Copyright: Its History and Its Law

About this eBook

Author

Bowker, R. R. (Richard Rogers), 1848-1933

Credits

Produced by Greg Weeks, Carol Brown, and the Online Distributed Proofreading Team at www.pgdp.net. (This book was produced from scanned images of public domain material from the Google Print project.)

Language

English

LoC Class

KF: Law in general, Comparative and uniform law, Jurisprudence: United States

Subject

Copyright -- History

Category

Text

eBook-No.

39502

Project Gutenberg

https://www.gutenberg.org/ebooks/39502

Release Date

April 21, 2012

Copyright

Public domain in the USA.

Contents

1. 1.Richard Rogers Bowker — COPYRIGHT: ITS HISTORY AND ITS LAW.
2. 2.THE ARTS OF LIFE. OF BUSINESS. OF POLITICS. OF RELIGION. OF EDUCATION. — HOUGHTON MIFFLIN COMPANY — Boston and New York — COPYRIGHT — ITS HISTORY AND ITS LAW — BEING A SUMMARY OF THE PRINCIPLES AND PRACTICE OF COPYRIGHT WITH SPECIAL REFERENCE TO THE AMERICAN CODE OF 1909 AND THE BRITISH ACT OF 1911 — BY — RICHARD ROGERS BOWKER — BOSTON AND NEW YORK — HOUGHTON MIFFLIN COMPANY — The Riverside Press Cambridge — 1912
3. 3.FOREWORD — CONSPECTUS OF COPYRIGHT BY COUNTRIES
4. 4.COPYRIGHT — ITS HISTORY AND ITS LAW — I — THE NATURE AND ORIGIN OF COPYRIGHT — II — THE EARLY HISTORY OF COPYRIGHT — III — THE DEVELOPMENT OF STATUTORY COPYRIGHT IN ENGLAND — IV — THE HISTORY OF COPYRIGHT IN THE UNITED STATES — V — SCOPE OF COPYRIGHT: RIGHTS AND EXTENT — VI — SUBJECT-MATTER OF COPYRIGHT: WHAT MAY BE COPYRIGHTED — VII — OWNERSHIP OF COPYRIGHT: WHO MAY SECURE COPYRIGHT — VIII — DURATION OF COPYRIGHT: TERM AND RENEWAL — IX — FORMALITIES OF COPYRIGHT: PUBLICATION, NOTICE, REGISTRATION AND DEPOSIT — X — THE AMERICAN MANUFACTURING PROVISIONS — XI — DRAMATIC AND MUSICAL COPYRIGHT, INCLUDING PLAYRIGHT — XII — MECHANICAL MUSIC PROVISIONS — XIII — ARTISTIC COPYRIGHT — XIV — INFRINGEMENT OF COPYRIGHT: PIRACY, "FAIR USE" AND "UNFAIR COMPETITION" — XV — REMEDIES AND PROCEDURE — XVI — IMPORTATION OF COPYRIGHTED WORKS — XVII — COPYRIGHT OFFICE: METHODS AND PRACTICE — XVIII — INTERNATIONAL COPYRIGHT CONVENTIONS AND ARRANGEMENTS — XIX — THE INTERNATIONAL COPYRIGHT MOVEMENT IN AMERICA — XX — COPYRIGHT THROUGHOUT THE BRITISH EMPIRE — XXI — COPYRIGHT IN OTHER COUNTRIES — XXII — BUSINESS RELATIONS OF COPYRIGHT: AUTHOR AND PUBLISHER — XXIII — THE LITERATURE OF COPYRIGHT
5. 5.APPENDIXES — I — UNITED STATES OF AMERICA: COPYRIGHT PROVISIONS — 2. PRESIDENT'S PROCLAMATIONS — 3. UNITED STATES SUPREME COURT RULES — 4. UNITED STATES COPYRIGHT OFFICE REGULATIONS
6. 6.II — BRITISH EMPIRE: COPYRIGHT PROVISIONS — PART I. — PART II. — PART III. — FIRST SCHEDULE. — SECOND SCHEDULE. — 6a. FINE ARTS COPYRIGHT ACT, 1862 — 6b. MUSICAL (SUMMARY PROCEEDINGS) COPYRIGHT ACT, 1902 — 6c. MUSICAL COPYRIGHT ACT, 1906 — 7. CANADIAN COPYRIGHT MEASURE, 1911 — 8. AUSTRALIAN COPYRIGHT ACT, 1905
7. 7.III — INTERNATIONAL COPYRIGHT UNION: CONVENTIONS — 9. BERNE CONVENTION, 1886, — 10. BERLIN CONVENTION, 1908,
8. 8.IV — PAN AMERICAN UNION: CONVENTIONS — II. MONTEVIDEO CONVENTION, 1889 — 12. MEXICO CITY CONVENTION, 1902 — 13. RIO DE JANEIRO CONVENTION, 1906 — 14. BUENOS AIRES CONVENTION, 1910
9. 9.CHRONOLOGICAL TABLE OF LAWS AND CASES, ENGLISH AND AMERICAN — INDEX — Transcriber's Notes:

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