BOOK IV.—INITIAL CHAPTER:—COMPRISING MR CAXTON'S OPINIONS ON THE MATRIMONIAL
STATE, SUPPORTED BY LEARNED AUTHORITIES.
"It was no bad idea of yours,
Pisistratus," said my father graciously,
"to depict the heightened affections
and the serious intention's of Signior
Riccabocca by a single stroke—He
left off his spectacles! Good."
"Yet," quoth my uncle, "I think
Shakspeare represents a lover as falling
into slovenly habits, neglecting
his person, and suffering his hose to
be ungartered, rather than paying
that attention to his outer man which
induces Signior Riccabocca to leave
off his spectacles, and look as handsome
as nature will permit him."
"There are different degrees and
many phases of the passion," replied
my father. "Shakspeare is speaking
of an ill-treated, pining, wobegone
lover, much aggrieved by the cruelty
of his mistress—a lover who has found
it of no avail to smarten himself up,
and has fallen despondently into the
opposite extreme. Whereas Signior
Riccabocca has nothing to complain
of in the barbarity of Miss Jemima."
"Indeed he has not!" cried Blanche,
tossing her head—"forward creature!"
"Yes, my dear," said my mother,
trying her best to look stately, "I am
decidedly of opinion that, in that respect,
Pisistratus has lowered the
dignity of the sex. Not intentionally,"
added my mother mildly, and afraid
she had said something too bitter;
"but it is very hard for a man to
describe us women."
The Captain nodded approvingly;
Mr Squills smiled; my father quietly
resumed the thread of his discourse.
"To continue," quoth he. "Riccabocca
has no reason to despair of success
in his suit, nor any object in moving
his mistress to compassion. He may,
therefore, very properly tie up his
garters and leave off his spectacles.
What do you say, Mr Squills?—for,
after all, since love-making cannot
fail to be a great constitutional derangement,
the experience of a medical
man must be the best to consult."
"Mr Caxton," replied Squills, obviously
flattered, "you are quite
right: when a man makes love, the
organs of self-esteem and desire of
applause are greatly stimulated, and
therefore, of course, he sets himself
off to the best advantage. It is only,
as you observe, when, like Shakspeare's
lover, he has given up making
love as a bad job, and has received
that severe hit on the ganglions which
the cruelty of a mistress inflicts, that
he neglects his personal appearance:
he neglects it, not because he is in love,
but because his nervous system is depressed.
That was the cause, if you
remember, with poor Major Prim.
He wore his wig all awry when Susan
Smart jilted him; but I set it all right
for him."
"By shaming Miss Smart into repentance,
or getting him a new sweetheart?"
asked my uncle.
"Pooh!" answered Squills, "by
quinine and cold bathing."
"We may therefore grant," renewed
my father, "that, as a general
rule, the process of courtship tends to
the spruceness, and even foppery, of
the individual engaged in the experiment,
as Voltaire has very prettily
proved somewhere. Nay, the Mexicans,
indeed, were of opinion that the
lady at least ought to continue those
cares of her person even after marriage.
There is extant, in Sahagun's
History of New Spain, the advice of an
Aztec or Mexican mother to her
daughter, in which she says—'That
your husband may not take you in
dislike, adorn yourself, wash yourself,
and let your garments be clean.' It
is true that the good lady adds,—'Do
it in moderation; since, if every
day you are washing yourself and
your clothes, the world will say that
you are over-delicate; and particular
people will call you—TAPETZON
TINEMÁXOCH!' What those words
precisely mean," added my father
modestly, "I cannot say, since I
never had the opportunity to acquire
the ancient Aztec language—but something
very opprobrious and horrible,
no doubt."
"I daresay a philosopher like
Signior Riccabocca," said my uncle,
"was not himself very Tapetzon tine—what
d'ye call it?—and a good healthy
English wife, like that poor affectionate
Jemima, was thrown away upon him."
"Roland," said my father, "you
don't like foreigners: a respectable
prejudice, and quite natural in a man
who has been trying his best to hew
them in pieces, and blow them up into
splinters. But you don't like philosophers
either—and for that dislike you
have no equally good reason."
"I only implied that they were not
much addicted to soap and water,"
said my uncle.
"A notable mistake. Many great
philosophers have been very great
beaux. Aristotle was a notorious fop.
Buffon put on his best laced ruffles
when he sat down to write, which
implies that he washed his hands first.
Pythagoras insists greatly on the holiness
of frequent ablutions; and
Horace—who, in his own way, was as
good a philosopher as any the Romans
produced—takes care to let us know
what a neat, well-dressed, dapper
little gentleman he was. But I don't
think you ever read the 'Apology of
Apuleius?'"
"Not I—what is it about?" asked
the Captain.
"About a great many things. It
is that Sage's vindication from several
malignant charges—amongst others,
and principally indeed, that of being
much too refined and effeminate for a
philosopher. Nothing can exceed the
rhetorical skill with which he excuses
himself for using—tooth-powder.
'Ought a philosopher,' he exclaims,
'to allow anything unclean about him,
especially in the mouth—the mouth,
which is the vestibule of the soul,
the gate of discourse, the portico of
thought! Ah, but Æmilianus [the
accuser of Apuleius] never opens
his mouth but for slander and calumny—tooth-powder
would indeed be unbecoming
to him! Or, if he use any,
it will not be my good Arabian
tooth-powder but charcoal and cinders.
Ay, his teeth should be as
foul as his language! And yet
even the crocodile likes to have his
teeth cleaned; insects get into them,
and, horrible reptile though he be, he
opens his jaws inoffensively to a faithful
dentistical bird, who volunteers
his beak for a toothpick.'"
My father was now warm in the
subject he had started, and soared
miles away from Riccabocca and
"My Novel." "And observe," he
exclaimed—"observe with what
gravity this eminent Platonist pleads
guilty to the charge of having a mirror.
'Why, what,' he exclaims, 'more
worthy of the regards of a human
creature than his own image,' (nihil
respectabilius homini quam formam
suam!) Is not that one of our
children the most dear to us who is
called 'the picture of his father?'
But take what pains you will with a
picture, it can never be so like you as
the face in your mirror! Think
it discreditable to look with proper
attention on one's-self in the glass!
Did not Socrates recommend such
attention to his disciples—did he
not make a great moral agent of the
speculum? The handsome, in admiring
their beauty therein, were admonished
that handsome is who
handsome does; and the more the ugly
stared at themselves, the more they
became naturally anxious to hide the
disgrace of their features in the loveliness
of their merits. Was not Demosthenes
always at his speculum? Did
he not rehearse his causes before it as
before a master in the art? He learned
his eloquence from Plato, his dialectics
from Eubulides; but as for his delivery—there,
he came to the mirror!'
"Therefore," concluded Mr Caxton,
returning unexpectedly to the
subject—"therefore it is no reason to
suppose that Dr Riccabocca is averse
to cleanliness and decent care of the
person, because he is a philosopher;
and, all things considered, he never
showed himself more a philosopher
than when he left off his spectacles
and looked his best."
"Well," said my mother kindly,
"I only hope it may turn out happily.
But I should have been better
pleased if Pisistratus had not made
Dr Riccabocca so reluctant a wooer."
"Very true," said the Captain;
"the Italian does not shine as a
lover. Throw a little more fire into
him, Pisistratus—something gallant
and chivalrous."
"Fire—gallantry—chivalry!" cried
my father, who had taken Riccabocca
under his special protection—"why,
don't you see that the man is described
as a philosopher?—and I should like
to know when a philosopher ever
plunged into matrimony without considerable
misgivings and cold shivers.
Indeed, it seems that—perhaps before
he was a philosopher—Riccabocca had
tried the experiment, and knew what
it was. Why, even that plain-speaking,
sensible, practical man, Metellus
Numidicus, who was not even a philosopher,
but only a Roman Censor,
thus expressed himself in an exhortation
to the People to perpetrate matrimony—'If,
O Quirites, we could do
without wives, we should all dispense
with that subject of care, (eâ molestiâ
careremus;) but since nature has so
managed it, that we cannot live with
women comfortably, nor without them
at all, let us rather provide for the
human race than our own temporary
felicity.'"
Here the ladies set up a cry of such
indignation, that both Roland and
myself endeavoured to appease their
wrath by hasty assurances that we
utterly repudiated that damnable doctrine
of Metellus Numidicus.
My father, wholly unmoved, as
soon as a sullen silence was established,
recommenced—"Do not think,
ladies," said he, "that you were without
advocates at that day: there were
many Romans gallant enough to
blame the Censor for a mode of expressing
himself which they held
to be equally impolite and injudicious.
'Surely,' said they, with some
plausibility, 'if Numidicus wished
men to marry, he need not have
referred so peremptorily to the disquietudes
of the connection, and thus
have made them more inclined to turn
away from matrimony than given
them a relish for it.' But against
these critics one honest man (whose
name of Titus Castricius should not
be forgotten by Posterity) maintained
that Metellus Numidicus could not
have spoken more properly; 'For
remark,' said he, 'that Metellus was
a censor, not a rhetorician. It becomes
rhetoricians to adorn, and disguise,
and make the best of things;
but Metellus, sanctus vir—a holy
and blameless man, grave and sincere
to whit, and addressing the Roman
people in the solemn capacity of Censor—was
bound to speak the plain
truth, especially as he was treating of
a subject on which the observation of
every day, and the experience of
every life, could not leave the least
doubt upon the mind of his audience.'
Still Riccabocca, having decided to
marry, has no doubt prepared himself
to bear all the concomitant
evils—as becomes a professed sage;
and I own I admire the art with
which Pisistratus has drawn the precise
woman likely to suit a philosopher."
Pisistratus bows, and looks round
complacently; but recoils from two
very peevish and discontented faces
feminine.
Mr Caxton (completing his sentence,)—"Not
only as regards
mildness of temper and other household
qualifications, but as regards
the very person of the object of his
choice. For you evidently remembered,
Pisistratus, the reply of Bias,
when asked his opinion on marriage:
Ἣτοι καλὴν ἕξεις, ἢ αἰσχρὰν· καὶ εἰ καλὴν,
εξεις κοινήν· εὶ δὴ αἰσχρὰν, ἔξεις ποινήν."
Pisistratus tries to look as if he had
the opinion of Bias by heart, and nods
acquiescingly.
Mr Caxton.—"That is, my dears,
'the woman you would marry is either
handsome or ugly: if handsome, she
is koiné, viz. you don't have her to
yourself; if ugly, she is poiné—that is,
a fury.' But, as it is observed in Aulus
Gellius, (whence I borrow this citation,)
there is a wide interval between
handsome and ugly. And thus Ennius,
in his tragedy of Menalippus,
uses an admirable expression to designate
women of the proper degree of
matrimonial comeliness, such as a philosopher
would select. He calls this
degree stata forma—a rational, mediocre
sort of beauty, which is not
liable to be either koiné or poiné.
And Favorinus, who was a remarkably
sensible man, and came from Provence—the
male inhabitants of which
district have always valued themselves
on their knowledge of love and ladies—calls
this said stata forma the beauty
of wives—the uxorial beauty. Ennius
says, that women of a stata forma are
almost always safe and modest. Now
Jemima, you observe, is described as
possessing this stata forma; and it is
the nicety of your observation in
this respect, which I like the most
in the whole of your description
of a philosopher's matrimonial
courtship, Pisistratus, (excepting
only the stroke of the spectacles,) for
it shows that you had properly considered
the opinion of Bias, and mastered
all the counter logic suggested in
Book v. chapter xi., of Aulus Gellius."
"For all that," said Blanche, half-archly,
half-demurely, with a smile in
the eye, and a pout of the lip, "I don't
remember that Pisistratus, in the days
when he wished to be most complimentary,
ever assured me that I had
a stata forma—a rational, mediocre
sort of beauty."
"And I think," observed my uncle,
"that when he comes to his real
heroine, whoever that may be, he will
not trouble his head much about either
Bias or Aulus Gellius."
Matrimony is certainly a great
change in life. One is astonished not
to find a notable alteration in one's
friend, even if he or she have been
only wedded a week. In the instance
of Dr and Mrs Riccabocca the change
was peculiarly visible. To speak
first of the lady, as in chivalry bound,
Mrs Riccabocca had entirely renounced
that melancholy which had characterised
Miss Jemima: she became
even sprightly and gay, and looked
all the better and prettier for the
alteration. She did not scruple to
confess honestly to Mrs Dale, that
she was now of opinion that the
world was very far from approaching
its end. But, in the meanwhile, she
did not neglect the duty which the
belief she had abandoned serves to
inculcate—"She set her house in
order." The cold and penurious elegance
that had characterised the
Casino disappeared like enchantment—that
is, the elegance remained, but
the cold and penury fled before the
smile of woman. Like Puss-in-Boots
after the nuptials of his master,
Jackeymo only now caught minnows
and sticklebacks for his own amusement.
Jackeymo looked much
plumper, and so did Riccabocca. In
a word, the fair Jemima became an
excellent wife. Riccabocca secretly
thought her extravagant, but, like a
wise man, declined to look at the
house bills, and ate his joint in unreproachful
silence.
Indeed, there was so much unaffected
kindness in the nature of Mrs
Riccabocca—beneath the quiet of her
manner there beat so genially the
heart of the Hazeldeans—that she
fairly justified the favourable anticipations
of Mrs Dale. And though
the Doctor did not noisily boast of his
felicity, nor, as some new married folks
do, thrust it insultingly under the nimis
unctis naribus—the turned-up noses
of your surly old married folks, nor
force it gaudily and glaringly on the
envious eyes of the single, you might
still see that he was a more cheerful
and light-hearted man than before.
His smile was less ironical, his politeness
less distant. He did not study
Machiavelli so intensely,—and he did
not return to the spectacles; which
last was an excellent sign. Moreover,
the humanising influence of the tidy
English wife might be seen in the
improvement of his outward or artificial
man. His clothes seemed to fit
him better; indeed, the clothes were
new. Mrs Dale no longer remarked
that the buttons were off the wrist-bands,
which was a great satisfaction
to her. But the sage still remained
faithful to the pipe, the cloak, and the
red silk umbrella. Mrs Riccabocca
had (to her credit be it spoken) used
all becoming and wifelike arts against
these three remnants of the old
bachelor Adam, but in vain. "Anima
mia—soul of mine," said the Doctor
tenderly, "I hold the cloak, the
umbrella, and the pipe, as the sole
relics that remain to me of my native
country. Respect and spare
them."
Mrs Riccabocca was touched, and
had the good sense to perceive that
man, let him be ever so much married,
retains certain signs of his ancient
independence—certain tokens of
his old identity, which a wife, the
most despotic, will do well to concede.
She conceded the cloak, she
submitted to the umbrella, she concealed
her abhorrence of the pipe.
After all, considering the natural
villany of our sex, she confessed to
herself that she might have been
worse off. But, through all the calm
and cheerfulness of Riccabocca, a
nervous perturbation was sufficiently
perceptible;—it commenced after the
second week of marriage—it went on
increasing, till one bright sunny afternoon,
as he was standing on his terrace
gazing down upon the road, at
which Jackeymo was placed,—lo, a
stage-coach stopped! The Doctor
made a bound, and put both hands
to his heart as if he had been shot;
he then leapt over the balustrade,
and his wife from her window beheld
him flying down the hill, with his
long hair streaming in the wind, till
the trees hid him from her sight.
"Ah," thought she with a natural
pang of conjugal jealousy, "henceforth
I am only second in his home.
He has gone to welcome his child!"
And at that reflection Mrs Riccabocca
shed tears.
But so naturally amiable was she,
that she hastened to curb her emotion,
and efface as well as she could
the trace of a stepmother's grief.
When this was done, and a silent
self-rebuking prayer murmured over,
the good woman descended the stairs
with alacrity, and, summoning up
her best smiles, emerged on the
terrace.
She was repaid; for scarcely had
she come into the open air, when two
little arms were thrown round her,
and the sweetest voice that ever
came from a child's lips, sighed out in
broken English, "Good mamma, love
me a little."
"Love you? with my whole heart!"
cried the stepmother, with all a mother's
honest passion. And she clasped
the child to her breast.
"God bless you, my wife" said
Riccabocca, in a husky tone.
"Please take this too," added
Jackeymo in Italian, as well as his
sobs would let him—and he broke off
a great bough full of blossoms from
his favourite orange-tree, and thrust
it into his mistress's hand. She had
not the slightest notion what he
meant by it!
Violante was indeed a bewitching
child—a child to whom I defy
Mrs Caudle herself (immortal Mrs
Caudle!) to have been a harsh
stepmother.
Look at her now, as, released from
those kindly arms, she stands, still
clinging with one hand to her new
mamma, and holding out the other
to Riccabocca—with those large dark
eyes swimming in happy tears. What
a lovely smile!—what an ingenuous
candid brow! She looks delicate—she
evidently requires care—she wants
the mother. And rare is the woman
who would not love her the better for
that! Still, what an innocent infantine
bloom in those clear smooth
cheeks!—and in that slight frame,
what exquisite natural grace!
"And this, I suppose, is your nurse,
darling?" said Mrs Riccabocca, observing
a dark foreign-looking woman,
dressed very strangely—without cap
or bonnet, but a great silver arrow
stuck in her hair, and a filagree
chain or necklace resting upon her
kerchief.
"Ah, good Annetta," said Violante
in Italian. "Papa, she says she is
to go back; but she is not to go back—is
she?"
Riccabocca, who had scarcely before
noticed the woman, started at that
question—exchanged a rapid glance
with Jackeymo—and then, muttering
some inaudible excuse, approached
the Nurse, and, beckoning her to follow
him, went away into the grounds.
He did not return for more than an
hour, nor did the woman then accompany
him home. He said briefly to
his wife that the Nurse was obliged to
return at once to Italy, and that she
would stay in the village to catch the
mail; that indeed she would be of no
use in their establishment, as she
could not speak a word of English;
but that he was sadly afraid Violante
would pine for her. And Violante
did pine at first. But still, to a child
it is so great a thing to find a parent—to
be at home—that, tender and
grateful as Violante was, she could
not be inconsolable while her father
was there to comfort.
For the first few days, Riccabocca
scarcely permitted any one to be with
his daughter but himself. He would
not even leave her alone with his
Jemima. They walked out together—sat
together for hours in the Belvidere.
Then by degrees he began to
resign her more and more to
Jemima's care and tuition, especially
in English, of which language at
present she spoke only a few sentences,
(previously, perhaps, learned
by heart,) so as to be clearly intelligible.
There was one person in the establishment
of Dr Riccabocca, who was
satisfied neither with the marriage of
his master nor the arrival of Violante—and
that was our friend Lenny
Fairfield. Previous to the all-absorbing
duties of courtship, the young
peasant had secured a very large
share of Riccabocca's attention. The
sage had felt interest in the growth of
this rude intelligence struggling up
to light. But what with the wooing,
and what with the wedding, Lenny
Fairfield had sunk very much out of
his artificial position as pupil, into
his natural station of under-gardener.
And on the arrival of Violante, he
saw, with natural bitterness, that he
was clean forgotten, not only by
Riccabocca, but almost by Jackeymo.
It was true that the master still lent
him books, and the servant still gave
him lectures on horticulture. But
Riccabocca had no time nor inclination
now to amuse himself with enlightening
that tumult of conjecture
which the books created. And if
Jackeymo bad been covetous of those
mines of gold buried beneath the
acres now fairly taken from the Squire,
(and good-naturedly added rent-free,
as an aid to Jemima's dower,) before
the advent of the young lady whose
future dowry the produce was to
swell—now that she was actually
under the eyes of the faithful servant,
such a stimulus was given to his industry,
that he could think of nothing
else but the land, and the revolution
he designed to effect in its natural
English crops. The garden, save
only the orange-trees, was abandoned
entirely to Lenny, and additional
labourers were called in for the field-work.
Jackeymo had discovered that
one part of the soil was suited to
lavender, that another would grow
camomile. He had in his heart apportioned
a beautiful field of rich loam
to flax; but against the growth of
flax the Squire set his face obstinately.
That most lucrative, perhaps, of all
crops, when soil and skill suit, had, it
would appear, been formerly attempted
in England much more commonly
than it is now; since you will find
few old leases which do not contain
a clause prohibitory of flax, as an
impoverishment of the land. And
though Jackeymo learnedly endeavoured
to prove to the Squire that
the flax itself contained particles
which, if returned to the soil, repaid
all that the crop took away, Mr
Hazeldean had his old-fashioned prejudices
on the matter, which were insuperable.
"My forefathers," quoth
he, "did not put that clause in their
leases without good cause; and as
the Casino lands are entailed on
Frank, I have no right to gratify
your foreign whims at his expense."
To make up for the loss of the flax,
Jackeymo resolved to convert a very
nice bit of pasture into orchard
ground, which he calculated would
bring in £10 net per acre by the
time Miss Violante was marriageable.
At this, Squire pished a little; but as
it was quite clear that the land would
be all the more valuable hereafter for
the fruit trees, he consented to permit
the 'grass land' to be thus partially
broken up.
All these changes left poor Lenny
Fairfield very much to himself—at a
time when the new and strange devices
which the initiation into book
knowledge creates, made it most
desirable that he should have the
constant guidance of a superior
mind.
One evening after his work, as
Lenny was returning to his mother's
cottage very sullen and very moody,
he suddenly came in contact with
Sprott the tinker.
The tinker was seated under a
hedge, hammering away at an old
kettle—with a little fire burning in
front of him—and the donkey hard by,
indulging in a placid doze. Mr
Sprott looked up as Lenny passed—nodded
kindly, and said—
"Good evenin', Lenny: to
hear you be so 'spectably sitivated
with Mounseer."
"Ay," answered Lenny, with a
leaven of rancour in his recollections,
"You're not ashamed to speak to
me now, that I am not in disgrace.
But it was in disgrace, when it wasn't
my fault, that the real gentleman
was most kind to me."
"Ar—r, Lenny," said the Tinker,
with a prolonged rattle in that said
Ar—r, which was not without great
significance. "But you sees the real
gentleman who han't got his bread to
get, can hafford to 'spise his cracter
in the world. A poor tinker must be
timbersome and nice in his 'sociations.
But sit down here a bit,
Lenny; I've summat to say to ye!"
"To me—"
"To ye. Give the neddy a shove
out i' the vay, and sit down, I say."
Lenny rather reluctantly, and somewhat
superciliously, accepted this invitation.
"I hears," said the Tinker in a
voice made rather indistinct by a
couple of nails which he had inserted
between his teeth; "I hears as how
you be unkimmon fond of reading.
I ha' sum nice cheap books in my bag
yonder—sum as low as a penny."
"I should like to see them," said
Lenny, his eyes sparkling.
The Tinker rose, opened one of the
paniers on the ass's back, took out a
bag which he placed before Lenny,
and told him to suit himself. The
young peasant desired no better.
He spread all the contents of the
bag on the sward, and a motley collection
of food for the mind was
there—food and poison—serpentes
avibus—good and evil. Here, Milton's
Paradise Lost, there The Age
of Reason—here Methodist Tracts,
there True Principles of Socialism—Treatises
on Useful Knowledge by
sound learning actuated by pure benevolence—Appeals
to Operatives by
the shallowest reasoners, instigated
by the same ambition that had moved
Eratosthenes to the conflagration of
a temple; works of fiction admirable
as Robinson Crusoe, or innocent as
the Old English Baron, beside coarse
translations of such garbage as had
rotted away the youth of France under
Louis Quinze. This miscellany was
an epitome, in short, of the mixed
World of Books, of that vast City of
the Press, with its palaces and hovels,
its aqueducts and sewers—which
opens all alike to the naked eye and
the curious mind of him to whom you
say, in the Tinker's careless phrase,
"suit yourself."
But it is not the first impulse of a
nature, healthful and still pure, to
settle in the hovel and lose itself
amidst the sewers; and Lenny Fairfield
turned innocently over the bad
books, and selecting two or three of
the best, brought them to the Tinker
and asked the price.
"Why," said Mr Sprott, putting
on his spectacles, "you has taken
the werry dearest: them 'ere be much
cheaper, and more hinterestin'."
"But I don't fancy them," answered
Lenny; "I don't understand what
they are about, and this seems to tell
one how the steam-engine is made,
and has nice plates; and this is Robinson
Crusoe, which Parson Dale once
said he would give me—I'd rather
buy it out of my own money."
"Well, please yourself," quoth the
Tinker; "you shall have the books
for four bob, and you can pay me
next month."
"Four bobs—four shillings? it is a
great sum," said Lenny, "but I will
lay by, as you are kind enough to
trust me; good evening, Mr Sprott."
"Stay a bit," said the Tinker;
"I'll just throw you these two little
tracks into the barging; they be only
a shilling a dozen, so 'tis but tuppence—and
ven you has read those, vy,
you'll be a reglar customer."
The tinker tossed to Lenny Nos. 1
and 2 of Appeals to Operatives,
and the peasant took them up gratefully.
The young knowledge-seeker went
his way across, the green fields, and
under the still autumn foliage of the
hedgerows. He looked first at one
book, then at another; he did not
know on which to settle.
The Tinker rose and made a fire
with leaves and furze and sticks,
some dry and some green.
Lenny has now opened No. 1 of
the tracts: they are the shortest to
read, and don't require so much effort
of the mind as the explanation of the
steam-engine.
The Tinker has now set on his
grimy glue-pot, and the glue simmers.
As Violante became more familiar
with her new home, and those around
her became more familiar with
Violante, she was remarked for a
certain stateliness of manner and
bearing, which, had it been less evidently
natural and inborn, would have
seemed misplaced in the daughter of
a forlorn exile, and would have been
rare at so early an age among children
of the loftiest pretensions. It was
with the air of a little princess that
she presented her tiny hand to a
friendly pressure, or submitted her
calm clear cheek to a presuming kiss.
Yet withal she was so graceful, and
her very stateliness was so pretty and
captivating, that she was not the less
loved for all her grand airs. And,
indeed, she deserved to be loved; for
though she was certainly prouder than
Mr Dale could approve of, her pride
was devoid of egotism; and that is a
pride by no means common. She had
an intuitive forethought for others;
you could see that she was capable of
that grand woman-heroism, abnegation
of self; and though she was an
original child, and often grave and
musing, with a tinge of melancholy,
sweet, but deep in her character, still
she was not above the happy genial
merriment of childhood,—only her
silver laugh was more attuned, and her
gestures more composed, than those
of children habituated to many play-fellows
usually are. Mrs Hazeldean
liked her best when she was grave,
and said "she would become a very
sensible woman." Mrs Dale liked
her best when she was gay, and said
"she was born to make many a heart
ache;" for which Mrs Dale was properly
reproved by the Parson. Mrs
Hazeldean gave her a little set of
garden tools; Mrs Dale a picture-book
and a beautiful doll. For a long
time the book and the doll had the
preference. But Mrs Hazeldean
having observed to Riccabocca that
the poor child looked pale, and ought
to be a good deal in the open air, the
wise father ingeniously pretended to
Violante that Mrs Riccabocca had
taken a great fancy to the picture-book,
and that he should be very glad
to have the doll, upon which Violante
hastened to give them both away,
and was never so happy as when
mamma (as she called Mrs Riccabocca)
was admiring the picture-book, and
Riccabocca, with austere gravity dandled
the doll. Then Riccabocca assured
her that she could be of great use to
him in the garden; and Violante
instantly put into movement her
spade, hoe, and wheel-barrow.
This last occupation brought her
into immediate contact with Mr
Leonard Fairfield; and that personage
one morning, to his great horror,
found Miss Violante had nearly exterminated
a whole celery-bed, which
she had ignorantly conceived to be a
crop of weeds.
Lenny was extremely angry. He
snatched away the hoe, and said
angrily, "You must not do that,
Miss. I'll tell your papa if you—"
Violante drew herself up, and never
having been so spoken to before, at
least since her arrival in England,
there was something comic in the
surprise of her large eyes, as well as
something tragic in the dignity of her
offended mien. "It is very naughty
of you, Miss," continued Leonard in
a milder tone, for he was both softened
by the eyes and awed by the mien,
"and I trust you will not do it
again."
"Non capisco," (I don't understand,)
murmured Violante, and the
dark eyes filled with tears. At that
moment up came Jackeymo; and
Violante, pointing to Leonard, said,
with an effort not to betray her
emotion, "Il fanciullo e molto grossolano,"
(he is a very rude boy.)
Jackeymo turned to Leonard with
the look of an enraged tiger. "How
you dare, scum of de earth that you
are," cried he,20 "how you dare make
cry the signorina?" And his English
not supplying familiar vituperatives
sufficiently, he poured out upon
Lenny such a profusion of Italian
abuse, that the boy turned red and
white in a breath with rage and perplexity.
Violante took instant compassion
upon the victim she had made, and,
with true feminine caprice, now
began to scold Jackeymo for his
anger, and, finally approaching
Leonard, laid her hand on his arm,
and said with a kindness at once
childlike and queenly, and in the
prettiest imaginable mixture of imperfect
English and soft Italian, to
which I cannot pretend to do justice,
and shall therefore translate: "Don't
mind him. I dare say it was all my
fault, only I did not understand you:
are not these things weeds?"
"No, my darling signorina," said
Jackeymo in Italian, looking ruefully
at the celery-bed, "they are not
weeds, and they sell very well at this
time of the year. But still, if it
amuses you to pluck them up, I should
like to see who's to prevent it."
Lenny walked away. He had been
called "the scum of the earth," by a
foreigner too! He had again been ill-treated
for doing what he conceived
his duty. He was again feeling the
distinction between rich and poor,
and he now fancied that that distinction
involved deadly warfare, for he
had read from beginning to end those
two damnable tracts which the
Tinker had presented to him. But
in the midst of all the angry disturbance
of his mind, he felt the soft
touch of the infant's hand, the soothing
influence of her conciliating words,
and he was half ashamed that he had
spoken so roughly to a child.
Still, not trusting himself to speak,
he walked away and sat down at a
distance. "I don't see," thought he,
"why there should be rich and poor,
master and servant." Lenny, be it
remembered, had not heard the Parson's
Political Sermon.
An hour after, having composed
himself, Lenny returned to his work.
Jackeymo was no longer in the
garden; he had gone to the fields;
but Riccabocca was standing by
the celery-bed, and holding the
red silk umbrella over Violante as
she sat on the ground looking up at
her father with those eyes already
so full of intelligence, and love,
and soul.
"Lenny," said Riccabocca, "my
young lady has been telling me that
she has been very naughty, and
Giacomo very unjust to you. Forgive
them both."
Lenny's sullenness melted in an
instant: the reminiscence of tracts
Nos. 1 and 2,—
"Like the baseless fabric of a vision,
Left not a wreck behind."
He raised eyes, swimming with all
his native goodness, towards the wise
man, and dropped them gratefully on
the face of the infant peace-maker.
Then he turned away his head and
fairly wept. The Parson was right:
"O ye poor, have charity for the rich;
O ye rich, respect the poor."
Now from that day the humble
Lenny and the regal Violante became
great friends. With what pride he
taught her to distinguish between
celery and weeds—and how proud
too was she when she learned that
she was useful! There is not a greater
pleasure you can give to children, especially
female children, than to make
them feel they are already of value in
the world, and serviceable as well as
protected. Weeks and months rolled
away, and Lenny still read, not only
the books lent him by the Doctor,
but those he bought of Mr Sprott.
As for the bombs and shells against
religion which the Tinker carried in
his bag, Lenny was not induced to
blow himself up with them. He had
been reared from his cradle in simple
love and reverence for the Divine
Father, and the tender Saviour, whose
life beyond all records of human goodness,
whose death beyond all epics of
mortal heroism, no being whose
infancy has been taught to supplicate
the Merciful and adore the Holy, yea,
even though his later life may be
entangled amidst the thorns of some
desolate pyrrhonism, can ever hear
reviled and scoffed without a shock
to the conscience and a revolt of the
heart. As the deer recoils by instinct
from the tiger, as the very look of the
scorpion deters you from handling it,
though you never saw a scorpion
before, so the very first line in some
ribald profanity on which the Tinker
put his black finger, made Lenny's
blood run cold. Safe, too, was the
peasant boy from any temptation in
works of a gross and licentious nature,
not only because of the happy ignorance
of his rural life, but because of
a more enduring safe-guard—genius!
Genius, that, manly, robust, healthful
as it be, is long before it lose its
instinctive Dorian modesty; shame-faced,
because so susceptible to glory—genius,
that loves indeed to
dream, but on the violet bank, not the
dung-hill. Wherefore, even in the
error of the senses, it seeks to escape
from the sensual into worlds of fancy,
subtle and refined. But apart from
the passions, true genius is the most
practical of all human gifts. Like the
Apollo, whom the Greek worshipped
as its type, even Arcady is its exile,
not its home. Soon weary of the
dalliance of Tempé, it ascends to its
mission—the Archer of the silver bow,
the guide of the car of light. Speaking
more plainly, genius is the enthusiasm
for self-improvement; it ceases
or sleeps the moment it desists from
seeking some object which it believes
of value, and by that object it insensibly
connects its self-improvement
with the positive advance of the
world. At present Lenny's genius had
no bias that was not to the Positive
and Useful. It took the direction
natural to his sphere, and the wants
therein—viz., to the arts which we
call mechanical. He wanted to know
about steam-engines and Artesian
wells; and to know about them it
was necessary to know something of
mechanics and hydrostatics; so he
bought popular elementary works on
those mystic sciences, and set all the
powers of his mind at work on experiments.
Noble and generous spirits are ye,
who, with small care for fame, and
little reward from pelf, have opened
to the intellects of the poor the portals
of wisdom! I honour and revere ye;
only do not think ye have done all
that is needful. Consider, I pray ye,
whether so good a choice from the
Tinker's bag would have been made
by a boy whom religion had not scared
from the Pestilent, and genius had not
led to the Self-improving. And Lenny
did not wholly escape from the mephitic
portions of the motley elements
from which his awakening mind drew
its nurture. Think not it was all pure
oxygen that the panting lip drew in.
No; there, were still those inflammatory
tracts. Political I do not like to
call them, for politics mean the art of
government, and the tracts I speak of
assailed all government which mankind
has hitherto recognised. Sad rubbish,
perhaps, were such tracts to you,
O sound thinker, in your easy-chair!
Or to you, practised statesman, at
your post on the Treasury Bench—to
you, calm dignitary of a learned Church—or
to you, my lord judge, who may
often have sent from your bar to the
dire Orcus of Norfolk's Isle the ghosts
of men whom that rubbish, falling
simultaneously on the bumps of acquisitiveness
and combativeness, hath
untimely slain. Sad rubbish to you!
But seems it such rubbish to the poor
man, to whom it promises a paradise
on the easy terms of upsetting a
world? For ye see, these "Appeals to
Operatives" represent that same
world-upsetting as the simplest thing
imaginable—a sort of two-and-two-make-four
proposition. The poor
have only got to set their strong
hands to the axle, and heave-a-hoy!
and hurrah for the topsey-turvey!
Then, just to put a little wholesome
rage into the heave-a-hoy! it is so
facile to accompany the eloquence of
"Appeals" with a kind of stir-the-bile-up
statistics—"Abuses of the
Aristocracy"—"Jobs of the Priesthood"—"Expenses
of Army kept up
for Peers' younger sons"—"Wars
contracted for the villanous purpose
of raising the rents of the landowners"—all
arithmetically dished up, and
seasoned with tales of every gentleman
who has committed a misdeed,
every clergyman who has dishonoured
his cloth; as if such instances were
fair specimens of average gentlemen
and ministers of religion! All this,
passionately advanced, (and observe,
never answered, for that literature
admits no controversialists, and the
writer has it all his own way,) maybe
rubbish; but it is out of such rubbish
that operatives build barricades for
attack, and legislators prisons for defence.
Our poor friend Lenny drew plenty
of this stuff from the Tinker's bag. He
thought it very clever and very eloquent;
and he supposed the statistics
were as true as mathematical demonstrations.
A famous knowledge-diffuser is
looking over my shoulder, and tells
me, "Increase education, and cheapen
good books, and all this rubbish will
disappear!" Sir, I don't believe a
word of it. If you printed Ricardo
and Adam Smith at a farthing a volume,
I still believe that they would
be as little read by the operatives as
they are now-a-days by a very large
proportion of highly cultivated men.
I still believe that, while, the press
works, attacks on the rich, and propositions
for heave-a-hoys, will always
form a popular portion of the Literature
of Labour. There's Lenny Fairfield
reading a treatise on hydraulics,
and constructing a model for a fountain
into the bargain; but that does
not prevent his acquiescence in any
proposition for getting rid of a National
Debt, which he certainly never agreed
to pay, and which he is told makes
sugar and tea so shamefully dear. No.
I tell you what does a little counteract
those eloquent incentives to break
his own head against the strong walls
of the Social System—it is, that he has
two eyes in that head, which are not always
employed in reading. And, having
been told in print that masters are
tyrants, parsons hypocrites or drones
in the hive, and landowners vampires
and bloodsuckers, he looks out into
the little world around him, and, first,
he is compelled to acknowledge that
his master is not a tyrant, (perhaps
because he is a foreigner and a philosopher,
and, for what I and Lenny
know, a republican.) But then Parson
Dale, though High Church to the
marrow, is neither hypocrite nor drone.
He has a very good living, it is true—much
better than he ought to have,
according to the "political" opinions
of those tracts; but Lenny is obliged
to confess that, if Parson Dale were a
penny the poorer, he would do a pennyworth's
less good; and, comparing
one parish with another, such as
Roodhall and Hazeldean, he is dimly
aware that there is no greater CIVILISER
than a parson tolerably well
off. Then, too, Squire Hazeldean,
though as arrant a Tory as ever stood
upon shoe-leather, is certainly not a
vampire nor bloodsucker. He does
not feed on the public; a great many
of the public feed upon him: and,
therefore, his practical experience a
little staggers and perplexes Lenny
Fairfield as to the gospel accuracy of
his theoretical dogmas. Masters, parsons,
and landowners! having, at the
risk of all popularity, just given a coup
de patte to certain sages extremely the
fashion at present, I am not going to
let you off without an admonitory flea
in the ear. Don't suppose that any
mere scribbling and typework will
suffice to answer the scribbling and
typework set at work to demolish you—write
down that rubbish you can't—live
it down you may. If you are
rich, like Squire Hazeldean, do good
with your money; if you are poor,
like Signor Riccabocca, do good with
your kindness.
See! there is Lenny now receiving
his week's wages; and though Lenny
knows that he can get higher wages
in the very next parish, his blue eyes
are sparkling with gratitude, not at
the chink of the money, but at the
poor exile's friendly talk on things
apart from all service; while Violante
is descending the steps from the terrace,
charged by her mother-in-law
with a little basket of sago, and
suchlike delicacies, for Mrs Fairfield,
who has been ailing the last few
days.
Lenny will see the Tinker as he goes
home, and he will buy a most Demosthenean
"Appeal"—a tract of tracts,
upon the "Propriety of Strikes," and
the Avarice of Masters. But, somehow
or other, I think a few words
from Signor Riccabocca, that did not
cost the Signor a farthing, and the
sight of his mother's smile at the
contents of the basket, which cost
very little, will serve to neutralise the
effects of that "Appeal," much more
efficaciously than the best article a
Brougham or a Mill could write on
the subject.
Spring had come again; and one
beautiful May-day, Leonard Fairfield
sate beside the little fountain which
he had now actually constructed in
the garden. The butterflies were
hovering over the belt of flowers which
he had placed around his fountain,
and the birds were singing overhead.
Leonard Fairfield was resting from
his day's work, to enjoy his abstemious
dinner, beside the cool play of the
sparkling waters, and, with the yet
keener appetite of knowledge, he devoured
his book as he munched his
crusts.
A penny tract is the shoeing-horn
of literature: it draws on a great many
books, and some too tight to be very
useful in walking. The penny tract
quotes a celebrated writer, you long
to read him; it props a startling assertion
by a grave authority, you long
to refer to it. During the nights of
the past winter, Leonard's intelligence
had made vast progress: he had taught
himself more than the elements of
mechanics, and put to practice the
principles he had acquired, not only in
the hydraulical achievement of the
fountain, nor in the still more notable
application of science, commenced on
the stream in which Jackeymo had
fished for minnows, and which Lenny
had diverted to the purpose of irrigating
two fields, but in various ingenious
contrivances for the facilitation
or abridgment of labour, which
had excited great wonder and praise
in the neighbourhood. On the other
hand, those rabid little tracts, which
dealt so summarily with the destinies
of the human race, even when his
growing reason, and the perusal of
works more classical or more logical,
had led him to perceive that they were
illiterate, and to suspect that they
jumped from premises to conclusions
with a celerity very different from the
careful ratiocination of mechanical
science, had still, in the citations and
references wherewith they abounded,
lured him on to philosophers more
specious and more perilous. Out of
the Tinker's bag he had drawn a
translation of Condorcet's Progress
of Man, and another of Rousseau's
Social Contract. These had induced
him to select from the tracts in the
Tinker's miscellany those which
abounded most in professions of philanthropy,
and predictions of some
coming Golden Age, to which old Saturn's
was a joke—tracts so mild and
mother-like in their language, that it
required a much more practical experience
than Lenny's to perceive that
you would have to pass a river of
blood before you had the slightest
chance of setting foot on the flowery
banks on which they invited you to
repose—tracts which rouged poor
Christianity on the cheeks, clapped a
crown of innocent daffodillies on her
head, and set her to dancing a pas de
zephyr in the pastoral ballet in which
St Simon pipes to the flock he shears;
or having first laid it down as a preliminary
axiom, that
"The cloud-capt towers, the gorgeous palaces,
The solemn temples, the great globe itself—
Yea, all which it inherit, shall dissolve,"
substituted in place thereof Monsieur
Fourier's symmetrical phalanstere, or
Mr Owen's architectural parallelogram.
It was with some such tract
that Lenny was seasoning his crusts
and his radishes, when Riccabocca,
bending his long dark face over the
student's shoulder, said abruptly—
"Diavolo, my friend! What on
earth have you got there? Just let
me look at it, will you?"
Leonard rose respectfully, and
coloured deeply as he surrendered
the tract to Riccabocca.
The wise man read the first page
attentively, the second more cursorily,
and only ran his eye over the rest.
He had gone through too vast a range
of problems political, not to have
passed over that venerable Pons Asinorum
of Socialism, on which Fouriers
and St Simons sit straddling and
cry aloud that they have arrived at
the last boundary of knowledge!
"All this is as old as the hills,"
quoth Riccabocca irreverently; "but
the hills stand still, and this—there it
goes!" and the sage pointed to a cloud
emitted from his pipe. "Did you ever
read Sir David Brewster on Optical
Delusions? No! Well, I'll lend it to
you. You will find therein a story, of
a lady who always saw a black cat on
her hearth-rug. The black cat existed
only in her fancy, but the hallucination
was natural and reasonable—eh—what
do you think?"
"Why, sir," said Leonard, not
catching the Italian's meaning, "I
don't exactly see that it was natural
and reasonable."
"Foolish boy, yes! because black
cats are things possible and known.
But who ever saw upon earth a community
of men such as sit on the
hearth-rugs of Messrs Owen and
Fourier? If the lady's hallucination
was not reasonable, what is his, who
believes in such visions as these?"
Leonard bit his lip.
"My dear boy," cried Riccabocca
kindly, "the only thing sure and
tangible to which these writers would
lead you, lies at the first step, and
that is what is commonly called
a Revolution. Now, I know what
that is. I have gone, not indeed
through a revolution, but an attempt
at one."
Leonard raised his eyes towards his
master with a look of profound respect,
and great curiosity.
"Yes," added Riccabocca, and the
face on which the boy gazed exchanged
its usual grotesque and sardonic
expression for one animated,
noble, and heroic. "Yes, not a
revolution for chimeras, but for that
cause which the coldest allow to be
good, and which, when successful, all
time approves as divine—the redemption
of our native soil from the rule of
the foreigner! I have shared in such
an attempt. And," continued the
Italian mournfully, "recalling now
all the evil passions it arouses, all
the ties it dissolves, all the blood
that it commands to flow, all the
healthful industry it arrests, all the
madmen that it arms, all the victims
that it dupes, I question
whether one man really honest, pure,
and humane, who has once gone
through such an ordeal, would ever
hazard it again, unless he was assured
that the victory was certain—ay,
and the object for which he fights not
to be wrested from his hands amidst
the uproar of the elements that the
battle has released."
The Italian paused, shaded his brow
with his hand, and remained long
silent. Then, gradually resuming
his ordinary tone, he continued—
"Revolutions that have no definite
objects made clear by the positive
experience of history; revolutions,
in a word, that aim less at substituting
one law or one dynasty for
another, than at changing the whole
scheme of society, have been little
attempted by real statesmen. Even
Lycurgus is proved to be a myth
who never existed. They are the suggestions
of philosophers who lived
apart from the actual world, and
whose opinions (though generally
they were very benevolent, good sort
of men, and wrote in an elegant
poetical style) one would no more
take on a plain matter of life, than
one would look upon Virgil's Eclogues
as a faithful picture of the ordinary
pains and pleasures of the peasants
who tend our sheep. Read them as
you would read poets, and they are
delightful. But attempt to shape
the world according to the poetry—and
fit yourself for a madhouse. The
farther off the age is from the realisation
of such projects, the more these
poor philosophers have indulged them.
Thus, it was amidst the saddest corruption
of court manners that it became
the fashion in Paris to sit for
one's picture, with a crook in one's
hand, as Alexis or Daphne. Just
as liberty was fast dying out of Greece,
and the successors of Alexander were
founding their monarchies, and Rome
was growing up to crush in its iron
grasp all states save its own, Plato
withdraws his eyes from the world, to
open them in his dreamy Atlantis.
Just in the grimmest period of English
history, with the axe hanging
over his head, Sir Thomas More gives
you his Utopia. Just when the
world is to be the theatre of a new
Sesostris, the dreamers of France
tell you that the age is too enlightened
for war, that man is henceforth
to be governed by pure reason, and
live in a paradise. Very pretty
reading all this to a man like me,
Lenny, who can admire and smile at
it. But to you, to the man who has
to work for his living, to the man who
thinks it would be so much more
pleasant to live at his ease in a phalanstere
than to work eight or ten
hours a day; to the man of talent
and action and industry, whose future
is invested in that tranquillity and
order of a state, in which talent and
action and industry are a certain
capital;—why, Messrs Coutts the
great bankers had better encourage
a theory to upset the system of banking!
Whatever disturbs society, yea,
even by a causeless panic, much more
by an actual struggle, falls first upon
the market of labour, and thence
affects prejudicially every department
of intelligence. In such times
the arts are arrested; literature is
neglected; people are too busy to read
anything save appeals to their passions.
And capital, shaken in its sense
of security, no longer ventures boldly
through the land, calling forth all the
energies of toil and enterprise, and
extending to every workman his reward.
Now, Lenny, take this piece
of advice. You are young, clever, and
aspiring: men rarely succeed in
changing the world; but a man seldom
fails of success if he lets the
world alone, and resolves to make the
best of it. You are in the midst of
the great crisis of your life; it is the
struggle between the new desires
knowledge excites, and that sense of
poverty, which those desires convert
either into hope and emulation, or
into envy and despair. I grant that
it is an up-hill work that lies before
you; but don't you think it is always
easier to climb a mountain than it is
to level it? These books call on you
to level the mountain; and that mountain
is the property of other people,
subdivided amongst a great many
proprietors, and protected by law. At
the first stroke of the pick-axe, it is
ten to one but what you are taken
up for a trespass. But the path up
the mountain is a right of way uncontested.
You may be safe at the summit,
before (even if the owners are
fools enough to let you) you could have
levelled a yard. Cospetto!" quoth
the Doctor, "it is more than two
thousand years ago since poor Plato
began to level it, and the mountain
is as high as ever!"
Thus saying, Riccabocca came to
the end of his pipe, and, stalking
thoughtfully away, he left Leonard
Fairfield trying to extract light from
the smoke.
Shortly after this discourse of
Riccabocca's, an incident occurred to
Leonard that served to carry his
mind into new directions. One
evening, when his mother was out,
he was at work on a new mechanical
contrivance, and had the misfortune
to break one of the instruments which
he employed. Now it will be remembered
that his father had been
the Squire's head-carpenter; the
widow had carefully hoarded the tools
of his craft, which had belonged to
her poor Mark; and though she
occasionally lent them to Leonard,
she would not give them up to his
service. Amongst these, Leonard
knew that he should find the one that
he wanted; and being much interested
in his contrivance, he could not wait
till his mother's return. The tools,
with other little relics of the lost,
were kept in a large trunk in Mrs
Fairfield's sleeping room; the trunk
was not locked, and Leonard went to
it without ceremony or scruple. In
rummaging for the instrument, his
eye fell upon a bundle of MSS.; and
he suddenly recollected that when
he was a mere child, and before he
much knew the difference between
verse and prose, his mother had
pointed to these MSS. and said, "One
day or other, when you can read
nicely, I'll let you look at these,
Lenny. My poor Mark wrote such
verses—ah, he was a scollard!"
Leonard, reasonably enough, thought
that the time had now arrived when he
was worthy the privilege of reading
the paternal effusions, and he took
forth the MSS. with a keen but
melancholy interest. He recognised
his father's handwriting, which he had
often seen before in account-books
and memoranda, and read eagerly
some trifling poems, which did not
show much genius, nor much mastery
of language and rythm—such poems,
in short, as a self-educated man, with
poetic taste and feeling, rather than
poetic inspiration or artistic culture,
might compose with credit, but not
for fame. But suddenly, as he turned
over these 'Occasional Pieces,'
Leonard came to others in a different
handwriting—a woman's handwriting—small,
and fine, and exquisitely
formed. He had scarcely read six
lines of these last, before his attention
was irresistibly chained. They were
of a different order of merit from poor
Mark's; they bore the unmistakeable
stamp of genius. Like the poetry of
women in general, they were devoted
to personal feeling—they were not
the mirror of a world, but reflections
of a solitary heart. Yet this is the
kind of poetry most pleasing to the
young. And the verses in question
had another attraction for Leonard:
they seemed to express some struggle
akin to his own—some complaint
against the actual condition of the
writer's life, some sweet melodious
murmurs at fortune. For the rest,
they were characterised by a vein of
sentiment so elevated that, if written
in by a man, it would have run into
exaggeration; written by a woman,
the romance was carried off by so many
genuine revelations of sincere, deep,
pathetic feeling, that it was always
natural, though true to a nature from
which you would not augur happiness.
Leonard was still absorbed in the
perusal of these poems, when Mrs
Fairfield entered the room.
"What have you been about,
Lenny?—searching in my box?"
"I came to look for my father's
bag of tools, mother, and I found
these papers, which you said I might
read some day."
"I doesn't wonder you did not
hear me when I came in," said the
widow sighing. "I used to sit still
for the hour together, when my poor
Mark read his poems to me. There
was such a pretty one about the 'Peasant's
Fireside,' Lenny—have you got
hold of that?"
"Yes, dear mother; and I remarked
the allusion to you: it brought tears
to my eyes. But these verses are
not my father's—whose are they?
They seem a woman's hand."
Mrs Fairfield looked—changed
colour—grew faint—and seated herself.
"Poor, poor Nora!" said she falteringly.
"I did not know as they
were there; Mark kep 'em; they got
among his—"
Leonard.—"Who was Nora?"
Mrs Fairfield.—"Who?—child,—who?
Nora was—was my own—own
sister."
Leonard (in great amaze, contrasting
his ideal of the writer of these
musical lines, in that graceful hand,
with his homely uneducated mother,
who can neither read nor write.)—"Your
sister—is it possible? My
aunt, then. How comes it you never
spoke of her before? Oh! you should
be so proud of her, mother."
Mrs Fairfield (clasping her
hands.)—"We were proud of her, all
of us—father, mother—all! She was
so beautiful and so good, and not
proud she! though she looked like
the first lady in the land. Oh! Nora,
Nora!"
Leonard (after a pause.)—"But
she must have been highly educated?"
Mrs Fairfield.—"'Deed she
was!"
Leonard.—"How was that?"
Mrs Fairfield (rocking herself to
and fro in her chair.)—"Oh! my
Lady washer godmother—Lady Lansmere
I mean—and took a fancy to her
when she was that high! and had her
to stay at the Park, and wait on her
ladyship; and then she put her to
school, and Nora was so clever that
nothing would do but she must go to
London as a governess. But don't
talk of it, boy!—don't talk of it!"
Leonard.—"Why not, mother?—what
has become of her?—where
is she?"
Mrs Fairfield (bursting into a
paroxysm of tears.)—"In her grave—in
her cold grave! Dead, dead!"
Leonard was inexpressibly grieved
and shocked. It is the attribute of
the poet to seem always living, always
a friend. Leonard felt as if
some one very dear had been suddenly
torn from his heart. He tried
to console his mother; but her emotion
was contagious, and he wept with
her.
"And how long has she been
dead?" he asked at last, in mournful
accents.
"Many's the long year, many;
but," added Mrs Fairfield, rising, and
putting her tremulous hand on Leonard's
shoulder, "you'll just never
talk to me about her—I can't bear it—it
breaks my heart. I can bear
better to talk of Mark—come down
stairs—come."
"May I not keep these verses,
mother? Do let me."
"Well, well, those bits o' paper be
all she left behind her—yes, keep
them, but put back Mark's. Are
they all here?—sure?" And the widow,
though she could not read her husband's
verses, looked jealously at the
MSS. written in his irregular large
scrawl, and, smoothing them carefully,
replaced them in the trunk, and resettled
over them some sprigs of lavender,
which Leonard had unwittingly
disturbed.
"But," said Leonard, as his eye
again rested on the beautiful handwriting
of his lost aunt—"but you
call her Nora—I see she signs herself
L."
"Leonora was her name. I said
she was my Lady's godchild. We
called her Nora for short"—
"Leonora—and I am Leonard—is
that how I came by the name?"
"Yes, yes—do hold your tongue,
boy," sobbed poor Mrs Fairfield; and
she could not be soothed nor coaxed
into continuing or renewing a subject
which was evidently associated with
insupportable pain.
It is difficult to exaggerate the
effect that this discovery produced on
Leonard's train of thought. Some
one belonging to his own humble race
had, then, preceded him in his struggling
flight towards the loftier regions
of Intelligence and Desire. It was
like the mariner amidst unknown
seas, who finds carved upon some
desert isle a familiar household name.
And this creature of genius and of
sorrow—whose existence he had only
learned by her song, and whose death
created, in the simple heart of her
sister, so passionate a grief, after the
lapse of so many years—supplied to
the romance awaking in his young
heart the ideal which it unconsciously
sought. He was pleased to hear that
she had been beautiful and good. He
paused from his books to muse on her,
and picture her image to his fancy.
That there was some mystery in her
fate was evident to him; and while
that conviction deepened his interest,
the mystery itself, by degrees, took a
charm which he was not anxious to
dispel. He resigned himself to Mrs
Fairfield's obstinate silence. He was
contented to rank the dead amongst
those holy and ineffable images which
we do not seek to unveil. Youth and
Fancy have many secret hoards of
idea which they do not desire to impart,
even to those most in their confidence.
I doubt the depth of feeling
in any man who has not certain recesses
in his soul into which none may
enter.
Hitherto, as I have said, the talents
of Leonard Fairfield had been more
turned to things positive than to the
ideal; to science and investigation of
fact than to poetry, and that airier
truth in which poetry has its element.
He had read our greater poets, indeed,
but without thought of imitating;
and rather from the general
curiosity to inspect all celebrated
monuments of the human mind, than
from that especial predilection for
verse which is too common in childhood
and youth to be any sure sign
of a poet. But now these melodies,
unknown to all the world beside, rang
in his ear, mingled with his thoughts—set,
as it were, his whole life to
music. He read poetry with a different
sentiment—it seemed to him
that he had discovered its secret.
And so reading, the passion seized
him, and "the numbers came."
To many minds, at the commencement
of our grave and earnest
pilgrimage, I am Vandal enough
to think that the indulgence of
poetic taste and reverie does great
and lasting harm; that it serves
to enervate the character, give false
ideas of life, impart the semblance
of drudgery to the noble toils and
duties of the active man. All
poetry would not do this—not, for
instance, the Classical, in its diviner
masters—not the poetry of Homer,
of Virgil, of Sophocles—not, perhaps,
even that of the indolent Horace.
But the poetry which youth usually
loves and appreciates the best—the
poetry of mere sentiment—does so in
minds already over predisposed to
the sentimental, and which require
bracing to grow into healthful manhood.
On the other hand, even this latter
kind of poetry, which is peculiarly
modern, does suit many minds of
another mould—minds which our
modern life, with its hard positive
forms, tends to produce. And as in
certain climates plants and herbs, peculiarly
adapted as antidotes to those
diseases most prevalent in the atmosphere,
are profusely sown, as it were,
by the benignant providence of nature—so
it may be that the softer and
more romantic species of poetry, which
comes forth in harsh, moneymaking,
unromantic times, is intended as
curatives and counter-poisons. The
world is so much with us, now-a-days,
that we need have something that
prates to us, albeit even in too fine
an euphuism, of the moon and stars.
Certes, to Leonard Fairfield, at
that period of his intellectual life, the
softness of our Helicon descended as
healing dews. In his turbulent and
unsettled ambition, in his vague
grapple with the giant forms of political
truths, in his bias towards the
application of science to immediate
practical purposes, this lovely vision
of the Muse came in the white robe
of the Peacemaker; and with upraised
hand, pointing to serene skies, she
opened to him fair glimpses of the
Beautiful, which is given to Peasant
as to Prince—showed to him that on
the surface of earth there is something
nobler than fortune—that he who can
view the world as a poet is always
at soul a king; while to practical
purpose itself, that larger and more
profound invention, which poetry
stimulates, supplied the grand design
and the subtle view—leading him beyond
the mere ingenuity of the mechanic,
and habituating him to regard
the inert force of the matter at his
command with the ambition of the
Discoverer. But, above all, the discontent
that was within him finding
a vent, not in deliberate war upon
this actual world, but through the
purifying channels of song—in the
vent itself it evaporated, it was
lost. By accustoming ourselves to
survey all things with the spirit that
retains and reproduces them only in
their lovelier or grander aspects, a
vast philosophy of toleration for what
we before gazed on with scorn or hate
insensibly grows upon us. Leonard
looked into his heart after the
enchantress had breathed upon it;
and through the mists of the fleeting
and tender melancholy which
betrayed where she had been, he
beheld a new sun of delight and joy
dawning over the landscape of human
life.
Thus, though she was dead and
gone from his actual knowledge, this
mysterious kinswoman—"a voice,
and nothing more"—had spoken to
him, soothed, elevated, cheered, attuned
each discord into harmony; and,
if now permitted from some serener
sphere to behold the life that her soul
thus strangely influenced, verily, with
yet holier joy, the saving and lovely
spirit might have glided onward in
the Eternal Progress.
We call the large majority of human
lives obscure. Presumptuous
that we are! How know we what
lives a single thought retained from
the dust of nameless graves may have
lighted to renown?
It was about a year after Leonard's
discovery of the family MSS. that
Parson Dale borrowed the quietest
pad mare in the Squire's stables, and
set out on an equestrian excursion.
He said that he was bound on business
connected with his old parishioners
of Lansmere; for, as it has
been incidentally implied in a previous
chapter, he had been connected
with that borough town (and, I may
here add, in the capacity of curate)
before he had been inducted into the
living of Hazeldean.
It was so rarely that the Parson
stirred from home, that this journey
to a town more than twenty
miles off was regarded as a most
daring adventure, both at the Hall and
at the Parsonage. Mrs Dale could
not sleep the whole previous night
with thinking of it; and though she
had naturally one of her worst nervous
headaches on the eventful morn,
she yet suffered no hands less thoughtful
than her own to pack up the saddlebags
which the Parson had borrowed
along with the pad. Nay, so distrustful
was she of the possibility of the
good man's exerting the slightest
common sense in her absence, that
she kept him close at her side while
she was engaged in that same operation
of packing up—showing him the
exact spot in which the clean shirt
was put, and how nicely the old slippers
were packed up in one of his own
sermons. She implored him not to
mistake the sandwiches for his shaving-soap,
and made him observe how
carefully she had provided against
such confusion, by placing them as far
apart from each other as the nature of
saddlebags will admit. The poor
Parson—who was really by no means
an absent man, but as little likely to
shave himself with sandwiches and
lunch upon soap as the most commonplace
mortal may be—listened with
conjugal patience, and thought that
man never had such a wife before;
nor was it without tears in his own
eyes that he tore himself from the
farewell embrace of his weeping
Carry.
I confess, however, that it was with
some apprehension that he set his
foot in the stirrup, and trusted his
person to the mercies of an unfamiliar
animal. For whatever might be Mr
Dale's minor accomplishments as man
and parson, horsemanship was not his
forte. Indeed, I doubt if he had
taken the reins in his hand more than
twice since he had been married.
The Squire's surly old groom, Mat,
was in attendance with the pad; and,
to the Parson's gentle inquiry whether
Mat was quite sure that the pad was
quite safe, replied laconically, "Oi,
oi, give her her head."
"Give her her head!" repeated
Mr Dale, rather amazed, for he had
not the slightest intention of taking
away that part of the beast's frame,
so essential to its vital economy—"Give
her her head!"
"Oi, oi; and don't jerk her up like
that, or she'll fall a doincing on her
hind-legs."
The Parson instantly slackened the
reins; and Mrs Dale—who had tarried
behind to control her tears—now
running to the door for "more last
words," he waived his hand with
courageous amenity, and ambled forth
into the lane.
Our equestrian was absorbed at
first in studying the idiosyncrasies of
the pad, and trying thereby to arrive
at some notion of her general character:
guessing, for instance, why she
raised one ear and laid down the
other; why she kept bearing so close
to the left that she brushed his leg
against the hedge; and why, when
she arrived at a little side-gate in the
fields, which led towards the home-farm,
she came to a full stop, and fell
to rubbing her nose against the rail—an
occupation from which the Parson,
finding all civil remonstrances in vain,
at length diverted her by a timorous
application of the whip.
This crisis on the road fairly passed,
the pad seemed to comprehend that
she had a journey before her, and
giving a petulant whisk of her tail,
quickened her amble into a short
trot, which soon brought the Parson
into the high road, and nearly opposite
the Casino.
Here, sitting on the gate which led
to his abode, and shaded by his
umbrella, he beheld Dr Riccabocca.
The Italian lifted his eyes from the
book he was reading, and stared hard
at the Parson; and he—not venturing
to withdraw his whole attention from
the pad, (who, indeed, set up both her
ears at the apparition of Riccabocca,
and evinced symptoms of that surprise
and superstitious repugnance at
unknown objects which goes by the
name of "shying,")—looked askance
at Riccabocca.
"Don't stir, please," said the Parson,
"or I fear you'll alarm this
creature; it seems a nervous, timid
thing;—soho—gently—gently."
And he fell to patting the mare with
great unction.
The pad, thus encouraged, overcame
her first natural astonishment at
the sight of Riccabocca and the red
umbrella; and having before been at
the Casino on sundry occasions, and
sagaciously preferring places within
the range of her experience to bournes
neither cognate nor conjecturable, she
moved gravely up towards the gate
on which the Italian sate; and, after
eyeing him a moment—as much as to
say, "I wish you would get off"—came
to a dead lock.
"Well," said Riccabocca, "since
your horse seems more disposed to be
polite to me than yourself, Mr Dale,
I take the opportunity of your present
involuntary pause to congratulate you
on your elevation in life, and to
breathe a friendly prayer that pride
may not have a fall!"
"Tut," said the Parson, affecting
an easy air, though still contemplating
the pad, who appeared to have fallen
into a quiet doze, "it is true that I
have not ridden much of late years,
and the Squire's horses are very high
fed and spirited; but there is no more
harm in them than their master when
one once knows their ways."
"Chi và piano, và sano,
E chi và sano và lontano,"
said Riccabocca, pointing to the saddlebags.
"You go slowly, therefore
safely; and he who goes safely may
go far. You seem prepared for a
journey?"
"I am," said the Parson; "and
on a matter that concerns you a
little."
"Me!" exclaimed Riccabocca—"concerns
me!"
"Yes, so far as the chance of
depriving you of a servant whom you
like and esteem affects you."
"Oh," said Riccabocca, "I understand:
you have hinted to me
very often that I or Knowledge, or both
together, have unfitted Leonard Fairfield
for service."
"I did not say that exactly; I said
that you have fitted him for something
higher than service. But do not repeat
this to him. And I cannot yet
say more to you, for I am very doubtful
as to the success of my mission;
and it will not do to unsettle poor
Leonard until we are sure that we can
improve his condition."
"Of that you can never be sure,"
quoth the wise man, shaking his head;
"and I can't say that I am unselfish
enough not to bear you a grudge for
seeking to decoy away from me an
invaluable servant—faithful, steady,
intelligent, and (added Riccabocca,
warming as he approached the climacteric
adjective)—exceedingly cheap!
Nevertheless go, and Heaven speed
you. I am not an Alexander, to stand
between man and the sun."
"You are a noble great-hearted
creature, Signor Riccabocca, in spite
of your cold-blooded proverbs and
villanous books." The Parson, as
he said this, brought down the whip-hand
with so indiscreet an enthusiasm
on the pad's shoulder, that the poor
beast, startled out of her innocent
doze, made a bolt forward, which
nearly precipitated Riccabocca from
his seat on the stile, and then turning
round—as the Parson tugged desperately
at the rein—caught the bit
between her teeth, and set off at a
canter. The Parson lost both his
stirrups; and when he regained them,
(as the pad slackened her pace,) and
had time to breathe and look about
him, Riccabocca and the Casino were
both out of sight.
"Certainly," quoth Parson Dale,
as he resettled himself with great complacency,
and a conscious triumph
that he was still on the pad's back—"certainly
it is true 'that the noblest
conquest ever made by man was that
of the horse:' a fine creature it is—a
very fine creature—and uncommonly
difficult to sit on,—especially
without stirrups." Firmly in his
stirrups the Parson planted his feet;
and the heart within him was very
proud.
Lansmere was situated in the county
adjoining, that which contained the
village of Hazeldean. Late at noon the
Parson crossed the little stream which
divided the two shires, and came to
an inn, which was placed at an angle,
where the great main road branched
off into two directions—the one leading
towards Lansmere, the other
going more direct to London. At this
inn the pad stopped, and put down
both ears with the air of a pad who
has made up her mind to bait. And
the Parson himself, feeling very warm
and somewhat sore, said to the pad
benignly, "It is just—thou shalt have
corn and water!"
Dismounting therefore, and finding
himself very stiff, as soon as he had
reached terra firma, the Parson consigned
the pad to the ostler, and
walked into the sanded parlour of the
inn, to repose himself on a very hard
Windsor chair.
He had been alone rather more than
half-an-hour, reading a county newspaper
which smelt much of tobacco,
and trying to keep off the flies that
gathered round him in swarms, as if
they had never before seen a Parson,
and were anxious to ascertain how the
flesh of him tasted,—when a stage-coach
stopped at the inn. A traveller
got out with his carpet-bag in his
hand, and was shown into the sanded
parlour.
The, Parson rose politely, and made
a bow.
The traveller touched his hat,
without taking it off—looked at Mr
Dale from top to toe—then walked to
the window, and whistled a lively impatient
tune, then strode towards the
fire-place and rang the bell; then
stared again at the Parson; and that
gentleman having courteously laid
down the newspaper, the traveller
seized it, threw himself on a chair,
flung one of his legs over the table,
tossed the other up on the mantelpiece,
and began reading the paper,
while he tilted the chair on its hind
legs with so daring a disregard to the
ordinary position of chairs and their
occupants, that the shuddering Parson
expected every moment to see him
come down on the back of his skull.
Moved, therefore, to compassion,
Mr Dale said mildly—
"Those chairs are very treacherous,
sir. I'm afraid you'll be down."
"Eh," said the traveller, looking,
up much astonished. "Eh, down?—oh,
you're satirical, sir."
"Satirical, sir? upon my word, no!"
exclaimed the parson earnestly.
"I think every free-born man has a
right to sit as he pleases in his own
house," resumed the traveller with
warmth; "and an inn is his own
house, I guess, so long as he pays
his score. Betty, my dear."
For the chambermaid had now replied
to the bell.
"I han't Betty, sir; do you want
she?"
"No, Sally—cold brandy and water—and
a biscuit."
"I han't Sally either," muttered
the chambermaid; but the traveller
turning round, showed so smart a
neckcloth and so comely a face, that
she smiled, coloured, and went her way.
The traveller now rose, and flung
down the paper. He took out a penknife,
and began paring his nails.
Suddenly desisting from this elegant
occupation, his eye caught sight of
the Parson's shovel-hat, which lay on
a chair in the corner.
"You're a clergyman, I reckon,
sir," said the traveller, with a slight
sneer.
Again Mr Dale bowed—bowed in
part deprecatingly—in part with dignity.
It was a bow that said, "No
offence, sir, but I am a clergyman,
and I'm not ashamed of it."
"Going far?" asked the traveller.
Parson.—"Not very."
Traveller.—"In a chaise or fly?
If so, and we are going the same
way—halves."
Parson.—"Halves?"
Traveller.—"Yes, I'll pay half
the damage—pikes inclusive."
Parson.—"You are very good,
sir. But," (spoken with pride) "I
am, on horseback."
Traveller.—"On horseback!
Well, I should not have guessed that!
You don't look like it. Where did
you say you were going?"
"I did not say where I was going,
sir," said the Parson drily, for he was
much offended at that vague and ungrammatical
remark applicable to his
horsemanship, that "he did not look
like it."
"Close!" said the traveller laughing;
"an old traveller, I reckon."
The Parson made no reply, but he
took up his shovel-hat, and, with a
bow more majestic than the previous
one, walked out to see if his pad had
finished her corn.
The animal had indeed finished all
the corn afforded to her, which was
not much, and in a few minutes more
Mr Dale resumed his journey. He
had performed about three miles, when
the sound of wheels behind made him
turn his head, and he perceived a
chaise driven very fast, while out of
the windows thereof dangled strangely
a pair of human legs. The pad began
to curvet as the post horses
rattled behind, and the Parson had
only an indistinct vision of a human
face supplanting these human legs.
The traveller peered out at him as he
whirled by—saw Mr Dale tossed up
and down on the saddle, and cried out,
"How's the leather?"
"Leather!" soliloquised the Parson,
as the pad recomposed herself.
"What does he mean by that?
Leather! a very vulgar man. But I
got rid of him cleverly."
Mr Dale arrived without farther
adventure at Lansmere. He put up
at the principal inn—refreshed himself
by a general ablution-and sate
down with good appetite to his beef-steak
and pint of port.
The Parson was a better judge of
the physiognomy of man than that of
the horse; and after a satisfactory
glance at the civil smirking landlord,
who removed the cover and set
on the wine, he ventured on an
attempt at conversation. "Is my
lord at the park?"
Landlord, still more civilly than
before: "No, sir, his lordship and
my lady have gone to town to meet
Lord L'Estrange."
"Lord L'Estrange! He is in
England, then?"
"Why, so I heard," replied the
landlord, "but we never see him here
now. I remember him a very pretty
young man. Every one was fond of
him, and proud of him. But what
pranks he did play when he was a lad!
We hoped he would come in for our
boro' some of these days, but he has
taken to foren parts—more's the pity.
I am a reg'lar Blue, sir, as I ought
to be. The Blue candidate always
does me the honour to come to the
Lansmere Arms. 'Tis only the low
party puts up with The Boar," added
the landlord with a look of ineffable
disgust. "I hope you like the wine,
sir?"
"Very good, and seems old."
"Bottled these eighteen years, sir.
I had in the cask for the great election
of Dashmore and Egerton. I
have little left of it, and I never give
it but to old friends like—for, I think,
sir, though you be grown stout, and
look more grand, I may say that I've
had the pleasure of seeing you before.
"That's true, I daresay, though I
fear was never a very good customer."
Landlord.—"Ah, it is Mr Dale,
then! I thought so when you came
into the hall. I hope your lady is
quite well, and the Squire too; fine
pleasant-spoken gentleman; no fault
of his if Mr Egerton went wrong.
Well, we have never seen him—I mean
Mr Egerton—since that time. I don't
wonder he stays away; but my lord's
son, who was brought up here,—it an't
nat'ral like that he should turn his
back on us!"
Mr Dale made no reply, and the
landlord was about to retire, when
the Parson, pouring out another glass
of the port, said,—"There must be
great changes in the parish. Is Mr
Morgan, the medical man, still
here?"
"No, indeed; he took out his
ploma after you left, and became a
real doctor; and a pretty practice he
had too, when he took, all of a sudden,
to some new-fangled way of
physicking—I think they calls it homy-something—"
"Homœpathy!"
"That's it—something against all
reason: and so he lost his practice
here and went up to Lunnun. I've
not heard of him since."
"Do the Avenels keep their old
house?"
"Oh yes!—and are pretty well off,
I hear say. John is always poorly;
though he still goes now and then to the
Odd Fellows, and takes his glass; but
his wife comes and fetches him away
before he can do himself any harm."
"Mrs Avenel is the same as
ever?"
"She holds her head higher, I
think," said the landlord, smiling.
"She was always—not exactly proud
like, but what I calls gumptious."
"I never heard that word before,"
said the Parson, laying down his
knife and fork. "Bumptious, indeed,
though I believe it is not in the dictionary,
has crept into familiar parlance,
especially amongst young folks
at school and college."
"Bumptious is bumptious, and
gumptious is gumptious," said the
landlord, delighted to puzzle a Parson.
"Now the town beadle is bumptious,
and Mrs Avenel is gumptious."
"She is a very respectable woman,"
said Mr Dale, somewhat rebukingly.
"In course, sir, all gumptious folks
are; they value themselves on their
respectability, and looks down on
their neighbours."
Parson, still philologically occupied.—"Gumptious—gumptious.
I think I remember the substantive
at school—not that my master taught
it to me. 'Gumption,' it means
cleverness."
Landlord, (doggedly.)—"There's
gumption and gumptious! Gumption
is knowing; but when I say that
sum un is gumptious, I mean—though
that's more vulgar like—sum un who
does not think small beer of hisself.
You take me, sir?"
"I think I do," said the Parson,
half-smiling. "I believe the Avenels
have only two of their children alive
still—their daughter, who married
Mark Fairfield, and a son who went
off to America?"
"Ah, but he made his fortune
there, and has come back."
"Indeed! I'm very glad to hear
it. He has settled at Lansmere?"
"No, sir. I hear as he's bought a
property a long way off. But he
comes to see his parents pretty often—so
John tells me—but I can't say
that I ever see him. I fancy Dick
doesn't like to be seen by folks who
remember him playing in the kennel."
"Not unnatural," said the Parson indulgently;
"but he visits his parents:
he is a good son, at all events, then?"
"I've nothing to say against him.
Dick was a wild chap before he took
himself off. I never thought he
would make his fortune; but the
Avenels are a clever set. Do you remember
poor Nora—the Rose of
Lansmere, as they called her? Ah,
no, I think she went up to Lunnun
afore your time, sir."
"Humph!" said the Parson drily.
"Well, I think you may take away
now. It will be dark soon, and I'll
just stroll out and look about me."
"There's a nice tart coming, sir."
"Thank you, I've dined."
The Parson put on his hat and sallied
forth into the streets. He eyed
the houses on either hand with that
melancholy and wistful interest with
which, in middle life, we revisit
scenes familiar to us in youth—surprised
to find either so little change
or so much, and recalling, by fits and
snatches, old associations and past
emotions. The long High Street
which he threaded now began to
change its bustling character, and
slide, as it were gradually, into the
high road of a suburb. On the left,
the houses gave way to the moss-grown
pales of Lansmere Park: to the
right, though houses still remained,
they were separated from each other
by gardens, and took the pleasing appearance
of villas—such villas as retired
tradesmen or their widows, old
maids, and half-pay officers, select for
the evening of their days.
Mr Dale looked at these villas with
the deliberate attention of a man awakening
his power of memory, and at last
stopped before one, almost the last on
the road, and which faced the broad
patch of sward that lay before the
lodge of Lansmere Park. An old
pollard oak stood near it, and from
the oak there came a low discordant
sound; it was the hungry cry of
young ravens, awaiting the belated
return of the parent bird. Mr Dale
put his hand to his brow, paused a
moment, and then, with a hurried
step, passed through the little garden
and knocked at the door. A light
was burning in the parlour, and Mr
Dale's eye caught through the window
a vague outline of three forms. There
was an evident bustle within at the
sound of the knocks. One of the forms
rose and disappeared. A very prim,
neat, middle-aged maid-servant now
appeared at the threshold, and
austerely inquired the visitor's
business.
"I want to see Mr or Mrs Avenel.
Say that I have come many miles to
see them; and take in this card."
The maid-servant took the card,
and half-closed the door. At least
three minutes elapsed before she reappeared.
"Missis says it's late, sir; but
walk in."
The Parson accepted the not very
gracious invitation, stepped across
the little hall, and entered the parlour.
Old John Avenel, a mild-looking
man, who seemed slightly paralytic,
rose slowly from his arm-chair. Mrs
Avenel, in an awfully stiff, clean, and
Calvinistical cap, and a gray dress,
every fold of which bespoke respectability
and staid repute—stood erect on
the floor, and, fixing on the Parson a
cold and cautious eye, said—
"You do the like of us great
honour, Mr Dale—take a chair!
You call upon business?"
"Of which I have apprised you by
letter, Mr Avenel."
"My husband is very poorly."
"A poor creature!" said John
feebly, and as if in compassion of
himself. "I can't get about as I used
to do. But it ben't near election time,
be it, sir?"
"No, John," said Mrs Avenel,
placing her husband's arm within her
own. "You must lie down a bit,
while I talk to the gentleman."
"I'm a real good blue," said poor
John; "but I an't quite the man I
was;" and, leaning heavily on his
wife, he left the room, turning round
at the threshold, and saying, with
great urbanity—"Anything to oblige,
sir?"
Mr Dale was much touched. He
had remembered John Avenel the
comeliest, the most active, and the
most cheerful man in Lansmere;
great at glee club and cricket, (though
then stricken in years) greater in
vestries; reputed greatest in elections.
"Last scene of all," murmured the
Parson; "and oh well, turning from
the poet, may we cry with the disbelieving
philosopher, 'Poor, poor
humanity!'"21
In a few minutes Mrs Avenel returned.
She took a chair at some
distance from the Parson's, and, resting
one hand on the elbow of the
chair, while with the other she stiffly
smoothed the stiff gown, she said—
"Now, sir."
That "Now, sir," had in its sound
something sinister and warlike. This
the shrewd Parson recognised with
his usual tact. He edged his chair
nearer to Mrs Avenel, and placing his
hand on hers—
"Yes, now then, and as friend to
friend."