BLACKWOOD’S EDINBURGH MAGAZINE. No. CCCCLXXXV. MARCH, 1856. Vol. LXXIX.
Transcriber’s Note:
New original cover art included with this eBook is granted to the public domain.
CONTENTS.
| Liddell’s History of Rome, | 247 |
| Monteil, | 266 |
| Biography gone Mad, | 285 |
| The Greek Church, | 304 |
| Nicaragua and the Filibusters, | 314 |
| The Scottish Fisheries, | 328 |
| Sydney Smith, | 350 |
| Peerages for Life, | 362 |
| The Wensleydale Creation, | 369 |
LIDDELL’S HISTORY OF ROME. [1]
Engraved on certain Syrian or Assyrian rocks lie innumerable inscriptions in an unknown character; the solid rock and an Asiatic climate have preserved them for us: they lie there facing the world, in the broad light of day, but none can read them. A whole mountain-side seems covered with the records of departed greatness. What truths, what historic facts might not these mysterious characters disclose! The scholar cannot sleep for desire to interpret them. At length, by extreme ingenuity and indomitable patience, and those happy sudden incidental revelations which ever reward the persevering man, some clue is put into his hand. He begins to read, he begins to translate. We gather round and listen breathless. “I, Shalmanasser,” so runs the inscription, “I assembled a great army—I engaged—I defeated—I slew their sovereigns,—I cast in chains their captains and men of war—I, Shalmanasser, I——” Oh, hold! hold! we exclaim, with thy Shalmanasser! There was no need to decipher the mysterious characters for this. If the rock, with all its inscriptions, can tell us nothing wiser or newer, it is a pity that there were no rains in that climate to wash the surface smooth, and obliterate these boastful records of barbarian cruelty and destruction. Better that the simple weather-stained rock should face the eye of day, oblivious of all but nature’s painless and progressive activities.
Some such feeling as this has passed across the minds of most of us, when invited to peruse new histories of the ancient world. They were terrible men, those warriors of olden time. They besieged towns—and so, indeed, do we; but they did more; they put the children to the sword, and carried away the mother into captivity, and those of the men whom they did not chain and enslave, they slew as grateful sacrifices to their gods! Strange and execrable insanity! and yet the religious rite was the legitimate result, and the clear exponent of their own savage nature. There was no spectacle to them so pleasant as blood that flowed from an enemy. How deny the god who had helped them to win the victory his share in the triumphant slaughter! There have been loathsome and terrible things done upon the earth; let us forget them, as we forget some horrible nightmare. At all events, having known that such men and such times have been, and having gathered what lesson we can from them, let us be spared from the infliction of new Shalmanassers, or from new details of their atrocities. Such feeling of satiety in the old narrative of war and conquest we must confess to participate in, when the narrative relates to some Asiatic monarchy that has appeared and disappeared, leaving no trace of any good result behind it, or which merely lingers on the scene undergoing fruitless and bewildering changes. It is otherwise, however, when we are invited again to peruse the history of Rome, and her conquest of the world, as it has been proudly called. We are reading here the history of European civilisation. The slow, persistent, continuous progress of her consular armies is one of those great indispensable facts, without which the history of humanity could not be written, without which a civilised Christendom could not have existed. It is the conquest of a people, not of a monarch—a people who for many years have to struggle for self-preservation (the secret this of their lasting union and exalted patriotism)—of a people whose pride and ambition undergo the noble discipline of adversity, who, being firmly knit together, proceed steadily to the taming and subjection and settlement of the surrounding nations. It is a conquest the very reverse of those great invasions of Hun or Scythian, where population rolls like an enormous sea from one part of the world to another; it was truly the settlement, first of Italy, then of surrounding countries. Nomadic habits were checked. Siculi and Oscans, Sabines, Samnites, and a host of shifting populations too numerous to name, were brought under one government, and moulded into one nation. What the Alps could not do for Italy, was done by the republic of the seven hills. The peninsula was secured from the invasion of the more northern barbarian. The Gaul was first arrested, then subjugated, settled in his own home, civilised and protected. Carthage, who would have conquered or colonised in the interest only of her own commerce, was driven back. Greece, and her arts and her philosophy, were embraced and absorbed in the new empire, which extended over the finest races of men and the most propitious climates of the earth.
It has been well said that the Romans were not the only people who entertained the glorious anticipation of the conquest of the world. There was one other nation that had a still more magnificent conception of its own future destiny, of its own exalted prominence and supremacy. It was impossible for the monotheism of the Jews to attain the elevated character it did, and yet sanction the belief, in any narrow sense, of a national god. The only God of all the world must surely reign over all the world. The universal Monarch must imply a universal monarchy. From this centre of the world,—this holy temple at Jerusalem, and through His chosen and peculiar people, would God govern all the nations of the earth. Such extension of the faith of the Jew to the Gentile was inevitable. All nations would come in, as suppliants and subjects, to the throne of God’s elect. And the prophetic inspiration, though not precisely in the sense in which the ancient Hebrew understood it, was destined to be fulfilled. But it was not the sword of Israel, nor of the angels, that Divine Providence employed to establish the supremacy of the great Truth developed in Judea. It was the sword of the legions of Rome. The armies of a Scipio and a Cæsar were gathering the nations together under the one true worship. The spiritual dominion did issue from Judea, but it governed the world from the throne of the Cæsars.
Egypt, Greece, Rome, and Judea,—these are the four great names which occur to one who looks back on the history of European civilisation. To these four powers or nations we owe that status or condition which has enabled us to make such advances as we claim to be peculiarly our own. Indirect contributions are doubtless due to India and to Persia. Babylon is no more; but a people who once sojourned in Babylon may have learnt something there from the Persian, and transmitted it to us in their imperishable records; and Greek philosophy bears impress, in one phase of it, of the teaching of Indian theosophists. But still the four whom we have mentioned would furnish forth all the essential elements which the past has given to our present European culture.
If we look at the map of the world, or turn under our hand a terrestrial globe, we shall be struck with the peculiar adaptation of the banks of the Nile to be an early seat of civilisation. It is not only that the river, by periodically overflowing its banks, produces a spontaneous or unlaboured fertility, but this fertile tract of land is made precious, and the people are bound to it, by the enormous deserts that extend around it. The desert and the sea imprison the people in their “happy valley,” thus rendering it in all probability one of the earliest abodes of a stationary population. However that may be, it is certain that, whether we appeal to written history or to monumental inscriptions, there is no spot on the earth where the records of the human race extend so far back into antiquity. We must open our history of civilisation with the growth of arts and knowledge in Egypt. From Egypt we proceed to Greece—to Athens, the marvellous, who did so much in so short time, and who accomplished even more for the world at large than for her individual self. She learnt her arts from Egypt; her scientific spirit was her own. What we owe to Judea (which at an early period was not unconnected with Egypt, nor at a later with the mind of Greece) needs not to be here particularised. It was the part of Rome to reduce into order and combine under one sway large tracts of territory and great varieties of people; so that whatever had been given to the Greek, or revealed to the Hebrew, might blend and be diffused over vast portions of the human race. Nor was this office less effectually performed because the empire is seen to break up amidst much temporary confusion, produced by internal corruption and rude invaders. Europe finally assumes a form the most conducive imaginable to progress. It is divided into separate kingdoms, speaking different languages, but possessing a common religion, and many of the same sources of culture. Their similarities, their contrasts, their emulations, form together a condition the most favourable for the excitement and progress of the human intellect.
We can therefore look with complacent admiration, and undecaying interest, upon the wars and victories of ancient Rome. But indeed, such has been the revolution lately brought about in our historical studies, that the mention of a new History of Rome is more likely to call to mind perplexed controversies upon myths and fables, than visions of battles or triumphal processions winding up to the Capitol. Not many years ago, the early periods of Roman history suggested to the imagination the most vivid pictures of war and patriotism; we heard the march of the legions—we followed Cincinnatus from the plough to the camp—we were busied with the most stirring realities and the strongest passions of life. Now these realities have grown dim and disputable, and we are reminded of learned controversies upon poetic legends, or on early forms of the constitution,—we think more of Niebuhr than of Camillus, more of German critics than of the Conscript Fathers. It is not a pleasant exchange, but it is one which must be submitted to. The first question that every one will ask, who hears that Dr Liddell has told again the history of Rome, is, How has he dealt with the mythical or legendary portions? What degree of credibility has he attached to them? Has he followed the example of Arnold, and reserved for them a peculiar style savouring of antique simplicity; or has he followed the older, and, we think, the wiser course, of Livy, and told them with genuine unaffected eloquence, without either disguising their legendary character, or making the very vain attempt to distinguish the germ or nucleus of real fact from the accretions and embellishments of oral tradition?
Before we answer this question, let us say generally of Dr Liddell’s History, that we think the public is indebted to him for a pre-eminently useful book. To the youthful student, to the man who cannot read many volumes, we should commend it as the one History which will convey the latest views and most extensive information. The style is simple, clear, explanatory. There are, indeed, certain high qualities of the writer and the thinker which are requisite to complete our ideal of the perfect historian. We are accustomed to require in him something of the imagination of the poet, combined with and subdued by the wide generalising spirit of the philosopher. We do not wish to have it understood that there is a signal deficiency in these qualities, but, whilst acknowledging the utility of Dr Liddell’s laborious and learned work, we cannot say that he has given to the literature of England a History of Rome.
Indeed, the author in his preface claims for his work no such high distinction. He describes the origin it had in the desire to supply the more advanced students at public schools with a fit work of instruction, conveying to them “some knowledge of the altered aspect which Roman history has assumed.” The work grew upon his hands, “and the character of the book,” he continues, “is considerably changed from that which it was originally intended to bear. A History of Rome suited to the wants of general readers of the present day does not in fact exist, and certainly is much wanted. Whether this work will in any way supply the want is for others to say.”
We have already intimated our opinion that there is no other work at present existing which so ably supplies this want; and our immediate object in placing it at the head of this paper was to assist in giving notice to all whom it might concern where such a work of instruction was to be found. The preface then proceeds to touch upon the thorny and perplexing controversies in the early history:—
“The difficulty inseparable from a work of this kind lies in the treatment of the Early History. Since what may be called ‘The Revolution of Niebuhr,’ it has been customary to give an abstract of his conclusions, with little attention to the evidence upon which they rest. But the acute and laborious criticisms of many scholars, chiefly German, have greatly modified the faith which the present generation is disposed to place in Niebuhr’s authoritative dicta; and in some cases there may be observed a disposition to speak lightly of his services. If I may say anything of myself, I still feel that reverence for the great master which I gained in youth, when we, at Oxford, first applied his lamp to illuminate the pages of Livy. No doubt, many of the results which he assumes as positive are little better than arbitrary assertions. But I conceive that his main positions are still unshaken, or rather have been confirmed by examination and attack. If, however, they were all abandoned, it will remain true for ever, that to him is due the new spirit in which Roman history has been studied; that to him must be referred the origin of that new light which has been thrown upon the whole subject by the labours of his successors. In a work like this, dissertation is impossible; and I have endeavoured to state only such results of the new criticism as seem to be established. If the young reader has less of positive set before him to learn, he will at all events find less that he will have to unlearn.
“Far the greater part of this work was printed off before the appearance of Sir George Cornewall Lewis’s Inquiry into the Credibility of Early Roman History. Much labour might be saved by adopting his conclusions, that Roman history deserves little or no attention till the age at which we can securely refer to contemporaneous writers, and that this age cannot be carried back further than the times of Pyrrhus. It is impossible to speak too highly of the fulness, the clearness, the patience, the judicial calmness of his elaborate argument. But while his conclusions may be conceded in full for almost all the wars and foreign transactions of early times, we must yet claim attention for the civil history of Rome in the first ages of the republic. There is about it a consistency of progress, and a clearness of intelligence, that would make its fabrication more wonderful than its transmission in a half-traditionary form. When tradition rests solely on memory, it is fleeting and uncertain; but when it is connected with customs, laws, and institutions such as those of which Rome was justly proud, and to which the ruling party clung with desperate tenacity, its evidence must doubtless be carefully sifted and duly estimated, but ought not altogether to be set aside.”
The large concession which the work of Sir G. C. Lewis seems to have extorted from Dr Liddell after the writing of his own History, was not present to his mind during its composition. He sometimes gives as historical fact such-and-such a war, and then relates some legend as connected with this war. “With the Volscian wars is inseparably connected the noble legend of Coriolanus.” The story of Coriolanus is marked as legend, the Volscian wars as fact. If we are justified in making the concession marked in italics, the Volscian wars are no more history than the story of Coriolanus.
As to the remark here made on the civil or constitutional history of this period, it would have great weight if there were really presented to us in that history a clear, intelligible, indisputable account of the earlier constitutions or governments of Rome. It happens that it is precisely on this subject there has been so much conjecture, and so much debate. So far as Dr Liddell can really trace in the narrative preceding the time of Pyrrhus, a manifest, indisputable, constitutional history, so far as he can confidently point to that “consistency of progress and clearness of intelligence” of which he speaks, so far he is entitled to claim for the whole narrative our most respectful attention. But the difficulty is notorious of forming a distinct conception of many points in this constitutional history, and this difficulty has given rise to much of our guess-work. We must take care, therefore, and not fall into the logical error, of first eliminating some consistent view of the constitutional history by the aid of much ingenious conjecture, and then appealing to this consistency in the constitutional history as ground of presumption in favour of the whole narrative.
For our own part, we suspect that there is a greater measure of truth in the legend as it stands than is now generally conceded; and at the same time we have an utter distrust of all the attempts which have been made—laudable and ingenious as they may be—to separate the truth from the fable. We can believe in Tarquin the Proud, in Lucretia, in Coriolanus, much more readily than in any new historical views obtained by a sifting of the narrative which contains these heroic stories. One thing is plain, that no historian of Rome can omit these narratives; and we should much prefer that he would relate them in a natural style—in the style due at least to the noble sentiments they illustrate—than reserve for them (a manner to which Dr Liddell on some occasions leans) a certain bald and ballad simplicity, as if the writer were almost ashamed of having to relate them at all.
It is now generally understood, by all who have paid any attention to the subject, that although the name of Niebuhr is popularly associated with a sceptical and destructive criticism, he is really distinguished by the bold manner in which he has undertaken to construct and restore certain portions of the history. Preceding writers, both ancient and modern, had uttered the word “fable” or “legend;” it was the gathering from the fable some truth indirectly revealed; it was the bold inventive genius, which could recast the old materials into a new form, which characterised his labours. Amongst other things, he fearlessly asserted that a modern critic might obtain a more precise knowledge of the civil history and early constitutions of Rome than Livy or Cicero possessed. Now, these reconstructions of Niebuhr, though received at first with great enthusiasm in many quarters, have not stood their ground against a calm and severe examination; and in this country all such conjectural methods of writing the early history of Rome have lately received a decisive check from the work of Sir George Cornewall Lewis, On the Credibility of Early Roman History. This is a work which combines the ample and laborious scholarship of the German, with that sound sense which the Englishman lays especial claim to. We can only here incidentally mention it; but it is impossible, and it will be a long time impossible, for any one to touch upon Roman history without alluding to this work. It will be for many years the text-book for the subject of which it treats.
The manner in which a legend, which is itself admitted to be false, may yet convey to us indirectly some important historical truth, admits of easy illustration. Suppose that some chronicler, living in the time of our Henry V., chose to relate a quite fictitious history of Prince Arthur. All his battles, all his victories, his whole kingdom, might be a mere dream; but as the imagination of the writer would have no other types to follow than those which his own times presented to him, he would necessarily convey to us much historical truth touching the reign of Henry V., whilst describing his imaginary Prince Arthur. His inevitable anachronisms would betray him into a species of historical truth. Prince Arthur would assuredly be a valorous knight, and whence would come the ceremony of investiture, and all the moral code of knighthood? Prince Arthur would undoubtedly be a good son of the Church, and from what type would be drawn the picture of the orthodox and pious Christian? If the Prince were to be crowned, whence would come the sceptre and the ball, and the oaths he would take upon his coronation? Prince Arthur would be a knight, a Christian, and a king, after the order of the Plantagenets. It is plain that, in such a fabulous narrative, there would be mingled up much historical matter; it is plain that we, reading such a narrative by the light of knowledge gained from other sources, can detect and discriminate the historic truth: whether, if such a fabulous narrative stood alone before us, we could then make the same discrimination, whether we could then take advantage of its involuntary anachronisms, is another question. Imagination must always have its type or starting-place in some reality, but it may deal as freely with one reality as another; it may take as much liberty with religious ceremonies and coronation oaths as with anything else.
Is there not a slight oversight in the following criticism, which Sir G. C. Lewis makes on the method of Niebuhr? At all events, our quotation of the passage from his work, with a solitary remark of our own upon it, will constitute as brief an exposition as any we can give of this branch of the subject. The question is, what can be gathered of the constitution of Rome under her kings? There is clearly no contemporary history; but if a tradition, though of a quite mythical character, could be fairly pronounced to have originated in the regal period, that tradition might indirectly convey to us some knowledge of the regal constitution. Fragments have come down to us through the works of later classical writers, which may convey this sort of traditional knowledge. Let them by all means be rigidly examined, whatever their ultimate value may be found to be.
“One of the passages,” says Sir G. C. Lewis, “which Niebuhr cites from Cicero, relates to the constitutional proceedings upon the election of Numa. Yet Niebuhr holds, not merely that the entire regal period is unhistorical, but that Numa is an unreal and imaginary personage—a name and not a man. Now, what reliance, according to Niebuhr’s own view, is to be placed upon Cicero’s information respecting a man who never lived, and an event which never happened, even if it was derived from some pontifical book, which professed to record old customs?”
Continuing the discussion in a note, Sir G. C. Lewis adds:—
“For Niebuhr’s account of the legend of Numa, see Hist., vol. i. pp. 237–240. Afterwards he says—‘Hence it seems quite evident that the pontiffs themselves distinguished the first two kings from the rest, as belonging to another order of things, and that they separated the accounts of them from those which were to pass for history.... Romulus was the god, the son of a god; Numa a man, but connected with superior beings. If the tradition about them, however, is in all its parts a poetical fiction, the fixing the pretended term of their reigns can only be explained by ascribing it rather to mere caprice or to numerical speculations.’—‘With Tullius Hostilius we reach the beginning of a new secle, and of a narrative resting on historical ground of a kind totally different from the story of the preceding period.’ Niebuhr considers the mythico-historical age of Roman History to begin with the reign of Tullius Hostilius, and the age of Romulus and Numa to be purely fabulous. Moreover, he commences the second volume of his History with the following sentence—‘It was one of the most important objects of the first volume to prove that the story of Rome under the kings was altogether without historical foundation.’ He lays it down likewise that the names of the kings, their number, and the duration and dates of their reigns, are fictitious; yet he cites the proceedings at the election of Numa, and of the subsequent kings, as historical proof of the constitutional practice of that period.”—Vol. i. p. 123.
Niebuhr does not hold that there was no regal period, however fictitious the history of the kings may be. It was to throw light on that regal period in which the myth of Numa is supposed to have originated that the passage must have been cited, not certainly on the times of Numa. Whatever, therefore, may be the infinitesimal value of the passage cited which relates to the constitutional proceedings upon the election of Numa, there was no logical inconsistency on the part of Niebuhr in making a reference to it. If the myth of Numa really originated in a regal period, what the pontiff declared about it might indirectly convey some information as to the constitution of that regal period.
Dr Liddell may well speak of the “altered aspect which Roman history has assumed.” We begin our annals with an account of the “religious myth,” of which, however, the specimens are very few. Romulus is Strength and Numa is Law; they are godlike persons, or in communication with gods; they together found the city of Rome. Strength and Law assuredly founded the city: it is good philosophy, whatever history it makes; and the pontiffs were fully justified in placing these kings where they did—the first, and presiding, and eternal kings of every commonwealth. From the religious myth we proceed to the “heroic legend.” In this species of fable the veritable man and his real action is extolled—is exaggerated—is multiplied. The hero himself is multiplied, or he is transplanted from one region to another. The story is expanded and enriched by each successive narrative, until a literary age makes its appearance. It then assumes a fixed form, from which any wide deviation is no longer permissible.
In all such heroic legends, when they have been fairly born on the soil on which we find them, and have not been transplanted from a foreign country, there is always some element of historic truth. For what we call invention must start from, or be supplied with, given facts. There is a vague but very prevalent error on the nature and power of poetical invention. It is spoken of as something that will account at once for the marvellous narrative. This is supposed to spring forth complete from some poet’s brain. Poetical invention can only take place where there is already some amount and variety of known incidents or traditional stories; these the poet strings together in new combinations. The first writers in metre (as we may see in the earliest ballads of Spain and of other countries) content themselves with a bald narrative of some fact or tradition. Their successors add to this narrative—add a sentiment or a detail; and when the number of such narratives has increased, poetical invention, in its highest form, becomes possible. It has been lately a favourite hypothesis that the earliest literature of Rome consisted of a number of poems or ballads, which supplied the first historians with their materials. It appears to us highly probable that separate legends were shaped into something like completeness of form before any continuous history of the city of Rome was written; but whether such legends were written first in prose or verse is matter of very little moment, and of very great uncertainty.
After expressing the belief that there is a substratum of truth in these heroic legends, it is not very satisfactory to be compelled to add that we cannot distinguish it from the superstructure of fiction. Unfortunately, it is not the marvellous and supernatural—which, indeed, are but sparingly introduced—which have alone contributed to deprive these legends of their credibility: they have been convicted, in some cases, of historic falsehood. A species of pious fraud has been committed to conceal the defeats of the Romans. Family pride has, in other instances, led to the undue exaltation of individual heroes. We must chiefly honour these legends, after all, as manifestations of the mind and spirit of the Romans, rather than as positive materials of history.
We always revert to this consolation—every literature must be the history of the thoughts, if not of the deeds of a people; and all our various records are chiefly valuable as they enable us to write the history of the human mind. How pre-eminently this is the case wherever the subject of religion is introduced! Omens, auguries, oracles—what matters whether in this or that case they were really seen or uttered? the great fact is, that they were currently believed in, and acted on. The belief here is all that we can possibly be concerned with. Whether Æneas really did see that white sow, with her litter of thirty pigs, which he took for so good an omen of prosperity (it was no bad sign of fertility), may be questioned; but even the invention of such an incident proves that men, and wise men, were supposed to be under the influence of such omens. That an eagle pounced down, and took from the head of Tarquin his cap, and, after wheeling in the air, put it on again, is what we do not believe; eagles, neither at Rome or elsewhere, have this habit of restitution. But the frequency of legends of this kind points to a time when men were in the constant expectation of finding their own future destiny prefigured to them in the actions of birds and beasts, or the operations of inanimate nature. What was the precise degree of influence which superstitions of this nature exercised on the course of human conduct, must still be problematical. Did any pious general, at the head of the legions at Rome, really determine whether he should give battle or not by the appetite with which the sacred chickens took their food? Did men ever colonise, or build a city, according to the flight of vultures or the perching of an eagle?
But superstition itself, and that in some of its most terrible forms, is animated and dignified by the spirit of Roman patriotism. Read this old story of the self-devotion of Decius, as Dr Liddell tells it to us. It will be an excellent example in which to take our stand, if we would estimate at their full value these old heroic legends. One of those decisive battles is to be fought which is to determine the supremacy of Rome in Italy.
“The Latin army marched hastily southward to protect their Oscan allies, and it was in the plains of Campania that the fate of Rome and Latium was to be decided. (The two consuls, Manlius and Decius, commanded in the Roman camp.)
“When the two armies met under Mount Vesuvius, they lay opposed to one another, neither party choosing to begin the fray. It was almost like a civil war: Romans and Latins spoke the same language; their armies had long fought side by side under common generals; their arms, discipline, and tactics were the same.
“While the armies were thus lying over against each other, the Latin horsemen, conscious of superiority, used every endeavour to provoke the Romans to single combats. The latter, however, were checked by the orders of their generals, till young Manlius, son of the consul, stung to the quick by the taunts of Geminus Metius, a Latin champion, accepted his challenge. The young Roman conquered, and returned to the camp to lay the spoils of the enemy at his father’s feet. But the spirit of Brutus was not dead; and the stern consul, unmindful of his own feelings and the pleading voices of the whole army, condemned his son to death for disobedience to orders. Discipline was thus maintained, but at a sore expense, and the men’s hearts were heavy at this unnatural act.
“In the night before the day on which the consuls resolved to fight, each of them was visited by an ominous dream, by which it was revealed that whichever army first lost its general should prevail; and they agreed that he whose division first gave ground should devote himself to the gods of the lower world.
“In the morning, when the auspices were taken, the liver of the victim offered on the part of Decius was defective, while that of Manlius was perfect. And the event confirmed the omen; for Manlius, who commanded on the right, held his ground, while the legions of Decius on the left gave way.
“Then Decius, mindful of his vow, sent for Valerius, the chief pontiff, to direct him how duly to devote himself. He put on his toga, the robe of peace, after the Gabine fashion, bringing the end or lappet under the right arm, and throwing it over his head; and then, standing on a javelin, he pronounced the solemn form of words prescribed, by which he devoted the army of the enemy along with himself to the gods of death and to the grave. Then, still shrouded in his toga, he leaped upon his horse, and dashing into the enemy’s ranks, was slain.
“Both armies were well aware of the meaning of the act. It depressed the spirits of the Latins as much as it raised those of the Romans. The skill of Manlius finished the work of superstitious awe.... The enemy fled in irretrievable confusion.”
One consul sacrifices his son to the cause of military discipline; the other consul sacrifices himself to the gods, to obtain the destruction of the enemy. We believe in a Decius, in some Decius, at some time, in some battle. Many of the details brought here together were probably added by different narrators. But it may be laid down, we think, as a sound canon of criticism, that no act of moral greatness was ever invented till the like of it had been really performed. Imagination of what the human heart is capable of cannot precede the genuine feelings, the genuine heroism of man. The several acts of Manlius and of Decius are Roman deeds, whether they occurred precisely here or not. Then note the traces we have in this legend of the rite of human sacrifice, and the terrible boon extorted by it. Indeed, the whole passage is fertile of suggestions which we will not weaken by attempting to enumerate.
Rome had scarcely obtained the ascendancy over her neighbours when her own destruction was threatened by the Gauls. Yet ultimately this invasion of the Celt, by weakening her enemies more than herself, was not unpropitious to the final predominance of Rome. “The Gauls,” writes Dr Liddell, “burst upon Latium and the adjoining lands with the suddenness of a thunderstorm; and as the storm, with all its fury and destructiveness, yet clears the loaded air, and restores a balance between the disturbed powers of nature, so it was with this Gallic hurricane. It swept over the face of Italy, crushing and destroying. The Etruscans were weakened by it; and if Rome herself was laid prostrate for a season, the Latins also suffered greatly, the Volscians were humbled, and the Æquians so shattered that they never recovered from the blow.”
It was a disastrous day for Rome. A large portion of her army, under her great general Camillus, was absent from the city. What forces she could muster were routed and dispersed. There were not enough men to defend the city; it was given up to the Gauls. The Capitol alone held out. Finally, the Romans were fain to ransom themselves, and to obtain peace, by the payment of one thousand pounds in weight of gold. The popular and legendary history tells us, that whilst this gold was being weighed out—and just as the insolent Gaul had thrown his sword into the scale, bidding them weigh that too, with his “Woe to the conquered!”—the great Camillus returned with his army, marched into the forum, ordered the gold to be returned, declared that it was with iron he meant to redeem the city, and forthwith drove out the Gauls, so completely destroying their host that not a man was left to carry home the news of their calamity.
“So ran the legend,” continues Dr Liddell, “embellished by the touch of Livy’s graceful pen. But, unfortunately for Roman pride, here also, as in the tale of Porsenna, traces of true history are preserved, which show how little the Roman annalists regarded truth. Strabo and Diodorus mention stories to the effect that the Gauls carried off the gold without let or hindrance from Camillus, but that they were attacked in Etruria, some said by the Romans themselves, others said by the friendly people of Cæré, and obliged to relinquish their precious booty. But Polybius has left clearer and more positive statements. That grave historian tells us, as if he knew no other story, that the departure of the Gauls was caused by the intelligence that the Venetians, an Illyrian tribe, had invaded their settlements in northern Italy; that, on receiving this intelligence, they proposed to make a treaty; that the treaty was made; that they actually received the gold, and marched off unmolested to their homes.”
Where did Polybius get his story? The legend may be false, but where were the materials from which Polybius could have obtained a more historical account? But before again alluding to this subject, we cannot but pause to take notice that here also is a striking example of the value of the legend as a history of the mind and thoughts of a people, even where it fails us as a history of events. Consider what must have been the religious faith, what the ardent patriotism, that gave birth to this magnificent fable (if fable it is) of the conduct of the Senate, when the army of Rome had been utterly vanquished, and the Gaul, in insolent confidence of victory, was rejoicing and revelling at the gates. Here it is, in the version of Dr Liddell:—
“Meantime the Senate at Rome did what was possible to retrieve their fallen fortunes. With all the men of military age they withdrew into the Capitol, for they had not numbers enough to man the walls of the city. These were mainly Patricians. Many of the Plebeians had fallen in the battle; many had escaped to Veii. The old men of this order, with the women, fled for safety to the same city. The priests and vestal virgins, carrying with them the sacred images and utensils, found refuge at the friendly Etruscan city of Cæré. But the old Senators, who had been Consuls or Censors, and had won triumphs, and grown grey in their country’s service, feeling themselves to be now no longer a succour but a burthen, determined to sacrifice themselves for her; and M. Fabius, the Pontifex, recited the form of words by which they solemnly devoted themselves to the gods below, praying that on their heads only might fall the vengeance and the destruction. Then as the Gauls approached, they ordered their ivory chairs to be set in the Comitium, before the temples of the gods, and there they took their seats, each man clad in his robes of state, to await the coming of the avenger.
“At length the Gallic host approached the city, and came to the Colline gate. It stood wide open before their astonished gaze, and they advanced slowly, not without suspicion, through deserted streets, unresisted and unchecked. When they reached the Forum, there, within its sacred precincts, they beheld those venerable men sitting like so many gods descended from heaven to protect their own. They gazed with silent awe; till at length a Gaul, hardier than his brethren, ventured to stroke the long beard of M. Papirius. The old hero raised his ivory staff and smote the offender, whereupon the barbarian in wrath slew him; and this first sword-stroke gave the signal for a general slaughter. Then the Romans in the Capitol believed that the gods had accepted the offering which those old men had made, and that the rest would be saved.”
Grander fable never was invented—never grew up out of grander feelings or wilder convictions. How little do we seem to know of the ancient religion of Rome! We listen too exclusively to the poets of the Augustan age. Elegant fictions and placid deities, from whom little was to be hoped or feared, did not constitute the religion of early times. There were terrible gods in those days—without whom, indeed, no religion has existed which has really influenced the conduct of mankind.
The next great event in the history of Rome which arrests our attention is the war with Pyrrhus. Here the Romans come in contact with a literary people. The attention of the Greeks is drawn towards them. Greek historians collect what accounts they can of these new barbarians, who are pronounced to be “not barbarians at least in war.” The first Roman historians wrote in the Greek language. We enter, it is said, into the historic period.
This is a fit place to quote some judicious remarks which Dr Liddell makes on the sources of early Roman history:—
“When the Gaul departed and left Rome in ashes, it was not only the buildings of the city that perished. We are expressly told that all the public records shared in the general destruction—the Fasti, or list of yearly magistrates with their triumphs, the Annales Pontificum, and the Linen Rolls (libri lintei), which were annual registers or chronicles of events kept by the pontiffs and augurs.
“This took place, we know, about the year 390 B.C.
“Now the first Roman annalists, Fabius Pictor, Cincius Alimentus, Cato the Censor, with the poets Nævius and Ennius, flourished about a century and a half after this date. Whence, then, it is natural to ask, did these writers and their successors find materials for the history of Rome before the burning of the city? What is the authority for the events and actions which are stated to have taken place before the year 390 B.C.?
“The answer to these questions may partly be found in our fifth chapter. The early history of Rome was preserved in old heroic lays or legends, which lived in the memories of men, and were transmitted by word of mouth from one generation to another. The early history of all nations is, as we have said, the same; and even if we had the Fasti and the Annals complete, we should still have to refer to those legendary tales for the substance and colour of the early history. The Fasti, indeed, if they were so utterly destroyed as Livy states, must have been preserved in memory with tolerable accuracy, for we have several lists of the early magistrates which only differ by a few omissions and transpositions. The Annals and Linen Rolls, if we had copies of them, would present little else than dry bones without flesh—mere names with a few naked incidents attached, much of the same character as the famous Anglo-Saxon Chronicle. For narrative we should still have been dependent upon the legends. We might know the exact time at which Coriolanus appeared at the head of the Volscian host, but the story would remain untouched....
“The false statements of the Patrician period are quite different in kind from the greater part of the legendary fictions of Greece or Regal Rome. There we discern no dishonesty of purpose, no intentional fraud; here, much of the baser coin is current. In the legends of Porsenna and Camillus the dishonour of Rome and the triumphs of the invaders are studiously kept out of sight, and glorious deeds are attributed to heroes who are proved to have no claim to such honour.”
If the legends of the Regal period are mythical, and if those of the Patrician period were falsified by bards and minstrels, who made it their vocation to flatter the family pride of the nobles, it is plain there is little of historic narrative relating to these early times which can be depended on. There is no essential difference in the account which Dr Liddell and Sir G. C. Lewis give of the materials of the early history of Rome; but the first of these writers has a far greater faith in that species of constructive or conjectural history, in which Niebuhr was so great an artist, than the second can at all admit. Sir G. C. Lewis contends with great force and clearness that historical evidence does not differ in kind from judicial evidence. They are both founded “on the testimony of credible witnesses.” Unless you can trace your narrative to some contemporary writer who had a fair opportunity of knowing the facts to which he testifies, you have nothing worthy of the name of history. Nor can any ingenuity of reasoning avail if the materials on which you reason are constantly open to suspicion. In the time of the second Punic war there commences a series of Roman historians or annalists who recorded the events of their own age; their works are lost to us, but they furnished subsequent writers, whose histories remain, with their materials. If now, for the years preceding this epoch, you have nothing but a series of meagre official annals, kept by the chief pontiff, some ancient treaties, and a few laws which you can bring into court as historical evidence—if you have nothing but these “dry bones,” there is no help for it; you must be contented with the skeleton. By no means can you, in any legitimate manner, cover these bones. You have no narrative, both lifelike and trustworthy, that extends beyond the age of Pyrrhus. Here the Greek historian steps in. Moreover, the war with Pyrrhus was “not so long prior to the time of Fabius and Cincius (the earliest Roman annalists) as to render it improbable that they and other subsequent writers may have collected some trustworthy notices of it from native tradition and documents.” The speech, too, of Appius the Blind, delivered in the Senate on the occasion of the embassy of Cineas, the minister of Pyrrhus, was extant in the time of Cicero. But beyond this period of the war of Pyrrhus, historic narrative based on acceptable evidence there is none.
Sir G. C. Lewis states the matter, at the opening of his third chapter, in the following lucid manner:—
“In the previous chapter we have followed the stream of Roman contemporary history up to the war of Pyrrhus, but found that at that point the contemporary writers deserted us. There is no trace of any historical account of Roman affairs by a contemporary writer, native or foreign, before that time; nor can it be shown that any Roman literary work, either in verse or prose, was then in existence. But although there was no contemporary history, and no native literature at Rome before the war with Pyrrhus, yet we have a history of Rome for 472 years before that period, handed down to us by ancient classical writers as a credible narrative of events.”
But we must not be seduced further into following the discussions of Sir G. C. Lewis “on the credibility of the early Roman history.” We must not forget that it is Dr Liddell’s History we have at present before us. The wars of Pyrrhus are related by him in a very distinct and spirited manner, and the chivalrous character of the Greek prince—the Cœur-de-Lion of his age—stands out before us in very clear relief. The wars, too, of a greater than Pyrrhus—of the Carthaginian general, Hannibal—are told with more perspicuity than will be found, we think, in the pages of any of his predecessors. But for very manifest reasons we must pass over voluminous details of this description.
No portion of the work will be read with more interest and profit than those chapters which give an account of the civil constitution of Rome, such as it existed in the palmy days of the republic. We confess ourselves to be utterly incredulous of the ability of any writer to describe to us what the constitution of Rome was under her kings, or during the earlier periods of the commonwealth. So much the more pleasure do we derive from a view of that constitution when the clouds seem to break away, and it stands revealed to us in the light of history. When he has driven Hannibal out of Italy, conquered Sicily, and imposed those terms on Carthage which ended the second Punic war, Dr Liddell takes the occasion to review the constitution of Rome such as it displayed itself when the republic was in its full vigour. It was during the time of the Punic wars, he tells us, that this most remarkable and most complex system of government under which men ever lived, attained to some completeness of form. Our own British constitution is often cited as a marvel of complexity; incongruous powers and institutions come into collision at this and that point, till a harmonious action is at length produced; and the prerogative of the Crown is seen to be opposed by the privilege of Parliament, in such a manner as rather to represent a contest between rival institutions, than an understood co-operation of great functionaries of state. But the British constitution is a simple and consistent scheme when compared with the constitution of the Roman republic; with its wild right of the Tribune, which at once seems subversive of all law; with its annual elections, and that even of the general at the head of its armies, which seems at once subversive of all military discipline, and an insuperable obstacle to all military success; with its coequal legislative assemblies, which seems to strike at once at the unity of the laws, and to be a provision for the dissolution of the society.
That which explains the mystery, that which accounts for the long duration and signal success of so complicated a system, is to be found in the predominating power of the Senate. And if again we are asked how it happened that the Senate endured so long, and was not sooner dissolved or reduced to subjection by some military chief, we can only refer to the jealousy which the great men of Rome, patrician or plebeian, entertained of each other. Many a patrician would have been king, none would have endured to have a king over him. This determination to bow to no superior, except the law, except the State, is the feeling of every aristocracy which grows up within a city. It is otherwise with a territorial aristocracy. Here some form of our feudal system invariably presents itself; the common safety requires it. But in a municipal aristocracy, like that of Rome or Venice, the prevailing spirit, the conservative feeling, is precisely this determination, that no one member of the body shall obtain predominance over the rest. Looking at the history of Rome and the magnitude of her conquests, we feel that it was inevitable that the Senate should succumb at length to some victorious Cæsar, and we feel that it was equally inevitable that it should deliver its last protest in the daggers of a Brutus and a Cassius.
An extract from this portion of Dr Liddell’s work cannot fail to be acceptable to our readers. What precisely was the august Senate of Rome many of us may not distinctly remember, if indeed we have ever been so distinctly told as we are in the pages of this writer. We have no space to enter on the description of the two legislative assemblies, the “Tribe Assembly,” and the “Centuriate Assembly,” as they are here called, nor of the extraordinary power of the Tribune; we must limit our quotation to that part which rather bears on the ordinary and executive government of Rome.
“To obtain each of these high offices (as those of Quæstor, Ædile, Prætor, Consul, Censor), the Roman was obliged to seek the suffrages of his fellow-citizens. They were all open to the ambition of every one whose name had been entered by the Censors in the Register of Citizens, provided he had reached the required age. No office, except the Censorship, was held for a longer period than twelve months. No officer received any pay or salary for his services. To defray expenses, certain allowances were made from the treasury by order of the Senate. To discharge routine duties and to conduct their correspondence, each magistrate had a certain number of clerks (Scribæ), who formed what we should call the civil service, and who had before this assumed an important position in the State.
“But though the highest offices seemed thus absolutely open to every candidate, they were not so in practice. About the time of the first Punic war an alteration was made, which in effect confined the Curule officers to the wealthy families. The Ædiles were charged with the management of the public games, and for celebrating them with due splendour a liberal allowance had been made from the treasury. At the time just mentioned, this allowance was withdrawn. Yet the Curule Ædiles were still expected to maintain the honour of Rome by costly spectacles at the Great Roman Games, the Megalesian Festival, and others of less consequence. A great change was wrought by this law, which, under a popular aspect, limited the choice of the people to those who could buy their favour. None could become Ædile who had not the command of money, or at least of credit.
“That which strikes the mind as most remarkable in the executive government of Rome, is the short period for which each magistrate held his office, and the seeming danger of leaving appointments so important to the suffrages of the people at large; and this is still more striking when we remember that the same system was extended to the army itself, as well as to its generals. The Romans had no standing army. Every Roman citizen between the complete ages of seventeen and forty-five, and possessing property worth at least 4000 lb. of copper, was placed on the military roll. From this roll four legions, two for each Consul, were enlisted every year; and in cases of necessity additional legions were raised. But at the close of the year’s campaign these legionary soldiers had a right to return home and be relieved by others. Nor were there any fixed officers. Each legion had six tribunes and sixty centurions; but these were appointed, like the consuls and soldiers, fresh every year. The majority of the tribunes were now elected by the people at the Comitia of the tribes, and the remainder were nominated by the consuls of the year; the only limitation to such choice being, that those elected or nominated should have served in the legions at least five campaigns. The Centurions were then nominated by the Tribunes, subject to the approval of the Consuls. No doubt the Tribunes or Consuls, for their own sake, would nominate effective men; and therefore we should conclude, what we find to be the fact, that the Roman armies depended much on their Centurions, and on those Tribunes who were nominated by the Consuls.”
Everything hitherto seems to be in a state of perpetual change and disorganisation. If a consul were pursuing his operations ever so successfully, he was liable to be superseded at the close of the year by his successor in the consulship; and this successor brought with him new soldiers and new officers. This inconvenience was so great that the constitutional usages were necessarily broken through: the same men were re-elected to the consulship notwithstanding the law that no one should hold the office a second time except after the lapse of a certain interval. Impolitic laws, and these frequently suspended, present us with a poor guarantee for the permanence of the republic.
“But though the chief officers, both in state and army, were continually changing at the popular will, there was a mighty power behind them, on which they were all dependent, which did not change. This was the Senate.
“The importance of this body can hardly be overstated. All the acts of the Roman Republic ran in the name of the Senate and People, as if the Senate were half the State, though its number seems still to have been limited to three hundred members.
“The Senate of Rome was perhaps the most remarkable assembly that the world has ever seen. Its members held their seats for life. Once senators, always senators, unless they were degraded for some dishonourable cause. But the Senatorical peerage was not hereditary; no father could transmit the honour to his son. Each man must win it for himself.
“The manner in which seats in the Senate were obtained is tolerably well ascertained. Many persons will be surprised to learn that the members of this august body, all, or nearly all, owed their places to the votes of the people. In theory, indeed, the Censors still possessed the power really exercised by the kings and early Consuls, of choosing the Senators at their own will and pleasure. But official powers, however arbitrary, are always limited in practice—and the Censors followed rules established by ancient precedent. A notable example of the rule by which the list of the Senate was made occurs at a period when, if ever, there was wide room for the exercise of discretion. After the fatal days of Trasimene and Cannæ, it was found that, to complete the just number of Senators, no less than one hundred and seventy were wanting. Two years were yet to pass before new Censors would be in office; and to provide an extraordinary remedy for an extraordinary case, M. Fabius Buteo, an old Senator of high character, was named Dictator, for the sole purpose of recruiting the vacant ranks of his order. He thus discharged his duty: after reciting the names of all surviving Senators, he chose as new members, first, those who had held Curule offices since the last censorship, according to the order of their election; then those who had served as Ædiles, Tribunes, or Quæstors; then of those who had not held office, such as had decorated their houses with spoils taken from the enemy, or with crowns bestowed for saving the lives of fellow-citizens!
“The first qualification for a seat in the Senate then was that of office. It is probable that to the qualification of office there was added a second, property; a third limitation, that of age, followed from the rule that the Senate was recruited from the lists of official persons. No one could be a Senator till he was about thirty years of age.
“The power of the Senate was equal to its dignity. It absorbed into its ranks a large proportion of the practical ability of the community. It was a standing council, where all official functions were annual. And thus, it is but natural that it should engross the chief business of the State.”
This body of ex-consuls, ex-prætors, and the like (we need hardly say that the distinction between Patrician and Plebeian had been early erased) might well justify the figure of speech which the minister of Pyrrhus used when he called the Roman Senate an assembly of kings. “Many of its members had exercised sovereign power; many were preparing to exercise it.”
The Senate had the absolute control of foreign affairs, except that, in declaring war and concluding treaties of peace, the people were consulted. The conduct of the war, and all diplomatic negotiations, were in their hands. The Consul was the servant of the Senate; the sacred pontiffs took their orders from the Senate. And, what was of no less importance, “all the financial arrangements of the State were left to their discretion.” In times of difficulty, as is well known, they had the power of suspending all rules of law by the appointment of a dictator.
“They prolonged the command of a general or suspended him at pleasure. They estimated the sums necessary for the military chest; nor could a sesterce be paid to the general without their order. If a Consul proved refractory, they could transfer his power for a time to a dictator. All disputes in Italy or beyond seas were referred to their sovereign arbitrement.... They might also resolve themselves into a High Court of Justice for the trial of extraordinary offences.”
Nor was this great Executive Council without participation in, or control over, the function of the legislative assemblies; for, as a general rule, no law could be proposed which had not already received the sanction of the Senate. This body may be well described as having been for many years “the main-spring of the Roman constitution.”
Next to the wars with Hannibal follow those with Philip, and Antiochus, and Perseus, all of which Dr Liddell relates with singular perspicuity. It is sad to notice how soon after the report of victories and extended empire is heard the complaint of corrupted manners, of a Senate greedy of gold, of a people following the war for plunder, making of arms a trade and profession. It was at the end of the second Punic war that we were called upon to take a survey of republican institutions, and republican simplicity of manners—of a people rude and warlike indeed, but agricultural, domestic, where divorce was unknown, faithful and pious,—and the third and last Punic war does not break out before we hear of the city being startled and alarmed at the report of wives poisoning their husbands, and at the discovery of secret associations of men and women where some new and licentious worship of Bacchus was introduced. The disease first manifests itself in the rude efforts to check it, and one of the earliest symptoms of corruption is the appearance on the stage of Cato the Censor.
Of Cato the Censor Dr Liddell gives us the outlines of a very vigorous portrait. “More familiar to us,” he says, “than almost any of the great men of Rome, we see him, with his keen grey eyes and red hair, his harsh features and spare athletic frame, strong by natural constitution and hardened by exercise, clad even at Rome in the coarsest rustic garb, attacking with plain but nervous eloquence the luxury and corruption of the nobles.” This type of a whole class of men, more honest than enlightened, stands out to us in still more distinct relief from his opposition to his great contemporary Scipio, the proud and the reflective, whom he chose to fasten upon as his antagonist. Cato had rushed to the conclusion that the wickedness of Rome was traceable to the arts and philosophy of Greece. He ought to have directed his scrutiny to the cupidity and ambition of Rome. It was wealth and power, not art and philosophy, that were corrupting his fellow-citizens. He should have done his utmost to check their spirit of pillage and of conquest. Instead of which, he joins in the war-cry of the people, and directs his hostility against Scipio, the introducer of Greek literature. Another motive also is assigned for this hostility, which is of a still more commonplace character: there were political parties in Rome as elsewhere, and Cato had attached himself to the party of Fabius, which was opposed to the Scipios.
Born at the provincial town of Tusculum, and inheriting some patrimony, lands and slaves, in the Sabine territory, near the spot once occupied by the great Curius Dentatus, the future Censor of Rome had early adopted a quite rustic mode of life. The young Cato, we are told, looked with reverence on the hearth at which Curius had been roasting his radishes when he rejected the Samnite gold, and resolved to make a model of that rude and simple patriot. He used to work with his slaves, wearing the same coarse dress, and partaking of the same fare. But conscious, nevertheless, of superior powers, and fond, we may be sure, of seeing justice done amongst his neighbours, he would resort occasionally to the nearer courts of law, to plead the cause of some client. His shrewd sayings and caustic eloquence attracted the attention especially of one Valerius Flaccus, “a young nobleman of the neighbourhood, himself a determined friend of the ancient Roman manners.” Flaccus persuaded him to leave his farm, and enter public life at Rome. There he rose, step by step, through the several offices of state, till he reached the highest honour, that of the Censorship.
“Cato was now in full possession of the immense arbitrary powers wielded by the Censor, and determined not to act, as most Censors had acted, merely as the minister of the Senate, but to put down luxury with a strong hand. He had thundered against the repeal of the Oppian law,[2] during his consulship, but in vain,—the ladies were too strong for him. But now it was his turn. Hitherto no property had been included in the Censor’s register, except land and houses. Cato ordered all valuable slaves to be rated at three times the amount of other property, and laid a heavy tax on the dress and equipages of the women, if they exceeded a certain sum. He struck seven Senators off the list, some for paltry causes. Manilius was degraded for kissing his wife in public; another for an unseasonable jest; but all honest men must have applauded when L. Flaminius was at length punished for his atrocious barbarity.[3] It savoured of personal bitterness when, at the grand review of the knights, he deprived L. Scipio Asiaticus of his horse.
“In the management of public works Cato showed judgment equal to his vigour. He provided for the repair of the aqueducts and reservoirs, and took great pains to amend the drainage of the city. He encouraged a fair and open competition for the contracts of tax-collection, and so much offended the powerful companies of Publicani, that, after he had laid down his office, he was prosecuted, and compelled to pay a fine of 12,000 ases.”
That fine of 12,000 ases we are disposed to reckon amongst his highest titles to honour. Restricted in his notions, the Censor still claims our esteem for the genuine sturdy independence which accompanies him throughout his life, and in the presence alike of the Senate and the people. He is no craven demagogue. “You are like a parcel of sheep,” he tells the people on one occasion, “which follow their leader, they care not whither.” He interferes to prevent a gratuitous distribution of corn, which he foresaw would encourage the growth of a lazy mob in the metropolis; and on this occasion he begins his oration thus, “It is a hard thing, Romans, to speak to the belly, for it has no ears.” He was a hard-headed, self-sufficient man, not too humane, since he could recommend, in his book on agriculture, the selling off of old slaves as a useless lumber, and by no means disposed to act with clemency or justice towards foreign nations. In his old age, when he numbered eighty-four years, he led the party which clamoured for the destruction of Carthage. The old Sabine farmer appeared in the Senate, and unfolding his gown, produced some giant figs, which he held up and said, “These figs grow but three days’ sail from Rome.” He then repeated the oft-reiterated and fatal sentence, “Carthage must be destroyed!—delenda est Carthago!”
The morality between nation and nation always has been, and still is, execrable. Indeed, there can be no international morality until men have learned that the interest of one people is bound up with the interest of others; till, just as individuals learn that their welfare is inseparable from the welfare of some community of individuals, so nations shall learn that their own wellbeing and prosperity is inseparable from the wellbeing of some community of nations. The early policy of Rome in the treatment of the Italian cities which were compelled to acknowledge her supremacy, has often been praised; it could not have been very censurable, since at the period of Hannibal’s greatest success there were so few defections. Probably the value of some large Italian confederacy had begun to be generally appreciated; and as there was little to pillage from each other, there was the less room for injustice. When the government extended beyond Italy, over rich and conquered provinces, the historian has no longer any commendation to bestow.
“It was a general rule that all Italian land was tax-free, and that all provincial land, except such as was specified in treaties or decrees of the Senate, was subject to tax. This rule was so absolute that the exemption of land from taxation was known by the technical name of Jus Italicum, or the Right of Italy.
“This last distinction implies that the imperial revenues were raised chiefly from the provinces. In the course of little more than thirty years from the close of the Hannibalic war, this was the case, not chiefly, but absolutely. The world was taxed for the benefit of Rome and her citizens....
“It was as if England were to defray the expenses of her own administration from the proceeds of a tax levied on her Indian empire. The evil was aggravated by the way in which the taxes were collected. This was done by contract. From time to time the taxes of each province were put up to public auction by the Prætor or Proconsul; and the company of contractors which outbade the rest received the contract and farmed the taxes of the province. The members of these companies were called Publicani. It is manifest that this system offered a premium on extortion.
“The Proconsuls and Prætors exercised an authority virtually despotic. They were Senators, and responsible to the Senate alone. It may too surely be anticipated what degree of severity a corporation like the Senate would exercise towards its own members in times when communication with the provinces was uncertain and difficult, when no one cared for the fate of foreigners, when there was no press to give tongue to public opinion, and indeed no force of public opinion at all. Very soon the Senatorial Proconsuls found it their interest to support the tax-gatherers in their extortions, on condition of sharing in the plunder. The provincial government of the republic became in practice an organised system of oppression, calculated to enrich fortunate Senators, and to provide them with the means of buying the suffrages of the people, or of discharging the debts incurred in buying them. The name of Proconsul became identified with tyranny and greed.”
We would gladly accompany Dr Liddell farther down the stream of history, but the stream widens as we proceed. The events increase in magnitude, and the territory over which they extend expands before us; we have not “ample room or verge enough” for such themes as the names of Sylla, Pompey, Cæsar, suggest.
One subject we cannot help glancing at. The battles and conquests of Rome led to the making of innumerable slaves; and nowhere is more plainly illustrated the great truth, that injustice works evil—that wrong, or the recklessness of other men’s wellbeing, will bring with it a penalty of some kind, on some head,—for her slave-system was the curse of Rome, and the chief cause of her ruin and downfall.
Unfortunately for any distinctness of view on this subject, the same name slavery is applied to very different institutions, to very different relations between man and man, to very different rights and conduct of him who calls himself master or owner. All systems of slave-labour are no more alike than all systems of monarchy. In some cases the institution we call slavery is the only possible system that could have been adopted. But amongst the Romans slavery exhibited itself in its harshest features; here, it in part superseded and thrust aside the labour of the free peasant: in Italy it drove the native agriculturist from the soil, and converted cornfields which had been cultivated by hardy yeomen, into wild pastures, where the cattle were watched by slaves. In the city, it retarded or prevented the growth of a free industrious middle class; even what we call liberal professions suffered a certain social degradation from being thrown into the hands of slaves or freedmen. The Romans were always a harsh people, and a system which put unlimited power of life and limb into their hands, and supplied the circus with gladiatorial combats, was not likely to improve their humanity.
They were always a harsh and severe people; it is suspected that some unrecorded conquest and subjugation was the origin of the distinction between patrician and client, and that the history of the city ought really to commence with the invasion and domination of a conquering caste or race. Be that as it may, one of the first laws we hear of is of so severe and cruel a character—a law of debtor and creditor of so atrocious a description—that it is almost as incredible as any of the wildest legends of that early time. We can scarcely believe that a people who had advanced to the making any laws at all, could have made one in which it was provided that “the creditor might arrest the person of his debtor, load him with chains, and feed him on bread and water for thirty days, and then, if the money still remained unpaid, he might put him to death, or sell him as a slave to the highest bidder; or, if there were several creditors, they might hew his body in pieces and divide it”—with a saving clause that, “if a man cut more or less than his due, he should incur no penalty.”—Vol. i. p. 100. Possibly this last provision was a mere threat, and to be sold as a beast of burden was the heaviest penalty that a patrician creditor ever inflicted on his debtor. It is plain, however, that when a multitude of slaves fell into the hands of the Romans, they fell into the hands of men who were not disposed to use their power leniently. They were men of blunt sensibilities. One who visited a Roman senator in the time of the Scipios might have had his ears assailed by the sharp cry of pain from a beaten slave, and certainly the first object that would have greeted his vision would have been a slave chained like a dog to the door—the “hall-porter” of those days. In subsequent times the more refined Roman could not have endured such sounds and sights in his own presence or neighbourhood; but what went on in the “ergastula” upon his estate, he probably never cared to inquire.
Our readers will perhaps prefer here a brief extract from Dr Liddell to any general statements of our own. He says:—
“A few examples will show the prodigious number of slaves that must have been thrown into the market in the career of conquest on which the republic entered after the Hannibalic war. To punish the Bruttians for the fidelity with which they adhered to the cause of the great Carthaginian, the whole nation were made slaves; no less than 150,000 Epirotes were sold by Æmilius Paulus; 50,000 were sent home by Scipio from Carthage. These numbers are accidentally preserved; and if, according to this scale, we calculate the hosts of unhappy men sold in slavery during the Syrian, Macedonian, Illyrian, Grecian, and Spanish wars, we shall be prepared to hear that slaves fit only for unskilled labour were plentiful and cheap.
“It is evident that hosts of slaves lately free men, and many of them soldiers, must become dangerous to the owners. Nor was their treatment such as to conciliate. They were turned out upon the hills, made responsible for the safety of the cattle put under their charge, and compelled to provide themselves with the common necessaries of life. A body of these wretched men asked their master for clothing: ‘What!’ he asked, ‘are there no travellers with clothes on?’ The atrocious hint was soon taken: the shepherd-slaves of lower Italy became banditti, and to travel through Apulia without an armed retinue was a perilous adventure. From assailing travellers the marauders began to plunder the smaller country-houses; and all but the rich were obliged to desert the country, and flock into the towns. When they were not employed upon the hills, they were shut up in large prison-like buildings (ergastula), where they talked over their wrongs, and formed schemes of vengeance.”
No wonder we hear of Sicilian slave-wars. Nor can we wonder, after this, at the statement sometimes made, that Roman civilisation never extended beyond the cities—that the country of such provinces of Gaul and Spain was still barbarian—that there was no civilisation or humanity here for Goth or German to destroy. We cannot wonder, at all events, that there was no patriotism to withstand their invasion. Their invasion was a restoration of the country, if it was a temporary destruction of the town. And even in the large towns, while the system of slavery endured, the industrial arts, and even studious and liberal professions, never received their due honour and due encouragement. Wealth and military and civil appointments were the only valid or generally recognised claims to social distinction.
We must take our leave of Dr Liddell’s book, again commending it to the student. In a passage we quoted from the preface, the author says that if less of positive history is laid before the reader than in some older books, “he will, at all events, find less that he will have to unlearn.” We venture to think that there is still a good deal set down here as history which the student will have to unlearn. But we make no objection to the work on this account; for every student must be solicitous to know what is the last hypothesis of eminently learned men. There has been an overflow, in our own times, of conjectural history. As it chiefly concerned the dry details of civil government, and the development of constitutional laws, the free employment of a conjectural method was disguised: this flood, we may venture confidently to say, is now receding.
Additions of this kind, made by one able man, will be destroyed by another; but it does not follow on this account that there has not been a real progress made in the study of Roman history. This progress chiefly consists in the discrimination made in the comparative value of the materials which have come down to us. “In the first two centuries after the invention of printing,” says Sir G. C. Lewis, “the entire history of Rome was in general treated as entitled to implicit belief; all ancient authors were put upon the same footing, and regarded as equally credible; all parts of an author’s work were, moreover, supposed to rest upon the same basis. Not only was Livy’s authority as high as that of Thucydides or Tacitus, but his account of the kings was considered as credible as that of the wars with Hannibal, Philip, Antiochus, or Perseus; and again, the lives of Romulus, Numa, or Coriolanus by Plutarch, were deemed as veracious as those of Fabius Maximus, Sylla, or Cicero. Machiavel, in his Discourses on the First Decade of Livy, takes this view of the early history. The seven kings of Rome are to him not less real than the twelve Cæsars; and the examples which he derives from the early period of the Republic are not less certain and authentic than if they had been selected from the civil wars of Marius and Sylla, or of Cæsar and Pompey.” An instance so striking as this of Machiavel ought to give us a double lesson, one of modesty and one of confidence;—of modesty, because we too may be involved in some general and prevailing error; of confidence, because where the reason of the case is clear, no name or authority, however great, ought to influence our convictions.
MONTEIL. [4]
To struggle for literary fame—to devote forty years to the composition of an imperishable work—to toil amid pain and sickness, and the growing infirmities of age—never to be appreciated during all the period of that laborious existence except by the chosen few—and finally to die in poverty, perhaps in want—and then, when you have long been buried, and your name is nearly forgotten, your work to get slowly but surely into circulation, and to be pronounced a master-piece—this is the fate of few; but it was the fate of Amans Alexis Monteil, author of the History of the French of Various Conditions—a book of amazing research, great skill in composition, picturesque, humorous, and characteristic, and now received as the sovereign authority upon all the subjects on which it treats. The author was worthy of the work. Its object is to give a clear description of the French people, as they presented themselves to their contemporaries during the five last centuries. Old cartularies are ransacked, baptismal registers consulted, manners and habits inquired into; the private life of the tradesman, of the merchant, of the labourer, earnestly investigated, and brought before us with the distinctness of a picture. And Alexis himself—he was more undecipherable than a charter of the time of Clovis, more dusty, begrimed, and antiquated than the records of a Benedictine monastery: nobody knew him; he breakfasted, dined (when he dined at all), and supped alone. Yet that man of parchment had a heart, loved passionately, mourned deeply, hoped ardently, and had such wit, such observation, such combination! Half of his qualities remind us of Dominie Sampson, and the other half of Sydney Smith. Let us dip into the contents of his volumes and the history of his life; and first of the man.
Poor old Alexis, amid the desolation of his later years, fled for consolation to the past. He revived the scenes of his youth, flew back to his native town, and gave daguerreotypes, in an autobiography which he never finished, of his father, his mother, his brothers, the people he had known, and the very stones he remembered in the walls. These reminiscences are very minute. Of course they are, for it was the habit of the man’s mind to record the smallest particulars. He preferred them indeed to great ones. He would rather know the number of buttons on a general’s coat than the battles he had won. So his father is brought before us in his habit as he lived. This worthy man had had losses, like Dogberry, and, like that great functionary, had also held authority in his native town. The town was a very small town, and the authority not great; but it was enough: it gave rank; it gave dignity; and the son records it as evidence that he came of gentle kin.
It was in the small city of Rhodez, partly situated in Auvergne and partly in Rouergue, that Monsieur Jean Monteil, before the French Revolution, held the office of receiver of fines and forfeits. This does not seem a lofty post, but the worthy holder managed, by a little ingenuity, and a lawsuit which lasted six years, to get it recognised as one of the offices of the crown, inasmuch as the fines were those levied by a royal court; and he was therefore as much a king’s servant as the procureur himself. On the strength of this connection with the administration, of justice, Monsieur Monteil wore a hat with a gold band, a gown also with a similar ornament; and on Sundays and fête days he had a right to march to the church, looking the embodiment of a beadle, and of sitting on a raised place near the altar, and being “incensed” by the officiating priests. His son dwells with filial pride on the noble figure his progenitor presented to the eyes of his fellow-townsmen, as he walked along the street with his gold-headed cane, and lifted his three-cornered hat in answer to the salutations of all who saw him. How long this went on we are not told; but one day the alarm-bell frightened the town of Rhodez from its propriety. The Revolution had found its way to the deepest recesses of Auvergne, and the Reign of Terror began. The guillotine showed its hideous shape in the main street; war was declared against aristocrats; and who could be more clearly proved to belong to that doomed body than the portly gentleman with the gold-laced hat and the gold-handled ivory staff? John Monteil and the Dukes of Montmorency were equally worthy of death. There was no place left for De Grammonts or Monteils, and the servant of the king was no more saluted with respectful bows as he paraded his official costume on the first sound of the bell which called the faithful to church, and was no longer received with humble obeisances by the priests before the service began. In a short time there were no bells to ring; they were melted down to make sou-pieces by order of the Convention. Then there were no priests; they were all executed or banished, or had enlisted in the armies of the Republic: and finally there was no church; it was turned into a prison for the refractory; and John Monteil laid aside his gilded toga, and his cocked-hat, and his cane, and hid himself as well as he was able in the dark parlour of his house. There he gave himself up to despair. And no wonder; the blow had fallen so unexpectedly, and death was on every side. He only waited till his turn should come; and at last it came. In the days of his grandeur he had taken into his service two of the boys of Rhodez—one Jerome Delpech, who seems to have had no family tree at all, and Jules Bauleze, the son of a poor sempstress. They had acted as his clerks, and were grateful to their old employer. They were now engaged in the public offices, and saw the whole tragedy as it went on. From time to time they slipt into the darkened parlour, and said, “Be on your guard”—“Fly”—“Save yourself.” But John Monteil did not know whither to fly. All France was nothing but a scaffold, so he staid at home.
The two clerks came near him no more. They were suspected. Jerome Delpech died of the jail fever, waited on in his illness by his old master; and Jules Bauleze, the son of the sempstress, he was accused of being an aristocrat: the fact could not be denied, and he was executed in front of the town-hall. Then the Committee of Public Safety began to tremble for the liberty and equality of the nation if such a very exalted personage as Monsieur Monteil were suffered to live. So the ci-devant beadle is dragged to prison—to the very church, the scene of his weekly glories—where he sat on the front bench, and white-robed choristers swung censers under his nose till he was nearly suffocated with perfume (and smoke); and here, at the eastern end of the melancholy ruin (for the windows were taken out, and the ornamental work all carried away) he saw the sempstress Bauleze kneeling in an agony of silent grief at the remains of the broken altar. She had been thrown into confinement as the mother of an aristocrat, and would probably on the following day be his companion on the scaffold. But before the following day, Robespierre’s reign was over, and the two representatives of the aristocracy of Rhodez were saved. What now is Monsieur Jean Monteil to do? He is nothing if not magisterial. Rob him of his robes, and what is he? A poor man indeed, more sinned against than sinning, reduced to leave the splendours of his native city, and, like Diocletian, plant cabbages in retirement. He occupied a cottage, and cultivated a few fields. But there was still left to him, companion and soother of his griefs, the gentle Marie Mazet, whom he had married when they were both in the sunshine of prosperity—both distinguished for birth and station; for she was the daughter of a mercer who sold the finest cloths in the town, and claimed some sort of unknown kindred with the Bandinellis of Italy and the Maffettes of France. But this lofty genealogy was due to the antiquarian zeal of her husband. She herself only knew that Italy was a long way off, and that the Bandinellis and the Maffettes were probably no better than they should be. So she did not keep her head an inch higher on account of her noble origin, but was the most sedate, quiet, economical, pains-taking manager of a household that Rhodez had ever seen. She sang, but only at church, or over the cradles of her children; she walked, but only to mass or vespers; she lived, as was the custom of good housewives then, in the kitchen, presided at table, helping the young ones, cleaning up the dishes, ironing the clothes, arranging, settling, ordering all—a charming picture of a good mother of a family; and no wonder her son dwells with affecting tenderness over the details of his early home. And the vintage! The labours of the whole house were suspended on that blessed occasion. The dry and dusty streets were left behind; old and young took their way rejoicing to the vineyard which Monsieur Monteil possessed a few miles from the town; and even Madame Monteil forgot her cares—forgot her economics, and renewed her youth in the midst of the universal joy. A harvest-home is a delightful sound in English or Scottish ears; it recalls the merry dance, the rustic feast, the games in the barn, the ballad, the smoking bowl,—but what are all these to the vintage? The harvest itself consists in wine. The children of the south kindle with enthusiasm at the very sound of the word; and Bacchus and the ancient gods seem once more to revisit the earth in a visible shape. All Rouergue was in a ferment of enjoyment the moment the grapes were ripe; but even then the mother of the future historian had hours of serious reflection. With her hand clasped in the hand of her silent thoughtful little boy, she looked often, long, and in silence, out of the window of the summer-house, her eyes lifted to the sky, her mouth mantling with a smile, sunk in an ecstasy of holy contemplation, such as we see in Ary Scheffer’s noble picture of St Augustin and his Mother. “What are you thinking of, dear wife?” said Monsieur Jean Monteil. “On eternity,” she replied in a soft voice, and gave her little boy’s hand a warmer clasp. It must be from the maternal side Alexis derived his quiet strength, and the exquisite feeling of romance which enables him to realise the states of society, the sentiments and family connections so long past away. A mother like this would have been a fatal loss at any time; but happening when it did, the blow was irrecoverable. So good a manager might have restored the family fortunes; so loved a parent might have kept the sons united and respectable; “but she fell into the dust,” says Alexis, seventy years after her death, “and our household was ruined for ever.” These are strange revelations of the interior economy of an obscure family, in one of the most obscure of the provinces of France, before and during the Revolution: and the curtain rises and falls upon all the sons; for Alexis survived his brothers, and traces them with a light and graceful hand from the cradle to the grave. The eldest was old enough to know the distinction of his position as heir of the family name, when the Revolution broke out, and buried Jean Baptiste Jacques under the ruins of the feudal system. He had studied for the law—he had, in fact, had the honour of being called to the bar, and, by his great eloquence and knowledge, of getting his client—the only one he had—condemned to the galleys for life. But he, like his father, was forced to put off the gown, and, unlike his father, who stayed to brave the tempest at home, he fled. Meanly, ignominiously he fled, and hid himself amid the retired valleys of the Gevaudan, where he thought nobody would find him out, and where he might boast of his loyalty and sufferings without danger. But his boastings brought dangers from which greatness could not be exempt. A certain loyalist of the name of Charrie—a peasant who thought that a few of his fellow-labourers could restore the fleur-de-lis on the points of their pitchforks and other agricultural implements with which they armed themselves—heard of the exiled magnate who made the echoes of the Gevaudan vocal with his lamentations and cries for vengeance, and came to the gownless advocate and made him colonel of the ragged regiment on the spot! Here was a choice of evils. If he refused the colonelcy, he would in a few minutes be cut into many hundred pieces by the scythes of the furious Legitimists; if he accepted, he was certain in a few weeks to be guillotined for rebellion against the Republic. But as weeks are better than minutes, he accepted the honourable rank, and Colonel Jean Baptiste showed himself at the head of his troops, and armed himself with a reaping-hook, which looked like a Turkish scimitar with the bend the wrong way. He armed himself also with a white cockade, which had the remarkable property of presenting the tricolor when turned inside out; and, prepared for either fortune, retained, as it were, on both sides, the colonel-advocate considered himself secure whatever might happen. But Charrie was not so blind as was thought. The trick was found out, and the colonel fled: he ran, he climbed, he struggled over walls, he staggered across gardens,—the scythemen, the pitchforkmen, the reaping-hookmen, the flailmen after him; and by dint of quick running, and artful turnings, and scientific doubles he might have been safe; but a dreadful outcry in an outhouse, the infuriate babblings of turkey-cocks, the hissing of geese, the quacking of ducks, betrayed him. He had concealed himself in a hen-roost, and the denizens of the poultry-yard had regarded neither the tricolor nor the white cockade. In spite of his duplicity and cowardice, he got off. Happier than Charrie, who paid for his brief authority with his head, the eldest hope of the Monteils lived in peaceful obscurity, cultivating potatoes, both red and white, and brewing the best wine of the district, till having planted and brewed all through the first wars of the Empire, he died at sixty, forgetful alike of his legal studies and military adventures, and only doubtful as to the superiority of the long kidney or the pink-eyed rounds.
The next was a wit—a roué to the extent of a few rows on the street, and a poet to the extent of a few lampoons on the respectable dignitaries of Rhodez. He tore off the knockers of the street-doors, changed the sign-boards of different tradesmen, and went through the usual stages of a fast young gent’s career. He proceeded to Paris, determining to be chancellor; he moderated his desires in a few years, and would have been satisfied to be a peer of France; he sank lower still, and would have accepted anything he could get, but he could get nothing, so he became a land-measurer of the humblest kind, retained his gaiety to the last, sang his own little songs and repeated his own little epigrams, and died of corpulence and laziness at the age of eighty-two, as happy, perhaps, as if his dreams of ambition had been fulfilled. The third and last brother was the black sheep of the flock. He enlisted in the hopeful time for any one who had courage and a sword, in 1793, and might have been a Soult, or a Ney, or a Murat. Instead of that, he was an idle, dissipated dog, who sank from vice to vice, till, having some musical talent and great strength of wrist, which obtained him the situation of drummer in the regiment, he behaved so ill that some brother of the trade was employed to drum him out of the army, and he returned to his home, living at his impoverished father’s expense—getting a dinner where he could—drinking when he could obtain wine—gambling when he could borrow a button to toss with—useless, shameless, heartless; and when the old man died, and the cottage passed to strangers, and his contemporaries had perished, and the new generation knew him no more, he found his way to Paris, wandered through the streets in search of an hospital, was so thin and worn and broken down that he was admitted without certificate, and lay down on a crib in the charitable ward and died: and this the result of the education and the example given by Monsieur Jean Monteil of Rhodez, and the gentle Marie Mazet! Was it for this they were so strict in honour, so pure in heart, so tender in affection, only to produce a coward, an idler, and a beggar? The fate of families well and carefully brought up, circled round “by father’s blessing, mother’s prayer,” during all their youth, and giving way at once to the excesses of vice, and sinking into the abysses of shame, is one of the most curious of our everyday experiences. Are we to blame the parents? They have done the best they could; but Tom gets a commission, and is cashiered; Billy gets into a bank, and forges a draft; Harry goes to the bar, and drinks himself to death at the cider-cellar; and the proud and chivalrous old father, the soft and affectionate mother, after mourning for a few years in the small lodging to which the extravagance of their family has reduced them, die of broken hearts. But in the case of the Monteils there was one redeeming point: one son was all they could wish in the way of affection, of uprightness, of quietness, and devotion to his books. There was Amans Alexis studying from morn to night—very shy—very awkward—very queer—caring nothing for society—knowing little of anything that had occurred since the battle of Pavia—insatiate in his hunger after old scraps of manuscript—starting off, stick in hand, bread in pocket, if he heard that in some miserable valley among the hills there had been a demolition going on of a monastery, or rotten old chest discovered among the rat-holes of some tatterdemalion town-hall. The odd-looking youth, tired and travel-stained, saw at a glance if the muniment-chest was old and useless enough to be of any value; he opened the moth-eaten lid, and saw a file of moth-eaten papers. In a moment he ran over the hieroglyphics they contained. The language they were written in, though Latin in name, would have puzzled Cicero and the College of Augurs to interpret a syllable. Alexis read them off like round-hand, and bought them—sixpence—ninepence—a franc—and the treasure was his. He turned his heels on the monastery or the town-hall, and pursued his way to Paris. He goes to the Depository of the Archives of France. “Do you want an original charter granted by Louis le Hutin to the Abbey of St Bernard de Romans in Dauphiny?” “Certainly. It is worth its weight in gold;” and it is now a valued article in the Bibliothèque Impériale.
But old charters are not to be found every day, even if monasteries—which is greatly to be wished—were every day demolished; and yet the daily bread is to be procured. Buonaparte is in the first dash of youthful power. Nothing escapes him; no amount of bushels can hide any candles which can light his way to empire. The laborious student, the groper among old documents, the retiring antiquary is discovered, and is installed Professor of History at the Military School. No man in France knew more of history than Amans Alexis Monteil; but it was the history of the citizen, not of the soldier. He knew what was the position of the grocer, of the shoe-black, of the petty tradesman, since grocers and shoe-blacks and petty tradesmen were created. He dwelt on the family circle gathered round the cottage-fire in the year 1450. He could tell of every article of furniture in the castle of the noble, and also all the circumstances of the carpenters who made them. He knew the habits of the scholars of Amboise or of Paris in the days of Joan of Arc; but the wars of Frederick of Prussia, the wars of Charles the Twelfth of Sweden! he hated wars; he was the biographer of the people, and did not concern himself much about the great ones of the earth. So his pupils were rather inattentive; they did not care much for the simple annals of workmen and labourers who had been dead four hundred years; and, besides, they were listening for the guns which were thundering all over the world. How could they hear a dissertation on the quarrels of the Benedictines and the Cordeliers, when they were in momentary expectation of a bulletin from the Army of Italy? How could they listen to a description of the agricultural labourers of Provence on the day after the news of Marengo? They went off and were killed, or rose to be generals, governors, marshals. And Alexis plodded on. He gathered materials in all directions for the great work that was never absent from his thoughts—pondered—inquired—compared, and finally completed the most marvellous reproduction of the past which any country possesses. It is, in fact, a minute detail of the humble ranks in France, the inhabitants of obscure towns and farms and hamlets. What Monfaucon is to the nobility, with his fourteen folio volumes of emblazoned arms, and vivid representation of the life in hall and palace, the glitter of the tilt-yard, the mustering of knights and squires for battle, the gentle Alexis is for the peasant, for the roturier, the bourgeois, and the serf. He erects his tent in the market, in front of the monastery, at the great gate of the chateau, or in the fair, where he is surrounded by mountebanks and ballad-singers and jugglers, and writes down exactly what he sees. He sees a leper sitting at the gate, veiled and guarded. He meets a funeral—he meets a wedding; he accompanies the corpse to the church, and the bride to her chamber. He omits nothing; and he supports every statement by the most amazing array of documents. There are writings and inscriptions, and medals of brass, and carved pieces of stone, and fragments of chests of drawers, all giving confirmation strong to whatever fact he states. And this minute supervision he extends over four centuries. The tradesman is followed from the time of the domination of the English to the time of the domination of Louis the Fourteenth. The noble is seen, over all that lapse of time, governing, quarrelling, trampling, oppressing; and you soon see that the Revolution of 1789 was a great revenge for centuries of wrong; that the guillotine of 1793 was built out of timber planted by feudal barons, when Francis the First was king; and you wonder no longer at the inhuman ferocity of a peasantry and a middle class, equally despised and equally hated by the spurred and feathered oligarchy who ground them to the dust, and insulted them in their dearest relations. Happily for us, feudalism died a natural death, or was put an end to like a gentleman in fair fight at Naseby and elsewhere, or scientifically bled into its grave by acts of Parliament, or John Bull would have torn it in pieces like a tiger; for the History of the French of Various Conditions would apply equally well during the first century of the record (the fourteenth) to our English trades. But in the sixteenth the divergence is complete. Nobles in England are tyrants no more, nor the lower classes slaves. When Leicester was entertaining Elizabeth at Kenilworth, an Englishman’s house was his castle. When Sully was raising adherents for Henry the Fourth, the French peasant had no property and no rights. Leicester would have been tried for robbery if he had taken forcible possession of John Smith’s ox or cow. Sully would have passed scot-free if he had burned Jacques Bonhomme’s cottage about his ears, and tossed that starveling individual into the flames on the point of his lance. There is such an impression of truth and reality about these revelations of Monteil, that we never have a doubt on the smallest incident of his details. If for a moment we pause in our perusal, and say, “Can this possibly be correct? Can such things be?” What is the use of farther hesitation? You turn to the note at the end of the volume. You find voucher after voucher, from all manner of people—priests, lawyers, and judges. You might as well doubt your own marriage, with the certificate of that stupendous fact before your eyes, signed by parson and clerk, two bridesmaids, and the Best Man. It is better to read on with unhesitating belief. You will only get into a cloud of witnesses which will throw you positively into the dark ages, as if you had been a spectator of the scene. And the author all this time—is he a mere machine—a mill for the grinding of old facts into new and contemporary pieces of knowledge, as an old bronze statue may be coined into current money? Alexis is married; Alexis has a child—such a wife and such a child no man was ever blessed with before. His father, our deceased acquaintance, the former aristocrat of Rhodez, Monsieur Jean Monteil, married his student son, shortly after the tempest burst out upon the throne and nobility of France, to a charming creature, young, innocent, and an heiress, daughter of a gentleman who, long before this, had retired to enjoy his fortune with dignity—a Monsieur Rivié, a little man, but strong—strong as a blacksmith. And this was lucky, for he was a blacksmith by trade. Not a common blacksmith, be it understood, but so clever, so sharp, so knowing, and withal such a dreadfully hard hitter, that he was a very uncommon blacksmith indeed. Little Rivié was the name he was known by all over the part of the country where his anvil rung. But little Rivié rose to be great Rivié before long. He shod horses for great men; he shod a war-horse for the Prince of Conti; he shod a charger for Marshal Saxe; he shod a lame horse so skilfully for a certain colonel that the colonel got him the contract for supplying the regiment with its remounts. He bought lame horses, of course, cured them, and sent them capering and caracolling to the barracks. It was the best-horsed regiment at Dettingen, and ran away at the first fire. So the smith grew rich, and married, and retired, as was said above, to show his well-earned wealth and his delightful family to his admiring townsfolk. As he rattled through the street, he became so inflated with pride and happiness that the axle of his carriage broke, and he was forced to alight. Luckily the accident happened just opposite a smithy. The mulciber was an old fellow-apprentice, but could not recognise his ancient comrade in the person of the great seignor who had crushed his axle-tree by the mere weight of his importance. He also could not mend the fracture. In a moment the noble stranger pulled off his embroidered coat, tucked up his fine-linen sleeves, seized the sledge, and, O heavens! wasn’t there a din?—a hail of blows?—a storm of sparkles?—a rat-a-tat on the end, on the side, on the middle, and still the twelve-pound hammer went on. “By St Eloi!” said the owner of the instrument, “you are either the d—l himself or little Rivié.” And little Rivié it was. And little Rivié he continued to the end, for all his grandeur disappeared. That dreadful Revolution meets us at every turn. It broke the axle-tree of Monsieur Rivié’s carriage, beyond the power of Vulcan himself to mend—it took off his embroidered coat, which nobody could ever restore—it tucked up his fine-linen shirt-sleeves, and nothing could ever bring them down again. In the days of his prosperity he had given his eldest daughter (and a dowry) to the Marquis de Lusignan—a nobleman who advanced claims to the island of Cyprus and the kingdom of Jerusalem, but was delighted to accept a few thousand francs as “tocher” with the daughter of a contractor. He borrowed a few thousands more on the income of the baronial estates of the Lusignans, besides a collateral security on the revenues of the Holy City when it was restored to its legitimate king. This mortgage was settled as the marriage fortune of the younger daughter, the sweet and excellent Annette. But the barony of Lusignan followed the example of Cyprus and Jerusalem, and vanished into thin air at a twist of the necromantic wand of Danton and Robespierre. Little Rivié was too old to resume the hammer. He retired, with his sons and daughters, to a small farm in the neighbourhood of Rhodez; and the ex-beadle and the ex-blacksmith arranged a marriage between the historian of the trades and the sister of the Queen of Cyprus. Her majesty had died, and her royal lord was flourishing a pair of scissors, and occasionally a razor, in the Burlington Arcade. Did the gentle Annette repine at her change of fortune? Did she mourn over the days of her father’s grandeur, and despise the queer, learned, modest, loving being she had enriched with her first affection? Ah! never for an hour. They sometimes had a dinner, sometimes not; but always mutual trust, always perfect love. Occasionally, when fortune smiled more than usual, Alexis would address a letter to her as “Her Royal Highness the Princess of Lusignan, in her patrimonial Realm of Cyprus;” but this was only when a manuscript had put them in funds. At other times they were sad enough. With the amount of their united fortunes they had bought a small cottage and garden near Fontainebleau. Here he resided, walking every day six miles to his class and six miles back. Annette regularly met him, on his return, a mile or two from home, and arm-inarm they re-entered their own domain. But the class disappeared, the chair of history was suppressed, and the house was offered for sale. A purchaser appeared, and Alexis, in the interest of some future antiquarian of two thousand three hundred and nine, preserved the “Agreement to buy.” It was between “Dame Monteil and his majesty Napoleon the Great, Emperor of the French, King of Italy, and Protector of the Confederation of the Rhine.” It is a pity that the sum agreed on was not so magnificent as the titles of the buyer. It was only two hundred pounds—“a small price,” says Alexis, with a sigh, “out of the contributions of all Europe.” They now removed into a garret in a suburb of Paris, and day by day the husband put on his hat and traversed the great dark streets in search of something to do, but got no comfort from the interminable lines of narrow-windowed houses; for not a door was opened, not an offer was made, and, weary and disheartened, he found his way back to his attic, to the suffering smile of Annette, and the playful caresses of his boy. His Alexis was now two years old, and with these two the heart of the simple student was completely filled. There never had been such a child before, except among the cherubs of Murillo. He would make him such a scholar! such a Christian! such a man!—but in the mean time their two hundred pounds (diminished by the expenses of the sale) were rapidly disappearing. The time of the green leaves was coming on. They heard birds whistling in the dusty trees on the road before their windows—they thought of the chestnuts, and limes, and hedgerows of Rouergue. “Come,” said Alexis, “Paris has no need of such a useless fellow as I am. Let us go home.” Annette packed up her small possessions, took the young Alexis in her arms, and away they go in the first sunny days of the month of May. Away they go on foot, Alexis generally bestriding his father’s shoulders as if he felt Bucephalus beneath him, and through the smiling plains: through Nemours, Montargis, Cosne, Pouilly, lies their course, and Paris gradually is forgotten. They walked at a good pace, for they liked to have an hour or two to spare when they came to a shady place and a spring. Then they undid the knapsack, and bread soaked in the fountain became ambrosia, and they did not envy the gods. Through Moulins, Clermont, Issoire, on they go, talking, arranging, hoping. And at last they see the chestnut trees, the limes, the hedgerows—they are in the paradise of their youth: they know the names of every field—they are beloved by all that see them—and they live on sixty francs (two pounds eight and fourpence) a-month. The vegetables are delightful, the milk plentiful, the loaf abundant, and they never think of meat. Amans Alexis writes—writes—writes. Annette sits beside him, and listens with entranced ears as he reads to her, chapter by chapter, the history of her countrymen who lived, and worked, and hungered so long ago. His great book is now begun, and his life is happy. Scraps of paper with perfectly illegible lines furnish him with a hint, which he works up into a statement. The statement grows a story, the story grows a picture, and we become as familiarly acquainted with Friar John, Cordelier of Tours, and Friar Andrew, Cordelier of Thoulouse, as with any of our friends. And such a correspondent as Friar John of Tours has seldom been met with since he started on his memorable journey to Paris in the year 1340. Then all the personages introduced are as real as a lord mayor. Where Alexis got his knowledge of character, his sly observation, his exquisite touches of humour, is a puzzle to those who know his story. But it was not in Stratford that Shakespeare got his knowledge of the tortures of a successful usurper like Macbeth; nor in London that he repeated at second hand the wit of Benedict or Mercutio. Alexis found the grave dignity of the Sire de Montbason, the ill-repressed ardour of the soldier-monk Friar William, and the noble lessons in chivalry given by the Commander of Rhodes, in the same wonderful reservoir of unacted experience in which Shakespeare found the jealousy of the Moor and the philosophic wanderings of Hamlet. The family group in the Castle of Montbason is worthy of Sterne, and the warrior-colouring of Scott.
The book grows—it takes shape—visions of wealth and honour look out in every page; and again to Paris must they go. They go—and the same wretched life comes upon them again. They are again in a garret. Again Alexis walks through desolate streets; again his misery is cheered by his wife and the prattle of his son: but he does not see a hectic colour on Annette’s cheek, or hear a cough which shakes her frame. She never mentions how weak she is growing—till at last concealment is impossible. She languishes in the town air, and pants once more for the fields and gardens. She sees, when lying on her sleepless bed, the whole district rise before her as if she were there. She sees the church—the farm—the cottage where they were so happy. Nothing will keep her in Paris; she must die in her native village. Alexis is broken-hearted. It is impossible for them all to travel so far; the journey by coach is too expensive, on foot too far; but Annette must be gratified in all. It seems a small favour to give to so good a wife—the choice of a place to die in.
“There are three spots,” says Alexis, “which I never pass without thinking of Annette—the Rue de Seine, at the corner of the Rue de Tournon. It was there that she all of a sudden began to limp, attacked by rheumatism. ‘Ah!’ she cried, ‘’tis the last of my happy walks.’ Another time, on the Pont Royal, a band of music passed, followed by the Imperial Guards. Annette said to me, ‘I scarcely see them; there is a cloud before my eyes.’ Alas, alas! my last recollection of her is at the coach-office, where I saw her take her departure. ‘Adieu, adieu!’ she said to me over and over with her sweet voice—and I was never to see her again!” Alexis took no warning from the limping in the Rue de Seine, or the blindness on the Pont Royal. She stayed with him, cheering him, soothing him, sustaining him to the last; and then, when she could only be a burden and a care to him, she unfolded her wings like a dove, and flew away and was at rest.
Alexis was very desolate now, but he laboured on; he lavished on his son all the affection that formerly was spread over two. He educated him himself—made him the sharer of his studies, the partner of his pursuits. Brought up in such poverty, and accustomed only to his parents, he never was a child. At thirteen he was grave, thoughtful, laborious, and had the feelings of a man of middle age. The government did not altogether pass over the claims to compensation for the suppression of the Historic Chair which Alexis now advanced. He was made a sub-librarian at the school of St Cyr, and ate his bread in faith; and he published his volume, but got nothing for all his toil. It was in a style so new, and on a subject so generally neglected, that it had a small circulation, though highly esteemed by all who had the power to appreciate the skill of the workman and the value of the work. Still he toiled on, for he had his son to provide for; and the boy was now grown up—a fine stately young man, reminding Alexis of his mother by the sweetness of his temper and the beauty of his features. There were other points of resemblance which he did not perceive. The youth was his father’s only companion, the father was the youth’s only friend; and great was the pride of Alexis when he was told that his comrade was in love, was loved, and was soon about to marry. A bright prospect for poor old Monteil! who saw a renewal of his own youth, and the tenderness of Annette, in the happiness of his son and the attentions of his daughter-in-law. The son was admitted as clerk of the historical archives of France, and his salary was enough for his wants. The audience, fit, though few, which approved of the father’s volumes, encouraged him to proceed. There was at last a prospect of a brilliant fame and a comfortable income. They could buy a small house at Fontainebleau; they would all live together: when children came, there would be new editions of the Fourteenth Century, to be a portion for the girl; the Fifteenth Century should educate the boy; the Sixteenth should go into a fund for saving; and the other centuries could surely be a provision for the author’s old age. Could anything be more delightful or more true? But young Monteil grew weak, no one knew why. He walked home in the rain one evening, and dried himself at the stove: he shivered as he stood before it, and then went to bed—and then was in a fever—and in three days he died!
“I lost him,” says Alexis, “on the 21st September 1833, at eleven o’clock at night. I closed his eyes. Oh, misery! Oh, my child!—my second self! Hearest thou the cries and sobs of the wretched being who was once thy father? Dost thou recognise the voice of the poor old man whom thou so lovedst—who loved thee so? Thou leavest him alone upon the earth, and his hair is now white, and his arms empty!”
And his house was empty, and his purse, but not his cup of suffering. Away went all his dreams of buying the little villa at Fontainebleau, with its garden and paddock, its cow-shed and hen-roost. A vault was now to be purchased, and Monteil had not the necessary sum. But was his son, the hope of his old age, the tenderest and most affectionate of children, to be committed to the common grave, tossed in without a name, without a headstone, without a flower above his head? No! he would beg, he would pray—he would implore as a favour that a little spot of earth should be given him to be the resting-place of his boy till he joined him in the tomb—together the loving two, in death as in life. He wrote to the prefecture of the Seine with his simple request; but not a clerk in all that establishment had heard of his book. He got no answer. Still he did not despair. He left the corpse for an hour—he walked to the prefect—he saw him, he said to him, bare-headed, broken-voiced, “Monsieur, I am Monteil;” but a look at the dignitary’s face showed him that there was no response to the announcement. “Perhaps,” he said, “you never heard my name?” And it was too true. He turned away, staggered blindly down the stair, with his hand before his eyes. And he saw his son cast carelessly, disdainfully, into the vast ditch—into which the penniless are thrown.
Amans Alexis Monteil wrote at his great work no more. Fortune so far smiled on him that he succeeded to a sum of £300. With this he bought a cottage at Cely, a pretty village near Fontainebleau, and lived on hermit’s fare. He wandered and mused in the Bois de Boulogne; he sat on the stone seats of the gardens of the Luxembourg; but he saw no one at home, visited no one abroad. He had ventured all the happiness of his life on two frail barks, and both had foundered. Annette and Alexis, both had gone, and why should he labour more? The villagers saluted him as he passed, out of respect to age and sorrow, and he repaid them after his kind. He traced up their genealogies—discovered for them where their ancestors had come from, and finished by composing a veritable History of the hamlet where he lived. The historian of the commons of France became also historian of Cely, and more—he became its benefactor and friend. Just before his death, he founded recompenses for good conduct. He consented to the sale of a certain portion of his domain, and with the interest of the money so raised he ordered medals of honour—silver, with an inscription—to be given annually to the man who should drain a marshy piece of ground—to him who should plant the finest vine round his cottage—to the best labourer—to the village crone or washerwoman who should amuse her circle of listeners with the most entertaining (and innocent) stories—and to the shepherd who should show the kindest treatment of his flock, remembering that all have the same Creator. And thus mindful of his poorer neighbours, and just and benevolent to the end, Amans Alexis Monteil closed his honourable life. His work has been twice crowned by the Institute of France; it is in its fourth edition; it has been eulogised by Guizot—it will be the delight of many generations. But what cares Amans Alexis for favour that comes so late? Sufficient for him is the neglected turf grave in the churchyard of Cely, with the short inscription of his name and the record of his seventy-five years of pain. “Requiescat in pace.”
The History of the French of Various Conditions extends over the five last centuries, and the plan of each century differs. The Fourteenth is painted in a series of letters, as we have said, from a certain Friar John, a Cordelier of Tours, to a brother of his rule residing at Toulouse. The character of the worthy letter-writer is charmingly sustained. Keen, cautious, observant, and yet with the simplicity natural to the inmate of a cloister, he gives a clear description to his friend of everything he sees, every conversation he hears, every place he visits. He enters the huts where poor men lie, and we learn the state of the labourer; he enters the dungeon, and reveals the secrets of the prison-house; he goes to the Fair of Montrichard, and we walk about among the booths. He gives the minutest details of the royal court—and, in short, manages to lift the reader completely back into the days of rich monasteries and private wars, and tournaments and duels. He has no antiquarian disquisitions or tiresome catalogues of furniture or dress; we rely on the faithfulness of the loquacious and gentlemanly Friar, and feel certain they are real letters written at the dates assigned. The fifteenth century is presented with the same marvellous freshness of detail, but without the individuality of the inimitable Friar John. It is a pity that excellent special correspondent did not turn out to be the Wandering Jew, and traverse all the centuries from first to last. We must suppose he died full of years and honours—let us hope, as head of some noble abbey—before the fifteenth century began. His place, however, is admirably supplied. We perceive a change taking place in the relations of the different classes of society, and the change is traceable in still stronger colours when, in the sixteenth century, we come to the impression produced by his visit to France on a clear-headed unprejudiced Spaniard. His glance is as penetrating, and his inquiries as minute, as those of Friar John and the other; but the same may be said of all the supposed observers. They are all mere secretaries of Monteil, and write the same pure idiomatic and characteristic style. The laughing eyes and scornful lips of the Cordelier of Tours, the Hermit of Cely, come out through all disguise; and the Spaniard of the sixteenth century, and “Memoirist” of the seventeenth, are only admirable continuers of the correspondence commenced between the priests. It will, therefore, be like mounting to the fountain-head if we go back to the fourteenth century, and read the account of Friar John’s visit to the great Castle of Montbason—a perfect representative of a feudal residence just before feudalism began to fall into decay. A dreadful event has happened in the chateau. While the Sire de Montbason is absent at the head of his vassals assisting the king, he left everything in charge of the grand huntsman. The grand huntsman, in pursuing a peasant who had offended him, knocks out his brains on the arch of a gateway, and is found dead on the road. The peasant, as if he had been guilty of murder, is immediately tied up to a gallows and hanged. During the preparations the wife and children of the wretched man stood at the foot of the wall crying “Mercy, mercy!” but the representatives of the grand huntsman are inexorable. The peasant swings off, and the cries of the widow and orphan ascend to Heaven for vengeance. The Curé of the parish hears of the transaction, and excommunicates the revengeful sons of the grand huntsman. The Sire de Montbason returns and compensates the peasant’s family, and founds a perpetual mass for the poor man’s soul. But nothing will do; noises are heard in the castle, furniture moves about, chains rattle; the house is haunted, and the spirits resist the exorcisms of the Curé, and kick up wilder confusion than ever. The Sire sends to the monastery of the Cordeliers at Tours, and Friar John is fixed upon by the prior. There could not have been a better choice. He goes and prays, and burns incense, and lights candles, and the supernatural noises are heard no more. He remains at the chateau an honoured guest, and the almoner even resigns to him the privilege of saying grace before and after meat. John is overwhelmed with the honour, but accepts the duty; and, we doubt not, was the pleasantest ghost-layer the Sire de Montbason had ever seen. His nineteenth letter to Friar Andrew is all about the house he is in:—
“Montbason is one of the finest chateaus in France. Fancy to yourself a superb position—a steep hill rugged with rocks, and indented with deep ravines and precipices. On the ascent is the castle. The little houses at its feet increase its apparent size. The Indre seems to retire respectfully from the walls, and forms a semicircle round its front. You should see it at sunrise, when its outside galleries glitter with the arms and accoutrements of the guard, and its towers are shining in the light. The gate, flanked with little towers, and surmounted by a lofty guard-house, is covered all over with heads of wolves and wild boars. Enter, and you have three enclosures, three ditches, three drawbridges to cross. You find yourself in the great quadrangle where the cisterns are placed, and on right and left the stables, the hen-roosts, the dovecots, the coach-houses. Underground are the cellars, the vaults, the prisons. Above are the living-rooms, and above them the magazines, the larders, the armoury. The roofs are surrounded with parapets and watch-towers. In the middle of the yard is the donjon, which contains the archives and the treasure. It has a deep ditch all round it, and cannot be approached except by a bridge, which is almost always raised. Though the walls, like those of the castle, are six feet thick, it has an external covering of solid hewn stone up to the half of its height.
“The castle has been lately repaired. There is something light and elegant about it which was wanting in the chateaus of old. You may well believe it is finished in the most modern style: great vaulted rooms with arched windows filled with painted glass; large halls paved in squares of different colours; handsome furniture of all kinds; solid stands with bas-reliefs, representing hell or purgatory; presses carved like church-windows; great caskets; immense leather trunks, mounted in iron; great red boxes; mirrors of glass, at least a foot in width, and some of metal of the same size; great sofas with arms, covered with tapestry and ornamented with fringes; benches with trellis-work backs; others, twenty feet long, with hanging covers, or stuffed cushions, embroidered with coats-of-arms. I must tell you, however, that the beds do not seem at all proportioned to the rank of the owner. They are not above ten or eleven feet wide; I have seen much larger in houses of less pretence. But as to the decoration of the apartments, nothing can be more sumptuous. There are show-rooms and chambers of state, which are named from the colour or subjects of the hangings with which they are covered. There are some where the great pillars that support the beams of the ceiling are ornamented with ribbons and flowers in tin. There are some where figures of life-size, painted on the walls, carry in their hands, or projecting from their mouths, scrolls on which texts are written, pleasant to read, and most excellent for the morals of the beholders.
“As to the mode of life, it is pleasant enough, except that we do not dine till nearly twelve o’clock, and never sup till after sunset—which appears to me a little too late. The day, in other respects, is agreeably varied. In the morning the courtyard is filled with squires, huntsmen, and pages, who make their horses go through their evolutions. Then they divide into parties, and defend and attack some staked-off piece of ground with amazing strength and activity, amid the applause of all the spectators. After dinner there is leaping at the bar, quoit-throwing, ninepins, and other games. In addition to all this we have the parrots and monkeys. We have also the old female jester of the late Sire de Montbason and the young fool of the present lord. He is so gay, and so full of tricks and nonsense, that in rainy days he is the life of the whole house.
“The almoner has charge of the evening’s entertainments. He has seen the world, and recounts agreeably; but, as he has never gone on pilgrimage, and has not lived either in convents or monasteries, he cannot give us above three stories in a night, for fear of repeating himself. But, fortunately, we have an ancient Commander of Rhodes, who has visited the Holy Land, and has travelled in the three parts of the world. He is an uncle of the Sire de Montbason. He relates his adventures delightfully. It is only a pity his bad health makes him go to bed so soon. Frequently, also, we have jugglers and vaulters; wandering musicians sometimes come, and we have concerts on the trumpet and flute and tambourine; harps and lutes, cymbals and rebecs. This very day we had a visit from a man who played on the viol, and never could get the strings in harmony. And no wonder; for it was found out that some of the chords were of the gut of a sheep, and others of the gut of a wolf. How could they agree? But he was paid as liberally as the rest.
“Life in these castles would be almost too happy if it were not mixed, like every other, with anxieties and alarms. Sometimes when we least expect it—in the middle of dinner or when we are sound asleep—the alarm-bell is rung. In a moment everything is astir—the bridges are raised—the portcullis falls, the gates are closed—everybody starts up from table or bed, and runs to the turrets, to the machicoulis, to the loopholes, to the barbicans. A few days ago I was witness to one of these “alertes,” and during the space of forty-eight hours nobody was allowed to close an eye but the almoner and me. Every one was kept to his post—but nothing came of it. It was a Vidame of the neighbourhood, who had thought that the Sire de Montbason was levying his retainers, and preparing to attack his chateau; and so, without sending letters of defiance, he had taken the field against us with three hundred men. There were parleyings and explanations on both sides, and everything was arranged. On this subject the Dowager-Lady of Montbason tells us that these private wars are not so frequent as they used to be. She remembers that, in the week of her marriage, there was such a fierce and long-continued attack upon the castle, that not a soul went to bed for eight days.”
This letter is dated the fifteenth day of February; and other experiences are recorded during almost every week of his five months’ residence in the chateau of Montbason. He describes the kitchens, the grates, the cooking apparatus, and all the feeding appliances required for the army which garrisons the castle. In a day or two he is summoned to visit a prisoner in the souterrain or cave, to which he descends, like a pitcher into a well, suspended by a rope; and, by the light of the lantern he carries, he recognises the wretched captive on his handful of straw, with the pan of water near him in which the untasted crust is soaked. He has been condemned to this wretched dungeon for neglect of certain duties; and what they are we learn from the eloquent pleading of Friar John, who intercedes for the unhappy man with the Sire de Montbason. “My lord,” he says, “I come to implore your pardon and compassion for one of your men. It is not true that he has refused to have his wheat ground at your mill, or his meat baked at your ovens; that he cut his hay or his crops, or gathered his grapes, before the publication of your ‘ban;’ that he had his ploughshare sharpened without obtaining your permission and paying you the fee. He can prove all this by a hundred witnesses. He can prove, also, that he has regularly laboured and reaped your lands, and always paid the rates and rent of his holding; that he has carried the wood and water and provisions up to the chateau; that he has never chased upon your grounds, and has always fed your dogs.” These, and many other denials urged by the good-hearted Friar, are nearly losing their effect by the opposition offered to his entreaties by the Commander of Rhodes. That sturdy old knight pertinaciously stands up for the rights of his order, and on all occasions is for the exercise of power. “To the gallows! to the gallows!” he cries; and points to that instrument of paternal government, which consists of two tall uprights before the window. But eloquence has its reward. “The Sire de Montbason,” says Friar John, “has pardoned his unfortunate retainer, and he is now in the midst of his children. That old Commander,” he adds, “his long exercise of authority sometimes makes him harsh, and turns his heart as hard as the steel that covers it.”
But a field-day is at hand, in the description of which there is condensed a whole history of a feudal baron’s relations with his tenants. It is the day when the Sire de Montbason holds his court baron, and a tremendous time it must have been for the holders of his fiefs.
“To-day the Sire de Montbason left the chateau, attended by all his suite. He was mounted on a white horse, with a hawk on his wrist, in robe of state, with armorial bearings on his coat, which was one-half red and the other blue. On arriving at the place called the ‘Stone Table,’ he took his seat. All his household, dressed in cloth liveries, ranged themselves behind his chair. A gentleman whose lands are held under Montbason presented himself bare-headed, without spur or sword, and knelt at the Sire de Montbason’s feet, who, having taken his hands in his, said to him, ‘You avow yourself my liegeman in right of your castle, and swear to me, on the faith of your body, that you will serve me as such against all who may live or die, except our lord the king.’ The gentleman having replied, ‘I swear,’ the Sire de Montbason kissed him on the mouth, and ordered the act of homage to be registered.
“There next came forward a gentleman of the neighbourhood and his son, who demanded the right of lower justice over the western half of their great hall, because on the eastern side their manorial rights extended a full league. The Sire de Montbason consented with a good grace to this abridgment of his fief. Scarcely had this gentleman and his son concluded their thanks for this favour, when another gentleman advanced, and said a few words in the Sire de Montbason’s ear, touching the ground with his knee several times while he spoke. ‘I consent,’ said the Sire de Montbason. ‘Since you find your residence too small, I permit you to build a stronghold, with curtains, turrets, and ditch; but no weathercock, no towers, and, above all, no donjon.’
“Meanwhile the Sire de Montbason beckoned a crowd of villagers to approach, who had stood respectfully at a distance, all loaded with provisions and goods of different kinds. Immediately the ground at his feet was covered with wheat, with birds, hams, butter, eggs, wax, honey, vegetables, fruits, cakes, bouquets of flowers, and chaplets of roses. They were instantly carried away by the people of the chateau, and several tenants came forward into the empty space, some making grimaces, and some going through strange contortions of body. Others came, some to kiss the bolt of the principal gate of the dominant fief, some to sing a ludicrous song, and some to have their ears and noses slightly pulled by the maître d’hôtel, who also bestowed a few smacks on the right and left cheeks. The Sire de Montbason ordered legal quittance to be given to all. The assembly then formed a circle round him, and the Sire de Montbason spoke. ‘My friends,’ he said, ‘I have received too much money of you this year, to my great regret; the forfeitures for thefts, quarrels, wounds, blows, and bad language, have never come to so much before. I have hitherto remitted the fines for improper conduct and indecency, but I will remit them no more. Ask Friar John if I can conscientiously do so.’ Everybody’s eyes were turned upon me at once; I made a sign of strong negation with a shake of my head. The Sire de Montbason went on. ‘I am very well satisfied with the way in which the statute-labour has been done, but there are still some suits of page’s livery not delivered; a good many boots are required for my people, and a still greater quantity, I hear, need to be mended.’ ‘My lord,’ replied a poor man named Simon, ‘the artisans of your lands, the tailors, shoemakers, and cobblers, have all worked the full week they owe you, and you cannot call upon us for more.’ ‘Ah! very well,’ said the Sire, and cried to a labourer he recognised far off in the crowd, ‘Come on, Jacques, I see you there; advance! I found the south door of my castle of Veigné in a very bad state. You know very well that, according to your tenure, your family is bound to keep it in repair; and besides it is as much your affair as mine, for if the enemy takes the field, as may very likely happen, what will be the use of your right to refuge in a stronghold, if its gates are bad?’ He next addressed a woman who stood near him. ‘Widow Martin, you keep poor guard in my castle of Sorigni. I am told you often sleep instead of watching. You don’t sleep when you have to come for the corn you receive, according to old agreements, for this very duty.’ He then spoke to the whole assembly again. ‘I have further to complain of you, that you are not active in taking arms when my trumpets make proclamation of war; and, moreover, that your weapons are not good. When I make an attack with fire and sword, you enter into arrangements with your friends and relations who occupy the lands of the lords I am at feud with. They are not so complaisant on my grounds, and that is the reason I have so often to build you new houses, or pay you compensation. I have to complain, also, that those who have heritages in other manors go and live on them. Methinks you are well enough treated here, to be content to keep the fire alive. You also let your lands lie fallow for more than three years. I have the right to cultivate them for my own use, and I will exercise it. I blame you further for refusing my purveyors credit for fifty days, as you are bound to do. My good friends, I am bound, indeed, to give you my favour and protection, but you are bound no less to show your affection for me.’
“The tenants now made way for the serfs, and I remarked more familiarity and kindness between them and the Sire de Montbason than I had seen with the others. To all their requests, he answered, ‘With pleasure—with great pleasure: what you lack in the house, you shall find in the castle.’ The Sire de Montbason retired. Scarcely had he gone, when there rushed in a man—fat, breathless, red-faced, with perspiration oozing at every pore. This was the courier of the manor, an office he inherited from his great-grandfather, who had been an active, strong-limbed man, and one of the swiftest runners of his time.” The plethoric Mercury came to render homage for his fief, and would not have had breath to utter his oath even if he had not been too late. The day concludes with the extraordinary performances of the villagers in clearing the moat of Montbason of frogs—a service they are bound to render when the voice of the animals hindered the inhabitants of the castle from repose.
How superior this method of giving a view of some of the peculiarities of feudalism is to the common dissertations we meet with, will be acknowledged by any one who prefers a chapter of Ivanhoe to an explanation by Ducange. We are tempted to make quotation from the conversations between the worthy Friar John and the Commander of Rhodes, in one of which the veteran soldier fights nobly in defence of the right of private war; and there are other incidents in which the two men are brought out with a freshness and individuality not at all to be expected in the lucubrations of the chief of the French Dryasdusts; but we must content ourselves with the last glimpse of knight-errantry. Ill fares it with a period when it can be truly said its days of chivalry are past. But chivalry was a thing and a principle, and knight-errantry a pretence. There is the same difference between them as between the quiet benevolent practice of a physician, and the noisy operations of a quack doctor at a fair. How, in the midst of all that ignorance, and that rough handling of sword and spear, arose the poetic idealisation of personal honour and respect for woman, it is impossible to say. The fact is all we can answer for, and the result. At first the ennobling pictures of unselfishness and courtesy and generosity were viewed by the portly baron, the rough, gruff old head-breaker on the dais, as they were meant to be viewed; namely, as altogether fictitious and imaginary representations of a state of manners which never had real existence. But the young squire his son, the long-haired maiden his daughter, who sat on the tabouret at his feet; the pages who stood open-mouthed behind his chair—were of a very different opinion. They believed in King Arthur, and in Amadis, and in Gualior, and in the peerless damosel who cheered him with such loving caress and such purity of heart; and, in the next generation, they resolved to form themselves on the model set before them in the achievements of these heroes and princesses. And if the state of their quarrels did not allow them to carry out all the refinements practised in those romances—if they were still forced to carry battle into their neighbour’s manor, and carry off their neighbour’s daughter, they did so “with a difference;” they doffed their plumed helmet when they received their vanquished enemy’s sword; they bent knee to ground when they locked the captive maiden into her bower. Chivalry was a recognised fact, and was at all events a standard by which to measure their actions, if not always a barrier against the actions themselves. But its truest merit is the effect it undoubtedly produced on the civilisation of Europe. It supplied the place of religion itself, when religion was either locked up entirely in an unknown tongue, or enveloped in manifold additions which concealed it like the cerements of an Egyptian mummy. The code of honour gradually exerted its sway where civil laws were ineffectual. There were virtues inculcated, and vices condemned by it, which criminal courts could neither reward nor punish. Truth, generosity, temperance, purity, defence of innocent weakness, resistance to strong injustice—these formed the true knights’ system of laws. The opposite evils were forbidden on pain of general censure. And the final effect has been this—that no nation which has not gone through the period of chivalry can give its true and full meaning to the great word “Gentleman.” India, China, Russia, never felt its force; they have, therefore, no civil freedom, no personal self-respect. A system which has given rise to all the gentlemen of Europe should never lightly be talked of; and Amans Alexis in his garret had as high an appreciation of gallant knight and fair ladie as if he had been present, when
and charmed young and old with the music of harp and song. But knight-errantry—a running to and fro in search of adventures!—a travelling attorney in pursuit of practice in the courts of Honour!—it scarcely needed the genius of Cervantes to bring this extravagance into ridicule; for even the commander of the fourteenth century, himself vowed to the protection of injured innocence, laughs at the pre-Quixotic absurdity as if he had had the knight of La Mancha before his eyes. A specimen of the genus even then was looked on as our naturalists would now look upon a dodo. “I must tell you a curious thing that lately occurred here. A knight-errant is not often seen nowadays, though the genus is not extinct. One came here and wound the horn which hangs before the great gate of the chateau. No trumpet having sounded in reply, as is the rule on these occasions, he turned his horse and rode away. The pages ran after him, and after many excuses for their want of skill on the trumpet, they persuaded him to come back. Meanwhile the ladies had dressed to receive him, and taken their places in state, holding embroidery-frames in their hands. The Lady of Montbason was attired in a robe stiffened with gold, which had been in the house for more than a century. The dowager covered her head with a fur cap according to the fashion of her youth, and loaded herself with ermine. The knight comes in along with his squire, both covered all over with dangling plates of brass, making as much noise as a mule when loaded with copper pots and pans ill packed. The knight having ordered his squire to take off his helmet, revealed a head nearly bald, and fringed with long white hair. His left eye was tied up with a piece of green cloth, of the same colour as his coat. He had made a vow, he said, not to see with his left eye, nor eat with the right side of his mouth, till he had accomplished his enterprise. The ladies offered him refreshment. He replied by throwing himself at their feet, and swearing eternal love to old and young, saying, that though his armour was of truest steel, it could not defend him against their arrows; that he should die of the wounds they inflicted—that he felt himself expiring—and a hundred other follies of the same kind. As he persisted in this style, particularly in his address to the lady of Montbason, whose hand he frequently kissed, I became impatient; the Commander perceived my annoyance. ‘Good!’ he said: ‘these old fools have their set words and phrases like a village lawyer. But keep your temper; perhaps he won’t stay the day.’ And in fact in a few hours he departed. Such are the ridiculous remains of that ancient chivalry which at one time ennobled humanity with so many virtues and so much glory.”
Poor old frivolous knight-errant! away he goes for ever out of human ken, with both eyes bandaged now, and all his enterprises accomplished; and, at the same time with him, dies off also another form of resistance to oppression, where the performer was of far humbler rank, and came in aid of justice in a much more legitimate way. There seems to have been no town in France of sufficient importance to have a court of civil or criminal process, which did not maintain a champion as one of the chief officers of its administration. The duty of this distinguished functionary was to supply any lack of evidence which might occur in the course of a trial; and as it was generally necessary to obtain the assistance of two witnesses in the conviction of a culprit, the champion watched over the cause, and when only one witness was producible, threw his sword into the scale which he believed to be just, and did battle with any one who would take up arms on behalf of the other side. All through the early centuries, the office of town or precinct champion was as well recognised, and considered as indispensable, as that of notary or judge. But some terrible things happened in the fifteenth century, which put the arbitrement of the sword into disrepute. Printing and gunpowder, when they came to maturity, were fatal to many a stout-armed gentleman, who had been installed in his honourable post of champion of the town, and had brought up his children with the honourable ambition of handling his sword and stepping into his shoes. How many Oxford coachmen and Cheltenham “whips,” in the same way, had to descend from the box, and turn their energies into other channels, on the first whistle of the railway engine!
It happened one day, says Alexis, in the first page of the second volume (which is equivalent to the middle or latter end of the fifteenth century), that a good many people were collected in the great chamber of the town-hall of Troyes, along with the mayor and bailiffs, when a curious question arose, as to which of all the trades and conditions were the worst. Everybody, as might be expected, laid claim to that bad eminence on behalf of his own. But at last it was arranged, that on that evening, and at their succeeding meetings, the question should be thoroughly gone into, and every man give some account of the evils he complained of, so that the company might decide after a full hearing of the evidence. On this hint the different personages speak. There is a beggar who paints a wretched picture of the state of his fraternity, even in those days of meritorious alms and food at the monastery gates.
“Who denies,” he cries, “that the beggar’s state is the most miserable of all?—who? Why, the bad Christians, the hard-hearted rich; and they are so plentiful now! How often have I heard it said in the days of my prosperity, that the poor were in the happiest state; that their revenues were secured on the charity of the public; and that they lived without care, with nothing to do but say their paternosters, and hold out their hands! Alas, alas! nobody thought of adding how often their hands remained empty—how often they had to submit in patience to the hunger of many days, to the cold of many months.”
Then come the farmer, the messenger, the comedian, and many more; but after the noble (for even he has discomforts to complain of), the tale is taken up by a person who is minutely described and introduced by the name of Vieuxbois.
Vieuxbois, who remembers the time when he was champion of the city, and believes that he is so still, though there is now neither champion nor lists, generally sits near the chimney. He is always dressed in an old suit of clothes, very tidy and clean, and always carries a long iron sword suspended by a sash of red silk. His face is so haggard and thin that it is nothing but bone. People call him more than a hundred years old, but he has the vanity of being thought young, and only confesses to ninety. This evening he rose from his chair, and having saluted the company several times with his sword, he resumed his chair, and thus began:—
“Gentlemen, you are all complaining of your callings, which proves, at least, that callings are still left you; but for us miserable champions—for us, the most miserable of you all—there is no calling left except in name. Oh! the long past, happy, blessed days of France! days, above all, of the fourteenth, thirteenth, twelfth centuries!—why can’t I prolong them into the present time! Then the sword of the champion was honoured—it decided where the judge was puzzled. Then the champion, the lists, the trumpet, the charge in every doubtful case: but now there is so much knowledge! there is so much learning! no more doubts—no more puzzled judges—and the champion’s occupation’s gone! But oh! little did my grandfather, the Champion of Chalons—he was hanged in that office—foresee this wretched time. Just before he was turned off, he summoned my father, who had fled from the scene in tears, and said, ‘Champion, my son, weep not: it does not become a champion to weep: the cause I supported was just. I die because I did not parry in carte. Study the carte, my son; it is the best of the thrusts: you must deliver it free—you must have your wrist well placed. My adversary made a movement—it was against all the rules—but it deceived me. Champion, my son, attend to your trade—it is a good one; and above all, I beseech you, do not neglect the carte.’ But the people became impatient, and cried out for his execution; they were enraged because he had undertaken the defence of a wretch whom they considered guilty; and disdaining to reason with his inferiors, my grandfather shrugged his shoulders two or three times in sign of contempt, and died like a true and noble champion.
“My father also was hanged. You are astonished, gentlemen; that is because you did not know the good old times, when, the moment a champion was vanquished, he was dragged from the lists, and hoisted on the gallows. After having been victorious a great number of times, he died at last, not from want of courage or address, but because he slipt. He died, recommending me always to wear sharp-headed nails in my shoes. I can declare that his fate was much regretted by the people, while the person for whom he fought, and who was going to be hanged along with him, had the bad taste to find fault with him in coarse insulting language. He was an advocate, and always an uncivil sort of man. My father was a man of fine manners and excellent temper. ‘Master Martean,’ he said, ‘neither you nor any of your craft are able to give me lessons in the management of my sword. I shall speak to you no more.’ He kept his word; the next moment they were run up. My mother brought me my father’s sword: and though it was at that time a little taller than myself, I managed to draw it from the sheath and swing it at arm’s-length. This was thought a good augury, and great expectations were entertained of me when I should be old enough to be champion. When I was twenty, my active life began. Two men of distinction, each above sixty years of age, had accused each other without sufficient proofs. The judicial duel was ordered, of course. A beautiful closed ring raised on the banks of the Marne was crowded on the following day with all the rank and fashion of Champagne—for such sights were already become rare. The combat was on the point of beginning. I was at the summit of felicity. My eyes flashed brighter than my arms. The party for whom the opposite champion was engaged, perhaps perceived this, for offers of accommodation were made, and the duel was at an end. The disappointment of the spectators was immense. The authorities feared an uproar, and to quiet the populace, it was proposed by the mayor and magistrates that I should marry the daughter of my adversary, and that a fête should be given in honour of the event. Her name was Championnette: she was beautiful as the day—she was just sixteen; and you may imagine I offered no opposition to the match. The wedding rejoicings commenced at once, and the enclosure where the combat was to have taken place, could scarcely contain the dancers. Next day there were joustings with sword and lance. The trumpets of the town-hall had never ceased their music, and at night there were bonfires and illuminations.”
After his marriage with Championnette, it was impossible for him to be the hostile champion to his father-in-law; and his travels in search of occupation take him through several districts in France. In all he finds the dignity of the office decaying, its privileges denied, and its income annihilated. He goes from place to place, but the scales of justice were now getting so evenly balanced that he seldom required the sword to adjust the weight. He comes, among other places, to Lyons. “What do you take us for?” says the bailiff. “Perhaps you think Lyons a Gothic town of the fourteenth century. Lyons is a polished city, enlightened and civilised, where everybody knows how to write. Nobody, therefore, can now deny his signature. Go rather to some out-of-the-way valley in the Jura or the Vosges. It is possible a champion may still be useful among the savages there.” It is impossible to describe the indignation of the gallant Vieuxbois on this insulting speech. However, he restrains his wrath, and passes on, but no better reception awaits him wherever he goes. At last there is a glimpse of prosperity and a chance of work when he gets to the valley of the Aspe, among the Pyrenees. The magistracy of that small republic receive him courteously, but even here he finds he comes too late. “‘We might have sent you,’ said the rulers of the republic, ‘into the valley of Lavedan, but it has no intention now of seeking a champion to resist our claims.’ ‘And why did the valley wish to fight you?’ I inquired. ‘It was because their little abbé, St Sevin, irritated against the valley of the Aspe, uttered his curse upon it. Whereupon every year we were visited with great storms and tempests, and sometimes for months the hail fell upon our republic, but we were miraculously avenged. The earth, and all the inhabitants, and all the cattle, great and small, were struck with sterility throughout the Lavedan. To get remission of this dreadful plague, they came and begged for mercy on the valley of the Aspe. Peace was made between the two valleys, and Lavedan was absolved from the sin of its old abbé. During the eighty years of this treaty, the conditions have several times been broken. Our republic demanded satisfaction. The valley of Lavedan wished to defend itself by a champion, but has not been able to find one. We therefore have no occasion for your services, but if a few acres of ground, a few sheep and oxen, a cottage such as you see——’
“Thanks, gentlemen of the republic of the Aspe,” says Vieuxbois, “my fathers were gentlemen, and lived by the sword. I am not yet so fallen as to maintain myself by flocks and herds.” But years pass on, and no doubt he looked back on the offers he had rejected with useless regret. Meanwhile his family becomes numerous, but they are victims of the advancing arts and sciences. One is a transcriber of manuscripts, and the press throws his pen out of work. Another illuminates old books, and engraving upsets his colours. Another is a maker of bows and arrows, and arbalists and other engines of war, but gunpowder and cannon unstring all his bows, and knock his ballistas in pieces. A grandson is sedulously educated for the profession of a fool; but as a profession it falls into disrepute, and the jester unlearns his quiddities, keeps his features at rest like other people, and starves as becomes a reasonable man. The only happy one of the family is another grandson, who is blessed with such a tremendous eruption on his face that he has got admission to a leprosy-house, where he is wonderfully fed and kindly treated. The eruption is not leprosy; but, in the alarming scarcity of real sufferers by that malady, the office-bearers of the houses of retreat, who derive great salaries for their posts (which they execute by deputy), are glad to accept a pensioner with so near a resemblance to the true disease; for what would they do if leprosy disappeared altogether? The story of the old champion comes to an end, and it is difficult to imagine that any of the other complainants can give a more wretched account of their position. But misery is, in fact, in that century, the characteristic of all conditions of life. As the ages move on, men get better; their places become more defined.—The remaining volumes of the work are occupied with the progress of the people, and their gradual elevation into civil consideration and political power. We may return to the same portrait-gallery for pictures of the innkeepers, the fishermen, the town-criers, the merchants, the nurses, the lawyers, and the artists of the different periods. They are all drawn from the life, and are warranted likenesses. But at present we have said enough.
BIOGRAPHY GONE MAD.
At certain intervals, ever since the days of Solomon, it has been found necessary, as a matter of sheer duty, to lift the voice of warning against that much study which wearies the flesh, and the making many books of which there is no end. It is now several years since a strong protest was raised in this Magazine against the too common and most reprehensible practice of raking among dead men’s ashes, and violating the confidences of the living, for no higher purpose than the gratification of biographic weakness and vulgar curiosity. Man is indeed, as Goethe has said, ever interesting to man, and no species of bookmaking finds readier excuses than biography. But man ought also to be sacred to man; and of all the injuries that can be inflicted on a dead man’s memory, none is more cruel than the act of the friendly ghoul who unnecessarily recalls him from the silence of the grave. Corruptio optimi est pessissima. Biography, well done, is one of the most instructive and interesting kinds of composition; ill done, it is about the worst. We call it ill done, either when a good subject is marred in the handling, or when the choice is an unworthy one. The number of men whose lives are worthy to be recorded for an ensample to mankind is really small. In saying so we are far from meaning to express a contemptuous opinion of human nature. Some of the best men that ever lived were those whose lives had fewest incidents, and offered the scantiest materials for the ingenuity of the bookmaker. Happy, it is said, is the nation whose annals are dull—happy also the man whose life escapes the chronicler, who passes at the end of his day’s work into the silent land, to enjoy “No biography, and the privilege of all the weary.”
A stupid biography of an interesting person is indeed a very lamentable thing; and not only so, but a grave injustice alike to the dead and to the living. Since the protest alluded to was uttered, there has been no lack of this sad work. The most conspicuous recent examples that occur to us are the Lives of Thomas Moore and of Lady Blessington. But though the life of a man of genius, served up in the form of hodge-podge, is rather a melancholy repast, there are biographic nuisances less tolerable still. The features of a Jupiter or an Apollo may be hard to recognise in the plaster of an incompetent dabbler; but if the model were really a noble one, something of the god will break through to edify the spectator. It is different, however, with the rude idol of the savage. The biography of a respectable mediocrity is, it may be safely said, among the least interesting or useful of literary performances. Minerva Press novels are bad enough (those who think the species is extinct are greatly mistaken); spasmodic poems are anything but enlivening; and numismatic treatises are not ambrosial fare; but against any of these we would back for true invincible unreadableness the Memoir and Remains, we will suppose, of the Rev. Jabez Jones, D.D., late pastor of Ramoth-Gilead Chapel, Battersea. We select our instance from the class of religious biographies, because it is by far the most numerous, and the most distinctly chargeable with the sin of bookmaking. Jabez, we have no doubt, was in his day and generation an excellent man, though given, as his Memoirs of course will amply testify, to unnecessary groaning. But why his life should have been written, is a mystery to be solved only by the astute publisher, who calculates on a sale of several hundred copies among the bereaved congregation of Ramoth-Gilead. The sorrowful biographer, whose name on the title-page plainly marks him as an eligible candidate for the degree of D.D., will inform us in a “sweet” preface that the materials of the present work were put into his hands, &c.; that, painfully conscious of his own inability, he had long, &c.; but that a perusal of the documents had so deeply impressed him with the importance of giving the world, &c.; that such as it is, in short, he commits it—and then is pretty certain to follow a piece of nauseous blasphemy as to the nature of the patronage to which the pious speculation is held entitled.[5] The number is perfectly sickening of bereaved husbands, sons, and fathers, who practise this strange alchemy on the penitential tears and devout breathings, the sick-bed utterances and dying ejaculations of sainted wives, mothers, and babes.
But bad as it is causelessly to exhume the poor victim of mortality in order to make him sit for his likeness, the posthumous method of biography is the natural and becoming one. Only when a man has finished his work, and escaped beyond the reach of human passions and cares, is it fitting to delineate his character and trace the story of his devious path through life. The practice of biographising living men, however, has now become very common. The publication of éloges used formerly to be reserved as a posthumous honour, but this generation is wiser, and writes the éloge while the subject of it can himself enjoy its perusal in the land of the living and the place of hope. One would think it a curious evidence of regard, independently of the question of delicacy, to adopt so suggestive a method of reminding a man that he is due to posterity. But tastes differ, and some men are not averse to the Charles V. method of trying on their shrouds, to see, as the old woman said, what “a bonnie corpse” they will make. With us in Britain this practice of spiritual vivisection, or ante-mortem inquests, has been confined for the most part to short sketches, pretentiously critical in general, and very seldom of any value. Fundamentally gossiping in its character, this school of literary sketchers (what may be called the Biographical Life Academy) has appealed mainly to the weak curiosity that hungers after any small scraps of information regarding the private life and habits of living notorieties. Such curiosity is no doubt extremely natural, but the men who have undertaken the function of gratifying it, have, as might be supposed, been distinguished by no qualities less than by discernment and good taste, correctness of outline being with them a small consideration compared to abundance and strength of colour. This vulgar species of authorship, the servants’-hall gossip of the literary family, has, we hope, seen its palmy days.
On the other side of the Atlantic, however, the business seems to flourish, like all other business, with great briskness. Our American friends, excellent people as they are in so many respects, have long been known to us as pre-eminent in the gossiping line; one of the chief characteristics of the Anglo-American race being intense curiosity—an admirable principle, as every one knows, when subordinate to a high end, a decided weakness when not. To say that the American people universally are influenced by the spirit of vulgar curiosity, would be as unjust as it would be to charge the whole British nation with foulness of taste because the Mysteries of London has found myriads of readers. But that the fashion has been exemplified very extensively by Americans of making the public familiar with the insides of private drawing-rooms, and telling the world how popular poets and historians handle a tea-pot or blow their noses, is a fact not to be denied. Among a people recognising, or professing to recognise, as the fundamental principle of government and society, the Irishman’s profound axiom, that “one man is as good as another—faith, and a great dale betther too!” it is not indeed surprising that in the sphere of literature, as well as in others, they should make more free with the characters and habits of private life than is by us old-fashioned Britons considered tasteful and becoming. Having now, however, passed their infancy, and in literature as well as in social development “progressed” towards manhood, it is high time that they should put away childish things. It has always grieved us to see citizens of the great Republic betray so weak-minded a delight in scrutinising the costume and domesticities of English aristocrats, or the private life and fixings of American democrats.
In the department of contemporary biography, it must be confessed our energetic cousins have fairly got the start of us. It seems, in fact, to have attained the rank of an “institution” among the other beautiful machinery of their political life. When Jullien visits the provinces, he heralds his coming by means of a set of fascinating portraits, which announce from every print and music shop window that the great Conductor is at hand. Somewhat similar, but more intellectual and elaborate, is the proceeding of the American “coming man.” No aspiring senator now thinks of trying for the Presidency without securing in good time the services of a competent biographer to relate the heroic story of his life, and make his transcendent merits known to all whom it may concern. Even a meditative Hawthorne turns his vision-weaving pen to such service, and considers it no way unworthy of his genius to polish off an electioneering biography of General Franklin Pierce. So deeply do politics mingle in the current of American life; so sweet to the aspiring statesman are the uses of biography!
But if the lives of politicians be written for the admiration of mankind and the good of the State, should the lives of the mightier men who make and unmake presidents and governments be esteemed less worthy of that honour? Assuredly not. At it then, ye diligent Yankee scribes, and hasten to convert into obsolete absurdity the oft-quoted line of the dull old fellow who sang—
Let it not henceforth be said, to the reproach of civilisation, that the world was ignorant during their lives of the birth and genealogy, the schoolboy adventures and manly freaks, the trials and the triumphs of such men as Horace Greeley and James Gordon Bennett. Be careful to inform us, ye veracious cinder-gatherers—for posterity will not pardon the omission—the length, breadth, and weight of these remarkable men,—their complete phrenological development (so far as the addition of abnormal bumps by hostile shillelahs can permit accuracy),—the kind of clothes they wear—the kind of pens they write with, whether quill, iron, or brass—the ink they use, whether common blue-black or sometimes black-and-blue, or perhaps a cunning distillation of ditch-water—the attitude in which they sit when discharging their thunder at the heads of kings and cabinets, or composing their delicate invectives at one another;—in short, let us have perfect daguerreotypes of these supremely interesting and estimable men.
Behold! the thing is done, the good work has actually been commenced. There, lying before us, in all the square-rigged ugliness of New York upgetting, are the first-fruits of this new field of biographic enterprise—the lives, in two stout volumes, of the “two noble kinsmen,” the two great Arcadians whose names we have above mentioned. Many of our readers, perhaps not grossly illiterate persons either, will look up and ask, Who are Horace Greeley and James Gordon Bennett? While duly pitying the limitation of culture implied in such a query, we cannot be too hard on these poor ignoramuses, as we must plead guilty to having been ourselves frequently staggered, in reading American books, by meeting names associated with those of Milton and Aristides, as utterly new to us as was, till recently, that of his Majesty Kamehameha III., Dei gratiâ king of the Sandwich Islands. These two men, then, let all such ignoramuses know, are the editors of two widely circulated New York papers—the two most widely circulated, we believe, of any in America.[6] What other claims they have to the honours of biography and the remembrance of posterity, we shall consider by-and-by. Meantime we have to say of the books that they are the most unique things in the way of biography, or indeed of literature, that have come in our way since America, about a year ago, furnished us with the autobiography of one of her smartest citizens. They are of very different character—as different as the men whose lives they profess to record—but in both the biographic muse appears in a state of decided inebriety, highly unbecoming the ancient dignity of her vocation. In the work of Mr Parton she is what is called half-seas over, unsteadily hilarious, and amusingly absurd, hiccuping out smart things now and then in a way that is irresistible, then suddenly looking grave and uttering sublimities that are still more outrageously laughable. In the anonymous companion-volume she is far gone towards mortal insensibility; she might be said, in fact, to be in delirium tremens, but that there is not a single flash of the wild energy that diversifies the symptoms of that shocking malady. It is pure dazed stupidity and double-vision from beginning to end. We have met nothing comparable to it in all our experience of biographies.
The sole ground on which these volumes claim any notice, contemptible as they both are (though not in equal degree) in matter and treatment, is that which gave some importance to the infamous revelations of Barnum. They are in some degree typical; their subjects at least are so in a very considerable degree—“representative men” of their kind, and so far important. A newspaper editor is in all civilised countries an important personage. We are not going here to enter on an elaborate consideration of the functions and influence of the press—so let nobody dread a homily. The subject has been often enough handled well and ill, and lately we have heard a good deal about it. We are nowadays rather given to flourishing about the “Fourth Estate.” There is a tendency towards cant on this as on all other interesting subjects. The Fourth Estate is a grand fact, but let those who have any pretensions to connection with it rather strive to keep it so than talk magniloquently about it. As for those who have not, let them take care that it does its duty, and does not go beyond it. Newspaper editors, we say, are important personages; but they are like other human beings, some of them eminent for intellect and virtue, many of them highly respectable for both, others of them dignified by neither. The anomalous and fluctuating conditions of newspaper life make it inevitable that men should sometimes attain high influence in virtue of connection with the press, whom neither nature nor education has eminently qualified for the guidance of their fellow-men. This applies, of course, peculiarly (though not exclusively) to America, where, on the admirable Irishman’s maxim above quoted, everybody is equally fit for everything—faith, and a great deal fitter too! where toll-keepers and publicans are colonels in the army, and the man who fails as a ratcatcher turns his hand to preaching, and, if that fail also, straightway sets up a newspaper. But though applying peculiarly to the American press, our statement is not exclusive of Britain. Journalism is becoming, indeed, with us more and more of a recognised profession—a profession, too, calling for special gifts and training—gifts and training, higher and more liberal, to those who think rightly of their vocation, than do any of the three hitherto exclusively entitled “learned.” The press is no more with us, if ever it has been, a kind of literary Diggings, where the outcasts and desperadoes, the halt, the maimed, and the blind, of every other calling, may find a precarious refuge and irregular adventurer-work, from forging of thunderbolts to winnowing of ash-buckets. But it is true, nevertheless, that the fundamental conditions of success in this career are compatible with a moral and intellectual standard by no means exalted. It is a common mistake, that high literary ability is the first requisite for editorial success. The fact is nearly the other way. The first requisite is knowledge of men, the second confidence, and the third perseverance. Let a man possess the concentrated gifts of a whole academy of belles lettres, and be deficient in shrewd practical discernment of what suits the public, he may pipe ever so melodiously, but he will get few subscribers to dance. Let him know, or imagine that he knows, ever so well what suits the public, if he have not a quick eye to see what other men are fit for, and how far they can be trusted to do his work, he may shut his shop and retire. Let him possess encyclopædic knowledge, and the readiest flow of winged words, but if he be not a man of hard-working, dogged persistence, he might as well sow the great Sahara as undertake to conduct a newspaper. A paper once fairly established may, indeed, conduct itself successfully, despite an unpractical and easy editor; for good machinery compels even inert matter into activity and order. But to rear a paper into vigorous existence amid a host of competitors—to make bricks without straw, and snatch the bread of victory out of the jaws of famine—the editor or conductor must be, in the first place, a man of business—it is of very subordinate importance that he be a man of letters. Hence it is sometimes objected, that newspapers, being in so many cases merely commercial speculations, must necessarily subordinate principle to profit. The objection is neither sound in logic, nor, in this country at least, true in fact. The manufacturer of shawls and blankets is not the less an honest man and estimable citizen because his primary object is not the good of the community but his own private advantage. His shawls and blankets are not the less excellent and indispensable because he converts them into pelf. If the shawl-manufacturer indeed become a power in the State, and begin to arrogate high virtue to himself for his services to the public, and to dictate laws in virtue of the prosperity of his business, it is reasonable that we should apply to him something analogous to the question, “Doth Job fear God for nought?” Applying this test to the press of our own country, we arrive, on the whole, at satisfactory conclusions. If we do not see so much as we could wish of a grave sense of responsibility, and a careful weighing of facts and motives, we know how much is due to the terrible exigencies of time. This we are assured of, that in no other profession or occupation is there more of manliness and fair play; in none other is the professional honour so untarnished by the contact of lucre; and, so far as chastity of sentiment and expression is concerned, “the freest press in Europe (Mr Macaulay might have said, in the world) is also the most prudish.” Occasional examples of recklessness and violence, of meanness and bad taste, invalidate in no wise the force of this general assertion. Newspaper editors and writers are, we repeat, human like others. To expect that they should in every case display faultless wisdom and virtue is a devout imagination, but an extremely vain and irrational one. As to the paltry £. S. D. considerations, we have, for our own part, often admired, as a striking example of the innate virtue of human nature, despite its depravity, the magnanimous zeal which sustains so many newspaper proprietors in the task of instructing the public at a very swinging loss to themselves!
The power of the press is greatly aided, as every one knows, by the mystery which shrouds the writer, merging all personality of the individual in the mysterious plurality of the organ through which he speaks. It is not John or Thomas that proclaims the danger of the nation, the incapacity of a Minister, the justice or injustice of a deed. It is an unknown voice, uttered out of darkness, and therefore formidable—the voice not of one, but of many, and therefore claiming respect. The voice of a Greek tragedian sounded through his mask more awful than it really was; and the majestic buskin raised a very ordinary figure to the kingly height of Agamemnon. The “we” of John or Thomas, through the speaking-trumpet of the Times, becomes a very different pronoun from the “I” of these gentlemen uttered through their individual windpipes. If any argument were necessary to prove that this formidable anonymousness is not only essential to the liberty of the press, but the true safeguard of its health and honesty, we might point for proof to the Press of those States, whether despotic or free, where it is not tolerated. In the United States, for example, there is almost as little anonymous writing as in Paris or Vienna. There is no statute on the subject, and no legal censorship exists, but the state of public feeling makes it almost impossible for a man to conceal his personality. The writer may not put his name to his articles, but if he does not, it is only because he finds it unnecessary. Is the press there more honest, more discreet, more tender of individual character than in Britain? No candid American will answer that question with an affirmative. The press of America is not the less formidable, not the more honest and scrupulous, that its principal writers are known or notorious men.
The character of the two nations is illustrated by some of their distinctive peculiarities in this respect. With us the tendency is to merge the individual in the body—with them the notion of liberty is associated with the clear recognition of individual independence. Here the newspaper editor is generally the invisible head of an association—there he is a right-well-known entity of flesh and blood, as cowhide and rattan applications have too often most strikingly demonstrated. There the journal is generally his, and his name figures conspicuously at the head of its columns—here he belongs more frequently to the journal, and, while wielding a great power in the community, his personal existence is a kind of myth, and his name may never have been heard by the great majority of his readers. The American editor, on the contrary, must make himself known, or he will not be listened to. All pugnacious republicans must have the means of knowing who it is that abuses them. The occupant of the White House must be made familiar with the name of the man who attacks or defends his policy, whose mouth may be silenced, or whose fidelity rewarded by a due share of the federal dollars. Let it not be imagined that any uncomplimentary remarks we make on the American press are intended to apply universally. So speaking, we should convict ourselves at once of ignorance and dishonesty. There are American newspapers and editors of high and unblemished character, as there are American politicians worthy of a better fate than to be kept waiting three months for the election of a Speaker. But of the American press generally the criticism still holds good, that, while boasting to be the freest in the world, it is in practical thraldom to an inextricably tangled system of democratic terrorism. Improvement there has been, we delight to think, within the last dozen years—so much so, that even papers which were the very offscourings of journalism, have become, in their European editions at least, fit for decent mortals to read. Out of a total of nearly three thousand papers, circulating among so mixed and changeful a population, it is little wonder, also, that there should be a large class of papers at which a cultivated man of any nation must look with contempt and sorrow. We know too well, from examples in our own colonies—as in India and Australia—how, in heterogeneous and young communities, where men of high talent and education seldom resort except in the established paths to success, newspapers are apt to fall into the hands either of government agents or of reckless adventurers, with the natural result, in the one case, of insolence and servility, in the other, of indecent violence and gossiping personality. That, therefore, in a country like the United States, where men of intelligence and enterprise are never at a loss for profitable occupation, the press should be left in a great measure to those who can get nothing better to do, need not surprise us; nor, as the necessary result, that its moral and intellectual standard should hitherto have been such as a civilised and educated nation would, if it were not too busy, and too jealous of foreign criticism, have viewed with consternation as a professed mirror of itself.
While willingly granting thus much, the painful fact remains, that the papers which have all along enjoyed the largest share of public countenance in the United States, are those whose conductors have most openly set at defiance every sentiment of justice, decency, and good taste. The mere circulation of a journal is not, indeed, a conclusive test of its importance as an organ of public opinion, but it clearly enough points out what way the taste of the majority lies, and in a land of universal suffrage it gauges exactly the amount of its political influence. Our Weekly Dispatch has perhaps twenty readers for the Spectator’s one, but the one reader probably has more power in the commonwealth than the twenty. In a commonwealth, on the other hand, where all men are equally good, a hundred thousand Barnums are as good as a thousand centuries of Washington—faith, and in American politics, “a great dale betther too!” Thus it is that the most widely circulated paper becomes the greatest power in the State, and a power to which, even while loathing it, presidents and politicians are forced to bow the knee. Unwilling as we are that Mr James Gordon Bennett should lose any of the benefit accruing to him from these remarks (which, of course, he will turn duly to account),[7] we have no hesitation in saying that they are intended to apply par excellence to the organ which, under his consummate management, has resolved one of the most singular problems of modern times. That problem may be stated thus: Given the minimum of literary ability, and the maximum of moral worthlessness—to educe out of their combination a machinery which shall control the political action of a Great Republic, and attain a leading place among the recognised mouthpieces of twenty million English-speaking freemen. There is a question of maxima and minima over which Dr Whewell might puzzle his knowing head till doomsday, if he omitted to take into his calculations an element or two of the plus description! What these elements are, we must, however, leave for after consideration. In the mean time we propose to treat our readers to a few of the biographic delicacies furnished by the considerate Mr J. Parton. We consider his volume in every way entitled to the precedence. It was the first published, and evidently suggested the rival performance. It has all the marks of honesty about it, and, compared with the Life of Bennett, is a perfect chef-d’œuvre of ability. Its subject, in like manner, if considerably removed from our idea of a hero or a gentleman, is, compared with the editor of the New York Herald, a very Bayard in chivalry, a Job in uprightness.
Mr Parton sets about his work in a very thorough-going manner. The industry with which he has raked together all the information that could possibly be gathered regarding not only Horace Greeley, but Horace’s ancestors to the third and fourth generation, is quite inconceivable; and his own ingenuous account of his preliminary labours is well calculated to awaken, if not the admiration, at least the astonishment of the reader. The style of procedure is exquisitely characteristic; and, as he himself phrases it, “the reader has a right to know the manner” thereof. Let us thank heaven that the promulgation of the recipe is not likely here to instigate imitation. First of all, the ingenious youth procures, “from various sources, a list of Mr Greeley’s early friends, partners, and relations; also a list of the places at which he had resided.” The young bloodhound! This done, “all those places I visited; with as many of those persons as I could find I conversed, and endeavoured to extract from them all that they knew of the early life of my hero.” From these veracious sources this high-minded young scribbler compiled the narrative of the great man’s early years, not disdaining even to accost drunken “old soakers” on the highway who might “hiccough out” a little tale about Greeley; and where he could not ferret out information on the spot, applying for it by letter. But this was a small portion of the self-imposed labour, which included a diligent inspection of the complete files of the “New Yorker, Log Cabin, Jeffersonian, American Laborer, Whig Almanac, and Tribune,” nearly every number of which, “more than five thousand in all,” he carefully examined. After such a course of reading, our wonder is, not that the biographic muse is slightly maudlin, but that she survived to put two sentences together!
We are treated to a preliminary sketch of the history of Londonderry (not omitting the siege), and the Scoto-Irish colony who thence emigrated to New England. To the hasty reader all this may seem highly unnecessary, but to those who are desirous deeply to penetrate into a “nature” so uncommon as that of Horace Greeley, it is supremely important, as we are told that “from his maternal ancestors he derived much that distinguishes him from men in general.” Another chapter is devoted to the paternal ancestors, regarding one of whom it is interesting to learn that he was a “cross old dog,” “as cunning as Lucifer,” and that he died at the age of sixty-five, with “all his teeth sound!” At length, at page 33, we come to the great fact of Horace’s birth. As has been the case with many great men, it was attended with some remarkable circumstances. To these our biographer does full justice. His account of the interesting scene is too fine to be omitted:—
“The mode of his entrance upon the stage of the world was, to say the least of it, unusual. The effort was almost too much for him, and, to use the language of one who was present, ‘he came into the world as black as a chimney.’ There was no sign of life. He uttered no cry; he made no motion; he did not breathe. But the little discolored stranger had articles to write, and was not permitted to escape his destiny. In this alarming crisis of his existence, a kind-hearted and experienced aunt came to his rescue, and by arts, which to kind-hearted and experienced aunts are well known, but of which the present chronicler remains in ignorance, the boy was brought to life. He soon began to breathe; then he began to blush; and by the time he had attained the age of twenty minutes, lay on his mother’s arm, a red and smiling infant.”
If the reader does not grant that to be one of the most graceful climaxes in biographic literature, we shall not write another word. Presuming on a general unanimity on this point, we proceed. The red and smiling infant in due time of course turned out a prodigy; “he took to learning with the promptitude and instinctive irrepressible love with which a duck is said to take to the water,” and was able to read “before he had learned to talk.” In spelling he soon became pre-eminent; and great marvels are recorded of his orthographic prowess. Unfortunately he was less distinguished by those virtues which we usually desiderate in boys. Though never afraid of ghosts, or overawed by superiority of rank or knowledge, he was eminently deficient in physical courage. “When attacked, he would neither fight nor run away, but ‘stand still and take it;’” the report of a gun “would almost throw him into convulsions.” Fishing and bee-hunting were the only sports he cared for, “but his love of fishing did not originate in what the Germans call the ‘sport impulse.’ Other boys fished for sport; Horace fished for fish.” Bee-hunting, again, “was profitable sport, and Horace liked it amazingly. His share of honey generally found its way to the store.” His passion for books was generally attributed to indolence, and it was often predicted that Horace would never “get on.” Superficial idea! Even in very early life, says Mr Parton complacently, he gave proof “that the Yankee element was strong within him. In the first place, he was always doing something; and in the second, he had always something to sell.”
Notwithstanding Horace’s remarkable cleverness, we are told that he was sometimes taken for an idiot—a stranger having once inquired, on his entering a “store” in a brown study, “what darn fool is that?” Even his own father declared that the boy would “never know more than enough to come in when it rains.” These pleasing anecdotes are given on the authority of a bibulous old wretch, whom the indefatigable Mr Parton encountered and cross-questioned on the highway. He was quite drunk at the time, but “as the tribute of a sot to the champion of the Maine Law, the old man’s harangue was highly interesting.” Mr Parton sets it down to the praise of his hero, that though brought up in the bosom of New England orthodoxy, “from the age of twelve he began to doubt,” and “from the age of fourteen he was known, wherever he lived, as the champion of Universalism.” Here the biographer indulges in what he considers appropriate reflections, and points out to his readers the valuable effects of youthful infidelity. “The boy,” he coolly observes, “seems to have shed his orthodoxy easily.”[8] Horace Greeley was in a fair way of training for his editorship.
The juvenile Universalist had long been ambitious of becoming a printer, and at last obtained a vacant apprenticeship in the office of Mr Amos Bliss, proprietor of the Northern Spectator. The great event is described with elaborate circumstantiality. The young “tow-head” proved a first-rate workman, and presently tried his hand at composition. “The injurious practice of writing ‘compositions,’” says his biographer, “was not among the exercises of any of the schools which he had attended.” Considering the general literary character of editorial writing in the United States, we are not surprised to find an American pronounce the early practice of composition injurious; the sentiment evidently is not peculiar to Mr Parton. Early attention to style might of course tend to weaken that native force in the use of epithets which apparently conduces so much to editorial success. Horace also joined a debating society, where he proved himself a perfect “giant.” His manners were entirely free from aristocratic taint, or any weak tendency to politeness. “He stood on no ceremony at the table; he fell to without waiting to be asked or helped, devoured everything right and left, stopped as suddenly as he had begun, and vanished instantly.” Again, “when any topic of interest was started at the table, he joined in it with the utmost confidence, and maintained his opinion against anybody.” He never went to tea-parties, never joined in an excursion, and “seldom went to church.” A most interesting young man, on the whole, was Horace Greeley.
At length the Northern Spectator broke down, and the apprentice was left to shift for himself. His departure is described in quite a choice Minerva-Press style. “It was a fine cool breezy morning in the month of June 1830; Nature had assumed those robes of brilliant green which she wears only in June, and welcomed the wanderer forth with that heavenly smile which plays upon her changeful countenance only when she is attired in her best. Deceptive smile!” &c. &c. Horace at length determined to try his fortune in New York, and with ten dollars in his pocket, a shabby suit on his back, and a small bundle on his stick, landed “at sunrise, on Friday the 18th of August 1831,” near the Battery. The biographer, as in duty bound, comes out strong, and Benjamin Franklin, with his penny roll, appears in the proper place to garnish the story. “The princes of the mind,” says he, waxing sublime, “always remain incog. till they come to the throne.” Poor Horace’s appearance “was all against him.” Certainly, if the vignette representation of the youth with which Mr Parton has adorned his volume conveys any adequate idea of his aspect that morning, the statement is emphatically true. The prince of the mind was incog. with a vengeance—a more calculating and skinny-looking young Yankee it would be difficult to imagine. To the portrait on the opposite page, of the adult Horace in his white greatcoat—bought from an Irish emigrant!—we must, however, give the palm as a thoroughly characteristic representation of a full-blown Yankee Wilkes-Bentham Socialist, Maine Law champion, Vegetarian, Spirit-rappist, and we don’t know what else. The following bit of information is important:—
“The gentleman to whose intercession Horace Greeley owed his first employment in New York, is now known to all the dentists in the Union as the leading member of a firm which manufactures annually twelve thousand artificial teeth. He has made a fortune, the reader will be glad to learn, and lives in a mansion up town.”
To the event which gave Horace his “First Lift” in the world, the biographer devotes a whole chapter. That event was the establishment of the first Penny Paper. The idea originated in the head of an unfortunate medical student afflicted by Providence with ready cash to the amount of fifteen hundred dollars. Horatio David Sheppard, unwisely neglecting his pestle and scalpel, took to dabbling in newspapers and magazines, and in due time found himself minus his dollars. Speculatively musing as he passed through Chatham Street, a great mart of penny wares, he was struck with the rapid sales effected by the energetic stall-keepers and itinerant venders of shoe-laces. Parting with an odd cent or penny seemed so natural and easy a proceeding that the offer of any article for that sum seemed irresistible. Might not a newspaper be produced at one cent with certain success? The idea, it must be admitted, was a happy one. As might have been expected, however, the proposal at first excited unbounded ridicule, and for eighteen months Dr Sheppard could not get “one man” to believe in its feasibility. At last, on New Year’s Day, 1833, appeared the Morning Post, published by “Greeley and Story,” price two cents. It lived only twenty-one days, dying from pure want of funds. The idea was soon after successfully realised by other speculators, and in a few years the penny press was able to take society by the throat. Its first reception is thus described:—
“When the respectable New Yorker first saw a penny paper, he gazed at it (I saw him) with a feeling similar to that with which an ill-natured man may be supposed to regard General Tom Thumb, a feeling of mingled curiosity and contempt; he put the ridiculous little thing into his waistcoat pocket to carry home for the amusement of his family; and he wondered what nonsense would be perpetrated next.”
If such was the reception of the cheap press among the go-ahead New Yorkers, it need not surprise us that in our own steady-going community it should have been still less favourable. The experience of the last few months, however, has pretty well demonstrated the absurdity of the principal objections. The anticipated peril to the health of society has, as every believer in the national good sense well knew, proved a chimera. British intellect and morals fortunately are not dependent on taxes and high price; and the gradual removal of all restrictions on the freedom of the press has only shown more signally that this people needs no legal bridling to keep on the path of decency and order. The number of cheap papers has indeed proved much smaller than was anticipated, few people seeming to have been aware how much energy and capital are required for the establishment of a paying penny paper—a fact which was alone sufficient to answer the fears of those who looked in June 1855 for the coming of the Deluge. In New York the case unfortunately was far otherwise. The Father of the American Penny Press, if to any one man that title is due, must be regarded as having treated his country in a way the reverse of what St Patrick did for Ireland—as a male Pandora, in fact, who opened the lid that shut in a countless brood of very hideous creatures. The thing will end well, we hope, as we hope for a millennium; and improvement, as we have admitted, there already is. But that the birth of the cheap press in America was followed by a deluge of quackery, virulence, and indecency which has not yet entirely subsided, is a fact written in disgraceful characters on pages innumerable, and legible on the skins of men now living, had they not been tougher than bison’s hide. That such should have been the result of cheapening the favourite stimulant of the American rabble was perfectly inevitable, and that the new development of journalism was accompanied by marked features of superiority is undeniable. The increase of violence and slander was itself a point of superiority in the eyes of the vulgar herd,—for coarseness passed for strength, and scurrility for smartness, the American’s “darling attribute.” But, among a people of intense activity and inquisitiveness, the increased energy in the procuring of news (whether true or false) must be looked upon as the chief cause of the immense popularity attained in so few years by the principal American journals. To this source, rather than to any general predilection for the vile and malicious, would we seek to attribute the extraordinary success of papers in which libel and indecency constituted a regular stock in trade. This is certainly no excuse for the patronage so bestowed, but it at least helps to explain it in a way not utterly destructive of our respect for a whole community.
And now, to return to our Horace. Of his dignified manners towards his workmen the following may suffice as an example. It is interesting, moreover, as showing that the extraordinary voracity of his early years had given place to utter indifference to considerations so low as the eating of dinner:—
“There was not even the show or pretence of discipline in the office. One of the journeymen made an outrageous caricature of his employer, and showed it to him one day as he came from dinner. ‘Who’s that?’ asked the man. ‘That’s me,’ said the master, with a smile, and passed into his work: The men made a point of appearing to differ in opinion from him on every subject, because they liked to hear him talk; and, one day, after a long debate, he exclaimed, ‘Why, men, if I were to say that that black man there was black, you’d all swear he was white.’ He worked with all his former intensity and absorption. Often such conversations as these took place in the office about the middle of the day:—
“(H. G., looking up from his work)—Jonas, have I been to dinner?
“(Mr Winchester)—You ought to know best. I don’t know.
“(H. G.)—John, have I been to dinner?
“(John)—I believe not. Has he, Tom?
“To which Tom would reply ‘no,’ or ‘yes,’ according to his own recollection or John’s wink; and if the office generally concurred in Tom’s decision, Horace would either go to dinner or resume his work, in unsuspecting accordance therewith.”
With that interesting proneness to heresy of all kinds which distinguishes Mr Greeley, he soon after adopted the semi-vegetarian principles of a certain Rev. Dr Graham, who, says the biographer, “was a discoverer of the facts, that most of us are sick, and that none of us need be; that disease is impious and disgraceful, the result in almost every instance of folly or crime.” The italics are Mr Parton’s, whose digestion, it is to be hoped, is unexceptionable.
At length, early in 1834, Horace, with two partners, started the New Yorker, a weekly paper, “incomparably the best of its kind that had ever been published in this country;” so good, in fact, that after seven years of hard struggle it gave up the ghost. We would rather believe that its want of success was due to the incompetency of its management; but if the editor was in the habit of uttering such unpalatable truths as is contained in the following specimen, we are afraid it must be conceded with the biographer that the New Yorker was not half enough spicy, or fawning:—
“The great pervading evil of our social condition is the worship and the bigotry of Opinion. While the theory of our political institutions asserts or implies the absolute freedom of the human mind—the right not only of free thought and discussion, but of the most unrestrained action thereon within the wide boundaries prescribed by the laws of the land, yet the practical commentary upon this noble text is as discordant as imagination can conceive. Beneath the thin veil of a democracy more free than that of Athens in her glory, we cloak a despotism more pernicious and revolting than that of Turkey or China. It is the despotism of Opinion.”
The New Yorker having never, during its whole term of existence, reached the paying point, the poor editor was obliged to keep the pot boiling by other means. In 1838 he undertook the sole charge of the Jeffersonian, a paper of a class peculiar to America, and denominated “Campaign Papers.” The noble purpose of the Jeffersonian is thus described by Greeley himself: “It was established on the impulse of the Whig tornado of 1837, to secure a like result in 1838, so as to give the Whig party a Governor, Lieutenant-governor, Senate, Assembly, United States Senator, Congressmen, and all the vast executive patronage of the State, then amounting to millions of dollars a year.”
The Jeffersonian existed only one year, having served its end. The labours of the editor were enormous; “no one but a Greeley” could have endured it all. In 1840 he started another “Campaign Paper,” in the interest of General Harrison. The absorption of the editorial mind during this exciting season is illustrated by another of those graceful anecdotes, in which our biographer delights—relating how Mr Greeley arrives late at a political tea-party (Sunday evening), and straightway plunges into a conversation on the currency; how the worthy landlady asks him in vain to take tea; how she begs him to “try a cruller anyhow,” and is rudely repulsed; how she places a large basket of these unknown delicacies on his knees, and he mechanically devours every morsel; how, fearing the consequences, she substitutes for the “cruller” basket a great heap of cheese; how the remarkable boa-constrictor gobbles it all up; and how, finally, he was none the worse of it all. “Anecdotes,” says Mr P., are “precious for biographical purposes.”
The Log Cabin had a circulation of from 80,000 to 90,000, and yet such was the easy virtue of the subscribers that the proprietor made nothing by it, and the last number contained a moving appeal “to the friends who owe us.” Such, also, is political gratitude, that Mr Greeley did not even receive the offer of an office in acknowledgment of his valuable services, at which his biographer is duly disgusted. He adds the following significant anecdote:—
“Mr Fry (W. H.) made a speech one evening at a political meeting in Philadelphia. The next morning a committee waited upon him to know for what office he intended to become an applicant. ‘Office?’ said the astonished composer—no office.’ ‘Why, then,’ said the committee, ‘what the h—ll did you speak last night for?’ Mr Greeley had not even the honour of a visit from a committee of this kind.”
Mr Greeley at length ventured on the bold experiment of starting a new daily paper. There were already eleven in New York; but a cheap Whig paper[9] was wanted, and accordingly, on the 10th April 1841, appeared the New York Tribune, price one cent. It began with only six hundred subscribers, and encountered much opposition, but was “from its inception very successful.” The Tribune, says Mr Parton, was “a live paper,” and it prospered by opposition. “Fight was the word with it from the start—Fight has been the word ever since—Fight is the word this day.” One thing was wanting to success—an efficient business-partner. Such a man was found in the person of Mr Thomas M‘Elrath. The biographer shouts and rubs his hands with ecstasy at such a combination of excellence as was now realised. Hear him:
“Roll Horace Greeley and Thomas M‘Elrath into one, and the result would be, a very respectable approximation to a Perfect Man. The Two, united in partnership, have been able to produce a very respectable approximation to a perfect newspaper. As Damon and Pythias are the types of perfect friendship, so may Greeley and M‘Elrath be of a perfect partnership; and one may say, with a sigh at the many discordant unions the world presents, Oh! that every Greeley could find his M‘Elrath! and blessed is the M‘Elrath that finds his Greeley!”
And woe to the Greeley that finds his Parton!
For a complete history of this respectable approximation to perfection, says Mr Parton, “ten octavo volumes would be required, and most interesting volumes they would be.” Mr Parton gives us instead the small dose of “over” 200 octavo pages, and we are bound to say that it is at least 190 too many. In these weary sheets the curious will find a full account of Mr Greeley’s exertions in defence of Fourierism, Whiggism, Teetotalism, Anti-Slavery, Woman’s Rights, and Irish Rebellion, his libels on Fenimore Cooper, his motions in Congress, his lectures, his European travels, his personal appearance, his private habits, &c. &c.
“For Irish Repeal,” among other good causes, the Tribune “fought like a tiger,” the magnanimous editor accepting a place in the Directory of the Friends of Ireland, “to the funds of which he contributed liberally.” Mr Greeley is not a warlike man, as his boyish experiences have indicated, but incendiarism and bloodshed in British territory are things for which he willingly sacrifices a few dollars. Our readers are aware that the publication of the wildest fictions, pleasantly denominated “hoaxes,” constitutes an attractive element in American journalism. In August 1848, New York red-republicanism was “on the tiptoe of expectation for important news of the Irish rebellion.” The fortunate Tribune obtained exclusive intelligence, and hastened to publish, “with due glorification,” a flaming account of the great battle of Slievenamon (afterwards known as “Slievegammon,”) in which 6000 British troops were killed and wounded. “For a day or two the Irish and the friends of Ireland exulted; but when the truth became known, their note was sadly changed.” The editor, we learn, was absent at the time, but there is no doubt he would have exulted as much as any man to hear of the “stench” of a three-mile shambles of British soldiers. His tone on the subject of the Russian war has betrayed no weak sympathy with the Western combatants; and doubtless he takes a brotherly interest in the insane and detestable conspiracies now or lately hatching among the unhappy exiles of Erin.
In November of that year, Mr Greeley was elected to a seat in Congress, by a machinery the corruption of which is testified by no less a person than himself. He was very active as a member, and soon made himself prominently obnoxious by exposing various legislative jobs. Some of the lively scenes that occurred are described at immense length. Mr Parton draws no flattering conclusion from the reception of his hero in the House of Representatives. Let our American friends console themselves with the assurance that his testimony is not decisive.
“An honest man in the House of Representatives of the United States seemed to be a foreign element, a fly in its cup, an ingredient that would not mix, a novelty that disturbed its peace. It struggled hard to find a pretext for the expulsion of the offensive person; but not finding one, the next best thing was to endeavour to show the country that Horace Greeley was, after all, no better than members of Congress generally.”
In 1849, the Tribune, with its habitual predilection for the fanatical and revolutionary, or, as Mr Parton loftily phrases the thing, “true to its instinct of giving hospitality to every new or revived idea,” devoted large space to the promulgation of Proudhon’s delightful ideas on the subject of Property. Among other things also, says our chronicler, it began a rejoinder to the Evening Post in the following spirited manner,—the only specimen we choose to quote of Mr Greeley’s vituperative abilities:—
“You lie, villain! wilfully, wickedly, basely lie!”
This observation, placidly remarks the historian, “called forth much remark at the time.” The person to whom it was addressed was William Cullen Bryant. With the same instinctive hospitality towards every form of delusion, the Tribune opened its accommodating columns to the Spirit-Rappers, who, notwithstanding a few hundred cases of insanity and other small evils, have, in Mr Parton’s opinion, done much good. About the same time it took up the Woman’s Rights humbug, acknowledging that the ladies are perhaps unwise in making the demand, but maintaining that no sincere republican can give any adequate reason for refusing them “an equal participation with men in political rights.” A whole chapter is devoted to Mr Greeley’s platform exhibitions, which it seems are very frequent and edifying—Horace having, as Mr Parton tells us, a benevolent appreciation of the delight it gives “to see the man whose writings have charmed and moved and formed us.” Not only does he lecture as often as possible, but
“At public meetings and public dinners Mr Greeley is a frequent speaker. His name usually comes at the end of the report, introduced with ‘Horace Greeley being loudly called for, made a few remarks to the following purport.’ The call is never declined; nor does he ever speak without saying something; and when he has said it, he resumes his seat.”
The remarkable man!
In 1851, Horace went to see the World’s Fair in Hyde Park. No foolish curiosity or sentimentality instigated the philosophic editor; his main object, as announced (the American editor keeps his readers regularly informed on all his movements) in the Tribune, being to inspect “the improvements recently made, or now being made, in the modes of dressing flax and hemp, and preparing them to be spun and woven by steam or water power.”
The departure and passage are carefully described; Mr Parton having apparently paid a steward to note, watch in hand, all the phenomena of Horace’s sea-sickness. Nothing that he saw in this effete country seems to have in the least impressed his great mind. The royal procession would have faded before “a parade of the New York Firemen or Odd Fellows.” The Queen he patronisingly noticed, and was even “glad to see,” though “he could not but feel that her vocation was behind the intelligence of the age, and likely to go out of fashion at no distant day;” but not, poor thing! “through her fault.” The posts of honour nearest her person should have been confided, he thought, to “the descendants of Watt and Arkwright;” the foreign ambassadors should have been “the sons of Fitch, Fulton, Whitney, Daguerre, and Morse,” &c. &c. Hampton Court he thought “larger than the Astor House, but less lofty, and containing fewer rooms.” Westminster Abbey was “a mere barbaric profusion of lofty ceilings, stained windows, carving, graining, and all manner of contrivances for absorbing labour and money;” less adapted for public worship “than a fifty thousand dollar church in New York.” He gives credit to the English for many good qualities, but thinks them “a most un-ideal people,”—he, the romantic Greeley! “He liked the amiable women of England, so excellent at the fireside, so tame in the drawing-room; but he doubts whether they could so much as comprehend the ideas which underlie the woman’s rights movement.” (The amiable women of England may well console themselves under a doubt so complimentary to their common sense.) In Paris the great man was apparently in better humour, devoting two days to the Louvre—a wonderful fact. His great political sagacity shines forth in his estimate of French affairs in June 1851. France he found as “tranquil and prosperous as England herself;” as for fear from Louis Napoleon, he “marvels at the obliquity of vision whereby any one is enabled, standing in this metropolis, to anticipate the subversion of the Republic.” In Italy his first remark was, that he had never seen a region so much in want of “a few subsoil ploughs.” Edinburgh, it seems, was honoured, before his return to New York, by a visit from this great unknown; and we are proud to learn that it “surpassed his expectations.”
“In the composition of this work,” says our judicious biographer, “I have, as a rule, abstained from the impertinence of panegyric.” When, therefore, he tells us that the rolling together of Greeley and M‘Elrath, after the manner of a dumpling, would result in something like perfection; that Greeley is “too much in earnest to be a perfect editor;” that “he is a Born Legislator,” and “could save a nation, but never learn to tie a cravat;” that he is “New York’s most distinguished citizen, the Country’s most influential man,” and editor of the best paper in existence; that, in short, he is “the Franklin of this generation—Franklin liberalised and enlightened,”—we are to take these statements as the sober expression of bare hard fact; and the reader is left to conclude from them how much might have been said by a more partial and weak-minded biographer—his imagination is left to fill up the outline of a Greeley’s perfections!
But does the reader wish to see the man himself—to know his height and weight, not metaphorically, but actually, in British feet and inches, and in pounds avoirdupois? So pleasant and laudable a desire the amiable Parton is far from disappointing; for does not the great man say that “there’s no use in any man’s writing a biography unless he can tell what no one else can tell.” Here, then, reader, you have it, what no one else assuredly could, would, or should dream of telling you but the inimitable, the unapproachable Parton:—
“Horace Greeley stands five feet ten and a half inches, in his stockings. He weighs one hundred and forty-five pounds. Since his return from Europe in 1851, he has increased in weight, and promises to attain, in due time, something of the dignity which belongs to amplitude of person. He stoops considerably, not from age, but from a constitutional pliancy of the back-bone, aided by his early habit of incessant reading. In walking, he swings or sways from side to side. Seen from behind, he looks, as he walks with head depressed, bended back, and swaying gait, like an old man; an illusion which is heightened if a stray lock of white hair escapes from under his hat. But the expression of his face is singularly and engagingly youthful. His complexion is extremely fair, and a smile plays ever upon his countenance. His head, measured round the organs of Individuality and Philoprogenitiveness, is twenty-three and a half inches in circumference, which is considerably larger than the average. His forehead is round and full, and rises into a high and ample dome. The hair is white, inclining to red at the ends, and thinly scattered over the head. Seated in company, with his hat off, he looks not unlike the ‘Philosopher’ he is often called; no one could take him for a common man.”
Now, then, reader, if you do not give us credit for introducing you to the acme of modern biography, we pronounce you the most ungrateful and least discriminating of human beings. “If Horace Greeley were a flower,” says J. P., “botanists would call him single, and examine him with interest.” “He is what the Germans sometimes style ‘a nature.’” And if J. P. also were a flower, botanists would inevitably pronounce him “a tulip.” He is what in Scotland we sometimes call “a natural”—otherwise known as “a halfling;” or, in vernacular English, a born fool. Horace Greeley is not, to our mind, a person very agreeable or very venerable; but intensely as we dislike his bad qualities, and those of his paper (in some respects a good one—very attentive, in its own peculiar way, to literature, and excellently printed[10]), his dreary fanaticism and vulgarity, his bigoted Yankeeism, his strong anti-British feeling—much as we dislike all this, we do not like to see him made absolutely ridiculous, had he no other good quality than the pleasure he takes in farming. We are not surprised, however, to learn that he has few friends, “and no cronies.” His biographer, at least, is not among the former; for any man would accept his chance against a Kentucky rifle sooner than a biography at the hands of Mr J. Parton. There is this comfort, at least, that Horace Greeley “has no pleasures, so called, and suffers little pain,” otherwise, we imagine, the admiring scribbler would not, with such inconceivable indelicacy, have opened the doors of his closet, and exhibited him in puris naturalibus to the gaze of the world.
Turn we now to the veracious record of the Life and Adventures of the Jack Ketch of editors, the redoubtable and happily unparalleled James Gordon Bennett, with whom, for several reasons, we must be brief. The author has of course sought no counsel from “Mr Bennett, nor any one connected with him.” The work is a pure labour of love, “a spontaneous act of literary justice” to the character of a noble and much maligned man. The former statement we perfectly believe, as we imagine the consultation would naturally proceed from and not to the subject of the memoir. As to the spontaneity, there can be little doubt that the work was prompted by the dumpy and infatuated volume of which we have attempted faintly to shadow forth the beauties,—as to “justice,” no man is more dreadfully in earnest for justice than when he defends himself. The motto prefixed from Dr Johnson is admirable: “History, which draws a portrait of living manners, may perhaps be made of greater use than the solemnities of professed morality, and convey the knowledge of vice and virtue with more efficacy than axioms and definitions.” Which being applied to the present case, may be interpreted to signify that the life of a notorious blackguard is more eloquent than a sermon of Dr Blair, and conveys the knowledge of virtue, through the exhibition of its contrary, with more impressiveness than all the proverbs of Solomon! In this sense the Life of Mr James Gordon Bennett might, in faithful and competent hands, do as much good as the Newgate Calendar, or Defoe’s Autobiography of an Unfortunate Female,—it might carry along with it, as this preface says, “not a few valuable lessons.” Unhappily, however, the genius of this biographer is utterly unequal to the subject, and instead of a lifelike and instructive portraiture, he has produced a senseless and incredible daub. More speaking by far is the portrait which fronts the title-page. It represents in sharp outline the face of a hard-headed, heavy-browed, obstinate man; vulpine sagacity in the wrinkles of the mouth and the corners of the eyes; long upper-lip and heavy under-jaw, and bold vulturine nose seeming to scent carrion from afar. The eyes are upturned in sculptured lifelessness—in artistic justice, we presume, to that unfortunate ophthalmic defect known as a diabolical squint. The portrait, we say, is better than the book, and tells, though probably a flattering likeness, a clearer and more honest story.
“Is it not,” inquired Mr Dickens in New York, “a very disgraceful circumstance that such a man as So-and-so should be acquiring a large property by the most infamous and odious means, and, notwithstanding all the crimes of which he has been guilty, should be tolerated and abetted by your citizens? He is a public nuisance, is he not?—Yes, sir. A convicted liar?—Yes, sir. He has been kicked, and cuffed, and caned?—Yes, sir. And he is utterly dishonourable, debased, and profligate?—Yes, sir. In the name of wonder, then, what is his merit?—Well, sir, he is a smart man!” Such is the satisfactory solution of the problem to which we have already alluded, the solution of the Barnum phenomenon, and with it of all analogous phenomena. Similar is the testimony of the smart young man whom we have just parted with. “Every race,” he says, “has its own ideas respecting what is best in the character of a man.... When a Yankee would bestow his most special commendation upon another, he says, ‘That is a man, sir, who generally succeeds in what he undertakes.’” Let no delicate and high-minded person, therefore, be astonished that such a man as James Gordon Bennett, whom the respectability of New York has for twenty years loathingly patronised, should have attained a commanding position among the spiritual powers of the American Republic. He is a man of undeniable “smartness”—not in our sense, indeed, for we have never seen a line of his composition that exhibited anything above what could be called third-rate mediocrity of thought and style, but in the sense of keen appreciation of means and ends, audacious scheming, impenetrability to shame, and invincible endurance of chastisement. His inflictions in this respect, both moral and physical, he has uniformly turned to the best account: in a sense different from that of the Psalmist, he can say that it was good for him to be afflicted. No man probably ever made more dollars by the proclamation of his own disgrace. A mere catalogue of the horse-whippings he has undergone during his long career of inglory, would astonish the nerves of our readers.[11] Each new infliction has been prominently blazoned in the columns of the Herald, and the attractive words “Cow-hided Again!!!” have been duly followed by a rush of buyers and a cheering flow of cents into the pockets of the complacent victim! On this subject his own testimony and that of his biographer are singularly frank and decided:—
“Since I knew myself, all the real approbation I sought for was my own. If my conscience was satisfied on the score of morals, and my ambition on the matter of talent, I always felt easy. On this principle I have acted from my youth up, and on this principle I mean to die. Nothing can disturb my equanimity. I know myself—so does the Almighty. Is not that enough?”
“This,” says the biographer, “is not the language and spirit of a common mind. It is the essence of a philosophy which has not deserted a man who has never failed to republish every slander against himself, and who has been conscious always that calumnies cannot outlive and overshadow truth.”
A man whose conscience seems never to have given him much trouble, and whose ambition has been satisfied with the acquisition of wealth and political power, may well feel easy under the whips and scorns of a whole universe! This is assuredly, and we rejoice to think so, not the language and spirit of the majority of mankind. Those only despise the approbation of their fellows who have shaken off the attributes of humanity, and accept the reverse of the proverb, that “a good name is rather to be chosen than great riches.” The impious allusion to the Almighty is worthy of a Couthon or a Marat.[12]
The success of such a journal as the New York Herald is an undeniable blot on the community on whose follies and vices it battened into prosperity. The damning fact cannot be denied, that it was not in spite but on account of their scandalous character that such journals first attracted public attention and secured a hearing. While, therefore, we diminish not a jot our abhorrence of the men who reared these monuments of their own infamy, we are bound to regard them as but the concentrated type of the character that pervaded their constituency. If the New York Herald was unprincipled and obscene, the readers of the New York Herald must have shared in these qualities. Its conductor may have been a scoundrel, but he certainly was no fool; he fed his readers with such food as suited their taste. Had that taste been purer, he was knowing enough to have provided cleaner fare: in a grave and religious community he would probably have preached with unctuous decorum. Already the taste of that community has improved (no thanks, assuredly, to him); the deluge of vituperation and indecency has subsided, and the New York Herald has followed the temper of the time. It may not, as the helpless biographer tells us it is, be “a familiar journal at every court throughout the world, and in all intelligent communities,” but, compared with its former self, it is positively respectable.
Granting, therefore, that James Gordon Bennett was as disreputable an editor as Dr Faust’s great patron ever let loose upon mankind, it is both philosophically and historically just that we should regard him, as Germans would say, not as an isolated phenomenon, but as a highly-remarkable-and-in-itself-much-embracing-development of social existence. The half-apologetic statements on this subject by the biographer, who is in general so preposterous in his partiality and admiration as to be utterly beyond criticism, are among the most curious things in the book. After describing the state of society and of journalism previous to 1833, he says:—
“A more fortunate position of circumstances cannot be imagined than that which presented itself for Mr Bennett’s talents at this period. He had been moulded by events and experience to take a part in the change which the Press was about to undergo....
“Mr Bennett was prepared in every way for the occasion. He had been just so far injured as to urge him to take hold of the world with but little mercy for its foibles, and with so little regard to its opinions that he could distinguish himself by an original course in Journalism. He felt as Byron did after the Scotch Reviewers had embittered his soul by their harsh treatment of his ‘Hours of Idleness.’ This was a mood highly favourable to the production of a rare effect. The dormant spirit of the people could only be awakened by something startling and novel, and circumstances had produced a man for the times.”
The early numbers of the Herald, we are told, were “agreeable, pleasantly written, and comparatively prudish.” The habits of the editor were “exemplary.” Finding that this sort of thing was “no go,” the astute adventurer took a bolder course, and flung aside those trammels of decency and moderation which would have impeded or ruined the prospects of a weaker and less original mind. The biographer admits that his hero behaved somewhat grossly, but argues, as one might plead in defence of a vampire or a cobra-de-capello, that he merely used the weapons which nature had given him, and that at any rate he was no worse than his neighbours.
“The improved taste of the present hour will not sanction the mode in which Mr Bennett at first undertook to be the censor of society: but a philosophical analysis of the means which were used in his peculiar and eccentric course (!) exhibits motives as the springs of action, which do not necessarily indicate a callous heart or a bad temper.... That Mr Bennett had been provoked to use any and all power at his command, to overturn the wanton assailants of his character, cannot be denied. He had but armed himself with the best instruments heaven had bestowed upon him, and his mode of warfare was quite as dignified as that which had been resorted to, and adopted for fifteen or twenty years before, by the Press generally.”
If instead of the blasphemous word “Heaven” we substitute another more congruous to the nature of the subject, the above may be taken as a sufficiently “philosophical” view of the point at issue. A little farther on there is a still clearer admission. After telling us that the public did not care for political articles in such small sheets as the Herald, the biographer shows how it became necessary for Mr Bennett to fill his paper with falsehood and obscenity:—
“It would have been folly, therefore, to have attempted to make a daily offering to the public of a newspaper, such as is accepted even at the present hour. Mr Bennett saw this—he felt it. He wrote to create an interest for himself and the Herald. In this he was pecuniarily wise, for had he taken a more dignified course, and thus have produced only such studied articles as he had contributed to the Courier and Enquirer, from 1829 to 1832, the Herald would not have existed for a single month, unless sustained by a sacrifice of capital which it was not in the power of Mr Bennett to command. All of his success depended upon his making a journal wholly different from any one that was in existence.”
And in that attempt the enterprising editor succeeded to a miracle, for certainly anything approaching to the Herald in its “peculiar” character, the literature of civilisation had not seen!
That there may be no mistake on the matter, the biographer, in summing up the transcendent merits of Mr Bennett near the close of the volume, assures us that the course pursued was perfectly deliberate:—
“On the 5th of May 1835, he commenced his work of regeneration by publishing the first number of the New York Herald, which, till it was established, was conducted with such peculiarities as secured it attention—peculiarities which seemed to have sprung from a mind resolved to carry out certain broad personal characteristics, which in themselves furnish the bitterest satire upon the true nature of political and social life known to the literature of any age or country. The course adopted was not based on impulse. There is no excuse for it on that ground. It was the fruit of the most careful reflection, as is proved by the fact that the original prospectus has not been departed from in any point whatever during a period of twenty years. The original design was to establish a journal which should be independent of all parties, and the influence of which should be grounded upon its devotion to the popular will—a plan which has found numerous imitators, and which is the only one suited to satisfy the demands of the public.”
Mr Bennett, who of course “endorses” these sentiments, is thus, it is evident, as much at ease in his “conscience” with regard to his past conduct as ever, and would, if the thing were to be done over again, do it con amore again. The popular will—not Truth or Righteousness; the most sweet voices of the rabble, not the still small voice of the man within the breast—that, then, is the creed of this “regenerator” of journalism—Apage Satana.
The best type of Scottish character is eminently distinguished by force and earnestness; but as a Scotchman, when he is good, is intensely so—a Scotchman, when he sells himself to Clooty, is perhaps of all human beings the most devoted servant of that personage. Scotland, which has produced such eminent examples of genius and nobleness in this century as Thomas Chalmers and John Wilson, had the misfortune to give birth also to James Gordon Bennett. Let her not grieve, for the same England that gave birth to John Milton, was the mother likewise of Titus Oates.