of which (the former known as hara-kiri and the latter as
kataki-uchi) many foreign writers have treated more or less fully.
To begin with suicide, let me state that I confine my observations only
to seppuku or kappuku, popularly known as hara-kiri—which means
self-immolation by disembowelment. “Ripping the abdomen? How
absurd!”—so cry those to whom the name is new. Absurdly odd as it may
sound at first to foreign ears, it can not be so very foreign to
students of Shakespeare, who puts these words in Brutus’ mouth—“Thy
(Cæsar’s) spirit walks abroad and turns our swords into our proper
entrails.” Listen to a modern English poet, who in his Light of Asia,
speaks of a sword piercing the bowels of a queen:—none blames him for
bad English or breach of modesty. Or, to take still another example,
look at Guercino’s painting of Cato’s death, in the Palazzo Rossa in
Genoa. Whoever has read the swan-song which Addison makes Cato sing,
will not jeer at the sword half-buried in his abdomen. In our minds this
mode of death is associated with instances of noblest deeds and of most
touching pathos, so that nothing repugnant, much less ludicrous, mars
our conception of it. So wonderful is the transforming power of virtue,
of greatness, of tenderness, that the vilest form of death assumes a
sublimity and becomes a symbol of new life, or else—the sign which
Constantine beheld would not conquer the world!
Not for extraneous associations only does seppuku lose in our mind any
taint of absurdity; for the choice of this particular part of the body
to operate upon, was based on an old anatomical belief as to the seat of
the soul and of the affections. When Moses wrote of Joseph’s “bowels
yearning upon his brother,” or David prayed the Lord not to forget his
bowels, or when Isaiah, Jeremiah and other inspired men of old spoke of
the “sounding” or the “troubling” of bowels, they all and each endorsed
the belief prevalent among the Japanese that in the abdomen was
enshrined the soul. The Semites habitually spoke of the liver and
kidneys and surrounding fat as the seat of emotion and of life. The term
hara was more comprehensive than the Greek phren or thumos> and
the Japanese and Hellenese alike thought the spirit of man to dwell
somewhere in that region. Such a notion is by no means confined to the
peoples of antiquity. The French, in spite of the theory propounded by
one of their most distinguished philosophers, Descartes, that the soul
is located in the pineal gland, still insist in using the term ventre
in a sense, which, if anatomically too vague, is nevertheless
physiologically significant. Similarly entrailles stands in their
language for affection and compassion. Nor is such belief mere
superstition, being more scientific than the general idea of making the
heart the centre of the feelings. Without asking a friar, the Japanese
knew better than Romeo “in what vile part of this anatomy one’s name did
lodge.” Modern neurologists speak of the abdominal and pelvic brains,
denoting thereby sympathetic nerve-centres in those parts which are
strongly affected by any psychical action. This view of mental
physiology once admitted, the syllogism of seppuku is easy to
construct. “I will open the seat of my soul and show you how it fares
with it. See for yourself whether it is polluted or clean.”
I do not wish to be understood as asserting religious or even moral
justification of suicide, but the high estimate placed upon honor was
ample excuse with many for taking one’s own life. How many acquiesced in
the sentiment expressed by Garth,
“When honor’s lost, ’tis a relief to die;
Death’s but a sure retreat from infamy,”
and have smilingly surrendered their souls to oblivion! Death when honor
was involved, was accepted in Bushido as a key to the solution of many
complex problems, so that to an ambitious samurai a natural departure
from life seemed a rather tame affair and a consummation not devoutly to
be wished for. I dare say that many good Christians, if only they are
honest enough, will confess the fascination of, if not positive
admiration for, the sublime composure with which Cato, Brutus, Petronius
and a host of other ancient worthies, terminated their own earthly
existence. Is it too bold to hint that the death of the first of the
philosophers was partly suicidal? When we are told so minutely by his
pupils how their master willingly submitted to the mandate of the
state—which he knew was morally mistaken—in spite of the possibilities
of escape, and how he took up the cup of hemlock in his own hand, even
offering libation from its deadly contents, do we not discern in his
whole proceeding and demeanor, an act of self-immolation? No physical
compulsion here, as in ordinary cases of execution. True the verdict of
the judges was compulsory: it said, “Thou shalt die,—and that by thy
own hand.” If suicide meant no more than dying by one’s own hand,
Socrates was a clear case of suicide. But nobody would charge him with
the crime; Plato, who was averse to it, would not call his master a
suicide.
Now my readers will understand that seppuku was not a mere suicidal
process. It was an institution, legal and ceremonial. An invention of
the middle ages, it was a process by which warriors could expiate their
crimes, apologize for errors, escape from disgrace, redeem their
friends, or prove their sincerity. When enforced as a legal punishment,
it was practiced with due ceremony. It was a refinement of
self-destruction, and none could perform it without the utmost coolness
of temper and composure of demeanor, and for these reasons it was
particularly befitting the profession of bushi.
Antiquarian curiosity, if nothing else, would tempt me to give here a
description of this obsolete ceremonial; but seeing that such a
description was made by a far abler writer, whose book is not much read
now-a-days, I am tempted to make a somewhat lengthy quotation. Mitford,
in his “Tales of Old Japan,” after giving a translation of a treatise on
seppuku from a rare Japanese manuscript, goes on to describe an
instance of such an execution of which he was an eye-witness:—
“We (seven foreign representatives) were invited to follow the Japanese
witness into the hondo or main hall of the temple, where the ceremony
was to be performed. It was an imposing scene. A large hall with a high
roof supported by dark pillars of wood. From the ceiling hung a
profusion of those huge gilt lamps and ornaments peculiar to Buddhist
temples. In front of the high altar, where the floor, covered with
beautiful white mats, is raised some three or four inches from the
ground, was laid a rug of scarlet felt. Tall candles placed at regular
intervals gave out a dim mysterious light, just sufficient to let all
the proceedings be seen. The seven Japanese took their places on the
left of the raised floor, the seven foreigners on the right. No other
person was present.
“After the interval of a few minutes of anxious suspense, Taki
Zenzaburo, a stalwart man thirty-two years of age, with a noble air,
walked into the hall attired in his dress of ceremony, with the peculiar
hempen-cloth wings which are worn on great occasions. He was accompanied
by a kaishaku and three officers, who wore the jimbaori or war
surcoat with gold tissue facings. The word kaishaku it should be
observed, is one to which our word executioner is no equivalent term.
The office is that of a gentleman: in many cases it is performed by a
kinsman or friend of the condemned, and the relation between them is
rather that of principal and second than that of victim and executioner.
In this instance the kaishaku was a pupil of Taki Zenzaburo, and was
selected by friends of the latter from among their own number for his
skill in swordsmanship.
“With the kaishaku on his left hand, Taki Zenzaburo advanced slowly
towards the Japanese witnesses, and the two bowed before them, then
drawing near to the foreigners they saluted us in the same way, perhaps
even with more deference; in each case the salutation was ceremoniously
returned. Slowly and with great dignity the condemned man mounted on to
the raised floor, prostrated himself before the high altar twice, and
seated[19]
himself on the felt carpet with his back to the high altar,
the kaishaku crouching on his left hand side. One of the three
attendant officers then came forward, bearing a stand of the kind used
in the temple for offerings, on which, wrapped in paper, lay the
wakizashi, the short sword or dirk of the Japanese, nine inches and a
half in length, with a point and an edge as sharp as a razor’s. This he
handed, prostrating himself, to the condemned man, who received it
reverently, raising it to his head with both hands, and placed it in
front of himself.
[19]
Seated himself—that is, in the Japanese fashion, his
knees and toes touching the ground and his body resting on his heels. In
this position, which is one of respect, he remained until his death.
“After another profound obeisance, Taki Zenzaburo, in a voice which
betrayed just so much emotion and hesitation as might be expected from a
man who is making a painful confession, but with no sign of either in
his face or manner, spoke as follows:—
‘I, and I alone, unwarrantably gave the order to fire on the foreigners
at Kobe, and again as they tried to escape. For this crime I disembowel
myself, and I beg you who are present to do me the honor of witnessing
the act.’
“Bowing once more, the speaker allowed his upper garments to slip down
to his girdle, and remained naked to the waist. Carefully, according to
custom, he tucked his sleeves under his knees to prevent himself from
falling backward; for a noble Japanese gentleman should die falling
forwards. Deliberately, with a steady hand he took the dirk that lay
before him; he looked at it wistfully, almost affectionately; for a
moment he seemed to collect his thoughts for the last time, and then
stabbing himself deeply below the waist in the left-hand side, he drew
the dirk slowly across to his right side, and turning it in the wound,
gave a slight cut upwards. During this sickeningly painful operation he
never moved a muscle of his face. When he drew out the dirk, he leaned
forward and stretched out his neck; an expression of pain for the first
time crossed his face, but he uttered no sound. At that moment the
kaishaku, who, still crouching by his side, had been keenly watching
his every movement, sprang to his feet, poised his sword for a second in
the air; there was a flash, a heavy, ugly thud, a crashing fall; with
one blow the head had been severed from the body.
“A dead silence followed, broken only by the hideous noise of the blood
throbbing out of the inert head before us, which but a moment before had
been a brave and chivalrous man. It was horrible.
“The kaishaku made a low bow, wiped his sword with a piece of paper
which he had ready for the purpose, and retired from the raised floor;
and the stained dirk was solemnly borne away, a bloody proof of the
execution.
“The two representatives of the Mikado then left their places, and
crossing over to where the foreign witnesses sat, called to us to
witness that the sentence of death upon Taki Zenzaburo had been
faithfully carried out. The ceremony being at an end, we left the
temple.”
I might multiply any number of descriptions of seppuku from literature
or from the relation of eye-witnesses; but one more instance will
suffice.
Two brothers, Sakon and Naiki, respectively twenty-four and seventeen
years of age, made an effort to kill Iyéyasu in order to avenge their
father’s wrongs; but before they could enter the camp they were made
prisoners. The old general admired the pluck of the youths who dared an
attempt on his life and ordered that they should be allowed to die an
honorable death. Their little brother Hachimaro, a mere infant of eight
summers, was condemned to a similar fate, as the sentence was pronounced
on all the male members of the family, and the three were taken to a
monastery where it was to be executed. A physician who was present on
the occasion has left us a diary from which the following scene is
translated. “When they were all seated in a row for final despatch,
Sakon turned to the youngest and said—‘Go thou first, for I wish to be
sure that thou doest it aright.’ Upon the little one’s replying that, as
he had never seen seppuku performed, he would like to see his brothers
do it and then he could follow them, the older brothers smiled between
their tears:—‘Well said, little fellow! So canst thou well boast of
being our father’s child.’ When they had placed him between them, Sakon
thrust the dagger into the left side of his own abdomen and
asked—‘Look, brother! Dost understand now? Only, don’t push the dagger
too far, lest thou fall back. Lean forward, rather, and keep thy knees
well composed.’ Naiki did likewise and said to the boy—‘Keep thy eyes
open or else thou mayst look like a dying woman. If thy dagger feels
anything within and thy strength fails, take courage and double thy
effort to cut across.’ The child looked from one to the other, and when
both had expired, he calmly half denuded himself and followed the
example set him on either hand.”
The glorification of seppuku offered, naturally enough, no small
temptation to its unwarranted committal. For causes entirely
incompatible with reason, or for reasons entirely undeserving of death,
hot headed youths rushed into it as insects fly into fire; mixed and
dubious motives drove more samurai to this deed than nuns into convent
gates. Life was cheap—cheap as reckoned by the popular standard of
honor. The saddest feature was that honor, which was always in the
agio, so to speak, was not always solid gold, but alloyed with baser
metals. No one circle in the Inferno will boast of greater density of
Japanese population than the seventh, to which Dante consigns all
victims of self-destruction!
And yet, for a true samurai to hasten death or to court it, was alike
cowardice. A typical fighter, when he lost battle after battle and was
pursued from plain to hill and from bush to cavern, found himself
hungry and alone in the dark hollow of a tree, his sword blunt with
use, his bow broken and arrows exhausted—did not the noblest of the
Romans fall upon his own sword in Phillippi under like
circumstances?—deemed it cowardly to die, but with a fortitude
approaching a Christian martyr’s, cheered himself with an impromptu
verse:
“Come! evermore come,
Ye dread sorrows and pains!
And heap on my burden’d back;
That I not one test may lack
Of what strength in me remains!”
This, then, was the Bushido teaching—Bear and face all calamities and
adversities with patience and a pure conscience; for as
Mencius[20]
taught, “When Heaven is about to confer a great office on anyone, it
first exercises his mind with suffering and his sinews and bones with
toil; it exposes his body to hunger and subjects him to extreme poverty;
and it confounds his undertakings. In all these ways it stimulates his
mind, hardens his nature, and supplies his incompetencies.” True honor
lies in fulfilling Heaven’s decree and no death incurred in so doing is
ignominious, whereas death to avoid what Heaven has in store is cowardly
indeed! In that quaint book of Sir Thomas Browne’s, Religio Medici,
there is an exact English equivalent for what is repeatedly taught in
our Precepts. Let me quote it: “It is a brave act of valor to contemn
death, but where life is more terrible than death, it is then the truest
valor to dare to live.” A renowned priest of the seventeenth century
satirically observed—“Talk as he may, a samurai who ne’er has died is
apt in decisive moments to flee or hide.” Again—“Him who once has died
in the bottom of his breast, no spears of Sanada nor all the arrows of
Tametomo can pierce.” How near we come to the portals of the temple whose
Builder taught “he that loseth his life for my sake shall find it!”
These are but a few of the numerous examples which tend to confirm the
moral identity of the human species, notwithstanding an attempt so
assiduously made to render the distinction between Christian and Pagan
as great as possible.
[20]
I use Dr. Legge’s translation verbatim.
We have thus seen that the Bushido institution of suicide was neither
so irrational nor barbarous as its abuse strikes us at first sight. We
will now see whether its sister institution of Redress—or call it
Revenge, if you will—has its mitigating features. I hope I can dispose
of this question in a few words, since a similar institution, or call it
custom, if that suits you better, has at some time prevailed among all
peoples and has not yet become entirely obsolete, as attested by the
continuance of duelling and lynching. Why, has not an American captain
recently challenged Esterhazy, that the wrongs of Dreyfus be avenged?
Among a savage tribe which has no marriage, adultery is not a sin, and
only the jealousy of a lover protects a woman from abuse: so in a time
which has no criminal court, murder is not a crime, and only the
vigilant vengeance of the victim’s people preserves social order. “What
is the most beautiful thing on earth?” said Osiris to Horus. The reply
was, “To avenge a parent’s wrongs,”—to which a Japanese would have
added “and a master’s.”
In revenge there is something which satisfies one’s sense of justice.
The avenger reasons:—“My good father did not deserve death. He who
killed him did great evil. My father, if he were alive, would not
tolerate a deed like this: Heaven itself hates wrong-doing. It is the
will of my father; it is the will of Heaven that the evil-doer cease
from his work. He must perish by my hand; because he shed my father’s
blood, I, who am his flesh and blood, must shed the murderer’s. The same
Heaven shall not shelter him and me.” The ratiocination is simple and
childish (though we know Hamlet did not reason much more deeply),
nevertheless it shows an innate sense of exact balance and equal justice
“An eye for an eye, a tooth for a tooth.” Our sense of revenge is as
exact as our mathematical faculty, and until both terms of the equation
are satisfied we cannot get over the sense of something left undone.
In Judaism, which believed in a jealous God, or in Greek mythology,
which provided a Nemesis, vengeance may be left to superhuman agencies;
but common sense furnished Bushido with the institution of redress as a
kind of ethical court of equity, where people could take cases not to be
judged in accordance with ordinary law. The master of the forty-seven
Ronins was condemned to death;—he had no court of higher instance to
appeal to; his faithful retainers addressed themselves to Vengeance, the
only Supreme Court existing; they in their turn were condemned by common
law,—but the popular instinct passed a different judgment and hence
their memory is still kept as green and fragrant as are their graves at
Sengakuji to this day.
Though Lao-tse taught to recompense injury with kindness, the voice of
Confucius was very much louder, which counselled that injury must be
recompensed with justice;—and yet revenge was justified only when it
was undertaken in behalf of our superiors and benefactors. One’s own
wrongs, including injuries done to wife and children, were to be borne
and forgiven. A samurai could therefore fully sympathize with Hannibal’s
oath to avenge his country’s wrongs, but he scorns James Hamilton for
wearing in his girdle a handful of earth from his wife’s grave, as an
eternal incentive to avenge her wrongs on the Regent Murray.
Both of these institutions of suicide and redress lost their raison
d’être at the promulgation of the criminal code. No more do we hear of
romantic adventures of a fair maiden as she tracks in disguise the
murderer of her parent. No more can we witness tragedies of family
vendetta enacted. The knight errantry of Miyamoto Musashi is now a tale
of the past. The well-ordered police spies out the criminal for the
injured party and the law metes out justice. The whole state and society
will see that wrong is righted. The sense of justice satisfied, there is
no need of kataki-uchi. If this had meant that “hunger of the heart
which feeds upon the hope of glutting that hunger with the life-blood of
the victim,” as a New England divine has described it, a few paragraphs
in the Criminal Code would not so entirely have made an end of it.
As to seppuku, though it too has no existence de jure, we still hear
of it from time to time, and shall continue to hear, I am afraid, as
long as the past is remembered. Many painless and time-saving methods of
self-immolation will come in vogue, as its votaries are increasing with
fearful rapidity throughout the world; but Professor Morselli will have
to concede to seppuku an aristocratic position among them. He
maintains that “when suicide is accomplished by very painful means or at
the cost of prolonged agony, in ninety-nine cases out of a hundred, it
may be assigned as the act of a mind disordered by fanaticism, by
madness, or by morbid
excitement.”[21]
But a normal seppuku does not
savor of fanaticism, or madness or excitement, utmost sang froid being
necessary to its successful accomplishment. Of the two kinds into which
Dr. Strahan[22] divides
suicide, the Rational or Quasi, and the
Irrational or True, seppuku is the best example of the former type.
[21]
Morselli,
Suicide, p. 314.
[22]
Suicide and Insanity.
From these bloody institutions, as well as from the general tenor of
Bushido, it is easy to infer that the sword played an important part in
social discipline and life. The saying passed as an axiom which called