COURSE OF STUDY — ENGLISH. — LITERATURE COURSE. — PUBLIC SPEAKING. — STUDY OF THE DRAMA. — WRITTEN COMPOSITION. — ORAL COMPOSITION. — HISTORY. — General History. — Ancient History. — Medieval and Modern History. — English History. — United States History and Civics. — Economics. — MATHEMATICS. — Elementary Algebra. — Plane Geometry. — Algebraic Theory. — SCIENCE. — University Admission Requirements in Science. — GREEK. — LATIN. — GERMAN. — FRENCH. — MUSIC. — Course I. — Course II. — Course III. — Course IV. — Course V. — Course VI. — DRAWING. — PHYSICAL EDUCATION.
7
Aims
1. To arouse an interest in the best that has been written by
making students enjoy their English work.
2. By means of this interest in the best, to help develop right
ideals of thought and action.
3. To train in intelligent, appreciative reading; viz., to be able
to get the writer’s thought and to acquire some standards of judgment
as to what constitutes true literature.
Divisions.
1. Literature studied in class.
2. Collateral reading done in connection with the literature
studied and under the general direction of the teacher.
3. Reading selected at will from a general list, composed not necessarily
of masterpieces, but of wholesome books interesting to young
people, the purpose being to encourage reading and to furnish suggestions
as to what is worth while.
First Term.
Literature Studied.
- The Iliad, Books 1, 6, 22 and 24. Bryant’s Translation.
- The Odyssey. Complete. Palmer’s Translation.
- Antigone.
Collateral Reading. Selections from the following:
- The Iliad (At least four more books.) Homer.
- Wonder Book. Hawthorne.
- Tanglewood Tales. Hawthorne.
- Greek Heroes. Kingsley.
- Earthly Paradise. Morris.
- The Æneid. Virgil.
- Masque of Pandora. Longfellow.
- Iphigenia in Aulis. Euripides.
- Iphigenia in Tauris. Euripides.
- Alcestis. Euripides.
- 8Ulysses. Stephen Phillips.
- Balaustion’s Adventure. Browning.
- Pheidippides. Browning.
- Rhoecus. Lowell.
- Out of the Northland. Child.
- Old Testament Stories.
- The Song of Roland.
- The Niebelungenlied.
- Beowulf. Child.
Method.
1. Introduction to Greek life and thought, especially of religion.
(Talks by the teacher and reports by students on topics assigned.)
2. Reading of the most important stories of the gods and older
heroes. (Teach in connection with 1 and 2, the use of reference
books.)
3. Reading of literature assigned, (1) for interest in story; (2)
in characters; (3) in customs of the times; (4) in heroic ideals; (5)
for fine lines. Try to recreate the Homeric life and to bring out the
elements of permanence.
4. Enough attention to allusions and meanings of words to insure
intelligent reading, but no more.
5. Study the “Antigone” broadly for story and characters, and
to arouse an interest in the difference between the Greek and modern
play, but avoid technicalities here. Develop the ability to find fine
lines.
6. Occasional reports, oral and written, on allied subjects; such
as, Greek temples, sacrifices, the priesthood, famous festivals, or on
collateral reading.
Second Term.
Literature Studied.
1. Horatius, Macaulay’s Lays. Old English Ballads. Sohrab
and Rustum, Matthew Arnold, or Lady of the Lake, Scott.
2. Prose Literature for Secondary Schools. Ashmun.
3. One of the following novels:
- Treasure Island. Stevenson.
- Kidnapped. Stevenson.
- Ivanhoe. Scott.
- Quentin Durward. Scott
- The Talisman. Scott.
9Collateral Reading.
(Selected)
- Lady of the Lake. Scott.
- Lay of the Last Minstrel. Scott.
- Marmion. Scott.
- Lays of Ancient Rome. Macaulay.
- The Boys’ King Arthur. Lanier.
- Tales of a Grandfather. Scott.
- Kenilworth. Scott.
- Woodstock. Scott.
- Rob Roy. Scott.
- David Copperfield. Dickens.
- Old Curiosity Shop. Dickens.
Method.
First Group.
1. Read for interest in story and character. Never lose sight of
this.
2. Work to develop the pictorial imagination. The method of
the drama will help; i. e., set the scene, describe accurately the
actors, dress them appropriately, imagine facial expression, tone of
voice, gesture and action.
3. Stimulate discussion on characters and motives actuating
them.
4. Occasional close work on fine descriptive passages. Image
them accurately. Bring out by this effort the obvious differences
between poetic and prose diction, but no special study of this here.
5. Connect with the preceding term’s work when possible, by
comparison of the heroic ideals with those of the Greeks.
Second Group.
Follow the general trend of the suggestions given in the text.
The aim is to arouse an interest in prose devoid of strong story element.
Third Group.
Follow the general directions for the study of the first group.
Give simple training in the development of a plot, but keep this subordinate
to interest in the story and characters.
Second Term.
Special Aim of the Term.
To teach to read poetry with enjoyment, and to show that poetical
expression is an addition to beautiful thought.
Literature Studied.
First Half Term.
- The Vision of Sir Launfal. Lowell.
- The Forsaken Merman. Arnold, or
- King Robert of Sicily. Longfellow.
- The Ancient Mariner. Coleridge.
Second Half Term.
- The Merchant of Venice. Shakespeare.
- Sesame and Lilies (King’s Treasuries). Ruskin.
Collateral Reading.
Any narrative and descriptive verse rich in ethical and poetical
beauty; such as,
- Enoch Arden. Tennyson.
- Snow Bound. Whittier.
- The Eve of St. Agnes. Keats.
- The Golden Legend. Longfellow.
- Tales of a Wayside Inn. Longfellow.
- Drifting. Buchanan Read.
- The Closing Scene. Buchanan Read.
- Nature Lyrics. Lowell.
- Twelfth Night. Shakespeare.
- Midsummer Night’s Dream. Shakespeare.
- The Tempest. Shakespeare.
- As You Like It. Shakespeare.
- The Alhambra. Irving.
- Travels with a Donkey. Stevenson.
- An Inland Voyage. Stevenson.
- South Sea Idyls. Stoddard.
- Lorna Doone. Blackmore.
Method.
1. Simple presentation of the differences between poetry and
prose;
- (1)11
- in purpose,
- (2)
- in thought (subject),
- (3)
- in choice and use of words,
- (4)
- in sound.
2. Short drill on selected figures, principally of imagination.
Choose only those rich in meaning and within the range of the experience
of the class. Work to bring out the gain from the figure.
3. Present the music side of poetry—rhythm, meter, rhyme (including
alliteration), and give a drill on various selections to train
the ear.
4. “Vision of Sir Launfal.” Study for beauty of thought, ethical
content and its application to modern life, and beauty of pictures
and figures. Give much attention to the visualizing power.
Try to show that the poetic language and form are a gain.
5. Study of other narratives on same general plan. If time permit,
study a few lyrics rich in content and poetic beauty, such as
Tennyson’s “Lotus Eaters,” or Shelley’s “Skylark;” (1) for
thought; (2) for beauty of word usage; (3) for melody.
6. “Merchant of Venice.” Study (1) for what happens—the
sequence of events and their relation to each other; (2) for a knowledge
of the characters and the motives actuating them; (3) for fine
lines; (4) for strongest and most beautiful scenes; (5) for beauty of
language, noting scenes richest in poetic expression and its appropriateness;
(6) for structure; i.e., the major and minor stories and
their relation to each other. Throughout the whole emphasize the
fact that the play is a picture of human life; make the characters
and the scenes real.
7. “Sesame and Lilies.” Study to stimulate thought and to
arouse a further interest in fine literature. Train in the way to
read prose; i. e., the finding of the main thought (topic sentence),
and tracing its growth in the paragraph; also the necessity for
knowing the real significance of the words used.
Second Term.
Literature Studied.
First Half Term.
- Continuation of the study of the drama Julius Caesar.
Second Half Term.
Training in careful, intelligent reading of prose, expository and argumentative.
- 12Public Duty of Educated Men. Curtis.
- International Arbitration. Schurz.
- Salt. Van Dyke.
- (From Shurter’s Masterpiece of Modern Oratory).
- First Bunker Hill Oration. Webster.
Collateral Reading.
- Richard II. and III. Shakespeare.
- Henry V. Shakespeare.
- Coriolanus. Shakespeare.
- Henry IV. Shakespeare.
- The Jew of Malta. Marlowe.
- Richelieu. Bulwer-Lytton.
- The Plymouth Oration. Webster.
- The Second Bunker Hill Oration. Webster.
- The Eulogy on Adams and Jefferson. Webster.
- (Other speeches from Shurter’s Masterpieces).
Method.
1. “Julius Caesar.” Same general treatment as with “Merchant
of Venice,” with more emphasis on study of plot—the conflicting
interests, the threads of action, character groups, character
contrast, the division in the plot, the important moments—but never
emphasize technique at the expense of study of the play as a picture
of life. Much memorizing of fine lines.
2. Prose. (1) Find main thought of each paragraph (topic sentence)
and trace its growth, noting the method of development when
clear; (2) group related paragraphs and note relation of different
groups to each other; (3) note introductory, transitional, summarizing
and concluding paragraphs; (4) show further the necessity for a
clear, definite content for each word and a knowledge of references.
Owing to the difficulty of this work, it is well at first for teachers
to study with the class, in order to arouse interest in the thought
and prevent discouragement. Power to work independently will soon
grow.
First Term.
Literature Studied.
1. Continuation of work of the tenth year with poetry.
- The Idylls of the King. Tennyson.
- The Coming of Arthur.
- 13Gareth and Lynette.
- The Holy Grail.
- The Passing of Arthur.
2. Study of a novel.
- Silas Marner. George Eliot, or
- The Tale of Two Cities. Dickens.
3. Study of the Essay.
- Autobiography and Lay Sermons. Huxley, or
- Warren Hastings. Macaulay.
Collateral Reading.
- The Idylls of the King (Enid, Elaine, and Guinievere).
- The Princess. Tennyson.
- The Lady of Shalott. Tennyson.
- Sir Galahad. Tennyson.
- Merlin and the Gleam. Tennyson.
- The Light of Asia. Edwin Arnold.
- Balder Dead. Matthew Arnold.
- Lord Clive. Macaulay.
- Life of Johnson. Macaulay.
- The Americanism of Washington. Van Dyke.
- Latter Day Saints and Sinners. Ross.
- The Life of Lincoln. Schurz.
- Fisherman’s Luck. Van Dyke.
- Adventures in Friendship. Grayson.
- Adventures in Contentment. Grayson.
- Out of the East. Lafcadio Hearn.
- My Summer in a Garden. Warner.
- Reveries of a Bachelor. Mitchell.
- Dream Children. Mitchell.
Method.
1. Idylls of the King. Study for (1) nobility of thought and
ideals of life; (2) beauty of pictures; (3) imagery and word usage;
(4) blank verse and noticeable sound effects. Make special effort
as in the first half of the tenth year, to develop the imagination
and an appreciation of the gain from beautiful expression.
2. The novel. (1) Train in open-eyed reading; the story and the
characters should be known thoroughly. (2) Aim to enlarge the
experience by acquaintance with new motives and actions. (3) Seek
for the underlying ideas in the story and for the working out of
great laws. (4) Study of structure as in the drama.
143. The Essay. Continue paragraph work of the tenth year, second
half, with new emphasis on kinds of paragraph development.
Distinguish between narrative, descriptive, and expository paragraphs,
and the methods of development in each. Begin the study of prose
style; i.e., rhetorical sentences and their value: studiously long and
short sentences, periodic sentences, antithesis and climax; also
study vocabulary, especially, in Macaulay, the use of concrete terms
and their value. Select striking paragraphs for close work on style,
and study to discover method.
Second Term.
Literature Studied.
American Literature.
1. Poetry. Class work on selected poems of Bryant, Poe, Longfellow,
Emerson, Whittier, Holmes, Lowell, Walt Whitman.
2. The Novel.
- House of Seven Gables. Hawthorne, or
- Marble Faun. Hawthorne, or
- Rise of Silas Lapham. Howells.
3. The Short Story. Hawthorne and Poe.
4. The Essay. One of the following:
- Fortune of the Republic. Emerson.
- The American Scholar. Emerson.
- Compensation. Emerson.
- Democracy. Lowell.
Collateral Reading.
- Franklin. Autobiography.
- Sketch Book. Irving.
- The Alhambra. Irving.
- Knickerbocker History of New York. Irving.
- Last of the Mohicans, or any other novel. Cooper.
- Lesser poets of the Creative Period:
- Aldrich.
- Bayard Taylor.
- Buchanan Read.
- Alice and Phoebe Cary.
- Holland.
- 15Later Poets:
- Lanier.
- Bret Harte.
- Edward Rowland Sill.
- Helen Hunt.
- Eugene Fields.
- James Whitcomb Riley.
- Richard Watson Gilder.
- Edwin Markham.
- The Man Without a Country. Edward Everett Hale.
- The Autocrat of the Breakfast Table. Holmes.
- Walden. Thoreau.
Method.
The course is to be taught historically, by means of lectures, class
study of the most important authors, and much collateral reading.
The purpose is to arouse an interest and pride in America’s literary
product, therefore the work is taught more broadly than in preceding
terms. Preface the course with a brief consideration of what is
meant by the term literature, and with a review of simple poetics
as a basis for the future study of poetry.
1. Poetry. Select for study poems not usually read in the
grammar school, unless the well known have a content of growing
interest; examples: Longfellow’s Keramos, Amalfi, Morituri Salutamis;
Lowell’s Commemoration Ode; Emerson’s Each and All.
2. The novel. Same plan as in preceding term.
3. The short story. Develop (1) the characteristics of a successful
short story; (2) the differences between this and a novel;
(3) the various types of short story; (4) some definite standards of
judgment for future use.
4. The essay. Read mainly to stimulate thought on life.
5. Make the collateral reading an important part of this course.
Have outside reading done on each author studied and on others for
whom there is not time for class work. Help toward intelligent, appreciative
reading by assigning special topics on the literature read,
and give occasional recitation periods to oral reports.
6. Have occasional oral readings from authors not studied in
class, especially the best of the later poets. This may be done frequently
in five-minute exercises at the beginning of the recitations.
7. Put early into the hands of the students a classified list of
the best American authors. Stimulate in every possible way the
desire to read.
General Purpose for the Year.
(1) To unify the work of the preceding terms. (2) To give a
rapid survey of the whole field of English Literature. (3) To study
selected masterpieces characteristic of the various periods. (4) To
learn the characteristics of the chief literary types. (5) To read as
broadly as possible in each period. Collateral reading here runs
parallel with class work.
First term.
Literature Studied.
- History of English Literature to 18th Century.
- Prologue to the Canterbury Tales. Chaucer.
- Review of the Old English Ballads.
- Macbeth. Shakespeare.
- L’Allegro and Il Penseroso. Milton.
- Comus. Milton, or
- Paradise Lost, Books 1 and 2. Milton.
- Lycidas. Milton.
- Sonnet on His Blindness. Milton.
- Alexander’s Feast. Dryden.
Collateral Reading.
- The epic—Beowulf (at least two-thirds).
- The tale—One of Chaucer’s, preferably the Knight’s Tale.
- The drama—King Lear. Shakespeare, or
- Hamlet. Shakespeare, or
- Othello. Shakespeare, or
- The Jew of Malta. Marlowe, or
- Doctor Faustus. Marlowe.
- The song—Palgrave’s Golden Treasury. Books 1 and 2.
- The essay—Essays selected. Bacon.
- The allegory—Pilgrim’s Progress (Part I). Bunyan.
- The elegy—Elegy in a Country Churchyard. Gray.
- Adonais. Shelley.
- Thrysis. Matthew Arnold.
- In Memoriam. Tennyson.
- Thanatopsis. Bryant.
Method.
In general study broadly to stimulate a desire for further acquaintance
17with literature, but whenever made possible by the work
in hand, review and sum up principles emphasized throughout preceding
terms.
Chaucer. Read (1) for a picture of the times; (2) to discover
his broad humanity; (3) for his humor and satire; (4) for his literary
method. Do not attempt to teach pronunciation or grammar,
but insist on smooth, intelligent translation.
The Ballads. Read to find the characteristics of ballad literature.
Compare with the literary ballad; such as, The Ancient Mariner,
Scott’s Rosabelle, or Rossetti’s White Ship.
Macbeth. Read principally for great ethical lessons. Emphasize
character development. Have only so much close study as is necessary
for the understanding of the action and characters. Teach as
dramatically as possible; imagine stage setting, tone of voice, facial
and bodily expression, action—in order to enter into the play. Select
passages noticeable for beauty or power of expression and test
appropriateness.
Paradise Lost. Study as dramatically as possible. Do no line-by-line
study. Get the story, the character of Satan with its mixture
of good and evil, the fine pictures and imagery. Mark fine
thoughts, also examples of loftiness and sublimity, of color and splendor,
and of varying melody.
Comus. Study as an example of the masque, keeping the dramatic
element prominent. Set the scenes, imagine stage accessories
suggested by the lines; such as, costumes, lights, tableaux, music.
Show differences between this and the fully developed drama. Do
the same kind of work as in “Paradise Lost” with fine thoughts and
beautiful expressions. Show the lyric element here and its appropriateness.
Lycidas. Preface with the reading of examples of the classic pastoral
elegy, in order to familiarize students with the pastoral style
and so remove some of the difficulties. (See Baldwin’s “Famous
Elegies” for translations of Theocritus, Bion, and Moschus). This
poem has real difficulties for young students, therefore the teacher
must give wise assistance in mastering it, or it will fail to make an
appeal. Note the beautiful variation of melody. Show the effect of
alliterative and assonantal rhyme and the grouping and alternation
of consonant and vowel sounds, with resulting changes in music. At
the close of the study of the poem, make a comparative study of it
and Gray’s Elegy to show the difference between the personal and
the general elegy.
18Alexander’s Feast. Study (1) as an imitation of the heroic ode;
(2) as an example of effective wedding of sound and sense.
Second Term.
Literature Studied.
- History of English Literature from 18th century to present.
- Sir Roger de Coverley Papers. Addison & Steel.
- The Deserted Village. Goldsmith.
- The Vicar of Wakefield. Goldsmith.
- Elegy in a Country Churchyard. Gray.
- Lyrics. Burns, Wordsworth, Shelley, Keats, and Byron.
- Essays of Elia. Lamb.
- Joan of Arc. De Quincey, or
- Essay on Burns. Carlyle.
- Selected Poems. Tennyson, Arnold, Browning.
Collateral Reading.
- She Stoops to Conquer. Goldsmith.
- The Rape of the Lock. Pope.
- Essay on Man (Selections). Pope.
- Essay on Johnson. Macaulay, or
- Essay on Addison. Macaulay.
- The Newcomes. Thackeray.
- Henry Esmond. Thackeray.
- One novel. Dickens.
- One novel other than “Silas Marner.” Geo. Eliot.
- Essay on Burns. Carlyle, or
- Heroes and Hero Worship (Selections). Carlyle, or
- Essay on Wordsworth. Matthew Arnold.
Method.
In general, treat the literature studied broadly, to leave in the
mind by the end of the term a liking for it and a desire for more.
Do only enough minute study to insure intelligent, appreciative reading
and to prevent carelessness.
Sir Roger de Coverley Papers. Preface with topical work on the
character of the 18th century. (See “Social Life in the Reign of
Queen Anne” by Ashton). Read to the class the “Rape of the
Lock” as a picture of the times. Study the De Coverley Papers (1)
as a picture of the times; (2) for the character of Sir Roger and reasons
for its life; (3) for method of character delineation; (4) for
method of teaching; (5) for examples of humor and satire; (6) for
observations of human nature. Select some expository paper for close
19study of structure: introduction and conclusion, paragraph development,
coherence.
Gray, Goldsmith, Burns. Study to discover characteristic features
of the “Romantic Revival,” and survivals of 18th century style.
Try to show by Burns’ lyrics and by a return to 16th century
lyrics the essential characteristics of the song.
The Vicar of Wakefield. Rapid study of humorous situations, lovableness
of the characters, kindliness and gentleness of the author,
elements of permanence. Comparison with some later novel.
Shelley, Keats, Byron. Closer attention to the beauties of poetic
expression and its relation to the thought: pictures, figures, color and
sound words, meter, rhyme effects.
Review by the end of the term the main periods of English Literature,
their distinguishing characteristics, and the great names of
each, also the main literary types.
Prerequisite.
Two years of English. May be substituted for either term of the
11th year or taken in addition to the regular course.
Texts.
- Extempore Speaking. Shurter.
- Manual of Argumentation. Laycock and Spofford.
- Manual of Parliamentary Law. Gregg.
Method.
First Half Term.
1. Training in simple parliamentary law.
2. Practice in reading and reciting speeches of others.
3. Original speeches, prepared and extempore, such as, speeches
of introduction, nomination, presentation, acceptance, eulogy, farewell,
toasts.
4. Reading of oratorical masterpieces, especially modern ones,
and class discussion as to strength and weakness, elements of success
and failure.
5. An original oration.
Method.
Second Half Term.
- 1.
- Study of the theory of argument.
20
- 2.
- Conciliation with the Colonies. Burke.
-
- Speech on Reform Bill. Macaulay.
-
- Reply to Hayne. Webster.
-
- Study Burke for structure, logical arrangement, force of reasoning, different kinds of
arguments. Study Macaulay and Webster as different types of oratory.
- 3.
- Making of briefs.
- 4.
- Practice in argument and debate.
Time.
One-half year.
Credit.
One-half unit.
Prerequisite.
Two years of English.
May be substituted for either of 11th year English courses, or
taken with either term of the regular 11th or 12th year work.
Aim.
1. To awaken in the student a taste for that which is essentially
good in the drama, both as to content and form.
2. To acquaint the student with so much of the history and technique
of the drama as is necessary for intelligent study.
Contents of Course.
Plays studied.
- 1.
- Antigone. Sophocles, or
-
- Alcestis. Euripides.
- 2.
- Everyman.
- 3.
- Hamlet. Shakespeare.
-
- Twelfth Night. Shakespeare, or some other Shakespearean tragedy or comedy.
- 4.
- She Stoops to Conquer. Goldsmith, or
-
- The School for Scandal. Sheridan.
- 5.
- The Doll’s House. Ibsen.
- 6.
- Trelawney of the Wells. Pinero, or
-
- Sweet Lavender. Pinero, or
-
- The Cabinet Minister. Pinero.
- 7.
- The Land of the Heart’s Desire. Yeats.
21
- 8.
- The Only Way. (Dramatization of Dickens’ Tale of Two Cities), or
-
- Oliver Twist.
Collateral Reading.
Selected plays from the following:
- Agamemnon. Æschylus.
- Alcestis. Euripides.
- The Frogs. Aristophanes.
- The Captives. Plautus.
Early English Plays:
- Sacrifice of Isaac.
- Noah’s Flood.
- Secunda Pastorum.
- The Jew of Malta. Marlowe.
- Knights of the Burning Pestle. Beaumont & Fletcher.
- Alexander and Campaspe. Lyly.
- Shoemaker’s Holiday. Dekker.
- As You Like It. Shakespeare.
- Midsummer Night’s Dream. Shakespeare.
- The Tempest. Shakespeare.
- Henry V. Shakespeare.
- School for Scandal. Sheridan.
- The Rivals. Sheridan.
- The Good Natured Man. Goldsmith.
- Lady of Lyons. Lytton.
- Becket. Tennyson.
- Blot in the Scutcheon. Browning.
- Caste. Robertson, or
- School. Robertson (for type of new realistic school).
- London Assurance. Boucicault (for reversion to 18th century comedy of manners).
- His House in Order. Pinero.
- The Magistrate. Pinero.
- Judah. Jones.
- Doll’s House. Ibsen.
- Pillars of Society. Ibsen.
- An Enemy to the People. Ibsen.
- Ulysses. Stephen Phillips.
- The Blue Bird. Maeterlinck.
- The Piper. Peabody.
- The Servant in the House. Kennedy.
- Strife. Galsworthy.
- Riders to the Sea. Synge.
22Outline of Class Work.
1. Origin and development of drama among the Greeks; study of
a play from the period of their highest literary achievement.
2. Brief consideration of the forerunners of the modern English
drama; (1) miracle plays, (2) moralities, (3) early English farces,
(4) pre-Shakespearean drama. Examples of types (2) and (4) studied.
3. Shakespearean Drama: study of one each of the comedy and
tragedy (those not studied in the regular English courses).
4. Brief review of the history of the drama from the beginning
of the 17th to the end of the 18th century. Study of one of the best
types of 18th century comedy.
5. Important phases of 19th century drama considered. Study
of a transition type.
6. The contemporary drama; its broad range as to both matter
and manner opening great possibilities—of achievement for the dramatist,
of education for the audience.
Method.
In accordance with the aims as stated, the technical side of the
work will, for the most part, be presented by the teacher in the form
of concise notes, in order to leave as much time as possible for direct,
appreciative study of plays.
The collateral reading is to be used as illustrative material and
for comparison.
Scenes will be studied and presented by students in the classroom,
with occasional public (school) presentations. Students realize dramatic
values by this means.
Toward the end of the term, students will be encouraged to attempt
the construction of original plays or dramatization of parts
of novels and stories.
The work in composition is so planned as to draw help from the
literature course, but is not based upon it. One period a week in all
classes except Public Speaking and Dramatics is devoted to the work.
General Suggestions.
1. Work from the whole to the parts; that is, begin with the
whole composition, and work to the paragraph and sentence.
2. While emphasizing in different terms some one particular kind
of composition, do not limit the work wholly to that form.
233. Make the course cumulative; that is, refer to and emphasize,
wherever possible, principles learned in former terms.
4. In all work, oral and written, whether formal compositions,
examinations or recitations, develop a feeling for organization and
arrangement of thoughts.
5. Encourage expression of the student’s interest, but try to
guide and broaden it. Seek to develop the power to observe accurately;
also to awaken the imagination.
6. Try constantly to enlarge the student’s vocabulary.
7. Insist on correct form, neatness and promptitude. Part of the
work of High School English is to form correct habits.
8. Make all criticisms constructive. Have as much personal conference
as possible.
First Term.
Special Work.
1. Composition, chiefly narrative, but no special emphasis on
narrative as a form of discourse.
2. Punctuation.
3. Letter-writing.
4. Review of grammar.
Material.
Reproductions of parts of literature read, reports on outside reading,
imaginative treatment of subjects suggested by the literature
lesson, personal experiences. The following will suggest possible
subjects: New nature myths, new hero stories, additional adventures
for Ulysses, stories illustrating his various traits of character, new
endings to old stories, possible settings for Homeric stories, dialogues
between Homeric characters, descriptions of scenes from the Iliad
from the point of view of an eye-witness, etc.
Method.
1. Teach from the beginning correct form and habits of neatness
and care. While emphasizing these, have most of the work reproductive,
in order not to kill spontaneity.
2. Emphasize letter-writing toward the end of the term when
the interest has been aroused in other forms of writing. Select for
practice only such letters as young people would be apt to write.
3. Begin systematic training in punctuation early, and continue
24with the composition work throughout the term. Teach the use of
the comma, quotation marks, especially in dialogue, and the terminal
marks. Teach by the logical rather than by the formal method;
that is, lead to the examination of the thought in sentences and to
punctuation in accordance with it.
4. In review of grammar, use Hitchcock’s “Enlarged Practice
Book.” Select chapters treating of the general structure of a sentence,
the nature, kinds, and uses of phrases and clauses; also the
exercise on common errors of speech. Adapt this work to the special
needs of each class. One day a week will be taken for drill if necessary,
or it may be omitted, if classes are well prepared.
Second Term.
Begin the study of separate forms of discourse. Teach what
rhetoric is, and the reasons for studying it.
Special Work.
1. Narration, with its involved problem of structure.
2. Continued drill on punctuation.
3. Continued drill in grammar if needed.
Method.
1. Begin with narration. Teach during the term the essentials
of a successful narrative.
- a.
- Action (something happening).
- b.
- Point (an idea, a climax).
- c.
- Unity (it must hang together).
- d.
- Style (it must be interesting and entertaining).
Emphasize this kind of work while teaching narrative poetry and
prose (the novel), but do not draw subjects from the literature lesson.
From this term on, composition work should be original. (See
Sampson & Holland’s Composition and Rhetoric for excellent suggestions
on teaching narration).
2. While studying Ashmun’s “Prose Literature for Secondary
Schools,” follow the general line of composition work there suggested.
3. Punctuation. Teach the use of the semicolon, colon, dash, and
exclamation point, and continue drill of preceding term.
4. Simple teaching of paragraph structure; that is, the grouping
of similar thoughts together by their relation to a central idea or
topic.
5. Toward the end of the term a brief review of letter-writing.
First Term.
Special Work.
1. Description, with involved problem of diction.
2. Review of letter-writing.
Method.
1. Begin with comparative work in two kinds of description:
scientific and literary; that for information and that for enjoyment.
Develop this by the primary essentials of descriptive writing:
- a.
- Point of view.
- b.
- Selection of details.
- c.
- Order and grouping.
- d.
- Objective and subjective character.
- e.
- Appropriate diction.
2. Notice of differences will involve a study of diction: synonyms,
especially adjectives; figures of speech (simile, metaphor,
and personification); words of color, sound, motion, shape, concrete
terms.
3. Use as illustrative material examples from scientific writing,
text-books, books of travel, novels, verse. Whenever possible, make
the literature lessons serve as models, but do not draw from them
for subjects. Have all composition original.
4. Later in the term return to narration, and combine with it
description of scenery and character.
5. Throw occasional compositions into the form of the friendly
letter, using some of the best modern letter writers, such as Stevenson,
as models.
Second Term.
Special Work.
1. Exposition, with involved problem of clearness and order.
2. Word-work, with the purpose of enlarging the vocabulary and
developing accuracy in the use of words.
3. Review of letter-writing.
Method.
1. Connect with the preceding term’s work by showing that exposition
is description which explains; which shows the general and
26the common rather than the particular and the individual; which
omits the personal.
2. Develop the following special points:
Arrangement of material.
- A.
- Gathering of ideas, either one’s own or those from standard authorities. If the latter,
give directions on note-taking.
- B.
- Selection of material, according to scale of treatment.
- C.
- Making of outline.
- a.
- Key sentence or announcement of subject.
- b.
- Grouping into leading and subordinate points.
- c.
- Conclusion, with summary where advisable.
Development of material (Paragraph making).
Do no formal work with the paragraph except to teach the
importance of the topic sentence as a means toward unity and
therefore toward clearness. Insist on a clear topic sentence
for each paragraph. Permit any means of development that
naturally suggests itself. Encourage the attempt not only to
begin paragraphs well, but to end them well.
3. Word-work. Give regular exercises once a week for the first
half term on work tending to develop an interest in words and accuracy
in their use; such as, exercises in defining, in synonyms (select
only such as are apt to be misused), on words with interesting history.
In defining insist on correct form and clear distinctions. Vary
this work and select with care, so that it will be vital. It is valueless
if formal and perfunctory.
4. Review briefly business letters, and such social forms (invitations,
acceptances, regrets), as high school students will be apt to
need.
First Term.
The work of the Eleventh year is cumulative, continuing practice
in narration, description, and exposition, with new emphasis on
style.
Method.
1. While studying the “Idylls of the King” and “Silas Marner,”
review narration and description. Insist on the observance of
principles learned in earlier terms, but try to arouse an interest in
style as a means of increasing effectiveness. Emphasize the difference
27between poetic and prose style, and the limitations of each.
Note the use of figurative language in modern prose style. Try to
develop the power of suggestiveness. Study the descriptions of place
and character in “Silas Marner” from this point of view, and try
to interest the class in attempts at imitation.
2. While studying the essay, review exposition. Insist on attention
to points learned in the Tenth Year. Carry on paragraph development,
with more emphasis on various kinds of paragraphs; as,
transitional, summarizing, introductory, and concluding.
3. Give some attention to prose style, especially if Macaulay is
being studied. Show the value of various rhetorical forms; such as
the balanced sentence, loose and periodic sentences, studiously short
sentences, climax, rhetorical questions, also the value of concrete
terms. Try to interest students in imitating various styles.
Frequent short papers, in each of which some definite point is being
worked for, will bring better results both in interest and achievement
than less frequent long ones.
Second Term.
Special Work.
Continued review of narration, description, and exposition, with
emphasis on style.
Method.
1. Make the review of the first two forms lead up to the writing
of a brief short story. Teach this at the same time the short story
and novel are being studied. Begin with writing of various settings,
introductions, descriptions of person and character, incidents introduced
for various purposes, bits of dialogue, and lead up to the complete
story.
2. While reviewing exposition, draw subjects from questions of
present interest, either local or general, and occasionally from literature
work. Reports on collateral reading may be used to teach
the writing of a simple, interesting book review, that would lead
others to read. Choose subjects here that will not lead to copying
other peoples’ ideas. Reject empty, glittering generalities.
3. Have at least one longer piece of exposition this term than
has been previously written, preferably on subject of public interest.
Correct topical outline personally before the paper is written, showing
how it may be improved.
First Term.
Special Work.
Argumentation with involved problem of force and tact.
Method.
1. Study the general nature of argument, the use of exposition
in argument, the difference between inductive and deductive reasoning,
the difference between assertion and proof, attack and refutation.
Be practical and not technical in this work. Choose subjects
calculated to stimulate thought on topics of the day; draw
as largely as possible from school life in order to demonstrate the
value of the work.
2. Emphasize the value of structure here as well as in pure exposition.
3. Practice in writing of speeches, in whole or in parts; openings,
refutations, conclusions, appeals to the feelings.
4. Show the value of appropriate style.
5. Vary the special work of the term by occasional papers on
topics suggested by the literature work, provided they are of live interest
and such as to provoke discussion.
Second Term.
Special Work.
1. Review of the different forms of writing taught throughout
the course, to test power and to unify impressions.
2. Four longer papers than heretofore, one of each kind of discourse.
3. Briefer exercises are needed.
Definite practice in oral composition extends throughout the entire
course. At least once every five weeks each student talks to the
class on some subject previously prepared. Increase these exercises
whenever time will permit.
General Directions.
1. Have students stand before the class, free from desks or other
external support.
2. Subject matter should be prepared, but not memorized. Students
may use a small card with headings, but no other notes.
293. The length of the talk may vary from two to three minutes
in the Ninth Year, to five of six in succeeding terms, as ideas and
ease increase.
4. Material should be drawn from subjects outside the literature
lessons. Let the student’s interest determine the subject. Talks
may be reproductions of newspaper or magazine articles, of parts of
books, or accounts of personal experience, but the wording must be
the student’s own.
5. Teachers should emphasize constantly the same principles or
order and arrangement of ideas as in written work. The aim is not
mere talk, but effective speech.
6. Emphasize interest of the audience as a test of success. Try
to arouse an ambition to win this. Teach the gain to a speaker
from erect, free posture of the body, ease of manner, command of
the audience with the eye, clear enunciation, pleasant voice.
7. Criticism must be sympathetic and kindly, even when corrective.
Above all try to arouse ambition to succeed and the will to
persevere.
Anecdotes, stories read, reports on topics connected with Greek
life may all be used. The talks may be varied by readings; for instance,
selections from Stephen Phillips’ “Ulysses,” read in parts;
an act of “Antigone,” or some other Greek play; poems illustrative
of the work being studied, or similar work bearing no relation to the
literature lessons. The aim is to develop ease and self possession in
standing before the class, and interest in trying to hold an audience.
Material.
Accounts of interesting things seen or done; descriptions of famous
events, places of men; accounts of anything of current interest.
Try by the search for live material to broaden the students’ interests
and to make them more generally intelligent. This may be
helped by having suitable subjects for talks submitted every week,
even although time will not permit practice in talking that often.
Material.
Continue the work of the preceding year, with greater emphasis
on subjects of present interest. Seek to encourage intelligent reading
30of newspapers by reports on current events. More frequent practice
may be obtained by sometimes combining the oral composition
work of the second term with the literature work. Reports on authors
and works read outside of class, literary pilgrimages to interesting
places in America, occasional readings may all be utilized.
Material.
Every Monday throughout the year have reports at the beginning
of the period, (1) on events of importance of the preceding week
outside of the United States; (2) in the United States outside of
California; (3) in California, especially local events of importance.
Insist on discriminating selection and judicious condensation. Have
subjects of importance expanded into special talks. Use also throughout
the year reports on topics suggested by the literature work.
31
The work in this department has a two fold purpose, namely, training
and information. In the first place, the subject is taught with a
view to developing breadth of vision, judgment, and an understanding
of cause and effect in human affairs. Secondly, the aim is to
enable the student better to understand the conditions and problems
of the present day by knowing their historical connections. The
work is conducted with the constant realization that the highest use
of history is to prepare young people to discharge intelligently their
many duties as citizens in a democracy.
The courses in the department are as follows:
- General History. For 9th and 10th grade pupils.
- Ancient History. For 9th grade pupils.
- Mediaeval and Modern History. For 10th grade pupils.
- English History. For 11th grade pupils.
- United States History and Civics. For 12th grade pupils.
- Economics. For 11th and 12th grade pupils.
This course presents, in the simplest way, an outline of the history
of our civilization, from its origin to the present day. It aims to
help the pupil to understand the causes, geographical, racial, etc.,
that have led to the rise and decline of nations, and to appreciate
the services that these peoples have rendered to mankind. Much attention
is given to the great characters of history. An especial effort
is made to know the origin and history of existing nations, and
to realize that the present is an outgrowth from the past. The course
is useful also in helping the pupil to grasp the time and place of the
characters and events that he meets in literature and science, and
thus it supplies a background for his other studies.
The courses in Ancient History and in Medieval and Modern History
together cover the same ground as the course in General History,
but do so more thoroughly and with much greater detail. They are
recommended to those who expect to take at least three years of
History in the high school. The course in Ancient History covers the
32period from the dawn of history to 800 A. D. It is designed to
give the pupil some knowledge of the origin of our civilization.
After a short discussion of prehistoric beginnings, a brief study is
made of the ancient oriental peoples. The major part of the course
is devoted to the history and civilization of Greece and Rome, with
especial reference to their influence on the life of the present day.
The course in Medieval and Modern History covers the period
from A. D. 800 to the present, and is a continuation of the course in
Ancient History. Its purpose is to trace the continued development
of our modern civilization, and to understand the origin and character
of the nations of today. Attention is devoted to economic
and social conditions, as well as to political events. Especial emphasis
is placed upon the period since Napoleon Bonaparte. A study
is made of the governments of the principal European nations, and
contemporary problems are discussed in the light of their history.
Considerable use is made of current newspapers and periodicals.
The fundamental principles of our American government, the idea
of local independence, of jury trial, of representation, are traced
back to English institutions; showing at the same time that these
privileges are the result of the persistent contest waged for over six
hundred years, which struggle, in fact, is still going on. The conditions
in Scotland, Ireland, Wales, and on the Continent of Europe are
discussed in connection with the constitutional development, and the
economic, political, social, and religious conditions in England. The
British Empire is studied in its relation to the other nations of the
world, and in the economic and political condition of its colonies and
subjects.
The study of the earliest period is planned to show that the work
of discovery and exploration has been going on for over four centuries
and is still in progress. Economic, political, and religious conditions
in Europe are discussed, and related to conditions in America.
During the colonial period the principles and the traits which characterized
us now as a nation were developed. The importance of the
idea of local independence maintained by the colonists against the
idea of imperialism held by England is discussed, and followed by a
consideration of the significant facts of the Revolution and the process
33by which the loose confederation of states became the constitutional
republic, tending toward a vigorous national growth. The
problems of transportation, the removal of the Indians, the disposal
of the public lands, the struggle of free and of slave labor for the
control of the territories, the Civil War; these subjects and others related
to them are treated, bearing in mind that today the United
States is no longer in isolation, but linked to other nations. The
study of the Constitution of the United States, and of the actual
workings of the city, state, and national governments, is designed to
bring out clearly that the citizen today has new duties and new responsibilities;
that the intelligent citizen should be informed concerning
the tariff, the trusts, the labor unions, equal suffrage, the
peace movement, and other current questions. The Constitution of
the State of California, and the Charter of the City of Oakland are
given special attention, and visits are made to the City Council, the
Board of Supervisors, the Courts, and the State Legislature.
Economics deals with the social activities and institutions
that result from men’s efforts to procure a livelihood. It
studies the means by which nations become rich, and the effects of
riches upon the public welfare. The policies of modern government
have so much to do with economics that an understanding of economic
laws is essential to wise citizenship. The aim of this course is to
teach enough of accepted economic theory to enable the student to
understand the laws that govern the larger economic questions of today.
Mere abstract theories, however, are avoided. A study is made
of the evolution of industrial society and the application of economic
laws. Emphasis is laid upon the study of consumption, i. e., the
best expenditure of the personal and public incomes, and on such
dominant questions as Labor, Tariff, Monopolies, Socialism, Taxation.
The student is led to realize that as the industrial and economic life
of today is the outgrowth of past tendencies, so the wise solution of
present vexed economic questions will determine the economic character
of the decades to come. Moreover, it is believed that the study
of economics, while dealing with matters of great practical importance,
tends also to quicken the love of justice and to encourage sanity
and moderation of view concerning the value of material wealth.
34
Mechanical skill and accuracy of expression in the formal language
of Mathematics are the things emphasized in the first year of
Algebra. The course is designed to cover sufficient ground so that the
student who studies Algebra for only one year will be able to handle
the algebraic processes involved in problems of computation in
Geometry and to manipulate formulae, in order that he may read
intelligently the popular publications on mechanics. To this end
special attention is paid to graphical methods of representation, to
the solutions of simple equations in which the unknown may be
represented by any letter, and to the solution of the quadratic
equation, by the formula method as well as by factoring. Stress
is laid upon accuracy of expression, and upon the knowledge of
processes, that this elementary work may afford a proper foundation
for all future work in Mathematics. Factoring is taught by
means of type forms and rules, which the students are required to
learn.
The following are the subjects considered: four fundamental operations,
linear equations, type product forms, factors, fractions, fractional
equations, ratio and proportion, quadratic equations, functionality,
simultaneous linear equations (graphical solution), simplification
of simple surds. The quadratic equation is used to develop
the idea of a variable and of a function of a variable, and to teach
graphical methods of solving equations. Stress is laid upon the
practical application of the graph to the solution of every day problems.
Usual theorems and constructions, original exercises, problems of
computation.
First Term.
The object of this course is to introduce the student to the
Theory of Mathematics; therefore the demonstration of principles
is insisted upon. A rigorous treatment of simple laws is required.
The course is designed to meet the needs of two classes of students:
those who are preparing for the Engineering Course at the
University, and those who, while they are not preparing for college,
wish to do advanced work in Mathematics and to acquire a broader
knowledge of Algebra than that obtained in the first year. It also
prepares the students for the Courses in Trigonometry and Solid
Geometry that are to follow.
For the benefit of those students who are not preparing for the
University and are not studying mathematics for its own sake, a
special effort is made to make the content of the course as rich as
possible; that is, to select topics that afford material for mathematical
thinking and at the same time have vocational value.
The following are the subjects considered: factors, remainder
theorem, factor theorem, fractions, fractional and negative indices,
surds, and complex quantities (graphic treatment), theory of quadratic
equations, graphs, simultaneous equations, proportion and variation,
logarithms.
Second Term.
Either Solid Geometry or Trigonometry. These subjects are begun
but once a year. All students finishing two and a half years’
work in Mathematics may take whichever course is offered in the
second half of their third year. Original work and solution of
practical problems required.
First Term.
Either Solid Geometry or Trigonometry.
Second Term.
This course is a continuation of the work in Algebraic Theory
designed especially for engineering students and for others who wish
to continue advanced work. The student who is pursuing Mathematics
for its vocational value and who does not intend to go to
the University need not elect it, since the first term of Algebraic
36Theory, with Solid Geometry and Trigonometry, will give him sufficient
equipment. The following topics are studied: synthetic division,
simultaneous quadratic equations, special methods for higher
equations, determinants, mathematical induction, binomial theorem,
summation of series.
37
Physical Geography. Regularly a ninth year subject. Time: 7
or 8 periods per week.
First Term.
A study of land forms based on field excursions to points easily
accessible afoot or on the street cars. Soil formation and conservation.
A study of the physical features of California with their economic
consequences, particularly the determination of the routes of
railroads, the choice and construction of harbors, quartz and placer
gold mining, the development of water power and long-distance electric
transmission, lumbering, irrigation, agriculture, horticulture, etc.
Tarr’s New Physical Geography, pages 13–172, liberally supplemented
by the use of reference books, lantern slides, relief models and topographic
maps. Wright’s Manual of Physical Geography.
Second Term.
A study of the simpler elements of weather and climate based on
astronomic and other observations and on certain physical and chemical
experiments. A study of the great wind belts of the world and
regions of excessive, moderate, or deficient rainfall, locating each
regionally in the continents. The climatic regions of the United
States with particular reference to temperatures, prevailing winds,
and rainfall—each as modified by physiographic features and by
large bodies of water. A regional study of the United States with
particular reference to milling, stock feeding, dairying, slaughtering
and packing, iron, coal, lumber. Centers of manufacture with a
consideration of methods and lines of transportation both by land
and sea, particularly of the transcontinental lines which reach the
Pacific Coast. Possible changes on the Pacific Coast due to the
opening of the Panama Canal. Tarr’s New Physical Geography,
pages 1–12 and 173–430, supplemented by the use of reference books,
individual full-mounted globes, wall maps, weather maps, and excursions
to the Chabot Observatory and the United States Weather
Bureau. Wright’s Manual of Physical Geography.
Botany. Regularly a tenth year subject; but may be taken in
the ninth year. Time: 8 periods per week, including double laboratory
periods. Laboratory and recitation periods are arranged to suit
the topic under consideration.
38The text used in Bergen’s Essentials of Botany. In the main, the
order of topics as there given is followed. More experiments in plant
physiology are taken than are outlined in the text, and some time
is devoted to the study of oxygen, hydrogen, nitrogen, and carbon,
including the chemistry of combustion. About 24 weeks are devoted
to the study of seed plants, and 18 weeks to spore plants. Enough
time is devoted to the study of the classification of seed plants to
enable a pupil to use a key readily. An herbarium is not required;
but the necessary instruction is given, and the pupil is encouraged in
the preparation of one if he shows interest in this kind of work. In
the study of spore plants particular attention is given to bacteria,
yeasts and molds in their relation to household affairs.
Zoology. Regularly an eleventh year subject. Time: 7 or 8
periods per week, including double laboratory periods. It is expected
that only one class will be organized in each year, this class
to begin with the fall term.
First Term.
Invertebrate zoology, with comparative study of typical forms,
e. g., amoeba, paramoecium, sponge, hydra, sea-anaemone, starfish,
earthworm, shrimp, crab, etc. Special attention is given to beneficial
and injurious insects.
Second Term.
Vertebrate zoology, with comparative study of human anatomy
and physiology. Detailed laboratory study of the anatomy of the
frog.
Text-books: Jordan, Kellogg and Heath’s Animal Studies, both
terms; Conn and Budington’s Advanced Physiology, second term.
Physiology, Hygiene and Sanitation. Regularly an eleventh year
subject. Time: 7 or 8 periods per week, including double laboratory
periods.
The course is intended to contribute as much as possible toward
healthful living. The study of structure and function is made the
basis of an intelligent appreciation of the principles of hygiene.
The conception of the body as a mechanism which requires new materials
of definite kinds to replace worn out parts, and which also
requires a constant supply of energy to enable it to do its work is
made the basis of the study of food materials and the principles of
dietetics. The course concludes with a study of the nature of infectious
and contagious diseases and the means by which they are
communicated; and domestic and public sanitation.
39Text-books: Conn and Budington’s Advanced Physiology and
Brown’s Physiology for the Laboratory.
Chemistry. Regularly an eleventh year subject. Previous preparation
should include at least one-half year of algebra; but the chemistry
may be taken without it. Time: 7 or 8 periods per week, with
double laboratory periods.
General Chemistry. The subject essentially as presented in McPherson
and Henderson’s Elementary Study of Chemistry and Laboratory
Exercises in Chemistry by the same authors.
Household Chemistry. This is alternative with the general course
in the second half year. The work of the first half year is the same
as in the general course. The course in household chemistry is intended
for girls, and substitutes the chemical problems and processes
of the home for those of the mine, the smelter, and the metallurgical
and chemical industries in general. Large use is made of a
reference library of works in the chemistry of cooking, cleaning and
sanitation. Blanchard’s Household Chemistry is used as a laboratory
guide.
The credit toward graduation and the college entrance credit is
the same for the household chemistry as for the general course.
Physics. Brief Course. Regularly a twelfth year subject. Minimum
preparation, 8 units, including first year algebra and the first
term of plane geometry. Time: One period daily for one year.
Credit: One unit.
This course fulfils the requirements in science for admission to
the College of General Culture, the College of Commerce, and the
General Course in Agriculture of the University of California, and for
similar courses in other universities. It emphasizes the qualitative
aspects of phenomena, omits the more difficult mathematics of the
subject, takes fewer quantitative laboratory experiments and devotes
less time to practical applications than the full course does. Astronomical
topics are introduced here and there as they fit into the regular
order of the work.
Full Course. Regularly a twelfth year subject. Minimum preparation:
10 units, including first year algebra and plane geometry.
Time: 3 single periods and 2 double periods per week in the first
half year; 2 single periods and 3 double periods per week in the second
half year. Credit: One and one-half units.
40The full course is prescribed in the fourth year for all pupils preparing
for the Colleges of Mechanics, Mining, Civil Engineering,
Chemistry, and the Technical Course in Agriculture of the University
of California, and for similar courses in other universities. It is elective
for all other pupils who have the necessary preparation.
The full and the brief courses are given in separate classes, in
either or both terms, when the number of students enrolled necessitates
the organization of more than one class in the work of the
term. When the classes are not thus divided, the pupils in the full
course will take the work with the brief course class 5 periods per
week, and will take additional work as a separate class 2 periods per
week in the first term, and 3 periods per week in the second term.
Text-books: Coleman’s Text-book of Physics, and Coleman’s New
Laboratory Manual of Physics.
The University of California requires for admission at least one
science given in the third or fourth year of the high school course.
Physiology, Zoology, Chemistry, or Physics fulfils this requirement;
Botany does not, but it receives regular admission credit as an elective
subject. When Botany is offered together with any one of the
other sciences, both receive admission credit, the one as an elective,
the other as the prescribed third or fourth year science.
41
First Term.
Second Term.
First Term.
- Xenophon’s Anabasis. Bks. I and II.
- Greek Grammar. Goodwin.
- Beginner’s Greek Composition. Collar & Daniell.
Second Term.
- Xenophon’s Anabasis. Bks. III and IV.
- Greek Grammar. Goodwin.
- Beginner’s Greek Composition. Collar & Daniell.
First Term.
- Homer’s Iliad. Bks. I-III.
- Goodwin’s Grammar.
- Composition. Collar & Daniell.
Second Term.
- Homer’s Iliad. Bks. IV-VI.
- Goodwin’s Grammar.
- Beginner’s Greek Composition. Collar & Daniell.
42
First Term.
- D’Ooge’s Latin for Beginners.
- Lessons I-XLV.
- Gradatim for sight reading.
Second Term.
- D’Ooge’s Latin for Beginners.
- Lessons XLVI-LXXVIII. Book completed.
- Gradatim for sight reading.
First Term.
- Second Year Latin. Greenough, D’Ooge and Daniell.
Part One. 75 pages of stories, fables, mythology, biography, including Life of Caesar. Composition based on the above.
- Grammar. Allen & Greenough.
Second Term.
First Term.
43Second Term.
First Term.
Second Term.
44
First Term.
- Spanhoofd—Lehrbuch der deutschen Sprache. Lessons 1–13.
- Spanhoofd—Erstes Lesebuch.
- Copy Book—Deutsches Schönschreiben, No. 4.
Second Term.
- Spanhoofd—Lehrbuch. Lessons 14–19.
- Bacon—Im Vaterland, about fifty pages.
- Moni der Geissub, or
- Rosenresli.
First Term.
- Spanhoofd—Lehrbuch. Lessons 20–29.
- Bacon—Im Vaterland, pp. 50–157.
- Two or more of the following:
- Höher als die Kirche.
- Germelshausen.
- Immensee.
- Der Geissbub von Engelberg.
- Irrfahrten.
Second Term.
- Spanhoofd—Lehrbuch. Lessons 30–35, subjunctive.
- Wesselhoeft—German Composition, pp. 1–40.
- Three or more of the following:
- Der Schwiegersohn.
- Anfang und Ende.
- Der Bibliothekar.
- Der Prozess.
- Das Spielmannskind.
- Der stumme Ratsherr (in same volume with Das Spielmannskind). Riehl.
- Auf der Sonnenseite. Bernhardt.
- 45Bilderbuch ohne Bilder. Anderson.
- Wilhelm Tell. Schiller.
- Aus dem deutschen Dichterwald. Dillard.
- L’Arrabbiata. Heyse.
- Burg Neideck. Riehl.
- Lichenstein. Hauff.
- Der arme Spielmann. Grillparzer.
- Peter Schlemihl. Chamisso.
- Maria Stuart. Schiller.
- Hermann und Dorothea. Goethe.
- Elements of German. Bierwirth.
- German Composition. Pope.
- Träumereien. Leander.
- Elements of German. Bierwirth.
- German Composition. Pope.
- Soll und Haben. Freytag.
- Das Nest der Zaunkönige. Freytag.
- Die Schriften des Waldschulmeisters. Rosegger.
- Er soll dein Herr sein. Heyse.
- Die Blinden. Heyse.
- St. Jurgen. Storm.
- Brigetta. Auerbach.
- Heimatklang. Werner.
- Der Neffe als Onkel. Schiller.
- Die Jungfrau von Orleans. Schiller.
- Die Journalisten. Freytag.
- Sesenheim. Goethe.
- Die verlorene Handschrift. Freytag.
Supplementary List. Not to be purchased by pupils.
- Easy German Stories. Ries.
- Neue Marchen. Mullar.
- Gluck Auf. Muller & Wenckebach.
- Das Murchen. Goethe.
- Der Geissbub von Engelberg. Lohmeyer.
- Geschichten von Rhein. Stern.
- Geschichten von den deutschen Städten. Stern.
- Minna von Barnhelm. Lessing.
- Nathan der Weise. Lessing.
- Aus dem Leben eines Taugenichts. Eichendorff.
- Leberecht Hühnchen. Seidel.
- 46Abenteuer der Neujahrsnacht. Zschokke.
- Das Wirtshaus zu Kransac. Zschokke.
- Unter Brudern. Heyse.
- Two German Tales. Nichols.
- Teya. Sudermann.
- Sommermarchen. Baumbach.
- Gravelotte. Frenssen.
- Tales. Hauff.
- Four German Comedies.
- Das Amulett. Meyer.
- Aprilwetter. Arnold.
- Die Harzreise. Heine.
- Das Habichtsfraulein. Baumbach.
- Ultimo. Moser.
- Fritz auf Ferien. Arnold.
- Der Assistent. Schanz.
- German Conversation. Wesselhoeft.
- Der Taucher. Schiller.
- Die beiden Freunde. Moltke.
- Stille Wasser. Bernhardt.
- Emilia Galotti. Lessing.
- Pole Poppenspaler. Storm.
- Kleider machen Leute. Keller.
- Zwischen den Schlachten. Elster.
- Aus dem Leben eines Unglücklichen. Hansjakob.
- Die Ahnen, Part I. Freytag.
- Ein Regentag auf dem Lande. Arnold.
- Krambambuli. Elmer-Eschenbach.
- Legenden. Keller.
- Die Steinklopfer. Saar.
- Ernstes und Heiteres. Schrakamp.
47
First Term.
- French Grammar. Fraser & Squair. Lessons I-XX.
- French Reader. Aldrich & Foster.
Second Term.
- French Grammar. Fraser & Squair. Lessons XXI-XXX.
- French Reader. Aldrich & Foster.
First Term.
- French Grammar. Fraser & Squair. Lessons XXXI-XL, and pp. 337–347.
- Le Voyage de Monsieur Perrichon, or equivalent from list.
- Tartarin de Tarascon.
Second Term.
- French Grammar. Fraser & Squair.
- Colomba.
- Two hundred pages of sight reading from supplementary list.
- Elementary French Composition. Lazare.
- Grammar. Fraser & Squair.
- Extracts for French Composition. Mansion.
- Une Semaine A Paris. Bacon.
- Douze Contes Nouveaux.
- Le Petit Chose.
- Le Malade Imaginaire. Moliere.
- Le Bourgeois Gentilhomme.
- Les Miserables. Hugo.
- Grammar. Fraser & Squair.
- Extracts for French Composition. Mansion.
- Une Semaine A Paris. Bacon.
- 48Contes des Romanciers Naturalistes.
- Le Monde ou L’on s’Ennuie. Pailleron.
- Les Precieuses Ridicules. Moliere.
- Souvenirs d’Enfance et de Jeunesse.
Supplementary French Books. (Not to be purchased by pupils.)
- Le Conscrit de 1813. Erckmann-Chatrian.
- Notre Dame De Paris. Hugo.
- L’Abbe Daniel. Theuriet.
- L’Abbe Constantin. Halevy.
- L’Avare. Moliere.
- French Short Stories. Buffum.
- Bataille de Dames. Scribe & Legouve.
- Le Roi des Montagnes. About.
- La Tulipe Noire. Dumas.
- Les Trois Mousquetaires. Dumas.
- La Mare au Diable. Sand.
- L’Etre de la Saint Martin. Meilhac & Halevy.
- Labiche’s La Lettre Chargee.
- Vent d’Ouest. d’Hervilly.
- Les Prisonniers du Caucase. De Maistre.
- Les Plus Jolis Contes de Fees. Lazare.
- Morceaux Choisis. Daudet.
- Selections from Standard French Authors. Guerlac.
- L’Etincelle. Pailleron.
- Eugenie Grandet. Balzac.
- Cure de Tours. Balzac.
- Ma Soeur Henriette. Renan.
- Dosia. Greville.
- Madame Therese. Erckmann-Chatrian.
- Contes Extraits de Myrrhae. Lamaitre.
- Siege de Paris. Sarcey.
- Gil Blas. Le Sage.
49
Elementary Choral. Sight-singing, notation, musical dictation,
voice training and part singing. Voices will be tested and classified
at the beginning of each term. One credit for graduation, but no
recommendation to the university.
Advanced Choral and Musical Appreciation. Open to all students
who have completed course I or its equivalent. University credit.
Musical dictation, study of standard choruses, biography of great
musicians. This course will be illustrated by the Victor and player-piano
and frequent recitals by available musicians and music students.
Harmony. Students electing the course must have completed
Course I or II, or be reasonably proficient in performance upon some
solo instrument. University credit.
Notation. Formation of diatonic and chromatic scales in major
and minor modes; consonant and dissonant intervals and their inversions;
triads and their inversions in major and minor modes; a study
of chord connection and voice leading over a given bass; chords
of the Dominant Seventh and their inversions and resolution; harmonizing
of simple melodies; treatment and progressions of Secondary
Sub-dominant chords; modulation and transposition; suspensions, retardations
and embellishments; chords of the Dominant Ninth and
secondary chords of the Seventh from the Dominant Ninth.
History of Music. University credit.
An outline of the development of the art of music, including ancient
music; Greek scales; church music from the time of Gregory;
the Netherland School of Polyphony; opera and oratorio; the classical
period; the Romantic Movement; music of the present day; biographies
of the leading musicians of each period. Text—Outline of
Music History—Hamilton.
50
Composition. Open to students who have completed Course III.
Orchestra. One credit for graduation but not for University.
Open to students sufficiently proficient on piano, violin, viola,
’cello, bass, cornet, clarinet, flute, or drum and traps, in so far as
balance of tone color will allow.
51
Freehand Drawing—Given in Ninth Year.
Principles of perspective drawing from type solids, casts, still
life and plant forms in pencil, charcoal, pen and ink and water colors.
Designing—Given in Tenth Year.
Its principles and application. Lettering. Study of Historic
Ornament.
Geometric Drawing—Given in Tenth or Eleventh Year.
Practice with mechanical drawing instruments, in the solution of
Geometric Problems, with the study of freehand and mechanical
printing.
Advanced Freehand Drawing—Given in the Eleventh Year.
Advanced charcoal and water color from casts, life, fruit, flowers,
and landscape, and illustrative drawing.
Applied Mechanical Drawing—Given in Twelfth Year.
Selections made to suit the students’ needs.
Industrial Arts—Given in Twelfth Year.
Work selected to suit the students’ needs.
52
1. One year of gymnasium work taken twice a week is required
of all high school students. No unit credit is given for this alone.
Athletic work, however, is taken throughout the four years, the
equivalent of two periods a week—part gymnasium and part outdoor
work—for which one unit is given towards graduation. For the first
semester of the tenth year, a compulsory course in Hygiene is substituted
for active work in the physical education department. A
yearly medical and physical examination is required.
2. After the first term, if the work is deferred for a year or
more, the first term must be repeated; for the required year’s work
is to be continuous.
3. Girls’ Department—Gymnasium work consists of breathing
exercises, free work, dumb bells, wands, Indian clubs, chest weights,
mat work, folk dancing, and marching, with special emphasis laid on
graceful carriage. Out door athletics—baseball, basket ball, volley
ball, tennis, and playground games.
4. The regulation costume for girls’ class work consists of:
| Middy Blouse |
.95 to 2.50 |
| and |
|
| Bloomers |
$2.50 and up |
| Gym. Shoes |
.65 to 1.50 |
The course in hygiene for girls covers personal hygiene, including
all the normal functions of the body—care of the infant and house;
care of the sick; public sanitation, such as prevention of infectious
diseases, garbage and sewage disposal; care of food in the home and
supervision of dairies and markets, and federal activities in control
of public health.
A medical examination is made of every freshman girl during her
first term and is repeated as often after that as may seem necessary.
In addition the physician is ready for consultation with pupils or
their parents or teachers whenever desired.
5. Boys’ Work—Gymnasium work for boys consists of dumb bells
and wand drill, Indian clubs, chest weights, breathing exercises, free
53hand and floor work. Special attention is paid to proper carriage.
For advanced students, horse, parallel bars, horizontal bar and mat
work. Out door athletics may be taken but is not compulsory. They
consist of track, football, baseball, tennis, basketball, and swimming.
6. The regulation costume for the boys’ class work consists of:
| Gymn. upper |
.50 |
| Running pants |
.50 |
| Supporter |
.75 |
| Tennis shoes |
.70 to $1.50 |
- Silently corrected typographical errors and variations in spelling.
- Archaic, non-standard, and uncertain spellings retained as printed.