Symbolism in the Dream
WE have discovered that the distortion of dreams, a disturbing element
in our work of understanding them, is the result of a censorious
activity which is directed against the unacceptable of the unconscious
wish-impulses. But, of course, we have not maintained that censorship is
the only factor which is to blame for the dream distortion, and we may
actually make the discovery in a further study of the dream that other
items play a part in this result. That is, even if the dream censorship
were eliminated we might not be in a position to understand the dreams;
the actual dream still might not be identical with the latent dream
thought.
This other item which makes the dream unintelligible, this new addition
to dream distortion, we discover by considering a gap in our technique.
I have already admitted that for certain elements of the dream, no
associations really occur to the person being analyzed. This does not
happen so often as the dreamers maintain; in many cases the association
can be forced by persistence. But still there are certain instances in
which no association is forthcoming, or if forced does not furnish what
we expected. When this happens in the course of a psychoanalytic
treatment, then a particular meaning may be attached thereto, with which
we have nothing to do here. It also occurs, however, in the
interpretation of the dreams of a normal person or in interpreting one's
own dreams. Once a person is convinced that in these cases no amount of
forcing of associations will avail, he will finally make the discovery
that the unwished-for contingency occurs regularly in certain dream
elements, and he will begin to recognize a new order of things there,
where at first he believed he had come across a peculiar exception to
our technique.
In this way we are tempted to interpret these silent dream elements
ourselves, to undertake their translation by the means at hand. The fact
that every time we trust to this substitution we obtain a satisfactory
meaning is forced upon us; until we resolve upon this decision the dream
remains meaningless, its continuity is broken. The accumulation of many
similar cases tends to give the necessary certainty to our first timid
attempts.
I am expounding all this in rather a schematic manner, but this is
permissible for purposes of instruction, and I am not trying to
misstate, but only to simplify matters.
In this manner we derive constant translations for a whole series of
dream elements just as constant translations are found in our popular
dream books for all the things we dream. But do not forget that in our
association technique we never discover constant substitutes for the
dream elements.
You will say at once that this road to interpretation appears far more
uncertain and open to objection than the former methods of free
association. But a further fact is to be taken into consideration. After
one has gathered a sufficient number of such constant substitutes
empirically, he will say that of his own knowledge he should actually
have denied that these items of dream interpretation could really be
understood without the associations of the dreamer. The facts that force
us to recognize their meaning will appear in the second half of our
analysis.
We call such a constant relationship between a dream element and its
interpretation symbolic. The dream element is itself a symbol of the
unconscious dream thought. You will remember that previously, when we
were investigating the relationship between dream elements and their
actuality, I drew three distinctions, viz., that of the part of the
whole, that of the allusion, and that of the imagery. I then announced
that there was a fourth, but did not name it. This fourth is the
symbolic relationship here introduced. Very interesting discussions
center about this, and we will now consider them before we express our
own particular observations on symbolism. Symbolism is perhaps the most
noteworthy chapter of dream study.
In the first place, since symbols are permanent or constant
translations, they realize, in a certain measure, the ideal of ancient
as well as popular dream interpretation, an ideal which by means of our
technique we had left behind. They permit us in certain cases to
interpret a dream without questioning the dreamer who, aside from this,
has no explanation for the symbol. If the interpreter is acquainted with
the customary dream symbols and, in addition, with the dreamer himself,
the conditions under which the latter lives and the impressions he
received before having the dream, it is often possible to interpret a
dream without further information—to translate it "right off the bat."
Such a trick flatters the interpreter and impresses the dreamer; it
stands out as a pleasurable incident in the usual arduous course of
cross-examining the dreamer. But do not be misled. It is not our
function to perform tricks. Interpretation based on a knowledge of
symbols is not a technique that can replace the associative technique,
or even compare with it. It is a supplement to the associative
technique, and furnishes the latter merely with transplanted, usable
results. But as regards familiarity with the dreamer's psychic
situation, you must consider the fact that you are not limited to
interpreting the dreams of acquaintances; that as a rule you are not
acquainted with the daily occurrences which act as the stimuli for the
dreams, and that the associations of the subject furnish you with a
knowledge of that very thing we call the psychic situation.
Furthermore, it is very extraordinary, particularly in view of
circumstances to be mentioned later, that the most vehement opposition
has been voiced against the existence of the symbolic relationship
between the dream and the unconscious. Even persons of judgment and
position, who have otherwise made great progress in psychoanalysis, have
discontinued their support at this point. This is the more remarkable
since, in the first place, symbolism is neither peculiar to the dream
nor characteristic of it, and since in the second place, symbolism in
the dream was not discovered through psychoanalysis, although the latter
is not poor otherwise in making startling discoveries. The discoverer of
dream symbolism, if we insist on a discovery in modern times, was the
philosopher K. A. Scherner (1861). Psychoanalysis affirmed Scherner's
discovery and modified it considerably.
Now you will want to know something of the nature of dream symbolism,
and to hear some examples. I shall gladly impart to you what I know, but
I admit that our knowledge is not so complete as we could desire it to
be.
The nature of the symbol relationship is a comparison, but not any
desired comparison. One suspects a special prerequisite for this
comparison, but is unable to say what it is. Not everything to which we
are able to compare an object or an occurrence occurs in the dream as
its symbol; on the other hand, the dream does not symbolize anything we
may choose, but only specific elements of the dream thought. There are
limitations on both sides. It must be admitted that the idea of the
symbol cannot be sharply delimited at all times—it mingles with the
substitution, dramatization, etc., even approaches the allusion. In one
series of symbols the basic comparison is apparent to the senses. On the
other hand, there are other symbols which raise the question of where
the similarity, the "something intermediate" of this suspected
comparison is to be sought. We may discover it by more careful
consideration, or it may remain hidden to us. Furthermore, it is
extraordinary, if the symbol is a comparison, that this comparison is
not revealed by the association, that the dreamer is not acquainted with
the comparison, that he makes use of it without knowing of its
existence. Indeed, the dreamer does not even care to admit the validity
of this comparison when it is pointed out to him. So you see, a symbolic
relationship is a comparison of a very special kind, the origin of which
is not yet clearly understood by us. Perhaps later we may find
references to this unknown factor.
The number of things that find symbolic representation in the dream is
not great—the human body as a whole, parents, children, brothers and
sisters, birth, death, nakedness and a few others. The only typical,
that is, regular representation of the human person as a whole is in the
form of a house, as was recognized by Scherner who, indeed, wished to
credit this symbol with an overwhelming significance which it does not
deserve. It occurs in dreams that a person, now lustful, now frightened,
climbs down the fronts of houses. Those with entirely smooth walls are
men; but those which are provided with projections and balconies to
which one can hold on, are women. Parents appear in the dream as king
and queen, or other persons highly respected. The dream in this
instance is very pious. It treats children, and brothers and sisters,
less tenderly; they are symbolized as little animals or vermin.
Birth is almost regularly represented by some reference to water;
either one plunges into the water or climbs out of it, or rescues
someone from the water, or is himself rescued from it, i.e., there is a
mother-relation to the person. Death is replaced in the dream by taking
a journey, riding in a train; being dead, by various darksome, timid
suggestions; nakedness, by clothes and uniforms. You see here how
the lines between symbolic and suggestive representation merge one into
another.
In contrast to the paucity of this enumeration, it is a striking fact
that the objects and subject matter of another sphere are represented by
an extraordinarily rich symbolism. This is the sphere of the sexual
life, the genitals, the sex processes and sexual intercourse. The great
majority of symbols in the dream are sex symbols. A remarkable
disproportion results from this fact. The designated subject matters are
few, their symbols extraordinarily profuse, so that each of these
objects can be expressed by any number of symbols of almost equal value.
In the interpretation something is disclosed that arouses universal
objection. The symbol interpretations, in contrast to the many-sidedness
of the dream representations, are very monotonous—this displeases all
who deal with them; but what is one to do?
Since this is the first time in these lectures that we speak of the
sexual life, I must tell you the manner in which I intend to handle this
theme. Psychoanalysis sees no reason for hiding matters or treating them
by innuendo, finds no necessity of being ashamed of dealing with this
important subject, believes it is proper and decent to call everything
by its correct name, and hopes most effectively in this manner to ward
off disturbing or salacious thoughts. The fact that I am talking before
a mixed audience can make no difference on this point. Just as there is
no special knowledge either for the Delphic oracle or for flappers, so
the ladies present among you have, by their appearance in this lecture
hall, made it clear that they wish to be considered on the same basis as
the men.
The dream has a number of representations for the male genital that may
be called symbolic, and in which the similarity of the comparison is,
for the most part, very enlightening. In the first place, the holy
figure 3 is a symbolical substitute for the entire male genital. The
more conspicuous and more interesting part of the genital to both sexes,
the male organ, has symbolical substitute in objects of like form, those
which are long and upright, such as sticks, umbrellas, poles,
trees, etc. It is also symbolized by objects that have the
characteristic, in common with it, of penetration into the body and
consequent injury, hence pointed weapons of every type, knives,
daggers, lances, swords, and in the same manner firearms,
guns, pistols and the revolver, which is so suitable because of
its shape. In the troubled dream of the young girl, pursuit by a man
with a knife or a firearm plays a big role. This, probably the most
frequent dream symbolism, is easily translatable. Easily comprehensible,
too, is the substitution for the male member of objects out of which
water flows: faucets, water cans, fountains, as well as its
representation by other objects that have the power of elongation, such
as hanging lamps, collapsible pencils, etc. That pencils,
quills, nail files, hammers and other instruments are
undoubtedly male symbols is a fact connected with a conception of the
organ, which likewise is not far to seek.
The extraordinary characteristic of the member of being able to raise
itself against the force of gravity, one of the phenomena of erection,
leads to symbolic representations by balloons, aeroplanes, and more
recently, Zeppelins. The dream has another far more expressive way of
symbolizing erection. It makes the sex organ the essential part of the
whole person and pictures the person himself as flying. Do not feel
disturbed because the dreams of flying, often so beautiful, and which we
all have had, must be interpreted as dreams of general sexual
excitement, as erection dreams. P. Federn, among the psychoanalytical
students, has confirmed this interpretation beyond any doubt, and even
Mourly Vold, much praised for his sobriety, who carried on his dream
experiments with artificial positions of the arms and legs, and who was
really opposed to psychoanalysis—perhaps knew nothing about
psychoanalysis—has come to the same conclusion as a result of his
research. It is no objection to this conclusion that women may have the
same dreams of flying. Remember that our dreams act as
wish-fulfillments, and that the wish to be a man is often present in
women, consciously or unconsciously. And the fact that it is possible
for a woman to realize this wish by the same sensation as a man does,
will not mislead anyone acquainted with anatomy. There is a small organ
in the genitals of a woman similar to that of the male, and this small
organ, the clitoris, even in childhood, and in the years before sexual
intercourse, plays the same role as does the large organ of the male.
To the less comprehensible male sex-symbols belong certain reptiles
and fish, notably the famous symbol of the snake. Why hats and
cloaks should have been turned to the same use is certainly difficult
to discover, but their symbolic meaning leaves no room for doubt. And
finally the question may be raised whether possibly the substitution of
some other member as a representation for the male organ may not be
regarded as symbolic. I believe that one is forced to this conclusion by
the context and by the female counterparts.
The female genital is symbolically represented by all those objects
which share its peculiarity of enclosing a space capable of being filled
by something—viz., by pits, caves, and hollows, by pitchers and
bottles, by boxes and trunks, jars, cases, pockets, etc. The
ship, too, belongs in this category. Many symbols represent the womb
of the mother rather than the female genital, as wardrobes, stoves,
and primarily a room. The room-symbolism is related to the
house-symbol, doors and entrances again become symbolic of the
genital opening. But materials, too, are symbols of the woman—wood,
paper, and objects that are made of these materials, such as tables
and books. Of animals, at least the snail and mussel are
unmistakably recognizable as symbols for the female; of parts of the
body the mouth takes the place of the genital opening, while
churches and chapels are structural symbolisms. As you see, all of
these symbols are not equally comprehensible.
The breasts must be included in the genitals, and like the larger
hemispheres of the female body are represented by apples, peaches
and fruits in general. The pubic hair growth of both sexes appears in
the dream as woods and bushes. The complicated topography of the
female genitals accounts for the fact that they are often represented as
scenes with cliffs, woods and water, while the imposing mechanism
of the male sex apparatus leads to the use of all manner of very
complicated machinery, difficult to describe.
A noteworthy symbol of the female genital is also the jewel-casket;
jewels and treasure are also representatives of the beloved person
in the dream; sweets frequently occur as representatives of sexual
delights. The satisfaction in one's own genital is suggested by all
types of play, in which may be included piano-playing. Exquisite
symbolic representations of onanism are sliding and coasting as
well as tearing off a branch. A particularly remarkable dream symbol
is that of having one's teeth fall out, or having them pulled.
Certainly its most immediate interpretation is castration as a
punishment for onanism. Special representations for the relations of the
sexes are less numerous in the dream than we might have expected from
the foregoing. Rhythmic activities, such as dancing, riding and
climbing may be mentioned, also harrowing experiences, such as being
run over. One may include certain manual activities, and, of course,
being threatened with weapons.
You must not imagine that either the use or the translation of these
symbols is entirely simple. All manner of unexpected things are
continually happening. For example, it seems hardly believable that in
these symbolic representations the sex differences are not always
sharply distinguished. Many symbols represent a genital in general,
regardless of whether male or female, e.g., the little child, the
small son or daughter. It sometimes occurs that a predominantly male
symbol is used for a female genital, or vice versa. This is not
understood until one has acquired an insight into the development of the
sexual representations of mankind. In many instances this double meaning
of symbols may be only apparent; the most striking of the symbols, such
as weapons, pockets and boxes are excluded from this bisexual
usage.
I should now like to give a summary, from the point of view of the
symbols rather than of the thing represented, of the field out of which
the sex symbols are for the most part taken, and then to make a few
remarks about the symbols which have points in common that are not
understood. An obscure symbol of this type is the hat, perhaps
headdress on the whole, and is usually employed as a male
representation, though at times as a female. In the same way the cloak
represents a man, perhaps not always the genital aspect. You are at
liberty to ask, why? The cravat, which is suspended and is not worn by
women, is an unmistakable male symbol. White laundry, all linen, in
fact, is female. Dresses, uniforms are, as we have already seen,
substitutes for nakedness, for body-formation; the shoe or slipper
is a female genital. Tables and wood have already been mentioned as
puzzling but undoubtedly female symbols. Ladders, ascents, steps
in relation to their mounting, are certainly symbols of sexual
intercourse. On closer consideration we see that they have the rhythm of
walking as a common characteristic; perhaps, too, the heightening of
excitement and the shortening of the breath, the higher one mounts.
We have already spoken of natural scenery as a representation of the
female genitals. Mountains and cliffs are symbols of the male organ;
the garden a frequent symbol of the female genitals. Fruit does not
stand for the child, but for the breasts. Wild animals signify
sensually aroused persons, or further, base impulses, passions.
Blossoms and flowers represent the female genitals, or more
particularly, virginity. Do not forget that the blossoms are really the
genitals of the plants.
We already know the room as a symbol. The representation may be
extended in that the windows, entrances and exits of the room take on
the meaning of the body openings. Whether the room is open or closed
is a part of this symbolism, and the key that opens it is an
unmistakable male symbol.
This is the material of dream symbolism. It is not complete and might be
deepened as well as extended. But I am of the opinion it will seem more
than enough to you, perhaps will make you reluctant. You will ask, "Do I
really live in the midst of sex symbols? Are all the objects that
surround me, all the clothes I put on, all the things that I touch,
always sex symbols, and nothing else?" There really are sufficient
grounds for such questions, and the first is, "Where, in fact, are we to
find the meaning of these dream symbols if the dreamer himself can give
no information concerning them, or at best can give only incomplete
information?"
My answer is: "From many widely different sources, from fairy tales and
myths, jokes and farces, from folklore, that is, the knowledge of the
customs, usages, sayings and songs of peoples, from the poetic and
vulgar language. Everywhere we find the same symbolism and in many of
these instances we understand them without further information. If we
follow up each of these sources separately we shall find so many
parallels to the dream symbolism that we must believe in the correctness
of our interpretations."
The human body, we have said, is, according to Scherner, frequently
symbolized in the dream by the house. Continuing this representation,
the windows, doors and entrances are the entrances into the body
cavities, the facades are smooth or provided with balconies and
projections to which to hold. The same symbolism is to be found in our
daily speech when we greet a good friend as "old house" or when we say
of someone, "We'll hit him in the belfry," or maintain of another that
he's not quite right in the upper story. In anatomy the body openings
are sometimes called the body-portals.
The fact that we meet our parents in the dream as imperial or royal
persons is at first surprising. But it has its parallel in the fairy
tale. Doesn't it begin to dawn upon us that the many fairy tales which
begin "Once upon a time there was a king and a queen" intend nothing
else than, "Once there was a father and a mother?" In our families
we refer to our children as princes, the eldest as the crown-prince.
The king usually calls himself the father of the country. We playfully
designate little children as worms, and say, sympathetically, "poor
little worm."
Let us return to the symbolism of the house. When we use the projections
of the house to hold ourselves on to in the dream, are we not reminded
of the familiar colloquialism about persons with well-developed breasts:
"She has something to hold onto"? The folk express this in still
another way when it says, "there's lots of wood in front of her
house"; as though it wished to come to the aid of our interpretation
that wood is a feminine, maternal symbol.
In addition to wood there are others. We might not understand how this
material has come to be a substitute for the maternal, the feminine.
Here our comparison of languages may be helpful. The German word Holz
(wood) is said to be from the same stem as the Greek word, νλη,
which means stuff, raw material. This is an example of the case, not
entirely unusual, where a general word for material finally is
exclusively used for some special material. There is an island in the
ocean, known by the name of Madeira. The Portuguese gave it this name at
the time of its discovery because it was at that time entirely covered
with forests, for in the language of the Portuguese, Madeira means
wood. You will recognize, however, that Madeira, is nothing else than
the slightly changed Latin word materia which again has the general
meaning of material Material is derived from mater, mother. The
material out of which something is made, is at the same time its
mother-part. In the symbolic use of wood for woman, mother, this ancient
conception still lives.
Birth is regularly expressed in dreams by some connection with water;
one plunges into the water, or comes out of the water, which means one
gives birth to, or is born. Now let us not forget that this symbol may
refer in two ways to the truths of evolutionary history. Not alone have
all land-mammals, including the ancestors of man, developed out of water
animals—this is the ultimate fact—but every single mammal, every human
being, lived the first part of his existence in the water—namely, lived
in the body of his mother as an embryo in the amniotic fluid and came
out of the water at the time of his birth. I do not wish to maintain
that the dreamer knows this, on the contrary I hold that he does not
have to know. The dreamer very likely knows some things because of the
fact that he was told about them in his childhood, and for that very
reason I maintain that this knowledge has played no part in the
construction of his symbols. He was told in childhood that the stork
brought him—but where did it get him? Out of a lake, out of the
well—again, out of the water. One of my patients to whom such
information had been given, a little count, disappeared for a whole
afternoon. Finally he was discovered lying at the edge of the palace
lake, his little face bent above the water and earnestly peering into it
to see if he could not see the little children at the bottom.
In the myths of the birth of the hero, which O. Rank submitted to
comparative examination,—the oldest is that of King Sargon of Agade,
about 2800 B.C.—exposure in the water and rescue from water play a
predominating role. Rank has recognized that these are representations
of birth, analogous to those customary in dreams. When a person in his
dream rescues another from the water, the latter becomes his mother, or
just plainly mother; in the myth a person who rescues a child out of the
water professes herself as the real mother of the child. In a well-known
joke the intelligent Jewish boy is asked who was the mother of Moses. He
answered without hesitation, the Princess. But no, he is told, she only
took him out of the water. "That's what she says," is his reply, and
thereby he shows that he has found the correct interpretation of the
myth.
Leaving on a trip represents death in the dream. Likewise it is the
custom in the nursery when a child asks where someone who has died, and
whom he misses, may be, to say to him that the absent one has taken a
trip. Again I should like to deny the truth of the belief that the dream
symbol originates in this evasion used for the benefit of children. The
poet makes use of the same symbol when he speaks of the Hereafter as
"that undiscovered bourne from which no traveler returns." Even in
everyday speech it is customary to refer to the last journey. Every
person acquainted with ancient rite knows how seriously, for example,
the Egyptians considered the portrayal of a journey to the land of the
dead. There still exist many copies of the "death book" which was given
to the mummy for this journey as a sort of Baedeker. Since the burial
places have been separated from the living quarters, the last journey of
the dead person has become a reality.
In the same manner the genital symbolism is just as little peculiar to
the dream alone. Every one of you has perhaps at some time or other been
so unkind as to call some woman an "old casket" without perhaps being
aware that he was using a genital symbol. In the New Testament one may
read "Woman is a weak vessel." The Holy Scriptures of the Jews, so
nearly poetic in their style, are filled with sex-symbolic expressions
which have not always been correctly understood, and the true
construction of which, in the Song of Songs, for example, has led to
many misunderstandings. In the later Hebraic literature the
representation of woman as a house, the door taking the place of the sex
opening, is very widespread. The man complains, for instance, when he
discovers a lack of virginity, that he has found the door open. The
symbol of the table for woman is also known to this literature. The
woman says of her husband, "I set the table for him, but he upset it."
Lame children are supposed to result from the fact that the man has
overturned the table. I take these examples from a work by L. Levy of
Brünn, The Sexual Symbolism of the Bible and the Talmud.
That ships, too, represent women in dreams is a belief derived from the
etymologists, who maintain "ship" was originally the name of an earthen
vessel and is the same word as Schaff (to create). The Greek myth of
Periander of Corinth and his wife Melissa is proof that the stove or
oven is a woman, and a womb. When, according to Herodotus, the tyrant
entreated the shade of his beloved wife, whom, however, he had murdered
in a fit of jealousy, for some sign of its identity, the deceased
identified herself by the reminder that he, Periander, had thrust his
bread into a cold oven, as a disguise for an occurrence that could have
been known to no other person. In the Anthropophyteia published by F.
S. Krauss, an indispensable source book for everything that has to do
with the sex life of nations, we read that in a certain German region it
is commonly said of a woman who has just been delivered of a child,
"Her oven has caved in." The making of a fire and everything connected
therewith is filled through and through with sex symbolism. The flame is
always the male genital, the fireplace, the hearth, is the womb of the
woman.
If you have often wondered why it is that landscapes are so often used
to represent the female genitals in the dream, then let the mythologist
teach you the role Mother Earth has played in the symbolisms and cults
of ancient times. You may be tempted to say that a room represents a
woman in the dream because of the German colloquialism which uses the
term Frauenzimmer instead of Frau, in other words, it substitutes
for the human person the idea of that room that is set aside for her
exclusive use. In like manner we speak of the Sublime Porte, and mean
the Sultan and his government; furthermore, the name of the ancient
Egyptian ruler, Pharaoh, means nothing other than "great court room."
(In the ancient Orient the court yards between the double gates of the
town were the gathering places of the people, in the same manner as the
market place was in the classical world.) What I mean is, this
derivation is far too superficial. It seems more probable to me that the
room, as the space surrounding man, came to be the symbol of woman. We
have seen that the house is used in such a representation; from
mythology and poetry we may take the city, fortress, palace,
citadel, as further symbols of woman. The question may easily be
decided by the dreams of those persons who do not speak German and do
not understand it. In the last few years my patients have been
predominantly foreign-language speaking, and I think I can recall that
in their dreams as well the room represents woman, even where they had
no analogous usages in their languages. There are still other signs
which show that the symbolization is not limited by the bounds of
language, a fact that even the old dream investigator, Schubert (1862)
maintained. Since none of my dreamers were totally ignorant of German I
must leave this differentiation to those psychoanalysts who can gather
examples in other lands where the people speak but one language.
Among the symbol-representations of the male genital there is scarcely
one that does not recur in jokes or in vulgar or poetical usage,
especially among the old classical poets. Not alone do those symbols
commonly met with in dreams appeal here, but also new ones, e.g., the
working materials of various performances, foremost of which is the
incantation. Furthermore, we approach in the symbolic representation of
the male a very extended and much discussed province, which we shall
avoid for economic reasons. I should like to make a few remarks,
however, about one of the unclassified symbols—the figure 3. Whether or
not this figure derives its holiness from its symbolic meaning may
remain undecided. But it appears certain that many objects which occur
in nature as three-part things derive their use as coats-of-arms and
emblems from such symbolic meaning, e.g., the clover, likewise the
three-part French lily, (fleur-de-lys), and the extraordinary
coats-of-arms of two such widely separated islands as Sicily and the
Isle of Man, where the Triskeles (three partly bended knees, emerging
from a central point) are merely said to be the portrayal in a different
form of the male genitals. Copies of the male member were used in
antiquity as the most powerful charms (Apotropaea) against evil
influences, and this is connected with the fact that the lucky amulets
of our own time may one and all be recognized as genital or sex-symbols.
Let us study such a collection, worn in the form of little silver
pendants: the four-leaf clover, a pig, a mushroom, a horse-shoe, a
ladder, a chimney-sweep. The four-leaf clover, it seems, has usurped the
place of the three-leaf clover, which is really more suitable as a
symbol; the pig is an ancient symbol of fertility; the mushroom is an
unquestionable penis symbol—there are mushrooms that derive their
systematic names from their unmistakable similarity to the male member
(Phallus impudicus); the horseshoe recalls the contour of the female
genital opening; and the chimney sweep who carries a ladder belongs in
this company because he carries on that trade with which the
sex-intercourse is vulgarly compared (cf. the Anthropophyteia). We
have already become acquainted with his ladder as a sex symbol in the
dream; the German usage is helpful here, it shows us how the verb "to
mount"[30] is made use of in an exquisite sexual sense. We use the
expressions "to run after women," which literally translated would be
"to climb after women," and "an old climber."[31] In French, where
"step" is "la marche" we find that the analogous expression for a
man about town is "un vieux marcheur." It is apparently not unknown in
this connection that the sexual intercourse of many of the larger
animals requires a mounting, a climbing upon the female.
The tearing off of a branch as the symbolic representation of onanism is
not alone in keeping with the vulgar representation of the fact of
onanism, but has far-reaching mythological parallels. Especially
noteworthy, however, is the representation of onanism, or rather the
punishment therefor, castration, by the falling out or pulling out of
teeth, because there is a parallel in folk-lore which is probably known
to the fewest dreamers. It does not seem at all questionable to me that
the practice of circumcision common among so many peoples is an
equivalent and a substitute for castration. And now we are informed that
in Australia certain primitive tribes practice circumcision as a rite of
puberty (the ceremony in honor of the boy's coming of age), while
others, living quite near, have substituted for this act the striking
out of a tooth.
I end my exposition with these examples. They are only examples. We know
more about these matters, and you may well imagine how much richer and
how much more interesting such a collection would appear if made, not by
amateurs like ourselves, but by real experts in mythology, anthropology,
philology and folk-lore. We are compelled to draw a few conclusions
which cannot be exhaustive, but which give us much food for thought.
In the first place, we are faced by the fact that the dreamer has at his
disposal a symbolic means of expression of which he is unconscious
while awake, and does not recognize when he sees. That is as remarkable
as if you should make the discovery that your chambermaid understands
Sanskrit, although you know she was born in a Bohemian village and never
learned the language. It is not easy to harmonize this fact with our
psychological views. We can only say that the dreamer's knowledge of
symbolism is unconscious, that it is a part of his unconscious mental
life. We make no progress with this assumption. Until now it was only
necessary to admit of unconscious impulses, those about which one knew
nothing, either for a period of time or at all times. But now we deal
with something more; indeed, with unknown knowledge, with thought
relationships, comparisons between unlike objects which lead to this,
that one constant may be substituted for another. These comparisons are
not made anew each time, but they lie ready, they are complete for all
time. That is to be concluded from the fact of their agreement in
different persons, agreement despite differences in language.
But whence comes the knowledge of these symbol-relationships? The usages
of language cover only a small part of them. The dreamer is for the most
part unacquainted with the numerous parallels from other sources; we
ourselves must first laboriously gather them together.
Secondly, these symbolic representations are peculiar neither to the
dreamer nor to the dream work by means of which they become expressed.
We have learned that mythology and fairy-tales make use of the same
symbolism, as well as do the people in their sayings and songs, the
ordinary language of every day, and poetic phantasy. The field of
symbolism is an extraordinarily large one, and dream symbolism is but a
small part thereof. It is not even expedient to approach the whole
problem from the dream side. Many of the symbols that are used in other
places do not occur in the dream at all, or at best only very seldom.
Many of the dream symbols are to be found in other fields only very
rarely, as you have seen. One gets the impression that he is here
confronted with an ancient but no longer existent method of expression,
of which various phases, however, continue in different fields, one
here, one there, a third, perhaps in a slightly altered form, in several
fields. I am reminded of the phantasy of an interesting mental
defective, who had imagined a fundamental language, of which all these
symbolic representations were the remains.
Thirdly, you must have noticed that symbolism in these other fields is
by no means sex symbolism solely, while in the dream the symbols are
used almost entirely to express sexual objects and processes. Nor is
this easily explained. Is it possible that symbols originally sexual in
their meaning later came to have other uses, and that this was the
reason perhaps for the weakening of the symbolic representation to one
of another nature? These questions are admittedly unanswerable if one
has dealt only with dream-symbolism. One can only adhere to the
supposition that there is an especially intimate connection between true
symbols and things sexual.
An important indication of this has been given us recently. A
philologist, H. Sperber (Upsala) who works independently of
psychoanalysis, advanced the theory that sexual needs have played the
largest part in the origin and development of languages. The first
sounds served as means of communication, and called the sexual partner;
the further development of the roots of speech accompanied the
performance of the primitive man's work. This work was communal and
progressed to the accompaniment of rhythmically repeated word sounds. In
that way a sexual interest was transferred to the work. The primitive
man made work acceptable at the same time that he used it as an
equivalent and substitute for sex-activity. The word thus called forth
by the common labor had two meanings, designating the sex-act as well as
the equivalent labor-activity. In time the word became disassociated
from its sexual significance and became fixed on this work. Generations
later the same thing happened to a new word that once had sexual
significance and came to be used for a new type of work. In this manner
a number of word-roots were formed, all of sexual origin, and all of
which had lost their sexual significance. If the description sketched
here approximates the truth, it opens up the possibility for an
understanding of the dream symbolism. We can understand how it is that
in the dream, which preserves something of these most ancient
conditions, there are so extraordinarily many symbols for the sexual,
and why, in general, weapons and implements always stand for the male,
materials and things manufactured, for the female. Symbolic
relationships would be the remnants of the old word-identity; things
which once were called by the same names as the genitals can now appear
in the dream as symbols for them.
From our parallels to dream symbolization you may also learn to
appreciate what is the character of psychoanalysis which makes it a
subject of general interest, which is true of neither psychology nor
psychiatry. Psychoanalytic work connects with so many other scientific
subjects, the investigation of which promises the most pertinent
discoveries, with mythology, with folk-lore, with racial psychology and
with religion. You will understand how a journal can have grown on
psychoanalytic soil, the sole purpose of which is the furtherance of
these relationships. This is the Imago founded in 1912 and edited by
Hanns Sachs and Otto Rank. In all of these relations, psychoanalysis is
first and foremost the giving, less often the receiving, part. Indeed it
derives benefit from the fact that its unusual teachings are
substantiated by their recurrence in other fields, but on the whole it
is psychoanalysis that provides the technical procedure and the point of
view, the use of which will prove fruitful in those other fields. The
psychic life of the human individual provides us, upon psychoanalytic
investigation, with explanations with which we are able to solve many
riddles in the life of humanity, or at least show these riddles in their
proper light.
Furthermore, I have not even told you under what conditions we are able
to get the deepest insight into that suppositious "fundamental
language," or from which field we gain the most information. So long as
you do not know this you cannot appreciate the entire significance of
the subject. This field is the neurotic, its materials, the symptoms and
other expressions of the nervous patient, for the explanation and
treatment of which psychoanalysis was devised.
My fourth point of view returns to our premise and connects up with our
prescribed course. We said, even if there were no such thing as dream
censorship, the dream would still be hard to understand, for we would
then be confronted with the task of translating the symbol-language of
the dream into the thought of our waking hours. Symbolism is a second
and independent item of dream distortion, in addition to dream
censorship. It is not a far cry to suppose that it is convenient for
the dream censorship to make use of symbolism since both lead to the
same end, to making the dream strange and incomprehensible.
Whether or not in the further study of the dream we shall hit upon a new
item that influences dream distortion, remains to be seen. I should not
like to leave the subject of dream symbolism without once more touching
upon the curious fact that it arouses such strong opposition in the case
of educated persons, in spite of the fact that symbolism in myth,
religion, art and speech is undoubtedly so prevalent. Is not this again
because of its relationship to sexuality?