Nous venons de recevoir votre chèque, et nous vous
envoyons en échange, par la présente lettre, tant en
notre nom qu’au nom de l’auteur, l’autorisation exclusive
de publier aux Etats-Unis, une traduction de
l’étude de Mr. Henry Houssaye sur Cléopâtre.
Nous saisissons avec empressement cette occasion de
rendre hommage à la parfaite correction de vos procédés.
Vous donnez un exemple qui vous honore fort,
et dont nous vous savons d’autant plus gré, que nous
aimons à croire qu’il sera suivi.
Agréez, Messieurs et chers confrères, mes salutations
empressées.
After an existence of forty or fifty centuries,
the empire of Egypt was expiring under the
“evil eye” of the Romans. The Greek
dynasty, which had given to the country a new
strength and reviving brilliancy, had exhausted itself
in debauchery, crimes, and civil wars. It was now sustained
only by the good-will of Rome, whose fatal protection
was bought at a high price, and who still
designed to tolerate, for a time, at least, the independence
of Egypt. Freed from nearly all military service
by the introduction of Hellenic and Gallic mercenaries
the Egyptians had lost their warlike habits. They had
suffered so many invasions and submitted to so many
foreign dominations that all that remained for patriotism
was the religion of their ancestors. Little mattered it
to them, born servile and used to despotism, whether
they were governed by a Greek king or a Roman pro-consul—they
would give not an ear of corn less, nor
receive a blow the more.
Her glory eclipsed and her power decayed, Egypt
still possessed her marvelous wealth. Agriculture,
manufactures, and commerce poured into Alexandria a
triple wave of gold. Egypt had erewhile supplied Greece
and Asia Minor with corn; it remained the inexhaustible
granery of the Mediterranean basin. But the
fertile valley of the Nile—“so fertile,” says Herodotus,
“that there was no need of the plough,” produced not
corn only. Barley, maize, flax, cotton, indigo, the
papyrus, henna, with which the women tinted their
finger nails, clover sufficient for countless herds of cattle
and sheep, onions and radishes, supplied to the laborers
employed in building the great pyramid of Cheops to
the amount of eight millions of drachms, grapes, dates,
figs, and that delicious fruit of the lotus, which, according
to Homer, “made one forget his native land,”
were other sources of wealth. Native industry produced
paper, furniture of wood, ivory, and metal; weapons,
carpets, mats, fabrics of linen, wool, and silk; cloths,
embroidered and painted; glazed pottery, glass-ware,
vases of bronze and alabaster, enamels, jewels of gold
and settings of gems. Finally commerce, which had
its factories beyond the Aromatic Cape, which sent its
caravans across Arabia and the Lybian Desert, and
whose countless ships ploughed the seas from the
Pillars of Hercules to the mouth of the Indus, had
made Alexandria the emporium of the three continents.
Under Ptolemy XI., the father of Cleopatra, the taxes,
tithes, import and export duties cast annually into the
royal treasury twelve thousand five hundred talents—sixty-eight
millions of francs.
The capital of the Ptolemies, Alexandria, made
Achilles Tatius exclaim, “We are conquered,” and the
probability is that he saw this city only after the ruin of
many of its fine edifices. But what at all times was
most striking to the stranger was less the number and
magnificence of the buildings than the noble order and
symmetrical arrangement of the city. Two great
avenues, bordered with colonnades of marble and crossing
at right angles, traverse Alexandria—the longitudinal
avenue, more than thirty stadia (four thousand
eight hundred meters) in length, and thirty-five meters
in width, ran from east to west, beginning at the gate
of the Necropolis and terminating at the Canopic gate.
The transverse avenue extended for a length of seventeen
stadia, from the southern enclosure to the great
port. All the other streets and avenues, alike paved
with heavy blocks of stone and provided with sidewalks,
all crossing at right angles, met the two chief
thoroughfares. This regularity, this noble appearance,
and endless perspectives gave to Alexandria a character
peculiar to itself. One felt that, unlike other cities
which grow by degrees, by successive additions, Alexandria
had been created at one stroke, on a fixed plan;
and in truth this city had, so to speak, risen from the
sand at the will of Alexander. It was Alexander who
determined the position of the city; it was Alexander
who had given it the form of the Macedonian chlamys;
it was Alexander who, with his architect Dinarchus, had
traced this network of streets and avenues, marked out
the dykes to be raised for the new port, and appointed
the sites for the principal edifices. Afterwards the
Ptolemies adorned the city; they built innumerable
monuments, created wonderful gardens; populous
suburbs arose, both east and west; but as a whole
Alexandria remained as it was conceived by Alexander.
It was from the Paneum, an artificial elevation in
the heart of the city thirty-five meters in height, that
a complete panorama of Alexandria could be seen.
On the south, thousands of houses and private
palaces stretched away to the circumference which,
owing to the perspective, seemed to bathe in the
shining waters of Lake Maratis. Humble cottages,
rough-coated with lime, pierced irregularly with little
windows, having wooden gratings, and terraced roofs
surrounded by ventilators, serving as sleeping-places
in the hot summer nights, alternated with vast residences
rising amidst courts and gardens, concealing
from the view of the outside world by lofty walls,
turreted like ramparts, their white façades and sculptured
porticos with rows of painted columns and
cornices decorated with many colored bands. The
grand Serapium overlooked this whole portion. This
colossal edifice was reached by a winding staircase
of a hundred steps; columns of syenite of the Corinthian
order, thirty-two meters in height, supported the
cupola.
Looking towards the sea the view embraced the
northern portions, the old port and the new separated
from each other by a gigantic mole seven stadia in extent
which united the island of Pharos with the city. At
the eastern extremity of this island rose the lighthouse,
an immense octagon tower of two stories, one
hundred and eleven meters in height, and built
wholly of white marble. Around the vast port, from
Cape Lochias to the Heptastadium, extended a noble
line of piers along which arose palaces and temples.
Edifices of pure Greek style stood side by side with
Egyptian buildings and other magnificent ones in
which both styles of architecture had combined their
elements, relieving the utter plainness of Semitic art
by ornaments of the Hellenic order, alternating Corinthian
columns with campaniform, and uniting the
acanthus leaf with the papyrus flower. Perspectives
of cloisters ended in apses of marble exedræ; at the
extremity of long avenues of sphinxes gigantic pylons
raised their pyramidal masses, where painted on white
screens filed on processions of figures, and the entablature
of which bore the emblematic disk with the great
wings unfolded. Here a Greek temple presented a
pediment sculptured in Parian marble; there an
Egyptian temple, vast, squat, mysterious, showed its
granite mass whose quadrangular pillars bore on the
four faces of their cubic capitals the head of the god
Hathor. On terraces covered with beds of roses, and
shaded by sycamores, mimosas, and palms, rose
palaces surrounded by porticos supported by columns
of lotus form, alleys of pylons, pavilions in the
form of conic towers, open kiosks, tribunes supported
by caryatides. In the squares, at the junction of the
streets, before the great edifices arose sculptured heads
of Mercury, Osirian colossi, statues of the Greek
gods, altars, heroums, dominated at intervals by lofty
obelisks and tall masts fixed in the ground whose many
colored flags fluttered in the breeze.
Among these endless monuments would first be
noticed, at the extremity of the cape, the temple of
Isis Lochias, and a noble royal villa; then before the
Closed Port of the Kings the shipyards and the arsenal
buildings. There began the Bruchium. Enclosed
by lofty walls and hanging gardens the Bruchium was
a city within the city—the City of the Ptolemies.
Each of the Lagidæ had built a palace, erected a
temple, opened gushing fountains, planted groves of
acacias and sycamores, created ponds where bloomed
water-lilies, and the blue lotus flower. Strabo applied
to the monuments of the Bruchium the line of the
Odyssey: “One produces the other.” Near the various
palaces of the kings and their vast appurtenances
arose the temple of Chronos, the temple of Isis Pelusia,
the lesser Serapium, the temple of Poseidon
[Neptune], the gymnasium with its porticos of a
stadium in extent, the theater, the covered gallery,
the library containing seven hundred thousand
volumes.
Finally the Soma, the immense mausoleum in
which Alexander’s body rested in a coffin of solid
gold, afterwards replaced by one of glass. One other
edifice of the Bruchium attracted the eye by its vast
proportions and its epistyle crowned by a dome. It
was the celebrated museum of Alexandria, at once a
school, a monastery, and an academy.
Grammarians, poets, philosophers, and astronomers
lived there together at the expense of the Ptolemies,
and it was maliciously called the Cage of the Muses,—a
splendid cage, however, in which sang Theocritus,
Callimachus, Apollonius, and whence arose the noble
voice of the Alexandrian philosophy.
Beyond the temple of Poseidon the quays inflected
in a broken line towards the southwest. There also
edifice succeeded to edifice—the exchange, the temple
of Bendis, the temple of Arsinoë, and the immense
Apostasia in which was gathered the merchandise of
the whole world. Beyond the Heptastadium was the
old port with its great shipbuilding yards, and farther
to the west, outside the walls, the suburb of the Necropolis,
the funeral quarter of the embalmers.
II.
Alexandria was a cosmopolitan city.
Whilst the cities of Upper Egypt and Heptanomis
had preserved the national character,
in the Delta the Hellenic civilization had been
grafted on the Egyptian, or rather they went side by
side. The laws and decrees were written in both languages;
the priesthood, the government, the police,
the tribunals, the whole administration belonged
equally to both; the army was composed of Greek and
Gallic mercenaries, of Cilician robbers, of fugitive
Roman slaves. In Alexandria, where for more than
two centuries unnumbered colonies had settled, the
native race dwelt together in the ancient Egyptian city of
Rhakotis, but they composed at the most only one-third
of the population. The Jews, who inhabited a distinct
quarter where they had their ethnarch and their Sanhedrim,
were in the proportion of one to three. From the
Pharos to the Serapium, from the gate of the Necropolis
to the Canopic gate were seen as many foreigners as
Egyptians. They composed a noisy and variegated
crowd of Greeks, Jews, Syrians, Italians, Arabs, Illyrians,
Persians, and Phenicians. In the streets and on
the wharves every language was spoken, in the temples
every god was worshiped. Into this Babel each race
brought its own passions. The population of Alexandria,
which amounted to three hundred and twenty
thousand exclusive of the slaves, was as turbulent as
that of the other Egyptian cities was tranquil and resigned,
and during the reigns of the latter Lagidæ the
Alexandrian populace always seconded the revolutions
of the palace, hoping under new sovereigns to find
more liberty and less taxes.
Ptolemy XI. (Auletes) died in July, 51 B. C. He
left four children. By his will he appointed to succeed
him on the throne his eldest daughter Cleopatra and
his eldest son Ptolemy, and according to the custom of
Egypt the brother was to marry the sister. At her
father’s death Cleopatra was sixteen and Ptolemy thirteen
years old. The tutor of young Ptolemy, the
eunuch Pothinus, was an ambitious man, and, being
complete master of the mind of his pupil, he calculated
to rule Egypt under the new reign; but he soon found
that Cleopatra would permit neither him nor Ptolemy
to govern the kingdom. Proud and headstrong,
Cleopatra was likewise skillful, intelligent, and very
learned; she spoke eight or ten languages, among
them Egyptian, Greek, Latin, Hebrew, Arabic, and
Syriac. How is it possible to think that this woman, so
haughty and so gifted, would abandon her share of the
sovereignty in favor of a child governed by a eunuch?
Either she would get rid of her brother, or if she consented
to live with the young king she would soon
acquire an absolute supremacy over him. Pothinus
realized this, and he devoted all his energies to accomplish
the ruin of the queen. He began by provoking
jealousies among the ministers and the high officers of
the crown; then, when the dissension between the
partisans of the king and those of Cleopatra was at its
height he aroused the people of Alexandria against
the young queen. He accused her of desiring to reign
alone, even should she have to call in the armed intervention
of the Romans. He declared that she had
made this plan in conjunction with the eldest son of
the great Pompey, Cn. Pompey, who, on his way
through Alexandria in 49, had then become her lover.
The riot reached even to the gates of the palace, and
the connivance of Pothinus and the young king could
not escape the perspicacity of Cleopatra. She quitted
Alexandria, accompanied by a few faithful attendants.
The fugitive, however, did not regard herself as vanquished;
she would not so easily renounce that crown
which she had already worn for three years. It was
soon known that Cleopatra had raised an army on the
confines of Egypt and Arabia, and that she was marching
on Pelusium. The young king collected his forces
and advanced to meet her.
The brother and sister, the husband and wife, were
face to face with their armies in the neighborhood of
Pelusium when the illustrious victim of Pharsalia came
to seek an asylum in Egypt. Pompey supposed he
might reckon on the gratitude of the children of
Ptolemy Auletes, for it was at his instigation that
seven years previously Gabienus, pro-consul of Syria,
had replaced that king on his throne. It is true that
after the battle of Pharsalia Pompey was helpless and
Cæsar all-powerful, and in assisting a fugitive from
whom nothing more could be hoped for, the anger of
Cæsar might be provoked. Pothinus and the other ministers
of the young king did not hesitate; they welcomed
Pompey; but it was to murder him as soon as he set foot
on Egyptian territory. His head, embalmed with the
learned art of the Egyptians, was presented to Cæsar
when the latter, who was pursuing Pompey, landed at
Alexandria. Cæsar turned his eyes from the ghastly
trophy, and warmly reproached Pothinus and Achillas
with their crime. Doubtless the two wretches cared
but little for his reproaches; they considered that they
had done Cæsar a great service in ridding him of his
most powerful adversary, and they knew enough of
mankind to understand that, Pompey being dead, it was
easy for Cæsar to be magnanimous.
Cæsar soon learned the contentions of Ptolemy and
Cleopatra, the flight of the latter in consequence of the
threats of the populace, and the battle about to take
place between the two armies assembled at Pelusium.
It had always been the Roman policy to intermeddle
in the private dissensions of nations. This policy of
intervention was still more in order for Cæsar with regard
to Egypt, because during his first consulate Ptolemy
Auletes had been declared the ally of Rome, and
in his will had conjured the Roman people to have
his last wishes executed. Another motive, which he
does not mention in his “Commentaries,” induced
Cæsar to intermeddle in the affairs of Egypt. With
little expense he had made himself the creditor of the
late king, and he had to call upon the heirs for a large
amount. This was no less than seven millions fifty
thousand sesterces which remained due of the thirty-three
thousand talents which Ptolemy had promised to pay
Cæsar and Pompey if by the assistance of the Romans
he should recover his crown.
Pothinus, however, thought he had done enough for
Cæsar in offering him the head of Pompey. He urged
him, therefore, to reëmbark and to go whither he was
called by much more important matters than the disputes
of Ptolemy and Cleopatra: to Pontus, whence
Pharnaces was driving his lieutenant Domitius, to
Rome where Cœlius was exciting the plebeians. To
the claims of Cæsar, he replied that the treasury was
empty; to his offers of arbitration between the heirs of
Ptolemy, he objected that it was not proper for a foreigner
to interfere in this quarrel, that such an interference
would rouse all Egypt. In support of his words,
he reminded him that the people of Alexandria, regarding
the fasces borne before Cæsar as an outrage on the
royal dignity, were enraged at it; that daily new riots
arose, that every night Roman soldiers were assassinated,
that the Alexandrian population was very numerous, and
that the army of Cæsar (numbering only three thousand
two hundred legionaries and eight hundred cavalry)
was very small.
But his refusals, his counsels, his implied menaces
availed nought against the will of Cæsar. His prayers
exhausted, he commands. Pothinus is ordered formally
to invite in his name Ptolemy and Cleopatra to disband
their armies and to present themselves before his consular
tribunal to settle their differences. The eunuch
was forced to yield, but, as cunning as Cæsar was persistent,
he hoped to turn this intervention, which he at
first dreaded, to secure the success of his designs. With
this purpose he sent to Cleopatra Cæsar’s command to
disband her troops, but without telling her she was expected
at Alexandria, and he wrote to Ptolemy to repair
at once to Cæsar but still to keep his soldiers under
arms. Pothinus calculated by these means to free himself
from Cleopatra’s army and to secure to the young
king the favor of Cæsar, since Ptolemy alone of the
two heirs of Auletes summoned by the consul paid due
attention to his invitation. A few days after, Ptolemy
actually arrived in Alexandria. He offered to Cæsar
the warmest protestations of friendship, in which he
was joined by Pothinus, Achillas, and the other ministers;
he explained the disputes between himself and
Cleopatra, laying all the blame on her. Cæsar, however,
was not so easily duped. Pothinus had supposed that
the absence of Cleopatra would irritate Cæsar against
her, but Cæsar could not believe that the young queen
had, through contempt, declined his invitation to repair
to Alexandria. He thought it more probable that some
machination of Pothinus had prevented her coming. In
order to satisfy himself of this he secretly despatched a
messenger to Cleopatra, whom he knew to be still at
Pelusium.
The queen was waiting impatiently for news from
Cæsar. On the receipt of his first message, but
partially transmitted by Pothinus, she had hastened
to disband her army. She already felt full confidence
in the favor of the great leader who was called
“the husband of all women,” but she knew that she
must see Cæsar, or rather that Cæsar must see her.
But the days passed and the invitation to Alexandria
did not arrive. Finally the second message reached
her, and she learned that Cæsar had already sent for
her to go to him, but that Pothinus had taken measures
to prevent her knowing it. The thing was plain
enough; her enemies were not willing that she should
have an interview with Cæsar, and now that their trick
was discovered they would employ force; no doubt
they were on their guard and laid their plans accordingly.
If Cleopatra sought to reach Alexandria by
land she would be taken by the outposts of the
Egyptian army encamped before Pelusium; by sea,
her royal trireme could not escape the vessels of
Ptolemy cruising about the entrance to the port.
Even should she succeed in reaching Alexandria she
would run the risk of being torn to pieces by the
populace, incited by Pothinus. Even in the king’s
palace, where Cæsar resided as the guest of Ptolemy,
that is to say with an Egyptian guard of honor, she
might be seized and slain by the sentinels.
Cleopatra, abandoning the idea of entering Alexandria
with the trappings of a queen, bethought
herself of a plan to do so not merely under a disguise,
but as a bale of goods. Accompanied by a single
devoted attendant, Apollodorus, the Sicilian, she
embarked from near Pelusium in a decked bark
which, in the middle of the night, entered the port
of Alexandria. They landed at a pier before one of
the lesser gates of the palace. Cleopatra enveloped
herself in a great sack of coarse cloth of many colors,
such as were used by travelers to pack up mats and
mattresses, and Apollodorus bound it round with a
strap, then taking the sack upon his shoulders, entered
the gate of the palace, went straight to the
apartments of Cæsar, and laid his precious burden
at his feet.
Aphrodite rose radiant from the sea: Cleopatra less
pretendingly from a sack; but Cæsar was none the
less moved at the surprise and ravished with the apparition.
Cleopatra, who was then nineteen, was in the
flower of her marvelous and seductive beauty. Dion
Cassius calls the queen of Egypt the most beautiful
of women, but Plutarch finds one epithet insufficient
to depict her, and expresses himself thus: “There
was nothing so incomparable in her beauty as to
compel admiration; but by the charm of her physiognomy,
the grace of her whole person, the fascination
of her presence, Cleopatra left a sting in the soul.”
This is her veritable portrait. Cleopatra did not possess
supreme beauty, she possessed supreme seductiveness.
As Victor Hugo said of a celebrated
theatrical character, “She is not pretty, she is
worse,” which suggestive expression may well apply
to Cleopatra. Plutarch adds, and his testimony is
confirmed by Dion, that Cleopatra spoke in a melodious
voice and with infinite sweetness. This information
is valuable in a psychological point of view.
Certes, this charm of voice, divine gift so rarely bestowed,
this pure and winning caress, this ever new
delight was not one of the least attractions of the
Siren of the Nile.
This first interview between Cæsar and Cleopatra
probably extended far into the night. It is certain
that, with the earliest dawn, Cæsar sent for Ptolemy,
and told him he must be reconciled to his sister and
associate her in the government. “In one night,”
says Dion Cassius, “Cæsar had become the advocate
of her of whom he had erewhile thought himself the
judge.” Ptolemy was resisting the thinly disguised
commands of the consul, when Cleopatra appearing,
the young king, mad with rage, cast his crown at the
feet of Cæsar and rushed from the palace uttering the
cry: “Treason! treason! to arms!” The mob, excited
by his cries, rose and marched on the palace. Cæsar
feeling himself too weak to resist (he had but a handful
of legionaries about him) ascended one of the
terraces and harangued the multitude from a distance.
He succeeded in restoring a calm by his promises of
satisfying the Egyptians in their demands. Just at
this time his legionaries arrived from the camp, surrounded
the young prince, separated him from his
partisans, and with every mark of respect reinstated
him willy-nilly in the palace where he might serve
as a hostage for Cæsar. The next day the people
were assembled in the public square, and Cæsar,
accompanied by Ptolemy and Cleopatra, went thither
in great state with his escort of lictors. Every Roman
was under arms, ready to suppress the first symptom of
sedition. Cæsar read aloud the testament of Ptolemy
Auletes, and declared solemnly in the name of the
Roman people that he would insist on carrying out
the last will of the late king. By this the two elder
of his children were to reign conjointly over Egypt.
As for the other two children of the king, he, Cæsar,
made them a gift of the island of Cyprus, and handed
over to them the sovereignty of it.
This scene overawed the Egyptians; nevertheless,
Cæsar, fearing an insurrection, hastened to summon to
Alexandria the new legions which he had formed in
Asia Minor of the wrecks of Pompey’s army. But long
before these reënforcements could reach him, the
Egyptian army from Pelusium, on secret orders from
Pothinus, entered the city to drive out the Romans. At
the same time, Arsinoë, the young sister of Cleopatra,
assisted by the eunuch Ganymede, made her escape from
the palace, and in default of Ptolemy, still Cæsar’s prisoner,
was received with acclamations both by the army
and people as the daughter of the Lagidæ. This
army, commanded by Achillas, amounted to eighteen
thousand foot and two thousand horse, and the people
of Alexandria made with it common cause against the
foreigner.
Cæsar had but four thousand soldiers and the crews of
his triremes. He was in extreme peril; occupying with
this handful of men the palaces of the Bruchium, he
was attacked from the city by the troops of Achillas
and the armed populace, and his fleet, which was at
anchor in the greater harbor, was virtually captive,
since the enemy held the passes of Taurus and Heptastadium.
He even feared that this inactive fleet
might fall into the hands of the Alexandrians, who
would have made use of it to intercept his supplies
of men and munitions. Cæsar averted this danger by
setting fire to his vessels. The immense conflagration
reached the quays and destroyed many houses and
edifices, among others the arsenal, the library, and
the grain emporium. The Egyptians, exasperated,
rushed to the attack, but the legionaries, as good
diggers as brave soldiers, had transformed the Bruchium
into an impregnable entrenched camp. On
all sides were embankments, barricades, lines of
earthworks; the theater had become a citadel. The
Romans sustained twenty assaults without losing an
inch of ground. Cæsar even succeeded in seizing
the island of Pharos, which gave him the command
of the great harbor.
The Egyptians imagined that victory would be
theirs if, instead of a woman, they could have Ptolemy
to lead them. They therefore sent word to Cæsar
that they made war on him only because he kept
their king a prisoner, and that as soon as he should
be restored to liberty hostilities would cease. Cæsar,
who knew the fickleness of the Alexandrians, yielded—he
gave them back Ptolemy. As for his accustomed
counsellor Pothinus, Cæsar had intercepted letters from
him to Achillas, and had delivered him over to the
lictors. No sooner had Ptolemy rejoined the Egyptian
army than the war, far from ceasing, was renewed
with increased vigor. Just then the first reënforcement,
the thirty-seventh legion, reached Cæsar by
sea. The war was carried on without any decided advantage
till the beginning of the spring of 47 B. C.
Then it was learned that Pelusium had been taken
by assault by an army that was coming to the relief
of Cæsar; it was a body of auxiliaries from Syria,
led by Mithridates of Pergamos. The Egyptians,
fearing to be shut in between two enemies if they
remained in Alexandria to await the coming of Mithridates,
marched to meet him. The first battle, which
was indecisive, took place near Memphis; but, a few
days later, Cæsar, who had also quitted Alexandria,
succeeded in joining the troops of Mithridates and a
second battle was fought. The Egyptians were broken
and cut to pieces, and King Ptolemy drowned himself
in the Nile. Cæsar returned with his victorious army
to Alexandria, now humbled; the turbulent populace
of the great city, henceforth, knowing the power of the
Roman steel, received the consul with loud acclaims.
Thus ended the War of Alexandria, which should rather
be styled the War of Cleopatra, since this war, adding
nothing to Cæsar’s fame, injurious to his interests, useless
to his country, and to which he nearly sacrificed
both his life and his glory, had been maintained by
him for the love of Cleopatra.
III.
Eighteen years previous to these events,
Cæsar, being ædile, had endeavored to have
voted by a plebiscit the execution of the
will of Alexander II., who had bequeathed Egypt to
the Roman people. Now, Egypt was subjugated and
Cæsar had but to say the word for this vast and rich
country to become a Roman province. But in the year
63 Cleopatra was only just born; in the year 65 Cæsar
had not felt the bite of the “Serpent of the Nile,” as
Shakspeare calls her—the consul took good care not
to remember the propositions of the ædile. The first
act of Cæsar on reëntering Alexandria was solemnly to
recognize Cleopatra as Queen of Egypt. In order,
however, to humor the ideas of the Egyptians he determined
that she should espouse her second brother,
Ptolemy Neoteras, and share the sovereignty with him.
As, however, Dion remarks, this union and this sharing
were equally visionary; the young prince, who was
only fifteen, could be neither king nor even husband to
the queen; apparently Cleopatra was the wife of her
brother, and his partner on the throne; in reality she
reigned solely, and continued the mistress of Cæsar.
During the eight months of the Alexandrian struggle
Cæsar, shut up in the palace, had scarcely quitted
Cleopatra, except for the fight, and this long honeymoon
had seemed short to him. He loved the beautiful
queen as fondly, and perhaps more so, than in the
early days, and he could not resolve to leave her. In
vain the gravest interests called him to Rome, where
disorder reigned and blood was flowing, and where,
since the December of the preceding year, not a letter
had been received from him;1 in vain, in Asia, Pharnaces,
the conquerer of the royal allies of Rome and of
the legions of Domitius, has seized on Pontus, Cappadocia,
and Armenia; in vain, in Africa, Cato and
the last adherents of Pompey have concentrated at
Utica an immense army—fourteen legions, ten thousand
Numidian horsemen, and one hundred and twenty
elephants of war; in vain, in Spain, all minds are excited
and revolt is brewing. Duty, interest, ambition,
danger—Cæsar forgets everything in the arms of
Cleopatra. Truly he is preparing to leave Alexandria,
but it is to accompany the beautiful queen on a pleasure
excursion up the Nile. By the orders of Cleopatra, one
of those immense flat-bottomed pleasure vessels has
been prepared, such as were used by the Lagidæ for
sailing on the river, and called thalamegos (pleasure
pinnace). It was a veritable floating palace, half a
stadium long and forty cubits high above the water-line.
The stories rose one above the other, surrounded by
porticos and open galleries, and surmounted by belvederes
sheltered from the sun by purple awnings.
Within were numerous apartments, furnished with
every convenience and every luxurious refinement of
Greco-Egyptian civilization, vast saloons surrounded by
colonnades, a banqueting-hall provided with thirteen
couches, with a ceiling arched like a grotto, and sparkling
with a rock-work of jasper, lapis lazuli, cornelian, alabaster,
amethyst, aquamarine, and topaz. The vessel
was built of cedar and cypress, the sails were of byssus,
the ropes were dyed purple. Throughout, carved by
skillful hands, were the opening chalices of the lotus,
wound the volutes of the acanthus, twined garlands of
bean-leaves and flowers of the date palm. On all sides
shone facings of marble, of thyia, ivory, onyx, capitals
and architraves of bronze. Mimes, acrobats, troops of
dancing-girls, and flutists were on board to cheer the
austere solitude of the Thebaīd with the diversions and
luxuries of Alexandria.
Cæsar and Cleopatra anticipate with rapture this
voyage of enchantments; they will carry their young
loves amid the old cities of Egypt, along the “Golden
Nile,” which they will ascend as far as the mysterious
land of Ethiopia. But on the very eve of their departure
the legionaries become indignant, they murmur,
they rebel; their officers cry aloud to the consul, and
Cæsar returns to reason. For an instant he contemplates
carrying Cleopatra away with him to Rome, but
that project must be deferred. It is in Armenia that
the danger is most pressing; it is to Armenia that he
will first repair. He leaves two legions with Cleopatra—a
faithful and formidable guard, which will secure
the tranquility of Alexandria, and sets sail for Antioch.
During the campaigns of Cæsar in Armenia and
Africa (from July, 47, to June, 46, B. C.) Cleopatra remained
in Alexandria, where a few months after the
departure of the dictator she gave birth to a son. She
named him Ptolemy-Cæsarion, thus proclaiming her
intimate relations with Cæsar, which, however, were
no secret to the Alexandrians.
When Cæsar, the army of Cato under Thapsus being
crushed, was about to return to Rome, he wrote to Cleopatra
to meet him there. Probably she arrived there
about midsummer of the year 46, at the period of the
celebration of Cæsar’s four triumphs. In the second,
the triumph of Egypt, Cleopatra must have beheld, at
the head of the train of captives, her sister Arsinoë, who
at the breaking out of the war of Alexandria had joined
her enemies. The queen had brought with her her son
Cæsarion, her pseudo-husband the young Ptolemy, and
a numerous train of courtiers and officers. Cæsar gave
up his superb villa on the right bank of the Tiber as a
residence for Cleopatra and her court.
Officially, if we may thus use this very new word to
express a very old thing, Cleopatra was well received in
Rome. She was the queen of a great country, the ally
of the Republic, and she was the guest of Cæsar, then
all-powerful; but, beneath the homage offered, lurked
contempt and hatred. Not that Roman society took
offence at her intrigue with Cæsar; for more than half
a century, republican Rome had strangely changed its
chaste morals and severe principles. Public morality,
private morality,—were utterly transformed. Electors
sold their votes, and the elected made use of their offices
to re-imburse themselves for their election expenses
and to provide means for their reëlection; they sold alliances,
prevaricated, plundered, took ransoms, having an
understanding with the publicans (tax-gatherers) to
grind down the provinces. In the latter times of the
Republic in Rome politics became the school of crime;
the theater, where, contrary to the custom of the
Greeks, women might take part in the comedies and
in the obscene games of the mimes and mountebanks,
became the school of debauchery. The favorite poet
is the licentious Catullus; the mold of fashion, and at
the same time the pupil, client, and friend of Cicero is
Cœlius, a man of unscrupulous ambition and unbridled
libertinism. Assassination became a means of government,
poison a way to an inheritance. From the time
of the proscriptions of Sylla, the hold on life seemed
very precarious; one must make the most of it. “Let us
live and love,” says Catullus. “Suns may set and rise
again, but we, when our brief day is ended, must sleep
a night that has no morrow.” The time was past when
the Roman matron lived quietly at home and spun
with her maidens. She sought adventures, plotted,
gave or sold herself. Greek libertinism and Oriental
voluptuousness had reached Rome and been transformed
into a gross sensuality. The multiplicity of divorces
“annihilated the sacredness of the family”; the love
of luxury, ambition, and extravagant passions ruined its
honor, and the noblest of the patrician ladies were the
foremost in this race of debauchery. Among them
were Valeria, the sister of Hortensius; Sempronia, wife
of Junius Brutus; Claudia, wife of Lucullus, and the
other Claudia, wife of Quintus Metellus Celer. Again
there was Junia, the wife of Lepidus; Posthumia, the
wife of Sulpicius; Lollia, the wife of Gabinius; Tertullia,
the wife of Crassus; Mucia, the wife of the great Pompey;
Servilia, the mother of Brutus, and many others.
In so dissolute and adulterous a city, it could shock
no one that Cæsar should be false to his wife with one
mistress or even with several; but in the midst of her
debaucheries, and even though Rome had lost many of
her ancient virtues, she still preserved the pride of the
Roman name. These conquerors of the world looked
upon other nations as of servile race and inferior humanity.
Little did they care for the transient loves of
Cæsar and Ennoah, queen of Mauritania, nor would
they have cared any more had Cleopatra served merely
to beguile his leisure during the war of Alexandria; but
in bringing this woman to the seven-hilled city, in
publicly acknowledging her as his mistress, in forcing
on all the spectacle of a Roman citizen, five times consul
and thrice dictator, as the lover of an Egyptian
woman, Cæsar seemed, according to the ideas of the
time, to insult all Rome. As Merivale justly observes:
“If one can imagine the effect that would have been
produced in the fifteenth century by the marriage of a
peer of England or of a grandee of Spain with a Jewess
some idea may be formed of the impression made on
the Roman people by the intrigue of Cæsar and Cleopatra.”
Cæsar had received supreme power and had been deified.
He was created dictator for ten years, and in the
city his statue bore this inscription: “Cæsari semideo”—To
Cæsar the demigod. He might believe
himself sufficiently powerful to despise Roman prejudices;
for the rest, during the last two years of his life,
Cæsar, till then so prudent, so cautious in humoring the
sentiments of the plebeians, so skillful in using them for
his own designs, pretended in his public life to despise
and brave public opinion. It was the same in his private
life; far from dismissing Cleopatra, he visited her more
frequently than ever at the villa on the Tiber, talked
incessantly of the queen, and allowed her publicly to
call her son Cæsarion.
He went further still; he erected in the temple of
Venus the golden statue of Cleopatra, thus adding to
the insult to the Roman people the outrage to the
Roman gods. It was not enough that Cæsar for love
of Cleopatra had not reduced Egypt to a Roman province;
not enough that he had installed this foreigner
in Rome, in his villa on the banks of the Tiber, and
that he lavished on her every mark of honor and every
testimony of love;—now he dedicated, in the temple of
a national divinity, the statue of this prostitute of Alexandria,
this barbarous queen of the land of magicians,
of thaumaturgy [wonder-working], of eunuchs, of servile
dwellers by the Nile, these worshipers of stuffed
birds and gods with the heads of beasts. Men asked
each other where the infatuation of Cæsar would end.
It was reported that the dictator was preparing to propose,
by the tribune Helvius Cinna, a law which would
permit him to espouse as many wives as he desired in
order to beget children by them. It was said that he
was about to recognize the son of Cleopatra as his heir,
and still further, that after having exhausted Italy in
levies of men and money he would leave the government
of Rome in the hands of his creatures and transfer
the seat of empire to Alexandria. These rumors
aroused all minds against Cæsar, and, if we may credit
Dion, tended to arm his assassins against him (to
furnish the dagger to slay him).2 Notwithstanding this
hostility, Cleopatra was not deserted in the villa on the
Tiber. To please the divine Julius, to approach him
more intimately, the Cæsarians controlled their antipathy
and frequently visited the beautiful queen. To
this court of Egypt transported to the banks of the
Tiber came Mark Antony, Dolabella, Lepidus, then
general-of-horse; Oppius Curio, Cornelius Balbus,
Helvius Cinna, Matius, the prætor Vendidius, Trebonius,
and others. Side by side with the partisans of
Cæsar were also some of his secret enemies, such as
Atticus, a celebrated silver merchant with great interests
in Egypt, and others whom he had won over, like
Cicero. The latter while making his peace with Cæsar
did not forget his master-passion, love of books and of
curiosities. An insatiable collector, he thought to enrich
his library at Tusculum without loosing his purse-strings,
and requested Cleopatra to send for him to
Alexandria, where such treasures abounded, for a few
Greek manuscripts and Egyptian antiquities. The
queen promised willingly, and one of her officers,
Aumonius, who, formerly an ambassador of Ptolemy
Auletes to Rome, had there known Cicero, undertook
the commission; but whether through forgetfulness or
negligence the promised gifts came not, and Cicero
preserved so deep an enmity to the queen in consequence
that he afterwards wrote to Atticus, “I hate the
queen (odi reginam),” giving as his only reason for this
aversion the failure of the royal promise. The former
consul had also received an affront from Sarapion, one
of Cleopatra’s officers. This man had gone to his
house, and when Cicero asked him what he wished he
had replied rudely: “I seek Atticus,” and at once departed.
How often does the ill-conduct of upper servants
create a prejudice against the great.
The assassination of Cæsar, which struck Cleopatra
like a thunderbolt, would have been the destruction of all
her hopes if one could lose hope at twenty-five. Cæsar
dead, there was nothing to detain her in Rome, and she
did not feel safe in this hostile city amid the bloody
scenes of the parricidal days. She prepared to depart,
but Antony having entertained for a moment the weak
desire of opposing to Octavius as Cæsar’s heir the little
Cæsarion, Cleopatra remained in Rome until the middle
of April. When the queen perceived that this project
was finally abandoned, she hastened to depart from the
city where she had experienced so much contempt and
which she quitted with rage in her heart.
IV.
Cleopatra reëntered Alexandria without
opposition, but the civil war which threatened
between the adherents of Cæsar and
the republicans made her situation difficult and her
crown precarious. The ally of the Roman people,
she could not remain neutral in the struggle; but at
the risk of the victors’, whoever they might be, making
her pay the penalty of her desertion by annexing Egypt
to the empire, she inclined to the Triumvirs; for the
partisans of Cæsar had been less inimical to her while
in Rome, and Antony, through policy indeed, rather
than friendship, had spoken in favor of her son’s succession.
On the other hand, if the Triumvirs possessed
the West, their adversaries were almost the
masters of the East, and directly threatened Egypt.
At the very commencement of hostilities Cassius, who
with eight legions occupied Syria, called upon Cleopatra
to send him reënforcements, and almost at the
same time one of the lieutenants of Antony, Dolabella,
besieged in Laodicea, addressed the same demand to her.
Cassius was seemingly victorious, Dolabella the reverse;
prudence would have advised to side with the
former, nevertheless Cleopatra remained faithful to her
tacit alliance with the Cæsarians. Four Roman legions,
two left by Cæsar and two composed of the veterans of
Gabinius, were stationed at Alexandria. The queen
commanded them to set out for Laodicea, but the envoy
of Dolabella, Allienus, who had taken the command of
these troops, came upon the army of Cassius in Syria.
Whether from pusillanimity or premeditated treachery,
Allienus united his legions with those of the enemy
against whom he was leading them, and only a single
Egyptian squadron, which Cleopatra had also despatched
to Laodicea, reached Antony.
Soon after the departure of the legions, 43 B. C., the
young king Ptolemy died suddenly. Cleopatra was
accused of having him poisoned. This crime, which
is far from being authenticated, is by no means improbable.
It may be that when Cleopatra by the
departure of the Roman soldiers found herself without
any reliable troops, she dreaded either a conspiracy in
the palace or an insurrection which would drive her
from the throne to place on it her brother. Six years
previously the same circumstance had resulted to the
advantage of her other brother, and Cleopatra had
nearly fallen a victim. Immediately on the death of
Ptolemy XIII., the queen took as the sharer of the
throne her young son Ptolemy-Cæsarion, then four
years of age.
Stationed at Cyprus was an Egytian fleet. Cassius
sent orders direct to the navarch Sarapion, who commanded
it, to unite with the republican fleet, and the
latter obeyed without even referring to his sovereign.
Not satisfied with the four legions and the squadron
which he had already received from Cleopatra, much
against her will, indeed, Cassius again sent her word
to furnish him new supplies of troops, ships, provisions,
and money. The queen, who feared an invasion, which
she was without forces to repel, sought to temporize.
She expressed her regrets to Cassius that she could not
at once send him aid, Egypt being ruined by famine
and pestilence. Famine indeed reigned there by reason
of an insufficient inundation of the Nile, but Egypt was
not ruined for all that, and whilst Cleopatra was evading
the demands of Cassius she was preparing a new fleet
to assist the Triumvirs. Cassius was not deceived by
the diplomacy of Cleopatra’s envoy. He determined
to invade Egypt. He had already set out on his march
when Brutus, on the approach of the army of Antony,
summoned him into Macedonia. Then Cleopatra sent
her fleet to join the party of the Cæsarians, but on the
way this fleet was dispersed and almost utterly destroyed
by a tempest. Throughout this war ill-fortune seemed
to pursue Cleopatra—with the best will to second the
Triumvirs she had been able to give them almost no
assistance; on the contrary, she had furnished reënforcements
to the republicans, who, well knowing that
these reënforcements had been most unwillingly supplied,
desired to take vengeance for her reluctance.
The battle of Philippi freed Cleopatra from her
anxiety on the score of the republicans; but she had
still to fear the penalty of her apparent desertion of
the Triumvirs. After his victory over Brutus, Antony
overran Greece and Asia Minor for the purpose of levying
tribute, and was everywhere received as a conqueror.
Cities and kings vied with each other in adulation,
heaped up honors and lavished gifts on him to secure
immunity for the succor they had afforded, willingly or
by force, to the vanquished party. At Athens, Megara,
Ephesus, Magnesia, and Tarsus embassies and royal
visits followed each other. To preserve to their kingdoms
a quasi-autonomy, every petty sovereign of Asia
hastened to obtain from the powerful triumvir a new
investiture of his crown. Cleopatra alone, whether
from queenly pride or womanly art, remained in
Egypt and sent no ambassador; she seemed to pretend
to ignore that the victory at Philippi had rendered
Antony the master of the East.
The silence of Cleopatra surprised and irritated
Antony. Perhaps wounded pride was not the only
sentiment in the soul of the triumvir. When he was
commanding the cavalry of Gabinius he had seen
Cleopatra, then fifteen years old; he had seen her
again at Rome, the year of Cæsar’s death. Without
agreeing wholly with Appian, that Antony was already
in love with the queen of Egypt, it may be
credited that her beauty and her attractions had
made on him a deep impression. He remembered
the “Siren of the Nile,” and amid the visits of so
many kings and powers it was, above all, hers that
he awaited, but awaited in vain. In the position of
Antony, however, to speak was to be obeyed. He
commanded Cleopatra to repair to Tarsus, to vindicate
before his tribunal her ambiguous conduct during
the civil war. Antony enjoyed in advance this deliciously
cruel pleasure: the beautiful Cleopatra, the
haughty queen of Egypt, the woman at whose feet
he had seen the divine Julius, coming to him as a
suppliant.
Quintus Dellius, a creature of Antony’s, was appointed
to bear the message to Cleopatra. This
Dellius, an unscrupulous intriguer and agreeable
man of pleasure, had by turns betrayed all men and
all parties. He was called “The Hunter of the
Civil Wars”—Desultor bellorum civilium. He was
destined to die the friend of Horace, who dedicated
an ode to him, and the friend of Augustus who enriched
him. In the meanwhile he was going to
make use of Cleopatra to enable him to attain still
higher favor with Antony. At the first audience
granted him by the beautiful queen, he understood
the passion of Cæsar and foresaw that of Antony.
Feeling that Cleopatra would captivate the triumvir
at the first glance, he saw at once the advantage to
be gained in the near future from the patronage of
the Egyptian queen; and from the envoy of Antony
he suddenly became the courtier of Cleopatra, and
from an ambassador an intermeddler. He exhorted
the queen to hasten into Cilicia, assuring her that,
despite his appearance and manners suitable to the
amphitheater, the rough soldier of Pharsalia and
Philippi was not so ferocious as he seemed. “Never,”
said he, “will Antony call tears to eyes so beautiful,
and far from causing you the least pain he will fulfil
your every wish.” Dellius found no difficulty in persuading
Cleopatra: she saw, shining through his words,
the dawn of a new fortune equal to that which she had
dreamed of as the mistress of Cæsar. According
to a somewhat doubtful tradition, Dellius might have
succeeded in more than securing the attention of
Cleopatra: he might have made himself beloved by
her. Be this as it may, the queen, yielding to his
counsels, determined to set out for Tarsus, but in
order to enhance the value of the proceeding and to
make it more effective she was careful not to precipitate
it, and under various pretexts she often delayed
her departure, notwithstanding the entreaties of Dellius
and the messages constantly increasing in earnestness
despatched by Antony.
On a day when the triumvir on his judgment-seat
was giving public audience in the midst of the agora
of Tarsus, a great uproar arose on the banks of the
Cydnus. Antony inquired what it meant. Flatterers
as all Greeks are, the Cilicians replied that it was
Aphrodite herself who, for the happiness of Asia,
was coming to visit Bacchus. Antony liked to
assume the name of Bacchus. The crowd which
thronged the public square rushed in a body to the
shore. Antony was left alone with his lictors in
the deserted agora—his dignity kept him there,
but he fidgets in his curule chair, till finally curiosity
gains the day. Unaccustomed to self-control, he,
also, descends to the strand. The sight is worth
the trouble—a vision divine which carries one back
to the dawn of mythologic times. Cleopatra is entering
Tarsus, ascending the Cydnus on a vessel
plated with gold over which float sails of Tyrian
purple. The silver oars rise and fall in measured
cadence to the music of Greek lyres and Egyptian
harps. The queen, the goddess Cleopatra, lying
beneath an awning of cloth of gold which shades
the deck, appears as the painters usually represent
Aphrodite, surrounded by rosy children like the
Loves, beautiful young girls scarcely clad with lightest
drapery as Graces and sea-nymphs, bearing garlands
of roses and the lotus-flower and waving great
fans of the feathers of the ibis. On the prow of the
vessel other Nereides form groups worthy the brush
of Apelles; Loves suspended to the yards and rigging
seem descending from the skies. Incense and spikenard
kept burning by slaves surround the vessel with
a light and odorous vapor which sends its perfume to
both banks of the stream.
Antony at once despatched one of his favorites to
Cleopatra to request her to sup with him that same
night. Cleopatra, availing herself doubtless of her title
of goddess rather than of that of queen—a queen of
Egypt was nobody in comparison with a triumvir—made
response that it was she who invited Antony to supper,
and the Roman did not decline the invitation. He went
at the hour appointed to the palace, which several days
previously Cleopatra had had secretly prepared with
gorgeous magnificence. The banquet-hall, sumptuously
adorned, shone with the brilliancy of chandeliers, candelabra,
and a multitude of golden sconces arranged symmetrically
in circles, lozenges, etc. The feast, worthy
of its decorations, abounded in nectarean wines served
in vases of solid gold, and in rare and artistic viands
prepared by a master hand. Antony was a great
gastronomist, and three months before this had given
his cook a house for a dish that pleased him. He would
have given a whole town to the cook of Cleopatra. As
for the beautiful Egyptian, the triumvir was already
willing to give her the whole world. The next day
Antony gave a supper to the queen. He hoped to
surpass, by means of money, the magnificence of his
reception, but he was the first to recognize his inability
to rival her as an Amphitryon, and, clever man that he
was,3 he jested gaily in Cleopatra’s presence at his
meanness and coarse taste. Probably in these two entertainments
there was no mention of the grievances,
real or pretended, with which Rome charged Cleopatra.
Antony had no longer any thought of summoning
her before his tribunal as a suppliant—the suppliant
would have been Antony himself if Cleopatra had rejected
his advances. Henceforth it was the queen that
commanded; the all-powerful triumvir had become the
“slave of the Egyptian woman,” as Dion Cassius indignantly
exclaims.
The first advantage Cleopatra took of her power was
to have her son, by Cæsar, Ptolemy-Cæsarion, recognized
as legitimate heir to the crown of Egypt. At
Antony’s request the decree was immediately ratified
by his colleagues, Octavius and Lepidus. Antony
alleged as a pretext for this favor to Cleopatra, the services
she rendered to the Romans during the civil war.
After having satisfied her ambition, Antony became
without difficulty the executor of her revenge. Like
most women the beautiful queen was vindictive, and
like Dionysius the Tyrant, she carried her prudence to
the extent of crime. Her sister Arsinoë had escaped
from Rome, where she had contributed to Cæsar’s triumph;
she had found an asylum at Miletus. Whether
Cleopatra feared that, ambitious and intriguing as she
had already shown herself in the War of Alexandria,
she might again create trouble in Egypt, or simply to
avenge herself for Arsinoë’s former conduct, the queen
besought Antony to have her put to death. One crime
more or less weighed but little on the conscience of the
proscriber of the year 711 A. U. C. The unfortunate
Arsinoë was murdered in the temple of Artemis Leucophryne,
where she had sought refuge from the hired
assassins of Antony. An Egyptian, also a refugee in
Asia Minor where he passed himself off as Ptolemy
XII., drowned as was well-known in the Nile, was also
put to death. Cleopatra bore an ill-will, the cause of
which is not known, also to Megabyses, of the great
temple of Ephesus. He was arrested by Antony’s
order, and his life was saved only by the interference
of the magistrates of the city, speaking in the name of
the people, who rose in insurrection to rescue him. At
the same time, Sarapion, the former commander of
the Egyptian squadron at Cyprus, was beheaded by the
order of Antony, thus avenging Cleopatra for the
defection of her officer and Antony for the aid given
to Cassius. When Cleopatra arrived at Tarsus in the
summer of 41 B. C., Antony was preparing to march
against the Parthians. At the end of a month the
concentration of his troops was accomplished, the fleets
ready, and no obstacle remained to the departure of
the army. But this month had been passed with Cleopatra,
and Antony had found it very short. Listening
only to his passion, he put off the expedition till the
spring and followed the queen into Egypt.
Then began that mad life of pleasure and debauchery,
that long and sumptuous orgy, which even in the
third century of our era, and after the excesses of Nero
and Heliogabalus, was still quoted in the Roman world,
though then slaves to every corruption and exhausted
in efforts of magnificence, as an inimitable model.
Οι Αχιμητοδιοι: “Those whose life is inimitable.”
This, moreover, was the name assumed by Antony and
Cleopatra and the intimate companions of their pleasures.4
Plutarch and Dion relate that festival succeeded
to festival, entertainment to entertainment, and hunting
parties to excursions on the Nile. Cleopatra quitted
Antony neither day nor night. She drank with him,
she gambled with him, hunted with him, she was even
present at his military exercises when by chance this
man of war, remembering that he was a soldier, took a
fancy to review his legions. It is further related that
Cleopatra was incessantly inventing some new diversion,
some unexpected pleasure. But this list is very
brief, this sketch a very modest and faint description
to give an idea of the superb orgies, the unrestrained
voluptuousness, and the nameless prodigalities of the
“Inimitables.” Pliny alone of the ancient writers has
summed them up, perhaps unknown to himself, in the
legend, more or less symbolic, of the Pearl. One day,
says this writer, when Antony was extolling the luxuriousness
and profusion of a certain entertainment, he
exclaimed that no other could surpass it. Cleopatra, who
always affected to put no limit to the possible, replied
that the present feast was a wretched affair, and she
laid a wager that the next day she would give one on
which she would expend ten millions of sesterces (two
millions one hundred thousand francs). Antony took
the bet. The next day the feast, magnificent as it was,
had nothing to distinguish it from the preceding, and
Antony did not fail to rally Cleopatra. “Per Bacchus,”
cried he, “this would never cost ten millions of sesterces!”
“I know that,” replied the queen, “but you see only
the accessories. I myself will drink alone the ten millions,”
and at once detaching from her ear a single
pearl—the largest and most perfect ever seen—she
threw it into a golden cup, in which it was dissolved
in the vinegar there prepared, and swallowed at one
draught the acid beverage. She was about to sacrifice
the second pearl when L. Plancus, the umpire of the
wager, arrested her hand by declaring that she had won.5
Picture to yourself the most costly materials, marbles,
breccia, granites, ebony and cedar woods, porphyry,
basalt, agate, onyx, lapis-lazuli, bronze, silver, ivory,
and gold; conceive the most imposing Egyptian, the
most beautiful Grecian architecture, imagine the Parthenon
and the temple of Jupiter Olympus, the Pavilion
of Rameses, and the ruins of Apollinopolis Magna;
recreate the royal palaces of Alexandria, which, with
their dependencies, their gardens, their terraces, rising
one above another, made up a third of the city:
reconstruct the massive enclosures—those double
pylons into which opened avenues bordered with
sphinxes; those obelisks, those magnificent propylæa,
those saloons three hundred feet long and a hundred
and fifty wide, supported by vast columns, in which
rise double rows of pillars ten meters in circumference
and twenty meters in height, bursting into lotus blossoms
at their summits; those sanctuaries with their
screens enameled in gold and tortoiseshell, and studded
with gems; those long picture galleries adorned with
the paintings of Zeuxis, Apelles, and Protogenes;
those magnificent thermæ with their calidaria, their
basins of hot and cold water, their retiring-rooms
with walls of red porphyry, their porticos adorned
with statues; those gymnasia, theaters, hippodromes,
those stages covered with saffron powder,
those triclinia where the couches of embossed silver
rested on Babylonian carpets; those atria with their
uncovered roofs, sustained by Corinthian columns with
capitals of golden bronze, by day shaded by purple
awnings, the silk of which was worth its weight in gold,
and at night open to the starry sky. See, at all seasons,
blooming in the gardens roses and violets, and scatter
the pavements of onyx and mosaics four times a day
with fresh flowers; people this scenery with crowds of
slaves, pipers, players of the harp and psaltery, dancers,
actors, Atellans [of the drama, as at Atellan, of lascivious
character, Atellanæ], acrobats, mimes, gymnasts,
ballet-dancers, and serpent-charmers. Load
these tables with oysters from Tarentum, lampreys
dressed with garum, bonitos cooked in fig-leaves, pink
ousels, quails, pheasants, swans, geese livers, stews
made of the brains of birds, hares cooked rare and
dusted with coriander seeds, truffles as large as the
fist which were assumed to fall from the sky like
aërolites, cakes of honey and wheat flour, and the most
delicious fruits of the Mediterranean basin. In the
kitchens, roasting before the fires on immense hearths,
for the entertainment of fifteen guests, twelve wild
boars, spitted successively at intervals of three minutes,
so that, according to the duration of the feast, one of
these animals might be exactly cooked at the very
moment it was required to be served. Cool in snow
the old Cæcuban wine, the Falernian ripened for twenty
years, the wines of Phlemtes, Chios, Issa, the imperial
wine of Lesbos, the ripe wine of Rhodes, the sweet wine
of Mitylene, the Saprian, smelling of violets, and the
Thasos, said to “rekindle failing love.” Light up the
lamps, the torches, and the chandeliers, wind the pillars
with streamers of fire; open the mouths of the bronze
colossi that the icy water may flow and cool the atmosphere,
and the breasts of Isis that the sweet waters may
perfume it; call in the choirs of singing women with
their harps and cythera, and the females who dance
nude with castanets of gold in their hands; add to them
representations of comedies, the farces of mimes, the
tricks of jugglers, and the phantasmagorias of the
magicians; offer mock engagements in the harbor,
and in the hippodrome chariot races and combats
between lions; summon the masqueraders and witness
the processions where cluster, around the golden car
of Bacchus and the Cyprian, fifteen hundred satyrs,
a thousand cupids, and eight hundred beautiful slaves
as nymphs and mimes. Finally, imagine all that
Asiatic pomp, Egyptian state, and Grecian refinement
and depravity, and Roman power and licentiousness
blended in a single form—a sensual and splendid
woman, delighting in pleasure and sumptuousness—can
achieve with such elements and you will have some idea,
though very vague and feeble, of the “Life Inimitable.”
Sometimes Antony and Cleopatra indulged in more
vulgar pleasures. Disguised, she as a barmaid, and
he as a porter or a sailor, they ran, by night, about
the streets of Alexandria, knocking at the doors of
houses, abusing belated pedestrians, entering low
lodging-houses, and quarreling with drunken men.
To the great delight of Antony these frolics usually
ended in fights. Despite his strength and skill, the
Roman did not always win, and Cleopatra was sometimes
well splashed with mud; but victors or vanquished,
the lovers returned happy to the palace,
quite willing to renew their adventures. The secret,
however, escaped, and thenceforth the royal pair were
handled more cautiously, without being entirely
spared.6
These follies did not turn the Alexandrians against
the triumvir as much as might have been supposed.
If they had little esteem for him, they liked him for
his good humor, and the ease with which he was
approached. They delighted to say: “Antony wears
for the Romans a tragic mask, but here he lays it
aside, and assumes for us the mask of comedy.” His
intimate companions and his officers, who shared
without scruple his voluptuous and unbridled excesses,
were still less inclined to resent them, for, like himself,
they yielded to the bewitching charm of Cleopatra.
They loved, they admired her, they bore cheerfully
her snubs and sarcasms, and were not shocked, even
if in the midst of a feast, at a sign from Antony, she
quitted the banquet hall with him, and returning after
a short absence resumed her position on the couch of
the triclinium. They studied to please and divert her,
each strove to be the vilest toady to the queen—“humillimus
assentator reginæ”—for a smile of
Cleopatra they sacrificed all dignity. Once, L. Plancus,
a man of consular dignity, crowned with rushes,
a fish’s tail attached to his loins, and his naked body
painted blue, actually performed in her presence the
dance of Glaukos.
With Cæsar, Cleopatra had instinctively played the
part of a crowned Aspasia, ever bewitching, but uniting
dignity with grace, concealing the courtesan beneath
the robe of a queen, ever equable in mood, expressing
herself in the choicest language, talking politics, art,
literature, her marvelous faculties rising without effort
to the level of the lofty intelligence of the dictator: with
Antony, Cleopatra, at first through policy, afterwards
through love, played the part of a Laïs born by chance
to a throne. Seeing at once that the inclinations of
Antony were coarse and low, that his wit was commonplace
and his language very loose, she immediately set
herself to the same tone. She kept pace with this
great drinker, remaining even till dawn with the foaming
flagons and goblets continually replenished; she
accompanied him by night into the suspicious streets
of Rhakotis, the old portion of Alexandria; she jested
cynically, sang amatory songs, recited licentious poems;
she quarreled with him, provoking and returning
both abuse and blows. Nothing delighted Antony
like the sight of that ravishing little hand threatening
and beating him, or to hear from those divine
lips, fit for the choruses of Sophocles or the odes of
Sappho, the same words that he had heard bandied
among the guard of the Esquiline gate and in the
unmentionable dens of the Suburra.
V.
In the winter of 39 B. C. the war of Persia recalled
Antony into Italy. Through ambition
or resentment against Octavius, and also, says
Plutarch, through jealousy, Fulvia his wife had fomented
this war. She hoped that these disturbances would
compel Antony to leave Cleopatra, in order to defend
his power threatened in Rome. Fulvia had succeeded
but too well. Antony, it is true, was sailing towards
Brundusium with two hundred sail, but the victorious
Octavius was all-powerful in Italy, his adversaries dispersed
or proscribed; she herself had fled and was
dying, without a hope of again seeing her husband.
Antony heard of her death while touching at a port
in Sicily. This, in the end, made a peace easy.
Antony had taken no part in the war of Persia;
Fulvia alone, aided by her father-in-law, had excited
it; her death rendered an accommodation possible
between Antony and Octavius. Cocceius Nerva,
Pollio, and Mecænas contrived an interview at Brundusium.
They were reconciled and made a new
division of the empire: Octavius took the West, as
far as the Adriatic; Antony, the East; and Lepidus
had to be content with the Roman possessions in
Africa.
The treaty of Brundusium gave great satisfaction at
Rome, where, after so much dissension and bloodshed,
peace was ardently desired. To secure the fulfilment
of it, the friends of the Triumvirs sought to unite them
by family ties, and they proposed a marriage between
Antony, who had just lost his wife, and Octavia, sister
of Octavius, the widow of Marcellus. This noble
woman, who to the rarest qualities added great
beauty of person, could not fail, they thought, to
secure and fix the love of Antony; she would thus
maintain harmony between the brothers-in-law, to the
great advantage of both and the good of the state.
Octavius gladly accepted the project, and notwithstanding
the passion he still entertained for Cleopatra,
Antony, in view of the political advantages of this union,
took good care not to refuse. The marriage was forthwith
celebrated. The law forbade widows to marry
before the tenth month, but the senate granted a dispensation
to the sister of Octavius.
Antony remained at Rome during nearly the whole
year 39 B. C. He lived in perfect accord with Octavius
and shared with him the government of the empire;
but although he had an equal part in authority and
honors he felt that he was only second in Rome. In
his justifiable pride as an old soldier, an accomplished
warrior, the lieutenant of Cæsar at Pharsalia, and commander-in-chief
at Philippi, he was indignant when he
thought of the supremacy, acknowledged by all, of this
almost beardless youth. A famous Egyptian soothsayer,
whom probably Cleopatra herself had despatched to
Rome, encouraged Antony in these ideas by his predictions
and horoscopes. “Your tutelar genius dreads
that of Octavius,” said he constantly. “Proud and
lofty when alone, he loses power when you are with
Octavius. Here your star is eclipsed; it is only
away from Rome—it is in the East that it shines
in full luster.” A new revolt of the Parthians gave
Antony a pretext for leaving Rome. He set out with
Octavia, and touched first at Athens. There he remained
during the winter of 39–38 B. C., forgetting
not only the Parthians (leaving his lieutenant Ventidius
to conduct the war against them), but Alexandria,
the “Life Inimitable,” and Cleopatra herself.7
Doubtless he did not love his new wife, the beautiful
Octavia, as ardently as he had loved Cleopatra, or in
the same way, but assuredly he did love her. As
feeble in will as powerful in body, Antony, the slave
of woman, was easily dominated. Erewhile Fulvia had
enslaved him, then Cleopatra had bewitched him, now
he yielded to the quiet charm of Octavia.
At the close of the winter he undertook a brief campaign
into Syria against Antiochus of Commagene, and
soon after returned to Athens, where he remained two
years. In 36, a new difficulty occurring between him
and Octavius on the subject of the naval expedition
against the pirates, in which he had refused to second
the latter, civil war again became imminent. Antony
planned a descent upon Italy, with three hundred vessels;
Octavius, on his side, collected his legions; if
blood did not yet flow, swords were half unsheathed.
In the hope of preventing this unnatural war, Octavia
entreated Antony to take her with him into Italy. The
port of Brundusium having refused entrance to Antony’s
fleet, his vessels moored before Tarentum. Informed
of this, Octavius was leading his troops by forced
marches against that city. Octavia desired to land
alone. She went to meet Octavius on the way to
Venosa; passing through the outposts and sentinels,
she approached her brother, who was attended by
Agrippa and Mecænas. She warmly pleaded the
cause of Antony, and especially conjured Octavius
not to reduce her from the happiest of women to
the most miserable. “At this moment,” said she,
“the eyes of the world are upon me, the wife of one
of the rulers of Rome, and the sister of the other.
Should the counsel of wrath prevail, should war be
declared, it may be doubtful to which of you two
Fate may give the victory, but it is certain to whichever
it inclines I shall be in grief and desolation.”
The ambitious Octavius was already coveting universal
dominion, but he was a temporizer. He yielded
to the prayers of Octavia, and for the second time this
woman, who was the good genius of Antony, maintained
the peace of the Roman world. The two
triumvirs met on the shores of the Gulf of Tarentum,
and after having lavished on each other various
marks of affection they agreed to renew the triumvirate
for five years. Octavius gave Antony two legions to
reënforce his army of the East, and in return Antony
gave up one hundred triremes with brazen rostra and
twenty Liburnian galleys for his Mediterranean fleet.
These were the vessels that were to conquer at Actium!
From Tarentum, Octavia returned alone to Rome with
the two children she had borne to Antony; he himself
embarked for Asia Minor, whither he was summoned
by the war with the Parthians. The pair agreed to
meet again, the expedition over, either at Athens or
at Rome, when Antony hoped to receive the honors
of a triumph.
From the winter of 39 to the summer of 36 B. C.,
for three long years, Cleopatra remained thus parted
from Antony. She was queen of Egypt and Cyprus,
she had borne one son to Cæsar and two to Antony,
she possessed immense revenues and treasures
inexhaustible, but she suffered in her pride
and in her love from the desertion of the triumvir.
Cleopatra at twenty years of age had in all probability
not loved Cæsar, who was over fifty. She loved
Antony. In fact, though she had at first given herself
to the triumvir through policy, yet she soon felt
for this rough soldier, handsome with the beauty of
Hercules, master of the East, surrounded by glory and
power, the same passion that she had inspired in him.
If, indeed, the ancient authors do not state in words
that Cleopatra loved Antony, the scenes which they
depict can scarcely permit a doubt of it. There is
a logic of circumstances. With his martial air, his
lofty stature and broad chest, his mane of black hair
and eyes of gloom, his aquiline nose and harshly cut
features, Antony certainly possessed manly attractions.
His first wife, Fulvia, loved him passionately; his second
wife, Octavia, loved him supremely; the haughty
Cleopatra gave him love for love. Besides, Shakspeare
tells us this, and the word of this great painter of the
human heart, of this marvelously comprehensive genius,
may well make up for the silence on this point of a
Dion Cassius or a Paul Orose.
Great as might have been the suffering of this other
Dido, one can scarcely imagine her enveloped in habiliments
of woe and sighing in the retirement of her
palace. In all probability Cleopatra continued her gay
life of pompous show, giving to pleasure all the time
that was left from official ceremonies, public audiences
and other duties of the government, and her conferences
with architects and engineers.8 The Typhonium,
at Denderah, dates from the reign of Cleopatra. As is
shown by its cartouches, she also labored at the great
temple of Denderah, at those of Edfou, Heminthis, and
Coptos, as well as at the monuments of Thebes situated
on the left bank of the Nile. At Alexandria, besides
the Cæsarium, which it appears was begun by Cleopatra,
she had many fine buildings erected; but as with many
other more ancient palaces and temples, there remains
of them not a vestige on that surface which the ruins of
centuries have in so many places raised to a height of
fully ten meters.
Did the queen seek to play the indifferent by leaving
Antony without tidings, or, as Plutarch insinuates and
Shakspeare declares, did she, during these three
years, overwhelm him with dolorous appeals and burning
messages of love? According to Josephus, her
voluptuous temperament was ever leading her into
transient amours. Besides Cneius Pompey, Cæsar,
Dellius, Antony, and Herod, king of the Jews, the five
lovers who are accredited or attributed to her, the
queen of Egypt had many flirtations and anonymous
entanglements. Is this calumny? It is rather a slander.
Be this as it may, the accusation is no proof that
Cleopatra no longer loved Antony. These riddles of
the heart and the senses are, after all, no enigma.
As for Antony, it seems that he had indeed forgotten
Cleopatra. Not only during the three years that
he had passed with Octavia at Athens and Rome; not
only on his return from the expedition against Antiochus
of Commagene had he not visited Egypt, but even
on his way from Tarentum to Laodicea he had not
touched at Alexandria, which was almost directly in his
course. He sailed straight for Syria. By a singular
fatality, scarcely had he set foot in Asia when he felt
his passion rekindle with the utmost violence. He established
himself at Laodicea, and at once despatched
his friend Fonteius Capito into Egypt to conduct
Cleopatra to Syria. The queen, enchanted, had no
thought of delaying her departure in order to make
herself the more desired, as she had done five years before.
She embarked at once, and was received at Laodicea
by her lover with transports of joy. To prove
otherwise than by caresses his unspeakable happiness at
seeing her again, he gave her, not jewels, but kingdoms:
Chalcedon, Phœnicia, Cœolo-Syria, a great part of
Cilicia, Genesereth in Judea, noted for its balm, and
Nabathae in Arabia. Antony had no right to dispose
of these territories, which belonged to the Roman
people; but mad with pride as much as with love he
declared that “The glory of Rome was displayed much
less in her conquests and possessions than in the gifts
she bestowed.”9
A few days after they were again compelled to part,
with the promise, however, of meeting again in the
spring at Alexandria. Antony passed with his army
into Armenia; Cleopatra returned to Egypt, passing
through Apamea, Damascus, and Petrea. She desired
to settle with the kings of Judea and Arabia the amount
of the tribute which these rulers were to pay yearly for
the portions of territory which Antony had bestowed.
The king of Arabia promised three hundred talents
(sixteen hundred and sixty thousand francs); the
tribute of the king of the Jews was greater. This king
was Herod, whom the protection of Antony had a few
years before placed on the throne. He went to Damascus
to meet Cleopatra. According to Josephus, Herod,
who was remarkably handsome, repulsed the shameless
advances of the queen, even proposing to put her to
death whilst she was in his power in order to deliver
Antony from her fatal influence; but his counselors
dissuaded him from this crime, telling him that from
that moment he would incur the terrible vengeance of
Antony.
Cleopatra had not been long in Alexandria when
she received a message from Antony, dated at Leucocoma,
a city on the seaboard of Syria. He entreated
her to join him at once with money, stores, and clothing
for his soldiers, who were destitute of everything.
The war had been unsuccessful. By his too eager
desire to rejoin Cleopatra in the spring, Antony had
compromised the success of the campaign. When he
reached Armenia, after a forced march of eight thousand
stadia, he should have gone into winter quarters and
not opened the campaign till the spring, with troops
rested and refreshed, and at a favorable season. Too
impatient to submit to this long delay, he entered
Upper Media, and that his march might be more rapid
he left behind all his siege machinery under the guard
of one detachment. Chariots, towers, catapults, battering-rams
eighty feet long—all were destroyed by
the Parthian cavalry. Through the want of these batteries
Antony failed in the attack on the city of Phraata.
Threatened by an overwhelming force, he was compelled
to retreat. It was midwinter, the legionaries
had to march through the snow amid freezing squalls.
Every morning many were found frozen to death.
Provisions failed, they lost their way, and the formidable
Parthian cavalry harassed the exhausted columns. In
this terrible retreat, the remembrance of which may
have occurred to Napoleon before crossing the Niemen,
Antony recovered his energy and his qualities as
a general; insensible to fatigue and hunger he was
everywhere present; he was both imperator and
centurion. Ever at the point where danger threatened
most, in twenty-seven days he fought eighteen
battles. Victor at night, the next day the
struggle was renewed against fresh and ever-increasing
forces. When Antony reached the coast of
Syria his army was reduced from seventy thousand
to thirty-eight thousand men. More fortunate than
Crassus, however, the Romans brought back their
eagles.
Cleopatra in vain used all despatch; she did not
reach Antony as soon as he had hoped, and his impatience
became agony. He imagined that the queen
would not comply with the appeal of a conquered man.
Overcome by despair he fell into a sort of stupor.
Then he sought distraction in drinking, but the pleasures
of the table, of which he had been so utterly
deprived during the campaign of Media, had no power
to relieve his anxiety. At the very height of an orgy
he would suddenly rise from the table, leave his companions,
and hasten to the seashore, where he would
remain whole hours with his eyes fixed on the horizon
in the direction whence he expected Cleopatra to
appear.
At length the long-desired queen arrived with provisions
and clothing, and about two hundred and forty
talents of silver. The paying of the legionaries,10 the
reorganization of the army, and the collection of contributions
compelled Antony to remain some time
longer at Leucocoma, and Cleopatra remained with
him. Meanwhile, the news of the disastrous expedition
having reached Rome, Octavia, still devoted to
her husband despite the efforts of Octavius, who had
had the cruelty to inform her of the reunion of
Antony and Cleopatra, determined to embark for
Asia. She entreated Octavius to furnish her with
ships, soldiers, and money. Report had informed
Octavius of the renewed passion of Antony. He
yielded to the request of Octavia in the hope that
the insulting reception she was likely to receive from
her husband might detach her from him forever and
rouse the indignation of the Romans. Not to risk
a meeting with Cleopatra, Octavia landed at Athens,
whence she sent word to Antony of her arrival. But
the triumvir would not dismiss his mistress; he wrote
to Octavia to remain at Athens, offering her as a
pretext his intention of undertaking a new expedition
against the Parthians. In fact, the king of
Media, incessantly a prey to these wild hordes, had
proposed to Antony an alliance against them. Without
resenting Antony’s refusal to receive her, of which
refusal she did not deceive herself as to the cause,
Octavia wrote again to Antony. This letter contained
no reproaches; the young wife asked the triumvir
simply whither she should send the reënforcements
and the munitions she had brought for him. These
included, besides military clothing and arms, machines
of war and a large amount of money, three thousand
chosen men as splendidly armed as the prætorian
cohorts. Octavia had sacrificed a portion of her
private fortune to add this quota to the supplies.
Niger was charged with the delivery of this letter.
Often interviewed by Antony, who held him in great
esteem, he mildly pointed out the wrongs of Octavia,
reminded him of the rare virtues of this admirable
woman, and exhorted him in the name of his own
interests so seriously involved, and of his renown so
sadly compromised, to abandon Cleopatra.
Much shaken, Antony hesitated. He thought he
would go to Media. By this means he could send
Cleopatra back to Egypt, leave Octavia in Greece,
and delay, until his return from the campaign, the
decision which he could not resolve now to make;
but Cleopatra, with the penetration of a woman who
loves, read the heart of Antony. She saw herself a
second time in danger of losing her lover; moreover,
she had the advantage over Octavia of being
near Antony. She redoubled her smiles and caresses,
purposely exaggerating the passion already very
warm and unfeigned which possessed her. Then,
at the first broaching of his departure for Media, she
pretended a mortal sorrow. She would neither eat
nor sleep, she passed her days and nights in tears;
her pale face, her haggard features and sunken
eyes, her stony look and pallid lips struck all who
approached her. Her women, her friends, the intimates
of the triumvir whom she had won over by
her flatteries and promises, reproached Antony with
his want of feeling. They accused him of allowing
to die of grief the most adorable of women, who
breathed only for him. “Octavia,” said they, “is
bound to you merely by her brother’s interest; she
enjoys all the advantages of a wife’s title, while Cleopatra,
the queen of so many peoples, is called only
the mistress of Antony, ἐρω.μένην Ἀντωνíου. She refuses
not this name, she does not feel humiliated by
it—she glories in it: her sole bliss, her only ambition,
is to live with thee!” Antony yielded, overcome by
such speeches and by the fear that Cleopatra, who
possessed his whole heart, and whom only his reason
urged him to resist, would die of grief or take poison.
He therefore postponed his expedition into Media, and
returned with Cleopatra to Alexandria, where they
resumed the “Life Inimitable.”
At the commencement of the year 34, Antony joined
his legions in Asia. In a few days he defeated the
Armenians, made prisoner the king and all his family,
and reduced the country to subjection. After this
glorious campaign Antony was to enjoy a triumph at
Rome, but through love and devotion to Cleopatra,
whom he wished to share his honors, the ceremony
was given at Alexandria. For the first time a Roman
received the reward of a triumph outside of Rome. It
was an insult to the city, which thus seemed discrowned;
it was an offense to the senate and the people, from
whom alone the honor of a triumph could be received.
This scandalous triumph was of the utmost magnificence.
Through Alexandria, decorated with the richest
ornaments and massed with flowers, filed to the sound
of horns and trumpets, the legionaries, the auxiliary
cavalry, the priests, the censer-bearers, and the deputies
from different cities, wearing crowns of gold,
chariots filled with trophies, and thousands of captives.
Before the triumphal chariot, drawn by four white
horses, walked the king Artavasdes, his wife, and two
sons, bound in chains of gold. When the chariot
arrived before Cleopatra, who, seated on a throne of
gold and ivory, presided at the triumph, Antony
stayed his quadriga, and presented to the queen his royal
captives. After the procession and the sacrifices, he
gave a mammoth banquet to the citizens of Alexandria.
Enormous tables were spread in the gardens of the
palace and in the public squares. The feast over,
Antony seated Cleopatra on her throne of gold and
ivory [chryselephantine], and placed himself on a similar
one; the trumpets sounded, the soldiers presented
arms, and the whole people collected in crowds around
the two lovers. Then Antony proclaimed that from that
time Cleopatra should be called the Queen of Kings,
and her son, Cæsarion, the heir of Julius, the divine, the
King of Kings; and he renewed to them the sovereignty
of Egypt and Cyprus. Next he publicly settled the state
of the three children borne him by Cleopatra. He gave
to the eldest, Alexander, called by him Helios, Armenia,
Media, and the country of the Parthians; to his twin-sister
Cleopatra, whom he called Selene, the kingdom
of Lybia; to Ptolemy, Phœnicia, Syria, and Cilicia. At
each proclamation of the triumvir, heralds repeated his
words and the trumpets sounded. The same day the
youthful (infant) sovereigns were presented by Antony
to the army and the people. Alexander appeared in the
robes of the Mede with the cidaris (sash) of the kings
of Persia, and a platoon of Armenians as a guard of
honor. Ptolemy had an escort of Macedonian mercenaries
armed with lances eighteen feet long; he wore
the long purple mantle, the sandals embroidered with
gold, and the crown of precious stones of the successors
of Alexander.
Cleopatra had already set the example of such masquerades.
Two years before, on her return from
Laodicea, when Antony had added to her dominions
Phœnicia, Chalcedon, Cœlo-Syria and many other
countries she had opened a new era and had assumed
the name of the New Isis, or New Goddess. It was in
the narrow garment of Isis, and on her head the covering
of Isis (the golden horns, between which rested the
vulture head), with the lotoform scepter in her hand,
that she presided at public ceremonies or gave state
audiences.
Submissive to these caprices Antony allowed himself
to be represented in paintings and groups of statuary
under the figures of Osiris and Bacchus, seated beside
Cleopatra Isis and Cleopatra Selene. It seemed
that bewitched by his mistress he renounced his country
for her. He accepted the office of grand-gymnasiarch of
Alexandria. He commanded that the effigy of the
Egyptian queen should be engraved on the back of his
imperial coins; he even dared to inscribe the name of
Cleopatra on the shields of his legionaries. He permitted,
by a shameless inversion of parts, that the queen
should go about Alexandria seated in a curule chair,
whilst he, carrying a scimeter and wearing a purple robe
with jeweled clasps, accompanied her on foot surrounded
by Egyptian officers and the base troop of eunuchs.
VI.
By deposing Lepidus, Octavius had changed
the triumvirate into a duumvirate, and the
empire became divided between himself and
Antony. But the domination of the East satisfied the
pride of Antony no better than the domination of the
West sufficed for the ambition of Octavius. Though
twice deferred, the civil war remained inevitable. In
his extreme caution, Octavius would still have delayed
it; in his folly, Antony precipitated it. He despised
Octavius as a general; his flatterers and his soldiers, who
adored him, predicted victory to his arms; Cleopatra,
who retained the angry recollection of the insolent
reception by the Romans, burned to avenge it, and
confiding in the sword of Antony, she already swore
“By the justice which she would soon dispense at the
Capitol.”11
Antony began by overwhelming Octavius with reproaches
and dark threats. His clients, who were
numerous in Rome, his friends, his emissaries sent
from Egypt, made themselves busy in enhancing with
the people his grievances, real and supposed. Octavius,
said they, has robbed Sextus Pompey of Sicily without
dividing the spoils with his colleague: he has not
even restored the hundred and twenty triremes borrowed
for that war; he has deposed Lepidus and retained
for himself alone the provinces, the legions, and
the ships of war that had been assigned to that triumvir;
he has distributed to his own soldiers nearly all the public
lands of Italy, without keeping any for the veterans
of Antony. Every act of the government of Octavius
was criticized and incriminated. The people were reminded
that he was crushing Italy under the weight of
taxes; he was accused of aiming at sovereign power.
They even went the length of saying that the true heir
of Cæsar was not Octavius, his nephew, but Cæsar’s
own son Cæsarion, and that a second will of the Dictator
would some day be forthcoming. According to
Dion Cassius, Antony, by his formal recognition of
Cæsarion as the legitimate son of Cæsar, had raised to a
climax the uneasiness and anger of Octavius.
Meanwhile Octavius bided his time; his preparations
for war were not complete, and Antony was still popular
in Rome, where he maintained very many clients,
protected by Octavia his wife. She, in spite of the
insult inflicted by Antony, was still wholly devoted to
him; in vain, on her return from Greece, had Octavius
besought her to forget her husband and to quit his
dwelling; she had utterly refused to do so. She continued
to reside in that famous mansion, once the
property of the great Pompey, there educating with
equal care and tenderness her own children by Antony
and those of his first wife. The clients of Antony and
the friends he sent from Alexandria were sure of finding
support and assistance from Octavia; she even
obtained favors for them from Octavius, irritated though
he might be; finally she incessantly assumed in his
presence the defense of Antony, excusing both faults
and follies, and declaring that it was a hateful thing for
two great emperors to incite Romans to slay each other,
the one to avenge personal wrongs, the other for the
love of a foreign woman.
Octavius, who took for his motto: “That which is
well done is done quickly enough,” sat celeriter feri
quidquid fiat satis bene, appeared to give way to the
prayers of Octavia; but if he made no haste to declare
war he was preparing it slowly, and preparing also
public opinion. He made the most of Antony’s disgraceful
life in Egypt—his enslavement by Cleopatra.
It was said in the senate, in the army, among the
people, “Antony is no longer a Roman; he is the slave
of the queen of Egypt, the incestuous daughter of
the Lagidæ: his country is Alexandria and thither he
would transfer the capital of the empire; his gods are
Knouph with the ram’s head, Ra of the vulture beak,
the dog-headed Anubis—latrans Anubis; his counselors
are the eunuch Mardion, Charmion, and Iras, the
tire-woman of that Cleopatra on whom he has promised
to bestow Rome.” These idle tales inspired the Romans
with a sentiment of horror which still survives in the
verses of the poets of that period: “Among our eagles,”
says Horace, “the sun beholds, O infamy, the base
standard of an Egyptian woman.... Romans sold
to a woman blush not to bear arms for her.... In
the intoxication of her success and the madness of her
hopes, this monster—monstrum illud—dreams the
fall of the Capitol, and is preparing with her troops of
despicable slaves and eunuchs the funeral rites of the
empire.” “Thus,” writes Propertius, “this royal
prostitute—meretrix regina—eternal disgrace of the
blood of Philip, would force the Tiber to endure the
menaces of the Nile, and thrust aside the Roman trumpets
to make way for the shrieking sistra (Egyptian
timbrels).”12
Domitius Ænobarbus and C. Sossius were elected
consuls 32 B. C. Both were partisans of Antony, and
made vain attempts to save him by unmasking Octavius
to the senate, but the majority declared against
them. Dreading the anger of the implacable Perusian
lover of justice they went into exile with several of the
senators. They could not at once join Antony, who
was in Armenia, negotiating the marriage of his very
youthful son, Alexander, with Jotapa, daughter of the
king of Media. They announced to him by letter
that Octavius was hastening his preparations, and that
immediate hostilities might be expected. Antony,
like a good general, determined, in order to get the
start of his enemy, to carry the war into Italy. He
immediately sent Canidius with sixteen legions to the
sea-coast of Asia Minor, and himself proceeded to
Ephesus, where all his allies were directed to unite
their contingents. Cleopatra was the first to arrive,
with two hundred vessels of from three to ten banks
of oars, and a war subsidy of twenty thousand talents
(one hundred thousand francs).
It would have been better for Antony had this fleet
remained in Egyptian waters, this money in the treasury
of the Lagidæ, and Cleopatra herself in Alexandria.
This bewitching but fatal being brought to the Roman
camp her gorgeous licentiousness and her unbridled
desire of pleasure. At Ephesus where she landed,
at Samos whither they afterwards proceeded, the mad
follies of Alexandria were renewed. The constant
arrivals of kings, governors, deputations from cities
bringing to Antony troops and vessels served as a
pretext for magnificent feasts and innumerable dramatic
representations. A thousand comedians and rope-dancers
were collected, and whilst the whole world,
says Plutarch, echoed with the noise of arms and
the groans of men, at Samos nothing was heard but
laughter and the music of flutes and citharæ. Time
passed quickly in these pleasures, and there was not
an hour to lose if the offensive were to be taken.
Until then the friends and captains of Antony, Dellius,
Marcus Silanus, Titius, Plancus, all equally yielding
to the seductions of Cleopatra, had made no effort
to separate their leader from this fatal woman. Now
the great game was to be played, and in this game
they staked, as it were, their lives against the dominion
of the world. They appealed to Antony. Ænobarbus,
the only one of the Antonites who had never
hailed Cleopatra as queen, was spokesman, and
declared plainly that the Egyptian must be sent back
to Alexandria till the close of the war. Antony promised
to send her. Unfortunately for him, Cleopatra
heard of this proceeding. Now less than ever would
she leave Antony alone, exposed to the final appeals of
Octavia her former successful rival; she knew too well
the vacillating mind and weak soul of Antony. Would
he have strength to refuse a reconciliation so much
desired in the camp as well as at Rome, which would
consolidate its threatened power and secure peace to
the empire? Cleopatra won over Canidius, after Ænobarbus
the most noted captain of the army of the
East; and by dint of prayers, coquetry, and money,
it is said, she persuaded him to espouse her cause.
He represented to Antony that it was neither just nor
wise to send away an ally who furnished to the war
supplies so considerable; that he would thus alienate
the Egyptians, whose ships formed the main strength
of the fleet. He added that Cleopatra was, in the
council, inferior to none of the kings who were to
fight under the orders of Antony; she, who had so
long governed alone so great an empire, and who,
since they had been associated together, had acquired
still greater experience in affairs. He talked against
reason, but he spoke in accordance with the heart of
Antony, and Cleopatra remained with the army.
Meanwhile the friends that still remained to Antony
in Rome despatched one of their number, Geminius,
to make a last attempt to free him from his mistress.
Geminius for days tried in vain to see Antony alone.
Cleopatra, who suspected the Roman of working in the
interests of Octavia, never left her lover for an instant.
At length, at the close of a supper, Antony, half-drunk,
called upon Geminius to declare instantly the object of
his coming. “The matters of which I have to speak,”
replied Geminius angrily, “cannot be discussed after
drinking; but what I can tell you as well drunk as
sober is that all would be well if Cleopatra returned to
Egypt.” In a rage, the queen exclaimed: “You do
well to speak before the torture compels it.” Antony
was no less enraged. The next day Geminius, feeling
by no means in safety, reëmbarked for Italy.
The vindictive Egyptian also bore malice against the
friends of Antony who had joined with Ænobarbus to
procure her departure. Sarcasms, offenses, insults, and
ill offices were all employed by her so effectually that
Silanus, Dellius (her former lover, it is said), and
Plancus and Titius, both persons of consular dignity,
abandoned the party of Antony.
As much to revenge themselves on their former leader
as to conciliate their new master, Plancus and Titius on
their return to Rome revealed to Octavius certain
clauses in the will of Antony, the divulging of which
would complete his ruin in the minds of the people.
Antony, recognizing Cæsarion as the son of Cæsar,
was dividing the Roman East among his other children
and the queen of Egypt, and willed that even should he
die in Rome, his body should be transported to Alexandria
and delivered to Cleopatra. The two officers
added that they were positive as to these dispositions,
as, at the desire of Antony, they themselves had read
the will, had affixed their seal, and had deposited it in
the college of the Vestals. Octavius demanded the will.
The Vestals declared that they would not give it up,
but that if he would come and take it himself they could
not prevent him. Octavius felt no scruple in doing so;
he took the will and read it before the Senate. The
Conscript Fathers, it must be confessed, were no less indignant
at the violation of the will of Antony than at
the contents of the document itself. Octavius, however,
had the excuse of acting for the good of the people.
The skillful and patient politician was about to attain
his end. He procured also a senatus-consultum
(a judgment of the Senate), by which Antony was deposed
from the consular dignity, and the same day,
January 1, 31 B. C., he declared war, not on Antony,
but on the queen of Egypt. This was a last tribute to
public opinion—Cæsar would not risk the odium of
arming Roman against Roman.
He knew well that Antony would not desert Cleopatra,
and therefore by conducting his legions against
the detested Egyptian, he would throw on Antony the
responsibility of the civil war.
Antony and Cleopatra passed at Athens the autumn
of 32 and part of the winter of 31 B. C. Whilst their
soldiers were exhausting all the cities of Greece by
enormous requisitions, and completing their crews
by means of the press-gang, dragging sons from
their mothers, and husbands from their wives, the
lovers continued to lead their gay life. Spectacles,
public games, interminable feasts, and mad orgies incessantly
succeeded each other. Jealous of the memory
which Octavia had left in Athens, where her beauty
was still talked of, Cleopatra would fain have effaced
it by her pomp, her flatteries, and her largesses to
the people. The Athenians, setting little value on
honors, even now somewhat obsolete, which it was in
their power to bestow, determined to offer Cleopatra
the “Freedom of the City,” and decreed that a statue
should be erected to her. The decree was presented
to her by deputies, among whom figured Antony as
an Athenian citizen. The document was read to
the queen, after which her virtues and merits were
eulogized in an eloquent address. The vanity of
Cleopatra was gratified, but her hatred unappeased.
She exacted from Antony his repudiation of Octavia,
and that from Athens itself, that city where the couple
had spent three happy years, he should send to Rome
his command for her to depart from his house. Octavia
quitted it, clad in mourning and weeping, and
leading with her the two children of Antony. The
unhappy woman loved him still.13
VII.
Antony had not abandoned his original
design of preventing the combining of the
forces of Octavius by carrying the war into
Italy; but he had lost much time. In the spring of
31 B. C., his army and fleet being concentrated at
Actium, at the mouth of the Gulf of Ambracia, he
was preparing to join them when he learned that
some Roman vessels were coasting the shores of
Epirus. It was but the vanguard of Agrippa’s fleet,
but the presence of this vanguard showed that the
preparations of Octavius were in a very advanced
state, if not complete. The time for surprising him
was past. Antony decided, before forming new plans,
to wait till the Romans should have defined their plan
of the campaign. The fleet and the army, therefore,
remained at Actium, but as the place was unwholesome
and a stay there wearisome, Antony went to
Patras with Cleopatra. Early in August he received
the important news that the Roman fleet had just
anchored off the coast of Epirus, that the troops were
landing, and that Octavius was already at Toryne.
Antony at once set out for Actium, much excited
and very ill pleased that the enemy so quickly and
so easily had taken up its position. Cleopatra jested
with his uneasiness: “What a misfortune,” said she,
“that Octavius should be sitting upon a dipper!”—in
Greek Toryne means a dipper.
The army of Antony, consisting of nineteen legions
and twelve thousand cavalry, and numerous auxiliaries,
Cilicians, Paphlagonians, Cappadocians, Jews,
Medes, Arabs, amounted to one hundred and ten
thousand men. His fleet numbered nearly five
hundred vessels of three, five, eight, and ten banks
of oars. These last, built in Egypt, were veritable
floating fortresses, surmounted with towers and furnished
with powerful war-engines. Octavius had eighty
thousand foot soldiers recruited in Italy, Sicily, Spain,
and Gaul, ten thousand horse, and but two hundred
and fifty vessels, triremes with rostra and light Liburnian
galleys in about equal numbers. If the land
forces were about of equal effective strength the disproportion
between the naval forces was immense; but
the ships of Octavius made up for their inferiority of numbers
by their superiority of manœuvring, and the excellence
of their crews, who had all been with Agrippa
during the long Sicilian war. On the contrary, Antony’s
sailors were comparatively few, and most of them were
going into battle for the first time; his heavy ships were
clumsy in their evolutions,—as the hyperbolical Florus
expressed it: “The sea groaned under their weight,
and the wind exhausted itself in moving them.”
The army of Antony occupied the northern point of
Acarnania, with a strong detachment on the coast of
Epirus, which was directly opposite. Firmly entrenched
within defenses raised during the winter, he commanded
the narrow passage into the Gulf of Ambracia in which
his fleet was moored. Octavius had pitched his camp
in Epirus, at a short distance from the advanced posts
of Antony. Antony held an excellent position for defense,
which enabled him to resist successfully the
attacks of the Romans: for the Pass of Actium could not
be forced; but he was blockaded on the side of the sea
whence almost all his stores and munitions must reach
him.
For several days the two armies were face to face.
Octavius, desirous to engage, endeavored by every
feint to draw his adversary into action either on land
or sea. Antony, uneasy, anxious, hesitating, could not
decide what step to take. He embarked the greater
portion of his troops and transferred them to the coast
of Epirus, as if to attack the Roman camp; then he
changed his mind and recrossed into Acarnania. The
officers of Antony, auguring ill of the manœuvring
qualities of his huge vessels, and, at the same time, full
of confidence in the valor of the legionaries, counseled
him to fight the battle on land. This was also the desire
of the army. At a review he was accosted by an
old centurion all seamed with scars: “Oh, Emperor,
dost thou distrust these wounds and this sword, that
thou puttest thy hope in rotten wood? Let the men of
Egypt and Phœnicia fight on the sea, but to us, give us
the land where we are used to hold our own, and where
we know how to conquer or to die.” But Antony was
disturbed by sinister omens. In many places his
statues and those of Cleopatra had been struck by
lightning; at Alba a marble statue, erected in honor of
the triumvir, had been found covered with sweat. “A
sign still more alarming,” says Plutarch, “some swallows,
having built their nests under the stern of the
Antoniad, Cleopatra’s flagship, other swallows came,
drove the first away, and killed their young ones.”
Frequent defeats in the skirmishes around Actium, the
desertion of Domitius Ænobarbus, who suddenly passed
over to the enemy, the defection of two of the allied
kings, who, with their forces, abandoned the army,
confirmed these evil omens in the superstitious soul
of Antony. He suspected everything and everybody—his
fortune, his soldiers, his friends, Cleopatra herself.
Seeing her sad, discouraged, a prey to gloomy
thoughts—for she, too, dwelt on the omens of the
swallows of the Antoniad and the shattered statues—he
fancied that she wished to poison him, that by this
crime she might secure the favor of Octavius. For
days he would take neither food nor drink that she had
not first tasted. Out of pity for her lover, Cleopatra
lent herself willingly to this caprice. One night, however,
at the close of the supper, she took a rose from
her crown and lightly dipped it into a cup of wine
which she handed smilingly to Antony. He put it to his
lips, when she arrested his hand and gave the poisoned
wine to a slave to drink, who immediately fell to the
floor writhing in mortal agony. “O Antony!” exclaimed
Cleopatra, “what a woman you suspect. See
now that neither means nor opportunities to slay you
would fail me if I could live without you!”
The anxiety and depression reached the army, encamped
in an unwholesome situation, and with reduced
supplies. One day, Canidius himself, hitherto so eager
for battle, counseled the abandonment of the fleet, and
to carry the war into Thrace, where Dikome, king of
the Getæ, promised to send reënforcements. But what
need was there of reënforcements, since they were
already superior in numbers to the enemy? Cleopatra
offered another opinion, if no less shameful, at any rate
more sensible. Flight against flight, it would be better
to go to Egypt than to Thrace. She proposed to leave
part of the army in Greece, to garrison the fortified
towns; to embark the rest, and set sail for Egypt,
passing through the fleet of Octavius. After fresh
hesitation, Antony adopted this plan, though assuredly
it was bitter to flee from an army whose leader he
despised. All tends to the belief, besides, that Antony
hoped to destroy the Roman fleet in the naval engagement
that must ensue on issuing from the narrow passage
of Actium. If he gained the victory he would be
able to regain his position and attack the demoralized
army of Octavius; if the victory remained doubtful—for
with so powerful a fleet he could not admit the
supposition of a defeat—he would sail for Egypt.
The retreat would be but a last resource.
Desertion and disease had greatly reduced the crews
of the galleys. Antony decided to burn one hundred
and forty of them in order to fill up with their crews the
remainder of the fleet. Twenty-two thousand legionaries,
auxiliaries, and slingers were put on board the
ships. Not to discourage the soldiers and sailors, it
was concealed from them that these preparations for
battle were indeed preparations for retreat. The secret
was so well kept, that it was a surprise to the pilots
when they received orders to carry the sails with them.
They recollected that in battle the vessels were worked
with oars only. Antony had it reported that the sails
were carried the better to pursue the enemy after the
victory.
On the morning of September 2d the vessels of Antony
formed in four grand divisions, crossed the channel
of Actium, and, issuing thence, were disposed in battle
array opposite the fleet of Octavius, who was awaiting
them at eight or ten stadia from the land. On the side
of Antony, he himself, with Publicola, commanded the
right wing; Marcus Justus and Marcus Octavius the
center, and Cœlius the left wing. Cleopatra commanded
the reserve with sixty Egyptian vessels. On
the side of the Romans, Octavius commanded the right
wing, Agrippa the left, and Arruntius the center.
About noon the battle began. The troops on land,
who were under arms and motionless near the shore,
saw not, as is usual in sea-fights, the galleys rush at
each other seeking to strike with their rostra or beaks
of steel. On account of their slow rate of speed, the
heavy vessels of Antony could not strike with that
impetuosity which gives force to the shock, and the
light galleys of the Romans feared to break their rostra
against those enormous ships, constructed of strong
beams joined with iron. The battle was like a succession
of sieges, a combat of moving citadels with moving
towers. Three or four Roman galleys would unite to
attack one of Antony’s vessels, so huge, says Virgil,
that they looked like the Cyclades sailing on the waters.
The soldiers cast grappling-irons, fired burning arrows
on the decks, attached fire-ships to the keels, and
rushed to board them, while the powerful batteries
placed at the summit of the towers of the beleaguered
ship showered down on the assailants a hail of stones
and arrows. At the very first the Roman right wing,
commanded by Octavius, gave way before the attack
of the division under Cœlius. At the other extremity
Agrippa, having designed a movement to surround
Antony and Publicola, these turned on their right and
thus uncovered the center of the line of battle. The
swift Liburnian galleys improved the opportunity to
attack the vessels of the two Marcuses, in the rear of
which was the reserve under Cleopatra. Success and
reverse went hand in hand; the two sides fought
with equal fury, and the victory was doubtful, but
the nervousness of Cleopatra was to be the ruin of
Antony’s cause. For hours she had suffered a fever of
agony. From the deck of the Antoniad she anxiously
watched the movements of the fleets. In the beginning
she had hoped for victory; now, terrified by the clamor
and tumult, her only desire was to escape. She
awaited with ever-increasing impatience the signal for
retreat. Suddenly she noticed the right wing moving
towards the coast of Epirus, the left putting to sea, and
the center, which protected her, attacked, separated,
broken, penetrated by the Roman Liburnians. Then,
“pale with her approaching death”—pallens morte futura—listening
only to her terror, she ordered the sails to
be hoisted, and with her sixty vessels she passed through
the midst of the combatants and fled towards the open
sea. In the midst of the battle Antony perceived
the motion of the Egyptian squadron, and recognized
the Antoniad by its purple sails; Cleopatra was fleeing,
robbing him at the decisive moment of his powerful
reserve; but the queen could not order the retreat, he
alone could give the signal for that. There is some
mistake—a feint, perhaps a panic. Antony in his turn
hoists the sails of his galley, and rushes in the wake of
Cleopatra. He will bring back the Egyptian vessels
and restore the chances of the battle. But before
overtaking the Antoniad the unhappy man has time
to think. Cleopatra has deserted him either through
cowardice or treason; he can bring back to Actium
neither her nor her fleet. Next he thinks he will
return to the combat, which is now only a rout, to die
with his soldiers—to die without seeing Cleopatra
once more! he cannot do it. A fatal power drags him
after this woman. He reaches the Antoniad, but then
he is overcome with his disgrace. He refuses to see the
queen. He seats himself on the prow of the vessel,
his head on his hands, and remains thus for three days
and three nights.
VIII.
The Egyptian fleet and some other vessels
which had followed the fugitives put into
the port of Cænopolis, near Cape Tenarum.
Often repulsed by the obstinate silence of Antony,
Cleopatra’s women finally succeeded in bringing about
an interview between the lovers. They supped and
passed the night together. O, wretched human weakness!
Some of his friends who had escaped from Actium
brought them news. The fleet had made an obstinate
resistance, but all the vessels which were not sunk or
burned were now in possession of Octavius. The army
still maintained its position, and appeared to be faithful.
Antony at once sent messengers and despatched Canidius
with orders to recall those troops, and himself
embarked for Cyrenaica, where he still had several
legions. One of his vessels bore his jewels, his valuables,
and all the services of gold and silver which he
had used at his entertainments of the kings, his allies.
Before departing from Cænopolis, Antony divided all
this wealth among a few of his friends, whom he constrained
to seek an asylum in Greece, refusing to allow
them any longer to follow his fatal fortunes. When
parting from them he talked in the kindest manner,
seeking to console them and regarding their tears with
a sad but kindly smile.
Cleopatra had sailed from Greece some days before
Antony. She was in haste to return to Egypt, fearing
that the news of the disaster of Actium might provoke
a revolution. To mislead the people for a few days,
and thus gain time to take her measures, she entered
the port of Alexandria with all the parade of a triumph.
Her ships, their prows adorned with crowns, resounded
with the songs of victory and the music of flutes and
sistra. No sooner was she reinstalled in the palace
than she put to death many whose intrigues she feared.
These executions, which benefited the royal treasury,
for death involved the confiscation of the wealth of the
real or pretended guilty, delivered Cleopatra from all
fear of an immediate revolution, but she none the less
felt a mortal terror about the future. She still suffered
from the horror of Actium;—at times haunted by the
idea of suicide, she contemplated a death as pompous
as had been her life, and she erected at the extremity
of Cape Lochias an immense tomb, in which to consume
herself and her treasures. At other times she
thought of flight, and by her orders a number of her
largest ships were transported with great reënforcements
of men, engines, and beasts of burden across the
isthmus to the Red Sea. She had a vision of embarking
with all her wealth for some unknown country of
Asia or Africa, there to renew her existence of lust and
pleasure.
Antony soon returned to Alexandria. He was in a
state of gloomy discouragement; his army in Acarnania,
deserted by Canidius, who had taken flight,
had surrendered to Octavius after a week of hesitation;
in Cyrenaica he could not even obtain a meeting
with his lieutenant Scarpus, who, having taken
sides with the Cæsarians, had threatened his life;
Herod, his creature, whom he had made king of the
Jews, had offered his allegiance to the conqueror of
Actium; defection on all sides with his allies as with
his legions. Antony reached the point of doubting even
Cleopatra; he would scarcely see her. Exasperated
at the cruelty of the gods, and still more so at the
perfidy of men, he resolved to pass in solitude the
wretched days that his enemies might yet permit him to
live. The story of Timon, the misanthrope of Athens,
which he had heard in happier days, recurred to his
memory, and, determined to live like Timon, he settled
in the barren mole of Poseidon, and busied himself
there in erecting a tower which he intended to call the
Timonion.
Cleopatra yielded less submissively to fate. Attacked
in the crisis of danger by a fainting courage to
which Antony was an utter stranger, the immediate
danger past she recovered all her powers. With her
exalted imagination she could not despair either wholly
or even for very long. She learned that the vessels she
had had transported to the Red Sea had been burned
by the Arabs, and thus her flight prevented. She at
once prepared for determined resistance. Whilst
Antony was losing his time playing the misanthrope,
the queen raised fresh forces, furnished new vessels,
formed new alliances, repaired the fortifications of
Pelusium and Alexandria, distributed arms to the
people, and to encourage the Alexandrians to the determined
defense of their city, she inscribed the name
of her son, Cæsarion, in the rolls of the militia. Antony
could not but admire the courage and energy of
Cleopatra, and, entreated by his friends besides being
weary of his solitude, he resumed his residence at the
palace. The queen received him as in the happy days
of his return from Cilicia or Armenia. They again
enjoyed with the friends of the last hour banquets,
festivals, orgies—only “The Inimitables” changed
their appellation, and called themselves “The Inseparables
in Death”: οἱ συναποθανουμéνοι.
The choice of this funereal name, assumed as much
from resignation as bravado, sufficiently reveals the
state of mind of the lovers. Antony, it seems, had
lost all hope; Cleopatra still hoped, but with intervals
of gloomy discouragement. At such times she would
descend to the crypts of the palace, near the prisons
of the condemned; slaves would drag them, a few at
a time, from their cells to test on them the effects of
different poisons. Cleopatra watched with a curiosity,
more painful even than cruel, the dying agonies of
the victims. The experiments were frequently repeated,
for the queen could not discover the poison
of her dreams—a poison that slays instantly without
pain and without shock. She noticed that violent
poisons killed swiftly but with frightful torture, and
that less active ones inflicted lingering agonies; then
she studied the bites of serpents, and after new experiments
she discovered that the venom of an Egyptian
viper, called in Greek “Aspis,” caused neither convulsion
nor any painful sensation, and led by a
constantly increasing drowsiness to a gentle death,
like a sleep. As for Antony, like Cato and Brutus,
he had his sword.
In the midst of these preparations for defense and
for death the vanquished of Actium sought to negotiate
with their conqueror. Octavius, recalled to Rome
by a threatened sedition of the veterans, had in the
course of the winter gone to Syria, where he was
concentrating his forces. Antony wrote to him; he
reminded him of his former friendship, recalled his
services, made excuses for the wrongs he had done,
and ended by promising to lay down his arms on
condition of being allowed to live as a private citizen
at Alexandria. Octavius deigned no reply, nor did
he reply to a second letter in which he offered to kill
himself, provided that Cleopatra might continue to
reign over Egypt. The queen on her side, and unknown
to Antony, despatched an envoy to Octavius
with rich gifts. Less generous than her lover, who had
offered his life to secure her crown, she separated his
cause from her own. The Egyptian envoy represented
to Octavius that his hatred of Antony ought
not to include the queen, who had had no part in the
late events. It was Rome, said he, that declared war
on Egypt, to bring matters to a close with Antony.
Was not Cleopatra compelled to arm in her own defense?
But now that Antony is overcome, compelled to
exile or suicide, the Romans may safely show mercy to
Cleopatra and leave her on the throne. That is far
more to their interest than to force this powerful queen
to a desperate struggle.
Octavius already considered himself the master of
Egypt—and of the world. He feared but little the broken
sword in the hand of Antony, still less the shattered
remains of the army of Cleopatra and the wrecks
of her navy. But there were two things still beyond
his power—all-powerful emperor as he was—the
immense treasures of Cleopatra, on which he had
reckoned to pay his legionaries, and Cleopatra herself,
whom he wished to grace his triumph; she might
escape the Roman by death and her treasure by fire.
Traitors and spies were not lacking in Alexandria;
and Octavius knew, through their reports, of the
queen’s experiments in poisons as well as that she
had collected all her treasures in her future tomb.
He was compelled to employ cunning with the
Egyptian, and, believing himself justified by the words
of her ambassador to propose such a step, he declared
that if the queen would compass Antony’s death she
should preserve her sovereignty. Some days after,
fearful that this somewhat savage diplomacy might
not prevail with Cleopatra, he despatched to her
Thyreus, his freedman. In Egypt, Thyreus talked
openly before the court and Antony of the resentment
of Octavius and of his severe decrees, but having
obtained without difficulty a secret audience of Cleopatra
he told her that he had been charged by his
master to repeat his assurances that she had nothing
to fear. To satisfy her of this, he pretended to confide
to her that she was beloved by Octavius as of old by
Cæsar and Antony. Cleopatra had many interviews
with Thyreus and publicly showed him much friendliness.
Antony took the alarm, and, suspicious of
Cleopatra whether as woman or queen, he made use
of what power was left him to avenge himself on
Thyreus, and in spite of his character as ambassador
he had him beaten with rods and sent him back bleeding
to his master. The anger of Antony proves that
Cleopatra had not listened with inattentive ears to the
communications of Thyreus. A woman readily believes
this sort of declaration, especially when she has
been much beloved. It is true that Cleopatra was
then thirty-seven years old, but had she any less
confidence in her ever-victorious charms? It is also
true that Octavius had never seen her, unless, perhaps,
thirteen years before, at Rome, after the death
of Cæsar; but did not the universal fame of her
attractions suffice to inspire, if not exactly love, at
least a vague desire and an ardent and eager curiosity?
Cleopatra had loved Antony passionately, but
this love had been aroused, strengthened, and exalted
as much by the glory and power of the triumvir as by
his manly beauty and strength. Now Antony was
conquered, a fugitive, betrayed by his friends, deserted
by his legions; himself hopeless and dispirited he
seemed to bow to his fate. His absurd retreat to
the Timonion after the battle of Actium, while she,
seized with a feverish activity, was preparing everything
for a final effort, had inspired more scorn than
pity in the heart of the queen. Women neither
understand nor can they forgive those perilous moments
of depression which at certain times overcome
the bravest. Little as was the love she still bore
Antony, and anxious as she might be about the revelations
made by Thyreus, Cleopatra never thought
for a moment of having Antony slain, or of giving
him up to Octavius; but what, perhaps, she could
not help hoping was, that Antony, his life threatened
in Alexandria, forsaken by his last legionaries, and
having no other than Egyptian troops of doubtful
fidelity, would flee into Numidia or Spain and thus
deliver her from her embarrassments.
About the middle of the spring of 30 B. C. news
reached Alexandria that a Roman army had crossed
the western frontier of Egypt. Antony collected a
few troops and marched to meet the enemy. A battle
was fought beneath the walls of the strong city of
Prætonium, which was already in the hands of the
Romans. Antony, with his handful of men, was
repulsed. When he returned to Alexandria Octavius
was within two days’ march of the city. Whilst his
lieutenant, Cornelius Gallus, was penetrating into
Egypt by Cyrenaica he himself had entered through
Syria and had taken Pelusium, after a real or feigned
resistance, in either case a very brief one. After the
surrender of Pelusium, the last of the Romans who
had remained faithful to Antony cried out treason,
declaring that Seleucus had surrendered the city by
the orders of Cleopatra herself. Is it true that the
queen had given such instructions? It may be
doubted; nevertheless, Cleopatra’s trouble of mind
and her secret hopes give a color to these suspicions.
To vindicate herself she gave up to Antony
the wife and children of Seleucus, and proposed that
he should put them to death. This was but a very
doubtful proof of her innocence, but Antony had to
be satisfied with it. His anger subsided before her
protestations and tears, true or false; now was not
the time for recriminations: he must fight. Octavius
had pitched his camp on the heights about twenty
stadia east of Alexandria. Antony, having led in
person a strong reconnoitering body of cavalry in that
direction, fell in, not far from the Hippodrome, with
the whole body of the Roman cavalry. A furious
battle was fought in which, notwithstanding their
great superiority of numbers, the Romans were broken
and utterly routed. Antony pursued them to their
entrenchments; then he returned to the city, strengthened
by this victory, of little importance indeed, but
brilliant and of good augury. He sprang from his
horse before the palace, and, without taking time to
lay aside his armor, rushed, still wearing helmet and
cuirass, and covered with the blood and sweat of the
fight, to embrace Cleopatra. She, deceiving herself
as to the importance of this skirmish, felt her love and
her hopes at the same time revive. She had again
found her Antony, her emperor, her god of war. She
threw herself passionately on his neck, wounding her
breasts against his cuirass. At this moment of sincere
feeling she must have reproached herself grievously (if
she had committed it) with the treason of Pelusium;
and the confidences which she had accepted from the
envoy of Octavius must have recurred to her as a bitter
remorse. Cleopatra desired to review the troops.
She made them a speech, and, having had the bravest
of them pointed out to her, she gave him a
complete armor of solid gold.
Antony, restored to hope, no longer contemplated
negotiating, and the same day sent a herald to Octavius
to invite him to decide their quarrel by single combat
in sight of the two armies. Octavius replied disdainfully
that there was more than one other way for Antony
to seek death. This speech, that marked so great
assurance in his enemy, struck Antony as a fatal omen.
Suddenly, dashed from his chimerical hopes, he felt
his situation in all its gloomy reality. Resolved,
nevertheless, the next day to fight one last battle, he
ordered a sumptuous feast. “To-morrow,” said he,
“it will, perhaps, be too late!” The supper was sad
as a funeral banquet; the few friends that were faithful
to him maintained a gloomy silence, some even wept.
Antony, simulating a confidence which he did not feel,
said to them to revive their sinking spirits: “Think not
that to-morrow I shall only seek a glorious death; I
shall fight for life and victory.” At daybreak, while the
troops were taking up their position before the Roman
camp, and the Egyptian fleet, which was to support
the action by attacking that of Octavius, was doubling
Cape Lochias, Antony posted himself on an eminence
whence he commanded both the plain and the
sea. The Egyptian vessels advanced in battle array
against the Roman Liburnians, but, when within two
arrow-flights, the rowers raised high in air their long
oars in salute. The salute was returned by the
Romans, and immediately the two fleets, mingling and
making now but one, sailed into the port together.
Almost at the same moment Antony sees his cavalry,—that
cavalry which the day previous had fought with
such intrepidity,—move without orders and pass over to
Octavius. In the Roman lines the trumpets sounded
the onset; the legions dashed forward with their accustomed
war-cry: “Comminus! Comminus!” (Hand-to-hand!)
The infantry of Antony did not wait the shock—it
broke and rushed towards the city, dragging their
leader in the midst of the rout. Antony, mad with
rage, uttering threats and curses, striking the fugitives
indifferently with the blade and the flat of his sword, re-entered
Alexandria exclaiming that he was betrayed by
Cleopatra, given up by this woman to those with whom
he had fought solely for love of her.
Cleopatra had no longer the power either to betray
or to save Antony; for she, the “New Goddess,” the
“Queen of Kings,” she, too, was abandoned by her
people, as he, the great captain, was deserted by his
army. Their cause was lost, who would be faithful to
it? During the preceding day and night, Octavius’s
emissaries had worked upon the legionaries and the
Egyptians, promising to the former amnesty, to the
latter safety. The valiant soldier on whom Cleopatra
the day before had bestowed the golden suit of armor
had not even waited for the morning to pass into
the Roman camp; that very night he had deserted!
At the sight of the fugitives rushing like a torrent into
the city, Cleopatra is overcome with terror. She is
aware of the suspicions of Antony, she knows his
terrible fits of rage. Already she is familiar with the
idea of death, but she desires a more easy death, a
death the sister of sleep. She shudders and revolts at
the thought of Antony’s sword; she has a vision of
hideous wounds in her person, her breast, perhaps her
face. As for attempting to calm his fury, she has
neither strength nor courage for that. Desperate, she
quits the palace with Iras and Charmion, and withdraws
to her tomb, of which she has the door closed;
and, to prevent Antony’s attempting to force this
refuge, she gives orders to tell him she is no more.14
Antony, rushing like a madman about the deserted
apartments of the palace, learns the news. His anger
dissolves in tears: “What more have you to expect,
Antony?” exclaimed he, “Fortune robs you of the only
blessing which made life dear.” He commands his
freedman Eros to slay him; then, unfastening his
cuirass, he addresses this last adieu to Cleopatra: “O,
Cleopatra! I do not complain that thou art taken from
me, since in a moment I shall rejoin thee.” Eros,
meanwhile, has drawn his sword, but instead of striking
Antony, he stabs himself. “Brave Eros,” said Antony,
seeing him fall dead at his feet, “you set me the
example!” and, thrusting the sword into his breast, he
sinks fainting upon a couch.
In a few minutes he recovers consciousness. He
calls and entreats the slaves, the soldiers, to put an end
to him, but none dare to comply, and he is left alone,
howling and struggling on the couch. Meanwhile the
queen has been informed of the fact. Her grief is
bitter and profound—the more bitter that it is mingled
with remorse. She must see Antony again; she commands
that he be brought, dead or alive. Diomedes,
her secretary, hastens to the palace. Antony is at the
last gasp, but the joy at hearing that the queen is not
dead revives him, and “he rises,” says Dion Cassius,
“as if he might still live!” Slaves bear him in their
arms, and, to hasten their movements, he utters entreaties,
invectives, threats, which mingle with the
death-rattle. They reach the tomb; the queen leans
from a window of the upper story; fearing a surprise, she
will not have the portcullis raised, but she throws down
some ropes, and commands them to be fastened round
Antony. Then, aided by Iras and Charmion, the only
ones she has allowed to enter the mausoleum, she begins
to drag him up. “It was not easy,” says Plutarch, “for
women thus to lift a man of Antony’s size.” Never,
say those who witnessed it, was a sadder or more pitiful
sight. Cleopatra, with arms stiff and brow contracted,
dragged painfully at the ropes, whilst Antony, bleeding
and dying, raised himself as much as possible, extending
towards her his dying hands.
At last he reached her, and they laid him on a bed,
where she long held him in a close embrace. Her
grief spent itself in tears, in sobs, in despairing kisses.
She called him her husband, her master, her emperor;
she struck her breast, tore it with her nails, then again
casting herself upon him, she kissed his wound, wiping
off on her face the blood that flowed from it. Antony
endeavored to calm and console her, and entreated
her to care for her own safety. Burning with fever,
he begged for a drink, and swallowed a cup of wine.
Death was rapidly approaching. Cleopatra renewed
her lamentations. “Do not grieve,” said he, “for
this last misfortune; rather congratulate me for the
blessings I have enjoyed in my life, and the happiness
that has been mine in being the most powerful and
illustrious of men; congratulate me on this, that, being
a Roman, none but a Roman has conquered me.” He
expired in the arms of Cleopatra, dying, as Shakspeare
says, where he had wished to live.
When Octavius heard of Antony’s death, he despatched
Proculeius and Gallus with orders to seize
Cleopatra before she could have time to kill herself.
Their calls attracted the attention of the queen; she
descended and began to parley with them from behind
the portcullis. Deaf to the promises and protestations
of the two Romans, Cleopatra declared that she would
only surrender if Octavius would agree by oath to
maintain her or her son on the throne of Egypt; otherwise
Cæsar should have but her dead body. Proculeius,
espying the window which had admitted
Antony, left his companion to converse alone with the
queen, and, finding a ladder, placed it against the
thick wall, and thus entering the tomb, he descended
the staircase within and sprang upon Cleopatra. Charmion,
turning at the noise, exclaimed: “Unhappy
queen, thou art taken alive!” Cleopatra snatched
from her girdle a dagger which for some time she had
carried in order to kill herself, but Proculeius seized
her wrist and only allowed her to free herself after
being assured that she had no other weapon and
no suspicious phial about her. He then resumed the
respectful attitude demanded by the rank and misfortunes
of the royal captive. He assured her she had
nothing to fear from Octavius. “O, Queen,” said he,
“you are unjust towards Cæsar, whom you would rob
of the noblest opportunity of exercising clemency.”
Her treasures and her person in the power of the
Romans, Cleopatra felt herself without the means of
defense. What availed it that Cæsar left her her life,
since henceforth she desired only to die? The only
favor she asked was to be allowed to pay funeral honors
to Antony. Although the same request had already
been made by the captains of his army who had served
under Antony, Octavius, touched with compassion,
granted the prayer of the Egyptian. Cleopatra bathed
the body of her lover, adorned and armed it as for a
last battle, then she laid it in the tomb which she had
built for herself and in which she had vainly sought
death. After the obsequies the queen was conducted, by
order of Octavius, to the palace of the Lagidæ. There
she was treated with every attention, but she was, so to
speak, never lost sight of (a prisoner forever watched).
The terrible emotions through which Cleopatra had
passed, the intense grief which overwhelmed her, above
all the wounds she had inflicted on herself during the
death-struggle of Antony, brought on an inflammation
of the chest, attended by a burning fever. In this
illness she saw the hoped-for death, and to hasten her
deliverance she refused for many days all medical
treatment and all food. Octavius was informed of this,
and he sent her word that she must have forgotten that
he held her four children as hostages, and that their
lives should answer for hers. This horrid threat overcame
the resolution of Cleopatra, who then consented
to be properly cared for.
Octavius meanwhile felt he had cause for disquiet.
What if the pride of the queen overpowered her
motherly instincts? what if the horror of gracing as
a captive his approaching triumph should decide
her to a self-inflicted death? Doubtless she was well
guarded, but what negligence or what treason might
he not fear? Besides, though without arms or poison,
might she not induce the faithful Charmion to
strangle her? “Now Octavius,” so says Dion Cassius,
“conceived that the death of Cleopatra would
have robbed him of his glory.” He resolved, therefore,
to see her. He knew he possessed sufficient self-control
not to become entangled, and believed himself
sufficiently skillful to keep the queen uncertain of the
fate to which he destined her.
Cleopatra was no longer deceived as to the pretended
sentiments of love with which, according to
Thyreus, she had inspired Octavius; of this we are
assured by Plutarch. Since the emperor’s arrival in
Alexandria he had not even expressed the intention
of seeing her, and the harsh treatment, the rigorous
seclusion, and the savage threats which she had to
endure from him did not certainly indicate a man
in love. Can it be said, however, that the prospect
of the unexpected visit of Octavius aroused in Cleopatra,
desperate as she was, no glimpse of hope, no
fugitive vision of a throne, no last enthusiasm? that
from her beautiful eyes shot no ray of half-seen
triumph?
The queen, scarcely convalescent, was in bed when
Octavius entered. She sprang from the couch,
though wearing only a tunic, and knelt before him.
At the sight of this woman, worn out by fever,
emaciated, dreadfully pale, with drawn features, eyes
sunken and red with tears, bearing on her face
and breast the marks made by her own hands,
Octavius found it hard to believe that this was the
enchantress that had captivated Cæsar and enslaved
Mark Antony; but had Cleopatra been more beautiful
than Venus he would not have been her lover.
Continence was not among his virtues, but he was
too prudent and too clever ever to sacrifice his interests
to his passions. He urged the queen to return
to her couch, and seated himself near her. Cleopatra
began to vindicate herself, referring all that had
passed to the force of circumstances and the fear
she felt of Antony. She often ceased speaking,
interrupted by her choking sobs; then, in the hope
of moving Octavius to pity (of seducing him, some
say), she drew from her bosom some of Cæsar’s letters,
kissed them, and exclaimed: “Wouldst thou
know how thy father loved me, read these letters....
Oh! Cæsar! why did I not die before thee!... but
for me you live again in this man!” and through her
tears she essayed to smile at Octavius. Lamentable
scene of coquetry, which the wretched woman no longer
could or knew how to play.
To her sighs, her moans, the emperor made no
reply, even avoiding looking at her and keeping his
eyes fixed on the floor. He spoke only to reply,
one by one, to all the arguments by which the queen
sought to justify herself. Chilled by the impassibility
of this man, who, without being at all moved
by her misfortunes and her sufferings, was arguing
with her like a schoolmaster, Cleopatra felt that she
had nothing to hope. Again death appeared as the
only liberator. Then she ceased her pleas, dried her
tears, and, in order completely to deceive Octavius,
she pretended to be resigned to everything, provided
her life was spared. She handed him the list of her
treasures, and entreated him to permit her to retain
certain jewels that she might present them herself to
Livia and Octavia in order to secure their protection.
“Take courage, O woman!” said the emperor as
he left her. “Be hopeful; no harm shall happen to
you!”
Deceived by the pretended resignation of Cleopatra,
Octavius no longer doubted that he would
be able to exhibit to the Roman rabble the haughty
queen of Egypt walking in chains before his triumphal
car. He had not heard, as he left her, the
last word uttered by Cleopatra, that word which, since
the taking of Alexandria, she had incessantly repeated:
Οἰ θριαμβεúσομαι! “I will not contribute to
his triumph.”15
A few days after this interview, an intimate companion
of Octavius, taking pity on such dire reverses,
secretly revealed to Cleopatra that the next day she
would be embarked for Rome. She asked to be
allowed to go with her women to offer libations at the
tomb of Antony. She was borne thither in a litter,
being still too weak to walk. After pouring the wine
and adjusting the crowns she kissed for the last
time the sepulchral stone, saying: “O, beloved Antony,
if thy gods have any power—for mine have
betrayed me—do not abandon thy living wife. Do
not let thyself be triumphed over, by making her at
Rome take part in a disgraceful show. Hide me with
thee under this earth of Egypt.”
On her return, Cleopatra went to the bath; her
women arrayed her in her most magnificent robes,
dressed her hair with care, and adjusted her royal
crown. Cleopatra had ordered a splendid repast; her
toilet ended, she was placed at the table. A countryman
entered, carrying a basket. A soldier of the guard
desiring to see the contents, the man opened it and
showed some figs; and, the guard exclaiming at the
beauty of them, he offered them some to taste. His
good nature lulled all suspicion; he was allowed to
pass. Cleopatra received the basket, sent to Octavius
a letter she had written in the morning, and was then
left alone with Iras and Charmion. She opened the
basket and separated the figs, hoping to be stung unawares
but the reptile was asleep. Cleopatra discovered
it beneath the figs. “There it is, then!” cried
she, and began to rouse it with a golden pin. The
asp bit her on the arm.
Warned by the letter of Cleopatra, Octavius sent in
haste to the apartments. His officers found the guards
at their post, ignorant of what had occurred. They
forced the door and beheld Cleopatra, clad in her royal
robes, lying lifeless on her golden couch, and at her
feet the corpse of Iras. Charmion was still alive; leaning
over Cleopatra, she was arranging with her dying
hands the diadem around the head of the queen. A
soldier exclaimed in a voice of wrath: “Is this well
done, Charmion?” “Yes,” said the dying Charmion,
“it is well done, and worthy of a queen, the descendants
of so many kings!”
Octavius put to death Cæsarion, the son of Cæsar
and Cleopatra, but he was merciful to the dead body of
the queen. Granting the mournful prayer she had
made to him in her last letter, he permitted her to be
buried beside Antony. He also granted honorable
burial to the faithful slaves, Charmion and Iras, who
had accompanied their mistress to the world of shadows.
By her suicide, Cleopatra escaped contributing to the
triumph of Octavius,16 but failing her person he had
her effigy, and the statue of Cleopatra with a serpent
wound about her arm was borne in the triumphal procession.
Does it not seem that the statue of this illustrious
queen, who had subdued the greatest of the
Romans, who had made Rome tremble, and who preferred
death to assisting at her own humiliation, had
by her death triumphed over her conqueror, and still
defied the senate and the people on the way to the
Capitol?
We can easily conceive of Cleopatra as a great
queen, the rival of the mythic Semiramis, and the
elder sister of the Zenobias, the Isabellas, the Maria-Theresas,
and the Catharines; but, in truth, only those
queens are great who possess manly virtues, who rule
nations and compel events as a great king might do.
Cleopatra was too essentially a woman to be reckoned
among these glorious androgynuses. If for twenty
years she preserved her throne and maintained the
independence of Egypt, it was done by mere womanly
means—intrigue, gallantry, grace, and weakness
which is also a grace. Her sole method of governing
was, in reality, by becoming the mistress of Cæsar
and the mistress of Mark Antony. It was the Roman
sword that sustained the throne of the Lagidæ. When
by the fault of Cleopatra the weapon was broken, the
throne tottered and fell. Ambition, her only royal
virtue, would have been limited to the exercise of her
hereditary government if circumstances had not developed
and exalted it.
Knowing herself weak, without genius and without
mental force, she reckoned wholly on her lovers for the
accomplishment of her designs, and it too often happened
to this woman, fatal to others as to herself, to
retard the execution of these, dominated, as she ever
was, by the imperious desire of some entertainment
or some pleasure. This queen had the recklessness of
the courtesan; women of gallantry might have considered
her their august and tragic ancestress. She
only lived for love, pomp, and magnificence; wherefore,
when her lover was slain, her beauty marred, her
wealth lost, and her crown shattered, she found, to face
death, the masculine courage which had failed her
in life.
No, Cleopatra was not a great queen. But for her
connection with Antony, she would be forgotten with
Arsinoë or Berenice. If her renown is immortal, it is
because she is the heroine of the most dramatic love-story
of antiquity.
FOOTNOTES
1Cicero to Atticus.—In this letter, dated from Brundusium,
June 14, 706 A. U. C., Cicero speaks of the long sojourn of
Cæsar at Alexandria. There is thought to be much trouble there,
“valde esse impedimentum.” This “impedimentum,” of which
Cæsar makes no complaint, was Cleopatra.
2If this were true, Cleopatra would have been as fatal to Cæsar
as she afterwards became to Antony.
3We must not judge Antony wholly by the passionate attacks
of Cicero. Plutarch quotes a number of clever retorts of
this brave and excellent soldier; and, in another order of ideas,
his letter to Octavius and Hirtius, from which we find long extracts
in the “Third Philippic,” is the work of a skillful politician
as well as a model of wit.
4A curious inscription, discovered in Alexandria by M. C.
Vescher, is as follows: “Antony the Great, the Inimitable.”
5Pliny, IX. 35. The legend is not so much of a myth as it
appears. Pliny relates that Octavius, having found the second
pearl in the treasury of Cleopatra, had it cut in two, and with it
adorned the ears of the Pantheon Venus.
6Another incident, also related by Plutarch, says that Antony
sometimes sought relaxation from the excesses of the “Life
Inimitable” in more tranquil pleasures, such as angling. Vain
even in trifles, and mortified if he caught nothing, he had
fishes attached to his hook by a diver. The trick did not
escape Cleopatra. The next day she had a salted fish fastened
to his hook, which the triumvir drew gravely from the water
amid shouts of laughter. From this time Antony renounced
angling.
7Appian says positively that Antony was in love with Octavia.
8Like all the Ptolemies, the last of the Lagidæ was a great
builder.
9Antony also made a gift to Cleopatra of the 300,000 manuscripts
of the library of Pergamos, to replace a part of the volumes
burned at Alexandria.
10Thirty-five drachmæ were given to each legionary, and a less
sum to every soldier.
11The Egyptian, says Florus forcibly, demanded as the price
of her favors, the Roman Empire from a drunken emperor:
“Mulier ægyptia ab ebrio imperatore pretium libidinum Romanum
Imperium petit.”
12These verses were written after the battle of Actium, 31 B. C.,
but they no less indicate the sentiments of the Romans at
the commencement of the war. If this indignation and hatred
obtained with such violence after the victory, what must they
have been in the very hour of danger? Lucan says: “This
woman, the reproach of Egypt, the fatal Erinys of Latium,
incestuous daughter of the Ptolemies; who made the Capitol
tremble with her sistra.”
13It therefore seems probable that it was in the autumn of 32
B. C. that Antony must have married Cleopatra.
14Dion says that Cleopatra betrayed Antony at Alexandria, as
at Pelusium, and that she sent him word of her death that he
might be urged to commit suicide, and his body given up to Octavius.
Once for all, we take for authority Plutarch, who seems
much more worthy of credit. The taking of Alexandria was on
August 1, 30 B. C.
15The peculiar force of this verb in the passive form cannot be
fitly rendered in a translation. It is, word for word, “I will not
be triumphed.”