Lola found herself walking up
the cañon, between the rocky
hills beside the dry arroyo. Summer
dust whitened the road, and rose to
her tread in alkaline clouds. It was
warm, too, under the remorseless
Colorado sun, but nothing touched
Lola. She was struggling with a
thing that was half anguish and half
anger, and that lifted upon her a face
more and more convincing in its ugliness.
It seemed impossible to doubt that
Jane had indeed worked the wrong of
which Señora Vigil accused her—although
Jane's own word, and no word
of the señora's, bore this conviction to
Lola's breast. Jane had faltered in
the trust which she had assumed, and
now, confronted with the embarrassment
of facing Lola's father in a
plain confession of her delinquency,
she hesitated and was miserable and
afraid and reluctant. Rather than
state her situation she would even
keep Lola from school.
"It isn't that I care for that!"
throbbed Lola. It was not the stoppage
of her own course, indeed, although
this was a misery, but the loss
of trust in all humanity which distrust
of Jane seemed to the girl to inflict
upon her. If Jane were not true,
none could be; and the suspicion and
unrest rioted back again to the bosom
which belief in Jane and the world
had softened and calmed.
There was nothing to do. Lola's
father could easily repair Jane's
shortcoming, but not without having
an explanation of the facts of the case.
The facts of the case he must never
know. Even in her pain and indignation,
Lola never made a question of
this.
"Suppose it is true!" thought the
girl, suddenly overcome by a new tide
of feeling. "What am I blaming her
for? She would never have fixed the
house or bought things for herself!
She did it all for me. And although
I would rather have gone to school
than have the piano, am I to blame tia
for not knowing this? She never
thought where she was coming out.
She just went on and on. And now
that there is no more money, she is
frightened and sorry and ashamed.
She has done everything for me—even
herself she has fairly made over
to please me. Poor tia! Oh, ungrateful
that I am to have been thinking
unkindly of her!"
Suddenly all the bitterness left her,
like an evil thing exorcised by the first
word of pitying tenderness. Tears
stole sweetly to her eyes. Peace came
upon her shaken spirit. The day had
been full of strange revelations; and
now it showed her how good for the
human heart it is to be able to pity
weakness, to love, to forbear and to
forgive.
In the strange peacefulness which
brooded over her she walked home between
the piñon-sprinkled hills, where
doves were crooning and the far bleating
of an upland herd echoed among
the barren ridges. She reflected quietly
upon meeting Jane without a hint
of any shadow in her face, but in such
sunniness of humor as should gladden
and reassure. And Jane would never
dream of the dark hour which had
visited her child. She would never
know that any slightest thought, unnurtured
in affection, had risen to
cast between them the least passing
shadow; although from Lola's heart
might never pass away that little, inevitable
sense of loss which those
know whose love survives a revelation
of weakness in one believed to be
strong.
As she came in sight of the hollow
roof of the Dauntless she saw the doctor
riding toward her.
"Hello!" he said. "What have
you been doing up the cañon? Building
Spanish castles?"
"Watching Spanish castles fall,"
said Lola, smiling. "What would
you do," she went on lightly, "if you
had planned something worth while,
and it became impossible?"
The doctor looked down at her
young, questioning face. It was
grave, although she spoke gaily, and
looked so mere a slip of girlhood with
her brown throat and cheek and lifted
black-lashed eyes.
Unexpectedly the doctor remembered
when he, too, had meant to do
things that should be "worth while."
He thought of Berlin and Vienna and
Paris, and the clinics where he had
meant to acquire such skill as, aiding
his zeal, should write him among the
first physicians of his day. And here
he was, practising among a few Mexicans
and miners, tending their
bruises, doling them out quinine, and
taking pay of a dollar a month from
every man, sick or well, enrolled on
the mine books, and frequently getting
nothing at all from such as were
not therein enrolled. Never a volume
of his had startled the world of science.
Surgery was bare of his exploits.
Medical annals knew him not.
All he had thought to do was undone
by him; and yet here he was, contented,
happy and healthy in a realm
of little duties. In so unpretentious
a life as this he had found satisfaction;
and for the first time it came
upon him that thus simply and calmly
satisfaction comes to the great mass
of men who have nothing to do with
glory or hope of glory.
"When great things become impossible,
what would you do?" said Lola,
tossing back her long, braided hair.
"I would do little things," said the
doctor, with whimsical soberness.
An unusual equipage was turning
in from the Trinidad road—an equipage
on which leather and varnish
shone, and harness brasses flashed,
while the dust rolled pompously after
it in a freakish fantasy of postilions
and outriders. The driver made a
great business of his long whip. The
horses were sleek and brown. Altogether
the vehicle had a lordly air,
easily matching that of the individual
sitting alone on the purple cushions—a
man whose features were not very
clear at the distance, although the yellowness
of his beard, the glitter of
his studded shirt-front, and whole
consequential, expansive effect recalled
to the doctor's mind an image
of the past, less ornate, indeed, and affluent,
but of similar aspect. He narrowed
his eyes, staring townward over
Lola's head, and wondering if yonder
princely personage might not in very
truth be Lola's father.
But the girl's eyes were bent upon
the ground. She did not see the
equipage or the man on the purple
cushions.
"You do little things?" she said,
raising her eyes gravely to the doctor's.
He had always seemed to her
the man who did great things. "I
will try," she added, seriously.
While she talked with the doctor
the world seemed to Lola a pleasant
place, with a golden light on its long
levels and a purple glamour on its
hills. And after he had left her, she
went with a light heart down the unpaved
street that she had lately traversed
in unseeing bitterness. The
very hum of the mine cars was full of
good cheer; children splashed joyously
in the ditch; magpies gossiped; the
blacksmith-shop rang with a merry
din of steel.
Set emerald-like in the yellow circle
of the prairies, the green young cottonwood
grove about Jane's house
shone fresh and vivid. At the white
gate a carriage waited—a strange carriage
which Lola scrutinized wonderingly
as she approached. With delighted
eyes she noted the purple
cushions and the satin coats of the
horses. Who could have come?
Whose voice was that which issued
from the house in an unbroken monologue,
genial, laughing, breathless?
Suddenly, as she mounted the porch
steps, a persuasion of familiarity in
those light accents overcame her.
Could it be that her father had come
at last? That, after all her waiting,
she was to see him and talk with him
and sob out on his breast her appreciation
of his long labors in her behalf,
his kindness, unselfishness and
goodness?
She forgot that she had sometimes
been hurt at his silence and absence.
Her childhood swam before her; she
recalled the sweetness of her mother's
face, and in that memory he who
awaited her in Jane's sitting-room
gathered a graciousness which exalted
him, as if he, too, had been dead and
was alive again.
The talk broke off at her impetuous
entrance. Upon a chair sat a man
with a round and ruddy face, with
bright blue eyes and a curling spread
of yellow beard. Lola hesitated. She
doubted if this richly arrayed, somewhat
stout man could be the slim, boyish-looking
father she remembered.
Then the unalterable joyousness of
his glance reassured her, and she
rushed forward crying, "Oh, it's
you! It's you!"
She had not noticed Jane, who sat
opposite, mute and relaxed, like one
in whom hope and resolution flag and
fail; but Jane's deep eyes followed
Lola's swift motion, and her look
changed a little at the girl's air of
eager joy. As she saw Lola fling herself
upon his breast and cling there,
she winced, and her heart yearned at
the sight of a love which she had
somehow failed to win with all her
efforts, and which now she should
never win, since Lola was about to
leave her forever.
The hour so long dreaded by Jane
seemed surely to have come at last—the
hour of her child's departure.
Forth to life's best and brightest Lola
would go, as was meet. Happiness
illimitable awaited the girl she had
cherished. It was right that this
should be so; yet, alas for the vast
void gray of the empty heart which
Lola would leave behind!
"Well, this is a kind of surprise!"
said Mr. Keene, holding his daughter
away for a better sight of her radiant
face. "You are taller than I expected.
She's got real Spanish eyes,
aint she, Miss Combs? Like her
mother's. The Keenes are all sandy.
I'm not sure I'd have known you,
Lola."
"Oh, papa, you've been away so
long! You've been kind and good to
me—yet—"
"We'll have to let bygones be bygones,"
declared her father, gratified
to learn that she had thought him
good and kind—for this point had
rather worried him. "I've felt at
times as if I hadn't done you just
right."
"Don't say so, papa!"
"Well, I won't," agreed Mr.
Keene, willingly. "Only I'm glad
to find you haven't cherished anything
against me for leaving you like
I did. When I persuaded Miss Jane
to take you, I couldn't foresee what
hard luck I was going to strike, could
I?" As he paused he caught Jane's
eye upon him in a significance which
he did not understand.
"She doesn't know," said Jane, in
a sort of whisper, indicating Lola,
whose back was toward her.
"Doesn't know what?" asked Mr.
Keene, unwitting and bewildered.
"Of course she doesn't know all I
suffered, what with taking up one
worthless claim after another month
in and out—if you mean that! Why,
I actually thought one time of giving
up prospecting and settling down to
day's work! Yes'm! It was sure
enough that grub-stake you gave me
last Fourth of July that brought me
my first luck! I put it right into
Pony Gulch and my pick struck free-milling
ore the first blow! Some of
the stuff runs ninety dollars to the ton
and some higher. I've already had
good offers for my claim from an
English syndicate, but I haven't decided
to sell. Seems queer it should
be such a little while ago that I called
you out of that pavilion, Miss Jane,
and told you what a fix I was in! You
remember you said you hadn't the
money—and then afterward you
turned in, real friendly, and raised
me what I needed."
Lola exclaimed, "You were here
in town on the Fourth of July? O
papa! Why didn't I see you? Oh—what—"
"You came near enough to seeing
me," laughed Mr. Keene, "and to going
away with me, too! I'm glad
things happened like they did. That
boarding-house was no place for you,
Lola. I realize it now! But I was
pushed to the wall. But for Miss
Jane's helping me out, I'd have had
to take you away, sure enough! She
told you, didn't she?"
"Told me? Told me what?"
"Why, about my idea of getting
you that situation up in Cripple?
They needed help bad up in the boarding-house
where I lived, and I'd
made 'em a promise to fetch you. It
was easy work in the dining-room,
and right good pay."
"And—and—tia fixed it—so—you
decided to leave me here?"
"That's what she did! I'm
mighty glad of it, too, for I see you're
not cut out for any such work. I'm
not forgetting what I owe Miss Jane.
She's been a good friend to us both.
I was sorry to hear down in Trinidad
about your mortgaging your house
that time, Miss Combs. Yes, I'm
downright ashamed to think I've let
you pay me month by month for
Lola's services, when really you were
out of pocket for her schooling and
all. But I didn't realize how things
were, and now we'll level things up."
"My services!" Lola sprang to her
feet. Everything was clear enough
now. No need to summon charity for
Jane's shortcomings! No need to
overlook, to palliate, to forgive!
Jane's fault had been merely too lavish
a generosity, too large a love.
There had been no question with her
of property. She had simply given
everything she had to a forsaken, ungrateful
child—home, food, raiment,
schooling.
These were the facts. The flood of
unutterable feeling which swept over
Lola as the knowledge of it all flashed
upon her was something deeper than
thought, something more moving than
any mere matter of perception. A
passionate gratitude throbbed in her
heart, confused with a passionate self-reproach.
She desired to speak, but
somehow her lips refused utterance.
She trembled and turned white, and
stood wringing her hands.
"I was always a generous man,"
said Mr. Keene, lost to his daughter's
looks in pleasant introspection, "and
I mean to do right by you, Miss
Combs. You'll find I'm not ungrateful.
Lola'll always write to you, too,
wherever we are. I'm thinking some
of Paris. How'd that suit you, Lola?
A person can pick up a mighty good
time over there, they say. And bonnets—how
many bonnets can you
manage, Lola? Why, she looks kind
of stunned, don't she, Miss Combs?"
Jane was gazing at the girl. She
knew well with what force the blow so
long averted had fallen at last. In
her own breast she seemed to feel the
pain with which Lola had received
her father's revelations.
"Lola," she cried, leaning forward,
"don't feel so, my lamb! I'm sorry
you had to know this. I tried hard to
keep it from you. But it's all out
now, and you must try to bear it.
Your father don't realize—he hasn't
meant to hurt you. He's fond of you,
dearie. And he's going to take you
to foreign lands, and you can see all
the great pictures and statues, and
have a chance to learn all the things
you spoke of—designing and such.
Don't look so, my child!"
Mr. Keene began to feel highly uncomfortable.
Evidently, in his own
phrase, he had "put his foot into it;"
he had said too much. He had disclosed
fallacies in himself of which
Lola, it seemed, knew nothing. And
now Lola, who had received him with
such flattering warmth, was turning
her face away and looking strange
and stern and stricken.
Nor did Miss Combs seem fairly to
have grasped the liberality of his intentions.
She, too, had a curious air
of not being exalted in any way by so
much good fortune. She appeared to
be engaged solely in trying to reconcile
Lola to a situation which Mr.
Keene considered dazzling.
Altogether it was very disturbing,
especially to a man who did not understand
what he had done to bring
about so unpleasant a turn. He was
about to ask some explanation, when
Lola said slowly, "And you, tia, you
have done so much for me that you
have nothing left? Is that so?"
"I don't need much, Lola. I'll be
all right. Don't you worry."
"You won't mind living here alone
and poor?"
"She won't be poor, Lola," interpolated
Mr. Keene. "Haven't I said
so? And you can come and see her,
you know. Everything will come out
all right."
Lola turned a little toward him,
and he was glad to see that her eyes
were soft and gentle and that the
stern look had disappeared. "Yes,"
she said, "it will come out all right
for tia, because I shall be here to see
that it does."
She caught her breath and added,
"You couldn't think I should be
willing to go away and leave her like
this? Even if I hadn't heard how
much more she has done for me than
I dreamed? For I have been ignorant
till now of many things; but I
shouldn't have forgotten that she
loved me and had reared me and cared
for me when there was no one else.
No, father, no! And now that you
have let me find out what I owe her,
do you think I sha'n't remember it
always with every beat of my heart?
Oh, yes—although I can never repay
her for all she has suffered in keeping
me from knowing things which
would have hurt me too much when I
was little and—and could not make
allowances—as I can now. My home
is here. My heart is here, father.
You must let me stay!"
She had taken Jane's hand and was
holding it closely—that happy hand
which for very blessedness and amazement
trembled more than her own.
And so holding it, she cried, "Tia,
you want me to stay, don't you? Say
yes! Tell him I may stay! It is my
home where you are. And oh, how
different I will be!"
Jane, listening, could only press
those slender, clinging fingers in
speechless comfort, and look up
silently into the imploring eyes of her
child—eyes filled with tears and love.
A moment of silence ensued. Then,
clearing his throat suddenly, Mr.
Keene rose and walked to the window.
"Lola," he said presently, turning
to face the two others, "I don't blame
you one bit. Miss Jane's done a heap
more for you than I had any notion.
'Tisn't only that she's done all you
say, but she's raised you to be a girl
I'm proud of—a right-minded, right-hearted
girl. I never thought how it
would look for you to be willing to
rush off at the first word and leave behind
you the person you owed most to
in the world! But I'm free to say
I wouldn't have liked it when I come
to think of it. I wouldn't have felt
proud of you like I do now. Knocking
around the foot-hills has shaken
me up pretty well, but I know what's
right as well as any man. There's
things in my life I'd like to forget;
but they say it's never too late to
mend. And I have hopes of myself
when I see what a noble girl my
daughter's turned out."
A Prairie Infanta
"'TIA, YOU ARE A LADY OF FORTUNE!'"
He put his handkerchief away and
came and stood before them, adding,
"I haven't had a chance to finish my
other story. When Miss Jane gave
me that grub-stake she didn't know, I
reckon, that half of anything I might
strike would belong to her—that in
law, grub-stakes always means halves!
But I never had any intention of not
dealing fair and square. So when I
said she wasn't going to be poor, I
meant it! For half 'the Little Lola'
belongs to her. And if she's willing,
I'll just run the mine for the next
year or so, and after that we can talk
about traveling."
Mr. Keene, during the past hour,
had been made sensible of certain deficiencies
in himself. No one had accused
him or reproached him, yet he
felt chagrined as he saw his own conduct
forcibly contrasted with the conduct
of a different sort. But now, as
his daughter sent a beaming glance
toward him, his spirits rose again,
and he began once more to regard
himself hopefully, as a man who, despite
some failings, was honest in the
main, and generous and well-meaning.
"Oh, how glad I am!" said Lola.
"Tia, tia, do you hear? You are a
lady of fortune and must have a velvet
gown! And, oh, tia, a tall, silver
comb in your hair!" She dropped a
sudden kiss down upon the smooth,
brown bands, and added in a deeper
tone, "But nothing, nothing, can
make you better or dearer!"
Jane smiled uncertainly as if she
were in a dream. Could this unlooked-for,
bewildering satisfaction
be indeed real, and not a visionary
thing which would presently fade?
She looked about. There was actuality
in the scene. The cottonwoods
rustled crisply, Alejandro Vigil was
calling to his dog, and the tinkle of his
herd stole softly upon her ear. The
great hills rose majestic as of old
upon the glorious western sky; the
plains stretched off in silvery, sea-like
waves to the very verge of the
world. And hard by many a familiar
thing spoke of a past which she knew;
pots of geraniums, muslin shades and
open piano. There, too, was Mr.
Keene, sitting at ease in his chair;
there was Lola, bending over her in
smiling reassurance. And finally,
there was Tesuque himself regarding
her from his shelf in an Olympian
calm which no merely mortal emotion
could touch or stir. Tesuque's little
bowl was still empty, but in his adobe
glance Jane suddenly grew aware how
truly her own cup overflowed.
[THE END]
A PRAIRIE INFANTA
By Eva Wildeer Brodhead
A clever Western story that develops in a little Colorado
mining town. One is made to see the green, tall cottonwoods,
the straggling mud-houses and pungent goat-corrals of its
people, among whom lived the woman who took to her great
heart the motherless Lola.
The tropical brilliancy of the girl, by reason of her red frock
and the red ribbons in her hair, excites the jealousy of the
little Mexicans and the paler children from the mining end of
the town, and in their disapproval they style her "Infanta."
The story of the girl's life is charmingly told, and eventually,
her father, a man who, despite some failings, is generous and
well-meaning, reappears in the character of a wealthy mine
owner, and brings the story to an unlooked for and happy
termination.
Cloth, ornamental, illustrated, 50 cents
WITCHERY WAYS
By Amos R. Wells
PICTURES BY L. J. BRIDGMAN
Children may well be grateful to the forgotten people who,
long ago, first invented fairy tales. Mr. Wells confesses, in
the preface to this book, that he has a very tender regard for
the "Little People," as fairies used to be called in those days,
and now he has given us, under the title of "Witchery Ways,"
some fairy tales of his own which will prove a never-ending
delight to every reader.
Cloth, ornamental, illustrated, 50 cents
SONNY BOY
By Sophie Swett
Sonny Boy was ten years old. His name was Peter, but his
mother thought that too large a name for a small boy.
Aunt Kate, one of the "right kind," is lonesome in her new
house without any young people, and borrows Sonny Boy for
six months. The lad has a happy visit and many pleasant
experiences, learning the while some helpful lessons. Delightedly
one reads of Otto and the white mice; Lena and the
parrot, the wild man of the circus, and Sonny Boy's ambition
to command the Poppleton Guards, but Miss Swett tells the
story, and when that is said, nothing remains but to enjoy the
book.
Cloth, ornamental, handsomely illustrated, 50 cents
HENRY ALTEMUS CO., PHILADELPHIA
A GOURD FIDDLE
By Grace MacGowan Cooke
A little colored boy, the sole orphaned remainder of a long
line of masters of the violin, alone of the army of negroes who
had borne the family name, is left to wait upon the old mistress
and Miss Patrice at the "Great House."
Miss Patrice teaches Orphy to sing the chants and anthems
in the service of the little church where he was baptized, and
with her voice new airs for his violin. Plantation songs he
knew and rendered with a pleasing coloring.
After the death of his teacher Orphy falls upon hard times,
but eventually his talent is recognized by a professor of music
who takes him to Europe, and there, under peculiar circumstances,
he plays on his home-made gourd fiddle before no less
a personage than Her Majesty, Queen Victoria.
Cloth, ornamental, handsomely illustrated, 50 cents
BUMPER AND BABY JOHN
By Anna Chapin Ray
PICTURES BY CURTIS WAGER-SMITH
An irresistibly humorous relation of the haps and mishaps
of the homeliest, yet most dependable dog in the world, and a
delightful red-haired and freckled child, whose united ages did
not exceed seven years.
But apart from the humor of the book, it is alive with
human interest, and there is pathos as well. And this is not
to forget the artist in praise of the author; the illustrations
could not have been confided to a better hand.
Cloth, ornamental, illustrated, 50 cents
A LITTLE ROUGH RIDER
By Tudor Jenks
Author of "Galopoff, the Talking Pony," "Gypsy, the
Talking Dog," etc.
PICTURES BY REGINALD B. BIRCH
Under the title of "A Little Rough Rider" the author tells
the story of a little girl, who, as Señorita Finette, the equestrienne,
saved the fortunes of a circus during the early years of
the gold-fever in California. Her charming feats on the back
of her trained horse, Blanco, win fame and fortune for herself
as well, the latter being augmented later by the discovery of
gold on certain lands.
Cloth, ornamental, illustrated, 50 cents
HENRY ALTEMUS CO., PHILADELPHIA
Page 43: Changed Sanish to Spanish:
(who knew Sanish best, being a bronco from the south).