It had been quite some time since escaping from the Witch again, and the
two friends walked along the road lost in thought. Well, that is to say,
Graham was lost in thought, whereas Telly was absent-mindedly playing an
old commercial:
Double your pleasure, double your fun,
Get double ev'rything rolled into one,
Oh, double your pleasure, double your fun,
with double good, double good,
Double-mint gum.
Suddenly, the pair came across a sign at the side of the road which
read:
OZ INTERNATIONAL AIRPORT DEPARTURES UPPER LEVEL ARRIVALS LOWER LEVEL
FOLLOW THE BLUE SIGNS FOR THE UPPER LEVEL FOLLOW THE RED SIGNS FOR THE
LOWER LEVEL
"Telly!" cried Graham. "Telly! I can't believe it! An airport in Oz? Why
didn't you tell me? Now I can go home. All I have to do is buy a ticket.
They can call my dad and get his credit card number."
"Now wait a minute!" Telly exclaimed. "Not so fast, my young friend.
There is no airport in Oz. Never was, and never will be. It's just not
possible for airplanes to fly here from anywhere. Queen Ozma herself saw
to that after a certain incident with a little girl and a pet monkey.
No, this cannot be for real. Must be some kind of trick."
Graham was crestfallen. He was just not prepared to accept such a dismal
opinion. "Oh, no! I'm sure you're mistaken. They wouldn't have a sign
like that if there was no airport there."
"Well, I hate to say I told you so. But you'll see when we get there
that there's nothing there," Telly said emphatically. "At least, not an
airport …" He suddenly stopped in his tracks. "I can't believe what
I'm seeing!" he shouted incredulously as the sight of a huge airport
(the size of L.A. International) loomed up ahead.
"SEE! I told you so!" shouted Graham with obvious delight as he ran
forward. "Home sweet home, here I come!"
"Not so fast!" warned Telly. "Not so fast! It has to be a trick. Maybe
the Wicked Witch has created an illusion and … and it's really her
castle…."
But Graham was already out of earshot. Before him loomed a giant 747
glistening in the sun, its huge jet engines screaming with impatience
for full power to be applied, and the passenger door was open at the top
of the stairs with a smiling flight attendant beckoning Graham aboard.
"Hurry up!" she called. "We're ready to take off, and you're running
late."
Graham scurried up the stairs as fast as his little legs would carry
him…. The flight attendant checked his name off a list, and the door
closed quickly, leaving Graham with no time to say goodbye to Telly, who
was at that moment looking up at the plane forlornly as it taxied
forward toward the runway. Meanwhile, Graham was being bundled into his
seat and buckled into his seatbelt by the pretty flight attendant. It
was only then that he remembered that he had not purchased a ticket, nor
had he had a chance to say goodbye to Telly. He was seated alone by the
window and quickly looked out to see if he could catch a glimpse of his
friend. But it was too late; the plane was already at the end of the
runway and several feet into the air with the countryside whizzing past
and getting smaller and smaller as the plane quickly ascended.
The captain's voice came over the intercom loud and clear. "Good
morning, ladies and gentlemen. This is your captain speaking. We have
departed Oz International Airport and will be cruising at twenty
thousand feet. We should be arriving at our destination in about three
hours. You may remove your seatbelts and make yourselves comfortable.
Refreshments will be served shortly, and you may watch our in-flight
movie if you wish."
Graham looked around to see who else was sharing his flight. He was
astonished to see that there were no other passengers at all. Now he
began to get frightened. Why would a great big airplane take off with no
passengers except himself? And who was that captain addressing when he
said "ladies and gentlemen"? He was beginning to feel that he had been
caught up in an episode of Telly's Twilight Zone. Just then, he caught
a glimpse of a portly gentleman approaching him from the front of the
plane. He assumed there was another passenger after all, one who must
have been sitting in the front seat, and too low for his head to be
visible. However, as the gentleman approached closer to where Graham was
seated, the boy became even more perplexed. The gentleman in question
was none other than William Shakespeare! Oh, there was no mistaking such
an historical figure. Graham had seen paintings and drawings of him many
times. And his clothes and features were an exact replica of those
portrayals. Not only that, but he was carrying a great big book entitled
The Complete Works of William Shakespeare. Suddenly Graham flushed
with embarrassment. How could he think for one moment that this was
William Shakespeare? The fellow was obviously an actor, perhaps on his
way home from making a movie and so late for his flight that he did not
have time to change his clothes or remove his makeup. At that moment the
gentleman spoke … "Good day, my dear fellow. My name is William
Shakespeare. Do you mind if I sit here? The plane's rather crowded and I
see that you have the whole aisle to yourself."
[Illustration]
"Okay! That's it," thought Graham. "The guy's a definite nut case. Must
have escaped from the looney bin and somehow got to Oz. The plane's
crowded indeed! He and I are the only passengers! Every single seat is
empty." However, "Mr. Shakespeare" seated himself next to Graham without
waiting for a reply. "I know that you don't believe I'm who I say I am,"
he said. "But I can assure you, I am he who is often referred to as The
Bard of Avon. All I'd like you to do is to tell earth's disbelievers who
don't accept that I wrote my works that I did indeed write them."
Without waiting for Graham to respond, he then proceeded to break into
verse in a gentle, melodic voice:
"_I am he who wrote my verse,
My dramas, sonnets, quibbles, rhyme,
I'm Shakespeare still—dear England's Bard—
And shall ever be, throughout time.
I wrote, 'tis true, some sonnets, plays,
To make a living, pass the time
In merriment or jest and glee—
I turned out many a ribaled rhyme.
To set the world right,
And make snivelers agree
As to who wrote Shakespeare,
If 'twere BACON or He,
Or Marlowe or Pitt,
Or scribes ages old,
I say to them all—
The truth is now told.
When a man among kings (I was knighted by one)
Where a handle or wheel makes a favorite son
Distinguished through time for something he's done,
For a knight in his day must his laurels have won.
With a band of king's players by Bill Shakespeare led,
I played many roles, e'en recalled the dead
To piece out my plot or to string out my rhyme,
Nor considered it theft, more an honor that time,
To borrow a plot for a queen or a king,
And watch their amuse as my poor muse would sing.
So each time I needed a plot or a play
I searched o'er the tomes where musty plots lay
Bulging out with ideas from craniums dust,
Whose shades may have helped as I now know and trust.
But that any one man made a plot or a play,
Or was such singled out as a ruse for my pay,
I deny in fac toto in spirit this day.
Should any man's play be found in my work,
Which was not by me writ, 'tis a publisher's quirk;
Which one day I'll acclaim; for I mean to read all
As signed with my name_."
Young Graham was beyond words at this outpouring of verse. The mode of
language was not something he could identify with in his everyday world,
and it was quite beyond his level of comprehension. But he sensed this
was no ordinary man in his presence. "Are you really William
Shakespeare?" he ventured forth timidly. "And if you truly are, how
could you still be alive hundreds of years after you were born?"
"Well, young one," smiled the Bard kindly, "that is a long
story…Suffice to say I am here with you having this conversation. And
look around you—many of the other passengers are people from your
history books. We are en route to our home beyond the outer fringes of
Oz. We are graduates of the University of Higher Consciousness, and we
are on our way to Historicalfigureland. So much hatred exists in the
world you come from, and where there is not exactly hatred per se, there
is often indifference or even total apathy for the plight of others. And
as if your world were not bad enough with the constant warring between
nations, many individuals in so-called civilized lands feel the need to
declare war on their neighbors. I am speaking of your young people
killing each other for no other reason than that it has become the thing
to do. What is so sad is that they totally lack remorse for their
victims' pain and suffering and give not the slightest thought to the
victims' families left behind in utter and complete desolation and
sadness at their terrible loss. Our goal is to find a way to encourage
people to reach out to one another—to care for one another. That is why
we wrote our books and plays, to teach people what life be truly about."
Okay. That's it, thought Graham. There's no doubt about the truth of
what the old guy is saying regarding earth conditions. But the queer old
boy is definitely off his rocker. First, there's definitely no other
passengers on the plane, and … "Good grief!" he exclaimed as the
outlines of human forms began to appear in the other passenger seats.
Gradually these forms became more solid until he realized that indeed
the plane was filled with passengers, many of which were historical
figures in the modes of dress of their particular times in history.
First he saw Napoleon in the aisle to his immediate left. Then, next to
him, Marie Antoinette. Then Mary, Queen-of-Scots, Henry the Eighth, and
Alexander the Great. In the next aisle: Caesar Augustus, Mark Anthony,
Cleopatra, Joan of Arc, Aristotle, and Plato. It seemed that every
historical figure of note was present aboard the plane, not to mention a
sprinkling of people from various walks of life, such as Marcus
Aurelius, Jane Merrick, Kenneth Gage Baum, Fred Stone, Judy Garland, and
Ray Powell. Of course, Graham did not know who everyone was by name, but
many faces looked familiar to him.
"I'm terribly sorry," apologized Shakespeare. "I didn't realize that
your eyes had not yet become sensitized to the higher vibrations of my
friends. What must you have thought of me?" "Oh, nothing at all," cried
Graham. "I mean, I hadn't really noticed all these people. I was so
engrossed in what you were saying."
"Really?" replied the Bard with a twinkle in his eye. "I quite
understand. People are always totally captivated by my words. Anyway, as
I was saying, or rather, as I was about to say…"
At that moment, a head bent over the Bard's shoulder to say hello to
Graham. It was none other than Mark Twain, whom Graham instantly
recognized. And with him was a gentleman who introduced himself as
Charles Dickens. He gave Graham a wink and shook his hand. "You're a
fine young fellow. I predict that you will go far in life." Of course,
Graham was speechless. It suddenly hit him that he was in the company of
some of the world's greatest human beings. If he ever got back home and
tried to tell people, they would be sure to lock him up and throw away
the key. Mark Twain asked how things were going and assured him that,
while the plane would not be able to transport him home, he felt certain
that, when the time came, a way would be found which would enable him to
return. "If not," Mark Twain said, "not to worry. There'd never be a
dull moment in Oz!"
Oh, that's just great! thought Graham. Now there was a chance that he
would not get back. But did not Shakespeare say that he wanted him to
inform the world that he had written his own stuff? He would not have
said that if he did not think that the boy would get home to tell the
tale. What am I saying? thought Graham. None of this is really
happening. I'm just having the most gigantic, craziest dream anyone has
ever had.
"By the way," said Mark Twain, interrupting Graham's thoughts. "Here are
a couple of letters I forgot to mail to my poet friend, Bayard Taylor.
They should probably be in some collection somewhere so, if you'd take
them back with you, I'd appreciate it. I said in one letter that I'd
probably forget to stamp it, and I did." Twain handed Graham the letters
and indicated that he did not mind the boy's reading them if he wanted
to.
There I go again, thought Graham, believing in my own dream. In any
event, he settled back in the seat and began to read the letters.
However, before he could really get started, Charles Dickens interrupted
him.
"As usual, this Twain fellow takes over and hogs the conversation. In
the very near future, young Graham, you and I will get together, and
I'll tell you some very interesting stories of my childhood. In the
meantime," he said, scribbling on a piece of paper that had some kind of
drawing on it, "I have autographed a sketch of Boz to take back with
you. Boz was the name I used when I first embarked on my literary
adventures. In case you are wondering if there is a cryptic connection
between Boz and Baum and Oz, you'll have to keep wondering about that. I
was born at Portsea, Portsmouth, a few minutes before midnight on the
seventh of February, 1812, forty-four years before Mr. Baum was born. I
came to Oz in 1870, when Mr. Baum was only fourteen years old. He was
not destined to write about Oz until some thirty years later. Now, when
you come back, I'll tell you some more about my early days, and I'll
make sure that our friend Twain doesn't bask in his self-perceived
limelight while we're having our important discussions."
[Illustration]
"Now, you listen up, Mr. Dickens, sir," said Mark Twain with
mock anger, for they were actually the best of friends. "I resent that,
and I won't have you filling the boy's head with a lot of imaginary
adventures and strange connections between words. Next you'll be telling
him there's a link between the Land of Ev and Robert Evans—or even more
ludicrous—that Frank Oz and Michael Ovitz of Hollywood have a mystical
link to Oz because they have Oz in their names, or even more ludicrous,
that you and Chris Dulabone have a connection because you both have the
initials C.D. I mean, how far can you go with this stuff? I'm telling
the boy about real things and about real life…"
Dickens just shook his head slowly and turned to Graham. "I really don't
pay much attention to his rambling. Go ahead and read his boring letters
before he has a kitten. I won't forget my promise to you, and we'll have
a delightfully interesting time together, you'll see. And I promise you,
my stories will not be imaginary. Oh, by the way, here's some of my
correspondence you might wish to take back with you. One is a letter and
note I sent to my American friend, Mr. Fields of Boston, and also some
beverage recipes I sent to Mrs. Fields. Also an announcement of two
plays I produced, one of which I acted in and—"
"You're not the only actor around here, Mr. Dickens, sir!" interrupted
Twain. "I've acted in plays, too. For example, I was in Loan of a
Lover in 1876. Your Mrs. Fields, by the way, said I was wonderful in
it. And as long as you're producing letters you wrote to Mr. Fields,
I'll give young Graham a copy of a letter that I wrote to Mr. Fields. So
what do you think about that?"
Graham was astounded to hear these two world-famous personages fighting
like children and competing for his attention. What would his history
teacher and his fellow classmates think? He accepted the additional
material, then settled down to begin reading as the two men continued to
argue all the way back to their seats. He started with Mark Twain's
letters. There were actually four letters, one of them completely in
German, which Twain probably had not meant to hand him. But the boy read
it anyway, no matter that he did not understand a word. It did not dawn
on him that, if this was a dream, where did the German words come from
if they were not in his consciousness to begin with? Below is a copy of
the letters for the record, although it is suggested that the reader
skim over them for now, as they are not relevant except as historical
interest:
_Schloss-Hotel Heidelberg May 7, 1878 H. Albert
Lieber Herr Taylor:
Wir werden hier blieben viellicht für drie Monate, zum Schloss Hotel.
—Dies hotel steht about fünf und siebenzig Fuss Höhler als das Schloss,
und commandirt ein Aussicht welcher ohne Ahnlichkeit in der Welt hat.
(Sie mussen excuse auskratchens, interlineations.)
Ich habe heute gecalled on der Herr Professor Ihne, qui est die
Professor von Englishen Zunge im University, to get him to recommend ein
Deutchen Lehrer Für mich, welcher he did. Er sprach um mehrerer
Americanischer authors, und meist güngstiger & vernügungsvoll von Ihrer;
dass er knew you and Ihrer so wohl durch Ihrer geschereibungen; und wann
Ich habe gesagt Ich sollen Ihr schreiben heute Nacht gewesen if nothing
happened, er bitte mich Opfer sein compliments, und hoffe Ihnen will ihm
besuchen wenn du Kommst an Heidelberg. Er war ein vortrefflicher and
liebwürdiger & every way delightful alte gentleman. Man sagt Ich muss
ein Pass (in der English, Passport,) haben to decken accidents. Däfur
gefelligt Ihnen furnish me one. Meine Beschreibung ist vollenden: Geborn
1835; 5 Fuss 8 ein wenig unter, sometimes ein wenig oben; dunkel braun
Haar und rhotes Moustache, full Gesicht, mit sehr hohe Oren and leicht
grau practvolles strahlenden Augen und ein Verdammtes gut moral
character. Handlungkeit, Author von Bücher. Ich habe das Deutche sprache
gelernt und bin ein glücklicher Kind, you bet. With warmest regards &
kindness remembrances from all our party to you & your wife and
daughter.
Yrs sincerely, S. L. Clemens
The Königstuhl, June 10 [1878] Lieber Herrn Taylor:
(Don't know whether it ought to be Herr or Herrn). Am much obliged for
the letter—it was from friend whom I have been trying to ferret out.
Yes, we still live at the Schloss-Hotel, & shall doubtless continue to
do so until the neighborhood of August—but I only eat and sleep there;
my work-den is the second story of a little Wirthschaft which stands at
the base of the tower on the summit of the Konigsstuhl. I walk up there
every morning at 10, write until 3, talk the most hopeless and
unimprovable German with the family 'til 5, then tramp down to the Hotel
for the night. It is a schones Aussicht up there as you may remember.
The exercise of climbing up there is invigorating but devilish. I have
just written regrets to the Paris Literary Convention. I did hate to
have to miss that entertainment, but I knew that if I went there & spent
a fortnight it would take me another fortnight to get settled down into
the harness again—couldn't afford that.
The Emperor is a splendid old hero! That he could survive such wounds
never entered my head—yet by the news I judge he is actually
recovering. It is worth something to be a Lincoln or a Kaiser Wilhelm—&
it gives a man a better opinion of the world to show appreciation for
such men—& what is better, love of them.—I have not seen anything of
this outburst of affectionate indignation since Mr. Lincoln's
assassination gave the common globe a sense of personal injury. Ich habe
der Consul Smith gesehen ein Paar Wochen ago, & told him about that
Pass, und er hat mir gesagt das er wurde be absent from this
gegen—(something) zwei oder drei Wochen, aber wann er sollte hier
wieder nachkommen, wollte er der pass geschlagen worden & snake it off
to Berlin. Vielleicht hat er noch nicht zu Mannheim zuruck-kehrt.
Now as to the grammar of this language; I haven't conquered the
Accusative Case yet (I began with that) & there are three more. It
begins to seem to me that I have got to try to get along with the
Accusative alone & leave the rest of this grammar to be tackled in the
future life.
With our kindest remembrances to you & yours
Yrs sincerely, S. L. Clemens
Hotel de l'Ecu de Geneve Sept. 8/78
My dear Mr. Taylor:
I have learned the German language & forgotten it again; so I resume
English once more. I have just returned from a walking trip to Mont
Blanc—which I was intending to ascend, but was obliged to give up the
idea, as I had gone too early & there was still snow on it. I find your
letter here; if you will be so kind as to forward Slote's letter to the
above address I think it will be in time to catch me—& in any case I
will make arrangements to have it follow me. (I am going to try to
enclose the necessary stamps in this, but if I forget it—however, I
won't)
We have been poking around slowly through Switzerland for a month; a
week hence we go to Venice—to Rome & other places later; & we are
booked for Munich Nov. 10 (for the winter.) One of these days I am going
to whet up my German again & take a run to Berlin, & have a talk with
you in that fine old tongue.
Yrs Ever
S. L. Clemens
No. 1a Karlstrasse,
(2e stock) Munich, Dec. 14 [1878]
My Dear Mr. Taylor:
When we were poking around Italy 3 or 4 weeks ago, I was told that you
were ill, but straightway saw it contradicted in a newspaper. Now comes
this paragraph in Galignani which not only shows that the contradiction
was erroneous, but shows how ignorant one may be in this country about
what is happening only a few hundred miles away; especially when one is
buried in work & neither talks with people or often looks in the paper.
We three folks are heartily glad to hear that you are coming happily out
of it; & we are venturing to hope that by this time you are wholly
restored.
We are located for the winter,—I suppose. But the children are having
such a run of coughs & diptheria [sic], that I can't tell at what moment
Mrs. Clemens may take fright & flee to some kindlier climate. However, I
stick hard at work & make what literary hay I can while we tarry. Our
little children talk German as glibly as they do English, now, but the
rest of us are mighty poor German scholars, I can tell you. Rev.
Twitchell (who was over here with me a while,) conceived a pretty
correct average of my German. When I was talking, (in my native tongue,)
about some rather private matters in the hearing of some Germans one
day, Twitchel said, "Speak in German, Mark,—some of these people may
understand English."
Many a time when teachers & dictionaries fail to unravel knotty
paragraphs, we wish we could fly to you for succor; we even go so far as
to believe you can read a German newspaper & understand it; & in moments
of deep irritation I have been provoked into expressing the opinion that
you are the only foreigner except God who can do that thing. I would not
rob you of your food or clothes or your umbrella, but if I caught your
German out I would take it. But I don't study any more,—I have given it
up.
I & mine join in the kindest remembrances & best wishes to you & your
family.
Sincerely Yours
Saml. L. Clemens
We are going to try to run over to Berlin in the spring_.
As Graham finished Mark Twain's last letter—the one to Mr. Fields,
dated 1874—he noticed that the next letter from Dickens to Mr. Fields
was dated 1867—seven years prior. He wondered if the two famous writers
had actually crossed paths or had just known the Fields independent of
one another. Either way, it was interesting to note that they were
contemporaries. He had always imagined that Dickens had lived in a much
earlier era than Twain. Well, to continue:
_Westminster Hotel, New York Sunday, Twenty-ninth December, 1867
My Dear Fields:
When I come to Boston for the two readings of the 6th and 7th, I shall
be alone, as the Dolby must be selling elsewhere. If you and Mrs. Fields
should have no other visitor, I shall be very glad indeed on that
occasion to come to you. It is very likely that you may have some one
come with you. Of course you will tell me so if you have, and I will
then re'mbellish the Parker House.
Since I left Boston last, I have been so miserable that I have been
obliged to call in a Dr.—Dr. Fordyce Barker, a very agreeable fellow.
He was strongly inclined to stop the Readings altogether for some few
days, but I pointed out to him how we stood committed, and how I must go
on if it could be done. My great terror was yesterday's Matinee, but it
went off splendidly. (A very heavy cold indeed, an irritated condition
of the uvula, and a restlessly low state of the nervous system, were
your friends maladies. If I had not avoided visiting, I think I should
have been disabled for a week or so.)
I hear from London that the general question in society is, what will be
blown up next year by the Fenians.
With love to Mrs. Fields, believe me,
Ever Affectionately yours, And hers, CHARLES DICKENS_
Following this letter to Mr. Fields was the note dated 1869 and the
recipes for the brewing of pleasant beverages. Last was the program for
the two plays at the Tavistock House Theatre. Graham was really looking
forward to bringing all these things back with him.
As Graham got to the last line of the last letter, his eyes began to
feel heavy. The whirlwind of activity since his abduction had caught up
with him. Just as he was falling asleep, the sound of the captain's
voice on the intercom jerked him awake. "Ladies and gentlemen, we are
approaching Historicalfigureland International Airport. We hope you had
an enjoyable flight and hope to see you again on Oz Airlines. Oh, and to
our young guest from America, you are welcome to visit your friends here
any time. But I'm sure you want to continue with your mission, and you
will be glad to hear that we will be making an immediate turnaround
after the disembarkation of our other passengers. I believe you were
brought on board for the sole purpose of delivering some important
documents back to America, but you are certainly welcome to stay as long
as you wish."
At that, the plane landed with a slight bump and soon taxied to the
terminal. The doors opened and everyone began to file out—many,
anticipating that Graham would soon be returning, didn't engage him in
conversation, but shook his hand warmly and wished him well. Mark Twain
gave him a hug and said how much he had enjoyed his company. He said
that Graham reminded him a lot of Tom Sawyer who, he said, currently
lived down the street from him. Seeing Graham's puzzled expression, he
quickly explained that any imaginary character an author dreams up is
actually a person that the author has tuned into. And that an author
rarely has an original thought in his head but is really very good at
catching glimpses of activities (present, past or future) somewhere in
creation.
As Mark Twain turned to the exit, Graham suddenly remembered a question
that he had wanted to ask. "Oh, Mr. Twain," he called. "I wanted to ask
how you came to use the name Mark Twain. I know your real name is Samuel
Clemens…."
"Well," responded Twain, "no one has ever asked me that question
before—Just kidding," he added quickly, seeing Graham's expression.
"Yes, I am asked it all the time. The name was first used by an old
Mississippi river pilot named Isaiah Sellers, who used to write items
for the New Orleans Picayune, in which he told of his adventures. He
signed them Mark Twain, which in the parlance of pilots is a leadsman
call meaning two fathoms, or twelve feet. When I was a cub pilot, I
wrote a burlesque on Captain Seller's articles and published it in a
rival paper under the signature of Sargeant Fathom. Unfortunately, the
captain was so hurt by the burlesque that he never wrote another
article. I still feel badly about it to this day, for I would never have
intentionally hurt the old gentleman's feelings. Anyway, in 1863, when I
was working for the Enterprise in Virginia City, Nevada, I wanted a
good pen name and, while I was trying to think of one, I received the
news of the death of the good captain. This brought to mind the name
Mark Twain, and so I adopted the name in his honor. I signed it first in
a letter from Carson City to the Enterprise on February second, 1863.
So now you know, my young friend," said Twain as he handed him an
autographed photo of himself. "Something to keep for yourself, in
remembrance of your visit here." He hugged Graham again and waved
goodbye to the boy as he descended from the plane.
Several distinguished-looking gentlemen stopped to introduce themselves
to Graham. One said his name was Ralph Waldo Emerson and another,
Nathaniel Hawthorne. Yet another, Isaac Newton, who said Graham would
probably become a scientist.
"Undoubtedly a physicist," said Albert Einstein.
"Oh, no," interjected Eugene O'Neill. "There's no question that he will
be a writer." This last remark was overheard by Charles Lindbergh, who
insisted that Graham would be a flyer. Then two deep resonant voices
spoke in unison: "It is obvious that the boy is a born actor." The
speakers were Lionel Barrymore and John Gilbert. But Senator Charles
Sumner had the final word: "Whether he becomes an actor or not is
immaterial: I can assure you that this young man's ultimate destiny is
in the political arena."
After the distinguished group finished arguing about Graham's future
vocation, they said that, since he seemed to be starting an autograph
collection, they would be glad to add theirs to the list. Even John
Dickens, father of Charles Dickens, signed the sheet. Then Emerson also
handed him a note that he had written to—of all people—Mrs. Fields!
"Don't mention this to Dickens or Twain," he said. "They'll just be
jealous."
Turning to make sure Emerson had disembarked, Nathaniel Hawthorne winked
at Graham and whispered, "Here's a little note that I, too, wrote to
Mrs. Fields. Not a word now to Emmy, Dickybird, or Marky-Mark." Graham
laughed out loud at the nicknames being given to Emerson, Dickens, and
Twain, as well as the schoolboy-like antics being displayed by these
great men. Then Edward Lear, who wrote The Owl and the Pussycat, also
handed him a handwritten note to Mrs. Fields. Graham could not help but
think what a popular lady this Mrs. Fields must have been in her day. He
wished he could have known her.
Hawthorne then handed him a signed photograph, as did Isaac Newton,
Charles Darwin, Thomas Alva Edison, Albert Einstein, and H. G. Wells.
Even Stephan Crane and Rudyard Kipling produced photographs.
Mr. Shakespeare was the last to leave. He had gone back to his seat when
Messrs. Twain and Dickens were vying for Graham's attention. He, too,
hugged the boy as he said goodbye, then handed him a piece of paper. "I
have written down the verses I recited to you earlier, my friend—just
in case you are not able to remember them all. It is important that this
be given, simply because so many people doubt my authorship. I suppose
after it is published there will still be doubters, but so be it.
Skeptics have always existed and, I assume, always will. Some people
like to doubt the reality of certain phenomena that appears quite
obvious to others. I suspect it makes them feel secure: something they
no longer have to deal with. Well, good luck, my little friend. I'm sure
you will find your way home. Oh, incidentally, I almost forgot. I didn't
want to one-upmanship Dickens and Twain in their presence, but I was an
actor too, you know—long before those two. You might also like to have
my autographed sketch. You will note the difference in my spelling of my
name and the later versions." He stuffed a piece of paper in Graham's
shirt pocket as he exited.
As the plane's doors closed behind Shakespeare, the flight attendant
brought Graham a refreshing glass of lemonade. His thoughts turned to
Telly, who had been so sad at being left behind. He eagerly looked
forward to seeing the little guy again.
Graham slept the entire trip back. He awoke just as the plane taxied to
the terminal. And who should be waiting in exactly the same place as he
left him but Telly, who was so glad that Graham had returned that he ran
up and hugged him for the longest time.
"I knew you'd come back," he said. "That's why I waited. I knew that the
plane couldn't be going to America. In fact, I still don't believe that
there was any plane or airport or anything. I think it was all some
trick of the Witch to confuse us. Planes simply cannot exist in Oz.
Transportation is either by foot or via some magical contrivance such as
the animated Gump or the famous Red Wagon."
"Well, I hate to disappoint you," replied Graham, waving the bundle of
letters, photographs, and drawings in his hand. "But where do you think
these came from if the whole thing was some kind of hallucination? And
how could I read German words if the words weren't in my consciousness
to begin with? And I certainly couldn't have made up Shakespeare's
words."
"And I hate to disappoint YOU," answered Telly, quite tartly, "but you
might wish to look behind you."
Graham turned to look behind him to catch a glimpse of the entire
airport fading away. Not only that, but the papers in his hand had also
faded away to absolute nothingness. "Oh, no!" cried the boy. "Now I have
no proof of my experience!"
"That's because it never happened," Telly replied dryly.