IN WHICH BECKY, CONTINUING HER LETTER, RELATES
HER IMPRESSIONS OF MRS. PREEDY’S
YOUNG MAN LODGER.
My own dear Fred,—Once more I am in
my little cupboard of a bedroom,
writing to you. Again it is past twelve
o’clock, and Mrs. Preedy is asleep.
I will now tell you why I have altered my
mind with regard to Richard Manx, and why
I have determined to watch his movements.
The seal to this resolution was fixed the night
before last.
Mrs. Preedy was sitting up, as usual, drinking
her regular allowance of gin and water.
I was in my bedroom, supposed to be asleep,
but really very wide awake. Peeping through
a chink in my bedroom door, I saw Mrs.
Preedy thus engaged, and engaged also in
reading an account of the police-court proceedings
in which you were so cruelly implicated.
There was nothing interesting in this
picture of Mrs. Preedy, and I crept into bed
again. I was dozing off, when I was roused
by the sound of Mrs. Preedy leaving the
kitchen, and going up-stairs to the street-door,
which she opened. I ventured out into the
passage, and listened. She was talking to a
policeman. Presently she came down-stairs
and mixed a glass of gin and water, which
she took up to him. Then after a little
further chat, she came down again, and
resumed her melancholy occupation. After
that, I fell asleep.
Changes have taken place in me, my dear.
Once I was nervous; now I am bold. Once
I could not sleep without a light in my room;
now I can sleep in the dark. Once I was a
sound sleeper, and was not easily awakened;
now the slightest sound arouses me. The
dropping of a pin would be almost sufficient
to cause me to start up in bed.
On the occasion I refer to, it was something
more than the dropping of a pin that aroused
me. It was the sound of voices in the
kitchen—Mrs. Preedy’s voice and the voice of
a man. What man? I peeped through the
chink. It was Richard Manx, our new lodger.
He was standing on the threshold of the
kitchen door; from where I knelt I could not
obtain a good view of his face, but I saw Mrs.
Preedy’s, and it seemed to me as if she had
received a fright.
Richard Manx, in reply to an observation
made by Mrs. Preedy, said her clock on the
mantelpiece was wrong, and that he had heard
twelve o’clock strike a quarter of an hour ago.
Mrs. Preedy asked him if he had come to pay
his rent. No, he said, he had not come to
pay his rent. Then Mrs. Preedy very naturally
inquired what he had come for, and Richard
Manx, in a voice resembling that of a raven
with a bad cold, said,
“I have—a—heard it once more again!”
My dear, the moment he uttered these
strange words, Mrs. Preedy rushed at him,
pulled him into the kitchen, and then flew to
my bedroom door. I was in bed before she
got there, and when she opened it and called
my name, I was, of course, fast asleep. She
made sure of this by coming into my little
cupboard, and passing her hand over my face.
My heart beat quickly, but she herself was
too agitated to notice it. When she left my
room, I thought it prudent to remain in bed
for awhile, so as to avoid the risk of discovery.
My mind was in a whirl. Richard
Manx had heard it once more again! What
had he heard?
I rose quietly, and listened. Richard Manx
was speaking of a sound in the empty house
next door, No. 119. He had heard it twice—a
week ago, and again on this night. He
said that he was in the habit of smoking in
bed, and asked if Mrs. Preedy was insured.
He was interrupted by the breaking of a
storm, which appeared to frighten them both
very much. I will not attempt to repeat,
word for word, all that passed between them.
Its substance is now what I am going to
relate.
Eight nights ago, Richard Manx, sitting in
his attic, was startled (so he says) by the
sound of a tapping or scratching in the house
next door, in which the murder was committed.
Being, according to his own declaration,
of a nervous nature, he left his attic, and
crept downstairs. In the passage below he
met Mrs. Preedy, and related to her what he
had heard. She endeavoured to persuade
him that his fancy had been playing him
tricks.
“How is it possible,” she asked him, “that
you could have heard any sound in the next
house when there’s nobody there?”
A convincing question, my dear, which
carries its own convincing answer.
Richard Manx wavers, and promises her
not to speak to the neighbours of his distressing
impression. He says he will wait
“till it comes again.” It comes again on this
night the events of which I am describing,
and in great fear (which may or may not be
real) he creeps downstairs to Mrs. Preedy to
inform her of it. He says the noise may not
be made by a mortal; it may be made by a
spirit. So much the worse. A man or a
woman one can meet and hold, and ask
questions of, but a spirit!——the very idea
is enough to make one’s hair stand on end.
It did not make my hair stand on end, nor
did Richard Manx’s suggestion frighten me
in the least. It excited me almost to fever
heat, but there was no fear in my excitement.
Expectation, hope, painful curiosity—these
were the feelings which animated me.
What if Richard Manx were, for some
reason of his own, inventing this story of
strange noises in an empty house, the boards
of which are stained with the blood of a
murdered man? The idea did not dawn upon
me; it flashed upon me in a certain expression
which dwelt upon Richard Manx’s face while
Mrs. Preedy’s back, for a moment, was turned
to him.
When they were sitting opposite each other
at the kitchen table, the man was timid, confiding,
humble; but when Mrs. Preedy turned
towards the dresser for the sugar basin, there
stole into his face the expression I have referred
to. What did it denote? Cunning,
ferocity, triumph, duplicity. It was but for
a moment; upon Mrs. Preedy confronting
him again, he relapsed into humbleness and
timidity.
What was the meaning of this sudden
change? That the man was playing a part?
Clearly. Then behind his systematic acting was
hidden a motive. What motive?
He had accepted Mrs. Preedy’s invitation
to a glass of gin and water, and had asked for
sugar. It was while she was getting the sugar
that he had allowed the mask to slip from
his false face.
“If it gets known,” she said, “I’m a ruined
woman!”
“Ah,” said Richard Manx, “I comprehend
what you mean by ruined. A house with a
shadow—a spirit ghost in it, would be—a—horrible!
Listen you. This house is likewise.”
Mrs. Preedy shuddered. “Well,” he continued,
“I will say—a—nothing.” He placed his
hand on his heart and leered at her. “On
my honour. But be you positive—what I
have heard is not—a—fancy. It is veritable.”
He said a great deal more to the same effect,
and I never saw a woman more completely
prostrated.
Richard Manx speaks imperfect English,
and I cannot make up my mind whether he
is a Frenchman, or a German, or an Italian,
or an Impostor. I am not only suspicious of
the man, I am suspicious of his broken
English.
What I wanted now to ascertain was
whether any person had heard the tapping or
the scratching in No. 119, and the person I
fixed upon to settle this point was Mrs. Bailey,
our old lady lodger on the first floor. If anything
was going on in the next house it could
scarcely have escaped her ears.
Yesterday morning while I was tidying up
her room, I broached the subject.
“I wonder,” I said, “whether the next
house will ever be let.”
“I wouldn’t take it,” said Mrs. Bailey, “if
they offered it to me for nothing a-year—eh?”
“It wouldn’t be a pleasant place to live in
certainly,” I remarked. “I should be afraid
of ghosts.”
“Do you believe in them, eh, Becky?”
“I’ve never seen one,” I replied, “but I
can’t help believing in them—a little. There’s
one comfort—they don’t trouble people
who haven’t wronged them. So we’re all
right.”
“Yes, Becky, yes—they wouldn’t come
through brick walls to scare a poor old
woman, eh?”
“No,” I said, “and I’ve never read of a
ghost speaking or making a noise of any kind.
Have you?”
“Not that I can remember,” replied the old
lady.
“Mrs. Bailey,” I said, “since the night of
the murder you have not heard anything
going on next door?”
“Not a sound, Becky. It’s been as still as
a mouse.”
“As a mouse,” I repeated; “ah, but mice
scratch at walls sometimes.”
“So they do; but there can’t be any mice
next door, or I should have heard them.
Nothing for them to eat, Becky—eh? Mice
can’t eat ghosts—eh?”
“No, indeed,” I said. “I hope you are
sleeping well, Mrs. Bailey.”
“No, I am not, Becky. As night comes on
I get a pain in my side, and it keeps me awake
for hours.”
“What a shame!” I exclaimed. “I’ll come
and rub it for you, if you like, when my
work’s done. Were you awake last night,
Mrs. Bailey?”
“I didn’t close my eyes till past two this
morning; too bad, eh, Becky?”
“Indeed it is. I hope you were not disturbed.”
“Only my side, Becky; nothing else.”
This conversation convinced me that
Richard Manx had not heard any such sound
as he stated. What was his purpose in endeavouring
to deceive Mrs. Preedy?
The same day I was sent out to the greengrocer’s,
and the woman said to me that she
supposed I was not going to stop much longer
in my place.
“Why not?” I asked.
“There isn’t one girl in a thousand,” said
the woman, “as had live willingly in a haunted
house. Why, Becky, it’s the talk of the
neighbourhood!”
“All I can say is,” I replied, “that I have
heard nothing of it, and I don’t think Mrs.
Preedy has, either.”
“Ah,” remarked the woman, “they say you
must go abroad if you want to hear any news
about yourself.”
My dear, the woman in the greengrocer’s
shop spoke the truth. Before the day was
out, it was the talk of the neighbourhood,
that both houses, Nos. 118 and 119 Great
Porter Square, were haunted. When I went
out last evening to write my first letter to
you, I was told of it by half-a-dozen people,
and the policeman himself (they are all friends
of mine) made inquiries as to the time and
shapes in which the ghostly visitants presented
themselves. And to-day I have observed
more than a dozen strangers stop before our
house and point up to it, shaking their heads
mysteriously.
Mrs. Preedy opened the subject to me this
evening.
“Becky,” she said, “there is no end to the
wickedness of people.”
“That there isn’t, mum,” I replied, sympathetically.
“Why, Becky,” she exclaimed, “have you
heard what they are saying about the house?”
“O, yes,” I said, “everybody says its
haunted.”
“Do you believe it, Becky?”
“Not me, mum!” (Observe my grammar,
my dear.) “Not me! Who should know
better than those that live in a house whether
it’s haunted or not?”
“That’s it, Becky,” cried Mrs. Preedy, excitedly;
“that’s it. Who should know better
than us? And I’m sure I’ve never seen anything
nor heard anything. Nor you either,
Becky.”
“Nor me, neither,” I replied. “But the
worst of it is, mum, mud sticks. Give a dog
a bad name, and you may as well hang him
at once.”
Now, who spread this rumour about our
house being haunted? Somebody, for sure,
who has a motive in giving the place a bad
reputation. There is never smoke without a
fire. Shall I tell you who is the cause of all
this? Richard Manx.
What leads me to this conclusion? you ask.
Instinct, my dear. It is an important quality
in animals; why not in human beings? What
possible motive can Richard Manx have in
spreading such a report? you ask next. A
just Heaven only knows, my dear. But I will
find out his motive, as I am a living and
loving woman.
You are not acquainted with Richard Manx,
you may say. Nor am I. But is it certain
that it is his true name? You are not the
only person in the world who has concealed
his true name. You concealed yours for an
innocent reason. Richard Manx may conceal
his for a guilty one. Then think of me, known
simply as Becky. Why, my dearest, the world
is a perfect medley! Shall I tell you something
else about him? My dear, he paints.
I hear you, in your unsophisticated innocence,
exclaim, “O, he is an artist!” He is, in one
sense. His canvass is the human skin. He
paints his face.
What will you ask now? Of course, your
question will be, “How on earth do you know
that he paints his face?” My dear, here I am
your superior. Trust a woman to know a
natural from an artificial colour. These few
last questions trouble your soul. “Does she
paint, then?” you mutter. “No, my dear,”
I answer, “my complexion is my own!”
Twice have I seen Richard Manx to-day,
and I have not avoided him. I looked at him.
He looked at me.
“You are Becky,” he said; and if ever a
foreigner spoke like an Englishman, Richard
Manx did when he said, “You are Becky.”
“Yes, if you please, sir,” I replied, coyly.
“You are a—what you call maid-of-all
work here,” he said.
Maid-of-all-work! What do real, genuine
foreigners know of English maids-of-all-work?
The very use of the term was, in my judgment,
an argument against him.
“Yes,” I replied.
“And a very pretty maid-of-all-work,” he
said, with a smile.
“There’s missus calling!” I cried, and I
ran downstairs.
In that short interview I had convinced
myself that he painted, and I had made up my
mind that he wore a wig. Think of that, my
dear! Our innocent, timid, humble young
man lodger, with a false head of hair! I
blush.
The meaning of all this is, that Richard
Manx is no chance lodger. He came here
designedly. He has not paid his rent. It is
part of his design. He would be more likely
to attract attention as a man with plenty
of money than as a man with none. There
are so many poor people in the world, and
they are comparatively so unimportant? He
has spread a rumour that the house he lodges
in and the next house are haunted. It is part
of his design. To bring the houses into disrepute
will cause people to avoid them, will
lessen the chance of their being occupied.
The better opportunity for him to carry out,
without being observed, any scheme he may
have in his false and wicked mind.
I have but one thing more to relate, and
that will bring the history of your adventurous
little woman up to the present moment of
writing. It is an important incident, and has
a direct bearing upon all that has gone before.
At nine o’clock to-night the street door was
opened and closed. My mistress and I were
in the kitchen.
“It is Mr. Manx,” said Mrs. Preedy.
“I didn’t know he had a latch key,” I
observed.
“I gave him one to-day,” said Mrs. Preedy.
“He is looking for a situation, poor young
man, and asked me for a latch key, as he
might have to keep out late at night, and
didn’t like to disturb me.”
“Very considerate of him,” I said. “What
kind of situation is he after? Is he anything
at all?”
“He is a professor of languages, Becky, and
a musician besides.”
“What kind of musician?” I asked, scornfully.
“A trombone player?”
“I can’t say, Becky.”
“Does he play the cornet, or the fiddle,” I
continued, with a certain recklessness which
overcame me for a few moments, “or the
harp, or the flute, or the piano?” And as I
said “or the piano?” a dish I was wiping
slipped clean out of my hands, and was broken
to pieces.
“What a careless girl you are, Becky!”
cried my mistress. “That makes the third you
have broken since you’ve been here.”
“Never mind,” I said, “I have had a legacy
left me.”
She stared at me, and cried “A legacy!”
And, upon my word, my dear, until she
repeated the words, I scarcely knew what it
was I had said. However, I was committed
to it now, and was bound to proceed.
“Yes; a legacy. That is what I really
went about last night.”
The information so staggered her that her
voice became quite deferential.
“Is it much, Becky?”
“A clear three hundred pounds,” I replied,
“and perhaps a little more. I shall know for
a certainty in a week or two.”
“You’ll be giving me notice presently, I
daresay, Becky, now you’ve come into
money.”
“Not unless you want to get rid of me,” I
replied.
“Becky,” said Mrs. Preedy, graciously, “I
am very satisfied with you. You can remain
with me as long as you like, and when we part
I hope we shall part friends.”
“I hope so too, mum; and I hope you’ll
think none the worse of me because I’ve been
so fortunate. I should like to hear of your
having such a slice of luck.”
“Thank you, Becky,” said my mistress,
meekly, “but I wasn’t born with a silver spoon
in my mouth.”
“Ah,” said I, wisely, “it isn’t always the
most deserving as gets the best rewarded.”
Do you know, my dear, so strong is the
force of example and association, that I sometimes
catch myself speaking exactly as if I had
been born in that station of life which I am
at present occupying in Mrs. Preedy’s service.
Here a bell rang. “That’s Mrs. Bailey’s
bell,” I said; “shall I go up to her, or will
you?”
“You go, Becky,” said Mrs. Preedy; “she
likes you best.”
Up I went, and found Mrs. Bailey writhing
in bed; she was evidently in pain.
“My side, Becky, my side!” moaned the
old creature. “You promised to rub it for
me?”
“Wait a minute,” I said, “I’ll go and fetch
some liniment.”
I ran downstairs, and took from my little
bedroom a bottle of liniment which I had
bought at the chemist’s in expectation of such
an emergency as this. Then I rubbed the old
lady’s side, and soon afforded her relief.
“What a soft hand you’ve got!” she said,
“It’s almost like a lady’s hand.”
I sighed. “I haven’t been a common servant
all my life,” I said. “But never mind
me. Do you feel easier?”
“I am another woman, dear,” she replied.
“O dear, O dear!”
And the old creature began to cry, and
moan, and shake. I pitied her most truly at
that moment.
“What are you crying for?” I asked.
“O dear, O dear!” she repeated. “I had a
daughter once, who might have looked after
me in my old days. My Lizzie! my Lizzie!”
She continued to weep in the most distressing
manner, calling upon her Lizzie in touching
tones. I asked tenderly if her daughter was
dead, and her reply was—
“God only knows!”
And then she related to me, often stopping
to sob and moan in grief, a sad, sad story of a
girl who had left her home, and had almost
broken her parents’ hearts. I cannot stop
now to tell you the story as this lonely
woman told it to me, for my fingers are
beginning to pain me with the strain of
this long letter, and I have still something more
to say which more nearly concerns
ourselves.
Bear in mind that from the time Richard
Manx had entered the house, no other persons
had entered or left it. Had the street door
been opened I should for a certainty have
remarked it.
Mrs. Bailey had told the whole of the sad
story of her daughter’s shame and desertion,
and was lying in tears on her bed. I was sitting
by her side, animated by genuine sympathy
for the lonely old lady. Suddenly an
expression of alarm appeared on her face,
which gradually turned quite white.
“Becky!” she cried.
I leant over her, my heart beating quick,
for she had startled me. I feared that her
last hour had arrived. I was mistaken. It
was fear of another kind which had aroused
her from the contemplation of her special
sorrow.
“Don’t you hear?” she asked, presently.
“What?” I exclaimed, following her looks
and words in an agony of expectation.
“The next house,” she whispered, “where
the man was murdered! The empty house!
Something is moving there!”
I threw myself quickly on the bed, and lay
by the old lady’s side.
“There, Becky! Do you hear it now?”
“Hush,” I whispered. “Don’t speak or
stir! Let us be sure.”
It was not possible that both of us could be
dreaming the same dream at the same moment.
There was a sound as of some person moving
in No. 119.
“Answer me in a whisper,” I said, with
my mouth close to Mrs. Bailey’s ear. “The
room in which the murder was committed is
on a level with this?”
“Yes,” she replied, in a whisper, as I had
directed.
“Do you think the sounds are in that
room?”
“I am sure of it, Becky.”
I lay still for about the space of a another
minute. Then I rose from the bed.
“What are you going to do, Becky?”
asked Mrs. Bailey; “Don’t leave me!”
“I must,” I said, firmly. “For about five
minutes. I will come back. I promise you
faithfully I will come back. Are you afraid
to be left alone?”
“Somebody—or something—might come
into the room while you are away,” said the
old lady, shuddering. “If you must go, lock
me in, and take the key with you. But don’t
be longer than five minutes, if you have a spark
of pity for a poor, deserted old woman!”
I acted upon her suggestion. I locked her
in and went—— Where? Upstairs or down?
Up, to Richard Manx’s room.
I reached his door and listened. No sound
came to my ears—no sound of a waking or
sleeping inmate of the room. I retreated
down half-a-dozen stairs with a heavy tread.
No one appeared at the attic door to inquire
the meaning of the noise. I ascended the
stairs again, and, with a woman’s touch,
placed my hand on the handle of the door.
It yielded. I looked into the room. No
person was there. I ventured boldly in. The
room was empty!
Assuring myself of this, I left the room as
quickly as I had entered it. I did not pause
at Mrs. Bailey’s room on the first floor. I
went down to the street door, and quietly put
up the door chain. Now, no person could
possibly enter or leave the house without my
knowledge.
Then I went down to Mrs. Preedy in the
kitchen, and said that Mrs. Bailey was unwell,
and wished me to stop with her for a little
while.
“Stop, and welcome, Becky,” said Mrs.
Preedy, with the sweetest smile.
What a power is money! My fanciful
legacy of a paltry three hundred pounds had
placed this woman and me on an equality, and
she was the first to acknowledge it.
I ascended to Mrs. Bailey’s room, and unlocked
her door. I had really not been
absent for more than five minutes, but she
said it seemed like thirty. I remained with
her for over an hour, during which time the
muffled sounds in the next house continued.
I convinced myself that they could not be
heard in any other room by going out, now
and again, for a few moments, and listening
in other rooms on the first and second floors.
At length the sound ceased, and after waiting
a quarter of an hour longer without it being
renewed, I bade Mrs. Bailey good night, telling
her, in a cheerful voice, that she was mistaken
in supposing there were no mice in the empty
house next door.
“Are you sure it is mice, Becky?” she
asked, anxiously.
“Am I sure?” I repeated, laughing. “Why,
you nervous old creature, what else can it
be? Let us make a bargain to say nothing
about it except to each other, or we shall
have everybody laughing at us. And what
would be worse, the detectives might appear
again.”
The bargain was made, and I kissed the old
lady, and left her.
I went straight upstairs, cautiously, as
before. Richard Manx was in his room!
I went down to the street door. The chain
was up! A convincing proof that it was this
very Richard Manx, our young man lodger—the
man who paints and wears a wig, and who
is flat-footed—whose movements I had heard
through the wall which divides Mrs. Bailey’s
room from the room in which the murder was
committed.
I am too tired to write a minute longer.
This is the longest letter I have ever written.
Good night, dear love. God bless and guard
you!
Your ever devoted,
Becky.