Lab´arum, the imperial
standard carried before the
Roman emperors in war.
Constantine, having seen a
luminous cross in the sky
the night before the battle
of Saxa Rubra, added the sacred monogram
XP (Christos).—Gibbon, Decline and Fall,
etc., xx. note (1788).
R. Browning erroneously calls the word
labā´rum.
... stars would write his will in heaven,
As once when a labarum was not deemed
Too much for the old founder of these walls
[Constantinople].
R. Browning, Paracelsus, ii.
Labe (2 syl.), the sorceress-queen of the
Island of Enchantments. She tried to
change Beder, the young king of Persia,
into a halting, one-eyed hack; but Beder
was forewarned, and changed Labê herself
into a mare.—Arabian Nights (“Beder and
Giauharê”).
Labe´rius, a Roman writer of mimes
contemporary with Julius Cæsar.
Laberius would be always sure of more followers
than Sophoclês.—J. Macpherson, Dissertation
on Ossian.
La Creevy (Miss), a little talkative,
bustling, cheery miniature-painter. Simple-minded,
kind-hearted, and bright as a
lark. She marries Tim Linkinwater, the
old clerk of the brothers Cheeryble.—C.
Dickens, Nicholas NicklebyNickleby (1838).
Lackitt (Widow), the widow of an
Indian planter. This rich, vulgar widow
falls in love with Charlotte Weldon, who
assumes the dress of a young man, and
calls herself Mr. Welden. Charlotte even
marries the widow, but then informs her
that she is a girl in male apparel, engaged
to Mr. Stanmore. The widow consoles
herself by marrying Jack Stanmore.—Thomas
Southern, Oroonoko (1696).
Lacy (Sir Hugo de), constable of Chester,
a crusader.
Sir Damian de Lacy, nephew of Sir
Hugo. He marries Lady Eveline.
Randal de Lacy, Sir Hugo’s cousin,
introduced in several disguises, as a merchant,
287a hawk-seller, and a robber-captain.—Sir
W. Scott, The Betrothed (time,
Henry II.).
La´das, Alexander’s messenger, noted
for his swiftness of foot.
Ladislaus, a cynic, whose humor is
healthy and amusing.—Massinger, The
Picture (1629).
Ladon, the dragon or hydra that assisted
the Hesperidês in keeping watch
over the golden apples of the Hesperian
grove.
So oft th’ unamiable dragon hath slept,
That the garden’s imperfectly watched after all.
T. Moore, Irish Melodies (1814).
Ladur´lad, the father of Kail´yal (2
syl.). He killed Ar´valan for attempting
to dishonor his daughter, and thereby incurred
the “curse of Keha´ma” (Arvalan’s
father). The curse was that water should
not wet him nor fire consume him, that
sleep should not visit him nor death
release him, etc. After enduring a time
of agony, these curses turned to blessings.
Thus, when his daughter was exposed to
the fire of the burning pagoda, he was
enabled to rescue her, because he was
“charmed from fire.” When her lover
was carried by the witch Lorrimite (3
syl.) to the city of Baly, under the ocean,
he was able to deliver the captive, because
he was “charmed from water, the
serpent’s tooth, and all beasts of blood.”
He could even descend to the infernal
regions to crave vengeance against Kehama,
because “he was charmed against
death.” When Kehama drank the cup of
“immortal death,” Ladurlad was taken
to Paradise.—Southey, The Curse of Kehama
(1809).
Lady (A), authoress of A New System
of Domestic Cookery (1808), is Mrs.
Rundell.
Lady (A), authoress of The Diary of an
Ennuyée (1826), is Mrs. Anna Jameson.
Several other authoresses have adopted
the same signature, as Miss Gunn of
Christchurch, Conversations on Church
Polity (1833); Mrs. Palmer, A Dialogue
in the Devonshire Dialect (1837); Miss S.
Fenimore Cooper, Rural Hours (1854);
Julia Ward, Passion-flowers, etc., (1854);
Miss E. M. Sewell, Amy Herbert (1865);
etc.
Lady of the Aroostook. A young
girl educated in a provincial town, wishes
to visit relatives in Italy, and takes passage
in a sailing-vessel, not knowing
that there was to be no other woman on
board. She is treated with chivalric respect
by all on board.—W. D. Howells,
Lady of the Aroostook (1879).
Lady Bountiful (A). The benevolent
lady of a village is so called, from
“Lady Bountiful” in the Beaux’ Stratagem,
by Farquhar. (See Bountiful, p. 125).
Lady of Castelnore. Châtelaine of
Bretagne, sought by many in marriage,
but reputed haughtily cold up to the day
of her death. One November morning
a long delayed ship brought home her
lover to weep “too late” over her grave.
“And they called her cold. God knows! underneath the winter snows,
The invisible hearts of flowers grow ripe for blossoming!
And the lives that look so cold, if their stories could be told,
Would seem cast in gentler mould, would seem full of love and spring.”
T. B. Aldrich,
The Lady of CastelnoreCastelnore (1856).
Lady Freemason, the Hon. Miss
Elizabeth St. Leger, daughter of Lord
288Doneraile. The tale is that, in order to
witness the proceedings of a Freemason’s
lodge, she hid herself in an empty clock-case
when the lodge was held in her
father’s house; but, being discovered, she
was compelled to submit to initiation as
a member of the craft.
Lady Magistrate, Lady Berkley, made
justice of the peace for Gloucestershire
by Queen Mary. She sat on the bench at
assizes and sessions girt with a sword.
Lady Margaret, mother of Henry VII.
She founded a professorship of divinity
in the University of Cambridge, 1502;
and a preachership in both universities.
Lady in the Sacque. The apparition
of this hag forms the story of the Tapestried
Chamber, by Sir W. Scott.
Lady of England, Maud, daughter
of Henry I. The title of Domina Anglorum
was conferred upon her by the
council of Winchester, held April 7,
1141.—See Rymer’s Fœdera, i. (1703).
Lady of Lyons (The), Pauline Deschappelles,
daughter of a Lyonese merchant.
She rejected the suits of Beauseant,
Glavis, and Claude Melnotte, who therefore
combined on vengeance. To this end,
Claude, who was a gardener’s son, aided
by the other two, passed himself off
as Prince of Como, married Pauline, and
brought her home to his mother’s cottage.
The proud beauty was very indignant,
and Claude left her to join the French
army. In two years and a half he became
a colonel and returned to Lyons. He
found that his father-in-law was on the
eve of bankruptcy, and that Beauseant had
promised to satisfy the creditors if
Pauline would consent to marry him.
Pauline was heart-broken; Claude revealed
himself, paid the money required, and
carried home Pauline as his loving and
true-hearted wife.—L. B. Lytton, Lady of
Lyons (1838).
Lady of Mercy (Our), an order of
knighthood in Spain, instituted in 1218
by James I., of Aragon, for the deliverance
of Christian captives amongst the
Moors. As many as 400 captives were
rescued in six years by these knights.
Lady of Shalott, a maiden who died
for love of Sir Lancelot of the Lake.
Tennyson has a poem so entitled.
⁂ The story of Elaine, “the lily maid
of Astolat,” in Tennyson’s Idylls of the
King, is substantially the same.
Lady of the Bleeding Heart, Ellen
Douglas. The cognizance of the Douglas
family is a “bleeding heart.”—Sir W.
Scott, Lady of the Lake (1810).
Lady of the Lake (A), a harlot.
(Anglo-Saxon, lác, “a present.”) A
“guinea-fowl” or “guinea-hen” is a
similar term.
But for the difference marriage makes
’Twixt wives and “ladies of the lake.”
S. Butler, Hudibras, iii. 1 (1668)
Lady of the Lake (The), Nimue [sic],
one of the damsels of the lake, that King
Pellinore took to his court. Merlin, in
his dotage, fell in love with her, when she
wheedled him out of all his secrets, and enclosed
him in a rock, where he died. Subsequently,
Nimue married Sir Pelleas.
⁂ Tennyson, in his Idylls of the King
(“Merlin and Vivien”), makes Vivien the
enchantress who wheedled old Merlin out
of his secrets; and then, “in a hollow
oak,” she shut him fast, and there “he
289lay as dead, and lost to life and use, and
name, and fame.”
Tennyson takes a poet’s privilege, and
varies the old legend at pleasure.
Lady of the Lake (The), Nineve. The
name of the Lady of the Lake is variously
spelled in the old editions of the Mort
d’ Arthur. We find: 1, Nimue; 2, Nineve;
3, Vivien; 4, Vivienne. 4 is the French
of 3; 1 is probably a misprint for Ninve;
and 1, 2, 3 are probably anagrams.
Lady of the Lake (The). Vivienne (3
syl.) is called La Dame du Lac, and dwelt
en la marche de la petite Bretaigne. She
stole Lancelot in his infancy, and plunged
with him into her home lake; hence was
Lancelot called du Lac. When her protégé
was grown to manhood, she presented him
to King Arthur.
Lady of the Lake (The), Ellen Douglas,
once a favorite of King James; but when
her father fell into disgrace, she retired
with him into the vicinity of Loch Katrine.—Sir
W. Scott, Lady of the Lake
(1810).
Lady of the Lake and Arthur’s
Sword. The lady of the Lake gave to
King Arthur the sword “Excalibur.”
“Well,” said she, “go into yonder barge
and row yourself to the sword, and take
it.” So Arthur and Merlin came to the
sword that a hand held up, and took it by
the handles, and the arm and hand went
under the lake again (pt. i. 23).
The Lady of the Lake asked in recompense,
the head of Sir Balin, because he
had slain her brother; but the king refused
the request. Then said Balin, “Evil
be ye found! Ye would have my head;
therefore ye shall lose thine own.” So
saying, with his sword he smote off her
head in the presence of King Arthur.—Sir
T. Malory, History of Prince Arthur,
i. 28 (1470).
Lady of the Mercians, Æthelflæd or
El´flida, daughter of King Alfred. She
married Æthelred, chief of that portion of
Mercia not claimed by the Danes.
Lady of the Sun, Alice Perrers (or
Pierce), a mistress of Edward III., of England.
She was a married woman, and
had been lady of the bed-chamber to Queen
Philippa. Edwin lavished on her both
riches and honors; but when the king
was dying, she stole his jewels, and even
the rings from his fingers.
Lady or the Tiger? (The). A princess
is beloved by a subject, and for this crime
he is condemned to die by the king. Two
doors open from the amphitheatre. Behind
one crouches a tiger; behind the
other smiles a woman whom the condemned
is to marry. The princess, who
loves the doomed man madly, knows
which door conceals death, and which
marriage, and by preconcert with her
lover, gives him a secret signal which to
open. He walks directly to the door
on the right and opens it.
“Did the tiger come out of the door, or
did the lady?”—Francis Richard Stockton,
The Lady or the Tiger? (1884).
Lady with a Lamp, Florence Nightingale
(1820- ).
In England’s annals ...
A lady with a lamp shall stand ...
A noble type of good,
Heroic womanhood.
Longfellow, Santa Filomena.
Laer´tes (3 syl.), son of Polōnius, lord
chamberlain of Denmark, and brother of
Ophelia. He is induced by the king to
challenge Hamlet to a “friendly” duel,
290but poisons his own rapier. He wounds
Hamlet; and in the scuffle which ensues,
the combatants change swords, and Hamlet
wounds Laertês, so that both die.—Shakespeare,
Hamlet (1596).
Laertes (3 syl.), a Dane, whose life Gustavus
Vasa had spared in battle. He becomes
the trusty attendant of Christi´na,
daughter of the king of Sweden, and
never proves ungrateful to the noble
Swede.—H. Brooke, Gustavus Vasa (1730).
Laer´tes’s Son, Ulysses.
But when his strings with mournful magic tell
What dire distress Laertês’ son befell,
The streams meandering thro’ the maze of woe,
Bid sacred sympathy the heart o’erflow.
Falconer, The Shipwreck, iii. 1 (1756).
Lafeu, an old French lord, sent to conduct
Bertram, count of Rousillon, to the
king of France, by whom he was invited
to the royal court.—Shakespeare, All’s
Well that Ends Well (1598).
Lafontaine (The Danish), Hans Christian
Andersen (1805-1875).
Lafontaine of the Vaudeville. So
C. F. Panard is called (1691-1765).
Lag´ado, capital of Balnibarbi, celebrated
for its grand school of projectors,
where the scholars have a technical education,
being taught to make pincushions
from softened granite, to extract from cucumbers
the sunbeams which ripened
them, and to convert ice into gunpowder.—Swift,
Gulliver’s Travels (“Voyage to
Lapu´ta,” 1726).
La Grange and his friend Du Croisy
pay their addresses to two young ladies
whose heads have been turned by novels.
The girls think their manners too natural
to be aristocratic, so the gentlemen send
to them their lackeys, as “the marquis
of Mascarille” and “the viscount of Jodelet.”
The girls are delighted with their
“aristocratic visitors;” but when the
game has been played far enough, the
masters enter and unmask the whole trick.
By this means the girls are taught a most
useful lesson, without suffering any serious
ill consequences.—Molière, Les Précieuses
Ridicules (1659).
Laider (Donald), one of the prisoners at
Portanferry.—Sir W. Scott, Guy Mannering
(time, George II.)
Laidley (Genevieve). An ingénue, whose
sentimental heroics and tearful blandishments
nearly dupe her fifty year old guardian
(rich and distinguished) into a proposal.—Frank
Lee Benedict, My Daughter
Elinor (1869).
Lai´la (2 syl.), a Moorish maiden, of
great beauty and purity, who loved Manuel,
a youth worthy of her. The father
disapproved of the match; and they
eloped, were pursued, and overtaken near
a precipice on the Gruádalhorcê (4 syl.).
They climbed to the top of the precipice,
and the father bade his followers discharge
their arrows at them. Laila and Manuel,
seeing death to be inevitable, threw themselves
from the precipice, and perished in
the fall. It is from this incident that the
rock was called “The Lovers’ Leap.”
And every Moorish maid can tell
Where Laila lies, who loved so well;
And every youth who passes there,
Says for Manuel’s soul a prayer.
Southey, The Lovers’ Rock (a ballad, 1798, taken
from Mariana, De la Pena de los Enamorados.)
Laila, daughter of Okba, the sorcerer.
It was decreed that either Laila or Thalaba
must die. Thalaba refused to redeem his
291own life by killing Laila; and Okba exultingly
cried, “As thou hast disobeyed
the voice of Allah, God hath abandoned
thee, and this hour is mine.” So saying,
he rushed on the youth; but Laila, intervening
to protect him, received the blow,
and was killed. Thalaba lived on, and the
spirit of Laila, in the form of a green bird,
conducted him to the simorg (q.v.), which
he sought, that he might be directed to
Dom-Daniel, the cavern “under the roots
of the ocean.”—Southey, Thalaba the Destroyer,
x. (1797).
La´is (2 syl.), a generic name for a
courtezan. Laïs was a Greek hetæra who
sold her favors for £200 English money.
When Demosthenês was told the amount
of the fee, he said he had “no mind to
buy repentance at such a price.” One of
her great admirers was Diog´enês, the
cynic.
This is the cause
That Lais leads a lady’s life aloft.
G. Gascoigne, The Steele Glas (died 1577).
Lake Poets (The), Wordsworth,
Southey, and Coleridge, who lived about
the lakes of Cumberland. According to
Mr. Jeffrey, the conductor of the Edinburgh
Review, they combined the sentimentality
of Rousseau with the simplicity
of Kotzebue and the homeliness of Cowper.
Of the same school were Lamb,
Lloyd, and Wilson. Also called “Lakers”
and “Lakists.”
Laked´ion (Isaac), the name given in
France to the Wandering Jew (q.v.).
Lalla Rookh, the supposed daughter
of Aurungzebe, emperor of Delhi. She
was betrothed to Alĭris, sultan of Lesser
Bucharia. On her journey from Delhi to
Cashmere, she was entertained by Fer´amorz,
a young Persian poet, with whom
she fell in love, and unbounded was her
delight when she discovered that the
young poet was the sultan to whom she
was betrothed.—T. Moore, Lalla Rookh
(1817).
Lambert (General), parliamentary
leader.—Sir W. Scott, Woodstock (time,
Commonwealth).
Lambert (Sir John), the dupe of Dr.
Cantwell, “the hypocrite.” He entertains
him as his guest, settles on him £400 a
year, and tries to make his daughter Charlotte
marry him, although he is 59 and she
under 20. His eyes are opened at length
by the mercenary and licentious conduct
of the doctor. Lady Lambert assists in
exposing him, but old lady Lambert remains
to the last a believer in the “saint.”
In Molière’s comedy, “Orgon” takes the
place of Lambert, “Mde. Parnelle” of the
old lady, and “Tartuffe” of Dr. Cantwell.
Lady Lambert, the gentle, loving wife of
Sir John. By a stratagem, she convinces
her husband of Dr. Cantwell’s true character.
Colonel Lambert, son of Sir John and
Lady Lambert. He assists in unmasking
“the hypocrite.”
Charlotte Lambert, daughter of Sir
John and Lady Lambert. A pretty, bright
girl, somewhat giddy, and fond of teasing
her sweetheart, Darnley (see act i. 1).—I.
Bickerstaff, The Hypocrite (1769).
Lambourne (Michael), a retainer of the
earl of Leicester.—Sir W. Scott, Kenilworth
(time Elizabeth).
Lambro, a Greek pirate, father of
Haidée (q.v.).—Bryon, Don Juan, iii. 26,
etc. (1820).(1820).
292⁂ The original of this character was
Major Lambro, who was captain (1791) of
a Russian piratical squadron, which plundered
the islands of the Greek Archipelago,
and did great damage. When his squadron
was attacked by seven Algerine corsairs,
Major Lambro was wounded, but escaped.
The incidents referred to in canto
vi., etc., are historical.
Lamderg and Gelchossa. Gelchossa
was beloved by Lamderg and Ullin, son of
Cairbar. The rivals fought, and Ullin fell.
Lamderg, all bleeding with wounds, just
reached Gelchossa to announce the death
of his rival, and expired also. “Three
days Gelchossa mourned, and then the
hunters found her cold,” and all three were
buried in one grave.—Ossian, Fingal, ii.
Lame (The).
Jehan de Meung, called “Clopinet,” because
he was lame, and hobbled.
Tyrtæus, the Greek poet, was called the
lame or hobbling poet, because he introduced
the pentameter verse alternately
with the hexameter. Thus his distich consisted
of one line with six feet and one
line with only five.
The Lame King, Charles II., of Naples,
Boiteux (1248, 1289-1309).
Lamech’s Song. “Ye wives of Lamech,
hearken unto my speech: for I have
slain a man to my wounding, and a
young man to my hurt! If Cain shall be
avenged sevenfold, truly Lamech seventy
and sevenfold.”—Gen. iv. 23, 24.
As Lamech grew old, his eyes became dim,
and finally all sight was taken from them, and
Tubal-Cain, his son, led him by the hand when he
walked abroad. And it came to pass ... that he
led his father into the fields to hunt, and said to
his father: “Lo! yonder is a beast of prey;
shoot thine arrow in that direction.” Lamech
did as his son had spoken, and the arrow struck
Cain, who was walking afar off, and killed him....
Now when Lamech ... saw [sic] that he had
killed Cain, he trembled exceedingly ... and
being blind, he saw not his son, but struck the
lad’s head between his hands, and killed him....
And he cried to his wives, Ada and Zillah,
“Listen to my voice, ye wives of Lamech....
I have slain a man to my hurt, and a child to
my wounding!”—The Talmud, i.
Lamia. Libyan Queen, wronged by
Jupiter and hated by Juno. Robbed of
her children, she became a child murderess
and a monster.—Greek and Roman Mythology.
Lamia.
“I kissed her hand, I called her blest,
I held her leal and fair—
She turned to shadow on my breast
And melted into air!
And lo! about me, fold on fold,
A writhing serpent hung—
An eye of jet, a skin of gold,
A garnet for a tongue.”
Thomas Bailey Aldrich, Lamia.
Lamia. Beautiful woman, with a serpent’s
nature and much of the serpent’s
glittering, sinuous charm. A seductive
creature who lures men only to destroy.—Lamia,
poem by John Keats (1820).
Lamin´ak. Basque fairies, little folk,
who live under ground, and sometimes
come into houses down the chimney, in
order to change a fairy child for a human
one. They bring good luck with them,
but insist on great cleanliness, and always
give their orders in words the very
opposite of their intention. They hate
church bells. Every Basque Laminak is
named Guïllen (William). (See Say and
Mean).
Lamington, a follower of Sir Geoffrey
Peveril.—Sir W. Scott, Peveril of the Peak
(time, Charles II.).
293Lami´ra, wife of Champernel, and
daughter of Vertaigné (2 syl.), a nobleman
and a judge.—Beaumont and Fletcher,
The Little French Lawyer (1647).
Lamkin (Mrs. Alice), companion to
Mrs. Bethune Baliol.—Sir W. Scott, The
Highland Widow (time, George II.).
Lammeter (Nancy), fair, good and sensible
girl, who marries Geoffrey Cass, in
Silas Warner, and when she learns that
the waif brought up by Silas is her husband’s
child, would gladly adopt her.—George
Eliot, Silas MarnerMarner.
Lammikin, a blood-thirsty builder,
who built and baptized his castle with
blood. He was long a nursery ogre, like
Lunsford.—Scotch Ballad.
Lammle (Alfred), a “mature young
gentleman with too much nose on his
face, too much ginger in his whiskers, too
much torso in his waistcoat, too much
sparkle in his studs, his eyes, his buttons,
his talk, his teeth.” He married Miss
Akershem, thinking she had money, and
she married him under the same delusion;
and the two kept up a fine appearance
on nothing at all. Alfred Lammle
had many schemes for making money;
one was to oust Rokesmith from his post
of secretary to Mr. Boffin, and get his
wife adopted by Mrs. Boffin in the place
of Bella Wilfer; but Mr. Boffin saw
through the scheme, and Lammle, with
his wife, retired to live on the Continent.
In public they appeared very loving and
amiable to each other, but led at home a
cat-and-dog life.
Sophronia Lammle, wife of Alfred
Lammle. “A mature young lady, with
raven locks, and complexion that lit up
well when well powdered.”powdered.”—C. Dickens,
Our Mutual Friend (1864).
Lamoracke (Sir), Lamerocke, Lamorake,
Lamorock, or Lamarecke, one of
the knights of the Round Table, and one
of the three most noted for deeds of
prowess. The other two were Sir Launcelot
and Sir Tristram. Sir Lamoracke’s
father was King Pellinore of Wales, who
slew King Lot. His brothers were Sir
Aglavale and Sir Percival; Sir Tor, whose
mother was the wife of Aries, the cowherd,
was his half-brother (pt. ii. 108). Sir Lamoracke
was detected by the sons of King
Lot in adultery with their mother, and
they conspired his death.
Sir Gawain and his three brethren, Sir Agrawain,
Sir Gahĕris, and Sir Modred, met him [Sir
Lamoracke] in a privy place, and there they slew
his horse; then they fought with him on foot
for more than three hours, both before him and
behind his back, and all-to hewed him in pieces.—Sir
T. Malory, History of Prince Arthur, ii.
144 (1470).
Roger Ascham says: “The whole pleasure of
La Mort d’Arthur standeth in two special
poyntes: in open manslaughter and bold
bawdye, in which booke they are counted the
noblest knights that doe kill most men without
any quarrell, and commit foulest adulteries by
sutlest shiftes; as Sir Launcelote, with the wife
of King Arthur, his master, Sir Tristram, with
the wife of King Marke, his uncle, and Sir Lamerocke
with the wife of King Lote, that was
his aunt.”—Works, 254 (fourth edit.).
Lamorce´ (2 syl.), a woman of bad reputation,
who inveigles young Mirabel into
her house, where he would have been
murdered by four bravoes, if Oriana,
dressed as a page, had not been by.—G.
Farquhar, The Inconstant (1702).
Lamourette’s Kiss (A), a kiss of
peace when there is no peace; a kiss of
apparent reconciliation, but with secret
hostility. On July 7, 1792, the Abbé
Lamourette induced the different factions
of the Legislative Assembly of France to
lay aside their differences; so the deputies
294of the Royalists, Constitutionalists, Girondists,
Jacobins, and Orleanists, rushed
into each others’ arms, and the king was
sent for, that he might see “how these
Christians loved one another;” but the
reconciliation was hardly made when the
old animosities burst forth more furiously
than ever.
Lampad´ion, a lively, petulant courtezan.
A name common in the later Greek
comedy.
Lampe´do, of Lacedæmon. She was
daughter, wife, sister, and mother of a
king. Agrippina was granddaughter,
wife, sister, and mother of a king.—Tacitus,
Annales, xii. 22, 37.
⁂ The wife of Raymond Ber´enger
(count of Provence), was grandmother of
four kings, for her four daughters
married four kings; Margaret married
Louis IX., king of France; Eleanor married
Henry III., king of England; Sancha
married Richard, king of the Romans;
and Beatrice married Charles I., king of
Naples and Sicily.
Lampedo, a country apothecary-surgeon,
without practice; so poor and ill-fed
that he was but “the sketch and outline
of a man.” He says of himself:
Altho’ to cure men be beyond my skill,
’Tis hard, indeed, if I can’t keep them ill.
J. Tobin, The Honeymoon, iii. 3 (1804).
Lamplugh (Will), a smuggler.—Sir W.
Scott, Redgauntlet (time, George III.).
Lance (1 syl.), falconer and ancient
servant to the father of Valentine, the gallant,
who would not be persuaded to
keep his estate.—Beaumont and Fletcher,
Wit Without Money (1622).
Lancelot or Launcelot Gobbo, servant
of Shylock. He assists Jessica, Shylock’s
daughter, in running away from her father,
and accompanies her in her flight.—Shakespeare,
Merchant of Venice (1598).
Lancelot du Lac, by Ulrich of Zazikoven,
the most ancient poem of the Arthurian
series. It tells the adventures of a
young knight, gay and joyous, with animal
spirits and light-heartedness. (See
Launcelot.)—One of the minnesongs of
Germany (twelfth century).
Lancelot du Lac and Tarquin. Sir
Lancelot, seeking adventures, met with a
lady who prayed him to deliver certain
knights of the Round Table from the
power of Tarquin. Coming to a river, he
saw a copper basin hung on a tree for
gong, and he struck it so hard that it broke.
This brought out Tarquin, and a furious
combat ensued, in which Tarquin was slain.
Sir Lancelot then liberated three score and
four knights, who had been made captives
by Tarquin. (See Launcelot.)—Percy,
Reliques, I. ii. 9.
Lancelot of the Laik, a Scotch
metrical romance, taken from the French
Launcelot du Lac. Galiot, a neighboring
king, invaded Arthur’s territories, and captured
the castle of Lady Melyhalt among
others. When Sir Lancelot went to chastise
Galiot, he saw Queen Guinevere, and
fell in love with her. The French romance
makes Galiot submit to King Arthur; but
the Scotch tale terminates with his capture.
(See Launcelot.)
Lanciotto Da Rimini. The brave,
deformed victim of a state-marriage. Loving
his wife and brother best of created
things, he is deceived by both, and goaded
to fury by the discovery and the
taunts of the spy, Pepe, seeks to wash out
his dishonor in blood.—George Henry
295Boker, Francesca Da Rimini; A Tragedy
(1856).
Landois (Peter), the favorite minister
of the Duc de Bretagne.—Sir. W. Scott,
Anne of Geierstein (time, Edward IV.).
Landscape Gardening (Father of),
Lenôtre (1613-1700).
Lane (Mr.). The victim of another
man’s dishonesty. Retires from the world
and lives in Ivy Lane, London, in rags and
poverty, lamenting “a lost life.” Meeting
him to whom he owes his ruin, he pursues
him, overtakes him at the river, seizes him
and sinks with him to rise no more.
“When the victim recovered his life, what did
his tempter and oppressor recover?”—Walter
Besant; Children of Gibeon, (1890).
Lane (Jane), daughter of Thomas, and
sister of Colonel John Lane. To save
King Charles II. after the battle of Worcester,
she rode behind him from Bentley, in
Staffordshire, to the house of her cousin,
Mrs. Norton, near Bristol. For this act of
loyalty, the king granted the family the
following armorial device: A strawberry
horse saliant (couped at the flank), bridled,
bitted, and garnished, supporting between
its feet a royal crown proper. Motto:
Garde le roy.
Laneham (Master Robert), clerk of the
council-chamber door.
Sybil Laneham, his wife, one of the revellers
at Kenilworth Castle.—Sir W. Scott,
Kenilworth (time, Elizabeth).
Langcale (The laird of), a leader in the
covenanters’ army.—Sir W. Scott, Old
Mortality (time, Charles II.).
Langley (Sir Frederick), a suitor to
Miss Vere, and one of the Jacobite conspirators
with the laird of Ellieslaw.—Sir
W. Scott, The Black Dwarf (time, Anne).
Langosta (Duke of), the Spanish nickname
of Aosta, the elected king of Spain.
The word means “a locust” or “plunderer.”
Language: (The Primeval).
Psammetichus, king of Egypt, desiring
to learn what was the original language,
shut up two infants with a goat to suckle
them, in a place where they could hear
no human voice, and gave orders to report
to him the first word they should
utter. At the end of two years they
cried “Bekos,” and as this resembled
the Phrygian word for “bread,” Psammetichus
decided that the Phrygians
were older than the Egyptians. The
word was really the echo of the cry of
the goat.
Languish (Lydia), a romantic young
lady, who is for ever reading sensational
novels, and molding her behavior on
the characters which she reads of in these
books of fiction. Hence she is a very
female Quixote in romantic notions of a
sentimental type (see act i. 2).—Sheridan,
The Rivals (1775).
Lantern-Land, the land of authors,
whose works are their lanterns. The inhabitants,
called “Lanterners” (Lanternois),
are bachelors and masters of arts,
doctors, and professors, prelates and
divines of the council of Trent, and all
other wise ones of the earth. Here are the
lanterns of Aristotle, Epicūros, and Aristophănês;
the dark earthen lantern of
Epictētos, the duplex lantern of Martial,
and many others. The sovereign was a
queen when Pantag´ruel visited the realm
296to make inquiry about the “Oracle of the
Holy Bottle.”—Rabelais, Pantagruel, v. 32,
33 (1545).
Lanternois, pretenders to science,
quacks of all sorts, and authors generally.
They are the inhabitants of Lantern-land,¤
and their literary productions are
“lanterns.”—Rabelais, Pantagruel, v. 32,
33 (1545).
Laocoon [La.ok´.o.on], a Trojan priest,
who, with his two sons, was crushed to
death by serpents. Thomson, in his
Liberty, iv., has described the group,
which represents these three in their
death agony. It was discovered in 1506,
in the baths of Titus, and is now in
the Vatican. This exquisite group was
sculptured at the command of Titus by
Agesander, Polydorus, and Athenodorus,
in the fifth century B.C.—Virgil, Æneid, ii.
201-227.
Laodami´a, wife of Protesila´os, who
was slain at the siege of Troy. She
prayed that she might be allowed to
converse with her dead husband for three
hours, and her request was granted; but
when her husband returned to hadês, she
accompanied him thither.
⁂ Wordsworth has a poem on this
subject, entitled Laodamia.
Laodice´a, now Lataki´a, noted for
its tobacco and sponge.—See Rev. iii.
14-18.
Lapet (Mons.), a model of poltroonery,
the very “Ercles’ Vein” of fanatical cowardice.
M. Lapet would fancy the world
out of joint if no one gave him a tweak
of the nose or lug of the ear. He was
the author of a book on the “punctilios
of duelling.”—Beaumont and Fletcher,
Nice Valour or The Passionate Madman
(1647).
Lapham (Silas). Boston man who has
made a fortune, and means to enjoy it.
His future son-in-law thus hits him off:
“Simple-hearted and rather wholesome.
He could be tiresome, and his range of
ideas is limited. But he is a force, and
not a bad one. He hasn’t got over being
surprised at the effect of rubbing his
lamp.” His most attractive qualities are
his appreciation of his faithful wife,
Persis, and prideful fondness for his
pretty daughters. He is honest, too,
through and through, and sacrifices much
to sturdy integrity.—W. D. Howells, The
Rise of Silas Lapham (1885).
Lappet, the “glory of all chambermaids.”—H.
Fielding, The Miser.
Lapraick (Laurie), friend of Steenie
Steenson, in Wandering Willie’s tale.—Sir
W. Scott, Redgauntlet (time, George
III.).
Laprel, the rabbit, in the beast-epic
entitled Reynard the Fox (1498).
Lara, the name assumed by Conrad,
the corsair, after the death of Medo´ra.
On his return to his native country, he
was recognized by Sir Ezzelin, at the table
of Lord Otho, and charged home by him.
Lara arranged a duel for the day following,
but Sir Ezzelin disappeared mysteriously.
Subsequently, Lara headed a rebellion,
and was shot by Otho.—Byron, Lara (1814).
Lara (The Seven Sons of), sons of Gonzalez
Gustios de Lara, a Castilian hero,
brother of Ferdinand Gonzalez, count of
Castile. A quarrel having arisen between
297Gustios and Rodrigo Velasquez, his brother-in-law,
Rodrigo caused him to be
imprisoned in Cor´dova, and then allured
his seven nephews into a ravine, where
they were all slain by an ambuscade, after
performing prodigies of valor. While in
prison, Zaïda, daughter of Almanzor, the
Moorish prince, fell in love with Gustios,
and became the mother of Mudarra, who
avenged the death of his seven brothers
(A.D. 993).
⁂ Lope de Vega has made this the
subject of a Spanish drama, which has
several imitations, one by Mallefille, in
1835.—See Ferd. Denis, Chroniques Chevaleresques
d’Espagne (1839).
Larder (The Douglas), the flour, meal,
wheat, and malt of Douglas Castle, emptied
on the floor by good Lord James
Douglas, in 1307, when he took the castle
from the English garrison. Having
staved in all the barrels of food, he next
emptied all the wine and ale, and then,
having slain the garrison, threw the dead
bodies into this disgusting mess, “to eat,
drink, and be merry.”—Sir W. Scott, Tales
of a Grandfather, ix.
Wallace’s Larder is a similar mess. It
consisted of the dead bodies of the garrison
of Ardrossan, in Ayrshire, cast into the
dungeon keep. The castle was surprised
by him in the reign of Edward I.
Lardoon (Lady Bab), a caricature of
fine life, the “princess of dissipation,”
and the “greatest gamester of the times.”
She becomes engaged to Sir Charles Dupely,
and says, “to follow fashion where
we feel shame, is the strongest of all hypocrisy,
and from this moment I renounce
it.”—J. Burgoyne, The Maid of the Oaks.
La Roche, a Swiss pastor, travelling
through France with his daughter Margaret,
was taken ill, and like to die. There
was only a wayside inn in the place, but
Hume, the philosopher, heard of the circumstance,
and removed the sick man to
his own house. Here, with good nursing, La
Roche recovered, and a strong friendship
sprang up between the two. Hume even
accompanied La Roche to his manse in
Berne. After the lapse of three years,
Hume was informed that Mademoiselle
was about to be married to a young Swiss
officer, and hastened to Berne to be present
at the wedding. On reaching the neighborhood,
he observed some men filling up
a grave, and found on inquiry that Mademoiselle
had just died of a broken heart.
In fact, her lover had been shot in a duel,
and the shock was too much for her. The
old pastor bore up heroically, and Hume
admired the faith which could sustain a
man in such an affliction.—H. Mackenzie,
“Story of La Roche” (in The Mirror).
Lars, the emperor or over-king of the
ancient Etruscans. A khedive, satrap,
or under-king, was called lŭcŭmo. Thus
the king of Prussia, as emperor of Germany,
is lars, but the king of Bavaria is a
lucumo.
There be thirty chosen prophets.
The wisest of the land,
Who alway by lars Por´sena,
Both morn and evening stand.
Lord Macaulay, Lays of Ancient Rome
(“Horatius,” ix. 1842).
Larthmor, petty king of Ber´rathon,
one of the Scandinavian islands. He was
dethroned by his son, Uthal, but Fingal
sent Ossian and Toscar to his aid. Uthal
was slain in single combatcombat, and Larthmor
was restored to his throne.—Ossian, Berrathon.
Larthon. the leader of the Fir-bolg or
Belgæ of Britain, who settled in the southern
parts of Ireland.
298Larthon, the first of Bolga’s race who travelled
in the winds. White bosomed spread the
sails of the king towards streamy Inisfail [Ireland].
Dun night was rolled before him, with its
skirts of mist. Unconstant blew the winds and
rolled him from wave to wave.—Ossian, Temora,
vii.
Lascaris, a citizen. Sir W. Scott,
Count Robert of Paris (time, Rufus).
Las-Ca´sas, a noble old Spaniard, who
vainly attempted to put a stop to the barbarities
of his countrymen, and even denounced
them (act i. 1).—Sheridan, Pizarro
(1799, altered from Kotzebue).
Lascelles (Lady Caroline), supposed
to be Miss M. E. Braddon.—Athenæum,
2073, p. 82 (C. R. Jackson).
Last Man (The), Charles I.; so called
by the parliamentarians, meaning the last
man who would wear a crown in Great
Britain. Charles II. was called “The son
of the Last man.”
Last of the Fathers, St. Bernard,
abbot of Clairvaux (1091-1153).
Last of the Goths, Roderick, the thirty-fourth
and last of the Visigothic line
of kings in Spain (414-711). He was dethroned
by the African Moors.
⁂ Southey has an historical tale in
blank verse, entitled Roderick, the Last of
the Goths.
Last of the Greeks, (The), Philopœmen
of Arcadia (B.C. 253-183).
Last of the Knights, Maximilian I.,
the Penniless, emperor of Germany (1459,
1493-1519).
Last of the Mo´hicans., Uncas, the Indian
chief, is so called by J. F. Cooper, in
his novel of that title.
⁂ The word ought to be pronounced
Mo.hic.´kanz, but custom has ruled it
otherwise.
Last of the Romans, Marcus Junius
Brutus, one of the assassins of Cæsar (B.C.
85-42).
Caius Cassius Longīnus is so called by
Brutus (B.C.*-42).
Aëtius, a general who defended the
Gauls against the Franks, and defeated
Attila in 451, is so called by Proco´pius.
Congreve is called by Pope, Ultimus
Romanus (1670-1729).
Horace Walpole is called Ultimus Romanorum
(1717-1797).
François Joseph Terasse Desbillons was
called Ultimus Romanus, from his elegant
and pure Latinity (1751-1789).
Last of the Tribunes, Cola di Rienzi
(1313-1354).
⁂ Lord Lytton has a novel so entitled
(1835).
Last of the Troubadors, Jacques Jasmin,
of Gascony (1798-1864).
Last who Spoke Cornish (The), Doll
Pentreath (1686-1777).
Last Words, (See Dying Sayings).
Lath´erum, the barber at the Black
Bear inn, at Darlington.—Sir W. Scott,
Rob Roy (time, George I.).
Lathmon, son of Nuäth, a British
prince. He invades Morven while Fingal
is in Ireland with his army; but Fingal
returns unexpectedly. At dead of night,
Ossian (Fingal’s son) and his friend Gaul,
the son of Morni, go to the enemy’s camp,
and “strike the shield” to arouse the
sleepers, then rush on, and a great slaughter
ensues in the panic. Lathmon sees
299the two opponents moving off, and sends
a challenge to Ossian; so Ossian returns,
and the duel begins. Lathmon flings
down his sword, and submits; and Fingal,
coming up, conducts Lathmon to his
“feast of shells.” After passing the night
in banquet and song, Fingal dismisses
his guest next morning, saying, “Lathmon,
retire to thy place; turn thy battles
to other lands. The race of Morven are
renowned, and their foes are the sons of
the unhappy.”—Ossian, Lathmon.
⁂ In Oithona he is again introduced,
and Oithona is called Lathmon’s brother.
[Donrommath] feared the returning Lathmon,
the brother of unhappy Oithona.—Ossian,
Oithona.
Lat´imer (Mr. Ralph), the supposed
father of Darsie Latimer, alias Sir Arthur
Darsie Redgauntlet.
Darsie Latimer, alias Sir Arthur Darsie
Redgauntlet, supposed to be the son of
Ralph Latimer, but really the son of Sir
Henry Darsie Redgauntlet, and grandson
of Sir Redwald Redgauntlet.—Sir W.
Scott, Redgauntlet (time, George III.).
Latin Church (Fathers of the): Lactantius,
Hilăry, Ambrose, of Milan, Jer´ome,
AugustinAugustin of Hippo, and St. Bernard,
“Last of the Fathers.”
Lati´nus, king of the Laurentians, who
first opposed Æne´as, but afterwards
formed an alliance with him, and gave
him his daughter Lavinia in marriage.—Virgil,
Æneid.
Latinus, an Italian, who went with his
five sons to the siege of Jerusalem. His
eldest son was slain by Solyman; the second
son, Aramantês, running to his brother’s
aid, was next slain; then the third son,
Sabi´nus; and lastly, Picus and Laurentës,
who were twins. The father, having lost
his five sons, rushed madly on the soldan,
and was slain also. In one hour fell the
father and his five sons.—Tasso, Jerusalem
Delivered (1575).
Latmian Swain (The), Endym´ion. So
called because it was on Mount Latmos,
in Caria, that Cynthia (the moon) descended
to hold converse with him.
Thou dids’t not, Cynthia, scorn the Latmian swain.
Ovid, Art of Love, iii.
Lato´na, mother of Apollo (the sun) and
Diana (the moon). Some Lycian hinds
jeered at her as she knelt by a fountain in
Delos to drink, and were changed into
frogs.
As when those hinds that were transformed to frogs,
Railed at Latona’s twin-born progeny,
Which after held the sun and moon in fee.
Milton, Sonnets.
Latorch, Duke Rollo’s “earwig,” in the
tragedy called The Bloody Brother, by
Beaumont and Fletcher (1639).
Latro (Marcus Porcius), a Roman rhetorician
in the reign of Augustus; a Spaniard
by birth.
I became as mad as the disciples of Porcius
Latro, who, when they had made themselves as
pale as their master by drinking decoctions of
cumin, imagined themselves as learned.—Lesage,
Gil Blas, vii. 9 (1735).
Laud (Archbishop). One day, when the
archbishop was about to say grace before
dinner, Archie Armstrong, the royal jester,
begged permission of Charles I. to perform
the office instead. The request being
granted, the wise fool said, “All praise to
the Lord, and little Laud to the devil!”
the point of which is much increased by
300the fact that the archbishop was a very
small man.
Lauderdale (The Duke of), president of
the privy council.—Sir W. Scott, Old Mortality
(time, Charles II.).
Laugh (Jupiter’s). Jupiter, we are told,
laughed incessantly for seven days after
he was born.—Ptol. Hephæstion, Nov. Hist.,
vii.
Laughing Philosopher (The), Democ´rītos,
of Abde´ra (B.C. 460-357).
⁂He laughed or jeered at the feeble
powers of man so wholly in the hands of
fate, that nothing he did or said was uncontrolled.
The “Weeping Philosopher”
was Heraclitos.
Dr. Jeddler, the philosopher, who
looked upon the world as a “great practical
joke, something too absurd to be
considered seriously by any rational man.”—C.
Dickens, The Battle of Life (1846).
Laughter (Death from). A fellow in
rags told Chalchas, the soothsayer, that
he would never drink the wine of the
grapes growing in his vineyard; and
added, “If these words do not come true,
you may claim me for your slave.” When
the wine was made, Chalchas made a feast,
and sent for the fellow to see how his prediction
had failed; and when he appeared,
the soothsayer laughed so immoderately at
the would-be prophet that he died.—Lord
Lytton, Tales of Miletus, iv.
Somewhat similar is the tale of Ancæos.
This king of the Lelĕgês, in Samos, planted
a vineyard, but was warned by one of his
slaves that he would never live to taste
the wine thereof. Wine was made from
the grapes, and the king sent for his slave,
and said, “What do you think of your
prophecy now?” The slave made answer,
“There’s many a slip ’twixt the cup and
the lip;” and the words were scarcely
uttered, when the king rushed from table
to drive out of his vineyard a boar which
was laying waste the vines, but was killed
in the encounter.—Pausanias.
Crassus died from laughter on seeing an
ass eat thistles. Margutte, the giant, died
of laughter on seeing an ape trying to
pull on his boots. Philemon or Philomēnês
died of laughter on seeing an ass
eat the figs provided for his own dinner
(Lucian, i. 2). Zeuxis died of laughter at
sight of an old woman he had painted.
Launay (Vicomte de), pseudonym of
Mde. Emile de Girardin (née Delphine
Gay).
Launce, the clownish servant of Proteus,
one of the two “gentlemen of Verona.”
He is in love with Julia. Launce
is especially famous for soliloquies to his
dog, Crab, “the sourest-natured dog that
lives.” Speed is the serving-man of Valentine,
the other “gentleman.”—Shakespeare,
The Two Gentlemen of Verona
(1594).
Launcelot, bard to the Countess Brenhilda’s
father.—Sir W. Scott, Count Robert
of Paris (time, Rufus).
Launcelot (Sir), originally called Galahad,
was the son of Ban, king of Benwick
(Brittany), and his wife, Elein (pt. i. 60).
He was stolen in infancy by Vivienne, the
Lady of the Lake, who brought him up
till he was presented to King Arthur and
knighted. In consequence, he is usually
called Sir Launcelot du Lac. He was in
“the eighth degree [or generation] of our
Saviour” (pt. iii. 35); was uncle to Sir
Bors de Ganis (pt. iii. 4); his brother was
Sir Ector de Maris (pt. ii. 127); and his
son, by Elaine, daughter of King Pelles,
301was Sir Galahad, the chastest of the 150
knights of the Round Table, and therefore
allotted to the “Siege Perilous” and the
quest of the Holy Graal, which he achieved.
Sir Launcelot had from time to time a
glimpse of the Holy Graal; but in consequence
of his amours with Queen Guenever,
was never allowed more than a
distant and fleeting glance at it (pt. iii. 18,
22, 45).
Sir Launcelot was the strongest and
bravest of the 150 knights of the Round
Table; the two next were Sir Tristram and
Sir Lamoracke. His adultery with Queen
Guenever was directly or indirectly the
cause of the death of King Arthur, the
breaking up of the Round Table, and the
death of most of the knights. The tale
runs thus: Mordred and Agravain hated
Sir Launcelot, told the king he was too
familiar with the queen, and, in order to
make good their charge, persuaded Arthur
to go a-hunting. While absent in the
chase, the queen sent for Sir Launcelot
to her private chamber, when Mordred,
Agravain, and twelve other knights beset
the door, and commanded him to come
forth. In coming forth he slew Sir Agravain
and the twelve knights; but Mordred
escaped and told the king, who condemned
Guenever to be burned to death. She was
brought to the stake, but rescued by Sir
Launcelot, who carried her off to Joyous
Guard, near Carlisle. The king besieged
the castle, but received a bull from the
pope, commanding him to take back the
queen. This he did, but refused to be
reconciled to Sir Launcelot, who accordingly
left the realm and went to Benwick.
Arthur crossed over with an army to besiege
Benwick, leaving Mordred regent.
The traitor, Mordred, usurped the crown,
and tried to make the queen marry him;
but she rejected his proposal with contempt.
When Arthur heard thereof, he returned,
and fought three battles with his nephew,
in the last of which Mordred was slain,
and the king received from his nephew his
death-wound. The queen now retired to
the convent of Almesbury, where she was
visited by Sir Launcelot; but as she refused
to leave the convent, Sir Launcelot
turned monk, died “in the odor of sanctity,”
and was buried in Joyous Guard
(pt. iii. 143-175).
“Ah! Sir Launcelot,” said Sir Ector; “thou
were [sic] head of all Christian knights.” “I
dare say,” said Sir Bors, “that Sir Launcelot
there thou liest, thou were never matched of
none earthly knight’s hand; and thou were the
courteoust knight that ever bare shield; and
thou were the truest friend to thy lover that ever
bestrode horse; and thou were the truest lover
of sinfull man that ever loved woman; and
thou were the kindest man that ever struck with
sword; and thou were the goodliest person that
ever came among press of knights; and thou
were the meekest man and the gentlest that ever
eat in hall among ladies; and thou were the
sternest knight to thy mortal foe that ever put
spear in rest.”—Sir T. Malory, History of Prince
Arthur, iii. 176 (1470).
N. B.—The Elaine above referred to is
not the Elaine of Astolat, the heroine of
Tennyson’s Idyll. Sir Ector de Maris is
not Sir Ector, the foster-father of King
Arthur; and Sir Bors de Ganis must be
kept distinct from Sir Bors of Gaul, and
also from Sir Borre or Sir Bors, a natural
son of King Arthur, by Lyonors, daughter
of the Earl Sanam (pt. i. 15).
Sir Launcelot and Elaine. The Elaine
of Tennyson’s Idyll, called the “fair maid
of Astolat,” was the daughter of Sir Bernard,
lord of Astolat, and her two brothers
were Sir Tirre (not Sir Torre, as Tennyson
writes the word) and Lavaine (pt. iii. 122).
The whole tale and the beautiful picture
of Elaine propelled by the old dumb servitor
down the river to the king’s palace,
is all borrowed from Sir T. Malory’s compilation.
“The fair maid of Astolat”
asked Sir Launcelot to marry her, but the
302knight replied, “Fair damsel, I thank you,
but certainly cast me never to be married;”
and when the maid asked if she might be
ever with him without being wed, he made
answer, “Mercy defend me, no!” “Then,”
said Elaine, “I needs must die for love of
you;” and when Sir Launcelot quitted
Astolat, she drooped and died. But before
she died she called her brother, Sir Tirre
(not Sir Lavaine, as Tennyson says, because
Sir Lavaine went with Sir Launcelot
as his squire), and dictated the letter that
her brother was to write, and spake thus:
“While my body is whole, let this letter be
put into my right hand, and my hand bound
fast with the letter until that I be cold, and let
me be put in a fair bed, with all my richest
clothes.... and be laid in a chariot to the next
place, whereas the Thames is, and there let me
be put in a barge, and but one man with me ...
to steer me thither, and that my barge be covered
with black samite.”... So her father granted ...
that all this should be done ... and she died.
And so, when she was dead, the corpse and the
bed ... were put in a barge ... and the man
steered the barge to Westminster.—Pt. iii. 123.
The narrative then goes on to say that
King Arthur had the letter read, and commanded
the corpse to be buried right
royally, and all the knights then present
made offerings over her grave. Not only
the tale, but much of the antique flavor of
the original is preserved in the version of
the laureate.—Sir T. Malory, History of
Prince Arthur (1470).
Launcelot and Guenever. Sir Launcelot
was chosen by King Arthur to conduct
Guenever (his bride) to court; and then
began that disloyalty between them which
lasted to the end. Gottfried, the German
minnesinger (twelfth century), who wrote
the tale of Sir Tristan [our Tristram],
makes King Mark send Tristan to Ireland,
to conduct Yseult to Cornwall, and then
commenced that disloyalty between Sir
Tristram and his uncle’s wife, which also
lasted to the end, and was the death of both.
Launcelot Mad. Sir Launcelot, having
offended the queen, was so vexed, that he
went mad for two years, half raving and
half melancholy. Being partly cured by a
vision of the Holy Graal, he settled for a
time in Joyous Isle, under the assumed
name of La Chevalier Mal-Fet. His deeds
of prowess soon got blazed abroad, and
brought about him certain knights of the
Round Table, who prevailed on him to return
to court. Then followed the famous
quest of the Holy Graal. The quest of the
graal is the subject of a minnesong by
Wolfram (thirteenth century), entitled Parzival.
(In the History of Prince Arthur,
complied by Sir T. Malory, it is Galahad,
son of Sir Launcelot, not Percival, who
accomplished the quest).
⁂ The madness of Orlando, by Ariosto,
resembles that of Sir Launcelot.
Launcelot a Monk. When Sir Launcelot
discovered that Guenever was resolved to
remain a nun, he himself retired to a monastery,
and was consecrated a hermit by
the bishop of Canterbury. After twelve
months, he was miraculously summoned
to Almesbury, to remove to Glastonbury
the queen, who was at the point of death.
Guenever died half an hour before Sir
Launcelot arrived, and he himself died
soon afterwards (pt. iii. 174). The bishop
in attendance on the dying knight affirmed
that “he saw angels heave Sir Launcelot
up to heaven, and the gates of paradise
open to receive him” (pt. iii. 175). Sir
Bors, his nephew, discovered the dead
body in the cell, and had it buried with all
honors at Joyous Guard (pt. iii. 175).—Sir
T. Malory, History of Prince Arthur (1470),
and also Walter Mapes.
When Sir Bors and his fellows came to his
(Sir Launcelot’s) bed, they found him stark
dead, and he lay as he had smiled, and the
sweetest savor about him that ever they smelled.—Sir
T. Malory, History of Prince Arthur, iii. 175
(1470).
303N.B.—Sir Launcelot intended, when he
quitted the court of Arthur, and retired to
Benwick, to found religious houses every
ten miles between Sandwich and Carlisle,
and to visit every one of them barefoot;
but King Arthur made war upon him, and
put an end to this intention.
⁂ Other particulars of Sir Launcelot.
The tale of Sir Launcelot was first composed
in monkish Latin, and was translated
by Walter Mapes (about 1180).
Robert de Borron wrote a French version,
and Sir T. Malory took his History of
Prince Arthur from the French, the third
part being chiefly confined to the adventures
and death of this favorite knight.
There is a metrical romance called La
Charrette, begun by Chrestiens de Troyes
(twelfth century), and finished by Geoffrey
de Ligny.
Launcelot, the man of Mons. Thomas.
(See Lancelot.)—Beaumont and Fletcher,
Mons. Thomas (1619).
Launfal (Sir), steward of King Arthur.
Detesting Queen Gwennere, he retired to
Carlyoun, and fell in love with a lady
named Tryamour. She gave him an unfailing
purse, and told him if he ever
wished to see her, all he had to do was to
retire into a private room, and she would
be instantly with him. Sir Launfal now
returned to court, and excited much attention
by his great wealth. Gwennere
made advances to him, but he told her she
was not worthy to kiss the feet of the lady
to whom he was devoted. At this repulse,
the angry queen complained to the king,
and declared to him that she had been
most grossly insulted by his steward.
Arthur bade Sir Launfal produce this
paragon of woman. On her arrival, Sir
Launfal was allowed to accompany her to
the isle of Ole´ron; and no one ever saw
him afterwards.—Thomas Chestre, Sir
Launfal (a metrical romance, time, Henri
VI.).
⁂ James Russell Lowell has a poem
entitled The Vision of Sir Launfal.
Laura, niece of Duke Gondibert, loved
by two brothers, Arnold and Hugo, the
latter dwarfed in stature. Laura herself
loved Arnold; but both brothers were
slain in the faction fight stirred up by
Prince Oswald against Duke Gondibert,
his rival in the love of Rhodalind, only
child of Aribert, king of Lombardy. On
the death of Arnold and Hugo, Laura became
attached to Tybalt. As the tale was
never finished, we have no key to the
poet’s intention respecting Laura and Tybalt.—Sir
Wm. Davenant, Gondibert (died
1668).
Laura, a Venetian lady, who married
Beppo. Beppo being taken captive, turned
Turk, joined a band of pirates, and grew
rich. He then returned to his wife, made
himself known to her, and “had his claim
allowed.” Laura is represented as a frivolous
mixture of millinery and religion.
She admires her husband’s turban, and
dreads his new religion. “Are you really,
truly, now a Turk?” she says. “Well,
that’s the prettiest shawl! Will you give
it me? They say you eat no pork. Bless
me! Did I ever? No, I never saw a man
grown so yellow! How’s your liver?”
and so she rattles on.—Byron, Beppo
(1820).
Laura Fairlie, innocent victim of the
machinations of Sir Percival Glyde and
Count Tosco. The former marries her for
her fortune, then imprisons her in an insane
asylum, and announces her death.
In the end she becomes a widow, and
weds Walter Harbright, who has long
304loved her.—Wilkie Collins, The Woman in
White.
Laura and Petrarch. Some say La
belle Laure was only an hypothetical name
used by the poet to hang the incidents of
his life and love on. If a real person, it
was Laura de Noves, the wife of Hugues
de Sade, of Avignon, and she died of the
plague in 1348.
Think you, if Laura had been Petrarch’s wife,
He would have written sonnets all his life?
Byron, Don Juan, iii. 8 (1820).
Laurana, the lady-love of Prince Parismus
of Bohemia.—Emanuel Foord, The
History of Parismus (1598).
Laureate of the Gentle Craft, Hans
Sachs, the cobbler poet of Nuremberg.
(See Twelve Wise Masters).
Laurence (Friar), the good friar who
promises to marry Romeo and Juliet. He
supplies Juliet with the sleeping draught,
to enable her to quit her home without
arousing scandal or suspicion. (See Lawrence).—Shakespeare,
Romeo and Juliet
(1597).
Laurence, baby-boy whose brief life is
the theme of Rossiter Johnson’s poem
bearing that caption:
“The newness of love at his coming,
The freshness of grief when he went,
The pitiless pain of his absence,
The effort at argued content,
The dim eye forever retracing
The few little footprints he made,
The quick thought forever recalling
The visions that never can fade—
For these but one comfort, one answer
In faith’s or philosophy’s roll;—
Came to us for a pure little body
Went to God for a glorified soul.”
Rossiter Johnson, Idler and Poet (1883).
Laurie, favorite playfellow of Little
Women, and when they are no longer “little,”
the husband of Amy.—L.M. Alcott,
Little Women.
Laurringtons ((The), a novel by Mrs.
Trollope, a satire on “superior people,”
the bustling Bothebys of society (1843).
Lauzun (The duke de), a courtier in the
court of Louis XIV. Licentious, light-hearted,
unprincipled and extravagant.
To promote his own fortune, he supplanted
La Vallière by Mde. de Montespan in the
king’s favor. Montespan thought he loved
her; but when he proposed to La Vallière,
the discarded favorite, Mde. de Montespan
dismissed him. The duke, in revenge, persuaded
the king to banish the lady, and
when La Vallière took the veil, the king
sent Mde. de Montespan this cutting epistle:
We do not blame you; blame belongs to love,
And love had nought with you.
The duke de Lauzun, of these lines the bearer,
Confirms their purport. From our royal court
We do excuse your presence.
Lord E.L.B. Lytton, The Duchess de la Vallière, v. 5 (1836).
Lavaine (Sir), brother of Elaine, and
son of the lord of As´tolat. Young, brave
and knightly. He accompanied Sir Lancelot
when he went to tilt for the ninth
diamond.—Tennyson, Idylls of the King
(“Elaine”).
Lavalette (3 syl.), condemned to death
for sending to Napoleon secret intelligence
of Government despatches. He was set at
liberty by his wife, who took his place in
prison, but became a confirmed lunatic.
Lord Nithsdale escaped in a similar
manner from the Tower of London. His
wife disguised him as her maid, and he
passed the sentries without being detected.
305La Vallière (Louise, duchess de), betrothed
to the Marquis de Bragelonê
(4 syl.), but in love with Louis XIV.,
whose mistress she became. Conscience
accused her, and she fled to a convent;
but the king took her out, and brought
her to Versailles. He soon forsook her
for Mde. de Montespan, and advised her
to marry. This message almost broke her
heart, and she said, “I will choose a bridegroom
without delay.” Accordingly she
took the veil of a Carmelite nun, and discovered
that Bragelonê was a monk. Mde.
de Montespan was banished from the
court by the capricious monarch. Lord
E.L.B. Lytton, The Duchess de la Vallière
(1836).
Liavin´ia, daughter of Latīnus, betrothed
to Turnus, king of the Rutuli.
When Æne´as landed in Italy, Latinus
made an alliance with him, and promised
to give him Lavinia to wife. This brought
on a war between Turnus and Æneas, that
was decided by single combat, in which
Æneas was the victor.—Virgil, Æneid.
Lavinia, daughter of Titus Andron´icus,
a Roman general employed against
the Goths. She was betrothed to Bassia´nus,
brother of Saturnius, emperor of
Rome. Being defiled by the sons of
Tam´ora, queen of the Goths, her hands
were cut off and her tongue plucked out.
At length her father, Titus, killed her,
saying, “I am as woeful as Virginius was,
and have a thousand times more cause
than he to do this outrage.”—(?) Shakespeare,
Titus Andron´icus (1593).
In the play, Andronicus is always called
An.dron´.i.kus, but in classic authors it is
An.dro.nī.kus.
Lavinia, sister of Lord Al´tamont, and
wife of Horatio.—N. Rowe, The Fair
Penitent (1703).
Lavinia and Pale´mon. Lavinia was
the daughter of Acasto, patron of Palemon,
from whom his “liberal fortune
took its rise.” Acasto lost his property,
and dying, left a widow and daughter in
very indigent circumstances. Palemon
often sought them out, but could never
find them. One day, a lovely, modest
maiden came to glean in Palemon’s fields.
The young squire was greatly struck with
her exceeding beauty and modesty, but
did not dare ally himself with a pauper.
Upon inquiry, he found that the beautiful
gleaner was the daughter of Acasto; he
proposed marriage, and Lavinia “blushed
assent.”—Thomson, Seasons, (“Autumn,”
1730).
⁂ The resemblance between this tale
and the Bible story of Ruth and Boaz
must be obvious to every one.
Law of Athens (The). By Athenian
law, a father could dispose of his daughter
in marriage as he liked. Egēus pleaded
this law, and demanded that his daughter
Hermia should marry Demētrius, or suffer
the penalty of the law; if she will not
Consent to marry with Demetrius,
I beg the ancient privilege of Athens;
As she is mine, I may dispose of her:
Which shall be either to this gentleman,
Or to her death; according to our law.
Shakespeare, Midsummer Night’s Dream, act i. sc. 1 (1592).
Law of Flanders (The). Charles “the
Good,” earl of Flanders, made a law that
a serf, unless legally emancipated, was
always a serf, and that whoever married
a serf became a serf. S. Knowles has
founded his tragedy called The Provost of
Bruges on this law (1836).
Law of Lombardy (The).
We have a law peculiar to this realm,
That subjects to a mortal penalty
306All women nobly born ... who, to the shame
Of chastity, o’erleap its thorny bounds,
To wanton in the flowery path of pleasure.
Act. ii. 2.
On this law Robert Jephson has founded
the following tragedy: The Duke Bire´no,
heir to the crown, falsely charges the
Princess Sophia of incontinence. The
villainy of the duke being discovered, he
is slain in combat by a Briton named
Paladore, and the victor marries the
princess (1779).
Lawrence (Steven). Big yeoman, whose
travels in America have added a touch of
the backwoodsman to the English rustic.
Handsome, wholesome and sensible, but
unsophisticated. He is trapped into a
marriage by a scheming woman, while he
loves another. A series of unhappy years
follow. His wife is shallow of heart and
head, vain and ambitious; he resolute,
upright, and tender of heart. After her
death, he meets and marries the genuine
woman of his first love.—Annie Edwards,
Steven Lawrence, Yeoman.
Law’s Bubble, the famous Mississippi
scheme, devised by John Law (1716-1720).
Law’s Tale (The Man of), the tale
tells of Custance, daughter of the emperor
of Rome, affianced to the sultan of Syria.
On the wedding night the sultan’s mother
murdered all the bridal party for apostacy,
except Custance, whom she turned
adrift in a ship. The ship stranded on
the shores of Britain, where Custance was
rescued by the lord-constable of Northumberland,
whose wife, Hermegild, became
much attached to her. A young
knight wished to marry Custance, but
she declined his suit; whereupon he murdered
Hermegild, and then laid the knife
beside Custance, to make it appear that
she had committed the deed. King Alla,
who tried the case, soon discovered the
truth, executed the knight, and married
Custance. Now was repeated the same
infamy as occurred to her in Syria; the
queen-mother, Donegild, disapproved of
the match, and, during the absence of her
son in Scotland, embarked Custance and
her infant son in the same ship, which
she turned adrift. After floating about
for five years, it was taken in tow by the
Roman fleet on its return from Syria,
and Custance was put under the charge
of a Roman senator. It so happened that
Alla was at Rome at the very time on a
pilgrimage, met his wife, and they returned
to Northumberland together.
This story is found in Gower, who
probably took it from the French chronicle
of Nicholas Trivet.
A similar story forms the outline of
Emaărê (3 syl.), a romance in Ritson’s
collection.
The knight murdering Hermegild, etc.,
resembles an incident in the French Roman
de la Violette, the English metrical
romance of Le Bone Florence of Rome (in
Ritson), and also a tale in the Gesta Romanorum,
69.
Lawford (Mr.), the town clerk of
Middlemas.—Sir W. Scott, The Surgeon’s
Daughter (time, George II.).
Lawrence (Friar), a Franciscan who
clandestinely marries Romeo and Juliet.
(See Laurence).
Lawrence (Tom), alias “Tyburn Tom”
or Tuck, a highwayman. (See Laurence).—Sir
W. Scott, Heart of Midlothian (time,
George II.).
Lawrence Arbuthnot, dilettante
society man, who disguises a kindly and
307generous nature under a careless manner.—Frances
Hodgson Burnett, Through One
Administration (1883).
La Writ, a little, wrangling French
advocate.—Beaumont and Fletcher, The
Little French Lawyer (1647).
Lawson (Sandie), landlord of the Spa
hotel—Sir W. Scott, St. Ronan’s Well
(time, George III.).
Lay of the Last Minstrel. Ladye
Margaret [Scott], of Branksome Hall, the
“flower of Teviot,” was beloved by Baron
Henry, of Cranstown, but a deadly feud
existed between the two families. One
day an elfin page allured Ladye Margaret’s
brother (the heir of Branksome Hall) into
a wood, where he fell into the hands of the
Southerners. At the same time an army
of 3000 English marched to Branksome
Hall to take it, but, hearing that Douglas,
with 10,000 men, was on the march against
them, the two chiefs agreed to decide the
contest by single combat. The English
champion was Sir Richard Musgrave, the
Scotch champion called himself Sir William
Deloraine. Victory fell to the Scotch,
when it was discovered that “Sir William
Deloraine” was in reality Lord Cranstown,
who then claimed and received the hand
of Ladye Margaret, as his reward.—Sir
W. Scott, Lay of the Last Minstrel (1805).
Lazarillo, a humorsome valet, who
serves two masters, “Don Felix” and
Octavio. Lazarillo makes the usual quota
of mistakes, such as giving letters and
money to the wrong master; but it turns
out that Don Felix is Donna Clara, the
fiancée of Octavio, and so all comes right.—Jephson,
Two Strings to your Bow (1792).
Joseph Munden [1758-1832] was the original
Lazarillo.—Memoir of J.S. Munden (1832).
Lazarillo de Tormes, the hero of a
romance of roguery, by Don Diego de
Mendo´za (1553). Lazarillo is a compound
of poverty and pride, full of stratagems
and devices. The “hidalgo” walks the
streets (as he says) “like the duke of
Arcos,” but is occupied at home “to procure
a crust of dry bread, and, having
munched it, he is equally puzzled how to
appear in public with due decorum. He
fits out a ruffle so as to suggest the idea
of a shirt, and so adjusts a cloak as to
look as if there were clothes under it.”
We find him begging bread, “not for
food,” but simply for experiments. He
eats it to see “if it is digestible and wholesome;”
yet he is gay withal, and always
rakish.
Lazarus and Dives. Lazarus, a beggar
whose fate is contrasted with that of
Dives, i.e. a rich man (Latin). At their
death Lazarus goes to heaven, the rich
man goes to hell and begs that Lazarus
may bring him a drop of water to cool his
tongue.—Luke, xvi. 19-31.
⁂ Lazarus is the only proper name
given in any of the New Testament parables.
The rich man is not named.
Lazy Lawrence of Lubber-Land, the
hero of a popular tale. He served the
schoolmaster, the squire’s cook, the farmer,
and his own wife, all which was accounted
treason in Lubber-land.
Lea, one of the “daughters of men,”
beloved by one of the “sons of God.” The
angel who loved her ranked with the least
of the spirits of light, whose post around
the throne was in the outermost circle.
Sent to earth on a message, he saw Lea
bathing, and fell in love with her; but
Lea was so heavenly minded that her only
wish was to “dwell in purity and serve
308God in singleness of heart.” Her angel
lover, in the madness of his passion, told
Lea the spell-word that gave him admittance
into heaven. The moment Lea uttered
it, her body became spiritual, rose
through the air, and vanished from sight.
On the other hand, the angel lost his
ethereal nature, and became altogether
earthly, like a child of clay.—T. Moore,
Loves of the Angels, i. (1822).
League (The), a league formed at
Péronne in 1576, to prevent the accession
of Henri IV. to the throne of France, because
he was of the reformed religion.
This league was mainly due to the Guises.
It is occasionally called “The Holy
League;” but the “Holy League”
strictly so called is quite another thing,
and it is better not to confound different
events by giving them the same name.
(See League, Holy).
League, (The Achæan), B.C. 281-146.
The old league consisted of the twelve
Achæan cities confederated for self-defence
from the remotest times. The
league properly so called was formed
against the Macedonians.
League (The Ætolian), formed some
three centuries B.C., when it became a
formidable rival to the Macedonian monarchs
and the Achæan League.
League (The Grey), 1424, called Lia
Grischa or Graubünd, from the grey
homespun dress of the confederate peasants,
the Grisons, in Switzerland. This
league combined with the League Caddee
(1401), and the League of the Ten Jurisdictions
(1436), in a perpetual alliance in
1471. The object of these leagues was to
resist domestic tyranny.
League (The Hans or Hanseatic), 1241-1630,
a great commercial confederation of
German towns, to protect their merchandise
against the Baltic pirates, and defend
their rights against the German barons
and princes. It began with Hamburg
and Lubeck, and was joined by Bremen,
Bruges, Bergen, Novogorod, London,
Cologne, Brunswick, Danzig; and afterwards,
by Dunkerque, Anvers, Ostend,
Dordrecht, Rotterdam, Amsterdam, etc.;
still later by Calais, Rouen, St. Malo, Bordeaux,
Bayonne, Marseilles, Barcelona,
Seville, Cadiz, and Lisbon; and lastly by
Messina, Naples, etc.; in all, eighty cities.
League (The Holy). Several leagues are
so denominated, but that emphatically so
called is the league of 1511 against Louis
XII., formed by Pope Julius II., Ferdinand
“the Catholic,” Henry VIII., the
Venetians, and the Swiss. Gaston de
Foix obtained a victory over the league
at Ravenna in 1512, but died in the midst
of his triumph.
League (The Solemn), 1638, formed in
Scotland against the Episcopal government
of the Church.
League Caddee (The), or Ligue de la
Maison de Dieu (1401), a confederation of
the Grisons for the purpose of resisting
domestic tyranny. (See League, Grey).
League of Augsburg (1686), a confederation
of the house of Austria with
Sweden, Saxony, Bavaria, the circles of
Swabia and Franconia, etc., against Louis
XIV. This league was the beginning of
that war which terminated in the peace
of Ryswick (1698).
League of Cambray (1508), formed by
the Emperor Maximilian I., Louis XII., of
France, Ferdinand “the Catholic,” and
309Pope Julius II., against the republic of
Venice.
League of Ratisbonne (1524), by the
Catholic powers of Germany against the
progress of the Reformation.
League of Smalkalde (December 31,
1530), the Protestant states of Germany
leagued against Charles the Fifth. It was
almost broken up by the victory obtained
over it at Mühlberg in 1547.
League of Wurtzburg (1610), formed
by the Catholic states of Germany against
the “Protestant Union” of Hall. Maximilian
I., of Bavaria, was at its head.
League of the Beggars (1560), a combination
formed against the Inquisition
in Flanders.
League of the Cities of Lombardy
(1167), under the patronage of Pope Alexander
III., against Frederick Barbarossa,
emperor of Germany. In 1225, the cities
combined against Frederick II., of Germany.
League of the Public Weal (Ligue du
Bien Public), 1464, a league between the
dukes of Burgundy, Brittany, Bourbon,
and other princes, against Louis XI., of
France.
Leah Holland. Handsome granddaughter
of an English farmer. Michael
Standish, an artist lodger, paints her portrait
and falls in love with her. His mother
and friends oppose the match, and Leah,
in proper pride, eludes his pursuit. In the
end, he weds a girl in his own rank, and
Leah becomes a useful and contented
trained nurse.—Georgiana M. Craik, A
Daughter of the People.
Lean´der (3 syl.), a young man of Aby´dos,
who swam nightly across the Hellespont
to visit his lady-love, Hero, a priestess
of Sestos. One night he was drowned
in his attempt, and Hero leaped into the
Hellespont and died also.
The story is told by Musæus in his
poem called Hero and Leander. Schiller
has made it the subject of a ballad.
⁂ Lord Byron and Lieutenant Ekenhead
repeated the feat of Leander, and
accomplished it in 1 hr. 10 min.; the distance
(allowing for drifting) would be
about four miles.
Leander, a young Spanish scholar,
smitten with Leonora, a maiden under the
charge of Don Diego, and whom the Don
wished to make his wife. The young
scholar disguised himself as a minstrel to
amuse Mungo, the slave, and with a little
flattery and a few gold pieces lulled the
vigilance of Ursula, the duenna, and gained
admittance to the lady. As the lovers
were about to elope, Don Diego unexpectedly
returned; but being a man of 60, and,
what is more, a man of sense, he at once
perceived that Leander was a more suitable
husband for Leonora than himself,
and accordingly sanctioned their union
and gave the bride a handsome dowry.—I.
Bickerstaff, The Padlock.
Leandra, daughter of an opulent
Spanish farmer, who eloped with Vincent
de la Rosa, a heartless adventurer, who
robbed her of all her money, jewels, and
other valuables, and then left her to make
her way home as best she could. Leandra
was placed in a convent till the scandal
had blown over.—Cervantes, Don Quixote,
I. iv. 20 (“The Goat-herd’s Story,” 1605).
Léandre (2 syl.), son of Géronte (2 syl.).
During the absence of his father, he fell in
310love with Zerbinette, whom he supposed to
be a young gypsy, but who was in reality
the daughter of Argante (2 syl.), his father’s
friend. Some gypsies had stolen the child
when only four years old, and required
£1500 for her ransom—a sum of money
which Scapin contrived to obtain from
Léandre’s father under false pretences.
When Géronte discovered that his son’s
bride was the daughter of his friend Argante,
he was quite willing to excuse Scapin
for the deceit practiced on him.—Molière,
Les Fourberies de Scapin (1671).
(In Otway’s version of this comedy,
called The Cheats of Scapin, Léandre is
Anglicized into “Leander;” Géronte is
called “Gripe;” Zerbinette is “Lucia;”
Argante is “Thrifty;” and the sum of
money £200).
Léandre, the lover of Lucinde, daughter
of Géronte (2 syl.). Being forbidden the
house, Lucinde pretended to be dumb, and
Léandre, being introduced in the guise of
an apothecary, effects a cure by “pills
matrimoniac.”—Molière, Le Médecin Malgré
Lui (1666).
Lean´dro, a gentleman who wantonly
loves Amaranta (the wife of Bar´tolus,
a covetouscovetous lawyer).—Beaumont and
Fletcher, The Spanish Curate (1632).
Lean´dro the Fair (The Exploits and
Adventures of), part of the series called
Le Roman des Romans, pertaining to
“Am´adis of Gaul.” This part was added
by Pedro de Lujan.
Lear, mythical king of Britain, son of
Bladud. He had three daughters, and
when four score years old, wishing to retire
from the active duties of sovereignty,
resolved to divide his kingdom between
them in proportion to their love. The two
elder said they loved him more than their
tongue could express, but Cordelia, the
youngest, said she loved him as it became
a daughter to love her father. The old
king, displeased with her answer, disinherited
Cordelia, and divided his kingdom
between the other two, with the condition
that each alternately, month by month,
should give him a home, with a suite of
a hundred knights. He spent the first
month with his eldest daughter, who
showed him scant hospitality. Then going
to the second, she refused to entertain so
large a suite; whereupon the old man
would not enter her house, but spent the
night abroad in a storm. When Cordelia,
who had married the king of France,
heard of this, she brought an army over
to dethrone her sisters, but was taken
prisoner and died in jail. In the meantime
the elder sister (Goneril) first poisoned her
younger sister from jealousy, and afterwards
put an end to her own life. Lear
also died.—Shakespeare, King Lear (1605).
(The stage Lear is a corrupt version
by Nahum Tate (Tate and Brady); as
the stage Richard III. is Colley Cibber’s
travesty.)
⁂ Percy, in his Reliques of Ancient
English Poetry, has a ballad about “King
Leir and His Three Daughters” (series
I. ii.).
The story is given by Geoffrey of Monmouth
in his British History. Spenser
has introduced the tale in his Faëry Queen
(ii. 10.)
Camden tells a similar story of Ina, the
king of the West Saxons(Remains, 306).
Lear (King), Shakespeare’s drama, first
printed in quarto (1608), is founded on
The True Chronicle History of King Leir
and His Three Daughters, Gonorill, Ragan,
and Cordelia (1605).
311Learned (The), Coloman, king of Hungary
(*, 1095-1114).
Learned Blacksmith (The), Elihu
Burritt, the linguist (1811-1879).
He studied Latin in the evening after
working at the forge all day, and carried
his Greek grammar in his hat, finding
opportunity to place the book, now and
then, against the forge-chimney and go
through with tupto, tupteis, tuptei, unperceived
by his fellow-apprentices. Unassisted
and at night he, one winter, read
twenty books of The Iliad. He also mastered,
but with the aid of teachers, French,
Spanish, German and Italian, and read,
at the forge, works in these tongues. Hebrew
he studied alone. By studying
seven hours a day (never remitting his
manual labor) he learned fifty languages
and dialects, besides acquiring much and
valuable scientific information.
Learned Painter (The), Charles Lebrun,
noted for the accuracy of his costumes
(1619-1690).
Learned Tailor (The), Henry Wild, of
Norwich, who mastered, while he worked
at his trade, Greek, Latin, Hebrew, Chaldaic,
Syriac, Persian, and Arabic (1684-1734).
Learned Theban (A), a guesser of
riddles or dark sayings; in allusion to
Œdipos, king of Thebes, who solved the
riddle of the Sphinx.
I’ll talk a word with this same learned Theban.
Shakespeare, King Lear, act iii. sc. 4 (1605).
Learoyd. The Yorkshireman who
completes the trio of friends in Rudyard
Kipling’s story Soldiers Three. He “was
born on the wolds and bred in the dales.
... His chief virtue was an unmitigated
patience which helped him to win fights.”—Soldiers
Three.
Leather-Stockings, the nickname of
Natty Bumppo, a half-savage and half-Christian
chevalier of American wild-life.
He appears in five of J. F. Cooper’s novels,
hence called the Leather-stocking Tales.—See
Bumppo.
Le Castre, the indulgent father of
Mirable “the wild goose,” Beaumont and
Fletcher, The Wild-goose Chase (1652).
L’Eclair (Philippe), orderly of Captain
Florian. L’Eclair is a great boaster, who
masks his brag under the guise of modesty.
He pays his court to Rosabelle, the lady’s-maid
of Lady Geraldine.—W. Dimond,
The Foundling of the Forest.
Led Captain (A), an obsequious person,
who styles himself “Captain;” and,
out of cupboard love, dances attendance
on the master and mistress of a house.
Mr. Wagg, the celebrated wit, and a led
captain and trencherman of my Lord Steyne,
was caused by the ladies to make the assault.—Thackeray,
Vanity Fair, li. (1848).
Lee (Sir Henry), an officer in attendance
at Greenwich Palace.—Sir W. Scott,
Kenilworth (time, Elizabeth).
Lee (Sir Henry), an old royalist, and
head-ranger of Woodstock Forest.
Alice Lee, daughter of the old knight.
She married Markham Everard.
Colonel Albert Lee, her brother, the
friend of Charles II.—Sir W. Scott, Woodstock
(time, commonwealth).
Leek, worn on St. David’s Day. The
general tale is that King Cadwallader, in
640, gained a complete victory over the
Saxons by the special interposition of St.
312David, who ordered the Britons to wear
leeks in their caps, that they might recognize
each other. The Saxons, for want of
some common cognizance, often mistook
friends for foes. Drayton gives another
version: He says the saint lived in the
valley Ewias (2 syl.), situated between the
Hatterill Hills, in Monmouthshire. It was
here “that reverend British saint to contemplation
lived,”
... and did so truly fast,
As he did only drink what crystal Hodney yields,
And fed upon the leeks he gathered in the fields,
In memory of whom, in each revolving year,
The Welshmen, on his day [March 1], that sacred herb do wear.
Polyolbion, iv. (1612).
Lefevre (Lieutenant), a poor officer dying
from want and sickness. His pathetic
story is told by Sterne, in a novel called
The Life and Opinions of Tristram Shandy
(1759).
“Mr. Fulmer, I have borrowed a book from
your shop. ’Tis the sixth volume of my deceased
friend, Tristram.... The divine story of Lefevre,
which makes part of this book, ... does
honor, not to its author only, but to human
nature.”—Cumberland, The West Indian, ii. 1.
Legend (Sir Sampson), a foolish, testy,
prejudiced, and obstinate old man, between
50 and 60. His favorite oath is
“Odd!” He tries to disinherit his elder
son, Valentine, for his favorite son Ben, a
sailor; and he fancies Angelica is in love
with him, when she only intends to fool
him.
He says: “I know the length of the emperor
of China’s foot, have kissed the Great Mogul’s
slipper, and have rid a-hunting upon an elephant
with the cham of Tartary.”—W. Congreve,
Love for Love, ii. (1695).
“Sir Sampson Legend” is such another lying,
over-bearing character, but he does not come up
to “Sir Epicure Mammon” [in Ben Jonson’s play,
The Alchemist].—C. Lamb.
Legend (The Golden), a semi-dramatic
poem by Longfellow, taken from an old
German tale by Hartmann von der Aue
[Our], called Poor Henry (1851). Hartmann
was one of the minnesingers, and
lived in the twelfth century. (See
Henry, Poor.)
Legend of Montrose, a novel by Sir
W. Scott (1819). This brief, imperfect
story contains one of Scott’s best characters,
the redoubted Rittmaster, Dugald
Dalgetty, a combination of soldado and
pedantic student of Mareschal College,
Aberdeen.
Legends (Golden), a collection of
monkish legends, in Latin, by Jacob de
Voragine or Varagine, born at Varaggio,
in Grenoa. He wrote Legenda Sancta,
which was so popular that it was called
“Legenda Aurea” (1230-1298).
Legion of Honor, an order of merit,
instituted by Napoleon I. when “first
consul,” in 1802. The undress badges
are, for:
Chevaliers, a bow of red ribbon in the
buttonhole of their coat, to which a medal
is attached.
Officers, a rosette of red ribbon, etc.,
with medal.
Commanders, a collar-ribbon.
Grand-officers, a broad ribbon under the
waistcoat.
Grand-cross, a broad ribbon, with a
star on the breast, and a jewel-cross
pendant.
⁂ Napoleon III. instituted a lower degree
than Chevalier, called Médaille Militaire,
distinguished by a yellow ribbon.
Legree, a slave-dealer and hideous
villain, brutalized by slave-dealing and
slave-driving.—Harriet Beecher Stowe
Uncle Tom’s Cabin (1853).
313Leicester (The earl of), in the court of
Queen Elizabeth.
The countess of Leicester (born Amy
Robsart), but previously betrothed to Edmund
Tressilian.—Sir W. Scott, Kenilworth
(time, Elizabeth).
Leigh (Aurora), the heroine and title
of a poem by Mrs. Browning. The design
of this poem is to show the noble
aim of true art.
Leila, the young Turkish child rescued
by Don Juan at the siege of Ismail (canto
viii. 93-102). She went with him to St.
Petersburg, and then he brought her to
England. As Don Juan was never completed,
the future history of Leila has no
sequel.
... at his side
Sat little Leila, who survived the parries
He made ’gainst Cossack sabres, in the wide
Slaughter of Ismail.
Byron, Don Juan, x. 51 (1824).
Leila (2 syl.), the beautiful slave of the
Caliph Hassan. She falls in love with
“the Giaour” [djow´.er], flees from the
seraglio, is overtaken, and cast into the
sea.
Her eyes’ dark charm ’twere vain to tell;
But gaze on that of the gazelle—
It will assist thy fancy well.
Byron, The Giaour (1813).
Leilah, the Oriental type of female
loveliness, chastity, and impassioned
affection. Her love for Mejnôun, in Mohammedan
romance, is held in much the
same light as that of the bride for the
bridegroom in Solomon’s song, or Cupid
and Psychê among the Greeks.
When he sang the loves of Megnôun and
Leileh [sic] ... tears insensibly overflowed the
cheeks of his auditors.—W. Beckford, Vathek
(1786).
L. E. L., pseudonym of Letitia Elizabeth
Landon (afterwards Mrs. Maclean), poetess (1802-1838).
Lela Marien, the Virgin Mary.
In my childhood, my father kept a slave,
who, in my own tongue [Arabic], instructed me
in the Christian worship, and informed me of
many things of Lela Marien.—Cervantes, Don
Quixote, I. iv. 10 (1605).
Le´lia, a cunning, wanton widow, with
whom Julio is in love.—Beaumont and
Fletcher, The Captain (1613).
Lélie (2 syl.) a young man engaged to
Célie, daughter of Gorgibus; but Gorgibus
insists that his daughter shall give up
Lélie for Valère, a much richer man.
Célie faints on hearing this, and drops the
miniature of Lélie, which is picked up by
Sganarelle’s wife. Sganarelle finds it,
and, supposing it to be a lover of his wife,
takes possession of it, and recognizes
Lélie as the living original. Lélie asks
how he came by it, is told he took it from
his wife, and concludes that he means
Célie. He accuses her of infidelity in the presence
of Sganarelle, and the whole
mystery is cleared up.—Molière, Sganarelle
(1660).
Lélie, an inconsequential, light-headed,
but gentlemanly coxcomb.—Molière,
L’Etourdi (1653).
Lemnian Deed (A), one of unparalleled
cruelty and barbarity. This Greek
phrase owes its origin to the legend that
the Lemnian women rose one night, and
put to death every man and male child in
the island.
On another occasion they slew all the
men and all the children born of Athenian
parents.
Lemuel Barker, young rustic, who,
314encouraged by Rev. Mr. Sewall’s praise
of certain of his verses, comes to Boston
in the hope of achieving literary fame.
He is, in turn, fleeced by sharpers, almost
starved, put into the positions of elevator
boy, private reader, horse-car conductor,
etc. Is entrapped into an engagement of
marriage with a vulgar, but respectable
girl, and wiser and soberer for each experience,
takes his place as a worthy citizen.—W. D.
Howells, The Minister’s
Charge (1886).
Lenore, a name which Edgar Poe has
introduced in two of his poems; one
called The Raven, and the other called
Lenore (1811-1849).
Lenore, the heroine of Bürger’s ballad
of that name, in which a spectral lover
appears to his mistress after death, and
carries her on horseback, behind him, to
the graveyard, where their marriage is
celebrated amid a crew of howling goblins.
⁂ The Suffolk Miracle is an old English
ballad of like character.
Lenormand (Mdlle.), a famous tireuse
de cartes. She was a squat, fussy, little
old woman, with a gnarled and knotted
visage, and an imperturbable eye. She
wore her hair cut short, and parted on one
side, like that of a man; dressed in an
odd-looking casaquin, embroidered and
frogged like the jacket of an hussar; and
snuffed continually. This was the little old
woman whom Napoleon I. regularly consulted
before setting out on a campaign.
Mdlle. Lenormand foretold to Josephine
her divorce; and when Murat, king of
Naples, visited her in disguise, she gave
him the cards to cut, and he cut four
times in succession le grand pendu (king
of diamonds); whereupon Mdlle. rose and
said, “La séance est terminée; c’est dix
louis pour les rois;” pocketed the fee, and
left the room taking snuff.
(In cartomancy, le grand pendu signifies
that the person to which it is dealt, or
who cuts it, will die by the hands of the
executioner.)executioner.)
Lent (Galeazzo’s), a form of torture devised
by Galeazzo Visconti, calculated to
prolong the victim’s life for forty days.
Len´ville (2 syl.), first tragedian at the
Portsmouth Theatre. When Nicholas
Nickleby joined the company Mr. Lenville
was jealous, and attempted to pull
his nose; but Nicholas pulled the nose of
Mr. Lenville instead.—C. Dickens, Nicholas
Nickleby (1888).
Leodegraunce or Leodegran, king of
Camelyard, father of Guenever (King Arthur’s
wife). Uther, the pendragon, gave
him the famous Round Table, which
would seat 150 knights (pt. i. 45); and
when Arthur married Guenever, Leodegraunce
gave him the table and 100
knights as a wedding gift (pt. i. 45). The
table was made by Merlin, and each seat
had on it the name of the knight to whom
it belonged. One of the seats was called
the “Siege Perilous,” because no one
could sit on it without “peril of his life,”
except Sir Galahad, the virtuous and
chaste, who accomplished the quest of
the Holy Graal.—Sir T. Malory, History of
Prince Arthur (1470).
Leodogran, the king of Cameliard (sic),
Had one fair daughter and none other child;
And she was fairest of all flesh on earth,
Guinevere, and in her his one delight.
Tennyson, Coming of Arthur.
Le´oline (3 syl.) one of the male attendants
of Dionys´ia, wife of Cleon, governor
of Tarsus, and employed by his
mistress to murder Mari´na, the orphan
315daughter of Prince Periclês, who had been
committed to her charge to bring up.
Leoline took Marina to the shore with this
view, when some pirates seized her, and
sold her at Metali´nê for a slave. Leoline
told his mistress that the orphan was
dead, and Dionysia raised a splendid sepulchre
to her memory.—Shakespeare, Pericles,
Prince of Tyre (1608).
Leon, son of Constantine, the Greek
emperor. Amon and Beatrice, the parents
of Bradamant, promise to him their
daughter Bradamant in marriage; but the
lady is in love with Roge´ro. When Leon
discovers this attachment, he withdraws
his suit, and Bradamant marries Rogero.—Ariosto,
Orlando Furioso (1516).
Leon, the hero who rules Margaritta, his
wife, wisely, and wins her esteem and
wifely obedience. Margaritta is a wealthy
Spanish heiress, who married in order to
indulge in wanton intrigues more freely.
She selected Leon because he was supposed
to be a milksop whom she could
bend to her will; but no sooner is she
married than Leon acts with manly firmness
and determination, but with great
affection also. He wins the esteem of
every one, and Margaritta becomes a loving,
devoted, virtuous, and obedient wife.—Beaumont
and Fletcher, Rule a Wife and
Have a Wife (1640).
Edward Kynaston [1619-1687] executed the
part of “Leon” with a determined manliness,
well worth the best actor’s imitation. He had a
piercing eye, and a quick, imperious vivacity of
voice.—Colley Cibber.
Leonard, a real scholar, forced for daily
bread to keep a common school.—Crabbe,
Borough, xxiv. (1810).
Leonardo [Gonzaga], duke of Mantua,
travelling in Switzerland, an avalanche
fell on him, and he was nursed through a
severe illness by Mariana, the daughter
of a Swiss burgher and they fell in love
with each other. On his return home he
was entrapped by brigands, and kept
prisoner for two years. Mariana, seeking
him, went to Mantua, where Count Florio
fell in love with her, and obtained her
guardian’s consent to their union; but
Mariana refused to comply. The case
was referred to the duke (Ferrardo), who
gave judgment in favor of the count.
Leonardo happened to be present, and
throwing off his disguise, assumed his
rank as duke, and married Mariana; but
being called away to the camp, left Ferrardo
regent. Ferrardo laid a most villainous
scheme to prove Mariana guilty of
adultery with Julian St. Pierre; but Leonardo
refused to credit her guilt. Julian
turned out to be her brother, exposed the
whole plot, and amply vindicated Mariana
of the slightestslightest indiscretion.—S. Knowles,
The Wife (1833).
Leona´to, governor of Messina, father
of Hero and uncle of Beatrice.—Shakespeare,
Much Ado About Nothing (1600).
Leonesse (3 syl.) Leonesse, Leonnais,
Leones, Leonnoys, Lyonnoys, etc., a mythical
country belonging to Cornwall, supposed
to have been sunk under the sea
since the time of King Arthur. It is very
frequently mentioned in the Arthurian
romances.
Leonidas of Modern Greece, Marco
Bozzaris, a Greek patriot, who with 1200
men, put to rout 4000 Turco-Albanians, at
Kerpenisi, but was killed in the attack
(1823). He was buried at Mesolonghi.
Leonilla Lynmore. Artless girl
brought up by her mother in ignorance
316of all sorts of superstitious fancies. At
eighteen, she visits the Rookleys, an old
Boston family, with whom belief in portents
and apparitions is a part of religious
belief. The result of signs and wonders,
apparently accomplished is a brain fever.
She recovers, shaken in nerve, but sane,
and shows it by marrying Captain Seaforth.
Eliza Leslie, Leonilla Lynmore
(1840).
Le´onine (3 syl.), servant to Dionyza.—Shakespeare,
Pericles, Prince of Tyre
(1608).
Leonine Verse. So called from
Leonius, a canon of the church of St.
Victor in Paris, in the twelfth century,
who first composed them. It is a verse
with a rhyme in the middle as:
Pepper is black, though it hath a good smack.
Est avis in dextra melior quam quatuor extra.
Leonnoys or Leonesse (q.v.), a country
once joining Cornwall, but now sunk in
the sea full forty fathoms deep. Sir
Tristram was born in Leonês or Leonnoys,
and is always called a Cornish knight.
⁂ Tennyson calls the word “Lyonesse,”
but Sir T. Malory “Leonês.”
Léonor, sister of Isabelle, an orphan;
brought up by Ariste (2 syl.), according to
his notions of training a girl to make him
a good wife. He put her on her honor,
tried to win her confidence and love, gave
her all the liberty consistent with propriety
and social etiquette, and found that she
loved him, and made him a fond and faithful
wife. (See(See Isabelle.)—Molière, L’école
des Maris (1661).
Leono´ra, the usurping queen of Aragon,
betrothed to Bertran, a prince of the
blood-royal, but in love with Torrismond,
general of the forces. It turns out that
Torrismond is son and heir of Sancho the
deposed king. Sancho is restored, and
Torrismond marries Leonora.—Dryden,
The Spanish Fryar (1680).
Leonora, betrothed to Don Carlos, but
Don Carlos resigned her to Don Alonzo,
to whom she proved a very tender and
loving wife. Zanga the Moor, out of revenge,
poisoned the mind of Alonzo against
his wife by insinuating her criminal love
for Don Carlos. Out of jealousy, Alonzo
had his friend put to death, and Leonora,
knowing herself suspected, put an end to
her life.—Edward Young, The Revenge
(1721).
Leonora, the daughter of poor parents,
who struck the fancy of Don Diego. The
Don made a compact with her parents to
take her home with him and place her
under a duenna for three months, to ascertain
if her temper was as sweet as her
face was pretty, and at the expiration of
that time, either to return her spotless or
to make her his wife. At the end of three
months, Don Diego (a man of 60) goes to
arrange for the marriage, locking his house
and garden, as he supposes, securely; but
Leander, a young student, smitten with
Leonora, makes his way into the house, and
is about to elope with her when the don
returns. Like a man of sense, Don Diego
at once sees the suitability of the match,
consents to the union of the young people,
and even settles a marriage portion on
Leonora, his ward if not his wife.—I.
Bickerstaff, The Padlock.
Leonora, betrothed to Ferdinand, a fiery
young Spaniard (jealous of Donna Clara,
who has assumed boy’s clothes for a time).
Ferdinand despises the “amphibious coxcomb,”
and calls his rival “a vile compound
317of fringe, lace, and powder.”—Jephson,
Two Strings to your Bow (1792).
Leonora, the heroine of Miss Edgeworth’s
novel of the same name. The object
of the tale is to make the reader feel
what is good, and desirous of being so
(1806).
Leonora, wife of Fernando Florestan, a
State prisoner in Seville. In order to
effect her husband’s release, she assumed
the attire of a man, and the name of Fidelio.
In this disguise she entered the service
of Rocco, the jailer, and Marcellina,
the jailer’s daughter, fell in love with her.
Pizzaro, the governor of the prison resolving
to assassinate Fernando Florestan,
sent Rocco and Fidelio to dig his grave in
the prison-cell. When Pizarro descended
to perpetrate the deed of blood, Fidelio
drew a pistol on him; and the minister of
State, arriving at this crisis, ordered the
prisoner to be released. Leonora (Fidelio)
was allowed to unlock her husband’s
chains, and Pizarro’s revenge came to
naught.—Beethoven, Fidelio (an opera,
1791).
Leonora, a princess, who falls in love
with Manri´co, the supposed son of Azuce´na,
a gypsy, but in reality the son of Garzia
(brother of the Conte di Luna). The
Conte di Luna entertains a base passion
for the princess, and, getting Manrico into
his power, is about to kill him, when
Leonora intercedes, and promises to give
herself to the count if he will spare his
nephew’s life. The count consents; but
while he goes to release Manrico, Leonora
kills herself by sucking poison from a
ring, and Manrico dies also.—Verdi, Il
Trovato´rê (an opera, 1853).
Leonora (The History of), an episode in
the novel of Joseph Andrews, by Fielding
(1742).
Leonora [d’Este] (2 syl.), sister of Alfonso
II., reigning duke of Ferrara. The
poet Tasso conceived a violent passion for
this princess, “but she knew it not nor
viewed it with disdain.” Leonora never
married, but lived with her eldest sister,
Lauretta, duchess of Urbino, who was
separated from her husband. The episode
of Sophronia and Olindo (Jerusalem Delivered,
ii.) is based on this love incident.
The description of Sophronia is that of
Leonora, and her ignorance of Olindo’s
love points to the poet’s unregarded devotion.
But thou ... shalt have
One half the laurel which o’ershades my grave ...
Yes, Leonora, it shall be our fate
To be entwined forever—but too late.
Byron, The Lament of Tasso (1817).
Leonora de Guzman, the “favorite”
of Alfonzo XI., of Castile. FernandoFernando, not
knowing that she was the king’s mistress,
fell in love with her; and Alfonzo, to reward
Fernando’s services, gave her to him
in marriage. No sooner was this done,
than the bridegroom learned the character
of his bride, rejected her with scorn, and
became a monk. Leonora became a noviciate
in the same convent, obtained her
husband’s forgiveness, and died.—Donizetti,
La Favorita (an opera, 1842).
Leon´tes (3 syl.), king of Sicily. He
invited his old friend Polixenês, king of
Bohemia, to come and stay with him, but
became so jealous of him that he commanded
Camillo to poison him. Instead
of doing so, Camillo warned Polixenês of
his danger, and fled with him to Bohemia.
The rage of Leontês was now unbounded,
and he cast his wife Hermionê into prison,
318where she gave birth to a daughter. The
king ordered the infant to be cast out on a
desert shore, and then brought his wife to
a public trial. Hermionê fainted in court,
the king had her removed, and Paulina
soon came to announce that the queen
was dead. Ultimately, the infant daughter
was discovered under the name of
Perdĭta, and was married to Florizel, the
son of Polixenês. Hermionê was also
discovered to the king in a tableau vivant,
and the joy of Leontês was complete.—Shakespeare,
The Winter’s Tale (1604).
Leon´tius, a brave but merry old soldier.—Beaumont
and Fletcher, The Humorous
Lieutenant (1647).
Le´opold, a sea-captain, enamoured of
Hippol´yta, a rich lady, wantonly in love
with Arnoldo. Arnoldo, however, is contracted
to the chaste Zeno´cia, who is
basely pursued by the governor, Count
Clodio.—Beaumont and Fletcher, The Custom
of the Country (1647).
Leopold, archduke of Austria, a crusader
who arrested Richard I. on his way home
from the Holy Land.—Sir W. Scott, The
Talisman (time, Richard I.).
Leopold, nicknamed Peu-à-peu by George
IV. Stein, speaking of Leopold’s vacillating
conduct in reference to the Greek
throne, says of him: “He has no color,”
i.e., no fixed plan of his own, but only reflects
the color of those around him; in
other words, he is “blown about by every
wind.”
Lepol´emo (The Exploits and Adventures
of), part of the series called Le Roman
des Romans, pertaining to “Amadis,
of Gaul.” This part was added by Pedro
de Lujan.
Leporello, in The Libertine, by Shadwell
(1676).
The following advertisement from Liston
appeared in June, 1817:—
“My benefit takes place this evening at Covent
Garden Theatre, and I doubt not will be splendidly
attended.... I shall perform ‘Fogrun,’ in
The Slave, and ‘Leporello’ in The Libertine. In
the delineation of these arduous characters I
shall display much feeling and discrimination,
together with great taste in my dresses, and elegance
of manner. The audiences will be delighted,
and will testify their approbation by
rapturous applause. When, in addition to my
professional merits, regard is had to the loveliness
of my person and the fascination of my
face, ... there can be no doubt that this announcement
will receive the attention it deserves.”—J.
Liston.
Leporello, the valet of Don Giovanni.—Mozart,
Don Giovanni (an opera, 1787).
Lermites and Martafax, two rats that
conspired against the White Cat.—Comtesse
D’Aunoy, Fairy Tales (“The White
Cat” 1682).
Lesbia, the poetic name given by the poet
Catullus to his mistress, Clodia.
Lesbia’s Sparrow. One of the best
known of the poems of Catullus is the one
called Lesbia’s Sparrow, in which the girl
so prettily laments the loss of her favorite
bird. It has been often translated.
Lesbian Poets (The), Terpander, Alcæus,
Ari´on, and the poetess Sappho.
Lesbian Rule, squaring the rule from
the act, and not the act from the rule;
like correcting a sun-dial by a clock, and
not the clock by the sun-dial. A specious
excuse for doing, or not doing, as inclination
dictates.
319Lesley (Captain), a friend of Captain
M’Intyre.—Sir W. Scott, The Antiquary
(time, George III.).
Leslie (General), a parliamentary leader.—Sir
W. Scott, Legend of Montrose (time,
Charles I.).
Leslie (Hope). Heroine of a novel of
colonial life, the scene of which is laid in
Agawam (Springfield), Mass.—Catherine
Maria Sedgwick, Hope Leslie (1827).
Leslie (Norman). Hero of a novel of
New York life, early in the nineteenth
century. He is wrongfully accused of a
murder, and although the charge is not
proved, rests under the ban with the public
for years, until the real criminal is
brought to light.—Theodore S. Fay, Norman
Leslie (1835).
Lesly (Ludovic), surnamed Le Balafré,
an old archer in the Scotch guard of
Louis XI., of France. Uncle of Quentin
Durward.—Sir W. Scott, Quentin Durward
(time, Edward IV.).
Lesurques (Jerome), a solicitor, who,
being in greatly reduced circumstances,
holds the White Lion inn, unknown to his
son (act i. 2).
Joseph Lesurques (2 syl.), son of the solicitor,
and father of Julie. He is so like
Dubosc, the highwayman, that he is accused
of robbing the night-mail from Lyons,
and murdering the courier.
Julie Lesurques, daughter of Joseph
Lesurques, in love with Didier. When
her father is imprisoned, she offers to release
Didier from his engagement; but he
remains loyal throughout.—Edward Stirling,
The Courier of Lyons (1852).
Letters (Greek). Cadmus, the Phœnician,
introduced sixteen; Simonidês and
Epicharmos (the poets) introduced six or
eight others; but there is the greatest
diversity as to what letters, or how many,
are to be attributed to them. Aristotle
says Epicharmos introduced θ, χ; others
ascribe to him ξ, η, ψ, ω. Dr. Smith, in
his Classical Dictionary, tells us Simonidês
introduced “the long vowels and
double letters” (η, ω, θ, χ, φ, ψ). Lempriere,
under “Cadmus,” ascribes to him θ, ζ, ψ, χ;
and under “Simonides,” η, ω, ξ, ψ. Others
maintain that the Simonidês letters are
η, ω, ζ, ψ.
Letters (Father of), François I., of
France, Père des Lettres (1494, 1515-1547).
Lorenzo de Medici, “the Magnificent”
(1448-1492).
Leuca´dia’s Rock, a promontory, the
south extremity of the island Leucas
or Leucadia, in the Ionian Sea. Sappho
leapt from this rock when she found
her love for Pha´on unrequited. At the
annual festival of Apollo, a criminal was
hurled from Leucadia’s Rock into the sea;
but birds of various sorts were attached to
him, in order to break his fall, and if he
was not killed he was set free. The leap
from this rock is called “The Lovers’
Leap.”
All those may leap who rather would be neuter
(Leucadia’s Rock still overlooks the wave).
Byron, Don Juan, ii. 205 (1819).
Leucip´pe (3 syl.), wife of Menippus;
a bawd who caters for king Antig´onus,
who, although an old man, indulges in
the amorous follies of a youth.—Beaumont
and Fletcher, The Humorous Lieutenant
(1647).
Leucoth´ea, once called “Ino.” Ath´amas,
son of Æŏlus, had by her two sons,
320one of whom was named Melicer´tês.
Athamas, being driven mad, Ino and
Melicertês threw themselves into the sea;
Ino became Leucothea, and Melicertês
became Palæmon or Portumnus, the god
of ports or strands. Leucothea means
the “white goddess,” and is used for
“Matuta” or the dawn, which precedes
sunrise, i.e. Aurora.
By Leucothea’s lovely hands,
And her son that rules the strands.
Milton, Comus, 875 (1634).
To resalute the world with sacred light,
Leucothea waked, and with fresh dews embalmed
The earth.
Milton, Paradise Lost, xi. 135 (1665).
Leven (The earl of), a parliamentary
leader.—Sir W. Scott, Legend of Montrose
(time, Charles I.).
Leviathan of Literature (The), Dr.
Samuel Johnson (1709-1784).
Levites (The), in Dryden’s Absalom
and Achitophel, means the nonconformist
ministers expelled by the Act of Conformity
(1681-2).
Levitt (Frank), a highwayman.—Sir
W. Scott, Heart of Midlothian (time,
George II.).
Lewis (Don), brother of Antonio, and
uncle of Carlos, the bookworm, of whom
he is dotingly fond. Don Lewis is no
scholar himself, but he adores scholarship.
He is headstrong and testy, simple-hearted
and kind.
Lewis (Lord), father of Angeli´na.—Beaumont
and Fletcher, The Elder Brother
(1637).
Lewis (Matthew Gregory), generally
called “Monk Lewis,” from his romance,
The Monk (1794). His best known verses
are the ballads of Alonzo the Brave, and
Bill Jones. He also wrote a drama entitled
Timour, the Tartar (1775-1818).
Oh! wonder-working Lewis! Monk or bard,
Who fain would make Parnassus a churchyard!
Lo! wreaths of yew, not laurel, bind thy brow;
Thy Muse a sprite, Apollo’s sexton thou.
Byron, English Bards and Scotch Reviewers (1809).
Lewis Baboon. Louis XIV., of France,
is so called by Dr. Arbuthnot in his History
of John Bull. Baboon is a pun on
the word Bourbon, specially appropriate
to this royal “posture-master” (1712).
Lew´some (2 syl.), a young surgeon and
general practitioner. He forms the acquaintance
of Jonas Chuzzlewit, and supplies
him with the poison which he employs.—C.
Dickens, Martin Chuzzlewit
(1844).
Lewson, a noble, honest character. He
is in love with Charlotte Beverley, and
marries her, although her brother has
gambled away all her fortune.—Edward
Moore, The Gamester (1753).
Leycippes and Clitophonta, a romance
in Greek, by Achilles Tatius, in
the fifth century; borrowed largely from
the Theag´enês and Chariclēa of Heliodōrus,
bishop of Trikka.
Liar (The), a farce by Samuel Foote
(1761). John Wilding, a young gentleman
fresh from Oxford, has an extraordinary
propensity for romancing. He invents
the most marvellous tales, utterly
regardless of truth, and thereby involves
both himself and others in endless perplexities.
He pretends to fall in love with
a Miss Grantam, whom he accidentally
321meets, and, wishing to know her name, is
told it is Godfrey, and that she is an
heiress. Now it so happens that his father
wants him to marry the real Miss Grantam,
and, in order to avoid so doing, he
says he is already married to a Miss Sibthorpe.
He afterwards tells his father he
invented this tale because he really wished
to marry Miss Godfrey. When Miss Godfrey
is introduced, he does not know her,
and while in this perplexity a woman enters,
who declares she is his wife, and that
her maiden name was Sibthorpe. Again
he is dumbfounded, declares he never saw
her in his life, and rushes out, exclaiming,
“All the world is gone mad, and is in
league against me!”
⁂ The plot of this farce is from the
Spanish. It had been already taken by
Corneille in Le Menteur (1642), and by
Steele in his Lying Lover (1704).
Liar (The), Al Aswad; also called “The
Impostor,” and “The Weathercock.” He
set himself up as a prophet against Mahomet;
but frequently changed his creed.
Mosëilma was also called “The Liar.”
He wrote a letter to Mahomet, which began
thus: “From Mosëilma, prophet of
Allah, to Mahomet, prophet of Allah;”
and received an answer beginning thus:
“From Mahomet, the prophet of Allah, to
Mosëilma, the Liar.”
Liars (The Prince of), Ferdinand Mendez
Pinto, a Portuguese traveller, whose
narratives deal so much in the marvellous
that Cervantes dubbed him “The Prince
of Liars.” He is alluded to in the Tatler
as a man “of infinite adventure and unbounded
imagination.”
Sir John Mandeville is called “The Lying
Traveller” (1300-1372).
Liban´iel (4 syl.), the guardian angel of
Philip, the apostle.—Klopstock, The Messiah,
iii. (1748).
Liberator (The). Daniel O’Connell was
so called because he was the leader of the
Irish party, which sought to sever Ireland
from England. Also called “The Irish
Agitator” (1776-1847).
Simon Bolivar, who established the independence
of Peru, is so called by the
Peruvians (1785-1831).
Liberty (Goddess of). On December
20, 1793, the French installed the worship
of reason for the worship of God, and M.
Chaumette induced Mdlle. Malliard, an
actress, to personify the “goddess of Liberty.”Liberty.”
She was borne in a palanquin, dressed
with buskins, a Phrygian cap, and a blue
chlamys over a white tunic. Being brought
to Notre Dame, she was placed on the high
altar, and a huge candle was placed behind
her. Mdlle. Malliard lighted the candle,
to signify that liberty frees the mind from
darkness, and is the “light of the world;”
then M. Chaumette fell on his knees to
her and offered incense as to a god.
Liberty (The goddess of). The statue so
called, placed over the entrance of the
Palais Royal, represented Mde. Tallien.
Liberty Hall. Squire Hardcastle says
to young Harlow and Hastings, when they
mistake his house for an “inn,” and give
themselves airs, “This is Liberty Hall,
gentlemen; you may do just as you please
here.”—Goldsmith, She Stoops to Conquer,
i. 2 (1773).
Libiti´na, the goddess who presides
over funerals, and hence in Latin an undertaker
is called libitina´rius.
He brought two physicians to visit me, who,
by their appearance, seemed zealous ministers of
322the goddess Libitina.—Lesage, Gil Blas, ix. 8
(1735).
Lichas, servant of Herculês, who
brought to him from Dejani´ra the poisoned
shirt of Nessus. He was thrown by
Herculês from the top of Mount Etna into
the sea. Seneca says (Hercules) that Lichas
was tossed aloft into the air, and sprinkled
the clouds with his blood. Ovid says:
“He congealed, like hail, in mid-air, and
turned to stone; then, falling into the Uuboic
Sea, became a rock, which still bears
his name and retains the human form”
(Met. ix.).
Let me lodge Lichas on the horns of the moon.
Shakespeare, Antony and Cleopatra, act. iv. sc. 10 (1608).
Lickitup (The laird of), friend of Neil
Blanc, the town piper.—Sir W. Scott, Old
Mortality (time, Charles II.).
Lie. The four P’s—a Palmer, a Pardoner,
a Poticary and a Pedler—disputed
as to which could tell the greatest lie. The
Palmer asserted that he never saw a
woman out of patience; the other three
P’s were so taken aback by this assertion
that they instantly gave up the contest,
saying that it was certainly the greatest
falsehood they ever heard.—John Heywood,
The Four P’s (1520).
Liebenstein and Sternfels, two ruined
castles on the Rhine. Leoline, the orphan,
was the sole surviving child of the lord of
Liebenstein, and two brothers (Warbeck
and Otto) were the only surviving children
of the lord of Sternfels. Both these
brothers fell in love with Leoline, but as
the lady gave Otto the preference, Warbeck
joined the crusades. Otto followed
his brother to Palistine, but the war was
over, and Otto brought back with him a
Greek girl, whom he had made his bride.
Warbeck now sent a challenge to his
brother for this insult to Leoline, but Leoline
interposed to stop the fight. Soon
after this the Greek wife eloped, and Otto
died childless. Leoline retired to the adjacent
convent of Bornhofen, which was
attacked by robbers, and Warbeck, in repelling
them, received his death-wound, and
died in the lap of Leoline.—Traditions of
the Rhine.
Life (The Battle of), a Christmas story,
by C. Dickens (1846). It is the story of
Grace and Marion, the two daughters of
Dr. Jeddler, both of whom loved Alfred
Heathfield, their father’s ward. Alfred
loved the younger daughter; but Marion,
knowing of her sister’s love, left her
home clandestinely, and all thought she
had eloped with Michael Warden. Alfred
then married Grace, and in due
time Marion make it known to her sister
that she had given up Alfred to her, and
had gone to live with her Aunt Martha till
they were married. It is said that Marion
subsequently married Michael Warden,
and found with him a happy home.
Ligéa, one of the three sirens. The
other two were Parthen´ope and Leucothëa.Leucothëa.
Milton gives the classic sirens, combs; borrowing
a detail from the Scandinavian
Lorelei. Ligēa or Largeia means “shrill,”
or “sweet voiced.”
By fair Ligea’s golden comb,
Wherewith she sits on diamond rocks,
Sleeking her soft alluring locks.
Milton, Comus (1634).
Light of the Age, Maimon´idês or
Rabbi Moses ben Maimon, of Cor´dova
(1135-1204).
Light of the Haram [sic], the Sultana
Nour´mahal´, afterwards called Nourjeham
323(“light of the world”). She was the bride
of Selim, son of Acbar.—T. Moore, Lalla
Rookh (1817).
Light o’ Heel (Janet), mother of Godfrey
Bertram Hewit.—Sir W. Scott, Guy
Mannering (time George II.).
Lightbody (Luckie), alias “Marian
Loup-the-Dyke,” mother of Jean Girder,
the cooper’s wife.—Sir W. Scott, Bride of
Lammermoor (time, William III.).
Lightborn, the murderer who assassinated
Edward II.—C. Marlowe, Edward II.
(1592).
Lightfoot, one of the seven attendants
of Fortunio. So swift was he of foot, that
he was obliged to tie his legs when he
went hunting, or else he always outran
the game, and so lost it.—Comtesse D’Aunoy,
Fairy Tales (“Fortunio,” 1682).
Lightning. Benjamin Franklin invented
lightning conductors; hence Campbell
says it is allotted to man, with Newton
to mark the speed of light, with Herschel
to discover planets, and
With Franklin grasp the lightning’s fiery wing.
Pleasures of Hope, i. (1799).
Lightning (Lovers killed by). (See under
Lovers.)
Lightning Protectors. Jupiter chose
the eagle as the most approved preservative
against lightning, AugustusAugustus Cæsar the
sea-calf, and Tiberius the laurel.—Collumella
x.; Suetonius, In Vit. Aug., xc.
Suetonius, In Vita Tib., lxix.
Lightwood (Mortimer), a solicitor, who
conducts the “Harmon murder” case.
He is the great friend of Eugene Wrayburn,
barrister-at-law, and it is the great
ambition of his heart to imitate the nonchalance
of his friend. At one time Mortimer
Lightwood admired Bella Wilfer.—C.
Dickens, Our Mutual Friend (1864).
Ligurian Sage (The), Aulus Persius
Flaccus, the satirist (34-62).
Lilburn (John), a contentious leveller
in the Commonwealth, of whom it was
said, If no one else were alive John would
quarrel with Lilburn. The epigrammatic
epitaph of John Lilburn is as follows:—
Is John departed, and is Lilburn gone?
Farewell to both, to Lilburn and to John!
Yet being gone take this advice from me:
Let them not both in one grave buried be.
Here lay ye John; lay Lilburn thereabout;
For if they both should meet, they would fall out.
Lili, immortalized by Goethe, was Anna
Elizabeth Schönemann, daughter of a
Frankfort banker. She was 16 when
Goethe first knew her.
Lilian, “little wife” of Aldrich’s poem
An Untimely Thought.
“What a hideous fancy to come
As I wait at the foot of the stair,
While Lilian gives the last touch
To her robe or the rose in her hair!
* * * * *
As the carriage rolls down the dark street
The little wife laughs and makes cheer—
But ... I wonder what day of the week,
I wonder what month of the year!”
Thomas Bailey Aldrich, Poems (1882.)
Lil´inau, a woman wooed by a phantom
that lived in her father’s pines. At night-fall
the phantom whispered love, and won
the fair Lilinau, who followed his green
waving plume through the forest, but
never more was seen.—American-Indian
Legend.
324Told she the tale of the fair Lilinau, who was wooed by a phantom
That through the pines o’er her father’s lodge, in the hush of the twilight,
Breathed like the evening wind, and whispered love to the maiden;
Till she followed his green and waving plume thro’ the forest,
And never more returned, nor was seen again by her people.
Longfellow, Evangeline, ii. 4 (1849).
Lilis or Lilith, Adam’s wife before Eve
was created. Lilis refused to submit to
Adam, and was turned out of paradise;
but she still haunts the air, and is especially
hostile to new-born children.
⁂ Goethe has introduced her in his
Faust (1790).
Lil´lia-Bianca, the bright, airy daughter
of Nantolet, beloved by Pinac, the
fellow-traveller of Mirabel, “the wild
goose.”—Beaumont and Fletcher, The
Wild-goose Chase (1652).
Lilliput, the country of the Lilliputians,
a race of pygmies of very diminutive
size, to whom Gulliver appeared a
monstrous giant.—Swift, Gulliver’s Travels
(“Voyage to Lilliput,” 1726).
⁂ The voyage to LilliputLilliput is a satire
on the manners and habits of George I.
Lilly, the wife of Andrew. Andrew is
the servant of Charles Brisac, a scholar.—Beaumont
and Fletcher, The Elder Brother
(1637).
Lilly (William), an English astrologer,
who was employed during the Civil Wars
by both parties; and even Charles I.
consulted him about his projected escape
from the Carisbrooke Castle (1602-1681).
He talks of Raymond Lully [q.v.] and the ghost
of Lilly.—W. Congreve, Love for Love, iii. (1695).
Lillyvick, the collector of water-rates,
and uncle to Mrs. Kenwigs. He considered
himself far superior in a social
point of view to Mr. Kenwigs, who was
only an ivory turner; but he deigned to
acknowledge the relation, and confessed
him to be “an honest, well-behaved,
respectable sort of a man.” Mr. Lillyvick
looked on himself as one of the
élite of society. “If ever an old gentleman
made a point of appearing in public
shaved close and clean, that old gentleman
was Mr. Lillyvick. If ever a collector
has borne himself like a collector,
and assumed a solemn and portentous
dignity, as if he had the whole world on
his books, that collector was Mr. Lillyvick.”
Mr. Kenwigs thought the collector,
who was a bachelor, would leave
each of the Kenwigses £100; but he “had
the baseness” to marry Miss Petowker,
of the Theatre Royal, and “swindle the
Kenwigses of their golden expectations.”—C.
Dickens, Nicholas Nickleby (1838).
Lily (The), the French king for the
time being. So called from the lilies,
which, from the time of Clovis, formed
the royal device of France. Tasso (Jerusalem
Delivered) calls them gigli d’ore
(“golden lilies”); but Lord Lytton calls
them “silver lilies:”
Lord of the silver lilies, canst thou tell
If the same fate await not thy descendant?
Lord E.L.B. Lytton, The Duchess de la Vallière (1836).
Lily Maid of Astolat, Elaine (q.v.).
(See also Launcelot and Elaine).
Lily of Medicine (The), a treatise
written by Bernard Gordon, called Lilium
Medicinæ (1480). (See Gordonius).
Lily Floyd Curtis. A New York
belle, whose mother sets out with the aim
325that Lily is to make a grand match, and
keeps it steadily before her. By a series
of dexterous manœuvres the admirable
republican parent prevents a marriage
between the girl and the man she loves,
and makes her countess of Melrose.—Constance
Gary Harrison, The Anglo-Maniacs
(1890).
Lily Servosse, daughter of a Northern
man, who settles in the South soon
after the war, in the hopeful expectation
of winning favor with his neighbors and
helping them to create a new South. In
the fruitless enterprise his daughter is his
zealous and loving coadjutor.—Albion W.
Tourgeé, A Fool’s Errand (1879).
Limberham, a tame, foolish keeper.
Supposed to be meant for the duke of
Lauderdale.—Dryden, Limberham or The
Kind Keeper.
Limbo of the Moon. Ariosto, in his
Orlando Furioso, xxxiv. 70, says, in the
moon are treasured up the precious time
misspent in play, all vain efforts, all vows
never paid, all counsel thrown away, all
desires that lead to nothing, the vanity of
titles, flattery, great men’s promises, court
services, and death-bed alms. Pope says:
There heroes’ wits are kept in ponderous vases,
And beaus’ in snuff-boxes and tweezer-cases;
There broken vows and death-bed alms are found,
And lovers’ hearts with ends of ribbon bound;
The courtier’s promises, and sick man’s prayers,
The smiles of harlots, and the tears of heirs;
Cages for gnats, and chains to yoke a flea,
Dried butterflies, and tomes of casuistry.
Rape of the Lock, v. (1712).
Limbo Fatuōrum or the “Fools’ Paradise,”
for idiots, madmen, and others who
are not responsible for their sins, but yet
have done nothing worthy of salvation.
Milton says, from the earth fly to the
Paradise of Fools
All things transitory and vain ... the fruits
Of painful superstition and blind zeal ...
AIL the unaccomplished works of Nature’s hand,
Abortive, monstrous, or unkindly mixed ...
The builders here of Babel ...
Others come single. He who to be deemed
A god, leaped fondly into Etna’s flames,
Empedoclês; and he who to enjoy
Plato’s elysium, leaped into the sea ...
Embryos and idiots, eremites and friars.
Paradise Lost, iii. 448 (1665).
Limbo Patrum, that half-way house
between purgatory and paradise, where
patriarchs and prophets, saints, martyrs,
and confessors, await the “second coming.”
This, according to some, is the
hadês or “hell” into which Christ descended
when “He preached to the
spirits in prison.” Dantê places Limbo
on the confines of hell, but tells us those
doomed to dwell there are “only so far
afflicted as that they live without hope”
(Inferno, iv.).
I have some of them in Limbo Patrum, and
there they are like to dance these three days.—Shakespeare,
Henry VIII. act v. sc. 3 (1601).
Limbo Puerōrum, or “Child’s Paradise,”
for unbaptized infants too young to commit
actual sin, but not eligible for heaven
because they have not been baptized.
⁂ According to Dantê, Limbo is between
hell and that border-land where
dwell “the praiseless and blameless dead.”
(See Inferno.)
Lincius. (See Lynceus.)
Lincoln (The bishop of), in the court of
Queen Elizabeth. He was Thomas Cowper.—Sir
W. Scott, Kenilworth (time, Elizabeth).
Lincolnshire Grazier (A). The Rev.
326Thomas Hartwell Horne published The
Complete Grazier under this pseudonym
(1805).
Linco´ya (3 syl.), husband of Co´atel,
and a captive of the Az´tecas. “Once,
when a chief was feasting Madoc, a captive
served the food.” Madoc says, “I
marked the youth, for he had features of
a gentler race; and oftentimes his eye
was fixed on me with looks of more than
wonder.” This young man, “the flower
of all his nation,” was to be immolated to
the god Tezcalipo´ca; but on the eve of
sacrifice he made his escape, and flew to
Madoc for protection. The fugitive proved
both useful and faithful, but when he
heard of the death of Coatel, he was quite
heart-broken. Ayaya´ca, to divert him,
told him about the spirit-land; and Lincoya
asked, “Is the way thither long?”
The old man replied, “A way of many moons.”
“I know a shorter path,” exclaimed the youth;
And up he sprang, and from the precipice
Darted. A moment; and Ayaya´ca heard
His body fall upon the rocks below.
Southey, Madoc, ii. 22 (1805).
Lindab´rides (4 syl.), a euphemism for
a female of no repute, a courtezan. Lindabridês
is the heroine of the romance entitled
The Mirror of Knighthood, one of the
books in Don Quixote’s library (pt. I. i. 6),
and the name became a household word
for a mistress. It occurs in two of Sir
W. Scott’s novels, Kenilworth and Woodstock.
Linden (John Endicott), young man
who comes to a New England village to
teach school, institutes various reforms;
falls in love with a pretty pupil, Faith
Derrick, educates her, and when he has
completed his theological studies, marries
her, and settles as pastor of a Vermont
mountain parish.—Susan Warner, Say and
Seal (1860).
Lindesay, an archer in the Scotch guard
of Louis XI. of France.—Sir W. Scott,
Quentin Durward (time, Edward IV.).
Lindesay (Lord), one of the embassy to
Queen Mary of Scotland.—Sir W. Scott,
The Abbot (time, Elizabeth).
Lindor, a poetic swain or lover playing
at shepherd.
Do not, for Heaven’s sake, bring down Corydon
and Lindor upon us.—Sir W. Scott.
Lindsay (Margaret), the heroine of a
novel by Professor John Wilson, entitled
Trials of Margaret Lindsay, a very pathetic
story (1785-1854).
Linet´, daughter of Sir Persaunt, and
sister of Lionês, of Castle Perilous (ch.
131). Her sister was held captive by Sir
Ironside, the Red Knight of the Red
Lands. Linet went to King Arthur to
entreat that one of his knights might be
sent to liberate her; but as she refused to
give up the name of her sister, the king
said no knight of the Round Table could
undertake the adventure. At this, a
young man nicknamed “Beaumains” (Fair-hands),
who had been serving in the kitchen
for a year, entreated that he might be
allowed the quest, which the king granted.
Linet, however, treated him with the utmost
contumely, calling him dish-washer,
kitchen knave, and lout: but he overthrew
all the knights opposed to him, delivered
the lady Lionês, and married her.
(See Lynette).—Sir. T. Malory, History
of Prince Arthur, i. 120-153 (1470).
⁂ Some men nicknamed her “The Savage”
(ch. 151). Tennyson, in his Gareth
and Lynette, changes the denouement, and
makes Gareth marry Lynette.
Lingo, in O’Keefe’s comedy Agreeable
Surprise (1798).
327Linkinwater (Tim), confidential clerk
to the brothers Chreeryble. A kind-hearted
old bachelor, fossilized in ideas,
but most kind-hearted, and devoted to his
masters almost to idolatry. He is much
attached to a blind blackbird called
“Dick,” which he keeps in a large cage.
The bird has lost its voice from old age;
but, in Tim’s opinion, there is no equal to
it in the whole world. The old clerk marries
Miss La Creevy, a miniature-painter.
Punctual as the counting-house dial, ... he
performed the minutest actions, and arranged
the minutest articles of his little room in a precise
and regular order. Paper, pens, ink, ruler,
sealing-wax, wafers, ... Tim’s hat, Tim’s scrupulously
folded gloves, Tim’s other coat, ...
all had their accustomed inches of space....
There was not a more accurate instrument in
existence than Tim Linkinwater.—C. Dickens,
Nicholas Nickleby, xxxvii. (1838).
Linklater (Laurie), yeoman of the
king’s kitchen. A friend to Ritchie Moniplies.—Sir
W. Scott, Fortunes of Nigel
(time, James I.).
Linne (The Heir of), a great spendthrift,
who sold his estates to John-o-the-Scales,
his steward, reserving for himself
only a “poor and lonesome lodge in a
lonely glen.” Here he found a rope, with
a running noose, and put it round his
neck, with the intention of hanging himself.
The weight of his body broke the
rope, and he fell to the ground. He now
found two chests of gold and one of silver,
with this inscription: “Once more, my
son, I set thee clear. Amend thy life or
a rope must end it.” The heir of Linne
now went to the steward for the loan of
forty pence, which was denied him.—One
of the guests said, “Why, John, you
ought to lend it, for you had the estates
cheap enough.” “Cheap! say you. Why,
he shall have them back for a hundred
marks less than the money I gave for
them.” “Done!” said the heir of Linne;
and counted out the money. Thus he recovered
his estates, and made the kind
guest his forester.—Percy, Reliques, II.
ii. 5.
Lion (A), emblem of the tribe of Judah.
In the old church at Totnes, is a stone
pulpit divided into compartments containing
shields, decorated with the several
emblems of the Jewish tribes, of which
this is one.
Judah is a lion’s whelp ... he crouched as a
lion, and as an old lion; who shall rouse him
up?—Gen. xlix. 9.
Charlotte Elizabeth Tonna, an English
writer, has a book under the title of The
Lion of the Tribe of Judah (1830-185-).
Lion (The), symbol of ambition. When
Dantê began the ascent of fame, he was
met first by a panther (pleasure), and then
by a lion (ambition) which tried to stop his
further progress.
A lion came
With head erect, and hunger mad.
Dantê, Hell, i. (1300).
Lion (The) Henry, duke of Bavaria and
Saxony, son of Henry “the Proud” (1129-1195).
Louis VIII., of France, born under the
sign Leo (1187, 1223-1226).
William of Scotland, who chose a red
lion rampant for his cognizance (*, 1165-1214).
Lion (The Golden), emblem of ancient
Assyria. The bear was that of ancient
Persia.
Where is th’ Assyrian lion’s golden hide,
That all the East once grasped in lordly paw?
Where that great Persian bear, whose swelling pride
The lion’s self tore out with rav’nous jaw!
Phin. Fletcher, The Purple Island, vii. (1633).
328Lion The (Valiant), Alep Arslan, son of
Togrul Beg, the Perso-Turkish monarch
(*, 1062-1072).
Lion Attending on Man.
Una was attended by a lion. Spenser
says that Una was seeking St. George,
and as she sat to rest herself, a lion rushed
suddenly out of a thicket, with gaping
mouth and lashing tail; but as it drew
near, it was awe-struck, licked her feet and
hands, and followed her like a dog. Sansloy
slew the faithful beast.—Faëry Queen,
I. iii. 42 (1590).
⁂ This is an allegory of the Reformation.
The “lion” means England, and
“Una” means truth or the reformed religion.
England (the lion) waited on truth
or the reformation. “Sansloy” means
Queen Mary or false faith, which killed
the lion, or separated England from truth
(or the true faith). It might seem to some
that Sansfoy should have been substituted
for Sansloy; but this could not be, because
Sansfoy had been slain already.
Sir Ewain de Gallis or Iwain de Galles
was attended by a lion, which, in gratitude
to the knight, who had delivered it
from a serpent, ever after became his faithful
servant, approaching the knight with
tears, and rising on its hind feet.
Sir Geoffrey de Latour was aided by a lion
against the Saracens; but the faithful brute
was drowned in attempting to follow the
vessel in which the knight had embarked
on his departure from the Holy Land.
St. Jerome is represented as attended by
a lion. (See Androclus).
Lion of God (The), Ali, son-in-law of
Mahomet. He was called at birth “The
Rugged Lion” (al Haïdara) (602, 655-661).
Hamza, called “The Lion of God and
of His Prophet.” So Gabriel told Mahomet
his uncle was registered in heaven.
Lion of Jonina, Ali Pasha, overthrown
in 1822 by Ibrahim Pasha (1741, 1788-1822).
Lion of the North (The), Gustavus
Adolphus (1594, 1611-1632).
Lion-Heart. The legend says that
Richard I. was called Cœur de Lion because
he plucked out a lion’s heart, to which beast
he had been exposed by the duke of Austria,
for having slain his son.
Lion King of Assyria, Arioch al Asser
(B.C. 1927-1897).
Lion Rouge, (Le), Marshal Ney, who
had red hair and red whiskers (1769-1815).
Lion-Tamer. One of the most remarkable
was Ellen Bright, who exhibited
in Wombwell’s menagerie. She was killed
by a tiger in 1850.
Lions (White and Red). Prester John,
in his letter to Manuel Comnēnus, emperor
of Constantinople, says his land is
the “home of white and red lions” (1165).
Lionel and Clarissa, an opera by
Bickerstaff. Sir John Flowerdale has a
daughter named Clarissa, whose tutor is
Lionel, an Oxford graduate. Colonel Oldboy,
his neighbor, has a son named Jessamy,
a noodle and a fop; and a daughter,
Diana. A proposal is made for Clarissa
Flowerdale to marry Jessamy; but she
despises the prig, and loves Lionel. After
a little embroglio, Sir John gives his consent
to this match. Now for Diana: Harmann,
a guest of Oldboy’s, tells him he is
in love, but that the father of the lady will
not consent to his marriage. Oldboy advises
him to elope, lends his carriage and
horses, and writes a letter for Harman,
329which he is to send to the girl’s father.
Harman follows this advice, and elopes
with Diana; but Diana repents, returns
home unmarried, and craves her father’s
forgiveness. The old Colonel yields, the
lovers are united, and Oldboy says he likes
Harman the better for his pluck and manliness.
Lionell (Sir), brother of Sir Launcelot,
son of Ban, king of Benwick (Brittany).
Liones (3 syl.), daughter of Sir Persaunt,
of Castle Perilous, where she was held captive
by Sir Ironside, the Red Knight of
the Red Lands. Her sister, Linet´, went
to the Court of King Arthur to request
that some knight would undertake to deliver
her from her oppressor; but as she
refused to give up the name of the lady,
the king said no Knight of the Round
Table could undertake the quest. On this,
a stranger, nicknamed “Beaumains,” from
the size and beauty of his hands, and who
had served in the kitchen for twelve
months, begged to be sent, and his request
was granted. He was very scornfully
treated by Linet; but succeeded in overthrowing
every knight who opposed him,
and, after combatting from dawn to sunset
with Sir Ironside, made him also do
homage. The lady, being now free, married
the “kitchen knight,” who was, in
fact, Sir Gareth, son of Lot, king of Orkney,
and Linet married his brother, Ga´heris.
(See Lyonors, of Castle Perilous.)—Sir
T. Malory, History of Prince Arthur, i.
120-153 (1470).
Li´onesse (3 syl.), Lyonesse, or Lionés,
a tract of land between Land’s End and
the Scilly Isles, now submerged “full forty
fathoms under water.” It formed a part
of Cornwall. Thus Sir Tristram de Lionês
is always called a Cornish knight.
When asked his name, he tells Sir Kay
that he is Sir Tristram de Lionês; to which
the seneschal answers, “Yet heard I never
in no place that any good knight came out
of Cornwall.”—Sir T. Malory, History of
Prince Arthur, ii. 56 (1470). See Leonesse.
⁂ Respecting the knights of Cornwall,
Sir Mark, the king of Cornwall, had thrown
the whole district into bad odor. He was
false, cowardly, mean, and most unknightly.
Lir. The Death of the Children of Lir.
This is one of the three tragic stories of
the ancient Irish. The other two are The
Death of the Children of Touran, and The
Death of the Children of Usnach. (See
Fionnuala.)—O’Flanagan, Transactions of
the Gaelic Society, i.
⁂ Lir (King) father of Fionnuala. On
the death of Fingula (the mother of his
daughter), he married the wicked Aoife,
who, through spite, transformed the children
of Lir into swans, doomed to float on
the water for centuries, till they hear the
first mass-bell ring. Tom Moore has versified
this legend.
Silent, O Moyle, be the roar of thy water;
Break not, ye breezes, your chain of repose—
While murmuring mournfully Lir’s lonely daughter
Tells to the night-star her tale of woes.
Moore, Irish Melodies (“Song of Fionnuala,” 1814).
Liris, a proud but lovely daughter of
the race of man, beloved by Rubi, first of
the angel host. Her passion was the love
of knowledge, and she was captivated by all
her angel lover told her of heaven and the
works of God. At last she requested Rubi
to appear before her in all his glory, and,
as she fell into his embrace, was burnt to
ashes by the rays which issued from him.—T.
Moore, Loves of the Angels, ii. (1822.)
330Lisa, an innkeeper’s daughter, who
wishes to marry Elvi´no, a wealthy farmer;
but Elvino is in love with Ami´na.
Suspicious circumstances make Elvino
renounce his true love and promise marriage
to Lisa; but the suspicion is shown
to be causeless, and Lisa is discovered to
be the paramour of another. So Elvino
returns to his first love, and Lisa is left
to Alessio, with whom she had been living
previously.—Bellini’s opera, La Sonnambula
(1831).
Lisette. Les Infidélités de Lisette and
Les Gueux are the two songs which, in
1813, gained for Béranger admission to
the “Caveau,” a club of Paris, established
in 1729 and broken up in 1749, but reestablished
in 1806 and finally closed in
1817.
Les Infidélités supposes that Béranger
loved Lisette, who bestowed her favors on
sundry admirers; and Béranger, at each
new proof of infidelity, “drowned his sorrow
in the bowl.”
Lizette, ma Lizette
Tu m’as trompé toujours;
Mais vive la grisette!
Je veux, Lizette.
Boire à nos amours.
Les Infidélités de Lisette.
Lismaha´go (Captain), a superannuated
officer on half-pay, who marries Miss Tabitha
Bramble for the sake of her £4000.
He is a hard-featured, forbidding Scotchman,
singular in dress, eccentric in manners,
self-conceited, pedantic, disputatious,
and rude. Though most tenacious in
argument, he can yield to Miss Tabitha,
whom he wishes to conciliate. Lismahago
reminds one of Don Quixote, but is sufficiently
unlike to be original.—T. Smollett,
The Expedition of Humphry Clinker (1771).
Lissardo, valet to Don Felix. He is a
conceited high-life-below-stairs fop, who
makes love to Inis and Flora.—Mrs. Centlivre,
The Wonder (1713).
Lee Lewes [1740-1803] played “Lissardo” in
the style of his great master [Woodward], and
most divertingly.—Boaden, Life of Mrs. Siddons.
Lis´uarte (The Exploits and Adventures
of), part of the series of Le Roman des
Romans, or that pertaining to “Am´adis of
Gaul.” This part was added by Juan
Diaz.
Litchfield (David). Deaf, rich man,
married to a wife young enough to be his
child. He thinks and feels much, but says
little. His dry humor, harmless cynicism,
and benevolent schemes for the needy,
make him a man of mark. His mother-in-law,
a manœuverer of the first water,
bends over his dying bed with strained
solicitude, mentally reckoning up the
amount he will leave her daughter.
“He looked up in her face; he was almost
smiling.
‘A—watched—pot—never—boils!’ he said,
slowly and with difficulty, and then once more
closed his eyes.”
Ellen Olney Kirke, A Daughter of Eve (1889).
Literature (Father of Modern French),
Claude de Seyssel (1450-1520).
Literature (Father of German), Gotthold
Ephraim Lessing (1729-1781).
Littimer, the painfully irreproachable
valet of Steerforth; in whose presence
David Copperfield feels always most uncomfortably
small. Though as a valet he
is propriety in Sunday best, he is nevertheless
cunning and deceitful. Steerforth, tired
of “Little Em’ly,” wishes to marry her to
Littimer; but from this lot she is rescued,
and migrates to Australia.—C. Dickens,
David Copperfield (1849).
331Little (Thomas). Thomas Moore published,
in 1808, a volume of amatory poems
under this nom de plume. The preface is
signed J.H.H.H.
’Tis Little—young Catullus of his day,
As sweet but as immoral as his lay.
Byron, English Bards and Scotch Reviewers (1809).
Little Corporal (The). General Bonaparte
was so called after the battle of Lodi,
in 1796, from his youthful age and low
stature.
Little Dorrit, the heroine and title of
a novel by C. Dickens (1857). Little
Dorrit was born and brought up in the
Marshalsea prison, Bermondsey, where
her father was confined for debt; and
when about 14 years of age she used to
do needle work, to earn a subsistence for
herself and her father. The child had a
pale, transparent face; quick in expression,
though not beautiful in feature. Her eyes
were a soft hazel, and her figure slight.
The little dove of the prison was idolized
by the prisoners, and when she walked
out, every man in Bermondsey who passed
her, touched or took off his hat out of respect
to her good works and active benevolence.
Her father, coming into a property,
was set free at length, and little
Dorrit married Arthur Clennam, the marriage
service being celebrated in the Marshalsea,
by the prison chaplain.
Little-Endians and Big-Endians,
two religious factions, which waged incessant
war with each other on the right interpretation
of the fifty-fourth chapter of
the Blun´decral; “All true believers
break their eggs at the convenient end.”
The god-father of Calin Deffar Plune, the
reigning emperor of Lilliput, happened to
cut his finger while breaking his egg at
the big end, and therefore commanded all
faithful Lilliputians to break their eggs in
future at the small end. The Blefuscudians
called this decree rank heresy, and
determined to exterminate the believers of
such an abominable practice from the
face of the earth. Hundreds of treatises
were published on both sides, but each
empire put all those books opposed to its
own views into the Index Expurgatorius,
and not a few of the more zealous sort
died as martyrs for daring to follow their
private judgement in the matter.—Swift,
Gulliver’s Travels (“Voyage to Lilliput,”
1726).
Little French Lawyer (The), a comedy
by Beaumont and Fletcher (1647). The
person so called is La Writ, a wrangling
French advocate.
Little Gentleman in Velvet (To the),
a favorite Jacobite toast in the reign of
Queen Anne. The reference is to the mole
that raised the hill against which the horse
of William III. stumbled while riding in
the park of Hampton Court. By this
accident the king broke his collar-bone, a
severe illness ensued, and he died early in
1702.
Little (Henry), young inventor and mechanic,
persecuted by the Trades Unions,
driven to set up a forge in a disused church,
and resort to other means to conceal the
fact that he is doing honest work in an
honest man’s way, carrying on a love affair
at the same time. He is nearly murdered
by the emissaries of the “Union,”
spirited away, and comes to light again
just in time to vindicate his loyalty to his
fianceé, who has been duped into a form of
marriage with another man.—Charles
Reade, Put Yourself in His Place.
Little John, (whose surname was
332Nailor), the fidus Achatês of Robin Hood.Hood.
He could shoot an arrow a measured mile
and somewhat more. So could Robin Hood;
but no other man ever lived who could
perform the same feat. In one of the
Robin Hood ballads we are told that the
name of this free-shooter was John Little,
and that Wiliam Stutely, in merry mood,
reversed the names.
“O, here is my hand,” the stranger replyed;
“I’ll serve you with all my whole heart.
My name is John Little, a man of good mettle;
Ne’er doubt me, for I play my part.”
He was, I must tell you, full seven foot high,
And maybe an ell in the waste....
Brave Stutely said then....
“This infant was called John Little,” quoth he;
“Which name shall be changêd anon;
The words we’ll transpose, so wherever he goes
His name shall be called Little John.”
Ritson, Robin Hood Ballads, ii. 21 (before 1689).
Little John (Hugh). John Hugh Lockhart,
grandson of Sir W. Scott, is so called
by Sir Walter in his Tales of a Grandfather,
written for his grandson.
Little Marlborough, Count von
Schwerin, a Prussian field-marshal and a
companion of the duke of Marlborough
(1684-1757).
Little Nell, a child distinguished for
her purity of character, though living in
the midst of selfishness, impurity, and
crime. She was brought up by her grandfather,
who was in his dotage, and having
lost his property, tried to eke out a narrow
living by selling lumber or curiosities.
At length, through terror of Quilp, the old
man and his grandchild stole away, and
led a vagrant life, the one idea of both
being to get as far as possible from the
reach of Quilp. They finally settled down
in a cottage overlooking a country churchyard,
where Nell died.—C. Dickens, The
Old Curiosity Shop (1840).
Little Queen, Isabella of Valois, who
was married at the age of eight years to
Richard II. of England, and was a widow
at 13 years of age (1387-1410).
Little Red Ridinghood. “We must
call you ‘Little Red Ridinghood!’” said
her mother, as she tied the pretty red
hood under her little girl’s chin. “Now
take this cake and this bottle of wine to
your grandmother, and if you meet people
on the way, wish them ‘good morning.’”
As Little Red Ridinghood went through
the wood, she met Mr. Wolf, and wished
him “good morning!” “Good morning,
little maid,” said he; “and where are you
going?” “I am going to my grandmother’s,”
she said, “to take her this cake and
this bottle of wine.” “You are a nice
little girl,” said Mr. Wolf, “and I wish
you good day!”
As Little Red Ridinghood went along,
she said to herself: “I am sure it would
please my grandmother if I were to bring
her a bunch of flowers!” And in an open
space, where the sun was shining, she
found some nodding columbines and some
blue violets, and made a pretty nosegay.
Mr. Wolf waited till he saw Little Red
Ridinghood busy gathering flowers, and
then he ran on ahead till he came to her
grandmother’s house. He tapped on the
door, and grandmother said, “Who is
there?” Then Mr. Wolf made his voice
as small as he could, and said: “I am
Little Red Ridinghood, and I have
brought you a cake, and a bottle of
wine!”
“Welcome, dear child!” said the grandmother.
“Pull the bobbin, and the latch
will fly up.”
Then Mr. Wolf pulled the bobbin, and
up flew the latch, and in he went; and
there lay the grandmother in the bed, for
she was too old and feeble to get up.
333Then Mr. Wolf ran to the bed, and seized
the poor old grandmother, and ate her up
as quick as a wink. And he put her
night-cap on his head, and jumped into
the bed, and pulled the clothes about his
ears.
Very soon Little Red Ridinghood came
to the door and tapped, and Mr. Wolf
made his voice as small as he could, and
said, “Who is there!” And Little Red
Ridinghood said: “It is I, dear grandmother,
and I have brought you a cake
and a bottle of wine!”
“Welcome, dear child! ” squeaked Mr.
Wolf. “Pull the bobbin, and the latch
will fly up!”
Then Little Red Ridinghood pulled the
bobbin and up flew the latch, and in
she went, and thought she saw her grandmother
lying on the bed. “Come here,
my dear,” said Mr. Wolf, “and sit by
me, for I am old and feeble, and cannot
get up.” Then Little Red Ridinghood
looked at her grandmother, and said:
“Why, grandmother, what big ears you
have!” “The better to hear you with,”
said Mr. Wolf. “Why, grandmother, what
big eyes you have!” “The better to see
you with, my dear!” “Why, grandmother,
what a big mouth you have!”
“The better to eat you with, my dear!”
said Mr. Wolf, and with that he seized
poor Little Red Ridinghood, and ate her
up in the twinkling of an eye.
Littlejohn (Bailie), a magistrate at
Fairport.—Sir W. Scott, The Antiquary
(time, George III.).
Little Sister, Caroline Gann, deserted
wife of Brand Firmin.—W.M. Thackeray,
Adventures of Philip (1860).
Little Sunshine, pet name bestowed
upon Lily Davis, heroine of Bartley Campbell’s
play of the same name.
Livy (The Russian), Nicholas Michaelovitch
Karamzin (1765-1826).
Livy of France, Juan de Mariana
(1537-1624).
Livy of Portugal, Joào de Barros
(1496-1570).
Liz, “slender slip of a creature” in the
Lancashire coal region, ignorant, emotional,
weak, easily led, ready to err, unable
to bear the consequences of error,
not strong enough to be resolutely wicked,
nor strong enough to be anything in particular,
but that which her surroundings
make her. Naturally she sins, and is
sorry. Joan Lowrie’s strong hands lay
hold of and hold her up. She relapses
into vice, and returns to die at Joan’s
door.—Francis Hodgson Burnett, That
Lass o’ Lowrie’s (1877).
Lizzie Hexam, daughter of a disreputable
waterman, Gaffer Hexam. Devoted
sister, and pure, lovely woman, who supports
and educates herself, and finally
marries Eugene Wrayburn.—Charles Dickens,
Our Mutual Friend (1861).
Lla´ian, the unwed mother of Prince
Hoel. His father was Prince Hoel, the
illegitimate son of King Owen, of North
Wales. Hoel, the father, was slain in battle
by his half-brother, David, successor
to the throne; and Llaian, with her young
son, also called Hoel, accompanied Prince
Madoc to America.—Southey, Madoc
(1805).
Llewel´lyn, son of Yorwerth, and
grandson of Owen, king of North Wales.
Yorwerth was the eldest son, but was set
aside because he had a blemish in the face,
and his half-brother, David, was king.
David began his reign by killing or banishing
334all the family of his father who
might disturb his succession. Amongst
those he killed was Yorwerth, in consequence
of which Llewellyn resolved to
avenge his father’s death; and his hatred
against his uncle was unbounded.—Southey,
Madoc (1805).
Lloyd with an “L.”
One morning a Welsh coach-maker came with
his bill to my lord [The earl of Brentford].
“You called, I think, Mr. Lloyd?” “At your
lordship’s service, my lord.” “What! Lloyd
with an ‘L?’” It was with an “L.” “In your
part of the world I have heard that Lloyd and
Flloyd are synonymous; is it so?” inquired his
lordship. “Very often, indeed, my lord,” was
the reply. “You say that you spell your name
with an ‘L?’” “Always, my lord.” “That,
Mr. Lloyd, is a little unlucky; for I am paying
my debts alphabetically, and in four or five
years you might have come in with the ‘F’s;’
but I am afraid I can give you no hopes for
your ‘L.’ Good morning.”—S. Foote, The Lame
Lover.
L.N.R., nom de plume of Mrs. Ranyard,
authoress of The Book and its Story, The
Missing Link, etc. Died 1879.
Loathly Lady (The), a hideous creature,
whom Sir Gaw´ain marries, and who
immediately becomes a beautiful woman.—The
Marriage of Sir Gawain (a ballad).
The walls ... were clothed with grim old
tapestry, representing the memorable story of
Sir Gawain’s wedding ... with the Loathly
Lady.—Sir W. Scott.
Loba´ba, one of the sorcerers in the
caverns of Dom-Daniel, “under the roots
of the ocean.” These spirits were destined
to be destroyed by one of the race
of Hodeirah, and therefore, they persecuted
the whole of that race even to death.
Thala´ba, however, escaped their malice,
and became their destroyer. Okba tried
to kill him, but failed. Abdaldar was
next sent against him, and would have
struck the lad in prayer, but was himself
killed by a simoom. Lobāba was the
third envoy sent to compass his death.
He assumed the guise of an old merchant,
and beguiled the young man into the wilderness,
where he roused up a furious
whirlwind; but Thalaba was saved, and
Lobaba himself fell a victim to the storm
which he had raised.—Southey, Thalaba,
the Destroyer (1797).
Lochiel´ (2 syl.). Sir Evan Cameron,
lord of Lochiel, surnamed “The Black”
and “The Ulysses of the Highlands,” died
1719. His son, called “The Gentle Lochiel,”
is the one referred to by Thomas
Campbell in Lochiel’s Warning. He fought
in the battle of Cullo´den for Prince
Charles, the Young Pretender (1746).
Lochiel, Lochiel, beware of the day
When the Lowlands shall meet thee in battle array!
For a field of the dead rushes red on my sight,
And the clans of Cullo´den are scattered in fight.
Campbell, Lochiel’s Warning,
And Cameron, in the shock of steel,
Die like the offspring of Lochiel.
Sir W. Scott, Field of Waterloo.
Lochinvar´, a young Highlander, in
love with a lady at Netherby Hall (condemned
to marry a “laggard in love and a
dastard in war”). Her young chevalier
induced the too-willing lassie to be his
partner in a dance; and while the guests
were intent on their amusements, swung
her into his saddle and made off with her
before the bridegroom could recover from
his amazement.—Sir W. Scott, Marmion
(1808).
Lochleven (The Lady of), mother of
the Regent Murray.—Sir W. Scott, The
Abbot (time, Elizabeth).
Lockit, the jailer in Gay’s Beggar’s
335Opera. He was an inhuman brute, who
refused to allow Captain Macheath any
more candles in his cell, and threatened to
clap on extra fetters, unless he supplied
him with more “garnish” (jail fees).
Lockit loaded his prisoners with fetters
in inverse proportion to the fees which
they paid, ranging “from one guinea to
ten.” (See Lucy.)—J. Gay, The Beggar’s
Opera (1727).
The quarrel between Peachum and Lockit
was an allusion to a personal collision between
Walpole and his colleague, Lord Townsend.—R.
Chambers, English Literature, i. 571.
Locksley, alias “Robin Hood,” an archer
at the tournament (ch. xiii.). Said to have
been the name of the village where the
outlaw was born.—Sir W. Scott, Ivanhoe
(time, Richard I.).
Locksley Hall, a poem by Tennyson,
in which the hero, the Lord of Locksley
Hall, having been jilted by his Cousin
Amy for a rich boor, pours forth his feelings
in a flood of vehement scorn and indignation.
In his old age Tennyson took
up the theme again, and wrote Locksley
Hall Sixty Years After.
Locrine (2 syl.), father of Sabri´na, and
eldest son of the mythical Brutus, king of
ancient Britain. On the death of his
father, Locrine became king of Loe´gria
(England).
Locusta, a by-word of infamy. She
lived in the early part of the Roman Empire.
Locusta poisoned Claudius and Britannicus,
and attempted to destroy Nero,
but, being found out, was put to death.
Loda or Cruth-Loda, a Scandinavian
god, which dwelt “on the misty top of
Uthorno ... the house of the spirits of
men.” Fingal did not worship at the
“stone of this power,” but looked on it
as hostile to himself and friendly to his
foes. Hence, when Loda appeared to him
on one occasion, Fingal knew it was with
no friendly intent, and with his sword he
cleft the intrenched spirit in twain.twain.
Whereupon it uttered a terrible shriek,
which made the island tremble; and,
“rolling itself up, rose upon the wings of
the wind,” and departed. (See Mars
Wounded).—Ossian, Carric-Thura.
(In Oina-Moral, “Loda” seems to be a
place:
They stretch their hands to the shells in Loda).
Lodbrog, king of Denmark (eighth
century), famous for his wars and victories.
He was also an excellent scald or
bard, like Ossian. Falling into the hands
of his enemies, he was cast into jail and
devoured by serpents.
Lodois´ka (4 syl.), a beautiful Polish
princess, in love with Count Floreski.
She is the daughter of Prince Lupauski,
who places her under the protection of a
friend (Baron Lovinski) during a war between
the Poles and Tartars. Here her
lover finds her a prisoner at large; but
the baron seeks to poison him. At this
crisis, the Tartars arrive and invade the
castle. The baron is killed, the lady released,
and all ends happily.—J. P. Kembel,
Lodoiska (a melodrama).
Lodo´na, a nymph, fond of the chase.
One day Pan saw her, and tried to catch
her; but she fled, and implored Cynthia
to save her. Her prayer was heard, and
she was instantly converted into “a silver
stream, which ever keeps its virgin coolness.”
Lodona is an affluent of the
Thames.—Pope, Windsor Forest (1713).
Lodovi´co, kinsman to Brabantio, the
336father of Desdemona.—Shakespeare, Othello
(1611).
Lodovico and Piso, two cowardly
gulls.—Beaumont and Fletcher, The Captain
(1613).
Lodowick, the name assumed by the
duke of Vienna, when he retired for a
while from State affairs, and dressed as a
friar, to watch the carrying out of a law
recently enforced against prostitution.—Shakespeare,
Measure for Measure (1603).
Loe´gria (4 syl.), England, the kingdom
of Logris or Locrine, eldest son of
Brute, the mythical king of Britain.
Thus Cambria [Wales] to her right that would herself restore,
And rather than to lose Loëgria, looks for more.
M. Drayton, Polyolbion, iv. (1612).
Il est écrit qu’il est une heure
Où tout le royaume de Logres,
Qui jadis fut la terre ès ogres
Sera détruit par cette lance.
Chrétien de Troyes, Parzival (1170).
Lofty, a detestable prig, always boasting
of his intimacy with people of quality.—Goldsmith,
The Good-natured Man
(1767).
Lofty (Sir Thomas), a caricature of Lord
Melcombe. Sir Thomas is a man utterly
destitute of all capacity, yet sets himself
up for a Mecænas, and is well sponged by
needy scribblers, who ply him with fulsome
dedications.—Samuel Foote, The Patron.
Log (King), a roi fainéant. The frogs
prayed to Jove to send them a king, and
the god threw a log into the pool, the
splash of which terribly alarmed them for
a time; but they soon learnt to despise a
monarch who allowed them to jump upon
its back, and never resented their familiarities.
The croakers complained to Jove
for sending them so worthless a king, and
prayed him to send one more active and
imperious; so he sent them a stork, which
devoured them.—Æsop’s Fables.
Logistil´la, a good fairy, sister of Alci´na,
the sorceress. She taught Ruggie´ro
(3 syl.) to manage the hippogriff, and gave
Astolpho a magic book and horn. Logistilla
is human reason personified.—Ariosto,
Orlando Furioso (1516).
Logothete (The), or chancellor of the
Grecian empire.—Sir W. Scott, Count
Robert of Paris (time, Rufus).
Lohengrin, “Knight of the Swan,” son
of Parsival. He came to Brabante in a
ship drawn by a swan, and having liberated
the Duchess Elsa, who was a captive,
he married her, but declined to reveal
his name. Not long after his marriage
he went against the Huns and Saracens,
performed marvels of bravery, and returned
to Germany covered with glory.
Elsa, being laughed at by her friends for
not knowing the name of her husband, resolved
to ask him of his family; but no
sooner had she done so than the white
swan re-appeared and carried him away.—Wolfram
von Eschenbach (a minnesinger,
thirteenth century).
L’Oiseleur (“the bird-catcher”), the person
who plays the magic flute.—Mozart,
Die Zauberflöte (1791).
Loki, the god of strife and spirit of all
evil. His wife is Angerbode (4 syl.), i.e.
“messenger of wrath,” and his three sons
are Fenris, Midgard, and Hela. Loki gave
the blind god Höder an arrow of mistletoe,
and told him to try it; so the blind Höder
discharged the arrow and slew Balder (the
Scandinavian Apollo). This calamity was
337so grievous to the gods, that they unanimously
agreed to restore him to life again.—Scandinavian
Mythology.
Lolah, one of the three beauties of the
harem, into which Don Juan in female disguise
was admitted. She “was dusk as
India and as warm.” The other two were
Katin´ka and Dudù.—Byron, Don Juan, vi.
40, 41 (1824).
Lol´lius, an author often referred to by
writers of the Middle Ages, but probably
a “Mrs. Harris” of Kennotwhere.
Lollius, if a writer of that name existed at all,
was a somewhat somewhere.—Coleridge.
London Antiquary (A). John Camden
Hotten published his Dictionary of
Modern Slang, etc., under this pseudonym.
London Bridge is Built on Woolpacks.
In the reign of Henry II., Pious
Peter, a chaplain of St. Mary Colechurch,
in the Poultry, built a stone bridge in lieu
of the wooden one which had been destroyed
by fire. The king helped him by
a tax on wool, and hence the saying referred
to above.
Long (Tom), the hero of an old popular
tale entitled The Merry Conceits of Tom
Long, the Carrier, etc.
Long Peter, Peter Aartsen, the Flemish
painter. He was so called from his
extraordinary height (1507-1573).
Long-Sword (Richard), son of the
“fair Rosamond” and Henry II. His
brother was Geoffrey, archbishop of York.
Long-sword, the brave son of beauteous Rosamond.
Drayton, Polyolbion, xviii. (1613).
Long-Sword, William I., of Normandy,
son of Rollo, assassinated by the count of
Flanders (920-943).
Long Tom Coffin, a sailor of heroic
character and most amiable disposition,
introduced by Fenimore Cooper, in his
novel called The Pilot. Fitzball has dramatized
the story.
Longaville (3 syl.), a young lord attending
on Ferdinand, king of Navarre.
He promises to spend three years in study
with the king, during which time no
woman is to approach the court; but no
sooner has he signed the compact than he
falls in love with Maria. When he proposes
to her, she defers his suit for twelve
months, and she promises to change her
“black gown for a faithful friend” if he
then remains of the same mind.
A man of sovereign parts he is esteemed;
Well fitted in the arts, glorious in arms;
Nothing becomes him ill, that he would well.
The only soil of his fair virtue’s gloss ...
Is a sharp wit matched with too blunt a will;
Whose edge hath power to cut, whose will still wills
It should none spare that come within his power.
Shakespeare, Love’s Labor’s Lost, act ii. sc. 1.
Longchamp, bishop of Ely, high justiciary
of England during the absence of
King Richard Cœur de Lion.—Sir W.
Scott, The Talisman (time, Richard I.).
Longevity. The following have exceeded
a hundred years:—
Thomas Cam (207!!), according to the
parish register of St. Leonard’s Church,
Shoreditch, died January 22, 1588, aged
207 years. If so, he was born 1381, in 4th
Richard II., and died 13th Elizabeth.
Thomas Parr (152), born 1483, died
1635.
Henry Jenkins (169), born 1591, died
1760.
338Catharine, countess of Desmond (140),
fifteenth century.
Henry Hastings (102), forester to Charles
I. (1537-1639).
Henry Evans (129), a Welshman (1642-1771).
Jane Scrimshaw (127), lived in the reigns
of eight sovereigns (1584-1711).
Alice, of Philadelphia (116), born 1686,
died 1802.
Thomas Laugher, of Markley, Worcesshire
(107), born 1700, died 1807. His
mother died at the age of 108.
Margaret Patten or Batten, of Glasgow
(136). She was born in the reign of Elizabeth
(1603), and died 1739. She was
buried in St. Margaret’s, Westminster, and
a portrait of her is in St. Margaret’s workhouse.
In Shiffnal (Salop), St. Andrew’s Church,
are these tablets:
William Wakley (124), baptized at
Idsall, otherwise Shiffnal, May 1, 1590;
and was buried at Adbaston, November
28, 1714. He lived in the reign of eight
sovereigns.
Mary Yates (127), wife of Joseph Yates,
of Lizard Common, Shiffnal, was born
1649, and buried August 7, 1776. She
walked to London just after the fire in
1666, was hearty and strong at 120 years,
and married, at 92 years of age, her third
husband.
Longius, the name of the Roman
soldier who pierced the crucified Saviour
with a spear. The spear came into the
possession of Joseph of Arimathea.—Sir
T. Malory, History of Prince Arthur, i. 41
(1470).
Longomonta´nus (Christian), of Jutland,
a Danish astronomer (1562-1647).
What did your Cardan [an Italian astronomer],
and your Ptolemy, your Messahalah and your
Longomontanus, your harmony of chiromancy
with astrology?—W. Congreve, Love for Love,
iv. (1695).
Loningtoe (Mr.). Principal of the
school-ship Young America, whose first
voyage is described in Outward Bound,
by William T. Adams, (Oliver Optic).
Loose-Coat Field. The battle of
Stamford (1470) was so called, because
the men led by Lord Wells, being attacked
by the Yorkists, threw off their
coats, that they might flee the faster.
Cast off their country’s coats, to haste their speed away.
Which “Loose-Coat Field” is called e’en to this day.
Drayton, Polyolbion, xxii. (1622).
Lo´pe de Vega (Felix), a Spanish
poet born at Madrid. He was one
of those who came in the famous “Armada”
to invade EnglandEngland. Lope (2 syl.)
wrote altogether 1800 tragedies, comedies,
dramas, or religious pieces called autos
sacramentales (1562-1635).
Her memory was a mine. She knew by heart
All Calderon and greater part of Lopé.
Byron, Don Juan, i. 11 (1819).
Lopez, the “Spanish curate.”—Beaumont
and Fletcher, The Spanish Curate,
(1622).
Lopez (Don), a Portuguese nobleman,
the father of Don Felix and Donna Isabella.—Mrs.
Centlivre, The Wonder (1714).
Lord, a hunchback. (Greek, lordos,
“crooked”).
Lord Peter. The pope is so called in
Dr. Arbuthnot’s History of John Bull.
Swift, in his Tale of a Tub, introduces the
three brothers, Peter, John, and Martin,
meaning the pope, Calvin, and Luther.
339Lord Strutt. Charles II., of Spain,
is so called by Dr. Arbuthnot, in his
History of John Bull (1712).
Every one must remember the paroxysm of
rage into which poor Lord Strutt fell, on hearing
that his runaway servant, Nic. Frog, his
clothier, John Bull, and his old enemy, Lewis
Baboon, had come with quadrants, poles, and
ink-horns, to survey his estate, and to draw his
will for him.—Macaulay.
Lord Thomas and Annet had a
lovers’ quarrel; whereupon, Lord Thomas,
in his temper, went and offered marriage
to the nut-brown maid who had houses
and lands. On the wedding day, Annet
went to the church, and Lord Thomas
gave her a rose, but the nut-brown maid
killed her with a “bodkin from her head-gear.”
Lord Thomas, seeing Annet fall,
plunged his dagger into the heart of the
murderess, and then stabbed himself.
Over the graves of Lord Thomas and the
lair Annet grew “a bonny briar, and by
this ye may ken that they were lovers
dear.” In some versions of this story
Annet is called “Elinor.”—Percy, Reliques,
etc., III. iii.
Lord of Crazy Castle, John Hall
Stevenson, author of Crazy Tales (in
verse). J. H. Stevenson lived at Skelton
Castle, which was nicknamed “Crazy
Castle” (1718-1780).
Lord of the Isles, Donald of Islay,
who in 1346 reduced the Hebridês under
his sway. The title of “lord of the
Isles” had been borne by others for
centuries before, was borne by Stevenson’s
successors, and is now one of the
titles of the prince of Wales.
Sir W. Scott has a metrical romance
entitled The Lord of the Isles (1815).
Loredani (Giacomo), interpreter of
King Richard I.—Sir W. Scott, The Talisman
(time, Richard I.).
Loreda´no (James), a Venetian patrician,
and one of the Council of Ten.
Loredano was the personal enemy of the
Fos´cari.—Byron, The Two Foscari (1820).
Lorelei. Syren, fabled to dwell in the
Rhine, and sitting on the rocks, to lure
by her song passers-by to destruction.
Loren´zo, a young man with whom
Jes´sica, the daughter of the Jew, Shylock,
elopes.—Shakespeare, The Merchant of
Venice (1698).
Lorenzo, an atheist and reprobate, whose
remorse ends in despair.—Dr. Young,
Night Thoughts (1742-6).
⁂ Some affirm that Lorenzo is meant
for the poet’s own son.
Lorenzo (Colonel), a young libertine
in Dryden’s drama, The Spanish Fryar
(1680).
Lorimer, one of the guard at Ardenvohr
Castle.—Sir W. Scott, Legend of
Montrose (time, Charles I.).
Loriot, “the confidante and servante” of
Louis XV. Loriot was the inventor of
lifts, by which tables descended, and rose
again covered with viands and vines.
The shifting sideboard plays its humble part,
Beyond the triumphs of a Loriot’s art.
S. Rogers, Epistle to a Friend (1798).
Lorma, wife of Erragon, king of Sora,
in Scandinavia. She fell in love with Aldo,
a Caledonian officer in the king’s army.
The guilty pair escaped to Morven, which
Erragon forthwith invaded. Erragon encountered
Aldo in single combat, and slew
him; was himself slain in battle by Gaul,
340son of Morni; and Lorma died of grief.—Ossian,
The Battle of Lora.
Lorn (M’Dougal of), a Highland chief in
the army of Montrose.—Sir W. Scott,
Legend of Montrose (time, Charles I.).
Lorna Doone. Beautiful maiden
brought up in the midst of the outlaw
Doones, and afterwards married to John
Ridd.—R. D. Blackmore, Lorna Doone.
Lorrequer (Harry), the hero and title
of a military novel by Charles Lever.
Lor´rimite (3 syl.), a malignant witch,
who abetted and aided Ar´valan in his
persecutions of Kail´yal, the beautiful and
holy daughter of Ladur´lad.—Southey,
Curse of Kehama, xi. (1809).
Lorry (Jarvis), one of the firm in Tellson’s
bank, Temple Bar, and a friend of
Dr. Manette. Jarvis Lorry was orderly,
precise and methodical, but tender-hearted
and affectionate.
He had a good leg and was a little vain of it.
... and his little sleek, crisp, flaxen wig looked
as if it was spun silk... His face, habitually
suppressed and quiet, was lighted up by a pair
of moist, bright eyes.—C. Dickens, A Tale of Two
Cities, i. 4 (1859).
Losberne (2 syl.), the medical man
called in by Mrs. Maylie to attend Oliver
Twist, after the attempted burglary by
Bill Sikes and his associates.—C. Dickens,
Oliver Twist (1837).
Lot, consul of Londonesia, and afterwards
king of Norway. He was brother
of Urian and Augusel, and married Anne
(own sister of King Arthur), by whom he
had two sons, Walgan and Modred.—Geoffrey,
British History, viii. 21; ix. 9,
10 (1142).
⁂ This account differs so widely from
that of Arthurian romance, that it is not
possible to reconcile them. In the History
of Prince Arthur, Lot, king of Orkney,
marries Margawse, the “sister of King
Arthur” (pt. i. 2). Tennyson, in his
Gareth and Lynette, says that Lot’s wife
was Bellicent. Again, the sons of Lot are
called, in the History, Gaw´ain, Agravain,
Ga´heris, and Gareth; Mordred is their
half-brother, being the son of King
Arthur and the same mother.—Sir T.
Malory, History of Prince Arthur, i. 2, 35,
36 (1470).
Lot, king of Orkney. According to the
Morte d’Arthur, King Lot’s wife was Margawse
or Morgawse, sister of King Arthur,
and their sons were Sir Gaw´ain, Sir Ag´ravain,
Sir Ga´heris, and Sir Gareth.—Sir
T. Malory, History of Prince Arthur, i. 36
(1470).
Once or twice Elain is called the wife
of Lot, but this is a mistake. Elain was
Arthur’s sister, by the same mother, and
was the wife of Sir Nentres, of Carlot.
Mordred was the son of Morgawse, by her
brother Arthur, and consequently Gawain,
Agravain, Gaheris, and Gareth were his
half-brothers.
Lot, king of Orkney. According to
Tennyson, King Lot’s wife was Bellicent,
daughter of Gorloïs, lord of Tintag´il Castle,
in Cornwall, and Lot was the father of
Gaw´ain (2 syl.) and Modred. This account
differs entirely from the History of
Prince Arthur, by Sir T. Malory. There
the wife of Lot is called Margawse or Morgawse
(Arthur’s sister). Geoffrey of Monmouth,
on the other hand, calls her Anne
(Arthur’s sister). The sons of Lot, according
to the History, were Gawain, Agravain,
Gaheris, and Gareth; Modred or
Mordred being the offspring of Morgawse
341and Arthur. This ignoble birth the History
assigns as the reason of Mordred’s
hatred to King Arthur, his adulterous
father and uncle. Lot was subdued by
King Arthur, fighting on behalf of Leodogran
or Leodogrance, king of Cam´eliard.—See
Tennyson, Coming of Arthur.
Lot’s Wife, Wâhela, who was confederate
with the men of Sodom, and gave
them notice when any stranger came to
lodge in the house. Her sign was smoke
by day and fire by night. Lot’s wife was
turned into a pillar of salt.—Jallâlo´ddin,
Al Zamakh.
Lothair. Young English gentleman,
the hero of the once-famous political novel
of the same name, by Benjamin Disraeli
(Lord Beaconsfield). The action
of the story turns chiefly upon the vacillation
of Lothair between the claims of
the Roman Catholic and of the English
Church. He decides to unite himself with
the latter.
Lotha´rio, a noble cavalier of Florence,
the friend of Anselmo. Anselmo induced
him to put the fidelity of his wife, Camilla,
to the test, that he might rejoice in her
incorruptible virtue; but Camilla was not
trial-proof, and eloped with Lothario.
Anselmo then died of grief, Lothario was
slain in battle, and Camilla died in a convent.—Cervantes,
Don Quixote, I. iv. 5, 6
(“Fatal Curiosity,” 1605).
Lothario, a young Genoese nobleman,
“haughty, gallant, gay, and perfidious.”
He seduced Calista, daughter of Sciol´to
(3 syl.), a Genoese nobleman, and was
killed in a duel by Altamont, the husband.
This is the “gay Lothario,” which has become
a household word for a libertine and
male coquette.—N. Rowe, The Fair Penitent
(1703).
Is this the haughty, gallant, gay Lothario?
Rowe, The Fair Penitent.
⁂ The Fair Penitent is taken from
Massinger’s Fatal Dowry, in which Lothario
is called “Novall, Junior.”
Lothian (Scotland). So named from
Llew, second son of Arthur; also called
Lotus and Lothus. Arthur’s eldest son
was Urian, and his youngest Arawn.
⁂ In some legends, Lothian is made
the father of Modred or Medraut, leader
of the rebellious army which fought at
Camlan, A.D. 537, in which Arthur received
his death-wound; but in Malory’s collection,
called The History of Prince Arthur, Modred
is called the son of Arthur by his own
sister, the wife of King Lot.
Lotte (2 syl.), a young woman of strong
affections and domestic winning ways, the
wife of Albert, a young German farmer.
Werther loved Lotte when she was only
betrothed to Albert, and continued to love
her after she became a young wife. His
mewling and puling after this “forbidden
fruit,” which terminates in suicide, make
up the sum and substance of the tale,
which is told in the form of letters addressed
to divers persons.—Goethe, Sorrows
of Werther (1774).
“Lotte” was Charlotte Buff, who married
Kestner, Goethe’s friend, the “Albert”
of the novel. Goethe was in love with
Charlotte Buff, and her marriage with
Kestner soured the temper of his over-sensitive
mind.
Lotus-Eaters or Lotoph´agi, a people
who ate of the lotus tree, the effect of which
was to make them forget their friends and
homes, and to lose all desire of returning
to their native land. The lotus-eater
only cares to live in ease, luxury, and idleness.—Homer,
Odyssey, xi.
342⁂ Tennyson has a poem called The
Lotos-Eaters, a set of islanders who live
in a dreamy idleness, weary of life and regardless
of all its stirring events.
Louis, duc d’Orléans.—Sir W. Scott,
Quentin Durward (time, Edward IV.).
Louis de Bourbon, the prince-bishop
of Liège [Le.age].—Sir W. Scott, Quentin
Durward (time, Edward IV.).
Louis IX.. The sum of the figures
which designate the birth-date of this
king will give his titular number. Thus,
he was born in 1215, the sum of which
figures is 9. This is true of several other
kings. This discovery might form an occasional
diversion on a dull evening. (See
Louis XIV. and XVIII.).
Louis XI., of France, introduced by Sir
W. Scott in two novels, Quentin Durward
and Anne of Geierstein (time, Edward IV.).
Crafty, ambitious and cruel. He was
the first monarch to establish post-offices
in France (1435-1483).
⁂ In Quentin Durward he appears first
disguised as Maitre Pierre, a merchant.
Louis XIII., of France, “infirm in health,
in mind more feeble, and Richelieu’s plaything.”—Lord
Lytton, Richelieu (1839).
Louis XIV. It is rather remarkable
that the number 14 is obtained by adding
together the figures of his age at death, the
figures which make the date of his coronation,
and the figures of the date of his
death. For example:
Age 77, which added together = 14.
Crowned 1643, which added together = 14.
Died 1715, which added together = 14.
Louis XIV. and La Vallière. Louis
XIV. fell in love with La Vallière, a young
lady in the queen’s train. He overheard
the ladies chatting. One said, “How
handsome looks the duke de Guiche to-night?”
Another said, “Well to my taste,
the graceful Grammont bears the bell from
all.” A third remarked, “But then that
charming Lauzun has so much wit.” But
La Vallière said, “I scarcely marked them.
When the king is by, who can have eyes,
or ears, or thought for others?” and when
the others chaffed her, she replied:
Who spoke of love?
The sunflower, gazing on the lord of heaven,
Asks but its sun to shine. Who spoke of love?
And who would wish the bright and lofty Louis
To stoop from glory?
Act i. 5.
Louis degraded this ethereal spirit into a
“soiled dove,” and when she fled to a convent
to quiet remorse, he fetched her out
and took her to Versailles. Wholly unable
to appreciate such love as that of La
Vallière, he discarded her for Mde. de
Montespan, and bade La Vallière marry
some one. She obeyed the selfish monarch
in word, by taking the veil of a Carmelite
nun.—Lord Lytton, The Duchess de la
Vallière (1836).
Louis XIV. and his Coach. It was Lord
Stair and not the duke of Chesterfield
whom the Grand Monarque commended
for his tact in entering the royal carriage
before his majesty, when politely bidden
by him so to do.
Louis XVIII., nicknamed Des-huî-tres,
because he was a great feeder, like all the
Bourbons, and especially fond of oysters.
Of course the pun is on dixhuit (18).
As in the case of Louis IX.(q.v.), the
sum of the figures which designate the
birth-date of Louis XVIII. give his titular
number. Thus, he was born in 1755,
which added together equal 18.
343Louis Philippe, of France. It is somewhat
curious that the year of his birth, or
the year of the queen’s birth, or the year
of his flight, added to the year of his coronation,
will give the year 1848, the date
of his abdication. He was born 1773, his
queen was born 1782, his flight was in
1809; whence we get:
| 1830 |
|
|
1830 |
|
|
1830 |
|
year of coronation. |
| 1 |
 |
|
1 |
 |
|
1 |
 |
|
| 7 |
birth. |
7 |
queen’s |
8 |
flight. |
| 7 |
|
8 |
birth. |
0 |
|
| 3 |
|
2 |
|
9 |
|
| 1848 |
|
|
1848 |
|
|
1848 |
|
year of abdication. |
(See Napoleon III. for a somewhat
similarsimilar coincidence).
Louisa, daughter of Don Jerome, of
Seville, in love with Don Antonio. Her
father insists on her marrying Isaac Mendoza,
a Portuguese Jew, and, as she refuses
to obey him, he determines to lock
her up in her chamber. In his blind rage,
he makes a great mistake, for he locks up
the duenna, and turns his daughter out of
doors. Isaac arrives, is introduced to the
locked-up lady, elopes with her, and
marries her. Louisa takes refuge in St.
Catherine’s Convent, and writes to her
father for his consent to her marriage with
the man of her choice. As Don Jerome
takes it for granted she means Isaac, the
Jew, he gives his consent freely. At
breakfast-time it is discovered by the old
man that Isaac has married the duenna,
and Louisa, Don Antonio; but Don
Jerome is well pleased and fully satisfied.—Sheridan,
The Duenna (1775).
Mrs. Mattocks (1745-1826) was the first
“Louisa.”
Louisa, daughter of Russet, bailiff to the
duchess. She was engaged to Henry, a
private in the king’s army. Hearing a
rumor of gallantry to the disadvantage of
her lover, she consented to put his love
to the test by pretending that she was
about to marry Simkin. When Henry
heard thereof, he gave himself up as a deserter,
and was condemned to death.
Louisa then went to the king to explain
the whole matter, and returned with the
young man’s pardon just as the muffled
drums began the death march.—Dibdin,
The Deserter (1770).
Louise, (2 syl.), the glee-maiden.—Sir
W. Scott, Fair Maid of Perth (time, Henry
IV.).
Louise [de Lascours], wife of Ralph,
captain of the Uran´ia, and mother of
Martha (afterwards called Orgari´ta).
Louise de Lascours sailed with her infant
daughter and her husband in the Urania.
Louise and the captain were drowned by
the breaking up of an iceberg; but Martha
was rescued by some wild Indians, who
brought her up, and called her name Orgarita
(“withered wheat”).—E. Stirling,
Orphan of the Frozen Sea (1856).
Louisiana (Rogers). Pretty, untrained
daughter of a plain planter. A city
woman takes a fancy to try an experiment
upon her, invites her to visit her at the
Springs, coaches her in etiquette and conceals
her name and origin. Louisiana
confides the result to the father of whom
she has been ashamed:
“I was not bad quite enough to see them
cast a slight on you.... I told them the truth—that
you were my father, and that I loved you
and was proud of you—that I might be ashamed
of myself and all the rest, but not of you—never of
you—for I wasn’t worthy to kiss your feet!”—Frances
Hodgson Burnett, Louisiana (1889).
Loupgarou, leader of the army of
giants in alliance with the Dipsodes (2
syl.). As he threatened to make mincemeat
344of Pantag´ruel, the prince gave him
a kick which overthrew him, then, lifting
him up by his ankles, he used him a quarter-staff.
Having killed all the giants in
the hostile army, Pantagruel flung the
body of Loupgarou on the ground, and by
so doing crushed a tom-cat, a tabby, a
duck, and a brindled goose.—Rabelais,
Pantagruel, ii. 29 (1533).
Louponheight (The young laird of),
at the ball at Middlemas.—Sir W. Scott,
The Surgeon’s Daughter (time, George II.).
Lourdis, an idiotic scholar of Sorbonne.
De la Sorbonne un Docteur amoureux
Disoit ung jour à sa dame rebelle;
“Je ne puis rien meriter de vous, belle” ...
Arguo sic: “Si magister Lourdis
De sa Catin meriter ne peut rien;
Ergo ne peut meriter paradis,
Car, pour le moins, paradis la vaut bien.”
Marot, Epigram.
When Doctor Lourdis cried, in humble spirit,
The hand of Kath’rine he could never merit,
“Then heaven to thee,” said Kate, “can ne’er be given,
For less my worth, you must allow, than
heaven.”heaven.”
Lourie (Tam), the innkeeper at Marchthorn.—Sir
W. Scott, St. Ronan’s Well
(time, George II.).
Love, patient, meek wife of Freedom
Wheeler, who sinks—still meekly—into
the grave, after disappointing him in his
desire to have a son called by his and his
father’s name.—Rose Terry Cooke, Freedom
Wheeler’s Controversy.
Love, a drama by S. Knowles (1840).
The Countess Catherine is taught by a
serf named Huon, who is her secretary,
and falls in love with him; but her pride
struggles against such an unequal match.
The duke, her father, hearing of his daughter’s
love, commands Huon, on pain of
death, to marry Catherine, a freed serf.
He refuses; but the countess herself bids
him obey. He plights his troth to Catherine,
supposing it to be Catherine, the
quondam serf, rushes to the wars, obtains
great honors, becomes a prince, and then
learns that the Catherine he has wed is the
duke’s daughter.
Love, or rather affection, according to
Plato, is disposed in the liver.
Within, some say, Love hath his habitation;
Not Cupid’s self, but Cupid’s better brother;
For Cupid’s self dwells with a lower nation,
But this, more sure, much chaster than the other.
Ph. Fletcher, The Purple Island (1633).
Love. “Man’s love is of man’s life a
thing apart; ’tis woman’s whole existence.”—Byron,
Don Juan, i. 194 (1819).
Love.
’Tis better to have loved and lost,
Than never to have loved at all.
Tennyson, In Memoriam, xxvii.
Thomas Moore, in his Irish Melodies,
expresses an opposite opinion:
Better far to be
In endless darkness lying
Than be in light and see
That light forever flying.
All that’s Bright must Fade.
Love. All for Love or the World Well
Lost, a tragedy by Dryden, on the same
subject as Shakespeare’s Antony and Cleopatra
(1679).
Love á-la-Mode, by C. Macklin (1779).
The “love à-la-mode” is that of fortune-hunters.
Charlotte Goodchild is courted
by a Scotchman “of ponderous descent,”
an Italian Jew broker of great fortune,
and an Irishman in the Prussian army.
345It is given out that Charlotte has lost her
money through the bankruptcy of Sir
Theodore Goodchild, her guardian. Upon
this, the à-la-mode suitors withdraw, and
leave Sir Callaghan O’Brallaghan, the true
lover, master of the situation. The tale
about the bankruptcy is, of course, a mere
myth.
Love-Chase (The), a drama by S.
Knowles (1837). Three lovers chased
three beloved ones, with a view to marriage.
(1) Waller loves Lydia, lady’s maid
to Widow Green, but in reality the sister
of Trueworth. She quitted home to avoid
a hateful marriage, and took service for
the nonce with Widow Green. (2) Wildrake
loves Constance, daughter of Sir
William Fondlove. (3) Sir William Fondlove,
aged 60, loves Widow Green, aged
40. The difficulties to be overcome were
these: The social position of Lydia galled
the aristocratic pride of Waller, but love
won the day. Wildrake and Constance
sparred with each other, and hardly knew
they loved till it dawned upon them that
each might prefer some other, and then
they felt that the loss would be irreparable.
Widow Green set her heart on marrying
Waller; but as Waller preferred Lydia,
she accepted Sir William for better or
worse.
Love Doctor (The), L’Amour Médecin,
a comedy by Molière (1665). Lucinde,
the daughter of Sganarelle, is in love, and
the father calls in four doctors to consult
upon the nature of her malady. They see
the patient, and retire to consult together,
but talk about Paris, about their visits,
about the topics of the day; and when the
father enters to know what opinion they
have formed, they all prescribe different
remedies, and pronounce different opinions.
Lisette then calls in a “quack”
doctor (Clitandre, the lover), who says
that he must act on the imagination, and
proposes a seeming marriage, to which
Sganarelle assents, saying, “Voila un
grand médecin.” The assistant, being a
notary, Clitandre and Lucinde are formally
married.
⁂ This comedy is the basis of the Quack
Doctor, by Foote and Bickerstaff, only in
the English version Mr. Ailwood is the
patient.
Love in a Village, an opera by Isaac
Bickerstaff. It contains two plots: the
loves of Rosetta and young Meadows, and
the loves of Lucinda and Jack Eustace.
The entanglement is this: Rosetta’s father
wanted her to marry young Meadows, and
Sir William Meadows wanted his son to
marry Rosetta; but as the young people
had never seen each other, they turned
restive and ran away. It so happened
that both took service with Justice Woodcock—Rosetta
as chamber-maid, and
Meadows as gardener. Here they fell in
love with each other, and ultimately married,
to the delight of all concerned. The
other part of the plot is this:
Lucinda was the daughter of Justice
Woodcock, and fell in love with Jack Eustace
while nursing her sick mother, who
died. The justice had never seen the
young man, but resolutely forbade the
connection; whereupon Jack Eustace entered
the house as a music-master, and, by
the kind offices of friends, all came right
at last.
Love Makes a Man, a comedy concocted
by Colley Cibber, by welding together
two of the comedies of Beaumont
and Fletcher, viz., the Elder Brother and
the Custom of the Country. Carlos, a
young student (son of Antonio), sees Angelina,
the daughter of Charino, and falls
346in love with her. His character instantly
changes, and the modest, diffident bookworm
becomes energetic, manly, and resolute.
Angelina is promised by her father
to Clodio, a coxcomb, the younger brother
of Carlos; but the student elopes with her.
They are taken captives, but meet after
several adventures, and become duly engaged.
Clodio, who goes in search of the
fugitives, meets with Elvira, to whom he
engages himself, and thus leaves the field
open to his brother Carlos.
Love’s Labor’s Lost. Ferdinand, king
of Navarre, with three lords named Biron,
Dumain, and Longaville, agreed to spend
three years in study, during which time
no woman was to approach the court.
Scarcely had they signed the compact,
when the princess of France, attended by
Rosaline, Maria, and Katharine, besought
an interview respecting certain debts said
to be due from the king of France to the
king of Navarre. The four gentlemen fell
in love with the four ladies: the king with
the princess, Biron with Rosaline, Longaville
with Maria, and Dumain with Katharine.
In order to carry their suits, the
four gentlemen, disguised as Muscovites,
presented themselves before the ladies;
but the ladies, being warned of the masquerade,
disguised themselves also, so that
the gentlemen in every case addressed the
wrong lady. However, it was at length
arranged that the suits should be deferred
for twelve months and a day; and if, at
the expiration of that time, they remained
of the same mind, the matter should be
taken into serious consideration.—Shakespeare,
Love’s Labor’s Lost (1594).
Loves of the Angels, the stories of
three angels, in verse, by T. Moore (1822).
The stories are founded on the Eastern
tale of Harût and Marût, and the rabbinical
fictions of the loves of Uzziel and
Shamchazai.
1. The first angel fell in love with Lea,
whom he saw bathing. She returned love
for love, but his love was carnal, her’s
heavenly. He loved the woman, she loved
the angel. One day, the angel told her
the spell-word which opens the gates of
heaven. She pronounced it, and rose
through the air into paradise, while the
angel became imbruted, being no longer
an angel of light, but “of the earth,
earthy.”
2. The second angel was Rubi, one of
the seraphs. He fell in love with Liris,
who asked him to come in all his celestial
glory. He did so; and she, rushing into
his arms, was burnt to death; but the kiss
she gave him became a brand on his face
for ever.
3. The third angel was Zaraph, who
loved Nama. It was Nama’s desire to
love without control, and to love holily:
but as she had fixed her love on a creature,
and not on the Creator, both she and
Zaraph were doomed to live among the
things that perish, till this mortal is swallowed
up of immortality, when Nama and
Zaraph will be admitted into the realms
of everlasting love.
Lovegold, the miser, an old man of 60,
who wants to marry Mariana, his son’s
sweetheart. In order to divert him from
this folly, Mariana pretends to be very
extravagant, and orders a necklace and
ear-rings for £3000, a petticoat and gown
from a fabric £12 a yard, and besets the
house with duns. Lovegold gives £2000
to be let off the bargain, and Mariana marries
the son.—A. Fielding, The Miser a
(réchauffé of L’Avare, by Molière).
Love´good (2 syl.), uncle to Valentine,
the gallant who will not be persuaded to
347keep his estate.—Beaumont and Fletcher,
Wit without Money (1639).
Lovel, once the page of Lord Beaufort,
in love with Lady Frances; but he concealed
his love because young Beaufort
“cast his affections first upon the lady.”—Murphy,
The Citizen (1757).
Lovel (Lord), the bridegroom who lost
his bride on the wedding day from playing
hide-and-seek. The lady hid in an old
oak chest, the lid of which fell on her and
closed with a spring-lock. Many years
afterwards the chest was sold, and the
skeleton of the maiden revealed the mystery
of her disappearance.—T. H. Bayley,
The Mistletoe Bough.
Samuel Rogers has introduced this story
in his Italy (pt. i. 18, 1822). He says the
bride was Ginevra, only child of Orsini,
“an indulgent father;” and that the
bridegroom was Francesco Doria, “her
playmate from birth, and her first love.”
The chest, he says, was an heirloom,
“richly carved by Antony, of Trent, with
Scripture stories from the life of Christ.”
It came from Venice, and had “held the
ducal robes of some old ancestors.” After
the accident, Francesco, weary of life, flew
to Venice, and “flung his life away in
battle with the Turks;” Orsini went deranged,
and spent the life-long day “wandering
in quest of something he could
not find.” It was fifty years afterwards
that the skeleton was discovered in the
chest.
Collet, in his Relics of Literature, gives
a similar story.
In the Causes Célèbres is another example.
A similar story is attached to Marwell
Old Hall, once the residence of the Seymours,
and subsequently of the Dacre
family, and “the very chest is now the
property of the Rev. J. Haygarth, rector
of Upham.”—Post-Office Directory.
The same tale is told of a chest in
Bramshall, Hampshire; and also of a
chest in the great house at Malsanger,
near Basingstoke.
Lovel (Lord), in Clara Reeve’s tale called
The Old English Baron, appears as a ghost
in the obscurity of a dim religious light
(1777).
Lovel (Peregrine), a wealthy commoner,
who suspects his servants of wasting his
substance in riotous living; so, giving
out that he is going down to his country
seat in Devonshire, he returns in the disguise
of an Essex bumpkin, and places
himself under the care of Philip, the butler,
to be taught the duties of a gentleman’s
servant. Lovel finds that Philip has invited
a large party to supper, that the
servants assembled assume the titles and
airs of their masters and mistresses, and
that the best wines of the cellar are set before
them. In the midst of the banquet,
he appears before the party in his real
character, breaks up the revel, and dismisses
all the household, except Tom,
whom he places in charge of the cellar
and plate.—Rev. J. Townley, High Life Below
Stairs (1759).
Lovel (William), the hero of a German
novel so called, by Ludwig Tieck (1773-1853).
(See Lovell).
Love´lace (2 syl.), the chief male character
in Richardson’s novel of Clarissa
Harlowe. He is rich, proud, and crafty;
handsome, brave, and gay; the most unscrupulous
but finished libertine; always
self-possessed, insinuating and polished
(1749).
“Lovelace” is as great an improvement on
348“Lothario,” from which it was drawn, as Rowe’s
hero [in the Fair Penitent] had been on the vulgar
rake of Massinger.—Encyc. Brit., Art. “Romance.”
Lovelace (2 syl.), a young aristocrat, who
angles with flattery for the daughter of
Mr. Drugget, a rich London tradesman.
He fools the vulgar tradesman to the top
of his bent, and stands well with him; but,
being too confident of his influence, demurs
to the suggestion of the old man to
cut two fine yew trees at the head of the
carriage drive into a Gog and Magog.
Drugget is intensely angry, throws off the
young man, and gives his daughter to a
Mr. Woodley.—A. Murphy, Three Weeks
after Marriage.
Love´less (The Elder), suitor to “The
Scornful Lady” (no name given).
The Younger Loveless, a prodigal.—Beaumont
and Fletcher, The Scornful
Lady (1616).
Loveless (Edward), husband of Amanda.
He pays undue attention to Berinthia, a
handsome young widow, his wife’s cousin;
but, seeing the folly of his conduct, he resolves
in future to devote himself to his
wife with more fidelity.—Sheridan, A Trip
to Scarborough (1777).
Lovell (Benjamin), a banker, proud of
his ancestry, but with a weakness for
gambling.
Elsie Lovell, his daughter, in love with
Victor Orme, the poor gentleman.—Wybert
Reeve, Parted.
Lovell (Lord). Sir Giles Overreach
fully expected that his lordship would
marry his daughter Margaret; but he
married Lady Allworth, and assisted Margaret
in marrying Tom Allworth, the man
of her choice. (See Lovel).—Massinger,
A New Way to Pay Old Debts (1628).
Lovely Obscure (The), Am´adis of
Gaul. Same as Belten´ebros.
The great Amădis, when he assumed the
name of “The Lovely Obscure,” dwelt either
eight years or eight months, I forget which,
upon a naked rock, doing penance for some unkindness
shown him by the Lady Oria´na. [The
rock is called “The Poor Rock.”]—Cervantes, Don
Quixote, I. iii. 1 (1605).
Love´more (2 syl.), a man fond of
gaiety and pleasure, who sincerely loves
his wife; but, finding his home dull, and
that his wife makes no effort to relieve
its monotony, seeks pleasure abroad, and
treats his wife with cold civility and
formal politeness. He is driven to intrigue,
but, being brought to see its folly
acknowledges his faults, and his wife resolves
“to try to keep him” by making
his home more lively and agreeable.
Mrs. Lovemore (2 syl.), wife of Mr.
Lovemore, who finds if “she would keep
her husband” to herself, it is not enough
to “be a prudent manager, careless of her
own comforts, not much given to pleasure;
grave, retired, and domestic; to
govern her household, pay the tradesman’s
bills, and love her husband;” but
to these must be added some effort to
please and amuse him, and to make his
home bright and agreeable to him.—A.
Murphy, The Way to Keep Him (1760).
Lovers (Romantic). The favorites of
distinguished men:
Aristotle and Hepyllis.
Boccaccio and Fiammetta [Maria,
daughter of Robert of Naples].
Burns and Highland Mary [either Mary
Campbell or Mary Robinson].
Byron and Teresa [Guiccioli].
349Catullus and the Lady Clodia, called
“Lesbia.”
Charles II. of England and Barbara
Villiers [duchess of Cleveland]; Louise
Renée de Kerouaille [duchess of Portsmouth];
and Nell Gwynne.
Charles VII. of France and Agnes
Sorel.
Cid (The) and the fair Ximēna, afterwards
his wife.
Dante and Beatrice [Portinari].
Epicurus and Leontium.
Francois I. and la duchesse d’Etampes
[Mdlle. d’Heilly].
George I. and the duchess of Kendal
[Erangard Melrose de Schulemberg].
George II. and Mary Howard, duchess
of Suffolk.
George III. and the fair quakeress
[Hannah Lightfoot].
George IV. and Mrs. Mary Darby
Robinson, called “Perdĭta” (1758-1800);
Mrs. Fitzherbert, to whom he was privately
married in 1785; and the countess
of Jersey.
Goethe and the frau von Stein.
Habington, the poet, and Castāra [Lucy
Herbert, daughter of Lord Powis], afterwards
his wife.
Hazlitt and Sarah Walker.
Henri II. and Diane de Poitiers.
Henri IV. and La Belle Gabrielle
[d’Estrées].
Henry II. and the fair Rosamond [Jane
Clifford].
Horace and Lesbia.
Heloise and Abelard.
Lamartine and Elvire, the Creole Girl.
Louis XIV. and Mdlle. de la Vallière;
Mde. de Montespan; Mdlle. de Fontage.
Lovelace and the divine Althēa, also
called Lucasta [Sacheverell].
Mirabeau and Mde. Nehra.
Nelson and Lady Hamilton.
Pericles and Aspasia.
Petrarch and Laura [wife of Hugues de
Sade].
Plato and Archianassa.
Prior and Chloe, or Cloe, the cobbler’s
wife of Linden Grove.
Raphael and La Fornarina, the baker’s
daughter.
Rousseau and Julie [la comtesse
d’Houdetot].
Scarron and Mde. Maintenon, afterwards
his wife.
Sidney and Stella [Penelope Devereux].
Spenser and Rosalind [Rose Lynde, of
Kent].
Sterne (in his old age) and Eliza [Mrs.
Draper].
Stesechoros and Himĕra.
Surrey (Henry Howard, earl of) and
Geraldine, who married the earl of Lincoln.
(See Geraldine).
Swift and (1) Stella [Hester Johnson];
(2) Vanessa [Esther Van Vanhomrigh].
Tasso and Leonora, or Eleanora [d’Este].
Theocritos and Myrto.
Waller and Sacharissa [Lady Dorothea
Sidney].
William IV., as duke of Clarence, and
Mrs. Jordan [Dora Bland].
Wolsey and Mistress Winter.
Wyat and Anna [Anne Boleyn], purely
platonic.
Lovers Struck by Lightning, John
Hewit and Sarah Drew of Stanton Harcourt,
near Oxford (July 31, 1718). Gay
gives a full description of the incident
in one of his letters. On the morning
that they obtained the consent of their
parents to the match, they went together
into a field to gather wild flowers, when
a thunderstorm overtook them and both
were killed. Pope wrote their epitaph.
⁂ Probably Thomson had this incident
in view in his tale of Celadon and Amelia.—See
Seasons (“Summer,” 1727).
350Lovers’ Leap. The leap from the
Leuca´dian promontory into the sea. This
promontory is in the island of Leucas or
Leucadia, in the Ionian Sea. Sappho
threw herself therefrom when she found
her love for Phaon was not requited.
A precipice on the Guadalhorce (4 syl.),
from which Manuel and Laila cast themselves,
is also called “The Lovers’ Leap.”
(See Laila).
Lovers’ Vows, altered from Kotzebue’s
drama, by Mrs. Inchbald (1800). Baron
Wildenhaim, in his youth, seduced Agatha
Friburg, and then forsook her. She had
a son, Frederick, who in due time became
a soldier. While on furlough, he came to
spend his time with his mother, and found
her reduced to abject poverty, and almost
starved to death. A poor cottager took
her in, while Frederick, who had no
money, went to beg charity. Count Wildenhaim
was out with his gun, and Frederick
asked alms of him. The count gave
him a shilling; Frederick demanded more,
and being refused, seized the baron by the
throat. The keepers soon came up, collared
him, and put him in the castle dungeon.
Here he was visited by the chaplain,
and it came out that the count was
his father. The chaplain being appealed
to, told the count the only reparation he
could make would be to marry Agatha,
and acknowledge the young soldier to be
his son. The advice he followed, and Agatha
Friburg, the beggar, became the Baroness
Wildenhaim, of Wildenhaim Castle.
Love´rule (Sir John), a very pleasant
gentleman, but wholly incapable of ruling
his wife, who led him a miserable dance.
Lady Loverule, a violent termagant, who
beat her servants, scolded her husband,
and kept her house in constant hot water,
but was reformed by Zakel Jobson, the
cobbler. (See Devil to Pay).—C. Coffey,
The Devil to Pay (died 1745).
Love´well, the husband of Fanny Sterling,
to whom he has been clandestinely
married for four months.—Colman and
Garrick, The Clandestine Marriage (1766).
Loving-Land, a place where Neptune
held his “nymphall,” or feast given to the
sea-nymphs.
[He] his Tritons made proclaim, a nymphall to be held
In honor of himself in Loving-land, where he
The most selected nymphs appointed had to be.
Drayton, Polyolbion, xx. (1622).
Lovinski (Baron), the friend of Prince
Lupauski, under whose charge the Princess
Lodois´ka (4 syl.) is placed during a
war between the Poles and the Tartars.
Lovinski betrays his trust by keeping the
princess a virtual prisoner, because she
will not accept him as a lover. The Count
Floreski makes his way into the castle,
and the baron seeks to poison him, but at
this crisis the Tartars invade the castle,
the baron is slain, and Floreski marries
the princess.—J.P. Kemble, Lodoiska (a
melodrama).
Low-Heels and High-Heels, two factions
in Lilliput. The High-heels were
opposed to the emperor, who wore low
heels, and employed Low-heels in his cabinet.
Of course the Low-heels are the
whigs, and low-church party, and the
High-heels, the tories and high-church
party. (See Big-endians).—Swift, Gulliver’s
Travels (“Voyage to Lilliput,”Lilliput,” 1727).
Lowestoffe (Reginald), a young Templar.—Sir
W. Scott, Fortunes of Nigel
(time, James I.).
Lowrie (Dan), thoroughly debased ruffian,
351who beats his noble daughter, plans
again and again to murder or maim an
honest man who has defended himself successfully
when assailed, and is by mistake,
set upon in the dark by the accomplices
he has set in ambush for Fergus Derrick
and wounded mortally. His last act is to
strike blindly at Joan, his daughter.—Frances
Hodgson Burnett, That Lass o’
Lowrie’s (1877).
Lowther (Jack), a smuggler.—Sir W.
Scott, Redgauntlet (time, George III.).
Loyal Subject (The), Archas, general
of the Muscovites, and the father of Colonel
Theodore.—Beaumont and Fletcher,
The Loyal Subject (1618).
Loyale Epée (La), “the honest soldier,”
Marshal de MacMahon (1808, president
of France from 1873 to 1879).
Loys de Dreux, a young Breton nobleman
who joined the Druses, and was appointed
their prefect.
Loys (2 syl.) the boy stood on the leading prow,
Conspicuous in his gay attire.
Robert Browning, The Return of the Druses, i.
Luath (2 syl.), Cuthulin’s “swift-footed
hound.”—Ossian, Fingal, ii.
Fingal had a dog called “Luath” and
another called “Bran.”
In Robert Burns’ poem, called The Twa
Dogs, the poor man’s dog, which represents
the peasantry, is called “Luath” and the
gentleman’s dog is “Cæsar.”
Lucan (Sir), sometimes called “Sir Lucas,”
butler of King Arthur, and a knight
of the Round Table.—Sir T. Malory, History
of Prince Arthur (“Lucan,” ii. 160;
“Lucas,” ii. 78; 1470).
Lucasta, whom Richard Lovelace celebrates,
was Lucy Sacheverell. (Lucycasta
or Lux casta, “chaste light.”)
Lucentio, son of Vicentio of Pisa. He
marries Bianca, sister of Katharina, “the
Shrew” of Padua.—Shakespeare, Taming
of the Shrew (1594).
Lucetta, waiting-woman of Julia, the
lady-love of Proteus (one of the heroes of
the play).—Shakespeare, The Two Gentlemen
of Verona (1594).
Lu´cia, daughter of Lucius (one of the
friends of Cato at Utica, and a member of
the mimic senate). Lucia was loved by
both the sons of Cato, but she preferred
the more temperate Porcius to the vehement
Marcus. Marcus being slain, left
the field open to the elder brother.—Addison,
Cato (1713).
Lucia, in The Cheats of Scapin, Otway’s
version of Les Fourberies de Scapin, by
Molière. Lucia, in Molière’s comedy, is
called “Zerbinette;” her father, Thrifty, is
called “Argante;” her brother, Octavian,
is “Octave;” and her sweetheart, Leander,
son of Gripe, is called by Molière,
“Léandre, son of Géronte” (2 syl.).
Lucia (St.) Struck on St. Lucia’s thorn,
on the rack, in torment, much perplexed
and annoyed. St. Lucia was a virgin
martyr, put to death at Syracuse, in 304.
Her fête-day is December 13. The “thorn”
referred to is in reality, the point of a
sword, shown in all paintings of the saint,
protruding through the neck.
If I don’t recruit ... I shall be struck upon
St. Lucia’s thorn.—Cervantes, Don Quixote, II. i.
3 (1615).
Lucia di Lammermoor, called by Sir
352W. Scott, “Lucy Ashton,” sister of Lord
Henry Ashton, of Lammermoor. In order
to retrieve the broken fortune of the family,
Lord Henry arranged a marriage between
his sister and Lord Arthur Bucklaw,
alias Frank Hayston, laird of Bucklaw.
Unknown to the brother, Edgardo
(Edgar), master of Ravenswood, (whose
family had long had a feud with the Lammermoors),
was betrothed to Lucy. While
Edgardo was absent in France, Lucia
(Lucy) is made to believe he is unfaithful
to her, and in her despair she consents to
marry the laird of Bucklaw, but on the
wedding night she stabs him, goes mad,
and dies.—Donizetti, Lucia di Lammermoor
(an opera, 1835); Sir W. Scott, The
Bride of Lammermoor (time, William III.).
Luci´ana, sister of Adrian´a. She marries
Antipholus, of Syracuse.—Shakespeare,
Comedy of Errors (1593).
Lu´cida, the lady-love of Sir Ferramont.—Spenser,
Faëry Queen, iv. 5 (1596).
Lucifer is described by Dantê as a huge
giant, with three faces: one red, indicative
of anger; one yellow, indicative of
envy; and one black, indicative of melancholy.
Between his shoulders, the poet
says, there shot forth two enormous wings,
without plumage, “in texture like a bat’s.”
With these “he flapped i’ the air,” and
“Cocy´tus to its depth was frozen.” “At
six eyes he wept,” and at every mouth he
champed a sinner.—Dantê, Hell, xxxiv.
(1301).
Lucif´era (Pride), daughter of Pluto
and Proser´pĭna. Her usher was Vanity.
Her chariot was drawn by six different
beasts, on each of which was seated one
of the queen’s counsellors. The foremost
beast was an ass, ridden by Idleness, who
resembled a monk; paired with the ass
was a swine, on which rode Gluttony, clad
in vine leaves. Next came a goat, ridden
by Lechery, arrayed in green; paired with
the goat was a camel, on which rode Avarice,
in threadbare coat and cobbled shoes.
The next beast was a wolf, bestrid by
Envy, arrayed in a kirtle full of eyes; and
paired with the wolf was a lion, bestrid by
Wrath, in a robe all blood-stained. The
coachman of the team was Satan.
Lo? underneath her scornful feet was lain
A dreadful dragon, with a hideous train;
And in her hand she held a mirror bright,
Wherein her face she often viewëd fain.
Spenser, Faëry Queen, i. 4 (1590).
Lucille. Brunette, in love with and
beloved by Lord Alfred. They are separated
by circumstances, and meet again
when Alfred’s promise to another woman
hinders a marriage between Lucille and
her lover. She remains single and becomes
a Sister of Mercy.—Lucille, poem,
by Owen Meredith, (Robert, Lord Lytton).
Lucinda, the daughter of opulent parents,
engaged in marriage to Cardenio,
a young gentleman of similar rank and
equal opulence. Lucinda was, however,
promised by her father in marriage to Don
Fernando, youngest son of the Duke Ricardo.
When the wedding day arrived, the
young lady fell into a swoon, and a letter
informed Don Fernando that the bride was
married already to Cardenio. Next day,
she left the house privately, and took refuge
in a convent, whence she was forcibly
abducted by Don Fernando. Stopping at
an inn, the party found there Dorothea,
the wife of Don Fernando, and Cardenio,
the husband of Lucinda, and all things
arranged themselves satisfactorily to the
parties concerned.—Cervantes, Don Quixote,
I. iv. (1605).
353Lucinda, the bosom friend of Rosetta;
merry, coquettish, and fit for any fun.
She is the daughter of Justice Woodcock,
and falls in love with Jack Eustace, against
her father’s desire. Jack, who is unknown
to the justice, introduces himself into the
house, as a music-master; and Sir William
Meadows induces the old man to consent
to the marriage of the young people.—I.
Bickerstaff, Love in a Village.
Lucinda, referred to by the poet Thomson
in his Spring, was Lucy Fortescue,
daughter of Hugh Fortescue, of Devonshire,
and wife of Lord George Lyttelton.
O Lyttelton....
Courting the Muse, thro’ Hagely Park thou strayest....
Perhaps thy loved Lucinda shares thy walk,
With soul to thine attuned.
Thomson, The Seasons (“Spring,” 1728).
Lucinde (2 syl.), daughter of Sganarelle.
As she has lost her spirit and appetite, her
father sends for four physicians, who all
differ as to the nature of the malady and
the remedy to be applied. Lisette (her
waiting-woman) sends in the meantime
for Clitandre, the lover of Lucinde, who
comes under the guise of a mock doctor.
He tells Sganarelle the disease of the
young lady must be reached through the
imagination, and prescribes the semblance
of a marriage. As his assistant is in reality
a notary, the mock marriage turns out to
be a real one.—Molière, L’Amour Médecin
(1665).
Lucinde (2 syl.), daughter of Géronte (2
syl.). Her father wanted her to marry
Horace; but as she was in love with
Léandre, she pretended to have lost the
power of articulate speech, to avoid a
marriage which she abhorred. Sganarelle,
the faggot-maker, was introduced as a
famous dumb doctor, and soon saw the
state of affairs; so he took with him
Léandre as an apothecary, and the young
lady received a perfect cure from “pills
matrimoniac.”—Molière, Le Médicin Malgré
Lui (1666).
Lu´cio, a fantastic, not absolutely bad,
but vicious and dissolute. He is unstable,
“like a wave of the sea, driven by the
wind and tossed,” and has no restraining
principle.—Shakespeare, Measure for Measure
(1603).
Lucip´pe (3 syl.), a woman attached to
the suite of the princess Calis (sister of
Astorax, king of Paphos).—Beaumont and
Fletcher, The Mad Lover (1618).
Lu´cius, son of Coillus; a mythical king
of Britain. Geoffrey says he sent a letter
to Pope Eleutherius (177-193) desiring to
be instructed in the Christian religion,
whereupon the pope sent over Dr. Faganus
and Dr. Duvanus for the purpose. Lucius
was baptized, and “people from all countries”
with him. The pagan temples in
Britain were converted into churches, the
archflamens into archbishops, and the
flamens into bishops. So there were
twenty-eight bishops and three archbishops.—British
History, iv. 19, (1470).
He our flamens’ seats who turned to bishops’ sees,
Great Lucius, that good king to whom we chiefly owe
This happiness we have—Christ crucified to know.
Drayton, Polyolbion, viii. (1612).
After baptism, St. Lucius abdicated,
and became a missionary in Switzerland,
where he died a martyr’s death.
Lucius (Caius), general of the Roman
forces in Britain, in the reign of king
Cym´beline (3 syl.).—Shakespeare, Cymbeline
(1605).
354Lucius Tiberius, general of the Roman
army, who wrote to King Arthur, commanding
him to appear at Rome to make
satisfaction for the conquests he had made,
and to receive such punishment as the
senate might think proper to pass on him.
This letter induced Arthur to declare
war with Rome. So, committing the care
of government to his nephew Modred, he
marched to Lyonaise (in Gaul), where he
won a complete victory, and left Lucius
dead on the field. He now started for
Rome; but being told that Modred had
usurped the crown, he hastened back
to Britain, and fought the great battle of
the West, where he received his death
wound from the hand of Modred.—Geoffrey,
British History, ix. 15-20; x (1142).
Great Arthur did advance
To meet, with his allies, that puissant force in France
By Lucius thither led.
Drayton, Polyolbion, iv. (1612).
Luck of Roaring Camp. A baby
born in a mining-camp, loses his mother
in the first hour of his life, and is adopted
by “the boys.” A run of success having
followed mining operations since his
birth, he is named “Luck.” His cabin is
kept clean, a rosewood cradle brought fifty
miles for his use, “the boys” take turns
in holding him, and must be clean before
they can do it. He is taken daily up the
“gulch,” to be in the shade while they
work, but “Kentuck” is his chief guardian.
One night a freshet carries off Kentuck’s
hut, the owner and “The Luck.”
Man and baby are picked up below; the
child is dead, the man dying, “He’s a takin’
me with him. Tell the boys I’ve got
‘The Luck’ with me now!” and the
strong man clinging to the frail babe as a
drowning man is said to cling to a straw,
drifted away with the shadowy river that
flows forever to the unknown sea.—Bret
Harte, The Luck of Roaring Camp (1870).
Lucre´tia, daughter of Spurius Lucretius,
prefect of Rome, and wife of Tarquinius
Collati´nus. She was dishonored by
Sextus, the son of Tarquinius Superbus.
Having avowed her dishonor in the presence
of her father, her husband, Junius
Brutus, and some others, she stabbed herself.
This subject has been dramatized in
French by Ant. Vincent Arnault, in a
tragedy called Lucrèce (1792); and by
François Ponsard in 1843. In English,
by Thomas Heywood, in a tragedy entitled
The Rape of Lucrece (1630); by
Nathaniel Lee, entitled Lucius Junius
Brutus (seventeenth century); and by
John H. Payne, entitled Brutus or the Fall
of Tarquin (1820). Shakespeare selected
the same subject for his poem entitled
The Rape of Lucrece (1594).
Lucrezia di Borgia, daughter of Pope
Alexander VI. She was thrice married,
her last husband being Alfonso, duke of
Ferra´ra. Before this marriage, she had
a natural son, named Genna´ro, who was
brought up by a Neapolitan fisherman.
When grown to manhood, Gennaro had a
commission given him in the army, and in
the battle of Rim´ini he saved the life of
Orsini. In Venice he declaimed freely
against the vices of Lucrezia di Borgia,
and on one occasionoccasion he mutilated the escutcheon
of the duke, by knocking off the
B, thus converting Borgia into Orgia.
Lucrezia insisted that the perpetrator of
this insult should suffer death by poison;
but when she discovered that the offender
was her own son, she gave him an antidote,
and released him from jail. Scarcely,
however, was he liberated, than he was
poisoned at a banquet given by the Princess
355Neg´roni. Lucrezia now told Gennaro
that he was her own son, and died as her
son expired.—Donizetti, Lucrezia di Borgia
(an opera, 1834).
⁂ Victor Hugo has a drama entitled
Lucrèce Borgia.
Lucullus, a wealthy Roman, noted for
his banquets and self-indulgence. On one
occassion, when a superb supper had been
prepared, being asked who were to be his
guests, he replied, “Lucullus will sup to-night
with Lucullus” (B.C. 110-57).
Ne’er Falernian threw a richer
Light upon Lucullus’ tables.
Longfellow, Drinking Song.
Luc´umo, a satrap, chieftain, or khedive
among the ancient Etruscans. The
over-king was called lars. Servius, the
grammarian says: “Lŭcŭmo rex sonat linguâ
Etruscâ;” but it was such a king as
that of Bavaria in the empire of Germany,
where the king of Prussia is the lars.
And plainly and more plainly
Now might the burghers know,
By port and vest, by horse and crest,
Each warlike lucumo.
Lord Macaulay, Lays of Ancient Rome (“Horatius,” xxiii., 1842).
Lucy, a dowerless girl, betrothed to
Amidas. Being forsaken by him for the
wealthy Philtra, she threw herself into the
sea, but was saved by clinging to a chest.
Both being drifted ashore, it was found
that the chest contained great treasures,
which Lucy gave to Bracidas, the brother
of Amidas, who married her. In this
marriage, Bracidas found “two goodly
portions, and the better she.”—Spenser,
Faëry Queen, v. 4 (1596).
Lucy Fountain. The heroine of
Love Me Little, Love Me Long. She has
sundry suitors, each backed by her uncle
or her aunt, and chooses for herself a
stalwart, handsome sailor, David Dodd by
name, who adores her. She figures as a
devoted wife and mother in Very Hard
Cash, Charles Reade.
Lucy, daughter of Mr. Richard Wealthy,
a rich London merchant. Her father
wanted her to marry a wealthy tradesman,
and as she refused to do so, he turned her
out of doors. Being introduced as a fille
de joie to Sir George Wealthy, “the minor,”
he soon perceived her to be a modest girl,
who had been entrapped, and he proposed
marriage. When the facts of the case
were known, Mr. Wealthy and the Sir
William (the father of the young man)
were delighted at the happy termination of
what might have proved a most untoward
affair.—S. Foote, The Minor (1760).
Lucy [Goodwill], a girl of 16, and a
child of nature, reared by her father, who
was a widower. “She has seen nothing,”
he says; “she knows nothing, and, therefore,
has no will of her own.” Old
Goodwill wished her to marry one of her
relations, that his money might be kept in
the family; but Lucy had “will” enough
of her own to see that her relations were
boobies, and selected for her husband a
big, burly footman, named Thomas.—Fielding,
The Virgin Unmasked.
Lucy [Lockit], daughter of Lockit, the
jailer, a foolish young woman, who, decoyed
by Captain Macheath, under the
specious promise of marriage, effected his
escape from jail. The captain, however,
was recaptured, and condemned to death;
but, being reprieved, confessed himself
married to Polly Peachum, and Lucy was
left to seek another mate.
How happy could I be with either [Lucy or Polly],
Were t’other dear charmer away!
J. Gay, The Beggars Opera, ii. 2 (1727).
356Miss Fenton (duchess of Bolton) was
the original “Lucy Lockit” (1708-1760).
Lucy and Colin. Colin was betrothed
to Lucy, but forsook her for a bride
“thrice as rich as she.” Lucy drooped,
but was present at the wedding; and
when Colin saw her, “the damps of death
bedewed his brow, and he died.” Both
were buried in one tomb, and many a hind
and plighted maid resorted thither, “to
deck it with garlands and true love knots.”—T.
Tickell, Lucy and Colin.
⁂ Vincent Bourne has translated this
ballad into Latin verse.
Through all Tickell’s works there is a strain
of ballad thinking.... In this ballad [Lucy
and Colin], he seems to have surpassed himself.
It is, perhaps, the best in our language.—Goldsmith,
Beauties of English Poetry (1767).
Lucyl´ius (B.C. 148-103), the father of
Roman satire.
I have presumed, my lord, for to present
With this poor Glasse, which is of trustie Steele [satire],
And came to me by wil and testament
Of one that was a Glassmaker [satirist] indeede:
Lucylius, this worthy man was namde.
G. Gascoigne, The Steele Glas (died 1577).
Lud, son of Heli, who succeeded his
father as king of Britain. “Lud rebuilt
the walls of Trinovantum, and surrounded
the city with innumerable towers ... for
which reason it was called Kaer-lud,
Anglicized into Ludton, and softened into
London.... When dead, his body was
buried by the gate ... Parthlud, called
in Saxon Ludes-gate.”—Geoffrey, British
History, iii. 20 (1142).
... that mighty Lud, in whose eternal name
Great London still shall live (by him rebuilded).
Drayton, Polyolbion, viii. (1612).
(“Parth-lud,” in Latin Porta-Lud).
Lud (General), the leader of distressed
and riotous artisans in the manufacturing
districts of England, who, in 1811, endeavoured
to prevent the use of power-looms.
Luddites (2 syl.), the riotous artisans
who followed the leader called General
Lud.
Above thirty years before this time, an imbecile
named Ned Lud, living in a village in Leicestershire,
being tormented by some boys, ... pursued
one of them into a house, and ... broke
two stocking-frames. His name was taken by
those who broke power-looms.—H. Martineau.
Ludovico, chief minister of Naples.
He heads a conspiracy to murder the king
and seize the crown. Ludovico is the
craftiest of villains, but, being caught in
his own guile, he is killed.—Sheil, Evadne,
or The Statue (1820).
Ludwal or Idwal, son of Roderick the
Great, of North Wales. He refused to pay
Edgar, king of England, the tribute which
had been levied ever since the time of
Æthelstan. William of Malmesbury tells
us that Edgar commuted the tribute for
300 wolves’ heads yearly; the wolf-tribute
was paid for three years, and then discontinued,
because there were no more wolves
to be found.
O, Edgar! who compelledst our Ludwal hence to pay
Three hundred wolves a year for tribute unto thee.
Drayton, Polyolbion, ix. (1612).
Lufra, Douglas’s dog, “the fleetest
hound in all the North.”—Sir W. Scott,
Lady of the Lake (1810).
Ellen, the while, with bursting heart,
Remained in lordly bower apart ...
While Lufra, crouching at her side,
Her station claimed with jealous pride.
Sir W. Scott, Lady of the Lake, vi. 23 (1810).
Lu´gier, the rough, confident tutor of
357Oriana, etc., and chief engine whereby
“the wild goose” Mirabel is entrapped
into marriage with her.—Beaumont and
Fletcher, The Wild-goose Chase (1652).
Luke, brother-in-law of “the city
madam.” He was raised from a state of
indigence into enormous wealth by a deed
of gift of the estates of his brother, Sir
John Frugal, a retired merchant. While
dependent on his brother, Lady Frugal
(“the city lady”) treated Luke with great
scorn and rudeness; but, when she and
her daughter became dependent on him,
he cut down the superfluities of the fine
lady to the measure of her original state—as
daughter of Goodman Humble, farmer.—Massinger,
The City Madam (1639).
Massinger’s best characters are the hypocritical
“Luke” and the heroic “Marullo.”—W.
Spalding.
Luke, patriarch’s nuncio, and bishop of
the Druses. He terms the Druses,
... the docile crew
My bezants went to make me bishop of.
Robert Browning, The Return of the Druses, v.
Luke (Sir) or Sir Luke Limp, a tuft-hunter,
a devotee to the bottle, and a
hanger-on of great men for no other
reason than mere snobbism. Sir Luke
will “cling to Sir John till the baronet
is superseded by my lord; quitting the
puny peer for an earl, and sacrificing all
three to a duke.”—S. Foote, The Lame
Lover.
Luke’s Bird (St.), the ox.
Luke’s Iron Crown. George and
Luke Dosa headed an unsuccessful revolt
against the Hungarian nobles in the sixteenth
century. Luke was put to death
by a red-hot iron crown, in mockery of
his having been proclaimed king.
This was not an unusual punishment
for those who sought regal honors in
the Middle Ages. Thus, when Tancred
usurped the crown of Sicily, Kaiser
Heinrich VI. of Germany, set him on a red-hot
iron throne, and crowned him with a
red-hot iron crown (twelfth century).
⁂ The “iron crown of Lombardy”
must not be mistaken for an iron crown
of punishment. The former is one of
the nails used in the Crucifixion, beaten
out into a thin rim of iron, magnificently
set in gold, and adorned with jewels.
Charlemagne and Napoleon I. were both
crowned with it.
Lully (Raymond), an alchemist who
searched for the philosopher’s stone by
distillation, and made some useful chemical
discoveries. Lully was also a magician
and a philosophic dreamer. He is
generally called Doctor Illuminātus (1235-1315).
He talks of Raymond Lully and the ghost of Lilly [q.v.].
W. Congreve, Love for Love, iii. (1695).
Lumbercourt (Lord), a voluptuary,
greatly in debt, who consented, for a good
money consideration, to give his daughter
to Egerton McSycophant. Egerton, however,
had no fancy for the lady, but married
Constantia, the girl of his choice. His
lordship was in alarm lest this contretemps
should be his ruin; but Sir Pertinax told
him the bargain should still remain good
if Egerton’s younger brother, Sandy, were
accepted by his lordship instead. To this
his lordship readily agreed.
Lady Rodolpha Lumbercourt, daughter
of Lord Lumbercourt, who, for a consideration,
consented to marry Egerton McSycophant;
but, as Egerton had no fancy for
the lady, she agreed to marry Egerton’s
brother, Sandy, on the same terms.
358“As I ha’ nae reason to have the least affection
till my Cousin Egerton, and as my intended
marriage with him was entirely an act of obedience
till my grandmother, provided my Cousin
Sandy will be as agreeable till her ladyship as
my Cousin Charles here would have been, I have
nae the least objection till the change. Ay, ay,
one brother is as good to Rodolpha as another.”—C.
Macklin, The Man of the World, v. (1764).
Lumbey (Dr.), a stout, bluff-looking
gentleman, with no shirt-collar, and a
beard that had been growing since yesterday
morning; for the doctor was very
popular, and the neighborhood prolific.—C.
Dickens, Nicholas Nickleby (1838).
Lumley (Captain), in the royal army
under the duke of Montrose.—Sir. W.
Scott, Old Mortality (time, Charles II.).
Lumon, a hill in Inis-Huna, near the
residence of Sulmalla. Sulmalla was the
daughter of Conmor (king of Inis-Huna)
and his wife, Clun´-galo.—Ossian, Temora.
Where art thou, beam of light? Hunters
from the mossy rock, saw you the blue-eyed fair?
Are her steps on grassy Lumon, near the bed of
roses? Ah me! I beheld her bow in the hall.
Where art thou, beam of light?
Lumpkin (Tony), the rough, good-natured
booby son of Mrs. Hardcastle, by
her first husband. Tony dearly loved a
practical joke, and was fond of low society,
spending most of his time at the tavern,
where he could air his conceit and self-importance.
He is described as “an awkward
booby, reared up and spoiled at his
mother’s apron-string;” and “if burning
the footman’s shoes, frighting the maids,
and worrying the kittens, be humorous,”
then Tony was indeed a humorous fellow.
By his blundering he first gets everybody
into difficulties and then by fresh blunders
brings everything right again.—Oliver
Goldsmith, She Stoops to Conquer (1773).
Lun. So John Rich called himself
when he performed “harlequin.” It was
John Rich who introduced pantomime
(1681-1761).
On one side Folly sits, by some called Fun;
And on the other his archpatron, Lun.
Churchill.
Luna (Il contê di), uncle of Manri´co.
He entertains a base passion for the Princess
Leonōra, who is in love with Manrico;
and, in order to rid himself of his
rival, is about to put him to death, when
Leonora promises to give herself to him if
he will spare her lover. The count consents;
but, while he goes to release his
captive, Leonora poisons herself.—Verdi,
Il Trovato´rê (an opera, 1853).
Lundin (Dr. Luke), the chamberlain at
Kinross.—Sir W. Scott, The Abbot (time,
Elizabeth).
Lundin (The Rev. Sir Louis), town clerk
of Perth.—Sir W. Scott, Fair Maid of
Perth (time, Henry IV.).
Lunsford (Sir Thomas), governor of the
Tower. A man of such vindictive temper
that the name was used as a terror to
children.
Made children with your tones to run for’t,
As bad as Bloody-bones or Lunsford.
S. Butler, Hudibras, iii. 2, line 1112 (1678).
From Fielding and from Vavasour,
Both ill-affected men;
From Lunsford eke deliver us,
That eateth childëren.
Lupauski (Prince), father of Princess
Lodois´ka (4 syl.).—J. P. Kemble, Lodoiska
(a melodrama).
Lu´pin (Mrs.), hostess of the Blue
Dragon. A buxom, kind-hearted woman,
ever ready to help any one over a difficulty.—C.
Dickens, Martin Chuzzlewit (1844).
359Lu´ria, a noble Moor, single-minded,
warm-hearted, faithful and most generous;
employed by the Florentines to lead their
army against the Pisans (fifteenth century).
Luria was entirely successful; but the
Florentines, to lessen their obligation to
the conqueror, hunted up every item of
scandal they could find against him: and,
while he was winning their battles, he was
informed that he was to be brought to
trial to answer these floating censures.
Luria was so disgusted at this that he
took poison to relieve the state, by his
death, of a debt of gratitude which the republic
felt too heavy to be borne.—Robert
Browning, Luria.
Lu´siad, the adventures of the Lusians
(Portuguese), under Vasquez da Gama, in
their discovery of India. Bacchus was the
guardian power of the Mohammedans, and
Venus or Divine Love of the Lusians.
The fleet first sailed to Mozambique, then
to Quil´oa, then to Melinda (in Africa),
where the adventurers were hospitably received
and provided with a pilot to conduct
them to India. In the Indian Ocean,
Bacchus tried to destroy the fleet; but the
“silver star of Divine Love” calmed the
sea, and Gama arrived at India in safety.
Having accomplished his object, he returned
to Lisbon.—Camoens, The LusiadLusiad,
in ten books (1572).
⁂ Vasquez da Gama sailed thrice to
India: (1) in 1497, with four vessels.
This expedition lasted two years and two
months. (2) In 1502, with twenty ships.
In this expedition he was attacked by
Zamorin, king of Calicut, whom he defeated,
and returned to Lisbon the year
following. (3) When John III. appointed
him viceroy of India. He established his
government at Cochin, where he died in
1525. The story of The Lusiad is the
first of these expeditions.
Lusignan [d’Outremer], king of Jerusalem,
taken captive by the Saracens, and
confined in a dungeon for twenty years.
When 80 years old, he was set free by
Osman, the sultan of the East, but died
within a few days.—A. Hill, Zara (adapted
from Voltaire’s tragedy).
Lusita´nia, the ancient name of Portugal;
so called from Lusus, the companion
of Bacchus in his travels. This LususLusus
colonized the country, and called it “Lusitania,”
and the colonists “Lusians.”—Pliny,
Historia Naturalis, iii. 1.
Luther (The Danish), Hans Tausen.
There is a stone in Viborg called “Tausensminde,”
with this inscription: “Upon
this stone, in 1528, Hans Tausen first
preached Luther’s doctrine in Viborg.”
Lutin, the gypsy page of Lord Dalgarno.—Sir
W. Scott, Fortunes of Nigel
(time, James I.).
Lux Mundi, Johann Wessel; also called
Magister Contradictionum, for his opposition
to the Scholastic philosophy. He
was the predecessor of Luther (1419-1489).
Luz, a bone which the Jews affirm remains
uncorrupted till the last day, when
it will form the nucleus of the new body.
This bone Mahomet called Al Ajb, or the
rump bone.
Eben Ezra and Manasseh ben Israil say
this bone is in the rump.
The learned rabbins of the Jews
Write, there’s a bone, which they call luez (1 syl.)
I’ the rump of man.
S. Butler, Hudibras, iii. 2 (1678).
Lyæus (“spleen-melter”), one of the
names of Bacchus.
360He perchance the gifts
Of young Lyæus, and the dread exploits,
May sing.
Akenside, Hymn to the Naiads (1767).
Lyb´ius (Sir), a very young knight who
undertook to rescue the lady of Sinadone.
After overcoming sundry knights, giants,
and enchanters, he entered the palace,
when the whole edifice fell to pieces, and a
horrible serpent coiled about his neck and
kissed him. The spell being broken, the
serpent turned into the lady of Sinadone,
who became Sir Lybius’s bride.—Libeaux
(a romance).
Lyca´on, king of Arcadia, instituted
human sacrifices and was metamorphosed
into a wolf. Some say all his sons were
also changed into wolves, except one
named Nictimus. Oh that
Of Arcady the beares
Might plucke away thine ears;
The wilde wolf, Licăon´,
Bite asondre thy backe-bone.
J. Skelton, Philip Sparow (time, Henry VIII.).
For proof, when with Lycā´on’s tyranny
Man durst not deal, then did Jove....
Him fitly to the greedy wolf transform.
Lord Brooke, Declination of Monarchy (1633).
Lychor´ida, nurse of Mari´na, who was
born at sea. Marina was the daughter of
Pericles, prince of Tyre, and his wife,
Thais´a.—Shakespeare, Pericles, Prince of
Tyre (1608).
Lyc´idas, the name under which Milton
celebrates the untimely death of Edward
King, fellow of Christ’s College, Cambridge.
Edward King was drowned in the
passage from Chester to Ireland, August
10, 1637. He was the son of Sir John
King, secretary for Ireland.
⁂ Lycĭdas is the name of a shepherd
in Virgil’s Eclogue, iii.
Lycome´des (4 syl.), king of Scyros,
to whose court Achillês was sent, disguised
as a maiden, by his mother Thetis, who
was anxious to prevent his going to the
Trojan war.
Lydia, daughter of the king of Lydia,
was sought in marriage by Alcestês, a
Thracian knight. His suit being rejected,
he repaired to the king of Armenia, who
gave him an army, with which he beseiged
Lydia. He was persuaded to raise the
siege, and the lady tested the sincerity of
his love by a series of tasks, all of which
he accomplished. Lastly, she set him to
put to death his allies, and, being powerless,
mocked him. Alcestês pined and died,
and Lydia was doomed to endless torment
in hell.—Ariosto, Orlando Furioso, xvii.
(1516).
Lydia, lady’s-maid to Widow Green.
She was the sister of Trueworth, ran
away from home to avoid a hateful marriage,
took service for the nonce, and ultimately
married Waller. She was “a miracle
of virtue, as well as beauty,” warm-hearted,
and wholly without artifice.—S.
Knowles, The Love-Chase (1837).
Lydia Blood. (See The Lady of the
Aroostook.)
Lydia Languish, niece and ward of
Mrs. Malaprop. She had a fortune of
£30,000, but, if she married without her
aunt’s consent, forfeited the larger part
thereof. She was a great novel reader
and was courted by two rival lovers—Bob
Acres and Captain Absolute, whom
she knew only as ensign Beverley. Her
aunt insisted that she should throw over
the ensign and marry the son of Sir Anthony
Absolute, and great was her joy to
find that the man of her own choice was
361that of her aunt—nomine mutato. Bob
Acres resigned all claim on the lady to his
rival.—Sheridan, The Rivals (1775).
Lydian Poet (The), Alcman of Lydia
(fl. B.C. 670).
Lyddy Russell. The last New England
witch of whom we have authentic record.
She followed a schooner out to sea and
raised a terrible storm, she riding the
highest waves, shrieking with laughter.
The captain, Ezra Coffin, saw her, and
charging his gun with a silver bullet, shot
her dead. The storm subsided at once
and old Lyddy was washed ashore, clutching
a bit of sail cloth, and with the silver
bullet in her breast.—Clara Florida Guernsey,
Old and New (1873).
Lygo´nes, father of Spaco´nia.—Beaumont
and Fletcher, A King or no King
(1611).
Lying Traveller (The), Sir John Mandeville
(1300-1372).
Lying Valet (The), Timothy Sharp,
the lying valet of Charles Gayless. He
is the Mercury between his master and
Melissa, to whom Gayless is about to be
married. The object of his lying is to
make his master, who has not a sixpence
in the world, pass for a man of fortune.—D.
Garrick, The Lying Valet (1741).
Lyle (Annot), daughter of Sir Duncan
Campbell, the knight of Ardenvohr. She
was brought up by the M’Aulays, and was
beloved by Allan M’Aulay; but she married
the earl of Menteith.—Sir W. Scott,
Legend of Montrose (time, Charles I.)
Lyn´ceus, one of the Argonauts; so
sharp-sighted that he could discern objects
at a distance of 130 miles. Varro
says he could “see through rocks and
trees;” and Pliny, that he could see “the infernal
regions through the earth.”
Strange tale to tel: all officers be blynde,
And yet their one eye, sharpe as Lin´ceus sight.
G. Gascoigne, The Steele Glas (died 1577).
Lynch (Governor), was a great name in
Galway, Ireland. It is said that he hanged
his only son out of the window of his own
house (1526). The very window from
which the boy was hung is carefully preserved,
and still pointed out to travellers.—Annals
of Galway.
Lynch Law, law administered by a
self-constituted judge. Webster says
James Lynch, a farmer of Piedmont, in
Virginia, was selected by his neighbors (in
1688) to try offences on the frontier summarily,
because there were no law courts
within seven miles of them.
Lynchno´bians, lantern-sellers, that is,
booksellers and publishers. Rabelais says
they inhabit a little hamlet near Lantern-land.—Rabelais,
Pantag´ruel, v. 33 (1545).
Lyndon (Barry), an Irish sharper,
whose adventures are told by Thackeray.
The story is full of spirit, variety, and
humor, reminding one of Gil Blas. It
first came out in Fraser’s Magazine.
Lynette, sister of Lady Lyonors of
Castle Perilous. She goes to King Arthur,
and prays him to send Sir Lancelot
to deliver her sister from certain knights.
The king assigns the quest to Beaumains
(the nickname given by Sir Kay to Gareth),
who had served for a twelvemonth in
Arthur’s kitchen. Lynette is exceedingly
indignant, and treats her champion with
the utmost contumely; but, after each
victory, softens towards him, and at length
362marries him.—Tennyson, Idylls of the
King (“Gareth and Lynette”).
⁂ This version of the tale differs from
that of the History of Prince Arthur (Sir
T. Malory, 1470) in many respects. (See
Linet.)
Lyon (Esther), clergyman’s daughter,
won to sympathy with the radicalism she
had despised, by the young revolutionist,
Felix Holt, whose wife she becomes.—George
Elliot, Felix Holt.
Lyonors, daughter of Earl Sanam. She
came to pay homage to King Arthur, and
by him became the mother of Sir Borre
(1 syl.), one of the knights of the Round
Table.—Sir T. Malory, History of Prince
Arthur, i. 15 (1470).
⁂ Lionês, daughter of Sir Persaunt, and
sister of Linet, of Castle Perilous, married
Sir Gareth. Tennyson calls this Lady
“Lyonors,” and makes Gareth marry her
sister, who, we are told in the History, was
married to Sir Gaheris (Gareth’s brother).
Lyonors, the lady of Castle Perilous,
where she was held captive by several
knights called Morning Star or Phosphŏrus,
Noonday Sun or Merid´ies, Evening
Star or Hesperus, and Night or Nox. Her
sister, Lynette, went to King Arthur, to
crave that Sir Lancelot might be sent to
deliver Lyonors from her oppressor. The
king gave the quest to Gareth, who was
knighted, and accompanied Lynette, who
used him very scornfully at first; but at
every victory which he gained she abated
somewhat of her contempt; and married
him after he had succeeded in delivering
Lyonors. The lot of Lyonors is not told.
(See Liones.)—Tennyson, Idylls of the
King (“Gareth and Lynette”).
⁂ According to the collection of tales
edited by Sir T. Malory, the Lady Lyonors
was quite another person. She was daughter
of Earl Sanam, and mother of Sir
Borre by King Arthur (pt. i. 15). It was
Lionês who was the sister of Linet, and
whose father was Sir Persaunt, of Castle
Perilous (pt. i. 153). The History says
that Lionês married Gareth, and Linet
married his brother, Sir Gaheris. (See
Gareth.)
Lyrists (Prince of), Franz Schubert
(1797-1828).
Lysander, a young Athenian, in love
with Hermia, daughter of Egēus (3 syl.).
Egēus had promised her in marriage to
Demētrius, and insisted that she should
either marry him or suffer death “according
to the Athenian law.” In this dilemma,
Hermia fled from Athens with Lysander.
Demetrius went in pursuit, and was followed
by Helena, who doted on him. All
four fell asleep, and “dreamed a dream”
about the faries. When Demetrius awoke
he becomehe become more reasonable, for seeing that
Hermia disliked him and Helena loved him
sincerely, he consented to forego the former
and wed the latter. Egeus, being informed
thereof, now readily agreed to give
his daughter to Lysander, and all went
merry as a marriage bell.—Shakespeare,
Midsummer Night’s Dream (1592).
Lysim´achus, governor of Medali´nê,
who married Mari´na, the daughter of
Per´iclês, prince of Tyre, and his wife,
Thais´a.—Shakespeare, Pericles, Prince of
Tyre (1608).
Lysimachus, the artist, a citizen.—Sir
W. Scott, Count Robert of Paris (time,
Rufus).
Lyttel Boy (The). A troublesome
baby that always clung to his busy mother
although she bade him “runne and play.”
363“He wolde not goe, but tarrying soe
Ben allwais in the way”—
until he was taken out of the way, to
heaven.
* * * * *
“And then a moder felt her heart
How that it ben to-torne,—
She kissed each day till she ben gray,
The shoon he use to worn:
No bairn let hold untill her gown,
Nor played upon the floore,—
Goddes’ was the joy; a lyttel boy
Ben in the way no more!”
Eugene Field, A Little Book of Western Verse
(1890).
Lyttelton, addressed by Thompson in
“Spring,” was Lord George Lyttelton, of
Hagley Park, Worcestershire, who procured
for the poet a pension of £100 a
year. He was a poet and historian (1709-1773).
O Lyttelton ... from these distracted, oft
You wander thro’ the philosophic world; ...
And oft, conducted by historic truth,
You tread the long extent of backward time; ...
Or, turning thence thy view, these graver thoughts
The Muses charm.
Thompson, The Seasons (“Spring,” 1728).
364
M
This letter is very curiously
coupled with Napoleon I.
and III.
NAPOLEON I.:
Mack (General) capitulated at
Elm (October 19, 1805).
Maitland (Captain), of the Bellerophon, was
the person to whom he surrendered (1814).
Malet conspired against him (1812).
Mallieu was one of his ministers, with
Maret and Montalivet.
Marbeuf was the first to recognize his
genius at the military college (1779).
Marchand was his valet; accompanied him
to St. Helena; and assisted Montholon in
his Mémoires.
Maret, duke of Bassano, was his most trusty
counsellor (1803-1841).
Marie Louise was his wife, the mother of
his son, and shared his highest fortunes.
His son was born in March; so was the
son of Napoleon III.
Marmont was the second to desert him;
Murat the first (both in 1814).
6 Marshals and 26 generals-of-division had M
for their initial letter.
Masséna was the general who gained the
victory of Rivoli (1797), and Napoleon
gave him the sobriquet of L’Enfant Chéri
de la Victoire.
Melas was the Austrian general conquered
at Marengo, and forced back to the Mincio
(June 14, 1800).
Menou lost him Egypt (1801).
Metternich vanquished him in diplomacy.
Miollis was employed by him to take Pius
VII. prisoner (1809).
Montalivet was one of his ministers, with
Maret and Mallieu.
Montbel wrote the life of his son, “the king
of Rome” (1833).
Montesquieu was his first chamberlain.
Montholon was his companion at St.
Helena, and, in conjunction with Marchand,
wrote his Mémoires.
Moreau betrayed him (1813).
Mortier was one of his best generals.
Mourad Bey was the general he vanquished in
the battle of the Pyramids (July 23, 1798).
Murat was his brother-in-law. He was the
first martyr in his cause, and was the first
to desert him; then Marmont.
Murat was made by him king of Naples
(1808).
Madrid capitulated to him (December 4,
1808).
Magliani was one of his famous victories
(April 15, 1796).
Malmasion was his last halting-place in
France. Here the empress Joséphine
lived after her divorce, and here she died
(1814).
Malta taken (June 11, 1797), and while
there he abolished the order called “The
Knights of Malta” (1798).
Mantua was surrendered to him by Wurmser,
in 1797.
365Marengo was his first great victory (June
14, 1800).
Marseilles is the place he retired to when
proscribed by Paoli (1792). Here, too,
was his first exploit, when captain, in reducing
the “Federalists” (1793).
Méry was a battle gained by him (February
22, 1814).
Milan was the first enemy’s capital (1802),
and Moscow the last, into which he walked
victorious (1812).
It was at Milan he was crowned “king
of Italy” (May 26, 1805).
Millesimo, a battle won by him (April 14,
1796).
Mondovi, a battle won by him (April 22,
1796).
Montenotte was his first battle (1796), and
Mont St. Jean his last (1815).
Montereau, a battle won by him (February
18, 1814).
Montmartre was stormed by him (March
29, 1814).
Montmirail, a battle won by him (February
11, 1814).
Mont St. Jean (Waterloo), his last battle
(June 18, 1815).
Mont Thabor was where he vanquished
20,000 Turks with an army not exceeding
2000 men (July 25, 1799).
Moravia was the site of a victory (July 11,
1809).
Moscow was his pitfall. (See “Milan”).
May. In this month he quitted Corsica,
married Joséphine, took command of the
army of Italy, crossed the Alps, assumed
the title of emperor, and was crowned at
Milan. In the same month he was defeated
at Aspern, he arrived at Elba, and died
at St. Helena.
March. In this month he was proclaimed
king of Italy, made his brother Joseph
king of the Two Sicilies, married Marie
Louise by proxy, his son was born, and he
arrived at Paris after quitting Elba.
May 2, 1813, battle of Lützen.
3, 1793, he quits Corsica.
4, 1814, he arrives at Elba.
5, 1821, he dies at St. Helena.
6, 1800, he takes command of the army of Italy.
9, 1796, he marries Joséphine.
10, 1796, battle of Lodi.
13, 1809, he enters Vienna.
15, 1796, he enters Milan.
16, 1797, he defeats the Arch-duke Charles.
May 17, 1800, he begins his passage across the Alps.
17, 1809, he annexes the States of the Church.
18, 1804, he assumes the title of emperor.
19, 1798, he starts for Egypt.
20, 1800, he finishes his passage across the Alps.
21, 1813, battle of Bautzen.
22, 1803, he declares war against England.
22, 1809, he was defeated at Aspern.
26, 1805, he was crowned at Milan.
30, 1805, he annexes Lisbon.
31, 1803, he seizes Hanover.
March 1, 1815, he lands on French soil, after quitting Elba.
3, 1806, he makes his brother Joseph king of the Two Sicilies.
4, 1799, he invests Jaffa.
6, 1799, he takes Jaffa.
11, 1810, he marries, by proxy, Marie Louise.
13, 1805, he is proclaimed king of Italy.
16, 1799, he invests Acre.
20, 1812, birth of his son.
20, 1815, he reaches Paris, after quitting Elba.
21, 1804, he shoots the duc d’Enghien.
25, 1802, peace of Amiens.
31, 1814, Paris entered by the allies.
Napoleon III.:
- MacMahon, duke of Magenta, his most distinguished marshal,
and, after a few months, succeeded him as ruler of France (1873-1879).
- Malakoff (duke of), next to McMahon his most
distinguished marshal.
- Maria, of Portugal, was the lady his friends wanted him to
marry, but he refused to do so.
- Maximilian and Mexico, his evil stars (1864-1867).
Menschikoff was the Russian general defeated at the battle of the Alma (September 20, 1854).
- Michaud, Mignet, Michelet and Mérimée
were distinguished writers in the reign of Napoleon III.
- Moltke was his destiny.
Montholon was one of his companions in the escapade at Boulogne, and was condemned to imprisonment for twenty years.
- Montijo (countess of), his wife. Her name is Marie
Eugénie, and his son was born in March; so was the son of Napoleon I.
- 366Morny, his greatest friend.
- Magenta, a victory won by him (June 4, 1859).
- Malakoff. Taking the Malakoff tower and the Mamelon-vert were
the great exploits of the Crimean War (September 8, 1855).
- Mamelon-Vert. (See above).
- Mantua. He turned back before the walls of Mantua after the
battle of the Mincio.
- Marengo. Here he planned his first battle of the Italian
campaign, but it was not fought till after those of Montebello and Magenta.
- Marignano. He drove the Austrians out of this place.
- Metz, the “maiden fortress,” was one of the most important
sieges and losses to him in the Franco-Prussian war.
- Mexico and Maximilian, his evil stars.
- Milan. He made his entrance into Milan, and drove the
Austrians out of Marignano.
- Mincio (The battle of), called also Solfernio, a great
victory. Having won this he turned back at the walls of Mantua (June 24, 1859).
- Montebello, a victory won by him (June, 1859).
- ⁂ The mitrailleuse was to win him Prussia, but it lost him France.
- March. In this month his son was born, he was deposed by the
National Assembly, and was set at liberty by the Prussians. The treaty of Paris was March
30, 1856. Savoy and Nice were annexed in March, 1860.
- May. In this month he made his escape from Ham. The great
French Exhibition was opened in May, 1855.
- By far his best publication is his Manual of
Artillery.
Mab, queen of the fairies, according to
the mythology of the English poets of the
fifteenth century. Shakespeare’s description
is in Romeo and Juliet, act i. sc. 4 (1598).
Queen Mab’s Maids of Honor. They
were Hop and Mop, Drap, Pip, Trip and
Skip. Her train of waiting-maids were
Fib and Tib, Pinck and Pin, Tick and
Quick, Jill and Jin, Tit and Nit, Wap and
Win.—M. Drayton, Nymphidia (1563-1631).
Queen Mab, the Fairies’ Midwife, that is,
the midwife of men’s dreams, employed by
the fairies.
O, then I see Queen Mab hath been with you.
She is the fairies’ midwife—
Romeo and Juliet, act i. sc. 4.
Mabel Dunham. Modest, amiable,
yet spirited girl, educated at the East, who
goes to the shores of Lake Ontario to meet
her father, a major in charge of an English
garrison. The nickname of “Magnet,”
given by her sailor uncle, aptly describes
her influence upon her associates, especially
Jasper Western and Pathfinder. She
marries Western.—James Fenimore Cooper,
The Pathfinder (183-).
Maca´ber (The Dance) or the “Dance
of Death” (Arabic, makabir, “a church-yard”).
The dance of death was a favorite
subject in the Middle Ages for wall-paintings
in cemeteries and churches, especially
in Germany. Death is represented
as presiding over a round of dancers, consisting
of rich and poor, old and young,
male and female. A work descriptive of
this dance, originally in German, has been
translated into most European languages,
and the wood-cuts after Holbein’s designs,
published at Lyons in 1553, have a worldwide
reputation. Others are at Minden,
Lucerne, Lubeck, Dresden, and the north
side of old St. Paul’s.
Elsie. What are these paintings on the walls around us?
Prince. “The Dance of Macaber” ... “The Dance of Death.”
Longfellow, The Golden Legend (1851).
Macaire (Le Chevalier Richard), a
French knight, who, aided by Lieutenant
Landry, murdered Aubrey de Montdidier
in the forest of Bondy, in 1371. Montdidier’s
dog, named Dragon, showed such an
aversion to Macaire, that suspicion was
367aroused, and the man and dog were pitted
to single combat. The result was fatal
to the man, who died confessing his guilt.
There are two French plays on the subject,
one entitled Le Chien de Montargis,
and the other Le Chien d’Aubry. The former
of these has been adapted to the
English stage. Dragon was called Chien
de Montargis, because the assassination
took place near this castle, and was depicted
in the great hall over the chimney-piece.
In the English drama, the sash of the
murdered man is found in the possession
of Lieutenant Macaire, and is recognized
by Ursula, who worked the sword-knot,
and gave it to Captain Aubri, who was
her sweetheart. Macaire then confessed
the crime. His accomplice, Lieutenant
Landry, trying to escape, was seized by
the dog, Dragon, and bitten to death.
Macaire (Robert), a cant name for a
Frenchman.
MacAlpine (Jeanie), landlady of the
Clachan of Aberfoyle.—Sir W. Scott, Rob
Roy (time, George I.).
Macamut, a sultan of Cambaya, who
lived so much upon poison that his very
breath and touch were fatal.—Purchas,
Pilgrimage (1613).
MacAnaleister (Eachin), a follower of
Rob Roy.—Sir W. Scott, Rob Roy (time,
George I.).
Macare (2 syl.), the impersonation of
good temper.—Voltaire, Thelème and Macare
(an allegory).
Macaulay (Angus), a Highland chief in
the army of the earl of Montrose.
Allan Macaulay, or “Allan of the Red
Hand,” brother of Angus. Allan is “a
seer,” and is in love with Annot Lyle. He
stabs the earl of Menteith on the eve of
his marriage, out of jealousy, but the earl
recovers and marries Annot Lyle.—Sir
W. Scott, Legend of Montrose (time,
Charles I.).
Macbeth, son of Sinel, thane of Glamis,
and grandson of Malcolm II., by his second
daughter; the elder daughter married
Crynin, father of Duncan, who succeded
his grandfather on the throne. Hence,
King Duncan and Macbeth were cousins.
Duncan, staying as a guest with Macbeth,
at the Castle of Inverness (1040), was
murdered by his host, who then usurped
the crown. The battle which Macbeth
had just won was this: Sueno, king of
Norway, had landed with an army in Fife
for the purpose of invading Scotland;
Macbeth and Banquo were sent against
him, and defeated him with such loss
that only ten men of all his army escaped
alive. Macbeth was promised by the
witches (1) that none of woman born
should kill him, and (2) that he should
not die till Burham Wood removed to
Dunsinane. He was slain in battle by
Macduff, who was “from his mother’s
womb untimely ripped;” and as for the
moving wood, the soldiers of Macduff, in
their march to Dunsinane, were commanded
to carry boughs of the forest before
them to conceal their numbers.
Lady Macbeth, wife of Macbeth, a woman
of great ambition and inexorable will.
When her husband told her that the
witches prophesied he should be king, she
induced him to murder Duncan, who was
at the time their guest. She would herself
have done it, but he looked in sleep
so like her father that she could not.
However, when Macbeth had murdered
the king, she felt no scruple in murdering
368the two grooms that slept with him, and
throwing the guilt on them. After her
husband was crowned, she was greatly
troubled by dreams, and used to walk in
her sleep, trying to rub from her hands
imaginary stains of blood. She died,
probably by her own hand.—Shakespeare,
Macbeth (1606).
“It is related of Mrs. Betterton,” says
C. Dibdin, “that though ‘Lady Macbeth’
had been frequently well performed, no
actress, not even Mrs. Barry, could in the
smallest degree be compared to her.”
Mrs. Siddons calls Mrs. Pritchard “the
greatest of all the ‘Lady Macbeths;’” but
Mrs. Siddons herself was so great in this
character that, in the sleep-walking scene,
in her farewell performance, the whole
audience stood on the benches, and demanded
that the performance should end
with that scene.
⁂ Dr. Lardner says that the name of
Lady Macbeth was Graoch, and that she
was the daughter of Kenneth IV.
MacBriar (Ephraim), an enthusiast and
a preacher.—Sir W. Scott, Old Mortality
(time, Charles II.).
MacBride (Miss), heroine of John G.
Saxe’s Proud Miss MacBride, who was
even “proud of her pride,” (1850).
Mac´cabee (Father), the name assumed
by King Roderick, after his dethronement.—Southey,
Roderick, the Last of the Goths
(1814).
MacCallum (Dougal), the auld butler
of Sir Robert Redgauntlet, introduced in
Wandering Willie’s story.—Sir W. Scott,
Redgauntlet (time, George III.).
MacCandlish (Mrs.), landlady of the
Gordon Arms inn at Kippletringan.—Sir
W. Scott, Guy Mannering (time, George
II.).
MacCasquil (Mr.), of Drumquag, a relation
of Mrs. Margaret Bertram.—Sir W.
Scott, Guy Mannering (time, George II.).
MacChoak´umchild, schoolmaster at
Coketown. A man crammed with facts.
“He and some 140 other schoolmasters
had been lately turned at the same time,
in the same factory, on the same principles,
like so many pianoforte legs.”—C.
Dickens, Hard Times (1854).
MacCombich (Evan Dhu), foster-brother
of Fergus M’Ivor, both of whom
were sentenced to death at Carlisle.—Sir
W. Scott, Waverley (time, George II.).
MacCombich (Robin Oig), or M’Gregor, a
Highland drover, who stabs Harry Wakefield,
and is found guilty at Carlisle.—Sir
W. Scott, The Two Drovers (time, George
III.).
MacCrosskie (Deacon), of Creochstone,
a neighbor of the laird of Ellangowan.—Sir
W. Scott, Guy Mannering (time,
George II.).
MacDonald’s Breed (Lord), vermin,
or human parasites. Lord MacDonald,
son of the “Lord of the Isles” once made
a raid on the mainland. He and his followers
dressed themselves in the clothes
of the plundered party, but their own
rags were so full of vermin that no one
was poor enough to covet them.
MacDougal of Lorn, a Highland chief
in the army of Montrose.—Sir W. Scott,
Legend of Montrose (time, Charles I.).
Macduff, thane of Fife in the time
369of Edward the Confessor. One of the
witches told Macbeth to “beware of the
thane of Fife,” but another added that
“none of woman born should have power
to harm him.” Macduff was at this
moment in England, raising an army to
dethrone Macbeth, and place Malcolm (son
of Duncan) on the throne. Macbeth did
not know of his absence, but with a view
of cutting him off, attacked his castle,
and slew Lady Macduff with all her
children. Having raised an army, Macduff
led it to Dunsinane, where a furious
battle ensued. Macduff encountered Macbeth,
and being told by the king that
“none of woman born could prevail
against him,” replied that he (Macduff)
was not born of a woman, but—
——was from his mother’s womb
Untimely ripp’d.
They fought and Macbeth was killed.—Shakespeare,
Macbeth, act v. sc. 8.
Macey. Sturdy good man who refuses
to give up a persecuted Quaker who has
sought his house for refuge. Macey
would keep off the posse with his gun,
but the Friend yields himself up. When
the attempt is made to arrest Macey, also,
he and his wife escape by boat to the then
desolate Island of Nautucket and make
there a home.
“And yet that isle remaineth
A refuge of the free,
As when true-hearted Macey
Beheld it from the sea.
Free as the winds that winnow
Her shrubless hills of sand,
Free as the waves that batter
Along her yielding land.”
Poems, John Greenleaf Whittier.
MacEagh (Ranald), one of the “Children
of the Mist,” and an outlaw. Ranald
is the foe of Allan Macaulay.
Kenneth M’Eagh, grandson of Ranald
M’Eagh.—Sir W. Scott, Legend of Montrose
(time, Charles I.).
Macedonicus, Æmilius Paulus, conqueror
of Perseus (b.c. 230-160).
Macfie, the laird of Gudgeonford, a
neighbor of the laird of Ellangowan.—Sir
W. Scott, Guy Mannering (time,
George II.).
Macfin (Miles), the cadie in the Canongate,
Edinburgh.—Sir W. Scott, Guy
Mannering (time, George II.).
MacFittoch (Mr.), the dancing-master
at Middlemas.—Sir W. Scott, The Surgeon’s
Daughter (time, George II.).
MacFleck´noe, in Dryden’s satire so
called, is meant for Thomas Shadwell,
who was promoted to the office of poet-laureate.
The design of Dryden’s poem
is to represent the inauguration of one
dullard as successor of another in the
monarchy of nonsense. R. Flecknoe was
an Irish priest and hackney poet of no
reputation, and Mac in Celtic being son,
“MacFlecknoe” means the son of the
poetaster so named. Flecknoe, seeking
for a successor to his own dulness, selects
Shadwell to bear his mantle.
Shadwell alone my perfect image bears,
Mature in dulness from his tender years;...
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense.
Dryden, MacFlecknoe (a satire, 1682).
McFlimsey (Miss Flora). Fashion-mad
heroine of William Allen Butler’s satire,
Nothing to Wear. With a score of modish
toilettes, she represented herself as
unable to attend a ball, because she had
nothing to wear (1857).
MacGrainer (Master), a dissenting
370minister at Kippletringan.—Sir W. Scott,
Guy Mannering (time, George II.).
MacGregor (Rob Roy) or Robert
Campbell, the outlaw. He was a Highland
freebooter.
Helen M’Gregor, Rob Roy’s wife.
Hamish and Robert Oig, the sons of
Rob Roy.—Sir W. Scott, Rob Roy (time,
George I.).
MacGregor, or Robin Oig M’Combich,
a Highland drover, who stabbed Harry
Wakefield at an ale-house. Being tried
at Carlisle for the murder, he was found
guilty and condemned.—Sir W. Scott,
The Two Drovers (time, George III.).
MacGruther (Sandie), a beggar imprisoned
by Mr. Godfrey Bertram, laird of
Ellangowan.—Sir W. Scott, Guy Mannering
(time, George II.).
MacGuffog (David), keeper of Portanferry
prison.
Mrs. M’Guffog, David’s wife.—Sir W.
Scott, Guy Mannering (time, George II.).
Macham (Robert), the discoverer of
Madeira Island, to which he was driven
while eloping with his lady-love (A.D.
1344). The lady soon died, and the
mariners made off with the ship. Macham,
after his mourning was over, made
a rude boat out of a tree, and, with two or
three men, putting forth to sea, landed on
the shores of Africa. The Rev. W. L.
Bowles has made the marvellous adventures
of Robert Macham the subject of
a poem; and Drayton, in his Polyolbion,
xix, has devoted twenty-two lines to the
same subject.
Macheath (Captain), captain of a gang
of highwaymen; a fine, bold-faced ruffian,
“game” to the very last. He is married
to Polly Peachum, but finds himself dreadfully
embarrassed between Polly, his wife,
and Lucy, to whom he has promised marriage.
Being betrayed by eight women at
a drinking bout, the captain is lodged in
Newgate, but Lucy effects his escape. He
is recaptured, tried, and condemned to
death; but, being reprieved, acknowledges
Polly to be his wife, and promises to remain
constant to her for the future.—J.
Gay, The Beggar’s Opera (1727).
Machiavelli (Niccolo del), of Florence,
author of a book called The Prince, the
object of which is to show that all is fair
in diplomacy, as well as in “love and war”
(1469-1527).
⁂ Machiavellism, political cunning and
duplicity, the art of tricking and overreaching
by diplomacy.
Tiberius, the Roman emperor, is called
“The Imperial Machiavelli” (B.C. 42 to
A.D. 37).
MacIan (Gilchrist), father of Ian Eachin
M’Ian.
Ian Eachin (or Hector) M’Ian, called
Conachar, chief of the clan Quhele, son of
Gilchrist M’Ian. Hector is old Glover’s
Highland apprentice, and casts himself
down a precipice, because Catharine Glover
loves Henry Smith better than himself.—Sir
W. Scott, Fair Maid of Perth (time,
Henry IV.).
MacIlduy, or Mhich Connel Dhu, a
Highland chief in the army of Montrose.—Sir.
W. Scott, Legend of Montrose (time,
Charles I.).
MacIntyre (Maria), nieceniece of Mr. Jonathan
Oldbuck, “the antiquary.”
Captain Hector M’Intyre, nephew of Mr.
Jonathan Oldbuck, and brother of Maria
371M’Intyre.—Sir W. Scott, The Antiquary
(time, George III.).
MacIvor (Fergus), or “Vich Ian Vohr,”
chief of Glennaquoich.
Flora M’Ivor, sister of Fergus, and the
heroine of Waverley.—Sir W. Scott,
Waverley (time, George II.).
Mackitchinson, landlord at the
Queen’s Ferry Inn.—Sir W. Scott, The
Antiquary (time, George III.).
Macklin. The real name of this great
actor was Charles MacLaughlin; but he
dropped the middle syllable when he came
to England (1690-1797).
Macklin (Sir), a priest who preached to
Tom and Bob and Billy, on the sinfulness
of walking on Sundays. At his “sixthly”
he said, “Ha, ha, I see you raise your hands
in agony!” They certainly had raised
their hands, for they were yawning. At
his “twenty-firstly” he cried, “Ho, ho, I
see you bow your heads in hear[t**]felt sorrow!”
Truly they bowed their heads,
for they were sleeping. Still on he
preached and thumped his hat, when the
bishop passing by, cried, “Bosh!” and
walked him off.—W. S. Gilbert, The Bab
Ballads (“Sir Macklin”).
Maclean (Sir Hector), a Highland chief
in the army of Montrose, Sir W. Scott,
Legend of Montrose (time, Charles I.).
Macleary (Widow), landlady of the
Tully Veolan village ale-house.—Sir W.
Scott, Waverley (time, George II.).
MacLeish (Donald), postilion to Mrs.
Bethune Baliol.—Sir W. Scott, Highland
Widow (time, George II.).
Macleod (Colin or Cawdie), a Scotchman,
one of the house-servants of Lord
Abberville, entrusted with the financial department
of his lordship’s household.
Most strictly honest and economical,
Colin Macleod is hated by his fellow-servants,
and, having been in the service of
the family for many years, tries to check
his young master in his road to ruin.
⁂ The object of the author in this
character is “to weed out the unmanly
prejudice of Englishmen against the
Scotch,” as the object of The Jew (another
drama) was to weed out the prejudice of
Christians against that much-maligned
people.—Cumberland, The Fashionable
Lover (1780).
Macleod of Dare. Young Scotchman
who visits London and loses his heart to
a beautiful actress. She encourages him
for a while, but in the end jilts him. In
the insanity consequent upon the disappointment,
he causes her death and his
own.—William Black, Macleod of Dare.
Macleuchar (Mrs.), bookkeeper at the
coach-office in Edinburgh.—Sir W. Scott,
The Antiquary (time, George II.).
MacLouis, captain of the king’s guard.—Sir
W. Scott, Fair Maid of Perth (time,
Henry IV.).
Maclure (Elizabeth), an old widow and
a covenanter.—Sir W. Scott, Old Mortality
(time, Charles II.).
MacMorlan (Mr.), deputy-sheriff, and
guardian to Lucy Bertram.
Mrs. M’Morlan, his wife.—Sir W. Scott,
Guy Mannering (time, George II.).
MacMurrough, “Nan Fonn,” the family
bard at Glennaquoich to Fergus
M’Ivor.—Sir W. Scott, Waverley (time,
George II.).
372Ma´coma´, a good and wise genius, who
protects the prudent and pious against the
wiles of all evil genii.—Sir C. Morell [J.
Ridley], Tales of the Genii (“The Enchanter’s
Tale,” vi., 1751).
MacPhadraick (Miles), a Highland
officer under Barcaldine, or Captain Campbell.—Sir
W. Scott, The Highland Widow,
(time, George II.).
Macraw (Francis), an old domestic at
the earl of Glenallen’s.—Sir W. Scott, The
Antiquary (time, George III.).
Macready (Pate), a pedlar, the friend
of Andrew Fairservice, gardener at Osbaldistone
Hall.—Sir W. Scott, Rob Roy (time,
George I.).
Mac´reons, the British. Great Britain
is the “Ireland of the Macreons.” The
word is a Greek compound, meaning
“long-lived,” “because no one is put to
death there for his religious opinions.”
Rabelais says the island “is full of antique
ruins and relics of popery and ancient superstitions.”—Rabelais,
Pantag´ruel (1545).
⁂ Rabelais describes the persecutions
which the Reformers met with as a storm
at sea, in which Pantagruel and his fleet
were tempest-tossed.
Macro´bii (“the long-lived”), an Ethiopian
race, said to live to 120 years and
upwards. They are the handsomest and
tallest of all men, as well as the longest-lived.
Macroth´umus. long-suffering personified.
(Greek, makrothumia=long suffering).
Fully described in The Purple Island,
(canto x.).—Phineas Fletcher (1633).
MacSarcasm (Sir Archy), in Love à-la-mode,
by C. Macklin (1779). Boaden says:
“To Covent Garden, G. F. Cooke [1746-1812]
was a great acquisition, as he was a
‘Shylock,’ an ‘Iago,’ a ‘Kitely,’ a ‘Sir
Archy,’ and a ‘Sir Pertinax’ [McSycophant].”
Leigh Hunt says that G. F.
Cooke was a new kind of Macklin, and,
like him, excelled in “Shylock” and “Sir
Archy M’Sarcasm.”
⁂ “Shylock” in the Merchant of Venice
(Shakespeare); “Iago” in Othello
(Shakespeare); “Kitely” in Every Man in
His Humor (B. Jonson); “Sir Archy,” that
is, “M’Sarcasm”; “Sir Pertinax McSycophant”
in The Man of the World (Macklin).
MacSillergrip, a Scotch pawnbroker,
in search of Robin Scrawkey, his runaway
apprentice, whom he pursues upstairs and
assails with blows.
Mrs. M’Sillergrip, the pawnbroker’s
wife, always in terror lest the manager
should pay her indecorous attentions.—Charles
Mathews (At home, in Multiple).
The skill with which Mathews [1775-1835]
carried on a conversation between these three
persons produced a most astonishing effect.—Contemporary
Paper.
MacStin´ger (Mrs.), a widow who kept
lodgings at No. 9 Brig Place, on the brink
of a canal near the India Docks. Captain
Cuttle lodged there. Mrs. MacStinger was
a termagant, and rendered the captain’s
life miserable. He was afraid of her, and,
although her lodger, was her slave. When
her son, Alexander, was refractory, Mrs.
MacStinger used to seat him on a cold
paving-stone. She contrived to make
Captain Bunsby her second husband.—C.
Dickens, Dombey and Son (1846).
MacSyc´ophant (Sir Pertinax), the hotheaded,
ambitious father of Charles Egerton.
His love for Scotland is very great,
and he is continually quarrelling with his
373family because they do not hold his country
in sufficient reverence.
I raised it [my fortune] by booing ... I never
could stand straight in the presence of a great
man, but always booed, and booed, and booed,
as it were by instinct.—Act. iii. 1.
Charles Egerton M’Sycophant, son of Sir
Pertinax. Egerton was the mother’s
name. Charles Egerton marries Constantia.—C.
Macklin, The Man of the World
(1764).
Mactab (The Hon. Miss Lucretia), sister
of Lord Lofty, and sister-in-law of Lieutenant
Worthington, “the poor gentleman.”
Miss Lucretia was an old maid,
“stiff as a ramrod.” Being very poor, she
allowed the lieutenant “the honor of
maintaining her,” for which “she handsomely
gave him her countenance;” but
when the lieutenant was obliged to discontinue
his hospitality, she resolved to
“countenance a tobacconist of Glasgow,
who was her sixteenth cousin.”—G. Colman,
The Poor Gentleman (1802).
MacTavish Mhor or Hamish M’Tavish,
a Highland outlaw.
Elspat M’Tavish, or “The Woman of
the Tree,” widow of M’Tavish Mhor; “the
Highland widow.” She prevents her son
from joining his regiment, in consequence
of which he is shot as a deserter, and Elspat
goes mad.
Hamish Beam M’Tavish, son of Elspat
M’Tavish. He joins a Highland regiment,
and goes to visit his mother, who gives
him a sleeping draught to detain him. As
he does not join his regiment in time, he
is arrested for desertion, tried, and shot
at Dunbarton Castle.—Sir W. Scott, Highland
Widow (time, George II.).
MacTurk (Captain Mungo or Hector),
“the man of peace,” in the managing committee
of the Spa Hotel.—Sir W. Scott,
St. Ronan’s Well (time, George III.).
MacVittie (Ephraim), a Glasgow merchant,
one of Osbaldistone’s creditors.—Sir
W. Scott, Rob Roy (time, George I.).
MacWheeble (Duncan), bailie at Tully
Veolan, to the baron of Bradwardine.—Sir
W. Scott, Waverley (time, George II.).
Mad. The Bedlam of Belgium is
Gheel, where madmen reside in the houses
of the inhabitants, generally one in each
family.
Dymphna was a woman of rank, murdered
by her father for resisting his incestuous
passion, and became the tutelar
saint of those stricken in spirit. A shrine
in time rose in her honor, which for ten
centuries has been consecrated to the relief
of mental diseases. This was the origin
of the insane colony of Gheel.
Mad Cavalier (The), Prince Rupert, of
Bavaria, nephew of Charles I. He was
noted for his rash courage and impetuosity
(1619-1682).
Mad Lover (The), a drama by Beaumont
and Fletcher (before 1618). The
name of the “mad lover” is Memnon, who
is general of Astorax, king of Paphos.
Mad Poet (The), Nathaniel Lee (1657-1690).
Madasi´ma (Queen), an important character
in the old romance called Am´adis de
Gaul; her constant attendant was Elis´abat,
a famous surgeon, with whom she
roamed in solitary retreats.
Mad´elon, cousin of Cathos, and daughter
of Gor´gibus, a plain citizen of the
middle rank of life. These two silly girls
374have had their heads turned by novels,
and, thinking their names commonplace,
Madelon calls herself Polixĕna, and Cathos
calls herself Aminta. Two gentlemen
wish to marry them, but the girls fancy
their manners are too easy to be “stylish;”
so the gentlemen send their valets to
them, as the “marquis of Mascarille”
and the “viscount of Jodelot.” The girls
are delighted with these “real gentlemen;”
but when the farce has been carried far
enough, the masters enter and unmask
the trick. The girls are thus taught a
useful lesson, but are not subjected to any
serious ill consequences.—Molière, Les Précieuses
Ridicules (1659).
Mademoiselle. What is understood
by this word when it stands alone is
Mdlle. de Montpensier, daughter of Gaston,
duc d’Orléans, and cousin of Louis
XIV.
Anne Marie Louis d’Orléans, duchesse de Montpensier,
connue sous le nom de mademoiselle, née
à Paris, 1627; m. 1693; était fille de Gaston
d’Orléans frère de Louis XIII.—Bouillet.
Mademoiselle, the French lady’s-maid,
waiting on Lady Fanciful; full of the grossest
flattery, and advising her ladyship to
the most unwarrantable intrigues. Lady
Fanciful says, “The French are certainly
the prettiest and most obliging people.
They say the most acceptable, well-mannered
things, and never flatter.” When
induced to do what her conscience and
education revolted at, she would playfully
rebuke Mdlle. with, “Ah! la méchante
Françoise!” to which Mdlle. would respond,
“Ah! la belle Anglaise!”—Vanbrugh,
The Provoked Wife (1697).
Madge Wildfire, the insane daughter
of old Meg Murdochson, the gypsy thief.
Madge was a beautiful, but giddy girl,
whose brain was crazed by seduction and
the murder of her infant.—Sir W. Scott,
Heart of Midlothian (time, George II.).
Madman (Macedonia’s), Alexander, the
Great (B.C. 356, 336-323).
Heroes are much the same, the points agreed,
From Macedonia’s Madman, to the Swede [Charles XII.].
Pope, Essay on Man, iv. 219 (1733).
How vain, how worse than vain, at length appear
The madman’s wish, the Macedonian tear!
He wept for worlds to conquer; half the earth
Knows not his name, or but his death and birth.
Byron, Age of Bronze (1819).
Madman (The Brilliant), Charles XII.,
of Sweden (1682, 1697-1718).
Madman of the North, Charles XII.,
of Sweden (1682, 1697-1718).
Madoc, youngest son of Owain
Gwynedd, king of North Wales (who died
1169). He is called “The Perfect Prince,”
“The Lord of Ocean,” and is the very
beau-ideal of a hero. Invincible, courageous,
strong and daring, but amiable,
merciful and tender-hearted; most pious,
but without bigotry; most wise, but without
dogmatism; most provident and far-seeing.
He left his native country in
1170, and ventured on the ocean to discover
a new world; his vessels reached
America, and he founded a settlement
near the Missouri. Having made an alliance
with the Az´tecas, he returned to
Wales for a fresh supply of colonists, and
conducted six ships in safety to the new
settlement, called Caer-Madoc. War soon
broke out between the natives and the
strangers; but the white men proving the
conquerors, the Az´tecas migrated to Mexico.
On one occasion, being set upon
from ambush, Madoc was chained by one
foot to “the stone of sacrifice,” and consigned
to fight with six volunteers. His
375first opponent was Ocell´opan, whom he
slew; his next was Tlalăla, “the tiger,”
but during this contest Cadwallon came
to the rescue.—Southey, Madoc (1805).
... Madoc
Put forth his well-rigged fleet to seek him foreign ground,
And sailèd west so long, until that world he found ...
Long ere Columbus lived.
Drayton, Polyolbion, ix. (1612).
Mador (Sir), a Scotch knight, who accused
Queen Guinever of having poisoned
his brother. Sir Launcelot du Lac challenged
him to single combat and overthrew
him; for which service King Arthur gave
the queen’s champion La Joyeuse Garde
as a residence.
Mæce´nas (Caius Cilnius), a wealthy
Roman nobleman, a friend of Augustus,
and liberal patron of Virgil, Horace, Propertius,
and other men of genius. His
name has become proverbial for a “munificent
friend of literature” (died B.C. 8).
Are you not called a theatrical quidnunc and
a mock Mæcēnas to second-hand authors?—Sheridan,
The Critic, i. (1779).
Mæ´nad, a Bacchant, plu. Mænads or
Mæ´nades (3 syl.). So called from the
Greek, mainomai (“to be furious”), because
they acted like mad women in their “religious”
festivals.
Among the boughs did swelling Bacchus ride,
Whom wild-grown Mænads bore.
Phin. Fletcher, The Purple Island, vii. (1633).
Mæon´ides (4 syl.). Homer is so called,
either because he was son of Mæon, or because
he was a native of Mæon´ia (Lydia).
He is also called Mæonius Senex, and his
poems Mænonian Lays.
When great Mæonides, in rapid song,
The thundering tide of battle rolls along,
Each ravished bosom feels the high alarms,
And all the burning pulses beat to arms.
Falconer, The Shipwreck, iii. 1 (1756).
Mævius, any vile poet. (See Bavius).
But if fond Bavius vent his clouted song,
Or Mævius chant his thoughts in brothel charm,
The witless vulgar, in a numerous throng,
Like summer flies about the dunghill swarm ...
Who hates not one may he the other love.
Phineas Fletcher, The Purple Island, i. (1633).
Magalo´na (The Fair), daughter of the
king of Naples. She is the heroine of an
old romance of chivalry, originally written
in French, but translated into Spanish in
the fifteenth century. Cervantes alludes
to this romance in Don Quixote. The main
incident of the story turns on a flying
horse made by Merlin, which came into
the possession of Peter of Provence.—The
History of the Fair Magalona, and Peter,
the son of the Count of Provence.
⁂ Tieck has reproduced the history of
Magalona in German (1773-1853).
Mage Negro King, Gaspar, king of
Tarshish, a black Ethiop, and tallest of
the three Magi. His offering was myrrh,
indicative of death.
As the Mage negro king to Christ the babe.
Robert Browning, Luria, i.
Maggy, the half-witted granddaughter
of little Dorrit’s nurse. She had had a
fever at the age of ten, from ill-treatment,
and her mind and intellect never went beyond
that period. Thus, if asked her age,
she always replied, “Ten;” and she always
repeated the last two or three words of
what was said to her. She called Amy
Dorritt “Little Mother.”
She was about eight and twenty, with large
bones, large features, large feet and hands, large
eyes, and no hair. Her large eyes were limpid
and almost colorless; they seemed to be very
376little affected by light, and to stand unnaturally
still. There was also that attentive listening expression
in her face, which is seen in the faces of
the blind; but she was not blind, having one
tolerably serviceable eye. Her face was not exceedingly
ugly, being redeemed by a smile....
A great white cap, with a quantity of opaque
frilling ... apologized for Maggy’s baldness,
and made it so difficult for her old black bonnet
to retain its place on her head, that it held on
round her neck like a gypsy’s baby.... The
rest of her dress resembled sea-weed, with here
and there a gigantic tea-leaf. Her shawl looked
like a huge tea-leaf after long infusion.—C.
Dickens, Little Dorrit, ix. (1857).
Magi, or Three Kings of Cologne, the
“wise men from the East,” who followed
the guiding-star to the manger in Bethlehem
with offerings. Melchior, king of
Nubia, the shortest of the three, offered
gold, indicative of royalty; Balthazar,
king of Chaldea, offered frankincense, indicative
of divinity; and Gaspar, king of
Tarshish, a black Ethiop, the tallest of the
three, offered myrrh, symbolic of death.
Melchior means “king of light”light”; Balthazar
“lord of treasures;” and Gaspar or
Caspar, “the white one.”
⁂ Klopstock, in his Messiah, makes
the Magi six in number, and gives the
names as Hadad, Selima, Zimri, Mirja,
Beled and Sunith—Bk. v. (1771).
Magic Rings, like that which Gyges,
minister to King Candaules of Lydia,
found in the flanks of a brazen horse.
By means of this ring, which made its
wearer invisible, Gyges first dishonored
the queen, and then with her assistance,
assassinated the king and usurped his
throne.—Plato’s Republic; Cicero’s Offices.
Magic Wands. The hermit gave
Charles the Dane and Ubaldo a wand,
which, being shaken, infused terror into
all who saw it.—Tasso, Jerusalem Delivered
(1575).
The palmer who accompanied Sir Guyon
had a wand of like virtue. It was made
of the same wood as Mercury’s caduceus.—Spenser,
Faëry Queen, ii. (1590).
Magician of the North (The), Sir W.
Scott (1771-1832).
How beautifully has the Magician of the North
described “The Field of Waterloo!”—Lord W.P.
Lennox, Celebrities, etc., i. 16.
⁂ Johann Georg Hamann of Prussia,
called himself “The Magician of the North”
(1730-1788).
Magliabechi, the greatest book-worm
that ever lived. He devoured books, and
never forgot anything he read. He had
also so exact a memory that he could tell
the precise place and shelf of a book, as
well as the volume and page of any passage
required. He was the librarian of the
Great-Duke Cosmo III. His usual dinner
was three hard-boiled eggs and a draught
of water (1633-1714).
Magmu, the coquette of Astracan.
Though naturally handsome, she used every
art to set off her beauty. Not a word proceeded
from her mouth that was not studied. To counterfeit
a violent passion, to sigh à propos, to
make an attractive gesture, to trifle agreeably,
and collect the various graces of dumb eloquence
into a smile, were the arts in which she excelled.
She spent hours before her glass in deciding how
a curl might be made to hang loose upon her
neck to the greatest advantage; how to open
and shut her lips so as best to show her teeth
without affectation—to turn her face full or
otherwise, as occasion might require. She looked
on herself with ceaseless admiration, and always
admired most the works of her own hand in
improving on the beauty which nature had bestowed
on her.—T. S. Gueulette, Chinese Tales
(“Magmu,” 1723).
Magnanimous (The), Alfonso of Aragon
(1385, 1416-1458).
Khosru or Chosroës, the twenty-first of
377the Sassanĭdês, was surnamed Noushirwan
(“Magnanimous”) (*, 531-579).
Magnano, one of the leaders of the rabble
that attacked Hudibras at a bear-baiting.
The character is designed for Simeon
Wait, a tinker, as famous an independent
preacher as Burroughs. He used to
style Cromwell “the archangel who did
battle with the devil.”—S. Butler, Hudibras,
i. 2 (1663).
Magnificent (The), Khosru or Chosroës
I., of Persia (*, 531-579).
Lorenzo de Medici (1448-1492).
Robert, duc de Normandie; called Le
Diable also (*, 1028-1035).
Soliman I., greatest of the Turkish sultans
(1493, 1520-1566).
Magnus Troil, honest, plain Zetlander,
convivial in his habits, but frank and hospitable.
He has two motherless daughters.—Walter
Scott, The Pirate. (See
Minna and Brenda.)
Magog, according to Ezek. xxxviii.,
xxxix., was a country or people over whom
Gog was prince. Some say the Goths are
meant, others the Persians, others the
Scythians or the northern nations of Europe
generally.
Sale says that Magog is the tribe called
by Ptolemy “Gilân,” and by Strabo “Geli”
or “Gelæ.”—Al Korân, xxviii. note. (See
Gog).
Magog, one of the princes of Satan,
whose ambition is to destroy hell.
Magrico, the champion of Isabella, of
Portugal, who refused to pay truage to
France. He vanquished the French champion,
and thus liberated his country from
tribute.
Magua, subtle and cruel Huron chief,
whose unholy passion for Cora Munro is
the cause of her death.—James Fenimore
Cooper, The Last of the Mohicans (1826).
Magwitch (Abel), a convict for life, the
unknown father of Estella, who was
adopted from infancy by Miss Havisham,
the daughter of a rich banker. The convict,
having made his escape to Australia,
became a successful sheep farmer, and
sent money secretly to Mr. Jaggers, a London
lawyer, to educate Pip as a gentleman.
When Pip was 23 years old Magwitch
returned to England, under the assumed
name of Provis, and made himself
known to Pip. He was tracked by Orlick
and Compeyson, arrested, condemned to
death, and died in jail. All his money
was confiscated.—C. Dickens, Great Expectations
(1860).
Mahmut, the “Turkish Spy,” who remained
undiscovered in Paris for forty-five
years, revealing to his Government
all the intrigues of the Christian courts
(1637-1682).
Mahomet or Mohammed, the titular
name taken by Halaibi, founder of Islam
(570-632.)
Adopted Son: Usma, son of Zaid, his freed-man.
(See below, “Zainab.”)
Angel, who revealed the Koran to Mahomet:
Gabriel.
Banner: Sanjak-sherif, kept in the Eyab
mosque at Constantinople.
Birthplace: Mecca, A.D. 570.
Bow: Al Catûm (“the strong”), confiscated
from the Jews. In his first battle he drew it
with such force that it snapped in two.
Camel: Al Adha (“the slit-eared”) the swiftest
of his camels. One of the ten dumb animals
admitted into paradise.
Concubines: Marīyeh, mother of Ibrahim, his
son, was his favorite; but he had fourteen
others.
Cousins: Ali, his best friend: Abû Sofiân
ebn al Hareth.
378Cuirass: Al Fadha. It was of silver, and
was confiscated from the Jews.
Daughters by Kadijah; Zainab, Rukaijah,
Umm Kulthûm, and Fâtima, his favorite (called
one of the “three perfect women”).
Defeat: At Ohud, where it was reported that
he was slain (A.D. 623).
Died at Medīna, on the lap of Ayishah, his
favorite wife, 11 Hedjrah (June 8, 632).
Father: Abdallah, of the family of Hâshim
and tribe of Koreish. Abdallah was a small
merchant, who died when his son was five years
old. At the death of his father, his grandfather
took charge of him; but he also died within
two years. He then lived with his uncle Abu
Taleb (from the age of 7 to 14). (See Zesbet).
Father-in-law: Abû Bekr, father of his favorite
wife, Ayishah.
Flight: Hedjrah or Heg´ira, July 16, 622.
Followers: called Moslem or Mussulmans.
Grandson: Abd-el-Motalleb.
Horse: Al Borak (“the lightninglightning”), brought to
him by Gabriel, to carry him to the seventh heaven.
It had the wings of an eagle, the face of a
man, with the cheeks of a horse, and spoke Arabic.
Journey to Heaven (The), on Al Borak, is
called Isra.
Mother: Amina or Aminta, of the family of
Zuhra, and tribe of Koreish. (See Zesbet).
Nickname in Boyhood: El Amin (“the safe
man”).
Personal Appearance: Middle height, rather
lean, broad shoulders, strongly built, abundance
of black curly hair, coal-black eyes with thick
lashes, nose large and slightly bent, beard long.
He had between his shoulders a black mole, “the
seal of prophecy.”
Poisoned by Zainab, a Jewess, who placed
before him poisoned meat, in 624. He tasted it,
and ever after suffered from its effects, but survived
eight years.
Scripture: Al Korân (“the reading”). It is
divided into 114 chapters.
Sons by Kadijah: Al Kâsim and Abd Manâf;
both died in childhood. By Mariyeh (Mary)
his concubine: Ibrahim, who died when 15
months old. Adopted son: Usma, the child of
his freedman, Zaid. (See “Zainab”).
Standard: Bajura.
Successor, Abû Bekr, his father-in-law
(father of Ayishah).
Swords: Dhu´l Fakâr (“the trenchant”); Al
Batter (“the striker”); Hatel (“the deadly”);
Medham (“the keen”).
Tribe: that of the Koraichites or Koraich or
Koreish, on both sides.
Uncles: Abu Taleb, a prince of Mecca, but
poor; he took charge of the boy between the
ages of 7 and 14, and was always his friend.
Abû Laheb, who called him “a fool,” and was
always his bitter enemy; in the Korân, exi.,
“the prophet” denounces him. Hamza, a third
head of Islam.
Victories: Bedr (624); Muta (629); Taïf
(630); Honein (630 or 8 Hedjrah).
White Mule: Fedda.
Wives: Ten, and fifteen concubines.
(1) Kadijah, a rich widow of his own tribe.
She had been twice married, and was 40 years of
age (Mahomet being 15). Kadijah was his sole
wife for twenty-five years, and brought him two
sons and four daughters. (Fâtima was her
youngest child).
(2) Souda, widow of Sokran, nurse of his
daughter Fâtima. He married her in 621, soon
after the death of his first wife. The following
were simultaneous with Souda.
(3) Ayishah, daughter of Abû Bekr. She
was only nine years old on her wedding day.
This was his favorite wife, on whose lap he died.
He called her one of the “three perfect women.”
(4) Hend, a widow, 28 years old. She had a
son when she married. Her father was Omeya.
(5) Zainab, divorced wife of Zaid, his freed
slave. Married 627 (5 Hedjrah).
(6) Barra, a captive, widow of a young Arab
chief, slain in battle.
(7)(7) Rehana, a Jewish captive. Her father
was Simeon.
(8) Safīya, the espoused wife of Kenāna.
This wife outlived the prophet for forty years.
Mahomet put Kenana to death in order to marry
her.
(9) Umm Habība (mother of Habiba), widow
of Abû Sofian.
(10) Maimuna, who was 51 when he married
her, and a widow. She survived all his ten
wives.
⁂ It will be observed that most of Mahomet’s
wives were widows.
Mahomet. Voltaire wrote a drama so
entitled in 1738; and James Miller, in
1740, produced an English version of the
same, called Mahomet the Impostor. The
scheme of the play is this: Mahomet is
laying siege to Mecca, and has in his camp
Zaphna and Palmira, taken captives in
childhood and brought up by him. They
are really the children of Alcanor, the
379chief of Mecca, but know it not, and love
each other. Mahomet is in love with Palmira,
and sets Zaphna to murder Alcanor,
pretending that it is God’s will. Zaphna
obeys the behest, is told that Alcanor is
his father, and is poisoned. Mahomet
asks Palmira in marriage, and she stabs
herself.
Mahomet’s Coffin is said to be suspended
in mid-air. The wise ones affirm
that the coffin is of iron, and is suspended
by the means of loadstones. The faithful
assert it is held up by four angels. Burckhardt
says it is not suspended at all. A
marabout told Labat:
Que le tombeau de Mahomet étoit porté en l’air
par le moyen de certains Anges qui se relayent
d’heure en heures pour soutenir ce fardeau.—Labat,
Afrique Occidentale, ii. 143 (1728).
The balance always would hang even.
Like Mah’met’s tomb ’twixt earth and heaven.
Prior, Alma, ii. 199 (1717).
Mahomet’s Dove, a dove which. Mahomet
taught to pick seed placed in his
ear. The bird would perch on the prophet’s
shoulder and thrust its bill into his
ear to find its food; but Mahomet gave
out that it was the Holy Ghost, in the form
of a dove, sent to impart to him the counsels
of God.—Dr. Prideaux, Life of Mahomet
(1697); Sir W. Raleigh, History of the
World, I. i. 6 (1614).
Instance proud Mahomet ...
The sacred dove whispering into his ear,
That what his will imposed, the world must fear.
Lord Brooke, Declination of Monarchie, etc.
(1554-1628).
Was Mahomet inspirêd with a dove?
Thou with an eagle art inspirêd [Joan of Arc].
Shakespeare, I Henry VI., act i. sc. 3 (1589).
Mahomet’s Knowledge of Events.
Mahomet, in his coffin, is informed by an
angel of every event which occurs respecting
the faithful.
Il est vivant dans son tombeau. Il fait la
prière dans ce tombeau à chaque fois que le
crieur en fait la proclamation, et au même tems
qu’on la recite. Il y a un ange posté sur son
tombeau qui a le soin de lui donner avis des
prières que les fidèles font pour lui.—Gagnier,
Vie de Mahomet, vii. 18 (1723).
Mahomet of the North, Odin, both
legislator and supreme deity.
Mahoud, son of a rich jeweller of
Delhi, who ran through a large fortune in
riotous living, and then bound himself in
service to Bennaskar, who proved to be a
magician. Mahoud impeached Bennaskar
to the cadi, who sent officers to seize him;
but, lo! Mahoud had been metamorphosed
into the likeness of Bennaskar, and was
condemned to be burnt alive. When the
pile was set on fire, Mahoud became a
toad, and in this form met the Sultan Misnar,
his vizier, Horam, and the Princess
Hemju´nah, of Cassimir, who had been
changed into toads also.—Sir C. Morell
[J. Ridley], Tales of the Genii (“The Enchanter’s
Tale,” vi., 1751).
Mahound or Mahoun, a name of contempt
for Mahomet or any pagan god.
Hence Ariosto makes Ferrau “blaspheme
his Mahoun and Termagant” (Orlando
Furioso, xii. 59).
Fitter for a turban for Mahound or Termagant,
than the head-gear of a reasonable creature.—Sir
W. Scott.
Mahu, the fiend-prince that urges to
theft.
Five fiends have been in poor Tom at once;
of lust, as Obidicut; Hobididance, prince of
dumbness; Mahu, of stealing; Modo, of murder;
and Flibbertigibbet, of mopping and mowing.—Shakespeare,
King Lear, act iv. sc. 1
(1605).
Maid Ma´rian, a name assumed by
Matilda, daughter of Robert, Lord Fitz-walter,
380while Robin Hood remained in a
state of outlawry. She was poisoned with
a poached egg at Dunmow Priory, by a
messenger of King John sent for the purpose.
This was because Marian was loved
by the king, but rejected him. Drayton
has written her legend.
He to his mistress dear, his lovëd Marian,
Was ever constant known; which wheresoe’er she came,
Was sovereign of the woods, chief lady of the game.
Her clothes tucked to the knee, and dainty braided hair,
With bow and quiver armed, she wandered here and there
Amongst the forest wild. Diana never knew
Such pleasures, nor such harts as Marian slew.
Polyolbion, xxvi. (1622).
Maid Marian, introduced into the May-day
morris-dance, was a boy dressed in
girl’s clothes. She was queen of the May
and used to wear a tinsel crown, and
carry in her left hand a flower. Her coif
was purple, her surcoat blue, her cuffs
white, the skirts of her robe yellow, the
sleeves carnation, and the stomacher red
with yellow cross bars. (See Morris-Dance.)
Maid of Athens, There´sa Macri, rendered
famous by Byron’s song, “Maid of
Athens, fare thee well!” Twenty-four
years after this song was written, an Englishman
sought out “the Athenian maid,”
and found a beggar, without a single vestige
of beauty. She was married and had
a large family; but the struggle of her
life was to find bread to keep herself and
family from positive starvation. She lived
to be over eighty years of age.
Maid of Bath (The), Miss Linley, who
married R.B. Sheridan. Samuel Foote
wrote a farce entitled The Maid of Bath,
in which he gibbets Mr. Walter Long
under the name of “Flint.”
Maid of Honor (The), by P. Massinger
(1637). Cami´ola, a very wealthy, high-minded
lady, was in love with Prince
Bertoldo, brother of Roberto, king of the
Two Sicilies; but Bertoldo, being a knight
of Malta, could not marry without a dispensation
from the pope. While matters
were in this state Bertoldo led an army
against Aurelia, duchess of Sienna, and
was taken prisoner. Camiŏla paid his
ransom, and Aurelia commanded the prisoner
to be brought before her. Bertoldo
came; the duchess fell in love with him
and offered marriage, and Bertoldo, forgetful
of Camiola, accepted the offer. The
betrothed then presented themselves to the
king, when Camiola exposed the conduct
of Bertoldo. The king was indignant at
the baseness, Aurelia rejected Bertoldo
with scorn, and Camiola took the veil.
Maid of Mariendorpt (The), a drama
by S. Knowles, based on Miss Porter’s
novel of The Village of Mariendorpt (1838).
The “maid” is Meeta, daughter of Mahldenau,
minister of Mariendorpt, and betrothed
to Major Rupert Roselheim. The
plot is this; Mahldenau starts for Prague
in search of Meeta’s sister, who fell into
some soldiers’ hands in infancy during the
siege of Magdeburg. On entering Prague,
he is seized as a spy, and condemned toto
death. Meeta, hearing of his capture,
walks to Prague to plead for his life, and
finds that the governor’s “daughter” is her
lost sister. Rupert storms the prison and
releases Mahldenau.
Maid of Norway, Margaret, daughter
of Eric II. and Margaret of Norway. She
was betrothed to Edward, son of Edward
I., of England, but died on her passage
(1290).
Maid of Orleans, Jeanne d’Arc, famous
381for having raised the siege of Orleans,
held by the English. The general tradition
is that she was burnt alive as a witch,
but this is doubted (1412-1431).
Maid of Perth (Fair), Catharine
Glover, daughter of Simon Glover, the old
glover of Perth. She kisses Henry Smith
while asleep on St. Valentine’s morning,
and ultimately marries him.—Sir W.
Scott, Fair Maid of Perth (time, Henry
IV.).
Maid of Saragoza, Augustina, noted
for her heroism at the siege of Saragoza,
1808-9.—See Southey’s History of the Peninsular
War.
Her lover sinks—she sheds no ill-timed tear;
Her chief is slain—she fills his fatal post;
Her fellows flee—she checks their base career;
The foe retires—she heads the sallying host.
... the flying Gaul.
Foiled by a woman’s hand, before a battered wall.
Byron, Childe Harold, i. 56, (1809).
Maid of the Mill (The), an opera by
Isaac Bickerstaff. Patty, the daughter of
Fairfield, the miller, was brought up by
Lord Aimworth’s mother. At the death
of Lady Aimworth, Patty returned to the
mill, and her father promised her in marriage
to Farmer Giles; but Patty refused
to marry him. Lord Aimworth about the
same time betrothed himself to Theodosia,
the daughter of Sir Harry Sycamore; but
the young lady loved Mr. Mervin. When
Lord Aimworth knew of this attachment,
he readily yielded up his betrothed to the
man of her choice, and selected for his
bride, Patty, “the maid of the mill” (1765).
Maid of the Oaks (The), a two-act
drama by J. Burgoyne. Maria, “the maid
of the Oaks,” is brought up by Oldworth,
of Oldworth Oaks, as his ward, but is informed
on the eve of her marriage with
Sir Harry Groveby that she is Oldworth’s
daughter. The under-plot is between Sir
Charles Dupely and Lady Bab Lardoon.
Dupely professed to despise all women,
and Lady Lardoon was “the princess of
dissipation;” but after they fell in with
each other, Dupely confessed that he
would abjure his creed, and Lady Lardoon
avowed that henceforth she renounced
the world of fashion and its
follies.
Maid’s Tragedy (The). The “maid” is
Aspa´tia, the troth-plight wife of Amintor,
who, at the king’s command, is made to
marry Evad´ne (3 syl.). Her death forms
the tragical event which gives name to the
drama.—Beaumont and Fletcher (1610).
(The scene between Antony and Ventidius,
in Dryden’s tragedy of All for Love,
is copied from The Maid’s Tragedy, where
“Melantius” answers to Ventidius).
Maiden (The), a kind of guillotine, introduced
into Scotland by the Regent Morton,
who was afterwards beheaded by it.
The “maiden” resembled in form a painter’s
easel about ten feet high. The victim
placed his head on a cross-bar some four
feet from the bottom, kept in its place by
another bar. In the inner edges of the
frame were grooves, in which slid a sharp
axe weighted with lead and supported by
a long cord. When all was ready, the
cord was cut, and down fell the axe with a
thud.—Pennant, Tour in Scotland, iii. 365
(1771).
The unfortunate earl [Argyll] was appointed
to be beheaded by the “maiden.”—Sir W. Scott.
Tales of a Grandfather, ii. 53.
The Italian instrument of execution was called
the mannaïa. The apparatus was erected on a
scaffold; the axe was placed between two perpendiculars. ... In
Scotland the instrument of
execution was an inferior variety of the mannaïa.—Memoirs
of the Sansons, i. 257.
382It seems pretty clear that the “maiden” ...
is merely a corruption of the Italian mannaïa.—A.G.
Reid.
Maiden King (The), Malcolm IV., of
Scotland (1141, 1153-1165).
Malcolm, ... son of the brave and generous
Prince Henry, ... was so kind and gentle in
his disposition that he was usually called Malcolm
“the Maiden.”—Sir W. Scott, Tales of a
Grandfather, iv.
Maiden Queen (The), Elizabeth of England
(1583, 1558-1603).
Maiden of the Mist (The), Anne of
Geierstein, daughter of Count Albert of
Geierstein. She is the baroness of Arnheim.—Sir
W. Scott, Anne of Geierstein
(time, Edward IV.).
Maidens’ Castle (The), on the Severn.
It was taken from a duke by seven knights,
and held by them till Sir Galahad expelled
them. It was called “The Maidens’ Castle,”
because these knights made a vow
that every maiden who passed it should
be made a captive. This is an allegory.
Mailsetter (Mrs.), keeper of the Fairport
post-office.
Davie Mailsetter, her son.—Sir W. Scott,
The Antiquary (time, George III.).
Maimou´ne (3 syl.), a fairy, daughter
of Damriat, “king of a legion of genii.”
When the Princess Badoura, in her sleep,
was carried to the bed of Prince Camaral´zaman,
to be shown to him, Maimounê
changed herself into a flea, and bit the
prince’s neck to wake him. Whereupon
he sees the sleeping princess by his side,
falls in love with her, and afterwards marries
her.—Arabian Nights (“Camaralzaman
and Badoura”).
Mai´muna or Maimu´na, one of the
sorceresses of Dom-Daniel, who repents
and turns to Allah. Thal´aba first encounters
her, disguised as an old woman
spinning the finest thread. He greatly
marvels at its extreme fineness, but she
tells him he cannot snap it; whereupon
he winds it round his two wrists, and becomes
powerless. Maimuna, with her sister-sorceress,
Khwala, then carry him to
the island of Moha´reb, where he is held
in durance; but Maimuna releases him,
repents, and dies.—Southey, Thalaba, the
Destroyer, ix. (1797).
Mainote (2 syl.), a pirate who infests
the coast of Attica.
... boat
Of island-pirate of Mainote.
Byron, The Giaour (1813).
Mainy (Richard), out of whom the
Jesuits cast the seven deadly sins, each
in the form of some representative animal.
As each devil came forth, Mainy indicated
the special sin by some trick or
gesture. Thus, for pride, he pretended to
curl his hair, for gluttony, to vomit, for
sloth, to gape, and so on.—Bishop Harsnett,
Declaration of Popish Impostures, 279,
280.
Maitland (Thomas), the pseudonym of
Robert Buchanan, in The Contemporary
Review, when he attacked the “Fleshly
school.”
Maitre des Forges. By Georges Ohnet.
A wealthy ironmaster, Phillippe
Derblay, who loves Clarie de Beaulieu. In
pique at her desertion by her high-born
love, Gaston de Bligny, Clarie accepts and
marries Phillippe. She eventually learns
to love him.
Malachi, the canting, preaching assistant
of Thomas Turnbull, a smuggler and
383schoolmaster.—Sir W. Scott, Redgauntlet
(time, George III.).
Malacoda, the fiend sent as an envoy
to Virgil, when he conducted Dantê through
hell.—Dantè, Hell, xxi. (1300).
Malade Imaginaire (Le), Mons.
Argan, who took seven mixtures and
twelve lavements in one month instead of
twelve mixtures with twenty lavements,
as he had hitherto done. “No wonder,”
he says, “he is not so well.” He fancies
his wife loves him dearly, and that his
daughter is undutiful, because she declines
to marry a young medical prig instead of
Cléante (2 syl.) whom she loves. His
brother persuades “the malade” to counterfeit
death, in order to test the sincerity
of his wife and daughter. The wife rejoices
greatly at his death, and proceeds
to filch his property, when Argan starts
up and puts an end to her pillage. Next
comes the daughter’s turn. When she
hears of her father’s death, she bewails
him with great grief, says she has lost her
best friend, and that she will devote her whole
life in prayer for the repose of his soul.
Argan is delighted, starts up in a frenzy
of joy, declares she is a darling, and shall
marry the man of her choice freely, and
receive a father’s blessing.—Molière, Le
Malade Imaginaire (1673).
Malagi´gi, son of Buovo, brother of
Aldĭger and Vivian (of Clarmont’s race),
one of Charlemagne’s paladins, and cousin
of Rinaldo. Being brought up by the
fairy Orianda, he became a great enchanter.—Oriosto,
Orlando Furioso (1516).
Malagri´da (Gabriel), an Italian Jesuit
and missionary to Brazil, who was accused
of conspiring against the king of Portugal
(1689-1761).(1689-1761).
Lord Shelburne was nicknamed “Malagrida.”
He was a zealous oppositionist
during Lord North’s administration (1737-1805).
Malagrowther (Sir Mungo), a crabbed
old courtier, soured by misfortune, and
peevish from infirmities. He tries to make
every one as sour and discontented as
himself.—Sir W. Scott, Fortunes of Nigel
(time, James I.).
Malagrowther (Malachi), Sir W. Scott,
“On the proposed change of currency, etc.”
(1826).
Lockhart says that these “diatribes produced
in Scotland a sensation not inferior
to that of the Drapier’s letters in Ireland.”
They came out in the Edinburgh Weekly
Journal.
Malambru´no, a giant, first cousin to
Queen Maguncia, of Candaya. “Exclusive
of his natural barbaritybarbarity, Malambruno was
also a wizard,” who enchanted Don Calvijo
and the Princess Antonomasia—the former
into a crocodile of some unknown
metal, and the latter into a monkey of
brass. The giant sent Don Quixote the
wooden horse, and was appeased “by the
simple attempt of the knight to disenchant
the victims of his displeasure.”—Cervantes,
Don Quixote, II. iii. 4, 5, (1615).
Malaprop (Mrs.), aunt and guardian
to Lydia Languish, the heiress. Mrs.
Malaprop sets her cap at Sir Lucius
O’Trigger, “a tall Irish baronet,” and corresponds
with him under the name of
Delia. Sir Lucius fancies it is the niece,
and, when he discovers his mistake, declines
the honor of marriage with the
aunt. Mrs. Malaprop is a synonym for
those who misapply words without mispronouncing
them. Thus Mrs. Malaprop
talks of a Darbyshire putrefaction, an allegory
384on the banks of the Nile, a barbarous
Vandyke, she requests that no delusions to
the past be made, and talks of flying with
the utmost felicity.—Sheridan, The Rivals
(1775).
(Mrs. Malaprop’s name is itself a clever
invention; by no means mal à propos.)
Malbecco, “a cankered, crabbed carl,”
very wealthy and very miserly, husband
of a young wife named Hel´inore (3 syl.),
of whom he is very jealous, and not without
cause. Helinore, falling in love with
Sir Paridel, her guest, sets fire to the closet
where her husband keeps his treasures,
and elopes with Paridel, while Malbecco
stops to put out the flames. This done,
Malbecco starts in pursuit, and finds that
Paridel has tired of the dame, who has
become the satyr’s dairy-maid. He soon
finds her out, but she declines to return
with him; and he, in desperation, throws
himself from a rock, but receives no injury.
Malbecco then creeps into a cave,
feeds on toads and frogs, and lives in
terror lest the rock should crush him or
the sea overwhelm him. “Dying, he lives
on, and can never die,” for he is no longer
Malbecco, “but Jealousy is hight.”—Spenser,
Faëry Queen, iii. 9, 10 (1590).
Malbrough´, corrupted in English into
Malbrook, the hero of a popular French
song. Generally thought to refer to John
Churchill, duke of Marlborough, so famous
for his victories over the French in the
reign of Louis XIV.; but no incident of
the one corresponds with the life of the
other. The Malbrough of the song was
evidently a crusader or ancient baron, who
died in battle; and his lady, climbing the
castle tower and looking out for her lord,
reminds one of the mother of Sisera, who
“looked out at a window, and cried through
the lattice, ‘Why is his chariot so long in
coming? Why tarry the wheels of his
chariots? ... Have they not sped? Have
they not divided the spoil?’” (Judges, v.
28-30). The following are the words of
the song:—
“Malbrough is gone to the wars. Ah! when
will he return?” “He will come back by Easter,
lady, or at latest by Trinity.” “No, no! Easter
is past, and Trinity is past; but Malbrough has
not returned.” Then did she climb the castle
tower, to look out for his coming. She saw his
page, but he was clad in black. “My page, my
bonnie page,” cried the lady, “what tidings bring
you—what tidings of my lord?” “The news I
bring,” said the page, “is very sad, and will make
you weep. Lay aside your gay attire, lady, your
ornaments of gold and silver, for my lord is dead.
He is dead, lady, and laid in earth. I saw him
borne to his last home by four officers; one carried
his cuirass, one his shield, one his sword,
and the fourth walked beside the bier, but bore
nothing. They laid him in earth. I saw his
spirit rise through the laurels. They planted
his grave with rosemary. The nightingale sang
his dirge. The mourners fell to the earth; and
when they rose up again, they chanted his victories.
Then retired they all to rest.”
This song used to be sung as a lullaby
to the infant son of Louis XVI.; and Napoleon
I. never mounted his charger for
battle without humming the air of Malbrough
s’en va-t-en guerre. Mon. de Las
Casas says he heard him hum the same
air a little before his death.
Malbrouk, of Basque legend, is a child
brought up by his godfather of the same
name. At the age of seven he is a tall,
full-grown man, and, like Proteus, can assume
any form by simply naming the
form he wishes to assume. Thus, by saying
“Jesus, ant,” he becomes an ant; and
“Jesus, pigeon,” he becomes a pigeon.
After performing most wonderful prodigies,
and releasing the king’s three daughters
who had been stolen by his godfather,
he marries the youngest of the
princesses, and succeeds the king on his
throne.
385⁂ The name Malbrouk occurs in the
Chanson de Gestes, and in the Basque
Pastorales. (See above Malbrough.)
Malcolm, surnamed “Can More”
(“great head”), eldest son of Duncan, “the
Meek,” king of Scotland. He, with his
father and younger brother, was a guest
of Macbeth at Inverness Castle, when Duncan
was murdered. The two young princes
fled—Malcolm to the English court, and
his brother Donalbain to Ireland. When
Macduff slew Macbeth in the battle of
Dunsin´ane, the son of Duncan was set on
the throne of Scotland, under the name
and title of Malcolm III.—Shakespeare,
Macbeth (1606).
Mal´ecasta, the mistress of Castle
Joyous, and the impersonation of lust.
Britomart (the heroine of chastity) entered
her bower, after overthrowing four of the
six knights that guarded it; and Malecasta
sought to win the stranger to wantonness,
not knowing her sex. Of course,
Britomart resisted all her wiles, and left
the castle next morning.—Spenser, Faëry
Queen, iii. 1 (1590).
Maledisaunt, a damsel who threw discredit
on her knightly lover to prevent
his encountering the danger of the battlefield.
Sir Launcelot condoned her offense,
and gave her the name of Bienpensaunt.
The Cape of Good Hope was called the
“Cape of Storms” (Cabo Tormentoso) by
Bartholomew Diaz, when discovered in
1493; but the king of Portugal (John II.)
changed the name to “Good Hope.”
So the Euxine (that is, “the hospitable”)
Sea was originally called “The Axine” (or
“the inhospitable”) Sea.
Maleffort, seneschal of Lady Bria´na; a
man of “mickle might,” slain by Sir Calidore.—Spenser,
Faëry Queen, vi. 1 (1596).
Male´ger, (3 syl.), captain of the host
which besieged Body Castle, of which
Alma was queen. Prince Arthur found
that his sword was powerless to wound
him, so he took him up in his arms and
tried to crush him, but without effect. At
length the prince remembered that the
earth was the carl’s mother, and supplied
him with new strength and vigor as often
as he went to her for it; so he carried the
body, and flung it into a lake. (See
Antæos.)—Spenser, Faëry Queen, ii. 11
(1590).
Malen´gin, Guile personified. When
attacked by Talus, he changed himself into
a fox, a bush, a bird, a hedgehog, and a
snake; but Talus, with his iron flail, beat
him to powder, and so “deceit did the deceiver
fail.” On his back Malengin carried
a net “to catch fools” with.—Spenser,
Faëry Queen, v. 9 (1596).
Malepardus, the castle of Master Reynard,
the fox, in the beast epic of Reynard
the Fox (1498).
Males and Females. The proportion
in England is 104.5 males to 100 females;
in Russia it is 108.9; and the Jews in
Livonia give the ratio of 120 males born
to every 100 females. The mortality of
males in infancy exceeds that of females,
and war greatly disturbs the balance.
Mal-Fet (The chevalier), the name assumed
by Sir Launcelot in Joyous Isle,
during his fit of madness, which lasted two
years.—Sir T. Malory, History of Prince
Arthur, iii. (1470).
Malfort (Mr.), a young man who has
ruined himself by speculation.
Mrs. Malfort, the wife of the speculator,
“houseless, friendless, defenceless, and
386forlorn.” The wants of Malfort are temporarily
relieved by the bounty of Frank
Heartall and the kindness of Mrs. Cheerly
“the soldier’s daughter.” The return of
Malfort, senior, from India, restores his
son to ease and affluence.—Cherry, The
Soldier’s Daughter (1804).
Malfy (Duchess of), twin-sister of Ferdinand,
duke of Calabria. She fell in love
with Antonio, her steward, and gave thereby
mortal offense to her twin-brother,
Ferdinand, and to her brother, the cardinal,
who employed Bosola to strangle her.—John
Webster, Duchess of Malfy (1618).
Malgo, a mythical king of Britain,
noted for his beauty and his vices, his
munificence and his strength. Malgo
added Ireland, Iceland, Gothland, the Orkneys,
Norway, and Dacia to his dominions.
Geoffrey, British History, xi. 7 (1142).
Next Malgo ... first Orkney overran.
Proud Denmark then subdued, and spacious Norway wan.
Seized Iceland for his own, and Gothland to each shore.
Drayton, Polyolbion, xix. (1622).
Malesherbes (2 syl.). If anyone asked
Malesherbes his opinion about any French
words, he always sent him to the street
porters at the Port au Foin, saying that
they were his “masters in language.”—Racan,
Vie de Malesherbes (1830).
It is said that Shakespeare read his plays
to an oyster-woman when he wished to
know if they would suit the popular taste.
Mal´inal, brother of Yuhid´thiton.
When the Aztecas declared war against
Madoc and his colony, Malinal cast in his
lot with the white strangers. He was a
noble youth, who received two arrow-wounds
in his leg while defending the
white women; and being unable to stand,
fought in their defense on his knees.
When Malinal was disabled, Amal´ahta
caught up the princess, and ran off with
her; but Mervyn the “young page” (in
fact a girl) struck him on the hamstrings
with a bill-hook, and Malinal, crawling to
the spot, thrust his sword in the villain’s
groin and killed him.—Southey, Madoc, ii.
16 (1805).
Mal´iom. Mahomet is so called in some
of the old romances.
“Send five, send six against me! By Maliom!
I swear I’ll take them all.”—Fierabras.
Malkin. The maid Marian of the morris-dance
is so called by Beaumont and
Fletcher:
Put on the shape of order and humanity,
Or you must marry Malkin, the May-Lady.
Monsieur Thomas (1619).
Mall Cutpurse, Mary Frith, a thief and
receiver of stolen goods. John Day, in
1610, wrote “a booke called The Madde
Prancks of Merry Mall of the Bankside,
with her Walks in Man’s Apparel, and to
what Purpose.” It is said that she was an
androgyne (1584-1659).
Malluch, merchant of Antioch, who
befriends Ben-Hur when he most needs
substantial aid.—Lew Wallace, Ben-Hur;
A Tale of the Christ (1880).
Mal-Orchol, king of Fuär´fed (an island
of Scandinavia). Being asked by Ton-Thormod
to give him his daughter in
marriage, he refused, and the rejected
suitor made war on him. Fingal sent his
son Ossian to assist Mal-Orchol, and on
the very day of his arrival he took Ton-Thormod
prisoner. Mal-Orchol, in gratitude,
now offered Ossian his daughter in
marriage; but Ossian pleaded for Ton-Thormod,
and the marriage of the lady
387with her original suitor was duly solemnized.
(The daughter’s name was Oina-Moral).—Ossian,
Oina-Morul.
Malony (Kitty), a much maltreated cook,
to whom her mistress introduced a “hay-thun
Chineser” as an assistant. His imitation,
in good faith, of her practice of
taking toll of groceries brought into the
kitchen awakens her employer’s suspicions.
“She give me such sass as I cudn’t
take from no lady, an’ I give her warnin’,
an’ left that instant, an’ she a-pointin’ to
the door.”—Mary Mapes Dodge, Thophilus
and Others (1876).
Maltworm, a tippler. Similarly, bookworm
means a student.
Mal´venu, Lucif´ĕra’s porter.—Spenser,
Faëry Queen, i. 4 (1590).
Malvina, daughter of Toscar. She was
betrothed to Oscar, son of Ossian; but he
was slain in Ulster by Cairbar, before the
day of marriage arrived.—Temora, i.
I was a lovely tree in thy presence, Oscar, with
all my branches round me; but thy death came
like a blast from the desert, and laid my green
head low. The spring returned with its showers;
no leaf of mine arose.... The tear was
on the cheek of Malvina.—Ossian, Croma.
Malvoisin (Sir Albert de), a preceptor
of the Knights Templars.
Sir Philip de Malvoisin, one of the
knights challengers at the tournament.—Sir
W. Scott, Ivanhoe (time, Richard I.).
Malvo´lio, Olivia’s steward. When he
reproves Sir Toby Belch for riotous living,
the knight says to him, “Dost thou think,
because thou art virtuous, there shall be
no more cakes and ale?” Sir Toby and
Sir Andrew Ague-cheek join Maria in a
trick against the steward. Maria forges a
letter in the handwriting of Olivia, leading
Malvolio to suppose that his mistress is in
love with him, telling him to dress in yellow
stockings, and to smile on the lady.
Malvolio falls into the trap; and when
Olivia shows astonishment at his absurd
conduct, he keeps quoting parts of the
letter he has received, and is shut up in a
dark room as a lunatic.—Shakespeare,
Twelfth Night (1614).
Mamamouchi, an imaginary order of
knighthood. M. Jourdain, the parvenu, is
persuaded that the grand seignior of the
order has made him a member, and he
submits to the ceremony of a mock installation.—Molière,
Le Bourgeois Gentilhomme
(1670).
All the women most devoutly swear,
Each would be rather a poor actress here
Than to be made a Mamamouchi there.
Dryden.
Mambrino’s Helmet, a helmet of pure
gold, which rendered the wearer invisible.
It was taken possession of by Rinaldo,
and stolen by Scaripantê.
Cervantes tells us of a barber who was
caught in a shower of rain, and who, to
protect his hat, clapped his brazen basin
on his head. Don Quixote insisted that
this basin was the helmet of the Moorish
king; and, taking possession of it, wore
it as such.
⁂ When the knight set the galley-slaves
free, the rascals “snatched the basin
from his head, and broke it to pieces” (pt.
I. iii. 8); but we find it sound and complete
in the next book (ch. 15), when the
gentlemen at the inn sit in judgment on
it, to decide whether it is really a “helmet
or a basin.” The judges, of course, humor
the don, and declare the basin to be
an undoubted helmet.—Cervantes, Don
Quixote (1605).
388“I will lead the life I have mentioned, till, by
the force and terror of my arm, I take a helmet
from the head of some other knight.” ... The
same thing happened about Mambrino’s helmet,
which cost Scaripante so dear.—Cervantes, Don
Quixote, I. ii. 2 (1605).
Mamillius, a young prince of Sicilia.—Shakespeare,
Winter’s Tale (1604).
Mammon, the personification of earthly
ambition, be it wealth, honors, sensuality,
or what not. “Ye cannot serve God and
Mammon” (Matt. vi. 24). Milton makes
Mammon one of the rebellious angels:
Mammon, the least-erected spirit that fell
From heaven; for e’en in heaven his looks and thoughts
Were always downward bent, admiring more
The riches of heaven’s pavement, trodden gold,
Than aught, divine or holy, else enjoyed.
Paradise Lost, i. 679, etc. (1665).
Mammon tells Sir Guyon, if he will serve
him, he shall be the richest man in the
world; but the knight replies that money
has no charm in his sight. The god then
takes him into his smithy, and tells him
to give any order he likes; but Sir Gruyon
declines the invitation. Mammon next
offers to give the knight Philotine to wife;
but Sir Gruyon still declines. Lastly, the
knight is led to Proserpine’s bower, and told
to pluck some of the golden fruit, and to
rest him awhile on the silver stool; but
Sir Gruyon resists the temptation. After
three day’s sojourn in the infernal regions,
the knight is led back to earth, and swoons.—Spenser,
Faëry Queen, ii. 7 (1590).
Mammon (Sir Epicure), the rich dupe
who supplies Subtle, “the alchemist,” with
money to carry on his artifices, under pretence
of transmuting base metals into
gold. Sir Epicure believes in the possibility,
and glories in the mighty things
he will do when the secret is discovered.—Ben
Jonson, The Alchemist (1610).
Mammoth (The), or big buffalo, is an
emblem of terror and destruction among
the American Indians. Hence, when
Brandt, at the head of a party of Mohawks
and other savages, was laying
waste Pennsylvania, and approached Wyo´ming,
Outalissi exclaims:
The mammoth comes—the foe—the monster Brandt,
With all his howling, desolating band ...
Red is the cup they drink, but not of wine!
Campbell, Gertrude of Wyoming, iii. 16 (1809).
Mammoun, eldest of the four sons of
Corcud. One day he showed kindness to
a mutilated serpent, which proved to be
the fairy Gialout, who gave him for his
humanity the power of joining and mending
whatever was broken. He mended a
pie’s egg which was smashed into twenty
pieces, and so perfectly that the egg was
hatched. He also mended in a moment a
ship which had been wrecked and broken
in a violent storm.—T.S. Gueulette,
Chinese Tales (“Corcud and His four
Sons,” 1723).
Man. His descent according to the
Darwinian theory: (1) The larvæ of ascidians,
a marine mollusc; (2) fish lowly
organized, as the lancelet; (3) ganoids,
lepidosiren, and other fish; (4) amphibians;
(5) birds and reptiles; (6) from
reptiles we get the monotremata, which
connects reptiles with the mammalia; (7)
the marsupials; (8) placental mammals;
(9) lemurĭdæ; (10) simiădæ; (11) the New
World monkeys called platyrhines, and
the Old World monkeys called catarrhines;
(12) between the catarrhines and the race
of men the “missing link” is placed by
some; but others think between the highest
organized ape and the lowest organized
man the gradation is simple and easy.
Man (Races of). According to the Bible,
389the whole human race sprang from one
individual, Adam. Virey affirms there
were two original pairs. Jacquinot and
Latham divide the race into three primordial
stocks; Kent into four; Blumenbach
into five; Buff on into six; Hunter into
seven; Agassiz into eight; Pickering into
eleven; Bory St. Vincent into fourteen;
Desmoulins into sixteen; Morton into
twenty-two; Crawfurd into sixty; and
Burke into sixty-three.
Man in Black (The), said to be meant
for Goldsmith’s father. A true oddity,
with the tongue of a Timon and the heart
of an Uncle Toby. He declaims against
beggars, but relieves every one he meets;
he ridicules generosity, but would share
his last cloak with the needy.—Goldsmith,
Citizen of the World (1759).
⁂ Washington Irving has a tale called
The Man in Black.
Man in the Moon (The). Some say
it is the man who picked up a bundle of
sticks on the Sabbath day (Numb. xv. 32-36).
Dantê says it is Cain, and that the
“bush of thorns” is an emblem of the
curse pronounced on the earth: “Thorns
also and thistles shall it bring forth to
thee” (Gen. iii. 18). Some say it is Endymion,
taken there by Diana.
The curse pronounced on the “man”
was this: “As you regarded not ‘Sunday’
on earth, you shall keep a perpetual ‘Moon-day’
in heaven.” This, of course, is a
Teutonic tradition.
The bush of thorns, in the Schaumburglippê
version, is to indicate that the man
strewed thorns in the church path, to
hinder people from attending mass on
Sundays.
Now doth Cain with fork of thorns confine
On either hemisphere, touching the wave
Beneath the towers of Seville. Yesternight
The moon was round.
Dantê, Inferno, xx (1300).
Her gite was gray and full of spottis black.
And on her brest a chorle painted ful even,
Bering a bush of thornis on his back,
Which for his theft might clime so ner the heven.
Chaucer.
A North Frisian version gives cabbages
instead of a faggot of wood.
⁂ There are other traditions, among
which may be mentioned “The Story of
the Hare and the Elephant.” In this story
“the man in the moon” is a hare.—Pantschatantra
(a collection of Sanskrit
fables).
Man in the Moon, a man who visits the
“inland parts of Africa.”—W. Thomson,
Mammuth or Human Nature Displayed on
a Grand Scale (1789).
Man in the Moon, the man who, by the
aid of a magical glass, shows Charles Fox
(the man of the people), various eminent
contemporaries.—W. Thomson, The Man
in the Moon or Travels into the Lunar Regions
(1783).
Man of Blood. Charles I. was so
called by the puritans, because he made
war on his parliament. The allusion is to
2 Sam. xvi. 7.
Man of Brass, Talos, the work of
Hephæstos (Vulcan). He traversed the
Isle of Crete thrice a year. Apollo´nius
(Argonautica, iv.) says he threw rocks at
the Argonauts, to prevent their landing.
It is also said that when a stranger was
discovered on the island, Talos made himself
red-hot, and embraced the intruder to
death.
That portentous Man of Brass
Hephæstus made in days of yore,
390Who stalked about the Cretan shore,
And saw the ships appear and pass,
And threw stones at the Argonauts.
Longfellow, The Wayside Inn (1863).
Man of December. Napoleon III.
So called because he was made president
December 11, 1848; made the coup d’état,
December 2, 1851; and was made emperor
December 2, 1852.
(Born in the Rue Lafitte, Paris (not in
the Tuileries), April 20, 1808; reigned
1852-1870; died at Chiselhurst, Kent,
January 9, 1873).
Man of Destiny, Napoleon I., who always
looked upon himself as an instrument
in the hands of destiny, and that all
his acts were predestined.
The Man of Destiny ... had power for a time
“to bind kings with chains, and nobles with fetters
of iron.”—Sir W. Scott.
Man of Feeling (The), Harley, a sensitive,
bashful, kind-hearted, sentimental
sort of a hero.—H. Mackenzie, The Man
of Feeling (1771).
⁂ Sometimes Henry Mackenzie is
himself called “The Man of Feeling.”
Man of Ross, John Kyrle, of Ross, in
Herefordshire, distinguished for his benevolence
and public spirit. “Richer than
miser, nobler than king or king-polluted
lord.”—Pope, Epistle, iii. (“On the Use of
Riches,” 1709).
Man of Salt (A). Tears are called salt,
hence a man of salt is one who weeps on
slight provocation.
This would make a man, a man of salt,
To use his eyes for garden water-pots.
Shakespeare, King Lear, act iv. sc. 6 (1605).
Man of Sedan, Napoleon III. So called
because he surrendered his sword to
William, king of Prussia, after the battle
of Sedan in September, 1870.
(Born in the Rue Lafitte, 1808; reigned
1852-1870; died at Chiselhurst, 1873).
Man of Sin (The), mentioned in 2 Thess.
ii. 3.
Whitby says the “Man of sin” means
the Jews as a people.
Grotius says it means Caius Cæsar or
else Caligula.
Wetstein says it is Titus.
Olshausen thinks it is typical of some
one yet to come.
Roman Catholics say it means Anti-christ.
Protestants think it refers to the pope.
The Fifth-Monarchy men applied it to
Cromwell.
Man of the Hill, a tedious “hermit of
the vale,” introduced by Fielding in his
novel of Tom Jones (1749).
Man of the Mountain (Old). (See
Koppenburg.)
Man of the People, Charles James
Fox (1749-1806).
Man of the Sea (The Old), the man
who got upon the shoulders of Sindbad,
the sailor, and would not get off again,
but clung there with obstinate pertinacity
till Sindbad made him drunk, when he
was easily shaken off. Sindbad then
crushed him to death with a large stone.
“You had fallen,” said they, “into the hands
of the Old Man of the Sea, and you are the first
whom he has not strangled.”—Arabian Nights
(“Sindbad,” fifth voyage).
Man of the World (The), Sir Pertinax
McSycophant, who acquires a fortune
by “booing” and fawning on the
great and rich. He wants his son Egerton
391to marry the daughter of Lord Lumbercourt,
but Egerton, to the disgust of
his father, marries Constantia, the protégée
of Lady McSycophant. Sir Pertinax had
promised his lordship a good round sum
of money if the marriage was effected;
and when this contretemps occurs, his lordship
laments the loss of money, “which
will prove his ruin.” Sir Pertinax tells
Lord Lumbercourt that his younger son
Sandy will prove more pliable, and it is
agreed that the bargainbargain shall stand good if
Sandy will marry the young lady.—C.
Macklin, The Man of the World (1764).
⁂ This comedy is based on Voltaire’s
Nanine (1749).
Man without a Skin. Richard Cumberland,
the dramatist, was so called by
Garrick, because he was so extremely
sensitive that he could not bear “to be
touched” by the finger of criticism (1732-1811).
Managarm, the most gigantic and formidable
of the race of hags. He dwells
in the Iron-wood, Jamvid. Managarm
will first fill himself with the blood of man,
and then will he swallow up the moon.
This gigantic hag symbolizes War, and the
“Iron-wood” in which he dwells is the
wood of spears.—Prose Edda.
Manchester Poet (The), Charles
Swain, born 1803.
Manciple’s Tale. Phœbus had a crow
which he taught to speak; it was white as
down, and as big as a swan. He had also
a wife, whom he dearly loved. One day,
when he came home, the crow cried,
“Cuckoo, cuckoo, cuckoo!” and Phœbus
asked the bird what it meant; whereupon
it told the god that his wife was unfaithful
to him. Phœbus, in his wrath, seized
his bow, and shot his wife through the
heart; but to the bird he said, “Curse on
thy tell-tale tongue! never more shall it
brew mischief.” So he deprived it of the
power of speech, and changed its plumage
from white to black. Moral—Be no tale-bearer,
but keep well thy tongue, and
think upon the crow.
My sone, bewar, and be noon auctour newe,
Of tydyings, whether they ben fals or trewe;
Wherso thou comest, amongst high or lowe,
Kep wel thy tonge, and think upon the crowe.
Chaucer, Canterbury Tales, 17, 291-4 (1388).
⁂ This is Ovid’s tale of “Coronis” in
the Metamorphoses, ii. 543, etc.
Manda´ne (3 syl.), wife of Zamti, the
Chinese mandarin, and mother of Hamet.
Hamet was sent to Corea to be brought up
by Morat, while Mandanê brought up
Zaphimri (under the name of Etan), the
orphan prince and only surviving representative
of the royal race of China. Hamet
led a party of insurgents against Ti´murkan´,
was seized, and ordered to be put to
death as the supposed prince. Mandanê
tried to save him, confessed he was not
the prince; and Etan came forward as the
real “orphan of China.” Timurkan, unable
to solve the mystery, ordered both to
death, and Mandanê with her husband to
the torture; but Mandanê stabbed herself.—Murphy,
The Orphan of China (1759).
Mandane (2 syl.), the heroine of Mdlle.
Scud´eri’s romance called Cyrus the Great
(1650).
Manda´ne and Stati´ra, stock names
of melodramatic romance. When a romance
writer hangs the world on the caprice
of a woman, he chooses Mandanê or
Statira for his heroine. Mandanê of classic
story was the daughter of King Astyăgês,
wife of Cambysês, and mother of
392Cyrus the Great. Statīra was daughter
of Darius, the Persian, and wife of Alexander
the Great.
Man´dans, an Indian tribe of Dakota,
in the United States, noted for their skill
in horsemanship.
Marks not the buffalo’s track, nor the Mandans’ dexterous horse-race.
Longfellow, Evangeline (1849).
Mandeville, any one who draws the
long-bow; a flam. Sir John Mandeville
[Man’.de.vil], an English traveller, published
a narrative of his voyages, which
abounds in the most extravagant fictions
(1300-1372).
Oh! he is a modern Mandeville. At Oxford
he was always distinguished by the facetious
appellation of “The Bouncer.”—Samuel Foote,
The Liar, ii. 1 (1761).
Mandeville (Bernard de), a licentious,
deistical writer, author of The Virgin Unmasked
(1709), Free Thoughts on Religion
(1712), Fable of the Bees (1714), etc. (1670-1733).
Man´drabul’s Offering, one that decreases
at every repetition. Mandrabul,
of Samos, having discovered a gold-mine,
offered a golden ram to Juno for the discovery.
Next year he offered a silver
one, the third year a brazen one, and the
fourth year nothing.
Mandricardo, king of Tartary, son of
Agrican. Mandricardo wore Hector’s cuirass,
married Derălis, and was slain by
Roge´ro in single combat.—Bojardo, Orlando
Innamorato (1495); Ariosto, Orlando
Furioso (1516).
Mandriccardo, a knight whose adventures
are recorded by Barahona (Mandriccardo,
etc., i. 70, 71).
Mandel (Mrs.), salaried society
“coach” of the Dryfoos family after their
removal to New York.—W.D. Howells,
A Hazard of New Fortunes (1889).
Manduce (2 syl.), the idol Gluttony,
venerated by the Grastrol´aters, a people
whose god was their belly.
Maiiette (Dr.), of Beauvais. He had
been imprisoned eighteen years, and had
gradually lost his memory. After his release
he somewhat recovered it, but any
train of thought connected with his
prison life produced a relapse. While in
prison, the doctor made shoes, and, whenever
the relapse occurred, his desire for
cobbling returned.
Lucie Manette, the loving, golden-haired,
blue-eyed daughter of Dr. Manette.
She marries Charles Darnay.
Lucie Manette had a forehead with the singular
capacity of lifting and knitting itself into an
expression that was not quite one of perplexity,
or wonder, or alarm, or merely of bright, fixed
attention, though it included all the four expressions.—C.
Dickens, A Tale of Two Cities, i. 4
(1859).
Maney or Manny (Sir Walter), a native
of Belgium, who came to England as page
to Philippa, queen of Edward III. When
he first began his career of arms, he and
some young companions of his own age
put a black patch over their left eye, and
vowed never to remove it till they had
performed some memorable act in the
French wars (died 1372).
With whom our Maney here deservedly doth stand,
Which first inventor was of that courageous band
Who closed their left eyes up, as never to be freed,
Till there they had achieved some high adventurous deed.
Drayton, Polyolbion, xviii. (1613).
393Man´fred (Count), son of Sig´ismund.
He sells himself to the prince of darkness,
and received from him seven spirits to do
his bidding. They were the spirits of
“earth, ocean, air, night, mountains, winds,
and the star of his own destiny.” Wholly
without human sympathies, the count
dwelt in splendid solitude among the Alpine
Mountains. He once loved the beautiful
As´tarte (2 syl.), and, after her murder,
went to the hall of Arima´nês to see
her. The spirit of Astarte informed him
that he would die the following day; and
when asked if she loved him, she sighed
“Manfred,” and vanished.—Byron, Manfred
(1817).
⁂ Byron sometimes makes Astarte two
syllables, and sometimes three. The usual
pronunciation is As.tar-te.
Mangerton (The laird of), John Armstrong,
an old warrior who witnesses the
national combat in Liddesdale valley between
his own son (the Scotch champion),
and Foster (the English champion). The
laird’s son is vanquished.—Sir W. Scott,
The Laird’s Jock (time, Elizabeth).
Maniche´an (4 syl.), a disciple of
Manês or Manichee, the Persian heresiarch.
The Manicheans believe in two opposing
principles—one of good, and the
other of evil. Theodora, wishing to extirpate
these heretics, put 100,000 of them to
the sword.
Yet would she make full many a Manichean.
Byron, Don Juan, vi. 3 (1824).
Man´ito or Mani´tou, the Great Spirit
of the North American Indians. These
Indians acknowledge two supreme spirits—a
spirit of good and a spirit of evil.
The former they call Gitchê-Manĭto, and
the latter Mitchê-Manito. The good spirit
is symbolized by an egg, and the evil one
by a serpent.—Longfellow, Hiawatha, xiv.
As when the evil Manitou that dries
Th’ Ohio woods, consumes them in his ire.
Campbell, Gertrude of Wyoming, i. 17 (1809).
Manlius, surnamed Torquātus, the Roman
consul. In the Latin war, he gave
orders that no Roman, on pain of death,
should engage in single combat. One of
the Latins having provoked young Manlius
by repeated insults, he slew him; but
when the young man took the spoils to
his father, Manlius ordered him to be put
to death for violating the commands of
his superior officer.—Roman Story.
Man´lius Capitoli´nus, consul of
Rome, B.C. 392, then military tribune.
After the battle of Allia (390), seeing Rome
in the power of the Gauls, he threw himself
into the capitol with 1000 men, surprised
the Gauls, and put them to the
sword. It was for this achievement he
was called Capitolinus. Subsequently he
was charged with aiming at sovereignty,
and was hurled to death from the Tarpeian
Rock.
⁂ Lafosse (1698) has a tragedy called
Manlius Capitolinus, and “Manlius” was
one of the favorite characters of Talma,
the French actor. Lafosse’s drama is an
imitation of Otway’s tragedy of Venice
Preserved (1682).
Manly, the lover of Lady Grace Townly,
sister-in-law of Lord Townly. Manly is
the cousin of Sir Francis Wronghead,
whom he saves from utter ruin. He is
noble, judicious, upright, and sets all
things right that are going wrong.—Vanbrugh
and Cibber, The Provoked Husband
(1728).
The address and manner of Dennis Delane
[1700-1753] were easy and polite; and he excelled
in the well-bred man, such as “Manly.”—T.
Davies.
Manly, “the plain dealer.” An honest,
394surly sea-captain, who thinks every one a
rascal, and believes himself no better.
Manly forms a good contrast to Olivia,
who is a consummate hypocrite of most
unblushing effrontery.
“Counterfeit honors,” says Manly, “will not
be current with me. I weigh the man, not his
titles. ’Tis not the king’s stamp can make the
metal better or heavier.”—Wycherly, The Plain
DealerDealer i. 1 (1677).
⁂ Manly, the plain dealer, is a copy of
Molière’s “Misanthrope,” the prototype of
which was the duc de Montausier.
Manly (Captain), the fiancé of Arabella,
ward of Justice Day, and an heiress.
Arabella. I like him much—he seems plain and honest.
Ruth. Plain enough, in all conscience.
T. Knight, The Honest Thieves.
Manly (Colonel), a bluff, honest soldier,
to whom honor is dearer than life. The
hero of the drama.—Mrs. Centlivre, The
Beaux’ Duel (1703).
Mann (Mrs.), a dishonest, grasping
woman, who kept a branch workhouse,
where children were farmed. Oliver
Twist was sent to her child-farm. Mrs.
Mann systematically starved the children
placed under her charge.—C. Dickens,
Oliver Twist (1837).
Mannaia, goddess of retribution. The
word in Italian means “an axe.”
All in a terrible moment came the blow
That beat down Paolo’s ’fence, ended the play
O’ the foil, and brought Mannaia on the stage.
R. Browning, The Ring and the Book, iii. (date of the story, 1487).
Mannering (Guy) or Colonel Mannering.
Mrs. Mannering (née Sophia Wellwood),
wife of Guy Mannering.
Julia Mannering, daughter of Guy. She
marries Captain Bertram. “Rather a
hare-brained girl, but well deserving the
kindest regards” (act i. 2 of the dramatized
version).
Sir Paul Mannering, uncle to Guy Mannering.—Sir.
W. Scott, Guy Mannering
(time, George II.).
⁂ Scott’s tale of Guy Mannering has
been dramatized by Daniel Terry.
Manon l’Escaut, the heroine of a
French novel, entitled Histoire de Chevalier
Desgrieux et de Manon Lescot, by A. F.
Prévost (1733). Manon is the “fair mischief”
of the story. Her charms seduce
and ruin the Chevalier des Grieux, who
clings to her through all her career with
an unconquered passion, forgiving and
forgetting to the tragic end when she
dies as a convict in the wilds of Louisiana.
Manri´co, the supposed son of Azuce´na,
the gypsy, but in reality the son of
Garzia (brother of the conte di Luna).
Leono´ra is in love with him, but the count
entertains a base passion for her, and,
getting Manrico into his power, condemns
him to death. Leonora promises the
count to give herself to him if he will
spare the life of Manrico. He consents,
but while he goes to release his “nephew,”
Leonora sucks poison from a ring and
dies. Manrico, on perceiving this, dies
also.—Verdi, Il Trovato´rê (an opera, 1853).
Mans (The Count of), Roland, nephew
of Charlemagne. He is also called the
“knight of Blaives.”
Mansel (Sir Edward), lieutenant of the
Tower of London.
Lady Mansel, wife of Sir Edward.—Sir
W. Scott, Fortunes of Nigel, (time, James
I).
395Mansfield (The Miller of), a humorous,
good-natured countryman, who offered
Henry VIII. hospitality when he had lost
himself in a hunting expedition. The
miller gave the king half a bed with his
son Richard. Next morning, the courtiers
were brought to the cottage by under-keepers,
and Henry, in merry pin, knighted
his host, who thus became Sir John Cockle.
He then made him “overseer of Sherwood
Forest,” with a salary of 1000 marks a
year.—R. Dodsley, The King and the Miller
of Mansfield (1737).
⁂ In the ballad called The King and
the Miller of Mansfield, the king is Henry
II., and there are several other points of
difference between the ballad and the play.
In the play, Cockle hears a gun fired, and
goes out to look for poachers, when he
lays hold of the king, but, being satisfied
that he is no poacher, he takes him home.
In the ballad, the king out-rides his lords,
gets lost, and, meeting the miller, asks of
him a night’s lodging. When the miller
feels satisfied with the face and bearing of
the stranger, he entertains him right hospitably.
He gives him for supper a venison
pasty, but tells him on no account to
tell the king “that they made free with
his deer.” Another point of difference is
this: In the play, the courtiers are seized
by the under-keepers, and brought to
Cockle’s house; but in the ballad they
track the king and appear before him next
morning. In the play, the king settles on
Sir John Cockle 1000 marks; in the ballad,
£300 a year.—Percy, Reliques, III. ii. 20.
(Of course, as Dodsley introduced the
“firing of a gun,” he was obliged to bring
down his date to more modern times, and
none of the Henrys between Henry II.
and Henry VIII. would be the least likely
to indulge in such a prank.)
Mansur (Elijah), a warrior, prophet,
and priest, who taught a more tolerant
form of Islâm, but not being an orthodoxorthodox
Moslem, he was condemned to imprisonment
in the bowels of a mountain. Mansur
is to re-appear and wave his conquering
sword, to the terror of the Muscovite.—Milner,
Gallery of Geography, 781. (See
Barbarossa.)
Mantacci´ni, a charlatan, who professed
to restore the dead to life.
Mantali´ni (Madame), a fashionable
milliner, near Cavendish Square, London.
She dotes upon her husband, and supports
him in idleness.
Mr. Mantalini, the husband of madame;
he is a man-doll and cockney fop, noted
for his white teeth, his minced oaths, and
his gorgeous morning gown. This “exquisite”
lives on his wife’s earnings, and
thinks he confers a favor on her by lavishing
her money on his selfish indulgences.—C.
Dickens, Nicholas Nickleby (1838).
Mantle (The Boy and the). One day,
a little boy presented himself before King
Arthur, and showed him a curious mantle
“which would become no wife that was
not leal” to her true lord. The queen
tried it on, but it changed its color and
fell into shreds; Sir Kay’s lady tried it
on, but with no better success; others followed,
but only Sir Cradock’s wife could
wear it.—Percy, Reliques.
Mantuan (The) that is, Baptista
Spagn´olus, surnamed Mantua´nus, from
the place of his birth. He wrote poems
and eclogues in Latin. His works were
translated into English by George Tuberville
in 1567. He lived 1443-1516.
Ah, good old Mantuan! I may speak of thee
as the traveller doth of Venice:
396Vinegia, Vinegia,
Chi non te vede, ei non te pregia.
Shakespeare, Love’s Labor’s Lost, act iv. sc. 2 (1594).
Mantuan Swan (The), Virgil, a native
of Mantua (B. C. 70-19).
Mantua me genuit; Calabri rapuere; tenet nunc
Pathenopè; cecini pascua, rura, duces.
Virgil’s Epitaph (composed by himself).
Ages elapsed ere Homer’s lamp appeared;
And ages ere the Mantua Swan was heard.
Cowper.
Ma´nucodia´ta, a bird resembling a
swallow, found in the Molucca Islands.
“It has no feet, and though the body is
not bigger than that of a swallow, the span
of its wings is equal to that of an eagle.
These birds never approach the earth, but
the female lays her eggs on the back of
the male, and hatches them in her own
breast. They live on the dew of heaven,
and eat neither animal nor vegetable
food.”—Cardan, De Rerum Varietate (1557).
Less pure the footless fowl of heaven, that never
Rest upon earth, but on the wing forever,
Hovering o’er flowers, their fragrant food inhale,
Drink the descending dew upon the way,
And sleep aloft while floating on the gale.
Southey, Curse of Kehama, xxi. 6 (1809).
Manuel du Sosa, governor of Lisbon,
and brother of Guiomar (mother of the
vainglorious Duarte),Duarte), (3 syl.).—Beaumont
and Fletcher, The Custom of the Country
(1647).
Mapp (Mrs.), bone-setter. She was
born at Epsom, and at one time was very
rich, but she died in great poverty at her
lodgings in Seven Dials, 1737.
⁂ Hogarth has introduced her in his
heraldic picture, “The Undertakers’
Arms.” She is the middle of the three
figures at the top, the other two being Dr.
Ward, on the right hand of the spectator,
and Dr. Taylor on the left.
Maqueda, the queen of the South, who
visited Solomon, and had by him a son
named Melech.—Zaga Zabo, Ap. Damian
a Goes.
⁂ Maqueda is generally called Balkîs,
queen of Saba or Zaba.
Mara Lincoln, orphaned grandchild of
Captain and Mrs. Fennell; betrothed to
Moses Fennell. She dies young, and is
long and sincerely mourned.—Harriet
Beecher Stowe, The Pearl of Orr’s Island.
Marcassin (Prince). This nursery tale
is from the Nights, of Straparola, an
Italian (sixteenth century). Translated
into French in 1585.
Marce´lia, the “Desdemona” of Massinger’s
Duke of Milan. Sforza, “the
More,” doted on his young bride, and Marcelia
returned his love. During Sforza’s
absence at the camp, Francesco, “the lord
protector,” tried to seduce the young bride
from her fidelity, and, failing in his purpose,
accused her to the duke of wishing
to play the wanton. “I labored to divert
her ... urged your much love ...
but hourly she pursued me.” The duke,
in a paroxysm of jealousy, flew on Marcelia
and slew her.—Massinger, The Duke
of Milan (1622).
Marcella, daughter of William, a
farmer. Her father and mother died
while she was young, leaving her in
charge of an uncle. She was “the most
beautiful creature ever sent into the
world,” and every bachelor who saw her
fell madly in love with her, but she declined
their suits. One of her lovers was
Chrysostom, the favorite of the village,
397who died of disappointed hope, and the
shepherds wrote on his tombstone:
“From Chrysostom’s fate, learn to abhor
Marcella, that common enemy of man,
whose beauty and cruelty are both in the
extreme.”—Cervantes, Don Quixote, I. ii. 4,
5 (1605).
Marcellin de Peyras. The chevalier
to whom the Baron de Peyras gave up his
estates when he retired to Grenoble. De
Peyras eloped with Lady Ernestine, but
soon tired of her, and fell in love with his
cousin Margaret, the baron’s daughter.—E.
Stirling, The Gold-Mine or The Miller
of Grenoble (1854).
Marcelli´na, daughter of Rocco, jailer
of the State prison of Seville. She fell in
love with Fidelio, her father’s servant;
but this Fidelio turned out to be Leonora,
wife of the State prisoner Fernando Florestan.—Beethoven,
Fidelio (an opera,
1791).
Marcello, in Meyerbeer’s opera of Les
Huguenots, unites in marriage Valenti´na
and Raoul (1836).
Marcellus (M. Claudius), called “The
Sword of Rome.” Fabius “Cunctator”
was “The Shield of Rome.”
Marcellus, an officer of Denmark, to
whom the ghost of the murdered king appeared
before it presented itself to Prince
Hamlet.—Shakespeare, Hamlet (1596).
Marchioness (The), the half-starved
girl-of-all-work, in the service of Sampson
Brass and his sister Sally. She was so
lonesome and dull that it afforded her relief
to peep at Mr. Swiveller, even through
the keyhole of his door. Though so dirty
and ill-cared for, “the marchioness” was
sharp-witted and cunning. It was Mr.
Swiveller who called her the “marchioness,”
when she played cards with him,
“because it seemed more real and pleasant”
to play with a marchioness than with
a domestic slavey (ch. lvii.) When Dick
Swiveller was turned away and fell sick,
the “marchioness” nursed him carefully,
and he afterwards married her.—C. Dickens,
The Old Curiosity Shop (1840).
Marchmont (Miss Matilda), the confidante
of Julia Mannering.—Sir W. Scott,
Guy Mannering (time, George II.).
Marcian, armorer to Count Robert of
Paris.—Sir W. Scott, Count Robert of
Paris (time, Rufus).
Marck (William de la), a French nobleman,
called “The Wild Boar of Ardennes”
(Sanglier des Ardennes).—Sir W. Scott,
Quentin Durward (time, Edward IV.).
Marcliffe (Theophilus), pseudonym
of William Godwin (author of Caleb
Williams, 1756-1836).
Marco Bozzaris. Leader of the Suliotes
in the successful rebellion against the
Turks. A night-attack upon the Turkish
camp results in the victory of the Greeks.
Bozzaris is killed as the cry of triumph is
raised by his command.
“His few surviving comrades saw
His smile when rang their proud hurrah,
And the red field was won;
Then saw in death his eyelids close
Calmly, as to a night’s repose
Like flowers at set of sun.”
Fitz-Green Halleck, Marco Bozzaris.
Marcomanic War, a war carried on
by the Marcomanni, under the leader-ship
of Maroboduus, who made himself master
of Bohemia, etc. Maroboduus was defeated
398by Arminius, and his confederation
broken up (A.D. 20). In the second Christian
century a new war broke out between
the Marcomanni and the Romans, which
lasted thirteen years. In A.D. 180 peace
was purchased by the Romans, and the
war for a time ceased.
Marcos de Obregon, the hero of a
Spanish romance, from which Lesage has
borrowed very freely in his Gil Blas.—Vicente
Espinel, Vida del Escudero Marcos
de Obregon (1618).
Marculf, in the comic poem of Salomon
and Marculf, a fool who outwits the sage
of Israel by knavery and cunning. The
earliest version of the poem extant is a
German one of the twelfth century.
Marcus, son of Cato of Utĭca, a warm-hearted,
impulsive young man, passionately
in love with Lucia, daughter of
Lucius; but Lucia loved the more temperate
brother, Portius. Marcus was
slain by Cæsar’s soldiers when they invaded
Utica.
Marcus is furious, wild in his complaints;
I hear with a secret kind of dread,
And tremble at his vehemence of temper.
Addison, Cato, i. 1 (1713).
Mardonius (Captain), in Beaumont and
Fletcher’s drama called A King or No King
(1619).
Mareschal of Mareschal Wells
(Young), one of the Jacobite conspirators,
under the leadership of Mr. Richard Vere,
laird of Ellieslaw.—Sir W. Scott, The Black
Dwarf (time, Anne).
Marfi´sa, an Indian queen.—Bojardo,
Orlando Innamorato (1495), and Ariosto,
Orlando Furioso (1516).
Marforio’s Statue. This statue lies
on the ground in Rome, and was at one
time used for libels, lampoons, and jests,
but was never so much used as Pasquin’s.
Margar´elon (4 syl.), a Trojan hero of
modern fable, who performed deeds of
marvellous bravery. Lydgate, in his Boke
of Troy (1513), calls him a son of Priam.
According to this authority, Margarelon
attacked Achillês, and fell by his hand.
Margaret, only child and heiress of Sir
Giles Overreach. Her father set his heart
on her marrying Lord Lovel, for the summit
of his ambition was to see her a
peeress. But Margaret was modest, and
could see no happiness in ill-assorted
marriages; so she remained faithful to
Tom Allworth, the man of her choice.—Massinger,
A New Way to Pay Old Debts
(1628).
Margaret, wife of Vandunke (2 syl.),
the drunken burgomaster of Bruges.—Beaumont
and Fletcher, The Beggars’
Bush (1622).
Margaret (Ladye), “the flower of Teviot,”
daughter of the Duchess Margaret and
Lord Walter Scott, of Branksome Hall.
The Ladye Margaret was beloved by Henry
of Cranstown, whose family had a deadly
feud with that of Scott. One day the
elfin page of Lord Cranstown inveigled
the heir of Branksome Hall (then a lad)
into the woods, where the boy fell into the
hands of the Southerners. The captors
then marched with 3000 men against the
castle of the widowed duchess, but being
told by a spy that Douglass, with 10,000
men, was coming to the rescue, an arrangement
was made to decide by single combat
whether the boy should become King Edward’s
page, or be delivered up into the
399hands of his mother. The English champion
(Sir Richard Musgrave) fell by the
hand of Sir William Deloraine, and the
boy was delivered to his mother. It was
then discovered that Sir William was in
reality Lord Cranstown, who claimed and
received the hand of the fair Margaret as
his reward.—Sir W. Scott, Lay of the Last
Minstrel (1805).
Margaret, the heroine of Goethe’s Faust.
Faust first encounters her on her return
from church, falls in love with her, and
seduces her. Overcome with shame, she
destroys the infant to which she gives
birth, and is condemned to death. Faust
attempts to save her, and, gaining admission
to her cell, finds her huddled up
on a bed of straw, singing, like Ophelia,
wild snatches of ancient ballads, her
reason faded, and her death at hand.
Faust tries to persuade the mad girl to
flee with him, but in vain. At last the
day of execution arrives, and with it
Mephistoph´elês, passionless and grim.
Faust is hurried off, and Margaret is left
to her fate. Margaret is often called by
the pet diminutive “Gretchen,” and in
the opera “Margheri´ta” (q.v.).—Goethe,
Faust (1790).
Shakespeare has drawn no such portrait as
that of MargaretMargaret; no such peculiar union of
passion, simplicity, homeliness, and witchery.
The poverty and inferior social position of
Margaret are never lost sight of—she never becomes
an abstraction. It is love alone which
exalts her above her station.—Lewes.
Margaret Catchpole, a Suffolk celebrity,
born at Nacton, in that county, in
1773; the title and heroine of a tale by
the Rev. R. Cobbold. She falls in love
with a smuggler named Will Laud, and
in 1797, in order to reach him, steals a
horse from Mr. J. Cobbold, brewer, of
Ipswich, in whose service she had lived
much respected. She dresses herself in
the groom’s clothes, and makes her way
to London, where she is detected while
selling the horse, and is put in prison.
She is sentenced to death at the Suffolk
assizes—a sentence afterwards commuted
to one of seven years’ transportation.
Owing to a difficulty in sending prisoners
to New South Wales, she is confined in
Ipswich jail; but from here she makes
her escape, joins Laud, who is shot in her
defence. Margaret is recaptured, and
again sentenced to death, which is for the
second time commuted to transportation,
this time for life, and she arrivesarrives at
Port Jackson in 1801. Here, by her good
behavior, she obtains a free pardon, and
ultimately marries a former lover named
John Barry, who had emigrated and risen
to a high position in the colony. She
died, much respected, in the year 1841.
Margaret Debree. Young girl of
noble and beautiful nature whose latent
ambition is aroused by her marriage to
the successful speculator, Rodney Henderson.
She becomes a society leader
and woman of fashion, and dies at the
height of her popularity.—Charles Dudley
Warner, A Little Journey in the World
(1889).
Margaret Finch, queen of the gypsies.
She was born at Sutton, in Kent (1631),
and finally settled in Norway. From a
constant habit of sitting on the ground,
with her chin on her knees, she was unable
to stand, and when dead was buried
in a square box; 1740, aged 109 years.
Margaret. Bright-faced, sweet-hearted
heroine of The Stillwater Tragedy, by T.
B. Aldrich (1886).
Margaret Gibson, afterwards called
400Patten, a famous Scotch cook, who was
employed in the palace of James I. She
was born in the reign of Queen Elizabeth,
and died June 26, 1739, either 136 or 141
years of age.
Margaret Kent (See Kent).
Margaret Lamburn, one of the servants
of Mary, queen of Scots, who undertook
to avenge the death of her royal
mistress. For this end, she dressed in
man’s clothes and carried two pistols—one
to shoot Queen Elizabeth and the
other herself. She had reached the
garden where the queen was walking,
when she accidentally dropped one of the
pistols, was seizedseized, carried before the
queen, and frantically told her tale.
When the queen asked how she expected
to be treated, MargaretMargaret replied, “A judge
would condemn me to death, but it would
be more royal to grant me pardon.” The
queen did so, and we hear no more of
this fanatic.
Margaret Simon, daughter of Martin
Simon, the miller of Grenoble; a brave,
beautiful, and noble girl.—E. Stirling,
The Gold-Mine or Miller of Grenoble
(1854.)
Margaret of Anjou, widow of king
Henry VI. of England. She presents
herself, disguised as a mendicant, in
Strasburg Cathedral, to Philipson (i.e.
the earl of Oxford).—Sir W. Scott, Anne
of Geierstein (time, Edward IV.).
Margaret’s Ghost, a ballad by David
Mallet (1724). William courted the fair
Margaret, but jilted her; he promised
love, but broke his promise; said her
face was fair, her lips sweet, and her eyes
bright, but left the face to pale, the eyes
to weep and the maid to languish and die.
Her ghost appeared to him at night to
rebuke his heartlessness; and next morning
William left his bed raving mad, hied
him to Margaret’s grave, thrice called her
by name, “and never word spake more.”
We shall have ballads made of it within two
months, setting forth how a young squire became
a serving-man of low degree, and it will
be stuck up with Margaret’s Ghost against the
walls of every cottage in the country.—I. Bickerstaff,
Love in a Village (1763).
Margaret Regis. American girl of
decided views and strong, sweet nature,
brought up by a step-mother whom she is
slow to appreciate, but in the end loves
truly. Margaret outgrows an early fancy,
and, when released from the letter of her
engagement, bestows her hand with her
heart upon General Paul Rushleigh.—A.
D. T. Whitney, Sights and Insights (1875).
Margaretta, a maiden attached to
Robin. Her father wanted her to marry
“a stupid old man, because he was rich;”
so she ran away from home and lived as
a ballad-singer. Robin emigrated for
three years, and made his fortune. He
was wrecked on the coast of Cornwall, on
his return, and met Margaretta at the
house of Farmer Crop, his brother-in-law,
when the acquaintance was renewed. (See
No Song, etc.)—Hoare, No Song No Supper
(1754-1834).
Margarit´ta (Donna), a Spanish heiress,
“fair, young, and wealthy,” who resolves
to marry that she may the more freely indulge
her wantonness. She selects Leon
for her husband, because she thinks him
a milksop, whom she can twist round
her thumb at pleasure; but no sooner is
Leon married than he shows himself the
master. By ruling with great firmness
and affection, he wins the esteem of every
401one, and the wanton coquette becomes a
modest, devoted, and obedient wife.—Beaumont
and Fletcher, Rule a Wife and
Have a Wife (1640).
Margery (Dame), the old nurse of Lady
Eveline Berenger “the betrothed.”—Sir
W. Scott, The Betrothed (time, Henry II.).
Margheri´ta, a simple, uncultured girl,
of great fascination, seduced by Faust.
Margherita killed the infant of her shame,
and was sent to jail for so doing. In jail
she lost her reason, and was condemned to
death. When Faust visited her in prison,
and tried to persuade her to flee with him,
she refused. Faust was carried off by
demons, and Margherita was borne by
angels up to heaven; the intended moral
being, that the repentant sinner is triumphant.—Gounod,
Faust e Margherita
(1859).
Margheri´ta di Valois, daughter of
Catherine de Medicis and Henri II. of
France. She marries Henri le Bearnais
(afterwards Henri IV. of France). It was
during the wedding solemnities of Margherita
and Henri that Catherine de Medicis
carried out the massacre of the French
Huguenots. The bride was at a ball during
this horrible slaughter.—Meyerbeer,
Les Huguenots or Gli Ugonotti (1836).
⁂ François I. used to call her La Marguerite
des Marguerites (“The Pearl of
Pearls”).
Margia´na (Queen), a Mussulman, and
mortal enemy of the fire-worshippers.
Prince Assad became her slave, but, being
stolen by the crew of Behram, was carried
off. The queen gave chase to the ship;
Assad was thrown overboard, and swam
to shore. The queen with an army demanded
back her slave, discovered that
Assad was a prince, and that his half-brother
was king of the city to which she
had come, whereupon she married him,
and carried him home to her own dominions.—Arabian
Nights (“Amgiad and
Assad”).
Marjorie (Pet), child of singular promise,
a great pet with Sir Walter Scott.
She died under the age of ten. Her story
is written by Dr. John Brown, author of
Rab and His Friends.
Margutte (3 syl.), a low-minded, vulgar
giant, ten feet high, with enormous appetite
and of the grossest sensuality. He
died of laughter on seeing a monkey pulling
on his boots.—Pulci, Morgantê Maggiorê
(1488).
Chalchas, the Homeric soothsayer, died
of laughter. (See Laughter.)
Marguerite, French exile and maid-servant
lies dying, nursed by a hard, cold
mistress. The son of the house steals
into the room and avows his love for the
alien.
“He called back the soul that was passing,
‘Marguerite! do you hear,’”
“With his heart on his lips he kissed her,
But never her cheek grew red,
And the words the living long for
He spake in the ear of the dead.”
John Greenleaf Whittier, Marguerite.
Marhaus (Sir), a knight of the Round
Table, a king’s son, and brother of the
queen of Ireland. When Sir Mark, king
of Cornwall, refused to pay truage to Anguish,
king of Ireland, Sir Marhaus was
sent to defy Sir Mark and all his knights
to single combat. No one durst go against
him; but Tristram said, if Mark would
knight him, he would defend his cause.
In the combat, Sir Tristram was victorious.
402With his sword he cut through his
adversary’s helmet and brain-pan, and his
sword stuck so fast in the bone that he
had to pull thrice before he could extricate
it. Sir Marhaus contrived to get back to
Ireland, but soon died.—Sir T. Malory,
History of Prince Arthur, ii. 7, 8 (1470).
⁂ Sir Marhaus carried a white shield;
but as he hated women, twelve damsels
spat thereon, to show how they dishonored
him.—Ditto, pt. i. 75.
Maria, a lady in attendance on the
princess of France. Mongaville, a young
lord in the suite of Ferdinand, king of
Navarre, asks her to marry him, but she
defers her answer for twelve months. To
this Longaville replies, “I’ll stay with
patience, but the time is long;” and Maria
makes answer, “The liker you; few taller
are so young.”—Shakespeare, Love’s
Labor’s Lost (1594).
Maria, the waiting-woman of the Countess
Olivia.—Shakespeare, Twelfth Night
(1614).
Maria, wife of Frederick, the unnatural
and licentious brother of Alphonso, king of
Naples. She is a virtuous lady, and appears
in strong contrast to her infamous
husband.—Beaumont and Fletcher, A Wife
for a Month (1624).
Maria, daughter and only child of
Thorowgood, a wealthy London merchant.
She is in love with George Barnwell, her
father’s apprentice; but George is executed
for robbery and murder.—George Lillo,
George Barnwell (1732).
A dying man sent for David Ross, the actor
[1728-1790], and addressed him thus: “Some
forty years ago, like ‘George Barnwell’ I wronged
my master to supply the unbounded extravagance
of a ‘Millwood.’ I took her to see your
performance, which so shocked me that I vowed
to break the connection and return to the path
of virtue. I kept my resolution, replaced the
money I had stolen, and found a ‘Maria’ in my
master’s daughter.... I have now left £1000
affixed to your name in my will and testament.”—Pelham,
Chronicles of Crime.
Maria, the ward of Sir Peter Teazle.
She is in love with Charles Surface, whom
she ultimately marries.—Sheridan, School
for Scandal (1777).
Maria, “The maid of the Oaks,” brought
up as the ward of Oldworth, of Oldworth
Oaks, but is in reality his daughter and
heiress. Maria is engaged to Sir Harry
Groveby, and Harry says, “She is the
most charmingest, sweetest, delightfulest,
mildest, beautifulest, modestest, genteelest
young creature in the world.”—J. Burgoyne,
The Maid of the Oaks.
Maria, a maiden whose banns were forbidden,
“by the curate of the parish who
published them;” in consequence of which,
Maria lost her wits, and used to sit on the
roadside near Moulines (2 syl.), playing on
a pipe vesper hymns to the Virgin. She
led by a ribbon a little dog named Silvio,
of which she was very jealous, for at one
time she had a favorite goat that forsook
her.—Sterne, Sentimental Journey (1768).
Maria, a foundling, discovered by Sulpizio,
a sergeant of the 11th regiment of
Napoleon’s Grand Army, and adopted by
the regiment as their daughter. Tonio,
a Tyrolese, saved her life and fell in love
with her. But just as they were about to
be married the marchioness of Birkenfield
claimed the foundling as her own daughter,
and the sutler girl had to quit the regiment
for the castle. After a time, the
castle was taken by the French, and
although the marchioness had promised
Maria in marriage to another, she consented
403to her union with Tonio, who had
risen to the rank of a field-officer.—Donizetti,
La Figlia del Reggimento (an opera,
1840).
Maria [Delaval], daughter of colonel
Delaval. Plighted to Mr. Versatile, but
just previous to the marriage Mr. Versatile,
by the death of his father, came into
a large fortune and baronetcy. The marriage
was deferred; Mr. (now Sir George)
Versatile went abroad, and became a man
of fashion. They met, the attachment
was renewed, and the marriage consummated.
Maria [Latham.] “An elderly woman
with a plain, honest face, as kindly in expression
as she can be perfectly sure she
feels, and no more;” aunt to Lydia Blood.
When she hears that the stewardess on
the Aroostook is a boy, and the cook not a
woman, she is slightly confounded, but
rallies under the conviction that “Lyddy’ll
know how to conduct herself wherever she
is.”—W. D. Howells, The Lady of the
Aroostook (1879).
Maria [Wilding], daughter of Sir
Jasper Wilding. She is in love with Beaufort;
and, being promised in marriage
against her will to George Philpot, disgusts
him purposely by her silliness.
George refuses to marry her, and she gives
her hand to Beaufort.—Murphy, The Citizen
(1757).
Maria Theresa Panza, wife of Sancho
Panza. She is sometimes called Maria,
and sometimes Theresa.—Cervantes, Don
Quixote (1605).
Mariage Forcé (Le). Sganarelle, a rich
man of 64, promises marriage to Dorimène
(3 syl.), a girl under 20, but, having scruples
about the matter, consults his friend, two
philosophers, and the gypsies, from none
of whom can he obtain any practical advice.
At length, he overhears Dorimène
telling a young lover that she only marries
the old man for his money, and that he
cannot live above a few months; so the
old man goes to the father and declines the
alliance. On this, the father sends his son
to Sganarelle. The young man takes with
him two swords, and with the utmost
politeness and sang-froid requests Mons.
to choose one. When the old man declines
to do so, the young man gives him a
thorough drubbing, and again with the utmost
politeness requests the old man to
make his choice. On his again declining
to do so, he is again beaten, and at last
consents to ratify the marriage.—Molière,
Le Mariage Forcé (1664).
Mariamne, (4 syl.), a Jewish princess,
daughter of Alexander and wife of Herod,
“the Great.” Mariamnê was the mother
of Alexander and Aristobu´lus, both of
whom Herod put to death in a fit of
jealousy, and then fell into a state of morbid
madness, in which he fancied he saw
Mariamnê and heard her asking for her
sons.
⁂ This has been made the subject of
several tragedies: e.g. A. Harley, Mariamne
(1622); Pierre Tristan l’Ermite,
Mariamne (1640); Voltaire, Mariamne
(1724).
Marian, “the Muses’ only darling,” is
Margaret, countess of Cumberland, sister
of Anne, countess of Warwick.
Fair Marian, the Muses’ only darling,
Whose beauty shineth as the morning clear,
With silver dew upon the roses pearling.
Spenser, Colin Clout’s Come Home Again (1595).
Marian, “the parson’s maid,” in love
404with Colin Clout, who loves Cicely. Marian
sings a ditty of dole, in which she laments
for Colin, and says how he gave
her once a knife, but “Woe is me! for
knives, they tell me, always sever love.”—Gay,
Pastorals, ii. (1714).
Marian, “the daughter” of Robert, a
wrecker, and betrothed to Edward, a
young sailor. She was fair in person,
loving, and holy. During the absence of
Edward at sea, a storm arose, and Robert
went to the coast to look for plunder.
Marian followed him, and in the dusk saw
some one stab another. She thought it
was her father, but it was Black Norris.
Her father being taken up, Marian gave
evidence against him, and the old man
was condemned to death. Norris now
told Marian he would save her father if
she would become his wife. She made
the promise, but was saved the misery
of the marriage by the arrest of Norris
for murder.—S. Knowles, The Daughter
(1836).
Marian´a, a lovely and loveable lady,
betrothed to Angelo, who, during the absence
of Vincentio, the duke of Vienna,
acted as his lord deputy. Her pleadings
to the duke for Angelo are wholly unrivalled.—Shakespeare,
Measure for Measure
(1603).
Timid and shrinking before, she does not now
wait to be encouraged in her suit. She is instant
and importunate. She does not reason
with the duke; she begs; she implores.—R. G.
White.
Mariana, sister of Lodovi´co Sforza,
duke of Milan, and wife of Francesco, his
chief minister of state.—Massinger, The
Duke of Milan (1622).
Mariana, daughter of Lord Charney;
taken prisoner by the English, and in love
with Arnold (friend of the Black Prince).
Just before the battle of Poitiers, thinking
the English cause hopeless, Mariana induces
Arnold to desert; but Lord Charney
will not receive him. Arnold returns to
the English camp, and dies in battle. Lord
Charney is also slain, and Mariana dies
distracted.—Shirley, Edward, the Black
Prince (1640).
Mariana, the young lady that Lovegold,
the miser, wished to marry. As Mariana
was in love with the miser’s son, Frederick,
she pretended to be extravagant and
deeply in debt, which so affected the old
hunks, that he gave her £2000 to be let
off the bargain. Of course she assented
and married Frederick.—H. Fielding, The
Miser.
Mariana, the daughter of a Swiss
burgher, “the most beautiful of women.”
“Her gentleness a smile without a smile, a
sweetness of look, speech, act.” Leonardo
being crushed by an avalanche, she nursed
him through his illness, and they fell in
love with each other. He started for Mantua,
but was detained for two years captive
by a gang of thieves; and Mariana
followed him, being unable to support
life where he was not. In Mantua, Count
Florio fell in love with her, and obtained
her guardian’s consent to their union; but
Mariana refused, was summoned before
the duke (Ferrado), and judgment was
given against her. Leonardo, being present
at the trial, now threw off his disguise,
and was acknowledged to be the real duke.
He assumed his rank, married Mariana;
but being called to the camp, left Ferrado
regent. Ferrado, being a villain, laid a
cunning scheme to prove Mariana guilty
of adultery with Julian St. Pierre, a countryman;
but Leonardo refused to believe
the charge. Julian, who turned out to be
405Mariana’s brother, exposed the whole plot
of Ferrado, and amply cleared his sister of
the slightest taint or thought of a revolt.—S.
Knowles, The Wife (1833).
Mariana, daughter of the king of Thessaly.
She was beloved by Sir Alexander,
one of the three sons of St. George, the
patron saint of England. Sir Alexander
married her, and became king of Thessaly.—R.
Johnson, The Seven Champions of
Christendom, iii. 2, 3, 11 (1617).
Mariana in the Moated Grange, a
young damsel who sits in the moated
grange, looking out for her lover, who
never comes; and the burden of her life-song
is, My life is dreary, for he cometh
not; I am aweary, and would that I were
dead.
The sequel is called Mariana in the South,
in which the love-lorn maiden looks forward
to her death, when she will cease
to be alone, to live forgotten, and to
love forlorn.—Tennyson, Mariana (in two
parts).
⁂ Mariana, the lady betrothed to Angelo,
passed her sorrowful hours “at the
Moated Grange.” Thus the duke says to
Isabella:
Haste you speedily to Angelo ... I will presently
to St. Luke’s. There, at the moated
grange, resides the dejected Mariana.—Shakespeare.
Measure for Measure, act iii. sc. 1 (1603).
Marianne (3 syl.), a statuette to which
the red republicans of France pay homage.
It symbolizes the republic, and is arrayed
in a red Phrygian cap. This statuette is
sold at earthenware shops, and in republican
clubs, enthroned in glory, and sometimes
it is carried in procession to the
tune of the Marseillaise. (See Mary
Anne.)
The reason seems to be this: Ravaillac,
the assassin of Henri IV. (the Harmodius
or Aristogīton of France), was honored by
the red republicans as “patriot, deliverer,
and martyr.” This regicide was incited to
his deed of blood by reading the celebrated
treatise De Rege et Regio Institutione, by
Mariana the Jesuit, published 1599 (about
ten years previously). As Mariana inspired
Ravaillac “to deliver France from
her tyrant” (Henri IV.), the name was attached
to the statuette of liberty, and the
republican party generally.
The association of the name with the
guillotine favors this suggestion.
Marianne (3 syl.), the heroine of a
French novel so called by Marivaux (1688-1763).
(This novel terminates abruptly, with a
conclusion like that of Zadig, “where
nothing is concluded.”)
Marianne [Franval], sister of Franval
the advocate. She is a beautiful, loving,
gentle creature, full of the deeds of
kindness, and brimming over with charity.
Marianne loves Captain St. Alme, a merchant’s
son, and though her mother opposes
the match as beneath the rank of
the family, the advocate pleads for his
sister, and the lovers are duly betrothed
to each other.—T. Holcroft, The Deaf and
Dumb (1785).
Marie Antoinette. Beautiful Austrian
Queen of Louis XVI. of France.
Dethroned and guillotined in the French
Revolution of 1793.
Marie (Countess), the mother of Ul´rica
(a love-daughter), the father of Ulrica
being Ernest de Fridberg, “the prisoner
of State.” Marie married Count D’Osborn,
on condition of his obtaining the acquittal
of her lover, Ernest de Fridberg; but
406the count broke his promise, and even attempted
to get the prisoner smothered in
his dungeon. His villainy being made
known, the king ordered him to be executed,
and Ernest, being set at liberty,
duly married the Countess Marie.—E.
Stirling, The Prisoner of State (1847).
Marie de Brabant, daughter of Henri
III, duc de Brabant. She married Philippe
le Hardi, king of France, and was accused
by Labrosse of having poisoned
Philippe’s son by his former wife. Jean
de Brabant defended the queen’s innocence
by combat, and being the victor,
Labrosse was hung (1260-1321).
Ancelot has made this the subject of an
historical poem called Marie de Brabant,
in six chants (1825).
Marie Kirikitoun, a witch who promised
to do a certain task for a lassie, in
order that she might win a husband, provided
the lassie either remembered the
witch’s name for a year and a day, or submitted
to any punishment she might
choose to inflict. The lassie was married,
and forgot the witch’s name; but the fay
was heard singing, “Houpa, houpa, Marie
Kirikitoun! Nobody will remember my
name,” The lassie, being able to tell the
witch’s name, was no more troubled.—Basque
Legend.
Grimm has a similar tale, but the name
is Rumpel-stilzchen, and the song was:
Little dreams my dainty dame,
Rumplestilzchen is my name.
Marie Rogret (The Mystery of). The
mysterious murder of a grisette in New
York City supplied material for The Mystery
of Marie Roget, in which Poe, with
marvellous skill, “works up a case” which
subsequent events proved to have been
the correct theory of the murder in all its
details.—Edgar Allan Poe, The Mystery
of Marie Roget (1842).
Mariette.
“Too rash is she for cold coquette,—
Love dares not claim her;
I can but say, ‘’Tis Mariette,’
Nor more than name her.
* * * * * * *
And what have I, whom men forget
To offer to her?
A woman’s passion, Mariette,
There is no truer.”
Dora Read Goodale, Mariette (1878).
Mari´na, daughter of Per´iclês, prince
of Tyre, born at sea, where her mother,
Thais´a, as it was supposed, died in giving
her birth. Prince Periclês entrusted
the infant to Cleon (governor of Tarsus)
and his wife, Dionys´ia, who brought her
up excellently well, and she became most
highly accomplished; but when grown
to budding womanhood, Dionysia, out of
jealousy, employed Le´onine (3 syl.) to
murder her. Leonine took Marina to the
coast with this intent, but the outcast was
seized by pirates, and sold at Metali´nê as
a slave. Here Periclês landed on his voyage
from Tarsus to Tyre, and Marina was
introduced to him to chase away his melancholy.
She told him the story of her
life, and he perceived at once that she was
his daughter. Marina was now betrothed
to Lysimachus, governor of Metalinê; but,
before the espousals, went to visit the
shrine of Diana of Ephesus, to return
thanks to the goddess, and the priestess
was discovered to be Thaisa, the mother
of Marina.—Shakespeare, Pericles, Prince
of Tyre (1608).
Marina, wife of Jacopo Fos´cari, the
doge’s son.—Byron, The Two Foscari (1820).
Marinda or Maridah, the fair concubine
of Haroun-al-Raschid.
407Marine (The Female), Hannah Snell, of
Worcester. She was present at the attack
of Pondicherry. Ultimately she left
the service, and opened a public-house in
Wapping (London), but still retained her
male attire (born 1723).
Mari´nel, the beloved of Florimel, “the
Fair.” Marinel was the son of black-browed
Cym´oent (daughter of Nereus
and Dumarin), and allowed no one to pass
by the rocky cave where he lived without
doing battle with him. When Marinel
forbade Britomart to pass, she replied, “I
mean not thee entreat to pass;” and with
her spear knocked him “grovelling on the
ground.” His mother, with the sea-nymphs,
came to him; and the “lily-handed
Liagore,” who knew leechcraft,
feeling his pulse, said life was not extinct.
So he was carried to his mother’s bower,
“deep in the bottom of the sea,” where
Tryphon (the sea-gods’ physician), soon
restored him to perfect health. One day,
Proteus asked Marinel and his mother to
a banquet, and while the young man was
sauntering about, he heard a female voice
lamenting her hard lot, and saying her hardships
were brought about for her love to
Marinel. The young man discovered that
the person was Florimel, who had been
shut up in a dungeon by Proteus for rejecting
his suit; so he got a warrant of
release from Neptune, and married her.—Spenser,
Faëry Queen, iii. 8; iv. 11, 12
(1590, 1596).
Mari´ni (J.B.), called Le cavalier Marin,
born at Naples. He was a poet, and is
known by his poem called Adonis or
L’Adone, in twenty cantos (1623). The
poem is noted for its description of the
“Garden of Venus.”
If the reader will ... read over Ariosto’s picture
of the garden of paradise, Tasso’s garden
of Armi´da, and Marini’s garden of Venus, he
will be persuaded that Milton imitates their
manner, but ... excels the originals.—Thyer.
Mari´no Falie´ro, the forty-ninth doge
of Venice, elected 1354. A patrician
named Michel Steno, having behaved indecently
to some of the ladies at a great
civic banquet given by the doge, was
turned out of the house by order of the
duke. In revenge, the young man wrote
a scurrilous libel against the dogaressa,
which he fastened to the doge’s chair of
state. The insult being referred to “the
Forty,” Steno was condemned to imprisonment
for a month. This punishment was
thought by the doge to be so inadequate
to the offence that he joined a conspiracy
to overthrow the republic. The conspiracy
was betrayed by Bertram, one of the
members, and the doge was beheaded on
the “Giant’s Staircase.”—Byron, Marino
Faliero (1819).
⁂ Casimir Delavigne, in 1829, brought
out a tragedy on the same subject, and
with the same title.
Marion de Lorme, in whose house the
conspirators met. She betrayed all their
movements and designs to Richelieu.—Lord
Lytton, Richelieu (1839).
Marion Halcomb, courageous half-sister
of Laura Fairly, admired by Count
Fosco, and hated by her brother-in-law,
Percival Glyde. Through Marion’s acuteness
and devotion Laura is rescued from
an insane asylum, her persecutors exposed,
and herself cared for tenderly until
her recovery to health and marriage to
Walter Hartright.—Wilkie Collins, The
Woman in White.
Maritor´nes (4 syl.), an Asturian
chamber-maid at the Crescent Moon tavern,
to which Don Quixote was taken by
408his squire after their drubbing by the
goat-herds. The crazy knight insisted
that the tavern was a castle, and that
Maritornes, “the lord’s daughter,” was in
love with him.
She was broad-faced, flat-nosed, blind of one
eye, and had a most delightful squint with the
other; the peculiar gentility of her shape, however,
compensated for every defect, she being
about three feet in height, and remarkably
hunchbacked.—Cervantes, Don Quixote, I. iii. 2
(1605).
Marius (Caïus), the Roman general,
tribune of the people, B.C. 119; the rival of
Sylla.
Antony Vincent Arnault wrote a tragedy
in French entitled Marius à Minturnes
(1791). Thomas Lodge, M.D., in 1594,
wrote a drama called Wounds of Civil
War, lively set forth in the True Tragedies
of Marius and Sylla.
Mar´ivaux (Pierre de Chamblain de), a
French writer of comedies and romances
(1678-1763).
S. Richardson is called “The English
Marivaux” (1689-1761).
Marjory of Douglas, daughter of Archibald,
earl of Douglas, and duchess of
Rothsay.—Sir W. Scott, Fair Maid of
Perth (time, Henry IV.).
Mark (Sir), king of Cornwall, who
held his court at Tintag´il. He was a
wily, treacherous coward, hated and despised
by all true knights. One day,
Sir Dinadan, in jest, told him that Sir
Launcelot might be recognized by “his
shield, which was silver with a black
rim.” This was, in fact, the cognizance
of Sir Mordred; but, to carry out the joke,
Sir Mordred lent it to Dagonet, King
Arthur’s fool. Then, mounting the jester
on a large horse, and placing a huge spear
in his hand, the knights sent him to
offer battle to King Mark. When Dagonet
beheld the coward king, he cried
aloud, “Keep thee, sir knight, for I will
slay thee!” King Mark, thinking it to be
Sir Launcelot, spurred his horse to flight.
The fool gave chase, rating King Mark “as
a wood man [madman].” All the knights
who beheld it roared at the jest, told
King Arthur, and the forest rang with
their laughter. The wife of King Mark
was Isond (Ysolde) the Fair of Ireland,
whose love for Sir Tristram was a public
scandal.—Sir T. Malory, History of Prince
Arthur, ii. 96, 97 (1470).
Given the nature of the text, there were copious errors in the typesetting.
Errors deemed most likely to be the printer’s have been corrected, and
are noted here.
The references below are to the page and line in the original. Since the original
text was arranged in two columns, ‘L’ and ‘R’ denote the side of the
page.
| 1R.24 |
C.R. Leslie says[,]: |
Removed. |
| 5L.29 |
against the Scotch[./,] and the chief character |
Replaced. |
| 6R.34 |
Lachesis [Lak´.e.sis][/.] and At´ropos. |
Replaced. |
| 19L.8 |
he suffers himself to[ to] become enamored |
Removed. |
| 19R.8 |
are the sick and mai[n/m]ed |
Replaced. |
| 29R.17 |
the [“]foundling of the forest,” |
Added. |
| 29R.20 |
F[l]orian is light-hearted and volatile |
Inserted. |
| 31L.28 |
[Fe.ā´.ra.brah][./,] daughter of Laban |
Replaced. |
| 36L.17 |
called King [“]King Charles’s jester” |
Added. |
| 38L.16 |
Ellen Olney Kirk, Sons and Daughters (1887[]/)] |
Replaced. |
| 38L.28 |
his pro[s]testations of love |
Removed. |
| 42L.28 |
Foundling (The)[,] Harriet Raymond |
Added. |
| 44L.37 |
and the two means 77=14.[)] |
Added. |
| 45L.12 |
in the s[ei/ie]ge of Corinth |
Transposed. |
| 57L.23 |
and [“]took the Lord’s body |
Added. |
| 58R.29 |
[(]Dr. William Cullen |
Removed. |
| 58R.34 |
astrolo[o]ger of Louis XI. |
Removed. |
| 59L.27 |
When G[è/é]ronte hears this |
Replaced. |
| 63R.27 |
“The Petrarch of Spain[”] |
Added. |
| 75R.13 |
Money (1840.[)]. |
Added. |
| 76L.20 |
daughter of Gerald Fitzge[ar/ra]ld |
Transposed. |
| 77L.5 |
Sganar[i/e]lle asks him if he would advise his marrying. |
Replaced. |
| 79R.6 |
B[ry/yr]on, The Giaour (1813) |
Transposed. |
| 79R.38 |
His seven daughters were turned into ha[cl/lc]yons |
Transposed. |
| 83R.13 |
a[u/n]d died from eating |
Inverted. |
| 85R.12 |
grasping C[ro/or]ineus with all his might |
Transposed. |
| 88R.18 |
“Spring,” “Summer,” “Autumn,” and [“]Winter” |
Added. |
| 89R.44 |
broke to pieces “Mambrino’s he[ml/lm]et,” |
Transposed. |
| 90R.10 |
He calls the bridegro[o]m “young Lovell.” |
Inserted. |
| 92R.28 |
Sir W. [W.'] Scott |
Redundant. |
| 97L.25 |
between the Bononcinists and Handelists[.] |
Restored. |
| 98R.5 |
[“]Divina Natura agros dedit |
Added. |
| 100L.5 |
“prince of Magog[”] |
Added. |
| 100R.35 |
(g and w being convertibleletters,[)] |
Added. |
| 102R.20 |
Miller of Gre[e]noble |
Removed. |
| 105R.3 |
in those superstit[i]ous times |
Inserted. |
| 113R.33 |
in such foolishness.[”] |
Added. |
| 115R.2 |
of all the Portuguese statesm[a/e]n |
Replaced. |
| 115R.11 |
(Sir Lau[u/n]celot) |
Inverted. |
| 116L.2 |
stabbed the t[ry/yr]ant to the heart |
Transposed. |
| 116L.27 |
a haunch of ven[si/is]on |
Transposed. |
| 120L.31 |
the strongest man of arms.[”] |
Added. |
| 120R.25 |
who tried to stop p[r]ilgrims |
Removed. |
| 121R.20 |
as [“]Sir Francis Gripe.” |
Added. |
| 123L.14 |
and it won’t do.[”] |
Added. |
| 127L.7 |
laid siege to Châtea[nu/un]euf-de-Randan |
Transposed. |
| 128R.39 |
Sigismunda bo[l]dly defended her choice |
Inserted. |
| 129L.35 |
Arab[ai/ia]n Nights |
Transposed. |
| 134L.1 |
when you see Gwenhidwy driv[-/ing] her flock ashore |
Completed. |
| 135L.32 |
then s[ie/ei]zed the “Nibelung hoard,” |
Transposed. |
| 137R.28 |
in the disguise of a physici[s/a]n |
Replaced. |
| 138R.18 |
bringing about a reconci[a]lation |
Inserted. |
| 139L.15 |
and Zaph[mi/im]ri was raised to the throne |
Transposed. |
| 140L.4 |
Charles Martel (689-741)[,/.] |
Replaced. |
| 145R.27 |
Belg[ui/iu]m and Switzerland |
Transposed. |
| 148L.39 |
He falls in love with Lou[si/is]a |
Transposed. |
| 151L.44 |
pressed by hunger[./,] |
Replaced. |
| 151R.8 |
the souls[.] of the murdered people |
Removed. |
| 153L.2 |
(time[,] Charles I.) |
Added. |
| 156L.11 |
some virgin of spotless purity volunteer[e]d to die |
Inserted. |
| 157L.3 |
he is acquit[t]ed |
Inserted. |
| 158R.4 |
yet with such exqu[i]site address |
Inserted. |
| 158R.11 |
as “two cherries on one stalk.[”] |
Added. |
| 159L.13 |
(4) for Sabians[,] |
Added. |
| 164R.2 |
moved round the sun (1564-1642[)]. |
Added. |
| 164R.4 |
was burnt alive for ma[i]ntaining |
Inserted. |
| 164R.36 |
is to “show[”] as in a mirror |
Removed. |
| 165L.27 |
in the tale.[)] |
Added. |
| 165R.27 |
(Hermês [“]thrice-greatest”) |
Added. |
| 167R.45 |
[“/‘]May you have but one president,’ |
Replaced. |
| 171L.19 |
“Tough as Hickory[./,]” |
Replaced. |
| 173L.21 |
The monk of Hildesh[ie/ei]m |
Transposed. |
| 173R.38 |
betroths her to Thes[ue/ue]s |
Transposed. |
| 182R.42 |
called “The Cape of Storms[”]. |
Added. |
| 183L.2 |
was or[i]ginally called |
Inserted. |
| 184L.31 |
which he prefer[e/r]ed to filial and brotherly affection |
Replaced. |
| 185L.12 |
the or[i]ginal of our Childe Horne |
Inserted. |
| 185R.20 |
[(]These are called “The Prince of Wales’s ...”) |
Added. |
| 186L.19 |
the s[ei/ie]ge of Arrestan |
Transposed. |
| 189L.40 |
Sir[.] W. Scott |
Removed. |
| 191L.13 |
He was corruptly called “Jancus Lain.[”] |
Added. |
| 202L.27 |
and we can wait.[”] |
Added. |
| 205R.11 |
I am lying her[e] above thee |
Added. |
| 206L.2 |
Iachimo accep[t]ed the wager |
Inserted. |
| 206L.43 |
cla[i]ming the fulfilment of the compact |
Inserted. |
| 207R.21 |
he affirmed to be by Sh[e]akespeare |
Removed. |
| 207R.25 |
the poet-laur[e]ate |
Inserted. |
| 212R.41 |
M. Drayton, Polyolb[oi/io]n |
Transposed. |
| 215R.24 |
—Spenser, Faëry Queen, v. [(]1596). |
Added. |
| 216R.13 |
“Everard Olive of Tipperary Hall,[ “/” ] who wrote |
Misplaced. |
| 221L.21 |
I have lost thee, Isadore![”] |
Added. |
| 222L.17 |
[(]See Skanderbeg |
Added. |
| 222R.14 |
“duke of Shoreditch[”] |
Added. |
| 222R.49 |
but afterwards a re[gen/neg]ade to Islam |
Transposed. |
| 223R.15 |
out of jealous[l]y |
Removed. |
| 226R.32 |
‘Let’s / [‘]—Heigho —Heigho ... go look at our lions!’ |
Removed. |
| 227R.17 |
who promised to remedy all abuses (*-1450[)]. |
Inserted. |
| 233R.35 |
an old woman at Middlemas vill[i]age |
Removed. |
| 235L.18 |
a gigantic pra[c]tical joke |
Inserted. |
| 236R.13 |
stand on the bare ground.[”] |
Added. |
| 237L.36 |
“Good land! I know what girls are, I hope![”] |
Added. |
| 239L.18 |
when her young master ass[s]ails her |
Removed. |
| 240L.14 |
his name was comp[li/il]ed by |
Transposed. |
| 245R.1 |
a fellow-bather from the s[e/u]rf |
Replaced. |
| 251L.8 |
[“]Pour moi, je tiens |
Added. |
| 255L.1 |
No place obtained.[”] |
Added. |
| 256L.1 |
Ju[il/li]et |
Transposed. |
| 261.L.35 |
daughter o[r/f] King Obĕron |
Replaced. |
| 263L.30 |
Sir Galahad of chas[t]ity |
Inserted. |
| 268L.20 |
Agesilaös of Sparta (B.C. 444, 398[ /-3]60). |
Restored. |
| 268L.34 |
called “The Lion King of Assyria[”] |
Added. |
| 269L.19 |
[(]surnamed the Rash) |
Added. |
| 269L.38 |
Boniface I., pope (*, [4 8 /418-]422). |
Restored. |
| 270L.31 |
(1194, 1215-1250[)]. |
Added. |
| 270R.2 |
Louis VII., le Jeune, of France (1120, 11[8/3]7-1180. |
Replaced. |
| 272R.7 |
from one of the declivi[i]ties |
Removed. |
| 274R.36 |
the mona[r]chy ended. |
Inserted. |
| 275R.19 |
—Monstrelet, Chroniques, v. 190 [(]1512). |
Added. |
| 279R.25 |
Sir W. Scott, Castle Dangerous[.] |
Added. |
| 282R.34 |
Knig[n/h]ts of the Ermine |
Replaced. |
| 287R.5 |
a play of Shake[s]peare’s |
Inserted. |
| 287R.9 |
C. Dickens, Nicholas Nick[el/le]by |
Transposed. |
| 288R.36 |
T. B. Aldrich, The Lady of Cast[le/le]nore |
Transposed. |
| 292R.40 |
Bryon, Don Juan, iii. 26, etc. (1820)[,/.] |
Replaced. |
| 294L.13 |
George Eliot, Silas [W/M]arner. |
Replaced. |
| 294L.41 |
when well powdered.[”] |
Added. |
| 298R.39 |
Uthal was slain in single c[a/o]mbat |
Replaced. |
| 300L.29 |
Augustin[,] of Hippo |
Removed. |
| 305R.4 |
Laurringtons [(](The) |
Rememoved. |
| 311L.29 |
a covet[u]ous lawyer |
Removed. |
| 315R.6 |
by the hands of the executioner.[)] |
Added. |
| 316R.23 |
vindicated Mariana of the sligh[t]est indiscretion |
Inserted. |
| 317L.36 |
[(]See Isabelle.) |
Added. |
| 318R.22 |
Fer[di]nando, not knowing that she was the king’s mistress |
Removed. |
| 322R.15 |
“goddess of Liberty.[”] |
Added. |
| 323R.28 |
The other two were Parthen´ope and Leucothëa[.] |
Added. |
| 324L.31 |
A[u]gustus Cæsar the sea-calf |
Inserted. |
| 325L.24 |
The voyage to L[u/i]lliput |
Replaced. |
| 330L.1 |
the fidus Achatês of Robin Hood[.] |
Added. |
| 336R.6 |
the intrenched spirit in twain[.] |
Added. |
| 339R.19 |
to invade En[g]land |
Inserted. |
| 344L.17 |
for a somewhat sim[i]liar coincidence |
Removed. |
| 345L.25 |
For less my worth, you must allow, than heaven.[”] |
Added. |
| 351R.36 |
“Voyage to Lilliput,[”] |
Added. |
| 355R.33 |
on one occas[s]ion |
Removed. |
| 360L.31 |
Camoens, The Lu[c/s]iad, in ten books |
Replaced. |
| 360R.11 |
This Lu[c/s]us colonized the country |
Replaced. |
| 363L.22 |
When Demetrius awoke he [become] more reasonable |
sic: became? had become? |
| 370R.38 |
n[ei/ie]ce of Mr. Jonathan Oldbuck |
Transposed. |
| 376R.26 |
Melchior means “king of light[”]; |
Added. |
| 378R.22 |
Al Borak (“the light[n]ing”) |
Inserted. |
| 378R.32 |
([8/7]) Rehana, a Jewish captive. |
Replaced. |
| 380R.31 |
to [to ] and condemned death |
Removed. |
| 383L.41 |
conspiring against the king of Portugal (1689-1761)[,/.] |
Replaced. |
| 383R.19 |
Exclusive of his natural ba[r]barity |
Inserted. |
| 391R.12 |
that the barg[a]in shall stand good |
Inserted. |
| 394L.10 |
The Plain Dealer[’] |
Removed. |
| 395R.2 |
but not being an o[r]thodox Moslem |
Inserted. |
| 396L.32 |
(mother of the vainglorious Duarte[)], |
Added. |
| 398L.31 |
that of Mar[arg/gar]et |
Transposed. |
| 399R.15 |
and she arr[r]ives at Port Jackson |
Removed. |
| 400L.16 |
was s[ie/ei]zed |
Transposed. |
| 400L.19 |
Ma[r]garet replied |
Inserted. |
The following words had inconsistent hyphenation. Words which are
hyphenated on a line break retained the hyphen (or not) depending
on other instances.
- lawsuit/law-suit
- schoolmaster/school-master
- sweetheart/sweet-heart
- overbearing/over-bearing
- grandchild/grand-child
- housekeeper/house-keeper
- bookworm/book-worm
- Deerslayer/Deer-slayer
- Greatheart/Great-heart
- innkeeper/inn-keeper
- undersea/under-sea
- turnpike/turn-pike
- sunbeam/sun-beam
- reappeared/re-appeared
- Parthlud/Parth-lud
- lighthouse/light-house
- Heughfoot/Heugh-foot
- heartache/heart-ache
- harelip/hare-lip
- Glamorgan/Gla-morgan
- chambermaid/chamber-maid