Teacher (tapping bell loudly)—Now, children dear, I
hope you will all be very, very good and very, very quiet
while we have our entertainment. What kind of an entertainment
is it to be, children? (a pause) W’y, children,
don’t you know what kind of an entertainment it is going
to be?
Virgil—Wal, I think it’ll be a fust-rate good ’un if none
of ’em don’t fergit their pieces.
Sam—W-w-w-w-w-wal, I w-w-w-w-w-won’t f-f-f-f-fergit
mine if I d-d-d-d-don’t git b-b-b-b-b-bashful.
Sarah Jane—Huh, you bet you I won’t git skeered—I
haint fraid o’ nothin’. I wouldn’t be skeered to speak if
they was a grizzly bear here.
Tilly—Oh, teacher, she would, too, wouldn’t she,
teacher?
Sarah Jane—I wouldn’t neither, so there!
Teacher (tapping bell)—Children, be still. That is not
a nice way to act on entertainment day. I meant what
kind of an entertainment are we going to have according
to the season (a pause). W’y, can’t you tell, children?
Corabell—Teacher, what’s season?
Matildy—Huh, don’t you know that? W’y, it’s salt an’
pepper an’ spice an’ stuff they put in things to season ’em.
Virgil—Aw, that haint what it means—it’s spring an’
fall an’ winter—that’s what season means, haint it, teacher?
Teacher (tapping bell)—Children, be still. I mean what
kind of pieces are we going to have in our entertainment?
All (loudly)—Chris’mus pieces.
Teacher—Yes, children, that is right—Christmas pieces,
children. Why are we going to have Christmas pieces,
children? (pause).
Rastus—I reckon so’s we-all’ll git a Chris’mus present
ef we does our pieces good. Mammy says as how she’s
gwine gimme a mighty nice present ef I does my part good.
Sam—I t-t-t-t-think we’re s-s-s-s-s-sayin’ K-k-k-k-k-k-k-kris’mus
pieces k-k-k-k-k-kawase K-k-k-k-k-k-kris’mus is the
time to s-s-s-s-s-say K-k-k-k-k-k-k-kris’mus pieces.
Teacher—Yes, children, we’re going to have a nice
Christmas entertainment because Christmas day is coming
and we all love Christmas day, don’t we, children?
All—Yes, ma’am.
Teacher—And so, children, I hope we shall have a nice
entertainment, an’ that you will be very, very good an’
speak up nice an’ loud an’ do your parts the very, very best
you can (children nudge each other and point off stage as if
looking out of window).
Florildy (waving hand)—Teacher, somebody’s comin’
(knock is heard).
Teacher—S-s-sh! Be quiet, children (goes over and
admits Mrs. Hill).
Enter Mrs. Hill
Mrs. Hill—Good afternoon, teacher. I heard as how
you’re goin’ to have Chris’mus speakin’ here this afternoon
an’ I says to Jeremiah, I says, I’m jes’ goin’ over to the
skule house an’ hear that speakin’ ’cause as I says to ’im,
says I, I do jes’ love to hear the childrun speak their
pieces. An’ so here I be, teacher, an’ I hope I haint late.
Teacher—No, indeed, you’re not late, Mis’ Hill, an’
we’re very, very glad you came. Have this chair (she seats
Mrs. Hill).
Mrs. Hill—My, my, well I remember the time, teacher,
that I’ve spoke a piece at Chris’mus time. They did say,
as I says to Jeremiah, says I, they used to say that I was
an awful good hand at speakin’. Mebbe I’ll speak a piece
here today (smiles at children).
Teacher—That will be very, very nice. You’d like to
have Mis’ Hill speak, wouldn’t you, children?
All—Yes, ma’am (they nudge and point off stage again).
Sarah Jane—Oh, teacher, Billy Skaggs’s mother, she’s
comin’ (a knock is heard. Teacher goes over and admits
Mrs. Skaggs).
Enter Mrs. Skaggs
Mrs. Skaggs—How-de-do, teacher. I hope you’re feelin’
real well. I’ve come over to the Chris’mus speakin’, teacher.
I’ve got an awful lot o’ work to do to home, bein’ as we’re
goin’ to have comp’ny on Chris’mus, an’ I’m tryin’ to make
some Chris’mus presents, an’ bake an’ clean up an’ all, but
Billy he was so set on my comin’ that I jes’ come an’ here
I be (she shakes hands with the teacher and Mrs. Hill).
Teacher—We are very, very glad you came. I should
have been very, very disappointed if no one came to visit
(she seats Mrs. Skaggs by Mrs. Hill).
Mrs. Skaggs—I hope you haint had none the speakin’
yet. I’d hate dreadful bad to miss any of it. As I was
sayin’ to Hen—that’s my husban’—I says, Hen, there aint a
single thing I like to hear better’n children speakin’ pieces.
I think it’s dreadful nice, even when they make mistakes.
As I says to Hen, we can’t expect ’em to do too good.
Ole (pointing off stage)—Oh, teacher, yust look who’s
ban comin’!
Teacher (tapping bell)—Be quiet, children (knock is
heard. She goes over and admits Josiah Judd).
Enter Josiah Judd
Mr. Judd—How-de-do, teacher, how-de-do? I came over
to be present at—that is, to attend, and injoy—that is, to
participate in the Chris’mus entertainment (shakes hands
awkwardly with teacher and the two visitors). As a member
of the skule board I feel that I should incourage the
childern of the deestrict with my presence here an’ see how
they’re gittin’ on. Be they doin’ purty good, teacher? (looks
children over).
Teacher—We’re very, very glad you came, Mr. Judd.
Yes, they’re doin’ real well (she seats him). Now, children
dear, we will begin to commence our Christmas entertainment
(Billy sobs softly).
Sarah Jane (waving hand)—Teacher, teacher, Billy’s
bawlin’.
Teacher—W’y, Billy, what is the matter? (goes to him).
Billy (sobbing)—I—I—I—
Mrs. Skaggs—Lan’ sakes, teacher, what’s the matter with
’im? Billy, is your stummick botherin’ you?
Billy—I—I want to set longside o’ maw.
Mrs. Skaggs—Now, Billy, you set right where you be
an’ stop your fussin’.
Billy (boo-hooing out loud)—I—want—to set—by—maw.
Mrs. Skaggs—Wal, lan’ sakes, teacher, I spose he’ll cry
himself sick ef he can’t set by me. Can he come set here?
He’s an awful hand fer his maw, Billy is (the children
giggle).
Teacher (taking Billy by hand and leading him)—Yes,
he may sit up here (she fixes a chair beside his mother for
Billy). Now, children dear, we will sing our nice welcome
song (she beats time with long ruler, Mr. Judd beats time
with his hand and keeps time with his head; the two visitors
beat time with foot. The children sing with a great deal of
spirit).
Tune: Just Before the Battle, Mother
Welcome, welcome, Merry Christmas,
Joyfully we welcome you;
Welcome, welcome, Merry Christmas,
With a welcome glad and true;
Welcome, welcome, Merry Christmas,
Welcome to your Christmas toys;
Welcome, welcome, Merry Christmas,
With your welcome Christmas joys.
Welcome, welcome, Merry Christmas,
With a welcome loud and clear
Welcome, welcome, Merry Christmas,
Welcome, best day of the year.
Mrs. Hill—That was real fine.
Mrs. Skaggs—They done jes’ splendid, teacher.
Mr. Judd—Very good, very good!
Teacher—Now we will have an essay on Christmas by
Virgil Vale. Virgil wrote this all by himself out of his own
head an’ it is very, very good (Virgil walks to the front
with long strides, smoothes his hair, fixes his collar, straightens
his coat, blows his nose, then takes a paper from his
pocket and reads; high tone and sing-song).
Virgil—Christmas is a very nice day. It comes on the
25th day of December. Christmas is when Santa Claus
comes with presents. Christmas is when we hang up our
stockings to get presents. Christmas is when we have
Christmas trees with presents on. Christmas is when folks
has company or goes visitin’. On Christmas day folks say
Merry Christmas to each other. Christmas day don’t last
long but it is a long time gettin’ here. It is more blessed
to give Christmas than to receive it. Christmas is a merry
day (bows low and takes seat).
Teacher—That was fine, Virgil.
Mr. Judd (nodding head)—Very good, very good!
Mrs. Hill—I couldn’t a wrote a better one myself.
Teacher—Now we will have a piece by Ole Swanson.
Ole (much scared)—Teacher, I aint ban feel very gude—I
don’t gass I ban speakin’ my piece today. I—I skall got
awfully yumpin’ tooths aching, teacher.
Teacher—Oh, now, Ole, you can speak. Your tooth
doesn’t ache.
Ole—Teacher, please, I ban gotting such a headache I
aint skall ban feelings gude, teacher. I no skall ban able
to speakings, teacher.
Teacher—Then I shall tell your mother not to give you
any Christmas present.
Ole—Then by yimminy, I skall ban speakings, yust the
same like I aint ban sick (marches rapidly to front and
speaks):
One time there ban one little boy,
Who sometimes yust ban bad an’ rude;
He makes a face to his mamma (makes face)
An’ aint behaves not very gude.
He don’t ban studies very hard
To learn his lessons gude to skule;
An’ sometimes whispers with the girls,
Which skall ban ’gainst the teacher’s rule.
This little boy he ban so bad
That when gude Mister Santy come,
All he skall puts into his stocking
Ban yust one piece of shewing gum.
(Makes quick bow and hurries to seat.)
Rastus—Done served dat-dare boy jes’ right, aint it,
teacher?
Teacher—Yes, indeed. You spoke very well, Ole. Next
we shall have a song by the twins, Matildy and Florildy.
Matildy—Oh, I don’t want to sing—I’m scart.
Florildy—You come on, now. You know what maw
told you—that she’d spank you if you didn’t sing nice after
teacher had learned us so good.
Mrs. Hill—Come on, Matildy. I know that song’s
goin’ to be jes’ splendid (the twins go to the front and are
about to sing when Matildy begins to giggle. Florildy looks
at her then she too giggles).
Teacher—Girls, that is very, very wrong. Sing your
song like nice girls. (Matildy straightens out, then as they
are about to sing she has another spell of giggling in which
Florildy finally joins. They at last sing):
Matildy and Florildy.
Tune: Blue Bells of Scotland
1.
Oh we are the twins, (Matildy alone) and Matildy is my name,
(Florildy alone) And mine is Florildy, which is almost the same;
(Both) Matildy and Florildy, the merry twins are we,
And it’s just before Christmas
We’re good as good can be.
(Florildy looks very solemn and good, Matildy giggles.)
2.
(Matildy alone) When Santa Claus cometh I want a pretty ring,
(Florildy alone) And since we are twins I am wanting the same thing;
(Matildy alone) I want a Christmas doll with fair hair and eyes of blue,
(Both) And because we are twins, ’course Florildy wants one too.
3.
Oh, we are the twins (Florildy pointing to Matildy) And Matildy is her name;
(Maltildy, pointing to Florildy) And hers is Florildy which is almost the same.
(Both) Matildy and Florildy, the merry twins are we,
And it’s just before Christmas
We’re good as good can be (pass to seats).
Mrs. Skaggs—Now, I think they done that real fine.
Mr. Judd—Very good, very good!
Teacher—The next will be a piece by Rastus.
Rastus—Say, teacher, I don’t wan’ ter speak no piece,
I shooly don’ wan’ ter, teacher.
Teacher—Oh, yes, you do, Rastus.
Rastus—No, hones’, re’lly, I shooly cross mah heart an’
hope ter die, I don’ wan’ ter speak mah piece, teacher.
Teacher—Why not?
Rastus—I’s ’fraid I’ll disrecomember it, teacher an’
mammy said as how if I disrecomembered mah piece I’d
git skun alive when I gits home. I don’ wan’ ter get skun,
shuah’s youse born I don’ wan’ ter, teacher.
Teacher—Now, Rastus, you won’t forget. I know you
won’t, so come speak like a nice boy.
Rastus (rubbing eyes)—I—I—don’ wan’ ter—be—SKUN!
Mrs. Hill—Poor little fellow (wipes her eyes).
Sarah Jane—Teacher, if she skuns ’im will he die?
Rastus (loudly)—Boo-hoo, I don’ wan’ ter DIE!
Mr. Judd—Now, Rastus, you speak your piece and I’ll
see that your mother doesn’t touch you and I’ll give you
some candy.
Rastus—All right (comes forward grinning widely, bows
and speaks):
Some boys dey wants a drum er gun,
An’ some dey t’inks a sled is fun;
But fer mah Chris’mus I’s a tellin’
I wants a great, big watermelon.
(Measures large size with arms.)
A tickin’ watch would suit some boys,
An’ some dey’s fond ob books an’ toys;
But, OH, ’twould set mah heart a swellin’
On Chris’mus ter git a watermelon.
(Measures large size as before.)
Candy an’ nuts dey jes’ suits some,
But as fer me—oh, yum—yum—YUM! (smacks lips)
Fer joy I’d shooly feel like yellin’
Ef Santy’d brang me a watermelon.
(Measures as before, bows low and takes seat.)
Tillie—Teacher, he won’t git skun, will he?
Mr. Judd—No, indeed he won’t. That was very good,
very good (he gives Rastus bright stick of candy).
Rastus (eating candy)—Teacher, I jes’ as liefs to speak
mah piece ovah agin.
Teacher—No, once is enough.
Billy—Boo-hoo, boo-hoo, boo-hoo!
Mrs. Skaggs—Lan’ sakes, Billy, what’s the matter now?
Billy—Boo-hoo, boo-hoo, boo-hoo!
Mrs. Skaggs—Now, Billy, tell maw what’s the matter.
Be your stummick a hurtin’ you agin, Billy?
Billy—I want some candy like he’s got (points to
Rastus).
Mrs. Skaggs—Wal, jes’ as soon’s we git home you can
have some.
Billy (kicking floor with both feet)—Don’t wan’ ter
wait. Boo-hoo, boo-hoo!
Sam—I s-s-s-s-s-s-say, he b-b-b-b-b-b-better have a
g-g-g-g-good l-l-l-l-l-l-lickin’. (Mr. Judd slips over quietly
and puts a stick of candy into Billy’s hand).
Billy—I won’t—(sees candy and stares at it, laughs and
puts it in his mouth). Oh, Maw, I got some, too (laughs).
Teacher—Now we will have—
Corabell (softly)—Boo-hoo, boo-hoo, boo-hoo!
Tilly—Oh, teacher, my little sister’s cryin’! (puts arm
around Corabell). What’s the matter, little sister? Are
you sick?
Corabell—No! (louder). Boo-hoo-hoo-hoo-hoo-hoo!
Teacher (goes over)—Do you want to go home?
Corabell—NO! (louder) Boo-hoo-hoo-hoo-hoo-hoo!
Tilly—Please, dearie, tell sister what’s the matter.
Corabell—I want—some—too—boo-hoo-hoo!
Mr. Judd—Pshaw, now! I guess I got myself in trouble
(he slips over and puts candy in Corabell’s hand).
Tilly—Oh, see, little sister, what the nice man gave you
(Corabell laughs and puts candy in mouth).
Teacher—We will now have a piece by Sarah Jane (she
sits fussing in her seat). Come, Sarah Jane, speak your
piece.
Sam—Huh, she’s f-f-f-f-f-f-fraid to s-s-s-s-s-say it.
Sarah Jane—I haint neither—I haint scart o’ nuthin’.
I’m—I’m a fixin’ up my stockin’ (fusses, then goes to front
and stands there, twisting her dress and looking down at
floor).
Teacher—Speak up, nice, Sarah Jane.
Virgil—Say, I bet she’s so skeert she can’t say nothin’.
Sarah Jane—I haint neither.
Virgil—Oh, you be, too.
Sarah Jane—I haint scart o’ nothin’.
Teacher—Why don’t you speak, Sarah Jane?
Sarah Jane—I’m thinkin’.
Teacher—What are you thinking about?
Sarah Jane—How my piece starts (twists dress, looks
down at floor, moves lips. Then speaks, loud and fast).
The air was cold as cold could be,
The wind was blowing dis-ma-lee,
The night was dark as a black cat
And Santy Claus’ heart went pit-y-pat.
(Stops, moves lips, etc., as before. Then speaks the four
lines over again and adds):
’Cause ’twas so dark he feared he’d make,
Scootin’ down chimbleys a bad mistake,
An’ leave a doll with curly hair
For the big boy a livin’ there.
(Bows low and takes seat.)
Mrs. Hill—That was real fine, Sarah Jane.
Mr. Judd—Very good, very good!
Teacher—Next Sam Shaw will speak.
Sam—T-t-t-t-t-teacher, I g-g-g-g-g-g-got a s-s-s-s-s-short
piece, k-k-k-k-k-kawse it takes me so l-l-l-l-l-long to s-s-s-s-s-say
it, k-k-k-k-k-kawse I st-st-st-st-st-stutter.
Teacher—Very well (Sam pulls coat and contorts body
trying to speak):
A l-l-l-l-l-little b-b-b-b-b-bird sat on a t-t-t-t-tree,
S-s-s-s-s-singin’ loud an’ k-k-k-k-klear,
Oh, l-l-l-l-l-let us all b-b-b-b-b-be h-h-h-h-h-happy,
K-k-k-k-k-kawse K-k-k-k-k-k-kris’mus time is here.
(Bows and takes seat.)
Mrs. Skaggs—I think he done that real fine.
Mr. Judd—Very good, very good!
Teacher—Now, Billy will speak his piece (Billy shakes
head).
Mrs. Skaggs—Now Billy, you go speak like a good boy.
Billy—I—don’t wan’—to (hangs to his mother’s skirt).
Mrs. Skaggs—Now, don’t you be naughty. You go
speak your piece so Santy Claus will bring you a nice present.
Billy—No, no, NO!
Mrs. Skaggs—Come now, maw will take you over (she
takes him by the hand, pulls him to the front to speak, fixes
his tie, smoothes his hair and goes back to her seat). Now
speak, Billy.
Billy—No, no, NO! (he runs back and sits by his
mother).
Mrs. Skaggs—Now, Billy, don’t act so—what would
paw say? (she pulls him back to front, fixes him again and
turns to go to her seat. Billy grabs her skirt and follows her,
crying). Wal, teacher, I don’t guess he’ll speak, he’s so
bashful. He gits it from his paw an’ I spose he can’t help it.
Teacher—Then Tilly will speak her piece.
Tilly (in high, piping voice, very dramatic gestures).
Upon the mountains high, (up to right with right hand)
Or in the valleys low, (down at left with left hand)
Or in the arching heavens, (up with both hands)
Where stars in silence glow (same as above).
In the North and South land (point to the front, then back)
East and West the breezes say, (to right, then left)
“Let ev’ry one be merry (to the front with both hands)
On Christmas Day” (same as above).
(Very sweeping bow, then takes seat.)
Mrs. Hill—My, my, her motions was jes’ grand!
Mr. Judd (nodding)—Very good, very good!
Tilly—Teacher, my little sister has a piece to say.
Teacher—Then she may speak now.
Tilly—Come on, Corabell, don’t be ’fraid. I’ll take you
up to speak (she leads Corabell to the front and fixes her
hair, ribbons, dress, etc.) Now speak your piece, little
sister (Corabell should be fat and larger than Tilly).
Corabell (lisping)—
I am a very little girl,
An’ has’nt much to thay,
But I’ll throw you a sweet kiss,
An’ then I’ll run away.
(Throws a kiss then stands grinning.)
Tilly—Come on, Corabell, run to your seat.
Corabell—I don’t want to (stands grinning).
Tilly—Why not?
Corabell—I want you to come fetch me to my seat.
Tilly—All right (she goes and takes Corabell to seat).
Mrs. Hill—My, my, aint she the cute little thing?
Mrs. Skaggs—Aint she though? Billy, can’t you speak
like that little girl?
Billy—No, no (clings to his mother).
Virgil—Teacher, can’t Mis’ Hill speak her piece now?
The Others—Oh, yes, ma’am, yes, ma’am!
Mrs. Hill—My, my, me! It’s so long sence I’ve spoke
I guess I’ve forgot how. Wal, I’ll try, but don’t you laugh at
me (goes to front, makes sweeping gesture with both hands
and bows low).
Some folks there be, but they aint like me,
That whines an’ almost has a fit,
An’ pouts if Santy don’t bring jes’ what
They was wishin’ fer to git.
(Pouts and stands looking very ugly.)
But some folks there be, an’ they’re like me,
That smiles an’ says “Ho, ho, ho”,
No matter what Santy brings ’em,
They’re jolly an’ laugh jes’ like so.
(Hands on hips and laughs, ha-ha-ha, ho-ho-ho, then makes
another low bow and takes seat.)
Teacher—That was splendid, wasn’t it children? (Virgil
goes off).
Children (heartily)—Yes, ma’am.
Mr. Judd—Very good, very good!
Teacher—Now, children, we are very, very glad to
have our esteemed an’ highly respected clerk of the Skule
board here with us today. It was very, very nice for him
to take so much interest in you an’ come to hear your pieces.
Now we shall be very, very glad to have him make us a
speech, won’t we, children?
Children—Yes, ma’am.
Mr. Judd (going to front and rubbing hands together as
he talks)—Wal, teacher and children and visiters, I can say
with great truth an’ much joy that I be glad to been here
today. Yes, childern, I allus like fer to hear the childern
speak pieces an’ I can said that I been proud of the way
you speaked an’ sung. Yes, childern, I can say with
truth an’ not a tellin’ nuthin’ that haint so, that you all
done good, very good, in your speakin’. Your nice teacher
has been a learnin’ you fine an’ as I said, you done good.
Yes, childern. An’ you mus’ all been proper behaved in
skule, childern, fer nobody can’t larn good when they been
a cuttin’ up, an’ misbehavin’ an’ not a mindin’ the nice teacher’s
rule. Yes, childern. So I want fer to tell you as how
you mus’ study hard an’ behave good. Now, childern, do you
know what I be? (pause).
Florildy—I guess mebbe you’re teacher’s beau (children
giggle).
Teacher (smiling)—W’y, w’y, w’y, Florildy, dear, how
can you SAY such a thing?
Mr. Judd (wiping face vigorously with bandanna)—Yes,
yes, that is, I mean to said, I, yes, wal, (twists bandanna
nervously) I wanted fer to have you said I were CLERK
of the SKULE BOARD, childern, yes, CLERK of
SKAGGS’S SKULE, childern, an’ I was goin’ fer to say as
how if you study hard an’ been good mebbe some day—yes,
who knows, childern, mebbe some o’ you’ll git to been
clerk. Wouldn’t that be grand, childern? Yes. So you
mus’ study hard an’ been good behaved. Now I can truthful
say I been glad to been here today with you an’ your
nice teacher, an’ I hope you can all said the same. An’ I
wish you all a merry Chris’mus, childern, very merry. Yes
(sits, mops face with bandanna).
Teacher (beaming)—Now, wasn’t that a splendid
speech? An’ we thank Mr. Judd very, very much, don’t
we, children?
Children—Yes, ma’am.
Teacher—An’ now, children, we will sing our Santy
Claus song, an’ who knows, children, mebbe Santy Claus
will come right here an’ serprise us all (beats time with
ruler).
Tune: Wonderful Words of Life
All Sing—There’s a man who lives far away,
His name is Santy Claus,
He comes with his reindeer an’ sleigh,
His name is Santy Claus;
With his bells a ringin’,
He comes presents bringin’,
Listen, you’ll hear (bells ring off stage)
Here comes old Santy Claus!
Enter Virgil (dressed as Santy Claus)
Virgil (gruff voice)—Wal, wal, childern, didn’t expec’
ter see me here today, did ye? Wal, here I be an’ I hope
yer al glad to see Santy. Now fust thing, I want ter know
HAVE YE BEEN GOOD CHILDERN? Have ye?
(pause) Have ye been good?
Tilly (faintly)—Yes, ma’am.
Billy—Oh, boo-hoo-hoo, boo-hoo-hoo, boo-hoo-hoo!
Mrs. Skaggs—W’y, Billy, what’s the matter?
Billy—Boo-hoo-hoo, boo-hoo-hoo! I’m ’fraid of Santy
Claus.
Mrs. Skaggs—Now, Billy, Santy won’t hurt you none.
Billy (bawling)—I want to go home. I want to go
home (cries louder and falls down on floor).
Mrs. Skaggs—Oh, I’m ’fraid he’ll have a fit he’s so
skeered. (to teacher) Tell ’im to take off his face so’s Billy
can see ’im (teacher runs and talks to Virgil who pulls off
his false face).
Teacher—See, Billy, it’s only Virgil.
Virgil (crossly)—Nice way to spoil our fun (Billy stops
crying, looks at Virgil and begins to laugh).
Teacher—Now, children, we will have a treat and Mr.
Judd will help Santy pass it to you (Virgil and Mr. J. give
each one a sack of pop corn and candy as curtain falls).
CURTAIN
PLAYS, MONOLOGS, Etc.
AS OUR WASHWOMAN SEES IT. (Edna I. MacKenzie.) Time, 10
minutes. Nora is seen at the washboard at the home of Mrs. McNeal,
where, amidst her work, she engages in a line of gossip concerning
her patrons, that will make a hit with any audience. 25 cents.
ASK OUIJA. (Edna I. MacKenzie.) Time, 8 minutes. A present-day
girl illustrates to her friends the wonders of the Ouija board. Her
comments on the mysteries of this present-day fad as she consults
Ouija will delight any audience. 25 cents.
COONTOWN TROUBLES. (Bugbee-Berg.) A lively black-face
song given by Josephus Johnsing, Uncle Rastus and other Coontown
folks. 35 cents.
THE GREAT CHICKEN STEALING CASE OF EBENEZER
COUNTY. (Walter Richardson.) A negro mock trial for 9 males, 2
females and jurors. Time, 35 minutes. Any ordinary room easily arranged.
From start to finish this trial is ludicrous to the extreme
and will bring roars of laughter from the audience. 25 cents.
THE GREAT WHISKEY-STEALING CASE OF RUMBOLD VS.
RYEBOLD. (Walter Richardson.) A mock trial for 11 males and
jury. The fun increases as the trial proceeds, and reaches a climax
when the jury decides who stole the whiskey. 25 cents.
HERE’S TO THE LAND OF THE STARS AND THE STRIPES.
(Bugbee-Worrell.) Open your minstrel with this rousing patriotic
song. Sheet music. 35 cents.
THE KINK IN KIZZIE’S WEDDING. (Mary Bonham.) Time, 20
minutes. For 7 males and 5 females. A colored wedding that will
convulse any audience with laughter. Said to be the funniest mock
wedding ever produced. 25 cents.
SHE SAYS SHE STUDIES. A monologue. (Edna I. MacKenzie.)
A sentimental high-school girl seated with her books preparing the
next day’s lessons, in a highly original and entertaining manner, expresses
her views on the merits of her various studies and her unbiased
opinion of her teachers, as she proceeds from book to book in
the order of her recitation; but when she has finished, you will agree
that she is very much more of an entertainer than a student.
25 cents.
SUSAN GETS READY FOR CHURCH. (Edna I. MacKenzie.)
Time, 10 minutes. It is time for church and Susan, at her toilet, is
excitedly calling for missing articles and her rapid line of gossip about
her friends and of certain church activities will bring many a laugh.
25 cents.
THAT AWFUL LETTER. A comedy of unusual merit, in one act.
(Edna I. MacKenzie.) For five girls. Time, 30 minutes. Recommended
for high schools, societies and churches. Elizabeth Norton, an
accomplished college girl from the country, has been reluctantly and
rudely invited to visit a city cousin, Margaret Neilson, whom she has
never seen. Finding she is expected to be gawky and uneducated,
Elizabeth acts the part perfectly. Developments follow thick and
fast amid flashes of wit, humor and satire from Elizabeth, who at
last reveals her real self. Margaret’s humiliation is complete and
there is a happy ending. All the characters are good. The country
cousin is a star. 25 cents.
THE UNEXPECTED GUEST. A one-act comedy. (Edna I. MacKenzie.)
Six females. Time, 45 minutes. The unexpected arrival of
an eccentric aunt throws, a family into a state of excitement and
dismay, but before the play is over the unwelcome aunt has endeared
herself to her relatives in quite an unexpected manner. Funny
situations throughout. 25 cents.
Paine Publishing Company Dayton, Ohio
CHRISTMAS ENTERTAINMENTS
CHRISTMAS AT PUNKIN HOLLER. (Elizabeth P. Guptill.)
One of the most popular Christmas plays
clean, wholesome fun from beginning to end. It depicts the trials
of the teacher of an old-fashioned “deestric school” in conducting the
last rehearsal for the Christmas Entertainment. Children and grown-ups
will be delighted with CHRISTMAS AT PUNKIN HOLLER. 25c.
CHRISTMAS AT McCARTHY’S. (Elizabeth F. Guptill.) A Christmas
play for young folks and children that is brimful of fun from
start to close and is interspersed with the gentlest pathos. All the
characters are good. Easy to produce. No special scenery or costumes.
No Santa Claus. Can be played in any schoolroom. 25c.
CHRISTMAS SPEAKIN’ AT SKAGGS’S SKULE. (Marie Irish.)
Just published. Humorous entertainment for six boys and eight girls,
including Ole, the Swede; Rastus, the negro; bashful Bill; Jeremiah
Judkins, the skule clerk; Mis’ Skaggs and Mis’ Hill, the mothers who
“help out;” fat little sister; Matildy and Florildy, the twins; Sam
who st-t-tut-ters; Tiny, and Miss Emmeline Elkins, the teacher. The
speech by the skule clerk and the fake Santy Claus are features. 25c.
CHRISTMAS DIALOGUES. (Cecil J. Richmond.) Every dialogue
in this book is decidedly to the point and easy to prepare. They will
delight both young and old. The book contains the following: Is
There a Santa Clause? (2 small children, Santa Claus and chorus);
Herbert’s Discovery (2 boys); The Christmas Dinner (2 little girls,
1 larger girl, and 2 boys); Playing Santa Claus (1 small and 2 larger
boys); A Double Christmas Gift (2 small girls, 2 larger girls, and 3
boys). Many customers have told us that the last named dialogue is
worth the price of the book. 25 cents.
EVERGREEN AND HOLLY—SONG AND DRILL. (Elizabeth F.
Guptill.) A drill for any even number of boys and girls, or all girls. The
girls carry garlands of evergreen while the boys carry wreaths of the
same. After a spectacular drill and fancy march they all sing a beautiful
Christmas song, which accompanies the drill. Easy to produce and
decidedly novel. 25 cents.
GOOD-BYE, CHRISTMAS GROUCHES. (Irish-Lyman.) A jolly
Christmas song for any number of boys and girls. It abounds with
Christmas cheer and many pleasant surprises. Full of action. Sheet
music. This popular song will put “pep” in your Christmas entertainment
and will furnish your audience a rare treat. 35 cents.
POINSETTIA DRILL. (Marie Irish.) A drill for 12 or more
girls carrying poinsettias. Given to the music of a lively march,
interspersed with verses to the tune of the song. “Comin’ Through
the Rye.” Several diagrams make clear the following of the directions.
One of the most beautiful Christmas drills published. 25 cents.
SANTA CLAUS IS COMING. (Irish-Garster.) Song for little
folks. Easy words and simple action. A pleasing little song that the
children will enjoy giving and others will enjoy hearing, because of
its merry humor. Sheet music. 35 cents.
STARS OF BETHLEHEM. (Irish-Leyman.) A beautiful song of
the Christ Child for either solo or chorus. The music is sweet and
perfectly suited to the beautiful words. A delightful number for
children or adults. Sheet music, 35 cents.
SNOWBOUND FOR CHRISTMAS. (Edna I. MacKenzie.) For 4
boys and 4 girls. Time, 25 minutes. The roads being blocked by a recent
snowstorm, the Simpson family has not been able to get to town to
do their Christmas shopping. After considerable lamenting by the
children over their disappointment, Ma Simpson, Pa Simpson, and
the older children determine upon home-made presents, which results
in a most pleasant surprise. 25 cents.
TOPSY TURVY CHRISTMAS, A. (Elizabeth F. Guptill.) A decidedly
humorous Christmas play for any number of children from six
to twelve years old. The children are tired of “minding” and of
everything being “just so,” so they start to find a place where things
will be different. There is a pleasing surprise for the audience at every
turn of the play. 25 cents.
Paine Publishing Company Dayton, Ohio
Transcriber’s Notes:
Obvious punctuation errors repaired.
Page 4, “leters” changed to “letters” (letters of various)
Page 8, “dissapointed” changed to “disappointed” (very disappointed if no)
Page 12, “Maltildy” changed to “Matildy” (Come on, Matildy)
Page 20, “litle” changed to “little” (my little sister)
Page 21, “Chilren” changed to “Children”
(Children (heartily))
Inside back cover, “rlatives” changed to “relatives” (to her relatives)