BATTLE OF GOG AND MAGOG.
WE have now reached a point in the
tragedy where the English language
breaks down and Pius Æneas must
the rescue and tell—
“Trojanas ut opes, et lamentabile regnum
Eruerint Danai; quæque ipse miserrima vidi,
Et quorum pars magna fui. Quis talia fando,
Myrmidonum, Dolopumve, aut duri miles Ulyssei,
Temperet à lachrymis?
Sed si tantus amor(?) casus cognoscere nostros,
Et breviter Trojæ supremum audire laborem;
Quamquam animus meminisse horret, luctuque refugit,
Incipiam.”
And, giving the “Æneid” with some variations,
I might go on—
“Est in conspectu M. N. notissima famâ
Insula, dives opum, agrorum et osboni dum regna manebant.”
I consented to be in conspectu on Mr. Dane's
earnest representations that matters might come
up on which I was better informed than he, and
on which my statements might be important.
Of course, after all this trouble, it was not worth
while to run any risk through mere personal
feeling.
At the appointed time, accordingly, the combatants
appeared upon the arena at Mars Hill
House, in martial array. Messrs. Hunt, Parry,
& Co. were led by a lawyer, Mr. Sudlow, whose
purpose, it soon appeared, was not to open, but
to postpone the battle. I must admit I listened
in amazement. Here, after sixteen months of
backing and filling, three months after an arbitration
had been agreed on, and more than a week
after the day had been appointed by them and accepted
by me, they appeared for the purpose of
saying that they could not go on with the case. I
remembered with astonishment that on the thirteenth
of November preceding, the affair had
seemed so simple to Mr. Hunt that he had written
to one of those friends of mine to whom he had
wished and I had declined to refer the case, “If
you and I, business men, could have half an hour's
talk together, and M. N. would abide by your decision,
I think that half hour would be sufficient to
settle the whole thing.” Whereas, now, before the
man whom I had chosen, three months did not
seem long enough. The reasons presented by Mr.
Sudlow were, first, that the preliminaries were not
arranged. The referees themselves averred in substance
that this could be done in five minutes on
the spot, and there need be no delay on that
account.
Mr. Sudlow said, secondly, that at an early stage
of the affair I had waived all legal claim, or had never
made any, yet that I now appeared with a lawyer
as if to establish a legal claim; that this was an
entirely new phase, and one which they could not
meet without due preparation. It was alleged in
reply, that our courts do not distinguish between
legal claims and claims in equity, and that however
I might present my claim, it was as a debt and
not as a gift; that it surely would not be held by
Messrs. Hunt, Parry, & Co., that the reference had
been called to arbitrate upon a gratuity. After a
good deal of talk, Mr. Dane called for the authority
by which they said I had waived all legal claims;
and they produced the letter sent them by me on
the 29th August, 1767, about eight months before
this time, which said, “Of course I know that legally
I have no right to go behind a contract, and
therefore no legal claim upon you for additional
money on those books that are named in the contract.”
Mr. Dane pointed out, that, even on this
ground there was no waiving of legal claims, except
on those books named in the contract referred
to. As only three books were embraced in that
contract, as one was published under a different
contract which we wished carried out, and five
were published without any contract at all, the
postponing of the case on this pretext was simply
preposterous. It seemed to me, moreover, though
I said nothing, that even if I had supposed eight
months ago that I had no legal claims, I might have
subsequently learned otherwise, and that any person
who really wanted the case looked into and
satisfactorily settled would never have been deterred
by so slight an obstacle. But the contest as
it stood was two-thirds legal, and it would seem as
if an enterprising firm of four shrewd business men
might have been prepared to illustrate it in eight
months if they had given their minds to it.
Mr. Sudlow affirmed, thirdly, that Messrs. Hunt,
Parry, & Co. had supposed they should meet me
alone for a friendly reference; that on such a
supposition they had arranged to be represented
before the referees by one member of their firm,
Mr. Markman, who had accordingly prepared to
present the case; that until they received Mr.
Dane's letter of interrogatories of the 16th instant,
they had not supposed I should employ counsel, but
if I employed counsel they also should employ
counsel; that they were not prepared to appear
with counsel, and must have a postponement for
the purpose of making such preparation, and as Mr.
Hunt was to leave for Europe on the following
Monday, the postponement must hold till after his
return from Europe.
Mr. Dane asked them if they meant to allege
that they had stipulated that I should not employ
counsel. They said they had not so stipulated,
but that they supposed I would not employ it.
Mr. Dane then said that he had been my adviser
from the beginning, both as my friend and as a
friend of Mr. Hunt, Mr. Hunt having done him the
honor to speak of him as an old friend; that he had
had frequent communications with them on this
subject, as they well knew, and that they had
made no objection to his connection with it; that it
made no difference except in name, whether he
was called my counsel or my friend; that, although
he was a lawyer he trusted he was not on that account
to be excluded from the circle of my friends,
and that, under the circumstances, it might be
proper for him to state that my name had never
been on his account-books, and that he had all
along counseled me only as a friend. “This
thing,” he said, “is not to be misunderstood. We
want to be definite. Will you say that you will not
proceed because M. N. has counsel,—if you choose
to call it so,—when she never said that she would
not have counsel, nothing ever having been said
about it?”
They still reiterated their assertion that under
the circumstances they could not go on with the
case. As the business had looked to Mr. Hunt so
simple that two business men could settle it in
half an hour, it would seem as if almost any kind
of a lawyer might have mastered it in the time
between the 16th of April, when the idea of my
having counsel first dawned upon the unsuspecting
minds of Messrs. H., P., & Co., and the 22d, when
the hearing was to be had. The firm must rank
law far below commerce, if a lawyer could not understand
in six days with three men to help him,
what a merchant could comprehend in half an hour
alone.
Mr. Dane then consulted with me, and I told
him upon the impulse of the moment that I would
go on. This, perhaps, was hardly prudent or
proper. But there had been so much difficulty
and delay in bringing things even to this stage,
the trouble had weighed so heavily and disastrously
upon me, that anything seemed better
than an indefinite postponement. Moreover, the
reasons which they alleged for delay appeared to
me mere quibbles. I thought I saw that they did
not design to have any hearing, and that if we
should ever get together again, there would be just
as much reason for further delay as now, and if I did
not secure a hearing now, I never should. I felt
that the referees must surely think they had been
summoned on a fool's errand. I was quite aware
not only of my inability to present the case adequately,
but to present it at all in person,—but
I had the “brief,” which Mr. Dane would have
used, and I had my formidable history in which the
referees could quarry at pleasure. Even if I should
lose the case, I was not without resource; for upon
the instant when I saw that Messrs. Hunt, Parry,
& Co. were about to evade the only thing which I
had wanted, namely, a fair and full discussion, there
came into my mind another tribunal which it would
be impossible for them to evade, and before which
I could present my case with or without counsel, in
my own time and way. I had all along had a
vague feeling that something of service to my craft
must come out of all this harassment to me, though
no definite idea had ever evolved itself. But at
that moment, tingling with indignation and contempt,
and a sense of outrage,—an outrage greater
than appears here, greater I think than the junior
members of the firm knew or intended, but not
greater than Mr. Hunt knew, and I believe counted
on,—at that moment I resolved that so far as
I could help it, no person should ever be placed in
the position in which I found myself. If any
writer thereafter should get into such a snare, he
should not blunder in as I had done, but walk in
with his eyes open. I thought that my brief and
my “Universal History” would be enough to draw
the enemy's fire. I should know where they stood,
and if I could not understand the analysis and cultivation
of the soil, I could at least map out the
ground for other investigators. I felt that I could
better afford to lose my case than my time. Mr.
Hunt had calculated accurately enough the quality
and amount of resistance he was accumulating
against me. The thing he had not sufficiently calculated
was the amount of force that could be
brought to overcome that resistance.
Mr. Dane then said, that, having consulted me,
he had one more proposition to make; he was not
himself surprised at the turn affairs had taken; he
had at the beginning advised me to have recourse
to the courts as the only sure way of redress, but
that I had always refused to do so; that he had
repeatedly predicted—even to the preceding day—that
some way would be found to avoid a hearing;
that he thought it hardly fair for them to
force me to go on alone, whom they knew to be
entirely unfamiliar with the details of business, who
had scarcely in my whole life had any business
transactions except with themselves, and had left
those entirely in their hands, who had not indeed
expected to appear at all in the case, and had only
the night before reluctantly consented, at his solicitations,
to be present—“If you, gentlemen, think
it fair and honorable to insist now, at the last hour,
that M. N. shall, without any friend, and entirely
unprepared, meet you alone, and conduct the case
herself, she will do so. We have come here in
good faith to have a hearing, and if such are the
only conditions on which it can be had, we will
accept them, although I think them hard. We will
accept your understanding of the conditions instead
of our own. Your firm shall have its representative,
I will withdraw, M. N. will do the best she
can, and you may see if you can make anything
out of it.”
Mr. Parry seemed to think, like David Copperfield,
that this was a disagreeable way of putting
the business, and wished me to state that I did not
feel that they wished to take any advantage of me.
Mr. Dane said, “I do not know what M. N.'s feelings
are. My opinion is understood, and I shall
state it whenever and wherever I choose.”
As my feelings were not under arbitration, I
declined, through Mr. Dane, to make any declaration
concerning them, but said I wished to go on
with the case. Mr. Dane and Mr. Sudlow then
withdrew, and the firm were reduced to the painful
necessity of proceeding, although their anxiety
in regard to my feelings was not relieved.
They did not, however, proceed according to
their own statement of what had been their understanding
concerning the mode of procedure.
Before Messrs. Dane and Sudlow withdrew, Mr.
Sudlow said that they were to be represented by
one member of their firm, and that Mr. Markman
had prepared himself for such representation. Mr.
Dane had distinctly stated that he withdrew on this
understanding. After he was gone, I expected
that Messrs. Hunt & Parry would also withdraw,
according to their statement of their original intention,
and its acceptance by Mr. Dane. Instead of
which, Mr. Parry came to me and asked me if I
had any preference as to whether the whole firm
should remain or only one member of it. I conceived
that this matter had been previously settled
by express stipulation, that they had no right to
open it again, and place the decision on my preference.
I disdained to receive as a favor what
seemed to me the least of my rights, and I refused
to express any preference about it.
Mr. Parry said, if I had no preference, of course
they would rather stay, and they all stayed.
The following paper was then drawn up by the
referees and signed by Messrs. Hunt, Parry, & Co.
and myself:—
“Athens, April 22, 1769.
“There being a controversy between Hunt,
Parry, & Co., as successors to Brummell & Hunt of
Athens, and M. N. of Zoar, in regard to the
amount due from the former to the latter for proceeds
arising from the publication and sale of the
books of which M. N. is the author, it is hereby
agreed between the parties to the controversy to
submit the points in dispute to George W. Hampden
and James Russell, as friendly referees, with
the right to the referees to choose a third as
umpire, either on the general merits or on any
specific point that may be submitted to said third
person. And both parties to this agreement hereby
bind themselves to accept the award of said referees
as binding and conclusive, without reserving any
right of appeal to any court of law.
“In witness whereof this agreement is signed by
both parties in presence of the referees, to whose
custody it is committed.”
As I did not intend ever again to sign a paper
whose import I did not fully comprehend, it may
be supposed that I listened attentively to the
reading of this paper. As I had no design to appeal
to any court of law, and as it did not preclude
me from appealing to the court to which I
had made up my mind to appeal, I had no hesitation
in signing it.
The case being thus begun, nothing remained
but to place in the hands of the referees—
The “entire case in all its bearings” between
the firm of Brummell & Hunt and M. N.—as presented
by the latter.
Compiled chiefly from the original documents.
In two parts:—
Part First. The case in brief.
Part Second. The case in full.
Each part complete in itself.
The part to be selected according to the taste,
object, or judgment of the reader.
October 22, 1768.
THE CASE IN BRIEF.
When Messrs. Brummell & Hunt published
“City Lights,” they made a contract to pay me ten
per cent. on the retail price of the book after the
first thousand copies were sold. I did not know that
a contract was necessary, but they told me it was,
and they also wrote my name in pencil to indicate
where I was to write it in ink.
Afterwards they published “Alba Dies” and
“Rocks of Offense,” without any contract. When
“Old Miasmas” was about to be published, it occurred
to me that if a contract were necessary in
one case, it was in another, and I suggested it to
Mr. Hunt. He accordingly had a new contract
made out, embracing these three books, in which
the firm agreed to pay me fifteen cents a volume
for each volume sold. I think it must have been
at the time this contract was made out—but I cannot
be sure as to the time—that Mr. Hunt told me
that they were going to pay me a fixed sum, fifteen
cents on a volume, instead of a percentage; that
that was the way they were going to do with their
authors, on account of fluctuations, general uncertainties,
and so forth. I made no objection. I felt
none. I assented as a matter of course. I thought
that was his business and no affair of mine. I should
have thought it intermeddling, and offensive to
friendship, to take exception, and I did not dream
there was anything to take exception to. I had perfect
faith in Mr. Hunt, and reckoned my interests
far safer in his hands than in my own.
In the winter of 1767-8, I suddenly awoke to
the fact that ten per cent. was the ordinary rate of
payment to the author, and that I had been receiving
for several years only six and two-thirds and
seven and one-half per cent. At the time Mr.
Hunt changed his mode of payment, my books
were selling at a dollar and fifty cents a volume, so
that ten per cent. and fifteen cents were the same.
I was therefore the less likely to take exception to
the change. The contract embraced “Old Miasmas,”
which was about to be published, but when
it was published the price of it and of the rest of
the books was put at two dollars, and has remained
so ever since.
All the books that have been published for me
by Messrs. H., P., & Co., since “Old Miasmas,”
have been published without contract. On each
of these books, five in number, they have paid me
fifteen cents a volume, except “Holidays,” on which
they paid ten cents a volume. “Holidays” was
sold at retail for one dollar and a half; “The
Rights of Men” for one dollar and a half; the
others were at the price of two dollars. “The
Rights of Men” was not published until after I
had made objection to the low price I had been
receiving.
Pearvilles and Troubadours of Corinth, and publishers
of Athens, have told me that ten per cent.
on the retail price is the customary pay of authors.
I claim that Messrs. Brummell & Hunt should
pay me the difference between what they have
paid and what ten per cent. would have been, and
that on all books sold in the future, they should pay
ten per cent. I agreed to less, in full faith in their
uprightness, and in the belief, based on Mr. Hunt's
statement, and on my own high opinion of their
justice and liberality, that I was faring just as others
fared.
Messrs. Brummell & Hunt refuse to pay me
more than six and two-thirds and seven and a half
per cent. either for the past or the future, except
on “The Rights of Men.”
To which I had added, February 26, 1769:—
“I claim now, after fourteen months of what
theologians call ‘waiting in the use of means,’
that they should reimburse me for the time and
trouble it has cost me to enforce my claims.”
THE CASE IN FULL.
The case in full was the history just given; compiled,
as its perusal shows, from various motives,
at various times, for various persons. A few letters
between Mr. Dane and myself have been
inserted to meet sundry points which afterwards
came up. A few slight verbal alterations have
been made, and some elegant extracts from the
newspapers have been introduced. Otherwise, the
statement here made, covering the time from October,
1767, to February, 1769, is the one which
was presented to and acted upon by the referees.
It was indeed a formidable object, and those unhappy
gentlemen may be pardoned if, for a moment,
as they held it in their hands, they looked into
each other's faces in dismay. But it gives me
pleasure to add for the credit of our common humanity,
that they met their fate like men, and by
a well-organized system of “ride and tie” arrived
at their journey's end in a much fresher condition
than could have been expected of mere mortals.
When the reading of this document was completed,
Messrs. Hunt, Parry, & Co. took up the
parable, Mr. Parry being the first spokesman.
And here I may say, that notwithstanding their
assertion that they had expected to be represented
by one of their firm, Mr. Markman, and that on
such expectation Mr. Markman had prepared a
presentation of the case, when I gave up my arrangements
and consented to adopt theirs, their
own seemed to have been changed. Instead of
one member having it in charge, they all had
a share in it, perhaps on the Pauline theory,
that if one member suffer, all the members must
suffer with him. Mr. Parry began, speaking from
notes. Mr. Hunt followed, and Mr. Markman
brought up the rear with day-book and ledger.
Each one seemed to have his part carefully marked
out and assigned to him, and if it had not been for
the assertion that they had intended to be represented
by one, I should never have suspected
that the subsequent management of this case by
all three, was a sudden and unaccountable afterthought.
Mr. Parry began by giving a general outline of
the trouble as seen from the “Firm” point of
sight. He admitted the pleasant relations in which
we had previously stood. It seemed that in the
latter part of 1767, I had something of a disappointment
that the balance due me was not larger,
and cast about to see how it could be increased, that
the Segregationalissuemost alleged that a larger
sum was generally paid than I had received, and
Mr. Jackson seemed to confirm this statement;
that Mr. Dane, to whom also I had had recourse,
had not alleviated my uneasiness, but had rather
poisoned my mind against them, as could be seen
by the attitude he had assumed here this morning,
saying that he had never believed I should have a
hearing, and so forth; that as a result of it all, I
considered that I had a claim for additional money,
a claim that lay back of the contracts, as I had
said; that I believed they had paid me less than
they paid others, and in short brought against them
a charge of general disingenuousness.
In replying to Messrs. Hunt, Parry, & Co., I was
obliged to omit allusion to sundry points of minor
importance, out of a tenderness to the referees—a
tenderness of which, probably, until this moment,
they had no suspicion. To the readers of this
narrative I have no tenderness whatever, since the
matter lies in their own hands, and they can dismiss
it at pleasure. I shall therefore touch upon
various omitted points while sketching the outlines
of the defense, and will say here that Mr. Parry's
declaration regarding the cause of “The Great
Awakening,” is strictly true. My eyes were not
opened by any profound reflections on the “Origin
of Evil,” or the “Analogy of Religion, Natural
and Revealed, to the Constitution and Course of
Nature,” but simply by the ignoble circumstance
that I wanted money in my own miserable purse.
The only consolation to be found for this shameful
disclosure, is the recollection of that three pence a
pound on tea which produced George Washington
and the great American Republic. I have, however,
in mitigation of this sordidness, brought forward
one or two letters, which show that I wanted
the money for others—the inference naturally being
that I was not in so imminent danger of starvation
that the difference between meum and tuum
was in my mind entirely obliterated.
Several letters between Mr. Dane and myself
have also been introduced for the purpose of showing
to what extent my mind was susceptible of
being poisoned, with what ingredients the attempt
was made, and how far it assimilated and how far
rejected these ingredients. My opinion is, that if
such poisoning be a capital offense, my “attorney”
and myself must die together, for I fear we are
equally guilty.
So far as Mr. Jackson was concerned, Mr. Parry
said that he had been unsuccessful in business, was
not now a regular publisher, and he did not think
his testimony of what was a custom several years
ago was available in deciding what was the custom
now. Regarding Messrs. Troubadour, Pearvilles,
and others, he preserved a discreet silence, but
objected to the introduction of the testimony of
other publishers, as Messrs. H., P., & Co. conducted
their business with their authors alone,
without thinking it necessary to consult other publishers.
Unless, therefore, I insisted upon other
publishers being brought in, they should prefer to
have them kept out. In reply to a question, Mr.
Parry said he did not know what was the custom
of other publishers in regard to paying authors.
Now it was a very important part of my plan to
have other publishers appealed to, but I was not in
a condition to insist upon anything. I did not
know what to do with them, even if I had them
there. I certainly could not put them through a
catechism, and I had no one to do it for me. So
I said nothing, and the publishers were of course
ruled out—by default, is it?
Mr. Parry deprecated any attributing of hostility
to them. They had been desirous to have
the matter amicably settled, so desirous that they
had even offered to refer it to various friends of my
own, with one of whom they had no acquaintance
at all, with another of whom they had but a slight
acquaintance, but whom they thought competent to
settle it; and they had also offered to pay me ten
per cent. on all future sales, all of which I had
declined.
With regard to the question of fraud, Mr. Parry
would say in a general way, that I went to them
an unknown author, very urgent to publish “City
Lights,” that I had a great deal of confidence in
them, spoke emphatically of the important advantage
to me of being published by Brummell &
Hunt; that in short, I came to them in such a
way as almost to hold out to them a temptation to
defraud me; so that if they had been inclined to it,
they would have been likely to do it then. He
produced the following extracts from letters written
by me to Mr. Hunt, to sustain his charge. And
if the printing of these letters seems somewhat appalling,
let me assure the objector that it is a pleasing
entertainment compared with the sensation of
hearing them read before five men, two of whom
are indifferent to you, three hostile, and four
strangers.
“Kits, cats, sacks, and wives,
How many were there going to St. Ives.”
[10]
I am moved here to say, that those persons who
during the present century have been annoyed by
letters from this now repentant and remorseful
writer, may find ample revenge for all their discomfort
in a knowledge of the manner in which
these letters have returned to plague the inventor.
The first is dated April 14, 1762.
“I hope this letter sounds light and airy to
you. I assure you it is very ghastly joking for
me. I am burdened with a terrible secret which
I wish to confide to you, at the risk of losing
your complaisance forever. I dread to come at it,
but I don't see how I can beat about the bush any
longer. I am not at work on anything for the
‘Adriatic.’ You would not print my papers, and
you would not answer my letters. So Satan subsidized
my idle hands, and I thought I would make
a book. So I made a book. It is not about the
war, nor the times, nor anything sensible. It is not
a novel, nor a history, nor a poem, nor a criticism,
nor a volume of sermons. Somehow it does not
look like a book, nor sound like a book, nor act
like a book, but it is a book. I can make ‘my
davy’ on that. There is a title and a place for a
preface, and an introduction, and I can put in an
appendix if I wish, and explanatory notes and a
glossary, and errata, and if you will publish it I will
give you the copyright and the premium, and the
patent, and the monopoly, and all the dividends,
and if there is anything else, that—its title is
‘City Lights.’ It is blocked out in twelve chapters.
“‘1. Moving’—That gets us out of the old
house into the new one, and gives us a local habitation
and a starting-point. I wrote it for the A. M.
but you stunned me so with hurling back my paper
pellets at my head that I did not dare try it again.
“‘2. The Bank’—That means a grass bank, not
a money bank. That has been printed.
“‘3. My Garden’—That you have heard of.
That was what I wanted the proof-sheets for, and
you may conceive how guilty I felt. It seemed all
the while like when Joab said to Amasa, ‘Art
thou in health, my brother?’ and took him by the
beard with the right hand to kiss him, and smote
him under the fifth rib,—the wretch! But you see
I was forced to be wily. If you had known that I
was conspiring against your peace of mind, of
course you would not have put the weapon into my
hand. So I had to take you by the beard tenderly,
or I should not have got the fifth rib at all, and
that is the backbone of my book.
“‘4. Men and Women’—Been printed.
“‘5. Tommy’—Been printed.
“‘6. Boston and home again’—Been printed—personal
adventures of a rustic in the city.
“‘7. Friendship’—In your hands—will be
when you get this.
“‘8. Dog-days’—Been printed.
“‘9. Fading as a leaf’—Or something of that
sort—knocks the bottom all out of the autumnal,
sentimental kind of moral reflections—been printed.
“‘10. Winter’—Snow and coal-fires—been
printed.
“‘11. My Flower-bed’—A success, to offset
the failure to ‘My Garden.’
“‘12. Happiest Days.’
“Now, the question is, will you let me send it to
you? You see it is almost all in print, so it will
take but a minute to run it over—a longish kind
of a minute, of course. I have not the least idea
whether it is worth publishing or not. I don't
want it published unless it will reflect credit on the
literature of the country. Now, may I be forgiven
for telling a lie; but I don't want it published if
it will reflect discredit—I will stick to that. I don't
I want it published unless it will be read and liked by
cultivated people. I don't want it to be at the
level of school-girls and shop-boys. I want it to
be such a book as —— or —— or ——
or —— or —— might take into the country,
not for the thought or the theory, but for amusement,
and such as would amuse them; such as
Englishmen might read and value for its little
side-lights thrown on American country life. I
don't aim to do anything above amusement, and if
it wont do that it is a failure, for there is nothing
else for it to do. You see it was not written with
any view to a book. I suppose I have enough
things printed to make a dozen books, and I have
taken out enough for one about the size of ‘Sir
Thomas Browne.’ So far as the people I write
for are concerned, I think now is as good a time as
any. There is a kind of hiatus in book-making,
and that gives me a chance for a hearing. My audience
is more at leisure now and not much poorer.
It is specially adapted to the times in that it has not
anything to do with them, and so will be a recreation
if it is not a bore. I should not think it would
sell, I must say, for there is not anything of it.
Still, all the parts of it that have been printed have
‘taken’—I don't understand why....
“I have a certain vivacity of style which would
be well enough if I had anything solid underneath;
but I have no thought, no depth, no severe and
careful culture, no comprehensiveness, no substance,
nothing to raise me above the penny-a-liners, except
perhaps the matter of vivacity, or whatever
it is—but that is nothing to depend upon—no resource,
no capital. My chief talent consists in raising
great expectations—which will turn out like Pip's,
I expect. It is no fault of mine. I do conscientiously
the best I can; you are an illustration of this
thing. You expect ‘A number one’ things of me.
But you have no ground for it. I have sent you
my ‘A number one’ things already, and you see
they are not ‘up to the mark.’ But they are the
very best I can do under the circumstances. What
right have you then to expect anything better? I
consider it a great misfortune that somehow my
performances seem to give a promise that is entirely
unwarrantable. O well, I must stop some time, so
I suppose I might as well stop here. All is, may
I send the thing to you? It is all ready, only I
have to take it to some book-binder somewhere to
have the things pasted in. I hope I do not annoy
you by asking you—not much I mean; of course
it must annoy you a little—I assure you you need
not have the slightest feeling about saying no. It
would be no kindness to me to suffer me to disgrace
myself or my country. There is only one sin that
I will never forgive. If you ever tell anybody,
my wrath will kindle against you into a perpetual
fire; and you know about furies, and scorned
women, and the wicked place! I hope this will
get at you in some little crack between two ‘mad’nesses,
but if it does not, pray don't turn ‘mad’ at
me. I can bear anything but to be snapped up. I
wonder if you would be more likely to be pleased if
I had stopped before; if so, you can just turn back
to the place where your temper began to crack,
and make believe ‘Yours, respectfully,’ came there.
But you have been so generous hitherto that I am
afraid I perhaps presume too far—now I am sure
that compliment is very well turned, seeing that
kind of thing is not in my line—but the fact is I
want you to stay good-humored so much that I
would say anything!
Yours very truly, M. N.”
The letters from Mr. Hunt in reply to mine, are
inserted here for a better understanding of my letters,
and to preserve the unity of the drama. As
I did not anticipate the appearance of mine before
the referees, Mr. Hunt's were not arranged
with reference to them, but have been placed here
since. Several sentences concerning magazine
articles are quoted, to show that though I had not
printed a book I was not wholly unknown as an
author at the time of the publication of “City
Lights,” and that therefore the risk was not quite
so great as one would perhaps judge from Mr. Parry's
statement, which will presently appear.
MR. HUNT TO M. N.
“Send along the book by all means, and I will
give it early attention.... A book from your
hand is worthy attention, and it shall have it from
yours truly.”
APRIL 20, 1762.
“I have read ‘Moving’ and the ‘Friendship’
paper to-day, both of which I shall be glad to print
in the Magazine if you will let me.... As soon
as I can find more time I will make up my mind
about the book.”
APRIL 25, 1762.
“I wish to begin at once to set up the copy, and
no time should be lost in waiting. October will
soon be here!
“I think we shall be able to get into a volume
your articles, in form like ‘Old Sir Thomas.’ At
any rate I shall try to do so.”
APRIL 29.
“Why do you hop about so when you attempt
an epistle? I can't find the place. Now you are
on the right side of a sheet, and, presto! I can't
tell next where you are. A reader of your letters
ought to stand on his head half the time. Page
two is nowhere to be found, without twisting the
spinal apparatus fearfully. Why don't you have a
plan and stick to it? Or are you a law unto yourself?
(See Hebrews).
“Let me tell you what I would like to do: Print
in the Magazine several of the articles in your proposed
volume, postponing the publication in book
form for the present. ‘Moving,’ and ‘Friends and
Friendship,’ I certainly wish for the Magazine....
Your book will keep, won't it? Meantime
the papers, as printed in the ‘Adriatic,’ will not
badly advertise the coming volume. Do you agree
with me?...
“Your ‘My Garden,’ is a hit number one.
Crowds of inquiries for the author's name beseech
me, but I cry ‘mum’ to the myriads.”
M. N. TO MR. HUNT, MAY 1, 1762.
“Can't you read figures, dear? Don't you know
a five when you see it? Aren't you able to tell a
two from a four unless they are labelled? I fondly
believed you were, but as indications point the
other way, I will have everything in a right line
hereafter, so that I shall just have to drop you into
the groove at the beginning and you will spin along
of yourself to the end. I am your serf and slave—till
I get the upper hands of you, which I shall
one day—I always do, sooner or later. Don't be
frightened, though. I shall roar you as gently as a
sucking-dove. And please remember that Hebrews
is not Romans—or, as one cannot remember what
he never knew, please be informed. Aren't you
glad you have somebody who can always set you
right?
“There is one thing about my letters though;—when
you do find the place you know where you
are. Yours I don't. Now what do you mean?
Do you mean that my book is not good enough to
publish? If you do, why don't you say so?
“When I was in Congress anything that was indefinitely
postponed was as good as lost. I wish
you would say, straight as an arrow, just what you
mean. You need not be afraid of wounding my
feelings. I have boxed them up in ice and sawdust
and set them on the top shelf till such time as
my fortunes shall permit me to indulge in such
luxuries. I am rhinocerine and pachydermatous.
Lay on Macbeth, or Duff, or whoever you are.
“You see it is absurd for you to talk about postponing
the publication of a general kind of book if
it is worth publicating at all. If it were what I
want it to be, you would rectangle it up in ten minutes
and have it out. If it is not what I want it to
be, I don't want it published at all. If it is only
so-so, pay-the-way-y, very good, I will have none
of it. I want it to be triumphantly good. I
don't want any drawn battle. I want an unconditional
surrender, with fort, guns, and ammunition.
If I can't have that I don't want anything. Now
can I have that? You tell me. I know you know.
I have been flattered to death all my life....
If the book is coarse, and violent, and insipid, and
diffuse, and superficial, and egotistical, and worthless,
say so. That is just what I am afraid it is,
and it keeps me awake nights.
“It occurs to me that possibly you may have so
much on your hands that you cannot publish it. I
don't believe that, though. People can always find
time to do what they will to do,—any way I can,
and I am a female Atlas. But if it were so, and
you would tell me that you thought the book was
good, I would get somebody else to publish it. I
should not like to do it to be sure. I have set my
heart on your publishing my first book. You see,
as Mrs. Browning says, ‘I love high though I live
low.’ You know if you aim at the sun you won't
probably hit it, but you will hit higher than you
would if you made your target out of a scrub
oak. I don't want to go into the world through
the back door. I want to go in, sir, by the main
entrance! with drums beating and colors flying!
with body-guard on each side, and carriages drawn
up in line! That means you—Brummell & Hunt
is the triumphal arch and the Seventh Regiment!
But you see I am tired to death and disgust of
waiting. It is three years now since I took to writing
in good earnest, and all this while I have been
burrowing under ground. It is almost two years
since I sent ‘My Garden’ to the ‘A. M.’ Two years
apiece for the other two things will be four years,
and by that time I shall be a coral reef, with all the
pulp of my soul dried up, and nothing left but the
dead shell. You understand I am not impatient of
preparation. I am not only willing but eager to
work. If I thought I could be more worthy by
waiting; if I thought crudeness would mellow, I
would wait; but the book is done. It is not a
question of improving it, but to be or not to be.
“It would be a great disappointment, and I am
sure a positive loss to me, not to have you publish
the book if it is fit to publish. You would give me
a prestige which I assure you I have sense enough
to value. And yet will not the book, if it is good,
make its own way, even if it should be born in a
garret? You see I look at this from my standing-point
only, for you of course are too well established
to be disgraced by my failure or illustrated
by my success. I am the only one affected, don't
you see? If I fail it will nerve me. If I succeed
it will give me a point of support. You understand,
by success I don't mean that I desire to
make a sensation. The public, whose countenance
I court, would be comprised in a hundred men
and women. If I should secure their suffrage,
the rest of the world might go whistle. If the
hundred put me on the pedestal, the ten millions
cannot pull me down, for it is quality and not
quantity that leads in this world, no matter what
the world thinks.
“I want to be out too, because that thing is
only the inch of an ell. If that succeeds I have
half a dozen others—‘City Lights,’—in the same
style—and ‘Rocks of Offense,’ which is to put
everybody right in religious matters. You don't
know what my prophetic style is? I tell you
it leaves Isaiah and Jeremiah nowhere! Then
there is ‘Night Caps’ for children, and ‘Holiday
Stories’ for all the holidays, and ‘Stories of the
Old School-House,’ etc. I have sent those to the
Tract Society and all the Eleemosynary Institutions,
but they were not considered pious enough,
and I am afraid you profane establishments would
think they were too pious, so betwixt the clergy
and the laity I should come to the ground with a
thud, from which, like Antæus, I always gather
strength.
“I don't believe you half read my letters. I
don't know that I blame you, but it leads you into
obvious mistakes. You say you want to print several
of the articles—two certainly. Goosey-goosey-gander,
where shall I wander; did not I tell you
that all but those two had been printed before, and
the last one which you had rejected? Why do
you talk?... I am going to Athens to buy
a new dress the first pleasant day of next week
after Monday. Would you be willing to send those
two papers around to——? I can look them over
and manipulate them, and return them the next
day. If you obey the impulse of the natural heart,
unmodified by pressure of editorial duties, you will
tell me, as General Taylor told Santa Anna, ‘Come
and take them.’ And I would be glad to do it and
talk about these matters instead of writing. But
you must know that I cannot talk—I say what
I don't mean and I mean what I don't say, and so
an interview would be entirely inconclusive and
unsatisfactory.
“You will understand from this brief epistle that
it is not the book that won't keep so much as it is
my own self.
“If I have said anything here that I ought not to
say, pray make believe that—there, I just remember
that my little book is not ‘Night-Caps’ but
‘Make-Believes’—there is a book ‘Night-Caps’
already. Well, what I was going to say is—make
believe I have not said it. I am writing in greatest
stress of time, for our mail goes at unearthly hours,
and I cannot stop to be proper. I wish you would
give me a general absolution, retro-and pro-spective,
till this business is over. Yours very truly.”
MR. HUNT TO M. N.
“I see we must speak by the card when we
write to Miss Wont-understand.
“This then, is what I wished to say in my last
clear and felicitous epistle.
“Of course your book cannot be published till
the articles I propose to print in the A. M. have
appeared there. This is what I meant by postponing
the issue of the volume. I wished to say that,
B. & H. would print your book, certainly, but the
time when must at present be unsettled for the
reason above given. I have read the articles now
and like them hugely. They are capital stuff for a
book, full of all readable qualities....
“I will not eat you if you call in here when you
come to town, but you must have your own way.”
All the confidence, and all the respect for the
house of Brummell & Hunt, which these letters
indicate, I not only admit, but I introduced my
case by avowing that I thought them the head and
front of all publishing houses.
With regard to the exemption of fifteen hundred
as the first edition of “City Lights,” Mr.
Parry said that the word edition meant nothing as
to number. It meant simply a single issue. In
reply to a question, he said he did not know what
was the usage of publishers in this regard. They
had sometimes exempted as many as two thousand,
and had known cases in which five thousand had
been exempted, and, I understood him to say, had
done it themselves. One thousand, he said, was
the usual number. Being asked what would be
his own understanding of an edition, if nothing
were specified, he said he would frankly admit that
he should suppose it meant one thousand; that
when any larger number than a thousand was
exempted, it was their custom always to specify
the number; that he did not know why it was not
done now, and presumed this was the only time
they had exempted more than a thousand without
specifying the number. The reason of this
large exemption was that there was so much risk in
publishing a new book, and that this book was
published in a style that was unusually expensive.
It cost a great deal more than any other on their
list; that there was no prescribed usage in such
matters, and they could have exempted more, but
had no desire to do so. I had said that if it were
to cost more, they should have told me.[11] They
had letters of mine showing that I did know it cost
more, but that I was so desirous to have it printed
in this way, that, in my own language, which Mr.
Markman read and Mr. Hunt repeated with an air
which showed that whatever literature had gained,
the stage lost its chief ornament when Mr. Hunt
went into the book trade, “I went down on my
knees to you to have it like Sir Thomas Browne.”
In my original statement I had said, “When
the first book was to be published, Mr. Hunt asked
me what style I should like, and suggested that
of the ‘City Curate.’ I preferred ‘Sir Thomas
Browne.’ He made no objection, nor even hinted
that it was more expensive than the other. [Then
came the quotations.] “I do not recollect that anything
was said about it afterwards. The following
books were simply published in uniform style with
the first.” This is my recollection of the matter,
which is simple and commonplace enough.
From my letters at the time, however, the firm
of Brummell & Hunt infer a thrilling dramatic
scene in which Mr. Hunt was the obdurate autocrat,
or the wise and thrifty guardian, as the case
may be, who, like Mrs. John Gilpin, though on
publishing bent, had a frugal mind; but was at
length moved by me,
“Languendo, gemendo
Et genuflectendo,”
to lay aside prudence and launch out into a style of
publication which could be met only by some extraordinary
sacrifice on my part, I professing to be
until this late disclosure ignorant both of style and
sacrifice.
I give the correspondence, inserting Mr. Hunt's
letters to throw light on mine—the latter only
appearing in Mr. Parry's defense.
Let it be remembered that the book was published
September 18, 1762.
MR. HUNT TO M. N., SEPT. 2, 1762.
“It is our intention to publish ‘C. L.,’ on Saturday,
the 13th of this month: not before, certainly.
If any great excitement befall the country,
we shall postpone till the following Saturday....
“Your new preface is pungent as a pepper.
Your motto seems to be, ‘Je suis prêt.’
“Give it to 'em any way you like. A proof of
the preface will go to you in a few days. As to
the binding of your book, I propose same style as
‘Rs. of a City Curate,’ gilt top leaves and beveled
boards. Do you like that way?”
M. N. TO MR. HUNT, SEPTEMBER 3.
“For you to set up and pretend to ask me if I
like ‘City Curate’ style, when you knew I went
down on my knees to you to have it like ‘Sir
Thomas Browne,’ and you said you would.
“The next book you publish for me, I am going
to stand over you with a grip on your coat-collar
from the time you give the first copy to the printer
till the first edition stands on the shelf, and see if
you cannot be kept to something. I don't know
what your beveled boards are—only if you put a
d in, the adjective would apply more accurately—and
I don't want my book to be boarded up any
way, and if there is anything I hate, it is gilt tops,
and if you don't do it as I want it, I don't care how
it is done.“
MR. HUNT TO M. N., SEPTEMBER 15.
“We shall publish, unless a defeat crowns our
victories, your book this week. It will be a beauty,
and look like ‘Sir Thomas Browne,’ in its red
waistcoat.”
[This letter was delayed and not received till
the following letter was partly written.]
M. N. TO MR. HUNT, SEPTEMBER 20, 1762.
“You darling Traddles,—why do I call you
Traddles? Because you are ‘the dearest fellow.’
It was not Traddles, though, was it? It was his
wife, and she was not a fellow but a girl—never
mind. The fact I wish to impress upon your mind
is, that you have tricked out my book so beautifully
that nothing could be lovelier. You would not
have done it though if I had not threatened you
within an inch of your life, would you? You
don't know how delighted I was when I opened
the bundle, expecting to see those cheap-looking
paste-boardy things, and you had gone and done
them just as I wanted you to do them, and you
said you would, and then said you wouldn't, and
they are beautiful. They are better even than ‘Sir
Thomas.’ The paper is finer. But now see—I
never thought till yesterday that they must cost
more than the other way, and I have been distressed
all along, and this makes me more so. But
listen: I shall either live, or die, or marry. If I
live I shall get money, if not by writing, then by
teaching, or something, so that I shall pay you
sometime. If I die I shall leave money enough of
my own to pay you, and you keep this letter to
show to my heirs to let them know I desire you to
be paid. If I marry, Smith of course will be delighted
to pay all my debts, and I shall make that
the condition of my becoming Smithess; so that you
shall not lose money on my book, even if you don't
make any, which I hope you will—millions of
dollars; but I am sure you must see for yourself
that it is better to have a book look substantial
and high-bred, and suit you, even if it does cost a
little more.
“Just here comes your letter and check, which
was delayed in Boston because you did not put a
stamp on.
“One of my friends has been questioning me
about the business part of my book—copyrights
and contract, and all that trash of which I know
and care nothing.”
[Foolish as this all seems to me now, I can only
say that it expressed exactly my state of mind. It
was not that I had any lofty disregard of money,
but simply that I was so intent on writing, that I
had room for nothing else. I had plenty of money,
or if I had not, I did not know it, which amounts
to the same thing, and it made me impatient to
be bothered with these outside, and what seemed to
me entirely insignificant matters.]
“But I want to know if by publishing articles in
the ‘A. M.’ they pass out of my hands. I mean,
if I wanted to collect them and have Tilton, say,
publish them, couldn't I? I will any way; because
you see, though I am amiable, you know
what your temper is, and suppose we flare up
and have a quarrel, what then? I tell you I
don't discard lines of retreat. Now you know I
would rather have you publish than anybody else—supposing
I had anything to be published; but I
want to do it because I want to do it, and not
because I have to do it—don't you understand?
“Do you know that it scares me to see my book
out in the open day? Seems to me it is a romping
kind of a book, and there is a regiment of I's
on every page, and ‘lots’ of ‘tricksys’ and ‘exasperatings’
and ‘for my parts.’ You cannot tell
how a book will look till it is born, can you? I
shall make the next one better. Shall you read
it now it is out? I wish I knew whether it disappoints
you. It does me. It is crude and botchy—it
is so awfully unlike ‘Sir Thomas Browne;’
and if it isn't good, it is frightfully pretentious. A
book ought not to come out in that style, unless
it has some merit. To think of——reading it,
and——and——and——I should like to go
into a hole and burrow—and——
“O dear! I don't suppose they will read it, but
I wanted to have such a book as they will read.
Any way, you have done your part, and I want
you to know that I am aware of it and not ungrateful.”
“Hurrah! Good news! I have heard of a
man in S——, who said he was going to buy my
book! There is one copy as good as sold.
“The man who told me about the purchaser in
S——, tells me also that the dress of my book is
very much admired, and says I ought to be very
grateful to B. & H. for doing me up in such style,
just as if I was not! But what can I do about it?
There is a white cloud at the toe of my boot. As
soon as it resolves itself into a well-defined hole, I
am coming to Athens to get a new pair. I have
nothing in the world to say to you, and I shall not
come to see you. Still, if you should say, ‘Hadn't
you better?’ perhaps I might be induced to rasp
my knuckles against No. 7—.”
MR. HUNT TO M. N., SEPTEMBER 23.
“I am glad you like the costume into which we
put your first-born. It is a handsome baby and
will go alone uncommonly early.”
So it seems that notwithstanding all the importunities
and posturings of the kneeling scene, Mr.
Hunt was unmoved—for it was after the curtain
had fallen on this act that he quietly writes, “I
propose same style as ‘City Curate.’ Do you like
it?” All its pathos had not been sufficient to keep
the act itself in mind. When I first suggested
“Sir Thomas Browne,” he agreed at once, but afterwards
apparently forgot it and mentioned “City
Curate,” as if nothing had before been said on the
subject. Finding then that I wanted the “Sir
Thomas,” he does not so much as reply, but simply
binds the book according to my wishes. There is
no sign of any objection to it on his part from the
beginning to the end, so that the candid inquirer
is at a loss to know why I should have knelt, except
from native humility of spirit and taste for the
suppliant posture—which nobody can deny.
As the ministers remark, “we shall resume this
subject in the afternoon's discourse.” I only say
here what, à la Ollendorf's grammar, I had a mind
but no time to say to the referees.
After we had all slept upon it and returned to
our moutons next morning, Messrs. Hunt, Parry, &
Co. brought in proof to show that I did know that
fifteen hundred books were exempted in the first
edition. This was an account in one of their books
in which the exemption appeared. But in their
copy of the accounts sent to me, drawn up by their
clerk for the referees, the latter remarked that no
such item appeared. Messrs. Parry and Markman
thought it might be the clerk's mistake in copying.
The referees asked me if I had my accounts with
me. As they had been my literature for sixteen
months, I was inclined to think I had. The original
papers were produced and no mention was found
in them of any exempted copies. Mr. Parry said
that as the item was down in the books it must have
been put there for the purpose of sending to me.
Mr. Markman thought this particular account might
have been lost in the mail. But the accounts which
I held covered all the time of my transactions with
Messrs. B. & H. Mr. Parry thought the entry in
their books would at least show their good intentions.
The second edition of “City Lights” numbered
five hundred copies. No edition was so large as
the first, except the eleventh, which numbered two
thousand copies. Another fact came out of which
I had not before been aware, that three hundred
copies had been exempted on every book. These
I suppose had been distributed as advertisements.
Regarding the change in payments from percentage
to a fixed sum, the firm claimed that it was
made with my full knowledge, understanding, and
consent, as would be proved by Mr. Hunt's testimony.
Whereupon Mr. Parry gave place to Mr.
Hunt, who deposed and said—or rather, to his
grief, did not depose, but was obliged to content
himself with saying,—that on a certain time he held
a long conversation with me on the subject of the
change, in which he fully explained to me its nature
and necessity. He remembered that at first I was
disposed to be trifling, but he begged that I would
be serious, and assured me that this was a serious
matter. He remembered using the expression, that
their house was shaking in the wind. He explained
to me over and over again, to make sure that I understood
the state of affairs and the reasons which
necessitated the change, and repeatedly asked me,
“Do you understand this clearly?” and I said that
I did, and “Do you assent to it?” and I answered
“Yes.” Then, fastening upon me a look—apparently
designed to be penetrating and powerful
enough to reach the lowest depths of duplicity and
to wring late confession even from a perjured soul,—he
exclaimed, “I think, M. N., you must remember
this.”
Of course I was overwhelmed with confusion,
but having persisted in the falsehood so long it was
hardly worth while to go down on my knees to the
gentleman a second time, so I received his gaze in
silence. In fact, Mars Hill House witnessed then
what the hymn calls “the young dawn of heaven
below,” inasmuch as there was silence in the room
for the space of not quite half an hour. It was
broken by the referees, who said that it was perhaps
proper to ask me here if I remembered any
such conversation. I said that I did not recollect
it. They asked Mr. Hunt if he had any correspondence
which referred to it. He said no, only
the letter of mine which I had myself produced, in
which I admitted it. But he remembered it with
exact clearness. He could recall just the sofa on
which he sat. He was so confident that he wished
he could take his oath on it. They asked him
whether I happened to be in Athens or whether he
sent for me. He was not sure, but thought he sent
for me. They asked him if in this conversation it
was understood that “City Lights” was to be included
in the second contract. He said “distinctly.”
I asked if he could define the time when the conversation
occurred. He could not, but it was some
time before the second contract was made, and was
the basis of that contract. I asked if he could
tell whether it was in the old shop or the new. He
said it was in the new. He did not add, what
would have been a most effective peroration to his
speech,—
“I reside at Table Mountain, and my name is Truthful James;
I am not up to small deceit or any sinful games.”
This little matter being thus comfortably disposed
of, Mr. Parry again took up the thread of his
discourse.
With regard to the change in payment to authors
from a percentage to a fixed sum, he said that such
a change was desirable because everything was
changing and uncertain. He reiterated his statement
as to the variations that had been made in
the retail price of my books; said that authors generally
did accede to the change; admitted that
Mrs.—— had had some difficulty, that her mind
seemed to have been jaundiced towards them, that
her sister, Miss——, had examined their books,
and that Mrs.—— had now become satisfied
that all was right; that I, before the reference,
neither admitted nor denied that I had acceded to
their proposal, but only affirmed that I did not recollect
about it. He denied that there was any prescriptive
custom of paying the author ten per cent.,
though as before, he objected to bringing in the
modes of other publishers, as Hunt, Parry, & Co.
transacted business on their own account without
consulting others. Which is all very true, doubtless,
yet the prejudiced observer, seeing how much
is said about the great liberality of this firm, can
but marvel that they should have been willing to
miss so brilliant an opportunity of contrasting their
own liberality with the niggardliness of those sordid
book-men who publish, not for glory and high emprise,
but simply to make money. Mr. Parry said
this also was a reason why the questions propounded
to them by Mr. Dane antecedent to the reference
seemed irrelevant. They were asked to state their
income and that from the “Adriatic.” But they
might make a great deal of money in outside ways,—by
speculating in butter, for instance,—of which
it was not pertinent that they should give any account.
He was asked why, if there was no prescribed
custom to pay ten per cent., they themselves
fixed on ten per cent. as the rate of payment for
“City Lights.” He said that they were disposed
to be liberal; that there were no fluctuations then;
that such a prescriptive custom may then have
existed, he would not say that ten per cent. was
not common, though he did not himself know what
was the custom among other publishers. He was
asked why “City Lights” was not by name included
in the second contract if its provisions were intended
to apply to “City Lights,” and why the
other works were not also included in a contract.
He replied, that it was because a verbal understanding
had been reached; that if they had supposed
or intended any wrong, they would certainly have
so included it; that the absence of contracts was
owing to a basis of mutual understanding and verbal
agreements. He was asked if they had any
letters bearing on such verbal agreements, and he
said they had not.
He affirmed that the publishers made but insignificant
profits on the books compared with mine;
that up to September, 1764, when the second contract
was made, when “City Lights” had been
two years out and “Alba Dies” and “Rocks of Offense”
had been published, and “Old Miasmas”
was about to be published, their net cash profit on
the books for these two years had been three hundred
dollars. Here they went into the details of the
business with a minuteness altogether beyond my
power to comprehend or report. The referees and
themselves carried on a long discussion about the
condition of business in general, and their business
in particular, in 1762, 1764, and subsequently. The
firm foresaw that they should have to advance the
retail price of their books. Everything connected
with their business advanced. The price and quality
of paper, the size of books, taxes, interest,
stereotype plates, pro rata increase, press-work,
expenses of business, comparative costs of comparative
thinness, if there is any such thing, number of
pounds of paper in thin books and thick books, discounts
to the trade, were discussed with apparent
intelligence. I can give only a few of the mysterious
tongues of flames that shot above the level of
the luminous, and still more mysterious corona.
[It will be seen that this part of my paper is like
Milton's “fatal and perfidious bark,” in “being built
in the eclipse” as well as “rigged with curses dark.”]
The stereotype plates of the nine volumes were
estimated at three thousand nine hundred and fifty-three
dollars, ninety-seven cents.
| Paper, printing, and binding of about 72,000 volumes |
$38,422.08 |
| Advertising in outside mediums |
1,500.00 |
| Advertising in their own periodicals |
500.00 |
[The latter embraced only cost of paper and
printing.]
| Government manufacturing tax, five per cent. on sales, October 1764
to July 1766 |
$1,814.04 |
| Seven per cent. interest on stereotype plates |
991.46 |
| Expenses of doing business, ten per cent. on sales |
7,061.14 |
The latter included rent, insurance, clerk hire,
packing, store expenses, business risks and losses,
taxes on business-property, except income-tax, etc.
Reckoning up the sums expended they proved beyond
doubt, if there be truth in figures, that their
profits were not quite seven-tenths as large as those
of the opulent and insatiable author, who, in spite
of all this inequality was clamoring for more. But
they admitted that, though their expenses had been
out of all proportion to their profits since the rise
in prices, their profits had lately “been some larger
than before.”
With all due respect to Messrs. Hunt, Parry, &
Co., I must still avow that these estimates are entirely
valueless. What would have been of value
was their cost-book, which would have showed what
they actually did pay. This I asked for but it was
not produced. They simply made an estimate.
They brought forward not a single voucher. They
reckon the item of advertising at two thousand
dollars, but they produced not a paper to show
that they had paid anything. This advertising
extended over several years and embraced advertisements
of nine books. Whether they counted in
the three hundred volumes reserved on each book;
whether they counted in the advertisements of
every book advertised and issued simultaneously
with mine, on what basis they did calculate, or what
sums they did pay, I have no means of knowing,
except their assertion.
In the same way they make their estimate of
the cost of paper and press-work; but that it is
anything more than an estimate, that it represents
the actual sum which they paid to printers and
binders, there is no proof. From the fact that I
asked for their cost-book, and that it was not produced,
I infer that it does not represent that sum,
notwithstanding the laudable accuracy involved in
the eight cents.
Again, having set down a certain sum for the
cost of the stereotype plates, for the interest of that
money, for the paper and press-work, for the advertising
and taxes, they bring in a grand finale for the
expenses of doing business. That is, having charged
once for the items specifically, they lump them
together and charge for them all over again abstractly.
For what is the advertising and the taxes
but a part of the expenses of doing business? Why
could not everything except the raw material of
the book be classed under the head of doing business?
What is there to a book but the book itself
and the publication of it? And why again should
interest be charged on the sum paid for stereotype
plates any more than for that paid to the printer
and binder?
[Since the reference I have showed their statement
to several publishers, and am assured that any
person whose correct accounts should stand thus
is unfit for the business, and that the profit on those
books is from four to five times as much as Messrs.
Hunt, Parry, & Co. represent it.]
But, even supposing all these figures to be correct,
it will at once be seen that the publishers set
off their own net profits against the author's gross
receipts. Having charged for every item of their
own expense in producing the book, and for some
of them twice over, they make no allowance whatever
for the author's having been at any expense in
his part of the production. What the publisher gets
after every expense is paid is set over against what
the author gets to pay every expense with. But
the publisher's profits, according to their showing,
are only about one tenth of his gross receipts. What
then is the author's share of what may truly be
termed profits? Or is the author's share in the
production of the book to be considered as of no
pecuniary value?
The remainder of the case, as presented by
Messrs. Hunt, Parry, & Co., will appear, to the
best of my ability, in the written reply presented
to the referees and here subjoined. It must not be
forgotten that one is always liable to misrepresent
an opponent's case. I labor under the additional
disadvantage of possessing a natural aptitude for
“conspicuous inexactness” perfected by long practice.
This innate depravity is, however, held in
check at the present crisis, by the consciousness
that I am reporting what took place in the
presence of five persons, of whom three were on
the other side, and two on neither side, so that
any lapse from truth would be speedily detected.
With such vigor does Providence barricade our
weaker virtues!
INTRODUCTION.
(This “Introduction” will doubtless induce in
the reader a despair akin to that felt by a sleepy
worshipper on a warm Sunday afternoon, when,
nearing, as he supposes, the close of the discourse,
the preacher turns over a new leaf, and announces,
“Secondly!”)
"INTRODUCTION.
“Before proceeding to the subject-matter of the
controversy, will the referees permit me to apologize
for appearing before them to present the case
myself. Nothing was further from my intention.
Until the evening before the reference I did not
mean to be present at all, and I then consented to
be in the room only at Mr. Dane's urgent solicitation.
I wished a full, clear, and exhaustive discussion.
I knew that I was not able to enter into
it myself. I have steadfastly refused to attempt it
even in private with Messrs. Hunt and Parry, because
I knew I was so ignorant of the details of
business, that such a discussion would be fruitless.
How much less then should I have attempted it
before two gentlemen of the character and ability
of the referees, appealed to for a formal and final
decision?
“The paper already presented to the referees was
prepared originally for my own convenience, and
was subsequently put into Mr. Dane's hands for his
exact understanding of the matter. It was not
designed for the referees. It contained much irrelevant
matter, and my only excuse for offering it,
is the embarrassment and perplexity in which I
suddenly found myself involved, and from which
this seemed the only way of escape.
“The same circumstances must be my apology to
Mr. Hunt for certain letters which appeared in that
statement. They were placed there only for the
sake of a few lines which were in them. These
extracts were all that were designed to be read.
But in the confusion of the moment I was entirely
unable to make any separation or distinction. I
mention this, not because the letters contained
anything discreditable to Mr. Hunt, for they did
not; but because I would wish to avoid even the
appearance of unnecessarily giving private letters
to the semi-publicity of arbitration.[12]
“For the paper which I now present, I must also
beg the indulgence of the referees. I have done
the best I could do under the circumstances, but I
know that it must seem to them redundant, deficient,
unsystematic, and perhaps inadequate. I
can only assure them that had I thought it possible
I should be forced to conduct the case myself, I
should never have appealed to arbitration.
“I beg to thank the referees most sincerely for
their unvarying kindness and forbearance.
“SUBJECT-MATTER OF THE CONTROVERSY.
“I claim what is justly due for copyright on eight
works, namely:—
- “‘City Lights,’
- “‘Alba Dies,’
- “‘Rocks of Offense,’
- “‘Old Miasmas,’
- “‘Pencillings,’
- “‘Holidays,’
- “‘Cotton-Picking,’
- “‘Winter Work,’
Published by Messrs. Brummell & Hunt, since
Hunt, Parry, & Co.
“Were there no contracts, the author's share
should, I suppose, be determined by the usage of
publishers and authors, as to similar works with
similar sales.
“For four of these books there is no contract.
“On the first book, ‘City Lights,’ there is a written
contract at ten per cent. on the retail price after
the first edition is sold. This price was fixed voluntarily
by the publishers without suggestion from or
consultation with me, and must be considered as expressing
their idea of what was fair and usual under
ordinary circumstances, even with a new author.
This contract has never been rescinded. Messrs.
Hunt, Parry, & Co. claim that it has been rescinded.
No one can be called upon to prove a negative.
To prove that the contract exists, I produce
the contract. To prove that the rescission exists,
I demand that they produce the rescission. This
they have utterly failed to do. Mr. Hunt simply
asserts a verbal agreement, which I deny. A
verbal agreement between two parties, which one
party stoutly maintains, and the other flatly denies,
is, I submit, an agreement more suited to the latitude
and longitude of Dublin than of Athens. A
verbal agreement, which on examination proves
to be an utter and absolute disagreement, cannot
cancel a written contract.
“They not only attempt to rescind the first contract,
but to substitute another for it by including
‘City Lights’ in the second contract. But
‘City Lights’ is not named in the second contract.
They do not even pretend that they intended
to name it there. They simply assert a
conversation in which both parties agreed that, the
first contract still existing, they would act as if it
did not exist; and that ‘City Lights’ not being
inserted in the second contract, both parties should
act as if it were so inserted. I beg to inquire if
there is anything in the Union as it was, or the
Constitution as it is, that could make such a procedure
reasonable? Is it credible that a shrewd
business firm should rely on a verbal agreement to
cancel a written one and leave the latter uncancelled
in the possession of the other party?
“‘Dies Alba,’ ‘Rocks of Offense,’ and ‘Old
Miasmas,’ were published at different periods subsequent
to the publication of ‘City Lights.’ They
are all embraced in one contract, which bears date
September 24, 1764. This contract is not at ten
per cent. on the retail price, but at fifteen cents a
volume on all volumes sold.
“This contract I claim to be invalid, because it
was obtained from me under false representations,
and because it is not equitable.
“Mr. Hunt asserts that before entering into this
contract, and as a basis of this contract, he had
a long conversation with me in which he fully
showed me the reason of the proposed change from
ten per cent. to fifteen cents on a volume. His
recollection of this conversation is so vivid that he
even recalls the sofa on which he sat. He thinks
he sent for me, but is not quite sure. He remembers
that I was disposed at first to be trifling, but
he begged me to be serious, and assured me that
this was a serious matter. He remembers using
the expression, ‘that their house was shaking in
the wind.’ He says, he explained to me over and
over again the state of affairs and the reasons which
necessitated the change; and repeatedly asked me,
‘Do you understand this clearly?’ and I answered
that I did, and ‘Do you agree to it?’ and I said
yes. He is so positive in his assurance that he expresses
the wish that he could take his oath on it;
the referees ask him if, in that conversation, ‘City
Lights’ was included among the other books, and
he replies, ‘distinctly.’ Then, in face of my repeated
written and verbal assertions to him that I
had no recollection of any such conversation, he
fixes his eyes upon me and says, with emphasis, ‘I
think, M. N., you must remember this.’
“I have already stated to the referees that I had
no recollection of any such conversation or of any
verbal agreement. I was willing to attribute the
assertion to a mistaken impression on the part of
Mr. Hunt. Now, after his positive, persistent, and
circumstantial assertion, I go further. I deny his
assertion in part and in whole, in every point and
particular. I deny it not simply as a mistaken
impression, but I deny it as a question of veracity
between Mr. Hunt and myself.
“As I have said before, I cannot be called upon
to prove a negative. The burden of proof lies on
Mr. Hunt who asserts the positive. He admits that
he has no correspondence to show it, but affirms
that I admit it myself in one of my early letters by
saying, ‘I dare say’ I did have such a conversation.
The letter to which he refers is my second
letter of inquiry, written before my faith in him had
been shaken, and before the question of such a conversation
had assumed any prominence or arrested
my attention. I had asked him, as my letters show,
why he wanted me to take less than ten per cent.
He had replied, that we had talked it over and I
agreed to less. I replied that I knew I agreed to
it, for here were the contracts, but why did he wish
me to make such contracts? My exact words
were, ‘I don't remember ever talking the things
over with you, but I dare say I did—or rather you
talked and I nodded,—as usual. And of course I
agreed, for here are the contracts that say so....
Don't you see the trouble lies back of the contracts.
Why did you wish me to be having seven or eight
per cent. when other people are getting ten?’
Here it is seen that in the very beginning, almost
before any suspicion was aroused, and before my
attention was at all fixed upon the importance of
this conversation, I, first, carelessly but distinctly
assert that I remember no such talk; second, I
found my recognition of my assent not upon any
remembered talk but upon the written contract;
and third, I reiterate my questions concerning what
lay back of the contract in entire unconsciousness
that the talk had anything to do with it.
“So then, the only testimony which Mr. Hunt can
produce of a verbal agreement which vitiates one
contract and forms the basis of another, is a letter
of mine in which I distinctly affirm that I don't remember
anything about it! Mr. Hunt is welcome
to all the sunshine he can find in that cucumber.
“Again, Mr. Hunt cannot fix the time when this
explanatory conversation occurred and this verbal
agreement was made; but it was the basis of a contract
which was executed on the 24th September.
It would naturally, therefore, be somewhere within
speaking distance of that time. Now, in my statement
of the case, made out on the 22nd October,
1768, and put into the hands of my friend Mr.
Dane a few days after, and read before the referees,
I said, ‘I think it must have been at the time this
contract was made out—but I cannot be sure as to
the time,—that Mr. Hunt told me that they were
going to pay me a fixed sum, fifteen cents on a
volume, instead of a percentage;’ adopting this
course with their authors, ‘on account of fluctuations,
general uncertainties, and so forth.’ In the
following January my vague recollections were confirmed
by finding unexpectedly, and without seeking
it or knowing that I had it, a letter from Mr.
Hunt dated September 23, 1764, from which I
make the following extract: ‘The contract has
been delayed for a sufficient cause.’ [He then
gives the cause of the delay, namely, Mr. Brummell's
absence]. ‘The percentage will read fifteen
cents per copy, as the business times are fluctuating
the prices of manufacture so there is no telling
to-morrow, or for a new edition, what may be
the expenses of publication. So we reckon your
percentage in every and any event as fixed at fifteen
cents per volume on all your books. If it
should cost $1.50 to make the volumes you are sure
of your author profit of fifteen cents. The price at
retail may be $1.50, $2.00, or $3.00, as the high or
low rates of paper, binding, etc., may be, but you
are all right. This arrangement we make now
with all our authors....
“‘As I write, the contracts are reported ready, so
I enclose them. Sign both, and send back the one
marked with red X. You keep one and we the
other.’
“I submit, that this extract, bearing date the day
before the contract, has every sign of being fresh
information. All the circumstances combine with
my own distinct recollection, apart from them, to
show that a new contract was made at my suggestion,
not with any view whatever of changing
the terms, but because I thought if a contract was
necessary with one book, it was with another. I
did not know that there had been or was to be any
change from percentage to a fixed sum, until this
letter told me. The retail price of the books had
gone up to $1.50, so that ten per cent. and fifteen
cents were the same. In this letter no allusion
whatever is made to any previous conversation on
the subject of the change from percentage to a
fixed sum. Is it credible, I ask, that Mr. Hunt
should have sent for me; should have assured me
that this was a very serious matter; should have explained
it all to me over and over again; should
have repeatedly asked me if I understood it;
should remember the conversation five years after,
so vividly that the intensity of his convictions cannot
find adequate expression in simple declaration
but craves the relief of an oath; is it credible,
that in his letter of the period he should have
made no allusion to this conversation, but should
have mentioned the arrangement as then communicated
to me for the first time,—as it actually was?
“But further than this, my diary for 1764, carefully
kept, with not a day missing, shows that
during the whole summer and autumn preceding
the 23d September, 1764, I was not once in
Athens!”
[And yet again,—I set on foot an inquiry at the
time but did not get an answer in season to use it
before the reference,—Mr. Hunt distinctly remembered
that he sat on a certain sofa in the new shop
during the conversation which was the basis of the
contract of September, 1764. But the firm did
not move into the new shop till May, 1765!
Now if Mr. Hunt should gratify himself with the
wished-for oath, I am sure that the accusing angel
who flies up to Heaven's chancery with it, will blush
as he gives it in, and the recording angel as he
writes it down, will drop a tear upon the word and
blot it out forever.]
“But it may be urged, giving up the conversation
and relying only on the letter, that in any event
I accepted and assented to the new contract with a
full understanding of its meaning and effect, and
am hence bound by it. This I deny. The law
always scrutinizes transactions between parties in
confidential relations, as father and son, guardian
and ward, attorney and client, husband and wife,
and demands the utmost frankness and fullest disclosure
of circumstances, allows no concealments,
and sets aside all contracts where any advantage is
gained by reason of the confidence reposed. It
recognizes the influence of superior position, and
the right to trust in the party occupying it, and demands
the strictest honor on his part. I think my
position with my publishers comes within the scope
of this principle. In respect of the matters involved
in this contract, were we or could we be
equal? They were practiced business men living
in the city, with full knowledge of all the details
of their affairs. It was their business to manage
the external material parts of books. I was living
in the country, with no knowledge of these affairs,
and as I supposed, no need and no means of acquiring
it. It was my part to attend to the interior
and intangible souls of books. I could not look
into their business without neglecting my own; as
indeed I have been forced to do for sixteen months
past, and as I should do with equal pertinacity for
sixteen years, were it necessary. I never sent for
my accounts, except when I wanted money and
wished not to overdraw. When they came, I
scarcely did more than glance at the footing to
ascertain what was due me. Nor do I now see of
what use it would have been to examine them ever
so minutely. I was proceeding entirely on a basis of
confidence, which I think I had a clear right to assume,
and which was complete and unimpaired
until the date mentioned in my first paper, when
I awoke to the fact that I was not receiving what
I seemed to be entitled to, and what, on the closest
scrutiny, I believe to be my legal and equitable
dues.
“Such being the relation of the parties, let us
examine for a moment—that is a pulpit fiction,
I mean for a good many moments—the inducements
held out to me by my publishers, as they are
found in this letter. I maintain that the proposed
change from percentage to a fixed sum is so mentioned
as directly—I do not say intentionally—to
mislead me. It is held up as an arrangement peculiarly
to my advantage, as guaranteeing me in any
event against a loss to which I might otherwise be
exposed, and as securing me my profits by some
stronger safeguard than I had before possessed.
But whereas I was blind I now see that it guarantees
me against no loss, and the only safeguard it
presents, is a safeguard against any benefit which
might accrue to me from the rise in prices. Mr.
Hunt says, “if it should cost $1.50 to make the
volumes, you are sure of your author profits of
fifteen cents,”—as if I should not have been just as
sure of them had I received percentage! “The
price at retail may be $1.50, $2.00, or $3.00, as
the high or low rates of paper, binding, etc., may
be, but you are all right,”—whereas I was all
wrong, for if I had kept to a percentage, and the
retail price had become $3.00, I should have had
thirty cents instead of fifteen.
“It was almost immediately after this contract
that the retail price of all my books went up to $2.00,
and has remained so ever since. This was a fact
which my publishers had the means to foresee, but
which I could not and did not anticipate or even
conjecture. The absolute identity of ten per cent.
and a fixed sum at the time of the new contract,
together with their representations of its superior
advantage to me, and my confidence in them, all
combined to deceive me. I should have adopted
the same reasoning and drawn the same inference
if a year earlier I had been asked to change
the ten per cent. to twelve and a half cents,
which at that time amounted to precisely the
same thing.
“Had I been distinctly told that my books were
largely to advance in price, but that all the profit
of the advance was to accrue to the publishers and
none of it to me, should I have consented to such
an arrangement? The referees and my publishers,
in discussing these matters, plunged into an abyss
of figures into which I cannot attempt to follow
them. I do not even understand the jargon—I
trust they will pardon the term—in which they appeared
to be communicating ideas. I had provided
myself with a friend who was, I believed, fully competent
to dive as deep as the best of them. But I
was not allowed to retain him, and I could only sit
in despair on the brink of the gulf and stare at the
spectacle. From the few intelligible sounds that
did reach me I infer that the sacrifices of publishers
in behalf of authors have never been fully appreciated.
I felt that in claiming ten per cent. I was
guilty of an extortion second only to that of David
Copperfield in suggesting to Mr. Dolloby eighteen
pence as the price of ‘this here little weskit.’ ‘I
should rob my family,’ says Mr. Dolloby, ‘if I was to
offer ninepence for it.’ It is gratifying to recollect
that the last winter was a mild one, so that the
cases of extreme suffering must have been rare. If
it were not for an occasional glimpse at our impertinent
income-returns one would be inconsolable.
As it is, would the referees count it as bringing in
new facts if I should send one or two postage-stamps
to the retired clergyman whose sands of life
have nearly run out, and beg a receipt for returning
an income of fifty thousand dollars on a bi-annual
cash profit of three hundred dollars?
“But though I cannot bring up a fact from the
bottom of the sea, I can see a fact when it stares
me in the face on land. If there was any reason
except uncovenanted mercies for advancing my
copyright from twelve and a half cents to fifteen,
when the books went from $1.25 to $1.50, it must
have applied with equal force to advancing my
copyright from fifteen to twenty cents when the
books advanced from $1.50 to $2.00. I deny that
the increased cost of doing business should be reckoned
solely on the side of the publisher as the justification
of his receipts and profits, while the author
should be held down to the same fixed sum. The
same causes that increased the cost of doing business
to Messrs. Brummell & Hunt as publishers,
increased in quite as large a ratio the cost of my
doing business as an author. Every conceivable
form of expenditure to which I was subjected was
all the time increasing, and I was as much in need
of a pro rata increase of receipts from my books as
the publishers could be. But Messrs. Brummell &
Hunt take the opposite ground and maintain that
no matter what the added expenditure of the author
may necessarily become, only a fixed sum shall be
allowed to meet it, while the vast increase of receipts
and of profits shall be absorbed by the publisher
alone. If this be justice, equity, or law, I
think we would better stop hammering on the jubilee
house, and begin back again at the Ten Commandments.[13]
“But though I was not able to follow my publishers
through the technics and tactics of their business,
there were two ways in which I might have
formed and presented some opinion of the justice of
their course. Had I been allowed, I would have
called in other publishers and have asked them
what would be a fair price for books with the character,
dress, and sales of mine. I do not see that
there could be any unfairness in this. They surely
would not be likely to decide unjustly against their
own craft, and they surely would be able to give an
intelligent answer.
“From the inquiries which Mr. Dane has made
among other publishers, I believe that the sum
which Messrs. Brummell & Hunt allege that they
have made on all my books represents much more
nearly the profits which they made on a single one
of them, ‘City Lights,’ and that the profits which
accrued to themselves from the rise in the prices of
books are much larger than they represent them.
“It was for the purpose of elucidating this matter,
also, that the questions were sent to Messrs. Hunt,
Parry, & Co. some days before the reference began.
Had I known the profits of their firm, the
number and sales of their books, and the profits of
their periodicals, I should have been in a position
to judge of the correctness of their statements regarding
the cost and profits of my books. Mr.
Parry objects to such testimony, as he says they
may make a great deal of money in outside ways,
by speculating in butter, for instance. Precisely.
But they advertise themselves as a publishing house
solely, not as a publishing and butter house. It is
Hunt, Parry, & Co., publishers, not publishers and
dairymen. When I am charged in my books with
the cost of store-rent, I wish to know whether the
rent is for packing-cases or butter-tubs. I am
charged for insurance and clerk-hire. How can I
tell whether the insurance and clerk-hire cover my
share alone or whether they may not also embrace
the safety and the management of the “Adriatic?”
There is a separate item for the cost of advertising;
but I am told that in a single year the receipts of
the firm for advertising in their periodicals are ten
thousand dollars more than the cost to them of all
the advertisements which they publish elsewhere.
Undoubtedly the sagacity of the firm in managing
their periodicals has much to do with that circulation
which makes them so valuable as advertising
mediums; but is it not just possible that the quality
of the writing has some slight influence on their
circulation. Yet not only are the authors of the
books and of the magazine articles often one and
the same, but the articles themselves are frequently
but extracts from the books, and the books themselves
are frequently made up in part or in whole
from the articles. I do not mention this as an advantage
to the publishers and a disadvantage to the
author, but simply to show that the book business
and the magazine business are so interwoven that
an investigation of the one, to be exhaustive, must
be, to some extent, an investigation of the other.
Messrs. Hunt, Parry, & Co. must give us all the
data if we are to make their ‘sums prove,’ as the
children say. As they decline to do this, and as I
never learned to ‘cipher in turkey rule,’ they have
everything their own way in arithmetic.
“Another point in Mr. Hunt's letter of explanation
was, as he says, ‘This arrangement we make
now with all our authors.’
“When I wrote to Mr. Hunt about the last of
August, 1768, that, contrary to what I had understood
his assertion to be, several authors had ten
per cent., and therefore I thought I ought to have
ten per cent., the firm did not deny my premise,
but simply said, ‘In your letter you assume that
we have but one set of terms with the various
authors whose works we publish. In this you are
in error. What we pay to any individual author is
a matter quite between him, or her, and ourselves,
and it is not our custom to make one author the
criterion for another. Many elements enter into
the case that would make a uniform rate impracticable.
Independently of other considerations, the
varying cost of manufacture caused by different
styles of publication would alone preclude such an
arrangement. We must therefore decline to admit
such an argument into the case.’
“The fact is, it was not necessary to admit it,
since it was already there—placed there by Mr.
Hunt's own hands. It was offered as an inducement
for me to accept the new terms, “this arrangement
we now make with all our authors.” Either,
then, Messrs. Brummell & Hunt do make a uniform
arrangement with all their authors or they do not.
If they do, this last letter cannot be a correct statement
of facts, and the question arises, what is that
uniform arrangement? If they do not, then Mr.
Hunt's letter of September 23, 1764, cannot be
true, and the representation which he held out to
me of a uniform mode of payment as an inducement
for me to come into the arrangement, was not
a correct representation. To ascertain whether or
not they did make such an arrangement, I applied
to such authors as were within reach to know what
were and had been their rates of payment. A.
writes, ‘I have always received a percentage.
I remember no change in 1764, unless that B.
& H. about that time (perhaps earlier), without
my asking it, raised the sum they paid me for a
poem, by one third.’ B. says, ‘I have been content
with ten per cent.’ Messrs. Hunt, Parry, &
Co. write to C., ‘Even D. now has only ten per
cent.’ E. says, ‘I never published but one book
(prose) with Brummell & Hunt.... I received
on this the usual beggarly percentage.’ F. says,
‘Generally we go on the system of half profits....
In regard to ‘Old King Cole,’ they print and
sell and allow me a certain sum on each copy
sold.’ G. says, ‘Brummell & Hunt have, I believe,
allowed me ten per cent. on the retail price of my
books.’ H. says, ‘I believe it (the book) was to
have yielded ten per cent. if anything.’ I. says,
‘Messrs. H., P., & Co. have published four books
for me. The three first sell for $1.25, and I receive
twelve cents each copy. The last is a joint affair,
published by subscription.’ K. says, ‘All my contracts
have been for one half the net profits. The
two volumes published by the Troubadours, were
offered to Parry, but as he wanted to make
other terms, I declined, and they went to the
Troubadours. This is the sum of my transactions
with Messrs. B. & H.’
“On Friday, April 16, Mr. Dane sent to Messrs.
Hunt, Parry, & Co. certain questions, in writing,
which the referees now hold, asking them to cite
their contracts with other authors, and giving a list
of names. Did they meet this question fairly? On
Friday, April 23, they made their reply to my statement.
On the question of contracts, they cited A.'s
collected poems, B.'s poems, F.'s ‘Old King Cole,’
M.'s works (collected), a part of which had to be
bought from another publisher, and the works of
Theodore Winthrop, which I believe were not
asked for. All these they cited as examples of
works on which similar contracts to mine had been
made, and they cited no others. If these persons
had written no other works this would have been
fair as far as it goes. But these persons had written
other works, and I maintain that Messrs. Hunt,
Parry, & Co. had selected out of these works those
that were most unlike mine in scope, style, cost,
and probable circulation, and said nothing whatever
about books by the same authors which would more
nearly resemble mine in these respects. A., besides
his collected poems, his blue and gold and
cabinet editions of his poems, has written separate
poems and prose works, which have been issued in
separate editions, and which, therefore, furnish a
far more proper basis of comparison with mine.
But about these separate books they said nothing.
Of his separate books, a, b, c, d, e, they made no
mention. They brought up B. as one whose works
were treated in the same way as mine; but they
mentioned only his Poems, blue and gold, and his
Songs. They never hinted that he had printed
and they had published any prose book for him.
Yet it is these prose books, his novels and essays,
which form the true basis of comparison between
him and me. They cited F., but they cited only
his ‘Old King Cole,’ which they did not originally
publish, and which they own by a peculiar
bargain, and said nothing about the original books
which they have published for him, novels, essays,
and stories. They cited M., but while bringing in his
collected poems, which were entangled in a bargain
with some previous contumacious publisher, one
Fussey, they said nothing of his separate volumes.
They cited Winthrop, but Winthrop, like Marley,
was dead to begin with; and if the living have hard
work to hold their own against this enterprising
firm, what can be expected of the dead?
“Here they rested their case so far as the contracts
go; but as a desire was expressed to see the
contracts, they promised to produce them next
morning. On Saturday, accordingly, we began
with one set of contracts which proved to be a
most perplexing medley—a sort of contra dance
between written contracts and verbal agreements
with the rattling of stereotype plates for tambourines.
As the government of Russia is said to be
despotism tempered by assassination, so the business
of Messrs. Hunt, Parry, & Co. may be said to be
conducted on the basis of written contracts annulled
by verbal agreements. If we were met for the
purpose of preparing a Mars Hill House Shorter
Catechism and should ask, ‘What is the chief end
of a written contract?’ Messrs. H., P., & Co.
would promptly reply, ‘A written contract's chief
end is to be canceled by a verbal agreement and
annihilated forever!’ According to their practice,
it seems that we all agree, in writing, as to what
we will do, for the sake of saying afterwards that
we won't do it.
“However, plodding my way along as best I
could through the contracts, with Mr. Markman's
kind assistance, I found, or thought I found, that for
one book its author received at first twenty per cent.,
he owning the stereotype plates. Whether this was
by written contract or verbal agreement Mr. Markman
does not recollect. From 1762 to 1764, he received
twenty cents a volume, the retail price, meanwhile,
having advanced from one to two dollars.
Since then a written contract gives him twenty
cents a volume, the retail price being two dollars.
“A second book by the same author is on the
same principle, except that there is no written
contract.
“A third, in 1762, either by contract or verbal
agreement, was receiving twenty per cent. on $1.00,
retail price, the author owning stereotype plates.
In 1764 it was changed verbally from percentage to
twenty cents a volume, the price having gone up
to two dollars.
“While I was painfully thridding these labyrinthine
ways, I was arrested by a proposition from
some quarter that time should be saved by intrusting
the further examination of these contracts to
the referees. I had every confidence in the referees,
but how could I make my argument concerning
these contracts without having seen them? It was
said that I should be present and examine them
with the referees; but the referees were about to
disperse to the four quarters of the earth—or, as
there are only two of them, I suppose it might be
more strictly accurate to say, the two hemispheres—not
to meet again till Thursday, when I was to
make my final statement. Mr. Markman then said
that he would have the principal points of the contracts
copied and sent to me either Saturday afternoon
or Monday; but on Tuesday I received a letter
from him saying that his time has been so much
occupied with matters relating to Mr. Hunt's absence,
that he has not had time to complete the
copyright memorandum which he promised to send
me, but will surely send it to-morrow—all of
which I do not in the least doubt, but it does not
alter the fact that the information concerning the
contracts, for which I asked ten days ago, has not
yet been furnished; that I am to hand in my argument
on Wednesday, and find myself at home to
write up the play of Hamlet with a pretty important
part of Hamlet left out.
“From what goes in, however, I am left, like
Providence among the heathen, not without witness.
Accepting alleged verbal agreements, it seems
that the author cited, in changing from percentage
to a fixed sum, came down to a sum fixed as high
as the highest of my percentage. That is, he, at
his lowest, is precisely where I was at my highest.
My sole ambition was to climb as high as the point
where he stopped falling! Does this fairly make
out the assertion, ‘this arrangement we make now
with all our authors’?
“But I cannot reason upon contracts which I
have never seen. I fall back upon the statements
made to me by the authors I have quoted, and on
this ground I affirm that I have not fared as the
other authors, even of Messrs. Hunt, Parry, & Co.,
have fared. Neither can I accept their allegations
of verbal agreements which cancel written contracts.
The only verbal agreement I know anything about
is one that never existed. I did not intend to mention
Mrs.—— any further than I have done, but
Mr. Parry has cited her case and I may therefore
be permitted to say that verbal agreements and explanations
were brought to bear on her in the same
way. In a letter to me dated August 9, 1768, she
says, ‘A letter arrived from Mr. Hunt [Thursday]
telling me that he had explained as I knew, just
what he had never once explained as he knew—and
I read it and denied totally all his assertions.’
August 20, 1768, she says, ‘Do you see all the
contracts Mr. Hunt tells Mr. E. were verbal. I do
not believe Mr.—— ever consented to change
to ten per cent., because he would have told me,
and besides you see he had fifteen per cent. for
the very last book he gave them!... And now
they say he made a verbal agreement with Mr.
Brummell who is dead and cannot say anything.
But they show no papers.’
“I have been a practitioner at law but four days,
and it becomes me to be modest; yet I will hazard
the remark, that a verbal agreement without witnesses,
between two dead men, is as near nothing as
anything in the way of evidence can well be.
“Mr. Parry affirms that Mrs.——'s sister
afterwards examined their books and found nothing
wrong therein, and that Mrs.—— was subsequently
satisfied. I saw Mrs.—— in Paris on
her way to Asia, and it seemed to me that she
was very far from satisfied, but that she was worried
out, and preferred peace to pence. One can
imagine Miss—— hunting up Messrs. Hunt,
Parry, & Co.'s account books in pursuit of knowledge!
“Neither do I accept accounts as proofs of a verbal
agreement. My accounts ran on for years, unchallenged,
without any such agreement, though
that agreement is now alleged as the basis of the
accounts. J. wrote to me, May 11, 1768, ‘In the
accounts of sale I believe the price paid me was ten
per cent. of the original retail price, that is, the
‘Ambrosia’ was published at a dollar fifty and I
have always received fifteen cents a copy on that.
When paper became so high during the war, the
price of the book was raised to $1.75, but I am
pretty sure I never received seventeen and a half
cents, but always only fifteen, yet, as the papers are
at home, I cannot be certain; only in a little account
of sale sent here this winter the reckoning
was at fifteen cents a copy for one, and twelve and
a half cents for the other, but the account covered
a space of three years during which the books had
been selling at $1.75 and $1.50 respectively; so
that, literally, he has not been paying me ten per
cent.; but I did not think much about it, taking
it for granted that the extra price was due to hard
times. But I do not know why our labor is the
only labor to remain low-priced.’ Here it will be
seen that for three years J.'s accounts might have
been cited at any time as proof of a verbal agreement,
though no such agreement had ever been
made or even alleged. Messrs. H., P., & Co. may
say that they have a right to infer that silence gives
consent, and that authors have no right to be so
loose in money matters. Leaving out any silence
which might arise from delicacy, I would say, it is
true that they ought to be more accurate and systematic,
but surely we may say to our publishers,
as the crab remarked to his father, when rebuked
for going sidewise, ‘Gladly, my father, would we
walk straight, if we could first see you setting the
example!’
“But authors are not always to be blamed for
their silence. We are not very large buyers of our
own books and do not always know when the price is
raised. Surely we cannot be expected to sit inflexibly
upon our property, like Miss Betsy Trotwood,
watching the rates of sale. It was a considerable
time after L.'s story-book advanced in price before
its author discovered it; as soon as she did, she
made a note of it, and after a little trouble succeeded
in having her contract fulfilled. But any time
between the change and her discovery of it, her
account might have been alleged as proof of a verbal
agreement which did not exist. I am, of course,
not saying that it would have been so, but that it
might have been so. What we want, therefore, is
facts, Mr. Gradgrind.
“Since writing this, Mr. Markman's memoranda
of contracts have put in an appearance, and if correct,
show beyond question, that their letter of
September, 1768, was true, and that the statement
in Mr. Hunt's September 1764 letter was not true.
There is scarcely an approach to uniformity in the
arrangements made with authors. Taking those
books which most resemble mine, the contracts are
of every species. There are contracts for twenty
per cent. where the author owns the plates, and
ten per cent. where the publisher owns them.
Books that retail at $1.25 pay the author ten cents
per volume, or fifteen cents per volume, he owning
the stereotype plates, or twelve cents per volume,
or twelve and a half cents per volume; books that
retail at $1.50 pay the author fifteen cents, and ten
cents; books that retail at seventy-five cents pay five
per copy; books that retail at $1.00 pay twenty cents
per copy; books that retail at $2.00 and $1.75
do the same; books that retail at $1.12 pay ten
cents. When a verbal agreement is alleged as a
substitute for a written contract, the substitute also
varies. Some of the contracts are for half profits.
I do not find a single example of a book that retails
at $2.00 and pays the author fifteen cents. I shall
depend upon the referees to discover any fault in
my figures, but I believe they are correct. When
a change is made from percentage to a fixed sum,
there is generally a decrease to the author, but not
so great as in my case. The aggregate of one set
of books at a percentage was $1.36¼; after the
change to a fixed sum it amounted to $1.68. On
some of the books there has been no change. So
that when Mr. Hunt says, ‘this arrangement we
make now with all our authors,’ whether he means
that they change from percentage to a fixed sum,
or whether he means that they make with all the
same ratio of decrease that they make with me,
he is equally incorrect. There is no sense in which
his words can be understood, in which they are
true.”
[There is one sense in which they may be counted
correct. If we construe them to mean, “We pay
all our authors just as little as we think they will
stand. You, being rather the most pliable of
any, will bear the greatest reduction, and we have
accordingly reduced you to the lowest point,” they
appear to be marvellously accurate.]
“I claim, therefore, that I never assented to the
second contract because I never understood it, and
because the representations made to me as inducements
were not correct. I claim that Mr. Hunt's
letter was calculated (I do not say intentionally)
to mislead and deceive me; that I was misled and
deceived by it, and as the result of this deception,
I signed a contract which deprived me of my plainest
rights in the premises; and the accounts subsequently
rendered were accepted by me in the same
good faith with which I sought the contract, with
scarcely an examination, certainly without the least
suspicion.
“Of the books not named in the contracts I believe
I need say little. Even had the second contract
been valid, no understanding can be inferred
from it as to the five books not included in it. Why
should the second contract be taken as a guide any
more than the first? The first was made under
ordinary circumstances, the second under peculiar
ones which soon changed. They did not themselves
understand that the second contract governed
all the rest, for they did not pay me fifteen cents
but only ten cents on ‘Holidays.’ They say that
it was a small book; but so was ‘The Rights of
Men.’ Yet ‘Holidays’ contained 141 pages, was
retailed at $1.50, and paid me ten cents, while
‘The Rights of Men’ contained 212 pages, retailed
at $1.50, and paid me fifteen cents—no accounts
being rendered till after the trouble began.
Mr. Parry says that ‘Holidays’ was a different
kind of book, a children's book with pictures, and
therefore he supposed they did not class it with the
others, but simply fixed a price which they thought
equitable. But X.'s story-book was also a juvenile
book, with pictures, of the same class as mine; yet
on that they paid by contract ten per cent. C.'s
story-book was also an illustrated juvenile, and on
that they paid half profits.
“But I hold that the contract pretending to
cover ‘Dies Alba,’ ‘Rocks of Offense,’ and ‘Old
Miasmas,’ is inoperative and void, and cannot
regulate the compensation to which I am entitled
by copyright on these three books; still less can
it regulate the compensation to which I am entitled
on subsequent ones. If a contract is void in the
direct operation claimed for it, its inferential operation
must be shadowy indeed. With all due respect,
I hold that it is little less than absurd for
Messrs. Hunt, Parry, & Co. to claim that I am
bound to accept that contract as the basis of settlement
for subsequent publications. I hold that on
these five books, published under no contract, I
may claim what is just according to the usages of
the trade.
“I do not know what may be the result of the
inquiries of the referees among publishers. Mr.
Dane, as his letter shows, made careful investigations,
and found no one who did not say that ten
per cent. was the minimum price. I believe that
no respectable publisher can be found in the country
who, regarding the cost of the books and the
number sold, will not say that ten per cent. on the
retail price is the very lowest sum that an honorable
publisher would have paid me had the whole matter
been referred to his own honor.
“Nor is it necessary to scour the country for evidence,
since Messrs. Hunt, Parry, & Co. recognize
such a usage themselves, even if they do not follow
it. On what other principle did they allow me ten
per cent. in the beginning on ‘City Lights,’ when
I was a new author, and they had the whole matter
of price in their own hands? During the reference
they have also offered to return to ten per cent.
Why should they offer ten per cent. in the beginning,
and ten per cent. at the close, and skip about
meanwhile from six and two thirds to seven and a
half per cent. according to their fancy or caprice?
This is a specimen of piping on the part of publishers,
and dancing on the part of authors, that I do
not propose to take part in.
“My claim to compensation on five hundred of
the fifteen hundred books exempted in the first edition
of ‘City Lights,’ needs no labored argument.
Their attempt to prove from their books that I had
due notice of the fact, proves that I ought to have
had notice, while the accounts received and produced
by me prove that no such notice was given me.
Mr. Markman thinks it may have been lost in the
mail, but the accounts which I hold cover the whole
time of my transactions with Messrs. Brummell &
Hunt, and I submit that the mails shall be believed
innocent till they are proved guilty, and that Messrs.
Brummell & Hunt must be nipped in the bud, or
they will soon, as Sidney Smith says, be speaking
disrespectfully of the equator. Mr. Parry admits
that without explanation the word edition means a
thousand copies. He also admits that in all cases
when more than a thousand copies are exempted,
the specific number is given. He believes mine to
be the only exception to this rule. He alleges as
the reason of this unusual exemption the unusual
cost of my books, saying that they cost a great deal
more than any other on their list. To this I reply
that I should have been told in the beginning that
they did or would cost more than others. Mr.
Markman then brings forward a letter of mine to
prove that I was told, and did know that the
books cost more. This letter bears date September
20th, 1762, two days after the publication of ‘City
Lights,’ and the extract says: ‘The fact that I wish
to impress upon your mind is that you have tricked
out my book so beautifully that nothing could be
lovelier. You would not have done it though, if I
had not threatened you within an inch of your life,
would you? [etc., etc., etc.] But now see, I
never thought till yesterday that they must cost
more than the other way, and I have been distressed
all along and this makes me more so,’ etc.
“This does not prove what Mr. Markman introduced
it to prove, but it proves just the opposite,
which is the next best thing. It shows that until
the day after the book was published I had never
thought of the book's cost, and that then the thought
was spontaneous, not suggested to me by others. It
proves beyond question that nothing had ever been
said to me about it.
“On one or two other points, not strictly necessary
to the case but introduced by Mr. Parry, I must
beg a moment's forbearance. Mr. Parry, feeling
that my claim involves fraud, reads extracts from
my early letters, to show that I was very urgent to
publish ‘City Lights,’ that I expressed the greatest
confidence in them, and that, in short, I came to
them in such a way as, to use his own language,
would have almost held out a temptation to defraud
me. So that if they had been disposed to defraud
me at all they would have done it then.
“Fraud is a hard word, and I believe I have not
used it; but if Mr. Parry insists, I will say that
the exemption of the fifteen hundred books under
cover of an edition occurred with the first edition
of my first book, and I really don't see how they
could have begun much earlier if they had tried.
“Mr. Parry mentions as a proof of their friendly
intentions, that they desired to refer the whole matter
to Mr. Rogers because they thought he was my
friend; that they offered to refer it to my friend
Mr. Brook, of whom they knew nothing, and to my
friend Mr. Greatheart, of whom they knew very
little. It will be observed that they did not once
ask me to select a friend, but generously took the
whole burden of the selection upon themselves.
“The first person to whom they offered to refer it
was Mr. Rogers, and I accepted him gladly. I was
so much in earnest that I wrote him myself begging
him not to decline—and this although I had never
seen him. On account of his health he felt obliged
to decline; but before he had declined, Messrs.
Hunt, Parry, & Co. proposed to relinquish him, for
what reason I do not know. They proposed that I
should give up Mr. Russell, and they should give
up Mr. Rogers, and we should each make a new
selection. I was entirely satisfied both with my
choice and theirs, and I saw no reason for changing.
So that I not only accepted the nail they drove, but
I clinched it myself. I not only kept to my own
choice, but I had to make them keep to theirs. It
was while they stood thus shivering on the brink,
after Mr. Rogers had been proposed and accepted,
and before he had declined, that they proposed Mr.
Brook and Mr. Greatheart.
“But was it friendly in them to turn away from
their own choice, and go about among my friends
choosing persons of whose qualifications they were
ignorant, forcing me to reject them, and thus to discriminate
against my own friends? Did not Messrs.
Hunt, Parry, & Co. know that this was a matter not
to be settled by sentiment? I should have considered
it a far more unequivocal sign of friendliness if they
had permitted me to appear before the referees with
the friend whom I had intelligently chosen, who had
stood by me through the whole trouble, who was
familiar with all the details of my case, and capable
of understanding all the details of theirs, and by
whose aid, therefore, arbitration might be satisfactory
as well as conclusive. Instead of which they
compelled me to stand alone, unaided, without preparation,
without the possibility of being prepared,
in a position for which their long acquaintance with
me must have told them I was eminently unfit, and
which one at least of their number must have known
would be to me peculiarly embarrassing and distressing.
Their idea of a friendly arbitration seems
to be that of imposing upon me the friends I do not
want, and taking away from me the friend I do
want.
“Mr. Parry thinks indeed that Mr. Dane had
poisoned my mind regarding them. But he also
thought Mrs.——'s mind was jaundiced. Perhaps
that question belongs to the doctors rather
than the referees. Whether it be poison or jaundice
it is to be hoped the disease may not spread.
“There are other parts of Mr. Parry's statements
which I should like to lay before the referees, but I
remember that they are mortal, and though the
spirit is willing the flesh is weak, and I forbear.
“IN CONCLUSION,
I claim that my first contract for ‘City Lights,’
specially stipulating ten per cent., shall be carried
out in good faith; and that it shall not be considered
as changed or modified by any conversation
remembered by Mr. Hunt, but absolutely denied
by myself. And I claim that the word edition
used therein shall be held to mean just what Mr.
Parry admits it would mean in common acceptation
with the book-trade, namely, one thousand
copies.
“2. I claim that my second contract, covering
‘Alba Dies,’ ‘Rocks of Offense,’ and ‘Old Miasmas,’
was obtained from me under a total misapprehension
of facts, that this misapprehension of
mine was the result of a misrepresentation (I do
not say intentional) made to me by Mr. Hunt in
his letter of September 23, 1764, wherein he represents
the arrangement as one uniform among their
authors and as assuring me a rate of compensation,
which he leaves me to infer, I might not otherwise
obtain, whereas he knew that the arrangement was
not uniform and that my percentage would amount
to more as prices were then tending,—and the arrangement
was made by him so as to prevent my
ten per cent. from amounting to more than fifteen
cents per copy. This I did not understand, and
should not have assented to if I had understood it.
I hold that neither in law, equity, morals, nor manners
should I be held to an agreement which I did
not comprehend, which the opposite party so presented
as to prevent my comprehending it, and
which deprived me of my proportionate share of an
increase of profit admitted to have been made on
the books published under it. The contract, therefore,
should be set aside, and I should be paid according
to the usage of publishers, or at the same
rate as appears in the contract for ‘City Lights,’
namely, ten per cent.
“3. I claim that on my books published since
the date of my second contract, and not alluded
to or included in either contract, namely, ‘Winter
Work,’ ‘Holidays,’ ‘Pencillings,’ ‘Cotton Picking,’
and ‘Rights of Men,’ my compensation shall be fixed
by the usage existing among publishers and authors.
“4. I claim and must certainly be entitled to receive
interest at the rate of seven per cent. on all
sums found to be due me at the date of the several
semi-annual settlements, counting my compensation
uniformly at the rate of ten per cent. on the retail
price of the books at the date of the settlement.
This point is so plain that it can need no argument.
“5. I claim that I am equitably entitled to damages
to compensate me for the loss that has resulted
to me pecuniarily and otherwise from this
unhappy occurrence. My pecuniary damage alone
amounts to more than three thousand dollars.
There are hurts of other kinds to which money
bears no relation.
“My actual expenses in preparing for this reference
have been very considerable, and under the
award of costs I claim that I should have an ample
allowance made me to cover my outlays in this
regard.”
After this statement had been read, Messrs.
Hunt, Parry, & Co. were permitted to make whatever
of reply they chose. They denied no fact,
and challenged no inference in my statement.
The referees, after two days of deliberation, returned
the following decision:—
"The undersigned, mutually agreed upon as
referees in the matter in controversy between
M. N. and Messrs. Hunt, Parry, & Co., on their
own account, and as successors of Brummell &
Hunt, hereby award to M. N. the sum of twelve
hundred and fifty dollars, to be paid her by Hunt,
Parry, & Co., within three days from the date of
this paper in full compensation for her claims upon
the matter in this controversy—and that hereafter
M. N. shall receive ten per cent. copyright on the
retail price of all her books printed by Hunt, Parry,
& Co., except the three books embraced in the contract
between the parties dated September 24, 1764.
The referees decline any compensation for services
or expenses and leave each party to pay their own
costs.
“Signed and delivered, April 30, 1769.
- “J. Russell.
- “G. W. Hampden.”

X. — FOOTNOTES:
SOBER SECOND AND THIRD THOUGHTS.
HAVING trespassed so far on the patience
of the reader, I may as well presume
a little further, and indulge in a few
reflections.
First, from the investigations and observations
of the last two years, I infer that authors are very
much to blame in their business dealings. By their
inexactness, their indifference, their unreasonable
and indolent trust, and their excessive monetary
stupidity, they not only become an easy prey of,
but they offer a direct temptation to the cupidity
of publishers. Not a single author to whom I appealed
showed the slightest reluctance to answer
my questions, nor, I may almost add, the slightest
ability to answer them adequately. For instance,
the points I wished to ascertain were whether a
writer was paid by percentage or by a fixed sum:
what was the percentage and what the fixed sum:
and whether during or subsequent to the year 1764
any change was made in the mode or rate of payment.
See now how charmingly the authors met my
points.
Says one, “Brummell and Hunt never published
but —— with me and I received on this the usual
beggarly percentage;” leaving me entirely in the
dark as to what was the beggarly percentage.
Says another: “What terms do I make with B.
& H.? Yes, with all my heart. In regard to ——,
they print and sell and allow me a certain sum on
all copies sold;” but with the greatest inclination in
the world giving me no hint of the amount of that
“certain sum.”
Says another: “Brummell & Hunt have, I believe,
allowed me ten per cent. on the retail price
of my books. That was the first arrangement at
least, but I must confess I never look at their statements
of account.”
Says a fourth: “I have always received a percentage....
I remember no change in 1764, unless
that B. & H. about that time (perhaps earlier)
without my asking it, raised the sum they paid me
for ——, etc.... The interests of authors and
publishers are identical—a fact which they understand
better than we do.”
Yet the firm testified of this very writer that they
had written agreements to pay him percentage, and
that when prices advanced they waived the percentage,
and paid him a certain (lower) sum per
volume.
A fifth says: “I have not the least objection in
the world in replying to your letter in the most
straightforward way.... I have been contented
with ten per cent. on the retail price of my printed
books.”
Yet the written contracts of this writer showed
every variety of arrangement from twenty per cent.
downward.
A sixth says: “Messrs. B. & H. have published
four books for me.... The three first named sell
for $1.25, and I receive twelve cents each copy.”
But Messrs. B. & H. affirmed that these books
sold for $1.50 each.
A seventh says: “I did not send your letter
to ——, for the reason that she does not know as
much as you do about the subject of its inquiry.
The most she could tell you would be, that now
and then there comes a bit of paper very neatly
and tastefully diversified by red and blue lines, and
dreadfully complicated by sundry hieroglyphics,
which she has been told are figures, and that a
check embellished with one of the rows of figures
accompanies it.... I have an impression that
years ago, when —— was taking such sesquipedalian
strides to public favor, Mr. Brummell told
me that after the number of copies sold had reached
a certain point, the author received a reduced percentage,
and I think I remember wondering by
what perversion of commercial philosophy, an article
of which fifty thousand copies could be sold,
was worth less, proportionally, than one of which
only five thousand could be bartered, for of course
the ratio of cost decreased with every successive
thousand manufactured.”
Here, it will be perceived, is a faint glimmer of
sense, which will be completely extinguished by the
next extract.
“—— said you made a mistake in thinking yourself
differently used from the rest of the writing
craft, and explained that the profits of the author
did not keep up the same proportion in repeated
editions, but went to pay the increased circulation.
For his part he would rather be more poorly paid
for the sake of being more widely read.”
Must not that have been an explanation worth
having? It is not difficult to conjecture the source
whence that form of explanation originated, for
another letter says, “Mr.—— went to see Mr.
Hunt.... Mr. Hunt expressed great regret that
it had all happened; said ‘Rights of Men,’ had
done more for your reputation than any other book;
that you made more than the publishers did, etc.,
and that they thought better to have a low per cent.
and large sales, than the contrary; though I don't
see what a low per cent. paid to the author has to
do with large sales, if the price of the book is kept
high to purchasers.”
The fact, is that as a bad woman is said to be a
great deal worse than a bad man, so a man innocent
of business capacity, is far more innocent than any
woman can be. A woman may be never so silly,
but there is generally a substratum of hard sense
somewhere. A man may be never so wise, and
yet completely destitute of this practical ability.
It is largely in behalf of these helpless, harmless,
deluded, and betrayed gentlemen, that I have felt
called to take up arms. What sword would not
leap from its scabbard to maintain the cause of the
weak and the wronged?
But though I admit and lament that authors are
unpractical and unbusiness-like to the last degree,
I must affirm that they have less inducement to be
business-like and less opportunity to be practical
than any other class of persons. Suppose a writer
sets out with the determination to be prudent and
sagacious, where shall he begin? If a farmer has
a bushel of potatoes to sell, he knows, or can learn
in a moment, precisely their market value. The
Early Rose has its price, and the Jackson White has
its price; there is no room for doubt, or misgiving,
or mistake. But the author has not and cannot
have the least notion of the market value of his
products. He does not even know their intrinsic
value. He does not know whether he has raised
an Early Rose or a dead-and-gone Chenango. He
may have spent his strength on what is absolutely
unsalable. His work is production, but for its worth
he must depend solely on the word of those who
buy and sell. After a while he does indeed arrive
at something like a scale of value, but he never
reaches such a degree of certainty as to feel assured
of any special piece of work. Every one must be
judged by itself. Five successful books are no absolute
guaranty that the sixth will not be worthless.
It seems to me, also, that there is no business in
which so few checks exist as in that of publishing.
An author, we will say, agrees to receive ten per
cent. on the retail price of all copies of his works
that are sold, but he has literally nothing but the
publisher's word by which to know how many copies
are sold. The manufacturer knows how many he
has made, but it would be offensive to ask for the
manufacturer's accounts, and moreover he would
probably not render them if asked. He would consider
it as betraying the secrets of the trade, or the
trust of his employers, or otherwise impertinent
and unwarranted. Of course a false return of sales
would be fraud, and somewhat complicated fraud;
but human ingenuity combined with human depravity
has been known to surmount obstacles to crime
as formidable as these, and the danger of detection
is infinitessimally small. If there be any such thing
in arithmetic as the Double Rule of Three,—and
I seem to have a vague impression that there is,—it
may well be brought to the solution of the problem:
if a publisher may for years safely disregard, not to
say violate, the condition of a contract which an
author has before his eyes in plain black and white,
how long may another publisher safely falsify accounts
which an author never sees, and which he
could not understand if he should see? I have no
doubt that in nine cases out of ten, and perhaps
also in the tenth, the returns of sales are as accurate
as the moral law. What I maintain is, that
the author, be he wise as Solomon, has no means
of knowing whether they are or not, while the
manufacturer of all other goods knows precisely
how much raw material goes into the mill and how
much of the manufactured article comes out.
If the author, instead of receiving a percentage,
takes half profits, he is even more at the mercy of
the publisher. In the very outset the wildest theories
prevail as to what constitute profits, and though
the author may make heroic struggles to be exhaustively
mathematical, the probabilities are that the
only draught made upon his science will be the
very simple effort of dividing by two whatever sum
the publisher has chosen to figure up. The plan
adopted by actors and actresses, to take half the
gross receipts, is far more simple and sensible.
It is true that an author may take advantage of
competition and seek a second market if the first
prove unsatisfactory, but it is also certain that he
cannot do this to any effective extent without serious
injury to himself. All the skill, the vitality, the
invention, the thought, which he brings to the disposition
of his wares is so much taken from his
producing power. He ought to be wholly free
to do his best work. He ought to be able to
concentrate himself on his writing. If he must
turn aside to study the state of the market and superintend
the details of sale and circulation, that
necessity will surely tell in the deterioration of his
works; and even at that cost he will not be so good
a business manager as one who is to the manner
born. It is a very pretty thing to be a poet-publisher—in
the newspapers, but if the poet's imagination
happens to get loose among the publisher's
facts, it makes sad work, and it is not merry work
when the publisher crops out in the poet's verses.
What then remains? It has been proposed that
authors combine and form a publishing-house by
themselves, publishing their own books and receiving
their own profits. This plan looks simple
enough, but I must confess it seems to me chimerical
in the last degree. Excepting the temptations
of their trade, doubtless a hundred publishers
are as honest as a hundred authors, and surely
they have a great deal more business sagacity.
But as soon as authors turn publishers they fall
into all the publisher's temptations without acquiring
his business power; so that when you have
chemically combined author and publisher you have
an amalgam wholly and disastrously different from
either of the original simples, namely, a publisher
minus his common sense.
No, the publisher is not an artificial member of
society. Like all other middle-men he meets a real
want. He exists because in the long run it is
cheaper and better for writers to employ him than
to do his work themselves. Of course, the wiser
and more righteous he is, the better he answers the
end of his creation; but with all his imperfections
on his head, he is better than nobody. A man may
as well undertake to build his house with his own
hands to save himself from the short-comings and
extortions of carpenters, as to manufacture and
distribute his own books to save himself from the
extortions of publishers. We may send missionaries
among them, we may gather them in to our
Sunday-schools, but we need not think to exterminate
them.
Authors may form publishing houses, and those
houses may be successful, but if so it will be simply
by adopting substantially the methods of successful
publishing-houses already established. It
seems to me easier and more economical to let such
institutions spring from the soil, rather than attempt
to construct them out of material which has already
been organized into another form of life.
Shall we then take the publishers cum grano
salis, and try to guard our interests by keeping a
strict look-out? We must turn publishers ourselves
to make it of any account. A detective, to be
worth anything, ought to be at least as wily as the
rogue he watches, and to be so he must give his
mind to it, and if he give his mind to that, where-withal
shall he set up any other business? An
author need not rush in among publishers as Cincinnati
swine are said to invade the streets with
whetted knives, crying “come and eat me”; but
if he on the contrary objects, steadfastly and stoutly,
to being devoured, he does not know where his vulnerable
point is, and cannot therefore arm himself
against attack. He is not and cannot become, consistently
with the proper pursuit of his own profession,
sufficiently acquainted with the details of
publishing to know whether a measure proposed by
a publisher be or be not fair. For instance, the
publisher contracts to pay ten per cent. on the retail
price of a sixty-two cent book. A war comes,
bringing high prices, and the book goes up to a
dollar and a quarter. The publisher continues to
pay the author ten per cent. of sixty-two cents,
making no reference to the increased price. The
author presently chances to discover it, and remonstrates.
The publishers say curtly, “You will
make the price of the book so large that it will have
no sale,” oblivious of the fact that it is not the
author but themselves who have raised the price of
the book. He replies that the price is not his affair;
he must insist upon the contract. The publishers
yield, and the author is apparently victorious. But
when a second author brings up this case as a reason
why he should receive his percentage, the publishers
reply, “True, we did continue percentage
because he insisted, but, as a warning, the book had
a very poor sale.” But what effect on the sale can
the author's twelve and a half, instead of six and a
half cents have if the price to the buyer is the same?
Until some better answer is given I shall believe
that the sale diminishes because the publisher
chooses it; because he prefers to sacrifice a small
sum on a single volume as a warning to contumacious
authors, rather than encourage rebellion by
continuing to receive profits of which he must divert
a larger share to the author. If he can, by one
or two examples, show restive writers that the
question is not between six and a half cents and
twelve and a half cents on a thousand books, but
between six and a half on a thousand, and twelve
and a half on a hundred, the sum he sacrifices in
showing it is not a bad investment.
Since, then, the publisher has matters within his
own grasp so entirely that what he is forced to pay
with one hand he can easily pluck with the other,
I do not clearly see the advantage to be gained by
insisting on any special bargain with him. Perhaps
I do not quite know what I am talking about. I
suspect, on the whole, I do not. But my remarks
are all the more valuable for that. If, after two
years of clapper-clawing among a quartette of cats,
a mouse is still unskilled in feline ways, in what
state of helplessness must be those unadventurous
little things who have never left their holes?
But there are the books of the firm which the
suspected publisher opens to you with a frankness
of innocence that ought to disarm and convince
the most hardened unbeliever. Any demur is met
by an invitation to come and look at “the books.”
The trail of the Serpent is over all the rest of the
world, but “the books” have escaped the contamination
of original sin and shine with the purity of
Paradise. Burglars blow open safes, banks and directors
and cashiers and tellers come to grief, but
“the books” always tell the truth, the whole truth,
and nothing but the truth. Nowithstanding which
I, from the beginning, instinctively gave those
“books” a wide berth. They were to me like
the “magick bookes” of Spenser's hermite. “Let
none them read.” That “the books” are not
always “reliable gentlemen” will have been inferred
from the account which they professed to
have sent me, and which was—lost in the mail.
That “the books” are not always intelligible witnesses
would appear, could we know how many unwary
persons have gone to them in pursuit of
knowledge, and found the difficulty insurmountable.
“We had the books here,” said one benighted author
of no mean repute, “and I examined them,
and Kate examined them, and Frank examined
them, and the Major examined them, and we could
make nothing of them.” That the books have been
made to do yeoman's service in this battle has
already been seen, and by various tokens it would
seem that they have not yet been dismissed the
service. Only to-day a letter says, “But the account
of the sales of your book and the sums paid
you for them, as I derived them from the books of
Mr. Hunt, convinced me that whatever the bargain
might be you had a better one than I had. I have
half profits—you have had more.”
That is what “the books” say unquestionably;
but what a stiff-necked and perverse author refuses
to believe without further proof. When a publisher
shows me receipted bills for the sums he has actually
paid in manufacturing and publishing my books,
and for the sums he has received from their sale, I
will—take them to an expert for examination; but
when he proposes to set me down before a mighty
maze of figures, which for aught that appears, may
all have been conjured up by his imagination, and
begs me to deduce from them any conclusion whatever,
I decline with thanks. That contention I
leave off before it be meddled with. It is not
necessary to be a Solomon in order to know enough
to keep away from figures which it is necessary to
be a Solomon to understand, and which when understood
are much like the “litle flyes cal'd out
of deepe darknes dredd” by the hermite before
referred to, and which,—
“Fluttring about his ever-damned hedd,
Awaite whereto their service he applyes,
To aide his friendes, or fray his enemies.”
There remains also to the wronged or suspicious
author recourse to the law or to the
more informal arbitration, but this also is vanity.
To me a lawsuit seemed utterly intolerable, but
my experience of arbitration was so repulsive, and
is so hideous in memory—and this solely from
the nature of things, since, alike from the referees
and from Messrs. Parry and Markman who,
like St. Paul, were the chief speakers, on the
other side, I met only courtesy—that a lawsuit
seems attractive in comparison; but if I had
instituted a lawsuit, without doubt adverse fate
hereafter would have been implored to take any
shape but that! If two parties are really bent on
getting at the vital facts, presenting absolute truth,
securing exact and essential justice, nothing can be
more to the purpose apparently than a reference
to disinterested, non-professional, intelligent, and
friendly persons; but two parties honestly bent on
such an object would probably have nothing to
quarrel over. Even if they have it is not certain
that the informal is better than the formal mode of
settlement. If there are no facts to be hushed up,
a legal investigation will do no harm; if there are
facts to be hushed up, a legal investigation is necessary.
We look at the law as at best a clumsy roundabout
way of arriving at just conclusions—a
method full of ingenious devices to entangle and
confuse witnesses and make the worse appear the
better reason. We take the informal arbitration as
a short cut to the desired goal. On the whole I
am inclined to think that the law is the shortest
cut in the known world. The rules which obtain
in courts of justice and which seem to the unprofessional
mind a mere medley of arbitrary vexations
and restrictions, are the result of the experience
of ages, and with all their short-comings
and their long-comings do probably present the
most expeditious and unerring mode of reaching
truth which human wit and wisdom have yet devised.
If so we cannot depart from them without
loss. In ridding ourselves of their clumsiness we
rid ourselves also of their effectiveness. We rend
away the red tape, but the package immediately
falls apart into a worthless heap of memoranda.
You avoid a lawsuit because of the publicity and
multiplicity and infelicity of lawyers, witnesses,
judge, and jury. You adopt a reference because
it dispenses with all these and goes straight at the
heart of things. But you find by experience that
unless your opponent wishes it you may not get at
the heart of things at all. In a lawsuit you can enforce
measures; in a reference you are dependent
upon courtesy. Your opponent presents only that
which is good in his own eyes. He produces what
he chooses; he withholds what he chooses. To be
sure you do the same; but you, angel that you are,
have nothing to hide, while he, the fiend! has all
manner of wiles and wickedness to conceal. If now
you were in court, politeness and impertinence would
be equally and wholly out of the question. It is the
duty and delight of lawyers to find out everything—and
such is the depravity of the legal heart, it
is especially their duty and delight to ferret out
what the opposite party desires to conceal. It is
not what a man wishes and means to say, but everything
which he can be made to say, that a lawyer
wants. His hand can put aside the proffered
“books,” and grab the books which are withheld.
He does not permit the opposite parties to select and
exclude witnesses, but goes out into the highways
and hedges and compels to come in whom he wants.
The law winds a long way round, but it sets you
down as near your journey's end as the nature of
things permits. A private reference takes a short
cut, but it has no inherent power to carry you far
from your starting-point. Arbitration has the advantage
in respect of privacy, and that is an advantage
not to be overestimated. Still, if there is anything
to choose when both are intolerable, it seems
rather worse to speak yourself before five men,
than to have some one else to speak for you
before five hundred. It matters not how wise,
how impartial, referees may be, their jurisdiction
is necessarily limited, and they cannot go beyond
it to compel, or extort, or present. They must
judge on what is spontaneously set before them.
If to avoid trouble and unpleasantness be your
object, it is better to submit to everything and
keep out of strife altogether. If you set out to
accomplish an end, it is better to shut eyes and
ears to disagreements, and take the road which
common experience designates as the surest and
safest in the long run.
But I most heartily advise writers in general to
do neither. So far as the improvement of one's
fortune goes, nothing is more futile. One should
be exact, prompt, methodical, and intelligent so
far as possible. He will thus exert a salutary
influence over his publisher, and will be far more
likely to receive his dues than if he believes “in
uninquiring trust” and lives wholly by faith. But
it is better for his purse to take what a publisher
chooses to give than to make an ado about
it afterwards. Even if successful in regard to
the particular sum he claims, it is at a cost of
time and trouble altogether disproportionate to
it. He plays an unequal game at best, because
the publisher's business goes on serenely, during
all the difficulty, while the author's must be at
a stand-still. The very instrument that he uses
in defending his works is the instrument which
he ought to be using in producing them. Even
as a pecuniary transaction it is far more profitable
to sow seed for future harvests than to spend
strength in trying to secure the gleanings of
last year's growths. The money proceeds of
the insurrection, whose history has been given
in these pages, was twelve hundred and fifty
dollars. The whole amount claimed to make up
ten per cent. was about three thousand dollars,
and considering that my whole plan of proceedings
was demolished in the beginning, and that
the case had to present itself, as one may say,
smothered in a mass of irrelevant details, and
deprived of much that was to the purpose, I
reckoned myself extremely well off. But even had
the whole sum been awarded, it would have been no
very munificent compensation for eighteen months
of literary labor, apart from the fact that the labor
was of a kind for which no money could compensate.
In its baldest shape, the results of a year
and a half of work were twelve hundred and fifty
dollars, or little more than one third of what was
claimed on previous work. I think myself therefore
justified in asserting that though quarreling
with your publishers may be very good as a crusade,
it is a very poor way of getting a living.
Let me here correct an impression that seems to
prevail somewhat extensively as to the rewards of
literary life. It certainly has its rewards, and of
the most delightful kind. What joys it may bring
in the higher walks I do not know, but even on the
lower levels, I should like to live forever—a thousand
years to begin with, at any rate. I could
speak as enthusiastically as a certain popular
writer, “once more famous than now,” “Of all
the blessings which my books have brought me,—blessings
of inward wealth that cannot be so much
as named,—blessings so rich, so divine, that I
sometimes think nothing ever was so beautiful as to
have written a book.”
But so far as literature pays cash down it is not
to be compared to—shoemaking, for instance.
The daily papers have been circulating a paragraph
to the effect that a recent popular book had gone
to a second edition and that its author had already
received from it twelve thousand dollars. I am not
prepared to deny the statement; but I know an author
of nine books, not it is to be hoped on the
same footing of intrinsic merit, but books which
have travelled up to nine, ten, and fourteen editions,
whose author never has received and never
expects to receive twelve thousand dollars on the
whole lot.
Let nothing in this remark be construed into
anything like complaint. On the contrary, authors
ought to be grateful to their publishers for allowing
them so large a gratuity. As Mr. Parry remarked
concerning the appropriation of an edition of fifteen
hundred books to the use of the firm, they might
have taken more if they had chosen. And when
we reflect that not only do they bestow upon us
these large sums of money, but, as sundry extracts
in other parts of this volume show, they first manufacture
for us the fame which brings the money, we
are, in the language of the hymn, lost in wonder,
love, and praise. It must be heart-rending to
fashion your graven image and then have that
image turn upon you and demand a share of the
profits!
Unhappily a dense ignorance upon this subject
broods over the community, and there should be
added to our literature an
AUTHOR'S CATECHISM.
1. Question. Can you tell me, child, who made
you?
Answer. The great House of Hunt, Parry, &
Co., which made heaven and earth.
In controversies with publishers, the author is at
a signal disadvantage by reason of the connection
of publishers with the press. Publishers have the
entrée of the newspapers by their advertising, and
all in the way of business, it is the easiest thing in
the world to give public opinion a tilt in the desired
direction without the least suspicion on the part of
the reader, or any more collusion on the part of the
editor than is implied in a good-natured relinquishment
of a few lines of editorial space. Here, we
will say, is a house which advertises to the extent
of hundreds, perhaps thousands of dollars in a
single paper. In connection with an extraordinary
advertisement, it hands to the editor an extraordinary
paragraph, celebrating its more extraordinary
virtues. The advertisement goes in among the
advertisements, and the eulogy goes in among the
editorials and becomes the voice of the paper.
Nobody is hurt, and the firm is greatly helped in
building up for itself name and fame. When the
Athenian newspapers glow with reflections upon
the inability of authors to understand the details
of publishing and the unimpeached and unimpeachable
honor of the house of Hunt, Parry, & Co., not
half a dozen readers suspect that those reflections
are anything but the spontaneous tribute of a
grateful people to the eminent firm in question.
Nobody suspects that behind all the glitter and glory
some pestiferous little author is poking an inquisitive
finger in among those details, is indeed questioning
that unimpeached and unimpeachable honor,
and that this beating of gongs is but Chinese strategy
on the part of the attacked, to scare away the
impertinent foe. I can make no avowal on this
head, having nothing but internal evidence to go
upon: but applying the rules of Scriptural exegesis,
it seems to me that we attribute to the four
Gospels a divine origin on less evidence than we
may attribute to these eulogies a common origin.
For instance, during that portion of the sidereal
year known throughout the solar system as Jubilee
week, the press of Athens burned with enthusiasm
for the house of Hunt, Parry, & Co.
“The broadside advertisement,” says one, “with
which the renowned publishing house of Messrs.
Hunt, Parry, & Co. salute the country in this jubilee
time on another page of this morning's Post,
will excite universal attention and remark. It details
the literary achievements of this enterprising
firm during the last year and a half in a form that
is both novel and impressive. Where are the publishers
on this continent who within that term have
presented to the reading public works from [how
many?] different authors, nearly all of whom are
living celebrities? It would be glory enough for
any firm to have announced original works from
less than one fourth that number of well-known
authors. Read the glittering roll of names as they
are presented. In poetry, L., T., L., B., and W.
Of novelists, D., T., S., H., H., R., and G. And
of essayists, travellers, writers on natural history
and science, such a shining company of men and
women of genius as will make book-shelves brilliant
for all time to come. But these publishers have not
compromised quality with quantity. They hold up
to their high standard in every essay in which they
engage. Nor are they in any sense such devotees
of Mammon as to think it possible to build a lasting
reputation on anything less substantial than true
honor in dealing as well as indisputable worth in
selection.
“Their shelves and counters are an embarrassment
of literary riches. Such a display of the
ripest fruits of culture, taste, judgment, enterprise,
and business sagacity cannot be surpassed. Their
wonderful march to their eminent and leading position
as publishers has given an excellent example to
the country in refining and solidifying the common
rules of business in their own field, and elevating
and dignifying a branch of trade than which not
one is clothed with nobler and purer associations.
From this house, also, go forth a quarterly, two
monthlies, and a weekly magazine, any one of
which would add lustre to the repute of the publishers.
None but sound and sweet literature comes
from hence. It is the aim of the firm to keep the
fountain clear from which such incessant streams of
influence are to flow. American authors contribute
in large store to the rich treasury of its productions,
while foreign, and especially British writers supply
in large degree the stores of reading, which are the
recreation and delight of cultivated people everywhere.”
And thus another paper takes up the parable:—
“Our first page to-day is entirely devoted to a
remarkable advertisement, which tells the story of
rare business enterprise, and is filled to overflowing
with attractive announcements. But it is for characteristics
other than these that it will command attention
and really deserve study. Within a year
and a half, Hunt, Parry, & Co. have given to the
public works from the pens of two score of authors,
American and English, almost all of them living
and of widest popularity. To represent in print a
half-dozen of the most prominent on the list might
be the making of any firm; to take care of the whole
of them would seem to be an embarrassment of
riches. But the establishment has done and is doing
this, with unremitting energy and in good style.
We need not take room to run over the long and
brilliant catalogue; a glance at the eight columns
will reveal a galaxy of shining names. Observe
the poets,—T., B., L., and L., W., and the rest;
count up the novelists—S., T., D., R., G., H., and
others of the tribe; consider the array of essayists,
travellers, and naturalists, men and women of mark;
and then ask whether Hunt, Parry, & Co. are surpassed
by any of their contemporaries in their
numerous issues, taking quantity, quality, and variety
into the account. In offering this broadside
programme of their performances, as bookmakers
and booksellers, to the crowds of Jubilee week, they
put forth a statement of indisputable facts; give a
transcript of the record of the volumes they have
issued, and their relations to eminent writers.
“Their achievements imply something more than
an immediate and exclusive eye to the main chance.
It is evident that the honorable pursuit of profit is
not with them the sole consideration. [O that it
were!] They desire to connect their names with
good literature, advanced thought, and the intellectual
progress of the age. They would be known
for their taste and liberal policy as well as for their
mercantile success; acting upon the principle that
character as well as money is worth earning in the
pursuits of trade and commerce. Without entering
into comparisons, thus much is fairly to be inferred
from their extended advertisement. It tells
of results which imply the existence of the qualities
we have attributed to them; for without such qualities
such results could not have been attained.
The evidence of culture, judgment, sagacity, energy,
boldness, tact, skill, and whatever else goes to the
building up of a publishing house known at home
and abroad for its magnitude and the extent and
variety of its ventures, is literally such that he who
runs may read and see that it is beyond controversy.
This is not extravagant praise or mere compliment;
but simply the statement of the truth as made manifest
by the facts.
“In this general reference to Messrs. Hunt, Parry,
& Co., we must not, in passing, omit an allusion to
their periodicals. To them the public are indebted
for the maintenance of the oldest Greek Quarterly,
the agreeable and fresh weekly selections of ‘Every
Tuesday,’ the wide circulation and high character
for ability, diversity, and independence of the
‘Adriatic Monthly,’ and that leading magazine of
its class, ‘The Buddhist.’
“In thus calling attention to a publishing house
whose imprint is known wherever the Greek language
is spoken or read, we are pointing to what is
one of the leading concerns in a most important
branch of the business of the city, of which others
besides its proprietors may well be proud. Not
only has it grown with the growing culture of the
country, but it has encouraged home authors, and
spread far and wide the best productions of the best
writers on the other side of the Atlantic; thus giving
it a claim to honorable consideration as holding
a high place among the beneficent agencies of the
advancing civilization of the world.”
And a third chimes in:—
“The firm of Hunt, Parry, & Co., now almost
as familiar to the public under the new name as
under the old colors with which it sailed so long,
has been a bulwark and a rallying point for our
literature, on which book buyers as well as book
writers depended for many years. It has always
been active, but never so active as now. In another
part of this paper, this house advertise their
principal publications for the past eighteen months.
With little more amplification than a catalogue, the
list fills a very considerable space; but it is when
we come to appreciate quality as well as quantity
that its full importance is realized. No other
Athenian house could bulletin such a list of
authors, beginning with L., and ranging along the
varied types of our literature, from W., S., H.,
H., and L., to P., H., and A. Nor can any house
exhibit such a list of English writers, with the added
merit of the authors' sanction, as T., B., H., E., D.,
and R.
“Periodicals have come to be recognized as necessary
tenders to the business of every book firm;
but the monthlies and the quarterly, etc., etc., etc.
“Whatever may be the differing opinions after
the experiences of this week, upon the commercial
position and prospects of Athens and the success of
her musical experiments, there can be no dispute as
to our preëminence among Greek cities as a literary
centre. Even Corinthians, bitterly as they may
sneer at our Jubilee, are forced to read the works
of Athenian authors and to supply their libraries
with Athenian books. It would be impossible to
estimate approximately the influence in producing
the literary character of the city, its clustering of
authors, its tone of society, of one great publishing
house; but unquestionably that influence is very
great.”
An ill-timed modesty on the part of the firm of
Hunt, Parry, & Co. has apparently prevented the
publication of the fact, but it is well known in
Athenian social circles that the eclipse which made
the last summer famous, and which elicited so much
interest throughout the scientific world, was not
owing to the interposition of the moon between our
planet and the sun, but was chiefly due to the temporary
disappearance from this continent of the
senior partner of the house of Hunt, Parry, & Co.
I do not say that the extracts which I have
quoted, and others which I might quote, emanated
from the same pen, or that that pen was held in
the interest of Hunt, Parry, & Co., but I do say
that on any other theory the correspondence of
thought, of illustration, and even of language is not
a little remarkable.
And if this theory be correct, if the house which
has perhaps the reputation of being the most liberal,
the most generous, and the most refined publishing
house in this country, has attained that reputation
by assiduously blowing its own trumpet while assiduously
strangling its own authors, of what value is
reputation?
A novel and striking illustration of my theme has
just come to hand in the publication of Miss Mitbridge's
“Letters.” In 1754 she writes of Mr.
Hunt: “He is a partner in the greatest publishing
house of Greece, and the especial patron of——,
whom he found starving, and has made affluent by
his encouragement and liberality, for the great romancer
is so nervous that he wants as much kindness
of management, as much mental nursing as a sick
child. I have never known a more charming person
than Mr. Hunt.”
The author to whom Miss Mitbridge refers is the
author of whose real or supposed wrongs I have
before spoken. If these publishers were indeed so
liberal towards him, the unanimity with which that
author's family and friends agree in attributing to
them the contrary policy is a singular proof of ingratitude
to benefactors; and Mr. Hunt may well
exclaim with the Prophet of old, “I have nourished
and brought up children, and they have rebelled
against me.”
I do not know what force these adulatory remarks
may have upon the minds of others, but my
experience and my information are such that whenever
I see in the newspapers a fresh ascription of
praise to the liberality of this house, I immediately
infer that the screw has been given another turn
on some unlucky author. The firm appears to me
in the similitude of evil-minded hens cackling their
noisy cut-cut-cut-ca-dah-cut over each new-laid egg,
designing to conceal from an uninquiring public
that, like those laymen denounced by Isaiah, they
“hatch cockatrices' eggs; he that eateth of their
eggs dieth, and that which is crushed breaketh out
into a viper.”
At a later period these general paragraphs began
to converge around a particular point, and snugly
nestled in among the literary items of religious
newspapers may be found such announcements as
this:—
“The public is threatened with a new book by
the once redoubtable M. N., in which she is to
narrate her tribulations, real or imaginary, with the
eminent publishers, Hunt, Parry, & Co. Authors
are very apt to have extravagant ideas of the popularity
and profits of their books, unmindful of the
fact that, generally, they are indebted to their publishers
for a large proportion of their fame, and it
will take several books to convince the public that
H., P., & Co. deal unfairly with their authors. Thus
far, H., P., & Co. have kept quiet during M. N.'s
attacks, but we hope the time will come when they
will vindicate themselves.”
And almost simultaneously, in another quarter of
the heavens, appears a similar turtle-dove, its pin-feathers
developed into well-defined plumage, but
unquestionably a bird of the same brood:—
“M. N., once more famous than now, had a little
‘unpleasantness’ with her publishers, Hunt, Parry,
& Co. In plain words, she accused them of cheating
her out of some thousands of dollars by making
false returns of sales of her books. Like many
authors, she had become inordinately vain, and had
extravagant ideas of the popularity of her books,
and was, as is too often the case, unmindful of the
fact that a large portion of what fame she then had
(but has now lost) was made for her by these self-same
publishers. She had a quarrel with them of
eighteen months standing, but they would not even
appear in self-defense; what man would want to
have an open quarrel with a woman? To any one
acquainted with the details of book publishing, the
charge she brings against H., P., & Co. is simply
absurd; and besides, no business man would ever
dare to suspect this publishing house to attempt
such a system of petty cheating, and which, if
attempted, would involve an amount of detail inconsistent
with the end to be reached. H., P., & Co.
are above the taint of suspicion. The truth is,
M. N.'s books did not sell so well as she expected,
and her pride (and her pocket) had a fall. It is
known to us that an enormous outlay in advertising
failed to make a remunerative sale on her last book.
It fell dead on the market. It is now very quietly
rumored that she has written a little volume which
she proposes to call ‘Little Men,’ in which she
describes her tribulations with the house of H., P.,
& Co.... M. N., you had better not! the public
will not believe you.”
The public will at least believe that, though a
once redoubtable author, like Giant Pope in the
Pilgrim's Progress, by reason of age, and also of
the many shrewd brushes that he met with in his
younger days, be grown crazy and stiff in his joints,
he can at least sit in his cave's mouth, grinning at
publishers as they go by, and biting his nails, because
he cannot come at them!
It is not probable that these later paragraphs
were actually written by the rose, but by some one
who lives near the rose, and who takes roseate
views of the situation.
When one has been introduced behind the scenes,
these little touches go for what they are worth, but
outside, they unquestionably, if imperceptibly, affect
public opinion, and like an army of moral polyps
build high the walls of lofty Rome. (A new
species of polyps, the naturalist will say, but it answers
my purpose.)
But while recognizing, to its fullest extent, the
great power and prestige of a flourishing publishing
house, and the great risk a writer runs in opposing
it, I cannot bring myself to accept its invincibility,
or its infallibility, or its indispensability. Of course
a good reputation is, or ought to be, the sign of a
good character; but a thing which is wrong is
wrong, whatever be the reputation of him who does
it. A charge of wrong is to be met by denial. It
is not to dazzled out of sight in a general brilliancy.
When the course of our true love ceased to run
smooth, I supposed my pebble was the only obstacle
which my publishers' rivulet had ever known, and
I was dismayed accordingly. But if all the rocks
I have since discovered could be cast into one heap,
we should have a bigger monument than Joshua
made to mark the passage of Jordan. But the
monumenteers suffer in silence or speak with a
bated breath that cannot be heard outside their own
circle, while the flourishing firm keeps up such a
continuous tooting with its rams' horns as would
have flung flat the walls of Jericho had they been
twice as stout as they were. Undoubtedly it is not
wise always to make an outcry over your follies or
misfortunes. Neither is it wise always to go through
the world with a chip on your shoulder, challenging
people to fillip it off. Yet we all admit that
there are times when short, sharp, and decisive resistance
to aggression is the wisest plan. So also is
there a time to speak as well as a time to refrain
from speaking. There may be dignity, there may
be generosity, there may be prudence, or pusillanimity,
or selfishness in silence. There may be all in
speech. Of this I am certain, if any of those writers
who have escaped harm by their own skill, or
any of those who have thought to escape further
harm by silence had but given warning of the existence
of rocks, some of us, with less skill, would
have avoided that vicinage and might have had
smooth sailing through the whole voyage. By their
silence they have not only indirectly contributed to
our disaster, but they have actually strengthened
against us the hands of our natural foes, the publishers.
They make it possible for a newspaper to
say, in reference to the present difficulty, “As the
house (of H., P., & Co.) has been in thriving existence
for more than a quarter of a century, and has
never before quarreled with an author,—or more
correctly speaking, never had an author quarrel
with it,—there will be a general disposition,” and
so forth. They thus directly increase the resistance
which any succeeding author must overcome.
“Nothing,” says “The Nation” newspaper of January
13, 1770, in harsher language than I care to
use, but we must take language as we find it,—“Nothing
so promotes swindle as the readiness of
the victims to pocket their losses, go their way with
a sickly smile, and let the rogues begin again.”
But of course this must be left for each person to
decide for himself. It is only that if one feels
moved in the spirit to bear witness against wrong
in any of the relations of life, there is nothing in
the height, or depth, or breadth, or brilliancy of any
reputation to overawe him. Nothing is real but
the right. There is no life but in truth. When
faith is lost, when honor dies, the man is dead.
Dead? He never was born. There never was
any such person. He was a mirage, an apparition.
The stars dim twinkle through his form.
As to the harm that may accrue to an author
from adopting the course which he counts wise, it
seems to me entirely insignificant. Nobody expects
to go through the world intact, but we all
expect to do that which presents itself to be done.
If a writer has life in himself he will not easily die.
If he has not life in himself the sooner he dies the
better. If there is no life outside one charmed
circle,
“Then am I dead to all the globe,
And all the globe is dead to me.”
Nothing is indispensable but a mind at peace with
itself. It is pleasant to celebrate the glory of those
you love, but better trudge comfortably across country
on foot and alone, with all your worldly goods
knotted up in a yellow bandana than ride unwillingly
behind anybody's triumphal car.
So then, while it is undoubtedly best as a general
thing for an author to live at peace with publishers,
and sinners, there is also no reason why he should
not make war if it is borne in upon him to do so.
But the only royal road to justice is for authors,
in the beginning, to be intelligent, prompt, exact
and exacting on all business matters which come
within their scope. This seems a little thing, but it
would work a revolution in the literary world. Let
writers deal with publishers, not like women and
idiots, but as business men with business men. If
an author chooses to relinquish all pecuniary rewards
from his books and to make an outright gift
of the profits to his publishers, he may leave the
whole matter in their hands; but if he condescends
to take any part in the spoils, he thereby becomes a
business partner, and the only question is whether
he shall be a good business man or a poor one. By
not being prompt and intelligent, by neglecting to
secure or to examine his accounts, or to correct
them when they are wrong, or to understand them
when they are obscure, he does not approve himself
an unmercenary person; he simply shows himself
to be shambling and shiftless, and puts a direct
temptation in his publisher's path. Many a servant
would be honest if her careless mistress would not
leave money lying about. Had I but used the ordinary
care and caution which a lawyer, or a merchant,
or a marketman brings to his business, this
trouble doubtless would never have happened, and
we should all have been the happier for it. The
simple consciousness on the part of a publisher,
that an author is observant of what is visible, will
have a tendency to make him exact and upright
concerning what is invisible. An author should so
order his affairs that a publisher must make an
effort to be dishonest. On the contrary, he so
neglects them that a publisher must make an effort
to be honest. Confidence and trust are excellent
things and never more excellent than
when they have a solid basis of paper and ink. Do
the best he can there will still be points enough for
the author to exercise his trust on, but to do business
wholly on the trust system is utterly childish.
No confidence can be more complete than was mine,
and none apparently can be founded on a more
honorable reputation. The confidential, friendly
way of conducting affairs is pretty and sentimental,
grateful to one's indolence and vanity and over fastidiousness,
and confirmatory of one's conviction
that he is too dainty and delicate to touch a bargain
with the tips of his fingers. But in fact we all do
take money for our work when we can get it; we
want just as much money and money just as much
as other people—rather more—and, in sober truth,
the friction, the sacrifice of delicacy in keeping your
money affairs straight from day to day, is not for a
moment to be compared to the delicacy which may
be sacrificed by leaving them at the mercy of
others. You run well for a while, but a day of
reckoning is almost sure to come. The thriftless,
hap-hazard way of bargaining or not bargaining,
common among literary people, is the fruitful parent
of uneasiness, anxiety, disappointment, and
bitterness, before which delicacy must be rudely
and ruthlessly brushed.
It is the same with women as with men, for in
literature as in the gospel, there is neither male nor
female. When a woman does any work for which
she receives money she becomes so far a man, and
passes immediately and inevitably under the yoke
of trade. She has no right to demand a favorable
judgment of her work because she is a woman,
nor has she the least right to require that chivalry
shall come in to help fix or secure her compensation.
Trade laws know no more of gallantry than
trade winds—and it is well they do not. Individuals
and societies wheedle and flatter and threaten
and torture according to the fashion, or passion, or
panic of the hour, but under it all, the great, pitiless,
unseen, inexorable law of the world holds
from age to age, never relaxing its grasp, never
revoking its decree, deaf to the wail of weakness,
dumb to the cry of despair, forever and forever
teaching with unrelenting persistency, by unrelenting
persistency, the good and wholesome lesson that
will be taught no other way. Under this law there
is no sex, no chivalry, no deference, no mercy.
There is nothing but supply and demand; nothing
but buy and sell. To him who understands it, and
guides himself by it, it is a chariot of state bearing
him on to fame and fortune. To him who does not
comprehend it and flings himself against it, it is a
car of Juggernaut, crushing him beneath its wheels,
without passion, but without pity.