PATRIOTIC. — AMERICA, OUR HOME. — HAIL THE FLAG. — EXPANSION. — A PRAYER FOR PEACE AND GOOD WILL.
Sung, to music composed by the author, at the anniversary of the battle
of Concord, at Concord, Mass., 1898.
This land of ours, we love it.
’Tis Freedom’s own, where reign
No tyrants throned above it
O’er serfs that wear their chain;
Where birth and wealth to worth give way,
And none in camp or court have sway,
Except as all ordain.
O Land that leaves the true man free
For all the soul would do or be,
Thank Heaven for life that gave us thee,
America, our home!
Kind homes are ours that wake us
To life whose morn is bright.
Free schools are ours that make us
Believe in truth and right.
Our churches all are churches taught
That conscience guides the wisest thought,
And love wins more than might.
Chorus: O Land that leaves, etc.
We love the rule that trains us
To duty, self-control’d,
And honor’d toil that gains us
What order helps us hold;
Where never, save for threaten’d right,
Our starry flags, like stars at night,
O’er war’s dark storms unfold.
Chorus: O Land that leaves, etc.
We love the life that bears us
Toward all that seers can see,
And, led by hope, prepares us
The whole world’s hope to be,
When, in the day that war shall cease,
Our Golden Rule shall keep the peace,
And all mankind be free.
Chorus: O Land that leaves, etc.
Sung, to the music of “Marching through Georgia,” at the anniversary
of the National Society of the Children of the American Revolution, held
in Columbia Theatre, Washington, D. C., Feb. 22, 1899.
Hail, all hail, the flag above us. Oh, how oft, to right
Wrong that war alone could end, that flag has led the fight,
Streaming on with fire and shot till, through the smoke, the light
Burst on the victory of freedom!
Hurrah! Hurrah! beneath the flag to be!
Hurrah! Hurrah! its loyal wards are we!
Where the Stars and Stripes are flying over land or sea,
Under the flag there is freedom.
Hail, all hail, the flag above us. Peace is in each hue;
Storms are signal’d not by stars, or skies red, white, or blue;
Peace is in it e’en in war, for, when the war is through,
That which has won then is freedom.
Chorus: Hurrah! Hurrah! etc.
Hail, all hail, the flag above us. In its blue more bright
Shine the stars to guide our way than in the dome of night;
Higher aims the hope that sees them, for their spotless white
Symbols the pure light of freedom.
Chorus: Hurrah! Hurrah! etc.
Hail, all hail, the flag above us. Nature never knew,
In the dawn’s red ladder-bars where daylight climbs to view,
Stripes that brought as fair a day as these anon shall do,
When all the world turns to freedom.
Chorus: Hurrah! Hurrah! etc.
Not mountain chains, nor streams that cleave the plains,
Nor the wide ocean that around them rolls
Can bound the realm of Freedom’s loyal souls
Who serve the Spirit that above it reigns.
Not the mean few who snatch for selfish gains
Through pathways opening toward the noblest goals
Can shake Heaven’s children’s faith that Heaven controls
That life the most which Earth the least enchains.
O ye who see but lust for wealth or rule
Where love would end one more wrong’d people’s thrall,
As your sires ended yours, how blind are ye!
Who says there is no God is no more fool
Than he who hears not God’s voice in each call
To loose man’s bonds and let the oppress’d go free.
Creative Spirit, Source of Life,
And Father whom we trust,
Keep us and keep our state from strife
Through deeds to all men just.
Teach us that each, though poor or base,
Is yet a child of Thine,
And born, whate’er his rank or race,
Or wheresoe’er his dwelling-place,
To destiny divine.
Let not one nation’s pride of might
On other nations prey
With brute-like hosts that boast a right
To plunder and to slay.
If one land’s war-lord claim his own
To be Thy Spirit’s call,
Teach men that no God so made known,
No God of but one land alone,
Was ever God of all.
Grant all, oh Lord, through lives of love,
A glory to attain
As far as heaven’s could be above
What earthly battles gain.
Grant all, wherever patriots view
Their country’s flag unfurled,
The right to think that service due
God’s country calls for patriots too
Whose country is the world.
END
PUBLICATIONS OF G. P. PUTNAM’S SONS
THE AZTEC GOD, AND
OTHER DRAMAS
By GEORGE L. RAYMOND
16MO, CLOTH EXTRA, $1.25
“It is not with the usual feeling of disappointment that one lays down
this little book. One reads ‘The Aztec God’ with pleasure....
‘Cecil the Seer’ is a drama of the occult. In it the author attempts to
describe the conditions in the spiritual world exactly as they exist according
to coinciding testimony of Swedenborg, of the modern Spiritualist, and
of all supposed to have explored them in trance states. Indirectly,
perhaps, the whole is a much needed satire upon the social, political, and
religious conditions of our present materialistic life.... In ‘Columbus’
one finds a work which it is difficult to avoid injuring with fulsome
praise. The character of the great discoverer is portrayed grandly and
greatly.... It is difficult to conceive how anyone who cares for that
which is best in literature ... could fail to be strengthened and
uplifted by this heroic treatment of one of the great stories of the world.”—N.
Y. Press.
“One must unreservedly commend the clear, vigorous statement, the
rhythmic facility, the copious vocabulary, and the unvarying elevated
tone of the three dramas.... The poetic quality reveals itself in
breadth of vision and picturesque imagery. One is, indeed, not seldom
in peril of forgetting plot and character-action in these dramas, because
of the glowing imagination.”—Home Journal.
“The time and place make the play an historic study of interest, aside
from its undoubted high poetic quality and elevation of thought....
The metre of the dramas is Shakespearian, and that master’s influence is
constantly apparent. It is needless to say to those who know the author’s
remarkable abilities that the plays are substantial and reflect perfectly
the author’s mind.”—Portland Transcript.
Modern Fishers of Men. 12mo, cloth, gilt top $1.00
“This delightful novel is written with charming insight. The
rare gift of character delineation the author can claim in full....
Shrewd comments upon life and character add spice to the pages.”—Nashville
Tennessean.
“Deals with love and religion in a small country town, and under
the facile pen and keen humor of the author, the various situations
... are made the most of ... true to the life.”—Boston Globe.
“Such a spicy, racy, more-truth-than-fiction work has not been
placed in our hands for a long time.”—Chicago Evening Journal.
“Essentially humorous, with an undercurrent of satire ... also
subtle character delineation, which will appeal strongly to those
who have the perceptive faculties highly developed.”—San Francisco
Bulletin.
A LIFE IN SONG
By GEORGE L. RAYMOND
16mo, CLOTH EXTRA, $1.25
“An age-worn poet dying amid strangers in a humble village home,
leaves the record of his life in a pile of manuscript poems. These are
claimed by a friend and comrade of the poet, but, at the request of the
cottagers, he reads them over before taking them away. The poet’s life
is divided into seven books or ‘notes,’ because seven notes seem to make
up the gamut of life.... This is the simple but unique plan, ...
which ... forms but the mere outline of a remarkably fine study of
the hopes, aspirations, and disappointments of life, ... an American
modern life.... The author sees poetry, and living poetry, where
the most of men see prose.... The objection, so often brought
against our young poets, that form outweighs the thought, cannot be
urged in this instance, for the poems of Prof. Raymond are full of keen
and searching comments upon life. Neither can the objection be urged
of the lack of the human element. ‘A Life in Song’ is not only dramatic
in tendency, but is singularly realistic and acute.... The
volume will appeal to a large class of readers by reason of its clear, musical,
flexible verse, its fine thought, and its intense human interest.”—Boston
Transcript.
“Professor Raymond is no dabbler in the problem of the human spirit,
and no tyro in the art of word painting, as those who know his prose
works can testify. These pages contain a mine of rich and disciplined
reflection, and abound in beautiful passages.”—Hartford Theological
Seminary Record.
“Here are lines which, if printed in letters of gold upon the front of
every pulpit, and practised by every one behind one, would transform the
face of the theological world.... In short, if you are in search of
ideas that are unconventional and up-to-date, get ‘A Life in Song,’ and
read it.”—Unity.
“Some day Dr. Raymond will be universally recognized as one of the
leaders in the new thought-movement.... He is a poet in the truest
sense. His ideals are ever of the highest, and his interpretation is of the
clearest and sweetest. He has richness of genius, intensity of human
feeling, and the refinement of culture. His lines are alive with action,
luminous with thought and passion, and melodious with music.”—Cleveland
World.
“The main impulse and incident of the life are furnished by the enlistment
of the hero in the anti-slavery cause. The story of his love is also
a leading factor, and is beautifully told. The poem displays a mastery
of poetic rhythm and construction, and, as a whole, is pervaded by the
imaginative quality which lifts ‘a life’ into the region of poetry,—the
peculiar quality which marks Wordsworth.”—Christian Intelligencer.
“It is a great work, and shows that America has a great poet....
A century from now this poem will be known and quoted wherever fine
thought is appreciated, or brave deeds sung.”—Western Rural.
BALLADS AND OTHER POEMS
By GEORGE L. RAYMOND
16mo, CLOTH EXTRA, $1.25
“In the construction of the ballad, he has given some notable examples
of what may be wrought of native material by one who has a tasteful
ear and practised hand. If he does not come up to the standard of the
ancient ballad, which is the model, he has done as well as any of the
younger American authors who have attempted this kind of work, and
there is true enjoyment in all that he has written. Of his other poems,
the dramatic poem, ‘Haydn,’ is finished in form, and has literary value,
as well as literary power.”—Boston Globe.
“The author has achieved a very unusual success, a success to which
genuine poetic power has not more contributed than wide reading and
extensive preparation. The ballads overflow, not only with the general,
but the very particular, truths of history.”—Cincinnati Times.
“It may well find readers in abundance ... for the sake of the
many fine passages which it contains.... ‘Ideals made Real’ has
one point of very high excellence ... we have in the conception of
the character of Edith the work of a genuinely dramatic poet.... In
Edith we have a thoroughly masculine intellect in a thoroughly feminine
soul, not merely by the author’s assertion, but by actual exhibition.
Every word that Edith speaks, every act that she does, is in accord with
this conception.... It is sufficient, without doubt, to give life to a
less worthy performance, and it proves beyond doubt that Mr. Raymond
is the possessor of a poetic faculty which is worthy of the most careful
and conscientious cultivation.”—N. Y. Evening Post.
“A very thoughtful study of character ... great knowledge of
... aims and motives.... Such as read this poem will derive
from it a benefit more lasting than the mere pleasure of the moment.”—London
Spectator.
“Mr. Raymond is a poet emphatically, and not a scribbler in rhyme.”—London
Literary Churchman.
“His is no mere utterance of dreams and fancies. His poetry takes
hold on life; it enters the arena where its grandest and purest motives
are discussed, and by the vigor and beauty of the language it holds itself
on a level with the highest themes.... Every thoughtful reader ...
will wish that the poems had been longer or that there had been more of
them. It would be possible to quote passage after passage of rare
beauty.”—Utica Herald.
“... Rhythmical in its flow and deliciously choice in language
... indicating a deep acquaintance with human nature, while there
is throughout a tone that speaks plainly of a high realization of the divine
purpose in life.... Not the least charming characteristic is its richness
in pen-and-ink pictures marked by rare beauty and presenting irresistibly
that which the poet saw in his mind’s eye.... We confidently
promise that any one taking it up will enjoy the reading throughout, that
is, if there is any poetry in him.”—Boston Evening Journal.
Books by Professor Raymond
Dante and Collected Verse. 16mo, cloth, gilt top $1.25
“Epigram, philosophy, history—these are the predominant elements
... which masterly construction, pure diction, and lofty
sentiment unite in making a glowing piece of blank verse.”—Chicago
Herald.
“The poems will be read with keenest enjoyment by all who
appreciate literary genius, refined sentiment, and genuine culture.
The publication is a gem throughout.”—New Haven Leader.
“The poet and the reformer contend in Professor Raymond.
When the latter has the mastery, we respond to the justice, the high
ideals, the truth of all he says—and says with point and vigor—but
when the poet conquers, the imagination soars.... The mountain
poems are the work of one with equally high ideals of life and of
song.”—Glasgow (Scotland) Herald.
“Brother Jonathan can not claim many great poets, but we think
he has ‘struck oil,’ in Professor Raymond.”—Western (England)
Morning News.
“This brilliant composition ... gathers up and concentrates for the
reader more of the reality of the great Italian than is readily gleaned
from the author of the Inferno himself.”—Oakland Enquirer.
Pictures in Verse. With 20 illustrations by Maud Stumm.
Square 8vo, in ornamental cloth covers $.75
“Little love poems of a light and airy character, describing pretty
rustic scenes, or domestic interiors.... As charming for its illustrations
as for its reading matter.”—Detroit Free Press.
“Simple songs of human every-day experience ... with a
twinkle of homely humor and a wholesome reflection of domestic
cheer. We like his optimistic sentiments, and unspoiled spirit of
boyishness when he strikes the chord of love. It is all very true and
good.”—The Independent.
The Mountains about Williamstown. With an introduction
by M. M. Miller, and 35 full-page illustrations
from original photographs; oblong shape, cloth, gilt
edges. Net, postpaid $2.00
“The beauty of these photographs from so many points of vantage
would of itself suffice to show the fidelity and affection with which
Professor Raymond pursued the theme of his admirably constructed
poems. The introduction by his pupil, friend, and associate is an exhaustive
study. No better or more thorough review could be written
of the book, or more clearly point out the directness and power of
Professor Raymond’s work.... Among his many books none
justifies more brilliantly the correctness and charm of his rhetorical
instruction, or his facility in exemplifying what he commends.”—Hartford
(Conn.) Courant.
Rhythm and Harmony in Poetry and Music. 8º $1.75
“The reader must be, indeed, a person either of supernatural
stupidity or of marvellous erudition, who does not discover much
information in Prof. Raymond’s exhaustive and instructive treatise.
From page to page it is full of suggestion.”—The Academy (London).
Professor Raymond’s Art-Books
Art in Theory. 8vo, cloth extra. $1.75
“A well grounded, thoroughly supported, and entirely artistic conception
of art as a whole, that will lead observers to apply its principles ...
and to distrust the charlatanism that imposes an idle and superficial
mannerism upon the public in place of true beauty and honest workmanship.”—The
New York Times.
“His style is good, and his logic sound, and ... of the greatest
possible service to the student of artistic theories.”—Art Journal
(London).
The Representative Significance of Form.
8vo, cloth extra. $2.00
“Evidently the ripe fruit of years of patient and exhaustive study on
the part of a man singularly fitted for his task. It is profound in insight,
searching in analysis, broad in spirit, and thoroughly modern in method
and sympathy.”—The Universalist Leader.
“An original thinker and writer, the charm of his style and clearness
of expression make Mr. Raymond’s book possible to the general reader,
though worthy of the study of the student and scholar.”—Hartford
Courant.
Painting, Sculpture, and Architecture, as Representative
Arts. With 225 illustrations, 8vo. $2.50
“Expression by means of extension or size ... shape ... regularity
in outlines ... the human body ... posture, gesture, and
movement ... are all considered.... A specially interesting chapter
is the one on color.”—Current Literature.
“The whole book is the work of a man of exceptional thoughtfulness,
who says what he has to say in a remarkably lucid and direct manner.”—The
Philadelphia Press.
The Genesis of Art-Form. Fully illustrated. 8vo. $2.25
“In a spirit at once scientific and that of the true artist, he pierces
through the manifestations of art to their sources, and shows the relations,
intimate and essential, between painting, sculpture, poetry, music, and
architecture. A book that possesses not only singular value, but singular
charm.”—N. Y. Times.
“A help and a delight. Every aspirant for culture in any of the
liberal arts, including music and poetry, will find something in this book
to aid him.”—Boston Times.
Proportion and Harmony of Line and Color in Painting,
Sculpture, and Architecture.
Fully illustrated. 8vo. $2.50
“No critical person can afford to ignore so valuable a contribution to
the art-thought of the day.”—The Art-Interchange (N. Y.).
“One does not need to be a scholar to follow this scholar as he teaches
while seeming to entertain; for he does both.”—Burlington Hawk-Eye.
“The artist who wishes to penetrate the mysteries of color, the sculptor
who desires to cultivate his sense of proportion, or the architect whose
ambition is to reach to a high standard will find the work helpful and
inspiring.”—Boston Transcript.
Books by Professor Raymond
Poetry as a Representative Art. 8º $1.75
This book is an attempt, in accordance with modern methods, aided
by the results of modern investigation, to determine scientifically the
laws of poetic composition and criticism, by deriving and distinguishing
the methods and meanings of the various factors of poetic form
and thought from those of the elocution and rhetoric of ordinary
speech, of which poetry is an artistic development. The principles
unfolded are illustrated by quotations from the first English poets.
“I have read it with pleasure, and a sense of instruction on many
points.”—Francis Turner Palgrave, Professor of Poetry, Oxford University.
“Dieses ganz vortreffliche Werk.”—Englische Studien, Universität
Breslau.
“An acute, interesting, and brilliant piece of work.... As a
whole the essay deserves unqualified praise.”—N. Y. Independent.
The Essentials of Æsthetics. Fully illustrated. 8º $2.50
A compendium of all the art-volumes, designed as a Text-Book.
“So lucid in expression and rich in illustration that every page contains
matter of deep interest even to the general reader.”—Boston
Herald.
“It can hardly fail to make talent more rational, genius more
conscious of the principles of art, and the critic and connoisseur
better equipped for impression, judgment, and appraisement.”—New
York Times.
The Orator’s Manual. 12mo $1.50
A Practical and Philosophic Treatise on Vocal Culture, Emphasis,
and Gesture, together with Hints for the Composition of Orations
and Selections for Declamation and Reading, designed as a Text-book
for Schools and Colleges, and for Public Speakers and Readers
who are obliged to Study without an Instructor, fully revised with
important Additions after the Fifteenth Edition.
“It is undoubtedly the most complete and thorough treatise on
oratory for the practical student ever published.”—The Educational
Weekly, Chicago.
“I consider it the best American book upon technical elocution.
It has also leanings toward a philosophy of expression that no other
book written by an American has presented.”—Moses True Brown,
Head of the Boston School of Oratory.
The Writer (with Post Wheeler, Litt.D.) 12mo $1.00
A Concise, Complete, and Practical Text-book of Rhetoric, designed
to aid in the Appreciation, as well as Production of All Forms
of Literature, Explaining, for the first time, the Principles of Written
Discourse by correlating them to those of Oral Discourse.
“A book of unusual merit ... prepared by practical teachers,
and the end in view is evidently to teach rather than to give information.”—The
Pacific Educational Journal.
“The pupil will forget he is studying rhetoric, and will come to
express himself for the pure pleasure he has in this most beautiful
art.”—Indiana School Journal.
Ethics and Natural Law. 8vo. Net, $2.25.
A Reconstructive Review of Moral Philosophy, Applied to the
Rational Art of Living,—a Book that is in effect a Continuation
and Completion of the Author’s well-known Æsthetic Works, showing
the Relationship of the Principles underlying Art to the Culture
of Character.
“The student of ethics will considerably fortify his knowledge of
the history of ethical thought by reading the book, especially the
first twelve chapters. In these Mr. Raymond embodies, with
copious references, his extensive knowledge of what has been written
and thought by moral philosophers. On pp. 63-67, for instance,
will be found in footnotes a kind of classified anthology of all the
definitions given of conscience by modern writers. The various
ethical theories holding the field do not, he thinks, recognize as indispensable
the coöperation, in every slightest detail of thought
and feeling, of the two necessary factors of every desire; and he
claims that his own doctrine keeps to the purpose he avows in his
opening chapter,—to draw no inference, and to advance no theory,
not warranted by known facts as ascertainable in connection with
the operations of natural law.... Chapters XIII to XXIII
deal acutely and comprehensively with the various sides of American
life.”—London (England) Times.
In an article entitled A Desirable Acquaintance, Prof. A. S. Hobart,
D.D. of Crozer Theological Seminary, after mentioning his twenty
years’ experience in teaching Ethics, says, “I find this book the only
one that has come within the range of my reading which has, for the
basis of its system, what I have found to be satisfactory. The
writer assumes that there is in the nature of things a law of ethical
conduct as continuous and self-evincing as is the law of physical
health.... The study of psychology has opened the mind to
inspection as we open the back of a watch-case and see the wheels
go round; and this study lays its crown of victorious explorations at
the feet of ethics.... His view is that conscience is the sense
of conflict between bodily and mental desires ... therefore not
a guide; it is only a sense of lostness in the woods, that wants a
guide. Good sense and good religion are the guides to be consulted.
By many illustrations and very clear reasoning he verifies his view.
Then, ... he takes up the task unusual in such books—of showing
how the leading moral qualities can and ought to be cultivated.
In view of my own careful reading of the book I venture to call
attention to it as a most fertile source of instruction and suggestion
for ethical teaching.”—The Baptist.
“The book is clear and comprehensive. His theory in regard to
conflict is reasonable, and the principles deduced from it have
philosophic foundation.”—Boston Transcript.
“Professor Raymond extracts a fundamental principle that largely
reconciles existing ethical theories ... makes distinctions that
have vitality, and will repay the necessary study and application.”—Scientific
American.
A Poet’s Cabinet and An Art Philosopher’s Cabinet.
Two books containing quotations, the one from the poems, and
the other from the æsthetic works of George Lansing Raymond,
selected by Marion Mills Miller, Litt.D., editor of The Classics,
Greek, and Latin. Each book 8vo. cloth-bound, gilt top. $2.00
“Dr. Raymond is one of the most just and pregnant critics, as
well as one of the most genuine poets, that America has produced....
His verse generally, and his prose frequently, is a solid pack
of epigrams; and hundreds of the epigrams are vigorous, fresh,
telling, worth collecting and cataloguing.... Probably from no
other American but Emerson could a collection at all comparable be
made. Many of the phrases are profound paradox.... Others
are as hard-headed as La Rochefoucauld.... Some are plain
common sense, set in an audacious figure, or a vigorous turn of
phrase.... But few or none of them are trivial.... As an
æsthetic critic, Professor Raymond is, by training and temperament,
remarkably versatile and catholic. He is almost or quite equally
interested in architecture, painting, sculpture, music, poetry....
Each is as definitely placed in his system as the several instruments
in a great orchestra.... If Dr. Raymond had been born in
France, England, or Germany, he would, no doubt, have enjoyed
a wider vogue. But it is just as well that he was none of these;
for the, as yet, æsthetically immature New World has sore need of
him.”—Revue Internationale, Paris.
“We risk little in foretelling a day when all considerable libraries,
private as well as public, will be deemed quite incomplete if lacking
these twin volumes. Years after the thinker has paid the debt to
nature due, his thoughts will rouse action and emotion in the hearts
and minds of generations now unborn.”—Worcester (Mass.) Gazette.
“This Poet’s Cabinet is the best thing of its class—that confined
to the works of one author—upon which our eyes have fallen, either
by chance or purpose. We can’t help wishing that we had a whole
book-shelf of such volumes in our own private library.”—Columbus,
(O.) Journal.
“The number and variety of the subjects are almost overwhelming,
and the searcher for advanced or new thought as expressed by
this particular philosopher has no difficulty in coming almost immediately
upon something that may strike his fancy or aid him in
his perplexities. To the student of poetry and the higher forms of
literature ... the volume will be of distinct aid.”—Utica (N. Y.)
Observer.
“Dr. Miller’s task in selecting representative extracts from Professor
Raymond’s works has not been a light one, for there has been
no chaff among the wheat, and there was an ever present temptation
to add bulk to the book through freedom in compilation. He
thought best, however, to eliminate all but the features which
revealed the rare rich soul and personality of the poet, and each
quotation is a gem.”—Albany (N. Y.) Times-Union.
“To study the works of any one man so that we are completely
familiar with his ideas upon all important subjects—if the man have
within him any element of greatness—is a task which is likely to
repay the student’s work.... This fact makes the unique
quality of the present volume ... quotations which deal with
practically every subject to be found in more general anthologies.”—Boston
(Mass.) Advertiser.
The Psychology of Inspiration. 8vo, cloth. (New
Revised Edition). Net, $2.00; by mail, $2.14
The book founds its conclusions on a study of the action of the
human mind when obtaining and expressing truth, as this action
has been revealed through the most recent investigations of physiological,
psychological, and psychic research; and the freshness
and originality of the presentation is acknowledged and commended
by such authorities as Dr. J. Mark Baldwin, Professor of Psychology
in Johns Hopkins University, who says that its psychological position
is “new and valuable”; Dr. W. T. Harris, late United States
Commissioner of Education and the foremost metaphysician in the
country, who says it is sure “to prove helpful to many who find
themselves on the border line between the Christian and the non-Christian
beliefs”; and Dr. Edward Everett Hale, who says that
“no one has approached the subject from this point of view.”
The first and, perhaps, the most important achievement of the
book is to show that the fact of inspiration can be demonstrated
scientifically; in other words, that the inner subconscious mind can
be influenced irrespective of influences exerted through the eyes
and the ears, i.e., by what one sees or hears. In connection with
this fact it is also shown that, when the mind is thus inwardly or
inspirationally influenced, as, for example, in hypnotism, the influence
is suggestive and not dictatorial. Not only so, but such faith
as it is natural and right that a rational being should exercise can be
stimulated and developed in only the degree in which the text of a
sacred book is characterized by the very vagueness and variety of
meaning and statement which the higher criticism of the Bible has
brought to light. The book traces these to the operation and requirements
of the human mind through which inspiration is received
and to which it is imparted. Whatever inspires must appear to be,
in some way, beyond the grasp of him who communicates it, and
can make him who hears it think and train him to think, in the degree
only in which it is not comprehensive or complete; but merely, like
everything else in nature, illustrative of that portion of truth which
the mind needs to be made to find out for itself.
“The sane, fair, kindly attitude taken gives of itself a profitable
lesson. The author proves conclusively that his mind—and if his,
why not another’s?—can be at one and the same time sound, sanitary,
scientific, and essentially religious.”—The Examiner, Chicago.
“The author writes with logic and a ‘sweet reasonableness’ that
will doubtless convince many halting minds. It is an inspiring
book.”—Philadelphia Inquirer.
“It is, we think, difficult to overestimate the value of this volume
at the present critical pass in the history of Christianity.”—The
Arena, Boston.
“The author has taken up a task calling for heroic effort, and has
given us a volume worthy of careful study.... The conclusion
is certainly very reasonable.”—Christian Intelligencer, New York.
“Interesting, suggestive, helpful.”—Boston Congregationalist.
Fundamentals in Education, Art, and Civics: Essays and
Addresses. 8vo, cloth. Net, $1.40; by mail, $1.53
“Of fascinating interest to cultured readers, to the student, the
teacher, the poet, the artist, the musician, in a word to all lovers of
sweetness and light. The author has a lucid and vigorous style,
and is often strikingly original. What impresses one is the personality
of a profound thinker and a consummate teacher behind
every paragraph.”—Dundee Courier, Scotland
“The articles cover a wide field and manifest a uniformly high
culture in every field covered. It is striking how this great educator
seems to have anticipated the educational tendencies of our times
some decades before they imprest the rest of us. He has been a
pathfinder for many younger men, and still points the way to higher
heights. The book is thoroughly up-to-date.”—Service, Philadelphia.
“Clear, informing, and delightfully readable. Whether the subject
is art and morals, technique in expression, or character in a
republic, each page will be found interesting and the treatment
scholarly, but simple, sane, and satisfactory ... the story of
the Chicago fire is impressingly vivid.”—Chicago Standard.
“He is a philosopher, whose encouraging idealism is well grounded
in scientific study, and who illuminates points of psychology and
ethics as well as of art when they come up in the course of the discussion.”—The
Scotsman, Edinburgh, Scotland.
“Agreeably popularizes much that is fundamental in theories of
life and thought. The American people owe much of their progress,
their optimism, and we may say their happiness to the absorption
of just such ideals as Professor Raymond stands for.”—Minneapolis
Book Review Digest.
Suggestions for the Spiritual Life—College Chapel Talks.
8vo, cloth. Net, $1.50; by mail, $1.63
“Sermons of more than usual worth, full of thought of the right
kind, fresh, strong, direct, manly.... Not one seems to strain
to get a young man’s attention by mere popular allusions to a student
environment. They are spiritual, scriptural; of straight ethical
import, meeting difficulties, confirming cravings, amplifying tangled
processes of reasoning, and not forgetting the emotions.”—Hartford
Theological Seminary Record (Congregationalist).
“The clergyman who desires to reach young men especially, and
the teacher of men’s Bible Classes may use this collection of addresses
to great advantage.... The subjects are those of every man’s
experience in character building ... such a widespread handling
of God’s word would have splendid results in the production of men.”—The
Living Church (Episcopalian).
“Great themes, adequately considered.... Surely the young
men who listened to these sermons must have been stirred and
helped by them as we have been stirred and helped as we read them.”—Northfield
(Mass.) Record of Christian Work (Evangelical).
“They cover a wide range. They are thoughtful, original, literary,
concise, condensed, pithy. They deal with subjects in which the
young will be interested.”—Western Christian Advocate (Methodist).