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FOREWORD
If the readers of this autobiography of one of the standout
sports reporters of the half century, and a pre-eminent authority
on boxing in particular, get half the thrills I enjoyed
while going over the advance proofs, it will take its place with
the most successful efforts of its kind.
Here we have the eye witness accounts of the Pepys of the
ring scene these last fifty years.
This is a story which nobody has produced in the past, and
certainly is not going to duplicate in the future.
It is the life story of a man who lived through increasingly
exciting eras of the nation’s history, and the nation’s sports annals.
The conditions which obtained through those eventful
decades will not come again. The man who banged his typewriter
through these crowding years will not come again upon
a similar sequence in the sports kaleidoscope.
Here are behind-the-scenes pictures, the inside stories of so
many developments which have waited, until now, for my
lifetime friend Nat Fleischer to reveal them.
Here are pathos, comedy, and intrigue; the seamy, sombre
stories, and the funny ones as well. Ring heroes of the past
come to life in these pages to reveal themselves in the full
panoply of their championship stature, or in the meaner
habiliments of the character on the fringe.
It is a fine book, and I thank Nat for having written it.
I am a sports romanticist. For me, the annals of the
ring are unparalleled in their appeal. The saga of what has
been called the “Sour Science” achieves peaks of interest and
excitement that are found in no other recreation or entertainment.
That boxing has this unmatched position is not to be wondered
at. A contact sport in its simplest form, it is an individual
battle which tests the courage, skill and stamina of two
men.
Each era has its own heroes. Boxing styles keep changing.
The demands of the public change as the years roll along. New
faces gain popular acclaim and heighten popular controversy,
and the interest in the sport gains new momentum as these
colorful characters make the headlines.
Since controversy is the life blood of the sport, it is easy to
see why stories about boxing and the non-combatants closely
associated with its promotion, management, matchmaking,
and supervision, offer a special appeal to the reader.
There is romance in boxing. There is a spectacular glamor
to the fight parade as it rolls along through the years: the explosive
violence that was Jack Dempsey winning the heavyweight
championship by a knockout over the behemoth, Jess
Willard; Dempsey punched out of the ring and coming back
to stop Luis Firpo in the wildest four minutes ever seen in
boxing’s violent history; Joe Louis getting his quick, lethal
revenge on Max Schmeling; Ezzard Charles achieving a once-in-a-lifetime
peak to go fifteen close rounds with slugging
Rocky Marciano—these moments brighten the pages of boxing
history.
Not all the thrills are to be found in the padded ring. The
side show often furnishes the laughs, pathos, color, and the
drama that make boxing what it is; but the anecdotes that
have the greatest appeal are those of the champions.
The intimate side of the ring’s title holders, the behind the
scenes tales of the wizards of the roped square, the hair-raising
experiences, both in and out of the ring—these are the human
interest stories that make boxing a world sport.
Five decades of sports writing furnish the backbone of this
book, material I’ve gathered from my diary of more than half
a century of reporting and collecting.
During my many years of association with sports, I’ve
studied the likes and dislikes of champions; their eccentricities
and fighting qualities, as they compare with those great fighters
of another era. It is part, I suppose, of the capacity for
hero worship that is more or less inherent in us all.
I’ve found champions in boxing a different breed from the
average person who engages in sports as a recreation. When I
asked a newly crowned champion how he felt when he finally
reached the heights, “No different,” was usually the answer I
would get. Anticipation always exceeds realization.
I recall an interview with Freddy Welsh after he had won
the world lightweight crown; “Somehow, now that I’ve won
the championship, it doesn’t look so big,” he told me.
I was present at a dinner at which Gene Tunney, retired
undefeated heavyweight king, and I were the guest speakers,
and when I asked Gene the same question, he answered:
“In human endeavor, the most important thing is not so
much the realization of the goal; the effort of the chase is
worth more to the hunter than the actual capture. I cherish
the crown. But my greatest thrills came not in winning it but
in my climb to the top. Now that the goal has been reached,
it is just another incident in my boxing career.”
There is no rosy road to success. But once it has been obtained,
the hero worship begins. In boxing there are those
whose names typify crashing power; others whose cleverness
and defensive skill place them in the category of great ringmen.
Still others are remembered for their intriguing personalities,
their humor, wisecracks, and color.
In these pages you will find the human side of these vivid
personalities; first hand information on fights and fighters that
is authoritative; the elements in boxing that made ring history;
the never-to-be-forgotten incidents that make boxing the
fascinating sport it is.
My work as a journalist has brought me in contact with
sportsmen the world over. I have interviewed presidents and
kings, promoters, managers, and fistic celebrities from the four
corners of the globe. I have received La Medaile d’honneur
d’or de education physique et des sports from France; the
Constantine Ordine Militare de San Georgie di Antioche and
the Commandatore della Stella al Merito Sportivo from Italy;
and the Order of the White Elephant from King Bhumibol
Adulyadej of Thailand for my work on behalf of international
boxing.
I have been on intimate terms with every heavyweight
champion since James J. Corbett. When Corbett died, I wrote
thirty articles on his career for the King Features Syndicate.
To my headquarters, facing the main entrance of Madison
Square Garden, have often come Jack Dempsey, Gene Tunney,
Jack Sharkey, Joe Louis, Jimmy Braddock, and many
other great names of the past and present. Their photographs
look down on me from the walls of my office and jog up my
memory as the fleeting scenes of the days that have gone into
the record books press for my attention.
Although there aren’t as many great fighters around today
as in the past, they are the best we can now muster and we
must be content with them. As a class, the boxers today are
more wholesome, more eager for the good things of life than
those of the old days who often spent their substance and
their genius with the prodigal hand of the waster.
I have seen almost every heavyweight championship bout
in the past half century, and most of those in other divisions—bouts
that reach across a stretch of many exciting years—years
of prosperity, war, depression, and change in boxing technique.
They are years that saw the legalization of boxing
throughout the world, the promotional extravaganzas of the
great Tex Rickard and the million dollar gates, the reign of
two of the greatest heavyweights of all time, Jack Dempsey and
Joe Louis, and the rise and fall of Mike Jacob’s empire.
I entered the field of journalism as a sports writer during
the transition period of boxing—the repeal of the Horton Law
abolishing the sport, the beginning of the club membership
era, and the subsequent adoption of legalized boxing throughout
the world. It is satisfying to be a part of the new era, but
a nostalgic treat to be able to look back on the old.
2 MY BOYHOOD YEARS
I became interested in boxing the day I learned how
to make a fist.
I began to show interest in journalism when I contributed
to the monthly magazine at Public School No. 15 in Lower
Manhattan. Later I became its editor.
As a youngster, I loved athletics of all kinds. I played baseball,
basketball, rode a bike with sufficient skill to do tricks on
it, boxed and wrestled. And right here I want to pay tribute
to the Boys’ Club, the Brace Memorial School, and Christodora
House, which all through the years have done so much
for the youngsters of the East Side of New York where I was
born, November 3, 1887.
At the Brace Memorial School and the Boys’ Club, I learned
to appreciate the value of organized, supervised athletics. It
was one thing to exercise in the streets and yet another to become
involved in the closely regulated activities of a club.
The Public Schools Athletic League provided another fine
influence on boys like myself. For years, school sport in New
York was run on a haphazard, catch-as-catch-can basis. Then
came the P.S.A.L., in which General George W. Wingate and
Dr. Luther Halsey Gulick were the moving spirits, and school
sports became organized, supervised, regulated.
The P.S.A.L.’s first big track meet was held in Madison
Square Garden, and there I competed in my first important
race and won the 220-yard dash. It was there, too, that I first
heard the roar of the crowd. I have been listening to it ever
since.
My parents came to America in 1868. They brought a large
family into the world. Among nine who survived, five of us
have passed our seventieth birthday. Grandfather died at the
age of 102 and grandmother, 101, and dad was close to 80 when
he passed away. So you see the Fleischer family comes from
hardy stock.
Brother Mark and I were the family athletes. I was thirteen
when I entered Townsend Harris Hall, the preparatory school
for City College. There, and at college, I continued my interest
in sports and won many prizes.
My experiences during adolescence paved the way for my
future career. In 1899, for example, I saw my first professional
fight, a contest in which Terry McGovern was pitted against
Pedlar Palmer, British champion. I’ve lived that fight over
and over again. For me, that was the thrill of thrills: to be
twelve years old and present at one of the most talked-about
bouts in American pugilism!
My home was but a few doors away from the Brace Memorial
School for newsboys, an organization opposite St.
Bridget’s Church on the corner of Avenue A and Eighth
Street. I did chores after school hours for Superintendent
Walter Grosvenor and Grove Dale, athletic director. The walls
of Dale’s room were decorated with photographs of famous
athletes, and McGovern was among his favorites.
I had completed dusting when Dale, pointing to McGovern,
remarked: “There’s a great little fighter. I’m going to see
him box for the championship tomorrow. Mr. Grosvenor was
to accompany me, but he can’t make it. If you can get permission
from your ma, I’ll take you along.”
I was delighted at the invitation, but needless to say, I didn’t
ask my mother, knowing her answer would be “no.” Instead
I rushed out of the building, waited a while, then returned to
tell Dale that permission had been granted.
The impression that fight left with me patterned my future.
Henceforth, I became a collector of the fight pictures distributed
by various cigarette companies, and to this day, I have
more than 5,000 in my attic. They cover almost every fighter
of note among the greats of the past.
A fortnight later, I joined a boxing class organized by Dale,
and in a short time I was the captain and star of his outfit, as
well as president of the Oregon Athletic Club, which he sponsored.
We not only boxed, but had an excellent baseball and
basketball team. I was catcher and first baseman of the ball
club and participated in the club’s other activities.
As a boxer, I scaled only 122 pounds, but was fairly clever
and could hit well. Leach Cross, later one of the toughest lightweights
in the professional field, was my age. He was one of
the neighborhood’s best scrappers, a lad who would put up his
fists at the least provocation, and on many occasions we crossed
each other’s path and settled matters without the aid of gloves.
I remember a baseball game in which Leach and I were on
opposite sides and he resented the manner in which I tagged
him out at the plate, preventing his team from tieing the
score. He rushed at me and in a jiffy we were rolling all over
the grass. Mr. Dale separated us and suggested that we settle
our differences with the gloves. We agreed and what a shellacking
I took! In later years when I became a reporter, I took
keen delight in watching Leach do to others what he had
done to me.
As captain of the Oregon Athletic Club, I accepted a request
of Mrs. Oliver Harriman and Mrs. Jay Gould, sponsors
of the Boys’ Club, to have our team meet the Boys’ Club members
as part of the inaugural program arranged for the opening
night of their new gymnasium. The second bout on the
program was between Joe Gordon and me. Gordon scaled ten
pounds more than I did, and I refused to go on until I was told
that the rounds would be cut to two minutes each, and we
would box only two rounds.
I walked into the ring with chest out, proud as a peacock as
I received the plaudits of the gathering. However, the show
ended within a few minutes. We sparred, and in seconds, the
lights went out for me. I was knocked cold. I recall, as I regained
consciousness, seeing Mrs. Harriman rubbing my forehead
and Mrs. Gould patting my hand, yet I didn’t know what
was wrong. I couldn’t understand what the fuss was about,
until I learned from Leach Cross that my opponent, Gordon,
was a ringer, a “pro” fighting under an assumed name. The
incident almost caused a ban on boxing at the club.
Though I was only five feet two inches tall, I was a good
sprinter and broad jumper at City College. In a meet with
Rutgers, I cleared 19 feet 8 inches for a winning leap, and in
a triangular meet with Pratt Institute and New York University,
I did two inches better.
In 1904 I had become a City College correspondent for the
Morning and Sunday World and the New York Press and two
years later I was accepted by the Press as a cub reporter on part
time service, doing general reporting and copyreading under
the supervision of both the sports and city editors.
When I graduated from college in 1908 with a Bachelor
of Science degree, I was assigned to work under James R. Price
in the sports department. He was one of the best teachers I
could have wished for. He primed me for the sports editor’s
post which I later held on several New York dailies for a quarter
of a century. I also had the fine guidance of three experts:
Ernie Lanigan in baseball, George B. Underwood in track
and field and general sports, and Charles F. Mathison in boxing.
A year later we were joined by another baseball expert,
Frederick G. Lieb.
Although I liked my work, I had a strong hankering for
commercial chemistry and matriculated in a postgraduate
course at New York University. My hours on The Press were
long. I seldom reached home before one in the morning, yet
for three months I spent my mornings at the University, bending
over Bunsen burners, retorts and vials. One morning, exhausted,
after a long tour at the paper, I mixed several chemicals
that caused an explosion that blew me out of N.Y.U. I
was asked to pack up and quit. So ended my budding career
as a chemist.
I still was undecided about continuing as a reporter, and
since I had passed an examination to teach in the New York
schools, I accepted an assignment as an instructor in a sixth
grade class of girls in Public School No. 7 on the lower East
Side of Manhattan. I worked there until school closed at three,
then reported to The Press, where I seldom left before eleven
in the evening. It was a gruelling grind I had mapped out for
myself, and two months before summer vacation I handed in
my resignation to Dr. Kottman, the school principal.
I also held a license to teach during the summer in the playgrounds,
and for two summers I was a supervisor of athletics
in the Red Hook section of Brooklyn, a tough neighborhood
where my boxing knowledge came in handy. During that time
I organized the first Fourth of July schoolboy track and field
meet under the supervision of the Public Schools Athletic
League. This later became an annual event for many years
under the direction of the Park Playgrounds’ Board.
I have passed through three depressions and have a vivid
recollection of each. Though I was only six years old when
the nation’s businessmen went into mourning during the
crash in President Grover Cleveland’s administration, I recall
how my brothers and I sold newspapers to make both ends
meet. However, despite hard times, six of us graduated from
college.
3 MY WORK AS A REPORTER
April 14, 1912.
That’s a date I shall always remember.
It was the day on which I received my baptism of fire as a
big time reporter. It was the day of the sinking of the Titanic,
then the world’s largest ship. The mishap to that gigantic
craft which was hit by an iceberg and went down in mid-ocean
with many world celebrities aboard was largely responsible for
my promotion to the executive post of sports editor.
Ever hear of the “dog-watch?” If you have any friends in
the newspaper field, they’ll tell you that it is a term used to
designate the desk men who remain on the job after the early
edition goes to press. They must handle any startling news that
might arise, news of sufficient importance to necessitate revamping
the front page and setting new material for the late
editions, or in cases of extreme emergency, to get out a special
extra. To the “dog-watch” I owe much.
On that April night I took over the sports desk of the New
York Press, filling in for Jim Price, the editor. I was there
alone. My desk was full of proofs and I was busily engaged in
reading them when Alexander Stoddard, who filled in as night
editor, interrupted me.
Mr. Stoddard that evening was in charge of the news department
and he, like me, was sitting in on the “dog-watch” when
the biggest news item of the year broke through the Associated
Press. The news was carried in envelopes to the city editor
every twenty minutes by an Associated Press messenger. It
was the last delivered envelope that stirred things around the
“Press” building to a pitch of excitement that I’ve never since
seen duplicated in my newspaper career.
The message carried in that delivery read: “Flash—Titanic
Strikes Iceberg in North Atlantic—Report All Safe!”
That flash brought about action in our newspaper office
that set an all time record. Alex Stoddard, James Scott, chief
of the composing room, and I immediately got everything in
motion for what was probably the quickest edition ever put
out in New York.
Our first edition was closed. The paper was about to go to
press. The New York World, the New York Herald, and the
New York Tribune all had a half hour earlier edition than
The Press so when that flash came through, these papers were
already on the street while The Press alone still had a chance
to make the news in its first edition. We had the jump on
everybody, and Alex Stoddard made the best of it with the
speed and cooperation that only experienced newspaper hands
can give. The morgue was next to the sports department.
Stoddard ordered me to locate a copy of the passenger list of
the maiden voyage of the gigantic and magnificent Titanic, a
list that had been furnished by the Associated Press before
sailing time. He called the composing room to acquaint Scott
with the big news and Scott, at Stoddard’s command, had page
one ripped apart as the paper was about to be put “to sleep.”
The superintendent of the press room was told to clear the
presses for a quick extra, and all hands were alerted.
The Circulation Manager was apprised of the news and he
in turn called in all available men in the delivery room, had
his wagons lined up for the emergency, collected newsboys
from Park Row, then the journalistic center of the city, and
the stage was set, so far as the mechanical departments were
concerned, for the biggest scoop of the era.
While this was going on, another Associated Press envelope
was delivered which read:
“Cape Race, Newfoundland—Sunday night April 14—at
10:25 tonight the White Star Titanic called ‘C.Q.D.’ to the
Marconi Wireless Station here and reported having struck an
iceberg. Immediate assistance was requested. So far no report
on condition of passengers.”
With that as a lead and the names of the passengers, I helped
to get out a front page story of one of the greatest disasters of
our time.
I didn’t think human hands could work so rapidly! Within
half an hour our papers were in circulation along lower
Broadway and around the Brooklyn Bridge. Newsboys ran
pell-mell along the thoroughfares shouting their wares. The
Press delivery wagons were speeding up Broadway to Herald
Square and Times Square, the two busiest sections of the city
for early morning life, and there our extra was out a good
twenty minutes before any other paper could publish the news
of the disaster in a make-over edition.
For days after that feat, the New York Press was the talk of
the newspaper world. Of course, we were fortunate in going
to press a little later than the other papers, but the big thing
in our scoop was the fact that the “dog-watch” was on the alert.
When the Titanic sailed on her maiden voyage, the largest
ship afloat at the time, she carried a notable list of passengers.
Among the 1,517 passengers who went down were Nathan
Strauss and his wife; Captain Archibald Butt, aide to President
Theodore Roosevelt; John Jacob Astor; William Stead
of the Review of Reviews, a London magazine editor who
wrote the sensational book, If Christ Came to Chicago, and
Charles Frohman, America’s greatest theatrical producer.
When the Carpathia, which had rescued most of the 690
survivors, arrived in New York, the commotion about the
dock was much like that occasioned on the arrival of a hospital
ship during the First World War. Thousands flocked to
the Carpathia pier, but only newspapermen and officials were
permitted inside the police lines, I among them.
Lady Duff Gordon of London, was among those saved. As
she was good copy, most of the reporters were assigned to interview
her in her suite at the Murray Hill Hotel.
The room was crowded with newspapermen when she recounted
her story of thrilling rescues, episodes of heroism
among passengers and crew; pathetic scenes in a sea strewn
with dead, maimed, and shrieking men, women, and children.
I have had many memorable moments in my newspaper
career but the assignment from John Hennessey, the Managing
Editor, to work with the veteran members of our staff on
the sinking of the Titanic gave me my greatest reportorial
thrill.
I had a guarantee of only $10 per week as my take home
pay when I started my journalist career, but following the
Titanic disaster, my minimum was raised to $45 per week plus
whatever I could make at space rates above that sum. In those
days many of us were paid in that manner. During my first
two years as a cub reporter, I often sat around for ten hours
with little to do other than a few rewrite stories and frequently
finished a week with $15 or less in my pay envelope.
The raise I received elated me. It was the biggest money I
had earned as a reporter. It wasn’t long, however, before I
became Sunday editor of the Automobile section and Scholastic
sports editor in addition to writing feature articles and covering
general sports events.
When The Press was merged with the Morning Sun and
Jim Price resigned as sports editor, Frank A. Munsey, the new
owner, appointed Joe Millard to take charge, with me as his
assistant. Millard had been covering racing and was a heavy
drinker, and he didn’t last long. I took his place within a few
months after the merger. I served under Mr. Munsey on every
paper which he purchased in New York. I was his sports editor
on the Sun Press, The Morning Herald, The Morning Sun,
The Mail-Telegram and The Evening Telegram.
As Sports Editor I gathered around me a staff of experts
that made The Telegram outstanding for its sports coverage.
In addition to Underwood, Mathison, and Lieb, I had Dan
Daniel, Francis Albertanti, Peter Bernaugh, Hughey Mulhare,
Harry King, Nan O’Reilly, Howard Valentine, Al Copeland,
and James K. McGuinness—experts every one of them, each
capable of reporting any branch of sports.
For thirteen years I was Frank A. Munsey’s top man in the
sports department. Every time he junked a newspaper by
amalgamating it with another, he placed me in charge. The
break came in 1929 when the Scripps-Howard interests bought
the New York Telegram. I had been in Europe on a two-month
feature assignment on the reconstruction era in Central
Europe following the war and knew nothing of the loss of my
position, until I was informed by ship news reporters at Sandy
Hook upon my arrival home. Roy Howard ousted me to make
way for Joe Williams, a Cleveland sports writer from the
Scripps-Howard organization.
I pondered for several weeks over my future and finally
decided that I would devote all my time to The Ring Magazine
which I had organized in 1922. I also continued as American
correspondent for several British and French newspapers,
posts I still retain.
4 AN INTERVIEW WITH ROOSEVELT
“Like father, like son,” is an adage as old as the hills,
but it is very often true. I was in San Juan, Puerto Rico, in
1932 to referee a fight and paid a visit to the Governor, Theodore
Roosevelt, son of the great “Teddy.” Years ago, when I
was a reporter, I made the acquaintance of the grand old warrior
of the Roosevelt family, and meeting his son in San Juan,
I was deeply impressed by the resemblance of the offspring to
the sire.
Teddy Jr. was a chip off the old block. The smile, the handshake,
and the energy put into his work as Governor were not
the only reminders of his illustrious dad. His love for sports
was another. Teddy Jr., like his father, was an expert at squash
tennis and racquets and a boxing enthusiast.
A few days after young Governor Roosevelt was inaugurated
at San Juan, I watched him box Frank O’Ben, the Island’s
leading instructor, at the latter’s well-equipped gymnasium.
His father, President Theodore Roosevelt was a remarkable
man: politician, ranchman, soldier, hunter, and all-around
athlete. The Roosevelt boys were brought up on an athletic
diet and each was taught the art of self-defense at school. Boxing
was always one of Teddy’s favorite hobbies.
I recall the day in 1908 that the American Olympic team
returned triumphantly from London, where little Johnny
Hayes, our marathon runner, gained international fame in his
race with Dorando Pietri, the Italian who collapsed at the
finish. I met the homecoming team at Sandy Hook and accompanied
the victorious brigade back to New York City.
The hero, of course, was Hayes. When the ship reached
quarantine, we received word that President Roosevelt had invited
the entire Olympic contingent to spend the following
day at his Oyster Bay Estate where he would officially welcome
each of the members.
Out to Oyster Bay the little army traveled, and when we
reached President Roosevelt’s estate, we were met by the
Roosevelt family, government officials, and a large delegation
of home town folk. It was heart warming.
I learned much about Theodore Roosevelt, the athlete that
day. Beaming with delight, he shook the hand of every member
of the returning team. Then he told us how he had become
so interested in athletics. In his youth he was referred
to as a chicken-livered kid because his delicate health did not
permit him to play in vigorous games with other lads. He
didn’t like being kept in the background, however, and had
no scruples about letting his parents know it.
“I made my health what it is today,” he said. “When I
found that physically I was not the equal of other boys, I was
determined to make myself fit.”
Here he was, receiving America’s foremost athletes, the
young men upon whom the youth of the land looked with
envy and admiration, and he immediately realized the opportunity
to bring home a point to hundreds of thousands of
American children.
“When a boy,” he continued, “I was sent to Moosehead
Lake to rid myself of asthma. I was brought up by a maiden
aunt who decided that the change of air would help my ailment
and also help to build me up. While en route, I became
acquainted with three lads who took a keen delight in teasing
me. They called me ‘Sissy’ and other names I didn’t like, and
my pride was hurt. I made up my mind that I would learn how
to defend myself against such attacks, and that’s how I came
to take up boxing.
“On my return home, I told father what had happened. He
laughed it off but consented to have Tom Long, a former
fighter, teach me the manly art. When I was in the third year
at school, I became the lightweight champion. Then I took up
wrestling, another sport I liked, and by the time I matriculated
in college, I was pretty good at both.”
He told of the day he stopped by the Harvard gymnasium
for some recreation and exercise, and one of the members of
the Harvard boxing team invited him to spar. Roosevelt admitted
he was quick to oblige. They donned the gloves,
stepped to the center of the ring, and as Roosevelt put forth
his right hand for the customary boxing handshake, he received
a powerful blow to the jaw. The punch staggered him,
and according to the President, he was flabbergasted at the unsportsmanlike
display.
“The students were quick to note the discourteous act,” he
said, “and cries of ‘shame’ and ‘foul’ filled the air. Much to the
discomfiture of my opponent, I held my hand out until he
complied with the courtesy of the ring, and then I proceeded
to hand him a business-like shellacking.
“I taught that fellow something,” continued the President.
“I taught him that boxing was a sport for sportsmen in which
the rules of fair play must be observed, and he and I were the
greatest of pals throughout the remainder of our college days.”
Roosevelt, when Police Commissioner of New York, followed
boxing with a keen interest. When the police attempted
raids in the old club membership days, he urged them to be
lenient. Often he had them stand at the ringside to guard the
contestants until the fight was over before he would permit
them to interfere and make the arrest.
Back in 1916, when I was sports editor of the New York
Press, I went out to Oyster Bay to get an interview with the
retired United States President. At the time, the boxing game
was being threatened by certain disgruntled politicians and
blue law agitators, and things looked black for the sport. The
flame against boxing had become so widespread that it seemed
as if nothing could extinguish it, and I thought that a talk
with Roosevelt would be timely.
I remembered my interview with him years before, and I
recalled how ardent a fight enthusiast he was. So I figured
that a story from him on the good points about boxing would
help our cause. Here is his statement as I published it:
“When I became a member of the New York State Legislature,
there was considerable commotion up at Albany by a
faction that was opposed to boxing. I took up the issue with
them. Like my father, who believed that a fair, stand-up
fight would do a boy a lot of good, I arose to defend boxing.
I surprised, even shocked, many mothers when I said that
‘the boy that won’t fight is not worth his salt. He is either a
coward or constitutionally weak. I have taught my boys to
take their own part and fight their way whenever they must.
Cowardice is not in their make-up. I do not know for which
I should punish my boys quicker—for cruelty or flinching.
Both are abominable.’
“I have never been able to sympathize with the outcry
against boxing. The only objection I have to prize fighting,
is when there is talk of fake or crookedness, and such talk
is common. Where there is smoke, there is fire and I figure
that such gossip is never entirely unfounded.
“Outside of that, I regard boxing, professional and amateur,
as a vigorous, healthful sport that develops courage,
keenness of mind, quickness of eye, and a spirit of combativeness
that fits every boy who engages in it for the daily
tasks that confront him.
“It is not half so brutalizing or demoralizing as many forms
of big business, and certain legal work that is often carried
on to help such business.
“I have often thought that if we had more boys’ clubs
where the manly art was taught, we would have fewer youthful
criminals, the street corner type of hoodlum, and would
breed a better class of young American citizens—the future
voters. Boxing develops elements of character that are difficult
to obtain in other sports—fairness, the spirit of give-and-take,
courage, and alertness.
“It is only the bully who always wants to give and to avoid
the taking. If boxing were taught in every public and secondary
school and in college, this nation would soon find
itself rid of the bullies and would develop in our youth a
spirit of manhood, a spirit that teaches fairness to our fellow
men. We would be rid of street corner rowdies and cowards,
and make our boys a better, sturdier, healthier lot.”
In Washington, President Roosevelt frequently boxed with
Professor Mike Donovan of the New York Gymnasium and
Steve O’Donnell, another former fighter. When, after a long
lapse, Harvard, of which Roosevelt was an alumnus, decided
to restore boxing as an inter-collegiate sport, Roosevelt was
instrumental in obtaining for his friend O’Donnell the post
of boxing instructor. After the appointment, O’Donnell received
a letter from Roosevelt which he permitted me to publish
in the Morning Sun. Here is the letter which is now in
my museum:
“Dear Steve:
You know of my interest in boxing since I often put
on the gloves with Mike Donovan, Jack Cooper, and you.
I had to abandon the sport after an eye injury, sustained in a
sparring match with a young Captain of Artillery who cross-countered
me on the eye, and blinded me. Fortunately it was
the left eye but had it been the right, I never would have
been able to go shooting—my hobby.
When I was in the legislature and was working very hard
with little chance to get outdoors, all the exercises I had were
in boxing and wrestling. I was extremely fond of both and
still am.
Naturally through my enjoyment of boxing I grew to
know a good many fighters and to most of those, I grew
genuinely attached. I have as a result never been able to
sympathize with the outcry against the sport. I have always
regarded it and still do, as a fine, healthy, manly form of entertainment
and have never thought of it as brutalizing. Of
course matches can be conducted under conditions that will
make them brutalizing, but this is just as true of football and
other highly strenuous contact sports.
Bob Fitzsimmons was a good friend of mine. I admired
him as a pugilist. For a long time I enjoyed his friendship
and that of John L. Sullivan. There never was a better prize
fighter than the “Boston Strong Boy.” When he was in his
prime, no finer fighter ever stepped into a ring.
When I went to Africa to hunt wild game, Sullivan presented
me with a gold mounted rabbit’s foot. I carried it
through my African hunting trip and it certainly brought me
plenty of luck. I believe that boxing should form a major part
of the athletic recreation of our Army and Navy and should
be included in the physical education program of every
college.
I congratulate Harvard on its acceptance of boxing as an
inter-collegiate sport and you on your appointment as Harvard’s
boxing coach.”
Theodore Roosevelt
5 I FIGHT TO BE A SOLDIER
Back in 1914, when the Mexicans were raiding the
Texas Border and it looked as if Uncle Sam would have to
take a firm hand in subduing Pancho Villa and his gang of
marauders, Major General Leonard Wood, commanding the
Second Army Corps at Governors’ Island in New York Harbor,
at the suggestion of several New York newspapermen,
decided to drill members of the Fourth Estate in soldiering.
The reporters who had organized a Newspapermen’s Military
Corps, with the object of mastering the Manual of Arms, received
permission from the State Armory Board to use the
drill floor of the Seventy-First Regiment Armory, where twice
a week they assembled for instruction.
On Monday evenings, from five to six o’clock, they were
taught how to drill by regular army officers, while on Thursdays
they attended lectures on maneuvers and the use of arms.
I was among the organizers, our aim being to get the jump on
others in the event war was declared, so that we could be mustered
into service as junior officers. For a time it was a novelty
for the people in the vicinity of the armory to see the scribblers,
tall and small, lean and fat, shouldering muskets and
drilling through the busy business thoroughfare of midtown
New York.
Then came General Pershing’s campaign against Villa, and
that, with the outbreak of war in Europe, intensified the uneasiness
of our country. There followed an order for the New
York regiments to leave for the Mexican border and many
of the members of the Newspapermen’s Military Corps accompanied
the boys, better fitted to serve in the campaign,
than they ordinarily would have been.
Those who didn’t go continued their drills in New York
with Major General Leonard Wood in charge, and Major
Brown and Captain Hall, both of Governors’ Island, as our instructors.
And when the United States joined the Allies in
1917, it was the Newspapermen’s Military Corps that became
the nucleus of the famous Plattsburg Citizens’ Training
Camp. Among the first graduates were the writers who for two
years had been drilling under General Wood and his aides
while working as reporters or desk men on New York papers.
I was the smallest member of the original group, only 5
feet, 3 inches at the time, and when I filed my application for
Plattsburg, though I had had considerable military training
and was a good drill master, I was turned down because of my
height. I protested vigorously and even went so far as to place
my complaint before General Wood and Captain Hall, but
was informed that nothing could be done for me.
Then came the draft. Time for enlistment was short. I was
thirty-one years old. I was eager to serve because I was not a
raw novice, and I realized that men of experience were now
needed. I tried to enlist in the Regular Army but I was turned
down here too. I then offered my services to the Marine Corps,
but the same old remarks greeted me—“Sorry, you’re under-sized.”
The Navy likewise turned me down. I decided that
there must be something radically wrong when a government
will turn thumbs down on men it could use in an emergency
but whom the officials deemed too short.
Even the draft boards were instructed not to accept anyone
who was not at least 5 feet 4 inches tall, and it was then that I
got busy. I went to see my Congressman and my United States
Senator. I told each of my military training and my experiences
with the officials in our military service.
I suggested that the Army, Navy, and Marine Corps could
make good use of almost anyone, regardless of size, and that
those who were unfit physically to shoulder a gun could be
utilized in general camp work, thus relieving other servicemen
for the tougher task of fighting. My suggestion was seconded
by my boss, Keats Speed, Editor of The Sun. I was called before
a military board in Washington to state my case and
within a week, I received a notice directing the military authorities
to lessen the minimum height for enlistments to 5
feet, 3 inches.
Within two months, when further enlistments were halted
and the draft went into effect full force, the order called for
a minimum of 5 feet 2 inches, and still later, in order to give
the service the fullest man power possible, every physically fit
man, regardless of his size, was ordered accepted for service.
Thus I felt I played an important part in bringing down
barriers that were keeping from the Army men who were
eager and willing to serve. I have in my collection the editorial
in The Sun based on my argument in Washington.
I served through the war as an instructor at the School for
Sergeants at Camp Greenleaf, Chattanooga, Tennessee, and
when I was mustered out of service I reported back for duty
as sports editor of the Morning Sun.
At home “a big surprise” awaited me. Wherever I’ve traveled,
I’ve browsed about in search of boxing books, photographs
of famous fighters, old watches—particularly those that
belonged to famous fighters or sportsmen—stamps, and cigarette
pictures of baseball players and boxers. My boxing library
contains more than 1500 books, many of them rare
volumes on fistiana and wrestling, some dating back 300 years.
When I left for camp in 1918, I filled my room with my collection.
I also packed away many old trophies: gloves worn by
John L. Sullivan, spiked shoes worn by Sullivan and Corbett
in their battle at New Orleans, John L’s diamond studded
cane, the colors of Jack McAuliffe, Jack Dempsey and George
Dixon, among many other relics I treasured.
When I returned home, honorably discharged by the Army,
my sister, with whom I lived following the death of my
mother, smilingly greeted me.
“I’m happy you’re home again,” she said. “I have a big surprise
for you. Look in your room.”
I did, and what a shock I received! It was almost empty. She
had gotten rid of all my publications and many of the relics,
including a valuable set of Pierce Egan’s Boxiana in the original
boards.
“I knew you’d like a clean room. I called in a junkman and
let him have what Mother so often called ‘your junk!’”
That “junk” meant a fortune to me, but there was nothing
I could do but try to redeem some of the property. Fortunately
the books had been sold to a second hand dealer and I salvaged
them, but at an exceedingly high price.
6 OLD NEW YORK
Unlike us poor mortals, cities die and are reborn.
Who of you whose locks are graying around the temples, visiting
the place of your birth, would recognize it as the city of
your boyhood days? Only here and there have the world’s largest
cities retained their ancient sameness.
I knew New York when it was far different from the town it
is today, and in it I passed the happiest days of my life. We
old-timers realize this more poignantly as we grow older and
look back.
Thinking of the high cost of living today, I recall Dolan’s
restaurant, the most noted among the many coffee and cake
places spread in that busy downtown section of New York.
Dolan’s was in the old Potter Building on Park Row, the
gathering place for the humble and the big shots in the field
of journalism. Ham and beans was the most delicious dish.
The most called-for item on the menu, it could be obtained
for only ten cents with an additional five cents for a cup of
java. One could have his choice of ham or corned beef, and
with it went bread and butter on the side.
And the sinker! For ten cents one could have his coffee and
biscuits soaked in warm butter. We called this the sinker dish,
much like the coffee and doughnuts we get today. Within
minutes after a paper was put to press—usually about eleven
o’clock at night—a rush was made for Dolan’s. Office boys, compositors,
printers’ devils, editors, and reporters—they all made
a bee-line for the beanery. The place was known as a newspaperman’s
institution. Scarcely an editor in Park Row’s newspaper
environ wasn’t a habitué of this famous eating place.
And then there was Perry’s “drug store” where one could
get drinks at all times of the day or night. That was situated in
the old World Building and was an exceedingly popular
drinking emporium. The literary geniuses of Park Row were
its patrons.
This old New York has long passed. Its heart is still beating,
the same streets remain, many of its old buildings are still
standing, scores of persons whose acquaintance I made when
I was a cub reporter, continue to enjoy its pleasures—but it is
not the same city in which I grew up.
The Old Madison Square Garden, the very heart of New
York, is gone, and figuratively speaking, that was New York
to us. You could ask a New Yorker how to get to the Museum
of Natural History, the Aquarium, City Hall, the Metropolitan
Opera House, and other noted buildings, and he would
hesitate, but he could direct you to Madison Square Garden
on 26th Street and Madison Avenue without difficulty. After
telling you the easiest way to reach it, he’d probably wind up
by asking you, “What’s going on there tonight?”
The Old Garden is gone, but in its place is a new one, the
building I call home during business hours, and like the one
which Stanford White designed, it is the rendezvous of both
fans and athletes from all over the world.
Whatever was of New York, or for New York, was staged in
the old Garden just as now it is staged in the “House that Tex
Built” on Eighth Avenue between 49th and 50th Streets. I
could write the story of our times with the Garden as my only
backdrop, for so much of New York’s business, political, social,
and sporting history was made between its walls. There the
world’s greatest statesmen have addressed huge audiences and
the rafters reverberated with the soaring, ringing phrases of
orator and demagogue. The world’s greatest song birds were
heard in the arena.
During the First World War, it was the stamping ground of
thousands of patriotic Americans who flocked there to listen
to war talks and to aid in charity for the war wounded. Many
noted French, Belgian, and British war heroes gathered under
its roof from the hectic period of 1917 to the signing of the
armistice.
The Garden was one of the triumphs of its architect, Stanford
White. Originally built to house the horse show, it soon
became a show place for every conceivable kind of event, but
particularly sports. The Arion Ball and the French Ball were
fixtures there—annual festive affairs of a Bohemia that is no
longer seen in New York.
But the shows were the big thing in the old Garden: horse,
cat, chicken, automobile, motor boat, airship and sporting
goods shows; wild west rodeos; boxing and wrestling matches;
walking, running and cycling races (especially the six-day
bike races); and biggest of all annually—the circus. Every winter
saw expositions that drew thousands to the Garden. Its
history was truly the history of New York over half a century.
Madison Square Garden and its neighborhood will always
have a special place in American literature, for in its environs,
in a park across the street, O. Henry sat and listened as the
“Voice of the City” gave up its tales to him.
With the old Garden gone, the memories that live the longest
and most vividly are those of its great sporting events—affairs
I frequently reported.
It was there that William A. Brady, who managed Jim Corbett
and Jim Jeffries, and later became one of the world’s leading
theatrical producers, staged many thrilling events. Smiling
Bill Kennedy, the rotund Pat Powers, debonair and handsome
Harry Pollock, dapper and energetic Jimmy Johnston, astute
Billy Gibson, and colorful Tex Rickard and his partner, John
Ringling—each had a hand in making the Garden the show
place of New York.
The great John L. Sullivan leads the array of fistic talent
that paraded before the public in the old Madison Square Garden
arena. Other celebrated ringmen of the past who made
history within its walls included James J. Corbett, Charley
Mitchell, Mike Donovan, Tom Sharkey, Peter Maher, Kid
McCoy, Bob Fitzsimmons, Joe Gans, George Dixon, Sam
Langford, Billy Plimmer, Kid McPartland, Battling Nelson,
Joe Jeannette, Willie Lewis, Freddie Welsh, Willie Ritchie,
Leach Cross, Jack Dempsey, Benny Leonard, Johnny Dundee,
Midget Smith, Bill Brennan, Frank Moran, Bombardier Billy
Wells, Al Palzer, Jim Coffey, Joe Lynch, Pete Herman,
Johnny Buff, Gene Tunney, Battling Siki, Paul Berlenbach,
Richie Mitchell, Young Jack Sharkey, Harry Greb and Tiger
Flowers. Since the old bare-knuckle days, there was scarcely a
ring idol who didn’t at some time in his career take part in a
Garden fight. The same was true of the wrestlers. The only
ones I failed to see were those who fought before my time.
And amid a whirr of whirling wheels, there were little
Bobby Michaels, the Welsh Rarebit; Major Taylor, Harry
Elks, Cannonball Eddie Bald, Plugger Bill Martin, Al Shock,
Tom Butler, Fred Titus, Teddy Hale and a host of others of
the go-it-alone years, when the cyclists rode six days and nights,
made their marks in the bike-riding world. I spent many hours
watching them circle the Garden track. Later these stars gave
way to Walter Rutt, Bobby Walthour, Joe Fogler, Jackie
Clarke, Menus and Johnny Bedell, Floyd McFarland, Eddie
Root, Al Goulett, Al Grenda, and Brocco—among others.
As the Garden was the temple of cycling when New York
was wrapped in the throes of the cycle craze, so it was earlier
when the six day go-as-you-please pedestrian races were all the
rage. Those who starred in that field were Dan O’Leary, Jim
Alberts, Gus Guerrero, Pete Hegelman, Littlewood, Roswell,
and Weston. Such races would be wasted on half empty
arenas today, but they played to full houses when I reported
them.
In the field of marathoners, as an old-timer, I recall the
running of Tom Longboat, Alf Shrubb, Johnny Hayes, Paul
Akoose, Fred Meadows, St. Yves, Gusta Ljungstrom, Sammy
Mellor, and Dorando Pietri.
Remember Dorando, the man who lost the marathon to
Hayes in London in the summer of 1908, when he collapsed
at the finish line? Well Dorando made a pot of gold by that
fall. He came to America and later, after piling up a little
fortune, established himself as a baker and confectioner in
Italy. I recall the wild scenes in the Italian quarters of New
York when Tex Rickard paraded him as a publicity stunt.
The Garden was the scene of many other foot races besides
marathons, and I was on the scene for most of them.
Will we of the old school ever forget the memorable match
race between Lon Myers and the great Englishman, W. G.
George? Who of us who reported the race, will ever forget the
great ‘600’ between John B. Taylor, the famous Negro athlete
of the University of Pennsylvania (and forerunner of the
corps of Negro athletes who now dominate middle distance
running in this country), and Harry Hillman, later coach of
Dartmouth College.
The stirring finishes of Mel Sheppard, Abel Kiviat, George
Bonhag, Harvey Cohn, John Paul Jones, Ted Meredith, Arthur
Duffy, John Drew, John Daly, Paul Pilgrim, Howard
Valentine and John Joyce still set an oldtimer’s heart to pulsing
faster.
And the discus throwing of Martin Sheridan and Bob
Edgren; the hammer throwing of Pat McDonald, Bill Coe,
Ralph Rose, Bob Edgren, and Matt McGrath—And so many,
yes, hundreds of other limber-legged, winged-footed, mighty
sons of track and field who made the old Garden famous!
For forty-four years the old Garden catered to all classes
and all types, millionaire and stevedore, banker and clerk.
But time in its march has covered many leagues. New York
outgrew the old Garden and then a bigger, more modern,
up-to-date structure took its place as a monument to Tex
Rickard, who, in the last days of the old building, made the
lovely statue of Lady Diana atop the Stanford White Tower
proud of her surroundings.
Before Tex Rickard took the helm, the old Garden was a
haven for the crooks. Pickpockets flourished there, and the
safety of the patrons at a bicycle race or a fight was entirely a
matter of luck. Rickard changed all that by ousting the objectionable
characters and making the Garden what it is today—an
arena where men, women, and children may go without
fear of being molested.
I recall a six-day bicycle race in 1909. It was bitter cold
and the rowdies, gangsters, and hoodlums of New York flocked
to the arena to keep warm. They could then obtain a gallery
seat for fifty cents and remain from the time the show opened
until it closed—if they could last that long.
Complaints were pouring into Police Headquarters as pickpockets
plied their trade with impunity. Several overcoats
were stolen, and certain patrons of the arena were waylaid
and robbed in the basement. I was assigned to Police Headquarters
for the evening and learned that Martin Sheridan,
the best all-round athlete the police force ever had, would
conduct a raiding party on the nimble-fingered gentry at the
Garden starting at eleven o’clock. Sheridan was at the head of
a Broadway pickpocket squad at the time, and he was to take
with him six of the best detectives on the force.
At seven that evening, Sheridan asked me out to dinner.
We dined with two of his squad and my colleague, George B.
Underwood, of the New York Press, and at ten o’clock we
started for the Garden. Into Harry Stevens’ bar we went, that
being the rendezvous for the police who were to do the raiding,
and while waiting for the late comers, Sheridan invited
us all to a drink.
It was pay day at Police Headquarters and pay day on our
paper, and when all hands were served, I asked for the bill.
Martin would have none of that. He not only insisted on
footing it but ordered another round of beer and then came
the pay-off.
It was time to get going. The raid would soon be in order,
and Officer Sheridan was anxious to get his men stationed.
He asked for the account, placed his hand in his pocket to pay
it, and then he let loose!
“Holly Gee, they picked my pocket! They took my pay envelope!”
Officer Sheridan was the only one who didn’t enjoy the joke.
He pleaded with me not to make mention of the theft in my
story, and then he got busy. He made up for his lost bank roll
by making every gangster in that arena pay a share of the loss.
A battered, bleeding, frightful looking lot of pickpockets,
hold-up guys, and confidence men were taken down in the
basement, and to the tune of a rubber hose or black jack,
they were given unmerciful beatings. There were no more
coats stolen or pockets picked at the bike races that week.
It was on the occasion of the last go-as-you-please fun in the
Garden, a year later, that less than a hundred persons braved
the howling wind to see the opening race. The big arena
looked like a deserted barn. Almost all those present came on
Annie Oakleys, as we called free passes in those days. The
half frozen newspapermen covering the race were seated at
a long table near the entrance and were busy grinding out
their copy and trying to dispel the gloom that hung over the
place. Suddenly Tim Hurst, who managed the Garden, was
observed beckoning wildly from the other end of the hall.
“Come here,” roared Tim, “Quick! Quick! Come here!”
Thinking a murder had been committed, we scrambled
from our chairs and rushed down to where Tim was standing.
“Look! Look!” he excitedly said, pointing to the box office.
“See that sucker and his gal buying a ticket!”
We all laughed, but that sucker gave us a good story a few
minutes later. Sitting in a box above the track, he placed his
heavy, fur-lined coat on a chair behind him, while his girl
placed her squirrel coat over the rail. The pair looked like
aristocratic kids out on a slumming tour. Within ten minutes
after entering their box, the man’s coat was stolen right under
his nose. He demanded action from Tim Hurst, a fighter of
the old school—but Tim paid no attention.
“Who told you to come here?” shouted Tim in his well-known
way. “Why didn’t you stay where you belong? You got
just what was coming to you for going out slumming.”
The “sucker” hauled off and caught Tim with a beautiful
right on the whiskers and down went the Garden promoter
right into the lap of Big Jim Mitchell, the hammer thrower,
who was then writing for the Morning Sun. The offended
patron happened to be Arthur Pelkey, the man who two years
later caused the accidental death of Luther McCarty in a
“white hope” match in Calgary, Canada. He had never met
Tim Hurst and Tim had never laid eyes on Arthur, but after
the blow was struck, some of the scribes recognized the fighter
and a handshake ended further arguments. Pelkey recovered
his coat a few hours later when the culprit who stole it was
found sleeping on it in the basement.
Johnny Broderick, successor to Sheridan as head detective
in the old Garden, told me many times that before Tex Rickard’s
regime, probably half of the rogues gallery could be located
between dusk and dawn at a six-day race. Overcoat stealing
was so common as to pass without comment. During those
races, members of the homicide squad were assigned to patrol
the Garden in pairs, and many fugitives from justice were
picked up.
Of course, as I fondly recollect the early Garden days, not
all my interesting sports experiences as a reporter in the big
city took place there. For example, I was very much involved
in the development of distance swimming in the New York
area.
Sitting around in the office of the New York Press one night,
after the first edition had gone to press, the conversation
turned to the diving exploits of the shapely Australian, Annette
Kellerman, who at the time was hitting the headlines
with her wonderful performances.
From diving we passed on to swimming, and then to distance
swimming. We spoke of the great Capt. Matthew Webb,
the Englishman who was the first to swim the Channel. Webb
had tried to swim from the Battery in New York to Sandy
Hook, a distance comparable to the Channel crossing, and
had failed. I decided that night that I was going to find an
American who could make that Sandy Hook swim.
The first candidate for the job was Louis Durborrow, a
Philadelphia bank clerk who had earned himself a formidable
distance swimming reputation in the Delaware River. Louis
quickly accepted the suggestion that he attempt the New York
Harbor crossing.
I organized the effort, and at dawn on a warm, sunny, Sunday
morning, Louis jumped off the dock at the Battery and
headed for the Hook with Dan Daniel and myself following
in a hired fishing boat.
The treacherous currents proved to be too much for Durborrow,
however, and he was forced to quit. Some weeks later,
he failed again. Then he tried to swim from the Hook to the
Battery, but this, too, ended in failure for the bank clerk.
On each occasion, Daniel and I were the only reporters who
accompanied the swimmer.
After Durborrow, I shifted to other swimmers. In addition
to promoting Sandy Hook attempts, I organized swims from
East 23rd Street to Coney Island, as well as Hudson River
marathon feats. It was fun to get up at dawn and go out in a
small boat for the day. But it was no fun to return to the
newspaper office after dark, with the desk heaving with the
waves and the typewriter doing all sorts of tricks.
Here’s the odd feature of the Hook effort. The New York
Tribune picked up my idea and promoted an open swim. I
believe twenty-six started and as many as three made the distance.
Fighting against the tide, without any rivals, Durborrow
and others had failed. But with many swimmers involved
in a race against each other, the feat was accomplished.
Many of my biggest assignments were covered with Dan
Daniel, whose friendship I have always cherished. He was
working for the Herald at that time, but in later years, when
I was sports editor of the New York Telegram, I persuaded
him to quit and join my staff. He is now baseball editor of
that paper.
Late in September, 1913, I called him on the ’phone.
“Dan, Rose Pitinoff of Boston and a woman companion are
going to make an attempt tomorrow morning to swim from
the Bellevue Hospital pier at 26th Street and East River
through the Narrows to Coney Island. I’m going to accompany
them in a motorboat. See if you can get the assignment from
your paper and come along,” I said.
Miss Pitinoff had already made two fruitless attempts to
swim from the Battery to Coney Island, but now she hoped
to make it over another route. Dan and I had accompanied
her on her previous swims and I soon received a message from
him that we would be together again on this one.
The next morning at dawn all hands appeared, but to our
surprise, there was no place where Rose and her friend could
undress and prepare themselves for the trip. We tried to gain
access to the Nurses Home of the hospital, but without success.
Then we went to that section used as a morgue, and
there, without asking permission, the girls quickly put on
bathing suits. However, on all such long distance swims—this
one was 26 miles—the body had to be well protected with a
heavy coat of vaseline to keep out the cold.
It was a cold night and Dan and I were none too comfortable
as we stored hot coffee and sandwiches on the motorboat
and waited for the girls to start on their journey. Soon word
came to us that the swimmers required help. They had tried
to enlist two nurses to rub the petroleum over their bodies
but were turned down. Since we had to leave with the tide
going out, I decided on the next step. I went into the building,
removed my coat, rolled my shirt sleeves and began plastering
Miss Pitinoff’s body with the jelly while Dan did the same for
her friend.
To this day I don’t know how the police got word of this,
but before our job had been completed, two cops appeared
out of nowhere and threatened to arrest all for “indecent
exposure” and “unlawful trespassing.”
We had a tough time explaining our mission and proving
to the police that the girls were out to engage in an athletic
feat, and that Dan and I were assigned to report the stunt.
However, we finally managed to convince them, and a few
minutes after five in the morning, the swim got underway.
Although the attempt was unsuccessful, Miss Pitinoff came
within a half mile of reaching her goal, a considerable improvement
over her previous showings on the shorter Battery
route.
In my young days as a reporter, I often walked home after
hours from the New York Press building on Spruce and Nassau
Streets to Harlem, a distance of five miles. My pal, Daniel,
always accompanied me on these jaunts, weather permitting.
We’d meet almost nightly after the first edition went to press
and walk from the Press down to the Battery and then up
Broadway to 110th Street.
It was during these after-hours walks that we frequently
encountered situations that made the front pages of our papers.
Fires, burglaries, raids on gambling joints, and even
murders, figured in our stories. I vividly recall several that
almost cost my life.
It was on one of those late evening excursions that we heard
the shrill blasts of police whistles—not an unusual occurrence—as
we reached Lenox Avenue and 114th Street. We had been
walking for about two hours, and it was close to three of a
warm August night in 1911.
“Let’s go, Dan,” I shouted, scenting a good story, and down
the street I ran towards the sound of action. A little more
cautious than I, Dan hesitated while I entered a building
into which the cops had raced. It was pitch dark except for
a flashlight carried by Officer Jerry O’Connor, a friendly
patrolman who covered the beat. He and Officer Egon Erickson,
high jump champion of the Mott Haven Athletic Club,
were chasing an armed hold-up thug. The police went after
their man with drawn guns and with me at their heels.
I ran up the stairs as fast as I could. As I reached the upper
story of the building, I heard the door of the roof slam, indicating
that the police were trying to locate their man there.
I was about to follow when I was nearly hurled over the
balustrade by the thief himself, who had avoided the cops by
hiding behind the door.
“There he is,” I yelled, grasping the rail to regain my
equilibrium as the gunman started down the stairs. Seconds
later, I found myself in the grasp of Officer O’Connor, who
had his gun pointed toward me.
“Not me, O’Connor,” I shouted. “I’m Nat, the reporter.
He’s running to the street,” I added, pointing downward.
The officer flashed his light on me and down we went with
Erickson following.
The culprit, accused of armed robbery, was caught and
handcuffed. Then both cops admonished me in no uncertain
terms for the chances I had taken in following them into the
unlit building.
“You could have been killed,” said Erickson. “Don’t ever
do that again. Let us tackle these gangsters.”
There was Dan, standing on the corner of Lenox Avenue
and 114th Street, laughing and waiting for me to have some
coffee with him.
“One of these days, you’re going to get it,” he said. “When
are you going to quit chasing burglars and following cops up
dark alleys?”
About a fortnight later, we were on another of our long
walks, but this time we changed our course and headed up
Broadway into Sixth Avenue and Twenty-seventh Street,
close by the Hotel Normandie. Many Greeks lived in that
vicinity, and on the corner was a social club, more correctly
referred to by the police as a gambling joint.
A shrill cry from a woman put us on the alert. She ran
from the building followed by a man brandishing a knife.
He tripped as he ran across the street but quickly recovered
and raced back into the saloon from which he had emerged.
I followed him and saw a murder committed. Unable to
catch the woman, he put the knife into the heart of the man
with whom she had been drinking.
I quickly stepped out of the confusion that followed, but
was sufficiently close to hear him say, “She’ll never have him.
He’s through.”
The murderer was arrested almost immediately, and the
police insisted on my accompanying them to the precinct
house on Twenty-eighth Street as a witness. When the trial
was held, I was subpoenaed by the District Attorney and for
four days I reported. But the District Attorney decided not
to call me to the stand.
Things were going bad for Walter Zyhariat, the murderer,
when I decided to talk up. I approached the District Attorney
and demanded to be placed on the stand.
“We don’t need your testimony,” he said. “It will hurt
instead of help our case.”
Someone reported that conversation to the lawyer for the
defense, who, when the trial was resumed for his summation,
requested that the court permit him to reopen the case on
the grounds that he had some new evidence.
“Permission granted,” said Judge Foster. “Swear in the
witness.”
I was called to the stand. I was first asked if I had been
subpoenaed by the prosecution.
“Yes,” I said.
“Do you know of any reason why you were not called to
the stand?” was the next question.
I repeated what the District Attorney had said to me, and
the lawyer for the defense then took up the questioning. I
told what I had seen after which the lawyer asked:
“When he ran out of the saloon and went after his wife,
was there anything you observed that would help the court
determine his condition?”
“He was dishevelled,” I replied. “His eyes were popping
out of his head. To me he looked like one who had suddenly
gone mad, and so I reported in my story.”
“I object,” shouted the District Attorney. “He is unqualified
to determine the condition of this person. I request that
his remarks be stricken from the record.”
I looked at Judge Foster. He seemed impressed with what
I had said.
“As a newspaper reporter, the witness is a man of keen
observation. His testimony should be heard,” he said.
When the case was given to the jury, Judge Foster harped
for some length on my testimony and a verdict of manslaughter,
carrying a twenty years’ sentence, instead of “murder
in the first degree,” saved the defendant from the electric
chair.
In those days I could both sprint and run distances without
tiring too easily, and this athletic ability came in handy on
nights when I had to report track meets and get my copy in
early. In the days of which I write, telegraph service wasn’t
used with any frequency. As I worked on a morning newspaper,
my story had to be in the office before eleven o’clock.
Press time was midnight.
One night, both Dan and I were covering the Military
Athletic League track and field championships at the Seventh
Regiment Armory. After George Bonhag, of the New York
A.C., had romped home a winner in the two-mile, Daniel
and I decided it was time to head for our respective papers.
The Third Avenue Elevated station was only two blocks
to the east of the Armory and five to the south, and as there
wasn’t a taxi in sight, we decided to run to the station in an
effort to make our deadlines. I led the way, and undoubtedly
must have been feeling fine for we ran and ran at a lively
clip until Dan suddenly halted and breathlessly shouted
after me:
“What’s wrong, Nat? Where’s the durned El?”
We got our bearings and discovered that instead of traveling
east and then south, we were racing down Park Avenue
and had reached Seventy-ninth Street, far off our course,
and more than a mile from the armory. We set off again, this
time in the right direction, and just made the second editions
of the Press and Herald, respectively. But on our way
to the newspaper offices, we wondered why we hadn’t competed
in the two-mile run that evening. We might have
beaten Bonhag.
7 THE UNDERWORLD IN BOXING
Prohibition failed to keep the average citizen from
having a drink when he wanted one, and no attempt by the
authorities proved successful in keeping the average New
York fan away from boxing entertainment. But the demise
of the Horton Law in 1900 deprived the game of its legal
standing so far as shows catering to the general public were
concerned.
Even as the speakeasy provided a welcome substitute for
the vanished saloon through the hectic period that preceded
Repeal, so a haven of refuge was furnished the patrons of
padded fist slugfests by the adoption of what was known as
the club membership plan.
The fight game was a racket then and truly could be referred
to as the sport of rogues. Although there were some
honest promoters in New York when I covered the sports
beat in those days, boxing as a whole was ruled by ruffians,
gangsters, and politicians. The many fixed fights that soured
the public on the sport were engineered by politicians with
headquarters in Tammany Hall, which then, as in the days
of John Morrissey and Bill Poole, had tremendous influence
over the game. They told the police what to do and how to
do it. They made the odds, brought about the fixes, and collected
their bets.
Hoodlums used to keep pugilists in line. We still have
plenty of that today but the damage is done differently.
Whereas in the “good old days” it was an up-and-above
board game with the unsavory element, today it is all done
through undercover agencies.
Politicians and police turned their eyes to avoid “seeing”
what was going on years ago, but in this era, city, state, and
Federal investigations keep hounding the criminal element
in an effort to keep boxing clean.
When the Eighteenth Amendment was repealed, that
didn’t end the tie between the mobsters and the fight racket.
To this day racketeers continue to infest the sport. Frankie
Carbo furnishes an example of the continuing influence of
underworld figures in boxing.
They not only muscled in on boxers in the old days, but
on the prosperous clubs as well. It was a case of take it or
leave it with them. There was no middle channel. They
often stole fighters outright, and it was worth one’s life to
defy them. Practically every big city’s fight clubs had bootlegger’s
dough financing the operation. The Dutch Schultz
and Owney Madden gangs held sway in New York, the Boo
Boo Hoff mobsters in Pennsylvania and the Al Capone gunmen
in Illinois.
I knew them all. As a reporter it was my business to
associate with all classes, and I often found myself in the
company of these criminals. I dined and wined with them.
I often traveled to fights with them.
I recall the bout down in Miami between young Stribling
and Jack Sharkey, following the death of Tex Rickard. The
late Steve Hannigan, one of our nation’s leading purveyors
of publicity, and I handled the fight for the Madison Square
Garden Corporation.
About a week before the affair, Damon Runyon told me
that Al Capone, then living in a “palace” on Hibiscus Island,
had extended an invitation through Runyon for the New
York sports writers to visit his home and enjoy a buffet dinner.
I was asked to furnish the names of all who would accept
and to make arrangements with one of Capone’s henchmen.
We had more than 450 newspapermen down for that fight
and of the group, I selected 62 to join in what promised to
be an adventurous evening. And so it turned out.
When our cars reached the entrance to Capone’s gate, Al’s
bodyguards directed us to drive to a designated field, where
each car was searched. The occupants were given the once
over, too. Some of us were even frisked. There was exceedingly
careful screening of each guest; after all, Capone had
a price on his head.
Then we were all escorted by bodyguards to the main
room of the spacious home and each was introduced to the
famous gangster. Though these were prohibition times, bottles
of champagne popped. The finest bottled beer was piled
on the tables, all from Capone’s private stock, safely hidden
on the premises and guarded by “specials.”
Capone asked some of the writers, among them Sid Mercer,
Murray Lewin, Westbrook Pegler, Paul Gallico, Francis Albertanti,
Runyon and myself, to inspect his special cache of
liquor in an underground room. We left the women in our
party engaged in conversation in the living room, though
some donned bathing suits for a swim in the outdoor pool,
which, like other parts of the Capone estate, was closely
guarded from behind the shrubbery. No one was permitted
to go out of bounds—that is, near the shrubbery where
guards, well armed, patrolled the area, so fearful was Capone
of an attack by his enemies.
When we returned to the dining room for refreshments,
one of the women who had gulped down too much of Capone’s
vintage champagne, collapsed, and in falling from the
couch, dislodged one of the cushions. Immediately there was
a dive for the couch by two of Capone’s henchmen, not to
help the woman, whose name I won’t mention, but to cover
two sawed-off shot guns and several loaded weapons which
had been hidden under the huge cushion.
We were seeing things! Capone’s brother, who found the
situation embarrassing, explained that the weapons were
there merely for safe keeping. They were souvenirs, he said.
Of what? Probably the Moran massacre in Chicago.
The unfortunate girl was carried to the upper floor powder
room, where she was placed in the care of one of the
maids.
During the commotion, someone had stolen a diamond
ring from Mrs. Capone’s boudoir and the story of that theft,
through a slip of the tongue by Capone, became the newspapermen’s
property shortly before we left.
Westbrook Pegler, then writing for the Chicago Tribune
syndicate, had gotten wind of the loss and rushed off to file
a story. Joe Williams, of the Scripps Howard Syndicate, and
Paul Gallico, writing for the New York Daily News, did the
same.
Capone was furious. He pointed the finger of guilt at us,
intimating that someone in our party had entered his wife’s
bedroom and stolen the ring. When he learned that several
newspapermen had left to write the story about the theft,
his tone grew threatening.
In his story the next day, Pegler described the party and
remarked, “While Capone was entertaining the scribes, one
of his henchmen was busy robbing his master’s home.”
Capone then came forth with an emphatic denial that a
theft of any kind had taken place. He tried to cover it up
with a statement that the ring had been found in the powder
room where it had been all the time, but a day before the
fight, he confided to Runyon and me that it had not been
recovered. Al told us that he was certain one of the guests
had taken it.
It was a party I shall never forget. There were gunmen to
the right and gunmen to the left, most of them veterans of
the many Chicago massacres which Capone had engineered
during prohibition days.
It was during the Frawley Law period that I exposed
gangsterism in boxing, and it almost cost me my job on the
New York Press. The famous Rosenthal murder case had
broken. Police Lieutenant Charles Becker and the four gunmen—Dago
Frank, Whitey Lewis, Gyp the Blood, and Lefty
Louis—were all awaiting trial for the crime.
The murderers were East Side gangsters allied with the
big gambling interests. They needed considerable money to
obtain proper legal talent. They had to have ready cash, and
the usual extortion methods practiced by criminals were put
into use. East Side boxers and fight promoters were assigned
to canvass the district for a collection. Small merchants within
a designated area were each to be asked for a contribution of
one hundred dollars and the more thrifty ones were to be
taxed a flat one hundred and fifty. Secrecy was necessary.
I was assigned to cover a fight at the Roman Athletic Club
where Frankie Madden, a popular lightweight, was one of
the principals in the main event. The house was packed.
Many of New York’s most notorious gamblers and criminals
were among those present, including Spanish John. As I
entered the club, I was accosted by Kid Twist, a well known
East Side gangster, who asked me for a contribution. It was
then that I got an inkling of what was going on.
The story of the “hold-up” appealed to me far more than
the fight that night, and I decided to dig in for material. I
was fortunate in meeting Izzy Einstein, who, during the prohibition
era, was the team mate of Moe Smith, Uncle Sam’s
star snooper and raider of illicit liquor joints. From him I
learned that at a special meeting attended by friends of the
Rosenthal gunmen, it was decided to obtain a fund of fifty
thousand dollars for legal fees through “donations,” voluntary
or otherwise.
Three days later I went to the Dry Dock Club where I
gathered sufficient evidence to enable me to publish my story.
It created a sensation. The headline read: “Gangsters In Extortion
Plot. East Side Criminals Force Merchants to Contribute
For Defense of Rosenthal Gunmen.”
In the story I used the name of a prominent sports figure,
and the day following its publication he brought suit for
libel against the paper. I was called into the office of the
managing editor, John Hennessey, who asked if I had sufficient
facts to back up my story. He told me that unless I
could stop the suit, I would lose my job.
The person I named as the leader didn’t have too enviable
a record and it was my job to get the goods on him. So I went
out gunning. I had learned that a few of the merchants who
already had paid into the fund had received a card to prevent
them from being molested. If I could obtain such a card, that
evidence would be all I needed, and that’s what I went after.
I had been told of a hoodlum who had done the collecting,
and who, upon reading the story, had left the city for a safer
place. He’d selected Kingston, New York, as his hideaway.
I went after him, and with the aid of a bribe, I got my
evidence.
With that card in my possession, I returned to New York
and handed the ticket over to Mr. Hennessey. Now well fortified,
he called in our legal department, and within a few
days, the suit was dropped, and my job was saved. The ticket
bore the signature of the person who had filed the libel suit.
Thus I exposed a link between crime and boxing. One of
the clubs, used as headquarters for the collection of the fund,
went out of business a few weeks after my story broke, and
the high-powered legal talent that the gangsters had hoped
to hire with the extortion fund, had to be dismissed. But
there was enough money collected to enable the mob to hire
Judge Otto Wahle to act as chief counsel for the quartet.
Yet even with this excellent jurist in their corner, the murderers
of Rosenthal were convicted and executed in Sing
Sing.
The case was by far the most prominent of that era in
which gamblers and thugs were so deeply involved in New
York’s boxing affairs; but in perspective, it was just another
story in the long history of crime, politics, and the fight game.
BOOK TWO
8 AN AMAZING AMATEUR
When United States Senator W. Warren Barbour
of New Jersey died at his Washington home a few years
ago at the age of fifty-five, an outstanding figure in the Senate
and the political life of his State passed away. He was a
unique personality among Congressmen because here was a
man who, had he belonged in a humble social station, might
possibly have fought for, and won, the blue ribbon of the
professional prize ring—the heavyweight crown.
The Horatio Alger fiction tradition always had its hero
starting from the ranks of the Submerged Tenth, overcoming
all obstacles, winning golden spurs in commerce by dint of
courage, pious living, and determination. Never, of course,
by the boxing route.
When Alger was writing his all-American-brave-youth-yarns,
prize fighting was an illegal game, and its principals
were entirely beyond the pale of politeness. Later we had the
Frank Merriwell stories, also with an “up-from-the-depths”
motif, but permitting heroes to win fame and dollars as stars
of baseball, football, and other athletic pastimes. That meant
that the literary bars were being let down a trifle; and in the
due course of time, magazine editors began featuring the
exploits of two-fisted lads successfully wooing Dame Fortune
with the aid of padded gloves.
Today it’s a far different sport atmosphere from the time
when W. Warren Barbour, one of the cleverest, hardest-hitting
amateurs that ever answered the sound of a gong,
was being importuned by fight promoters to turn professional
and meet the great Negro boxer, Jack Johnson, for
the world heavyweight championship. Barbour might have
done so had he not been born the son of Colonel William
Barbour, wealthy New York thread merchant.
In 1910 I saw Barbour win the amateur heavyweight
crown in Boston. Boxing, while it had attained semi-legal
status, was still not a career likely to be followed by the son
of a multimillionaire of high social standing. Had Warren
been poor in this world’s goods, he would have been a sure-fire
pickup for some astute manager hoping to steer him to
the professional championship goal. And that was exactly
what the young athlete would have liked. It was also what
several of America’s leading promoters were eager to see, because
of Barbour’s popularity and knowledge of ring science.
However, the Alger-Merriwell build-up didn’t apply in his
case. There was no social climbing needed, no struggle necessary
to score success in a quest for the almighty dollar; he
was already sitting on top of the world.
Yet he told me in an interview at a Princeton football
game that, if he had been left to himself, nothing would have
pleased him more than to have entered the professional ring.
I heard Warren Barbour repeat that during a fistic gabfest
with Phocian Howard, publisher of racing sheets, while en
route to the Dempsey-Willard battle at Toledo on July 4,
1919. Tex Rickard had selected the ex-amateur heavyweight
champ to act as official timekeeper for that historic event.
That was the only time he associated himself with the professional
game. Parental opposition was the real cause for his
refusal to listen to the siren songs of the fight promoters who
wanted to capitalize on his scientific skill and punching
power. Perhaps it was just as well, for Jack Johnson was then
in his prime, and no matter how good an amateur may be,
it is always a considerable risk to pit him against an experienced
pro, even one of second rate standing. And Johnson
was not only a first-rater, but stood head-and-shoulders over
all his pugilistic contemporaries.
Only twice in boxing history was an amateur champ given
a shot at a title in his first professional engagement. That was
in 1892 when Jack Skelly, of Brooklyn, head of the amateur
featherweight class, took on George Dixon, acknowledged
the world’s king of professional feathers; and when Peter
Rademacher, U.S. Olympic champion, in his first pro bout,
tackled Floyd Patterson in a battle for the heavyweight
crown. In each case the amateur was knocked out.
The handicap was far too much for Skelly, good clever kid
though he was, and Dixon kayoed him in the eighth round.
Rademacher was stopped in the sixth.
However, it will always remain a pleasing possibility that
Warren Barbour might have fared better than Jack Skelly
or Peter in an invasion of the pro ring, for he possessed every
asset of an excellent professional. When he won the amateur
heavyweight title in Boston on April 12, 1910, by a clean
knockout, Barbour was a trim athlete, over six feet and one-half
inches tall; he scaled 204 pounds in fighting togs and
could jab, block, counter, and duck blows far better than
most of our top professionals today. He was far superior to
Rademacher as an all-round pugilist.
Such men as referee Charley White and Jim Corbett, former
world heavyweight champion, believed him good enough
to fight Johnson, and were not alone among experts in thinking
so. In my book, he was the greatest amateur boxer I had
ever seen, even better than Floyd Patterson or Billy Rodenbach
of New York, whose rating was extremely high in
A.A.U. boxing circles.
While Barbour was training in Jack Cooper’s New York
gymnasium, he asked to have some big men about his own
heft brought along to spar with him. Cooper complied by
sending for his friend Jim Corbett. I was sitting with Cooper
watching some workouts, when Barbour made the request.
Corbett was admiring Warren’s style when our talk was interrupted
by Cooper. Jim stripped for a turn with the gloves
and was happy to get such a sparmate. But having heard that
the aspiring youngster was somewhat of a walloper, Corbett
was cautious at the start. Then he let himself out, and after
a couple of rounds Corbett said frankly that Barbour was a
wonderful heavyweight prospect both as a puncher and a
scientist.
“Your future as a professional is bright if you’ll go for it,”
Corbett told Barbour. Then turning to me, Jim added, “I’d
like to manage him.”
Young Barbour’s reputation spread far beyond the walls
of Cooper’s gym, where he continued to take daily workouts
with pros and amateurs. A few weeks after the Corbett session,
another former world’s heavyweight champion, Jim
Jeffries, who was at the time training in the gym, tried him
out there. Cooper, who often sparred with President Theodore
Roosevelt in Washington, knew Barbour’s father well.
He broached the subject of professionalism to him several
times, but Warren’s dad wouldn’t think of such a move. He
was purely an amateur at heart, a big financial supporter of
amateur athletics.
Jeffries, just back from a European trip, was soon to meet
Johnson at Reno in the fateful battle which resulted so disastrously
for the white man’s comeback stunt. Jeffries put in
a week at Cooper’s place in New York City, loosening up a
bit before starting a theatrical tour prior to going into regular
training for Johnson.
The Californian sparred several times with Barbour and
was so impressed by the latter’s skill that Jeffries asked him
to join his training camp on the Pacific Coast. The youth
did not accept the invitation, but Jeff’s candid endorsement
of Warren’s prowess naturally boomed his pugilistic stock
higher than ever, and resulted in Charley White, “Old Eagle
Eye,” dropping into the gym to look him over.
Nationally famous as a referee and second, White was recognized
universally as a keen, unerring judge of fistic material.
When Charley first watched Barbour spar, he found it
difficult to believe that the young fellow was not boxing for
a living. His finished style, footwork, and ability to take a
hard punch and deliver one, struck the veteran as being
professional.
It was on Cooper’s advice that Barbour decided to enter
the amateur tournament in Boston. Jack got Charley White
to handle the big chap as chief second. The newspapers there
already had printed several stories about the New York lad.
My friend “Doc” Almy of The Boston Post dubbed him the
“Millionaire Kid” and the moniker stuck. I represented my
newspaper and spent four days with Barbour in the Hub.
Mechanics Building was packed to capacity on the opening
night of the tournament, with some seven thousand ardent
fans anxious to see the much publicized New Yorker in action.
On that occasion Barbour and Emory Payne drew byes.
Kendall Salisbury of Massachusetts whipped the Canadian
champion, and Joe Burke, of the same state, stopped Mullins
of New York.
On the second night, Burke and Payne came together.
This was a fast slugging match which terminated in the second
frame, when Burke, a bull-rushing Celt, hung a terrific
right on his opponent’s jaw. Then Barbour ducked under
the ropes to face New England’s champ, Kendall Salisbury.
Somehow a sobriquet such as “Millionaire Kid” doesn’t
make for popularity with a fight mob. Barbour hadn’t desired
any ring alias of the kind, and wasn’t feeling any too
grateful to Almy, who had conferred it on him. The crowd
expected Salisbury to score an easy victory, and indulged in
many rough jests and catcalls touching on the Manhattan
boy’s possible ancestry and financial status. However, Warren
kept his temper and only grinned. He wasn’t the type that’s
easily flustered, anyway.
“Keep this chap at long range and box him, don’t slug,”
White told him.
Barbour did just what he was told. His long left was perpetually
in Salisbury’s face, which was badly cut up before
the second round was over. Barbour jabbed his opponent
to a near-standstill without sustaining any damage himself
and was awarded the decision.
But the big test for Barbour was yet to come. After fifteen
minutes rest, he stepped into the ring with Burke, the wild
Irishman of established kayo fame in the A.A.U.
“Box this bird just like you did Salisbury till I tell you to
cut loose,” said White. “When he tears in, sidestep and make
him miss.”
Again Barbour followed instructions to the letter. He
stepped nimbly to the left as Burke rushed, swinging a futile
right. His left counters kept Burke’s head bobbing back incessantly,
and try as he might, the Celt could not get to close
quarters with his elusive antagonist.
But in the second round, Barbour failed to evade a buzzing
right that nailed him flush on the chin and dropped him.
In falling he caught Burke around the waist and pulled him
down with him. Burke was up first, and Warren’s father and
brother, watching from front row seats, must have felt more
than a trifle anxious.
Their misgivings were short-lived. Barbour, in response to
a signal from White, had merely rested on one knee for a
few seconds until his head cleared. It is at a time like this
that a boxer shows if he has the real fighting instinct—the
ability to keep cool under fire. That is every bit as essential
to ring success as the ability to give and take it. There was
nothing lacking in Barbour’s fighting make-up.
When he regained his feet, Burke tore in madly. He was
met by a jab that set him back to the ropes. Then the bell
rang, just as a stinging left hook to the jaw made the Irishman’s
knees buckle. Back in the corner White gave Barbour
this advice in exultant tones:
“You’ve got him loaded on your little red wagon now,
boy. Go in an’ take him with both mitts!”
The gong sent Barbour leaping forward like a springing
leopard. Burke, always game, met him half-way, and they
went into a furious mixup. Right and left the gloves whizzed,
but the Celt was continually being beaten to the punch.
Barbour’s left crashed on his chin and down went Burke.
Up he staggered and ran into a short right that dropped
him again. He arose weak and groggy. Barbour stabbed him
off with a straight left, measured his man, and tagged a terrific
right uppercut flush on the chin. Burke keeled over and
fell face downward on the canvas. He was through for the
night, nor did he regain consciousness for nearly ten minutes.
The “Millionaire Kid” made good. The jeers that marked
his first entry into the ring had changed to a storm of frantic
applause which shook the building.
The echoes of those wild cheers had not died away before
Colonel William Barbour leaped through the ropes to congratulate
his son. Later that night the proud father threw a
party for the visiting New Yorkers at the Hotel Touraine,
where there was much feasting and merriment, with Charley
White, sage old fox of the squared circle, as master of ceremonies.
The “Old Fox” tried hard enough to get Pa Barbour to let
his son turn pro, but no amount of persuasion could turn the
trick.
9 THE MICHIGAN ASSASSIN
One of the greatest fighters of my time was the
middleweight Stanley Ketchel.
Talk to the veterans who followed the career of this fighting
man during the height of his glory and they’ll tell you
that Stanley Ketchel was the finest in his division. Unfortunately,
I didn’t see him when he fought his memorable battles
with Billy Papke and Joe Thomas, but I did cover most of his
thrilling Eastern contests, and from what I saw in the two
years in which he made the East his headquarters, I rate
Ketchel the greatest middleweight of all time.
Stanley was an unusual individual, wild and untamed one
second, lovable the next; treacherous at times, and most amiable
on other occasions. His frank, open eyes were soft, yet the
moment he climbed through the ropes in pursuit of his prey,
those eyes became the eyes of a killer. He always breathed
through his nostrils and fought with his mouth tightly shut,
a slight grin of contempt on his lips.
Ketchel scorned the word retreat. Yet once his mission was
over, and he either flattened his opponent or won the verdict,
he was just one of the mob—a man full of fun and mischief.
The memory of this spectacular ring gladiator has never
faded. Those who saw him flash across the pugilistic firmament
spoke of him with unwavering loyalty and admiration.
The greatest praise that can be lavished upon a promising
middleweight contender today by a sports critic is to rate him
as another Stanley Ketchel.
Few among the thousands of fistic heroes I’ve seen were
more colorful than Ketchel. A demon of the roped square, he
made his opponents think that all the furies in Hades had
been turned loose on them. He got his punches away from all
angles. If he missed an opponent with one hand, he would
nail him with the other. He was as game as a bulldog and as
tough as a bronco.
His most prominent traits, I would say, were his generosity
outside the ring and his utter relentlessness inside of it, his
egotism and eternal confidence and faith in himself, his fearlessness
and superb courage. Outside the ring he was the soul
of generosity. He was a mark for the panhandlers, much like
Jack Dempsey in that respect. However, he was also a jokester
whose greatest joy was playing pranks on unsuspecting camp
visitors who came to idolize him.
When he was in New York, he would do his training in
Woodlawn, not far from the entrance to the Woodlawn Cemetery.
The adjoining territory at that time was wild, with tall
grass, huge trees, and few houses within a radius of several
miles. It was one of the undeveloped portions of the city, an
ideal location for training.
It was there that Ketchel took delight in luring sparring
mates and other camp hangers-on for his well known snipe
hunts. Usually, he would first make certain that he had the
confidence of those he intended to lure into the woods by
joking, story-telling, and card playing. Then, when he spotted
his man, invariably the most talkative of the lot, he would
nod and wink to the boys and politely ask them to accompany
him to the training table where arrangements for the hunt
were made.
“How would you like to join me in a snipe hunt, tomorrow?”
the champ would ask. “Snipe are game birds, exciting
to catch.”
What a silly query! The honor of supping with the great
Michigan Assassin was glory in itself, but to stalk the woods in
Ketchel’s company at night for the elusive snipe, that was an
experience to be cherished.
The next day, dinner over, the great hunt was on. We of
the fourth estate would gather at the Inn to see the fun. A
lone miner’s lantern was the only means of finding the trail
through the woods. The victim was provided with a potato
sack. Into this sack Ketchel and the scouts proposed to drive
the wary snipes.
A snipe potpie was to be the culmination of the hunt, and
the victim was told that he must not permit the snipe to pass
him on the trail once Ketchel and his aides started off for the
birds. “A snipe,” said Stanley, “would never change his course
after starting down the trail.”
The snipe trail was found after a long skin-scratching jaunt
through the briars, with a number of newspapermen trailing
the leaders to add more realism to the affair.
“Now you remain here and keep the mouth of the bag open
right in the middle of the path,” said Ketchel to the poor victim.
“The snipe will see the hole and run right into it. You
just can’t miss them. From the chirping that is now going on in
the brush, there should be several dozen of them on the loose
tonight. Mind you now, stay on guard, keep the bag wide open
and keep your eyes open. Be on the alert!”
Ketchel would then pick up the lantern and accompanied by
the scribes, hit the trail back to camp, leaving the snipe-snarer
holding the bag.
We’d return to Woodlawn Inn by a roundabout way and
there Ketchel would start a card game lasting until midnight.
Then, in a sympathetic tone, he’d remark that it was about
time that the poor dupe in the woods was relieved of his burden.
But instead of going back to him, his training staff would
laugh it off and retire for the night, letting the chap in the
wilds find his own way out of his predicament.
The sniper would come to the inn during the wee small
hours of the morning and find it closed for the night. Those
gloomy darkened windows seemed to laugh down at him to
tell him that he had been kidded. Usually Ketchel and his
companions would never hear from the hunter again; that
was one sure way of eliminating the pest from the camp. Occasionally,
however, there would be some persistent fellow
who would come back the next day and seek out the great
middleweight.
In the latter case, the victim would lament his ill-fortune,
only to get a bawling out from Stanley for apparently “disobeying”
his orders; Ketchel would tell him that because of
his negligence in not doing what he was told, the hunters lost
all the snipe. And that evening, immediately following dinner,
out on the trail again would go the fighter and his pals
to give the pest another little “ride.”
I first came to know Ketchel when he was introduced to me
by Hype Igoe, then his manager as well as a famed cartoonist
and boxing scribe for the New York World. I cherished the
friendship that developed from that introduction and requested
assignments to cover Ketchel’s fights in New York,
Philadelphia, and Boston, including one of the most thrilling
contests I’ve ever seen.
In my years of covering the fight beat I’ve witnessed many
exciting bouts, but not many offered such a variety of bitter,
tornadic milling, rapid footwork and cleverness, as the fight
between Ketchel and the celebrated light-heavyweight, Philadelphia
Jack O’Brien.
This classic battle was fought in an era when referees didn’t
interfere as they do today, and when officials were more hard-hearted
because they didn’t have to depend on boxing commissions
for an assignment. It took place in the ring at Fiss,
Doerr, and Carroll’s Horse Mart on East Twenty-fourth
Street, near Lexington Avenue, in New York City. I went to
report the fight, expecting O’Brien to be defeated rather
easily, since he had fourteen years of ring activity behind him
and had reached the age of thirty-one. Gloriously handsome
and courageous, his opponent was a virile, young, bone-crushing
puncher whose hitting power and relentlessly savage attack
had earned him the nom-de-guerre of “Michigan Assassin.”
Nevertheless, I came away singing the praises of O’Brien, for
his display of bulldog courage, consummate ringcraft, iron
nerve, and Arctic coolness in time of crisis made him the hero
of the evening.
The fight was so thrilling, it sputtered and sparked with
moments so tense that I could feel my heart beating in my
throat from start to finish. O’Brien, with his old fighting head
and heart, withstood the wolflike rushes of a slashing, ripping,
tearing young opponent. Cunningly hiding his hurts, he
bluffed Ketchel time and again into doing things he should
have avoided.
During the first seven rounds, O’Brien stood off most of
Ketchel’s machine gun volleys by clever boxing. Many of the
blows landed, but most of the damage was done by O’Brien.
Ketchel believed he could whip anybody, regardless of weight,
but he had never faced such astounding adroitness as was displayed
by O’Brien that night. Philadelphia Jack chopped his
opponent’s face up with powerful jabs for seven rounds until
it was a blanket of blood.
In the middle of the seventh round, Ketchel slowly dropped
his powerful arms at his sides and, to our astonishment, took
a deep breath as if preparing for a new life. Then came the
unexpected. He went after his man and drove him from corner
to corner. O’Brien, who was obviously slowing down,
called upon all his skill, and yet he could not prevent Ketchel
from reaching his body with cruel drives to the chest and
heart. Just before the bell sounded, a right opened a deep gash
over O’Brien’s eye. He took his punishment like a stoic, but
every time he struck home an effective blow, Stanley would
snort and snarl like a wounded animal and redouble his
efforts.
Throughout the eighth round, Jack tried every strategy of
the ring game to postpone what seemed the inevitable end. At
times he clinched and stalled, only to pull himself together
and fight back viciously. But nothing could stop Ketchel. He
kept coming on, bloody as a slaughterhouse killer.
As the ninth round opened up, he drove a terrific belt to
the pit of O’Brien’s stomach. Gasping for breath, Jack collapsed
against the ropes. Few expected him to get to his feet,
but he did. He immediately went into a clinch to save himself
from a knockout. We all expected the worst, and we were not
disappointed.
Like a shark on the blood scent, Ketchel went after his opponent
as the final round started. O’Brien, spent, exhausted,
his body wracked with the pain of the last two sessions, gamely
tried to put his usual spring in his steps as he faced the final
assault. But the Michigan Assassin would give him no rest.
Swinging left and right to the jaw, he dropped Jack for a short
count. It was obvious from the look of pain on his face that
O’Brien was being hurt dreadfully every time Ketchel landed
a punch. Each blow seemed to rattle every bone in his body.
It was apparent that Ketchel had been told he would have
to score a knockout to win and he went after it. Every time he
lashed out, O’Brien’s blood was spattered around the ringside.
Again he put Jack down with a powerful stomach punch, and
again the aging battler struggled to his feet before the referee
could count him out.
There were only twelve seconds to go and unless Ketchel
could score with a kayo wallop, he’d lose the newspaper decision
so far as the majority of the writers were concerned.
He leaped forward. The seconds were waning. We all
figured it was too late now for Stanley to make it. The bell
would surely save Philadelphia Jack, despite those knock-downs.
Eight seconds were left and then—the roof was blown off the
arena as Ketchel drove both hands to the body and quickly
followed with a swing to the jaw. The blow was so powerful it
lifted Jack off-balance and sent him toppling back and down.
His head bumped into the resin box in his own corner, which
his handlers had forgotten to remove during the excitement of
the previous round. As Jack’s head went into the resin box,
the impact was sufficient to send him into unconsciousness. He
was as inert as a stone. The bell clanged when referee Tim
Hurst had reached the count of four and a brave battler was
dragged to his chair.
Did he win? Did he lose by a knockout?
Confusion? Loads of it. The clock showed that O’Brien had
been saved, since only four seconds had been counted when
the fight ended. But the writers and spectators didn’t depend
on that timepiece to settle such an all-important matter when
thousands of dollars had been wagered on a kayo. As decisions
were against the law in those days, additional interest was
added to the arguments, pro and con, regarding the final status
of the fight.
The arguments continued well into the night and the sports
desks of the various papers were flooded with calls. When the
consensus in the morning and evening newspapers showed
that the reporters present had declared O’Brien the winner by
a shade, there was hell to pay from those who figured they had
been unjustly deprived of their winnings. They simply
couldn’t understand how the decision could be given to a man
who had finished a fight stretched out on the canvas with his
head resting in a pan.
Never have I seen the duplicate of that classic ring battle—a
no-decision affair in which it seemed that everybody wanted a
verdict rendered.
A few months before Ketchel was shot to death, I journeyed
to Boston with Tad Dorgan, Wilson Mizner, Hype Igoe, Judge
Kelly and George B. Underwood to see him fight Porky
Flynn. The bout took place on May 17, 1910. Flynn wasn’t
much of an opponent, although he outweighed the champion,
but Stanley was offered a sizeable purse and accepted the
match.
Flynn didn’t last any longer than expected, going down before
Ketchel’s terrible fists in the third round. But before the
men had entered the ring, Stanley had become involved in a
discussion with a wealthy Boston sport who was backing
Flynn. The Bostonian sneered at Ketchel’s ego after hearing
the champion boast of what he intended to do to the local
entry. Stanley got mad.
“Now look here, you pretend to be a sport, don’t you?” he
snapped. “Well, I’ll just bet you a thousand dollars, even
money, or any odds you want, that I’ll knock Flynn out inside
of four rounds. There’s a chance for you to back your
opinion.”
It looked like easy money to the sport and he accepted the
bet. After Ketchel had knocked Flynn out in the third round,
he went over to the loser’s corner, grabbed up the bucket of
water and dashed the entire contents over the prostrate
fighter. Then, turning to Porky’s backer sitting at the ringside,
Ketchel shouted derisively:
“There’s your man! Fork over that thousand.”
Ten days later Ketchel defeated the Gas House pride, Willie
Lewis, at the National Sporting Club in New York City.
Both men conformed to championship weight requirements,
Stanley tipping the beam at 156 and Lewis at 154. Despite his
defeat at the hands of Papke, Lewis had an opinion—almost
an obsession—that he could whip Ketchel. He freely predicted
that one of his wallops to the jaw would transfer the middleweight
title, though the bout was scheduled as a no-decision
affair.
The sporting public didn’t share Willie’s confidence in himself.
The night of the fight there was a huge gathering in the
Club, but the crowd came more to see Stanley in action than
with the thought that they would see the championship
change hands.
Ketchel appeared drawn and tired as he entered the ring,
while Lewis seemed to be in the pink of condition. The bout
was scheduled for ten rounds and Tom O’Rourke was the
referee.
The first round was very tame, each man trying to feel the
other out. Willie was plainly scared of Ketchel’s smashing
right and the crowd yelled for action.
In the second, after Lewis had put three punches to the
head, the champion decided it was time to open up. The men
mixed it for a few seconds and then suddenly Stanley’s famous
sleep prescription—that terrible right swing—was applied
to Willie’s jaw at the point where it would do most
good. Lewis went down as if he had been shot and was unable
to move a muscle for more than two minutes. When he finally
revived sufficiently to be helped from the ring, he cried like a
baby.
After the fight, Ketchel went to his dressing room and hurriedly
slipped his trousers and sweater on over his fighting
togs. Then, along with Toby, the hunchback who always accompanied
him, “Pete the Goat,” his chief handler, and several
newspapermen, he jumped into his big red auto and
whirled down to Luchow’s Restaurant on East Fourteenth
Street, a popular eating place of the period. There he bought
a keg of imported beer and several cases of champagne, and
then the whole party, including Igoe, Underwood and myself,
started for the champion’s training quarters at Woodlawn.
We drove up through Central Park and continued on up
Seventh Avenue. There was a fire in the neighborhood that
night and the fire lines were extended across the thoroughfare.
That didn’t stop Ketchel. He slammed through the lines.
A motorcycle policeman speedily went into action, but
Ketchel’s car had covered seven blocks before the bluecoat
caught up with us. A rough session followed.
When Stanley tried to get the car in motion again, the cop
threatened him. We were expecting a free-for-all when Underwood
and I flashed our police cards and explained to the officer
that Ketchel had just stopped Willie Lewis and was eager
to get back to his training quarters at Woodlawn.
“I know Ketchel,” the cop said rather gruffly. “What are
you trying to put over on me?”
It required considerable proof before the officer would be
convinced, but when he was, instead of arresting us for violating
the fire laws, he paved the way for Ketchel’s party for
about a mile, and then, with a hearty handshake, bid Stanley
good night.
Arriving at the Inn some time after midnight, the champion
aroused the occupants and set up the drinks and a fine
supper. He even sent “Pete the Goat” and Toby clear up to
Yonkers to drag the bartender out of bed and down to the Inn
to help the celebration by playing the violin. Unfortunately,
the bartender could play only two tunes—“The Wearing O’
The Green” and “Where The River Shannon Flows”—and
these he repeated over and over again.
Ketchel was superstitious and believed in signs. If someone
threw a hat on his bed or opened an umbrella in the camp
quarters, he’d throw a fit. He invariably made it a point to
shake hands with all his seconds before the bell sounded to
start a fight, and “Pete the Goat” was always the last one
whose hand he’d grasp. Old timers will remember little Toby.
Stanley wouldn’t go into the ring unless Toby was in the
building and somewhere near his corner.
Although a man of whims, Ketchel made friends easily. He
was bashful to an extraordinary degree—almost, at times, to
the point of timidity. In conversation with newly arrived
writers or visitors to his camp, he would speak in monosyllables,
but once he became thoroughly acquainted, he was one
of the gang. The transformation was almost electric.
He never wasted time on press agents, nor did he make any
reservations as to the color, weight or reputation of his opponents.
He was ever ready to meet all comers, yet his lazy, easy-going
way of pulling away from a punch, and the fact that his
handsome features were unmarred to the end of his days, was
proof that his opponents didn’t hit him as often as they appeared
to.
Stories have been written about Ketchel’s lack of nerve. I
wish that the fellow who started that canard could have been
in his camp on the day or night before a fight, for this ordinarily
good-natured and frolicsome man would become as
sour and crabbed as a wounded grizzly bear. All of us took
great pains to keep out of his way, for he would have a fit of
temper at the least provocation.
All stone and ice and concentration when he entered the
ring, Ketchel was as cross as a sick old woman in the few hours
leading up to fight time. Nevertheless, I always enjoyed his
company. He was a great fighter—the greatest middleweight I
have ever seen in ring action—and his untimely death by gunfire
at the hands of Walter Dipley at the age of twenty-four
was a heavy loss to boxing.
10 JACK JOHNSON
The year was 1910.
Jack Johnson had defeated James J. Jeffries to retain the
world heavyweight championship. The cry for a “white hope”
to dethrone the Negro king was now greater than ever.
Jack Johnson remained for a short time in Reno, where I
saw him stop Jeffries, and then went on to Chicago, where he
was the center of a wild reception. I was told to stay with
Johnson until his arrival in New York, where the police
feared a race riot would make things very uncomfortable for
all concerned.
I shall never forget the sight that greeted us in New York:
Thousands of Negroes crowded the streets, parading, shouting,
shooting off fireworks, and carrying on in hilarious fashion.
They were celebrating a Roman holiday. It seemed to
the police that the Negroes were hell bent for trouble and
they took every precaution to prevent it. There were some
fist fights, but the anticipated disorder on a large scale was
missing in contrast to the street riots which Johnson’s triumph
over Jeffries caused in other cities.
When I arrived in Buffalo on the Jack Johnson Special, a
throng surrounded the car where Johnson was standing on
the platform. A backfire from an automobile brought speedy
action by the police who had mistaken the backfire for gunfire.
We all made a dive into the club car, and when we
learned what had actually taken place, Johnson, with his
broad grin, returned to the platform to greet the cheering
gathering. It was so unlike what we had expected!
From Birmingham down to the Grand Central Station, it
was one grand ovation after another at each station stop.
When we reached New York, the crowd was so dense the
police had difficulty clearing a path for the homecoming party
to get to the cars.
The reception that Johnson received at the station was
nothing compared to the gigantic ovation that awaited him
in Herald Square when he reached Baron Wilkes’ Hotel, a
rendezvous for the colored sports folk of the big city. Thousands
blocked the square. It was with the greatest effort that
the conquering hero of the Negro race was finally able to
make an entrance into his hotel headquarters where his wife,
Ruth Cameron, was living.
Many white folk crowded the banquet room and no one
was molested. It was a good natured gathering for the most
part.
Johnson and I were good friends. He had promised me an
exclusive interview, and he asked me to accompany him to
his suite. There, when asked to comment on the stories that
his victory had stimulated race riots throughout the country,
he remarked:
“Nat, why should they bring in the black race against the
white race in athletics? I licked Tommy Burns fairly. I did the
same in my fight with Jeffries. My battle with Jeffries was not
a contest between a black man and a white man, but between
two boxers who were out to establish their right to the heavyweight
championship of the world, a right I claimed and Jeffries
disputed. I beat him and now the matter is settled.”
The interview was suddenly interrupted by Mrs. Johnson’s
emergence from the bathroom. She had been preparing for
the evening’s celebration and, having no idea that Jack was
entertaining a guest in the living room, was completely nude.
Thinking that her husband, who was rumored to be having
difficulties with his white wife, had purposely brought a white
man into the room to embarrass her, she let loose with a violent
tirade. Jack tried to explain, but was cut short when his
wife, her eyes blazing menacingly, raised a chair. Discretion
being the better part of valor, this seemed to both of us the
propitious moment to leave.
The chair caught Jack in the center of the back as we raced
down the stairs with her curses flooding after us. I never did
finish that interview, though I was fortunate to have gathered
sufficient data during our long trip home from Chicago to
write the story.
Johnson was one of the brainiest fighters I have ever
known. He knew boxing and was always able to give reasons
for his opinions. I remember sitting with him in his Reno
hotel after the Jeffries fight and asking him the reason for
Jeff’s downfall.
“Well, it’s like this, Nat,” he said, standing up and throwing
himself into fighting pose to demonstrate. “I think it was
the blow that closed Jeff’s left eye that started him on his
downfall.
“You see, I led and drew him out like this. He thought I
would come back with my right hand, but I crossed over and
shot a strong uppercut to his chin with my left—like this. I
think that’s good ring strategy, although I say it myself, and
it certainly won the fight for me and lost it for Jeff.”
When Jack was fighting his way to the top, he had to
struggle against a field that contained some of the greatest
names in the history of the heavyweight division. The period
between 1905 and 1910 produced four great colored fighters:
Jack Johnson, Sam Langford, Joe Jeannette and Sam McVey.
There really wasn’t a white man who could be classed with
this dusky quartet, and that was the real reason why Jim Jeffries
retired.
The toughest opponents Jack faced in his rise to the championship
were men of his own color. Among those whom he
had to conquer were Hank Griffin, Denver Ed Martin, McVey,
Langford, and Jeannette—each as tough as ebony, clever,
and crushing punchers.
Some of the most thrilling contests I witnessed during the
past half century were between Negroes. There was a lot of
jealousy among the Negro heavyweights, for each believed
himself to be the best in the world.
Johnson defeated Sam McVey three times, each contest being
over the twenty-round route. He clashed with Joe Jeannette
six times, boxing four no-decision bouts, losing once on
a foul, and beating Joe over fifteen rounds.
Johnson and Sam Langford met but once in the ring, and
that famous mill, like the Tunney-Dempsey fight in Chicago,
and the Firpo-Dempsey clash, has come up for discussion time
and again.
They fought at Chelsea, Massachusetts, and Jack was declared
the winner after fifteen rounds. Langford’s supporters
claimed that Sam almost had Jack out, but Jack’s adherents
said that Langford took the worst beating of his career.
Joe Woodman, Sambo’s manager, stated after the fight that
Langford floored Johnson with a right uppercut, but if you
wanted to get Jack’s goat, you had only to repeat that statement
in his presence.
Jack Johnson often came to see me, and I sometimes pulled
his leg about the Langford fight until he was ready to tear
the roof down. Once after I had kidded him, he turned on
me almost in tears.
“Listen, Nat, please don’t say that,” he pleaded. “Say anything
you want about me. Call me a quitter. Call me the worst
fighter you’ve ever seen, but please don’t say that Langford
dropped me or even gave me a tough fight.”
Dad Phillips, my father-in-law, an octogenarian whose
knowledge of boxing I’d pit against that of any man, was in
my office and he listened attentively to Johnson’s plea. When
Jack had finished, Dad, who had seen the fight, agreed with
Johnson. His version of the battle as he related it to me made
Johnson quite happy. Here’s what Dad said:
“Jack Johnson decisively defeated Sam Langford. He was
complete master of the situation. Jack so far outclassed Langford
that for a time, until he purposely eased up on his onslaughts,
the fight was one-sided.
“Langford was dropped twice for counts of nine, and he
would have been out the first time if referee Martin Flaherty
had not slowed up the count. At the end of the fight Sam had
to be taken to a hospital.
“As for Langford dropping Johnson, that’s absurd. Why, he
couldn’t land on Jack.”
A few days later I cornered Joe Woodman, who handled
Sam in that fight.
“Look here, Joe,” I said, “whatever you did years ago when
Langford was in need of publicity is okay with me. But now
that Sam is out of the picture, I’d appreciate the low-down on
that knock-down which you said that Sam scored over Jack.”
“It’s true, all right, Nat,” was all Joe would say.
Several weeks passed and Woodman again came into my
office to introduce to me a new heavyweight, who shuffled uneasily
as he listened to the following conversation.
“Nat,” said Joe Woodman, “I’d very much appreciate it if
you would run a story and picture of this lad. He’s a good boy,
but needs some publicity.”
“Gladly,” I replied, “but on one condition, Joe—that you
tell me here and now the true story of that alleged knock-down
in the Johnson-Langford fight. I’ve been flooded with
letters about it, and Dad Phillips, who saw the fight, tells me
you’re all wrong about it. Now you’ve got to tell me the truth
if you want any help from me.”
Joe chuckled.
“You’ve got me, Nat,” he replied, “Langford never dropped
Johnson. But I was anxious to fix up another fight between
the two and knowing Jack’s pride, I invented the story of that
knock-down to goad him into the ring against Sam again.”
“Although it never happened, all the newspapermen believed
it. They just never took the trouble to investigate.
That knock-down was just a publicity gimmick.”
So, here was the truth at last! Shrewd Joe Woodman not
only disposed of Langford’s alleged knock-down, but ended
the canard that had upset Jack Johnson whenever the topic
was discussed.
Had I followed the advice of Johnson when I was making
my choice in the first fight between Max Schmeling and Joe
Louis, I would have picked the winner. Johnson, during the
trips he made with me to Louis’s camp, repeatedly called my
attention and that of other scribes to the fighting flaws that
could easily cause the downfall of the rising young heavyweight
sensation when he faced such a sharp, powerful hitter
as Schmeling. On several occasions he stripped for action in
my office, and before friendly newspapermen, he went through
maneuvers to prove his contention.
Johnson pointed out that Joe had his body slightly twisted
when he faced an opponent so that if he missed his left, he
was wide open for a counter punch. “He’s always off balance,”
said Jack. “I’ve seen him hit frequently this way by sucker
blows. A clever boxer who hits like the German can knock
Louis down and might even knock him out. To avoid this,
Louis has got to change his stance.”
I published a story in The Ring giving Johnson’s views,
and so did Hype Igoe in the New York Journal. And to add
spice to my daily radio program on boxing, I took Johnson to
station WNEW the following evening and there he repeated
his opinion about Louis’s faults and gave his opinion of the
way a clever, hard-hitting right-hand sharpshooter could stop
the Brown Bomber.
What happened in the Louis-Schmeling first fight is ring
history. Jack Johnson was vindicated. His preview of that
contest was so accurate as to be almost uncanny, for every
mistake Louis made was called in advance by Johnson on my
sports program and in my office before newspapermen.
11 A BLACK OMEN
Jack Johnson was in trouble with the United States
Government. He had been indicted for violation of the Mann
Act and had fled to Europe to avoid incarceration.
The search was on for a “white hope” to relieve Johnson of
his heavyweight crown. From every part of the world big,
husky, burly men were brought to America in the hope that
they would meet the requirements and bring back the championship
to the Caucasian race. Some of these had a knowledge
of boxing, while others, drawn mostly from farms, lumber
camps, and crowded cities, were at least willing to give it
a try.
The best of a select gathering was Luther McCarty, but he
died tragically while boxing Arthur Pelkey in Calgary,
Canada. The one outstanding remaining heavyweight was Big
Jess Willard, who was known as the Pottowatomie Giant.
Brawny and powerful, this six-foot five-inch cowboy had defeated
Gunboat Smith and Boer Rodel, had knocked out Bull
Young, who had died shortly after from his punishment, and
had fought no-decision bouts with Pelkey, Carl Morris and
McCarty.
Jack Curley, a famous promoter and manager, backed by
Harry Frazee, a theatrical producer, conceived the idea to pit
Willard against Johnson. He was confident that Big Jess could
wrest the title from the Negro and after considerable difficulties
with the laws of Mexico, our country and Cuba, he
finally succeeded in overcoming all obstacles, and the contest
was booked for the Marianao Race Track near Havana,
Cuba.
I was about to take my annual vacation. From 1909 through
1914, I had visited the Pearl of the Antilles nine times. I
loved to visit the Island, had many friends there, and invariably
paid my expenses by writing baseball and boxing articles
for El Mundo. Naturally, I was delighted to learn that the
heavyweight championship would be decided there. I had no
trouble convincing Jim Price, sports editor of my paper, that
the assignment to cover the battle belonged to me.
I left New York a fortnight before Willard and his trainer,
Tex O’Rourke arrived, and set myself up at the Palace Hotel
which Johnson made his Havana headquarters. Jack and I
had been friends for many years. He was an arrogant man,
but I liked him despite the many bad marks he had against
him. However, I felt that the easy life he had led, his carousing
in France and Argentina, had softened him and that Willard,
if in condition, should emerge a winner.
“You’ll have to work like a beaver to get into physical condition,
Jack, Willard is no slouch,” I told him.
He laughed this off. He hadn’t done any training for a long
time, and he figured he didn’t have to do much for Willard.
What happened later proved the fallacy of his contention.
He lost the title, but there is more to the story of that defeat
than Johnson s overconfidence or lack of training. There was
the Black Omen.
They called Johnson the Black Colossus. He stood astride
the boxing world and sliced the opposition to ribbons. With
the exception of Jack Dempsey, he gave me more thrills than
any fighter I saw in half a century at the ringside. In fact, I
rank the burly Negro as the best heavyweight of all time. Just
look at the procession of top heavyweights he whipped—Jack
O’Brien, Tony Ross, Al Kaufman, Jim Flynn, Frank Moran,
and James Jeffries, among others.
But when the leading “white hope,” Willard, was booked
as his opponent, I felt confident that here was the man who
would upset the applecart. Not that he was a great fighter by
any means; but because wine and women had taken their toll
and had left the Galveston Giant at the mercy of the first Caucasian
heavyweight who could condition himself to last more
than fifteen rounds. No matter how poorly primed Jack was
to face top opposition at the time, he still was good enough to
make a “monkey” out of any of the “white hopes” for at least
fifteen frames. His mastery of ring science, his ability to block,
counter, and feint, are still unexcelled.
The initial odds were four to one on Johnson. But when
the Cubans watched him at his training camp, the odds took
a tumble.
So when Tex O’Rourke, Willard and his retinue reached
Cuba, I decided to spend most of my time with Jess. He was
the big story. The public in America was more interested in
him. They wanted to know how he shaped up for the big
test, what his mental attitude was, his general demeanor, and
the progress he was making. It was my job to see that our
readers received the information, and it was while out with
Jess and O’Rourke that I got a scoop that hit the headlines.
Willard was a mountain of a man, 6 feet 5 inches tall and
260 pounds in weight. Yet he had two failings—his right fist
lacked snap, and his legs, though well proportioned for his
massive body, tired too quickly.
For weeks his trainer had made the challenger run miles
every day over the roughest going he could find. By the time
Willard reached Havana his legs had been greatly strengthened
and his wind was perfect. He was bronzed as an Indian
and supremely confident. In terms of endurance, he was a
match for any man alive.
Yet two days before the fight, I saw a dramatic, sickening
change in him. He became morose and restless. O’Rourke put
down Jess’s ugly mood to prefight nerves—a condition that
frequently is found in pugilists when the time for their combat
approaches.
Then fate stepped in in the form of a black duck, and the
brave, gale-tossed bird won the world title for Jess!
On the morning of the fight, Willard, O’Rourke, and I
were strolling along the Malecon, the Havana thoroughfare
bordering on the ocean. We stopped by the sea wall and Jess
looked gloomily across the waves.
O’Rourke’s face was lined with despair. I knew what was
bothering the trainer. Only a few hours to the battle for the
world crown, and here was the challenger behaving like a
sulky child!
Suddenly a spot appeared in the distant sky. It proved to be
a black duck, flying from the direction of the Florida coast,
many miles away. It had lost its way and was seeking a place
to rest.
Bravely it flew against a half gale with huge seas pounding
below. Twice, with wearily flapping wings, it sank to the
waves. Each time it made a frantic effort to rise again.
Spent and almost exhausted, the bird cleared the breakwater,
grazed the huge sea wall, flew about 50 feet upward,
then like a stone, fell almost at Jess’s feet.
Gently the giant picked up the gallant, feathered fighter.
Tenderly, like a mother nursing her ailing child, he held the
duck to his breast. But in a few seconds the bird’s heart
stopped beating. It had made its landfall, and had perished in
the attempt.
Jess stood there, silent and motionless, stroking the sea-drenched
feathers, as though his caresses would restore the
bird to life.
He looked at O’Rourke and said softly, “See how black and
glossy his feathers are, Tex? Too bad he had to hand in his
check just as he reached the end of the trail. What a game
bird!”
Sunk in moody thought, Willard went on stroking the dead
bird. As we watched in amazement, we saw him change. His
eyes brightened, his broad back straightened. He turned to
O’Rourke, slapped him on the back and grinned.
And with the old brightness back, he cried, “I’ll knock
Johnson cuckoo. Tonight I’ll be the world heavyweight champion.
This bird has shown me something.”
He wrapped up the duck in a newspaper to take it back to
his hotel.
“Sure you’re going to win, Jess,” agreed the trainer. “That’s
what I’ve been telling you all along. What made you think
otherwise?”
“Sure I’m going to win,” Willard repeated.
“Could there be a better omen for me than this poor bird?
That duck flew a long way—right from Florida. He flopped at
my feet. And this is how I now see it. The fight’s going to be a
long one and a hard one for Johnson. But at the end the
champion is going to drop at my feet just like this black duck
did.”
And so, with head held high, with springy confident steps,
and carrying the bird under his arm, Jess walked back to the
hotel, where he had the gallant battler buried in the garden.
The sun came down with blistering, blinding heat as Johnson
and Willard stepped into the Havana Racetrack Arena
that day.
Jess had his instructions. O’Rourke’s plan of campaign had
been drawn up weeks before. He knew that Johnson was
banking on an early knockout, so he told Willard to play safe
for the first eight rounds and let the Negro carry the fight
to him. After that it was up to Jess to try to wear Johnson
down.
Tex figured that by the fifteenth round Johnson would
have shot his bolt. Then Jess could open up and carry the
battle to the tiring champion.
The gong went. Johnson slid lithely from his seat and attacked
with the ferocity of a hungry tiger. Bobbing and weaving
before the huge Willard, the whites of Jack’s eyes showed
as he looked for an opening.
Twice he threw shuddering left hooks, but Jess was fighting
according to instructions and caught the blows on his
arms, slowly backing away all the time.
Jack feinted with a left and crossed with a right, and the
punch smashed home on his rival’s jaw. Jess quivered for a
moment, then backed up. He stabbed long lefts, but Johnson
brushed these aside and continued his attack. The bell rang,
and Jess had weathered the opening round.
From the second round onward, Johnson cut loose with
cold, savage fury that punished Jess despite his strategy. Willard’s
defense was good, but he didn’t do too much on the
attack until well past half the fight. He was following
O’Rourke’s instructions to let Johnson wear himself out.
Several times it appeared that Johnson would score a knockout
as the giant Negro kept tossing his punches accurately and
to vital points. Near the end of the seventh round, a shattering
blow to the jaw sent Jess to his corner in a noticeably unsteady
condition.
He quickly recovered, but Johnson, still sensing an early
kill, went after his man with added fury in the eighth round.
Savagely mauled, Jess fought on, though his face was gory and
his body red. Yet his heart, like that of the black duck that
had flown from the Florida coast upheld him. Like that black
duck, he aimed toward his goal.
Johnson tried hard for the knockout through the next few
rounds, but without success. After the sixteenth, the pattern
of the fight began to change. Jack started to slow down, while
Jess kept climbing—again, like the duck reaching for heights
after striking the heavy sea waves.
From the eighteenth round on, I felt certain that Johnson
knew his title had gone. It was then that Willard went on the
offensive.
In the twentieth round, O’Rourke told Jess to go in for the
kill.
“You’ve got him licked,” the trainer urged. “He’s tiring.
Keep at him. Don’t give him any rest.”
The tables were now completely turned. Willard bore
down on the champion, battering him with both hands. But
Johnson’s defense was superb. Even when he was at the end
of his tether, and Jess couldn’t miss, he continued to make a
fight of it.
In the twenty-sixth round, Johnson dropped his guard momentarily,
and Jess shot a right-hander under the heart. Johnson
winced. His mouth opened, his arms twitched upwards
convulsively, and he started sinking to the canvas when a left
to the jaw hurried him on his losing fall.
There was no need for the second blow. The right-hander
to the heart had done the job. Jess was the new heavyweight
champion of the world—the first white man to hold the title
for nearly seven years.
And it was at that moment, as Johnson took the count,
that one of the greatest controversies in the fight game began.
Months afterwards, Johnson said that he had faked the
fight because he had been promised that if he lost the title to
Willard the charge against him of transporting a woman
across the state lines for immoral purposes would be dropped.
The photo of him lying on the canvas with his arms over his
face seemed to support this explanation, and many persons
jumped to the conclusion that he was shielding his eyes from
the sun! But the truth is that Johnson made the statement to
alibi himself.
I have six photographs of that knockout and in each Johnson’s
eyes are exposed to the full glare of the sun.
When a fight is “arranged,” the man who is taking the
dive doesn’t fight for twenty-six rounds and break his rival’s
ribs and jaw in the bargain, as Johnson had done to Willard!
I saw O’Rourke back in the dressing room. The trainer was
all smiles. “Nat,” he said, “that black duck turned the trick. It
won the title for Jess.”
12 BOXING’S HARLEQUIN
Before he paid us the doubtful compliment of becoming
our guest in the middle 1920’s, Louis Phal—to give
Battling Siki his real name—made France too hot to hold him.
They put the singular Senegalese in a set-up against
Georges Carpentier in a Paris ring, and he ruined all the
schemes of the wise guys by knocking the Orchid Kid cold,
after treating the horrified spectators to an exhibition of
jungle frenzy.
Then, with the light-heavyweight crown on his fuzzy head,
he became the pugilistic King Kong of the Paris boulevards,
fighting and brawling on the sidewalks of that city until the
gendarmes warned him that if he didn’t mend his ways he’d
be lynched.
He had been brought from his native Senegal as a servant
by a Caucasian woman of high degree, who probably thought
him amusing, for he was a quaint black fellow with an extreme
sense of humor.
The trouble was that neither the gendarmes nor the citizens
of Paris, especially women, could appreciate his jokes.
And there was a sigh of relief when Mike McTigue took the
light-heavyweight title from him after a fight in Dublin on
St. Patrick’s Day.
The decision was a questionable one, but nobody bothered
about that; Mike put up a marvellous defensive fight against
the black barbarian, who, at one point in the proceedings,
turned away from McTigue and threatened to jump out of
the ring and murder Georges Carpentier, who was sitting at
the ringside taunting the Senegalese.
Siki entered the United States quietly. Most fight fans
didn’t know much about him, except that he could hit hard
and take a lot of punishment. He was a fighter of the dock
variety, and when he rolled his eyes he looked terrifying.
He was as black as coal and had a thick ruffle of kinky black
hair on his head. The American “sports” forgot all about his
European reputation and gave him a good hand. They enjoyed
his style and his antics, and he in turn enjoyed the attention
he received in the States.
I had heard many strange stories about the Singular Senegalese,
as he was nicknamed. I learned that he drank like a
fish and was an ugly customer when in his cups. I was told,
before he reached America, that he wore evening dress all
through the day and paraded the streets with a monkey on his
shoulder. When he arrived in New York, I decided to meet
him personally and find out all I could for myself.
All the rumors were confirmed to my satisfaction the afternoon
I came upon this extraordinary man directing traffic
with his cane in the middle of 42nd Street and Broadway.
He was dressed in formal evening clothes, with a flowing
French cape lined with purple satin. He wore bright red
gloves and gray suede shoes.
A laughing crowd surrounded him. Soon the police officer,
none other than big Pat McDonald, the Olympic hammer
thrower, came along to inquire the cause of the traffic hold-up
and the reason for the gathering. As he approached the fantastic
Negro, Siki took off his high silk topper, bowed in ceremonial
French style, and extended his big hand in greeting.
Pat McDonald had a sense of humor. He lifted his cap,
bowed in return, and took Siki’s outstretched hand. At that
moment a monkey leaped from under the Senegalese’s cape to
the head of the officer.
There was a shriek from the crowd as McDonald almost
collapsed. But he quickly recovered himself and caught Siki
by the collar, bustling him away. After that, I no longer
doubted the stories of his pranks.
Siki was matched to fight Paul Berlenbach. I went to the
weigh-in and decided that Paul would win—if he could keep
his nerve. Paul was a great fighter and was not likely to be
intimidated by this imitation King Kong.
Just after the weigh-in, I ran into Siki outside his apartment.
He was giving the monkey an airing and was in a
playful mood. He sauntered up and down the avenue, followed
by a large crowd, strutting like a peacock.
Suddenly he turned and said something to the monkey in
French. It leaped instantly on the back of a woman in the
crowd. With a shriek, the woman fainted. Siki stood grinning
like an ape, but the crowd began to murmur angrily. A man
out of the gathering ran towards him. The Senegalese backed
away, but just at that moment a policeman came along. When
he saw the cause of the trouble he whipped out his blackjack.
“What are you doing with that scarecrow around here?” he
demanded of Siki. “You come along with me. You’re taking
too many liberties.”
The officer asked the woman, who had now recovered, if
she would press a charge of disorderly conduct against the
Negro. Before she could decide, Siki shouted excitedly, “Eet
is not my fault, gendarme, eef my monkee, he likes charming
ladees!”
Everybody laughed, including the policeman, and the incident
was closed without further trouble.
But that night I sat at the ringside and saw the primitive
Siki take a terrible beating from Paul Berlenbach. For nine
rounds he was a punching-bag for the skillful, hard-hitting
German-American.
Heavens, how Siki took it! From the first round he rolled
his eyes and snorted as if trying to terrify “Punching Paul”;
but before the seventh session the Senegalese had taken so
much punishment that his eyes rolled in agony. It was really
a horrible exhibition of boxing, for Siki had only the crudest
idea of defense, and was helpless against the crushing avalanche
of blows which Berlenbach rained upon him.
In the eighth round Paul worked the Negro against the
ropes just in front of me, and bombarded him with paralyzing
rights and lefts to the head. As blow after blow smashed home,
rocking Siki on his heels, I began to wonder what had happened
to the human fury that had battered Carpentier into
insensibility. Now the roles were reversed.
I have seldom seen more tigerish energy than Paul packed
into his work that night. Perhaps Siki was only half-human.
At any rate, he took it until the middle of the tenth round,
when Berlenbach, punching with lightning speed, shot home
a bone-crushing right to the jaw.
Siki fell forward on his face, as if a bullet had struck him,
and was counted out. That was his last fight in the ring. Siki
nearly succeeded in driving his manager, the genial Papa
Levy, insane, with his antics. There’s an extraordinary story
connected with the Senegalese’s fight with Battling Norfolk,
in Memphis, Tennessee, a bout which I witnessed.
Siki and Levy arrived in the southern city four days before
the contest. There was nobody to meet them at the station,
and no announcement of their arrival was made in the newspapers.
“Why my name no in zee papers?” asked Siki after scanning
the local sheets.
Levy explained that in Memphis there was no publicity for
colored performers, owing to the Southern prejudice against
Negroes.
Siki became unruly. He was like a wild man. At that time,
the song, “Yes, We Have No Bananas,” was all the rage, and it
gave Siki an idea.
He bought an enormous bunch of bananas, walked through
the streets singing the song, and tossing the fruit to the passersby.
He could sing quite well and attracted considerable attention.
Within a few minutes a crowd was following him. Two
mounted policemen approached him. One yanked Siki by the
collar and hauled him to the police station. Siki made the
front pages, which he apparently set out to do—and filled the
fight arena the next day.
Back in New York he was soon up to his old tricks, squirting
water from a handgun at people on the streets, throwing
handfuls of money to crowds, and scattering bags of peanuts
among the masses on Broadway.
The police warned him, but he answered, “Nobody hurt
Siki. All lika Siki. Siki him have good heart. Siki help everybody.”
One night he was picked up almost at the point of death in
one of the toughest districts in New York. He had been
stabbed. He was taken to the French Hospital, and a young
reporter called the next morning to get a story. Siki leaped out
of bed and, clad only in his pajamas, slung the reporter over
his shoulder and ran out into the street.
Hailing a taxi, he dropped the reporter into the gutter and
drove home.
Soon he was up to his usual tricks again, but his enemies
were closing in. One night he walked into a night club drunk,
and began to smash it up. The next morning he was found in
the street with an ice-pick driven into his chest. The police
arrested his assailant, but Siki refused to press the charge.
His time was short now; the curtain was about to ring
down. On a winter’s night, when gales of icy wind whipped
the narrow canyons of Hell’s Kitchen, two men lurked in the
shadows. It was just past midnight, and the street was deserted
by all who valued their lives.
Siki entered the street muffled in a heavy overcoat. He was
unsteady on his feet and sang snatches of songs. Suddenly two
automatics barked, and the Senegalese pitched forward—dead.
They found him the next morning where he had fallen, and
within an hour he made the front pages of the newspapers for
the last time.
BOOK THREE
13 A STORY OF INTRIGUE
Hundreds of thousands of persons annually visit
Madison Square Garden, America’s famous sports center,
without ever giving a thought to the story behind the building.
It is a story of intrigue in which those who conceived the
idea and started the negotiations for the gigantic structure
were pushed into the background by the world’s greatest promoter,
Tex Rickard.
Once Rickard had all the necessary data placed in his lap,
he maneuvered those whose brain child it was right out of the
picture and proceeded on his own. Today the new Madison
Square Garden is known in every nook and corner of the
world where sports are followed as the “House that Tex
Built,” but if proper credit were given to those who planned
it and negotiated for its erection.... Well, here’s the story.
It was the year 1923. America had developed one of the
great skaters in the history of the country. His name was
Bobby McLean.
Bobby had come from the Mid-West, where he had cleaned
up in racing competition. At the invitation of the Swedish
government, he went abroad to take part in international
races at Stockholm, and later in other parts of Europe. He
gained fame and fortune abroad. His name had headlined the
sports pages both in Europe and America.
I was in Stockholm at the time and became acquainted with
his manager, Dinty Scanlon, an energetic promoter who, in
later years, induced Sonja Henie to come to America, and who
for several years was her manager. Scanlon saw the possibilities
of exploiting ice skating in America and broached the
subject to me. He was the pioneer of the ice skating revues in
America and to him goes the credit for inaugurating the ice
extravaganzas that have since become part of our country’s
winter sports schedule.
I was then sports editor of the New York Telegram, and
Scanlon, knowing how close I was to Rickard, showed me
plans for the building of a huge ice rink in New York and
asked whether I thought he could obtain Rickard’s aid. I was
for the project and thought Tex would be interested. There
was only one ice rink in New York at the time, the St. Nicholas
Rink, and that had outlived its usefulness.
Scanlon, discussing his plans, declared that if funds were
available to build the rink, we could make the arena the ice
sports center of America by getting contracts from Eastern
colleges to use it for their hockey matches, as well as importing
the Scandinavian, Swiss, and other famous European ice revues.
With that in mind, I decided to lay Scanlon’s plans before
Rickard and look for a location.
We were aware that Tex Rickard’s long lease on the old
Garden would soon expire and that the New York Life Insurance
Company would not grant a further lease of more
than one year. Stories had appeared in the Wall Street Journal
to the effect that the insurance company was anxious to demolish
the old structure and build a home to house its own
people. Scanlon and I figured the time was ripe for quick
action.
The Manhattan Railway Company, operating the street
cars of New York along the main highways, was in bankruptcy
proceedings, with Judge Julius Mayer in charge. Through
Judge Mayer, I learned that any of the car barns, situated at
Thirty-third Street and Fourth Avenue, Eighty-sixth Street
and Madison Avenue, and Fiftieth Street and Eighth Avenue,
could be purchased, provided we could obtain the bondholders’
consent.
With that information, I proceeded. I requested Scanlon to
obtain two extra blueprints for his proposed structure. A few
days later, he came to my office with the plans and the architect’s
picture of what the proposed sports arena would look
like.
The blueprint of the proposed structure was then published
in the New York Telegram with a story on the front
page written by me. I pointed out that Rickard’s lease on the
old Garden would soon expire and the building would be
torn down within a few years; and to make certain that a substitute
building to house sports in New York would be given
the people, several sportsmen proposed to build a gigantic
structure conveniently located near the theatrical district, the
feature of which would be a skating rink and motion picture
theatre.
The story created a bombshell in New York. Rickard was
besieged for confirmation; but all he could confirm was that
his lease would be renewed for only one year. He knew
nothing about any sportsmen becoming interested in the erection
of a structure to take the place of the famous old landmark.
The story in the Telegram, he said, was news to him,
but he was interested.
That was my ace. I was not only eager to get public reaction
but also Rickard’s. I did not have long to wait. Rickard sent
for Scanlon and me. Before meeting him, however, we made
certain that we could obtain other backing in case Tex should
turn a deaf ear to us.
New York City at the time had a man of wealth in the
building business. His name was George Backer. He had just
completed a large commercial building on Fifth Avenue near
Thirtieth Street, then the largest in the city. Scanlon, McLean,
and I got in touch with him.
It didn’t take us long to convince Mr. Backer that we had
something worth while. He was quick to see the possibilities
and promised us that if we could get Tex Rickard to organize
a company to put up $2,250,000, he would back the venture
with an equal amount. He told us to tell Rickard of his interest
in the matter.
Before we left Backer, he told us to see Judge Mayer again
and find out at what price the barn opposite the Morning
Telegraph on Eighth Avenue, between Forty-ninth and Fiftieth
Streets, could be purchased. He, like Scanlon and myself,
favored that location because of its proximity to Broadway
and the theatrical district, which, even then, was moving
northward.
Backer gave us permission to work with his architects on the
preliminary plans. They estimated that it would require
about $4,500,000 to erect the building and buy the land, and
that was the amount we set out to get, half from Backer and
the remainder from the Rickard syndicate.
We were certain that with Mr. Backer behind it, the plan
couldn’t fall through. With great faith in our eventual success,
I arranged an appointment for Scanlon and myself to
discuss the matter with Tex. The following day we went to his
office in the Madison Square Garden tower, where the three
of us, with Frank Coultry, Tex’s treasurer and Ike Dorgan, his
publicity ace, went into conference.
We unloaded our plan to the group telling Tex that Backer
would show good faith by putting up $500,000 to underwrite
the undertaking and the remainder when Rickard’s share was
posted. We also placed before Rickard the blue prints for the
installation of an ice floor in the arena, the new invention of
a Philadelphian who had already tried out such a plant successfully
in the Philadelphia Arena. We convinced Rickard
that with this new system, he could use the rink floor for ice
hockey one night and within ten hours, have the floor ready
for a fight, basketball, horse shows or for any other purpose.
He was keenly interested. He asked us to leave our plans
with him and return in three days, which we did. With Rickard
at our next meeting was Colonel John Hammond, a West
Pointer, who later became vice-president of the Garden in
charge of hockey promotion. Col. Hammond was an ardent
ice fan, having been captain of the Cadets’ hockey team and
he seemed impressed with the idea. Rickard was even more
interested. We had brought the Philadelphia inventor with us
and our backer’s legal adviser to give further details.
Going more deeply into the plans, we showed Rickard
where he could use the new building for all kinds of sports
events and exhibitions, in addition to having a meeting place,
bigger and better than the old Garden. Our plans called for a
motion picture theatre on the street level, with an arcade leading
to the arena. We had a tentative agreement from the
Keith’s Theatre to lease that portion if the building was
erected. The present Garden has only a few changes from the
plan Scanlon and I offered.
Rickard asked where we contemplated building if he decided
to go in with us. We told him of our conference with
Judge Mayer and his suggestion to call a bondholders’ meeting
to get their consent. Judge Mayer also wanted us to show
our good faith with a deposit of $25,000, and we had a certified
check for that amount ready. We suggested that the best
place would be the site of the car barns at Fiftieth Street and
Eighth Avenue. Rickard assured us he would report to our
syndicate in a few days, as he wanted more time to think it
over and to discuss it with his financial backers. When we
next met, however, we learned that he was not in favor of the
project.
“It’s too costly, Nat,” he said. “I spoke to John Ringling
and others who might become interested, and they say it’s a
foolish move. It would be a total loss. The location is no good,
and the plan for an ice rink is out of the question. We
couldn’t operate both fights and hockey; and, besides, we
haven’t the teams here.”
In an effort to induce Rickard to change his mind, Scanlon
told Tex that Judge Mayer could probably get the barn site
for $2,200,000, and I added that I was confident we could
obtain it for less with cold cash.
Rickard indicated it was too risky and Col. Hammond
backed him on that. We couldn’t budge Tex, and thus our
bubble burst. We thought he was the only sportsman to whom
such a proposition could appeal, and when he refused to accept
our offer, both on a percentage basis and on a stock
partnership, Scanlon and I gave up.
Behold our astonishment when three months later we
learned through a news item delivered to the papers by Ike
Dorgan, Rickard’s publicist, that Tex, with Colonel Hammond,
had organized a Wall Street Company for the purchase
of the Fiftieth Street car barns, and that a huge arena, a new
Madison Square Garden, would be built there, featuring an
ice plant for hockey and ice reviews! When I heard that Colonel
Hammond was associated with Rickard and would be in
charge of the hockey and ice department, in addition to being
the representative of the Wall Street group that would back
the project, I was furious.
Scanlon and I went to Rickard and accused him to his face
of double-crossing us. Scanlon told Tex that we were the
originators of the new Garden arena plans and that he had
stolen our idea, based on the blue prints submitted to him.
We demanded that we be taken into the project and threatened
to bring suit if we were not, but Rickard laughed us off.
Well, within a year, the new Garden was built. Mike Jacobs,
who later succeeded Rickard as the country’s foremost promoter
and to whom Dinty and I had also broached the subject,
was thoroughly conversant with the details and asked us
not to bring suit as we had contemplated. Mike had become
one of Rickard’s financial advisers. He found that Tex required
more money than his backers were willing to put up,
and it was through his efforts that additional funds were obtained
to assure the completion of the structure.
Despite Mike’s pressures, Scanlon was still bitter about
Rickard’s maneuver, and had not George Backer died shortly
after Tex’s announcement, Tex would have had a half million
dollar suit on his hands. The only change made in the plans
Tex finally used was the elimination of the motion picture
theatre and the erection of stores, instead.
Thus the new Garden came into being through the foresight
of a great lover of ice sports, Dinty Scanlon, whose eagerness
to find a place in New York where his champion Bobby
McLean could exhibit his skill, was responsible for the design
as he and I worked it out.
Although the idea and the original plans were ours, credit
for the final erection of the Garden belongs to Mike Jacobs.
It was he who persuaded Judge Mayer to get the bondholders
to sell the car barns at Fiftieth Street for $2,500,000 and it was
he who urged Rickard not to accept the Eighty-sixth Street or
Thirty-fourth Street sites, which Judge Mayer was more anxious
to dispose of and which Tex was willing to take in order
to avoid the Scanlon suit.
I recall being present at a meeting when Rickard told Mike
that the Wall Street combine to which he had appealed was
favorably impressed with the Thirty-fourth Street and Madison
Avenue site because of its nearness to the old Garden.
“That’s where those fellers are wrong,” said Mike, “I agree
with Nat and Scanlon that the Eighth Avenue car barns would
be the best location. The trend for amusements is to the midtown
section. It will soon be the heart of the theatrical district.
Everything is moving up towards Fiftieth Street.”
Thus did this man of foresight visualize New York’s future.
The job of negotiating for the land was turned over to Jacobs.
According to fable, the Garden was financed by a group of
600 millionaires, each of whom contributed the sum of $1,000.
The fact is that $5,600,000 was required for the building and
the car barns, and Jacobs manipulated the deal whereby
Rickard obtained the funds. After giving Rickard his first
$25,000 to turn over to Judge Mayer to show good faith in the
proposed purchase, Mike negotiated a bank loan for Tex for
an additional $100,000 to start the ball rolling. It was not
until then that a six-man syndicate headed by banker Richard
F. Hoyt, came in, with the rest of the money.
As for the 600 millionaires, they each put up $1,000 at a
later date to become life members of the Garden Club. In return
for their money, they also were given stock.
Mike Jacobs, as Rickard’s agent, was handsomely rewarded
for his loan and his very important part in the negotiations.
He told me his prize totalled $117,000. It was only after the
property had been bought that it became known that Rickard
had been working on a “shoestring” and that had it not been
for Jacobs, he would never have been able to put over the
deal.
As for Scanlon, the man who originated the idea and who
with me, had the first plans for the new Garden drawn up, I
don’t know whether he ever got any money from Rickard, but
I received from Tex the sum of $2,500 and some stock, in
settlement for my claim against him—small amount, to be
sure, but being friendly with Tex, I decided not to press the
issue.
That’s the story of how the present Garden came to be, a
story of intrigue that made Tex Rickard and Mike Jacobs
millionaires.
14 DESTINY’S PARTNERSHIP
As surely as there is a tide in the affairs of men,
there are men marked out by fate to be carried by that tide to
fame and fortune. All the forces of destiny seem to conspire to
give them the breaks. Such a man was Tex Rickard.
George L. “Tex” Rickard, boxing’s man of destiny, died on
January 6, 1929, at the age of fifty-eight. I knew him intimately
for a quarter of a century. I wrote the story of his life
and acted in a confidential capacity for him on many occasions.
I have no hesitation in saying that he was one man in a
hundred million marked out by fate.
President of Madison Square Garden, acknowledged king
of the boxing world, Tex Rickard lived long enough to put
the fight game on the big financial map and to make himself
and many other people millionaires.
The Grim Reaper claimed him just as he was about to retire
and, for the first time in his career, enjoy himself by taking
things easy.
I said good-by to him the day before he left New York for
Miami, where he died following an operation for appendicitis.
For a man of his years he looked youthful. The dark eyes
were as keen as ever and the expressive lips just as ready to
curl into a smile or to be compressed into a hard, fighting line.
With his hat tilted on the back of his head, he looked at me
and said in his usual quick manner and with his Texan cowboy
drawl:
“Nat, one big promotion, and I’m through.”
I smiled. “I’ve heard all that before, Tex.”
“This is straight. I’ve taken boxing from a thousand bucks
to two million. One more big promotion, then I quit.”
“You couldn’t quit if you tried, Tex,” I replied.
To see Rickard towards the end of his life, king of the
gilded age of boxing, one might have thought that he had
been just lucky. Well, Tex had plenty of luck, and he needed
it. But one must look into his personality and his career
to understand the secret of his success.
He was the last of the picturesque men of vision and daring:
Western cowboy, gold-hunter, gambler, promoter: a
man whose personality had as much color as a rainbow.
“Nat, never lose your guts,” Tex once said to me after I
had suffered a heavy financial loss. “If you do, you’re finished.
Better shoot yourself and get out of it.”
That stern creed was the rock on which Tex Rickard built
his fame and fortune. But fate looked after him. For example,
he left Goldfield, Nevada, in 1910 to sell copper
properties to a big prospector.
“I’m not interested in your copper,” the prospector said,
according to Rickard, “but if you’ll promote a fight between
Jack Johnson and Jim Jeffries out here at Reno, I’ll back
you.”
Every sports promoter in America was bidding for that
fight but nobody had enough faith in the match to offer
Jeffries what he wanted to come out of retirement. Tex
staggered the fight world by offering $101,000, and he got
the fight.
I recall a scene in Naegeli’s Hotel in Hoboken, New Jersey,
when Rickard appeared with several of his backers to
clinch the fight. Tex walked into the hotel, waited for all
hands to be seated, then opened the eyes of both Johnson
and Jeffries by placing $20,000 in gold on the table. That
gold settled the argument and got him the fight, for while
other bidders for the bout were talking big, Rickard showed
his good faith with money.
Previous to the meeting in Hoboken, all the bidders and
the principals had congregated in the Albany Hotel in New
York City to discuss plans for the match. Almost every sports
writer in New York, and many from cities as far west as
California, were among those present. When the principals
arrived to talk business, Police Commissioner Baker announced
that he would be forced to arrest everyone if a contract
for the fight were signed on the premises, for such a
procedure would be against the law. That’s why the scene
was shifted to Naegeli’s Hotel in New Jersey.
Rickard made ring history with the match, for not only
did he referee, but he drew gate receipts amounting to $270,755,
high figures for the period.
The result of the Reno fight convinced Tex that there was
more money in the fight game than in mining, and thereafter
most of his time was devoted to pugilism. When he decided
to devote all his time to boxing promotion, the gilded
era got under way.
When Rickard came to New York, boxing was at a low ebb.
He had successfully promoted shows in the West and when
he took over the Garden, he saw no reason why his success
should not continue.
I recall a dinner party he tossed for New York journalists
at the Biltmore Hotel. Free loaders crashed the gate in large
numbers, but that didn’t disturb Rickard. He sat back as the
boys made speeches in which some questioned his ability to
make money on weekly boxing shows at the Garden, while
paying rent amounting to $52,000 a year. At that time, as
I have mentioned previously, the Garden was only occasionally
rented out for events other than boxing.
Tex said nothing. He leaned back and smiled as he puffed
his Perfecto. He saw things in the future that the scribes
were blind to. At that time boxers were wearing bathhouse
suits and ordinary street shoes in the ring. Barbers, ham
actors, bum politicians and stick-up guys occupied front row
seats that should have been used by the press. Holders of
ringside seats were pushed about, laughed out of their rightful
chairs by rowdies and gangsters. The aisles were filled with
loafers and gate crashers, blocking the view of people who
had paid good money to see the fights.
That’s how boxing was run in New York before Tex took
over—not only in the Garden, but in all the other clubs. But
he had seen boxing staged on a different level by Jim Coffroth
in California and he decided to do the same thing on the
East coast. Law and order prevailed at Coffroth’s promotions
and people were seated properly. Coffroth had a fine organization
and he ran his affairs in a decent manner, without delays
and without mob ruling.
Rickard remembered all those things when he came to New
York and he lived to see the Garden take over where Coffroth
had left off. He lived to see ushers in bright uniforms
give each patron the seat the check called for. He saw women
by the thousands at his shows.
At Reno, at the time of the Jeffries-Johnson fight, I recall
how Tex fooled the scribes with his “telephone booths.” A
few days before the fight, the newspapermen went out to
look the grounds over at Tex’s invitation. Over the entrance
to the arena and right back of the last raised seat, about
twenty-five feet from the ground, they noticed a row of
covered boxes that looked like telephone booths. Tad Dorgan,
grabbing Tex by the arm, pointed to the boxes and
asked what they were for. Tex, a cigar in his mouth, and with
his usual poker face, replied:
“I put those in for the convenience of the newspapermen
who want to phone after the fight.”
No one thought of investigating. We accepted Tex’s explanation
and the next day’s reports from the camp mentioned
the item. But on the day of the fight we noticed that the
booths were covered with curtains and upon checking further,
found that Mrs. Rickard, Mrs. Jeffries, and other women, were
seated in those “telephone booths,” all hidden from public
view. That was the first effort Tex made to have women enjoy
boxing without being molested.
Following the Reno battle, Rickard hit the trail southward.
He went to Argentina, where he bought a ranch and raised
cattle for export. Just about the time he decided to get back
to the States, a young Colorado hobo-miner was making his
way East after a few successful fights with unknowns like
himself. His name was William Harrison Dempsey, and he
was destined to become the perfect partner of the vast Rickard
promotion enterprise.
Hanging on the wall in my office today is a wrinkled right-hand
boxing glove. On the back of it, stretching almost from
the curled finger-tip to the wrist, is a dry, dark-brown stain.
This glove is a souvenir of the three most furious rounds of
fighting I have ever seen, and the stain was made by the blood
of one of the bravest men who ever stepped into a roped
square.
Jack Dempsey wore those gloves to win the heavyweight
championship of the world. He was, in my opinion, the most
colorful fighter of the twentieth century. The blood stains
came from Jess Willard on that unforgettable afternoon at
Toledo, Ohio, July 4, 1919, under a blazing sun that caused
the thermometer to register 101 in the shade.
Fate must have smiled when Tex first clapped eyes on this
young genius of the ring, with his dark, indrawn brows and
curly black hair, for it was Rickard’s opinion that the gigantic
Willard couldn’t be licked.
Even when Dempsey knocked out the huge Fred Fulton in
eighteen seconds, Tex couldn’t see that destiny had presented
him with a fighter who, perhaps alone of all pugilists, could
carry his daring and ambitious schemes to success.
The Dempsey-Willard bout decided matters, although it
was not a startling affair financially. I was in Toledo some
days before the fight sizing up the chances of the men. Willard
I knew to be a good, though not a brilliant champion. He
was so contemptuous of his smaller opponent that he hadn’t
troubled to get himself into proper condition.
I went around to see him one morning at ten o’clock and
found that he was still in bed. I mentioned the matter to Tex.
“I know, Nat,” he replied. “He’s taking Dempsey too
lightly. Thinks he’s got a cinch. I wish someone could make
him see this fight more seriously.”
Dempsey, the product of barefisted brawls in mining camps
and hobo jungles throughout the West, had a string of
knockouts to his credit, but he had never stacked up against
so huge an opponent as Big Jess. Still, Rickard’s opinion of
Willard was shared by all in the challenger’s camp. Jack had
worked hard to get himself into condition. I shall never
forget the wonderful physical appearance he presented, with
his flashing dark eyes and skin tanned to the color of a hazel
nut. He looked fit to fight the world the day he entered the
Toledo ring for that title bout.
All signs pointed one way, and the black stars of defeat
began to cluster over the head of Willard, even before he
climbed into the ring. But he didn’t seem to notice them.
Ironically, his chief concern was that he might land himself
in serious trouble by fatally injuring his youthful opponent.
The night before the fight, I favored Dempsey, figuring that
if the battle went any distance, condition must tell. And that
is how it was with me when I took my seat by the ringside
under a scorching sun which made me sick with heat.
There were nearly twenty thousand people in the arena
and the possibility of seeing the world heavyweight title
change hands was too much for their nerves. They kept up a
steady roar for an hour before the battle, and when the men
entered the ring, a cyclone of shouts and yelling was unleashed.
The first thing that struck me was Dempsey’s apparent
nervousness. His perfectly trained body, I thought, was capable
of standing the severest test, but what about his nerves?
Here was an unknown factor.
He sat in his corner, elbows on his knees and head down,
scowling at the canvas. He was unshaven, and his growth of
dark facial hair added to his tough appearance.
Friends at the ringside shouted good luck to him, but he
took no notice of them. He even seemed to resent the presence
of his manager, Jack Kearns, who was talking to him
earnestly.
Contrasted with this dark, berry-brown man, Jess Willard
looked like a high, blond animal. His face was tanned, but
the skin of his body was as white as a woman’s. He looked
arrogantly confident as he waved to friends, a superior smile
on his lips.
Ollie Pecord, the referee, called the men to the middle of
the ring for instructions. Willard moved towards him with a
long, sure stride. Dempsey, on the other hand, broke into a
nervous run. I watched the scowl on his face deepen as Pecord
was talking. Jack’s eyes never left the ground.
Willard stood easily, listening, and occasionally throwing a
contemptuous glance towards his young challenger. He towered
over Dempsey, yet I could see that he was soft in comparison
with the muscular, steel-hard man from Manassa.
Back in their corners, the men got ready for the bell.
Dempsey’s nervousness seemed to increase with every passing
second. He fidgeted and shuffled his feet, as if unable to restrain
the movement of his limbs. Little did I dream that he
was about to give the greatest exhibition of fighting fury ever
seen in an American ring.
The entire arena and ring were flooded with white-hot
light. The heat was terrific and most of the spectators had
stripped to their shirts. I was grumbling to the man next to
me about the scorching I was getting, when the gong sounded
for the opening round. I didn’t notice the heat after that.
Dempsey leaped from his corner like a tiger, facing the
champion almost in his own corner. He feinted with his right
and shot a left to Willard’s ribs. It connected with the noise
of a wooden hammer, bringing a roar from the crowd.
“By heavens, he can hit!” roared Bill McGeehan, famous
New York scribe sitting near me.
Seven times in that first round Willard was dropped to the
canvas by the smashing blows of his challenger. Dempsey
presented a figure of murderous fighting energy as he stood
over his fallen opponent after every knock-down. He was
quivering and snorting like a wild animal and his scowl was
terrifying. Never had I seen human nature stripped so bare
of civilized pretense.
When Jess went down for the seventh time, Ollie Pecord
started counting. The gong sounded ending the round when
he reached seven, but Pecord had not heard it through the
din and he lifted the arm of Dempsey in token of victory
by a knockout in the first session.
Pandemonium reigned. Dempsey leaped from the ring
and was on his way to the dressing room when the error was
noted, and he was called back.
Willard seemed unaware of what was going on. He had
been dragged to his corner where he sat with broken jaw, his
eyes glassy and bloodshot, and the claret flowing from nose
and mouth. Yet, to the astonishment of all, the Kansas Giant
got to his feet to face additional punishment in the second
round.
I have never seen a fighter so badly battered. There were
groans from the gathering. This was not a boxing match, but
a slaughter, and when the challenger began to pick out Willard’s
terribly damaged eyes for further attack, boos greeted
him. Once Willard fought back, but it was a futile attempt
to stem the tide.
The spectacle of Willard, his face battered beyond recognition,
standing defenseless before this human tiger, didn’t
accord with ideas of true sport. Yet the fight went on!
The final act of this savage, brutal affair, was yet to be
fought. I watched Willard stagger to his corner. He was all
in. He lacked the strength to stand up and had to be assisted
to the stool. The spectators pleaded for the closure but Ollie
Pecord, a referee of the old school, would have none of that.
He would not stop a fight so long as the champion was able
to come to scratch.
I despair to give an impression of Willard when he came up
for the third round—his last. He was almost blind and despite
the ministrations of his handlers, who worked furiously to aid
him, his face was one mash from forehead to chin. He hadn’t
a chance in the world and as I looked at him with a feeling
of pity, I blamed his seconds for not tossing in the sponge.
Blind fighting instinct alone dictated Willard’s move forward
as Dempsey leaped toward him when the third round
got under way. This time Jess shot up his right to protect himself,
and it caught Dempsey under the chin and jarred him.
It sent his head back with a jerk—the only effective punch the
champion had landed in the fight.
There was a roar for the underdog. Everybody jumped up.
The excitement made me catch my breath.
But Dempsey recovered quickly, spurred to a fighting fury
by the uppercut that almost downed him. The black scowl
had been replaced by a terrible tigerish smile. He started
pounding away at Jess’s body and jaw and when the round
ended, both the challenger and the champion were exhausted.
No words can depict Willard’s pitiful plight. He was half-dragged,
half carried to his corner, where he was planted on
his stool in a state of collapse. Ike O’Neil, his chief second,
tried to revive him, but his beaten body could not respond.
Realizing his condition, Jess told referee Pecord he could not
continue.
Thus one of the greatest heavyweight championship bouts
I have ever seen came to an end, and the bloodstained right-hand
glove that hangs on the wall of my office recalls every
thrilling detail of it. This was Jack Dempsey’s high spot. I
think it was also Jess Willard’s. To him goes an honor hardly
less than that of his conqueror, despite the battering he took.
Were Dempsey’s gloves loaded?
That question has been discussed time and again in magazine
and newspaper articles by persons incapable of giving a
proper answer except through hearsay or from comments
made by persons supposedly “in the know.” I watched the
crumbling of the Pottowatomie Giant and after the terrific
shellacking that Willard took, I heard many remarks that no
human could deal out so much punishment with padded mitts
unless there was something hidden in his gloves. Even to this
day, one reads about “loaded gloves,” and how plaster of Paris
on Dempsey’s bandages cut Jess’ face to ribbons.
I was at the fight. I watched Dempsey in training. I saw
Jimmy Deforest, his trainer, tape Jack’s hands. I watched
every move of the men in Jack’s quarters. I think I can clear
the atmosphere once and for all time with an accurate version
of what happened.
Jack Dempsey had no loaded gloves, nor did he use plaster
of Paris over his bandages. I make this assertion despite the
recent statement by Jack Kearns, Dempsey’s manager in that
contest, that he had sprinkled plaster of Paris powder over
the bandages on Jack’s hands and then poured on alcohol
to form a plaster cast. I watched the proceedings and the
only person who had anything to do with the taping job was
Deforest, who, after he had taped the hands, poured some
water over the bandages to keep Jack’s hands cool. Of course,
any solution poured over bandages will harden them, but
that’s all that took place.
Deforest became riled when the loaded gloves stories began
to appear. I recall a press conference he had with several
reporters, including myself, at which he angrily remarked:
“I regard the stories that I put plaster of Paris on Jack’s
bandages as plain libel. I’m tired of hearing people talk about
such nonsense. It’s pure trash. These rumors affect my reputation
for honesty and fair dealing. I did apply some water over
the bandages when Jack complained about the extreme heat,
and that was all. I did not apply any foreign substance to
them. I used a hard adhesive tape. This certainly was not
irregular. It was not against the rules. It was the same kind of
tape I always used when I bandaged Kid McCoy’s hands.”
Deforest’s statement should settle all further arguments. It
was not until the recent fall-out between Kearns and Dempsey
over the proposed movie of Jack’s life (in which Kearns plays
no part) that the latter gave this new version of the bandaging
of Dempsey’s hands. Kearns has always denied the plaster of
Paris yarn over the years, only to change the story in the past
few months.
It was during the training camp period for the Toledo fight
that Rickard first expressed to me his thinking for bouts to
come. He had invited the Connecticut sportsman, Joe Mulvihill,
the Mad Hatter of Danbury, to accompany us on a visit
to Dempsey’s camp, and on the way, Mulvihill had remarked,
“One of these days, Tex, we’ll have a million dollar gate.”
Tex laughed and kidded him, but after Mulvihill had gone
back to the hotel with several newspapermen, Rickard turned
to me and said, “That ain’t a dream, Nat.”
I could see that he was visualizing things, though he didn’t
do much talking. He was keeping his plans to himself, but
he did say to me: “What we need is one big international
heavyweight championship and you’ll see the biggest crowd
that ever attended a boxing match in this country.”
It wasn’t long after Dempsey won the title that I went overseas
as Rickard’s agent to seek the man that Tex wanted so
badly for that million dollar gate. He soon signed French war
hero Georges Carpentier, for a fight with Dempsey, and from
the moment that the contract was made it looked as if Rickard’s
dream would come true.
I was Tex’s confidant in several of his boxing deals and I
spent many hours with him about this time. Shortly after the
Carpentier-Dempsey bout was made, orders started to pour
into Tex’s office. Mike Jacobs, later Rickard’s successor as
monarch of the fight game, was in control of the ticket sales,
and he turned most of the tickets over to the agencies.
The demand for ducats was so big that Tex could take
nothing but cash or certified checks. Without putting down a
cent of his own money, he constructed the huge arena in Jersey
City known as Boyle’s Thirty Acres and still had enough
to pay Dempsey and Carpentier their guarantees a week before
they entered the ring.
But it was a tremendous gamble, for if anything had happened
to the fighters, Tex would have had to beat it out of
the United States. He had little money of his own at the
time and it would have been impossible for him to make a
100 per cent refund if the fight had been called off.
Tex worried over this huge outlay when he started the promotion
and bemoaned the fact that he had planned the arena
with 60,000 seats. However, once the money started coming
in, he knew he was clear as long as nothing happened to the
fighters. I recall meeting with him and Mike Jacobs on an
interview for a Sunday yarn. Asked for a rundown on the seating
arrangements and the ticket sale, Tex hesitated, then replied:
“I have 60,000 seats. I was worrying how we could get that
many folks to come to the show, but Mike and I are now trying
to see how many more seats we can put into the arena.
We’re being flooded with requests. But I don’t want to say
nothin’ about that in the paper, Nat. I’ll give you a good
story, but it’s for the speculators who are grabbin’ all the ringside
seats.”
With that he told me how he put one over on them. He
released a story to the effect that because of the run on his
ticket offices, he had received permission from the Jersey
City authorities to extend the arena stands and to add 30,000
seats to its capacity. The ringside seats, he informed the
press, had been sold out during the first ten days, and to
take care of the many requests that were piling up at his
headquarters, other ringside sections were being built.
The specs fell for that story and another wild rush was
made for the ringside seats, the choicest of which Rickard had
already allotted Uncle Mike because of the financial aid
Jacobs had given to launch the promotion.
When, at the last moment, the speculators found themselves
stuck with many unsold ducats, Tex and Mike laughed.
“Let them worry, it’s their headache now,” was Rickard’s
comment.
Rickard’s good angel smiled again and the take amounted
to $1,789,238, the first million dollar gate in the history of
pugilism!
I met with Tex in his office after the Carpentier-Dempsey
fight and got the story of his promotion plans for the future.
He was dreaming of more big bouts and kept talking about
another million dollar gate.
“Colorful fighters are what I need,” he said. “There’s one
coming up from Argentina and my people tell me he’s a big,
husky fella from the Pampas who kin fight.”
He was referring, of course, to Luis Angel Firpo. When
he reached New York and was brought to the Madison Square
Garden tower where Rickard had his quarters, I could see by
the gleam in Tex’s eyes that he was exceedingly pleased with
the appearance of this man who would come to be known
as the Wild Bull of the Pampas and was planning another
coup.
During the years that Jack Dempsey laboriously climbed
the pugilistic ladder, and even after his feet were firmly set
on the top rung, many questioned his claim to greatness. It
was generally conceded that he was a dynamic hitter, a fact
that could not be disputed in view of his quick victories over
so many opponents, but fistic critics doubted his ability to
withstand punishment. It remained for Luis Angel Firpo
to sweep away all such doubts.
Firpo had only a vague idea of the finer points of pugilism,
but because of his Herculean strength, iron nerves, and almost
limitless courage, he was able to retire from the ring
after three years with a million dollars to show for his effort.
The Dempsey-Firpo fight was one of the biggest sensations
of the modern ring. It was an unqualified success from every
point of view. Tex took over a million dollars from the public
and finally established himself as the greatest promoter
boxing had ever seen. It was never generally known, however,
that this memorable bout was within an ace of being
called off only hours before ring time. I am one of the few
people who can tell the whole story of just how close Rickard
came to financial ruin that September day in 1923.
Dr. William A. Walker, chief of the medical staff of the
New York Medical Commission, was at the weigh-in to examine
the rivals. William Muldoon, Chairman of the Commission,
objected to the presence of newspapermen in the
room, but after considerable persuasion, he permitted Jimmy
Dawson of the New York Times, Dan Lyons of the New York
Globe, and myself to remain. Dr. Walker, while placing the
stethoscope over Firpo’s chest, accidentally bumped into the
challenger’s left arm. Instinctively, Luis threw the arm upwards.
Not a sound came from his lips.
Thinking this a queer reaction, the doctor ran his fingers
over every part of the arm, squeezing it here and there as he
tested for a fracture. Firpo was smiling as Doc Walker’s
probing fingers reached his elbow, but under the smile there
were lines of pain.
Boxing Commissioner Muldoon, one of the greatest physical
culture experts I have ever known, was watching the examination
closely. “There’s something wrong with that arm,”
he remarked. He called Rickard over.
“What’s the trouble?” inquired Tex.
Walker tapped Firpo’s elbow. “This.”
Rickard turned pale. He had staked a fortune on the fight.
He stood there, clenching his jaws so that the muscles stood
out. Despair was in his eyes. His face grew even grimmer as
he heard Doc Walker say to Muldoon: “Firpo seems to have
a dislocated fracture of the left arm.”
Firpo, who spoke no English, apparently grasped what was
going on, for he burst into a torrent of Spanish. The interpreter
explained that the Wild Bull had kept his injury
secret because he didn’t think it serious and didn’t want the
fight called off. The doctor then asked the interpreter to explain
to Luis that to fight in his condition was dangerous and
against the law. The challenger laughed and said he was all
right. Muldoon thought otherwise. He was seething with rage.
“Why weren’t we told about this?” he demanded. “What
the devil do you mean by keeping us in the dark about this?”
Firpo waved his arms violently. He didn’t want to be called
a quitter, he said. And then he screeched in Spanish, “I can
beat Dempsey. It is nothing.”
Then, as though to prove it, this man of iron courage raised
his left arm and brought his fist down upon the table. The
doctor was horrified, for he knew, more than the rest of us,
how terrible the agony of that gesture must have been. But
Firpo, with gritted teeth and a wild look in his eyes, smiled.
Rickard and Muldoon looked on in amazement. Neither
could understand the Wild Bull’s confidence in himself. Then
Tex’s hard shell of calm left him. The poker face fell off like
a mask, showing his features distorted with rage. Tapping his
walking stick on the floor—always a sign that he had lost his
temper—he swore at Firpo in Spanish, threatening him with
God knows what.
Muldoon, who had remained calm while sizing up the situation,
laid a restraining hand on Rickard, saying “Tex, you’ve
had a bad break, and I feel like taking the hide out of this
fellow myself. We can’t get a substitute and if the fight isn’t
staged, there’ll be a riot and you’ll lose a fortune. But I’ll see
what we can do. From my examination, I think it’s a simple
dislocation without a break. I’m sure I can handle it.”
Walker had another probe at the left arm and agreed with
the Commissioner. Muldoon asked Firpo to put out his left
arm and when he did, suddenly jerked it forward, snapping
the bone back into position.
That, to me, was the moment when Luis proved his absolute
gameness. Despite the suffering, he didn’t utter a sound,
but the beads of perspiration on his forehead showed the
torture he was going through.
Firpo, with the arm tightly bandaged, remained in the
doctor’s care for the next three hours. The swelling was reduced,
but when it came time for Luis to go into the ring,
I knew that he was in agony with every movement of his
arm. Only his fighting heart carried him through. Nine out
of ten men would have quit, but Firpo hurled himself into
battle against Dempsey, the most ferocious scrapper of the
age.
Dempsey floored this magnificent fighting man seven times
in the first round and twice more in the second before he was
declared the victor. But believe it or not, the fist of that dislocated
arm landed the punch which sent Jack tumbling
through the ropes on to the typewriters of the working press.
Firpo’s gameness paid off. The gate was nearly $1,200,000,
the fans were satisfied, and Tex Rickard had been saved from
ruin. Dr. Walker told me after the bout that this was the
greatest example of courage he had ever come across in all his
many years of association with fighters.
15 A SCOUT FOR TEX RICKARD
After Dempsey had disposed of Firpo, Rickard
suddenly woke up to the panicking fact that there wasn’t a
colorful, international fighter anywhere who could be tossed
in against Dempsey to keep the million dollar pot boiling. He
had gotten accustomed to big crowds and big gates. Now that
Dempsey had ploughed through Carpentier and Firpo, and
these international bouts had drawn seven figure gates, Tex
was through with small fry. With American soil unable to
turn up big enough drawing cards, he decided to have Europe
scouted.
One day Rickard phoned to the New York Telegram and
asked if I could meet him that afternoon in the Garden. I did.
My diary shows that it was on October 14, 1923.
“Goin’ to Europe this winter?” he asked.
“Yes,” I replied, “very soon in fact. I have my passage
booked for next week. The paper wants me to do some articles
on Germany. They’re making amazing strides in athletics,
particularly in amateur boxing.”
“How’d you like to scout for me?” Tex asked. “Look over
the field, and if you see anyone you think I might be interested
in, cable me.”
I agreed. Scouting wouldn’t interfere with my newspaper
assignment.
My duties as outlined by Tex were to locate heavyweights
of promise, particularly good European prospects who in due
course could be pitted against our stars in top contests. He
wanted men who could stand up in his million dollar program.
Annually I spent from six to eight weeks abroad during
my vacation and since only part of this period was paid for
by the newspaper, I was on my own so far as the scouting was
concerned. It didn’t interfere with my newspaper work.
On October 22, our wedding anniversary, my wife Trudie
and I sailed for Germany. I didn’t believe I could find any
good boxing material on my first trip for Rickard, but I decided
to study the field thoroughly and make contacts. I saw
plenty of ring activity throughout Germany, but nothing that
impressed me—not a professional worth discussing with
Rickard.
Fred Walker, Managing Editor of the New York Telegram
asked me to write a series for our special Sunday Section on
“Reconstruction in the Fatherland,” and in that series I wrote:
“Of one thing I am convinced—Germany is rapidly developing
a nation of athletes, with boxing holding the attention
of youth more so than any other sport. Germany is a nation
to watch. Boxing is gaining a firm hold in the Fatherland.”
The following year, after I had returned from a two-week
trip to Central America, wife and I again left for Central
Europe for another series of articles. Our trip called for a
tour of Germany, France and Italy. This time I was confident
I could locate at least one prospect and I promised Rickard I
would have someone for him, but again I failed.
I did, however, make the acquaintance of the best international
referee in Europe, Arthur Buelow, and of Prof.
Joseph Pilates, a physical culture instructor now the owner
of a studio a stone’s throw away from Madison Square
Garden. Both were behind the movement to develop boxing
talent in Germany and were doing a fine job. Buelow, prior
to the war, had taught the sport and had officiated in many
international bouts as third man in the ring, and Pilates was
an instructor of boxing and physical training in the Berlin
Police Department and on the Isle of Wight where he had
been a military prisoner during World War I. They steered
me on the right path.
Pugilism, they said, was sweeping the country like a jitterbug
craze, and I found it to be so. Wherever I went, boys were
engaged in club competition. Every village had an amateur
club where boxing was on the daily program. From among
the victors in the various district organizations, came the
national champions, and with conditions as they were at the
time, being a title holder meant a lot to the champion. Here
boxing was being practiced on the largest scale I have ever
seen.
The leading promoter was Walter Rothenberg who operated
in Berlin and in Hamburg. He staged the championship
matches and occasionally, as an added attraction, had one or
two professional bouts on the program in which several of the
contestants were boxers who had been in America prior to
the war, among them Jack Stanley, Jack Taylor and Paul
Sampson, boxers I had seen in action in New York City and
in Hoboken, New Jersey.
The energy of the boys, their drive and enthusiasm, made
a great impression on me. I was confident that out of this vast
army of amateurs there would spring at least one heavyweight
who would make ring history. Wherever the American flag
flies, there the seeds of our national pastimes—baseball and
boxing—are sown and so I found it in Germany in the years
following World War I.
Buelow and Pilates had written to me about a young, handsome
boy, a powerful hitter and scientific boxer, who, after
cleaning up in the amateur field, had now reached top rating
among the professionals. They suggested that it would be
worth while on my next visit to Germany, to see this boy in
action. His name was Max Schmeling. Now on my third
journey to Germany, I had decided to make the acquaintance
of Max.
One night in mid-August, 1926, accompanied by Buelow,
Pilates and several newspapermen, I left Berlin for the town
of Bernau, about thirty miles away, to see the finals of an
amateur tournament and a couple of pro fights. Tracking over
hills and a rocky valley, we reached a country roadhouse.
There I was told we would soon see some good boxing matches.
The place was jammed. To get to the meeting house we had
to pass through subterranean passageways that had been in
use during the war as shelters. Inside the building, situated
in the far end of a spacious hall, was a ring about 10 feet long
and 8 feet wide. It was set on a platform about 3 feet off the
floor. It had no mat covering nor any ring posts. The ropes—three
strands—were attached to pulleys fastened to the walls.
The spectators, more than a thousand, kept themselves in
good humor guzzling beer from German mugs and eating
sausages and sauerkraut. Men, women and children crowded
the place. Some women dandled nursing babies, others played
with dachshunds. It was the strangest gathering I had ever
seen at a fight.
Shouts and applause greeted every knock-down of which
there were many. The people had the kind of naive enthusiasm
you see in the old engravings and paintings, such as
Hogarth’s Southwark Fair. The huge hall where all this took
place was used both as a dining room and a meeting place for
the townsfolk, but on this occasion it was turned into a boxing
arena. My presence was expected due to advance announcements
and after an introduction by the Mayor, and a few
words of greeting by me, I was escorted to my seat.
In the midst of the sprawling country scene, a voice bellowed
in my ear: “Herr Nat. Herr Nat. There’s the boy you
want to see. That’s Schmeling. If you haven’t heard about him
yet, you will pretty soon.”
The man who introduced us was Walter Rothenberg, the
promoter.
Schmeling was a smiling, handsome youngster, six feet of
gangling brawn, a perfect specimen of physical fitness despite
the poor living conditions in Germany at the time. He was
not present to box that night. He had come to see his friend
Otto Herse, later the champion’s sparmate and German lightweight
champion, engage in a three round contest. All the
amateurs received an equivalent in U.S. currency of two
dollars for expenses with an additional two for each winner.
This was given them in lieu of prizes since the lads were
hungry; food was scarce and those in control informed me
that the money was distributed to give the boys an opportunity
to purchase food. That’s really what brought out so
many competitors. It was like handing out a meal ticket to
each.
Buelow, standing at my side as I spoke to Schmeling, said
that in the decade following the war, he had not come across
a finer boxer nor harder hitter. He raved about Max’s boxing
talent.
“Schmeling,” he said, “has everything a boxer needs to
reach the top.” He had taught Max the rudiments of boxing,
watched him clean up the amateur field and had then taken
over his management when he turned professional in 1924.
I asked Buelow how long Max had been fighting.
“Two years as an amateur and two as a professional,” he
replied. When Max became a pro, his advancement was rapid.
In 1926 he fought two draws for the light heavyweight title
with the champion, Max Diekmann, won it the following year
and a few months later carried off the German heavyweight
crown.
“He’s growing fast, Nat,” said Buelow. “I think he will be
a heavyweight in another year. If you can bring him to
America, you will be delivering to Mr. Rickard the next
world heavyweight champion, and I will let you share in his
management.”
At this stage, Schmeling scaled 171 pounds. I liked Buelow,
who spoke English and I promised to do what I could, but
informed him that I had never managed a boxer and had no
intentions of accepting such a post now.
I realized that Buelow was one of the best judges of boxers
in Europe and my curiosity was aroused after he had spoken
in such glowing terms of Max. I was eager to see Schmeling in
action against a top pugilist before trying to sell him to
Rickard.
Eleven days after my arrival in Germany, August 24, I had
my chance. It was the second drawn battle between Schmeling
and Diekmann for the light heavyweight crown. I saw a powerful
hitter and expert boxer perform. Though he failed to win
the title, the evidence of his fine boxing assets were on view
that night. I liked his general work.
I sent a message to Rickard that I thought I had found the
man for whom he was hunting. I realized as did Buelow that
Schmeling would soon outgrow the light heavy ranks and be
ready to tackle men in the higher division. I cabled Rickard:
“Have discovered an excellent fighter. Suggest cable round
trip tickets for him and manager. Willing to come to America
if guaranteed three fights minimum purse $10,000.”
Tex answered: “Can guarantee only one fight with option.
Will pay full expenses. You advance trip tickets.”
That didn’t appeal to me nor to Buelow. I wasn’t the promoter
and didn’t cherish the idea of advancing fares. Rickard’s
gambling spirit, I thought, apparently had deserted him. I
cabled back: “You’re making mistake. Schmeling is the goods.
Can’t miss. Looks like coming heavyweight champion.”
But Rickard was adamant. He turned down the terms with
this cable: “Too much involved financially for the risk. Have
him pay own fare. I’ll refund after signing contract.”
But Max and Buelow had no money. Both were keenly
disappointed. I engaged passage for New York and asked the
fighter and manager not to make any arrangements for a trip
abroad until they again heard from me. They agreed. In the
meantime, in order to keep Schmeling busy, Buelow pitted
him against the top fighters of Germany and several from
France. After winning the light heavyweight crown from
Hein Domgoergen in Leipzig, he won a ten-rounder from
Gypsy Daniels of England but met with a severe setback when
he was knocked out by Daniels in the opening round of a
return bout. Rickard seemed to have lost all interest in the
German following that disastrous affair.
But I did not. I still had faith in Schmeling and so told
Tex. I pleaded Max’s cause but without success. In the meantime
Ishmael Pace, successful Buenos Aires promoter, cabled
Buelow to bring Max to South America. Buelow, true to his
promise, held off pending final word from me regarding the
negotiations with Rickard.
A few weeks passed, when to my surprise, I received a message
asking that I meet Max and Arthur at a Hoboken pier.
They had scraped enough together to make the trip across the
Atlantic without Rickard’s help, so confident were both that
the fighter could make good.
But there was still another hurdle to jump. In his fight
with Diener, Max had hurt his hand. He was very much in
need of financial aid and was undecided whether to endanger
his future by accepting one fight or to wait until the break
had mended. I urged the latter course and sent him to Dr.
Fralick, a bone specialist. Then I took him to the Garden to
introduce him to Rickard and his matchmaker. Tex studied
the handsome boy carefully. He took a liking to the German
lad and agreed to sign him for a fight with Joe Monte, a ten
round match.
But now we faced more difficulties. Max had heard reports
abroad of poor decisions in America and sought protection.
He insisted that he would fight only if I agreed to become his
co-manager with Buelow. Of course I refused. He and Buelow
came to my office the following day and pleaded with me.
“If you don’t accept,” said Buelow, “Max will go home.
He doesn’t want to box here if you don’t help me handle his
affairs. He is afraid that the breaks will be against him if he
hasn’t an American to see that he is fairly treated.”
I tried to convince Max and Arthur that decisions in
America were as fair as anywhere in the world and that he
needn’t fear a “raw deal,” but I couldn’t convince Schmeling.
Then I hit upon a bright idea.
I called in John (Ike) Dorgan, my partner in The Ring
magazine which I started several years before.
“Ike,” I said, “I want you to meet the next world heavyweight
champion, Max Schmeling, and his manager, Arthur
Buelow. They want me to take a managerial interest in Max,
but you know I don’t go in for that. How about you taking
over as his American representative. There’s 10 percent in it
for you and no cost to yourself.”
Dorgan was an excellent publicist. Previously I had turned
over to him Charley White of Chicago when White was one
of the nation’s leading lightweights. White had dropped his
manager and had asked me to take over. Well, Dorgan had
reaped a fortune with White and I figured he could make as
much or more by representing Schmeling. But to my amazement,
Ike laughed my suggestion off, turning away thousands
of dollars as later developments proved.
“Why don’t you go away, Nat,” he said. “Haven’t you given
me enough headaches with one German?”
He was referring to Ted Sandwina, son of the strongest
woman on earth, who, with her husband, had come to
America for a tour with the Barnum and Bailey circus.
Sandwina was a pretty good heavyweight but because of several
injuries, he flopped as an attraction in New York. I had
met the family in Europe and had suggested that they bring
Ted to America for a campaign and I had him sign with
Dorgan.
When Ike refused to take over, Schmeling was prepared to
go back home. I tried once more. I approached Jess McMahon,
matchmaker for Rickard, and asked Jess’ advice.
“Turn him loose if he feels that way about our officials,”
said McMahon.
But I didn’t. For friendship’s sake, I decided on a ruse. I
would agree to sign a contract but would not take a penny
of Schmeling’s earnings nor share any of his manager’s portion
of Max’s purses.
The following day I called Buelow and Max to my office
and there, with brother Harold acting as attorney, an agreement
was signed giving me a ten percent interest in all of
Schmeling’s earnings for a period of six years. Buelow and
Schmeling were elated. I took them to Rickard where a contract
for the Monte fight was signed. In that contest, Monte
was knocked out in the fifth round and the press raved over
the excellent performance of his conqueror. His climb to
fame had gotten under way.
Time passed and the wheel of circumstance spun around.
Schmeling became a golden boy. He made good with a vengeance.
He reaped a fortune.
Then Joe Jacobs, aided by Pete Reilly and Billy McCarney,
his partners, a trio of international boxing managers, weaned
Max away from Buelow with fabulous tales of what they could
do for him.
Schmeling gave Jacobs a ten percent interest in him. But
that was insufficient for what Jacobs was eager to get—a firm
grip on Max’s future. He and his pals were seeking permanent
property and so they approached me. Jacobs offered me $5000
for my share of the contract I held. I refused to consider it.
Jess McMahon came across with an offer of $10,000. Then
Jimmy Johnston, who also was seeking to manage Schmeling,
walked into my office one day and planted a certified check for
$10,000 on my desk. “This is yours if you’ll give me the ten
percent interest you have in Schmeling,” he said.
Each realized the value of a contract with the man who was
destined to win the world heavyweight championship. I
turned all offers down. My sole interest was to protect my
friends Buelow and Schmeling. On all sides there were intrigues.
Buelow was the target. They wanted to freeze him
out. He held 33⅓ percent. I told him not to yield. Legally he
was fully protected with his contract on file with the Boxing
Commission and no matter what Schmeling would now do to
break away and go with Jacobs, I was confident Buelow could
collect his share.
The situation became tense. Threats were made against
Buelow. But he had my whole-hearted support. Buelow now
sued Max for breach of contract. I knew how hard he had
worked to bring Max to the front and sympathized with him.
After Schmeling defeated Paulino Uzcudun of Spain in fifteen
rounds and gained a fortune for his fight with Jack Sharkey
which he won on a foul in the Yankee Stadium, June 12,
1930, Schmeling agreed to settle matters with Buelow out of
court. The suit was dropped with Arthur receiving $39,000.
In his American campaign Schmeling appeared in bouts
with gross receipts amounting to almost four million dollars,
yet Rickard saw him only once, in the bout with Monte on
November 23, 1928. Two years later Tex died, and one of the
greatest ring attractions was left for others to exploit.
As for me, I had a contract I never made use of. Had I
exercised my rights, I would have collected close to $220,000
as my share of Max’s U.S. earnings. I never participated in
the management of a fighter, though I did collect for services
rendered at times as a scout for Rickard and his successor,
Mike Jacobs, after I had left the New York Telegram in 1929.
Schmeling’s contract rests in my Garden Museum.
It pleases me to realize what a part I played in the development
of international boxing and good will in sports.
Before lining up Schmeling for Rickard, I had been instrumental
in bringing another foreigner to America who proved
a tremendous attraction—Paulino Uzcudun. He had color,
could sock, and was a fighter of tremendous strength. He was
a man of considerable courage. Here is the story of Paulino—of
how I discovered him in Europe and engineered the deal
that brought him to America under Jack Curley’s guidance.
It was on December 1, 1925, in Rothenberg’s Kaiserdam
Autohallen in Berlin, that my wife and I watched Paulino,
the husky Basque, knock out Hans Breitenstraetter of Germany,
champion of his country. I cabled to Rickard:
“Saw picturesque, hard-hitting Basque, Paulino, stop German
champion. Looks fine prospect. Colorful. Managed by
Descamps and Carpentier.”
The next morning I received Tex’s answer by cable: “See
Descamps. Offer two round trip tickets terms and fights to be
agreed upon.”
Then I witnessed one of the canniest pieces of press agentry
in the business. Descamps was a manager of the old school.
He knew Tex was on a spot. Descamps had a close friend in
Jack Curley, American sports impresario who had promoted
many world events, including the Jack Johnson-Jess Willard
fight at Havana; and Descamps cabled Curley for advice.
They were aware that Rickard would stake everything for a
good heavyweight at this time and decided to hold out in order
to obtain the best terms possible. In short, they were going
to play their hand to the limit.
After receiving his reply from Curley, Descamps fixed his
Latin eyes on me, and with the nonchalance of a Machiavelli
he said:
“Tell Monsieur Rickard zat Paulino, he ess not ready for
America. In a year perhaps. Who knows?”
Then Descamps turned on a publicity campaign that would
have shocked old man Barnum. All over the big cities of
Europe he plugged a mammoth build-up, telling of my offer
on behalf of Rickard. However, in the case of Paulino this
was not necessary since he was a colorful boxer with a huge
box office appeal. Descamps advertised Paulino as a cross
between a Roman gladiator and King Kong. In France, for
example, he plastered the barns and billboards and men’s
comfort stations with huge four-color posters showing the
Basque, axe in hand, toppling over a tree. The legend read:
“Paulino Uzcudun, The Basque Woodchopper, Europe’s
Greatest Heavyweight.” Then followed the modest subscript:
“He can fell an ox with one blow.”
I have one of the posters in my Garden Museum collection.
There was nothing for me to do but to keep cool and wait
for the publicity marathon to run itself out. But all the time
I was in close touch with Rickard, keeping him informed of
the progress I was making and of the activity of the man
whose services he was not so eager to obtain.
I followed Paulino to Barcelona and watched him knock
out Constant Barrick in six rounds. I went with Descamps and
Carpentier to Paris, where Paulino dropped Horace Jones
with three punches—then on to Germany, where he and Franz
Diener, the heavyweight champion of the Fatherland, fought
a vicious draw.
By now I was convinced that if Tex could get Descamps to
change his mind, America would see a hard punching heavyweight
who would fit in well with the plans of the Garden
promoter. I kept after Descamps and, having received a cable
from Rickard granting me permission to add to his previous
offer, I felt confident I would land my catch.
But before I could close the deal, Descamps received word
from Curley to come to America by way of the Azores and
Havana; he would book one or two easy opponents for him in
Cuba to add to the publicity. Thus, I engineered a deal with
Descamps who left Madrid with his party on December 15,
1926. On New Year’s Day Paulino opened his campaign on
the American side of the Big Pond with a knockout in one
round of Martin O’Grady in Havana. Two weeks later he
scored another one-round knockout, this time over Antonio
Fiero.
Then the party sailed for Tampa where I met them and
there Homer Smith was disposed of in the seventh round.
With these preliminaries over, Descamps, Jack Curley, Paulino,
and I left for New York to confer with Tex Rickard.
Paulino was the first of the stream of Europeans to bring
new life to American pugilism; and I was responsible for
starting the ball rolling. The arrival of Paulino and later
others from Europe and Cuba enabled Rickard to reap a
bumper crop in his Garden promotions.
Paulino held the spotlight for ten years. He started off in
the United States by defeating Knute Hanson of Denmark
and Tom Heeney of New Zealand on points and stopping
Harry Wills in four rounds. He ended his days in Valencia,
Spain, where he had been appointed Chief of Police by
Franco, for whom he had been a chauffeur during the Spanish
Civil War.
16 UNCLE MIKE JACOBS
When Tex Rickard passed away, his chief aide,
Mike Jacobs, took over the reins as top boxing promoter. I
knew Uncle Mike as few of the sports writers did. I am familiar
with the many facets of his personality and witnessed many
of his joys, sorrows, defeats, and triumphs. His defeats were
few and far between. His joys were many. His success was
phenomenal. His victories were numerous and impressive; I
played a big part in them, both before and after he took over
the Madison Square Garden promotion.
I saw him transform boxing into a gigantic industry, even
greater than that which Rickard built in the Golden Era.
During our thirty-five years of close association, I watched this
product of the sidewalks of New York City become a captain
of sports promotion. His success story is Horatio Alger stuff.
Those who deal with the legends of boxing promotion like
to hark back to the days of Rickard. It invariably has been Tex
of the Wild West, Tex of the Klondike and the Pampas. He
built an empire, it’s true, but had it not been for the aid given
him by Jacobs, I doubt that he would have gained the international
prestige that made his name a byword in fistic circles.
A hard-headed business man, a cool and calm calculator
who always had a sound reason for every move, Jacobs improved
on Tex’s methods, though with less flamboyance.
However, like Rickard, Jacobs lived in an aura of fistic glamour
and romance.
I first met Mike when he had his little ticket office in the
Hotel Normandie on Sixth Avenue and Twenty-eighth Street
in New York City and I was a cub reporter covering the Red
Light District for news and the Longacre A.C. fights. The
latter, owned by colorful Billy Newman, was on Twenty-ninth
Street and the corner of Sixth Avenue, the scene of
many thrilling contests.
Jacobs achieved domination of boxing, which was Rickard’s
dream but beyond his mental capabilities. Both Tex and
Mike on many occasions conferred with me concerning important
matches, and I had a big hand in starting negotiations
for both of them in international bouts or championship contests.
Often, long before his staff would arrive in his Garden
offices to begin the day’s work, Mike completed his plans for
major matches in The Ring headquarters, where we met almost
daily at seven-thirty in the morning.
Pursuing the Rickard-Jacobs comparison, as I had an opportunity
to study the pair at close range, I found that Uncle
Mike never made the glaring mistakes which stand out in Tex’s
biography. When Jacobs vacated his throne because of illness,
boxing lost a master manipulator. A big figure in the boxing
game had passed out of the picture! Another big organization,
such as Rickard had left behind, died. Another rich chapter
in boxing history had been written.
Rickard had his Jack Dempsey; Jacobs had his Joe Louis.
When the Manassa Mauler knocked out Jess Willard in three
rounds at Toledo, Tex had the champion whose crowd appeal
created the first of the million dollar gates and made it possible
for the promoter to finance and build Madison Square Garden.
When Louis knocked out James J. Braddock in eight rounds
at Chicago, Mike had the champion whose popularity brought
back the million dollar gates, and made it possible for Jacobs
to move into Madison Square Garden.
The similarity between Rickard’s relationship with Dempsey
and Jacobs’ with Louis is striking. Jacobs was a successful
promoter for the Hearst Milk Fund shows before he met Joe
Louis. I had seen Louis in several of his amateur bouts in the
West. I watched him in the National AAU championships in
Boston and recognized a future world title holder. Then I
saw him three times in professional fights in the Mid-West,
and came back to New York raving about the young Negro
whose clouting ability was a reminder of the early days of
Dempsey. Several of my editorials about Louis attracted the
attention of Damon Runyon.
I was working for Jacobs on a radio program and, following
a broadcast, Runyon, one of Mike’s partners in the New York
Hippodrome, cornered me and asked: “Just how good a
fighter is Louis?”
Apparently my reply convinced him, because the following
day he, Bill Farnsworth, and Ed Frayne—the Hearst stockholders
in Mike’s Twentieth Century Sporting Club—got together
with Jacobs and arranged a newspaper party for a trip
to Detroit to see Louis in action against Natie Brown. But
before embarking on the journey, Jacobs arranged a conference
with Louis’ handlers, John Roxborough and Julian
Black, at which, as things turned out, Mike signed Louis to an
exclusive contract to fight under his control.
Louis was a budding heavyweight then. The night the
deal was set, following his victory over Brown in ten rounds
on March 28, 1935, a partnership was formed that was to endure
to the mutual benefit of both, until Louis chose to dissolve
it by announcing his retirement at Miami Beach on
March 1, 1949.
On that night in Detroit when he took over, Jacobs made
Louis and his managers two promises: his fights would always
be on the level and he would make him the world heavyweight
champion.
Mike kept both promises. He kept them although there was
considerable prejudice rampant at the time, and despite the
fact that Jack Johnson, the only other Negro to hold the world
title, had been an unpopular champion. Jacobs never asked
Louis to do anything other than get in the ring and fight his
best. And as the world knows, that best was more than good
enough.
Starting from his little ticket office, Jacobs later opened
small quarters on West 49th Street in New York City opposite
the Forrest Hotel, and eventually moved into spacious offices
in Madison Square Garden after he became a millionaire.
The Carnival of Champions, held on September 23, 1937,
at the Yankee Stadium lost money but Jacobs demonstrated
that he controlled the fistic market by turning out a galaxy of
stars to perform for him that night. The Garden directors
were convinced and on October 27th of that year Jacobs
moved into Madison Square Garden with Henry Armstrong
topping his initial card.
Armstrong came out punching to knock out Petey Sarron
in six rounds and win the featherweight crown, the first of his
three titles. Here’s the story of how Armstrong got his chance
and the part I played in arranging the fight.
Petey Sarron was in Johannesburg, South Africa, with
Freddie Miller. On July 31, 1937, he had lost in ten rounds to
Miller, from whom he previously had won the world championship.
Then another bout was arranged for September 4
of that year—this time a twelve-round title bout—and Sarron
retained the crown.
Petey and his manager, Jimmy Erwin of Texas, were anxious
to get back to the States. They had been gone a long time
and were homesick. Furthermore, they couldn’t get any lucrative
bouts and cabled me asking if I could obtain a title contest
with Armstrong, who at the time had become a national
fistic hero because of his whirlwind style of fighting. After
an exchange of cables, I was given the power of attorney to
sign for Sarron, provided he could get a guarantee of $15,000
for a title defense.
I approached Mike and his Board of Directors. They were
keenly interested and regarded this as an opportunity to start
the ball rolling in the first Garden venture of the Twentieth
Century Sporting Club with a championship mill. We arranged
a conference the next day with Armstrong’s manager,
Eddie Mead. Eddie and I were friends of long standing, and
he was willing to have Armstrong fight for the crown, but he
wanted more than the twelve-and-a-half per cent that Jacobs
and his board of strategy (headed by his matchmaker, Al
Weill) had offered.
After almost a week of haggling, I finally induced Jacobs to
raise the ante and Mead accepted a fourteen-and-a-half per
cent guarantee, with the announcement:
“I’m doing this only for Nat. He’s worked hard to put the
match over and I’m convinced, as he is, that Sarron is ready
to be taken. So I’ve accepted.”
Sarron, informed of the arrangements, accepted the deal I
put across and started back to the States to defend his title.
Following the fight, Sarron and his manager visited my
office and offered me ten per cent of Petey’s guarantee for having
arranged the bout, but I turned it down. As on other
occasions when I had an opportunity to cash in on deals I had
engineered, I told them that I was not an agent in the true
sense of the word. What I did for fighters was done in the interest
of the sport.
But Petey, like Henry Armstrong on another occasion,
wouldn’t take no for an answer, and the next day he returned
with a beautiful gold belt containing thirteen panels. It was
given to him by the Johannesburg Express after he whipped
Miller. He asked me to accept it. I took the trophy, and since
then have placed in each panel the name of every featherweight
king from Sarron to Saddler. The belt now rests in
The Ring Museum.
As for Armstrong, shortly after he stopped Sarron to win
the featherweight crown, he beat Barney Ross for the welterweight
championship and outscored Lou Ambers to acquire
the lightweight title. Thus, I was able to figure importantly in
presenting him with the opportunity to become a triple champion,
the only man in the history of boxing to hold three
world titles simultaneously.
Before moving into the Garden, Jacobs took over the New
York Hippodrome for fights, and I joined his publicity staff.
One day, Damon Runyon approached me and asked me to a
special conference with Farnsworth and Uncle Mike. It was
an executive directors’ meeting and Uncle Mike spoke up:
“You know, Nat, we’ve been losing a lot of money in our
boxing promotion here. We’ll have to let some of our help
out.”
Before he could say any more, I realized what was coming
and told him that so far as I was concerned, he could forget
the $75 per week I was getting to act as radio contact man. He
and Runyon were very pleased and thanked me profusely.
Then a thought came to me.
“I’ve got a proposition, Mike,” I said. “How would you like
to have a sponsor for your fights? I think I can arrange it.”
Runyon and Mike didn’t believe it could be done.
“Nobody will pay to have our fights put on the radio,” said
Jacobs.
“I disagree with you,” I replied. Whereupon Jacobs, after a
short conference with his colleagues, made me a proposition.
“We have arranged eighteen fights for the Hippodrome
but might run twenty-six. If you can get a sponsor to buy the
radio rights for $5,000 you can have ten per cent, and we’ll
keep you on our staff and continue to pay your weekly salary
of $75 so long as the broadcasts continue.”
“That’s too cheap,” I replied. “I’m sure I can get you twice
as much.”
“If you can,” Jacobs quickly answered, “we’ll continue your
salary and give you twelve-and-a-half per cent of the gross.”
I accepted and we shook hands on the deal. I left the office,
and the next morning returned with a report that I had sold
the broadcast rights to Adam Hats at $1,200 per fight for the
first eighteen shows, and at $750 for each fight over that number,
with the stipulation that my buddy, Sam Taub, be assigned
the broadcasting job. Thus I had arranged for the first
paid sponsorship of boxing bouts in the world. My report was
greeted enthusiastically by Jacobs and the press.
Mike called in his partners and that afternoon Sol Strauss,
his lawyer, drew up the contract which was brought to Elias
Lustig of Adam Hats, and the deal was completed. Uncle
Mike asked if I wanted a contract to bind his deal with me,
but I told him I would take his word—no contract was required.
However, as in other business deals between us, Mike
reneged soon after the broadcasts got under way.
He was that way. He never went back on his word when it
came to transactions he had made with fighters and managers,
but in private affairs I found that he was far from the honorable
gentleman the press so often made him out to be. For
several weeks he paid me my salary but not a penny of my
commission on the radio deal. And when I pressed the issue,
he let out a roar such as only he could make when angered.
“You’re through,” he shouted. “The fights are drawing
nothing here with radio. We don’t need you any more for
publicity. We are scarcely pulling in enough to meet expenses.”
“O.K., Mike,” I replied. “But what about my Adam Hats
commissions? You can’t back away from that.”
But he did. He had no scruples and was out to save what
he owed me in an honorable business deal.
“There’s nothing due you on the Adam Hats contract,” he
snapped. “I could have gotten that without your help.”
I was flabbergasted. Runyon was present and I asked him
if he thought the deal I was getting was fair.
“Certainly not,” he answered. “You are entitled to every
penny due on that contract.”
Damon fought my case but without success. So did the other
two partners—Bill Farnsworth, sports editor of the New York
Journal, and Ed Frayne, sports editor of the New York American—but
Mike had his way and I left in a huff.
Mike and I were not on speaking terms for many months,
but I wouldn’t sue because I had been his friend for three
decades. On one occasion he encountered me in Childs Restaurant
near the Hippodrome and sat down at my table.
“Nat, you and I have been friends for many years,” he said.
“Why not continue?”
He held out his hand to bind our reconciliation, then took
ten one hundred dollar bills and placed them before me on
the table.
“Take these and let’s call it quits. There’s no reason for us
being enemies,” he remarked.
“I don’t want your money, Mike. You went back on our
agreement.” I shoved the bills toward him. “You probably
need that money more than I do,” I said quietly as I left the
table.
I took our break as one of those things that happen now and
then between friends and decided to forget it and start anew.
Although there was plenty of good in the make-up of this
world-famous promoter, there was much that could be held
against him. He wasn’t what I would call a man of honor. On
the other hand, in all my business dealings with Rickard, I
never once knew him to renege on a promise, though he did
cross me on the Garden building proposition.
Despite his shortcomings, I liked Jacobs, I got a thrill out
of his promotions and enjoyed his company on the many trips
I took with him, strange as that may seem in light of our unhappy
business relationship. Between what he owed me on the
Adam Hats contract, and what was due me on the agreement
we made on the Farr-Louis match, I figured Uncle Mike
reneged on close to $30,000.
The story of how Tommy Farr got a chance at the heavyweight
championship is the perfect example of the science of
manipulation expertly applied. Mike’s shrewd chessboard
play enabled him to outguess and outsmart his rivals by such
a wide margin that, in the parlance of the sports world, it was
“no contest.” What he did was well within the law, although
his maneuvering did bring about court action. The results,
however, were in Jacobs’ favor.
Farr was sitting pretty. He was the undisputed heavyweight
king of the British Empire with victories over Walter Neusel,
Max Baer, Bob Olin and Tommy Loughran. He had gained
an international reputation and had reached the stage where
the big money ordinarily starts flowing in. But this was not
the case.
Tommy, a Welshman with a keen commercial sense, was
becoming restless. He thought that his manager, Ted Broadribb,
was not getting him his proper share of worldly goods
and the British papers were harping on a possible break between
the pair. Sports editorials commented on the fact that
Broadribb was suing Tommy before the British Boxing Board
of Control to compel him to live up to their agreement.
Broadribb and I were on friendly terms. He wrote to me
about his troubles, asking if there was something I could do.
I wrote an editorial praising Farr as the best British heavyweight
in a quarter of a century, and I told how Broadribb
had brought him along in easy stages to the high position he
now occupied in fistic circles.
The article pleased Farr immensely and he wrote me that
his differences with Broadribb were not too great to iron out.
He also asked if I would use whatever influence I had to get
him a title bout in America.
His letter launched me on a plan that gave me great satisfaction
after it had been consummated, for it developed into
the greatest event in British pugilism since Charley Mitchell
fought John L. Sullivan.
Let’s trace the episode from the start. Max Schmeling had
been shunted to the sidelines to make room for Joe Louis to
fight Jimmy Braddock for the world heavyweight title. Schmeling,
realizing his position, decided not to remain in America
for the outcome of the Chicago battle, but to return to Germany
and seek the support of European countries in his claim
for championship recognition.
He decided to do a little manipulating himself, and I
couldn’t blame him. I supported his contention that he, not
Louis, was entitled to get the first shot at Braddock’s crown,
but Mike Jacobs was a great obstacle in his path. Mike had
both Louis and Braddock under contract through a shady
deal by which Braddock and his manager, Joe Gould, were to
be handsomely rewarded for breaking their contract with
Madison Square Garden to fight for Jacobs.
Schmeling was informed through the press that Jacobs was
dickering for a fight between Louis and Farr in the event that
Louis gained the title, something Jacobs regarded as a foregone
conclusion.
Uncle Mike approached General Critchley and Syd Hulls,
who were operating Wembley Stadium in London, and a deal
was in the making whereby with Jacobs they would promote
an international match for the world championship. Jacobs
told me that he would take a party of seven New York reporters
to cover the fight as his guests, and that I would be in charge.
But he failed to consider the man whom he had thrust into
the background when he arranged the Louis-Braddock fight.
Schmeling, confident that he could whip both Louis and
Farr, got the jump on Jacobs by making a tentative agreement
with Broadribb for a Farr-Schmeling bout. Ted said he would
give his consent provided the bout was staged in London, and
when Max agreed, Broadribb got in touch with General
Critchley and Hulls and offered them the contest. Since the
British promoters could do nothing without Farr, they decided
to ignore Jacobs and deal with Broadribb and Schmeling
instead.
I learned of the new deal and commented on it in my
broadcast from Chicago over the NBC network, and the report
caused considerable unrest in Jacobs’ camp. Mike found
himself stymied. He tried to get Schmeling to return to
America to fight Louis. He offered Max a title bout but
Schmeling ignored the offer.
Max figured that with Farr on his side, he could dictate the
terms to Jacobs for a fight with Louis. He regarded himself as
the world’s outstanding heavyweight, since through the German
government he had obtained the support of the British
Board of Control and the French Boxing Federation.
Jacobs was furious but not yet defeated. In desperation he
called the New York Commission on the telephone and requested
that a cable be sent to Schmeling asking if he was prepared
to accept an offer from Mike to fight Joe Louis in New
York for the world title. Schmeling ignored this cable as he
had the one from Jacobs.
His plans for a championship fight up in the air, Mike
called upon me, knowing that I had made many trips to England
and was well known there and on the continent.
“How close are you to Tommy Farr and his manager?”
Jacobs asked me the day after Louis beat Braddock.
We were in the Morrison Hotel in Chicago, headquarters
of the New York sport writers. It was eleven o’clock at night
when Jacobs was informed of Schmeling’s deal with Critchley
and Hulls, Jacobs’ supposed partners in the British venture,
and he was naturally upset.
“I’m very friendly with both,” I told Mike, “especially with
Broadribb. What’s wrong?”
“Schmeling hasn’t answered my cable, and I’ve got to act
quickly. He’s trying to prevent the Louis-Farr fight which I
have planned. Schmeling is determined to fight Farr and get
European countries to recognize the bout as a world championship
fight. See if you can reach Broadribb on the telephone
and get a low-down on the situation. If you can get
Farr to fight Louis for me, I’ll give you ten per cent of my
profits,” Jacobs said.
I had received such promises from him before, and they
really meant little to me. I was willing to help in order to get
the bout in America and not because of Mike’s business
proposition. I waited until one o’clock in the morning, and
then put in a trans-Atlantic telephone call to Broadribb in
London.
At four in the morning, while Trevor Wignall, British
writer, was sitting in my room with me awaiting the call, so
that he could obtain a beat for his paper, the phone rang. It
was Broadribb calling.
“Hello, Ted,” I said. “Sorry to disturb you. I’m calling to
get the low-down on the Farr-Schmeling fight. Have you
signed? Mike Jacobs wants to give your man the chance that
no British champion has had since Charley Mitchell’s days—an
opportunity to fight here for the real world title. Will you
accept?”
“Sorry, old man, but I can’t do it. What would they think of
me if I should suddenly say that I don’t want the Schmeling
fight after I’ve told them to go ahead and get the German for
Tommy?”
“Ted,” I replied, “you knew right along that we were coming
to London in a few weeks for a Farr-Louis match. Weren’t
you told that?”
“I read it here in Wignall’s column, but didn’t know definitely.
Had I been sure, you know that nothing would have
stood in the way. It would have been different. That’s the one
fight we want and we would grab it.”
“Well, Ted,” I answered, “it isn’t too late. You haven’t
signed, and Schmeling is simply doing this in order to bolster
his stock overseas. If he licks Farr he figures he’ll strengthen
his claim to the title he thinks is his. Can’t you see that?”
“I can’t say any more,” concluded Broadribb. “Let the matter
rest until tomorrow. Your proposition looks good to me
but I must confer with Hulls and Tommy.”
With that he rang off and the first step in the negotiations
that made English boxing history had been completed. We
had set the stage for a heavyweight championship bout in
which a British champion would come to American soil to
fight for the title for the first time in thirty years.
I told Jacobs of our conversation. He had been down in the
dumps, but was somewhat cheered by the progress I had
made.
“I won’t let Schmeling cross me after what I was trying to
arrange for him. He’ll either agree to fight Louis for the
championship under my control in August or Farr will get
the chance no matter what the cost. Call him again tomorrow.”
I did, and at midnight the second day I again put in a call
for Broadribb, this time with Jacobs sitting at my side. To
what he had already told me, Broadribb now added:
“I have been advised that the German Boxing Commission,
the French Federation, and the British Boxing Board of Control
have helped Schmeling by recognizing him, not Louis, as
the champion, so that our fight will be for the title. How do I
know that a Farr-Louis fight will be recognized as a world
championship bout under such conditions?”
“Ridiculous,” I answered. “Ted, you’re too smart to be
fooled that way. Louis is the champion, and if you defeat
Louis you’ll have realized your ambitions. If you have already
signed, then I won’t dicker with you any longer. I don’t want
to be a party to a broken agreement. Though my sympathy is
with Schmeling, who got a raw deal, we can’t get away from
facts—Louis is the world titleholder.”
“I have no contract,” replied Broadribb. “Hull has an option
on our services but unless he can get Schmeling and he
meets the terms upon which the tentative arrangements have
been made, there’ll be no fight with Schmeling.”
“What are the terms?” I asked Ted.
“He has offered Farr $30,000, and will advertise the bout
for the championship and the fight must take place in London.”
“How would you like to get double that sum, Ted?” I
asked.
“Do you mean that, Nat?” he inquired in surprise.
“Yes, Ted,” I said. “Mike Jacobs is sitting here with me,
and Mike told me to offer you double any sum you’ve been
offered, if you have not signed yet. If you have, he says to call
everything off.”
Broadribb could scarcely speak. His voice quivered as he
asked me to let the matter ride for another day.
“I’d like to say yes, Nat,” he told me, “but I’m honor-bound
to protect Hulls and General Critchley, and unless they fail
to do what they have promised, I’m afraid I’ll have to say no
until after Farr beats Schmeling which I tell you he’ll surely
do.”
“That’ll be too late, Ted,” I answered.
With that, we said good-night, and I waited for two more
days before I again heard from Broadribb. This time he called
me.
“Nat,” he said, “Hulls has violated our agreement. He was
sworn to secrecy on the amount he was to pay Farr for Schmeling,
but instead he has given out the story telling what Farr
is to get, and that has riled Tommy. I don’t blame him. He’s
raising havoc here, saying he’s worth every penny as much as
the German, and not, as Hulls announced, half as much. I’ve
told Hulls it’s all off. I’m ready to take on Louis for Mike if
you say I should.”
Jacobs was again at my side, and I told him the news.
“Clinch the match!” he said. “You’ll share in my promotion.”
And I closed the fight for Mike. I informed Broadribb that
we would give Farr $60,000 guarantee, four round trip
tickets, and 25 per cent of the movie and radio rights. That
news flabbergasted the British manager, who remarked:
“You mean that, Nat? That’s wonderful. Regard it as a
deal. The bout is on. I’ll let you handle all matters for me.
Tell Mr. Jacobs that he should cable the money for the tickets
as soon as I notify him.”
Thus the bout for Farr was arranged. After Broadribb had
given his consent, Jacobs wanted me to go to London with Sol
Strauss, his lawyer, to sign for the fight, and also to aid Ted
and Farr in getting out of the country, as court action was
threatened by Syd Hulls and General Critchley. I told Mike I
couldn’t make it. Sol Strauss went alone and brought back
Farr, and because of that he took all of the credit for making
the match. Neither he nor Jacobs would have gotten to first
base with Farr, had it not been for me. Farr and Broadribb
confirmed that when they arrived for the bout.
Farr, the day after Broadribb had agreed to accept on
Tommy’s behalf, called me on the telephone and thanked me.
He was overjoyed at the prospect of coming to America, and
before we rang off, he said:
“Nat, I’ll lick Louis. I’ll be the next champion. You did
me a good turn and I shall not forget it. I’m eagerly awaiting
your coming with Mr. Strauss to sign the contract. There’s no
chance of a slip-up, is there, Nat?”
I told him that I was not going to England and assured him
there wasn’t a chance of a slip-up. Tommy added:
“The opposition here has a story from Germany which is
plastered all over the papers, saying that I’m a fool for agreeing
to go to America to fight Louis, because only New York,
of all the States, has recognized the Negro as champion. The
story says that all the commissions except New York have decided
that Schmeling is the real titleholder because he had
complied with his terms of the agreement for the Braddock
fight and Braddock had run out on him.
“If that’s the case,” continued Tommy, “then I don’t want
to fight Joe. It’s the champion that I want and whoever he is,
Louis or Schmeling, he’s the chap I’m going to fight. Make
certain that Louis holds the title before you have Strauss come
over to sign me for the fight.”
“Rest easy, Tommy,” I replied. “That story is a phoney. I
give you my assurance that every State in the country, New
York included, accepts Louis and not Schmeling as the champion.
They have placed Max as the leading contender but give
the title to Joe. If you think I’m spoofing you, I’ll have a story
cabled over by the National Boxing Association within two
hours. Cable me when you see it in the papers. If it doesn’t
come, then we’ll forget the fight here and you can close the
Schmeling deal.”
I immediately called up the Rhode Island headquarters of
Ed Foster, executive secretary of the National Boxing Association,
and asked him to contact, at my expense, the various
executive heads in each state in the N.B.A. as to whom they
considered champion. Foster notified the Associated Press,
United Press, and all of the other news services within an
hour and a half that an executive telegram vote showed that
every one of the thirty-one states in the N.B.A. supported
Louis. This was cabled to Europe, by the various news agencies,
and in about three hours from the time I had talked to
Farr, I was on the telephone again, this time with Broadribb,
who informed me that all the papers were carrying the correction.
That’s how the Farr-Louis match was clinched. Can you
blame me for feeling proud of the fact that it was through my
efforts that a British fighter had an opportunity that no Englishman
had had since the Corbett-Mitchell fight in 1894?
The Schmeling forces accused me after that of having
double-crossed Herr Max, with whom I was “supposedly” very
friendly. That was not true. I had always been friendly toward
Schmeling and still am, as a matter of fact, having recently
visited him in Hamburg. No American writer had done as
much as I had editorially to bolster his case before the public
and to get him the chance at the title I believed he had
earned. When I upset his plans by inducing Farr to come to
America, I did so because Max had received ample opportunity
to accept a fight with Louis for the championship, but
had made no effort to accept. He apparently wanted to get
universal recognition without fighting the man who had won
the crown by stopping Braddock. He out-smarted himself by
ignoring the cables offering him the match, and when he did
decide to accept, it was too late, and only if he could receive
the champion’s end of the purse, which he knew full well
would be unacceptable to Louis and Jacobs.
I know that at one time Jacobs offered Schmeling thirty per
cent of the gate, Louis to get the other thirty, but Max scoffed
at the terms. Therefore, I can safely say that in this transaction
there was nothing that violated the spirit of fair play,
no conniving or underhanded dealing. Farr got the match
only because Schmeling wouldn’t take it.
Conceded by only a handful of followers to have the semblance
of a chance against the Brown Bomber, Farr on August
30, 1937 in the Yankee Stadium surprised all by harassing
the champion with a continuous bombardment, something no
one other than Schmeling had been able to do throughout
Louis’ professional career.
Tommy fought the battle of all true-hearted, courageous
Welshmen, but lost the verdict because of Louis’ superior
boxing ability. It was the kind of fight that American sportsmen
had been accustomed to see when such stalwarts as Jem
Driscoll, Freddy Welsh, Jimmy Wilde, and Owen Moran appeared
in this country.
As for Jacobs’ agreement with me, he forgot all about his
promise after he had Farr signed. Not only did I not share in
the profits, but I didn’t even collect what I had spent on trans-Atlantic
telephone calls and cables, and on wires to and from
the N.B.A. executives.
In many respects Mike Jacobs had a Jekyl and Hyde personality.
He was cruel, inhuman at times to his help, particularly
when things didn’t turn out the way he had hoped and
planned; yet on other occasions, especially when he entertained
at home, he couldn’t do enough to make his guests comfortable.
I found him a complex character, to say the least.
Though he lacked a formal education, he would come up
with a knowledge of affairs that many a college professor
might envy. A man of ideas, he knew publicity, fights, the
stage, and people.
If you decided Mike was too ardent in his pursuit of money,
you learned of his many contributions to charity. If you made
up your mind that he was just a tough Broadwayite, a graduate
of the streets of New York, you discovered after a short
stay at his magnificent Rumson Estate—one of the show places
of New Jersey—that he loved the country, was proud of his
farming, was wild about flowers, and had furnished his home
with the very best that money could buy.
Jacobs’ delight in horticultural pursuits and the furnishing
of his home provided a striking index to his character. His
sumptuous estate was located at Fair Haven, in the exclusive
section of the Rumson colony of New Jersey. My brother Jack,
who at the time was president of the National Auctioneers
Association, had purchased the Shadow Lawn estate of Mr.
Parsons, vice-president of the Woolworth Company.
The contents of this luxurious home were put on public
auction, and Mike and I visited the estate to make some purchases.
To my surprise, he outbid the professionals in buying
the cream of its contents, including a forty-foot-long Persian
rug worth $30,000, some huge Grecian statues, and several oil
paintings. Mike asked me to bid with him against the professionals,
and when the bidding was concluded, he had obtained
the beautiful rug for $7,800.
“Know what I’m going to do with this?” he asked me. “I’m
going to have enough cut off this rug to fit my living room,
then I’m going to sell the rest. I’ll get back all I spent here.”
This he did, to the horror of the aesthetes. And when the
new deal was completed, Mike had all he needed of the rug
in his living room cost-free, while selling the remainder of it
for $12,500.
The bathrooms of the Shadow Lawn estate had gold fixtures.
Mike bought those to place in his home.
“What was good enough for that house is worth putting in
mine,” he told me. “Nobody in Rumson will have anything
on Uncle Mike.”
But he never made use of the fixtures. He disposed of them
also at a huge profit without moving them. As a result of his
shrewd bargaining, Jacobs fitted his home with the best that
was in the Parson’s mansion without any cost to himself.
Almost everything Uncle Mike put his hands to seemed to
turn to gold. Only a few of the ventures into which he entered
failed to return a handsome profit.
When Farr came to America, Mike asked Tommy, Ted
Broadribb, several British writers and myself to visit him at
Fair Haven. Proudly he took us on a tour, showing us the rare
gladioli with which he had won top prizes at the State Fair;
beautiful peonies and thousands of the rarest type of American
Beauty roses. Just as Mike began to explain how he grew
these flowers and why he was so fond of farming, a bulldog
belonging to a neighbor, to whom he rented a house, tore out
across the garden of roses in pursuit of a cat.
The owner stopped to apologize to Mike.
“You keep that hound leashed or find yourself a new place
to live. Those roses are far more important to me than your
rent,” Jacobs shouted.
We were on our way to Chicago—Jacobs, Hype Igoe, Murray
Lewin, Jimmy Dawson, Jack Miley and myself. Mike held
court in his pullman drawing room. There were midnight
sandwiches, drinks, card playing, and general conversation
until about three o’clock in the morning, when the party
broke up and we went to our separate compartments.
At six, there was a knock at my door. It was Mike.
“I’m surprised you’re sleeping so late,” he said. “We’ll pull
into Chicago in about three hours. Come on, let’s have some
coffee.”
I protested that I had only just gotten to bed.
“You left my room at three didn’t you? Well, it’s six now,”
he roared.
I dressed and went to the diner with Mike. The chef was
not ready for us, but Jacobs had no difficulty convincing him
that it was in his interests to get that coffee up in a hurry, and
he did.
Getting up early and going after his coffee was a regular
habit with Jacobs. Two nights before the Louis-Braddock
fight in Chicago he was jittery and couldn’t sleep. I remained
with him until about four in the morning, when I finally
broke away and got to my room. Scarcely had I undressed
when the telephone rang.
“You’re not in bed yet, are you, Nat?” asked Mike. “Come
down and we’ll have some breakfast.” I protested that I was
sleepy and had three broadcasts that day and needed some
rest.
“What’s the matter with you guys?” he shouted. “You sleep
your years away.”
I yawned my way down into the coffee shop where Mike
was sitting waiting for me, and we had our breakfast but no
sleep.
Yes, a complex character was this many-sided guy off the
Coney Island beats. And no matter what my grievances were
against him, I always had a fond spot in my heart for him. It’s
not likely that we’ll have his like again in the promotion field
for many years.
BOOK FOUR
17 DONNYBROOKS
The drama of American sport is superlative. Each
branch has a thrilling story of its own, but for pulse-stirring
interest, boxing is matchless. It is a game of contest and contact,
of skill and stamina, of perseverance and grit—a battle
between men. It has its romance, glamour, spectacular endings,
and feats of unusual courage that make it an ever brilliant
picture. They can all be listed under one title, “Fights
I Cannot Forget,” and of these I shall select a few.
One of my favorite fighters, most of whose bouts I reported,
was Leach Cross. Few fighters in my experience have had a
more brilliant career or fought as many tough battles. He was
one of the standard bearers of boxing in New York in both
the club membership and Frawley Law days. Leach, more
than any other exponent of fisticuffs, popularized the sport
among the Jews in his city and created sectional rivalry that
often resulted in neighborhood fights. Through Leachie,
thousands of New Yorkers who might never have followed
boxing, became ardent fans who were largely responsible for
the success of club membership shows before the sport was
legalized in New York. His success blazed the trail for Benny
Leonard, Ruby Goldstein and Sid Terris, among others. Cross
and I were neighborhood buddies. I admired him for his
fighting qualities.
Of all of Leach’s fights, I pick that with Joe Bedell on
March 16, 1911 at the old Clermont Avenue Rink in Brooklyn,
as his best. I saw Cross in most of his fights, but never in
one so fast and furious as the Bedell affair. Leach had Bedell
down twice, but after the second knock-down he pulled a
boner. Thinking he had his opponent ready for the kill, he
tore in wide open and Bedell met his rush with a blow that
came up from the floor and landed Cross on the canvas with a
thud. The bell saved him.
After being carried to his corner, restoratives put Leach in
condition to resume when the next round got under way. His
fighting instinct alone enabled him to carry on through the
eighth round, but in the ninth he went down again.
Hopelessly beaten as he came out for the final session, Cross
feigned grogginess—his favorite stunt—and, though weak, he
maneuvered his tormentor into position for the shot that
brought victory. It was a powerful smash to the jaw. Bedell
went down, face forward, and was counted out.
Another contest in which Cross participated thrilled me. It
was St. Patrick’s Day, 1908, when Leach was scheduled to meet
Frankie Madden at the Old Dry Dock Athletic Club at Tenth
Street and Avenue D, one of the toughest sectors on the lower
East Side of New York City. A huge stable and a very large
lumber yard were located across the street.
Madden was a product of the same district as his manager,
Bowery gangster Jack Sirocco.
That night, the house was packed with Irish and Italians,
who overflowed into the aisles and jammed the exits. Hundreds
were turned away—most of them Jewish supporters of
Leach, who couldn’t buy an admission ticket that night or if
they had one, couldn’t get into the club. Madden’s friends
saw to that. I pushed my way into the club with the aid of
Detective Martin Sheridan and my Police Reporter’s card.
Madden came into the ring with a huge shamrock sewed on
his tights. The crowd went wild with cheers for their favorite
son. Cross was booed heartily when he was introduced by
Charley Harvey. It was obvious that—except for his seconds
and a few of us who had arrived early—Leach had no friends
present that night.
The fight got under way and for five rounds it was one of
the most vicious, brutal battles I’d ever seen. In the fifth,
Leach, coming out of a clinch, pressed the issue. He forced
Madden towards the ropes and suddenly let go a right that
came up almost from the floor. It struck Madden on the jaw
and hurled him on top of the upper rope, where he was
counted out.
Now here’s the climax. Someone had telephoned the police
that there was a riot at the club between the Jews and the
Irish. Three patrol wagons loaded with bluecoats drew up to
the club. But instead of finding a riot, Inspector Russell arrived
to see Leach raised on the shoulders of two husky Sons
of Erin. They were surrounded by a wild shouting group of
Irish and Italian fans paying their respects to Cross for the
manner in which he had gained his victory.
It was a scene I’ll never forget! There was nothing for the
cops to do except to order the club cleared.
Incidentally, it was the first time that any Jewish newspaper
had published the fight results. The morning after the fight,
the Jewish Forward carried Leach Cross’s picture on the front
page.
Another fight I vividly recall was that between Cross and
Young Sammy Smith of Philadelphia, whose true name was
Isaac Rozetsky. It took place on February 3, 1911, at the Manhattan
Casino. This was a low, rambling dance hall a stone’s
throw from the Polo Grounds in New York—the same dusty
arena where Benny Leonard later won the world lightweight
title from Freddy Welsh. Young Sammy was a brother of the
Sammy who had fought such top men as Terry McGovern,
Young Corbett, and Joe Gans and had campaigned mostly in
the Quaker City.
Cross had never seen Young Sammy in action until they had
climbed into the ring, and you can imagine Leach’s surprise
when he noticed that his opponent wore glasses. I never knew
another boxer to appear in the ring with such heavy lenses.
They were a quarter of an inch thick. Smith had a habit of
placing his head close to that of his opponent when he was
called to the center for instructions, squinting through his
glasses as though trying to study his man. He did this to Cross
as Referee Dan Tone reviewed the rules. Leach laughed out
loud as he pointed to Sammy and his cheaters, and, turning to
brother Sam, his manager, he remarked as he went back to his
corner:
“Can you imagine giving me a blind opponent! If he can’t
see me with those headlights on, how does he hope to see me
when he takes ’em off?”
The gong sounded. Off came Sammy’s glasses and a rushing
tearing-in, two-fisted fighter tossed punches from all sides
effectively. Cross in later years met better men than Smith,
but I doubt that he took more punishment than Young
Sammy meted out that night. When the final gong ended the
fray, Leach told brother Sam:
“I hate to think what he might have done if he had perfect
eyesight!”
The reason for Cross’s popularity was that he always gave
the fans a run for their money. Though he never won a title,
he was of championship caliber throughout his career. Most
people flocked to the New York clubs hoping to see him
knocked out, but they would invariably go home disappointed.
Until Benny Leonard came along, Cross was New
York’s most sensational battler. He was the cause of many
Donnybrooks in New York clubs.
It was something of a coincidence that Leach Cross began
to slip the very night that Benny Leonard started his climb to
fistic fame. That was on December 17, 1915, when Leach and
Benny fought on the same card—Leonard against Joe Mandot
and Cross against Ad Wolgast. Because of a law stipulating
that the windup fight had to start no later than ten o’clock,
Leach’s fight with Wolgast went on first. Wolgast was pretty
well shot at the time and Cross stopped him in the second
round. Ad’s legs were leaden, and it was obvious that he had
passed his peak.
Immediately after the fight Leach raced to his dressing
room, and within ten minutes he came to the press box and
sat with me to watch the Leonard-Mandot bout. Benny
stopped Mandot that night in the seventh round and Leach
raved about the boxing and hitting qualities of his successor.
He watched him with more admiration than envy, but I
could read his feelings in his expression, knowing as he did
then that a young East Sider had come along to crowd him out
of the picture.
Cross was a great club fighter, and in his heyday that meant
a lot. One who could sell tickets to his friends could be sure of
considerable work, and there wasn’t a better salesman than
Leach himself. He was the forerunner of a wave of Ghetto
gladiators whose followers were legion, and who packed the
Sharkey Club, Brown’s Gymnasium, the Fairmont A.C., the
Manhattan Casino, Empire A.C., the Dry Dock and Roman
Athletic Clubs, Atlantic Gardens, and the Longacre Club.
Each fighter had a distinct local following, and often the
rivalry between East Siders and West Siders gave the minions
of the law severe headaches. The fans often engaged in fist
fights after the club battle.
Many of the bouts I reported in New York had such endings.
Another that I cannot forget, was that between Benny
Leonard and Frankie Conifrey, who were billed for a ten-rounder
at the Star A.C. in Harlem in 1916. At the time,
Benny had not yet won the title, but he was a promising boy
who had gained considerable publicity. He was the pride of
the Ghetto and Conifrey was the pride of the Harlem Irish.
The rivalry between the Jews and Irish was terrific in New
York fight circles, and there was no let-up in neighborhood
brawls. Frankie was a hard hitter and a clever boxer, but he
met his master in Leonard.
In the sixth round, Benny had Conifrey reeling, and
Frankie’s brother leaped into the ring to halt the fight. Then
the fun began. Conifrey’s enraged followers, who had big bets
on the outcome, tossed chairs, bottles, and newspapers over
the rail towards the ring. Some of these papers, in which beer
bottles were wrapped, came hurtling towards the press box,
and we newspapermen ducked for safety wherever we could
find protection.
The Conifrey mob then surged down to the ringside looking
for Leonard rooters, and the riot was on in full force.
Spectators scrambled for safety, but no matter which way they
turned, there were Conifrey’s followers holding the fort.
It wasn’t until the cops came racing into the arena that the
fighting ceased. Bloody noses and split lips were the fashion of
the evening, and many a broken head had to be stitched at the
Harlem Hospital following that melee.
Johnny Kewpie Ertle of St. Paul, claimant of the world
bantam crown, and Mike Gibbons were spectators, and as they
ducked out of the arena, I heard Ertle remark:
“Hell, Mike, if this is the way things are done in New York,
let’s get back to St. Paul. I don’t want to fight here.”
It was at the Howard Athletic Club in New York City in
1912 that I saw a reminder of the old bare-knuckle days. It
was the greatest all-out Donnybrook ever staged outside Ireland.
The three McGoverns—the famous Terry, and his
brothers Hughie and Phil—engaged the three Leons—Casper,
Jack, and Benny—in a family affair.
In this sensational bout, Phil McGovern was fighting Benny
Leon. Terry and Hugh McGovern were handling Phil in his
corner, while Casper and Jack were looking after Benny.
It was a marvelous scrap, and eventually Benny knocked
Phil flat with a right cross. Terry McGovern, tricky as ever,
reached for the arm of the timekeeper to prevent him from
counting Phil out. Casper Leon took in the situation in a flash
and rushed toward Terry.
The audience stood on its feet yelling as these two ex-monarchs
of the ring tore into each other. Before anybody
knew what was happening, Hughie McGovern had dashed
over to Terry’s aid and encountered Jack Leon en route.
In an instant the crowd forgot all about the fight between
Phil and Benny. The timekeeper made no attempt to count;
it was hopeless. The spectators were in for an unexpected
scrap of a kind that hadn’t been seen for years.
To deafening cheers, the battling brothers went at it like
infuriated terriers. The fighting blood of the Jews and the
Irish was at the boiling point—and it was streaming down the
faces of the contestants. Some of the spectators, unable to contain
themselves, dashed into the fray, and then a full-dress riot
began.
It raged for the best part of half an hour and was quelled
when Captain Reynolds and his police reserves rushed to the
scene. These reserves knew their job. They were accustomed
to being called out to subdue the riotous McGoverns, who
spent the greater part of their time beating up the New York
bluecoats!
18 FIGHTING COURAGE
I’ve traveled the world—by road, rail, sea, and air—in
pursuit of stories of boxers and boxing. The five continents
have been my hunting ground. I don’t know how many
thousands of miles I have traveled nor how many thousands of
fights I have seen, but I do know that I wouldn’t exchange the
memories of that wonderful half-century in the fight game for
all the gold and diamonds in the world.
The great names flash through my mind like a dazzling
star-studded parade: Jack Johnson, Tunney, Dempsey, Corbett,
Willard, Attell, Driscoll, Leonard, Langford—down
through the years to Louis, Marciano, and Floyd Patterson.
I’ve known them all—in triumph and adversity, in poverty
and luxury, in victory and defeat. Champions have wept on
my shoulder and confessed their troubles to me. World-famous
promoters have sought my advice. Managers of great,
and not so great, fighters have burdened me with their worries.
That’s all been in the game, the greatest game in the
world—the fight game.
For fifty years it has been the love of my life. I have criticized
it, praised it, and lashed out at its shortcomings, but I
have always been faithful to it. It is humanity personified, for
it brings out all the qualities and failings which are in the
make-up of man. The greatest of these qualities is courage.
I have seen and wondered at all sorts of courage: raw and
refined, blind and calculating, true and false. When I think of
it, my mind is filled with the memories of great fights, with the
full-throated roars of vast crowds. The incredible case of Luis
Firpo, mentioned in an earlier chapter, is the best example of
my belief that a fighter can lack almost everything and yet get
somewhere in the boxing game if he isn’t a coward.
But there are different kinds of courage. My mind goes
back to my early days as a sports reporter, to the amazing Joe
Grim. He had neither boxing skill nor punching power, yet
he set himself up as a target for the most terrific heavyweight
hitters of his time. And he was never knocked out.
I remember when he was pitted against the mighty Bob
Fitzsimmons, one of the most murderous punchers of all time.
Before the gong sounded for the fight to start, Grim walked to
the ropes and shouted to the crowd in a loud voice, “I’m Joe
Grim. I fear no man on earth.”
And he proved it. Throughout the six-round bout, Grim
stood his ground in the middle of the ring, taking all the punishment
Fitz could give him.
Seldom in my ringside career have I seen a man take such a
battering and stay on his feet. Fitz unleashed every punch he
knew. He grew tired of using Grim as a punching bag; of
seeing that swaying figure still standing up under the hurricane
of blows.
At the end of the fight—the referee gave “No Decision”—Grim
was still defiant. He staggered to the ropes and mumbled,
“I’m Joe Grim. I fear no man on earth!”
And the crowd rose to its feet and roared its approval of the
man who refused to bend the knee to the mighty Fitzsimmons.
But was it real courage that enabled Grim to take such
punishment? Sometimes I think not. I think perhaps madness
or conceit might better describe the driving force behind such
a display.
Of similar stuff was the courage of world middleweight
champion Mickey Walker, the Toy Bulldog. The memory of
the way he stood up to heavyweight Max Schmeling will stay
with me as long as I live.
They met in the Long Island Bowl, September 26, 1932.
Mickey, six inches shorter than the German, was giving away
nearly twenty-five pounds in weight. He boasted that he
would take on any fighter at any weight, and he faced up
bravely but in vain to the giant Max, then one of the hardest
hitters in the world.
The Schmeling onslaught began with the first round. Punch
after punch connected with Walker’s face and body until he
was almost battered to a pulp. Yet he stood up gamely enough,
taking terrible punishment and risking permanent injury.
The sight of that reeling Mickey being smashed to senselessness
was too much for his manager, Jack Kearns. The towel
was thrown into the ring in the eighth round and Mickey was
almost carried to his dressing room.
Here again was a case of unreasoning courage, of gameness
carried to the point of stupidity.
There’s the other side of the picture. Some of the cleverest
fighters of the last half-century confessed to me that rather
than take further punishment in a losing battle, they preferred
taking the count. And who shall blame them when they
have seen the products of this misplaced courage—the punch-drunk
derelicts who hang around the gymnasiums, their eyes
as vacant as their minds? But the fact remains that courage,
whether blind or logical, is a must in the make-up of the successful
boxer. Sometimes courage ebbs and has to be revived.
I can never forget the raw courage of Babe Risko in his fight
with Jock McAvoy, December 20, 1935, in Madison Square
Garden. This courage forced him to take terrible punishment,
although he knew he hadn’t a chance to turn the tide.
Six times the American had gone down from the trip-hammer
blows of the British middleweight before Babe was counted
out with still half a minute to go of the opening round. All I
can say is that the boxer with a fighting heart can never be
persuaded that he has had enough.
But let’s take an example of refined courage—the kind displayed
by Gene Tunney when he met Jack Dempsey in their
first bout in the Sesquicentennial Stadium of Philadelphia.
The pale-faced ex-marine showed remarkable coolness as he
walked into the lair of the tiger-man to face blows that had
battered the strongest into insensibility.
Blind courage would have induced him to swap blows with
the enraged, scowling Dempsey after the famous “fourteen”
count in their second contest in Chicago, but he chose the way
of refined courage, which changes blind instinct to thought
and calculation—and so he saved the day.
In Max Schmeling’s fight with Young Stribling, July 3,
1931, in Cleveland, and his first with Joe Louis, June 19,
1936, I saw examples of the calculating courage of a great
fighter. In both, as indeed in all of Schmeling’s important
battles, he plodded along until the opportune moment arrived.
Then calculating courage transformed him into a fighting
fury, when he had to take as well as give punishment.
Packey McFarland, a boxer of consummate skill, was hurt on
several occasions but never to the extent that he was forced to
display courage to stick it out. He would never let anyone
beat him up.
On the day after his fight with Matt Wells on April 26,
1912, in New York City, I went to his dressing room. Both
men had put up a wonderful show, but Packey had received far
more punishment than he normally took, and I was surprised.
I asked McFarland how he felt.
“Nat,” he said, “I’m a clever boxer. I feel I can hold my own
against anybody my weight, or ten pounds above my weight,
but when the day comes that my cleverness will no longer protect
me, I’ll quit. I don’t believe in what you writers term
courage.”
“But Packey,” I countered, “you mean to tell me that if you
were badly hurt you’d toss in the sponge?”
“That’s exactly what I would do.”
“They would call you a coward,” I retorted. “If you showed
a yellow streak, you’d be through.”
Anger blazed in Packey’s eyes, but he controlled himself and
spoke in his ordinary quiet and cultivated tones.
“Yellow, eh?” he replied. “I know as well as you that no
man in the boxing game has a right to be there if he has a
faint heart. It takes a fellow with a lot of nerve to stand up
and absorb punishment, but it requires even more courage for
a man to know when he has had enough and to call a halt.
“That’s not a yellow streak in a fighter. I say that’s ordinary
common sense. When the going is good, keep firing. That’s my
motto. But when you find the odds are against you, then
quit.”
This was the philosophy of one of America’s greatest boxers
in a period which surpassed all other eras in lightweights and
welterweights. Nobody ever doubted Packey’s courage, but
that is how he had worked things out for himself.
It was the logic of brain against the unreasoning instincts of
brawn. I admired Packey for the stand he took, and in later
years, when he became sponsor of the Catholic Youth Movement
in the United States, he carried the same philosophy
into his classes.
19 RINGSIDE THRILLS
The walls of my office are covered with photographs
of my heroes—sturdy Jim Jeffries, lanky Bob Fitzsimmons,
debonair Jim Corbett, happy-go-lucky Jack Johnson,
ponderous Jess Willard, the tiger of the roped square, Jack
Dempsey, cultured Gene Tunney, fiery Jack Sharkey, smiling
Max Schmeling, poker-faced Joe Louis and hard-hitting
Rocky Marciano—a great array of heavyweight champions. I
find pleasure in discussing their careers. The thrills I got
watching these ringmen perform, come back to me as I sit at
my desk and study the faces on my walls. I have seen seconds
lead men into the morning glory of fame and fortune, and
plunge others into the midnight of a defeat from which they
never came back. Those pictures tell a story.
Among the thrilling contests listed in my diary, three in
which the great Benny Leonard was a contestant, stand out.
Out of Chicago came a left-hook artist, Charley White, whose
high, intellectual brow hid a slow-thinking brain. He was
within four seconds of winning the lightweight championship
from Leonard on a hot afternoon, July 5, 1920, at Benton
Harbor, Michigan, but couldn’t make it. For four rounds
Leonard had out-punched and out-generalled Charley, the
Chicago left-hook phenom, skillfully posing him for the
knockout. Then Benny got careless.
In the fifth, the left hook landed on Benny’s jaw with lightning
rapidity and the champion went flying through the
ropes. The spectators howled like Indians. White had shaken
off the fog that usually enveloped his brain, and from all appearances
the title was within his grasp. But Leonard got back
into the ring at the count of six, and so flabbergasted was his
opponent that his brain seemed to go numb. It ceased to function
and Charley became just another fighter.
Leonard was quick to sense the situation and through the
eighth round, he jabbed, hooked and uppercut White at will.
In the ninth, Charley was downed on hands and knees but
took only a short count. Once more he went down and then
Benny knocked him over the ropes. Back into the ring he
found Leonard waiting, poised for the “kill.” Though he
again put Charley down, it took a fifth knock-down to end the
thriller.
Split seconds stood between the hard-hitting Chicago challenger
and the crown, but as in the case of Leonard when he
fought Tendler, brains triumphed over brawn. Had not Charley
White “frozen” in that fifth round, he would have been
returned the champion. At least that was the consensus among
the newspapermen who watched Leonard pull through the
round.
Leonard was an extraordinary fighter—an artist when it
came to providing thrills. Let’s take a look at his fight with
Richie Mitchell, the Milwaukee lightweight on January 14,
1921, in Madison Square Garden for the benefit of Ann
Morgan’s Devastated France Fund. Richie already had been
stopped by Leonard in seven rounds, but he was a good pugilist
and the return bout brought out a vast throng of society
fans, among them Governor Al Smith who was viewing his
first ring battle. There must have been a lot of ruined dresses
that night, for before the proceedings were over, frenzy broke
out.
When the bell rang to start the fight, Benny, very cool and
rather contemptuous of Mitchell, walked straight out to meet
him with a left to the face and followed with a right aimed at
the jaw. It missed the button and struck the Milwaukee boy
on the cheekbone, but it dropped him flat.
The referee started the count to a scene of excitement
seldom surpassed in my experience. The society fans went
wild. Mitchell’s seconds bawled at him to remain down and
take his time.
Richie may have heard them, for he didn’t get up until
“nine.” He was groggy. His legs wobbled. He sought to embrace
Leonard, but a short left-hook to the chin, sent Richie
down again.
And down he stayed until “nine.” When he got up, he
reeled about in front of me. I saw that he had a nasty cut
under his left eye.
I saw Leonard leap forward again, bent on making a quick
finish. He shot a left to the jaw, followed by a right. The Milwaukee
boy rocked like a tree in a storm, then went down for
the third time to a volley of rights and lefts.
I got one of those reactions I often had when I saw a brave
man taking too much punishment. The big thrill suddenly
faded into revulsion. For with me there is no thrill without
sport, and there can be no sport when one man is hopelessly
beaten.
Did I say beaten? The revulsion came too quickly. Richie
Mitchell got up again at “eight” and ran into another terrific
bombardment of solid smashes, hooks, and jabs; but still he
wouldn’t go out. He actually fought back, getting home a few
lefts to Benny’s face. He showed heroic courage, and courage
will work miracles in the ring.
Leonard, brushing aside the lefts, waded in. Then suddenly
he stood still. I saw his whole body stiffen and sprang to my
feet. Something was happening—had happened!
Richie, almost out, had put all his strength into a left to
Benny’s stomach. The glove buried itself, forcing the champion’s
head forward.
Like an arrow came Richie’s right, flush on Leonard’s jaw.
There was a sudden hush. The atmosphere was tense with
utter astonishment. Benny Leonard, the idol of New York,
out on the canvas! It was unbelievable! Then pandemonium
broke out.
The count piled up as Benny struggled to get to his feet.
I heard his handlers yelling:
“Get up, Benny, get up!”
I heard Billy Gibson, Leonard’s manager, shout:
“Shake your head, Benny! Shake your head, Benny!”
I saw Leonard get up and nod to Gibson, as if to say he was
all right. And then we saw a superb exhibition of ringcraft.
Benny feigned an attack, and as he closed towards Mitchell, he
grabbed his opponent instead of striking and held on.
Richie got in a light left, for he, too, was in bad shape.
Benny fiddled about and kidded Richie into doing nothing
until the bell rang. He had out-smarted his opponent at the
critical time and robbed him of a title victory when it was
there for the taking.
This was one of the greatest rounds that I had ever seen in
the ring, but it was only the beginning. The next session was
a mill royal. Benny soon got up to his tricks again but Richie
had him groggy with a terrific right to the jaw, and immediately
afterwards Mitchell was almost out from a bombardment
to the head.
This sort of fighting went on for three more rounds.
In the sixth, Benny put over a right with such force that
Mitchell fell on his back. He was on his feet at “nine,” and
went on the defensive, with chin tucked into his shoulder and
taking most of Leonard’s blows on his arms. But he was a pitiful
figure to behold. His lips were smashed and bleeding and
his eyes almost closed. Yet they fought on.
Richie went down again for “six” from body blows and
with inhuman courage, he again got up only to be floored for
another long count. There was Mitchell staggering about in a
neutral corner, and there was Leonard firing away in an effort
to stretch his rival flat. He finally succeeded. After another
down Referee Haucap pushed Benny aside as the eight count
was completed, and called a halt to one of the greatest ring
battles seen in the old Garden under the regime of Tex
Rickard.
I had the good fortune to see many such hair-raising contests.
Let’s take that between Ad Wolgast, lightweight king,
and K. O. Brown, on February 8, 1911. After that scintillating
bout, the Michigan Wildcat was sitting in his dressing room
when I entered, after having fought my way from the ringside
in the Philadelphia arena where they fought a sensational ten-rounder.
Had a decision been permitted—this was a no decision
contest—by my scoring Brown would have won the
crown, for the sturdy little New York Dutchman had given
Wolgast a fine shellacking. For six rounds he had Ad at his
mercy while the throng cheered. He had Wolgast on the brink
of a knockout, but failed to take advantage of the situation
and lost his golden opportunity.
I was eager to learn why Wolgast, who had fought great
battles with Battling Nelson and was one of the toughest of
all lightweights, had permitted Brown to gain such a big advantage
over him.
Ad sat in a chair as I entered, his head in his hands. His
manager was staring gloomily at the floor, his hands in his
pockets and a cigar in his mouth. Mingled with the smell of
the cigar was the odor of liniment.
“Hello, Ad!” I said.
Wolgast looked up. He was a short, square fellow, under
five feet four in height, but with the shoulders of a middleweight.
His fair hair, now lank and dark with water from the
spongings, indicated his German ancestry.
“Hello, Nat!” he responded mechanically.
“What was wrong with you, Ad?” I asked.
The manager looked at him as if he, too, would like an
answer.
“That fellow Brown,” replied Wolgast, “he’s a southpaw.
I can’t do anything against them.”
“You’re not telling me that, Ad,” I said. “I figured that
being a southpaw, Brown would be easy going for you.”
Ad looked up. “Well, he wasn’t easy. You saw how it was.
I tell you that southpaw stance is a puzzler. I thought it would
be easy, and I did do some of my training with a southpaw
sparring partner to make sure. But he got me puzzled all
right. I couldn’t get going, Nat.”
“How do you figure it out, Ad?” I asked.
“You never know from what angle those southpaws are
going to hit. That got me all tangled up. Then this Dutchman
can punch so that he leaves a dent wherever he lands. I’d
rather fight two left-stance men in one ring than one southpaw,
and I’m well out of this mess. You can figure the rest out
for yourself, Nat.”
Ad was piqued. He had taken a bad lacing. One of his eyes
was nearly closed, and his lips looked as if they had been having
an argument with a mincing machine. Judging from the
manager’s sober expression, it wasn’t going to be a happy
evening, so I wished Ad good luck and left Philadelphia for
home.
On my way back to New York, I got into an argument with
some of the boys about southpaws. Most of them said the obvious
thing—the southpaws should be easy meat for men who
fought with the left arm and foot extended. But Ad Wolgast’s
experience made that opinion extremely doubtful.
“There has never been a southpaw champion yet,” said one
of the boys.
“You’re wrong there, pal,” I interposed. “Bendigo was a
southpaw. He won the heavyweight championship of England
by whipping Jem Burke just over a hundred years ago.”
“Orthodox fighters have learned a bit since then, Nat.”
“Well, all I can say is that Ad Wolgast isn’t one of them,” I
replied. “And I’d like to see some of the other champs up
against southpaws before I make up my mind.”
Dissatisfied with his showing against Brown, Wolgast arranged
another engagement with the blond, hard-hitting
Dutchman within a month, March 3.
“Dumb” Dan Morgan, K. O. Brown’s manager, had pressed
for this second contest after his man’s impressive exhibition in
Philadelphia. Wolgast had demanded a guarantee of ten thousand
dollars—an enormous sum in those days, and certainly
enough to put an end to negotiations. But “Dumb” Dan was
so certain that K. O. Brown could put Wolgast to sleep within
ten rounds that he went into the match on a very short purse
which enabled Tom O’Rourke to meet Ad’s demands for the
big guarantee.
The seating capacity of O’Rourke’s New York club was
only twelve hundred, but as soon as the match was signed,
there was an enormous demand for tickets. Tom put up his
prices and charged five, ten, and fifteen dollars for the seats,
but even then there was a riot, and police reserves had to be
called out to deal with fans who fought to get in. The jam was
so great that the police had to rope off the entire block, clear
it, and then control the stream of fans right into the hall.
I have seen many wild gatherings at the scene of a big fight,
but few to surpass this one. Although we knew we were in for
a thrill, we didn’t quite figure on the sort of thrill we got. It
was a savage bout from start to finish. Both men absorbed
tremendous punishment.
I had seldom seen such punching from lightweights. The
two men fought toe-to-toe and wouldn’t concede a foot. On
several occasions the lightweight crown tottered on Ad Wolgast’s
head, as the ferocious Dutchman, with his baffling southpaw
stance, crashed home his dynamic right on the champion’s
cheeks, just missing the button.
Then apparently it began to dawn on K. O. Brown that the
championship was in his grasp, and that he would have to pay
proper respect to Ad’s swings if he was to get away with it.
Here the Dutchman made a mistake—and it cost him the
world title.
In the eighth round, Brown landed a punch on Wolgast’s
chin that had the champion groggy. Ad went back on his
heels, his eyes rolling. For a moment he staggered forward
with open mouth, and the Dutchman just missed connecting
with his deadly right. I saw him about to leap in, and then
check himself.
The crowd was yelling for him to finish Wolgast, but he
stood fiddling about, feinting. Meanwhile, the groggy champion
was slowly recovering his senses. What could have happened
to Brown?
He told me afterwards that at that instant he suddenly remembered
how Cross shammed grogginess and then whipped
over his terrific right and that memory decided K. O. Brown
to take no chances.
“Go in and finish him!” yelled “Dumb” Dan Morgan to
Brown. “Finish him now!”
I saw the Dutchman turn and shake his head to his manager.
“Just one more, K. O.” pleaded Dan.
Wolgast was helpless. He was reeling about the ring like a
drunken man, out on his feet. But Brown refused to believe
it. And there was a world championship at stake! My heart
was in my mouth. But what of poor “Dumb” Dan, who had
steered the Dutchman to this supreme moment, and now, in
the very harbor of victory, Brown wouldn’t anchor!
Only one punch was needed to settle it, but the Dutchman
continued to fiddle his chances away. His southpaw stance had
presented him with the great opportunity, but he couldn’t
take it.
For the next two rounds, Ad Wolgast, still groggy, managed
to keep Brown out by a strictly defensive fight. Even when he
had partially recovered his senses, he had no effective answer
to his opponent’s style, and finished the fight—a no-decision
affair—a loser on points, in my opinion. However, under the
rules that governed boxing at that time, only a knockout
could rob him of his world title, and the Dutchman had failed
to deliver it.
There was an extraordinary scene in Brown’s corner after
the fight.
Dan Morgan was frantic.
“Just one blow,” he howled. “Any kind of a punch and you
would have become the lightweight champion of the world!”
The Dutchman looked sheepish.
“Say something, you sap,” bawled Morgan. “You had the
title in your hands and you let it slip away. Why didn’t you go
after him?”
“Aw, Mister Morgan, I didn’t know it,” said Brown. “I taut
he vos kiddin’ me.”
K. O. Brown’s failure deferred the winning of a world title
by a southpaw for three years when I saw George Chip, middleweight
champion of the world knocked out in a huge fistic
upset by Al McCoy in the Broadway Club of Brooklyn, April
6, 1914. Three years later, November 14, 1917, I saw McCoy
dethroned in Brooklyn in another thriller by a tough Irish
middleweight, Mike O’Dowd. That bout went into the sixth
round when a terrific left split McCoy’s lips and a right to the
jaw put Al away. McCoy was an ordinary fighter, but he takes
his place in the Hall of Fame as the first southpaw to win a
world crown in a gloves contest.
Every nation has had its quota of thrill providers in boxing—with
the Irish and the Jews, in my opinion, leading the field
during the years covered in my reminiscences.
Sitting in my offices was Jack McAuliffe, the first recognized
American lightweight champion who retired undefeated. He
had paid me a visit about three months prior to his death and
asked for help on an article he was writing on Irish fighters.
“Tell me, Jack, what is it the Irish have that carries such
appeal for the boxing enthusiasts?” I asked.
Jack wrinkled his brow and with one word gave me the
answer: “Gameness.”
I thought he hit it on the head. One can’t discuss thrilling
fights of the past half-century without bringing in the names
of dozens of famous Irish battlers who fought to packed
houses in New York in the club membership days and later
under the Walker Law. Who can forget the performances of
Harlem Tommy Murphy, Willie Lewis, Jack Britton, Mike
McTigue, Mickey Walker, Mike O’Dowd, Jimmy McLarnin,
Tommy Loughran, Philadelphia Jack O’Brien, Dave Shade
and Jimmy Slattery? Some were powerful hitters, others scientific
boxers, and many combined both hitting power and
science to give us masterful exhibitions.
The many contests between Britton and Ted Kid Lewis,
the bouts between McLarnin and Barney Ross, the hair-raising
bout between Billy Petrolle and McLarnin, November
21, 1930, in Madison Square Garden, the battle with Stanley
Ketchel in which Philadelphia Jack O’Brien’s head rested in
the rosin pan as the final gong sounded on March 26, 1909, in
the Fiss, Doerr and Carroll Horse Mart ring—they were bouts
one cannot forget. And then there were the great battles in
which Mickey Walker was a contestant. His draw bout with
Jack Sharkey, July 22, 1931, his knockout at the hands of Max
Schmeling in the Long Island Bowl, September 26, 1932, and
his battles with Shade, McTigue and Harry Greb, all in 1925,
were performances that brought out the fighting spirit of the
Irish to its fullest extent.
McLarnin’s three contests with Barney Ross, May 28 and
September 17, 1934, and May 28, 1935, the second of which
was the only one the Irish lad won, are unforgettable affairs.
When Jimmy fought Petrolle, November 21, 1930, he displayed
fighting courage that many thought was beyond reason.
I recall the smashed, bloody figure of Jimmy, reeling under
the terrific impact of Petrolle’s merciless wallops; yet as he
stood in the ring, bathed in his own gore, hardly strong
enough to keep his hands up in defense, he wouldn’t give in.
Referee Haley, one of the best bantams in the pre-commission
days, moved over to Jimmy and begged him to quit.
“No, no, please don’t stop it. Don’t ask me to quit,” he
pleaded. Weak, but still defiant, he staggered through to the
finish of the tenth round. In their two subsequent contests,
May 27 and August 30, 1931, McLarnin avenged the defeat,
winning both.
In the same ring in Madison Square Garden, January 6,
1928, I saw another splendid Irish pugilist, Tommy Loughran
of Philadelphia, go down in the opening round from a bone-crushing
right on the jaw delivered by Leo Lomski of Oklahoma.
Nobody expected Tommy to get to his feet before the
count could be completed. Yet he did! As the referee reached
“nine,” Loughran arose, reeled, and was all but out on his
feet. One of Lomski’s seconds yelled, “He’s out, Leo! Go get
him! Get him now!”
Lomski rushed forth, and there followed two minutes of the
rawest melodrama. Tommy took a terrible shellacking but remained
upright. He not only finished the fight, but won on
points. It was a memorable battle. A salute to these great Irishmen
for enriching the story of the ring!
Not all the thrills I received as a reporter came from boxing.
Wrestling had its share. It was truly a sport then, not the
burlesque which it has become in recent years. Those were
the days of George Hackenschmidt, Frank Gotch, the Zbyszko
brothers, Stanislaus and Wladek, Ernest Roeber, Gus Schoenlein,
Ed Strangler Lewis, Jim Londos, Jim Browning, Joe
Rogers, Dr. Roller, and many others. I knew them all and
covered the career of each in my book From Milo To Londos.
My association with Jack Curley, the Tex Rickard of the mat
sport under whose guidance the masters performed around
the country, brought me into close contact with these world
leaders.
I often dined with Curley, George Bothner, and William
Muldoon, a champion of the old school, and it was through
my meetings with them that I gained my knowledge of wrestling.
Frequently I would sit at the ringside of the old Madison
Square Garden for two or more hours watching the skillful
maneuvering of the contestants. I recall vividly the longest
match I ever witnessed—that between Strangler Lewis and
Stanislaus, the elder Zbyszko. It got under way at ten o’clock
and it was well past one the following morning when we left
the arena.
Unlike the burlesque of current matches, their technique
was masterly. I reported those wrestling affairs as I handled
boxing—in detail—for the public was fascinated at the
time. Watching Fred Beall apply his double-nelson; Jenkins
his crotch and half-nelson; Lewis his famous headlock;
Zbyszko his lightning rushes; and Joe Stecher his scissors hold,
gave me as much of a thrill as I got out of viewing an exciting
bout between top pugilists.
20 LAUGHS AND ODDITIES
Often, though the contestants in a bout were of
mediocre caliber or the fight lacked thrills, some amusing incident
developed that enlivened the affair. There were many
such over the years that I jotted down in my diary.
It was in the spring of 1916. Billy Gibson, who managed
three world champions, was operating at the old Manhattan
Opera House in New York City, on West 34th Street. He
matched Charley Weinert, Newark heavyweight, not yet nineteen,
with rugged veteran Andre Anderson in a ten round
bout. Despite his youth, Weinert already had established himself
with the nation’s front-line heavyweights. The Jersey
youngster’s speed and flashy boxing had carried him to victories
over the likes of Battling Levinsky, Jim Coffey, Tom
McCarty, Porky Flynn, George (Boer) Rodel, Gunboat Smith,
and Jim Savage—all top men.
Anderson was a holdover from the turbulent “White Hope
Era” and was a tough campaigner who had faced the best of
the heavies. The ring was pitched on the stage of the opera
house. In the second round, Weinert jolted Anderson with a
left hook and followed through with a vicious blow to the jaw.
Andre reeled, tumbled backward through the ropes, rolled off
the stage, and fell into the orchestra pit where an assortment
of musical instruments had been stacked. He landed seat first
in the wide, inviting mouth of the big bass horn, to the keen
delight of the spectators. That incident saved the show.
Tightly wedged into the horn, Andre strove in vain to extricate
himself while Billy Joh reached across the ropes and
tolled off the fatal ten.
It was some twenty-five years ago that Hollywood’s Victor
McLaglen arrived in New York to make a personal appearance
at the premiere of one of his movies. That same day, February
3, 1933, Boston heavyweight Ernie Schaaf was billed to box
Primo Carnera, the Italian Behemoth, at Madison Square
Garden. Vic, who had been a boxer and wrestler himself prior
to gaining fame in the movies, was an ardent fight fan. As soon
as his personal appearance was concluded, he rushed over to
the Garden to watch the main event.
I was sitting directly in front of him at ringside when McLaglen
suddenly rushed from his seat upon seeing Phil
Schlossberg, one of Schaaf’s seconds, accompanying his fighter
down the aisle to the ring. Vic greeted Phil with a mighty slap
on the back and broadly grinned as both recalled their six-round
match at Vancouver in 1908.
Curious as to the details of their bout, I questioned him
after he had returned to his seat.
“I’ll always remember that fight with Phil,” he replied, “because
it almost resulted in my death. For two rounds we were
fighting on even terms. In the third, Phil split my lip with a
punch and the blood began to flow freely down my throat.
When I returned to my corner, my second, a nervous fellow,
asked me to toss my head back, and as I did, he poured a
‘healing lotion’ down my throat. I collapsed immediately,
and as I was unable to catch my breath, I had to be carried to
my dressing room. What I’d had was ammonia—a good dose
of it.
“You can take it from me, Nat,” concluded Victor, “I never
again took a mouthwash without smelling it to make sure it
wasn’t ammonia!”
On December 15, 1947, I saw a comical performance by
Mexican welterweight Nava Esparza, in a bout with Brooklyn’s
Rocco Rossano at the St. Nicholas Arena in New York
City.
Twenty-six seconds after the fight began, Esparza was
counted out in the quickest knockout in the history of the St.
Nick Club. After the ten count had been tolled, Nava was
helped out of the ring. He climbed down clear-eyed, apparently
in complete control of himself. As he got to the bottom
step he reached down and picked up his own water bucket.
Quickly reversing his movements, he climbed back into the
ring with the bucket. What for? To await the next fighter.
Later in the dressing room he snapped back into focus, and
was surprised to find out that while dazed, he had attempted
to become a second.
A yarn that got a big laugh from servicemen to whom I told
these stories during my visits to training camps and hospitals
during the last war, concerned Sam Langford’s fight with Jim
Smith, an inexperienced but towering 6′ 2″ Negro.
It was in the Autumn of 1911, and I was assigned to cover
the fight at the Atlantic Gardens on the Bowery in New York
City, a famous old club that operated during the Frawley Law
club membership days. Lew Raymond, a colorful figure, was
matchmaker and promoter. Langford, a frequent performer at
the club, was popular with the patrons who packed the arena
every time he fought. Smith came into the ring physically
unfit, and Sam decided he would end the affair in a hurry.
I was in the dressing room with Sam and his manager, Joe
Woodman, when Smith and his handlers passed Langford’s
dressing room on the way to the ring.
“Yuh gonna let me off easy, Sam, ain’t yuh?” Smith asked.
“Yuh gonna stay so long as ah think it’s good fer yuh,” replied
Sambo.
The bout got under way. Smith started dancing around the
ring to avoid Sam’s hits. Now and then Sam did contact his
opponent’s body, but he couldn’t get over a clean shot.
Came the fifth round.
“Fer why yuh keeps running like dat?” inquired the angry
Langford, as he stopped in mid-ring and looked at his opponent
with disgust. “Is yuh so frightened you’se afraid to fight?
Come on in an’ do some fightin’!”
But all he got was a laugh from Smith.
Suddenly, as Smith wheeled about to get out of the corner,
Sambo leaped forward, let go one that came up from the floor
and struck Smith with such force on that part of his anatomy
where the monkey has his tail, that Big Jim was raised off the
floor and landed with a thud on the canvas. He lay flat as
Referee Billy Joh counted him out.
When Smith finally got to his feet, he looked angrily at Sam
and said:
“Why yuh ’it me dere?”
“Cause yuh got eyes in yoh head but dere’s none you got
behind yuh.”
Here’s another on Sambo that took well with servicemen.
In 1913, Sam was booked to fight John Lester Johnson, a
burly Negro who could hit and who had fought a ten round
no-decision bout with Jack Dempsey when the Manassa
Mauler made his début in New York. Raymond had booked
the pair for the Atlantic Gardens, and the place was jammed
on the evening of the affair. Johnson was a “new one” on
Sam’s list, but he knew enough about Sambo not to gamble
on his punch. So when the bout began, like many other Langford
opponents, he started to race around the ring.
Several circuits had been made when Sam suddenly halted,
stood a foot or so away from the ropes, and watched his man
scamper about like a scared jack-rabbit. He was convinced
that his opponent wouldn’t remain long enough in one place
to make a fight of it, so he did some quick thinking. He estimated
the speed at which Johnson was moving, then let a
winding right go at his fleeing rival. The punch caught John
Lester “on the fly” and halted his flight with dramatic suddenness.
The fist landed on the base of the spine, and Johnson
went crashing to the floor. His head was clear, but the clout
had paralyzed his legs, and he was counted out and had to be
carried to his dressing room.
It was at the Howard Athletic Club in 1908, that I first met
Stonewall Allen, the Negro “Fighting Parson.” He was one of
the strangest characters in the New York sporting world. A
good boxer, he always prayed publicly before he left his
corner for the first round. On this particular night he met a
tough sailor boy, Mike McGarry, the “Fighting Tar.”
Half-way through the first round the sailor caught Stonewall
with a smash on the mouth and knocked out three of his
teeth. As the “Parson” stopped to pick them up, a wild swing
caught him on the jaw and flattened him out for the full
count.
When he recovered his senses, Allen, as was his custom,
knelt and prayed. The boys in the gallery began to razz him.
One of the sports writers at the ringside asked him in a loud
voice what he was praying for after being knocked out.
He rose to his feet and, rolling his eyes heavenward, answered:
“I’se thanking de Lawd for gibing me a soft spot to land
on.”
Al Singer was a terrific puncher. He was so confident of his
ability to punch holes in anything on two legs that he entered
into a match with Jimmy McLarnin, September 11, 1930,
then the hardest hitter, pound for pound, of any boxer in the
game. It was an overweight affair, and Al ought to have
known better.
For two rounds he outboxed McLarnin. In the third session,
Jimmy induced Al to swap punches. It was a terrific
spectacle to see these two human battering rams going at it
without any attempt at defense. The crowd was whipped to
fury as the bone-crushing smashes struck home. But it was too
good to last. McLarnin unleashed a straight right to the point
of Singer’s jaw, and down he went.
Jimmy was so certain that Al was out for keeps that he did
a few handsprings, his usual procedure after a victory. But
Singer began to rise at “nine,” and as Referee Johnny McAvoy
was bringing down his arm for the “ten,” Al leaped to
his feet.
McLarnin was just finishing a handspring at the time, and
Singer, seeing his chance, rushed in. He missed a crashing
punch by the fraction of an inch, and McLarnin replied with
a smashing left hook to the jaw which finished Singer’s interest
for the evening.
A few months later, Al Singer fought Tony Canzoneri in
Madison Square Garden, November 13, 1930. Tony nearly set
up a record by battering Al into submission in one minute
and six seconds. The knockout came with dynamic suddenness
and swept the fans off their feet. A left hook caught Al off
his balance and drove him back on his heels. Another punch
of the same sort finished him.
I was staring fascinated at the drama when Ed Hughes, a
sportswriter and cartoonist, sitting next to me said, “What the
hell happened? I was writing that the boys had come into the
ring!”
I also recall the strange ending to the New York début of
Babe Herman, flashy young Californian, whom Jack Kearns
managed during the early 1920’s.
Herman’s opponent was Irish Johnny Curtin, colorful
Jersey City slugger, and the scrap was held at Charley Doesserick’s
Pioneer Club.
For five rounds it was Herman’s brilliant boxing and sharp-shooting
against Curtin’s rugged two-handed aggressiveness.
The Babe nailed Irish Johnny on the chin with a vicious
right just as the bell clanged the end of the fifth. Beyond jolting
him as it landed, the punch seemed to have no serious
effect on Curtin. Gingerly, Irish Johnny turned to walk to his
corner. He had taken about two steps when, suddenly, the full
force of that wallop caught up with him, and he pitched forward
on his face.
Despite the frenzied manipulations of his handlers during
the minute’s rest, Irish Johnny was still out and unable to
answer the gong for the sixth.
The bizarre results of “delayed-action” punches also gave a
strange twist to the ending of a battle I saw in New Orleans in
1921 between Happy Littleton, hard-hitting local middleweight,
and Jack Bloomfield, clever Englishman.
Littleton clipped Bloomfield on the chin in the ninth. Jack
staggered for a moment, then turned away from Littleton,
groped his way to a corner, and started to stumble along the
ropes.
While the bewildered Littleton looked on, Bloomfield, in
the manner of a Leon Errol or Jimmy Barton, reeled around
three sides of the ring and was headed for a complete lap
when his legs finally caved in, and he collapsed to the canvas
to be counted out.
Can a man, standing on his feet, be unconscious and be
counted out by the referee? It has been done, and I’ve seen it.
I saw a lightweight championship change hands, May 28, 1917,
in such a bout. Benny Leonard had cornered champion
Freddy Welsh. Welsh was unsteady on his feet and desperately
trying to hold himself up. He slipped one arm over the highest
rope, and braced himself just as Leonard landed a hard
punch to the jaw. Welsh started to fall toward the floor to get
a moment’s rest. Benny, always a very shrewd fighter, started
a quick flurry of punches which knocked Welsh across the top
rope.
Kid McPartland, a very good referee, made Leonard step
back. The champion was out, hanging on the ropes, his feet
on the canvas. McPartland counted the final ten over him, and
as convincing proof that poor Welsh was absolutely unconscious,
he slid off the ropes at the end of the count and fell in
a limp heap on the canvas.
Not long after his victory over Welsh, Leonard beat Phil
Bloom in a fight that had a peculiar ending. Benny hit Phil on
the chin, and Phil retired from the fight with a broken ankle.
He had sat on it when he went down.
I recall a discussion which once arose between a group of
sports writers and experts concerning queer happenings in the
ring.
One mentioned the case of Willie Lewis and Sailor Burke.
I saw that fight at the Fairmont Club, on August 13, 1909. It
was a ten-rounder, and both men were tough and clever.
Willie Lewis was a really great welterweight. He met and
beat the top-liners of a period which included such battlers as
Billy Papke, Harry Lewis, Dixie Kid, Mike Gibbons, and
Curley Watson. But Sailor Burke had a big punch and was as
hard as granite. In the first round he dropped Willie with a
hard right to the chin for a count of six.
Willie returned the compliment in the second session by
putting the Sailor down for nine. It was a peach of a blow—a
left hook that lifted Burke clean off his feet.
Then came the fantastic third round. Both men were mixing
in the middle of the ring, with Lewis having a shade the
better of the milling. They stood toe-to-toe, hammering away
at each other with lefts and rights to the body and jaw, when
suddenly Burke started a right hook.
Willie tried to beat him to the punch with a similar blow.
Both wallops landed good and true—both men staggered—and
then, to the roar of the crowd, both slumped to the canvas.
Referee Billy Joh was amazed. For a moment he didn’t
know what to do. Shouts came from all over the house. In
both corners the handlers were wild with excitement, yelling
their heads off. Then Billy jumped between the fighters, and
with head down, started to count.
It was an extraordinary situation. Burke, who had landed
on his face, was trying to turn on his side, but Lewis, in falling,
had toppled in such a position that part of his body was
resting on the Sailor’s knees, and this prevented him from
getting to his feet.
The count went on; “three ... four ...” Then Lewis
started to wriggle, partly releasing Burke “... five ...”
Willie was scrambling to his feet. “... six ...”
The gong went for the end of the round and saved the situation.
Eventually Lewis put Burke out for keeps in the sixth
round, but the thrill of that third session had drained the
spectators of interest.
As soon as the fight was over, I went to the dressing room
and had a talk with Billy Joh. I was anxious to know what
would have happened, if neither man had been able to get up
and the gong had not sounded.
“I was puzzled for a moment, Nat,” said Billy, “but I soon
remembered we are fighting no-decision bouts. For the sake of
records, I should have continued the count and the man who
got to his feet first would have been the winner.”
Two of the strangest knock-downs I have ever seen took
place at the same Fairmont Club, one between Boyo Driscoll
and Biz Mackey and the other between Soldier Kearns and
“One Round” Davis, both in 1911.
In the fight between Kearns and Davis, the latter was handing
a whale of a beating to Kearns and apparently had victory
well in hand. But Kearns stepped in and like lightning
shot up a magnificent uppercut which turned Davis over in a
back somersault.
A cry rose from the crowd as Davis finished the somersault
on the back of his neck, his head bent under him and his toes
resting on the floor.
“Good heavens!” said a voice near me. “That must have
broken his neck!”
The referee began to count, and Davis still maintained his
dangerous and grotesque position.
“Pick him up!” the crowd roared. “His neck’s broken!”
And it looked as if a tragedy had happened. I saw Kearns
step forward to help his fallen opponent, but his handlers
shouted for him to keep still. Davis didn’t move, and the
count went pitilessly on.
As soon as he had ticked off “ten,” the referee rushed in and
raised Davis from the canvas. He was still out and his head
swung helplessly on his shoulders. His handlers ran into the
ring to cries of “Get a doctor!” They carried him to his
corner, where a few minutes later he was revived.
Half-an-hour later, I was talking to him. He was still
slightly dazed, but so far as I could see, really none the worse
for his experience. How he escaped severe injury to his neck
was a mystery to me.
Billy Joh refereed the Boyo Driscoll-Biz Mackey fight and
was forced to count over both men at the same time. This
extraordinary affair began when the boys were close to the
ropes, hammering away at each other’s body.
Billy Joh stepped in and separated them. As he did so, the
fighters went for each other with everything they had. Both
landed with a right to the jaw simultaneously. Driscoll went
spinning toward one side of the ring and Mackey toward the
other. They were stretched out flat while spectators howled
with delight. Mackey was up at “Seven,” swaying like a
drunken man. At “nine” Driscoll stumbled to his feet. Each
staggered about the ring unable to do any fighting. It was
extraordinarily comic. Laughter rocked the house as the men
groped blindly to find each other. When eventually their
gloves met, they fell into a clinch and remained that way without
doing anything to each other until the gong sounded.
Many things that look queer to spectators are no joke to the
fighters, but I must confess that I have often sat at ringside
and enjoyed some of the antics. Some years ago two husky
lightweights, Hugh Ross of Kentucky and Tom Kelly of New
York were pitted against each other in a ten-round bout.
When the final gong sounded, Ross was all in, on the verge of
collapsing. As he fell into his chair, grasping the ropes, he
turned to his second:
“What round was I knocked out in?” he inquired.
Seconds later the announcer was hailing Ross the winner,
but the groggy fighter didn’t realize it. In the dressing room
he couldn’t be convinced that he hadn’t been kayoed. He
thought his handlers were spoofing.
21 CHAMPS AND CHUMPS
Every profession has its quotas of goofs and bulge-heads.
Boxing leads them all in quality and quantity of
whims, fancies, peculiarities, and idiosyncrasies. The history
of the champs and chumps of fistiana is a saga of trickery,
superstition, and practical jokes that would fill a good-sized
public library.
Since the gaslight days when fighters wore skin tights and
fought bare-knuckled for a hundred rounds, performers of the
roped square—an amazing collection of grotesque personalities—have
used tricks that would confound a Hindu fakir,
and followed fetishes that would stymie a practitioner of
Voodoo.
Of the fighters I have known intimately, Leonard, Johnson,
and Young Corbett ruled the roost when it came to making
disconcerting remarks that enabled them to regain their equilibrium
while they were palming off the hot stuff on their
opponent. Philadelphia’s Lew Tendler wasn’t quite certain
that he had knocked champion Benny Leonard bow-legged in
the eighth round of their fight at Boyle’s Thirty Acres in
Jersey City, July 27, 1922, and forgot to put across the finishing
touches when Benny, smiling, said to him:
“You hit pretty hard, Lew. Why don’t you hurt me?”
Tendler, uncertain how to take the remark, permitted
Leonard to hold on and to talk until it was too late to put
over a haymaker. Leonard was as happy as a lark when he
pranced to his corner with the knowledge that he had hoodwinked
Tendler into missing an opportunity for a knockout.
Leonard had another favorite ruse that he’d use whenever
he faced a tough opponent, as in the meeting with Richie
Mitchell in the old Garden. Benny, while taking the referee’s
instructions, turned to his rival and remarked:
“Now, boy, let’s make it a real fight. Those fans want to see
action. But if I knock you down, don’t get up too soon. Take
nine, you may need it.”
Of course, he usually spoke so that the ringside scribes
could hear what he had said, and that added to the discomfiture
of his opponent. Benny’s remarks paid good dividends.
Harlem Tommy Murphy would cut loose with a line of gab
every time he dropped an opponent. A talkative fellow, Harlem
Tommy would upbraid his man for not doing well, and
then, after he had dropped him for the count, he would remark:
“Sorry, old top. Give my regards to the folks when you get
home.”
Former world bantamweight champion Johnny Coulon,
came to pay me a visit when I was in Chicago recently. We
discussed some of his fights, especially the one in which he
beat Frankie Burns in New Orleans in a twenty-round bout,
February 28, 1912. Coulon asked me if I recalled how he
kidded Burns out of a possible knockout in the fourteenth
round, when Frankie had caught the champion with a corking
right to the chin.
Coulon was tossed back on his heels. It looked as if he
would tumble to the canvas, but he caught himself in time,
grasped the left arm of his opponent, backed Burns against
the ropes and then, while trying to clear his head, said:
“Why, Frankie, you’re a sap. You have a good punch but
you don’t know how to toss it. Watch me!” Instead of taking
advantage of the position he held by virtue of that stunning
wallop, Burns tore himself away from Johnny’s grip and
covered up while maneuvering himself out of range of
Coulon’s right. While he retreated, the champion fully regained
his faculties and, following Burns, actually caught him
with a powerful right to the chin that almost dropped the challenger.
Burns never knew that he had been duped. But it wasn’t the
first time Coulon had come up with this stunt when stunned.
Fighters are probably the most superstitious of all athletes.
In many years of experience with their ways, I have come across
some extraordinary cases of ring superstition. Few boxers I
have met are free from it.
One of them was Gene Tunney. He dismissed luck as a factor
in the fight game, although he had plenty of it—for example the
“long count” he was given in his contest with Jack Dempsey at
Chicago. But Gene affected to despise everything that savored
of superstition.
“It’s up to me,” he would say coolly.
Incidents that would have driven most fighters into a state
of superstitious fear had no effect on Gene, and his almost inhuman
calm sometimes had a bad influence on his opponents.
He never batted an eyelash. He was cool, collected, a study in
perfect composure. No fighter in recent years, with the exception
of Loughran, approached Tunney’s ring demeanor.
Dempsey, on the other hand, was like Jeffries in that he was
so nervous that he twitched and tossed, moved his feet to and
fro in the resin, worked his hands over the upper strand of the
ring, and could scarcely await the call to battle. He was pulling
at the leash every moment he waited for the bell.
Dempsey had his full share of superstition. He always went
into the ring with a dirty old maroon sweater thrown across
his shoulders. Once I asked him about it.
“That sweater, Nat,” he said, “has been with me ever since
I began fighting. I bought it in St. Louis out of my first ring
earnings, and I have never been beaten while wearing it.
Once I left it off and lost the decision.”
Jack handed the tattered garment to me for inspection. It
was certainly an odd fetish for one of the best-dressed boxers
of modern times.
“You may laugh at me, Nat,” he went on, “but that old
sweater brought me luck against Fred Fulton, Carl Morris,
Bill Brennan, and Georges Carpentier, and I’m sticking to it—to
the last thread.”
I didn’t laugh, because I have often thought that fighters in
the heat of battle get a clearer insight into the nature of
things than most of us.
Just before Dempsey left his dressing room for his memorable
fight with Luis Firpo, “Doc” Kearns decided that
Dempsey was so invincible that he no longer needed his lucky
garment.
I was at the ringside and saw Jack climb into his corner.
He was wearing a brand-new white sweater with which he’d
entered the ring.
“Here, Doc, take this,” he said. “I don’t want to see it again.
For my next bout give me that old sweater you wouldn’t let
me wear tonight. That Firpo fellow nearly put me out because
I didn’t wear that sweater.”
Many Catholic fighters cross themselves before the first
gong. Johnny Summers, star British boxer, among others, always
took a rosary into the ring.
When Harry Wills, the ebony-skinned New York heavyweight,
fought Jack Sharkey, both fighters were asked to say
a few words to the radio audience before the bout started.
Sharkey obliged by shouting into the microphone:
“I’ll whip Wills tonight. I’ll knock the bozo out!”
“Harry, will you say something?” asked the announcer.
“Sorry,” replied Wills, “I’m superstitious. I never say anything
before a fight. It brings me bad luck.”
But when the fight was over and Wills had been declared
the loser on a foul, he rushed to the mike and cut loose with a
barrage against referee Patsy Haley, who had disqualified him.
Bob Fitzsimmons was very superstitious.
“Nat,” he said, “I’ve often heard people ridicule others who
told them of a dream that affected their careers. I believe in
dreams as I do in the Gospel, and my reason for this strong
feeling is that almost every dream I have had has come true.
“More than ten years ago, the night before my fight with
Jim Jeffries on Coney Island, I dreamed I was fighting a tough
battle, and that I was knocked out. When I got up in the
morning I told my wife about the dream.
“‘Rose,’ I said, ‘I’m afraid it’s all over. I’m going to lose my
championship.’
“‘Don’t be silly, Bob,’ she said. ‘What makes you say such
things?’
“I told her of the dream I had had the previous night.
“‘I shall lose all right, Rose. I’ve never known a dream of
mine not to come true.’
“You know what happened, Nat. I lost the championship to
Big Jeff in the eleventh round.”
And then Fitz went on to tell of several other dreams that
had come true.
Like his old opponent, Jim Corbett, he also believed that
horseshoes brought good luck, and he told me that when he
began his training for the fight with Corbett at Carson City,
he himself—for he was a blacksmith—made a large horseshoe
and placed it on the floor of his dressing room.
“I made two horseshoes every week I was in training, Nat,”
he said, “and gave them away to newspapermen and my handlers.
When I had made the thirteenth horseshoe I decided to
keep that for myself. One morning I was out on the road. My
wife was following me on horseback. Suddenly I got a hunch.
I stopped running and said to her:
“Rose, I’m going to stop Corbett in the thirteenth round.
The horseshoe has told me so.”
As a matter of historical record, Fitzsimmons knocked out
Jim Corbett with his famous solar plexus punch in the fourteenth
round—only one round beyond that which he had predicted.
A few years ago, I flew to San Francisco to attend the Ezzard
Charles-Joey Maxim fight. I met Tom Sharkey, and together
with Rocky Marciano and some sports writers, we went to
San Quentin Prison to entertain the inmates. Old Tom was in
a reminiscent mood. He told us that while he was preparing
for his fight with Gus Ruhlin, Bob Fitzsimmons had sent him
two peacocks.
“When those birds arrived I nearly passed out, for I remember
an old woman once telling me in Ireland that the
owner of a peacock never had any good luck,” said the fighter
who gave Jim Jeffries his toughest battles. “I wanted to send
those birds back to Fitz, but I loved him like a brother and
didn’t want to offend him. All through my training, I wept
thinking of the unlucky peacocks, and when I lost to Gus in
the eleventh round, I blamed it on those Jonah birds.”
Negro fighters are usually very superstitious. Tom
O’Rourke, manager of the original Joe Walcott, once told me
that Joe refused to train unless Tom presented him with a
rabbit’s foot.
“No rabbit’s foot, no luck,” Joe would say.
I once asked Sam Langford if he believed in the jinx.
“Yes, sah,” replied Sambo, “my jinx is colored fighters,
sure.”
The goal of his ambition was to annex the world title, but
Jack Johnson stood in his way, and Langford blamed his failure
to become the champion on members of his own race.
The Boston Tar Baby preferred to fight white men once a
week to Negroes once a month. His record shows that he was
whipped by Dave Holly, Young Peter Jackson, Joe Jeannette,
Harry Wills, and Jack Johnson—all colored boxers.
“White men are my meat,” he told me, “colored men are
my hoodoo!”
Joe Humphreys, who at one time helped me to collect data
for a life story of Terry McGovern, in one of our many conversations
told me, “Nat, there was probably never a fighter
who believed more in lucky omens than Terry. I’ll never forget
the day he fought Aurelia Herrera in San Francisco. He
climbed into the ring all smiles, greeted his friends at ringside
and then sat down to await the instructions of the referee.
“Suddenly, one of the spectators signalled to Sam Harris,
Terry’s manager, and pointed to McGovern’s left shoe. It was
unlaced.
“This was one of Terry’s deepest superstitions. During the
preliminary work, between the time that McGovern entered
the ring and went to the middle for instructions, the trainers
had purposely neglected to tie the lace.
“When the referee motioned the fighters to the middle of
the ring, Terry took off the unlaced shoe, spat in it for good
luck, put it on again, and told one of his handlers to lace it.”
A mass of superstitious fears, the Brooklyn Terror also believed
in the “lucky kiss.” He was convinced that unless he
received a good luck kiss from his wife before a fight, he would
be sure to lose.
Tiger Flowers, the Georgia Deacon, boxed in New York
City quite frequently during 1925 and 1926. The Deacon,
who won the world middleweight championship from Harry
Greb, not only would kneel and pray, but would carry a Bible
into the ring and offer to the Almighty a few words from this
precious book. Unfortunately, an eye infection resulted in
gangrene, and Flowers died soon after becoming champion.
During the vaudeville tour of Jim Jeffries and Tom
Sharkey, I listened to Jeffries tell his audience that he regarded
a twisted lace as a sign of ill-fortune. Whenever he
noticed that a lace was twisted, he made his handlers remove
the glove and relace it. He also said that he insisted on having
a certain seat at the training table in camp, and would never
permit a change to be made after the arrangements had been
completed. A change, he said, meant bad luck.
On my visit to Burbank to attend Jeffries’ seventy-fifth
birthday, he told me a story about a dirty penny which he
found on the road in Asbury Park while training for his fight
with Fitzsimmons. Jeff and Tommy Ryan were taking a run,
and when they halted Jeff kicked aside a penny that was in his
path. The coin was covered with mud, and Jeff was loath to
touch it, fearing bad luck.
He asked Tommy to pick it up. But Ryan was also superstitious
and refused. Jeff then remarked:
“Tommy, I’ll pick it up. If it’s heads up, I’ll surely beat
Fitz. If it’s tails, I’m a sure goner.”
Heads it was, and Jeff told me that he was as happy as a
lark that day.
And he, of course, won the battle.
And so it goes. Superstition is part of human nature. The
world’s most famous fighters have used rabbits’ feet, praying
beads, lucky charms, the lucky handshake, the wife’s or sweetheart’s
handkerchief, and many other talismans to bring them
luck in the ring.
BOOK FIVE
22 ADVENTURES ABROAD
I was struck with the wanderlust at an early age. I
liked traveling and made up my mind in my youth that I
would see the world, and I carried out my plan successfully as
I grew older. From the time I was fourteen to the present day,
the aggregate mileage I’ve covered would go many times
around the globe. Collecting material for sports stories, visiting
places of interest to better acquaint myself with world
boxing conditions, hunting for world boxing talent, and on
occasions officiating as referee in international bouts, both
amateur and professional, enabled me to meet the leading
sportsmen and sports writers of our country, Canada, South
America, Europe, Asia, Australia, and New Zealand.
Prior to World War Two, I frequently acted as third man
in the ring in contests in Spain, Germany, Venezuela, Panama,
Cuba, Canada, and Puerto Rico. Including matches in the
United States, I officiated in more than 1,000 boxing bouts,
and probably refereed in more foreign countries than any
other American.
Most of my trips were taken by air, though in the days when
I was Sports Editor of New York dailies, I made many sea
voyages, particularly to Central and South America. In 1948 I
flew close to 60,000 miles to attend world boxing conferences,
to see international contests and to study boxing conditions.
That year I made three flights to Europe, four to various parts
of Canada, three to Central America and one to South
America, in addition to many in our own country.
On one of the European trips I flew to London, Dublin,
Glasgow, Paris, Rome, Barcelona, Madrid, Brussels, Copenhagen,
Stockholm, and Lisbon to look over youthful boxing
talent. Such long journeys were the rule rather than the exception.
Twice in 1951 and again during April, May, and part
of June of 1952, I journeyed almost as far on behalf of boxing.
In 1954 I flew around the world twice.
I was in Panama the year that the Canal was finished and
opened for navigation and the following year, 1912, I made
another trip to spend a vacation with the Duke family, owners
of the Panama Railroad, the bank, and practically every other
worthwhile financial enterprise in that old Spanish city, including
the lottery. Two of the Duke boys were football players
at Fordham University, and that’s how I became acquainted
with them. I was still with the Press at that time,
and had taken a three months’ leave of absence in order to
gather material for special series which I had decided to write
on “Sports in the Caribbean.”
I received a letter of introduction to Major General Goethals,
builder of the Canal, from his West Point classmate,
Irvin Wardman, Editor-in-Chief and part owner of our paper.
Upon my arrival in Panama, I stopped at the Washington
Hotel, where General Goethals was quartered. Presenting my
letter, I was ushered into the presence of an elderly and stately
looking Army man, kind but firm in tone. We spoke of Mr.
Wardman and of New York, and then he asked me if I would
care to go on a tour of inspection of the Gatun Lock and up
the Chagres River.
I was delighted. The next morning we boarded a government
motorboat, the General Christie. In addition to General
Goethals, our party consisted of his Superintendent of Construction,
several Army engineers and myself. It wasn’t long
after we started that we heard a thunderous roar. To our right
we saw a mountain of dirt drop into the Culebra Cut. A Japanese
ship, the Maru Tamuiri, was caught in the rush and became
wedged in between tons of earth and rocks.
I had my camera with me and with a newspaperman’s instinct,
I clicked and clicked and got a splendid set of photos
of the great slide. It was a break that comes once in a lifetime
for a newspaperman.
There was no trip on the Chagres River that day. We returned
to headquarters from where General Goethals sent his
report to Washington, and I mailed a story to my Sunday
magazine section and with it went the plates with the pictures
of the slide.
My photos and story reached the office of the New York
Press too late and to hold off another week wouldn’t do. John
Hennessey, our Managing Editor, chanced to meet Carl Van
Anda, the Editor of The New York Times, at the Press Club
and offered the material to him. He was elated at the opportunity
to obtain a first hand photo illustrated story from an
eyewitness and two months later, when I returned from
Panama to resume my work in New York, Mr. Hennessey explained
why he had let the Times use the photos. After congratulating
me, he told me that Mr. Van Anda wanted to see
me.
I got in touch with him immediately and received a warm
greeting. He thanked me, and as I was about to leave, he remarked:
“By the way, that must have been an expensive trip. What
did it cost you?”
Imagine my surprise a few days later when I found a letter
from him on my desk containing a check with this message:
“This is in payment for the splendid pictures you sent from
Panama.” That check paid for a good portion of my long trip.
I’ve often told that story in discussing newspaper work with
young boys whom I broke into the sports writing field. I
should like to add that every office boy who worked for me is
now an executive, or was one, on a New York newspaper.
There was Robert Maher, one of my first copy boys, who
became night sports editor of the Evening Sun; Eddie Galiani,
my New York Telegram office and copy boy, who later became
assistant racing editor of that paper; Donald Pratt, another
from the Morning Sun, whom I took under my wing as a sports
writer, is the Editor-in-Chief of the Fairchild Newspapers, the
largest chain of commercial journals in the country. There
were many others of whom I am proud to say got their start
and guidance in sports writing from me.
In 1911, the year previous to the Culebra Cut Slide, I spent
two months in Panama City and on one occasion, with one
of the wealthy Duke boys to guide the party, we went many
miles up the Chagres River which enters into the Canal.
There on the banks of a settlement, I photographed Indians
standing on the beach and others in shell-like canoes. I was
amazed by their physical appearance! They had light hair,
pinkish eyes and white-spotted bodies.
About fifteen years later, New York newspapers carried big
headlines of a tribe of Albinos discovered along the Chagres
River in Panama and several were brought to New York to be
exhibited at the Grand Central Palace. I was confident that I
had seen such creatures many years before in my travels, but
was joshed considerably until I decided to hunt through some
of my old pictures and located a photograph of three such
Indians posing for me. Perhaps those I had snapped were not
from the same tribe as those discovered by the New York Historical
Society’s representatives, but their features were identical.
They were Albinos who lived about 50 miles up the
Chagres River. Thus I lay claim to a “discovery,” though I
wasn’t aware of it until I read the story of the “find” by the
Historical Society.
It was in 1911 that I put on the first professional fight ever
held in Panama. I also staged one for a benefit conducted by
the Panama Herald in which I was the referee, and the boxers,
with the exception of one giant Negro, were all from American
Army camps.
I saw my first cock-fight in Panama that year, and enjoyed
the sport very much—primarily because I had a good run of
beginner’s luck and cleaned up on the fights. I left the arena,
a dilapidated shack, more than $200 the richer and carried
away with me a set of old time Spanish spurs which I bought
as a souvenir and still have on exhibition in my Ring office.
I also had the chance there to spin the wheel for the first
Panama lottery, the winner of which was an undernourished,
little old woman upon whom Dame Fortune smiled that day
to the extent of $20,000. A part ticket I held, won third prize,
and I collected $60.
Among the many exciting experiences I had during my
tours in various parts of the world as a referee or judge of
important international boxing matches, two stand out—my
encounter with gunmen in Caracas, Venezuela, and in San
Juan, Puerto Rico. In April, 1939, I was on a Central American
tour and while in Puerto Rico, I was asked to officiate in
the world bantamweight championship match between Sixto
Escobar and Kayo Morgan. The bout was staged under conditions
such as I never again encountered.
At the time there was considerable dissension among the
natives regarding American rule. The Nationalist Party on
several occasions tried to assassinate the leading legislators and
had gone so far as to incite insurrections in Ponce where a
number of persons, including the chief of police, were killed.
Four of the leaders were sentenced to the Atlanta Penitentiary
for long terms by the U.S. Government. Governor Winship,
an ardent boxing fan, had returned on the day of the fight
from Washington, where he held a conference with President
Roosevelt on the Island’s unrest.
Four boxes were reserved for him and his party at the Stadium
and unusual protection was arranged by Police Chief
Orbeta because of reports that an attempt would be made on
the Governor’s life. The bout was delayed for almost an hour
due to the late arrival of the guests of honor, and then, amid
wild cheers from an overflow gathering, the contest got under
way.
Seven rounds had been completed when a terrific downpour
drenched us. The tropical storm caused a stampede
among the thousands of spectators who sought shelter. Like all
such torrential rains, the storm lasted only a short time but
was sufficient to give those seeking the lives of the Governor
and members of his cabinet a chance to carry out their work.
Within minutes after the cloudburst, the arena and an area
within a mile or more surrounding the stadium, were in total
darkness. The electric wires had been cut and during the
blackout, while spectators were being drenched, shots were
fired. There was a flash from the top of one of the walls surrounding
the arena. The Secret Service guards immediately
crowded around Governor Winship and his party and a
speedy exit was made under heavy guard with torchlights
guiding the way. Many persons took refuge under the ring
and hundreds crowded around it. The fighters, managers
Harry Baxter and Lou Brix, and I, couldn’t get out of the
ring.
For almost three quarters of an hour we remained in total
darkness wondering what was in store for us. While the commotion
continued, mobsters broke down the gates of the
stadium, and a mad rush was made towards the ring. The
bleachers were bulging from the sides, and the grandstand
and ringside seats were full to the limit when the fight had
started. When the rain stopped and the bout was resumed, fist
fights added to the confusion, as those who had paid ten
dollars for their seats battled with the hoodlums who had
rushed the gates.
But the fight went on, and after eight more rounds, Escobar
was awarded the decision, thus holding on to his crown. Fortunately,
Governor Winship was unharmed. Those who tried
to assassinate him had been keenly disappointed, for if ever a
stage was perfectly set for such an attempt on the life of a
notable, this was it.
In their escape, the guerillas left many blood stained handkerchiefs
on top of the wall enclosing the arena. On the inside
of the stone wall, blood indicated that more than one person
had been on the job. The cuts were sustained from jagged
glass that had been fitted into the cement on top of the fence
by city officials as a protection against gate crashers. It was
indeed fortunate that no one was killed.
The day after the fight I wrote a story for El Mundo, the
leading paper in Puerto Rico, in which I covered the attempted
assassination thoroughly, including the findings of
Harry Baxter, manager of Kayo Morgan, and myself. The
story created a sensation. The government denied that any
attempt had been made on the life of Governor Winship, and
a rival paper, which was supporting the rebels against the
United States, battered my brains out editorially. However,
Chief of Police Orbeta acknowledged the facts with a declaration
to the press:
“The culprits who cut the electric wires in an attempt to
kill our Governor, will be caught and punished!”
Puerto Rico, like Cuba, was a second home for me for many
years. Scarcely a winter passed that I didn’t spend a month or
more in those Islands where I am as well known as in my
native city. I refereed fights in Havana and San Juan and
often wrote boxing yarns for papers in those cities.
In July, 1939, I was asked by the Venezuelan Commission
to arrange the fight between world featherweight champion,
Joey Archibald, and Simon Chavez, the Central American
titleholder. The bout was to be held in the bull ring at Caracas
and I was to referee.
Jess Losada, one of Cuba’s leading radio commentators on
sports and a sports columnist, managed Chavez; and Al Weill,
who in later years was the matchmaker for the Twentieth
Century Sporting Club and the International Boxing Club,
and handled several champions, including Rocky Marciano,
managed the featherweight king. Losada and Weill couldn’t
get together on terms for the Venezuelan fight, hence my aid
was sought. I was told to offer Weill $10,000 and two round
trip tickets, plus the privilege of 40 per cent of the gate. I was
also to inform him that the Boxing Commission would request
me to act as guest referee. On those terms Weill accepted.
I flew to Caracas a week before the fight. I stopped at the
Hotel Majestic, where Archibald and Weill’s representative,
Sammy Richman, were also staying.
The publicity was excellent and interest in the fight was
keen. The day before the bout, which took place on a Sunday
afternoon, the bull ring was sold out. The stage was set for
the biggest gathering that had ever seen a glove fight in Caracas
and a record gate was assured.
That night, I was sitting in my room listening to a Spanish
music program on the radio. I had donned my pajamas because
of the extreme heat. A call came in from the desk clerk
informing me that two men were eager to see me. Although it
was late, I told him to send them up to my room.
They introduced themselves as Miguel and Arturo Mendez,
brothers who had lived in Brooklyn prior to making Venezuela
their home. They told me they were bookmakers. The
Spanish are heavy bettors on sports events and thousands of
bolivas, they said, had been wagered with them on the fight.
They themselves were betting heavily on Chavez to win.
“We know you well, Nat,” said Miguel, the taller and
huskier of the pair, “and we come to see if everything is all
right.”
“In what respect?” I inquired.
“Simply that we don’t want to lose our money. Archibald is
a big favorite and we want to see that our man doesn’t lose.
The Americans here have bet a lot on him.”
“You want me to protect your money by giving the decision
to Chavez? Is that it?” I angrily asked.
“You guessed it right,” replied Miguel. “Are you with us?
It will be well worth your gamble.”
With that Miguel nodded to his brother, who took out a
wad of bills from his coat pocket and placed it on my bed.
I brushed the money to the floor and ordered the men out
of the room.
“Not so quick,” snapped Arturo. “You’re making a big mistake.
Think it over,” he said, as he gathered up the money,
and then taking a gun from his pocket, twirled it close to me
as a sign of what might happen if I didn’t cooperate.
“We’ll go now but we’ll call you at ten tomorrow. We want
our answer then,” Miguel said as they left.
I reached for the telephone, got the chairman of the boxing
commission at the Caracas Country Club, and told him what
had happened.
“I’m not going to referee,” I informed him. “I’m coming
up to see you, and I’ll return the $600 that was advanced to
me for my flying fare.”
There were two other members of the boxing board with
him when I arrived.
“You are the drawing card as much as your champion,” he
said after hearing my story. “You cannot turn us down. I will
see that you have full protection. A policeman will be with
you all day tomorrow and you’ll have plenty of protection at
the arena.”
We then drove up to the promoter’s house and from there
back to the Hotel Majestic, where I repeated my story to
Sammy Richman and Losada. I was finally persuaded to
change my mind and accept the assignment.
The next day at the arena, I was placed in a small room
during the preliminaries and was closely guarded by two
armed soldiers. At a given signal, I was ushered to the ringside
and entered the ring as Chavez and Archibald came down the
aisles.
Gendarmes and soldiers encircled the ring at four-foot intervals
throughout the fight for my protection should the decision
go contrary to the wishes of the two former Brooklyn
thugs, who had apparently learned about sure-thing gambling
during their stay in New York.
For four rounds Archibald battered Chavez all over the
ring. I had visions of what would happen after the fight and
sweated it out, but there was nothing I could do about it,
since I was determined to give an honest decision, come what
might.
Early in the fifth round, Chavez caught Archibald with a
right to the jaw that staggered the American. He gave Archibald
a sound beating throughout the round and that was the
turning point of the fight.
The high altitude had affected Joey to such an extent that
he had shot his bolt in those first four sessions, and thereafter
he was at the mercy of his opponent In the last two rounds,
Archibald could scarcely raise his arms and when the final
gong sounded, I quickly lifted the hand of Simon Chavez, the
winner.
The scene that followed was something to remember.
Chairs were broken by partisan enthusiasts in the wild rush
for the ringside. Hats were tossed into the air. Wild shouts, as
only the Spanish can screech and shout, rent the air.
And there I was, resting against the ring post, my uniform
wet from perspiration, but happy in the knowledge that I had
defied the gangsters who tried to have me fix that fight and that
my presence had helped bring in a gate of $36,700, a record.
Nine months later, the same promoter paid Jack Dempsey
$5,000 and two round trip tickets for himself and Ned Brown,
his publicity man, to come to Caracas to referee the fight between
Chavez and Sixto Escobar, of Puerto Rico. It was expected
that the presence of the great Manassa Mauler would
add greatly to the figures grossed by Archibald and Chavez,
with me as referee, but the fight was a complete flop. The gate
reached only $18,432, and the promoter went in hock for
plenty.
They couldn’t understand what had happened, but the answer
was simple. Dempsey reached Caracas a day before the
fight, thus preventing the promoter from publicizing his presence,
whereas I was on the job a week in advance, went on the
air to help the show, appeared daily at the training camps, and
even wrote stories which were translated into Spanish.
The incident that caused me the most personal embarrassment
occurred during my visit to Havana during the winter
of 1958. I had received an invitation from the Cuban government
through General Fernandez y Miranda, head of the
Cuban Sports Commission, to attend the dedication of the
new Havana stadium, the most beautiful and completely
equipped arena I have ever seen. I had visited General
Miranda, President Batista and Ernesto Azua, chairman of
the Cuban Boxing Commission, a few weeks before to arrange
the program for the sports carnival scheduled for that week.
Unfortunately, my presence was commented upon in a six-page
article entitled “Unhappy Cuba’s Cockeyed Week” in
the March 6 issue of LIFE magazine. Among the many photos
was one of General Miranda and me which bore the caption
“Slot king is Batista relative, Fernandez y Miranda, here talking
with boxing historian Nat Fleischer.” Needless to say,
this caused me considerable embarrassment as the article was
an exposé of mobster activities in the Cuban capital. There
was nothing in the story to indicate that I had any connection
with gambling in Havana, but the intimation was there.
I was besieged by calls for days following the article’s appearance.
Friends and acquaintances joshed me continually
about my association with racketeers, and to each I had to explain
that my appearance in Havana was on behalf of sports
and in no way connected with gambling. Through my work
as a journalist I have met many of the mobsters mentioned in
the Life story, as most of them were New York’s top shots of
the Prohibition era. They are now firmly entrenched in the
Nacional, Riviera and Capri hotels running their investments
into gigantic fortunes.
As for General Miranda, I know him only as a member of
President Batista’s cabinet in charge of physical education
and sports. He has frequently visited Madison Square Garden
and The Ring office and is a most charming man. I wasn’t
aware that he was “king of the slot machines,” in Havana, but
I do know that he is one of the six finest shots in Central
America, where he holds many records, not only for shooting
but for track and field and amateur boxing and wrestling.
It should be noted that through General Miranda’s efforts
there is far less juvenile delinquency in Havana than there is
in New York. A little more of the Cuban athletic spirit and enthusiasm
for boxing, baseball, basketball and swimming
would undoubtedly be welcome in America’s largest city.
The sports carnival itself was marred by a tragic opening
day accident in the Gran Premio, a 315 mile automobile race.
Fidel Castro’s rebels had kidnaped Fangio, Argentina’s great
road champion, in the hopes that his absence would prevent
this major event from taking place, but the race got underway
after an hour-and-a-half postponement.
The objective of the rebels seemed to be attained a few
minutes later, however, when the car of Armando Garcia
Cifuentas skidded on an oily stretch and crashed into the
crowd, leaving a toll of seven persons dead and thirty-seven
injured. The race ended in confusion.
That morning I was in the Nacional Hotel with Truman
Gibson, Secretary of the International Boxing Club, which
sponsored the boxing show held two days later, when the telephone
rang and a voice asked:
“Is that Nat Fleischer, The Ring editor?”
“Yes. Who is this please?”
Instead of answering the voice continued:
“You know what happened to Fangio?”
“Yes,” I replied. “What about it?”
“Well you also a big shot—you in boxing. You are helping
Batista. Look out.”
And with that statement, down went the receiver with a
bang.
I laughed and Truman asked me what was so funny. I repeated
the conversation and added that someone is playing a
prank.
“Prank, hell,” he quickly answered. “Watch your step. That
guy means business. You’ve had a big part in arranging the
details for the show here. I think you’ll find it safer in the
Casino than in this lobby.”
I paid little attention to the threat, assuming, then, that it
all was a joke. Now I’m not so sure.
Nothing did happen. I attended the opening of the sports
arena, where, instead of the full house expected, less than
10,000 were present. Many were secret service men, police
from the security bureau, and men of the armed forces, since
the government, like the folks who might have attended had
the rebel scare not kept them away, had been warned that the
building would be bombed. As each spectator entered the
arena, he was searched for arms—not a very pleasant way to
start an evening’s outing!
As for the main event, which had World Champion Joey
Brown pitted against Orlando Echevarria, champion of Cuba
and Central America, it lasted less than a round. The Cuban
was counted out in two minutes and five seconds. The rest of
the program, which featured two Latin-American championships,
was exceptionally fine and thrilling.
23 A DREAM COME TRUE
As a youngster, I thought that traveling in the
Orient was reserved for books and dreams—or Marco Polo.
Yet as a grown man I found myself in the land of my dreams.
I may say now that my childhood fancies did not measure up
to the dazzling reality: the violent contrasts of fabulous wealth
and unbelievable squalor; the customs so strange to me; the
glorious color of temples and palaces; the beautifully exotic
land itself.
Early in 1954, I received a cable from Brigadier General
Pichai Kullavanijya inviting me to visit Bangkok as the guest
of the Thailand government for a world bantamweight championship
fight that had been arranged for May 2 between
Jimmy Carruthers of Australia, the titleholder, and Chamrern
Songkitrat, Orient champion, a young Thai sublieutenant of
police. I accepted, and when I left for the scene of action, it
was my first flying trip around the world. I have since taken
several.
The trip was an eventful one but it was Thailand, more
than any other country I visited, that impressed me. Its beautiful
temples; its barefooted priests with their yellow loose
robes, an umbrella in one hand and a bag of food in the
other; naked children roaming the roads; people of many
races crowding the colorful market places; three-wheeled
vehicles jamming the streets with their fares—they left an impression
I shall never forget. Hong Kong with its mixed races,
its crowded thoroughfares, its beautiful fragrant flower market,
and its poverty; Tokyo with its pretty kimono-dressed
women; Manila with its reminder of the atrocities that befell
its inhabitants during the Japanese invasion; ancient Asia
Minor cities with their historic biblical shrines; the ruins of
Athens; Istanbul with its Byzantine architecture; beautiful
Rome and Paris; busy London, colorful Stockholm, Copenhagen,
Antwerp, and Amsterdam—they all hold the tourists’
interest, but not like Siam. I enjoyed my visit to each, but
Bangkok left the greatest impression.
Let me tell you about the stage setting for the two championship
bouts I saw there. In a scene unparalleled in ring
history, a scene that was reminiscent of the historic Dempsey-Tunney
world heavyweight championship bout in Philadelphia,
a gathering of 59,760 persons paid 5,000,700 ticals,
$227,304.90 in American money, to see Carruthers retain his
throne by a hairline margin and, following his victory, announce
his retirement. Unlike championship bouts in other
countries, this one was limited to twelve rounds. I arranged
it so.
Those who witnessed the Dempsey-Tunney contest in Philadelphia
can imagine what we encountered in Bangkok by
picturing a tropical storm that started three days before the
fight, drenched the spectators who braved it, made a lake out
of the ring, and flooded the muddy streets over which thousands
trekked to the National Stadium.
Bulbs from the overhead lighting system crashed to the canvas
from time to time, forcing temporary halts to the fight
while a broom brigade I had organized swept the glass and
water from the ring. It was the first championship fight staged
in that country, and the sports-loving folk of that little kingdom
went all out to see it. As the guest of the Thailand government
I was appointed overseer of the affair, and in view of
the unbelievable conditions under which the contest was
staged, I granted permission for the boxers to enter the ring
in their bare feet to lessen the danger by making the footing
more firm.
I had never seen anything like it before. Dignitaries from
Thailand and other nations, most of them dressed in their
native garb; nobility from many lands; fight fans who came to
the scene by foot, bicycle, tricycle, horse back, auto, train, and
wagon—a reminder of the picturesque scenes portrayed in
stories of bare-knuckle fights in England—all headed for the
Stadium, the national sports arena. Traffic was so congested
that it took me more than an hour to cover less than a mile
from the Government Resident Palace, where I lived for a
month, to the arena.
The mass of humanity, trudging through the streets unmindful
of the adverse conditions or the ruin of their colorful
garments, was a picture to behold: the varicolored holiday
dress of the Siamese, Hindus, Japanese, Chinese, and other
Asiatics in contrast to the conventional Western dress of the
Australians and Americans, many of whom were from our
government agencies.
Between weighing-in time and the fight, thousands visited
the Emerald Buddha Temple where the scene was most impressive.
Hundreds gathered within its walls. We knelt in
prayer with shoes parked outside—the native custom. When
I emerged, the rain was coming down so heavily that I pleaded
with Carruthers to have the fight postponed, but he wouldn’t
think of it.
“Let’s get it over with,” he said. “I’ll take my chances.”
Since I had the final decision, I held a confab with the principals
and the government officials, and it was decided that a
postponement would be dangerous: because of the housing
shortage it would be impossible to care for the many visitors.
The bout went on. We called it “the Battle of the Typhoon.”
I sat through the fight with my clothes soaked. In spite of an
army raincoat I had borrowed, the water flowed down my
body, yet I enjoyed the affair more than any I had ever witnessed.
When the fight was over, before we were able to get to
the military car that had been assigned to me, we walked almost
knee-deep through a sea of mud for half a mile, and
when we got to the Resident Palace, my suit had shrunk to
such an extent that my valet found it necessary to slit the
trousers to remove them. I couldn’t use my shoes and coat
again.
When the contest was over, Referee Bill Henneberry of
Australia, the only official, quietly raised the hand of Carruthers,
“the winner and still champion.”
It was a very close affair, and many in the vast arena booed
the verdict. Never having attended a fight in the Orient before,
I was expecting a riot momentarily. But fast thinking on the
part of the defeated young boxer turned what might have
been a disaster into a wild ovation.
Chamrern quickly took the microphone from the announcer,
held up his hand for silence, and standing in mid-ring
he said in his native tongue:
“My dear friends, I am proud to have been able to bring
fame to my country by being the first Thai boxer to contend
for the world bantamweight championship, and I am personally
satisfied that the decision was fair and beyond doubt.
If I am not sorry, my friends and countrymen, why are you?”
The sportsmanlike remark was greeted with thunderous applause,
and eventually restored decorum. At a banquet the
following day, tendered in honor of High Police Commissioner
Delaney of New South Wales and myself, General Phao
Sriyanonda, Director General of the National Police and later
Thailand’s Prime Minister, presented Songkitrat with an advanced
rank in the Police Department, and to me he gave a
handsome silver cocktail set with other gifts of silver for my
daughter.
A few months after Carruthers had announced his retirement,
the Thailand government again requested that I act on
its behalf in arranging a bout to obtain Carruthers’ successor.
Since Songkitrat had already gone twelve rounds with Carruthers,
and Robert Cohen of France was recognized throughout
the world as the leading challenger, I brought the pair
together with the consent of the European Boxing Federation,
the New York Commission, and the National Boxing Association.
The story of how that bout was arranged is well worth
telling.
With the crown vacant, the Thailand government contacted
me while I was in London and requested that I offer
Cohen 10,000 pounds sterling ($28,000), tax free, with all expenses
for himself and his managers, if he would agree to meet
Songkitrat for the title. Before starting negotiations, as a member
of the Advisory Board of the World Boxing Championship
Committee, I contacted its members and obtained their
consent. Then I did the same with the European Boxing
Federation, the New York Commission, and the National
Boxing Association, and when I got the green light from all, I
flew to Paris to see Cohen’s manager. He asked me to discuss
the matter with his partner, Robert Diamond, in London.
With the guarantee agreement set, I drew up a contract
which called for the contest to be staged on September 19,
1954, in Bangkok, with Teddy Waltham, secretary of the British
Boxing Board of Control, as neutral referee at a fee of one
thousand dollars. A Thai official and myself were to act as
judges. With this set, and accompanied by Diamond, I went
to the Thailand Embassy in London, and there the Ambassador
affixed his signature on behalf of his government, Diamond
signed for Cohen, and I signed for the World Boxing
Championship Committee, of which I am an honorary member.
Thus for the first time in the history of boxing, an Ambassador
signed a contract for a boxing match. I was proud of my
achievement and prouder still of the manner in which the
affair was handled.
Boxing received its greatest recognition in recent years
when Their Majesties King Bhumibol Adulyadej and Queen
Sirkt, the Thai cabinet, ambassadors and ministers from foreign
countries, with high-ranking officers from the Allied
Forces stationed in the Far East, all sat in a specially constructed
grandstand to watch the fight—despite another torrential
rain that kept up until about half an hour before the
bout went on.
A gathering of 69,819 that paid $200,952.24 saw the Thai
champion go down to defeat.
As on my first visit, I was quartered in the spacious Resident
Palace, a lone occupant except for a valet, two maids, and
a cook to look after my comfort. I was given a military car and
chauffeur and an English-speaking Police Lieutenant aide,
throughout my stay. Outside my residence, two sentries were
on duty day and night.
On the day of the fight, despite another heavy tropical rain
storm, as before, all roads leading to the battleground were
jammed throughout the day. People headed for the stadium
on foot and in vehicles of various sorts, and to take care of the
heavy traffic, two thousand police and members of the armed
forces were brought in from the provinces to help the Bangkok
force. People from the bordering countries of Cambodia
and Laos crowded streets already full of Chinese, Hindus, Filipinos,
and Siamese.
Outside the stadium, hawkers were carrying huge rolls of
cellophane and plastic sheets, which they cut and sold in large
strips to take the place of rain coats. These street merchants
reaped a harvest. Their merchandise went like hot cakes at 15
bahts (50 cents) a strip. With these over their heads and
shoulders, the fans entered the arena and sat in varicolored
chairs—blue, white, brown, red, orange, and yellow—arranged
in rows.
The day following the bout, General Phao gave a dinner in
my honor at which the French Ambassador and many government
notables were present. At this affair His Majesty
awarded me the Fourth Class of the Most Exalted Order of
the White Elephant, the highest honor that may be conferred
on a foreigner. The white elephant is a sacred animal in the
land of Buddha, and Buddhism is Thailand’s national religion.
It is sacrilegious to kill a white elephant—the symbol of
purity.
In addition, I received a silver and gold combination humidor
and pipe rack, built around the head of a tiger that had
been shot by General Phao, and a stuffed tropical bird whose
gay plumage and song I had admired in the palace garden the
previous day. He also presented me with a necklace and bracelets
of beautiful Siamese silver for my daughter, Joan.
I shall always recall the wonderful greeting I received on
this second visit to Bangkok. As our Pan-American plane approached
the field, we could see hundreds of children waving
American and Thai banners, and as the plane landed, a roar
went up. It was as much a surprise to me as it was to the others
to hear Captain Max Webber announce:
“Will all passengers kindly remain seated while a guest of
the Thai government gets off the plane first.”
That guest, I soon learned, was me. As I stepped out of the
plane, General Pichai and General Mora, headed a large delegation
of government officials who had come to escort me. Applause
and shouts of “Our Uncle Nat is here,” made me feel
very much at home.
I was swamped with garlands, each made up of fragrant
flowers with red, white, and blue ribbon holding them together.
So heavy was the load across my neck that I requested
to be permitted to hold some. There was a military escort of
motorcycles and jeeps, followed by fifty cars and buses, each
flying the American and Thailand flags, and banners blazing
the words “Welcome Our Uncle Nat Back to Thailand.”
It was an amazing tribute to boxing since I was representing
the sport.
At dinner that evening General Pichai asked if I would like
to see Siamese boxing. What a question! What baseball is to
the Americans, cricket and soccer to the British, and Sumo to
the Japanese, hand-and-feet fighting is to the Thai folk. It
brings out the throngs and has its idols of whom Songkitrat is
one. Whether they win, lose, or draw, these heroes are decorated
with wreaths, receive beautiful gifts of silver, and are
showered with attention wherever they go.
It’s a sport in which the rules and regulations that govern
international boxing are tossed aside. The code which governs
it prohibits gouging, hair-pulling, and striking an opponent
when he is down—otherwise everything goes. The contestants
use their feet, knees, and elbows as offensive and defensive
weapons, and once the action gets under way, fur flies. The
bouts are usually thrillers, with not a moment of inactivity.
The foreign visitor watching a Siamese boxing match is not
so much attracted by the hand-and-feet fighting as the opening
ceremony that often lasts from five to ten minutes. It is called
“Ram.”
It is a peculiar combination of praying, limbering-up exercises,
an acknowledgement to the fans for their presence, and
a salute to the opponent, instead of the usual handshake to
which we are accustomed. The fighters first bow until their
heads touch the ground. This is when the prayer to Buddha is
made. Then each fighter twists his head toward his manager’s
corner with another prayer, this time for the man who has
trained the fighter. Next comes a salaam to the crowd. Then
with head still bowed in reverence and with hand upraised
towards heaven, the fighters recite a prayer for victory. The
final stage of the ceremony is that in which the fighters prance
around the ring like toe dancers and shadowbox as they have
been taught by their masters. They move their hands in
mystic waves, kicking their legs high, then each goes to the
other’s corner and bows to his opponent.
A band of six musicians plays during this ceremonial prelude,
and continues to play throughout the fight. The weird
music is reminiscent of medieval days; and the entire “Ram”
rites, I was informed, may be compared to the ceremonies attending
the opening of athletic tournaments in the fifteenth
and sixteenth centuries.
With the conclusion of the ceremonies, the fighters are
called to the ring center where the action gets under way.
Each has a white band on his arm. It is known as the Holy
Band or mongkol in Thai language, and is supposed to give
strength and courage to the contestants. Beneath this band is
a small charm, a tiny Buddha statue, or a pebble from the holy
soil of a Buddha Temple.
The referee calls for time, and as soon as the fight gets
under way, six musicians begin their quaint music with two
high-pitched guitars, two oriental drums, and two flutes. This
accompaniment is nerve-wracking to an American. Those
accustomed to it would regard a match dull without it. The
tempo speeds up as the bout progresses and the action in the
ring remains rhythmic as the boxers keep pace with the musicians.
The Siamese boys make our boxers look like novices as far
as their courage and ability to take punishment are concerned.
They take a shellacking, giving and receiving blows, and
European rules would call for quick disqualification.
24 THE FITZSIMMONS CLAN
The 1956 Olympic Games were over. My long stay
in Melbourne, where I had gone to report the international
boxing competition, was completed. Should I journey back to
the States by way of the Far East, stopping off in cities familiar
to me through previous visits?
That was a decision I had to make quickly because of the
heavy transportation problem, and it didn’t take me long to
do so.
I remembered a letter I had received from Timaru, New
Zealand, from Betsy McKenna of the Club Hotel, whose
mother was the patroness of the New Zealand Sports Association
and whose father for many years was a prominent sportsman
in the South Island. Shortly before his death, his daughter
had invited me to visit Timaru if I went to the Olympic
Games. This decided me: I would take a trip to New Zealand
where famous American boxers had performed in the days of
Eddie McGoorty, Jimmy Clabby, George Chip, Jeff Smith,
and Billy Papke. I would visit Auckland, Wellington, Christchurch,
and Timaru.
So on to Auckland I flew, a six-hour flight from Sydney; and
from that point in the North Island as my headquarters, I
headed down south, my final destination being Timaru, the
home of many of the Fitzsimmons family.
Everywhere I went, friendly hands greeted me. Radio recording
was a must in each of the cities where I stopped. I was
on the air, on radio and television, a total of twenty-nine
times, including six special recordings for the Government-controlled
national radio—so great was the interest there in
international boxing.
Timaru was my objective because of the many entertaining
hours I had spent with Bob Fitzsimmons during his stage
career. I was out to gather material about the Fitzsimmons
family, and I obtained what I was after.
Two of the greatest boxing figures made their start in the
Southern Hemisphere. Fitzsimmons in Timaru and Les Darcy
in Maitland, New South Wales. These fistic stars were idolized
in their homelands. Mention the name of Darcy or Freckled
Bob in any pub, and you’ve started a discussion that may last
for hours.
In my journeys through Australia and New Zealand, I met
many sports enthusiasts who knew Les and Bob. Some at three
score and ten have vivid recollections of the early days of these
men whose names occupy a niche in the Fistic Hall of Fame.
When I visited Maitland to unveil the Darcy Memorial and
spoke to a gathering of about 5,000 who had come from all
parts of the Commonwealth to honor the memory of their
idol, I thought I had met all of the pugilistic celebrities of the
past and present who had any part in keeping boxing alive in
that part of the world. But my subsequent trip to Timaru uncovered
still more.
Timaru is a small dot on the southwestern coast of the
mainland in the South Island of New Zealand. It is seldom in
the itinerary of the tourists, and receives little attention even
from New Zealanders.
Yet this little city of only 23,000 inhabitants, in the sheep
farm district 100 miles from Christchurch and about 200
miles from Auckland, can stand on its own as an historic
athletic center. It has a unique claim to fame in the sports
field, having produced five of the world’s greatest athletic performers.
Remember Jack Lovelock, the famous 1500-meter king to
whom Hitler presented an oak tree—part of the Olympic ceremonies
at that time? Jack brought it home to Timaru, presented
it to the high school, and today it stands 75 feet high in
the school yard, as a memorial to this famed middle distance
runner who died in America.
Then there was the race horse, Phar Lap, known as the
“Red Terror”; it thrilled the turf world with its great performances
before dying soon after being shipped to America.
And Dick Arnst, the world-renowned sculler, had few
equals. He was born in Timaru and lived there all his life.
The little city that had less than 3,000 inhabitants when the
Fitzsimmons clan first settled there, also boasted of a great
billiard player, Clark McConachy. A master of the cue, he was
one of the greatest in the game.
But Timaru bases its greatest claim to athletic fame on the
first man to win three world championships—Bob Fitzsimmons,
holder of the middleweight, heavyweight, and light
heavyweight crowns. The city claims Bob as its very own, although
the British have always been free to take credit for his
accomplishments on the grounds that he was born in England.
The Timaru folk keep Ruby Robert’s name alive with
stories about his escapades and thrilling anecdotes about the
strength of his dad, the ability of his brother Jarrett as a
mighty smithy, and the fighting spirit of the entire family.
The citizens—average country people such as one meets in any
farm land—are proud of the part their city has played in international
sports.
They take you to the street where Bob first learned the
blacksmith trade, point to a little camera shop now occupying
what once was Fitzsimmons’ place of business; the alley adjoining
where the horses were kept until ready to be shod; the
little passageway, a short street now occupied by stores, where
Bob made his start at fist tossing; the anvil on which he
worked, now owned by Joe Stewart, blacksmith to the Timaru
Harbor Board, and an old building where the sign that was
displayed outside the original Fitzsimmons’ horse shoeing establishment
hangs with the legend, “J. Fitzsimmons, Veterinary
Shoeing Forge.”
Visiting the Fitzsimmons’ clan was a delight. So much has
been written about Bob and his birthplace—Elston, Cornwall,
England—and so little about his adopted city, where he
worked as a blacksmith during his boyhood years, and learned
the rudiments of the trade in which his fists were to gain for
him an international reputation, that if my visit to Timaru
did nothing more than to put it back on the fistic map, I will
be delighted.
Bob’s picture hangs in almost every hotel lounge in Timaru.
And you can’t get to first base if you try to convince them
that Ruby Robert was a Cornishman and not a New Zealander.
Mention of my itinerary to Kiwis invariably brought
forth the statement: “That’s where Fitzsimmons lived. We’re
proud of him.”
Ruby Robert’s first job, his relatives recalled, was in Reid’s
and Grey’s Foundry in Stafford Street North, a short distance
from where the Dominion Hotel now stands. Boxing had far
greater appeal for him than any other sport, and he took to it
like a duck to water. One of the old settlers I interviewed remarked:
“There’s many a time when Bob, left alone in the shop,
would go down the alley to have a little go with the gloves. He
didn’t have much difficulty getting some one to spar with him
while another kept a lookout at the blacksmith shop.”
“Did the family ever speak of Jem Mace who is credited
with having taught Bob the finer points of boxing?” I inquired
of blind Jack Fitzsimmons. (A steel splinter had penetrated
his right eye while he was working as a smithy.) He’d
talk for hours about boxing and the prowess of his uncle if he
could get a listener.
“Yes,” he replied. “His sister Catherine had a vivid recollection
of Bob’s early days and often told us of the celebrities
with whom Bob associated. Mace, she told us, was Bob’s
teacher and a mighty good one. He had a night school where
he taught boxing and Bob attended it after working hours.”
Continuing after a short pause, Jack said, “She told us that
Uncle Bob began boxing at the age of fifteen, and our father
said that Bob had engaged in three bare-knuckle bouts with
heavyweights when he scaled only 142 pounds. Father, you
know, was Bob’s brother and he, like Bob, was strong and
vigorous. He had thin legs—a family trait, I believe; from the
waist down, they were similarly built.
“I recall Dad saying that it wasn’t long after Mace took
charge of Uncle Bob’s training that he was fighting all comers
of any weight class in South Canterbury. Bob’s fame spread,
and stories of his prowess drifted to Australia; at the age of
twenty, he left Timaru for Sydney, where he fought in
matches arranged by the great Larry Foley.”
I was amazed at the boxing knowledge of Jack Fitzsimmons.
Blindness hadn’t affected his memory. He recalled dates and
places which normally require research in The Ring Record
Book for accuracy. I was shocked upon my return to America
to learn that Jack died shortly after I had left for home.
Discussing Ruby Robert’s sense of humor, Jack Fitzsimmons
remarked:
“Aunt Catherine told us that he grew up with plenty of it
in his make-up. And from what we learned from our father
and read in The Ring and elsewhere, his antics in his training
camps and in his social gatherings portrayed the picture well.
He was full of pranks and never was disturbed when they were
played on him, Dad said. It was his easy-going temperament
that enabled him to make friends wherever he went.”
Jack added, “You know when Uncle Bob was fighting in
Australia there was little difference between amateurism and
professionalism. When Mace arranged the affair in which
Uncle Bob gained his first prestige as a boxer, ten other boxers
competed in the tournament and the rounds weren’t limited
as they are today when amateurs compete. A bout finished
only when one was knocked out, yet the Mace tournament was
advertised as an affair for amateurs.”
Wes Jack took out some mellowed newspaper clippings telling
of Ruby Robert’s visit to Timaru, following his retirement
from boxing. In one, Fitzsimmons tells of the time he
won the New Zealand title.
“I didn’t have things easy,” he told his interviewer. “As a
young man who weighed at the time less than 125 pounds, I
had to face tough opposition with opponents far heavier. But
I reached the top, although in so doing I had to fight men of
all sizes and weights.”
Discussing the blacksmith shop, a story related by Bob’s
brother, Jarrett, two of whose sons became heavyweight champions
of New Zealand, held my attention. Jarrett, who died
in Timaru at an old age, telling his sons about the power in
the arms and shoulders of his brother, said:
“I’ve often been asked how brother attained his strength. I
think it came from fighting and subduing crazy horses
brought into our blacksmith shop. If there was anything Bob
liked, it was to be assigned to shoeing a brute. He would remark:
“‘It strengthens my arms and legs when I’m kicked across
the shop and it helps develop the sand in a man.’”
In The Ring museum in Madison Square Garden there is
a letter from Fitzsimmons addressed to me. I had seen him in
Chicago in 1914, at which time I interviewed him, and when
I mailed the article to him, he added to his statement:
“The cave-men of the ring are extinct. Champions such as
we had when I was in my prime are gone, never again to return.
The champions of the future will be as children compared
to the rough and ready battlers of twenty or more years
ago. Fighting, like all other sports, is reaching out along lines
of improvement. The men of today realize that boxing is more
important than is slugging.
“They are beginning to see the advantages of knowing how
to block and feint and those who still can retain their punch
are the ones who will reach the top. You’ll find as the years
pass that fighting will become more and more scientific and
championships will change hands on points and not on knockouts.”
Those were the words of one of the greatest champions of
all time. He foresaw many years ago the change that already
has taken place.
BOOK SIX
25 BIRTH OF THE RING
With the February issue of 1957, The Ring, my
boxing publication, completed thirty-five years of service in
the interest of the sport; years of war, prosperity, gloom, and
world turmoil. They were years that included “The Golden
Era” of boxing and a paralyzing depression; and throughout
the three decades, The Ring, which started with a circulation
of 2,500, carried on without interruption. From a small magazine
confined to the environs of New York it grew into a
world publication, published in America and in England with
a total circulation of over 200,000.
The Ring made its wavering début on February 10, 1922, to
combat attacks against boxing. I operated out of a cubbyhole
in the old Madison Square Garden, in a little room donated
by Tex Rickard. It was a one-man job. I was editor, business
manager, circulation manager, and general handy man,
though the stock was owned by four of us. About half a year
after the first issue was published, Eddie Borden, well known
in boxing circles, joined me as an assistant.
Between 1917 and 1920, when the Walker Law went into
effect following the demise of the Frawley Law, boxing in
America was in a sad state. But the Walker Law brought
about a change, a promise of order in what had become a corrupt
racket.
Rickard had come East soon after the Walker Law was
passed, and decided to promote fights and other sports events
in the old Garden and at the Polo Grounds. He was so successful
that he aroused the envy of crooked politicians who found
it more profitable to operate without state supervision. They
tried to put him out of business and to kill legalized boxing.
Those politicians formed an unholy alliance with reformers
against the new boxing bill. With the help of Rickard, I enlisted
the services of friends, most of them nationally known
newspapermen, to fight for the life of legalized boxing.
Rickard asked me what could be done to halt Governor
Smith from killing the sport. I suggested that we flood the
Albany Senate and Assembly with pamphlets outlining our
reasons for opposing the bill which would have halted boxing.
He agreed. I received the support of every sports writer in
New York to help the cause.
Articles were written for the pamphlet by New York’s leading
sports editors and columnists: Bill McGeehan, Damon
Runyon, Walter Trumbull, George Daley, Wurra Wurra
McLaughlin, Ned Brown, George Sands, Bat Masterson, Bill
McBeth, Harry Cross, Charles F. Mathison, Francis Albertanti,
Grantland Rice, George B. Underwood and myself.
Copies were sent to every member of the New York State
Legislature.
With Senators Frawley and Walker fighting our battle in
the Senate, and Assemblyman Marty McCue, a former pugilist,
doing the chores for us in the Assembly, we fought a winning
campaign. Governor Smith listened to the plea and then made
his historic decision, saving boxing for New York State. He
said that though he didn’t like boxing and had never attended
a show, he was highly impressed by the editorial comment of
the sports writers and those who had gone to Albany to attend
the hearing. He vetoed the measure of the reformers and boxing
was saved.
Following that narrow escape, I decided that a publication
devoted wholly to the sport would be worth starting. I asked
for Rickard’s help, but he balked at spending any more
money. I argued that if a pamphlet such as we presented to
the State Legislature and the Governor of New York could do
so much good for boxing, a magazine devoted to the sport, an
organ to give boxing an articulate mouthpiece, would be a
venture worth tackling. Rickard was not impressed. I was to
be only too grateful for this later on.
But I wasn’t licked. I. C. Brenner, of Golfers’ Magazine,
had heard of my plans, and he came to my rescue. He knew
the magazine field and offered to help launch a publication if
someone would back it financially. I became the backer.
I went to Frank A. Munsey, my employer, who had ditched
the New York Press and had purchased the New York Telegram
to which I was shifted, and I asked permission to bring
out the publication. He gave me the green light after I promised
that the work would not interfere with my duties as sports
editor, and that I would keep the contents clean and do
nothing to hurt The Telegram.
With Brenner, I took as partners (without any financial aid
from them) Frank Coultry, treasurer of Madison Square
Garden, and Ike Dorgan, brother of the famous cartoonist,
Tad. Ike was Rickard’s publicity chief. I gave each of them
equal shares at 25 per cent.
Three months later, Coultry and Brenner retired from the
enterprise. They didn’t think the magazine would be a success
and sold their stock to Ike Dorgan and me. But within a year,
the magazine had jumped from 2,700 to 13,000 and from 24
pages to 38.
Thereafter there was a steady rise. From America’s leading
newspapers and magazines foremost writers were added to the
staff. The appearance of the book was improved.
In 1929, I bought out Dorgan’s stock and became the sole
owner. I had constant faith in the magazine and despite the
depression, I decided to take over the ownership and put
everything I had into it. However, trouble came when I lost
my bankroll in the financial crash, and for two years I accepted
Bernarr MacFadden as my partner. In 1931 that arrangement
was abandoned, and since then I have carried on as
publisher and editor. With the help of an excellent staff, I
have built the publication to its present circulation of over
200,000 in the U.S. and in England and aided by the good
management of Nathaniel R. Loubet, my son-in-law, we have
modernized the format to meet current needs.
Rivals have come and rivals have gone, but The Ring continues,
steadily improving, with a record of never having
missed an issue since its inception. We suffered losses during
the war years, but never faltered. The friends we made by
shipping The Ring gratis to all areas where our men were
fighting, more than offset those losses, for we gained good will
we couldn’t have purchased with money.
While many magazines were forced to discontinue during
World War II, The Ring continued to serve its readers, those
in hospitals and in training camps, a service unequalled in the
history of American publications. Lectures with motion pictures
of famous fights were given through The Ring in camps
and hospitals, and no expense was spared to see that the men
received what they cherished most in reading matter—boxing
news. In addition, we organized The Ring’s Servicemen’s
Athletic Fund, which purchased athletic paraphernalia for
camps in all parts of the world.
One of the greatest achievements of The Ring is the publication
of its annual record book (an international guide to
boxing), and its annual rating of boxers, a listing that is used
by promoters and commissions in pairing fighters.
Many years ago the late Walter Camp initiated the custom
of designating the outstanding football players of the year as
the All-American or best-players of the season. A flood of
imitators adopted this idea and today All-American football
team selections are almost as numerous as the players.
When Camp died, I thought of having some sort of honor
roll of boxing similar to his gridiron ratings. Looking around
for a boxing figure of equal prominence to make the selections,
I chose Tex Rickard.
The fabulous Tex was in his heyday then, and following
the announcement that he was to make a selection of the
world’s ranking boxers, his ratings were awaited with tremendous
interest.
The forerunner of the detailed and highly classified Ring
rankings of today appeared in the February 1925 issue for the
first time and caused world-wide comment. Such ring immortals
as Jack Dempsey, Benny Leonard, Mickey Walker,
Harry Greb, Gene Tunney and Pancho Villa were in action
at the time, and, of course, their names led all the rest in their
respective divisions.
Dempsey was naturally rated top heavyweight, with his
perennial shadow, Harry Wills, in the number two spot. Tunney
was a light heavyweight in those days and was ranked first
in the 175-pound division. Young Willie Stribling and Kid
Norfolk were second and third, respectively.
The great Harry Greb headed the middleweights, and the
man who was to succeed him, Tiger Flowers, was in the
runner-up spot. Mighty Mickey Walker was welterweight
kingpin, followed by Dave Shade, who was to trail the Toy
Bulldog throughout his career. The peerless Benny Leonard
was still showing his heels to a new generation of lightweights,
his old rivals having fallen by the wayside. Sid Terris and
Sammy Mandell, a couple of up-and-coming youngsters, had
edged the oldsters out of the second and third positions.
Kid Sullivan topped the junior lightweight division, a
favorite of the time, and Louis Kid Kaplan led the feathers.
Cannonball Eddie Martin was ranked best of the bantams,
and Pancho Villa headed the popular flyweight division as
world champion.
Rickard continued to make his choices in the pages of The
Ring for some years, but Tex, while a genuine connoisseur of
heavyweight material, was not always as painstaking in his
examinations of the smaller fellows. It was difficult to convince
him that the selections in the lighter divisions were just
as important. The big lads were always closest to Tex’s heart.
That was where the money was. They were the raw material
for the promotional extravaganzas that had placed Rickard at
the top of the heap in his field.
After Rickard’s death in 1929, I had Jack Dempsey make
the selections. However, Jack suffered from the same shortcomings
as his predecessor. He knew all the answers so far as
heavies were concerned, but was inclined to overlook the
lighter classes. He lasted only one year.
By this time The Ring rankings had attained such a position
that I realized that their compilation required the knowledge
of one whose boxing interest and knowledge included all
the divisions. The Matchmaker of Madison Square Garden
seemed an obvious choice because he had to be fully informed
concerning boxers in all classes all over the world. Tom McArdle,
then occupying that position in the Garden, fell heir to
the job, which he capably performed for the next few years.
As the interest in ratings grew, however, I decided on a staff
compilation, and in 1933 I inaugurated the present system of
rating boxers on the basis of a census of Ring correspondents
throughout the world. Their decisions are looked upon as the
official ranking in every division by the European Boxing
Union and the various boxing commissions.
The wide range of opinion to which the ratings are exposed
has put the name of many an obscure but talented lad before
the public. A typical example of this was Billy Conn, whose
first real recognition by Mike Jacobs came as a result of the
high ranking he received in The Ring. Conn’s was just one of
many similar cases.
The year-end rankings also serve the important function of
starting off the new year in a flurry of comment and enthusiasm.
Boxing has thus received a much-needed stimulus
and I’m proud to think that I inaugurated the system.
26 MEET THE PRESS
Let me tell you about some of the outstanding
sports writers in American journalism. I am not going to
attempt to list all the great reporters, past and present, who
have kept the achievements of our athletic heroes in the headlines,
because it would take far more space than can be devoted
to it here.
Of all the colorful writers from all parts of the world with
whom I worked, my first choice is Tad Dorgan, whose boxing
cartoons were unexcelled and whose coinage of words formed
the pattern for later-day sports writers. Tad held an amazing
place in American journalism. He was not only a great writer
about fighters and an expert in the game, but he was one of
the most graphic cartoonists we have had on the west side of
the Atlantic. He was the John Leech of the modern school—now,
alas, modern no longer. In England the closest to him is
Tom Webster, whom I also esteem among my friends.
When Tad Dorgan died, a stout heart ceased to beat; he
was a man who had given pleasure and a laugh daily to hundreds
of thousands of people throughout the world. In the
quarter of a century that I knew Tad, I can recall at least fifty
“nicknames” that he had originated to describe fighters with
certain peculiarities; and the names by which he called them
are to this day their identification in the fistic world. He was
the most accomplished coiner of the sports page phrase. He
and Damon Runyon and Bill McGeehan contributed more to
the slang expressions that swept the country from time to time
than any other writers.
Battling Nelson, Tad dubbed “The Bat” and the “Durable
Dane.” Billy Petrolle in later years he called the “Fargo Express”
because of his speed, and the “Fargo Express” he remained
throughout his fighting days. Jem Driscoll, to Tad,
was the “Will O’ The Wisp.” ...
Tad’s comic strips, his humorous, human interest cartoons
and wisecracks continue to retain the appeal they had years
ago. Tad had a flavor and the tang that no man in the boxing
game has ever been able to duplicate.
As a boxing commentator Tad rated with the best: Bill
Naughton, Bill McGeehan, Ed Smith, Charley Van Loan,
Hugh Fullerton, George Siler, Macon McCormack, Bat
Masterson, Charley Mathison, Sam Austin, George Touhey,
and others whose articles made them famous authorities on
boxing in America.
Tad was an intimate of every sportsman of note from the
early nineties to the day of his death. He was a good friend of
James J. Corbett, John L. Sullivan, Jim Jeffries, and Jack
Johnson—the four aces in his list of fistic celebrities. Jim
Corbett once said that Tad, who was born in the same district
as Gentleman Jim, when only a lad showed all the symptoms
of becoming “the funniest man in the world.”
When Tad became famous as a cartoonist and a writer, he
often referred to Jim’s remark. Among Tad’s favorite sports
writers were Hype Igoe, Bill McGeehan, and Rube Goldberg,
each a noted man in his profession.
“The gamest man I ever knew,” is what Gene Tunney
called Tad, and Tunney knew something of many kinds of
courage. Tad was responsible for the discovery of many young
writers who later became stars in the sports world. It was he
who encouraged the famous Charles E. Van Loan, whose
books on sports are well known in England and in the United
States. Van Loan became one of the greatest baseball writers
in America while working on the San Francisco Bulletin and
later, when Van Loan accepted a post in Denver, he discovered
another youth—now known to the sports and movie
world as Damon Runyon.
Though Tad did not originate all the famous slang expressions
credited to him, he at least was responsible for
popularizing them. Remember when “23 skidoo” was the
rage? That was one of Tad’s expressions.
It was he who named Jack Johnson “Lil Arthur” at the
time that the giant Negro was in training for his fight with
Jim Jeffries at Reno. Tad was the only fistic expert in Reno
who picked Johnson to win by a knockout.
Joe Gans was dubbed “The Old Master” and Harry Wills,
he called “Ol Har.” Pete Stone, one of the favorites in Stanley
Ketchel’s camp when Hype Igoe was Ketchel’s manager, Tad
nicknamed “Pete the Goat.” He called Jack Dempsey, “The
Manassa Mauler” and “The Killer” and these “titles” have
been identified with Dempsey ever since.
The stories about Tad are so numerous that it would take
a volume to tell them. His escapades in “Jack’s,” a famous
New York restaurant of pre-prohibition days, are frequently
told in sports circles. The story of how two song writers picked
up his expression, “Yes, we have no bananas” and made a
million out of it, is an old one.
If making millions laugh every day qualifies a man to call
himself an artist—and I know of no higher art—then Tad was
an artist. I enjoyed his company and was proud to have been
numbered among his friends. Not only did he bring laughter
into the world with his “Silk Hat Harry,” “Judge Rummy,”
“Indoor Sports” and other famous drawings, but created
words that Webster never dreamed of.
Tad was the “Emperor of Prince Regent,” and “High Commissioner”
of the sports gatherings in New York. He loved
that bawdy life and he understood it as few others did. His
greatness lay in his understanding of humanity. Shams never
fooled him. He looked behind them, and saw human emotions—petty,
silly, or noble. He loved Broadway and the sports
world with a passionate intensity which he transmitted to
others in the journalistic profession.
Several years before heart trouble made it impossible for
him to attend fights, I saw him in Tex Rickard’s office and we
discussed old times.
“I don’t go to as many fights as I used to,” he said. “It’s the
same old thing—fight after fight; fouls, holding, referees interfering
with the boys and poor decisions. I’m fed up on it, Nat.
The boys rush in headlong and then slap their way through
the bouts, round after round. They either have their eyes shut
or their hands open.
“Remember the old Barnum saying, ‘There’s a sucker born
every minute?’ The population is bigger now so that the
sucker crop is much greater than in his day, but they’re still
falling.”
We discussed Johnson, Jeffries, Tom Sharkey, Ketchel and
a few others among the old time greats and compared them
with the fighters of this era. Tad challenged me to name eight
topnotchers who came to the front since 1916. I started but he
cut me short.
“What’s the use?” he asked. “Even if you name fifteen, you
won’t find four equal to those I’ve named. I like to talk about
the stars of other days because they were the real masters.
Their names will go on forever, just as those of the great
actors, musicians, painters and writers—Dickens, Cruikshank,
Leech, Shakespeare, Balzac, Dore, Kipling, O. Henry and Jack
London. Birds like that will continue to be chatted about.
They were the cream in their specialty as were Corbett, John
L., Jeffries, Fitz, Ryan, Sharkey, Johnson, Choynski, Walcott,
Gans, Dixon and Attell in theirs.”
We had attended a show a few nights before in the Garden
at which about 16,000 persons had crowded the arena, but the
main event was marred by repeated holding and waltzing and
Tad, turning to me, remarked:
“Just because 16,000 fight fans saw that bout and only
about 800 saw some of the ring classics of the past, some of the
stirring contests we used to attend, doesn’t prove that the
boxer of today is better than the fellows of twenty years ago.
Where do they get off to compare these birds to men like
George Kid Lavigne, Bat Nelson, Gans, Jack McAuliffe,
Frank Erne, and many others of their brand I can name? A
magazine writer today gets ten times what Dickens got fifty
years ago, but that doesn’t mean anything so far as comparative
ability goes. Half of the fans of today think that they’re
seeing great fights, when as a matter of fact, they’re just being
entertained by dubs.”
Tad knew his fights and fighters. He had the facts. The day
before the Berlenbach-Delaney fight, I sat with Tad and we
discussed the coming battle.
“Is a great left better than a great right hand?” he asked.
I thought for a moment and then replied that I thought the
best fighters in recent years were those who possessed good,
powerful lefts.
“Let’s see,” Tad answered. “Take a pencil and jot down
these names.”
Both Tad and I got our pencils out and we started to name
good fighters who could hit hard, and we found that the man
with powerful lefts rated higher than those who had a good
right. Tad remarked that Billy Delaney, the old-time trainer
who handled three champions—Corbett, Jeffries, and Johnson—said
that he wouldn’t handle a man who didn’t possess a
good left. “The left,” according to Delaney, “is the best fighting
hand because it is the natural hand for hitting purposes.”
Tad recalled Jack Johnson’s telling him that a fighter is
never off balance or out of position after leading with the left,
whereas he is all wet after the right is shot.
Among the fighters with great rights whom Tad named
were John L. Sullivan, Peter Maher, Bert Keyes, Gunboat
Smith, Joe Choynski, Aurelia Herrera, Georges Carpentier,
Australian Billy Murphy, Willie Fitzgerald, Young Corbett,
and Jack Delaney. Those with powerful hitting lefts were
Stanley Ketchel, Bob Fitzsimmons, George Dixon, Dal Hawkins,
Frankie Neil, Fred Fulton, Jim Corbett, Nonpareil Jack
Dempsey, Paul Berlenbach, and Kid McCoy.
Tad’s favorite fighter was Gans, with Jack Johnson rating a
close second. He thought that Dempsey was a great scrapper,
but he told me on several occasions that Dempsey never saw
the day when he could whip “Lil’ Artha.” He saw Dempsey at
Toledo and watched Jack beat Billy Miske in Benton Harbor.
That was the last fight he viewed from ringside. Thereafter,
he listened to them on the radio.
He often remarked that the radio was a God-sent gift to
him, and it undoubtedly prolonged his life. Always a great
hand for forming likes and dislikes for figures in the sports
world, he got to taking impressions from the radio and on
many occasions his follow-up story and drawings on a great
fight event which he didn’t see but to which he listened were
amazingly accurate.
In covering a fight or other important sports event, Tad’s
ability to cut loose with a flow of descriptive writing that
spread the picture before the eye and the mind of the reader
surpassed that of any other writer of his time. He was uncanny
in the accuracy of his description.
I recall the first time the word “hard boiled egg,” was used
in a sports story. The expression was coined by Tad following
a heated discussion over the division of a fight purse, in which
Harry Pollock and Dan McKettrick played leading parts.
When an agreement could not be reached, Tad came forth
with a cartoon depicting the wrangling and a caption beneath
the cartoon of Pollock read:
“How a hard boiled egg looks when fighting for the
dough.”
That expression became extremely popular in a short time
and soon was used as a gag on the stage and in stories of crime
to indicate a tough character. Still later he dropped part of the
expression and simplified it to just plain “egg,” and thereafter
that word took its place in English slang, meaning ordinary,
useless, unfit.
There never lived a more ardent fight-fan than Jack London;
as a matter of fact, Jack, though he never boxed in public,
was a nifty hand with the gloves. The first time I met him
was in Jack Cooper’s New York Gymnasium, the place where
Mike Donovan, Theodore Roosevelt, and many other noted
New Yorkers gathered. London was exercising with the mitts,
and he surprised me with his skill. I asked him where he
learned to spar.
“I was a pupil of the greatest teacher in the world,” he responded.
“Old Professor Hard Experience drilled me. When
I was a kid I traveled with a tough gang, and had to learn how
to scrap, or get my block knocked off every day,” he said.
“Then in my hobo days, riding on freights in box car pullmans,
I was up against a still tougher game. A young fellow
needs to know how to handle himself if he elects to carry on
in the tramp life.
“But I picked up a lot of glove knowledge sparring with
Battling Nelson when Bat was lightweight champion, with
Jimmy Britt, Young Corbett, and other cracks. I always liked
the game.”
London wrote some of the finest fight fiction ever published.
He had the gift of making a reader actually see and feel
what he described within the ring. Jack had some newspaper
experience on San Francisco papers, but the reporter phase
didn’t last long, as his talent for fiction soon transferred him
to a more lucrative field.
Even after he became famous as a novelist, the newspapers
and syndicates often paid him big money to act as ring correspondent
for championship matches. It was while covering
the Battling Nelson-Jimmy Britt match for the world’s lightweight
championship in 1905 that London coined the phrase
“abysmal brute,” applying it to Nelson’s seeming insensibility
to punishment. The iron-jawed Dane took everything Britt
could give him in the punching line, until he wore Jimmy
down and kayoed him in the eighteenth round.
London greatly admired the clever Britt and wanted him to
win, but it wasn’t in the cards for Jimmy to come out top-dog.
Jack also was anxious to see Jeffries whip Johnson. He
was engaged by a newspaper syndicate to cover the Jeffries-Johnson
battle at Reno, Nevada, in 1910, and he was hurt as
much as Jeffries when Johnson knocked the big Californian
out. London was Jeff’s most ardent rooter.
Like Tad, Bill McGeehan, famous Sports Editor of the New
York Herald Tribune, was a coiner of phrases. While Tad
made friends through his cartoons, McGeehan gained an army
of readers through his unique style of sports journalism. His
sarcasm, often biting to the marrow, held the attention of his
readers to the very end. He was a master of satire, and founded
a school of sports writers in this vein which now numbers
among its clan some of the best scribes in America—men like
Westbrook Pegler of the Chicago Tribune Service and Joe
Williams of The World-Telegram. They, like McGeehan,
are members of the school of sports debunking.
However, McGeehan’s coinage of sports epithets led the
field, his phrases far outnumbering those of Tad. The fight
game was McGeehan’s richest source, although his dubbing
of Notre Dame football players as the “Fighting Irish” is
probably the most memorable nickname he ever created.
Among his most popular descriptions of boxing were “The
Manly Art Of Modified Murder,” and “The Cauliflower Industry.”
The “Scrambled Egg Brigade” he applied to fighters
in general. In the area of particularization, one of his best-remembered
tags is the one he hung on Primo Carnera: “The
Tall Tower Of Gorgonzola.” “The Battle Of What Of It” he
applied to any fight that he judged to be worthless.
“The Ex-Millionaires Hole,” was the name he gave to the
Madison Square Garden Bowl, after the Depression depleted
the fortunes of many of the directors of the Garden. “The
Boy Bandit,” was his epithet for Jimmy Johnston, while “The
Exploiter of Pachyderm,” was Jack Curley’s designation.
When boxing was attacked in the New York State Legislature
in 1921, and it looked like the sport would receive its
death blow from the Governor, McGeehan, Damon Runyon,
Bill McBeth, George B. Underwood, Charles F. Mathison and
I, went up to Albany to plead for the continuation of boxing.
We were fortified with facts to prove the sport was conducted
on as high a plane as any other.
McGeehan, known in our circle as “the Sheriff,” made the
hit of the meeting when he spoke up:
“Prize fighting, Governor, is not a sport. It is a gigantic
business. As a business, I dare say it is conducted as honestly
as American politics or the average business, and I venture to
say, a little more honestly than the stockmarket. Every profession
has its crooks, its gamblers, its undesirables, even the profession
of politics. Then why condemn boxing and whitewash
all other business?
“Prize fights today are merely entertainments staged for the
box office. The sporting element went out when the business
became legal and respectable. If this legislature should kill
boxing, it would do a gross injustice to hundreds of boys who
are engaged in it as a profession; to managers who handle
them; and to the promoters who hire them for the public’s
entertainment. Such action will result in only one thing—boxing
will go back to the bootlegging days.”
So impressed was the Governor with that statement that you
could read his thoughts as he absorbed every word McGeehan
uttered.
McGeehan was dubbed by his fellow writers as “the man
with the fighting pen.” He waged war on crookedness in every
branch of athletics, as do my good friends Dan Parker and
Jimmy Cannon today.
Probably the best informed sports writers of my time,
among those with whom I was well acquainted and with
whom I worked, were Charles F. Mathison, my boxing critic
on the Press, Sun, and Telegram, and the man who formulated
the rules of boxing which became known as the Walker Law;
Ed Smith of Chicago, and Arthur Lumley, who handled the
Illustrated News and was several times manager of John L.
Sullivan. He also wrote for my Ring magazine.
Mathison, who at one time was the editor of the Detroit
Free Press and also of the New York Globe and the Morning
Telegraph, had a vast acquaintance in the boxing world. He,
like McGeehan, was a tough man for the crooked element in
boxing. Neither showed any mercy. It was their vitriolic writings
that did much to save the sport at a time when it was in
danger of annihilation.
McGeehan was a very heavy drinker, and he frequently ran
into trouble when he was assigned to cover a fight story of national
importance. I recall his arrival the day before the
Sharkey-Stribling fight in Miami Beach.
As I remarked in a previous chapter, Steve Hannigan, Sid
Mercer, and I handled the publicity and hotel accommodations.
I reserved rooms for the most prominent reporters from
New York and other big cities, including the British visitors,
in the George Washington Hotel, where my wife and I occupied
a suite.
McGeehan reached Miami Beach with Don Skene, his protégé,
and Graham McNamee, then America’s outstanding
sports announcer, working for the National Broadcasting
Company. Graham was to do the broadcasting. All three had
imbibed too much, and I quickly realized that I had a job on
my hands. McGeehan walked into press headquarters supported
by Skene and Graham, and in a gruff, commanding
tone he demanded to know where his room was. When I told
him that he had a reservation in the Fisher Estate where Bill
Carey was living, he shoved me aside and walked down the
corridor. My wife Trudie had emerged from her room and as
the door was open, Bill stopped in front of the room, walked
in, opened the window and started to toss out our trunk and
handbags. I rushed in as he was about to throw out my suit
and remonstrated with him. But it did no good. He dispossessed
us and took over. Within a short time, he and Don
Skene were fast asleep, and my wife and I had to find new
quarters.
On the day of the fight, McGeehan was nowhere to be
found and Skene was so far gone that he couldn’t see the typewriter
keys. After the contest, messages kept pouring into our
headquarters asking for the New York Tribune stories. To
cover the absence of the reporters, Sid Mercer tackled McGeehan’s
yarn, while I wrote one for Skene. We tried as
closely as we could to imitate their style, a mighty tough task.
After Mercer had filed McGeehan’s story, the editor sent the
following message:
“What happened to McGeehan’s report? What we received
was not written by him.”
Batting for a fellow writer was nothing new in the sports
field in those days. My friend Warren Brown, in his excellent
book, Win, Lose or Draw, confirmed that. He has a good yarn
in that book on McGeehan.
“At Benton Harbor, Bill had particularly rough going the
night before the Dempsey-Miske fight and on the day of the
contest, he was almost as bad. He made his way by forced
march to the press headquarters to finish his story. When he
got there, the only typewriter available was one of those old-fashioned
Olivers on which the type faces rose from left to
right on slender ovals.
“As McGeehan thrust his fingers on the keyboard, coils of
these type faces rose from both sides and met in the center in
an appalling knot. Bill shuddered as he surveyed the scene,
rose unsteadily, and made his way out of the place. He was
next heard from when he arrived in the press box in the
Cleveland Baseball Park two days later. His clothes and personal
belongings were forwarded to him. His story on the
fight reached his paper on time. It wasn’t pure McGeehan,
but it got by!”
In Miami, where we had more than 450 newspapermen
from all parts of the world on hand for the first fight promoted
by the Garden without Tex Rickard’s help, many such yarns
were telegraphed without aid from the reporter whose name
was signed without ever seeing the copy. Sid Mercer and I often
worked fourteen or more hours daily to write specials for visiting
writers who for six weeks were having the time of their
lives while we two were slaving to meet their deadlines. Even
some of the British newspapermen soon caught on to the
American style of covering a fight camp, and I had to send
special cables out for them as well.
In most cases newspapermen assigned to camps in the years
preceding the Jim Norris regime, were from an entirely different
school than the present day boxing writers. The majority
were more thorough in their work and possessed a
keener knowledge of boxing than the writers of this era. They
knew the game from A to Z, were more familiar with the
techniques, knew the background of the characters who were
the hangers-on in the camps and didn’t depend on the stereotyped
reports of the publicity bureau for an angle.
Today most of the boxing reporters are copyists who take
what is handed out to them on a silver platter and merely
elaborate. Few investigate. The majority take for granted
what is given to them by the press bureau. Few go in for digging
feature material as we did daily.
How different the old school was! The most prolific of all
fight publicists was the late Francis Albertanti, who for many
years was my star boxing reporter on the Telegram. He prepared
more fighters for the opening bell than any one I knew,
and his camp reports, when he was in charge of the ballyhoo,
were tops. I know of no writer who could beat him in obtaining
human interest material. He often had the other reporters
tearing their hair because of the number of “scoops” he scored
for our paper. Many a bonus Francis received from our Managing
Editor, Fred Walker.
On one occasion when Francis was out of work, Mike Jacobs
asked him to take charge of Billy Conn’s camp when Billy was
preparing for his second fight with Joe Louis. Mike offered
him $1,200 for three weeks work plus all expenses. Francis
turned it down. “You need the money more than I do,” he
replied in a huff. “I’ll take the job for $5,000—nothing less.”
Then he added: “You’re a millionaire; I’m an ordinary
working man. I can get along on ham and beans. You need
steaks daily.”
So Mike and Francis parted, and for the first time in years,
they were not on talking terms. But Francis was a frequent
visitor in Conn’s camp, and one day after Billy’s workout, a
mediocre one, Joe Williams, who took my place as Sports Editor
of the Telegram asked Francis for his opinion.
“Billy looks great,” said Francis with a straight face. “He’s
full of energy. He is fast, sharp, hits well, punches with accuracy.
He’s clever and game. He’s determined to win.”
Then after a short pause, Albertanti wound up his commentary
with a knockout punch at Uncle Mike’s ballyhoo:
“But I pick Louis to take the kid out any time Joe wants to.
He’s a cinch in my book to keep the title.”
Ed Smith was another scribe who played a dominant part in
American sports for half a century. The by-line of Ed Smith,
so well known to readers of The Ring for which he wrote for
many years, was known throughout the world of sports. For
twenty-six years he wrote for the Chicago Chronicle, the Chicago
American and the Los Angeles Examiner. Back in the
“good old days” it was sacrilegious to stage a fight or a wrestling
match of national importance without Smith acting as
referee.
Recognized as one of the best referees, there was never a
complaint about his honesty or his ability. He was third man
in the ring when Luther McCarty fell dead in his bout with
Arthur Pelkey in Calgary. He also officiated at the memorable
international wrestling championship match between Hackenschmidt
and Gotch at Dexter Pavilion in Chicago in 1911.
He took part in thousands of other famous contests, a complete
list of which would fill a record book.
Lumley, Mathison, Bat Masterson, and Smith were among
the last of the old school of sports writers, which also included
Joe Vila of The Evening Sun of New York, one of the most
fearless boxing writers in America. Like Lumley, Smith and
Mathison revelled in the past. They saw the romance that
ended with the commercialization of boxing, and they kept
the old days alive with thrilling and absorbingly interesting
tales.
Arthur Lumley was editor of the Police Gazette fifty years
ago. He came into the spotlight at a time when the writers
wore long beards, curling moustaches, high boots, and other
disguises when they went to cover a fight. I visited Lumley
just before his death a few years ago. He had broken his leg in
a fall, and this injury, combined with another ailment, had
left him an invalid. His failing sight could hardly discern my
presence.
“Come closer, Nat,” he said to me. “I won’t treat you like
they used to treat reporters fifty years ago, when I went the
rounds to do my work. You know, prize fight promoters and
fighters didn’t want newspapermen about, then. It was too
dangerous. Everything had to be kept quiet so that there
couldn’t be a give-away to the cops.”
He then told me the story of his attempt to cover the fight
between Paddy Ryan and Joe Goss in 1880, at Collier’s Station,
West Virginia.
“I decided that I would report that fight and I went along
with the few who knew where it would be staged. When I got
to the scene, those in charge drove away every member of the
press except me. I seemed to be a privileged character.
“They let me stay because I stood in well with several bank
robbers who were associated with the promotion. We had an
awful time getting to the scene of action and still worse a time
convincing the principals that it was all right for me to remain
and report the fight for my paper. We took a boat and started
across Lake Michigan for Canada, but when we got to the
Canadian shore we found a company of British soldiers and
six cannon facing us, so we decided it was best not to attempt
to land.
“We turned back, but before we reached the Michigan
shore, the Governor had been tipped off that we were on our
way and he had a posse after us, so we couldn’t land there,
either. We ran into the same trouble in Indiana and later in
Ohio, but we finally made it into West Virginia.
“It was a tough fight to stage and tougher to handle because
of constant danger of being discovered by the law. The fight
lasted eighty-seven rounds, with Ryan the winner. It was the
first big event I covered after becoming sports editor of the
Police Gazette in 1879.”
Speaking of the old Police Gazette, which the author of this
book bought in 1932 when the Fox family, because of heavy
losses, decided to give it up after controlling it for half a century,
Lumley remarked:
“We covered all the prize fights in The Gazette, and we also
went in for sensations. We gave the readers all sorts of dots
and dashes—little spicy items of divorces, separations, escapades,
and crime. You know, the kind of personal bits they
couldn’t get elsewhere. That made an instantaneous hit and
our circulation doubled. Then we decided to give them any
news that wouldn’t be printed in the daily papers and featured
stories of hold-ups, stabbings, murders, debauchery, wild west
fights, Indian uprisings, floods, and the like, and what a hit
we made!
“The Gazette, under my management with Richard K. Fox,
the owner, became internationally known and the craze for
the sheet in England was as great as it was in America. We
decided to go after more circulation and at my suggestion, we
opened a page for the barbers and the bartenders, and by running
the pictures of favorites, the paper sold like hot cakes.
Everybody wanted a copy. We were the oldest illustrated paper
in America and The Gazette, as we ran it, was the forerunner
of our modern tabloids.”
A splendid reporter and editor, Lumley was also a manager.
In addition to Sullivan, he handled Nonpareil Jack Dempsey
and Jack McAuliffe. Unlike the manager of today, he never
got a cent out of such management. It was the honor the managers
went after in those days, and, as Lumley said to me:
“I didn’t make a sou out of them. It wasn’t the custom in
those days to take money from a fighter. However, I made up
a medallion of the three Jacks—McAuliffe, Sullivan, and
Dempsey—and I sold these all over the country and made
plenty. In my opinion, they were three of the greatest fighters,
barring no one, America has ever seen.”
England, like America, had many excellent boxing writers
of the old school, the most prominent being Hugh Bradley,
Harry Cleveland, Trevor Wignall, Ben Bennison, Fred Dartnell,
James Butler, Norman Hurst, and a wonderful sports
cartoonist, Tom Webster.
They represent the gallant old guard who wrote many
thrilling and interesting tales. Their stories, many of which
are in my possession, I can read over and over again and never
tire. We covered many international affairs together.
No sporting writer in his day was more popular in the
Middle West than Harry Weldon, who for many years was the
active and genial Sports Editor of the Cincinnati Enquirer.
He was an all-round sporting man whose forte was boxing and
baseball. He had a wide reputation for honesty, and his opinion
settled bets throughout the nation.
George Touhey of Boston was another writer of note, and
one who contributed a mass of data on the history of American
boxing, in addition to being a prominent promoter and
manager. Then there was Joe McGinn, grand old man of the
Associated Press and first president of the Old Sports Writers
Association of New York.
I recall going to a private fight with McGinn and Jim Bagley,
who was a master of slang before George Ade ever was
heard of. In the latter years of his life, Joe was a teetotaler, but
at the time I speak of, he would, upon occasion, indulge in the
cup that cheers.
It was a cold, wet, rainy night. We had to walk more than
a mile through mud and wet fields before we found the roadhouse
where the bouts were held. The cold rain and the mud
offered a fitting excuse for a nip or two along the way—an
excuse for several, in fact—and Joe became more than a little
drunk. He knew it and feared the reception he would get from
the boss.
“Never mind, Joe,” hiccoughed Jim, “I’ll square you with
the boss. I’ll write a heartbreaking story about this trip
through the rain and mud and how all of us braved pneumonia
and had to liquor up to save our lives.”
Bagley wrote the story, giving a moving account of the privations
endured by the correspondents. He told, as only Bagley
could tell, of the march through the mud and rain and
how the writers wandered for miles in the darkness in a vain
search for the roadhouse where the fight took place.
“All of a sudden,” wrote Bagley, “out of the rain and the wet
and the mud and the stark, black darkness of the night,
loomed a building. It was all lit up like Joe McGinn.”
That is the way Jim Bagley squared Joe McGinn, if squaring
with reverse English can be considered help.
The great boxing matches in the huge stadiums of the present
day are marked by perfect order and decorum. They are
wonderful things, but once in a while some of us can’t help
longing for the days when the boxing game was sowing its wild
oats. We sigh for the lost romance and adventure. Say what
you want, you fellows, those were the days! Those were the
good old days!
A new school of boxing writer has developed in recent
years, one that mixed the new with the old and thus continued
to give some sense of the romance of the old prize ring days.
There were writers who, like myself, had passed through the
transition period and could appreciate the glamor and the
thrills of those old times.
Leaders of this school were Damon Runyon, Hype Igoe,
“Doc” Almy, veteran of the Boston Post, Westbrook Pegler of
the Chicago Tribune Syndicate; Paul Gallico of the Daily
News, Sid Mercer of the New York Journal, and Harry Smith,
the dean of the California critics, who died the day of the
Ezzard Charles-Joey Maxim fight in San Francisco in January
1952, at the age of seventy-six. He had been at every big fight
since 1890, and was one of my dearest friends.
These men stood out not merely as sports specialists but as
all-round reporters. In many cases, outstanding sports writers
during my early years as a journalist were recruited to cover
major news events on the “outside,” such as lurid murder
trials, kidnapings, Presidential campaigns, and the like.
Other notable journalists with whom I frequently worked
on assignments include Jersey Jones, now of The Ring staff,
who covered boxing for the New York Globe; Dan Parker,
Sports Editor of the New York Daily Mirror; James P. Dawson
of The Times; Frank Graham and Bill Corum of the
New York Journal American; Red Smith and Jesse Abramson
of the New York Herald Tribune; Daniel M. Daniel, Joe
Williams, and Lester Bromberg of the New York World-Telegram;
Barney Nagler of the Morning Telegraph; Jim Jennings
of the New York Daily Mirror; Arthur Daley and Joe
Nichols of the New York Times; Bob Considine, star columnist
of the Hearst organizations; Ted Smits, Jack Hand, and
Murray Rose of the Associated Press; Jack Cuddy and Oscar
Fraley of the United Press; Harry Grayson of the NEA service,
and Al Buck and Jimmy Cannon of the New York Post.
Also Harry Markson of the Bronx Home News and Murray
Goodman of the New York American, both now members of
the International Boxing Club staff; Hugh Bradley and Murray
Robinson of the Journal-American, Murray Lewin of the
Daily Mirror and Gene Ward and Jimmy Powers of the New
York Daily News. They all contributed to journalistic history
as sports writers.
Others were Warren Brown, Johnny Carmichael, Gene
Kessler, Charley Dunkley, and Arch Ward in Chicago; Ed
Wray, Bill McGoogan, Roy Stockton, and Sid Keener in St.
Louis; Harry Salsinger, Bob Murphy, Lyall Smith, and Leo
McDonell in Detroit; and Bill Cunningham, Dave Egan, and
Harry Hirschfield in Boston.
Friendly hands stretched across the continent through the
years: Jack Laing of Buffalo; Bill Lee of the Hartford Courant;
Whitey Lewis of the Cleveland Press; Ed Bang of the
Cleveland News; Max Kase of the New York Journal-American;
George Barton, veteran writer of the Minneapolis Tribune;
Elmer Ferguson of the Montreal Herald; Harry Keck
of the Pittsburgh Sun-Telegraph; Bill Keefe of the New Orleans
Item; and Roger Pippin of the Baltimore Sun.
Also, Al Abrams of the Pittsburgh Post-Gazette; Royal
Brougham of the Seattle Post-Intelligencer; Jack Kofoed of
the Miami Herald, whom I started on the big-time circuit in
New York; Dink Carroll of the Montreal Gazette; George
Davis of the San Francisco Express; Jack Fried of the Philadelphia
Bulletin; and Sec Taylor of the Des Moines Register.
Others who shared countless ringside thrills with me were
Hy Goldberg and Ed Friel of the Newark News; Tony Merenghi
of the Newark Star Ledger; L. H. Gregory of the
Portland Oregonian; Curley Grieve of the San Francisco Examiner;
Ray Grody of the Milwaukee Sentinel; Eddie Muller
of the San Francisco Examiner; Shirley Povich of the Washington
Post; Willie Ratner of the Newark Evening News;
Wilfred Smith of the Chicago Tribune; Frank Mastro of the
Chicago Tribune; and Pat Robinson of the International
News Service.
There are many, many others. In England, where I am as
much at home as in my own country, I frequently reported
international boxing matches and other events with Frank
Butler, Tom Phillips, George Whiting, Peter Wilson, Maurice
Smith, Harold Mayes, Lanson Wood, John Macadam,
Ralph Hadley, Desmond Hackett, Reg Gutteridge, Joe
Bromely, L. N. Bailey, Gerald Walter and Bill Mann.
The Fourth Estate’s sports writers constitute a grand crew,
doing a tremendous job in a vital department of American
and British journalism. They are the men whose dynamic
prose has brought pleasure to sports fans the world over.
27 A SUMMING UP
On June 6, 1958, I completed my thirtieth round
trip to Europe. During my five-weeks’ tour of the continent I
appeared on a number of radio and television programs, and,
as has been the case on other such occasions, I was asked to
compare ranked fighters of this era with the stars of the past.
Queries pertaining to the respective punching powers of Jack
Dempsey, Joe Louis and Rocky Marciano; the cleverness of
Ray Robinson; the cause of boxing’s decline; television’s effect
on pugilism; the International Boxing Club’s difficulties
with the government, and the investigations into boxing in
various parts of the United States, seemed to be of particular
interest to my interviewers.
Watching the passing sports parade during my many years
as a journalist, I have been most impressed by the changes
that have taken place in boxing, changes which I enumerated
in my overseas talks. There have been changes in style, and
the brutality that predominated in pre-commission days has
been eliminated. Boxing has spread throughout the world and
there is no doubt that it enjoys a greater following today than
ever before in its history.
However, in most major sports the champions of today are
as good, and in sports such as track and field, far superior, to
those who ruled the roost when I covered sports as a cub reporter.
This is definitely not so in boxing. All one need do is
to watch some of the televised bouts that are dished out as
main events to realize that fighting talent has gone into an
amazing decline. It is difficult to grow ecstatic over what one
observes nowadays as compared with the really first class
matches of the past.
There is at present a general lack of knowledge of the finer
points of the game which can be attributed to the training and
management of young fighters by incompetents. Prior to
World War II the difficulty in ranking fighters lay in selecting
ten from an outstanding field of possibly fifteen or more
prominent performers. Today’s headache comes from trying to
find a sufficient number of worthies in any division after the
first three or four have been listed.
The factors that make a great fighter, or even a good one,
are the ability to deliver a crushing blow, the ability to stand
up against punishment, and the ability to avoid punishment
through ring cleverness. Cleverness can be developed through
gymnasium workouts, but it requires far more than that to
acquire the toughness and fighting spirit of the old timers,
who, in most cases, were men who had followed a difficult
manual trade before taking up pugilism as a livelihood.
The trades that developed our greatest fighters were those
which had to do with swinging a hammer, mining, or hauling
heavy loads. Take a glance over the list of all-time greats in
The Ring Record Book. There’s Bob Fitzsimmons, one of the
few men who could bring down an opponent with a single
shot. He developed his tremendous power and stamina by
pounding out horse shoes on an anvil.
Jack Dempsey, the Nonpareil, a top middleweight, was a
cooper by trade, as was the famed Jack McAuliffe, who retired
as undefeated lightweight king. Both developed their punching
muscles by pounding the hoops on barrels, which in their
day were made by hand.
Jim Jeffries, the man whom Tex Rickard called the toughest
of all the heavyweights, was a boilermaker by trade. The
electric hammer had not been invented when he started working
and the rivets were driven in by hand.
Jack Johnson, whom I consider the best all-around man
among the heavyweights, past and present, gained his strength
and endurance as a stevedore lifting heavy bales of cotton on
a Galveston wharf. Harry Wills, almost as sound physically
today as he was in his prime, is another who developed on the
docks of the South.
Jack Dempsey, the Manassa Mauler, whose powerfully built
shoulders and iron fists brought him into the million-dollar
class of fighting men, started out in the Colorado mines. Even
the great John L. Sullivan, a heavy drinker and a tough one
to handle in training, did a lot of laborious work before he
became a professional prize fighter. And though Jim Corbett
never wielded a hammer, he spent hour upon hour, even as a
bank clerk, in outdoor exercise.
One cannot gain ring fame by the easy pink tea route or the
playboy road. Many fighters learn this lesson at the price of a
heavy shellacking, which more than likely kills their ambition
altogether. But the fact that so many of the fine performers of
yesterday were blacksmiths, lumbermen, stevedores, teamsters
and piano movers is testimony to the fact that it’s the boys who
have to battle their way to the top who make the grade.
The fighters themselves can’t be blamed for everything.
Much of the responsibility for present day mediocrity lies in
poor coaching. Men like Billy Delaney, Parson Davies, Doc
Robb, Tom O’Rourke and Young Otto, among dozens of
others of the old school, knew the game thoroughly. Many of
today’s trainers know less about boxing than the lads they are
trying to instruct. Doc Robb taught Benny Leonard to box
when Benny was a kid, and even when Leonard was champion
he looked to Robb to advise him on the finer points.
Years ago, pugilism was an art and good instructors were in
abundance. They were the “professors” who taught their
charges proper stance before any other aspect of boxing was
discussed. Watching today’s lads in gymnasiums both here and
abroad, or in ring battles, one can see how little most present
day boxers have been taught. For every top coach or trainer
today there are a dozen or more poor ones who have no business
in the ring looking after a fighter. Among the few who
rate high in my book as teachers today are Whitey Bimstein,
Jimmy August, Angelo Dundee, Bill Gore, Freddie Brown,
Dan and Nick Florio, Izzy Kline, George Chemaris, Johnny
Sullo, Chickie Ferrera, Charley Goldman and Doc Moore.
The art of boxing was at its height long before padded
gloves took the place of bare fists. The oldest of sports, it began
before the Christian era dawned. Boxing matches were
fought with the cruel metal-studded cestus, one of which, discovered
in the old ruins of Pompeii by me in 1922, now rests
in The Ring Museum in Madison Square Garden.
The cestus was abandoned as civilization advanced. Bare
fist fighting became a leading sport in Great Britain during
the eighteenth century, and from there it spread to America.
It was only slightly less dangerous than the old Roman way of
boxing and those who practiced it just had to learn how to
protect themselves. Since necessity is the mother of invention,
the bare knuckle warriors discovered much that continued to
be useful after gloves were introduced. Unfortunately, much
of this has been forgotten with the passage of years as fighters
became less cautious of their weapons and correct hitting began
to give way to wild swinging.
In the bare knuckle days, a straight left was the foundation
of ring strategy. It was not a tap to be ignored, such as one
frequently sees today, but a punishing blow that often produced
a knock-down. Feinting, which was best exemplified
among gloved fighters by Jack Johnson, is for the most part a
lost art today, as is punching with the full weight of the body
behind the blow.
This is not to say that all the really good fighters were of
prehistoric vintage, for there have been some notable examples
of distinction in recent times. There is no doubt that
Joe Louis and Ray Robinson would have stood out in any era,
and Rocky Marciano was as strong and courageous as any man
who ever stepped into the roped square. But the deterioration
of fighters in general is strikingly obvious when I consider the
overwhelming preponderance of old-timers in my ranking of
top ringmen from the first Marquis of Queensberry heavyweight
championship bout between Sullivan and Corbett in
1892 to the present.
Leading my list of fighters whose best performances were
given in the last sixty-six years is my favorite heavyweight,
Jack Johnson. I rate James J. Jeffries second, and close on his
heels are Bob Fitzsimmons, Jack Dempsey, James J. Corbett,
Joe Louis, Sam Langford and Gene Tunney, in that order.
Tunney was not a colorful battler, but he was a cool, mechanical
operator who mastered the technical ends of the
game and definitely has been a much underrated fighter. He
proved in his two bouts with Dempsey that he was far superior
to the rest of the heavyweight fighters during the years
that Jack held sway.
Dempsey came at a time when boxing was badly in need of
a man of his stamp. Jess Willard had lifted the crown from
Johnson, thus ending the era of the “white hopes,” but somehow
boxing fans could not get it into their heads that Willard
had won the world’s title squarely. His was an empty triumph
that thrilled nobody.
Along came the Mauler from Manassa. Along came Tex
Rickard. This wonderful combination of fighter and promoter
revived the sport and resuscitated its finances, and the
old guard suddenly discovered that the “good old days” had
come again. Boxing was lifted into the million-dollar class.
And Dempsey did it. He did it with his dynamic right, his
bobbing and weaving style, his popularity with the public,
and his ability to produce electric shocks. Those qualities
make him the fourth greatest fighter of the modern era in my
book.
As for the recently retired, undefeated heavyweight champion,
Rocky Marciano, he was a great hitter, but I’d rate Max
Schmeling, of Germany, above him in the number nine spot.
In the light-heavyweight class, I give the wily Kid McCoy,
the corkscrew artist, top rating, with clever Philadelphia Jack
O’Brien next in line, and Jack Dillon, the “Hoosier Bearcat,”
in third place.
Stanley Ketchel, the “Michigan Assassin,” Tommy Ryan,
and Harry Greb, “The Pittsburgh Whirlwind,” occupy the
top positions, respectively, among the middleweights, with
Mickey Walker, the “Toy Bulldog,” and “Sugar” Ray Robinson
following in that order.
The great Joe Walcott, the “Barbados Demon,” who fought
in four classes with considerable success, is my choice as the
leading welterweight, while the mighty Joe Gans and Benny
Leonard lead the lightweights. Each was a ring marvel. There
was very little difference between the pair in cleverness and
general ability.
Terry McGovern, clever Jem Driscoll, and Abe Attell, are
the leading figures in the featherweight class, which includes
such wonderful boxers who made ring history in this division
as Johnny Dundee, Johnny Kilbane, Kid Chocolate, Willie
Pep, and Young Griffo.
The bantam division produced such memorable names as
George Dixon (“Little Chocolate”) Pete Herman, and Kid
Williams.
Looking over the list of heavyweight champions from Sullivan
to Patterson, we find that the majority of the leaders were
fighting men who could hit. Who hit the hardest? That’s a
matter of opinion.
Tommy Burns, Jack Johnson, and Jess Willard were harder
hitters than Corbett or Tunney, but of the trio, only Johnson
possessed the cleverness and speed that distinguished these two
master boxers.
Johnson was a marvelous boxer with all-around ability, and
I am not the only boxing writer to rate him as the kingpin of
the heavyweights. However, as a powerful hitter he lacked the
punishing effectiveness of Jeffries, Fitzsimmons, Tom Sharkey,
Dempsey, Louis, and Marciano.
Willard had a heavy wallop, as his fight with Bull Young,
whom he killed in the ring at Vernon, California, in 1915, certainly
proved. But that tragic misfortune made Big Jess extremely
cautious in all of his subsequent battles. In his fight
with Dempsey, after being floored seven times in the opening
round, and battered about the ring until he was virtually helpless,
he jarred Jack with a right to the jaw in the third round
that almost floored him.
Coming down to Tunney, we find in him the cleverest of all
heavyweights from the time of Corbett. He was a master
boxer, an excellent jabber, and extremely fast. In him, Dempsey
faced his cleverest opponent, a boxer who, despite the
much-discussed “long count,” whipped him decisively both in
Philadelphia and in Chicago. But Tunney’s inability to stop
Dempsey when he had him at his mercy in Philadelphia was
fair proof of his deficiencies as a puncher. He crashed his fists
so frequently against Jack’s face that one of Dempsey’s eyes
was partially closed in each contest, but Gene couldn’t finish
his man. The big wallop which men like Sullivan, Jeff, Fitz
and Dempsey were able to deliver in their heyday, was the
missing ingredient in Tunney’s make-up.
As for Joe Louis, there is no need to go into details about
his hitting. He was on a par with Dempsey in that respect, but
wasn’t as fast and couldn’t take it on the chin as could Jack.
Joe was an exceedingly slow starter, yet one of the greatest in
the division for setting up an opponent for the “kill.” His
record as a heavyweight is one of the best.
His successor as a hitter was Rocky Marciano. We cannot
compare Rocky with Louis or Dempsey, except as a puncher.
One thing we do know—the public loves a hard hitter, and in
Rocky, the “Brockton Blockbuster,” it had such a champion.
One fighter who should have become an all-time great but
didn’t, was Max Baer. The Californian had the size, the
strength, the ruggedness, the stamina, and as deadly a punch
as the heavyweight class has known, but Max was too much of
a psychological problem. His clout did carry him to the top
of the heavyweight heap, but he didn’t remain there long. He
was too irresponsible and undependable.
Here is a detailed breakdown of my evaluation of the fighting
abilities of the heavyweights under discussion here:
Best Boxer
James J. Corbett
Fastest
James J. Corbett
Best All-Around
Jack Johnson
Best Uppercut
Jack Johnson
Best Defensive
Jack Johnson
Best Counter Puncher
Jack Johnson
Most Crafty
Jack Johnson
Best at Feinting
Jack Johnson
Best Left Hand Hitter
James J. Jeffries
Best Knockout Puncher
Bob Fitzsimmons
Best Hooker
Bob Fitzsimmons
Most Damaging Body Puncher
Bob Fitzsimmons
Best Heart Puncher
Jack Dempsey
Best at Infighting
Jack Dempsey
The Roughest
Jack Dempsey
Best combination, right to heart and left to chin
Jack Dempsey
Best Two-Hand Hitter
Jack Dempsey
Smartest Boxer
Gene Tunney
Best Jabber
Gene Tunney
Best Conditioned
Gene Tunney
Best Straight Right
Joe Louis
Best Finisher
Joe Louis
As for my all-time rankings in each division, they are as
follows:
Heavyweights
1—Jack Johnson
2—James J. Jeffries
3—Bob Fitzsimmons
4—Jack Dempsey
5—James J. Corbett
6—Joe Louis
7—Sam Langford
8—Gene Tunney
9—Max Schmeling
10—Rocky Marciano
Middleweights
1—Stanley Ketchel
2—Tommy Ryan
3—Harry Greb
4—Mickey Walker
5—Ray Robinson
6—Frank Klaus
7—Billy Papke
8—Les Darcy
9—Mike Gibbons
10—Jeff Smith
Light Heavyweights
1—Kid McCoy
2—Philadelphia Jack O’Brien
3—Jack Dillon
4—Tommy Loughran
5—Jack Root
6—Battling Levinsky
7—Georges Carpentier
8—Tom Gibbons
9—Jack Delaney
10—Paul Berlenbach
Welterweights
1—Joe Walcott
2—Mysterious Billy Smith
3—Jack Britton
4—Ted Kid Lewis
5—Dixie Kid
6—Harry Lewis
7—Willie Lewis
8—Henry Armstrong
9—Barney Ross
10—Jimmy McLarnin
Lightweights
1—Joe Gans
2—Benny Leonard
3—Owen Moran
4—Freddy Welsh
5—Battling Nelson
6—George Kid Lavigne
7—Tony Canzoneri
8—Willie Ritchie
9—Lew Tendler
10—Charley White
Bantamweights
1—George Dixon
2—Pete Herman
3—Kid Williams
4—Joe Lynch
5—Bud Taylor
6—Johnny Coulon
7—Pal Moore
8—Frankie Burns
9—Eddie Campi
10—Panama Al Brown
Featherweights
1—Terry McGovern
2—Jem Driscoll
3—Abe Attell
4—Johnny Dundee
5—Johnny Kilbane
6—Kid Chocolate
7—Willie Pep
8—Young Griffo
9—George K. O. Chaney
10—Louis Kid Kaplan
Flyweights
1—Jimmy Wilde
2—Pancho Villa
3—Frankie Genaro
4—Fidel La Barba
5—Benny Lynch
6—Elky Clark
7—Johnny Buff
8—Midget Wolgast
9—Peter Kane
10—Pascual Perez
It will take a long time, probably years after I’m gone, before
we will thrill again to the likes of these men. I do not live
in the past, but I do believe that the romance of the prize ring
rests almost entirely in the years gone by.
There is no end to what one can recall when one attempts,
as I have, to jot down the names of fistic heroes whose acquaintances
I have made and whose friendships I cherished.
The vivid anecdotes associated with their names, and the
names of others close to boxing in my lifetime, the thrilling
contests I’ve seen, the people I’ve met in my world travels,
my experiences in far-off countries, have all left their special
impression on me which I have tried to pass on to you.
Down the years I have meandered, telling a bit about this
and a bit about that, and with all, having as fine a time as I
hope you have had in following my journalistic career.
As for the future, I don’t agree with those who predict nothing
but gloom for boxing while they lament the lost glories of
Rickard and Dempsey, Jacobs and Louis. Studio television
will dominate promotional efforts during the coming years
and eliminate the fear of financial failure. There is no end to
the fabulous returns the future holds for world championship
matches with television wired for theater and home pay viewing
exclusively. The receipts of the golden era of boxing will
seem insignificant measured against what can be grossed with
this new medium.
I see America’s boxing monopoly broken now that the sport
has taken a firm hold in far-off countries hitherto unseen on
the fistic map. South America, Central America, Europe and
Asia will crown world champions.
Whatever the caliber of present and future talent as compared
with olden times, the pulse-stirring excitement will still
be there. The humor, pathos and glamour of the ring will
never cease.
Were I to live my life over again, there is nothing I would
cherish more than to be a part of the boxing scene and play
the role that has been mine during the past half century.
Stanley Ketchel, the famed “Michigan Assassin,” was
the most exciting fighter I have ever seen. I rate him the greatest
middleweight of all time and often wonder what other ring glories might
have been his, had he not been shot and killed by Walter Dipley at the
age of 24.
Here Ketchel (left) poses with Billy Papke prior to
their second 1908 title fight in San Francisco. Stanley regained the
championship with an eleventh round knockout.
Though not a popular champion, Jack Johnson ranks
as the best all-around fighter of modern times in my book. The demand
for his dethronement brought aging Jim Jeffries out of retirement.
Tex Rickard promoted the bout in Reno, July 4, 1910 and refereed it.
Sentiment rode with the balding Jeffries (shown above sparring for an
opening in an early round), but age soon told as the cat-like Johnson
battered him into submission. The end came in the fifteenth round (below)
as Sam Berger threw in the sponge and referee Rickard pushed Jack off the
fallen ex-champ.
Johnson’s unpopular reign as champion continued until
high living and Jess Willard caught up with him in Havana, June 10, 1914
(above). Willard’s great size and strength proved decisive as the bout
wore on and Jack was finally counted out in the twenty-sixth round. He
claimed afterwards to have taken a dive. In the picture below it appears
that Johnson is shading his eyes from the sun. However, such a gesture
is not uncommon for a beaten fighter (see photo of Billy Conn on another
page), and since I was present at the Havana fight, I cannot agree with
Johnson’s version.
Tex Rickard’s rise to greatness coincided with the
appearance of hobo camp brawler Jack Dempsey on the heavyweight scene.
Paired together by destiny, the rough, pug-nosed battler from Manassa,
Colorado, and the imaginative promoter personified Boxing’s Golden
Age.
Dempsey had been nothing more than a rugged in-and-out
slugger until he fell into the hands of Jack Kearns (white cap, above),
who groomed him for the title meeting with Willard at Toledo, July 4,
1919. Jack gained fistic immortality with an explosive three-round
knockout victory. The beating that Jess suffered was so severe as to seem
impossible to administer with only padded gloves. The false rumors that
Jack’s gloves were “loaded” with plaster of Paris persist until this day.
Jimmy Deforest (standing next to Dempsey), who bandaged Jack’s hands,
denied the story. Below we see Willard down for the seventh time in the
opening round.
Above is the architect’s sketch for a new Madison
Square Garden which Dinty Scanlon had drawn up and which appeared with
my exclusive story in the New York Telegram, May 22, 1923. We
submitted it to Tex Rickard the following day. Tex feigned disinterest,
calling our proposal impractical. However, he used our idea to get
financial backing for the building of his own Garden, as is indicated
by his architect’s drawing (below) which was not submitted to the press
until more than a year later.
For breath-taking excitement, the Dempsey-Luis Firpo
title fight at the Polo Grounds, September 14, 1923, was the wildest
I have ever witnessed. In the picture above, Jack, who was down
twice himself—once completely out of the ring—stands over the fallen
challenger. Though as courageous as any man I’ve ever seen, the mammoth
Firpo was finally knocked senseless and the fight ended with his tenth
knock-down at 1:12 of the second round. Luis was floored seven times in
the first round and twice in the second before the knockout punch was
delivered.
Dempsey’s dominance of the heavyweight division was
brought to an end by handsome ex-Marine Gene Tunney, who took the title
with a ten round decision in Philadelphia, September 23, 1926. Jack’s
defeat stunned the entire sporting world. Rematched before 104,000 in
Chicago’s Soldier’s Field, September 22, 1927, Dempsey flashed his old
time fury in flooring Gene in the seventh round (above). The long count
resulting from his delay in going to a neutral corner (below) remains a
subject for debate until this day, for Gene regained his feet, and his
senses, and went on to victory.
One of the more colorful fighters of the 1920s was
the unschooled primitive, Battling Siki, who somehow managed to swarm
over Georges Carpentier to win the light heavyweight championship of the
world, September 24, 1922.
Here is one of the greatest arrays of fistic talent
ever assembled for an evening of boxing. Shown at the weigh-in for the
Milk Fund Show at Yankee Stadium, June 26, 1924, are (l. to r.) Harry
Greb, Tommy Loughran, Young Stribling, Sandy Seifer, Ted Moore, Gene
Tunney, Ermino Spalla, Dan Lieber and Panama Joe Gans.
Rickard’s death in 1929 closed as exciting an era as
the fight game has ever known. Though marred by depression, the decade
that followed was almost as eventful, with shrewd Mike Jacobs the heir to
Tex’s promotional mantle. I negotiated Mike’s first title fight between
Henry Armstrong and Petey Sarron (above) at Madison Square Garden,
October 29, 1937. Jacobs’ meal ticket was Detroit “Brown Bomber” Joe
Louis (below), who ruled the heavyweights from 1937 to his retirement in
1949.
Joe’s first title defense saw him gain a fifteen-round
decision over the Welshman Tommy Farr in the Yankee Stadium in New York
City, August 30, 1937. Farr earned the respect of the American sporting
crowd, but he never would have gotten the match had it not been for my
trans-Atlantic telephone negotiations in Jacobs’ behalf.
A devastating puncher with either hand, Louis was one
of the greatest finishers the ring has ever seen. His destruction of Max
Schmeling in 2:04 of the first round of their meeting, June 22, 1938, at
Yankee Stadium is often compared with the carnage wrought by Dempsey at
Toledo.
Jacobs had to wait five years to rematch Louis with
Irish Billy Conn after their sensational 1941 meeting. This $100 a
ringside seat offering saw a heavier and not so daring Conn fall beneath
Louis’ fists in the eighth round at Yankee Stadium, June 19, 1946. Conn
is shading his eyes as did Jack Johnson in his bout with Willard.
Joe retired in 1949, but financial difficulties forced
him to return to the ring wars in 1950. He lost a fifteen round decision
to then champion Ezzard Charles, but managed to campaign successfully
among the other challengers until hard punching Rocky Marciano belted him
into permanent retirement with an eighth round kayo at Madison Square
Garden, October 26, 1951.
This shot of me in a familiar ringside setting was made
for a fight sequence in Rocky Graziano’s 1957 film biography, “Somebody
Up There Likes Me.” Also shown with me are some of my longstanding
pals among the fight scribes: (l. to r.) the late Jim Jennings of the
Mirror, the late Caswell Adams of the Journal-American and
Joe Nichols of the Times.
My work has taken me around the world several
times through the years. The picture above shows part of the crowd
of 69,962 that sat in the huge Bangkok stadium to watch the Chamrern
Songkitrat-Robert Cohen bantamweight championship match on September 19,
1954, despite a terrific downpour that lasted until the main event was
about to get under way. Cohen, shown (left) in an early exchange below,
won the title by decision. I am proud to have been associated in the
negotiations for the battle and to have acted as judge.
Here bantam king Cohen and myself greet New York State
Athletic Commissioner Julius Helfand upon his arrival in Paris for a
meeting of the World Boxing Championship Committee in 1955.
This picture of my 1958 visit with Cuban Sports
Commissioner, General Fernandez y Miranda, caused me considerable
embarrassment when it appeared as part of a Life Magazine feature
article on gambling and gangsterism in Cuba. A long time sports friend,
Miranda is also a Batista relative and in Life was alleged to have
interests in slot machines.
Here I am chatting with my life-long friend, Dan
Daniel, at The Ring offices. Dan and I have shared many an
exciting moment through my more than fifty years of sports writing.
This is part of the Boxing Hall of Fame, which I
organized in 1954 to commemorate the many truly great fighters of days
gone by. Those of modern times are selected by the votes of a panel of
more than 100 of the leading sports writers of the world. To be elected,
a fighter must receive at least 75 percent of the total votes cast. The
old timers are chosen by a panel of twenty veterans who have covered the
sports field for forty or more years.
Books by Nat Fleischer
History
The Heavyweight Champions
From Milo to Londos—The History of Wrestling from 2000 B.C.
Black Dynamite—A Five-Volume History of the Negro Race in Boxing
The Ring Record Book and Encyclopedia—14 Volumes
Biography
Reckless Lady—The Life Story of Adah Isaacs Menken and her Husband, John C. Heenan
John L. Sullivan—The Champion of Champions
Gentleman Jim—The Life Story of James J. Corbett
Terrible Terry—The Brooklyn Terror
Young Griffo—Will O’ the Wisp of the Ring
Stanley Ketchel—The Michigan Assassin
Jack McAuliffe—The Napoleon of the Prize Ring
Leonard the Magnificent
Jack Dempsey—The Idol of Fistiana
Gene Tunney—The Enigma of the Prize Ring
Max Baer—The Glamour Boy
The Joe Louis Legend
Instruction
Commando Stuff
Modern Wrestling
Training for Boxers
How to Box
How to Judge and Referee a Fight
Blocking, Hitting and Other Methods of Self-defense