Journal,
Mch. 1855.
March 14.—Took lodgings at 1 Sydney Place, Dover.
March 15.—A lovely day. As I walked up the Castle
hill this afternoon the town, with its background of
softly rounded hills shrouded in sleepy haze, its little
lines of water looking golden in the sun, made a charming
picture. I have written the preface to the Third
Book of "Ethics," read Scherr, and Shakespeare's "Venus
and Adonis."
March 16.—I read Shakespeare's "Passionate Pilgrim"
at breakfast, and found a sonnet in which he
expresses admiration of Spenser (Sonnet viii.):
"Dowland to thee is dear, whose heavenly touch
Upon the lute doth ravish human sense;
Spenser to me, whose deep conceit is such
As, passing all conceit, needs no
defence."[49]
I must send word of this to G., who has written in
his "Goethe" that Shakespeare has left no line in
praise of a contemporary. I could not resist the
temptation of walking out before I sat down to work.
Came in at half-past ten, and translated Spinoza till
nearly one. Walked out again till two. After dinner
read "Two Gentlemen of Verona" and some of the
"Sonnets." That play disgusted me more than ever
in the final scene, where Valentine, on Proteus's mere
begging pardon, when he has no longer any hope of
gaining his ends, says: "All that was mine in Sylvia,
I give thee!" Silvia standing by. Walked up the Castle
hill again, and came in at six. Read Scherr, and
found an important hint that I have made a mistake in
a sentence of my article on "Austria" about the death
of Franz von Sickingen.
Letter to
Miss Sara
Hennell,
16th Mch.
1855.
I dare say you will be surprised to see that I write
from Dover. We left Berlin on the 11th. I have
taken lodgings here for a little while, until Mr. Lewes
has concluded some arrangements in London; and,
with the aid of lovely weather, am even enjoying my
solitude, though I don't mind how soon it ends. News
of you all at Rosehill—how health and business and
all other things are faring—would be very welcome to
me, if you can find time for a little note of homely details.
I am well and calmly happy—feeling much
stronger and clearer in mind for the last eight months
of new experience. We were sorry to leave our quiet
rooms and agreeable friends in Berlin, though the
place itself is certainly ugly, and am Ende must become
terribly wearisome for those who have not a vocation
there. We went again and again to the new
museum to look at the casts of the Parthenon Sculptures,
and registered a vow that we would go to feast
on the sight of the originals the first day we could
spare in London. I had never cast more than a fleeting
look on them before, but now I can in some degree
understand the effect they produced on their first
discovery.
Journal,
1855.
March 25.—A note from Mr. Chapman, in which he
asks me to undertake part of the Contemporary Literature
for the Westminster Review.
April 18.—Came to town, to lodgings in Bayswater.
April 23.—Fixed on lodgings at East Sheen.
April 25.—Went to the British Museum.
April 28.—Finished article on "Weimar," for Fraser.
During this month George Eliot was finishing
the translating and revising of Spinoza's "Ethics,"
and was still reading Scherr's book, Schrader's
"German Mythology"—a poor book—"The
Tempest," "Macbeth," "Niebelungenlied," "Romeo
and Juliet," article on "Dryden" in the Westminster,
"Reineke Fuchs," "Genesis of Science,"
Gibbon, "Henry V.," "Henry VIII.," first, second,
and third parts of "Henry VI.," "Richard II."
May 2.—Came to East Sheen, and settled in our lodgings.
May 28.—Sent Belles-lettres section to Westminster
Review. During May several articles were written for
the Leader.
June 13.—Began Part IV. of Spinoza's "Ethics."
Began also to read Cumming, for article in the Westminster.
We are reading in the evenings now Sydney
Smith's letters, Boswell, Whewell's "History of Inductive
Sciences," "The Odyssey," and occasionally
Heine's "Reisebilder." I began the second book of
the "Iliad," in Greek, this morning.
June 21.—Finished article on Brougham's "Lives
of Men of Letters."
June 23.—Read "Lucrezia Floriani." We are reading
White's "History of Selborne" in the evening, with
Boswell and the "Odyssey."
Letter to
Miss Sara
Hennell,
23d June,
1855.
I have good hope that you will be deeply interested
in the "Life of Goethe." It is a book full of feeling,
as well as of thought and information, and I even think
will make you love Goethe as well as admire him.
Eckermann's is a wonderful book, but only represents
Goethe at eighty. We were fortunate enough to be in
time to see poor Eckermann before his total death.
His mind was already half gone, but the fine brow
and eyes harmonized entirely with the interest we had
previously felt in him. We saw him in a small lodging,
surrounded by singing birds, and tended by his
son—an intelligent youth of sixteen, who showed some
talent in drawing. I have written a castigation of
Brougham for the Leader, and shall be glad if your
sympathy goes along with it. Varnhagen has written
"Denkwurdigkeiten," and all sorts of literature, and
is, or, rather was, the husband of Rahel, the greatest of
German women.
Letter to
Miss Sara
Hennell,
21st July,
1855.
It was surely you who wrote the notice of the Westminster
in the Herald (Coventry) which we received
this morning. I am very much pleased with your appreciation
of Mr. Lewes's article. You hardly do justice
to Froude's article on "Spinoza." I don't at all
agree with Froude's own views, but I think his account
of Spinoza's doctrines admirable. Mr. Lewes
is still sadly ailing—tormented with tooth and face
ache. This is a terrible trial to us poor scribblers, to
whom health is money, as well as all other things
worth having. I have just been reading that Milton
suffered from indigestion—quite an affecting fact to
me. I send you a letter which I have had from Barbara
Smith. I think you will like to see such a manifestation
of her strong, noble nature.
On 1st August, 1855, Mr. Lewes went down to
Ramsgate for change, taking his three boys with
him for a week's holiday. Meantime George Eliot
was continuing her article-writing, and in this week
wrote an article for the Leader, having written one
for the same journal three weeks before. On 22d
August she wrote another article for the Leader,
and on the 24th she finished the one on Cumming
for the Westminster. Mr. C. Lewes tells me that
he remembers it was after reading this article that
his father was prompted to say to George Eliot,
while walking one day with her in Richmond Park,
that it convinced him of the true genius in her writing.
Mr. Lewes was not only an accomplished and
practised literary critic, but he was also gifted with
the inborn insight accompanying a fine artistic
temperament, which gave unusual weight to his
judgment. Up to this time he had not been quite
sure of anything beyond great talent in her productions.
The first three weeks in September were again
busily occupied in article-writing. She contributed
three papers to the Leader, as well as the Belles-lettres
section for the October number of the Westminster.
On the 19th September they left East
Sheen, and after spending a couple of weeks at
Worthing for a sea change, they took rooms at 8
Park Shot, Richmond, which remained their home
for more than three years. Here some of George
Eliot's most memorable literary work was accomplished.
Both she and Mr. Lewes were now working
very hard for what would bring immediate
profit, as they had to support not only themselves
but his children and their mother. They had only
one sitting-room between them; and I remember, in
a walk on St. George's Hill, near Weybridge, in 1871,
she told me that the scratching of another pen used
to affect her nerves to such an extent that it nearly
drove her wild. On the 9th October she finished an
article on Margaret Fuller and Mary Wollstonecraft,
and on the 12th October one on Carlyle
for the Leader, and began an article on Heine for
the January number of the Westminster. In October
there are the following letters to the Brays:
Letter to
Charles
Bray,
Monday,
Oct. (?)
1855.
Since you have found out the "Cumming," I write by
to-day's post just to say that it is mine, but also to beg
that you will not mention it as such to any one likely
to transmit the information to London, as we are keeping
the authorship a secret. The article appears to
have produced a strong impression, and that impression
would be a little counteracted if the author were known
to be a woman. I have had a letter addressed "to the
author of Article No. 4," begging me to print it separately
"for the good of mankind in general!" It is
so kind of you to rejoice in anything I do at all well.
I am dreadfully busy again, for I am going to write an
article for the Westminster Review again, besides my
other work. We enjoy our new lodgings very much—everything
is the pink of order and cleanliness.
Letter to
Miss Sara
Hennell,
16th Oct.
1855.
Why you should object to Herbert Spencer speaking
of Sir William Hamilton's contributions to a theory
of perception as "valuable" I am unable to conceive.
Sir William Hamilton has been of service to him as
well as to others; and instead of repressing acknowledgments
of merit in others, I should like them to be
more freely given. I see no dignity, or anything else
that is good, in ignoring one's fellow-beings. Herbert
Spencer's views, like every other man's views, could
not have existed without the substratum laid by his
predecessors. But perhaps you mean something that
I fail to perceive. Your bit of theology is very fine.
Here is a delicious Hibernicism in return. In a treatise
on consumption, sent yesterday, the writer says:
"There is now hardly any difference on this subject—at
least I feel none." Our life has no incidents except
such as take place in our own brains, and the occasional
arrival of a longer letter than usual. Yours
are always read aloud and enjoyed. Nevertheless our
life is intensely occupied, and the days are far too
short. We are reading Gall's "Anatomie et Physiologie
du Cerveau," and Carpenter's "Comparative
Physiology," aloud in the evenings; and I am trying
to fix some knowledge about plexuses and ganglia in
my soft brain, which generally only serves me to remember
that there is something I ought to remember,
and to regret that I did not put the something down
in my note-book. For "Live and learn," we should
sometimes read "Live and grow stupid."
Letter to
Charles
Bray, 21st
Nov. 1855.
You will receive by rail to-morrow a copy of the
"Life and Works of Goethe" (published on 1st November),
which I hope you will accept as a keepsake
from me. I should have been glad to send it you earlier,
but as Mr. Lewes has sold the copyright of the
first edition, he has only a small number of copies at
his disposal, and so I doubted whether I ought to ask
for one. I think you will find much to interest you in
the book. I can't tell you how I value it, as the best
product of a mind which I have every day more reason
to admire and love. We have had much gratification
in the expression of individual opinion. The press is
very favorable, but the notices are for the most part
too idiotic to give us much pleasure, except in a pecuniary
point of view. I am going out to-day, for the
first time for nearly a fortnight.
Letter to
Miss Sara
Hennell,
29th Nov.
1855.
I have just finished a long article on Heine for
the Westminster Review, which none of you will like.
En revanche, Mr. Lewes has written one on "Lions and
Lion Hunters," which you will find amusing.
On the 12th December the Belles-lettres section
for the January number of the Westminster Review
was finished and sent off, and the next entry
in the Journal is dated:
Journal,
1855.
Dec. 24, 1855.—For the last ten days I have done little,
owing to headache and other ailments. Began the
"Antigone," read Von Bohlen on "Genesis," and Swedenborg.
Mr. Chapman wants me to write an article on
"Missions and Missionaries," for the April number of
the Westminster, but I think I shall not have it ready
till the July number. In the afternoon I set out on
my journey to see my sister, and arrived at her house
about eight o'clock, finding her and her children well.
Dec. 29, 1855.—Returned to Richmond. G. away
at Vernon Hill (Arthur Helps's), having gone thither
on Wednesday.
Dec. 30, 1855.—Read the "Shaving of Shagpat"
(George Meredith's).
Dec. 31, 1855.—Wrote a review of "Shagpat."
Journal,
1856.
Jan. 1, 1856.—Read Kingsley's "Greek Heroes,"
and began a review of Von Bohlen.
Jan. 5, 1856.—G. came home.
Jan. 6, 1856.—Began to revise Book IV. of Spinoza's
"Ethics," and continued this work through the
week, being able to work but slowly. Finished Kahnis's
"History of German Protestantism."
Jan. 16, 1856.—Received a charming letter from
Barbara Smith, with a petition to Parliament that
women may have a right to their earnings.
Letter to
Miss Sara
Hennell,
18th Jan.
1856.
I believe there have been at least a thousand copies
of the "Goethe" sold, which is a wonderfully good sale
in less than three months for a thirty-shilling book.
We have a charming collection of letters, both from
remarkable acquaintances and remarkable non-acquaintances,
expressing enthusiastic delight in the
book—letters all the more delightful because they are
quite spontaneous, and spring from a generous wish to
let the author know how highly the writers value his
work. If you want some idle reading, get the "Shaving
of Shagpat," which, I think, you will say deserves
all the praise I gave it.
Journal,
1856.
Feb. 19, 1856.—Since the 6th January I have been
occupied with Spinoza; and, except a review of Griswold's
"American Poets," have done nothing else but
translate the Fifth Book of the "Ethics," and revise
the whole of my translation from the beginning. This
evening I have finished my revision.
Letter to
Miss Sara
Hennell,
19th Feb.
1856.
I was so glad to have a little news of you. I should
like to hear much oftener, but our days are so accurately
parcelled out among regular occupations that I
rarely manage to do anything not included in the programme;
and, without reading Mrs. Barbauld on the
"Inconsistency of Human Expectations," I know that
receiving letters is inconsistent with not writing any.
Have you seen any numbers of the Saturday Review,
a new journal, on which "all the talents" are engaged?
It is not properly a newspaper, but—what its title expresses—a
political and literary review. We are delighting
ourselves with Ruskin's third volume, which
contains some of the finest writing I have read for a
long time (among recent books). I read it aloud for
an hour or so after dinner; then we jump to the old
dramatists, when Mr. Lewes reads to me as long as his
voice will hold out, and after this we wind up the evening
with Rymer Jones's "Animal Kingdom," by which
I get a confused knowledge of branchiæ, and such
things—perhaps, on the whole, a little preferable to
total ignorance. These are our noctes—without cenæ
for the present—occasionally diversified by very dramatic
singing of Figaro, etc., which, I think, must
alarm "that good man, the clergyman," who sits below
us. We have been half laughing, half indignant, over
Alison's new volume of his "History of Europe," in
which he undertakes to give an account of German literature.
Letter to
Miss Sara
Hennell,
25th Feb.
1856.
What you tell me of Harriet Martineau interests me
very much. I feel for her terrible bodily suffering,
and think of her with deep respect and admiration.
Whatever may have been her mistakes and weaknesses,
the great and good things she has done far outweigh
them; and I should be grieved if anything in her memoir
should cast a momentary shadow over the agreeable
image of her that the world will ultimately keep
in its memory. I wish less of our piety were spent on
imaginary perfect goodness, and more given to real
imperfect goodness.
Letter to
Miss Sara
Hennell,
end of
Feb. 1856.
I am very happy for you to keep the sheets, and to
get signatures (for the Women's Petition that they
should have legal right to their own earnings). Miss
Barbara Smith writes that she must have them returned
to her before the 1st of March. I am glad you
have taken up the cause, for I do think that, with
proper provisos and safeguards, the proposed law
would help to raise the position and character of women.
It is one round of a long ladder stretching far
beyond our lives.
During March, George Eliot wrote only the
Belles-lettres section for the April number of the
Westminster, having resigned the subject of "Missions"
to Harriet Martineau. She also wrote two
articles for the Saturday Review, and two for the
Leader. And there are the following letters in
March to the Brays, in which allusion is made to
their leaving the old home at Rosehill, owing to
the unsatisfactory state of the Coventry business.
Letter to
Charles
Bray, 26th
Mch. 1856.
We are flourishing in every way except in health. Mr.
Lewes's head is still infirm, but he manages, nevertheless,
to do twice as much work as other people. I am
always a croaker, you know, but my ailments are of a
small kind, their chief symptoms being a muddled
brain; and, as my pen is not of the true literary order
which will run along without the help of brains, I don't
get through so much work as I should like. By the
way, when the Spinoza comes out, be so good as not
to mention my name in connection with it. I particularly
wish not to be known as the translator of the
"Ethics," for reasons which it would be "too tedious
to mention." You don't know what a severely practical
person I am become, and what a sharp eye I have
to the main chance. I keep the purse, and dole out
sovereigns with all the pangs of a miser. In fact, if
you were to feel my bump of acquisitiveness, I dare
say you would find it in a state of inflammation, like
the "veneration" of that clergyman to whom Mr. Donovan
said, "Sir, you have recently been engaged in
prayer." I hope you recognized your own wit about
the one-eyed dissenters, which was quoted in the
Leader some time ago. You always said no one did
so much justice to your jokes as I did.
Letter to
Charles
Bray, 31st
Mch. 1856.
My mind is more rebellious than yours, and I can't
help being saddened by the idea of you and Cara being
in any other home than the dear old one. But I
know that your cheerful courage is yet stronger in deed
than in word. Will not business or pleasure bring you
to London soon, and will you not come to see us? We
can give you a bed—not a sumptuous one, but one
which you will perhaps not find intolerable for a night.
I know the trip up the Thames is charming, and we
should like to do it with you, but I don't think we can
manage it this summer. We are going to send or take
the boys (Mr. Lewes's sons) to school in Germany at
midsummer, and are at present uncertain about our
arrangements. If we can send them, we shall go to the
coast as soon as the warm weather comes, and remain
there for three months. But our plans are not yet
crystallized.
Letter to
Charles
Bray, 1st
April, 1856.
After I wrote you yesterday morning we had a letter
from Germany which has made Mr. Lewes incline to
defer sending the boys thither till next year. But he
is anxious to remove them from their present school:
and, in the course of our consultations on the subject,
we thought of Mr. John Sibree as a person in whom
we should feel confidence as to the moral influence he
would exercise as a tutor. The risk of placing children
with entire strangers is terrible. So I tease you
with another letter to ask you if Mr. J. Sibree continues
in the same position as formerly, and if he is still
anxious to obtain pupils. What a delicious day! We
are going to have a holiday at the Zoological Gardens.
Letter to
Miss Sara
Hennell,
7th April,
1856.
Thank you for taking the trouble to write me a full
account of matters so interesting to me. I hope you
will be able thoroughly to enjoy this last precious summer
on the pretty lawn, where it is one of my pleasures
on sunshiny days to think of you all strolling about or
seated on the Bearskin. We are very thankful for the
Hofwyl circular, and have almost decided to send the
two eldest boys there. But it is necessary to weigh all
things carefully before coming to a determination; as,
not being either swindlers or philanthropists, we don't
like to incur obligations which there is not a reasonable
certainty of our being able to meet. I am much
obliged to Mr. Bray, too, for sending Mr. John Sibree's
letter. Mr. Lewes had already received an answer
from him declining his proposition, but we were interested
to read his very characteristic letter to his
sister, which proved to Mr. Lewes that I had given
him a correct description of the man.
The next few weeks are, perhaps, the most signally
important and interesting of all in George
Eliot's development. There are unmistakable signs
of the rising of the sap of creative production.
In the middle of April Mr. Herbert Spencer,
who had been abroad for some time, returned to
England, and dined with them at Park Shot on the
15th, and on the 18th they went with him to Sydenham.
On the 22d April George Eliot began her
article on Young; and on the 29th she began to
read Riehl's book,[50] on which she was to write another
article for the Westminster. On the 8th of May
they set off for Ilfracombe, and we have the following
"recollections" of that place:
Ilfracombe,
Recollections,
1856.
It was a cold, unfriendly day—the 8th of May—on
which we set out for Ilfracombe with our hamper of
glass jars, which we meant for our sea-side vivarium.
We had to get down at Windsor, and were not sorry
that the interval was long enough to let us walk round
the castle, which I had never seen before except from
a distance. The famous "slopes," the avenues in the
park, and the distant landscape, looked very lovely in
the fresh and delicate greens of spring; and the castle
is surely the most delightful royal residence in the
world. We took our places from Windsor all the way
to Exeter; and at Bristol, where we had to wait three
hours, the misery of my terrible headache was mitigated
by the interest we felt in seeing the grand old
Church of St. Mary Redcliffe, forever associated with
the memory of Chatterton.
"It stands, the maestrie of a human hand,
The pride of Bristowe and the western land."
It was cheering, the next morning after our arrival at
Ilfracombe, to get up with a head rather less aching,
and to walk up and down the little garden of Runnymede
Villa in the bright sunshine. I had a great deal
of work before me—the writing of an article on Riehl's
book, which I had not half read, as well as the article
on Belles-lettres; but my head was still dizzy, and
it seemed impossible to sit down to writing at once in
these new scenes, so we determined to spend the day
in explorations.
From our windows we had a view of the higher
part of the town, and generally it looked uninteresting
enough; but what is it that light cannot transfigure into
beauty? One evening, after a shower, as the sun was
setting over the sea behind us, some peculiar arrangement
of clouds threw a delicious evening light on the
irregular cluster of houses, and merged the ugliness of
their forms in an exquisite flood of color—as a stupid
person is made glorious by a noble deed. A perfect
rainbow arched over the picture. From one end of
the Capstone we have an admirable bit for a picture.
In the background rises old Helesborough, jutting out
far into the sea—rugged and rocky as it fronts the
waves, green and accessible landward; in front of this
stands Lantern Hill, a picturesque mass of green and
gray, surmounted by an old bit of building that looks
as if it were the habitation of some mollusk that had
secreted its shell from the material of the rock; and
quite in the foreground, contrasting finely in color with
the rest, are some lower perpendicular rocks of dark-brown
tints, patched here and there with vivid green.
In hilly districts, where houses and clusters of houses
look so tiny against the huge limbs of mother earth,
one cannot help thinking of man as a parasitic animal—an
epizoan making his abode in the skin of the
planetary organism. In a flat country, a house or a
town looks imposing; there is nothing to rival it in
height, and we may imagine the earth a mere pedestal
for us. But when one sees a house stuck on the side
of a great hill, and, still more, a number of houses, looking
like a few barnacles, clustered on the side of a great
rock, we begin to think of the strong family likeness
between ourselves and all other building, burrowing,
house-appropriating, and shell-secreting animals. The
difference between a man with his house and a mollusk
with its shell lies in the number of steps or phenomena
interposed between the fact of individual existence
and the completion of the building. Whatever other
advantages we may have over mollusks and insects in
our habitations, it is clear that their architecture has
the advantage of ours in beauty—at least, considered
as the architecture of the species. Look at man in the
light of a shell-fish, and it must be admitted that his
shell is generally ugly; and it is only after a great
many more "steps or phenomena" that he secretes
here and there a wonderful shell in the shape of a
temple or a palace.
On our first zoophyte hunt it was characteristic of
the wide difference there is between having eyes and
seeing, that in this region of sea-anemones, where the
Mesembryanthemum especially is as plenty as blackberries,
we climbed about for two hours without seeing
one anemone, and went in again with scarcely anything
but a few stones and weeds to put into our jars. On
our next hunt, however, after we had been out some
time, G. exclaimed, "I see an anemone!" and we
were immensely excited by the discovery of this little
red Mesembryanthemum, which we afterwards disdained
to gather, as much as if it had been a nettle.
It was a crescendo of delight when we found a "strawberry,"
and a fortissimo when I, for the first time, saw
the pale, fawn-colored tentacles of an Anthea cereus
viciously waving like little serpents in a low-tide pool.
But not a polype for a long, long while could even G.
detect, after all his reading; so necessary is it for the
eye to be educated by objects as well as ideas. Every
day I gleaned some little bit of naturalistic experience,
either through G.'s calling on me to look through the
microscope, or from hunting on the rocks; and this in
spite of my preoccupation with my article, which I
worked at considerably à contre-cœur, despairing of it
ever being worth anything. When at last, by the 17th
of June, both my articles were despatched, I felt delightfully
at liberty, and determined to pay some attention
to seaweeds, which I had never seen in such
beauty as at Ilfracombe. For hitherto I had been
chiefly on chalky and sandy shores, where there were
no rock-pools to show off the lovely colors and forms
of the algæ. There are tide-pools to be seen almost
at every other step on the shore at Ilfracombe; and I
shall never forget their appearance when we first
arrived there. The Corallina officinalis was then in its
greatest perfection, and with its purple-pink fronds
threw into relief the dark olive fronds of the Laminariæ
on one side, and the vivid green of the Ulva and Enteromorpha
on the other. After we had been there a
few weeks the Corallina was faded; and I noticed the
Mesagloia vermicularis and the M. virescens, which look
very lovely in the water, from the white cilia, which
make the most delicate fringe to their yellow-brown,
whip-like fronds, and some of the common Polysiphoniæ.
These tide-pools made me quite in love with
seaweeds, so I took up Landsborough's book and tried
to get a little more light on their structure and history.
Our zoological expeditions alternated with delicious
inland walks. I think the country looked its best
when we arrived. It was just that moment in spring
when the leaves are in full leaf, but still keep their
delicate varieties of coloring, and that transparency
which belongs only to this season. And the furze was
in all its golden glory! It was almost like the fading
away of the evening red, when the furze blossoms died
off from the hills, and the only contrast left was that
of the marly soil with the green crops and woods. The
primroses were the contemporaries of the furze, and
sprinkled the sides of the hills with their pale stars almost
as plentifully as daisies or buttercups elsewhere.
But the great charm of all Devonshire lanes is the
springs that you detect gurgling in shady recesses,
covered with liverwort, with here and there waving tufts
of fern and other broad-leaved plants that love obscurity
and moisture.
We seemed to make less of our evenings at Ilfracombe
than we have ever done elsewhere. We used
often to be tired with our hunting or walking; and we
were reading books which did not make us take them
up very eagerly—Gosse's "Rambles on the Devonshire
Coast," for example; Trench's "Calderon," and
other volumes, taken up in a desultory way. One bit
of reading we had there, however, which interested me
deeply. It was Masson's "Life of Chatterton," which
happily linked itself with the impressions I had received
from the sight of the old church at Bristol.
Mr. Tugwell's (the curate) acquaintance was a real
acquisition to us, not only because he was a companion
and helper in zoological pursuits, but because to know
him was to know of another sweet nature in the world.
It is always good to know, if only in passing, a charming
human being; it refreshes one like flowers and
woods and clear brooks. One Sunday evening we
walked up to his pretty house to carry back some
proofs of his, and he induced us to go in and have
coffee with him. He played on his harmonium, and
we chatted pleasantly. The last evening of our stay
at Ilfracombe he came to see us in Mrs. Webster's
drawing-room, and we had music till nearly eleven
o'clock—a pleasant recollection!
We only twice took the walk beyond Watermouth
towards Berrynarbor. The road lies through what are
called the "Meadows," which look like a magnificent
park. A stream, fringed with wild-flowers and willows,
runs along the valley, two or three yards from the side
of the road. This stream is clear as crystal, and about
every twenty yards it falls over a little artificial precipice
of stones. The long grass was waving in all the
glory of June, before the mower has come to make it
suffer a "love change" from beauties into sweet odors;
and the slopes on each side of us were crowned or
clothed with fine trees. The last time we went through
these meadows was on our last day at Ilfracombe.
Such sunlight and such deep peace on the hills and by
the stream! Coming back, we rested on a gate under
the trees, and a blind man came up to rest also. He
told us, in his slow way, what a fine, "healthy spot" this
was—yes, a very healthy spot—a healthy spot. And
then we went on our way, and saw his face no more.
I have talked of the Ilfracombe lanes without describing
them, for to describe them one ought to know
the names of all the lovely wild-flowers that cluster
on their banks. Almost every yard of these banks is
a "Hunt" picture—a delicious crowding of mosses
and delicate trefoil and wild strawberries and ferns
great and small. But the crowning beauty of the lanes
is the springs that gush out in little recesses by the
side of the road—recesses glossy with liverwort and
feathery with fern. Sometimes you have the spring
when it has grown into a brook, either rushing down a
miniature cataract by the lane-side, or flowing gently
as a "braided streamlet" across your path. I never
before longed so much to know the names of things as
during this visit to Ilfracombe. The desire is part of
the tendency that is now constantly growing in me to
escape from all vagueness and inaccuracy into the daylight
of distinct, vivid ideas. The mere fact of naming
an object tends to give definiteness to our conception
of it. We have then a sign which at once calls up in
our minds the distinctive qualities which mark out for
us that particular object from all others.
We ascended the Tors only twice; for a tax of 3d.
per head was demanded on this luxury, and we could
not afford a sixpenny walk very frequently: yet the view
is perhaps the very finest to be had at Ilfracombe.
Bay behind bay, fringed with foam, and promontory
behind promontory, each with its peculiar shades of
purple light—the sweep of the Welsh coast faintly visible
in the distance, and the endless expanse of sea,
flecked with ships, stretching on our left.
Ilfracombe,
Recollections,
June,
1856.
One evening we went down to the shore through
the "Tunnels" to see the sunset. Standing in the
"Ladies' Cove," we had before us the sharp fragments
of rock jutting out of the waves and standing black
against the orange and crimson sky. How lovely to
look into that brilliant distance and see the ship on
the horizon seeming to sail away from the cold and
dim world behind it right into the golden glory! I
have always that sort of feeling when I look at sunset;
it always seems to me that there in the West lies a
land of light and warmth and love.
On the 26th of June we said good-bye to Ilfracombe.
The sight of the cockle-women at Swansea, where we
had to wait, would make a fine subject for a painter.
One of them was the grandest woman I ever saw—six
feet high, carrying herself like a Greek warrior, and
treading the earth with unconscious majesty. Her
face was weather-beaten and wizened, but her eyes
were bright and piercing, and the lines of her face,
with its high cheek-bones, strong and characteristic.
The guard at the railway station told us that one of
the porters had been insolent the other day to a cockle-woman,
and that she immediately pitched him off
the platform into the road below!
Letter to
the Brays,
6th June,
1856.
When we arrived here I had not even read a great
book on which I had engaged to write a long article
by the beginning of this month; so that between work
and zoology and bodily ailments my time has been full
to overflowing. We are enchanted with Ilfracombe. I
really think it is the loveliest sea-place I ever saw, from
the combination of fine rocky coast with exquisite inland
scenery. But it would not do for any one who
can't climb rocks and mount perpetual hills; for the
peculiarity of this country is, that it is all hill and no
valley. You have no sooner got to the foot of one
hill than you begin to mount another. You would
laugh to see our room decked with yellow pie-dishes,
a foot-pan, glass jars and phials, all full of zoophytes,
or mollusks, or anellides—and, still more, to see the
eager interest with which we rush to our "preserves"
in the morning to see if there has been any mortality
among them in the night. We have made the acquaintance
of a charming little zoological curate here, who
is a delightful companion on expeditions, and is most
good-natured in lending and giving apparatus and
"critturs" of all sorts. Mr.
Pigott[51]
is coming here with
his yacht at the end of June, and we hope then to go
to Clovelly—Kingsley's Clovelly—and perhaps other
places on the coast that we can't reach on foot. After
this we mean to migrate to Tenby, for the sake of making
acquaintance with its mollusks and medusæ.
Letter to
Mrs. Peter
Taylor, 8th
June, 1856.
I received your kind letter only yesterday, but I write
a few words in answer at once, lest, as it so often happens,
delay should beget delay.
It is never too late to write generous words, and
although circumstances are not likely to allow of our
acquiring a more intimate knowledge of each other
from personal intercourse, it will always be a pleasant
thought to me that you have remembered me kindly,
and interpreted me nobly. You are one of the minority
who know how to "use their imagination in the
service of charity."
I have suffered so much from misunderstanding created
by letters, even to old friends, that I never write
on private personal matters, unless it be a rigorous
duty or necessity to do so. Some little phrase or allusion
is misinterpreted, and on this false basis a great
fabric of misconception is reared, which even explanatory
conversations will not remove. Life is too precious
to be spent in this weaving and unweaving of false
impressions, and it is better to live quietly on under
some degree of misrepresentation than to attempt to
remove it by the uncertain process of letter-writing.
Letter to
Miss Sara
Hennell,
29th June,
1856.
Yes, indeed, I do remember old Tenby days, and
had set my heart on being in the very same house
again; but, alas! it had just been let. It is immensely
smartened up, like the place generally, since those
old times, and is proportionately less desirable for
quiet people who have no flounces and do not subscribe
to new churches. Tenby looks insignificant in picturesqueness
after Ilfracombe; but the two objects that
drew us hither, zoology and health, will flourish none
the worse for the absence of tall precipices and many-tinted
rocks. The air is delicious—soft, but not sultry—and
the sands and bathing such as are to be found
nowhere else. St. Catherine's Rock, with its caverns,
is our paradise. We go there with baskets, hammers
and chisels, and jars and phials, and come home laden
with spoils. Altogether, we are contented to have been
driven away from Ilfracombe by the cold wind, since a
new place is new experience, and Mr. Lewes has never
been here before. To me there is the additional pleasure—half
melancholy—of recalling all the old impressions
and comparing them with the new. I understand
your wish to have as much of Rosehill as possible
this year, and I am so glad that you will associate
a visit from Herbert Spencer with this last summer. I
suppose he is with you now. If so, give him my very
evil regards, and tell him that because he has not written
to us we will diligently not tell him a great many
things he would have liked to know. We have a project
of going into St. Catherine's caverns with lanterns,
some night when the tide is low, about eleven, for
the sake of seeing the zoophytes preparing for their
midnight revels. The Actiniæ, like other belles, put
on their best faces on such occasions. Two things
we have lost by leaving Ilfracombe for which we have
no compensation—the little zoological curate, Mr. Tugwell,
who is really one of the best specimens of the
clergyman species I have seen; and the pleasure of
having Miss Barbara Smith there for a week, sketching
the rocks, and putting our love of them into the tangible
form of a picture. We are looking out now for Mr.
Pigott in his yacht; and his amiable face will make an
agreeable variety on the sands. I thought
"Walden"[52]
(you mean "Life in the Woods," don't you?) a charming
book, from its freshness and sincerity as well as
for its bits of description. It is pleasant to think that
Harriet Martineau can make so much of her last days.
Her energy and her habit of useful work are admirable.
During the stay at Ilfracombe and Tenby not
much literary work was done, except the articles
on Young and on Riehl's book. There was a
notice of Masson's Essays and the Belles-lettres
section for the July number of the Westminster, and
a review for the Leader. There is mention, too,
of the reading of Beaumarchais' "Memoirs," Milne
Edwards's "Zoology," Harvey's sea-side book, and
"Coriolanus," and then comes this significant sentence
in her Journal:
Journal,
1856.
July 20, 1856.—The fortnight has slipped away without
my being able to show much result for it. I have
written a review of the "Lover's Seat," and jotted down
some recollections of Ilfracombe; besides these trifles,
and the introduction to an article already written, I
have done no visible work. But I have absorbed many
ideas and much bodily strength; indeed, I do not remember
ever feeling so strong in mind and body as I
feel at this moment. On Saturday, the 12th, Barbara
Smith arrived, and stayed here till Wednesday morning.
We enjoyed her society very much, but were
deeply touched to see that three years had made her
so much older and sadder. Her activity for great objects
is admirable; and contact with her is a fresh inspiration
to work while it is day. We have now taken
up Quatrefages again. The "Memoirs" of Beaumarchais
yielded me little fruit. Mr. Chapman invites
me to contribute to the Westminster for this quarter.
I am anxious to begin my fiction-writing, and so am
not inclined to undertake an article that will give me
much trouble, but, at all events, I will finish my article
on Young.
July 21.—We had a delightful walk on the north
sands, and hunted with success. A sunny, happy day.
Letter to
Miss Sara
Hennell,
29th July,
1856.
Glad to hear at last some news of your Essay—hoping
to hear more and better by and by. I didn't
like to think that your labor would be thrown away,
except so far as it must do good to yourself by clearing
up your ideas. Not that your ideas were muddy,
but the last degree of clearness can only come by writing.
Mr. Pigott is with us just now, and we are meditating
a nocturnal visit to St. Catherine's caves with
him. Our visit to Tenby has been very useful zoologically,
but we are not otherwise greatly in love with the
place. It seems tame and vulgar after Ilfracombe.
Letter to
Charles
Bray, 6th
Aug. 1856.
Thank you for your kind
note,[53]
so like yourself.
Such things encourage me, and help me to do better.
I never think what I write is good for anything till
other people tell me so, and even then it always seems
to me as if I should never write anything else worth
reading. Ah, how much good we may do each other
by a few friendly words, and the opportunities for them
are so much more frequent than for friendly deeds!
We want people to feel with us more than to act for
us. Mr. Lewes sends his kind regards to you. He,
too, was very pleased with your letter, for he cares
more about getting approbation for me than for himself.
He can do very well without it.
On the 8th August they left Tenby, and on 9th
arrived at Richmond "with terrible headache, but
enjoyed the sense of being 'at home' again." On
the 18th, "walked in Kew Park, and talked with
G. of my novel. Finished 'César Birotteau' aloud."
On the 25th August Mr. Lewes set off for Hofwyl,
near Berne, taking his two eldest boys, Charles and
Thornton, to place them at school there. He returned
on 4th September, and in his absence George
Eliot had been busy with her article on "Silly
Novels by Lady Novelists." This was finished on
the 12th September, and on the 19th she sent off
the Belles-lettres section for the October number
of the Westminster.
We have now arrived at the period of the new
birth, and, fortunately, in the following memorandum,
we have George Eliot's own words as to how
it came about:
How I
came to
write
fiction.
September, 1856, made a new era in my life, for it was
then I began to write fiction. It had always been a
vague dream of mine that some time or other I might
write a novel; and my shadowy conception of what
the novel was to be, varied, of course, from one epoch
of my life to another. But I never went further towards
the actual writing of the novel than an introductory
chapter describing a Staffordshire village and the
life of the neighboring farm-houses; and as the years
passed on I lost any hope that I should ever be able
to write a novel, just as I desponded about everything
else in my future life. I always thought I was deficient
in dramatic power, both of construction and dialogue,
but I felt I should be at my ease in the descriptive
parts of a novel. My "introductory chapter" was
pure description, though there were good materials in
it for dramatic presentation. It happened to be among
the papers I had with me in Germany, and one evening
at Berlin something led me to read it to George.
He was struck with it as a bit of concrete description,
and it suggested to him the possibility of my being
able to write a novel, though he distrusted—indeed,
disbelieved in—my possession of any dramatic power.
Still, he began to think that I might as well try some
time what I could do in fiction, and by and by, when
we came back to England, and I had greater success
than he ever expected in other kinds of writing, his
impression that it was worth while to see how far my
mental power would go towards the production of a
novel, was strengthened. He began to say very positively,
"You must try and write a story," and when
we were at Tenby he urged me to begin at once. I
deferred it, however, after my usual fashion with work
that does not present itself as an absolute duty. But
one morning, as I was thinking what should be the
subject of my first story, my thoughts merged themselves
into a dreamy doze, and I imagined myself writing
a story, of which the title was "The Sad Fortunes
of the Reverend Amos Barton." I was soon wide
awake again and told G. He said, "Oh, what a capital
title!" and from that time I had settled in my mind
that this should be my first story. George used to
say, "It may be a failure—it may be that you are unable
to write fiction. Or, perhaps, it may be just good
enough to warrant your trying again." Again, "You
may write a chef-d'œuvre at once—there's no telling."
But his prevalent impression was, that though I could
hardly write a poor novel, my effort would want the
highest quality of fiction—dramatic presentation. He
used to say, "You have wit, description, and philosophy—those
go a good way towards the production of
a novel. It is worth while for you to try the experiment."
We determined that if my story turned out good
enough we would send it to Blackwood; but G. thought
the more probable result was that I should have to lay
it aside and try again.
But when we returned to Richmond I had to write
my article on "Silly Novels," and my review of Contemporary
Literature for the Westminster, so that I did
not begin my story till September 22. After I had begun
it, as we were walking in the park, I mentioned to
G. that I had thought of the plan of writing a series of
stories, containing sketches drawn from my own observation
of the clergy, and calling them "Scenes from
Clerical Life," opening with "Amos Barton." He at
once accepted the notion as a good one—fresh and
striking; and about a week afterwards, when I read
him the first part of "Amos," he had no longer any
doubt about my ability to carry out the plan. The
scene at Cross Farm, he said, satisfied him that I had
the very element he had been doubtful about—it was
clear I could write good dialogue. There still remained
the question whether I could command any pathos;
and that was to be decided by the mode in which I
treated Milly's death. One night G. went to town on
purpose to leave me a quiet evening for writing it. I
wrote the chapter from the news brought by the shepherd
to Mrs. Hackit, to the moment when Amos is
dragged from the bedside, and I read it to G. when he
came home. We both cried over it, and then he came
up to me and kissed me, saying, "I think your pathos
is better than your fun."
The story of the "Sad Fortunes of Amos Barton"
was begun on 22d September and finished
on the 5th November, and I subjoin the opening
correspondence between Mr. Lewes and Mr. John
Blackwood, to exhibit the first effect it produced:
Letter
from G. H.
Lewes, to
John
Blackwood,
6th
Nov. 1856.
"I trouble you with a MS. of 'Sketches of Clerical
Life' which was submitted to me by a friend
who desired my good offices with you. It goes by
this post. I confess that before reading the MS. I
had considerable doubts of my friend's powers as
a writer of fiction; but, after reading it, these doubts
were changed into very high admiration. I don't
know what you will think of the story, but, according
to my judgment, such humor, pathos, vivid presentation,
and nice observation have not been exhibited
(in this style) since the 'Vicar of Wakefield;'
and, in consequence of that opinion, I feel
quite pleased in negotiating the matter with you.
"This is what I am commissioned to say to you
about the proposed series. It will consist of tales
and sketches illustrative of the actual life of our
country clergy about a quarter of a century ago—but
solely in its human, and not at all in its theological
aspects; the object being to do what has never
yet been done in our literature, for we have had
abundant religious stories, polemical and doctrinal,
but since the 'Vicar' and Miss Austen, no stories
representing the clergy like every other class, with
the humors, sorrows, and troubles of other men.
He begged me particularly to add, that—as the
specimen sent will sufficiently prove—the tone
throughout will be sympathetic, and not at all antagonistic.
"Some of these, if not all, you may think suitable
for 'Maga.' If any are sent of which you
do not approve, or which you do not think sufficiently
interesting, these he will reserve for the
separate republication, and for this purpose he
wishes to retain the copyright. Should you only
print one or two, he will be well satisfied; and still
better, if you should think well enough of the series
to undertake the separate republication."
Letter
from John
Blackwood,
to G. H.
Lewes, 12th
Nov. 1856.
"I am happy to say that I think your friend's
reminiscences of Clerical Life will do. If there is
any more of the series written I should like to see
it, as, until I saw more, I could not make any decided
proposition for the publication of the tales,
in whole or in part, in the Magazine. This first
specimen, 'Amos Barton,' is unquestionably very
pleasant reading. Perhaps the author falls into
the error of trying too much to explain the characters
of his actors by description instead of allowing
them to evolve in the action of the story; but the
descriptions are very humorous and good. The
death of Milly is powerfully done, and affected me
much. I am not sure whether he does not spoil it
a little by specifying so minutely the different children
and their names. The wind-up is perhaps the
lamest part of the story; and there, too, I think the
defect is caused by the specifications as to the fortunes
of parties of whom the reader has no previous
knowledge, and cannot, consequently, feel much interest.
At first, I was afraid that in the amusing
reminiscences of childhood in church there was a
want of some softening touch, such as the remembrance
of a father or mother lends, in after-years, to
what was at the time considerable penance.
"I hate anything of a sneer at real religious feeling
as cordially as I despise anything like cant, and
I should think this author is of the same way of
thinking, although his clergymen, with one exception,
are not very attractive specimens of the body.
The revulsion of feeling towards poor Amos is capitally
drawn, although the asinine stupidity of his
conduct about the countess had disposed one to
kick him.
"I dare say I shall have a more decided opinion
as to the merits of the story when I have looked
at it again and thought over it; but in the meantime
I am sure that there is a happy turn of expression
throughout, also much humor and pathos. If
the author is a new writer, I beg to congratulate
him on being worthy of the honors of print and
pay. I shall be very glad to hear from you or him
soon."
Letter
from G. H.
Lewes to
John
Blackwood,
Saturday,
Nov. 1856.
"I have communicated your letter to my clerical
friend, who, though somewhat discouraged by it, has
taken my advice, and will submit the second story
to you when it is written. At present he has only
written what he sent you. His avocations, he informs
me, will prevent his setting to work for the
next three weeks or so, but as soon as he is at liberty
he will begin.
"I rate the story much higher than you appear
to do, from certain expressions in your note, though
you too appreciate the humor and pathos and the
happy turn of expression. It struck me as being
fresher than any story I have read for a long while,
and as exhibiting, in a high degree, that faculty
which I find to be the rarest of all—viz., the dramatic
ventriloquism.
"At the same time I told him that I thoroughly
understood your editorial caution in not accepting
from an unknown hand a series on the strength of
one specimen."
Letter
from John
Blackwood
to G. H.
Lewes, 18th
Nov. 1856.
"I was very far from intending that my letter
should convey anything like disappointment to your
friend. On the contrary, I thought the tale very
good, and intended to convey as much. But I
dare say I expressed myself coolly enough. Criticism
would assume a much soberer tone were critics
compelled seriously to act whenever they expressed
an opinion. Although not much given to
hesitate about anything, I always think twice before
I put the decisive mark 'In type for the Magazine'
on any MS. from a stranger. Fancy the intense
annoyance (to say nothing of more serious considerations)
of publishing, month after month, a series
about which the conviction gradually forces itself
on you that you have made a total blunder.
"I am sorry that the author has no more written,
but if he cares much about a speedy appearance, I
have so high an opinion of this first tale that I will
waive my objections, and publish it without seeing
more—not, of course, committing myself to go on
with the other tales of the series unless I approved
of them. I am very sanguine that I will approve,
as, in addition to the other merits of 'Amos,' I agree
with you that there is great freshness of style. If
you think also that it would stimulate the author to
go on with the other tales with more spirit, I will
publish 'Amos' at once. He could divide into two
parts. I am blocked up for December, but I could
start him in January.
"I am glad to hear that your friend is, as I supposed,
a clergyman. Such a subject is best in clerical
hands, and some of the pleasantest and least-prejudiced
correspondents I have ever had are
English clergymen.
"I have not read 'Amos Barton' a second time,
but the impression on my mind of the whole character,
incidents, and feeling of the story is very distinct,
which is an excellent sign."
Letter
from G. H.
Lewes to
John
Blackwood,
Saturday,
Nov. 1856.
"Your letter has greatly restored the shaken
confidence of my friend, who is unusually sensitive,
and, unlike most writers, is more anxious about excellence
than about appearing in print—as his waiting
so long before taking the venture proves. He
is consequently afraid of failure, though not afraid
of obscurity; and by failure he would understand
that which I suspect most writers would be apt to
consider as success—so high is his ambition.
"I tell you this that you may understand the
sort of shy, shrinking, ambitious nature you have to
deal with. I tried to persuade him that you really
did appreciate his story, but were only hesitating
about committing yourself to a series; and your
last letter has proved me to have been right—although,
as he never contemplated binding you to
the publication of any portion of the series to which
you might object, he could not at first see your position
in its true light.
"All is, however, clear now. He will be gratified
if you publish 'Amos Barton' in January, as it will
give him ample time to get the second story ready,
so as to appear when 'Barton' is finished, should
you wish it. He is anxious, however, that you
should publish the general title of 'Scenes of Clerical
Life;' and I think you may do this with perfect
safety, since it is quite clear that the writer of
'Amos Barton' is capable of writing at least one
more story suitable to 'Maga;' and two would suffice
to justify the general title.
"Let me not forget to add that when I referred
to 'my clerical friend,' I meant to designate the
writer of the clerical stories—not that he was a
clericus. I am not at liberty to remove the veil of
anonymity, even as regards social position. Be
pleased, therefore, to keep the whole secret, and
not even mention my negotiation, or in any way
lead guessers (should any one trouble himself with
such a guess—not very likely) to jump from me to
my friend."
On Christmas Day, 1856, "Mr. Gilfil's Love-Story"
was begun, and during December and January
the following are mentioned among the books
read: The "Ajax" of Sophocles, Miss Martineau's
"History of the Peace," Macaulay's "History"
finished, Carlyle's "French Revolution," Burke's
"Reflections on the French Revolution," and
"Mansfield Park."
Letter
from John
Blackwood
to
the author
of "Amos
Barton,"
29th Dec.
1856.
"Along with this I send a copy of the January
number of the Magazine, in which you will find the
first part of 'Amos Barton.' It gives me very great
pleasure to begin the number with 'Amos,' and I
put him in that position because his merits well entitle
him to it, and also because it is a vital point to
attract public attention to the first part of a series,
to which end being the first article of the first number
of the year may contribute.
"I have already expressed to our friend Mr.
Lewes the very high opinion I entertain of 'Amos,'
and the expectations I have formed of the series,
should his successors prove equal to him, which I
fully anticipate.
"It is a long time since I have read anything so
fresh, so humorous, and so touching. The style is
capital, conveying so much in so few words.
"Those who have seen the tale here are chiefly
members of my own family, and they are all enthusiastic
in praise.
"You may recollect that I expressed a fear that
in the affecting and highly wrought scene of poor
Milly's death, the attempt to individualize the children
by reiterating their names weakened the effect,
as the reader had not been prepared to care for
them individually, but simply as a group—the children
of Milly and the sorrow-stricken curate. My
brother says, 'No. Do not advise the author to
touch anything so exquisite.' Of course you are
the best judge.
"I now send proof of the conclusion of 'Amos,
'
in acknowledgment of which, and of the first part,
I have the pleasure of enclosing a check for £52 10s.—fifty
guineas.
"If the series goes on as I anticipate, there is
every prospect that a republication as a separate
book, at some time or other, will be advisable. We
would look upon such republication as a joint
property, and would either give you a sum for your
interest in it, or publish on the terms of one half of
the clear profits, to be divided between author and
publisher, as might be most agreeable to you.
"I shall be very glad to hear from you, either
direct or through Mr. Lewes; and any intelligence
that the successors of 'Amos' are taking form and
substance will be very acceptable.
"I shall let you know what the other contributors
and the public think of 'Amos' as far as I can
gather a verdict, but in the meantime I may congratulate
you on having achieved a preliminary success
at all events."
Letter
from the
author of
"Amos
Barton"
to John
Blackwood,
Jan.
1857.
Your letter has proved to me that the generous editor
and publisher—generous both in word and in deed—who
makes the author's path smooth and easy, is something
more than a pleasant tradition. I am very sensitive
to the merits of checks for fifty guineas, but I
am still more sensitive to that cordial appreciation
which is a guarantee to me that my work was worth
doing for its own sake.
If the "Scenes of Clerical Life" should be republished,
I have no doubt we shall find it easy to arrange
the terms. In the meantime, the most pressing business
is to make them worth republishing.
I think the particularization of the children in the
deathbed scene has an important effect on the imagination.
But I have removed all names from the "conclusion"
except those of Patty and Dickey, in whom,
I hope, the reader has a personal interest.
I hope to send you the second story by the beginning
of February. It will lie, for the most part, among
quite different scenes and persons from the last—opening
in Shepperton once more, but presently moving
away to a distant spot and new people, whom, I hope,
you will not like less than "Amos" and his friends.
But if any one of the succeeding stories should seem
to you unsuitable to the pages of "Maga," it can be reserved
for publication in the future volume, without
creating any difficulty.
Thank you very warmly for the hearty acceptance
you have given to my first story.
Journal,
1857.
The first part of "Amos Barton" appeared in the
January number of Blackwood. Before the appearance
of the Magazine, on sending me the proof, Mr. John
Blackwood already expressed himself with much greater
warmth of admiration; and when the first part had
appeared he sent me a charming letter, with a check
for fifty guineas, and a proposal about republication of
the series. When the story was concluded he wrote
me word how Albert Smith had sent him a letter saying
he had never read anything that affected him more
than Milly's death, and, added Blackwood, "The men
at the club seem to have mingled their tears and their
tumblers together. It will be curious if you should be
a member and be hearing your own praises." There
was clearly no suspicion that I was a woman. It is
interesting, as an indication of the value there is in
such conjectural criticism generally, to remember that
when G. read the first part of "Amos" to a party at
Helps's, they were all sure I was a clergyman—a Cambridge
man. Blackwood seemed curious about the
author, and, when I signed my letter "George Eliot,"
hunted up some old letters from Eliot Warburton's
brother to compare the handwritings, though, he said,
"'Amos' seems to me not in the least like what that
good artilleryman would write."
Letter
to John
Blackwood,
4th
Feb. 1857.
Thank you for fulfilling your promise to let me know
something of the criticisms passed on my story. I
have a very moderate respect for "opinions of the
press," but the private opinions of intelligent people
may be valuable to me.
In reference to artistic presentation much adverse
opinion will, of course, arise from a dislike to the order
of art rather than from a critical estimate of the execution.
Any one who detests the Dutch school in
general will hardly appreciate fairly the merits of a
particular Dutch painting. And against this sort of
condemnation one must steel one's self as one best
can. But objections which point out to me any vice
of manner, or any failure in producing an intended effect,
will be really profitable. For example, I suppose my
scientific illustrations must be at fault, since they seem
to have obtruded themselves disagreeably on one of my
readers. But if it be a sin to be at once a man of science
and a writer of fiction, I can declare my perfect
innocence on that head, my scientific knowledge being
as superficial as that of the most "practised writers."
I hope to send you a second story in a few days, but I
am rather behindhand this time, having been prevented
from setting to work for some weeks by other business.
Whatever may be the success of my stories, I shall
be resolute in preserving my incognito, having observed
that a nom de plume secures all the advantages without
the disagreeables of reputation. Perhaps, therefore, it
will be well to give you my prospective name, as a tub
to throw to the whale in case of curious inquiries; and
accordingly I subscribe myself, best and most sympathizing
of editors, yours very truly, George Eliot.
I may mention here that my wife told me the
reason she fixed on this name was that George was
Mr. Lewes's Christian name, and Eliot was a good,
mouth-filling, easily pronounced word.
Letter
to John
Blackwood,
18th
Feb. 1857.
First let me thank you very heartily for your letter
of the 10th. Except your own very cordial appreciation,
which is so much beyond a mere official acceptance,
that little fact about Albert Smith has gratified
me more than anything else in connection with the
effect of "Amos." If you should happen to hear an
opinion from Thackeray, good or bad, I should like to
know it.
You will see that I have availed myself of your suggestions
on points of language. I quite recognize the
justice of your criticisms on the French phrases. They
are not in keeping with my story.
But I am unable to alter anything in relation to the
delineation or development of character, as my stories
always grow out of my psychological conception of the
dramatis personæ. For example, the behavior of Caterina
in the gallery is essential to my conception of her
nature, and to the development of that nature in the
plot. My artistic bent is directed not at all to the
presentation of eminently irreproachable characters,
but to the presentation of mixed human beings in such
a way as to call forth tolerant judgment, pity, and sympathy.
And I cannot stir a step aside from what I
feel to be true in character. If anything strikes you
as untrue to human nature in my delineations, I shall
be very glad if you will point it out to me, that I may
reconsider the matter. But, alas! inconsistencies and
weaknesses are not untrue. I hope that your doubts
about the plot will be removed by the further development
of the story. Meanwhile, warmest thanks for
your encouraging letters.
Letter to
Miss Sara
Hennell,
24th Feb.
1857.
I am the more inclined to think that I shall admire
your book because you are suspected of having given
undue preponderance to the Christian argument: for
I have a growing conviction that we may measure true
moral and intellectual culture by the comprehension
and veneration given to all forms of thought and feeling
which have influenced large masses of mankind—and
of all intolerance the intolerance calling itself
philosophical is the most odious to me.
Letter
to John
Blackwood,
1st
Mch. 1857.
Thank you for the copy of "Maga" and for the accompanying
check. One has not many correspondents
whose handwriting has such agreeable associations as
yours.
I was particularly pleased with that extract you were
so good as to send me from Mr. Swayne's letter. Dear
old "Goldie" is one of my earliest and warmest admirations,
and I don't desire a better fate than to lie side
by side with him in people's memories.
The Rev. Mr. Swayne had written to Blackwood
saying that "Amos," in its charming tendencies,
reminded him of the "Vicar of Wakefield." Blackwood
had written, much delighted with the two first
parts of "Mr. Gilfil's Love-Story," which were sent
to him together.
Letter to
Miss Sara
Hennell,
2d Mch.
1857.
I began, oddly enough you will perhaps think, by reading
through the "Answers of Infidelity,"[54]
those being
the most interesting parts of the book to me. Some
of your own passages I think very admirable—some
of them made me cry, which is always a sign of the
highest pleasure writing can give me. But in many of
the extracts, I think, Infidelity cuts a very poor figure.
Some are feeble, some bad, and terribly discrepant in
the tone of their thought and feeling from the passages
which come fresh from your own mind. The disadvantage
arising from the perpetual shifting of the point
of view is a disadvantage, I suppose, inseparable from
the plan, which I cannot admire or feel to be effective,
though I can imagine it may be a serviceable form of
presentation to some inquirers. The execution I do
admire. I think it shows very high and rare qualities
of mind—a self-discipline and largeness of thought
which are the highest result of culture. The "Objections
of Christianity," which I have also read, are excellently
put, and have an immense advantage over the
"Answers of Infidelity" in their greater homogeneity.
The first part I have only begun and glanced through,
and at present have no other observation to make than
that I think you might have brought a little more artillery
to bear on Christian morality. But nothing is
easier than to find fault—nothing so difficult as to do
some real work.
Letter to
Miss Sara
Hennell,
5th Mch.
1857.
I think I wrote very brusquely and disagreeably to
you the other day, but the impertinence was altogether
in the form and not at all in the feeling. I always
have uncomfortable sensations after writing objections
and criticisms when they relate to things I substantially
admire. It is inflicting a hurt on my own veneration.
I showed the passage on the eye, p. 157, to Herbert
Spencer, and he agrees with us that you have not
stated your idea so as to render it a logical argument
against design. You appear to imply that development
and gradation in organs and functions are opposed
to that conception, which they are not. I suppose
you are aware that we all three hold the conception
of creative design to be untenable. We only think
you have not made out a good case against it.
Thank you for sending me some news of Harriet
Martineau. I have often said lately, "I wonder how
she is."
Letter
to John
Blackwood,
14th
Mch. 1857.
I am glad you retain a doubt in favor of the dagger,
and wish I could convert you to entire approval, for I
am much more satisfied when your feeling is thoroughly
with me. But it would be the death of my
story to substitute a dream for the real scene. Dreams
usually play an important part in fiction, but rarely, I
think, in actual life.
So many of us have reason to know that criminal
impulses may be felt by a nature which is nevertheless
guarded by its entire constitution from the commission
of crime, that I can't help hoping that my
Caterina will not forfeit the sympathy of all my
readers.
The answer you propose to give to curious inquirers
is the best possible. For several reasons I am very
anxious to retain my incognito for some time to come,
and, to an author not already famous, anonymity is the
highest prestige. Besides, if George Eliot turns out a
dull dog and an ineffective writer—a mere flash in the
pan—I, for one, am determined to cut him on the first
intimation of that disagreeable fact.
The fates have willed that this shall be a very melancholy
story, and I am longing to be a little merrier
again.
On the 16th March Mr. Lewes and George Eliot
started for Plymouth, Penzance, and the Scilly Isles,
and we have the following recollections of their
stay there:
Recollections,
Scilly
Isles,
March-May,
1857.
I had never before seen a granite coast, and on the
southern side of the island of St. Mary's one sees such
a coast in its most striking and characteristic forms.
Rectangular crevices, the edges of which have been
rounded by weather, give many of the granite masses
a resemblance to bales of wool or cotton heaped on
each other; another characteristic form is the mushroom-shaped
mass, often lying poised on the summits
of more cubical bowlders or fragments; another is the
immense flat platform stretching out like a pier into
the sea; another the oval basins formed by the action
of the rain-water on the summits of the rocks and bowlders.
The coloring of the rocks was very various and
beautiful; sometimes a delicate grayish-green, from
the shaggy byssus which clothes it, chiefly high up
from the water; then a light, warm brown; then black;
occasionally of a rich yellow; and here and there purplish.
Below the rocks, on the coast, are almost everywhere
heaps of white bowlders, sometimes remarkably
perfect ovals, and looking like huge eggs of some
monstrous bird. Hardly any weed was to be seen on
the granite, except here and there in a rock-pool, green
with young ulva; and no barnacles incrust the rock,
no black mussels, scarcely any limpets. The waves
that beat on this coast are clear as crystal, and we
used to delight in watching them rear themselves like
the horses of a mighty sea-god as they approached the
rocks on which they were broken into eddies of milky
foam. Along a great part of this southern coast there
stretch heathy or furzy downs, over which I used to
enjoy rambling immensely; there is a sense of freedom
in those unenclosed grounds that one never has
in a railed park, however extensive. Then, on the
north side of the island, above Sandy Bar, what a view
we used to get of the opposite islands and reefs, with
their delicious violet and yellow tints—the tall ship or
two anchored in the Sound, changing their aspect like
living things, and when the wind was at all high the
white foam prancing round the reefs and rising in fountain-like
curves above the screen of rocks!
Many a wet and dirty walk we had along the lanes,
for the weather was often wet and almost always blustering.
Now and then, however, we had a clear sky
and a calm sea, and on such days it was delicious to
look up after the larks that were soaring above us, or
to look out on the island and reef studded sea. I never
enjoyed the lark before as I enjoyed it at Scilly—never
felt the full beauty of Shelley's poem on it before. A
spot we became very fond of towards the close of our
stay was Carne Lea, where, between two fine, jutting
piles of granite, there was a soft down, gay with the
pretty pink flowers of the thrift, which, in this island,
carpets the ground like greensward. Here we used to
sit and lie in the bright afternoons, watching the silver
sunlight on the waves—bright silver, not golden—it is
the morning and evening sunlight that is golden. A
week or two after our arrival we made the acquaintance
of Mr. Moyle, the surgeon, who became a delightful
friend to us, always ready to help with the contents of
his surgery or anything else at his command. We liked
to have him come and smoke a cigar in the evening,
and look in now and then for a little lesson in microscopy.
The little indications of the social life at Scilly
that we were able to pick up were very amusing. I
was repeatedly told, in order to make me aware who
Mr. Hall was, that he married a Miss Lemon. The
people at St. Mary's imagine that the lawyers and doctors
at Penzance are a sort of European characters
that every one knows. We heard a great deal about
Mr. Quill, an Irishman, the Controller of the Customs;
and one day, when we were making a call on one of
the residents, our host said two or three times, at intervals,
"I wish you knew Quill!" At last, on our
farewell call, we saw the distinguished Quill, with his
hair plastered down, his charming smile, and his trousers
with a broad stripe down each leg. Our host
amused us by his contempt for curs: "Oh, I wouldn't
have a cur—there's nothing to look at in a
cur!"[55]
Letter to
Mrs. Bray,
5th April,
1857.
The smallest details, written in the hastiest way,
that will enable me to imagine you as you are, are just
what I want; indeed, all I care about in correspondence.
We are more and more in love with these little
islands. There is not a tree to be seen, but there are
grand granite hills on the coast, such as I never saw
before, and furze-covered hills with larks soaring and
singing above them, and zoological wonders on the
shore to fill our bottles and our souls at once. For
some time I have been unusually weak and knock-up-able.
Our landlady is an excellent woman, but, like
almost all peculiarly domestic women, has not more
than rudimentary ideas of cooking; and in an island
where you can get nothing but beef, except by sending
to Penzance, that supreme science has its maximum
value. She seems to think eating a purely arbitrary
procedure—an abnormal function of mad people who
come to Scilly; and if we ask her what the people live
on here, is quite at a loss to tell us, apparently thinking
the question relates to the abstruser portion of
natural history. But I insist, and give her a culinary
lecture every morning, and we do, in the end, get fed.
Altogether our life here is so far better than the golden
age that we work as well as play. That is the happy
side of things. But there is a very sad one to me
which I shall not dwell upon—only tell you of. More
than a week ago I received the news that poor Chrissey
had lost one of her pretty little girls of fever; that
the other little one—they were the only two she had
at home with her—was also dangerously ill, and Chrissey
herself and her servant apparently attacked by typhus
too. The thought of her in this state is a perpetual
shadow to me in the sunshine.
Letter to
Miss Sara
Hennell,
16th April,
1857.
I shudder at entering on such great subjects (as
"Design") in letters; my idle brain wants lashing to
work, like a negro, and will do nothing under a slighter
stimulus. We are enjoying a retrogression to old-fashioned
reading. I rush on the slightest pretext to Sophocles,
and am as excited about blind old Œdipus as
any young lady can be about the latest hero with magnificent
eyes. But there is one new book we have been
enjoying, and so, I hope, have you—the "Life of Charlotte
Brontë." Deeply affecting throughout; in the
early part romantic, poetic, as one of her own novels;
in the later years tragic, especially to those who know
what sickness is. Mrs. Gaskell has done her work
admirably, both in the industry and care with which
she has gathered and selected her material, and in the
feeling with which she has presented it. There is one
exception, however, which I regret very much. She
sets down Branwell's conduct entirely to remorse.
Remorse may make sad work with a man, but it will
not make such a life as Branwell's was in the last three
or four years, unless the germs of vice had sprouted
and shot up long before, as it seems clear they had in
him. What a tragedy!—that picture of the old father
and the three sisters trembling, day and night, in terror
at the possible deeds of their drunken, brutal son
and brother! That is the part of the life which affects
me most.
Letter to
Isaac P.
Evans, 16th
April, 1857.
I have been looking anxiously for some further tidings
of Chrissey since your last letter, which told me
that she and Kate were better, though not out of danger.
I try to hope that no news is good news; but if
you do not think it troublesome to write, I shall be
thankful to have that hope changed into certainty.
Meanwhile, to save multiplying letters—which I
know you are not fond of—I mention now what will
take no harm from being mentioned rather prematurely.
I should like Chrissey to have £15 of my
next half-year's income, due at the beginning of June,
to spend in taking a change of air as soon as she is
able to do so; and perhaps, if it were desirable for
her to leave before the money has been paid in, you
would be so kind as to advance it for a few weeks. I
am writing, of course, in ignorance of her actual state;
but I should think it must be good for her, as soon as
she is able to move, to leave that fever-infected place
for a time, and I know the money must have gone very
fast in recent expenses. I only suggest the change of
air as the thing that I should think best for Chrissey;
but, in any case, I should like her to have the money,
to do what she pleases with it. If she is well enough
please to give her the enclosed note, in which I have
suggested to her what I have just written to you.
I am much obliged to you for your last letter, and
shall be still more so if you will write me word of
Chrissey's present condition.
Letter
to John
Blackwood, 1st
May, 1857.
Thank you for the pleasant notes of impressions
concerning my story, sent to me through Lewes.
I will pay attention to your caution about the danger
of huddling up my stories. Conclusions are the
weak point of most authors, but some of the fault lies
in the very nature of a conclusion, which is at best a
negation.
There must be something wrong in the winding-up
of "Amos," for I have heard of two persons who are
disappointed with the conclusion. But the story never
presented itself to me as possible to be protracted after
Milly's death. The drama ends there.
I am thinking of writing a short epilogue to "Mr.
Gilfil's Love-Story," and I will send it you with the
proof from Jersey, where, on a strict promise that I
am not to be dissected, I shall shortly join our friend
Lewes.
The third story will be very different from either of
the preceding, which will perhaps be an advantage, as
poor Tina's sad tale was necessarily rather monotonous
in its effects.
The epilogue to "Mr. Gilfil" was written sitting
on the Fortification Hill, Scilly Isles, one sunshiny
morning.
Jersey,
Recollections,
1857.
It was a beautiful moment (12th May) when we came
to our lodgings at Gorey. The orchards were all in
blossom—and this is an island of orchards. They
cover the slopes; they stretch before you in shady,
grassy, indefinite extent through every other gateway
by the roadside; they flourish in some spots almost
close to the sea. What a contrast to the Scilly Isles!
There you stand on the hills like a sparrow on the
housetop; here you are like the same sparrow when he
is hopping about on the branches with green above
him, green below, and green all round. Gorey stands
in Granville Bay, where the grand old castle of Mont
Orgueil stands and keeps guard on a fine rocky promontory
overlooking the little harbor dotted with fishing
craft. There is a charming piece of common, or down,
where you can have the quietest, easiest walking, with
a carpet of minute wild-flowers that are not hindered
from flourishing by the sandy rain of the coast. I delighted
extremely in the brownish-green softness of
this undulating common, here and there varied with a
patch of bright green fern—all the prettier for two little
homesteads set down upon it, with their garden-fence
and sheltering trees. It was pretty in all lights,
but especially the evening light, to look round at the
castle and harbor, the village and the scattered dwellings
peeping out from among trees on the hill. The
castle is built of stone which has a beautiful pinkish-gray
tint, and the bright green ivy hangs oblique curtains
on its turreted walls, making it look like a natural
continuation or outgrowth of the rocky and grassy
height on which it stands. Then the eye wanders on
to the right and takes in the church standing half-way
down the hill, which is clothed with a plantation, and
shelters the little village, with its cloud of blue smoke;
still to the right, and the village breaks off, leaving
nothing but meadows in front of the slope that shuts
out the setting sun, and only lets you see a hint of the
golden glory that is reflected in the pink, eastern
clouds.
The first lovely walk we found inland was the Queen's
Fern Valley, where a broad strip of meadow and pasture
lies between two high slopes covered with woods
and ferny wilderness. When we first saw this valley
it was in the loveliest spring-time; the woods were a
delicious mixture of red and tender green and purple.
We have watched it losing that spring beauty and passing
into the green and flowery luxuriance of June,
and now into the more monotonous summer tint of
July.
When the blossoms fell away from the orchards my
next delight was to look at the grasses mingled with the
red sorrel; then came the white umbelliferous plants,
making a border or inner frame for them along the
hedgerows and streams. Another pretty thing here is
the luxuriance of the yellow iris, that covers large pieces
of moist ground with its broad blades. Everywhere
there are tethered cows, looking at you with meek
faces—mild-eyed, sleek, fawn-colored creatures, with
delicate, downy udders.
Another favorite walk of ours was round by Mont
Orgueil, along the coast. Here we had the green or
rocky slope on one side of us, and on the other the
calm sea stretching to the coast of France, visible on
all but the murkiest days. But the murky days were
not many during our stay, and our evening walks round
the coast usually showed us a peaceful, scarcely rippled
sea, plashing gently on the purple pebbles of the little
scalloped bays. There were two such bays within the
boundary of our sea-side walk in that direction, and
one of them was a perpetual wonder to us, in the
luxuriant verdure of meadows and orchards and forest-trees
that sloped down to the very shore. No distressed
look about the trees as if they were ever driven
harshly back by the winter winds—it was like an inland
slope suddenly carried to the coast.
As for the inland walks, they are inexhaustible. The
island is one labyrinth of delicious roads and lanes,
leading you by the most charming nooks of houses
with shady grounds and shrubberies, delightful farm
homesteads, and trim villas.
It was a sweet, peaceful life we led here. Good
creatures, the Amys, our host and hostess, with their
nice boy and girl, and the little white kid—the family
pet. No disagreeable sounds to be heard in the house,
no unpleasant qualities to hinder one from feeling perfect
love to these simple people. We have had long
rambles and long readings. But our choice of literature
has been rather circumscribed in this out-of-the-way
place. The "Life of George Stephenson" has
been a real profit and pleasure. I have read Draper's
"Physiology" aloud for grave evening hours, and such
books as Currer Bell's "Professor," Mlle. d'Auny's
"Mariage en Province," and Miss Ferrier's "Marriage,"
for lighter food. The last, however, we found
ourselves unable to finish, notwithstanding Miss Ferrier's
high reputation. I have been getting a smattering
of botany from Miss Catlow and from Dr. Thomson's
little book on wild-flowers, which have created
at least a longing for something more complete on the
subject.
Letter to
Miss Sara
Hennell,
22d May,
1857.
Such hedgerows in this island! Such orchards,
white against the green slopes, and shady walks by the
woodside, with distracting wild-flowers. We enjoy the
greenery and variety of this bushy island all the better
for our stay on bare Scilly, which we had gone to and
fro upon till we knew it by heart. Our little lodgings
are very snug—only 13s. a week—a nice little sitting-room,
with a workroom adjoining for Mr. Lewes, who
is at this moment in all the bliss of having discovered
a parasitic worm in a cuttlefish. We dine at five, and
our afternoons are almost exhausted in rambling. I
hope to get up my strength in this delicious quiet, and
have fewer interruptions to work from headache than
I have been having since Christmas. I wonder if I
should have had the happiness of seeing Cara if I had
been at Richmond now. I would rather see her than
any one else in the world—except poor Chrissey.
Tell me when you have read the life of Currer Bell.
Some people think its revelations in bad taste—making
money out of the dead, wounding the feelings of
the living, etc. What book is there that some people
or other will not find abominable? We thought it admirable,
cried over it, and felt the better for it. We
read Cromwell's letters again at Scilly with great delight.
In May Mr. Lewes writes to Mr. John Blackwood:
"We were both amused with the divination of
the Manx seer and his friend Liggers." This is
the first mention of the individual, whose real name
was Liggins of Nuneaton, who afterwards became
notorious for laying claim to the authorship of the
"Scenes of Clerical Life" and "Adam Bede."
"Janet's Repentance" had been begun on the
18th April, and the first three parts were finished
in Jersey. In reference to the "Scenes of Clerical
Life" there are the following entries in the
Journal:
Journal,
1857.
May 2.—Received letter from Blackwood expressing
his approbation of Part IX. of "Mr. Gilfil's Love-Story."
He writes very pleasantly, says the series is
attributed by many to Bulwer, and that Thackeray
thinks highly of it. This was a pleasant fillip to me,
who am just now ready to be dispirited on the slightest
pretext.
May 21.—The other day we had a pleasant letter
from Herbert Spencer, saying that he had heard "Mr.
Gilfil's Love-Story" discussed by Baynes and Dallas,
as well as previously by Pigott, all expressing warm
approval, and curiosity as to the author.
May 26.—Received a pleasant letter from Blackwood,
enclosing one from Archer Gurney to the author
of "Mr. Gilfil's Love-Story."
I subjoin this letter, as it is the first she received
in her character of a creative author, and it still
bears a pencil memorandum in her writing: "This
letter he brought up to me at Jersey after reading
it, saying, with intense joy, 'Her fame is beginning.'"
Letter
from Rev.
Archer
Gurney, to
the author
of "Mr.
Gilfil's
Love-Story,"
14th May,
1857.
"Buckingham (Bucks),
Thursday, 14th May, 1857.
"Sir,—Will you consider it impertinent in a
brother author and old reviewer to address a few
lines of earnest sympathy and admiration to you,
excited by the purity of your style, originality of
your thoughts, and absence of all vulgar seeking
for effect in those 'Scenes of Clerical Life' now
appearing in Blackwood? If I mistake not much,
your muse of invention is no hackneyed one, and
your style is too peculiar to allow of your being
confounded with any of the already well-known
writers of the day. Your great and characteristic
charm is, to my mind, Nature. You frequently, indeed,
express what I may call brilliant ideas, but
they always seem to come unsought for, never, as
in Lytton, for instance, to be elaborated and placed
in the most advantageous light. I allude to such
brief aphoristic sayings as 'Animals are such agreeable
friends, they ask no questions, they pass no
criticisms'—'All with that brisk and cheerful air
which a sermon is often observed to produce when
it is quite finished.' By-the-bye. I am one of the
cloth, and might take exception to certain hints,
perhaps, but these are dubious. What I see plainly
I admire honestly, and trust that more good remains
behind. Will you always remain equally
natural? That is the doubt. Will the fear of the
critic, or the public, or the literary world, which
spoils almost every one, never master you? Will
you always write to please yourself, and preserve the
true independence which seems to mark a real supremacy
of intellect? But these questions are, I
fear, impertinent. I will conclude. Pardon this
word of greeting from one whom you may never
see or know, and believe me your earnest admirer,
Archer Gurney.
"The Author of 'Mr. Gilfil's Love-Story.'"
Journal,
1857.
June.—Blackwood writes from London that he hears
nothing but approval of "Mr. Gilfil's Love-Story."
Lord Stanley, among other people, had spoken to him
about the "Clerical Scenes," at Bulwer's, and was astonished
to find Blackwood in the dark as to the author.
Letter
to John
Blackwood,
2d
June, 1857.
I send you by the same post with this the first part
of my third story, which I hope will not disappoint
you. The part is, I think, rather longer than my parts
have usually been, but it would have been injurious to
the effect of the story to pause earlier.
Pleasant letters like yours are the best possible
stimulus to an author's powers, and if I don't write
better and better the fault will certainly not lie in my
editor, who seems to have been created in pre-established
harmony with the organization of a susceptible
contributor.
This island, too, with its grassy valleys and pretty,
indented coast is not at all a bad haunt for the Muses,
if, as one may suppose, they have dropped their too
scanty classical attire, and appear in long dresses and
brown hats, like decent Christian women likely to inspire
"Clerical Scenes."
Moreover, having myself a slight zoological weakness,
I am less alarmed than most people at the society
of a zoological maniac. So that, altogether, your contributor
is in promising circumstances, and if he doesn't
behave like an animal in good condition, is clearly unworthy
of his keep.
I am much gratified to have made the conquest of
Professor Aytoun; but with a parent's love for the depreciated
child, I can't help standing up for "Amos"
as better than "Gilfil."
Lewes seems to have higher expectations from the
third story than from either of the preceding; but I
can form no judgment myself until I have quite finished
a thing, and see it aloof from my actual self. I can
only go on writing what I feel, and waiting for the
proof that I have been able to make others feel.
Letter to
Mrs. Bray,
5th June,
1857.
Richmond is not fascinating in "the season" or
through the summer. It is hot, noisy, and haunted
with Cockneys; but at other times we love the Park
with an increasing love, and we have such a kind, good
landlady there, that it always seems like going home
when we return to Park Shot. She writes to us: "I
hope you will make your fortune—but you must always
live with me," which, considering that she gets
less out of us than other lodgers, is a proof of affection
in a landlady. Yes! we like our wandering life at
present, and it is fructifying, and brings us material in
many ways; but we keep in perspective the idea of a
cottage among green fields and cows, where we mean
to settle down (after we have once been to Italy), and
buy pots and kettles and keep a dog. Wherever we
are we work hard—and at work which brings present
money; for we have too many depending on us to be
dilettanti or idlers.
I wish it to be understood that I should never invite
any one to come and see me who did not ask for the
invitation.
You wonder how my face has changed in the last
three years. Doubtless it is older and uglier, but it
ought not to have a bad expression, for I never have
anything to call out my ill-humor or discontent, which
you know were always ready enough to come on slight
call, and I have everything to call out love and gratitude.
Letter to
Mrs. John
Cash (Miss
Mary Sibree),
6th
June, 1857.
Your letter was very sweet to me. The sense of
my deficiencies in the past often presses on me with a
discouraging weight, and to know that any one can remember
me lovingly, helps me to believe that there
has been some good to balance the evil. I like to
think of you as a happy wife and mother; and since
Rosehill must have new tenants, I like to think that
you and yours are there rather than any one else, not
only because of my own confidence in your nature, but
because our dear friends love you so much as a neighbor.
You know I can never feel otherwise than sorry
that they should not have ended their days in that
pretty home; but the inevitable regret is softened as
much as possible by the fact that the home has become
yours.
It is very nice to hear that Mrs. Sibree can relish
anything of my writing. She was always a favorite
with me; and I remember very vividly many pleasant
little conversations with her. Seventy-two! How
happy you are to have a dear, aged mother, whose
heart you can gladden.
I was a good deal touched by the letter your brother
wrote to you about accepting, or, rather, declining, more
pupils. I feel sure that his sensitive nature has its
peculiar trials and struggles in this strange life of ours,
which some thick-skinned mortals take so easily.
I am very happy—happy in the highest blessing life
can give us, the perfect love and sympathy of a nature
that stimulates my own to healthful activity. I feel,
too, that all the terrible pain I have gone through in
past years, partly from the defects of my own nature,
partly from outward things, has probably been a preparation
for some special work that I may do before I
die. That is a blessed hope, to be rejoiced in with
trembling. But even if that hope should be unfulfilled,
I am contented to have lived and suffered for the sake
of what has already been. You see your kind letter
has made me inclined to talk about myself, but, as we
do not often have any communication with each other,
I know it will be a gratification to your sympathetic
nature to have a few direct words from me that will
assure you of my moral well-being.
I hope your little ones are just like you—just as fair
and sweet-tempered.
Journal,
June, 1857.
I sent off the first part of "Janet's Repentance," but
to my disappointment Blackwood did not like it so
well—seemed to misunderstand the characters, and to
be doubtful about the treatment of clerical matters.
I wrote at once to beg him to give up printing the
story if he felt uncomfortable about it, and he immediately
sent a very anxious, cordial letter, saying the
thought of putting a stop to the series "gave him quite
a turn:" he "did not meet with George Eliots every
day"—and so on.
Letter
to John
Blackwood,
11th
June, 1857.
I am not much surprised and not at all hurt by your
letter received to-day with the proof. It is a great
satisfaction—in fact, my only satisfaction—that you
should give me your judgment with perfect frankness.
I am able, I think, to enter into an editor's doubts and
difficulties, and to see my stories in some degree from
your point of view as well as my own. My answer is
written after considering the question as far as possible
on all sides, and as I feel that I shall not be able
to make any other than superficial alterations in the
proof, I will, first of all, say what I can in explanation
of the spirit and future course of the present story.
The collision in the drama is not at all between
"bigoted churchmanship" and evangelicalism, but between
irreligion and religion. Religion in this case
happens to be represented by evangelicalism; and the
story, so far as regards the persecution, is a real bit in
the religious history of England, that happened about
eight-and-twenty years ago. I thought I had made it
apparent in my sketch of Milby feelings, on the advent
of Mr. Tryan, that the conflict lay between immorality
and morality—irreligion and religion. Mr. Tryan will
carry the reader's sympathy. It is through him that
Janet is brought to repentance. Dempster's vices have
their natural evolution in deeper and deeper moral deterioration
(though not without softening touches), and
death from intemperance. Everything is softened from
the fact, so far as art is permitted to soften and yet to
remain essentially true.
My sketches, both of Churchmen and Dissenters,
with whom I am almost equally acquainted, are drawn
from close observation of them in real life, and not at
all from hearsay or from the descriptions of novelists.
If I were to undertake to alter language or character.
I should be attempting to represent some vague conception
of what may possibly exist in other people's
minds, but has no existence in my own. Such of your
marginal objections as relate to a mere detail I can
meet without difficulty by alteration; but as an artist
I should be utterly powerless if I departed from my
own conceptions of life and character. There is nothing
to be done with the story, but either to let Dempster
and Janet and the rest be as I see them, or to renounce
it as too painful. I am keenly alive at once
to the scruples and alarms an editor may feel, and to
my own utter inability to write under cramping influence,
and on this double ground I should like you to
consider whether it will not be better to close the
series for the Magazine now. I dare say you will feel
no difficulty about publishing a volume containing the
story of "Janet's Repentance," and I shall accept that
plan with no other feeling than that you have been
to me the most liberal and agreeable of editors, and
are the man of all others I would choose for a publisher.
My irony, so far as I understand myself, is not directed
against opinions—against any class of religious
views—but against the vices and weaknesses that belong
to human nature in every sort of clothing. But
it is possible that I may not affect other minds as I
intend and wish to affect them, and you are a better
judge than I can be of the degree in which I may occasionally
be offensive. I should like not to be offensive—I
should like to touch every heart among my
readers with nothing but loving humor, with tenderness,
with belief in goodness. But I may have failed
in this case of "Janet," at least so far as to have made
you feel its publication in the Magazine a disagreeable
risk. If so, there will be no harm done by closing the
series with No. 2, as I have suggested. If, however, I
take your objections to be deeper than they really are—if
you prefer inserting the story in spite of your partial
dissatisfaction, I shall, of course, be happy to appear
under "Maga's" wing still.
When I remember what have been the successes in
fiction, even as republications from "Maga," I can hardly
believe that the public will regard my pictures as exceptionally
coarse. But in any case there are too
many prolific writers who devote themselves to the
production of pleasing pictures, to the exclusion of all
disagreeable truths, for me to desire to add to their
number. In this respect, at least, I may have some
resemblance to Thackeray, though I am not conscious
of being in any way a disciple of his, unless it constitute
discipleship to think him, as I suppose the majority
of people with any intellect do, on the whole the most
powerful of living novelists.
Letter to
Miss Sara
Hennell,
8th June,
1857.
I feel every day a greater disinclination for theories
and arguments about the origin of things in the presence
of all this mystery and beauty and pain and ugliness
that floods one with conflicting emotions.
We are reading "Aurora Leigh" for the third time,
with more enjoyment than ever. I know no book that
gives me a deeper sense of communion with a large as
well as beautiful mind. It is in process of appearing
in a third edition, and no wonder.
If I live five years longer the positive result of my
existence on the side of truth and goodness will outweigh
the small negative good that would have consisted
in my not doing anything to shock others, and I
can conceive no consequences that will make me repent
the past. Do not misunderstand me, and suppose
that I think myself heroic or great in any way.
Far enough from that! Faulty, miserably faulty I am—but
least of all faulty where others most blame.
On the 24th July the pleasant sojourn at Jersey
came to an end. The travellers returned to
8 Park Shot, Richmond, where Miss Sara Hennell
paid them a visit at the end of the month, and Dr.
and Mrs. Bodichon (née Miss Barbara L. Smith)
came on the 4th of August. On the 12th August
there is an entry in the Journal, "Finished
the 'Electra' of Sophocles, and began Æschylus's
'Agamemnon,'" and then come the following letters:
Letter
to John
Blackwood,
Tuesday,
17th Aug.
1857.
Lewes has just given me your letter of the 15th, with
the accompanying one from the Rev. W. P. Jones.
Mr. Tryan is not a portrait of any clergyman, living
or dead. He is an ideal character, but I hope probable
enough to resemble more than one evangelical
clergyman of his day.
If Mr. Jones's deceased brother was like Mr. Tryan
so much the better, for in that case he was made of
human nature's finer clay. I think you will agree with
me that there are few clergymen who would be depreciated
by an identification with Mr. Tryan. But I
should rather suppose that the old gentleman, misled
by some similarity in outward circumstances, is blind
to the discrepancies which must exist where no portrait
was intended. As to the rest of my story, so far
as its elements were suggested by real persons, those
persons have been, to use good Mr. Jones's phrase,
"long in eternity."
I think I told you that a persecution of the kind I
have described did actually take place, and belongs as
much to the common store of our religious history as
the Gorham Controversy, or as Bishop Blomfield's decision
about wax candles. But I only know the outline
of the real persecution. The details have been filled
in from my imagination. I should consider it a fault
which would cause me lasting regret if I had used reality
in any other than the legitimate way common to
all artists, who draw their materials from their observation
and experience. It would be a melancholy result
of my fictions if I gave just cause of annoyance to any
good and sensible person. But I suppose there is no
perfect safeguard against erroneous impressions or a
mistaken susceptibility. We are all apt to forget how
little there is about us that is unique, and how very
strongly we resemble many other insignificant people
who have lived before us. I shouldn't wonder if several
nieces of pedantic maiden ladies saw a portrait of
their aunt in Miss Pratt, but I hope they will not think
it necessary, on that ground, to increase the already
troublesome number of your correspondents.
Letter to
Miss Sara
Hennell,
19th Aug.
1857.
We went to see Rosa Bonheur's picture the other
day. What power! That is the way women should
assert their rights. Writing is part of my religion, and
I can write no word that is not prompted from within.
At the same time I believe that almost all the best
books in the world have been written with the hope of
getting money for them.
Letter
to John
Blackwood,
1st
Sept. 1857.
Unless there be any strong reason to the contrary,
I should like to close the series with this story. According
to my calculation, which, however, may be an
erroneous one, the three stories will make two good
volumes—i.e., good as to bulk.
I have a subject in my mind which will not come
under the limitations of the title "Clerical Life," and
I am inclined to take a large canvas for it and write a
novel.
In case of my writing fiction for "Maga" again, I
should like to be considerably beforehand with my
work, so that you can read a thoroughly decisive portion
before beginning to print.
Letter to
Miss Sara
Hennell,
21st Sept.
1857.
The days are very peaceful—peacefully busy. One
always feels a deeper calm as autumn comes on. I
should be satisfied to look forward to a heaven made
up of long autumn afternoon walks, quite delivered
from any necessity of giving a judgment on the woman
question, or of reading newspapers about Indian mutinies.
I am so glad there are thousands of good people
in the world who have very decided opinions, and
are fond of working hard to enforce them. I like to
feel and think everything and do nothing, a pool of the
"deep contemplative" kind.
Some people do prosper—that is a comfort. The
rest of us must fall back on the beatitudes—"Blessed
are the poor"—that is Luke's version, you know, and
it is really, on the whole, more comforting than Matthew's.
I'm afraid there are few of us who can appropriate
the blessings of the "poor in spirit."
We are reading one of the most wonderful books in
French or any other literature—Monteil's "Histoire
des Français des divers États"—a history written on
an original plan. If you see any account of it, read
that account.
Letter
to John
Blackwood,
Saturday,
17th Oct.
1857.
I am very much gratified that my Janet has won
your heart and kept up your interest in her to the end.
My new story haunts me a good deal, and I shall
set about it without delay. It will be a country story—full
of the breath of cows and the scent of hay. But
I shall not ask you to look at it till I have written a
volume or more, and then you will be able to judge
whether you will prefer printing it in the Magazine, or
publishing it as a separate novel when it is completed.
By the way, the sheets of the "Clerical Scenes" are
not come, but I shall not want to make any other than
verbal and literal corrections, so that it will hardly be
necessary for me to go through the sheets and the
proofs, which I must, of course, see.
I enclose a titlepage with a motto. But if you
don't like the motto, I give it up. I've not set my
heart on it.
I leave the number of copies to be published, and
the style of getting up, entirely to your discretion. As
to the terms, I wish to retain the copyright, according
to the stipulation made for me by Lewes when he sent
"Amos Barton;" and whatever you can afford to give
me for the first edition I shall prefer having as a definite
payment rather than as half profits.
You stated, in a letter about "Amos Barton," your
willingness to accede to either plan, so I have no hesitation
in expressing my wishes.
Letter to
Miss Sara
Hennell,
20th Oct.
1857.
"Open to conviction," indeed! I should think so.
I am open to conviction on all points except dinner
and debts. I hold that the one must be eaten and the
other paid. These are my only prejudices.
I was pleased with Mr.
Call.[56]
He is a man one
really cares to talk to—has thoughts, says what he
means, and listens to what others say. We should
quite like to see him often. And I cannot tell you how
much I have felt Mrs. Call's graceful as well as kind
behavior to me. Some months ago, before the new
edition of the "Biographical History of Philosophy"
came out, Mr. Lewes had a letter from a working-man
at Leicester, I think, who said that he and some fellow-students
met together, on a Sunday, to read the book
aloud and discuss it. He had marked some errors of
the press and sent them to Mr. Lewes for his new edition.
Wasn't that pretty?
Letter to
the Brays,
30th Oct.
1857.
"Conscience goes to the hammering in of nails" is
my gospel. There can be no harm in preaching that
to women at any rate. But I should be sorry to undertake
any more specific enunciation of doctrine on a
question so entangled as the "woman question." The
part of the Epicurean gods is always an easy one; but
because I prefer it so strongly myself, I the more highly
venerate those who are struggling in the thick of
the contest. "La carrière ouverte aux taléns," whether
the talents be feminine or masculine, I am quite confident
is a right maxim. Whether "La carrière ouverte
à la Sottise" be equally just when made equally
universal, it would be too much like "taking sides"
for me to say.
There are only three entries in the journal for
October.
Journal,
Oct. 1857.
Oct. 9.—Finished "Janet's Repentance." I had meant
to carry on the series, and especially I longed to tell
the story of the "Clerical Tutor," but my annoyance
at Blackwood's want of sympathy in the first part (although
he came round to admiration at the third part)
determined me to close the series and republish them
in two volumes.
Oct. 22.—Began my new novel, "Adam Bede."
Oct. 29.—Received a letter from Blackwood offering
me £120 for the first edition of "Scenes of Clerical
Life."
Letter
to John
Blackwood,
30th
Oct. 1857.
I am quite contented with the sum (£120) you offer
me for the edition, being thoroughly confident of your
disposition to do the best you can for me. I perceive
your hope of success for the "Scenes" is not strong,
and you certainly have excellent means of knowing the
probabilities in such a case.
I am not aware that the motto has been used before,
but if you suspect it, we had better leave it out
altogether. A stale motto would hardly be an ornament
to the titlepage.
Letter to
Mrs. Bray,
1st Nov.
1857.
How I wish I could get to you by some magic, and
have one walk over the hill with you again. Letters
are poor things compared with five minutes of looking
and speaking, and one kiss. Nevertheless, I do like
to have a little letter now and then, though I don't for a
moment ask it if you have no spontaneous impulse to
give it. I can't help losing belief that people love me—the
unbelief is in my nature, and no sort of fork will
drive it finally out. I can't help wondering that you
can think of me in the past with much pleasure. It all
seems so painful to me—made up of blunders and
selfishness—and it only comes back upon me as a thing
to be forgiven. That is honest, painful truth, and not
sentimentality. But I am thankful if others found
more good than I am able to remember.
Letter
to John
Blackwood,
7th
Nov. 1857.
It is pleasant to have the first sheet of one's proof—to
see one's paragraphs released from the tight-lacing
of double columns, and expanding themselves at their
ease.
I perceive clearly the desirableness of the short number—for
my observation of literary affairs has gone far
enough to convince me that neither critical judgment
nor practical experience can guarantee any opinion as
to rapidity of sale in the case of an unknown author;
and I shudder at the prospect of encumbering my publisher's
bookshelves.
My new story is in progress—slow progress at present.
A little sunshine of success would stimulate its
growth, I dare say. Unhappily, I am as impressionable
as I am obstinate, and as much in need of sympathy
from my readers as I am incapable of bending
myself to their tastes. But if I can only find a public
as cordial and agreeable in its treatment of me as my
editor, I shall have nothing to wish. Even my thin
skin will be comfortable then. The page is not a
shabby one, after all; but I fear the fact of two volumes
instead of three is a fatal feature in my style in
the eyes of librarians.
Letter to
Miss Sara
Hennell,
9th Nov.
1857.
One is glad to have one's book (à propos of review
of Lewes's "History of Philosophy") spoken well of
by papers of good circulation, because it is possible,
though not certain, that such praise may help the sale;
but otherwise it is hardly worth while to trouble one's
self about newspaper reviews, unless they point out
some error, or present that very rare phenomenon, a
true appreciation, which is the most delicious form in
which sympathy can reach one. So much sectarian
feeling usually arises in discussions on the subject of
phrenology that I confess the associations of the word
are not agreeable to me. The last refuge of intolerance
is in not tolerating the intolerant; and I am often
in danger of secreting that sort of venom.
Letter to
Charles
Bray, 15th
Nov. 1857.
It is pleasant to have a kind word now and then,
when one is not near enough to have a kind glance or
a hearty shake by the hand. It is an old weakness of
mine to have no faith in affection that does not express
itself; and when friends take no notice of me for a
long while I generally settle down into the belief that
they have become indifferent or have begun to dislike
me. That is not the best mental constitution; but it
might be worse—for I don't feel obliged to dislike
them in consequence. I, for one, ought not to complain
if people think worse of me than I deserve, for I
have very often reason to be ashamed of my thoughts
about others. They almost always turn out to be better
than I expected—fuller of kindness towards me at
least. In the fundamental doctrine of your book (the
philosophy of necessity)—that mind presents itself under
the same conditions of invariableness of antecedent
and consequent as all other phenomena (the only difference
being that the true antecedent and consequent
are proportionately difficult to discover as the phenomena
are more complex)—I think you know that I
agree. And every one who knows what science means
must also agree with you that there can be no social
science without the admission of that doctrine. I dislike
extremely a passage in which you appear to consider
the disregard of individuals as a lofty condition
of mind. My own experience and development deepen
every day my conviction that our moral progress
may be measured by the degree in which we sympathize
with individual suffering and individual joy. The fact
that in the scheme of things we see a constant and
tremendous sacrifice of individuals, is, it seems to me,
only one of the many proofs that urge upon us our total
inability to find in our own natures a key to the Divine
mystery. I could more readily turn Christian, and
worship Jesus again, than embrace a Theism which
professes to explain the proceedings of God. But I
don't feel at all wise in these matters. I have a few
strong impressions which serve me for my own support
and guidance, but do not in the least qualify me to
speak as a theorist.
Mr. Lewes sends you his kind remembrances, and
will not like you any the worse for cutting him up.
He has had to perform that office for his own friends
sometimes. I suppose phrenology is an open question,
on which everybody has a right to speak his mind.
Mr. Lewes, feeling the importance of the subject, desired
to give it its due place in his "History of Philosophy,"
and, doing so, he must, of course, say what he believes
to be the truth, not what other people believe to be the
truth. If you will show where he is mistaken, you
will be doing him a service as well as phrenology.
His arguments may be bad; but I will answer for
him that he has not been guilty of any intentional unfairness.
With regard to their system, phrenologists
seem to me to be animated by the same sort of spirit
as that of religious dogmatists, and especially in this—that
in proportion as a man approximates to their opinions
without identifying himself with them, they think
him offensive and contemptible. It is amusing to read
from the opposite side complaints against Mr. Lewes
for giving too high a position to phrenology, and a confident
opinion that "phrenologists, by their ridiculous
pretensions, merit all the contempt that has been
thrown on them." Thus doctors differ! But I am
much less interested in crusades for or against phrenology
than in your happiness at Ivy
Cottage.[57]
Happiness
means all sorts of love and good feeling; and
that is the best result that can ever come out of
science. Do you know Buckle's "History of Civilization"?
I think you would find it a suggestive book.
Letter to
Miss Sara
Hennell,
24th Nov.
1857.
Anniversaries are sad things—to one who has lived
long and done little. Herbert Spencer dined with us
the other day—looks well, and is brimful of clever
talk as usual. His volume of "Essays" is to come
out soon. He is just now on a crusade against the
notion of "species." We are reading Harriet Martineau's
history with edification, and otherwise feeding
our souls, which flourish very well, notwithstanding
November weather.
Journal,
1857.
Nov. 28.—A glorious day, still autumnal and not
wintry. We have had a delicious walk in the Park,
and I think the coloring of the scenery is more beautiful
than ever. Many of the oaks are still thickly covered
with leaves of a rich yellow-brown; the elms,
golden sometimes, still with lingering patches of green.
On our way to the Park the view from Richmond hill
had a delicate blue mist over it, that seemed to hang
like a veil before the sober brownish-yellow of the distant
elms. As we came home, the sun was setting
on a fog-bank, and we saw him sink into that purple
ocean—the orange and gold passing into green above
the fog-bank, the gold and orange reflected in the river
in more sombre tints. The other day, as we were coming
home through the Park, after having walked under a
sombre, heavily clouded sky, the western sun shone
out from under the curtain, and lit up the trees and
grass, thrown into relief on a background of dark purple
cloud. Then, as we advanced towards the Richmond
end of the Park, the level, reddening rays shone
on the dry fern and the distant oaks, and threw a crimson
light on them. I have especially enjoyed this
autumn, the delicious greenness of the turf, in contrast
with the red and yellow of the dying leaves.
Dec. 6 (Sunday).—Finished the "Agamemnon" to-day.
In the evenings of late we have been reading
Harriet Martineau's "Sketch of the British Empire in
India," and are now following it up with Macaulay's
articles on Clive and Hastings. We have lately read
Harriet Martineau's Introduction to the "History of
the Peace."
Dec. 8.—I am reading "Die Familie," by Riehl,
forming the third volume of the series, the two first of
which, "Land und Volk" and "Die Bürgerliche Gesellschaft,"
I reviewed for the Westminster.
A letter from Blackwood to-day tells us that Major
Blackwood, during his brother's absence in England,
having some reasons, not specified, for being more
hopeful about the "Clerical Scenes," resolved to publish
1000 instead of 750; and in consequence of this
Blackwood promises to pay me an additional £60
when 750 shall have been sold off. He reports that
an elderly clergyman has written to him to say that
"Janet's Repentance" is exquisite—another vote to
register along with that of Mrs. Nutt's rector, who
"cried over the story like a child."
Dec. 10.—Major Blackwood called—an unaffected,
agreeable man. It was evident to us, when he had
only been in the room a few minutes, that he knew I
was George Eliot.
Letter
to John
Blackwood,
11th
Dec. 1857.
Lewes has read to me your last kind letter, and I am
not insensible to the "practical cheerer" it contains.
But I rejoice with trembling at the additional 250, lest
you should have to repent of them.
I have certainly had a good deal of encouragement
to believe that there are many minds, both of the more
cultured sort and of the common novel-reading class,
likely to be touched by my stories; but the word
"many" is very elastic, and often shrinks frightfully
when measured by a financial standard.
When one remembers how long it was before Charles
Lamb's Essays were known familiarly to any but the
elect few, the very strongest assurance of merit or
originality—supposing one so happy as to have that
assurance—could hardly do more than give the hope
of ultimate recognition.
Letter to
Miss Sara
Hennell,
13th Dec.
1857.
Our affairs are very prosperous just now, making
sunshine in a shady, or, rather, in a foggy place. It is
a great happiness to me that Mr. Lewes gets more and
more of the recognition he deserves; pleasant letters
and speeches have been very numerous lately, especially
about his "Sea-side Studies," which have appeared
in Blackwood, and are soon to appear—very
much improved and enlarged—in a separate volume.
Dear Carlyle writes, à propos of his "Friedrich:" "I
have had such a fourteen months as was never appointed
me before in this world—sorrow, darkness,
and disgust my daily companions; and no outlook visible,
except getting a detestable business turned off, or
else being driven mad by it." That is his exaggerated
way of speaking; and writing is always painful to him.
Do you know he is sixty-two! I fear this will be his
last book. Tell Mr. Bray I am reading a book of
Riehl's, "The Family," forming the sequel to his other
volumes. He will be pleased to hear that so good a
writer agrees with him on several points about the occupations
of women. The book is a good one; and if
I were in the way of writing articles, I should write one
on it. There is so much to read, and the days are so
short! I get more hungry for knowledge every day,
and less able to satisfy my hunger. Time is like the
Sibylline leaves, getting more precious the less there
remains of it. That, I believe, is the correct allusion
for a fine writer to make on the occasion.
Letter
to John
Blackwood,
15th
Dec. 1857.
I give up the motto, because it struck you as having
been used before; and though I copied it into my note-book
when I was re-reading "Amelia" a few months
ago, it is one of those obvious quotations which never
appear fresh, though they may actually be made for the
first time.
I shall be curious to know the result of the subscription.
There are a few persons to whom I should like a
copy of the volume to be sent, and I enclose a list of
them.
Journal,
1857.
Dec. 17.—Read my new story to G. this evening as
far as the end of the third chapter. He praised it
highly. I have finished "Die Familie," by Riehl—a
delightful book. I am in the "Choephoræ" now. In
the evenings we are reading "History of the Thirty
Years' Peace" and Béranger. Thoroughly disappointed
in Béranger.
Dec. 19 (Saturday).—Alone this evening with very
thankful, solemn thoughts—feeling the great and unhoped-for
blessings that have been given me in life.
This last year, especially, has been marked by inward
progress and outward advantages. In the spring
George's "History of Philosophy" appeared in the
new edition; his "Sea-side Studies" have been written
with much enjoyment, and met with much admiration,
and now they are on the verge of being published
with bright prospects. Blackwood has also accepted
his "Physiology of Common Life;" the "Goethe" has
passed into its third German edition; and, best of all,
G.'s head is well. I have written the "Scenes of Clerical
Life"—my first book; and though we are uncertain
still whether it will be a success as a separate publication,
I have had much sympathy from my readers in
Blackwood, and feel a deep satisfaction in having done
a bit of faithful work that will perhaps remain, like a
primrose root in the hedgerow, and gladden and chasten
human hearts in years to come.
Letter to
the Brays,
23d Dec.
1857.
Buckle's is a book full of suggestive material, though
there are some strangely unphilosophic opinions mixed
with its hardy philosophy. For example, he holds that
there is no such thing as race or hereditary transmission
of qualities! (I should tell you, at the same time, that
he is a necessitarian and a physiological-psychologist.)
It is only by such negations as these that he can find
his way to the position which he maintains at great
length—that the progress of mankind is dependent entirely
on the progress of knowledge, and that there has
been no intrinsically moral advance. However, he
presents that side of the subject which has, perhaps,
been least adequately dwelt on.
Journal,
1857.
Dec. 25 (Christmas Day).—George and I spent this
lovely day together—lovely as a clear spring day. We
could see Hampstead from the Park so distinctly that
it seemed to have suddenly come nearer to us. We
ate our turkey together in a happy solitude à deux.
Dec. 31 (the last night of 1857).—The dear old year
is gone with all its Weben and Streben. Yet not gone
either; for what I have suffered and enjoyed in it remains
to me an everlasting possession while my soul's
life remains. This time last year I was alone, as I am
now, and dear George was at Vernon Hill. I was
writing the introduction to "Mr. Gilfil's Love-Story."
What a world of thoughts and feelings since then! My
life has deepened unspeakably during the last year: I
feel a greater capacity for moral and intellectual enjoyment,
a more acute sense of my deficiencies in
the past, a more solemn desire to be faithful to coming
duties, than I remember at any former period of my
life. And my happiness has deepened too; the blessedness
of a perfect love and union grows daily. I have
had some severe suffering this year from anxiety about
my sister, and what will probably be a final separation
from her—there has been no other real trouble. Few
women, I fear, have had such reason as I have to
think the long, sad years of youth were worth living for
the sake of middle age. Our prospects are very bright
too. I am writing my new novel. G. is full of his
"Physiology of Common Life." He has just finished
editing Johnston, for which he is to have 100 guineas,
and we have both encouragement to think that our
books just coming out, "Sea-side Studies" and "Scenes
of Clerical Life," will be well received. So good-bye,
dear 1857! May I be able to look back on 1858 with
an equal consciousness of advancement in work and in
heart.
SUMMARY.
MARCH, 1855, TO DECEMBER, 1857.
Return to England—Dover—Bayswater—East Sheen—Books
read—Articles written—Letters to Miss Hennell—"Life of Goethe"—Froude's
article on Spinoza—Article-writing—"Cumming"—8
Park Shot, Richmond—Letter to Charles Bray—Effect of
article on Cumming—Letter to Miss Hennell—Reading on
Physiology—Article on Heine—Review for Leader, etc.—Books
read—Visit to Mrs. Clarke at Attleboro—Sale of "Life of
Goethe"—"Shaving of Shagpat"—Spinoza's "Ethics," translation
finished—The Saturday Review—Ruskin—Alison—Harriet
Martineau—Women's earnings—Articles and reviews—Wishes
not to be known as translator of the "Ethics"—Article
on Young begun—Visit to Ilfracombe—Description—Zoophyte
hunting—Finished articles on Young and Riehl—Naturalistic
experience—Delightful walks—Rev. Mr. Tugwell—Devonshire
lanes and springs—Tendency to scientific accuracy—Sunsets—Cocklewomen
at Swansea—Letters to Miss Hennell and Mrs.
Peter Taylor—Tenby—Zoology—Thoreau's "Walden"—Feeling
strong in mind and body—Barbara Leigh Smith comes to Tenby—George
Eliot anxious to begin her fiction-writing—Mr. E. F. S.
Pigott—Return to Richmond—Mr. Lewes takes his boys to
Hofwyl—George Eliot writes article on "Silly Novels by Lady
Novelists"—"How I came to write fiction"—Correspondence
between Mr. Lewes and Mr. John Blackwood about MS. of
"Amos Barton"—"Mr. Gilfil's Love-Story" begun—Books read—Letter
from John Blackwood to the author of "Amos Barton,"
sending copy of the January, 1857, number of the Magazine and
fifty guineas—Reply—Blackwood's admiration—Albert Smith's
appreciation—Letters to Blackwood—Name of George Eliot assumed—Dutch
school in art—Artistic bent—Letter to Miss Hennell—Intolerance—Letter
to John Blackwood on Mr. Swayne
comparing writing to Goldsmith's—Letter to Miss Hennell
on essay "Christianity and Infidelity"—Letter to Blackwood—Caterina
and the dagger scene—Trip to Penzance and the Scilly
Isles—Description of St. Mary's—Mr. Moyle, the surgeon—Social
Life—Letter to Mrs. Bray, anxiety about sister—Letter to
Miss Sara Hennell—"Life of Charlotte Brontë"—Letter to Isaac
P. Evans—Mrs. Clarke's illness—Letter to Blackwood—Conclusions
of stories—Jersey—Description of Gorey—Delightful walks—Reading
Draper's "Physiology"—Miss Catlow and Dr. Thomson
on wild-flowers—"Life of George Stephenson"—Letter to
Miss Hennell—Life in Jersey—Liggins appears on the scene—"Janet's
Repentance"—Series attributed to Bulwer—Thackeray
thinks highly of it—Letter from Herbert Spencer about "Mr. Gilfil"—Letter
from Archer Gurney—Lord Stanley thinks highly
of the "Scenes"—Letter to Blackwood, with First Part of
"Janet's Repentance"—Letter to Mrs. Bray—Richmond—Expression
of face—Letter to Mrs. John Cash—Happiness in her
life and hope in her work—Chilled by Blackwood's want of enthusiasm
about "Janet"—Letter to John Blackwood on "Janet"—Letter
to Miss Sarah Hennell—"Aurora Leigh"—Return to
Richmond—Letter to John Blackwood on "Janet"—Letters to
Miss Hennell—Rosa Bonheur—Thought not action—Mr. and
Mrs. Call—Letter to John Blackwood—Haunted by new story—Letter
to Charles Bray—"The Woman Question"—Close of
"Clerical Scenes" series—"Adam Bede" begun—Receives £120
for first edition of "Scenes of Clerical Life"—Letter to Mrs.
Bray—Unbelief in people's love—Letter to John Blackwood—Sheets
of "Clerical Scenes"—Letter to Miss Hennell—Newspaper
criticism—Letter to Charles Bray—"The Philosophy of
Necessity"—Sympathy with individuals—Objection to Theism—Phrenology—Happiness
the best result that can ever come out of
science—Letters to Miss Hennell—Reading Riehl's "The Family"—Hunger
for Knowledge—Buckle's "History of Civilization"—Autumn
days at Richmond—Reading the "Agamemnon"—Harriett
Martineau's "Sketch of the British Empire in India"—Macaulay's
essays on Clive and Hastings—Major Blackwood calls
and suspects identity of George Eliot—Reading the "Choephoræ"—"History
of the Thirty Years' Peace," and Béranger—Thankfulness
in reviewing experience of 1857.