de Kerival, but Andrik himself,
looked upon the bond as absolute.
Perhaps Lois de Kerival was not without
some suspicion as to how matters were
between the betrothed pair. Certainly she
knew that Ynys was not one who would give
up any real or imagined happiness because of
a conventional arrangement or on account of
any conventional duty.
In Alan, Ynys found all that he found in
her. When she looked at him, she wondered
how she could ever have dreamed of Andrik
as a lover, for Alan was all that Andrik was
not. How proud and glad she felt because of
his great height and strength, his vivid features
with their gray-blue eyes and spirituel
expression, his wavy brown hair, a very
type of youthful and beautiful manhood!
Still more she revered and loved the inner
Alan whom she knew so well, and recognized
with a proud humility that this lover of hers,
whom the great Daniel Darc had spoken of as
a man of genius, was not only her knight, but
her comrade, her mate, her ideal.
Often the peasants of Kerival had speculated
if the young seigneur would join hands
with her or with Annaik. Some hoped the
one, some the other; but those who knew
Alan otherwise than merely by sight felt certain
that Ynys was the future bride.
"They are made for each other," old
Jeanne Mael, the village authority, was wont
to exclaim; "and the good God will bring
them together soon or late. 'Tis a fair, sweet
couple they are; none so handsome anywhere.
That tall, dark lass will be a good mother
when her hour comes; an' the child o' him
an' her should be the bonniest in the whole
wide world."
With that all who saw them together
agreed.
THE WALKER IN THE NIGHT
It was an hour from midnight when Alan
rose, opened a window, and looked out. The
storm was over. He could see the stars
glistening like silver fruit among the upper
branches of the elms. Behind the great
cypress known as the Fate of Kerival there
was a golden radiance, as though a disk of
radiant bronze were being slowly wheeled
round and round, invisible itself but casting a
quivering gleam upon the fibrous undersides
of the cypress spires. Soon the moon would
lift upward, and her paling gold become foam-white
along the wide reaches of the forest.
The wind had suddenly fallen. In this
abrupt lapse into silence there was something
mysterious. After so much violence, after
that wild, tempestuous cry, such stillness!
There was no more than a faint rustling
sound, as though invisible feet were stealthily
flying along the pathway of the upper boughs
and through the dim defiles in the dense
coverts of oak and beech in the very heart
of the woods. Only, from hitherward of the
unseen dunes floated a melancholy, sighing
refrain, the echo of the eddying sea-breath
among the pines. Beyond the last sands,
the deep, hollow boom of the sea itself.
To stay indoors seemed to Alan a wanton
forfeiture of beauty. The fragrance of the
forest intoxicated him. Spring was come, indeed.
This wild storm had ruined nothing,
for at its fiercest it had swept overhead; and
on the morrow the virginal green world would
be more beautiful than ever. Everywhere the
green fire of spring would be litten anew. A
green flame would pass from meadow to
hedgerow, from hedgerow to the tangled
thickets of bramble and dog-rose, from the
underwoods to the inmost forest glades.
Everywhere song would be to the birds,
everywhere young life would pulse, everywhere
the rhythm of a new rapture would run
rejoicing. The miracle of spring would be
accomplished in the sight of all men, of all
birds and beasts, of all green life. Each, in its
kind, would have a swifter throb in the red
blood or the vivid sap.
No, he could not wait. No, Alan added to
himself with a smile, not even though to sleep
in the House of Kerival was to be beneath the
same roof as Ynys—to be but a few yards, a
passage, a corridor away. Ah! for sure, he
could dream his dream as well out there
among the gleaming boughs, in the golden
sheen of the moon, under the stars. Was
there not the silence for deep peace, and the
voice of the unseen sea for echo to the deep
tides of love which surged obscurely in his
heart? Yes, he would go out to that beautiful
redemption of the night. How often, in
fevered Paris, he had known that healing,
either when his gaze was held by the quiet
stars, as he kept his hours-long vigil, or when
he escaped westward along the banks of the
Seine, and could wander undisturbed across
grassy spaces or under shadowy boughs!
In the great hall of the Manor he found
white-haired Matieu asleep in his wicker
chair. The old man silently opened the
heavy oaken door, and, with a smile which
somewhat perplexed Alan, bowed to him as
he passed forth.
Could it be a space only of a few hours that
divided him from his recent arrival, he wondered.
The forest was no longer the same.
Then it was swept by the wind, lashed by the
rains, and was everywhere tortured into a
tempestuous music. Now it was so still,
save for a ceaseless faint dripping from wet
leaves and the conduits of a myriad sprays
and branches, that he could hear the occasional
shaking of the wings of hidden birds,
ruffling out their plumage because of the
moonlit quietudes that were come again.
And then, too, he had seen Ynys; had held
her hand in his; had looked in her beautiful,
hazel-green eyes, dusky and wonderful as a starlit
gloaming because of the depth of her dear
love; had pressed his lips to hers, and felt the
throbbing of her heart against his own. There,
in the forest-edge, it was difficult to realize
all this. It would be time to turn soon, to
walk back along the sycamore-margined Seine
embankment, to reach the Tour de l'Ile and
be at his post in the observatory again. Then
he glanced backward, and saw a red light shining
from the room where the Marquis de
Kerival sat up late night after night, and he
wondered if Ynys were still there, or if she
were now in her room and asleep, or if she
lay in a waking dream.
For a time he stared at this beacon. Then,
troubled by many thoughts, but most by his
love, he moved slowly into one of the beech
avenues which radiated from the fantastic
mediæval sun-dial at the end of the tulip
garden in front of the château.
While the moon slowly lifted from branch to
branch a transient stir of life came into the
forest.
Here and there he heard low cries, sometimes
breaking into abrupt eddies of arrested
song; thrushes, he knew, ever swift to slide
their music out against any tide of light. Once
or twice a blackcap, in one of the beeches
near the open, sang so poignantly a brief
strain that he thought it that of a nightingale.
Later, in an oak glade, he heard the unmistakable
song itself.
The sea sound came hollowly under the
boughs like a spent billow. Instinctively he
turned that way, and so crossed a wide glade
that opened on the cypress alley to the west
of the château.
Just as he emerged upon this glade he
thought he saw a stooping figure glide swiftly
athwart the northern end of it and disappear
among the cypresses. Startled, he stood still.
No one stirred. Nothing moved. He
could hear no sound save the faint sighing of
the wind-eddy among the pines, the dull
rhythmic beat of the sea falling heavily upon
the sands.
"It must have been a delusion," he muttered.
Yet, for the moment, he had felt certain
that the crouching figure of a man had
moved swiftly out of the shadow of the solitary
wide-spreading thorn he knew so well,
and had disappeared into the darker shadow
of the cypress alley.
After all, what did it matter? It could
only be some poor fellow poaching. With a
smile, Alan remembered how often he had
sinned likewise. He would listen, however,
and give the man a fright, for he knew that
Tristran de Kerival was stern in his resentment
against poachers, partly because he was
liberal in certain woodland-freedom he
granted, on the sole condition that none of
the peasants ever came within the home
domain.
Soon, however, he was convinced that he
was mistaken. Deep silence prevailed everywhere.
Almost, he fancied, he could hear
the soft fall of the dew. A low whirring
sound showed that a night-jar had already
begun his summer wooing. Now that, as he
knew from Ynys, the cuckoo was come, and
that the swallows had suddenly multiplied
from a score of pioneers into a battalion of
ever-flying darts; now that he had listened to
the nightingales calling through the moonlit
woods and had heard the love-note of the
night-jar, the hot weather must be come at
last—that glorious tide of golden life which
flows from April to June and makes them the
joy of the world.
Slowly he walked across the glade. At the
old thorn he stopped, and leaned a while
against its rugged, twisted bole, recalling incident
after incident associated with it.
It was strangely restful there. Around him
was the quiet sea of moonlight; yonder,
behind the cypresses and the pine-crowned
dunes, was the quiet sea of moving waters;
yet, in the one, there was scarce less of
silence than in the other. Ah! he remembered
abruptly, on just such a night, years
ago, he and Annaik had stood long there,
hand in hand, listening to a nightingale.
What a strange girl she was, even then!
Well he recalled how, at the end of the song
and when the little brown singer had slipped
from its bough, like a stone slung from a
sling, Annaik had laughed, though he knew
not at what, and had all at once unfastened
her hair, and let its tawny bronze-red mass
fall about her shoulders. She was so beautiful
and wild that he had clasped her in his
arms, and had kissed her again and again. And
Annaik ... oh, he remembered, half shyly,
half exultantly ... she had laughed again,
but more low, and had tied the long drifts of
her hair around his neck like a blood-red scarf.
It gave him a strange emotion to recall all
this. Did Annaik also think of it ever, he
wondered? Then, too, had they not promised
somewhat to each other? Yes ...
Annaik had said: "One night we shall come
here again, and then, if you do not love me
as much as you do now, I shall strangle you
with my hair: and if you love me more we
shall go away into the forest, and never return,
or not for long, long; but if you do not
love me at all, then you are to tell me so,
and I will——"
"What?" he had asked, when she stopped
abruptly.
At that, however, she had said no more as
to what was in her mind, but had asked him
to carve upon the thorn the "A" of her name
and the "A" of his into a double "A." Yes,
of course, he had done this. Where was it? he
pondered. Surely midway on the southward
side, for then as now the moonlight would be
there.
With an eagerness of which he was conscious
he slipped from where he leaned, and examined
the bole of the tree. A heavy branch
intervened. This he caught and withheld,
and the light flooded upon the gnarled trunk.
With a start, Alan almost relinquished the
branch. There, unmistakable, was a large
carven "A," but not only was it the old double
"A" made into a single letter, but clearly
the change had been made quite recently,
apparently within a few hours. Moreover, it
was now linked to another letter. The legend
ran: "A & J."
Puzzled, he looked close. There could be
no mistake. The cutting was recent. The
"J," indeed, might have been that moment
done. Suddenly an idea flashed into his mind.
He stooped and examined the mossed roots.
Yes, there were the fragments. He took one
and put it between his teeth; the wood was
soft, and had the moisture of fibre recently
severed.
Who was "J"? Alan pondered over every
name he could think of. He knew no one
whose baptismal name began thus, with the
exception of Jervaise de Morvan, the brother
of Andrik, and he was married and resident
in distant Pondicherry. Otherwise
there was but Jak Bourzak, the woodcutter—a
bent, broken-down old man who could not
have cut the letters for the good reason that
he was unable to write and was so ignorant
that, even in that remote region, he was called
Jak the Stupid. Alan was still pondering over
this when suddenly the stillness was broken
by the loud screaming of peacocks.
Kerival was famous for these birds, of
which the peasantry stood in superstitious
awe. Indeed, a legend was current to the
effect that Tristran de Kerival maintained
those resplendent creatures because they were
the souls of his ancestors, or such of them as
before death had not been able to gain absolution
for their sins. When they were heard
crying harshly before rain or at sundown,
or sometimes in the moonlight, the hearers
shuddered. "The lost souls of Kerival" became
a saying, and there were prophets here
and there who foreboded ill for Tristran the
Silent, or some one near and dear to him,
whenever that strange clamor rang forth
unexpectedly.
Alan himself was surprised, startled. The
night was so still, no further storm was imminent,
and the moon had been risen for some
time. Possibly the peacocks had strolled into
the cypress alley, to strut to and fro in the
moonshine, as their wont was in their wooing
days, and two of them had come into jealous
dispute.
Still that continuous harsh tumult seemed
rather to have the note of alarm than
of quarrel. Alan walked to the seaward
side of the thorn, but still kept within its
shadow.
The noise was now not only clamant but
startling. The savage screaming, like that of
barbaric trumpets, filled the night.
Swiftly the listener crossed the glade, and
was soon among the cypresses. There, while
the dull thud of the falling seas was more than
ever audible, the screams of the peacocks were
so insistent that he had ears for these alone.
At the eastern end of the alley the glade
broke away into scattered pines, and from
these swelled a series of low dunes. Alan
could see them clearly from where he stood,
under the boughs of a huge yew, one of several
that grew here and there among their solemn,
columnar kin.
His gaze was upon this open space when,
abruptly, he started. A tall, slim figure,
coming from the shore, moved slowly inland
across the dunes.
Who could this walker in the dark be?
The shadowy Walker in the Night herself,
mayhap; the dreaded soulless woman who
wanders at dead of night through forests, or
by desolate shores, or by the banks of the
perilous marais.
Often he had heard of her. When any man
met this woman, his fate depended on whether
he saw her before she caught sight of him.
If she saw him first, she had but to sing her
wild, strange song, and he would have to go
to her; and when he was before her two
flames would come out of her eyes, and one
flame would burn up his life as though it were
dry tinder, and the other would wrap round
his soul like a scarlet shawl, and she would
take it and live with it in a cavern underground
for a year and a day. And on that
last day she would let it go, as a hare is let
go a furlong beyond a greyhound. Then it
would fly like a windy shadow from glade to
glade or from dune to dune, in the vain hope
to reach a wayside Calvary; but ever in vain.
Sometimes the Holy Tree would almost be
reached; then, with a gliding swiftness, like
a flood racing down a valley, the Walker in
the Night would be alongside the fugitive.
Now and again unhappy night-farers—unhappy
they, for sure, for never does weal
remain with any one who hears what no human
ear should hearken—would be startled by
a sudden laughing in the darkness. This was
when some such terrible chase had happened,
and when the creature of the night had taken
the captive soul, in the last moments of the
last hour of the last day of its possible redemption,
and rent it this way and that, as a hawk
scatters the feathered fragments of its
mutilated quarry.
Alan thought of this wild legend, and
shuddered. Years ago he had been foolhardy
enough to wish to meet the phantom, to see
her before she saw him, and to put a spell
upon her. For, if this were possible, he could
compel her to whisper some of her secret lore,
and she could give him spells to keep him
scathless till old age.
But as, with fearful gaze, he stared at the
figure which so leisurely moved toward the
cypress alley, he was puzzled by some vague
resemblance, by something familiar. The
figure was that of a woman, unmistakably;
and she moved as though she were in a
dream.
But who could it be, there, in that lonely
place, at that hour of the night? Who would
venture or care....
In a flash all was clear. It was Annaik!
There was no room for doubt. He might
have known her lithe walk, her wildwood
grace, her peculiar carriage; but before
recognition of these had come, he had caught
a glimpse of her hair in the moonlight. It
was like burnished brass, in that yellow shine.
There was no other such hair in the world, he
believed.
But ... Annaik! What could she be
doing there? How had she been able to leave
the château; when had she stolen forth; where
had she wandered; whither was she going; to
what end?
These and other thoughts stormed through
Alan's mind. Almost—he muttered below his
breath—almost he would rather have seen the
Walker in the Night.
As she drew nearer he could see her as
clearly as though it were daylight. She
appeared to be thinking deeply, and ever and
again be murmuring disconnected phrases.
His heart smote him when he saw her, twice,
raise her arms and then wring her hands as if
in sore straits of sorrow.
He did not stir. He would wait, he thought.
It might add to Annaik's strange grief, if
grief it were, to betray his presence. Again,
was it possible that she was there to meet
some one—to encounter the "J" whose
initial was beside her own on the old thorn?
How pale she was! he noticed. A few yards
away her dress caught; she hesitated, slowly
disengaged herself, but did not advance again.
For the third time she wrung her hands.
What could it mean? Alan was about to
move forward when he heard her voice:
"Oh, Alan, Alan, Alan!"
What ... had she seen him? He flushed
there in the shadow, and words rose to his
lips. Then he was silent, for she spoke again:
"I hate her ... I hate her ... not
for herself, no, no, no ... but because
she has taken you from me. Why does Ynys
have you, all of you, when I have loved you all
along? None of us knew any thing—none,
till last Noël. Then we knew; only, neither
you nor Ynys knew that I loved you as a soul
in hell loves the memory of its earthly joy."
Strange words, there in that place, at that
hour; but far stranger the passionless voice
in which the passionate words were uttered.
Bewildered, Alan leaned forward, intent.
The words had waned to a whisper, but were
now incoherent. Fragmentary phrases, irrelevant
words, what could it all mean?
Suddenly an idea made him start. He
moved slightly, so as to catch the full
flood of a moonbeam as it fell on Annaik's
face.
Yes, he was right. Her eyes were open,
but were fixed in an unseeing stare. For
the first time, too, he noted that she was
clad simply in a long dressing-gown. Her
feet were bare, and were glistening with the
wet they had gathered; on her lustrous hair,
nothing but the moonlight.
He had remembered. Both Annaik and
Ynys had a tendency to somnambulism, a trait
inherited from their father. It had been
cured years ago, he had understood. But
here—here was proof that Annaik at any rate
was still subject to that mysterious malady of
sleep.
That she was absolutely trance-bound he
saw clearly. But what he should do—that
puzzled, that bewildered him.
Slowly Annaik, after a brief hesitancy when
he fancied she was about to awake, moved forward
again.
She came so close that almost she brushed
against him; would have done so, indeed, but
that he was hidden from contact as well as
from sight by the boughs of the yew, which on
that side swept to the ground.
Alan put out his hand. Then he withdrew
it. No, he thought, he would let her go unmolested,
and, if possible, unawaked: but he
would follow her, lest evil befell. She passed.
His nerves thrilled. What was this strange
emotion, that gave him a sensation almost as
though he had seen his own wraith? But different ... for,
oh—he could not wait to
think about that, he muttered.
He was about to stoop and emerge from the
yew-boughs when he heard a sound which
made him stop abruptly.
It was a step; of that he felt sure. And at
hand, too. The next moment he was glad he
had not disclosed himself, for a crouching
figure stealthily followed Annaik.
Surely that was the same figure he had seen
cross the glade, the figure that had slipped
from the thorn?
If so, could it be the person who had cut the
letter "J" on the bark of the tree? The man
kept so much in the shadow that it was difficult
to obtain a glimpse of his face. Alan waited.
In a second or two he would have to pass the
yew.
Just before the mysterious pursuer reached
the old tree, he stopped. Alan furtively
glanced to his left. He saw that Annaik had
suddenly halted. She stood intent, as though
listening. Possibly she had awaked. He
saw her lips move. She spoke, or called
something; what, he could not hear because of
the intermittent screaming of the peacocks.
When he looked at the man in the shadow
he started. A moonbeam had penetrated the
obscurity, and the face was white against the
black background of a cypress.
Alan recognized the man in a moment. It
was Jud Kerbastiou, the forester. What ...
was it possible: could he be the "J" who had
linked his initial with that of Annaik?
It was incredible. The man was not only a
boor, but one with rather an ill repute. At
any rate, he was known to be a poacher as
well as a woodlander of the old Breton kind—men
who would never live save in the forest,
any more than a gypsy would become a clerk
and live in a street.
It was said among the peasants of Kerival
that his father, old Iouenn Kerbastiou, the
charcoal burner, was an illegitimate brother
of the late Marquis—so that Jud, or Judik, as
he was generally called, was a blood-relation
of the great folk at the château. Once this
had been hinted to the Marquis Tristran. It
was for the first and last time. Since then,
Jud Kerbastiou had become more morose
than ever, and was seldom seen among his
fellows. When not with his infirm old father,
at the hut in the woods that were to the eastward
of the forest-hamlet of Ploumael, he was
away in the densely wooded reaches to the
south. Occasionally he was seen upon the
slopes of the Black Hills, but this was only
in winter, when he crossed over into Upper
Brittany with a mule-train laden with cut
fagots.
That he was prowling about the home
domain of Kerival was itself ominous; but
that in this stealthy manner he should be
following Annaik was to Allan a matter of
genuine alarm. Surely the man could mean
no evil against one of the Big House, and
one, too, so much admired, and in a certain
way loved, as Annaik de Kerival? And yet,
the stealthy movements of the peasant, his
crouching gait, his patient dogging of her
steps—and this, doubtless, ever since she
had crossed the glade from the forest to
the cypresses—all this had a menacing
aspect.
At that moment the peacocks ceased their
wild miaulling. Low and clear, Annaik's
voice same thrillingly along the alley:
"Alan! Alan! Oh, Alan, darling, are you
there?"
His heart beat. Then a flush sprang to his
brow, as with sudden anger he heard Jud
Kerbastiou reply, in a thick, muffled tone:
"Yes, yes, ... and, and I love you,
Annaik!"
Possibly the sleeper heard and understood.
Even at that distance Alan saw the light upon
her face, the light from within.
Judik the peasant slowly advanced. His
stealthy tread was light as that of a fox. He
stopped when he was within a yard of Annaik.
"Annaik," he muttered hoarsely, "Annaik,
it was I who was out among the beeches in
front of the château while the storm was raging.
Sure you must have known it; else, why
would you come out? I love you, white
woman. I am only a peasant ... but I
love you, Annaik de Kerival, I love you—I
love you—I love you!"
Surely she was on the verge of waking!
The color had come back to her white face,
her lips moved, as though stirred by a breath
from within. Her hands were clasped, and
the fingers intertwisted restlessly.
Kerbastiou was so wrought that he did not
hear steps behind him as Alan moved swiftly
forward.
"Sure, you will be mine at last," the man
cried hoarsely, "mine, and none to dispute
... ay, and this very night, too."
Slowly Jud put out an arm. His hand
almost touched that of Annaik. Suddenly he
was seized from behind, and a hand was
claspt firmly upon his mouth. He did not
see who his unexpected assailant was, but
he heard the whisper that was against his
ear:
"If you make a sound, I will strangle you
to death."
With a nod, he showed that he understood.
"If I let go for the moment, will you come
back under the trees here, where she cannot
see or hear us?"
Another nod.
Alan relaxed his hold, but did not wholly
relinquish his grip. Kerbastiou turned and
looked at him.
"Oh, it's you!" he muttered, as he followed
his assailant into the shadow some yards back.
"Yes, Judik Kerbastiou, it is I, Alan de
Kerival."
"Well, what do you want?"
"What do I want? How dare you be so
insolent, fellow? you, who have been following
a defenceless woman!"
"What have you been doing?"
"I ... oh, of course I have been following
Mlle. Annaik also ... but that was ... that
was ... to protect her."
"And is it not possible I might follow her
for the same reason?"
"It is not the same thing at all, Judik Kerbastiou,
and you know it. In the first place
you have no right to be here at all. In the
next, I am Mlle. Annaik's cousin, and——"
"And I am her lover."
Alan stared at the man in sheer amaze.
He spoke quietly and assuredly, nor seemed
in the least degree perturbed.
"But ... but ... why, Kerbastiou, it
is impossible!"
"What is impossible?"
"That Annaik could love you."
"I did not say she loved me. I said I was
her lover."
"And you believe that you, a peasant, a
man held in ill repute even among your fellow-peasants,
a homeless woodlander, can gain the
love of the daughter of your seigneur, of a
woman nurtured as she has been?"
"You speak like a book, as the saying is,
M. de Kerival." Judik uttered the words
mockingly, and with raised voice. Annaik,
who was still standing as one entranced,
heard it: for she whispered again, "Alan!
Alan! Alan!"
"Hush, man! she will hear. Listen,
Judik, I don't want to speak harshly. You
know me. Every one here does. You must
be well aware that I am the last person to
despise you or any man because you are poor
and unfortunate. But you must see that such
a love as this of yours is madness."
"All love is madness."
"Oh, yes; of course! But look you, Judik,
what right have you to be here at all, in the
home domain, in the dead of night?"
"You love Ynys de Kerival?"
"Yes ... well, yes, I do love her; but
what then? What is that to you?"
"Well, I love Annaik. I am here by the
same right as you are."
"You forget. I am welcome. You come
by stealth. Do you mean for a moment to say
that you are here to meet Mlle. Annaik by
appointment?"
The man was silent.
"Judik Kerbastiou!"
"Yes?"
"You are a coward. You followed this
woman whom you say you love with intent to
rob her."
"You are a fool, Alan de Kerival."
Alan raised his arm. Then, ashamed, he let
it fall.
"Will you go? Will you go now, at once,
or shall I wake Mlle. Annaik, and tell her
what I have seen—and from what I believe I
have saved her?"
"No, you need not wake her, nor tell her
any thing. I know she has never even given
me a thought."
Suddenly the man bowed his head. A sob
burst through the dark.
Alan put his hand on his shoulder.
"Judik! Judik Kerbastiou! I am sorry
for you from my heart. But go ... go now,
at once. Nothing shall be said of this. No
one shall know any thing. If you wish me
to tell my cousin, I will. Then she can see
you or not, as she may wish."
"I go. But ... yes, tell her. To-morrow.
Tell her to-morrow. Only I would not have
hurt her. Tell her that. I go now. Adiou."
With that Judik Kerbastiou lifted his
shaggy head, and turned his great black,
gypsy-wild eyes upon Alan.
"She loves you," he said simply. Then he
stepped lightly over the path, passed between
the cypresses, and moved out across the glade.
Alan watched his dark figure slide through
the moonlight. He traversed the glade to the
right of the thorn. For nearly half a mile he was
visible; then he turned and entered the forest.
An hour later two figures moved, in absolute
silence, athwart the sand-dunes beyond the
cypress alley.
Hand in hand they moved. Their faces
were in deep shadow, for the moonlight was
now obscured by a league-long cloud.
When they emerged from the scattered pines
to the seaward of the château, the sentinel
peacocks saw them, and began once more
their harsh, barbaric screams.
The twain unclasped their hands, and
walked steadily forward, speaking no word,
not once looking one at the other.
As they entered the yew-close at the end of
the old garden of the château they were as
shadows drowned in night. For some minutes
they were invisible; though, from above, the
moon shone upon their white faces and on
their frozen stillness. The peacocks sullenly
ceased.
Once more they emerged into the moon-dusk.
As they neared the ivied gables of the
west wing of the Manor the cloud drifted
from the moon, and her white flood turned
the obscurity into a radiance wherein every
object stood forth as clear as at noon.
Alan's face was white as are the faces of the
dead. His eyes did not once lift from the
ground. But in Annaik's face was a flush,
and her eyes were wild and beautiful as falling
stars.
It was not an hour since she had wakened
from her trance; not an hour, and yet already
had Alan forgotten—forgotten her, and Ynys,
and the storm, and the after calm. Of one
thing he thought only, and that was of what
Daniel Darc had once said to him laughingly:
"If the old fables of astrology were true, your
horoscope would foretell impossible things."
In absolute silence they moved up the long
flight of stone stairs that led to the château;
in absolute silence, they entered by the door
which old Matieu had left ajar; in silence, they
passed that unconscious sleeper; in silence,
they crossed the landing where the corridors
diverged.
Both stopped, simultaneously. Alan
seemed about to speak, but his lips closed
again without utterance.
Abruptly he turned. Without a word he
passed along the corridor to the right, and
disappeared in the obscurity.
Annaik stood a while, motionless, silent.
Then she put her hand to her heart. On her
impassive face the moonlight revealed nothing;
only in her eyes there was a gleam as of
one glad unto death.
Then she too passed, noiseless and swift as
a phantom. Outside, on the stone terrace,
Ys, the blind peacock, strode to and fro,
uttering his prolonged, raucous screams.
When, at last, he was unanswered by the peacocks
in the cypress alley, his clamant voice
no longer tore the silence.
The moon trailed her flood of light across
the earth. It lay upon the waters, and was
still a glory there when, through the chill
quietudes of dawn, the stars waned one by
one in the soft graying that filtered through
the morning dusk. The new day was come.
VIA OSCURA
The day that followed this quiet dawn
marked the meridian of spring. Thereafter
the flush upon the blossoms would deepen;
the yellow pass out of the green; and a
deeper green involve the shoreless emerald
sea of verdure which everywhere covered the
brown earth, and swelled and lapsed in endlessly
receding billows of forest and woodland.
Up to that noon-tide height Spring
had aspired, ever since she had shaken the
dust of snow from her primrose-sandals; now,
looking upon the way she had come, she took
the hand of Summer—and both went forth as
one, so that none should tell which was still
the guest of the greenness.
This was the day when Alan and Ynys
walked among the green alleys of the woods
of Kerival, and when, through the deep gladness
that was his for all the strange, gnawing
pain in his mind, in his ears echoed the haunting
line of Rimbaud, "Then, in the violet
forest all a-bourgeon, Eucharis said to me:
'It is Spring.'"
Through the first hours of the day Alan
had been unwontedly silent. Ynys had
laughed at him with loving eyes, but had not
shown any shadow of resentment. His word
to the effect that his journey had tired him,
and that he had not slept at all, was enough
to account for his lack of buoyant joy.
But, in truth, Ynys did not regret this,
since it had brought a still deeper intensity
of love into Alan's eyes. When he looked at
her, there was so much passion of longing, so
pathetic an appeal, that her heart smote her.
Why should she be the one chosen to evoke a
love such as this, she wondered; she, who was
but Ynys, while Alan was a man whom all
women might love, and had genius that made
him as one set apart from his fellows, and was
brow-lit by a starry fate?
And yet, in a sense she understood. They
were so much at one, so like in all essential
matters, and were in all ways comrades. It
would have been impossible for each not to
love the other. But, deeper than this, was
the profound and intimate communion of the
spirit. In some beautiful, strange way, she
knew she was the flame to his fire. At that
flame he lit the torch of which Daniel Darc
and others had spoken. She did not see why
or wherein it was so, but she believed, and
indeed at last realized the exquisite actuality.
In deep love, there is no height nor depth
between two hearts, no height nor depth,
no length nor breadth. There is simply
love.
The birds of Angus Ogue are like the wild-doves
of the forest: when they nest in the
heart they are as one. And her life, and
Alan's, were not these one?
Nevertheless, Ynys was disappointed as the
day went on, and her lover did not seem able
to rouse himself from his strange despondency.
Doubtless this was due largely to what was
pending. That afternoon he was to have his
long anticipated interview with the Marquise,
and would perhaps learn what might affect his
whole life. On the other hand, each believed
that nothing would be revealed which was not
of the past solely.
Idly, Ynys began to question her companion
about the previous night. What had
he done, since he had not slept; had he read,
or dreamed at the window, or gone out, as
had once been his wont on summer nights, to
walk in the cypress alley or along the grassy
dunes? Had he heard a nightingale singing
in the moonlight? Had he noticed the prolonged
screaming of the peacocks—unusually
prolonged, now that she thought of it, Ynys
added.
"I wonder, dear, if you would love me
whatever happened—whatever I was, or did?"
It was an inconsequent question. She
looked up at him, half perturbed, half
pleased.
"Yes, Alan."
"But do you mean what you say, knowing
that you are not only using a phrase?"
"I have no gift of expression, dearest.
Words come to me without their bloom and
their fragrance, I often think. But ...
Alan, I love you."
"That is sweetest music for me, Ynys, my
fawn. All words from you have both bloom
and fragrance, though you may not know it,
shy flower. But tell me again, do you mean
what you say, absolutely?"
"Absolutely. In every way, in all things, at
all times. Dear, how could any thing come between
us? It is possible, of course, that circumstances
might separate us. But nothing could
really come between us. My heart is yours."
"What about Andrik de Morvan?"
"Ah, you are not in earnest, Alan!"
"Yes; I am more than half in earnest,
Ynys, darling. Tell me!"
"You cannot possibly believe that I care,
that I could care, for Andrik as I care for
you, Alan."
"Why not?"
"Why not? Oh, have you so little belief,
then, in women—in me? Alan, do you not
know that what is perhaps possible for a man,
though I cannot conceive it, is impossible for a
woman. That is the poorest sophistry which
says a woman may love two men at the same
time. That is, if by love is meant what you
and I mean. Affection, the deepest affection,
is one thing; the love of man and woman, as
we mean it, is a thing apart!"
"You love Andrik?"
"Yes."
"Could you wed your life with his?"
"I could have done so ... but for you."
"Then, by your true heart, is there no
possibility that he can in any way ever come
between us?"
"None."
"Although he is nominally your betrothed,
and believes in you as his future wife?"
"That is not my fault. I drifted into that
conditional union, as you know. But after
to-day he and every one shall know that I
can wed no man but you. But why do you
ask me these things, Alan?"
"I want to know. I will explain later.
But tell me; could you be happy with Andrik?
You say you love him?"
"I love him as a friend, as a comrade."
"As an intimately dear comrade?"
"Alan, do not let us misunderstand each
other. There can only be one supreme comrade
for a woman, and that is the man whom
she loves supremely. Every other affection,
the closest, the dearest, is as distinct from
that as day from night."
"If by some malign chance you and Andrik
married—say, in the event of my supposed
death—would you still be as absolutely true
to me as you are now?"
"What has the accident of marriage to do
with truth between a man and a woman,
Alan?"
"It involves intimacies that would be a
desecration otherwise. Oh, Ynys, do you
not understand?"
"It is a matter of the inner life. Men so
rarely believe in the hidden loyalty of the
heart. It is possible for a woman to fulfil a
bond and yet not be a bondswoman. Outer
circumstances have little to do with the inner
life, with the real self."
"In a word, then, if you married Andrik
you would remain absolutely mine, not only
if I were dead, but if perchance the rumor
were untrue and I came back, though too
late?"
"Yes."
"Absolutely?"
"Absolutely."
"And you profoundly know, Ynys, that in
no conceivable circumstances can Andrik be
to you what I am, or any thing for a moment
approaching it?"
"I do know it."
"Although he were your husband?"
"Although he were my husband."
The worn lines that were in Alan's face
were almost gone. Looking into his eyes
Ynys saw that the strange look of pain which
had alarmed her was no longer there. The
dear eyes had brightened; a new hope seemed
to have arisen in them.
"Do you believe me, Alan, dear?" she
whispered.
"If I did not, it would kill me, Ynys."
And he spoke truth. The bitter sophistications
of love play lightly with the possibilities
of death. Men who talk of suicide are likely to
be long-livers; lovers whose hearts are easily
broken can generally recover and astonish
themselves by their heroic endurance. The
human heart is like a wave of the sea; it can
be lashed into storm, it can be calmed, it can
become stagnant—but it is seldom absorbed
from the ocean till in natural course the sun
takes up its spirit in vapor. Yet, ever and
again, there is one wave among a myriad
which a spiral wind-eddy may suddenly strike.
In a moment it is whirled this way and that; it
is involved in a cataclysm of waters; and then
cloud and sea meet, and what a moment before
had been an ocean wave is become an
idle skyey vapor.
Alan was of the few men of whom that
wave is the symbol. To him, death could
come at any time, if the wind-eddy of a certain
unthinkable sorrow struck him at his
heart.
In this sense, his life was in Ynys's hands
as absolutely as though he were a caged bird.
He knew it, and Ynys knew it.
There are a few men, a few women, like this.
Perhaps it is well that these are so rare.
Among the hills of the north, at least, they
may still be found; in remote mountain
valleys and in lonely isles, where life and
death are realized actualities and not the mere
adumbrations of the pinions of that lonely
fugitive, the human mind, along the endless
precipices of Time.
Alan knew well that both he and Ynys were
not so strong as each believed. Knowing
this, he feared for both. And yet, there was
but one woman in the world for him—Ynys;
as for her, there was but one man—Alan.
Without her, he could do nothing, achieve
nothing. She was his flame, his inspiration,
his strength, his light. Without her, he was
afraid to live; with her, death was a beautiful
dream. To her, Alan was not less. She
lived in him and for him.
But we are wrought of marsh-fire as well as
of stellar light. Now, as of old, the gods do
not make of the fairest life a thornless rose.
A single thorn may innocently convey poison;
so that everywhere men and women go to and
fro perilously, and not least those who move
through the shadow and shine of an imperious
passion.
For a time, thereafter, Alan and Ynys
walked slowly onward, hand in hand, each
brooding deep over the thoughts their words
had stirred.
"Do you know what Yann says, Alan?"
Ynys asked in a low voice, after both had
stopped instinctively to listen to a thrush
leisurely iterating his just learned love carol,
where he swung on a greening spray of honeysuckle
under a yellow-green lime. "Do you
know what Yann says?... He says that you
have a wave at your feet. What does that
mean?"
"When did he tell you that, Ynys, mo-chree?"
"Ah, Alan, dear, how sweet it is to hear
from your lips the dear Gaelic we both love so
well! And does that not make you more than
ever anxious to learn all that you are to hear
this afternoon?"
"Yes ... but that, that Ian Macdonald
said; what else did he say?"
"Nothing. He would say no more. I
asked him in the Gaelic, and he repeated only,
'I see a wave at his feet.'"
"What Ian means by that I know well. It
means I am going on a far journey."
"Oh, no, Alan, no!"
"He has the sight upon him, at times. Ian
would not say that thing, did he not mean it.
Tell me, my fawn, has he ever said any thing
of this kind about you?"
"Yes. Less than a month ago. I was with
him one day on the dunes near the sea. Once,
when he gave no answer to what I asked, I
looked at him, and saw his eyes fixt. 'What
do you see, Yann?' I asked.
"'I see great rocks, strange caverns. Sure,
it is well I am knowing what they are. They
are the Sea-caves of Rona.'
"There were no rocks visible from where
we stood, so I knew that Ian was in one of his
visionary moods. I waited, and then spoke
again, whisperingly:
"'Tell me, Ian MacIain, what do you see?'
"'I see two whom I do not know. And
they are in a strange place, they are. And on
the man I see a shadow, and on the woman I
see a light. But what that shadow is, I do not
know; nor do I know what that light is. But
I am for thinking that it is of the Virgin Mary,
for I see the dream that is in the woman's
heart, and it is a fair wonderful dream that.'
"That is all Yann said, Alan. As I was
about to speak, his face changed.
"'What is it, Ian?' I asked.
"At first he would answer nothing. Then
he said: 'It is a dream. It means nothing.
It was only because I was thinking of you and
Alan MacAlasdair.'"
"Oh, Ynys!"—Alan interrupted with an
eager cry—"that is a thing I have long striven
to know; that which lies in the words 'Alan
MacAlasdair.' My father, then, was named
Alasdair! And was it Rona, you said, was
the place of the Sea-caves? Rona ... that
must be an island. The only Rona I know
of is that near Skye. It may be the same.
Now, indeed, I have a clew, lest I should
learn nothing to-day. Did Ian say nothing
more?"
"Nothing. I asked him if the man and
woman he saw were you and I, but he would
not speak. I am certain he was about to say
yes, but refrained."
For a while they walked on in silence, each
revolving many speculations aroused by the
clew given by the words of "Yann the Dumb."
Suddenly Ynys tightened her clasp of Alan's
hand.
"What is it, dear?"
"Alan, some time ago you asked me
abruptly what I knew about the forester, Judik
Kerbastiou. Well, I see him in that beech-covert
yonder, looking at us."
Alan started. Ynys noticed that for a
moment he grew pale as foam. His lips
parted, as though he were about to call to the
woodlander: when Judik advanced, making at
the same time a sign of silence.
The man had a wild look about him.
Clearly, he had not slept since he and Alan had
parted at midnight. His dusky eyes had a red
light in them. His rough clothes were still
damp; his face, too, was strangely white and
dank.
Alan presumed that he came to say something
concerning Annaik. He did not know what
to do to prevent this, but while he was pondering,
Judik spoke in a hoarse, tired voice:
"Let the Lady Ynys go back to the château
at once. She is needed there."
"Why, what is wrong, Judik Kerbastiou?"
"Let her go back, I say. No time for
words now. Be quick. I am not deceiving
you. Listen ..." and with that he leaned
toward Alan, and whispered in his ear.
Alan looked at him with startled amaze.
Then, turning toward Ynys, he asked her to
go back at once to the château.
"DEIREADH GACH COGAIDH, SITH" (THE
END OF ALL WARFARE, PEACE)
Alan did not wait till Ynys was out of
sight, before he demanded the reason of
Judik's strange appearance and stranger summons.
"Why are you here again, Judik Kerbastiou?
What is the meaning of this haunting
of the forbidden home domain? And what
did you mean by urging Mlle. Ynys to go
back at once to the château?"
"Time enough later for your other questions,
young sir. Meanwhile come along with
me, and as quick as you can."
Without another word the woodlander
turned and moved rapidly along a narrow path
through the brushwood.
Alan saw it would be useless to ask further
questions at the moment; moreover, he was
now vaguely alarmed. What could all this
mystery mean? Could an accident have
happened to the Marquis Tristran? It was
hardly likely, for he seldom ventured into the
forest, unless when the weather had dried all
the ways: for he had to be wheeled in his
chair, and, as Alan knew, disliked to leave the
gardens or the well-kept yew and cypress
alleys near the château.
In a brief while, however, he heard voices.
Judik turned, and waved to him to be wary.
The forester bent forward, stared intently,
and then beckoned to Alan to creep up alongside.
"Who is it? What is it, Judik?"
"Look!"
Alan disparted a bough of underwood which
made an effectual screen. In the glade beyond
were four figures.
One of these he recognized at once. It
was the Marquis de Kerival. He was, as
usual, seated in his wheeled chair. Behind
him, some paces to the right, was Raif Kermorvan,
the steward of Kerival. The other
two men Alan had not seen before.
One of these strangers was a tall, handsome
man, of about sixty. His close-cropped white
hair, his dress, his whole mien, betrayed the
military man. Evidently a colonel, Alan
thought, or perhaps a general; at any rate an
officer of high rank, and one to whom command
and self-possession were alike habitual.
Behind this gentleman, one of the most distinguished
and even noble-looking men he
had ever seen, and again some paces to the
right, was a man, evidently a groom, and to
all appearances an orderly in mufti.
The first glance revealed that a duel was
imminent. The duellists, of course, were the
military stranger and the Marquis de Kerival.
"Who is that man?" Alan whispered to
Kerbastion. "Do you know?"
"I do not know his name. He is a
soldier—a general. He came to Kerival to-day;
an hour or more ago. I guided him
through the wood, for he and his man had
ridden into one of the winding alleys and had
lost their way. I heard him ask for the Marquis
de Kerival. I waited about in the
shrubbery of the rose garden to see if ...
if ... some one for whom I waited ...
would come out. After a time, half an hour
or less, this gentleman came forth, ushered
by Raif Kermorvan, the steward. His man
brought around the two horses again. They
mounted, and rode slowly away. I joined
them, and offered to show them a shorter
route than that which they were taking. The
General said they wished to find a glade
known as Merlin's Rest. Then I knew what he
came for, I knew what was going to happen."
"What, Judik?"
"Hush! not so loud. They will hear us!
I knew it was for a duel. It was here that
Andrik de Morvan, the uncle of him whom
you know, was killed by a man—I forget his
name."
"Why did the man kill Andrik de Morvan?"
"Oh, who knows? Why does one kill any
body? Because he was tired of enduring the
Sieur Andrik longer; he bored him beyond
words to tell, I have heard. Then, too, the
Count, for he was a count, loved Andrik's
wife."
Alan glanced at Judik. For all his rough
wildness, he spoke on occasion like a man of
breeding. Moreover, at no time was he subservient
in his manner. Possibly, Alan thought,
it was true what he had heard: that Judik Kerbastiou
was by moral right Judik de Kerival.
While the onlookers were whispering, the
four men in the glade had all slightly shifted
their position. The Marquis, it was clear,
had insisted upon this. The light had been
in his eyes. Now the antagonists and their
seconds were arranged aright. Kermorvan,
the steward, was speaking slowly: directions
as to the moment when to fire.
Alan knew it would be worse than useless
to interfere. He could but hope that this
was no more than an affair of honor of a
kind not meant to have a fatal issue; a political
quarrel, perhaps; a matter of insignificant
social offence.
Before Raif Kermorvan—a short, black-haired,
bull-necked man, with a pale face and
protruding light blue eyes—had finished what
he had to say, Alan noticed what had hitherto
escaped him: that immediately beyond the
glade, and under a huge sycamore, already in
full leaf, stood the Kerival carriage. Alain,
the coachman, sat on the box, and held the
two black horses in rein. Standing by the
side of the carriage was Georges de Rohan,
the doctor of Kerloek, and a personal friend
of the Marquis Tristran.
Suddenly Kermorvan raised his voice.
"M. le Général, are you ready?"
"I am ready," answered a low, clear voice.
"M. le Marquis, are you ready?"
Tristran de Kerival did not answer, but
assented by a slight nod.
"Then raise your weapons, and fire the
moment I say 'thrice.'"
Both men raised their pistols.
"You have the advantage of me, sir," said
the Marquis coldly, in a voice as audible to
Alan and Judik as to the others. "I present
a good aim to you here. Nevertheless, I warn
you once more that you will not escape me
... this time."
The General smiled; scornfully, Alan
thought. Again, when suddenly he lowered
his pistol and spoke, Alan fancied he detected
if not a foreign accent, at least a foreign
intonation.
"Once more, Tristran de Kerival, I tell
you that this duel is a crime; a crime against
me, a crime against Mme. la Marquise, a
crime against your daughters, and a crime
against...."
"That will do, General. I am ready. Are
you?"
Without further word the stranger slowly
drew himself together. He raised his arm,
while his opponent did the same.
"Once! Twice! Thrice!" There was a
crack like that of a cattle-whip. Simultaneously
some splinters of wood were blown
from the left side of the wheeled chair.
The Marquis Tristran smiled. He had
reserved his fire. He could aim now with
fatal effect
"It is murder!" muttered Alan, horrified;
but at that moment the Marquis spoke. Alan
leaned forward, intent to hear.
"At last!" That was all. But in the
words was a concentrated longing for revenge,
the utterance of a vivid hate.
Tristran de Kerival slowly and with methodical
malignity took aim. There was a flash,
the same whip-like crack.
For a moment it seemed as though the ball
had missed its mark. Then, suddenly, there
was a bubbling of red froth at the mouth of
the stranger. Still, he stood erect.
Alan looked at the Marquis de Kerival. He
was leaning back, deathly white, but with the
bitter, suppressed smile which every one at the
château knew and hated.
All at once the General swayed, lunged forward,
and fell prone.
Dr. de Rohan ran out from the sycamore,
and knelt beside him. After a few seconds he
looked up.
He did not speak, but every one knew what
his eyes said. To make it unmistakable, he
drew out his handkerchief and put it over the
face of the dead man.
Alan was about to advance when Judik
Kerbastiou plucked him by the sleeve.
"Hst! M'sieur Alan! There is Mamzelle
Ynys returning! She will be here in another
minute. She must not see what is there."
"You are right, Judik. I thank you."
With that he turned and moved swiftly
down the leaf-hid path which would enable
him to intercept Ynys.
"What is it, Alan?" she asked, with wondering
eyes, the moment he was at her side.
"What is it? Why are you so pale?"
"It is because of a duel that has been
fought here. You must go back at once,
dear. There are reasons why you...."
"Is my father one of the combatants? I
know he is out of the château. Tell me
quick! Is he wounded? Is he dead?"
"No, no, darling heart! He is unhurt.
But I can tell you nothing more just now.
Later ... later. But why did you return
here?"
"I came with a message from my mother.
She is in sore trouble, I fear. I found her, on
her couch in the Blue Salon, with tears streaming
down her face and sobs choking her."
"And she wants me ... now?"
"Yes. She told me to look for you, and
bring you to her at once."
"Then go straightway back, dear, and tell
her that I shall be with her immediately.
Yes, go—go—at once."
But by the time Ynys had moved into the
alley which led her to the château, and Alan
had returned to the spot where he had left
Judik, rapid changes had occurred.
The wheeled chair had gone. Alan could
see it nearing the South Yews; with the Marquis
Tristran in it, leaning backward and with
head erect. At its side walked Raif Kermorvan.
He seemed to be whispering to the
Seigneur. The carriage had disappeared; with
it Georges de Rohan, the soldier orderly, and,
presumably, the dead man.
Alan stood hesitant, uncertain whether to
go first to the Marquise, or to follow the man
whom he regarded now with an aversion infinitely
deeper than he had ever done hitherto;
with whom, he felt, he never wished to speak
again, for he was a murderer, if ever man was,
and, from Alan's standpoint, a coward as well.
Tristran de Kerival was the deadliest shot in
all the country-side, and he must have known
that, when he challenged his victim, he gave
him his death sentence.
It did not occur to Alan that possibly the
survivor was the man challenged. Instinctively
he knew that this was not so.
Judik suddenly touched his arm.
"Here," he said; "this is the name of the
dead man. I got the servant to write it down
for me."
Alan took the slip of paper. On it was:
"M. le Général Carmichael."
THE UNFOLDING OF THE SCROLL
When Alan reached the château he was at
once accosted by old Matieu.
"Mme. la Marquise wishes to see you in
her private room, M'sieu Alan, and without a
moment's delay."
In a few seconds he was on the upper landing.
At the door of the room known as the
Blue Salon he met Yann the Dumb.
"What is it, Ian? Is there any thing
wrong?"
In his haste he spoke in French. The old
islander looked at him, but did not answer.
Alan repeated his question in Gaelic.
"Yes, Alan MacAlasdair, I fear there is
gloom and darkness upon us all."
"Why?"
"By this an' by that. But I have seen the
death-cloth about Lois nic Alasdair bronnach
for weeks past. I saw it about her feet,
and then about her knees, and then about her
breast. Last night, when I looked at her, I
saw it at her neck. And to-day, the shadow-shroud
is risen to her eyes."
"But your second-sight is not always true,
you know, Ian. Why, you told me when I
was here last that I would soon be seeing
my long dead father again, and, more
than that, that I should see him, but he never
see me. But of this and your other dark
sayings, no more now. Can I go in at once
and see my aunt?"
"I will be asking that, Alan-mo-caraid.
But what you say is not true. I have
never yet 'seen' any thing that has not come
to pass; though I have had the sight but
seldom, to Himself be the praise." With that
Ian entered, exchanged a word or two, and
ushered Alan into the room.
On a couch beside a great fireplace, across
the iron brazier of which were flaming pine-logs,
an elderly woman lay almost supine.
That she had been a woman of great beauty
was unmistakable, for all her gray hair and
the ravages that time and suffering had
wrought upon her face. Even now her face
was beautiful; mainly from the expression of
the passionate dusky eyes which were so like
those of Annaik. Her long, inert body
was covered with a fantastic Italian silk-cloth
whose gay pattern emphasized her own helpless
condition. Alan had not seen her for
some months, and he was shocked at the
change. Below the eyes, as flamelike as ever,
were purplish shadows, and everywhere,
through the habitual ivory of the delicate
features, a gray ashiness had diffused. When
she held out her hand to him, he saw it as
transparent as a fan, and perceived within
it the red gleam of the fire.
"Ah, Alan, it is you at last! How glad I
am to see you!" The voice was one of singular
sweetness, in tone and accent much like
that of Ynys.
"Dear Aunt Lois, not more glad than I am
to see you"—and, as he spoke, Alan kneeled
at the couch and kissed the frail hand that
had been held out to him.
"I would have so eagerly seen you at once
on my arrival," he resumed, "but I was given
your message—that you had one of your seasons
of suffering, and could not see me. You
have been in pain, Aunt Lois?"
"Yes, dear, I am dying."
"Dying! Oh, no, no, no! You don't
mean that. And besides——"
"Why should I not mean it? Why should
I fear it, Alan? Has life meant so much
to me of late years that I should wish to
prolong it?"
"But you have endured so long!"
"A bitter reason truly!... and one
too apt to a woman! Well, enough of this.
Alan, I want to speak to you about yourself.
But first tell me one thing. Do you love any
woman?"
"Yes, with all my heart, with all my life, I
love a woman."
"Have you told her so? Has she betrothed
herself to you?"
"Yes."
"Is it Annaik?"
"Annaik ... Annaik?"
"Why are you so surprised, Alan? Annaik
is beautiful; she has long loved you, I am
certain; and you, too, if I mistake not, care
for her?"
"Of course, I do; of course I care for her,
Aunt Lois. I love her. But I do not love
her as you mean."
The Marquise looked at him steadily.
"I do not quite understand," she said
gravely. "I must speak to you about
Annaik, later. But now, will you tell me who
the woman is?"
"Yes. It is Ynys."
"Ynys! But, Alan, do you not know that
she is betrothed to Andrik de Morvan?"
"I know."
"And that such a betrothal is, in Brittany,
almost as binding as a marriage?"
"I have heard that said."
"And that the Marquis de Kerival wishes
that union to take place?"
"The Marquis Tristran's opinion, on any
matter, does not in any way concern me."
"That may be, Alan; but it concerns Ynys.
Do you know that I also wish her to marry
Andrik; that his parents wish it; and that
every one regards the union as all but an
accomplished fact?"
"Yes, dear Aunt Lois, I have known or
presumed all you tell me. But nothing of it
can alter what is a vital part of my existence."
"Do you know that Ynys herself gave her
pledge to Andrik de Morvan?"
"It was a conditional pledge. But, in any
case, she will formally renounce it."
For a time there was silence.
Alan had risen, and now stood by the side
of the couch, with folded arms. The Marquise
Lois looked up at him, with her steadfast,
shadowy eyes. When she spoke again
she averted them, and her voice was so low as
almost to be a whisper.
"Finally, Alan, let me ask you one question.
It is not about you and Ynys. I infer
that both of you are at one in your determination
to take every thing into your own hands.
Presumably you can maintain her and yourself.
Tristran—the Marquis de Kerival—will
not contribute a franc toward her support.
If he knew, he would turn her out of doors
this very day."
"Well, Aunt Lois, I wait for your final
question?"
"It is this. What about Annaik?"
Startled by her tone and sudden lifted
glance, Alan stared in silence; then recollecting
himself, he repeated dully:
"'What about Annaik?' ... Annaik, Aunt
Lois, why do you ask me about Annaik?"
"She loves you."
"As a brother; as the betrothed of Ynys;
as a dear comrade and friend."
"Do not be a hypocrite, Alan. You know
that she loves you. What of your feeling
toward her?"
"I love her ... as a brother loves a sister
... as any old playmate and friend ...
as ... as the sister of Ynys."
A faint, scornful smile came upon the white
lips of the Marquise.
"Will you be good enough, then, to
explain about last night?"
"About last night?"
"Come, be done with evasion. Yes, about
last night. Alan, I know that you and
Annaik were out together in the cypress
avenue, and again, on the dunes, after midnight;
that you were seen walking hand in
hand; and that, stealthily, you entered the
house together."
"Well?"
"Well! The inference is obvious. But
I will let you see that I know more. Annaik
went out of the house late. Old Matieu let
her out. Shortly after that you went out of
the château. Later, you and she came upon
Judik Kerbastiou prowling about in the
woods. It was more than an hour after he
left you that you returned to the château.
Where were you during that hour or more?"
Alan flushed. He unfolded his arms;
hesitated; then refolded them.
"How do you know this?" he asked
simply.
"I know it, because...."
But before she finished what she was about
to say, the door opened and Yann entered.
"What is it, Ian?"
"I would be speaking to you alone for
a minute, Bantighearna."
"Alan, go to the alcove yonder, please.
I must hear in private what Yann has to say
to me."
As soon as the young man was out of hearing,
Yann stooped and spoke in low tones.
The Marquise Lois grew whiter and whiter,
till not a vestige of color remained in her
face, and the only sign of life was in the eyes.
Suddenly she made an exclamation.
Alan turned and looked at her. He caught
her agonized whisper: "Oh, my God!"
"What is it—oh, what is it, dear Aunt
Lois?" he cried, as he advanced to her side.
He expected to be waved back, but to
his surprise the Marquise made no sign to
him to withdraw. Instead, she whispered
some instructions to Yann and then bade
him go.
When they were alone once more, she took
a small silver flagon from beneath her coverlet
and poured a few drops upon some
sugar.
Having taken this, she seemed to breathe
more easily. It was evident, at the same
time, that she had received some terrible
shock.
"Alan, come closer. I cannot speak loud.
I have no time to say more to you about
Annaik. I must leave that to you and to
her. But lest I die, let me say at once that
I forbid you to marry Ynys, and that I enjoin
you to marry Annaik, and that without
delay."
A spasm of pain crossed the speaker's face.
She stopped, and gasped for breath. When
at last she resumed, it was clear she considered
as settled the matter on which she
had spoken.
"Alan, I am so unwell that I must be very
brief. And now listen. You are twenty-five
to-day. Such small fortune as is yours comes
now into your possession. It has been administered
for you by a firm of lawyers in
Edinburgh. See, here is the address. Can
you read it? Yes?... Well, keep the slip.
This fortune is not much. To many, possibly
to you, it may not seem enough to provide
more than the bare necessities of life, not
enough for its needs. Nevertheless, it is
your own, and you will be glad. It will, at
least, suffice to keep you free from need if
ever you fulfil your great wish to go back to
the land of your fathers, to your own place."
"That is still my wish and my hope."
"So be it! You will have also an old sea
castle, not much more than a keep, on a
remote island. It will at any rate be your
own. It is on an island where few people
are; a wild and precipitous isle far out in
the Atlantic at the extreme of the Southern
Hebrides."
"Is it called Rona?" Alan interrupted
eagerly.
Without noticing, or heeding, his eagerness,
she assented.
"Yes, it is called Rona. Near it are the
isles of Mingulay and Borosay. These three
islands were once populous, and it was there
that for hundreds of years your father's clan,
of which he was hereditary chief, lived and
prospered. After the evil days, the days
when the young King was hunted in the west
as though a royal head were the world's
desire, and when our brave kinswoman,
Flora Macdonald, proved that women as well
as men could dare all for a good cause—after
those evil days the people melted away.
Soon the last remaining handful were upon
Borosay; and there, too, till the great fire
that swept the island a score of years ago,
stood the castle of my ancestors, the Macdonalds
of Borosay.
"My father was a man well known in his
day. The name of Sir Kenneth Macdonald
was as familiar in London as in Edinburgh;
and in Paris he was known to all the military
and diplomatic world, for in his youth he had
served in the French army with distinction,
and held the honorary rank of general.
"Not long before my mother's death he came
back to our lonely home in Borosay, bringing
with him a kinsman of another surname, who
owned the old castle of Rona on the Isle of
the Sea-caves, as Rona is often called by the
people of the Hebrides. Also there came with
him a young French officer of high rank. After
a time I was asked to marry this man. I did
not love him, did not even care for him, and
I refused. In truth ... already, though unknowingly,
I loved your father—he that was
our kinsman and owned Rona and its old castle.
But Alasdair did not speak; and, because of
that, we each came to sorrow.
"My father told me he was ruined. If I did
not marry Tristran de Kerival, he would lose
all. Moreover, my dying mother begged me
to save the man she had loved so well and
truly, though he had left her so much alone.
"Well, to be brief, I agreed. My kinsman
Alasdair was away at the time. He returned
on the eve of the very day on which I was
suddenly married by Father Somerled Macdonald.
We were to remain a few weeks in
Borosay because of my mother's health.
"When Alasdair learned what had happened
he was furious. I believe he even drew a riding
whip across the face of Tristran de Kerival.
Fierce words passed between them, and
a cruel taunt that rankled. Nor would Alasdair
have any word with me at all. He sent
me a bitter message, but the bitterest word
he could send was that which came to me:
that he and my sister Silis had gone away
together.
"From that day I never saw Silis again, till
the time of her death. Soon afterward our
mother died, and while the island-funeral was
being arranged our father had a stroke, and
himself died, in time to be buried along with
his wife. It was only then that I realized
how more than true had been his statements
as to his ruin. He died penniless. I was
reminded of this unpleasant fact at the time,
by the Marquis de Kerival; and I have had
ample opportunity since for bearing it in
vivid remembrance.
"As soon as possible we settled all that
could be settled, and left for Brittany. I
have sometimes thought my husband's love
was killed when he discovered that Alasdair
had loved me. He forbade me even to mention
his name, unless he introduced it; and
he was wont to swear that a day would
come when he would repay in full what he
believed to be the damning insult he had
received.
"We took with us only one person from
Borosay, an islander of Rona. He is, in fact,
a clansman both of you and me. It is of Ian
I speak, of course; him that soon came to be
called here Yann the Dumb. My husband and
I had at least this to unite us: that we were
both Celtic, and had all our racial sympathies
in common.
"I heard from Silis that she was married
and was happy. I am afraid this did not add
to my happiness. She wrote to me, too, when
she was about to bear her child. Strangely
enough, Alasdair, who, like his father before
him, was an officer in the French army, was
then stationed not far from Kerival, though
my husband knew nothing of this at first.
My own boy and Silis's were born about the
same time. My child died; that of Silis and
Alasdair lived. You are that child. No ...
wait, Alan ... I will tell you his name shortly....
You, I say, are that child. Soon afterward,
Silis had a dangerous relapse. In her
delirium she said some wild things; among
them, words to the effect that the child which
had died was hers, and that the survivor was
mine—that, somehow or other, they had been
changed. Then, too, she cried out in her
waywardness—and, poor girl, she must have
known then that Alasdair had loved me before
he loved her—that the child who lived,
he who had been christened Alan, was the
child of Alasdair and myself.
"All this poor delirium at the gate of death
meant nothing. But in some way it came to
Tristran's ears, and he believed. After Silis's
death I had brought you home, Alan, and had
announced that I would adopt you. I promised
Silis this, in her last hour, when she was
in her right mind again; also that the child,
you, should be brought up to speak and think
in our own ancient language, and that in all
ways you should grow up a true Gael. I have
done my best, Alan?"
"Indeed, indeed you have. I shall never,
never forget that you have been my mother
to me."
"Well, my husband never forgave that.
He acquiesced, but he never forgave. For
long, and I fear to this day, he persists in his
belief that you are really my illegitimate child,
and that Silis was right in thinking that I had
succeeded in having my own new-born babe
transferred to her arms, while her dead offspring
was brought to me, and, as my own,
interred. It has created a bitter feud,
and that is why he hates the sight of you.
That, too, Alan, is why he would never
consent to your marriage with either Ynys
or Annaik."
"But you yourself urged me a little ago to
... to ... marry Annaik."
"I had a special reason. Besides, I of
course know the truth. In his heart, God
knows, my husband cannot doubt it."
"Then tell me this: is my father dead also,
as I have long surmised?"
"No ... yes, yes, Alan, he is dead."
Alan noticed his aunt's confusion, and regarded
her steadily.
"Why do you first say 'no' and then
'yes'?"
"Because...."
But here again an interruption occurred.
The portière moved back, and then the wide
doors disparted. Into the salon was wheeled
a chair, in which sat the Marquis de Kerival.
Behind him was his attendant; at
his side, Kermorvan the steward. The face
of the seigneur was still deathly pale, and the
features were curiously drawn. The silky
hair, too, seemed whiter than ever, and white
as foam-drift on a dark wave were the long
thin hands which lay on the lap of the black
velvet shooting jacket he wore.
"Ah, Lois, is this a prepared scene?" he
exclaimed in a cold and sneering voice, "or,
has the young man known all along?"
"Tristan, I have not yet told him what I
now know. Be merciful."
"Alan MacAlasdair, as the Marquise here
calls you,—and she ought to know,—have
you learned yet the name and rank of your
father?"
"No."
"Tell him, Lois."
"Tristran, listen. All is over now. Soon
I, too, shall be gone. In the name of God I
pray you to relent from this long cruelty, this
remorseless infamy. You know as well as I
do that our first-born is dead twenty-five
years ago, and that this man here is truly the
son of Silis, my sister. And here is one overwhelming
proof for you: I have just been
urging him to marry Annaik."
At that Tristran the Silent was no longer
silent. With a fierce laugh he turned to the
steward.
"I call you to witness, Raif Kermorvan,
that I would kill Annaik, or Ynys either for
that matter, before I would allow such an
unnatural union. Once and for all I absolutely
ban it. Besides.... Listen, you there
with your father's eyes! You are sufficiently
a Gael to feel that you would not marry the
daughter of a man who killed your father?"
"God forbid!"
"Well, then, God does forbid. Lois, tell
this man what you know."
"Alan," began the Marquise quaveringly,
her voice fluttering like a dying bird, "the
name of your father is ... is ... Alasdair
... Alasdair Carmichael!"
"Carmichael!"
For a moment he was dazed, bewildered.
When, recently, had he heard that name?
Then it flashed upon him. He turned with
flaming eyes to where the Marquis sat, quietly
watching him.
"Oh, my God!" That was all. He could
say no more. His heart was in his throat.
Then, hoarse and trembling, he put out his
hands.
"Tell me it is not true! Tell me it is not
true!"
"What is not true, Alan Carmichael?"
"That that was he who died in the wood
yonder."
"That was General Alasdair Carmichael."
"My father?"
"Your father!"
"But, you devil, you murdered him! I
saw you do it! You knew it was he—and
you killed him. You knew he would not try
to kill you, and you waited; then, when he
had fired, you took careful aim and killed
him!"
"You reiterate, my friend. These are
facts with which I am familiar."
The cool, sneering tone stung Alan to madness.
He advanced menacingly.
"Murderer, you shall not escape!"
"A fitting sentiment, truly, from a man
who wants to marry my daughter!"
"Marry your daughter! Marry the daughter
of my father's murderer! I would sooner
never see the face of woman again than do
this thing."
"Good! I am well content. And now,
young man, you are of age; you have come into
your patrimony, including your ruined keep
on the island of Rona; and I will trouble
you to go—to leave Kerival for good and all."
Suddenly, without a word, Alan moved
rapidly forward. With a light touch he laid
his hand for a moment on the brow of the
motionless man in the wheeled chair.
"There! I lay upon you, Tristran de Kerival,
the curse of the newly dead and of the
living! May the evil that you have done
corrode your brain, and may your life silt
away as sand, and may your soul know the
second death!"
As he turned to leave the room he saw
Kerbastiou standing in the doorway.
"Who are you, to be standing there, Judik
Kerbastiou?" demanded the steward angrily.
"I am Rohan de Kerival. Ask this man
here if I am not his son. Three days ago the
woman who was my mother died. She died a
vagrant, in the forest. But, nigh upon thirty
years ago, she was legally married to the
young Marquis Tristran de Kerival. I am
their child."
Alan glanced at the man he had cursed. A
strange look had come into his ashy face.
"Her name?" was all Tristran the Silent
said.
"Annora Brizeux."
"You have proofs?"
"I have all the proofs."
"You are only a peasant, I disown you. I
know nothing of you or of the wanton that
was your mother."
Without a word Judik strode forward and
struck him full in the face. At that moment
the miraculous happened. The Marquise,
who had not stood erect for years, rose to her
full height.
She, too, crossed the room.
"Alan," she cried, "see! He has killed
me as well as your father," and with that she
swayed, and fell dead, at the feet of the man
who had trampled her soul in the dust and
made of her blossoming life a drear and sterile
wilderness.