A Select Collection of Old English Plays, Volume 07, by

About this eBook

Compiler

Dodsley, Robert, 1703-1764

Title

A Select Collection of Old English Plays, Volume 07

Credits

E-text prepared by Jonathan Ingram, Tapio Riikonen, and Project Gutenberg Distributed Proofreaders

Language

English

LoC Class

PR: Language and Literatures: English literature

Subject

English drama

Category

Text

eBook-No.

10336

Project Gutenberg

https://www.gutenberg.org/ebooks/10336

Release Date

November 1, 2003

Copyright

Public domain in the USA.

Contents

1. 1.CONTENTS: — EDITION — INTRODUCTION. — SCENE III. — EPILOGUS. — TO HIS FRIEND R.W. — A PREFACE TO THE QUEEN'S MAIDENS OF HONOUR.[5] — 1. A SONNET OF THE QUEEN'S MAIDS. — 2. ANOTHER TO THE SAME. — 3. ANOTHER TO THE SAME. — DRAMATIS PERSONAE.[10] — ARGUMENT OF THE TRAGEDY.[12] — ANOTHER OF THE SAME, MORE AT LARGE, IN PROSE.[14]
2. 2.TANCRED AND GISMUNDA.[17] — ACT I., SCENE 1. — ACT I., SCENE 2. — ACT I, SCENE 3.
3. 3.ACT II, SCENE 1. — GISMUNDA AND LUCRECE. — ACT II., SCENE 2. — ACT II., SCENE 3.
4. 4.ACT III., SCENE 1. — ACT III., SCENE 2. — ACT III., SCENE 3.
5. 5.ACT IV., SCENE 1. — ACT IV., SCENE 2. — ACT IV., SCENE 3.
6. 6.ACT IV., SCENE 4.
7. 7.ACT V., SCENE 1. — ACT V., SCENE 2. — ACT V., SCENE 3. — FINIS. — EPILOGUE. — THE WOUNDS OF CIVIL WAR. — _EDITION.
8. 8.MR. COLLIER'S PREFACE.[89]
9. 9.THE MOST LAMENTABLE AND TRUE
10. 10.ACTUS SECUNDUS, SCENA PRIMA.
11. 11.ACTUS TERTIUS. SCENA PRIMA.
12. 12.ACTUS QUARTUS, SCENA PRIMA.
13. 13.ACTUS QUINTUS. — FINIS. — MUCEDORUS. — _EDITIONS. — THE PROLOGUE.[168] — DRAMATIS PERSONAE.
14. 14.MUCEDORUS. — FINIS. — THE TWO ANGRY WOMEN OF ABINGTON. — _EDITION.
15. 15.[DYCE'S PREFACE.][199] — THE PROLOGUE. — THE NAMES OF THE SPEAKERS.[208]
16. 16.THE PLEASANT COMEDY OF THE TWO ANGRY WOMEN OF ABINGTON. — FINIS. — LOOK ABOUT YOU. — _EDITION. — DRAMATIS PERSONAE[453]
17. 17.A PLEASANT COMEDY CALLED LOOK ABOUT YOU. — SCENE THE FIRST. — SCENE THE SECOND. — SCENE THE THIRD. — SCENE THE FOURTH. — SCENE THE FIFTH. — SCENE THE SIXTH. — SCENE THE SEVENTH. — SCENE THE EIGHTH. — SCENE THE NINTH. — SCENE THE TENTH. — SCENE THE ELEVENTH. — SCENE THE TWELFTH. — SCENE THE THIRTEENTH. — SCENE THE FOURTEENTH. — SCENE THE FIFTEENTH. — SCENE THE SIXTEENTH. — SCENE THE SEVENTEENTH. — SCENE THE EIGHTEENTH. — SCENE THE NINETEENTH. — SCENE THE TWENTIETH. — SCENE THE TWENTY-FIRST. — SCENE THE TWENTY-SECOND. — SCENE THE TWENTY-THIRD. — SCENE THE TWENTY-FOURTH. — SCENE THE TWENTY-FIFTH. — SCENE THE TWENTY-SIXTH. — SCENE THE TWENTY-SEVENTH. — SCENE THE TWENTY-EIGHTH. — SCENE THE TWENTY-NINTH. — SCENE THE THIRTIETH. — SCENE THE THIRTY-FIRST. — SCENE THE THIRTY-SECOND. — SCENE THE THIRTY-THIRD. — FINIS.
18. 18.FOOTNOTES:

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