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Familiar Quotations, Compiled by Bartlett

Familiar Quotations, Compiled by Bartlett

by John Bartlett

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About this eBook

Compiler
Bartlett, John, 1820-1905
Title
Familiar Quotations
Credits
Produced by Chuck Greif and Pat Saumell
Language
English
LoC Class
PN: Language and Literatures: Literature: General, Criticism, Collections
Subject
Quotations
Category
Text
eBook-No.
16732
Project Gutenberg
https://www.gutenberg.org/ebooks/16732
Release Date
September 23, 2005
Copyright
Public domain in the USA.

Contents

  1. 1.Familiar Quotations
  2. 2.COMPLETE INDICES OF AUTHORS AND SUBJECTS. — NEW YORK: HURST & COMPANY, PUBLISHERS.
  3. 3.INDEX OF AUTHORS:
  4. 4.PREFACE:
  5. 5.FAMILIAR QUOTATIONS
  6. 6.HOLY SCRIPTURES. — OLD TESTAMENT. — Genesis ii. 18. — Genesis iii. 19. — Genesis iv. 9. — Genesis iv. 13. — Genesis ix. 6. — Genesis xvi. 12. — Genesis xlii. 38. — Genesis xlix. 4. — Deuteronomy xix. 21. — Deuteronomy xxxii. 10. — Judges xvi. 9. — Ruth i. 16. — Samuel xiii. 14. — Samuel i. 20. — Samuel i. 23. — Samuel i. 25. — Samuel i. 26. — Samuel xii. 7. — Kings ix, 7. — Kings xviii. 21. — Kings xviii. 44. — Kings xix. 12. — Kings xx. 11. — Kings iv. 40. — Job i. 21. — Job iii. 17. — Job v. 7. — Job xvi. 2. — Job xix. 25. — Job xxviii. 18. — Job xxix. 15. — Job xxxi. 35. — Job xxxviii. 11. — Psalm xvi. 6. — Psalm xviii. 10. — Psalm xxiii. 2. — Psalm xxiii. 4. — Psalm xxxvii. 25. — Psalm xxxvii. 35. — Psalm xxxvii. 37. — Psalm xxxix. 3. — Psalm xlv. 1. — Psalm lv. 6. — Psalm lxxii. 9. — Psalm lxxxv. 10. — Psalm xc. 9. — Psalm cvii. 27. — Psalm cxxvii. 2. — Psalm cxxxiii. 1. — Psalm cxxxvii. 5. — Psalm cxxxvii. 2. — Psalm cxxxix. 14. — Proverbs iii. 17. — Proverbs xi. 14. — Proverbs xiii. 12. — Proverbs xiv. 9. — Proverbs xiv. 10. — Proverbs xiv. 34. — Proverbs xv. 1. — Proverbs xv. 17. — Proverbs xvi. 18. — Proverbs xvi. 31. — Proverbs xviii. 14. — Proverbs xxii. 6. — Proverbs xxiii. 5. — Proverbs xxiv. 33. — Proverbs xxvi. 13. — Proverbs xxvii. 1. — Proverbs xxviii. 1. — Ecclesiastes i. 9. — Ecclesiastes i. 14. — Ecclesiastes v. 12. — Ecclesiastes vii. 2. — Ecclesiastes vii. 16. — Ecclesiastes ix. 4. — Ecclesiastes ix. 10. — Ecclesiastes ix. 11. — Ecclesiastes xi. 1. — Ecclesiastes xii. 1. — Ecclesiastes xii. 5. — Ecclesiastes xii. 5. — Ecclesiastes xii. 6. — Ecclesiastes xii. 7. — Ecclesiastes xii. 8. — Ecclesiastes xii. 12. — Isaiah xi. 6. — Isaiah xxviii. 10. — Isaiah xxxviii. 1. — Isaiah xl. 6. — Isaiah xl. 15. — Isaiah xlii. 3. — Isaiah liii. 7. — Isaiah lx. 22. — Isaiah lxi. 3. — Isaiah lxiv. 6. — Jeremiah vii. 3. — Jeremiah viii. 22. — Jeremiah xiii. 23. — Ezekiel xviii. 2. — Daniel v. 27. — Daniel vi. 12. — Hosea viii. 7. — Micah iv. 3. — Micah iv. 4. — Habakkuk ii. 2. — Malachi iv. 2. — Ecelesiasticus xiii. 1. — Ecelesiasticus xiii. 7. — COMMON PRAYER. — Morning Prayer. — Psalm cv. 18. — The Burial Service. — NEW TESTAMENT. — Matthew ii. 18. — Matthew iv. 4. — Matthew v. 13. — Matthew v. 14. — Matthew vi. 3. — Matthew vi. 21. — Matthew vi. 24. — Matthew vi. 28. — Matthew vi. 34. — Matthew vii. 6. — Matthew vii. 7. — Matthew viii. 20. — Matthew ix. 37. — Matthew x. 16. — Matthew x. 30. — Matthew xii. 33. — Matthew xii. 34. — Matthew xiii. 57. — Matthew xiv. 27. — Matthew xv. 14. — Matthew xv. 27. — Matthew xvi. 23. — Matthew xvi. 26. — Matthew xvii. 4. — Matthew xix. 6. — Matthew xix. 24. — Matthew xx. 15. — Matthew xxii. 14. — Matthew xxiii. 24. — Matthew xxiii. 27. — Matthew xxiv. 28. — Matthew xxv. 29. — Matthew xxvi. 41. — Mark iv. 9. — Mark v. 9. — Mark ix. 44. — Luke iii. 9. — Luke iv. 23. — Luke x. 37. — Luke x. 42. — Luke xi. 23. — Luke xii. 19. — Luke xii. 35. — Luke xvi. 8. — Luke xvii. 2. — Luke xvii. 32. — Luke xix. 22. — John i. 29. — John i. 46. — John iii. 3. — John iii. 8. — John v. 35. — John vi. 12. — John vii. 24. — John xii. 8. — John xii, 35. — John xiv. 1. — John xiv. 2. — John xv. 13. — Acts ix. 5. — Acts xx. 35. — Romans ii. 11. — Romans vi. 23. — Romans viii. 28. — Romans xii. 16. — Romans xii. 20. — Romans xii. 21. — Romans xiii. 1. — Romans xiii. 7. — Romans xiii. 10. — Romans xiv. 5. — 1 Corinthians iii. 6. — 1 Corinthians iii. 13. — 1 Corinthians v. 3. — 1 Corinthians v. 6. — 1 Corinthians vii. 31. — 1 Corinthians ix. 22. — 1 Corinthians x. 12. — 1 Corinthians xiii. 1. — 1 Corinthians xiii. 11. — 1 Corinthians xiii. 12. — 1 Corinthians xv. 33. — 1 Corinthians xv. 47. — 1 Corinthians xv. 55. — 2 Corinthians v. 7. — 2 Corinthians vi. 2. — 2 Corinthians vi. 8. — Galatians vi. 5. — Galatians vi. 7. — Ephesians iv. 26. — Philippians i. 21. — Colossians ii. 21. — 1 Thessalonians i. 3. — 1 Thessalonians v. 21. — 1 Timothy iii. 3, — 1 Timothy v. 18. — 1 Timothy v. 23. — 1 Timothy vi. 10. — 2 Timothy iv. 7. — Titus i. 15. — Hebrews xi. 1. — Hebrews xii. 6. — Hebrews xiii. 2. — James i. 12. — James iii. P — James iv. 7. — 1 Peter iv. 8. — 1 Peter v. 8. — 2 Peter iii. 10. — 1 John iv. 18. — Revelation ii. 10. — Revelation ii. 27. — Revelation xxii. 13.
  7. 7.SHAKESPEARE. — TEMPEST. — Act i. Sc. 2. — Act i. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act iv. Sc. 1. — Act iv. Sc. 1. — TWO GENTLEMEN OF VERONA. — Act i. Sc. 2. — Act iv. Sc. 1. — Act iv. Sc. 4. — MERRY WIVES OF WINDSOR. — Act ii. Sc. 1. — Act ii. Sc. 2. — Act v. Sc. 1. — TWELFTH NIGHT. — Act i. Sc. 1. — Act i. Sc, 3. — Act i. Sc. 5. — Act ii. Sc. 3. — Act ii. Sc. 4. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc, 2. — Act iii. Sc. 4. — MEASURE FOR MEASURE. — Act i. Sc. 1. — Act i. Sc. 5. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iv. Sc. 1. — MUCH ADO ABOUT NOTHING. — Act i. Sc. 1. — Act ii. Sc. 1. — Act ii. Sc. 1. — Act ii. Sc. 3. — Act ii. Sc. 3. — Act iii. Sc. 1. — Act iii. Sc. 2. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 4. — Act iv. Sc. 2. — Act iv. Sc. 2. — Act v. Sc. 1. — MIDSUMMER NIGHT'S DREAM. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act iii. Sc. 2. — Act v. Sc. 1. — LOVE'S LABOR'S LOST. — Act ii. Sc. 1. — Act v. Sc. 1. — MERCHANT OF VENICE. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 1. — Act i, Sc. 1. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act ii. Sc. 2. — Act ii, Sc. 6. — Act ii. Sc. 7. — Act iii. Sc. 1. — Act iii. Sc. 5. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 1. — AS YOU LIKE IT. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 3. — Act i. Sc. 3. — Act ii. Sc. 1. — Act ii. Sc. 1. — Act ii. Sc. 1. — Act ii. Sc. 3. — Act ii. Sc. 3. — Act ii. Sc. 7. — Act ii. Sc. 7. — Act ii. Sc. 7. — Act ii. Sc. 7. — Act ii. Sc. 7. — Act ii. Sc. 7. — Act iii. Sc. 2. — Act iii. Sc. 8. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 3. — Act v. Sc. 2. — Act v. Sc. 4. — Epilogue. — TAMING OF THE SHREW. — Act iv. Sc. 1, — Act v. Sc. 2. — WINTER'S TALE. — Act iv. Sc. 2. — Act iv. Sc. 3. — Act iv. Sc. 3. — ALL'S WELL THAT ENDS WELL. — Act i. Sc. 1. — Act v. Sc. 3. — COMEDY OF ERRORS. — Act v. Sc. 1. — MACBETH. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 4. — Act i. Sc. 4. — Act i. Sc. 5. — Act i. Sc. 5. — Act i. Sc. 7. — Act i. Sc. 7. — Act i. Sc. 7. — Act i. Sc. 7. — Act i. Sc, 7. — Act i. Sc. 7. — Act i. Sc. 7. — Act i. Sc. 7. — Act i. Sc. 7. — Act ii. Sc. 1. — Act ii. Sc. 1. — Act ii. Sc. 1. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 3. — Act ii. Sc. 3. — Act ii. Sc. 4. — Act iii. Sc, 1. — Act iii. Sc. 1. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 3. — Act iv. Sc. 3. — Act iv. Sc. 3. — Act v. Sc. 3. — Act v. Sc. 3. — Act v. Sc. 3. — Act v. Sc, 3. — Act v. Sc. 3. — Act v, Sc. 5. — Act v. Sc. 5. — Act v. Sc. 5. — Act. v. Sc. 7. — Act. v. Sc. 7. — Act v. Sc. 7. — KING JOHN. — Act ii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc. 4. — Act iv. Sc. 2. — Act iv. Sc. 2. — KING RICHARD II. — Act i. Sc. 3. — Act i. Sc. 3. — Act ii. Sc. 1. — FIRST PART OF KING HENRY IV. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 3. — Act i. Sc. 3. — Act ii. Sc. 1. — Act ii. Sc. 4. — Act ii. Sc. 4. — Act ii. Sc. 4. — Act ii. Sc. 4. — Act ii. Sc. 4. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc. 3. — Act v. Sc. 4. — Act v. Sc. 4. — Act v. Sc. 4. — SECOND PART OF KING HENRY IV. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 3. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iv. Sc. 4. — Act iv. Sc. 4. — Act v. Sc. 3. — KING HENRY V. — Act i. Sc. 1. — Act i, Sc. 1. — Act ii Sc. 1. — Act ii. Sc. 3. — Act iv. Chorus. — Act iv. Sc. 3. — FIRST PART OF KING HENRY VI. — Act v. Sc. 3. — SECOND PART OF KING HENRY VI. — Act iii. Sc. 1. — Act iii. Sc. 2. — Act iii. Sc. 3. — THIRD PART OF KING HENRY VI. — Act v. Sc. 6. — KING RICHARD III — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 4. — Act iv. Sc. 2. — Act iv. Sc. 4. — Act iv. Sc. 4. — Act v. Sc. 2. — Act v. Sc. 2. — Act v. Sc. 3. — Act v. Sc. 4. — Act v. Sc. 4. — KING HENRY VIII. — Act ii. Sc. 3. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iv. Sc. 2. — Act v. Sc. 2. — TROILUS AND CRESSIDA. — Act iii. Sc. 3. — Act iii. Sc. 3. — CORIOLANUS. — Act iii. Sc. 1. — JULIUS CAESAR. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act ii. Sc. 1. — Act ii. Sc. 1. — Act ii. Sc. 2. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2.. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iv. Sc. 2. — Act iv. Sc. 3. — Act iv. Sc. 3. — Act iv. Sc. 3. — Act iv. Sc. 3. — Act v. Sc. 5. — ANTONY AND CLEOPATRA. — Act i. Sc. 1. — Act ii. Sc. 2. — Act ii. Sc. 2. — CYMBELINE. — Act ii. Sc. 3. — Act iii. Sc. 2. — Act iii. Sc. 6. — KING LEAR. — Act i. Sc. 4. — Act i. Sc. 4. — Act ii. Sc. 4. — Act iil. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 6. — Act iv. Sc. 6. — Act. iv. Sc. 6. — Act iv. Sc. 6. — Act v. Sc. 3. — Act. v. Sc. 3. — ROMEO AND JULIET. — Act i. Sc. 1. — Act i. Sc. 2. — Act i. Sc. 5. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 3. — Act ii. Sc. 4. — Act ii. Sc. 4. — Act ii. Sc. 4. — Act ii, Sc. 6. — Act iii. Sc, 1. — Act iii. Sc. 1. — Act iii. Sc. 3. — Act iii. Sc. 5. — Act iv. Sc. 2. — Act v. Sc. I. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 3. — Act v. Sc. 3. — HAMLET. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 2. — Act i. Sc. 2. — Act i, Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 2. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 4. — Act i. Sc. 4. — Act i. Sc. 4. — Act i. Sc. 4. — Act i. Sc. 4. — Act i. Sc. 4. — Act i. Sc. 5. — Act i. Sc. 5. — Act i. Sc. 5. — Act i. Sc. 5. — Act i. Sc. 5. — Act i. Sc. 5. — Act i. Sc. 5. — Act i. Sc. 5. — Act ii. Sc. 1. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2, — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act ii. Sc. 2. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc. 1. — Act iii. Sc. X. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 2. — Act iii. Sc. 3. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iii. Sc. 4. — Act iv. Sc. 5. — Act iv. Sc. 5. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 1. — Act v. Sc. 2. — Act v. Sc. 2. — Act v. Sc. 2. — OTHELLO. — Act i. Sc. 1. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act i. Sc. 3. — Act ii. Sc. 1. — Act ii. Sc. 1. — Act ii. Sc. 3. — Act ii. Sc. 3. — Act ii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iii. Sc. 3. — Act iv. Sc. 1. — Act iv. Sc. 2. — Act iv. Sc. 2. — Act iv. Sc. 2. — Act iv. Sc. 3. — Act v. Sc. 1. — Act v. Sc. 2. — Act v. Sc. 2.
  8. 8.THOMAS TUSSER. — 1523-1580. — Moral Reflections on the Wind .
  9. 9.FULKE GREVILLE, LORD BROOKE. — 1554-1624. — Mustapha . — Act v. Sc. 4. — Sonnet LVI.
  10. 10.CHRISTOPHER MARLOWE. — 1565-1593. — Hero and Leander . — The Passionate Shepherd to his Love .
  11. 11.SIR WALTER RALEIGH. — 1552-1618. — The Nymph's Reply to the Passionate Shepherd . — The Silent Lover .
  12. 12.JOSHUA SYLVESTER — 1563-1618. — The Soul's Errand [3]
  13. 13.RICHARD BARNFIELD. — Address to the Nightingale . [4]
  14. 14.EDMUND SPENSER. — 1553-1597. — Faerie Queene . — Book i. Canto i. St. 35. — Book 1. Canto iii. St. 4. — Book i. Canto ix. St. 35. — Book ii. Canto vi. St. 12. — Book iv. Canto ii. St. — Lines on his Promised Pension . — Hymn in Honor of Beauty . Line 132.
  15. 15.MOTHER HUBBERD'S TALE.
  16. 16.SIR HENRY WOTTON. — 1568-1639. — The Character of a Happy Life . — To his Mistress, the Queen of Bohemia .
  17. 17.DR. JOHN DONNE. — 1573-1631. — FUNERAL ELEGIES, ON THE PROGRESS OF THE SOUL. — The Second Anniversary . Line 245. — Elegy 8. The Comparison .
  18. 18.BEN JONSON. — 1571-1637. — To Celia . — The Sweet Neglect . — Good Life , Long Life . — Epitaph on Elizabeth . — Epitaph on the Countess of Pembroke . — To the Memory of Shakespeare . — Every Man in his Humor . Act. ii. Sc. 3.
  19. 19.FRANCIS BEAUMONT. — 1585-1616. — Letter to Ben Jonson .
  20. 20.GEORGE WITHER. — 1588-1667. — The Shepherd's Resolution .
  21. 21.FRANCIS QUARLES. — 1592-1644. — Emblems . Book ii. 2. — Book ii. Epigram 10.
  22. 22.GEORGE HERBERT. — 1593-1632. — Virtue .
  23. 23.SIR JOHN SUCKLING. — 1608-1644. — On a Wedding . — Song .
  24. 24.ROBERT HERRICK. — 1591-1660. — The Rock of Rubies, and the Quarrie of Pearls . — On her Feet . — To the Virgins to make much of Time . — Night Piece to Julia .
  25. 25.SIR RICHARD LOVELACE. — 1618-1658. — Orpheus to Beasts . — To Lucasta on Going to the Wars . — To Althea from Prison .
  26. 26.JAMES SHIRLEY. — 1596-1666. — Contention of Ajax and Ulysses .
  27. 27.RICHARD CRASHAW. — —1650. — In Praise of Lessius' Rule of Health .
  28. 28.THOMAS DEKKER. — —1638. — Old Fortunatus . — We are ne'er like angels till our passion dies.
  29. 29.ABRAHAM COWLEY. — 1618-1667. — The Waiting-Maid . — The Motto . — On the Death of Crashaw . — The Garden . Essay V.
  30. 30.SIR JOHN DENHAM. — 1615-1679. — Cooper's Hill . — The Sophy . A Tragedy .
  31. 31.THOMAS CAREW. — 1589-1639. — Disdain Returned . — Conquest by Flight .
  32. 32.EDMUND WALLER. — 1605-1687. — Verses upon his Divine Poesy . — On a Girdle . — Go, Lovely Rose . — To a Lady, Singing a Song of his Composing .
  33. 33.MILTON. — 1608-1674. — PARADISE LOST. — Book i. Line 10. — Book i. Line 22. — Book i. Line 62. — Book i. Line 65. — Book i. Line 105. — Book i. Line 254. — Book i. Line 261. — Book i. Line 275. — Book i. Line 303. — Book i. Line 330. — Book i. Line 540. — Book i. Line 550. — Book i. Line 619. — Book i. Line 742. — Book ii. Line 113. — Book ii. Line 300. — Book ii. Line 306. — Book ii. Line 560. — Book ii. Line 666. — Book ii. Line 681. — Book ii. Line 846. — Book ii. Line 996. — Book iii. Line 1. — Book iii. Line 44. — Book iii. Line 495. — Book iv. Line 34. — Book iv. Line 76. — Book iv. Line 108. — Book iv. Line 297. — Book iv. Line 300. — Book iv. Line 506. — Book iv, Line 598. — Book iv. Line 639. — Book iv. Line 677. — Book iv. Line 750. — Book iv. Line 830, — Book v. Line 1. — Book v. Line 71. — Book v. Line 153. — Book v. Line 331, — Book v. Line 601. — Book v. Line 637. — Book vi. Line 211. — Book vii. Line 30. — Book viii. Line 84. — Book viii. Line 488. — Book viii. Line 502. — Book viii. Line 548. — Book viii. Line 600. — Book viii. Line 618. — Book ix. Line 249. — Book x. Line 77. — Book xii. Line 646. — PARADISE REGAINED. — Book iv Line 240. — Book iv. Line 267. — Book iv. Line 330. — SAMSON AGONISTES. — Line 293. — Line 1350. — COMUS. — Line 205. — Line 221. — Line 244. — Line 256. — Line 381. — Line 476. — Line 560. — LYCIDAS. — Line 10. — Line 14. — Line 70. — Line 101. — Line 109. — Line 168. — Line 198. — L'ALLEGRO. — Line 27. — Line 33. — Line 67. — Line 79. — Line 117. — Line 133. — Line 136. — IL PENSEROSO. — Line 39. — Line 61. — Line 106. — Line 120. — Line 159. — Sonnet to the Lady Margaret Ley . — Sonnet on his Blindness . — Second Sonnet to Cyriac Skinner . — Sonnet on his Deceased Wife .
  34. 34.SAMUEL BUTLER. — 1612-1680. — Hudibras . — Part i. Canto i. Line 51 — Part i. Canto i. Line 67 — Part i. Canto i. Line 81 — Part i. Canto i. Line 131. — Part i. Canto i. Line 149 — Part i. Canto i. Line 199 — Part i. Canto i. Line 215 — Part i. Canto i. Line 463 — Part i. Canto i. Line 489 — Part i. Canto i. Line 821 — Part i. Canto i. Line 852 — Part i. Canto ii. Line 633 — Part i. Canto ii. Line 831 — Part i. Canto iii. Line 1 — Part i. Canto iii. Line 263 — Part i. Canto iii. Line 309 — Part i. Canto iii. Line 877 — Part i. Canto iii. Line 1367 — Part ii. Canto i. Line 29 — Part ii. Canto i. Line 465 — Part ii. Canto n. Line 29 — Part ii. Canto ii. Line 79 — Part ii. Canto ii Line 503 — Part ii. Canto iii. Line 1. — Part ii. Canto iii. Line 261. — Part ii. Canto iii. Line 580 — Part ii. Canto iii. Line 923 — Part ii. Canto iii. Line 1067 — Part iii. Canto i. Line 3 — Part iii. Canto ii. Line 175. — Part iii. Canto iii. Line 243 — Part iii. Canto iii. Line 547
  35. 35.MARQUIS OF MONTROSE. — 1612-1650. — Song , " My Dear and only Love ."
  36. 36.DRYDEN. — 1631-1700. — Alexander's feast . — Line 15. — Line 60. — Line 66. — Line 78, — Line 96. — Line 99. — Line 106. — Line 120 — Line 154. — Line 160. — Line 169. — Cymon and Iphigenia . — Line 84. — Absalom and Achitophet . — Part i. Line 363 — Part i. Line 174 — Part i. Line 534 — Part i. Line 545 — Part i. Line 1005 — Part ii. Line 463 — All for Love . Prologue. — Act iv. Sc. 1. — Conquest of Grenada . Part i. Sc. 1. — Spanish Friar . Act ii. Sc. 1. — Don Sebastian . Act i. Sc. 1. — Translation of Juvenal's 10th Satire . — Prologue to Lee's Sophonisba . — Imitation of the 29th of Horace . — Book i. Line 65. — On Milton .
  37. 37.JOHN BUNYAN. — 1628-1688. — Apology for his Book . — Pilgrim's Progress .
  38. 38.EARL OF ROSCOMMON. — 1633-1684. — Essay on Translated Verse .
  39. 39.EARL OF ROCHESTER. — Written on the Bedchamber Door of Charles II .
  40. 40.KING CHARLES II. — Written in Parliament attending the Discussion of Lord Boss' Divorce Bill .
  41. 41.SHEFFIELD, DUKE OF BUCKINGHAMSHIRE. — 1649-1721. — Essay on Poetry .
  42. 42.THOMAS OTWAY. — 1651-1685. — Venice Preserved . — Act i. Sc. 1.
  43. 43.JOHN NORRIS. — 1657-1711. — The Parting .
  44. 44.NATHANIEL LEE. — 1655-1692. — Alexander the Great . — Act i. Sc. 3. — Act iv. Sc. 2.
  45. 45.TOM BROWN. — —1704. — Dialogues of the Dead .
  46. 46.THOMAS SOUTHERN. — 1659-1746. — Oroonoka . — Act ii. Sc. 1.
  47. 47.DANIEL DEFOE. — 1661-1731. — The True-Born Englishman . — Part i. Line 1
  48. 48.LOUIS THEOBALD. — 1688-1744. — The Double Falsehood .
  49. 49.MATTHEW PRIOR. — 1664-1721. — English Padlock . — Henry and Emma . — The Thief and the Cordelier . — Epilogue to Lucius . — Imitations of Horace . — Epitaph on Himself . — Ode in Imitation of Horace . B. iii. Od. 2.
  50. 50.COLLEY CIBBER. — 1671-1757. — Richard III . — Act iv. Sc. 3. — Act v. Sc. 3.
  51. 51.JOSEPH ADDISON. — 1672-1719. — CATO. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 1. — Act i. Sc. 1. — Act ii. Sc. 1. — Act iv. Sc. 1. — Act iv. Sc. 2. — Act v. Sc. 1. — Act v. Sc. I. — Act v. Sc. 1. — Act v. Sc. 1. — The Campaign . — From the Letter on Italy . — Ode .
  52. 52.JONATHAN SWIFT. — 1667-1745. — Imitation of Horace . B. ii. Sat. 6. — Poetry, a Rhapsody .
  53. 53.WILLIAM CONGREVE. — 1669-1729. — The Mourning Bride . Act i. Sc. 1. — Act iii. Sc. 1.
  54. 54.ALEXANDER POPE. — 1688-1744. — ESSAY ON MAN. — Epistle i. Line 5. — Line 13. — Line 88. — Line 95. — Line 99. — Line 200. — Line 294. — Epistle ii. Line 1. — Line 217. — Line 231. — Line 276. — Line 193. — Line 203. — Line 215. — Line 247. — Line 254. — Line 281. — Line 310. — Line 330. — Line 379. — MORAL ESSAYS. — Epistle i. Line 135. — Line 149. — Line 246. — Epistle ii. Line 15. — Line 43. — Line 97. — Line 215. — Line 268. — Line 270. — Epistle iii. Line 1. — Line 95. — Line 153. — Line 161. — Line 250. — Line 285. — AN ESSAY ON CRITICISM. — Part i. Line 9. — Line 153. — Part ii. Line 215. — Line 232. — Line 297. — Line 357. — Line 362. — Line 365. — Line 525. — Part iii. Line 625. — ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY. — Line 54. — THE RAPE OF THE LOCK. — Canto ii. Line 7. — Canto ii. Line 17. — Canto iii. Line 16. — Line 21. — SATIRES AND IMITATIONS OF HORACE — Prologue, Line 1. — Line 12. — Line 18. — Line 127. — Line 197. — Line 201. — Line 308. — Line 333. — Line 69. — Line 127. — Book ii. Satire ii. Line 159. — Book ii. Epistle i. Line 108. — Epilogue to the Satires . — Dialogue i. Line 136. — Epitaph on Gay . — THE DUNCIAD. — Book i. Line 54. — Book iii. Line 158. — Book iii. Line 165. — Book iv. Line 614. — ODYSSEY. — Book ii. Line 315. — Book xiv. Line 410. — Book xv. Line 79. — Book xv. Line 83. — Windsor forest . — Martinus Scriblerus on the Art of Sinking in Poetry . — Chapter xi. — Epitaph on the Hon. S. Harcourt .
  55. 55.THOMAS TICKELL. — 1686-1740. — On the Death of Addison . Line 45. — Line 79. — Colin and Lucy .
  56. 56.JOHN GAY. — 1688-1732. — What D'ye Call 't . — Act ii. Sc. 9. — Beggars' Opera . — Act i. Sc. 1. — FABLES. — The Shepherd and the Philosopher . — The Mother, the Nurse, and the Fairy . — The Sick Man and the Angel . — The Hare and Many Friends . — Epitaph on Himself .
  57. 57.LADY MARY WORTLEY MONTAGUE. — 1690-1762. — The Lady's Resolve .
  58. 58.NICHOLAS ROWE. — 1673-1718. — The Fair Penitent . — Act ii. Sc. 1. — Act v. Sc. 1.
  59. 59.JOHN PHILIPS. — 1676-1708. — Splendid Shilling . — Line 121.
  60. 60.THOMAS PARNELL. — 1679-1718. — The Hermit . Line 5.
  61. 61.BARTON BOOTH. — 1681-1733. — Song .
  62. 62.MATTHEW GREEN. — 1696-1737. — The Spleen . Line 93.
  63. 63.JOHN BYROM. — 1691-1763. — 'On the Feuds between Handel and Bononcini' . [13] — The Astrologer . — Epigram on Two Monopolists .
  64. 64.BISHOP BERKELEY. — 1684-1753. — On the Prospect of Planting Arts and Learning in America .
  65. 65.ROBERT BLAIR. — 1699-1746. — The Grave . Part ii. Line 586.
  66. 66.EDWARD YOUNG. — 1681-1765. — NIGHT THOUGHTS. — Night i. Line 1. — Night i. Line 55. — Night i. Line 154. — Night i. Line 390. — Night i. Line 393. — Night i. Line 417. — Night i. Line 424. — Night ii. Line 376. — Night ii. Line 602. — Night ii. Line 633. — Night iii. Line 81. — Night iii. Line 104 — Night iv. Line 10. — Night iv. Line 15. — Night iv. Line 118. — Night v. Line 775. — Night v. Line 1011. — Night vi. Line 309. — Night vi. Line 606. — Night vii. Line 496. — Night ix. Line 771. — Night ix. Line 1660. — LOVE OF FAME. — Satire i. Line 89. — Satire ii. Line 207. — Satire vii. Line 97. — Lines Written with the Diamond Pencil of Lord Chesterfield .
  67. 67.HENRY CAREY. — 1663-1743. — God save the King . [16] — Chrononhotonthologos . Act i. Sc. 3. — Act ii. Sc. 4.
  68. 68.ISAAC WATTS. — 1674-1748. — DIVINE SONGS.
  69. 69.SIR SAMUEL TUKE. — —1673. — Adventures of Five Hours . Act v. Sc. 3.
  70. 70.AARON HILL — 1685-1750. — Epilogue to Zara . — Verses Written on a Window in Scotland .
  71. 71.RICHARD SAVAGE. — 1698-1743. — The Bastard . Line 7.
  72. 72.JAMES THOMSON. — 1700-1748. — THE SEASONS. — Spring . Line 283. — Line 465. — Line 1149. — Line 1158. — Summer . Line 1188. — Line 1285. — Line 1346. — Autumn . Line 204. — Line 283. — Winter . Line 393. — Hymn . Line 25. — Line 114. — Line 118. — Castle of Indolence . Canto i. St. 69. — Alfred . Act ii. Sc. 5. — Song, "Forever, Fortune." — Sophonisba . Act iii. Sc. 2.
  73. 73.JOHN DYER. — 1700-1758. — Grongar Hill . Line 163. — Line 123.
  74. 74.PHILIP DODDRIDGE. — 1702-1751. — Epigram on his Family Arms .
  75. 75.ROBERT DODSLEY — 1703-1764. — The Parting Kiss .
  76. 76.SAMUEL JOHNSON. — 1709-1784. — Prologue on the Opening of Drury Lane Theatre . — Vanity of Human Wishes . — Line 1. — Line 159. — Line 221. — Line 257. — Line 306. — Line 318. — Line 346. — London . Line 166. — Line 176. — Lines added to Goldsmith's Traveller . — Line added to Goldsmith's Deserted Village . — From Dr. Madden's " Boulter's Monument ." — Supposed to have been inserted by Dr. Johnson . 1745. — Basselas . Chapter i. — Epitaph on Robert Levett . — Epitaph on Claudius Phillips, the Musician .
  77. 77.LORD LYTTELTON — 1709-1773. — Prologue to Thomson's Coriolanus . — Epigram . — Soliloquy on a Beauty in the Country . — Song .
  78. 78.EDWARD MOORE. — 1712-1757. — Fable IX. The Farmer, the Spaniel, and the Cat . — Fable X. The Spider and the Bee . — The Happy Marriage . — The Gamester . Act iii. Sc. 4.
  79. 79.WILLIAM SHENSTONE. — 1714-1763. — Written on the Window of an Inn . — Jemmy Dawson . — The Schoolmistress .
  80. 80.JOHN BROWN. — 1715-1766. — Barbarossa . Act. v. Sc. 3.
  81. 81.DAVID GARRICK. — 1716-1779. — Prologue on Quitting the Stage in 1776, 10th of June . — On the Death of Mr. Pelham .
  82. 82.THOMAS GRAY. — 1716-1771. — On a Distant Prospect of Eton College . — Progress of Poesy . — The Bard . — Elegy in a Country Churchyard . — Ode on the Pleasure arising from Vicissitude .
  83. 83.WILLIAM COLLINS. — 1720-1756. — Ode in 1746 . — The Passions . Line 1. — Line 10. — Line 28. — Line 60. — Line 68. — Line 95. — Eclogue 1. Line 5. — Ode on the Death of Thomson .
  84. 84.MARK AKENSIDE. — 1721-1770. — Epistle to Curio .
  85. 85.NATHANIEL COTTON. — 1721-1788. — The Fireside . St. 3. — St. 13.
  86. 86.JOHN HOME. — 1722-1808. — Douglas . Act i. Sc. 1. — Act ii. Sc. 1.
  87. 87.OLIVER GOLDSMITH. — 1728-1774. — THE TRAVELLER. — Line 1. — Line 7. — Line 22. — Line 26. — Line 77. — Line 153. — Line 172. — Line 217. — Line 251. — Line 327. — Line 372. — Line 386. — Line 409. — THE DESERTED VILLAGE. — Line 14. — Line 51. — Line 62. — Line 100. — Line 110. — Line 122. — Line 141. — Line 158. — Line 161. — Line 164. — Line 170. — Line 180. — Line 184. — Line 192. — Line 196. — Line 203. — Line 212. — Line 229. — Line 254. — Line 264. — Line 329. — Line 385. — RETALIATION. — Line 24. — Line 31. — Line 37. — Line 94. — VICAR OF WAKEFIELD. — Chapter viii. The Hermit . — Chapter xvii. Elegy on a Mad Dog . — Chapter xxiv. — Elegy on Mrs. Mary Blaise .
  88. 88.TOBIAS SMOLLETT. — 1721-1771. — Ode to Independence .
  89. 89.THOMAS PERCY. — 1728-1811. — Reliques of English Poetry. The Baffled Knight . — The Friar of Orders Gray . — From Byrd's Psalmes, Sonets, &c . 1588.
  90. 90.BEILBY PORTEUS. — 1731-1808. — Death, a Poem . Line 154.
  91. 91.JAMES BEATTIE. — 1735-1766. — The Minstrel . Book i. St. 1. — Epigram . The Bucks had dined .
  92. 92.CHARLES CHURCHILL. — 1741-1764. — The Rosciad . Line 861.
  93. 93.MRS. THEALE. — 1740-1822. — Three Warnings .
  94. 94.WILLIAM COWPER. — 1731-1800. — Book i. The Sofa . — Book ii. The Timepiece . — Book iii. The Garden . — Book iv. Winter Evening . — Book v. Winter Morn in a Walk . — Book vi. Winter Walk at Noon . — Tirocinium . — Retirement . — Conversation . — John Gilpin . — Lines to his Mother's Picture . — Walking with God . — VERSES, Supposed to be Written by Alexander Selkirk .
  95. 95.W. J. MICKLE. — 1734-1788. — The Mariner's Wife .
  96. 96.JOHN LANGHORNE. — 1735-1779. — The Country Justice . — Part i
  97. 97.DR. WALCOTT. — 1738-1819. — Peter Pindar's Expostulatory Odes to a great Duke and a little Lord . Ode XV .
  98. 98.MRS. BARBAULD. — 1743-1825. — Warrington Academy .
  99. 99.SIR WILLIAM JONES. — 1746-1794. — A Persian Song of Hafiz . — Ode in Imitation of Alcoeus .
  100. 100.CAPTAIN CHARLES MORRIS. — —1832. — Billy Pitt and the Farmer .
  101. 101.JOHN TRUMBULL. — 1750-1881. — McFingal . Canto i. Line 67. — Canto iii. Line 489.
  102. 102.RICHARD BRINSLEY SHERIDAN — 1751-1816. — The Rivals . Act v. Sc. 3. — The Critic . Act ii. Sc. 1. — Act ii. Sc. 2. — School for Scandal . Act i. Sc. 1. — Act iii. Sc. 3. — The Duenna . Act i. Sc. 2. — Speech in Reply to Mr. Dundas .
  103. 103.GEORGE CRABBE. — 1754-1832. — Parish Register . — The Borough Schools . — The Borough Placers . — The Birth of Flattery .
  104. 104.ROBERT BURNS. — 1759-1796. — Tom O'Shanter . — To a Mouse . — Scots wha hae . — Address to the Unco Guid . — On Captain Grose's Peregrinations through Scotland . — To a Louse . — Epistle to a Young Friend . — The Twa Dogs . — Epistle to James Smith . — Despondency . — Auld Lang Syne . — Green grow the Rashes . — Man was made to Mourn . — Death and Dr. Hornbook . — Is there for honest Poverty . — The Cotter's Saturday Night .
  105. 105.THOMAS MOSS. — —1808. — The Beggar .
  106. 106.GEORGE COLMAN. — 1762-1836. — BROAD GRINS. — The Maid of the Moor . — Lodgings for Single Gentlemen . — The Poor Gentleman . — Act i. Sc. 2. — Prologue to the Heir ft Law .
  107. 107.THOMAS MORTON. — 1764-1836. — Speed the Plough . Act i. Sc. 1.
  108. 108.GEORGE CANNING. — 1770-1827. — POETRY OF THE ANTI-JACOBIN. — The Needy Knife-Grinder . — The Loves of the Triangles . — Line 178.
  109. 109.WILLIAM WORDSWORTH. — 1770-1850. — Quilt and Sorrow . — St. 41. — My Heart Leaps up . — Lucy Gray . — St. 2. — We are Seven . — The Pet Lamb . — The Brothers . — Stanzas written in Thomson . — Lucy . — The Solitary Reaper . — Rob Hoy's Grave . — St. 9. — Yarrow Unvisited . — Sonnets to National Independence and Liberty . — Part i. vi — Part i. xiv. — Part i. xvi. — Nutting . — She was a Phantom of Delight . — I Wandered Lonely . — Ruth . — Resolution and Independence . — Part i. St. 7 — Hart-Leap Well . — Part ii — Tintern Abbey . — To a Skylark . — Peter Bell . — Prologue. St. 1. — Prologue. St. 27. — Part i. St. 12. — Part i. St. 15. — Part i. St. 26. — Miscellaneous Sonnets . — Part i. xxx. — Part i. xxxiii. — Part i. xxxv. — Part ii. xxxvi. — Ecclesiastical Sonnets . — Part iii. v. Walton's Book of Lives . — The Tables Turned . — A Poet's Epitaph . — St. 5. — Personal Talk . — St. 3. — The Small Celandine . (From Poems referring to the Period of Old Age.) — Elegiac Stanzas suggested by a Picture of Peele Castle in a Storm . — St. 4. — Intimations of Immorality . — St 5. — St. xi. — THE EXCURSION. — Book i. — Book ii. — Book iii. — Book iv. — Book vi. — Book vii. — Book ix.
  110. 110.HON. WILLIAM ROBERT SPENCER. — 1770-1834. — Lines to Lady A. Hamilton .
  111. 111.DR. GEORGE SEWELL. — —1726.
  112. 112.SAMUEL TAYLOR COLERIDGE. — 1772-1834 — The Ancient Mariner . — Part i. — Part ii. — Part iv. — Part v. — Part vii. — Christabel . Part ii. — The Devil's Thoughts . — Love . — Reflections on having left a Place of Retirement . — Hymn in the Vale of Chamouni . — The Three Graves . — The Visit of the Gods . — The Knight's Tomb . — Cologne . — Wallenstein . — Part i. Act ii. Sc. 4. — The Death of Wallenstein . — Act. v. Sc. 1. — Act v. Sc. 1.
  113. 113.ROBERT SOUTHEY. — 1774-1843. — Curse of Kehama . Canto x.
  114. 114.CHARLES LAMB. — 1775-1834. — Old Familiar Faces . — Detached Thoughts on Books .
  115. 115.THOMAS CAMPBELL. — 1777-1844. — Pleasures of Hope . — Part i. Line 7. — Line 359. — Line 381. — Part ii. Line 5. — Line 23. — Line 37. — Line 45. — Line 95. — Line 194. — Line 263. — Line 325. — Line 377. — O'Connor's Child . — Lochiel's Warning . — Ye Mariners of England . — The Soldier's Dream . — Hohenlinden . — Gertrude of Wyoming . — Part iii. St. 1.
  116. 116.WALTER SCOTT. — 1771-1832. — Canto ii. St. 1. — Canto ii. St. 12. — Canto ii. St. 22. — Canto iii. St. 2. — Canto v. St. 1. — Canto v. St. 13. — Canto vi. St. 1. — Canto vi. St. 2. — Marmion . — Canto ii. St. 27. — Canto v. St. 12. — Canto vi. St. 14. — Canto vi. St. 30, — Canto vi. St. 32. — Canto vi. Last Lines. — The Lady of the Lake . — Canto i. St. 18. — Canto i. St. 21. — Canto ii. St. 22. — Canto iv. St. 1. — Canto iv. St. 30. — Canto v. St. 10. — The Lord of the Isles . — Canto v. Stanza 18. — Old Mortality . — Vol. ii. Chapter xxi. — Bob Roy . — Vol. i. Chapter ii. — The Monastery . — Vol. i. Chapter ii.
  117. 117.THOMAS MOORE. — 1780-1852. — Lalla Rookh . The Fire-Worshippers . — The Light of the Harem . — All that's bright must fade . — Farewell! But whenever you welcome the hour .
  118. 118.REGINALD HEBER. — 1783-1826. — Christman Hymn . — Missionary Hymn . — Palestine .
  119. 119.JONATHAN M. SEWALL. — Epilogue to Cato . — Written for the Bow Street Theatre, Portsmouth , N. H., 1778.
  120. 120.SAMUEL WOODWORTH. — 1785-1842.
  121. 121.LORD BYRON. — 1788-1821. — Childe Harold . — Canto i. St. 9. — Canto ii. St. 2. — Stanza 6. — Stanza 23. — Stanza 73. — Stanza 76. — Stanza 88. — Canto iii. St. 1. — Stanza 21. — Stanza 28. — Stanza 55. — Stanza 92. — Stanza 113. — Canto iv. St. 1. — Stanza 24. — Stanza 49. — Stanza 69. — Stanza 79. — Stanza 109. — Stanza 115. — Stanza 145. — Stanza 177. — Stanza 178. — Stanza 179. — Stanza 185. — Memoranda from his Life . — The Giaour . Line 72. — Line 92. — Line 106. — Line 123. — Line 418. — Parasina . St. 1. — The Bride of Abydos . — Canto i. St. 1. — Stanza 6. — Canto ii. St. 20. — Darkness . — Lara . — Canto i. St. 2. — The Corsair . — Canto i. St. 1. — Stanza 3. — Stanza 8. — Stanza 9. — Stanza 15. — Canto iii. St. 22. — Stanza 24. — Beppo . — Stanza 27. — Stanza 45. — Stanza 80. — The Dream . — The Waltz . — English Bards . — Monody on the Death of Sheridan . — Don Juan . — Canto i. St. 22. — Canto i. St. 117. — Canto xiii. St. 95. — Canto xv. St. 13. — Hebrew Melodies .
  122. 122.CHARLES WOLFE. — 1791-1823. — The Burial of Sir John Moore .
  123. 123.JOSEPH RODMAN DRAKE. — 1795-1820. — The American flag .
  124. 124.JOHN KEATS. — 1796-1820. — Endymion . Line 1. — St. Agnes' Eve . Stanza 27. — Hyperion . Line 5.
  125. 125.ROBERT POLLOK. — 1798-1827. — The Course of Time . — Book viii. Line 616.
  126. 126.THOMAS HOOD. — 1798-1845. — The Death-Bed . — The Bridge of Sighs .
  127. 127.SAMUEL ROGERS. — Human Life . — A Wish .
  128. 128.RICHARD MONCKTON MILNES. — Tragedy of the Lac de Gaube . — Stanza 2. — The Men of Old .
  129. 129.BRYAN W. PROCTOR. — The Sea .
  130. 130.ALFRED TENNYSON. — Locksley Hall . — In Memoriam . xxvii. — Fatima . St. 3. — The Princess . Canto iv. — Canto 7. — Lady Clara Vere de Vere .
  131. 131.HENRY TAYLOR — Philip Van Artevelde . — Part i. Act i. Sc. 5.
  132. 132.EDWARD BULWER-LYTTON. — Richelieu . Act ii. Sc. 2.
  133. 133.PHILIP JAMES BAILEY. — Festus .
  134. 134.THOMAS K. HERVEY. — The Devil's Progress .
  135. 135.JAMES ALDRICH. — A Death-Bed .
  136. 136.WILLIAM CULLEN BRYANT. — Thanatopsis . — March . — Autumn Woods . — Forest Hymn . — The Death of the Flowers . — The Battlefield .
  137. 137.FITZ-GREENE HALLECK. — Marco Bozzaris . — On the Death of Joseph Rodman Drake . — Burns .
  138. 138.CHARLES SPRAGUE. — Curiosity . — Centennial Ode . — Stanza 22. — To my Cigar .
  139. 139.HENRY W. LONGFELLOW. — A Psalm of Life . — The Light of Stars . — It is not always May . — Maidenhood . — The Goblet of Life . — Resignation . — The Golden Legend .
  140. 140.OLIVER WENDELL HOLMES. — A Metrical Essay . — Urania . — The Music-Grinders .
  141. 141.JAMES RUSSELL LOWELL. — The Vision of Sir Launfal . — The Changeling .
  142. 142.WILLIAM BASSE. — 1613-1648. — On Shakespeare .
  143. 143.DAVID EVERETT. — 1769-1813. — Lines written for a School Declamation .
  144. 144.JOSEPH HOPKINSON. — 1770-1842. — Hail Columbia .
  145. 145.F. S. KEY. — The Star-spangled Banner .
  146. 146.ALBERT G. GREENE. — Old Grimes .
  147. 147.JOHN LOUIS UHLAND. — The Passage . Translated by Mrs. Sarah Austin .
  148. 148.CHRISTOPHER P. CRANCH. — Stanzas .
  149. 149.EATON STANNARD BARRETT. — Woman .
  150. 150.MISS FANNY STEERS. — Song .
  151. 151.RICHARD BAXTER. — 1615-1691. — Love breathing Thanks and Praise .
  152. 152.ROGER L'ESTRANGE. — 1616-1704. — Fables from several Authors . — Fable 398. — MISCELLANEOUS. — From Apophthegms , &c., first gathered and compiled in Latin, by Erasmus, and now translated into English by Nicholas Vdall. 8vo. 1542. Fol. 239. — From the Musarum Deliciae , compiled by Sir John Mennis and Dr. James Smith. 1640
  153. 153.RICHARD GRAFTON. — Abridgement of the Chronicles of Englande . 1570. 8vo. — The Return from Parnassus . 4to. London. 1606. — Lines used by Joint Hall, in encourage the Rebels in Wat Tyler's Rebellion. Hume's History of England , Vol. I. Chap. 17. — Note i. — From the Garland, a Collection of Poems .
  154. 154.THOMAS A KEMPIS. — 1380-1471. — Imitation of Christ . — Book i. Chapter 19. — Book i. Chapter 23. — Book iii. Chapter 12.
  155. 155.FRANCIS RABELAIS. — 1483-1553. — Translated by Urquhart and Motteux . — Book i. Chapter 1. Note 2. — Book i. Chapter 5. — Book i. Chapter 11. — Book iv. Chapter 23. — Book iv. Chapter 24.
  156. 156.MIGUEL DE CERVANTES. — 1547-1616. — Don Quixote . Translated by Jarvis . — Part i. Book iv. Ch. 20. — Part i. Book iv. Ch. 23. — Part ii. Book i. Ch. 4. — Part ii. Book iv. Oh. 16.
  157. 157.SIR PHILIP SIDNEY. — 1554-1586. — The Defense of Poesy . — Arcadia . Book i.
  158. 158.THOMAS HOBBES. — 1588-1679. — The Leviathan . — Part i. Chap. 4.
  159. 159.FRANCIS BACON. — 1561-1626. — Essay viii. Of Marriage and Single Life . — Essay 1. Of Studies .
  160. 160.JOHN MILTON. — 1608-1674. — Tract on Education . — The Reason of Church Government urged against Prelaty . — Introduction to Book 2 . — Areopagitica . — Apology for Smectymmius .
  161. 161.THOMAS FULLER. — 1608-1661. — Holy State . Book ii. Ch. 20. The Good Sea-captain. — Book iii. Ch. 12. Of Natural Fools. — Book iii. Ch. 22. Of Marriage. — Andronicus. Ad. fin. 1.
  162. 162.ANDREW FLETCHER OF SALTOUN. — 1653-1716. — From a Letter to the Marquis of Montrose, the Earl of Rothes, &c .
  163. 163.HENRY ST. JOHN, VISCOUNT BOLINGBROKE. — 1672-1751. — On the Study and Use of History . Letter 2.
  164. 164.BENJAMIN FRANKLIN. — 1706-1790. — Poor Richard . — From a Letter to Miss Georgiana Shipley, on the Loss of her American Squirrel .
  165. 165.LAURENCE STERNE. — 1713-1768. — Tristam Shandy . — Vol. ii. Chapter xii. — Vol. iii. Chapter ix. — Vol. iii. Chapter xi. — Vol. vi. Chapter viii. — SENTIMENTAL JOURNEY. — Page 1. — In the Street . Calais . — The Passport . The Hotel at Paris . — Maria .
  166. 166.THOMAS PAINE. — 1737-1809. — Letter to the Addressers . — The Crisis . No. 1. — Age of Reason . Part ii. ad fin. (note).
  167. 167.DON JOSEPH PALAFOX. — 1780-1843. — At the Siege of Saragossa .
  168. 168.THOMAS B. MACAULAY. — Edinburgh Review, Oct., 1840, on Ranke's History of the Popes .
  169. 169.JOHN RANDOLPH. — 1773-1833. — Speeches , 1828.
  170. 170.WASHINGTON IRVING. — The Creole Village .
  171. 171.FRANCIS DUC DE ROCHEFOUCAULD. — 1613-1680. — Maxim ccxvii .
  172. 172.JOSEPH FOUCHE. — 1763-1820. — MISCELLANEOUS. — " The blood of the martyrs is the seed of the Church ." — " Corporations have no souls ." — " A Rowland for an Oliver ." — " Hobson's Choice ."
  173. 173.ADDENDA. — SHAKESPEARE. — Measure for Measure . Act v. Sc. 1. — King Henry VI . Part i. Act i, Sc. 1. — MILTON. — Sonnet xi. To Cromwell . — GEORGE HERBERT. — The Elixir . — SAMUEL BUTLER — Hudibras . P. ii. C. i. Line 843. — JAMES THOMSON. — Seasons . Winter , Line 625. — WILLIAM WORDSWORTH — Tintern Abbey .
  174. 174.INDEX — FOOTNOTES:

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